1 00:00:02,960 --> 00:00:05,360 Speaker 1: Welcome to Stuff to Blow Your Mind production of My 2 00:00:05,480 --> 00:00:11,080 Speaker 1: Heart Radio. Hey, welcome to Stuff to Blow your Mind. 3 00:00:11,080 --> 00:00:14,800 Speaker 1: Listener mail This is Robert Lamb and this is Joe McCormick. 4 00:00:14,840 --> 00:00:16,840 Speaker 1: And it's Monday, the day of the week. We read 5 00:00:16,880 --> 00:00:19,840 Speaker 1: back some messages from the mail bag. Rob if you 6 00:00:19,880 --> 00:00:22,479 Speaker 1: don't mind, I'm going to kick things off today with 7 00:00:22,600 --> 00:00:26,520 Speaker 1: this message from Mike, who wrote in previously about weird 8 00:00:26,560 --> 00:00:29,280 Speaker 1: al and back masking. This was in response to some 9 00:00:29,360 --> 00:00:32,120 Speaker 1: episodes that you and Seth did while I was out 10 00:00:32,120 --> 00:00:35,280 Speaker 1: on parental leave. Um that we're about what ald you 11 00:00:35,320 --> 00:00:37,280 Speaker 1: cover in these I know you talked about like playing 12 00:00:37,320 --> 00:00:40,800 Speaker 1: records backwards and uh like I guess the Judas Priest 13 00:00:40,920 --> 00:00:44,640 Speaker 1: rumors and all that. The big topics we covered were 14 00:00:44,680 --> 00:00:47,320 Speaker 1: playing you know, the back mask gang and playing records backwards, 15 00:00:47,320 --> 00:00:52,120 Speaker 1: so actual back masked content and then allegations of back 16 00:00:52,200 --> 00:00:55,120 Speaker 1: masking the idea that oh, you know, the Led Zeppelin 17 00:00:55,160 --> 00:00:57,400 Speaker 1: song has satanic messages and if you play it backwards, 18 00:00:57,400 --> 00:01:00,360 Speaker 1: that sort of thing. Um. We also talked about all 19 00:01:00,360 --> 00:01:03,760 Speaker 1: these various tricks you can do in vinyl with the grooves, 20 00:01:03,920 --> 00:01:06,920 Speaker 1: and uh that that was a whole other interesting area. 21 00:01:06,959 --> 00:01:09,800 Speaker 1: But also we touched on some other things like having 22 00:01:10,680 --> 00:01:16,760 Speaker 1: codes in music, um hidden images in musical data, that 23 00:01:16,880 --> 00:01:20,600 Speaker 1: sort of thing. Anyway, uh So, this message is from Mike, 24 00:01:20,680 --> 00:01:29,040 Speaker 1: following up on his previous message which we featured. Thank 25 00:01:29,040 --> 00:01:32,240 Speaker 1: you for reading my letter about weird Al and backmasking. 26 00:01:32,680 --> 00:01:35,120 Speaker 1: This was the one that mentioned weird Al doing backwards 27 00:01:35,200 --> 00:01:38,840 Speaker 1: messages such as Satan likes cheese. Whiz Mike says, just 28 00:01:38,959 --> 00:01:41,959 Speaker 1: follow up with some comments about the song Bob. I 29 00:01:42,000 --> 00:01:44,240 Speaker 1: saw a weird Al at Carnegie Hall last month, and 30 00:01:44,319 --> 00:01:47,039 Speaker 1: he told the story of where this song came from. 31 00:01:47,240 --> 00:01:51,280 Speaker 1: Paraphrasing here. It was two thousand two, a palindrome year, 32 00:01:51,720 --> 00:01:54,880 Speaker 1: and everyone was obsessed with palindromes. I wondered if I 33 00:01:54,880 --> 00:01:58,160 Speaker 1: could make a song completely out of palindromes. So I 34 00:01:58,200 --> 00:02:00,640 Speaker 1: looked up a bunch of palindromes online and when I 35 00:02:00,680 --> 00:02:03,520 Speaker 1: put all the lyrics together, it was all just basically 36 00:02:03,600 --> 00:02:06,960 Speaker 1: a random jumble, but it looks like it should mean something. 37 00:02:07,400 --> 00:02:10,560 Speaker 1: That's when I realized I had written a Bob Dylan song. 38 00:02:11,880 --> 00:02:14,080 Speaker 1: I think that's a little harsh on Bob Dylan, but 39 00:02:14,080 --> 00:02:16,519 Speaker 1: but I get what you're saying. I get you a 40 00:02:16,560 --> 00:02:20,240 Speaker 1: weird Al. Uh So, the song ended up being named Bob, 41 00:02:20,360 --> 00:02:22,960 Speaker 1: which is another palindrome, and Weird l in his band 42 00:02:23,000 --> 00:02:27,440 Speaker 1: put together the music as a style parody of Bob Dylan. Uh. 43 00:02:27,440 --> 00:02:29,520 Speaker 1: And then Mike includes a link to the music video 44 00:02:29,680 --> 00:02:32,640 Speaker 1: as well as the lyrics. And I realized after I 45 00:02:32,680 --> 00:02:34,720 Speaker 1: looked it up that I had seen this music video before, 46 00:02:34,720 --> 00:02:36,560 Speaker 1: but I guess it's been a long time. So it's 47 00:02:36,680 --> 00:02:41,960 Speaker 1: in the style of that that classic film version of 48 00:02:41,960 --> 00:02:45,720 Speaker 1: