WEBVTT - The Destroyed Palace

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<v Speaker 1>Family Secrets is a production of I Heart Radio. In fact,

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<v Speaker 1>I am consumed by the whole conundrum of being a

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<v Speaker 1>child and a parent, the spiritual hurt of absentee parents,

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<v Speaker 1>the way that parents have complicated lives before having children,

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<v Speaker 1>the parents one thinks one has, the parents one might

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<v Speaker 1>wish to have had, The way that family members go

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<v Speaker 1>missing on each other, And the way, no matter how

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<v Speaker 1>kindly a family thinks, it is bonded by hardship. Parents

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<v Speaker 1>and children sometimes become more intimately known by strangers than

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<v Speaker 1>by one another, and more children don't know their parents

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<v Speaker 1>or deals. That's rich Benjamin political analyst, cultural anthropologist, speaker,

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<v Speaker 1>and author of Searching for White Topia, An Improbable Journey

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<v Speaker 1>into the Heart of White America. We which is is

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<v Speaker 1>a story of silence within a family, the kind of

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<v Speaker 1>silence that is like a blanket, muffling every potential question,

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<v Speaker 1>thrown over every curiosity, until there are no more questions.

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<v Speaker 1>There is no more curiosity. But when an inquisitive child

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<v Speaker 1>evolves into a deeply thoughtful adult, a journalist, there comes

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<v Speaker 1>a time when the need to know and understand becomes

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<v Speaker 1>more powerful than the silence itself. I'm Danny Shapiro, and

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<v Speaker 1>this is family secrets, secrets that are kept from us,

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<v Speaker 1>the secrets we keep from others, and the secrets we

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<v Speaker 1>keep from ourselves. I grew up mostly in a suburb

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<v Speaker 1>of Washington, d C. Called the Festa Maryland, and it

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<v Speaker 1>was so monochrome that one of the people who went

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<v Speaker 1>to high school years before I did was called Darren

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<v Speaker 1>Starr And who came up with a script called Potomac

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<v Speaker 1>two oh eight five four, which is the suburb I

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<v Speaker 1>grew up with. But Hollywood studio executives didn't want it

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<v Speaker 1>to be about Maryland, and so he changed his script

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<v Speaker 1>and he called it Beverly Hills nine to one oh.

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<v Speaker 1>So that gives the kind of sense of where I

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<v Speaker 1>grew up and how I grew up a suburb of Washington,

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<v Speaker 1>d C. But we also moved around quite a bit

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<v Speaker 1>because of where my father's work took me. I have

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<v Speaker 1>a twin sister, an older sister, and an older brother

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<v Speaker 1>in my twin and I we are the youngest in

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<v Speaker 1>the family. What was your mother like the mother of

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<v Speaker 1>your childhood? The mother of my childhood was very fierce

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<v Speaker 1>and determined. She was stern. My friends at the time

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<v Speaker 1>were required to call her Mrs Benjamin. And sometimes if

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<v Speaker 1>you asked her something and you replied, you didn't just

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<v Speaker 1>say yes, because then she would quit yes dog, cat monkey,

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<v Speaker 1>and that was your cue to say yes mom or

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<v Speaker 1>yes mother. So that being said, she had to be

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<v Speaker 1>attentive to me because I had a blood disorder called

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<v Speaker 1>sickle cell anemia, so we spent a lot of time

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<v Speaker 1>going to the doctor together. A lot of conversations were had,

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<v Speaker 1>but also a lot of silences. Even though we'd spent

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<v Speaker 1>a lot of time going to medical doctors, there were

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<v Speaker 1>no exact stories at all ever told about her past

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<v Speaker 1>when I was in grade school and when we commuted

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<v Speaker 1>to the blood doctors together. But there was a fierceness

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<v Speaker 1>I remember of her protectiveness to me, the way she

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<v Speaker 1>wanted me to be batt already, the way I always

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<v Speaker 1>fell uh survivor mentality in her, and I couldn't understand

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<v Speaker 1>what it was or why it is. I just assumed

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<v Speaker 1>it was medical that she wanted me to survive this

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<v Speaker 1>blood disorder because when I was born, one and four

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<v Speaker 1>children would not survive this disease, and the life expectancy

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<v Speaker 1>for me at the time would have been forty years old.

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<v Speaker 1>If I were lucky. How long was that period of

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<v Speaker 1>time of that kind of fear about your health? How

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<v Speaker 1>long did that last? It lasts to this day, but

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<v Speaker 1>at the time, you know, it's lasting in my childhood.

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<v Speaker 1>It's kind of really creeping up into every dynamic of

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<v Speaker 1>our relationship. And sometimes if I don't return my mother's

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<v Speaker 1>call soon enough, or if she suspects something in my voice,

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<v Speaker 1>such as she suspects I might have an infection, it

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<v Speaker 1>returns me to that six year old self where my

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<v Speaker 1>mother is saying, what did you do to deserve to

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<v Speaker 1>be sick? Or oh, my goodness, are you really calling

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<v Speaker 1>me from an emergency room and not letting me know.

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<v Speaker 1>I remember, as a full grown at all, I went

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<v Speaker 1>hiking in Montana and I caught walking pneumonia and with

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<v Speaker 1>they also the altitude of the high kick. It kind

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<v Speaker 1>of triggered this medical crisis. And then my mother and

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<v Speaker 1>I are having the same conversations and dynamic that we

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<v Speaker 1>had when I was a young boy. Just lives inside

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<v Speaker 1>the relationship lives inside both of you. And tell me

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<v Speaker 1>about your father, the father of your childhood, the father

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<v Speaker 1>of my childhood was very breezy, very effusive. People loved him.

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<v Speaker 1>People wanted to spend time around him. He worked extremely hard,

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<v Speaker 1>it was extremely generous. He was ebulent, and we often

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<v Speaker 1>joked that if you wanted something, you went to my

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<v Speaker 1>father and not my mother, because if you went to

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<v Speaker 1>my mother, you'd get a stern no, but if you

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<v Speaker 1>went to my father, you get a yes. And this

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<v Speaker 1>pertains to our dogs spending antica, and it pertains to

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<v Speaker 1>one thing. And my mother always scolded my father for

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<v Speaker 1>being impractical as she saw it. I mean, one time

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<v Speaker 1>he returned and it's a Saturday afternoon and there's a

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<v Speaker 1>scold Lexus in the drive way and all the kids,

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<v Speaker 1>needless to say, are enamored by it, and we're jumping

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<v Speaker 1>and hooting around this car. And my mother was furious

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<v Speaker 1>and she gave my father a dressing down. You know,

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<v Speaker 1>why do you borry this car o on a whim?

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<v Speaker 1>You know we're going to be suffering for this if So,

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<v Speaker 1>there was that dynamic. And also the final thing I'll

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<v Speaker 1>say is my father tended to have the better taste.

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<v Speaker 1>He was the more humanistic and the more creative, and

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<v Speaker 1>so he was often delegated with kind of decorating our

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<v Speaker 1>houses and that kind of thing. Partly they came from

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<v Speaker 1>similar backgrounds in the sense that they both grew up

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<v Speaker 1>with so many siblings seven and eight apiece. Um. They

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<v Speaker 1>both grew up under very ethically honest parents who wouldn't

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<v Speaker 1>steal a penny. They both grew up under stern, hard

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<v Speaker 1>working parents. So the irony is they had very similar

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<v Speaker 1>backgrounds growing up in these sort of uh nuclear families

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<v Speaker 1>of multiple children with hard working and effective and successful

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<v Speaker 1>parents in their own worlds. But they had very, very,

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<v Speaker 1>very different personalities. And I think my father had more

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<v Speaker 1>stability growing up. My mother's had more instability growing up

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<v Speaker 1>with all the political turmoil surrounding her family's home. One

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<v Speaker 1>thing Rich does know about his mother's family history as

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<v Speaker 1>he grows up is that she came to the US

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<v Speaker 1>from Haiti when she was thirteen, But this fact is

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<v Speaker 1>shrouded in mystery. It's never spoken about. He doesn't know

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<v Speaker 1>any specifics about this journey. I couldn't have told you

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<v Speaker 1>whether they came on a boat or raft a plane.

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<v Speaker 1>I assume it was a plane. But I couldn't have

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<v Speaker 1>told you when they left. I couldn't have told you

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<v Speaker 1>precisely why they left. I couldn't have told you what

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<v Speaker 1>their mood or their fears or their anxieties were when

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<v Speaker 1>they left. I couldn't have told you what happened when

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<v Speaker 1>they landed. I literally didn't have a detail to tell you.

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<v Speaker 1>When you say they, who's they? They is my mother

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<v Speaker 1>and her younger siblings who all came together. But it

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<v Speaker 1>also applies to her parents, Daniel and Carmen. I couldn't

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<v Speaker 1>tell you the circumstances and the details of how her

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<v Speaker 1>parents arrived to America in ninety seven. Either when was

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<v Speaker 1>the first time that you felt in any way curious

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<v Speaker 1>or that you registered the absence of the stories, you know,

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<v Speaker 1>the stories that weren't being told. That's funny looking back. Subconsciously,

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<v Speaker 1>that I was not being told these stories was registering

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<v Speaker 1>because I was hearing from classmates, you know, in high school.

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<v Speaker 1>They would say, oh, my ancestors came from Ireland during

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<v Speaker 1>the potato famine, or oh, you know, my ancestors came

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<v Speaker 1>from Ukraine during the programs, you know, at the turn

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<v Speaker 1>of the last century. So it began to register subconsciously

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<v Speaker 1>that this was a secret and that it was not

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<v Speaker 1>being talked about. But I never pressed it more. And

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<v Speaker 1>also I would say when I graduated from high school

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<v Speaker 1>and people's grandparents turned up, you know, with their white

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<v Speaker 1>hair and their sweater sets in their cardigans and that

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<v Speaker 1>kind of thing. Or when I would see a grandfather

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<v Speaker 1>in a Christmas commercial, it would register to me that

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<v Speaker 1>way a second, Uh, where's your grandfather? But in those

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<v Speaker 1>kind of subconscious and subtle ways it registered to me

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<v Speaker 1>growing up, and then it really hit me only as

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<v Speaker 1>an adult, like many kids who have grown up in

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<v Speaker 1>strict homes. In riches home, there's no cursing, no dating,

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<v Speaker 1>no smoking, no drinking. So when it comes time for college,

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<v Speaker 1>he flees to Wesleyan University, an ideal environment in that

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<v Speaker 1>it's intellectually rigorous and also a hard party school. Rich

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<v Speaker 1>loves it there, and upon graduation he moves to New

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<v Speaker 1>York City, hungry for more. It was a similar trajectory

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<v Speaker 1>in similar circumstances, where there was a fever in me

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<v Speaker 1>and I'm running from my past, I'm running from strictness.

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<v Speaker 1>I'm running from just kind of a mi las I

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<v Speaker 1>couldn't put my finger on. And the same story. I

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<v Speaker 1>came to the village, I read seriously, I did culture seriously,

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<v Speaker 1>but I partied my face off around this time as

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<v Speaker 1>we're just coming to really know himself in that early

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<v Speaker 1>twenties kind of way, his family still doesn't fully know him.

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<v Speaker 1>There are more secrets I never formally came out. They

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<v Speaker 1>were clues. So for one example, you know, gay men

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<v Speaker 1>were getting what we call a Caesar haircut, you know,

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<v Speaker 1>dusty sprinkles of hair on your head. My mother saw

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<v Speaker 1>this haircut and she shrieked, she hated, and she's like,

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<v Speaker 1>are you gay? And at that time, I must have

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<v Speaker 1>been seventeen, I denied it, but I think word cut

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<v Speaker 1>to her. And there's a point at which a mother

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<v Speaker 1>knows would be someone in my family told her, and

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<v Speaker 1>I would say that would probably be when I graduated

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<v Speaker 1>from college. But it was never discussed. Never. It's so

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<v Speaker 1>interesting when secrets are kind of baked in, when they're

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<v Speaker 1>just part of what you know, the air that you breathe,

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<v Speaker 1>They're part of the dynamic of a family. There's never

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<v Speaker 1>just one of them, right, there's just all these silences

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<v Speaker 1>and all these ways in which people don't talk to

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<v Speaker 1>each other. Yes, and that was the case on her,

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<v Speaker 1>and it was only as an adult. I'm beginning to think, well,

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<v Speaker 1>if her childhood is a secret, what other secrets are

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<v Speaker 1>kept on that end. And if, as you said, secrecy

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<v Speaker 1>is the culture of the family, they were just all around.

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<v Speaker 1>We'll be right back. Secrecy and silence build up so

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<v Speaker 1>much pressure, and that pressure has to go somewhere, right,

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<v Speaker 1>Hard partying can be its own pressure release valve when

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<v Speaker 1>it all feels like too much to handle. For many

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<v Speaker 1>of us raised in secrecy and silence, we want a

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<v Speaker 1>quick fix, a release from holding all that is unexpressed.

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<v Speaker 1>In the East Village, rich immerses himself in the club

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<v Speaker 1>scene and surrounds himself with running buddies who aren't too inquisitive.