Subterranean Homesick Blues where Dylan is like throwing off the 49 00:02:46,600 --> 00:02:49,040 Speaker 1: Q cards that have like the words from the lyrics 50 00:02:49,040 --> 00:02:52,560 Speaker 1: in them. And I'm not gonna read all the lyrics 51 00:02:52,639 --> 00:02:54,560 Speaker 1: of the song, but there are some pretty good ones, 52 00:02:54,840 --> 00:02:57,720 Speaker 1: So hats off to weird al he uh. He has 53 00:02:57,800 --> 00:03:00,480 Speaker 1: some like a Madam I'm Adam too who hot to 54 00:03:00,560 --> 00:03:03,440 Speaker 1: hoo to no lemons? No melon too bad? I hit 55 00:03:03,480 --> 00:03:06,960 Speaker 1: a boot um. Let's see what were the other good ones? 56 00:03:07,360 --> 00:03:10,880 Speaker 1: Rise to vote? Sir, do geese God? Do nine men? 57 00:03:10,960 --> 00:03:15,160 Speaker 1: Interpret nine Men? I nod? Rats Live on No Evil Star? 58 00:03:15,400 --> 00:03:20,400 Speaker 1: Won't Lovers Revolt? Now? Race Fast Safe Car? Rats Live 59 00:03:20,480 --> 00:03:22,840 Speaker 1: on No Evil Star is pretty great? Like That's that 60 00:03:22,919 --> 00:03:26,040 Speaker 1: sounds like it probably should be the title of a 61 00:03:26,120 --> 00:03:28,920 Speaker 1: of a paperback science fiction novel from the nineteen seventies. 62 00:03:29,440 --> 00:03:32,640 Speaker 1: Absolutely agree on one of the all time best Palin drums. 63 00:03:33,639 --> 00:03:37,240 Speaker 1: Also some of the last ones there was a ufo tofu, 64 00:03:37,440 --> 00:03:41,240 Speaker 1: we panic in a pew oozy rat in a sanitary zoo. 65 00:03:41,840 --> 00:03:45,160 Speaker 1: And then the final couplet is is just chef's kiss. 66 00:03:45,200 --> 00:03:48,400 Speaker 1: It's god a red nugget, a fat egg under a dog, 67 00:03:48,680 --> 00:03:54,040 Speaker 1: go hang a salami. I'm a lasagna hog. And Mike 68 00:03:54,080 --> 00:03:57,800 Speaker 1: finishes this message saying thanks, oh well, well thanks make yeah, 69 00:03:57,800 --> 00:04:00,000 Speaker 1: this is exactly what we're hoping to hear from folks. 70 00:04:00,080 --> 00:04:05,320 Speaker 1: Even more information about curious songs and hidden meanings, though 71 00:04:05,360 --> 00:04:08,080 Speaker 1: in this case it's like the hidden meaning is also 72 00:04:08,760 --> 00:04:12,520 Speaker 1: the straightforward overt me, which is kind of kind of interesting. 73 00:04:13,560 --> 00:04:22,200 Speaker 1: May a moody baby doom a yam alright. This next 74 00:04:22,200 --> 00:04:24,800 Speaker 1: one comes to us from Neil Neil Rights, and it says, 75 00:04:24,880 --> 00:04:28,120 Speaker 1: Robin Joe, the discussion on hidden tracks from your play 76 00:04:28,200 --> 00:04:31,040 Speaker 1: the Record backwards episode reminded me of one from Tools 77 00:04:31,080 --> 00:04:34,240 Speaker 1: album ten thousand Days. This may be the most complex 78 00:04:34,240 --> 00:04:36,640 Speaker 1: and creative secret track of all, since it required the 79 00:04:36,640 --> 00:04:40,359 Speaker 1: listener to play it using two devices simultaneously. Let me 80 00:04:40,440 --> 00:04:43,240 Speaker 1: explain there are eleven tracks on the CD, but in 81 00:04:43,360 --> 00:04:45,359 Speaker 1: order to access the hidden track, one must listen to 82 00:04:45,360 --> 00:04:48,200 Speaker 1: track three Wings from Marie Part one, immediately followed by 83 00:04:48,320 --> 00:04:52,800 Speaker 1: track eleven Virginie Thrace Uh. These two songs flow into 84 00:04:52,800 --> 00:04:54,880 Speaker 1: one another nicely and add up to one song that 85 00:04:54,960 --> 00:04:58,400 Speaker 1: is eleven minutes thirteen seconds in length. That's pretty cool, 86 00:04:58,440 --> 00:05:01,279 Speaker 1: But the crazy part is that track four, ten thousand 87 00:05:01,360 --> 00:05:04,880 Speaker 1: Days Wings Uh Part two is also eleven minutes and 88 00:05:04,880 --> 00:05:07,440 Speaker 1: thirteen seconds long. So in order to hear the secret 89 00:05:07,440 --> 00:05:10,560 Speaker 1: track in its final form, one must queue up the 90 00:05:10,600 --> 00:05:14,120 Speaker 1: track three, followed immediately by track eleven on one device 91 00:05:14,360 --> 00:05:17,559 Speaker 1: and play those while also sinking them up to track 92 00:05:17,680 --> 00:05:20,640 Speaker 1: four playing on a second device. When I learned this 93 00:05:20,680 --> 00:05:22,280 Speaker 1: back in the day, I tried it with the CD 94 00:05:22,360 --> 00:05:24,840 Speaker 1: player and a PC playing m P three's and my 95 00:05:24,880 --> 00:05:26,960 Speaker 1: mind was blown. Thank you for all you do to 96 00:05:27,040 --> 00:05:30,920 