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<v Speaker 1>It was so raucous, Danny, because on the one hand,

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<v Speaker 1>the parting was so anonymous. You never wanted to be

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<v Speaker 1>surrounded by people who asked too much questions because that

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<v Speaker 1>invaded your privacy. In it kind of punctured the air

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<v Speaker 1>of secrecy that you were that I was containing. But

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<v Speaker 1>at the same time it still managed a form of

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<v Speaker 1>intimacy where you saw people kind of doing crazy things

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<v Speaker 1>at vulnerable moments, you know, and by vulnerable I mean

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<v Speaker 1>drug related vulnerable moments, vulnerable sexual moments, And so that

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<v Speaker 1>was the ideal party, Buddy, is this air of anonymity,

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<v Speaker 1>people who don't ask to any questions. But also there

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<v Speaker 1>was a level of intimacy, people you could trust to

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<v Speaker 1>also not devulge your secrets. And some people describe the

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<v Speaker 1>East Village at that time as a kind of queer

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<v Speaker 1>Heyday because by that time, you know, the police or

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<v Speaker 1>city forces weren't enforcing strict nuisance laws or imbibing laws,

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<v Speaker 1>and it was just rampant with nudity, with drugs, with sexuality,

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<v Speaker 1>with fantastic DJs. And we didn't know what was going

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<v Speaker 1>on at the time, you know, we were just like

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<v Speaker 1>ratty libertine kids, ingesting our drugs and just carrying on.

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<v Speaker 1>And it was an age before Instagram and Facebook and

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<v Speaker 1>now the myth is, you know, to put yourself out

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<v Speaker 1>in the public to have followers, to be seen. At

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<v Speaker 1>the time was the reverse. It was the more private,

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<v Speaker 1>the more exclusive, the more unseen you were a the

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<v Speaker 1>better the partying and the more caschet you had. And

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<v Speaker 1>so we partied for each other. We partied for the moment.

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<v Speaker 1>We didn't party to have followers, and this contributed to

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<v Speaker 1>the success of the Secret. The gay rights movement has

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<v Speaker 1>changed so much, but at the time it was shameful.

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<v Speaker 1>I mean, it was shameful at work, it was shameful

0:15:41.720 --> 0:15:44.320
<v Speaker 1>among families. It was you know, there was just so

0:15:44.440 --> 0:15:47.880
<v Speaker 1>much shame in your tide and associated to this quote

0:15:47.920 --> 0:15:55.920
<v Speaker 1>unquote shameful disease that is consuming a community. And so

0:15:56.160 --> 0:15:59.280
<v Speaker 1>you know, it was a very different culture of shame

0:15:59.360 --> 0:16:04.520
<v Speaker 1>back then, the late nineties in the East Village or

0:16:04.560 --> 0:16:08.360
<v Speaker 1>an immersive whirlwind for Rich he's consuming culture along with drugs.

0:16:08.680 --> 0:16:12.320
<v Speaker 1>He's writing, he's finding the truest version of himself. Meanwhile,

0:16:12.520 --> 0:16:15.680
<v Speaker 1>the truth of his ancestors and his family history is

0:16:15.680 --> 0:16:23.000
<v Speaker 1>still obscured. Even at that time, the ancestry and my

0:16:23.120 --> 0:16:28.360
<v Speaker 1>mother's story coming here was deeply secret. I did not

0:16:28.680 --> 0:16:32.080
<v Speaker 1>give it a thought, nor did relatives tell me during

0:16:32.200 --> 0:16:34.960
<v Speaker 1>all those years in the East Village of what was

0:16:35.000 --> 0:16:39.920
<v Speaker 1>going on. And there's a funny incident. I remember a

0:16:40.040 --> 0:16:44.840
<v Speaker 1>cab driver looking at me and asking are you Haitian?

0:16:45.520 --> 0:16:49.520
<v Speaker 1>And I just worded no, because in my mind that

0:16:49.680 --> 0:16:53.720
<v Speaker 1>was so secret and it was just so undiscussed. I

0:16:53.720 --> 0:16:55.760
<v Speaker 1>think there's a deep part of me that didn't even

0:16:55.760 --> 0:17:02.360
<v Speaker 1>think I was Haitian years past, and which is a

0:17:02.400 --> 0:17:05.800
<v Speaker 1>lot less interested in partying. He considers himself more of

0:17:05.800 --> 0:17:08.640
<v Speaker 1>an adult. He has a great job, and he's published

0:17:08.680 --> 0:17:11.359
<v Speaker 1>a book. This is also the year his life is

0:17:11.400 --> 0:17:16.480
<v Speaker 1>forever changed in the worst recorded earthquake in the Western

0:17:16.520 --> 0:17:23.520
<v Speaker 1>hemispheres history. It's Haiti. So By I'm working in a

0:17:23.560 --> 0:17:27.159
<v Speaker 1>serious think tank, I had just launched a book that

0:17:27.280 --> 0:17:31.880
<v Speaker 1>had done well, and leaving the think tank. One night

0:17:32.880 --> 0:17:36.520
<v Speaker 1>I caught glimpse of the news and I remember vividly

0:17:36.760 --> 0:17:42.160
<v Speaker 1>was Anderson Cooper on the Plasmas green hanging in the lobby.

0:17:42.560 --> 0:17:46.879
<v Speaker 1>And then I'm hearing Hadi, I'm hearing had on the

0:17:46.960 --> 0:17:53.000
<v Speaker 1>screen crawl and I'm seeing, you know, things going on

0:17:53.080 --> 0:17:57.320
<v Speaker 1>in Haiti. And my body clenches because as an American,

0:17:57.560 --> 0:18:02.000
<v Speaker 1>any time Haiti has mentioned, it's in the context of catastrophe.

0:18:02.800 --> 0:18:08.040
<v Speaker 1>But this felt absolutely devastating, and I could not take

0:18:08.080 --> 0:18:10.760
<v Speaker 1>my eyes off the news for the next ten days.

0:18:11.680 --> 0:18:17.320
<v Speaker 1>And watching it, all the suffering people, all the faces

0:18:17.440 --> 0:18:22.720
<v Speaker 1>peering at me from the television, from the internet, It's like,

0:18:23.640 --> 0:18:25.560
<v Speaker 1>what is going to be our witness? Who will be

0:18:25.600 --> 0:18:31.320
<v Speaker 1>our witness? And the one indelible image that spoke to

0:18:31.359 --> 0:18:35.119
<v Speaker 1>my family history, the images of Haitians suffering, that's just

0:18:35.160 --> 0:18:38.920
<v Speaker 1>spoke to me as a human being but an indelible

0:18:39.000 --> 0:18:43.040
<v Speaker 1>image flashed across the screen, and that was the huge

0:18:43.160 --> 0:18:49.439
<v Speaker 1>damage suffered by Hate's presidential palace. And it's just, you know,

0:18:50.000 --> 0:18:53.200
<v Speaker 1>the quote unquote seat of power of that country could

0:18:53.200 --> 0:18:57.679
<v Speaker 1>not protect itself. It was just a crumpled building and dust.

0:18:58.320 --> 0:19:03.040
<v Speaker 1>And then that's when it was very strange. Danding is

0:19:03.160 --> 0:19:09.280
<v Speaker 1>just this sort of denial, this cloud of secrecy, this shame,

0:19:10.520 --> 0:19:14.119
<v Speaker 1>this all of it just kind of busted open, and

0:19:14.160 --> 0:19:16.639
<v Speaker 1>I'm like, this is untenable. You know, I have to

0:19:16.680 --> 0:19:20.800
<v Speaker 1>find out what's going on. I had known as a

0:19:20.920 --> 0:19:26.720
<v Speaker 1>fact that my mother's father had been the president of Haiti.