Speaker 1: keep my mind ever blown, yours, etcetera. Neil Uh, didn't 97 00:05:30,960 --> 00:05:33,400 Speaker 1: the Flaming Lips have an album like this? It was 98 00:05:33,440 --> 00:05:37,440 Speaker 1: this Zayrika or one of those that the idea was, 99 00:05:37,520 --> 00:05:40,200 Speaker 1: you would like have four different CDs playing all at 100 00:05:40,200 --> 00:05:44,800 Speaker 1: the same time in four different CD players. I well, 101 00:05:44,839 --> 00:05:47,200 Speaker 1: I'm not super familiar with when it comes to the 102 00:05:47,240 --> 00:05:50,200 Speaker 1: Flaming Lips. I'm basically basically only familiar with Yoshimi battles 103 00:05:50,200 --> 00:05:54,760 Speaker 1: the Pink Robots, but I am well aware of this. 104 00:05:54,960 --> 00:05:58,040 Speaker 1: Um gosh, it's kind of a I think it's more 105 00:05:58,120 --> 00:06:02,000 Speaker 1: like a sort of a conspiracy theory. Uh With ten 106 00:06:02,040 --> 00:06:04,880 Speaker 1: thousand Days, I'm I'm a little unclear myself because I 107 00:06:05,000 --> 00:06:11,040 Speaker 1: to remember when when fans started talking about this, regarding 108 00:06:11,080 --> 00:06:13,440 Speaker 1: ten thousand Days in the way it was kind of 109 00:06:13,480 --> 00:06:14,880 Speaker 1: like you got excited and then it was a letdown 110 00:06:14,920 --> 00:06:18,320 Speaker 1: because someone's like, there's a secret track, and you know, 111 00:06:18,640 --> 00:06:20,640 Speaker 1: you were excited to hear it, and then they said, well, 112 00:06:20,640 --> 00:06:23,279 Speaker 1: you have to build it yourself out of my playing 113 00:06:23,279 --> 00:06:26,440 Speaker 1: on two devices. And then I did it once, probably 114 00:06:26,440 --> 00:06:28,680 Speaker 1: in a very similar method, and I was like, Okay, 115 00:06:28,720 --> 00:06:32,520 Speaker 1: that's that's all right. Um, But I myself wasn't blown away, 116 00:06:32,520 --> 00:06:34,919 Speaker 1: but I thought maybe the idea was pretty cool. And 117 00:06:34,960 --> 00:06:37,280 Speaker 1: I actually looked back into it for the first time 118 00:06:37,320 --> 00:06:41,120 Speaker 1: in many years when we're prepping up these episodes, and 119 00:06:41,400 --> 00:06:43,960 Speaker 1: I couldn't tell I saw some like fan discussions where 120 00:06:43,960 --> 00:06:45,839 Speaker 1: some people were saying, there's nothing to it and it's 121 00:06:45,839 --> 00:06:49,679 Speaker 1: just a coincidence. Uh. So I'm I'm not sure. Certainly 122 00:06:49,720 --> 00:06:52,760 Speaker 1: the numbers do seem to line up, but I'm not 123 00:06:52,800 --> 00:06:56,080 Speaker 1: sure if that means that it is clearly a super 124 00:06:56,160 --> 00:06:58,600 Speaker 1: hidden track, as it sometimes referred. I mean, if it 125 00:06:58,680 --> 00:07:02,080 Speaker 1: sinks up perfectly, like if it's same tempo and same key, 126 00:07:02,200 --> 00:07:04,000 Speaker 1: it seems like it could be hard for that to 127 00:07:04,040 --> 00:07:07,480 Speaker 1: be by accident. Yeah, I mean I didn't. I didn't 128 00:07:07,480 --> 00:07:09,960 Speaker 1: really analyze it a lot when it came out, and um, 129 00:07:10,000 --> 00:07:12,360 Speaker 1: I just I had assumed it was intentional. But like 130 00:07:12,400 --> 00:07:14,720 Speaker 1: I say, it looks like maybe there is some discussion 131 00:07:14,760 --> 00:07:16,880 Speaker 1: back and forth on the matter, so I'm not sure 132 00:07:16,880 --> 00:07:22,120 Speaker 1: if it's settled within the fandom. M hm. Also, it 133 00:07:22,160 --> 00:07:24,680 Speaker 1: does mean really it's too difficult. I shouldn't have to 134 00:07:24,680 --> 00:07:27,080 Speaker 1: build my own track, and it also it seems like 135 00:07:27,120 --> 00:07:29,200 Speaker 1: also it's like I shouldn't have to remix the music 136 00:07:29,240 --> 00:07:31,360 Speaker 1: to find the secret. But I guess that's kind of 137 00:07:31,400 --> 00:07:33,200 Speaker 1: like what the idea of the back masking is, like, 138 00:07:33,400 --> 00:07:35,200 Speaker 1: force people to get in there and mess around with it, 139 00:07:35,520 --> 00:07:38,480 Speaker 1: use the audio technology at their disposal. So I don't know, 140 00:07:38,520 --> 00:07:40,960 Speaker 1: I'm not sure which way it goes. Isn't it only 141 00:07:41,000 --> 00:07:42,960 Speaker 1: fun if they make you do some work like if 142 00:07:42,960 --> 00:07:45,160 Speaker 1: it the hidden track is just the last track on 143 00:07:45,200 --> 00:07:49,280 Speaker 1: the c D? Is that yeah? Track that I mean? 144 00:07:49,280 --> 00:07:50,880 Speaker 1: That was one of the interesting things that came out 145 00:07:50,920 --> 00:07:54,119 Speaker 1: of that discussion with Seth in those episodes, because I'm 146 00:07:54,160 --> 00:07:57,560 Speaker 1: I was mostly only familiar with CD hidden tracks, which 147 00:07:57,680 --> 00:08:00,480 Speaker 1: was for the most part, just a matter of letting 148 00:08:00,560 --> 00:08:03,600 Speaker 1: the obviously super long last track on an album run 149 00:08:03,640 --> 00:08:06,400 Speaker 1: its full course, that sort of thing. He didn't actually 150 00:08:06,440 --> 00:08:08,480 Speaker 1: have to work for it. But some of the Vinyl 151 00:08:08,560 --> 00:08:12,080 Speaker 1: things that that we discussed in those episodes, the vinyl 152 00:08:12,320 --> 00:08:15,080 Speaker 1: secret tactics, some of those do require a bit of 153 00:08:15,120 --> 00:08:17,160 Speaker 1: skill to pull off, and there maybe a little more 154 00:08:17,240 --> 00:08:19,680 Speaker 1: hidden in plain side. Well, I think that gets a 155 00:08:19,680 --> 00:08:21,800 Speaker 1: referenced in the next message, So I'm gonna read this 156 00:08:21,840 --> 00:08:31,679 Speaker 1: one from Dan. Dan says, hello Robert and Seth. Seth, 157 00:08:31,760 --> 00:08:34,680 Speaker 1: if you're listening, this one's also for you. I listened 158 00:08:34,679 --> 00:08:37,760 Speaker 1: to your two episodes on Backwards Recordings and I absolutely 159 00:08:37,800 --> 00:08:41,360 Speaker 1: love them. I share Rob's annoyance with hidden tracks on CDs. 160 00:08:41,520 --> 00:08:43,719 Speaker 1: I never understood the point of them, as I used 161 00:08:43,760 --> 00:08:46,760 Speaker 1: to listen to CDs on my desktop computer through the 162 00:08:46,800 --> 00:08:49,720 Speaker 1: Windows Media Player app, which would say in the track 163 00:08:49,800 --> 00:08:52,719 Speaker 1: listing hidden track if the CD you were playing had 164 00:08:52,760 --> 00:08:57,480 Speaker 1: a hidden track. Cool um. It was also a bit 165 00:08:57,520 --> 00:08:59,320 Speaker 1: of a pain because if you wanted to make a 166 00:08:59,400 --> 00:09:01,680 Speaker 1: copy of a CD for a friend and the hidden 167 00:09:01,679 --> 00:09:05,160 Speaker 1: track took a long time to get to, you wouldn't 168 00:09:05,160 --> 00:09:07,319 Speaker 1: be able to fit it in on the c d R, 169 00:09:07,559 --> 00:09:10,800 Speaker 1: as they only had an hour and ten minutes worth 170 00:09:10,800 --> 00:09:13,600 Speaker 1: of space. A good example of this is the Deft 171 00:09:13,640 --> 00:09:17,040 Speaker 1: Tones album Around the Fur, in which the song Deman 172 00:09:17,320 --> 00:09:19,960 Speaker 1: starts playing twenty minutes after the end of the last 173 00:09:20,000 --> 00:09:22,679 Speaker 1: song m X I don't know this album. Yeah, I'm 174 00:09:22,679 --> 00:09:26,000 Speaker 1: not familiar with this. Also, if you're looking for more examples. 175 00:09:26,000 --> 00:09:28,800 Speaker 1: In a recent interview with Terry Gross, weird Al talked 176 00:09:28,840 --> 00:09:31,920 Speaker 1: about how he recorded some backmaske songs on his early 177 00:09:31,960 --> 00:09:35,880 Speaker 1: albums Okay. Similar topic has come up before, but yes, see, 178 00:09:35,920 --> 00:09:38,200 Speaker 1: if you play one song backwards, it says, Wow, you 179 00:09:38,240 --> 00:09:40,000 Speaker 1: must really have a lot of time on your hands. 180 00:09:40,040 --> 00:09:43,840 Speaker 1: Another one says Satan loves Cheese Whiz. Finally, in keeping 181 00:09:43,840 --> 00:09:46,400 Speaker 1: with the episode subject matter, I have a recommendation for 182 00:09:46,480 --> 00:09:51,240 Speaker 1: weird howse cinema trick or Treat a heavy metal sploitation 183 00:09:51,400 --> 00:09:55,360 Speaker 1: horror film from six about a dead heavy metal singer 184 00:09:55,600 --> 00:09:57,760 Speaker 1: who sold is sold to Satan and it's brought back 185 00:09:57,760 --> 00:10:00,800 Speaker 1: to life by playing his final album back Words. I've 186 00:10:00,800 --> 00:10:03,199 Speaker 1: never seen it, but I remember Robert, Joe and Christian 187 00:10:03,240 --> 00:10:07,120 Speaker 1: talking about it during an episode of Trailer Talk Ozzie, 188 00:10:07,720 --> 00:10:10,360 Speaker 1: I guess that means Ozzy Osbourne has a small acting 189 00:10:10,480 --> 00:10:14,360 Speaker 1: role as a televangelist, and to a lesser degree, Gene 190 00:10:14,400 --> 00:10:18,840 Speaker 1: Simmons plays a sleazy radio DJ. That fits. Also, Glenn 191 00:10:18,880 --> 00:10:22,160 Speaker 1: Morgan and James Wong from The X Files have writing credits. 