0:19:27.600 --> 0:19:32.359
<v Speaker 1>But it's that knowing that fact being told to me

0:19:32.480 --> 0:19:36.880
<v Speaker 1>by a stranger, for example, Knowing that, you know, as

0:19:36.880 --> 0:19:39.760
<v Speaker 1>a historical factor, is a political factor. Knowing that from

0:19:39.800 --> 0:19:43.680
<v Speaker 1>a stranger, you know, you can't avoid that. Knowing that

0:19:45.160 --> 0:19:48.119
<v Speaker 1>it is very different than knowing why he came, what

0:19:48.280 --> 0:19:51.840
<v Speaker 1>his tenure was, like, what impact it had on my mother,

0:19:52.240 --> 0:19:54.880
<v Speaker 1>how it shaped her as a human being, how he

0:19:54.920 --> 0:19:57.800
<v Speaker 1>shaped her as a human being. That's what I meant

0:19:57.880 --> 0:20:03.239
<v Speaker 1>by you know, all all these dark intangibles that were

0:20:03.320 --> 0:20:07.080
<v Speaker 1>unknown to me, but the fact itself I had known,

0:20:09.359 --> 0:20:12.919
<v Speaker 1>And do you remember how you knew that fact. Well,

0:20:12.960 --> 0:20:17.200
<v Speaker 1>I think a cousin might have, you know, mentioned it pridefully, oh,

0:20:17.200 --> 0:20:21.560
<v Speaker 1>our grandfather was president of Haiti, Or for example, my

0:20:21.640 --> 0:20:24.639
<v Speaker 1>mother's own aunt, who was a witty woman, might have

0:20:24.760 --> 0:20:29.280
<v Speaker 1>made a sarcastic remark of, oh, you know, that man

0:20:29.480 --> 0:20:34.600
<v Speaker 1>was deranged by his politics in reference to my mother's father.

0:20:35.320 --> 0:20:38.720
<v Speaker 1>So the fact of it would slip out either as

0:20:38.720 --> 0:20:43.800
<v Speaker 1>a tart remark or as a point of pride in

0:20:43.840 --> 0:20:47.800
<v Speaker 1>those kinds of ways. But everything that surrounds that fact

0:20:48.520 --> 0:20:52.880
<v Speaker 1>was kept a secret when you were growing up and

0:20:52.960 --> 0:20:56.159
<v Speaker 1>having that one fact, but then all this silence around it.

0:20:56.480 --> 0:21:00.920
<v Speaker 1>I'm even more interested in that because it's like there's

0:21:01.000 --> 0:21:05.000
<v Speaker 1>the mythology or the easy mythologizing of, you know, the

0:21:05.119 --> 0:21:08.480
<v Speaker 1>idea that grandparent was the president of a country, right,

0:21:08.760 --> 0:21:11.120
<v Speaker 1>and then yet nothing is known and nothing is spoken

0:21:11.160 --> 0:21:16.080
<v Speaker 1>of about that person exactly. It's very kind of bizarre.

0:21:16.640 --> 0:21:19.200
<v Speaker 1>On the one hand, you have a fact that one

0:21:19.240 --> 0:21:23.160
<v Speaker 1>would think generates a lot of pride, and I think

0:21:23.240 --> 0:21:26.240
<v Speaker 1>for some cousins or aunts it did generate a lot

0:21:26.280 --> 0:21:29.800
<v Speaker 1>of pride. But the fact that it's not discussed that

0:21:30.160 --> 0:21:34.280
<v Speaker 1>made me curious, especially in the context of that earthquake

0:21:34.400 --> 0:21:39.679
<v Speaker 1>and seeing that palace destroyed. Seeing the destroyed palace made

0:21:39.680 --> 0:21:44.919
<v Speaker 1>the secret more visually real. It made him in his life,

0:21:44.960 --> 0:21:51.320
<v Speaker 1>and more importantly, my grandmother's life more visually real. My grandmother,

0:21:51.920 --> 0:21:56.200
<v Speaker 1>which is to say, my grandfather's wife, who I grew

0:21:56.280 --> 0:22:00.199
<v Speaker 1>up knowing. I was extremely fond of her. She was

0:22:00.320 --> 0:22:08.360
<v Speaker 1>such a poised, kind woman, and people who describe her

0:22:08.440 --> 0:22:11.440
<v Speaker 1>after the facts say that when you were in her presence,

0:22:12.280 --> 0:22:14.639
<v Speaker 1>you had the sense that you were in the presence

0:22:14.680 --> 0:22:19.240
<v Speaker 1>of someone substantial, not someone who is arrogant and important,

0:22:19.440 --> 0:22:23.680
<v Speaker 1>but someone of substance and character. So I grew up

0:22:23.680 --> 0:22:26.919
<v Speaker 1>with her. And even though she could be funny and

0:22:27.040 --> 0:22:31.800
<v Speaker 1>say these hilarious you know things about x y Z

0:22:32.440 --> 0:22:36.679
<v Speaker 1>when she was no nun or schoolmarm. She smoked, she drank,

0:22:37.520 --> 0:22:41.440
<v Speaker 1>but at the same time there was a melancholy lingering

0:22:41.560 --> 0:22:45.440
<v Speaker 1>to her. You know, there's like a sadness around her.

0:22:46.520 --> 0:22:49.440
<v Speaker 1>And I had no idea what it was or why,

0:22:49.720 --> 0:22:52.240
<v Speaker 1>or who she had been married to, you know. And

0:22:52.280 --> 0:22:54.960
<v Speaker 1>she spent substantial amounts of time in her home. She

0:22:55.000 --> 0:22:59.359
<v Speaker 1>succumb for Thanksgiving, she succumbed to Potomac for many Christmas Is.

0:23:00.080 --> 0:23:03.360
<v Speaker 1>She used to send birthday cars. But you know, how

0:23:03.359 --> 0:23:06.080
<v Speaker 1>did she get in America? And she spoke with an accent,

0:23:06.760 --> 0:23:10.600
<v Speaker 1>so clearly she wasn't a native born American. And so

0:23:11.080 --> 0:23:16.240
<v Speaker 1>the presidential palace destroyed in the news also made me

0:23:16.280 --> 0:23:21.600
<v Speaker 1>think of my grandmother who had died by then. Did

0:23:21.680 --> 0:23:25.120
<v Speaker 1>you know, growing up and being close to her, where

0:23:25.880 --> 0:23:28.679
<v Speaker 1>your grandfather was or whether they were still together or

0:23:28.720 --> 0:23:30.520
<v Speaker 1>had he died or what was the story that you

0:23:30.600 --> 0:23:36.040
<v Speaker 1>knew if any uh, nothing, nothing. Isn't that bizarre? And

0:23:36.080 --> 0:23:40.360
<v Speaker 1>that's what I'm saying. Most grandparents come in sets, or

0:23:40.680 --> 0:23:44.280
<v Speaker 1>they come with an explanation. This couple has been divorced

0:23:44.920 --> 0:23:47.840
<v Speaker 1>in some kind of you know, backstory as to why

0:23:47.880 --> 0:23:51.240
<v Speaker 1>they're divorced. But here I have this single grandmother with

0:23:51.280 --> 0:23:55.040
<v Speaker 1>no context as to where her husband is, why he is,

0:23:55.080 --> 0:23:58.400
<v Speaker 1>where he is, when they got divorced, and all of that.

0:24:04.800 --> 0:24:07.320
<v Speaker 1>We'll be back in a moment with more family secrets.

0:24:23.960 --> 0:24:27.000
<v Speaker 1>As Rich stands watching the news on that plasma screen,

0:24:27.359 --> 0:24:29.400
<v Speaker 1>as he remains glued to the television for the next

0:24:29.440 --> 0:24:32.280
<v Speaker 1>stretch of days, he's stricken by the image of the

0:24:32.280 --> 0:24:36.320
<v Speaker 1>destroyed Presidential Palace and becomes determined to know more about

0:24:36.359 --> 0:24:41.640
<v Speaker 1>his grandfather his determination is visceral and immediate. He embarks

0:24:41.640 --> 0:24:44.879
<v Speaker 1>on a research expedition, an expedition into the depths of

0:24:44.960 --> 0:24:50.720
<v Speaker 1>his own family history. So the earthquake happens in January,

0:24:51.400 --> 0:24:55.040
<v Speaker 1>and by June, I'm dropping hands and I'm telling my family,

0:24:55.760 --> 0:24:59.320
<v Speaker 1>I e. My siblings and my mother that I intend

0:24:59.359 --> 0:25:03.520
<v Speaker 1>to go to hate And part of my intention was

0:25:03.560 --> 0:25:09.920
<v Speaker 1>to volunteer my time. And that's just independent of this story,

0:25:10.080 --> 0:25:15.600
<v Speaker 1>because I know people are volunteing uh their time for

0:25:15.760 --> 0:25:19.000
<v Speaker 1>different catastrophies around the world. So that was one intention.

0:25:19.480 --> 0:25:23.640
<v Speaker 1>Another intention was I will go find this story, and

0:25:24.760 --> 0:25:28.920
<v Speaker 1>so I start to tell them in June, and by

0:25:28.960 --> 0:25:32.040
<v Speaker 1>November I'm on the plane. What was it like for

0:25:32.080 --> 0:25:37.360
<v Speaker 1>you landing in Haiti for the first time? It was discombobulating.

0:25:37.920 --> 0:25:43.960
<v Speaker 1>I think for any American it's totally disorienting to land

0:25:44.000 --> 0:25:47.520
<v Speaker 1>in Haiti at that moment, because in November of that

0:25:47.640 --> 0:25:53.040
<v Speaker 1>year of the capital Port of Prince was still in rubble.

0:25:54.200 --> 0:25:56.879
<v Speaker 1>In other words, you're driving through the capitol and you

0:25:57.000 --> 0:26:02.560
<v Speaker 1>just see rubble everywhere, and the whole it's just prevalent

0:26:02.800 --> 0:26:06.199
<v Speaker 1>all over. There's also the fact that it was in

0:26:06.240 --> 0:26:10.480
<v Speaker 1>the midst of a cholera epidemic, just an awful, deadly

0:26:10.600 --> 0:26:14.159
<v Speaker 1>color epidemic. And also it was in the midst of

0:26:14.160 --> 0:26:18.880
<v Speaker 1>a presidential election. So I land there and it's kind

0:26:18.920 --> 0:26:25.280
<v Speaker 1>of a whiplash feeling of a landing in the midst

0:26:25.560 --> 0:26:30.240
<v Speaker 1>of quite a bit of tumult and turmoil. Also landing

0:26:30.440 --> 0:26:35.399
<v Speaker 1>and just feeling a sense of knowing nous And I

0:26:35.440 --> 0:26:38.359
<v Speaker 1>say knowing this because when the Haitian women, when I

0:26:38.400 --> 0:26:41.000
<v Speaker 1>hear them in border prints, I hear my grandmother's voice,

0:26:41.400 --> 0:26:44.120
<v Speaker 1>I hear my aunt Ji Jean's voice, and I hear

0:26:44.160 --> 0:26:48.879
<v Speaker 1>my mother's voice, and just the culture kind of envelived me.

0:26:49.160 --> 0:26:52.480
<v Speaker 1>And there was an immediate I would call it familiarity

0:26:52.760 --> 0:26:57.360
<v Speaker 1>landing in there. So that's the whiplash. It was very distant,

0:26:57.680 --> 0:26:59.920
<v Speaker 1>but it would be for anybody given what was going

0:27:00.040 --> 0:27:04.000
<v Speaker 1>on politically in the country. But it felt instantly familiar.

0:27:06.320 --> 0:27:09.080
<v Speaker 1>While you were there, what were you hoping to find

0:27:09.080 --> 0:27:13.720
<v Speaker 1>and what did you find? So I was hoping to

0:27:13.880 --> 0:27:20.399
<v Speaker 1>find artifacts of my grandfather that might be in the

0:27:20.560 --> 0:27:25.679
<v Speaker 1>National Archive in the Capitol, such as video footage of

0:27:25.760 --> 0:27:30.919
<v Speaker 1>his inauguration, such as his KAI clip, such as some

0:27:31.080 --> 0:27:35.320
<v Speaker 1>of his books. I was expecting to find that because

0:27:35.600 --> 0:27:39.439
<v Speaker 1>speaking to scholars in the US. I was able to

0:27:39.520 --> 0:27:44.639
<v Speaker 1>get what they call a manifest of what the archive contains,

0:27:44.760 --> 0:27:49.119
<v Speaker 1>and the archives in Haiti supposedly contains some of his belongings.

0:27:49.520 --> 0:27:52.960
<v Speaker 1>I was hoping to find that. I was hoping to

0:27:53.040 --> 0:27:57.760
<v Speaker 1>go through original newspapers to learn more about his life,

0:27:57.840 --> 0:28:01.320
<v Speaker 1>to learn about how he lived, about his domestic life,

0:28:02.040 --> 0:28:05.400
<v Speaker 1>hoping to find all of that. But a monkey ranch

0:28:05.640 --> 0:28:09.360
<v Speaker 1>was that the archives, the national Archives of Haiti, were

0:28:09.440 --> 0:28:15.520
<v Speaker 1>destroyed and I would say debilitated by the earthquake as well.