192 00:10:22,400 --> 00:10:27,880 Speaker 1: Might be worth consideration. Happy Crampus, Knocked Dan Ps, Demon 193 00:10:27,960 --> 00:10:31,600 Speaker 1: Cleaner Rocks. I guess maybe the thing about the Kias song, Yeah, 194 00:10:31,640 --> 00:10:34,200 Speaker 1: that came up, not so much a secret track, but 195 00:10:34,360 --> 00:10:38,520 Speaker 1: I brought up how talking about annoyance with hidden tracks, 196 00:10:38,559 --> 00:10:41,640 Speaker 1: about how on the c D for the Kaias album, 197 00:10:41,679 --> 00:10:45,880 Speaker 1: Welcome to Sky Valley from the track Demon Cleaner is awesome, 198 00:10:45,920 --> 00:10:49,440 Speaker 1: but it is the third song on the second track 199 00:10:49,840 --> 00:10:52,640 Speaker 1: on the album, so it's like it only has I 200 00:10:52,640 --> 00:10:56,640 Speaker 1: think three tracks in a hidden track, but track number 201 00:10:56,640 --> 00:10:59,480 Speaker 1: one three songs, track number two three songs, track number 202 00:10:59,640 --> 00:11:03,199 Speaker 1: three four songs, so it kind of keeps you from 203 00:11:03,240 --> 00:11:06,840 Speaker 1: jumping around too much in there. Yeah. Yeah, Black Sabbath's 204 00:11:06,840 --> 00:11:09,480 Speaker 1: first album was like that, and they cram a lot 205 00:11:09,520 --> 00:11:12,960 Speaker 1: of songs into one track or or just called them 206 00:11:13,000 --> 00:11:16,120 Speaker 1: one song even on the record. Yes, Seth brought that 207 00:11:16,160 --> 00:11:20,000 Speaker 1: he may referenced y'all's discussion on Rusty Needles Record Club 208 00:11:20,040 --> 00:11:23,560 Speaker 1: about about Black Sabbath, and Uh, yeah, I didn't know 209 00:11:23,600 --> 00:11:25,560 Speaker 1: the full story in that either. I had run into 210 00:11:25,559 --> 00:11:30,160 Speaker 1: that situation though, where if I wanted to play uh say, 211 00:11:30,160 --> 00:11:33,320 Speaker 1: war Pigs, um, some versions of the album have war 212 00:11:33,360 --> 00:11:36,200 Speaker 1: Pigs in there with a bunch of other stuff, so 213 00:11:37,320 --> 00:11:39,520 Speaker 1: harder to zero win on the song you want if 214 00:11:39,559 --> 00:11:41,880 Speaker 1: you were trying to listen to that song on your 215 00:11:41,880 --> 00:11:44,560 Speaker 1: own terms. Oh but Trick or Treat, that was the 216 00:11:44,600 --> 00:11:48,800 Speaker 1: main point. Uh six film Trick or Treat not to 217 00:11:48,800 --> 00:11:51,839 Speaker 1: be confused with the with the more recent Trick or 218 00:11:51,880 --> 00:11:53,800 Speaker 1: Treat film, which was also a lot of fun. But 219 00:11:53,880 --> 00:11:57,400 Speaker 1: this one is very much a metal sploitation film, and 220 00:11:57,720 --> 00:11:59,920 Speaker 1: I have been kind of eager to at some point 221 00:12:00,440 --> 00:12:06,120 Speaker 1: cover proper metal splitation cinema on Weird House. Oh well, 222 00:12:06,160 --> 00:12:08,480 Speaker 1: we could, we could certainly give that a look. I 223 00:12:09,480 --> 00:12:12,160 Speaker 1: it's funny you're saying I mentioned this movie now. I 224 00:12:12,200 --> 00:12:15,520 Speaker 1: can't remember if I've seen it maybe I have. Back 225 00:12:15,559 --> 00:12:17,880 Speaker 1: when we were doing Trailer Talk, this was like a 226 00:12:17,920 --> 00:12:21,600 Speaker 1: YouTube series we did. Uh. We weren't in the habit 227 00:12:21,640 --> 00:12:23,719 Speaker 1: of all of us watching all the films that we 228 00:12:23,760 --> 00:12:27,200 Speaker 1: would reference. Oftentimes each fist would watch one film, so 229 00:12:27,600 --> 00:12:29,319 Speaker 1: we weren't really supposed to spend that much time with 230 00:12:29,400 --> 00:12:31,800 Speaker 1: him anyway. It was like the show was supposed to 231 00:12:31,840 --> 00:12:35,520 Speaker 1: be like fifteen minutes or something, so that was really cool. 232 00:12:35,640 --> 00:12:39,320 Speaker 1: I think we were streaming that on Facebook video nice 233 00:12:40,000 --> 00:12:43,280 Speaker 1: mats communicating. So yeah, I don't have a very clear 234 00:12:44,320 --> 00:12:46,760 Speaker 1: memory of this film. I do remember at least watching 235 00:12:46,760 --> 00:12:51,160 Speaker 1: the scene where Ozzy Osbourne is a TV evangelists. But yeah, 236 00:12:51,160 --> 00:12:54,120 Speaker 1: there's a There are a number of metal splitation films 237 00:12:54,120 --> 00:12:55,880 Speaker 1: from this period, some of which I've seen, some of 238 00:12:56,040 --> 00:12:58,560 Speaker 1: some that I haven't. Uh, And there's oh man, there's 239 00:12:58,559 --> 00:13:00,760 