0:28:16.480 --> 0:28:18.640
<v Speaker 1>And so when I show up to the archive, it's

0:28:18.680 --> 0:28:22.679
<v Speaker 1>also looking like a construction site, like many buildings in

0:28:22.680 --> 0:28:26.320
<v Speaker 1>the country. So that's what I was hoping to find. Thankfully,

0:28:26.359 --> 0:28:29.439
<v Speaker 1>I was able to locate some people who had worked

0:28:29.760 --> 0:28:33.879
<v Speaker 1>for my grandfather in the nineteen fifties. I was able

0:28:33.920 --> 0:28:37.679
<v Speaker 1>to find some of his political associates. But also I

0:28:37.720 --> 0:28:40.480
<v Speaker 1>was just hoping to get a general sense of Haiti

0:28:40.560 --> 0:28:45.239
<v Speaker 1>itself and what had this man been involved in. You know,

0:28:45.280 --> 0:28:48.840
<v Speaker 1>what's this country like. Did you feel at that point

0:28:49.240 --> 0:28:52.800
<v Speaker 1>like you were beginning to piece him together for yourself

0:28:52.920 --> 0:28:56.360
<v Speaker 1>a little bit? I did, because he was such a

0:28:56.440 --> 0:28:59.600
<v Speaker 1>Haitian figure, and I mean that he was such a

0:28:59.680 --> 0:29:03.520
<v Speaker 1>pop the list. He was such a literal man of

0:29:03.560 --> 0:29:07.320
<v Speaker 1>the country, of the people. That was his platform. And

0:29:07.360 --> 0:29:11.000
<v Speaker 1>so what I one lesson I gleaned was I could

0:29:11.040 --> 0:29:15.760
<v Speaker 1>never understand him or my mother or their secrets unless

0:29:15.760 --> 0:29:20.000
<v Speaker 1>I had some sense of the country. Once the earthquake happens,

0:29:20.440 --> 0:29:26.520
<v Speaker 1>my mother softens to telling this story. She resigns herself

0:29:26.600 --> 0:29:28.160
<v Speaker 1>to the fact that I'm going to hate you to

0:29:28.200 --> 0:29:31.080
<v Speaker 1>tell a story I should mention. My mother is also

0:29:31.120 --> 0:29:33.960
<v Speaker 1>a scholar and a social scientist, so half of her

0:29:34.000 --> 0:29:38.400
<v Speaker 1>is thinking, this is good. Finally, what this man did,

0:29:39.720 --> 0:29:42.440
<v Speaker 1>where he stood in this country's history, is good that

0:29:42.720 --> 0:29:47.640
<v Speaker 1>someone is finally writing about him. As she ages, I

0:29:47.640 --> 0:29:53.040
<v Speaker 1>think the social scientists and intellectual and my mother really

0:29:53.160 --> 0:29:57.360
<v Speaker 1>liked the fact that I would write about him. But

0:29:57.600 --> 0:30:03.480
<v Speaker 1>the mother in my mother, I think she's a bit mortified.

0:30:03.640 --> 0:30:06.720
<v Speaker 1>What I would discover, what I might publish, what I

0:30:06.760 --> 0:30:09.680
<v Speaker 1>would find, how I would find it, how it would

0:30:09.760 --> 0:30:12.160
<v Speaker 1>make me look, how it makes would make her look,

0:30:12.480 --> 0:30:16.479
<v Speaker 1>how it would make him look. And by that I

0:30:16.520 --> 0:30:20.600
<v Speaker 1>mean I don't think she wants me to make him

0:30:20.640 --> 0:30:25.240
<v Speaker 1>look that good in the personal context. In other words,

0:30:25.360 --> 0:30:30.040
<v Speaker 1>she's proud of what achieved publicly, but I once remember

0:30:30.080 --> 0:30:35.320
<v Speaker 1>her saying something really blurting, something really tart, about that

0:30:35.320 --> 0:30:38.240
<v Speaker 1>man was no angel, and don't you dare do a

0:30:38.400 --> 0:30:43.200
<v Speaker 1>hang geography? And she was talking about his personal aspect.

0:30:44.160 --> 0:30:47.440
<v Speaker 1>Did she open up to you at all about her

0:30:47.520 --> 0:30:53.440
<v Speaker 1>own experience? Yes, not entirely. This happens over months and

0:30:53.520 --> 0:30:56.760
<v Speaker 1>years and grips and drafts, and it's not like you

0:30:56.880 --> 0:30:59.960
<v Speaker 1>ever sit down for an interview and you get everything

0:31:00.040 --> 0:31:03.520
<v Speaker 1>you need. The information comes just when you're not expecting it,

0:31:04.000 --> 0:31:07.440
<v Speaker 1>just when you're not explicitly having the conversation about that,

0:31:07.800 --> 0:31:11.440
<v Speaker 1>it comes outsideways. And so yes, over the years she

0:31:11.560 --> 0:31:17.400
<v Speaker 1>softened and I was able to get more information, starting

0:31:17.440 --> 0:31:23.160
<v Speaker 1>to put the pieces together of the Storian, so much

0:31:23.200 --> 0:31:26.280
<v Speaker 1>that you didn't know. I know it's ongoing, but what

0:31:26.480 --> 0:31:28.320
<v Speaker 1>did that feel like? And what does that feel like?

0:31:30.360 --> 0:31:37.560
<v Speaker 1>To be honest, it's comical and it's infuriating, and it's

0:31:37.600 --> 0:31:44.280
<v Speaker 1>comical because by now I tell the family very clearly,

0:31:44.320 --> 0:31:47.760
<v Speaker 1>I'm writing a book about us in the past, and

0:31:47.920 --> 0:31:51.680
<v Speaker 1>people shut down, They refused to talk, They refused by

0:31:51.680 --> 0:31:54.800
<v Speaker 1>an email and interview. And there are times where my

0:31:54.880 --> 0:31:58.440
<v Speaker 1>mother is perfectly willing to have the conversation, and there's

0:31:58.480 --> 0:32:01.560
<v Speaker 1>times when she's not most you not. And the comical

0:32:01.640 --> 0:32:05.000
<v Speaker 1>part is, like in my real word quote unquote, like

0:32:05.360 --> 0:32:07.800
<v Speaker 1>I went to the Bush White House and I told

0:32:08.840 --> 0:32:12.680
<v Speaker 1>the chief of staff and the chief political director, if

0:32:12.720 --> 0:32:15.240
<v Speaker 1>you don't grant me a fucking interview, this, this, and

0:32:15.280 --> 0:32:17.440
<v Speaker 1>this is going to happen. And this is how you

0:32:17.480 --> 0:32:20.200
<v Speaker 1>score an interview in your real working life as a writer.

0:32:20.800 --> 0:32:24.080
<v Speaker 1>But you can't subject your family to that, especially when

0:32:24.080 --> 0:32:27.280
<v Speaker 1>you're talking about you know, sixty and seventy year old aunties.

0:32:27.720 --> 0:32:32.200
<v Speaker 1>You're talking about your mother who you know you're close to.