Speaker 1: some some wonderful stuff in there. Well. That could go 240 00:13:00,800 --> 00:13:04,560 Speaker 1: on a list of great TV evangelist cameos. Uh. The 241 00:13:04,600 --> 00:13:07,880 Speaker 1: other one I'm thinking of is in the West Craven 242 00:13:07,920 --> 00:13:11,960 Speaker 1: movie Shocker, which stars Mitch Peleggie, another X Files connection, 243 00:13:12,600 --> 00:13:16,880 Speaker 1: as a serial killer who does a an evil magic 244 00:13:16,960 --> 00:13:20,720 Speaker 1: spell that turns him into electricity after he goes to 245 00:13:20,760 --> 00:13:24,440 Speaker 1: the Electric Chair. That movie has Timothy Leary as a 246 00:13:24,520 --> 00:13:35,320 Speaker 1: televangelist in it. Very nice. Just some comes to us 247 00:13:35,360 --> 00:13:38,440 Speaker 1: from Daniel. Daniel says, I just listened to your two 248 00:13:38,480 --> 00:13:42,040 Speaker 1: part episode on backwards masking and hidden info in music. 249 00:13:42,440 --> 00:13:44,920 Speaker 1: I remember in the late eighties when there was the 250 00:13:45,000 --> 00:13:48,800 Speaker 1: Satanic music uproar. My cousin had a you Tube record 251 00:13:49,160 --> 00:13:54,240 Speaker 1: that our parents did not like. I remember the night 252 00:13:54,280 --> 00:13:56,360 Speaker 1: they came out to our place to play this record 253 00:13:56,400 --> 00:13:58,840 Speaker 1: backwards on my record player, as mine was the only 254 00:13:58,840 --> 00:14:01,680 Speaker 1: one that would play backwards. They all set around listening 255 00:14:01,679 --> 00:14:05,880 Speaker 1: intently for anything that sounded like any speech. After some time, 256 00:14:05,920 --> 00:14:08,600 Speaker 1: there was a reverse phrase that sounded a bit like 257 00:14:09,080 --> 00:14:14,679 Speaker 1: I believe that was That was that the album had 258 00:14:14,720 --> 00:14:22,280 Speaker 1: to be forced burnt in my metal forge. What what? Uh? Yeah? 259 00:14:22,280 --> 00:14:24,080 Speaker 1: My initial read on this was, I guess this is 260 00:14:24,120 --> 00:14:28,320 Speaker 1: a forge just for burning metal albums. Um so I 261 00:14:28,360 --> 00:14:30,360 Speaker 1: can certainly handle you two album. I mean it can 262 00:14:30,360 --> 00:14:32,520 Speaker 1: handle some pretty heavy stuff, so you two is gonna 263 00:14:32,600 --> 00:14:38,360 Speaker 1: go up like a matchstick. But anyway, my metal forge, 264 00:14:38,920 --> 00:14:41,120 Speaker 1: it must be some sort of like metal working forge, 265 00:14:41,120 --> 00:14:45,480 Speaker 1: I guess. But M Daniel does add uh quote. I 266 00:14:45,560 --> 00:14:48,040 Speaker 1: had many weird things as a kid, I didn't feel 267 00:14:48,040 --> 00:14:51,440 Speaker 1: comfortable with my forage being used to destroy my cousin's 268 00:14:51,480 --> 00:14:54,720 Speaker 1: property against his will. I remember that night thinking how 269 00:14:54,760 --> 00:14:59,320 Speaker 1: stupid it was. The I believe phrase was obviously coincidental, 270 00:14:59,560 --> 00:15:02,000 Speaker 1: even to my ears, and anyways, what's wrong with the 271 00:15:02,040 --> 00:15:05,560 Speaker 1: phrase I believe to a Christian. Nevertheless, I had to 272 00:15:05,560 --> 00:15:08,080 Speaker 1: shut up or I would have been in deep trouble. Also, 273 00:15:08,160 --> 00:15:10,480 Speaker 1: as a radio presenter and producer here in Australia of 274 00:15:10,520 --> 00:15:13,480 Speaker 1: twenty years, I've done many of those weird tricks myself, 275 00:15:13,640 --> 00:15:18,480 Speaker 1: especially time stretching, inverse fourier, the aphex twin trick, slow 276 00:15:18,560 --> 00:15:23,320 Speaker 1: scan and narrow band TV frames and many others. Anyway, 277 00:15:23,360 --> 00:15:26,120 Speaker 1: I'll definitely continue to listen to your show to yours, Daniel, 278 00:15:26,720 --> 00:15:30,560 Speaker 1: Oh thanks, Daniel. Oh, yeah, it sounds like you you 279 00:15:30,640 --> 00:15:34,320 Speaker 1: come from, uh maybe a similar culture to me. I 280 00:15:34,480 --> 00:15:36,760 Speaker 1: I knew many kids when I was in middle and 281 00:15:36,840 --> 00:15:41,000 Speaker 1: high school who got got in incredible trouble for like 282 00:15:41,080 --> 00:15:44,160 Speaker 1: having a wage aboard and stuff. But I don't recall 283 00:15:44,200 --> 00:15:48,200 Speaker 1: any terror about back masking in particular. I think maybe 284 00:15:48,200 --> 00:15:51,840 Speaker 1: that was a little bit before my time. Yeah, I 285 00:15:51,840 --> 00:15:54,680 Speaker 1: don't remember any of this back masking stuff so much. 286 00:15:55,040 --> 00:15:59,280 Speaker 1: In my like immediate um, you know, church environment growing up. 287 00:15:59,280 --> 00:16:00,800 Speaker 1: That certainly was a kind of thing you'd see on 288 00:16:00,800 --> 00:16:04,160 Speaker 1: TV and uh and maybe there were still reverberations of 289 00:16:04,160 --> 00:16:06,240 Speaker 1: that moving along. But as far as you two goes, 290 00:16:06,280 --> 00:16:08,520 Speaker 1: like you two was put forward is like this is 291 00:16:08,560 --> 00:16:10,880 Speaker 1: the band you should listen to look at, like they 292 00:16:10,880 --> 00:16:15,360 Speaker 1: would sing some of these songs in like church coffeehouse environments. 293 00:16:15,360 --> 00:16:20,200 Speaker 1: So so yeah, the idea that you two, of all people, were, 294 00:16:19,640 --> 00:16:24,240 Speaker 1: we're secreting away some sort of hidden satanic message is 295 00:16:24,320 --> 00:16:27,000 Speaker 1: just so ridiculous. That is kind of sinister. What is 296 00:16:27,040 --> 00:16:34,960 Speaker 1: he the edge of what is bono backwards? Oh no, no, oh, 297 00:16:35,000 --> 00:16:38,360 Speaker 1: that's that sounds satanic. Yeah, it's like a it's like 298 00:16:38,480 --> 00:16:45,360 Speaker 1: ancient Egyptian deity worship worshiped by Alistair Crowley. He came 299 00:16:45,440 --> 00:16:48,520 Speaker 1: up in those episodes. Crowley was into the playing stuff backwards, 300 00:16:48,520 --> 00:16:53,480 Speaker 1: listening to music backwards, listening to language backwards. Yeah, yeah, 301 00:16:53,680 --> 00:16:55,480 Speaker 1: it's It's an interesting topic though, because what one of 302 00:16:55,520 --> 00:16:57,080 Speaker 1: the things we keep coming back to, It's like so 303 00:16:57,160 --> 00:16:59,720 Speaker 1: much of it is, especially in this example that was 304 00:16:59,720 --> 00:17:03,440 Speaker 1: shared it here is if you listen to backwards audio enough, 305 00:17:03,440 --> 00:17:07,520 Speaker 1: particularly backwards speech, you will find something that sounds enough 306 00:17:07,560 --> 00:17:09,920 Speaker 1: like what you're looking for, you can't at least fall 307 00:17:09,960 --> 00:17:12,520 Speaker 1: into the category. And that's just just how it goes. 308 00:17:13,200 --> 00:17:15,680 Speaker 1: I mean, when you're listening to singing that is basically 309 00:17:15,880 --> 00:17:21,440 Speaker 1: speech and playing that backwards, you're still gonna hear some syllables, yeah, yeah, 310 00:17:21,600 --> 00:17:24,400 Speaker 1: and some of those are gonna fall together closely enough 311 00:17:24,600 --> 00:17:28,640 Speaker 1: to give you an idea of some other phrase. But yeah, 312 00:17:29,560 --> 00:17:31,119 Speaker 1: one of the just crazy things about it, not to 313 00:17:31,160 --> 00:17:34,879 Speaker 1: just completely dive back into the whole topic again, but 314 00:17:34,920 --> 00:17:37,359 Speaker 1: you know, some of these were like like accusations that 315 00:17:37,440 --> 00:17:41,919 Speaker 1: like A C d C was including back masked um 316 00:17:41,960 --> 00:17:45,119 Speaker 1: stuff and say Highway to Hell, where they're already like saying, 317 00:17:45,200 --> 00:17:47,480 Speaker 1: you know, hey, we're rocking for Satan, Like why would 318 00:17:47,480 --> 00:17:51,520 Speaker 1: you need to hide anything in there? That's the forwards message? Yeah. 319 00:17:51,800 --> 00:17:54,360 Speaker 1: Also E C d C is not trying to be spooky, 320 00:17:54,520 --> 00:17:58,400 Speaker 1: they're like they're like party boys. Yeah. And and then 321 00:17:58,440 --> 00:18:00,800 Speaker 1: the other thing too, It's like, if you are going 322 00:18:00,800 --> 00:18:03,920 Speaker 1: to hide something in the lyrics to for your song, 323 00:18:04,520 --> 00:18:06,600 Speaker 1: just hide them in the lyrics. Like if you're using 324 00:18:07,200 --> 00:18:10,280 Speaker 1: language again, you have all the tools of language at 325 00:18:10,280 --> 00:18:13,000 Speaker 1: your disposal. You can just go wild with that. You 326 00:18:13,040 --> 00:18:15,520 Speaker 1: don't have to have some awkward bit of phrasing that 327 00:18:15,680 --> 00:18:24,160 Speaker 1: is somehow incorporated backwards in your music. Okay, one last 328 00:18:24,200 --> 00:18:28,119 Speaker 1: message for today, uh Adam writes in with just a 329 00:18:28,160 --> 00:18:31,679 Speaker 1: series of weird House suggestions. One of these I've seen too, 330 00:18:31,760 --> 00:18:35,920 Speaker 1: I have not. The list goes Laser Blast, next one 331 00:18:36,119 --> 00:18:41,160 Speaker 1: show Kasugi