0:32:32.960 --> 0:32:35.200
<v Speaker 1>And so that's the comical part, is you know in

0:32:35.240 --> 0:32:38.800
<v Speaker 1>your real life who you're able to get to speak

0:32:38.840 --> 0:32:43.320
<v Speaker 1>to you versus your family members. And the sad part, though,

0:32:43.600 --> 0:32:49.080
<v Speaker 1>is the people are getting sick, people die off, and

0:32:49.520 --> 0:32:53.080
<v Speaker 1>I feel the story slipping from me a because of

0:32:53.120 --> 0:32:57.520
<v Speaker 1>the natural disaster, but just be people's memory. And so

0:32:57.880 --> 0:33:00.800
<v Speaker 1>that's that was the sadness to me, and that is

0:33:00.840 --> 0:33:04.760
<v Speaker 1>also what made this project more urgent to me. And

0:33:04.800 --> 0:33:07.840
<v Speaker 1>I remember my last couple of days in Haiti, the

0:33:07.960 --> 0:33:11.640
<v Speaker 1>government there put the country on lockdown and so all

0:33:11.800 --> 0:33:15.560
<v Speaker 1>flights were indefinitely canceled, and so every day I'd show

0:33:15.640 --> 0:33:17.560
<v Speaker 1>up to the airport. Can I fly out today? Can

0:33:17.560 --> 0:33:20.960
<v Speaker 1>I not fly out because of the political and unrest?

0:33:22.040 --> 0:33:25.880
<v Speaker 1>But finally, when I do get out, it's December of

0:33:25.920 --> 0:33:30.640
<v Speaker 1>that year of the earthquake, and I think, let me

0:33:30.760 --> 0:33:35.000
<v Speaker 1>go look for this man in the archives. Because his

0:33:35.120 --> 0:33:40.520
<v Speaker 1>life takes place during the Cold War, let me imagine

0:33:40.920 --> 0:33:45.640
<v Speaker 1>that perhaps the US has operatives in port of Prince.

0:33:46.840 --> 0:33:50.760
<v Speaker 1>So I go to the National Archives in Washington, and

0:33:50.840 --> 0:33:54.080
<v Speaker 1>I have modest expectations of what I'd find, perhaps a

0:33:54.160 --> 0:33:58.440
<v Speaker 1>memo here, a letter there. But when I'm searching the

0:33:58.520 --> 0:34:02.280
<v Speaker 1>cavernor's basement, I hit a gold mine, and I hit

0:34:03.160 --> 0:34:09.720
<v Speaker 1>hundreds of pages of memos which were classified in secret

0:34:09.800 --> 0:34:14.520
<v Speaker 1>at the time of the U. S. Government surveying him,

0:34:14.520 --> 0:34:19.880
<v Speaker 1>his speeches, his writing, even his day to day activities.

0:34:20.480 --> 0:34:23.520
<v Speaker 1>So I did not expect to find that. But how

0:34:23.520 --> 0:34:27.960
<v Speaker 1>many pages are we talking? It sounds like a book.

0:34:29.040 --> 0:34:33.560
<v Speaker 1>It's like a book. What did that feel like, both

0:34:33.600 --> 0:34:37.360
<v Speaker 1>discovering it and then going through it and parsing it.

0:34:37.360 --> 0:34:40.200
<v Speaker 1>It seems like that would be the closest that you

0:34:40.480 --> 0:34:45.759
<v Speaker 1>would ever be able to come to knowing him. Yes, indeed,

0:34:46.440 --> 0:34:49.359
<v Speaker 1>as a scholar and a writer is exhilarating you know,

0:34:49.800 --> 0:34:53.080
<v Speaker 1>when you make that fine, As the grandson of this man,

0:34:54.160 --> 0:34:57.040
<v Speaker 1>part of me is mortified. You know, it's an invasion

0:34:57.120 --> 0:35:02.239
<v Speaker 1>of privacy, it's an invasion of civil liberty, and it's

0:35:02.360 --> 0:35:07.319
<v Speaker 1>partly a form of violence that he suffered when he

0:35:07.400 --> 0:35:11.680
<v Speaker 1>was ejected from his own country. As you were interrogating

0:35:11.680 --> 0:35:13.920
<v Speaker 1>all this, as you were digging in, as you were

0:35:14.280 --> 0:35:16.560
<v Speaker 1>trying with you know, sort of every skill you have

0:35:16.800 --> 0:35:20.879
<v Speaker 1>to put him together, you know, to breathe life into

0:35:20.920 --> 0:35:23.320
<v Speaker 1>him to know him. Was there anything you were afraid

0:35:23.360 --> 0:35:24.840
<v Speaker 1>you were going to find out? Where? Was there anything

0:35:24.840 --> 0:35:27.040
<v Speaker 1>you were hoping you were going to find out? There

0:35:27.080 --> 0:35:32.040
<v Speaker 1>was nothing I was afraid to find. And I was

0:35:32.120 --> 0:35:37.120
<v Speaker 1>hoping to find just his story leading up to his

0:35:37.760 --> 0:35:42.440
<v Speaker 1>oust from his presidency, but also his exile from Haiti

0:35:42.520 --> 0:35:46.640
<v Speaker 1>and into America. I was just hoping to understand how

0:35:46.880 --> 0:35:52.719
<v Speaker 1>and why that went down. It's during this period of

0:35:52.760 --> 0:35:55.799
<v Speaker 1>interrogation that rich finally is able to flesh out the

0:35:55.800 --> 0:35:58.680
<v Speaker 1>story of his mother's arrival to America when she was thirteen,

0:36:00.080 --> 0:36:03.320
<v Speaker 1>had happened in ninety seven, the same year his grandfather

0:36:03.400 --> 0:36:06.520
<v Speaker 1>was ousted and their family was ordered to leave Haiti.

0:36:06.880 --> 0:36:09.359
<v Speaker 1>Had he not been ousted, had he been able to

0:36:09.360 --> 0:36:13.000
<v Speaker 1>weather the political storm, the entire trajectory of which his

0:36:13.080 --> 0:36:16.200
<v Speaker 1>life and the lives of countless others would have been

0:36:16.440 --> 0:36:24.920
<v Speaker 1>monumentally changed. I thought about that when I saw the

0:36:25.000 --> 0:36:30.759
<v Speaker 1>presidential Palace destroyed, and I thought about that when I

0:36:30.920 --> 0:36:36.520
<v Speaker 1>left for Haiti. And here's another secret, Denny. When my

0:36:36.680 --> 0:36:43.239
<v Speaker 1>grandfather was ousted, his rival Papa Duck du Valier, who

0:36:43.320 --> 0:36:47.160
<v Speaker 1>went on to become one of the worst dictators and

0:36:47.239 --> 0:36:50.440
<v Speaker 1>by that I mean one of the bloodiest dictators in

0:36:50.520 --> 0:36:54.960
<v Speaker 1>the history of the Western Hemisphere, took power from that

0:36:55.120 --> 0:37:00.800
<v Speaker 1>time in seven when the dictatorship of Duvalier took place,

0:37:02.040 --> 0:37:06.200
<v Speaker 1>and then he passed his dictatorship onto his son, which

0:37:06.320 --> 0:37:12.680
<v Speaker 1>lasted another generation until had he never recovered from that.