Theater, five, Dynamite, Shallon Heroes, and then Warrior 332 00:18:41,240 --> 00:18:45,639 Speaker 1: from Shallon. Uh. Those second to sound like kung fu movies, 333 00:18:45,680 --> 00:18:48,520 Speaker 1: I have not seen them, but always up for for 334 00:18:48,600 --> 00:18:52,200 Speaker 1: a kung fu movie, especially a weird one. Laser Blast, however, 335 00:18:52,359 --> 00:18:55,520 Speaker 1: not only have I seen many times. That was one 336 00:18:55,640 --> 00:18:59,600 Speaker 1: of the first movies that we watched after we we 337 00:18:59,600 --> 00:19:02,280 Speaker 1: we brought our baby home, uh a month ago, so 338 00:19:02,400 --> 00:19:07,880 Speaker 1: my wife and I we watched it around Thanksgiving. Very nice, 339 00:19:07,960 --> 00:19:10,480 Speaker 1: very nice. Yeah, that's what I've seen in MST three 340 00:19:10,520 --> 00:19:13,159 Speaker 1: K form many times over the years. I've never watched 341 00:19:13,160 --> 00:19:15,600 Speaker 1: it just straight up, So that would be that would 342 00:19:15,600 --> 00:19:17,920 Speaker 1: be fun experience for Weird House at some point if 343 00:19:17,920 --> 00:19:20,520 Speaker 1: that one checks out for us. So Leonard Malton gave 344 00:19:20,560 --> 00:19:26,240 Speaker 1: it two point five stars, right. Uh. Yeah. The premise 345 00:19:26,280 --> 00:19:28,800 Speaker 1: of blazer Blast, if you're not familiar, is that a 346 00:19:28,920 --> 00:19:34,199 Speaker 1: sort of a young lad who likes to drive around 347 00:19:34,200 --> 00:19:37,560 Speaker 1: in a cool wizard van Uh finds a piece of 348 00:19:37,600 --> 00:19:41,600 Speaker 1: alien technology in the desert which attaches to his arm 349 00:19:41,760 --> 00:19:44,960 Speaker 1: like you kind of techno leech, and begins to change 350 00:19:45,040 --> 00:19:47,600 Speaker 1: him into an alien. So it allows him to blast 351 00:19:47,800 --> 00:19:52,600 Speaker 1: bullies and other various enemies of his with uh supernatural 352 00:19:52,760 --> 00:19:56,679 Speaker 1: or not supernatural, just high tech power. But it also 353 00:19:56,840 --> 00:20:00,680 Speaker 1: turns him green. He kind of becomes a hulk. Yeah, yeah, 354 00:20:00,920 --> 00:20:04,520 Speaker 1: it's a it's a fun flick. And Roddy mcdowal's in it, yea. 355 00:20:04,640 --> 00:20:08,440 Speaker 1: And Eddie Deason from Greece. Oh yeah yeah, Eddie Deason. 356 00:20:08,520 --> 00:20:10,280 Speaker 1: Yeah yeah, it's got a it's got a fun cast. 357 00:20:10,440 --> 00:20:14,320 Speaker 1: There's somebody else of note. Um, Oh yeah, Dennis Berkeley, 358 00:20:14,600 --> 00:20:19,119 Speaker 1: isn't it. He's the the big bearded man. Are you 359 00:20:19,240 --> 00:20:23,639 Speaker 1: ready for some football? Yeah? That one? Okay? Should we 360 00:20:23,640 --> 00:20:25,640 Speaker 1: wrap it up there? Yeah, let's go ahead and wrap 361 00:20:25,680 --> 00:20:27,440 Speaker 1: it up. But we'd love to hear from everyone. Keep 362 00:20:27,520 --> 00:20:31,000 Speaker 1: the messages rolling in as we roll through the holidays. 363 00:20:31,080 --> 00:20:35,359 Speaker 1: Here reminder that Loostener Mail airs every Monday, and the 364 00:20:35,359 --> 00:20:37,679 Speaker 1: Stuff to Blow Your Mind podcast feed our Core Science 365 00:20:37,680 --> 00:20:41,320 Speaker 1: episodes on are on Tuesdays and Thursdays, Monster Fact or 366 00:20:41,400 --> 00:20:44,320 Speaker 1: Artifacts short form episode on Wednesdays, and on Fridays we 367 00:20:44,359 --> 00:20:46,560 Speaker 1: do Weird how Cinema episodes. That's when we set aside 368 00:20:46,600 --> 00:20:48,720 Speaker 1: most serious concerns and just talk about a weird film. 369 00:20:49,240 --> 00:20:52,800 Speaker 1: Huge thanks to our audio producers for this episode. That 370 00:20:52,840 --> 00:20:56,560 Speaker 1: would be Max Williams and j J Pauseway Uh. If 371 00:20:56,560 --> 00:20:58,480 Speaker 1: you would like to get in touch with us with 372 00:20:58,640 --> 00:21:01,520 Speaker 1: feedback on this episode or any other, to suggest a 373 00:21:01,560 --> 00:21:03,639 Speaker 1: topic for the future, or just to say hello, you 374 00:21:03,640 --> 00:21:06,880 Speaker 1: can email us at contact at stuff to Blow your 375 00:21:06,880 --> 00:21:16,520 Speaker 1: Mind dot com. Stuff to Blow Your Mind is a 376 00:21:16,520 --> 00:21:19,199 Speaker 1: production of I Heart Radio. For more podcasts for my 377 00:21:19,240 --> 00:21:22,200 Speaker 1: heart Radio, visit the i heart Radio app, Apple Podcasts, 378 00:21:22,240 --> 00:21:24,040 Speaker 1: or wherever you listen to your favorite shows.