0:37:13.480 --> 0:37:18.319
<v Speaker 1>And so this quick period when this happened really cast

0:37:18.400 --> 0:37:23.399
<v Speaker 1>a long shadow. And for me, that's the darkness of it.

0:37:24.480 --> 0:37:28.680
<v Speaker 1>And do you think that that's a part of what

0:37:28.960 --> 0:37:32.200
<v Speaker 1>the secret keeping in your family as you were growing

0:37:32.280 --> 0:37:37.200
<v Speaker 1>up was about, was that it was just so painful, Um,

0:37:37.239 --> 0:37:39.680
<v Speaker 1>you know what happened, and then what happened to the country,

0:37:40.120 --> 0:37:44.040
<v Speaker 1>you know following um Papa doc coming into power. I

0:37:44.040 --> 0:37:48.320
<v Speaker 1>mean that it just was something so impossible, so unspeakable

0:37:48.680 --> 0:37:54.440
<v Speaker 1>that it couldn't be spoken of. Yes, yes, absolutely, it

0:37:54.600 --> 0:37:59.960
<v Speaker 1>was both so personally, so publicly, and so historically unspeed

0:38:00.040 --> 0:38:05.400
<v Speaker 1>couple that, I think that pushed the secrecy further into

0:38:05.400 --> 0:38:11.120
<v Speaker 1>the closet. And I should mention my grandfather had one brother.

0:38:12.640 --> 0:38:18.280
<v Speaker 1>That brother's children, under due Valier's regime, we're always cast

0:38:18.400 --> 0:38:22.680
<v Speaker 1>into shadows. Every time they saw a police force. Every

0:38:22.680 --> 0:38:25.880
<v Speaker 1>time they saw a police person, they would turn the

0:38:25.960 --> 0:38:30.320
<v Speaker 1>corner wondering whether they would be arrested or even killed

0:38:31.440 --> 0:38:36.719
<v Speaker 1>merely by being a relative of my grandfather. When my

0:38:36.800 --> 0:38:42.520
<v Speaker 1>grandfather was exiled and in duval to power, it became

0:38:43.000 --> 0:38:48.120
<v Speaker 1>illegal to speak my grandfather's name in public, to print

0:38:48.160 --> 0:38:52.120
<v Speaker 1>anything about him. So he himself, you know, became a

0:38:52.160 --> 0:38:57.280
<v Speaker 1>secret and cast under shadow. So yeah, I think part

0:38:57.520 --> 0:39:03.160
<v Speaker 1>of a layer of the secrecy is just the sorrow,

0:39:03.680 --> 0:39:08.640
<v Speaker 1>the darkness, the danger of people who are living under

0:39:08.680 --> 0:39:13.600
<v Speaker 1>a dictatorship and being associated to du Valier's rival when

0:39:13.680 --> 0:39:19.279
<v Speaker 1>du Valley took power. So now that you've been at

0:39:19.320 --> 0:39:23.960
<v Speaker 1>this for more than ten years and thinking so deeply

0:39:24.000 --> 0:39:27.640
<v Speaker 1>about all of this and you know, living it, living

0:39:27.680 --> 0:39:31.200
<v Speaker 1>with it, and attempting to have the conversations that you

0:39:31.239 --> 0:39:33.400
<v Speaker 1>can have with the people who are willing to talk.

0:39:34.200 --> 0:39:41.240
<v Speaker 1>Where does it leave you in terms of thinking about secrets. Gosh,

0:39:41.360 --> 0:39:47.040
<v Speaker 1>it's such a big question. I'm just left with the

0:39:47.239 --> 0:39:53.799
<v Speaker 1>damage that secrets cause, and I guess I'll start at

0:39:53.800 --> 0:39:57.080
<v Speaker 1>the intimate level and then work my way more broadly.

0:39:57.120 --> 0:40:00.719
<v Speaker 1>At the intimate level, for me, let's see, received done

0:40:01.080 --> 0:40:06.920
<v Speaker 1>have often chipped away or sabotaged my ability to have

0:40:07.000 --> 0:40:12.880
<v Speaker 1>an intimate life, mostly with romantic partners, but also with

0:40:13.000 --> 0:40:16.640
<v Speaker 1>my mother to some extent, and secrets with a family.

0:40:18.000 --> 0:40:20.520
<v Speaker 1>I mean, you put this so beautifully earlier, the way

0:40:20.520 --> 0:40:24.319
<v Speaker 1>that there's never just one secret, so that if a

0:40:24.400 --> 0:40:29.000
<v Speaker 1>family member suffers from mental illness or a drug addiction,

0:40:30.360 --> 0:40:36.080
<v Speaker 1>or you know, an abusive relationship, which is not uncommon

0:40:36.800 --> 0:40:41.880
<v Speaker 1>on my mother's side of the family, then secrets really,

0:40:42.880 --> 0:40:48.000
<v Speaker 1>you know, harm those already difficult episodes and they make

0:40:48.040 --> 0:40:51.560
<v Speaker 1>them worse. So for me, that's what I'm left with.

0:40:51.680 --> 0:40:56.080
<v Speaker 1>Secrets on the intimate level. On the public level, I've

0:40:56.120 --> 0:41:00.200
<v Speaker 1>been thinking about this more broadly. Sometimes or often will

0:41:00.200 --> 0:41:04.160
<v Speaker 1>see a disaster in a country, and let's say Haiti,

0:41:04.360 --> 0:41:07.880
<v Speaker 1>because it's the country we're talking about, and people have

0:41:08.120 --> 0:41:13.600
<v Speaker 1>in amnesia, and people have this cluelessness about what they're

0:41:13.640 --> 0:41:18.560
<v Speaker 1>seeing in the news. And because things have been secret

0:41:19.239 --> 0:41:22.759
<v Speaker 1>and because certain people get to write history, there's no

0:41:22.880 --> 0:41:28.319
<v Speaker 1>context to understand why a country finds itself in the

0:41:28.360 --> 0:41:33.160
<v Speaker 1>predicaments it does. And to me, this is maddening. You know,

0:41:33.400 --> 0:41:36.440
<v Speaker 1>this story that hasn't been told, all the stories of

0:41:36.480 --> 0:41:41.200
<v Speaker 1>countries around the world that are not told, that are suppressed,

0:41:41.800 --> 0:41:46.280
<v Speaker 1>whether by you know, literally the CIA, or corporate forces

0:41:46.360 --> 0:41:51.120
<v Speaker 1>or political forces or own bad actors in those very countries.

0:41:51.880 --> 0:41:56.080
<v Speaker 1>It leaves us with all this misinformation, this gap of knowledge,

0:41:56.400 --> 0:41:59.160
<v Speaker 1>and then when things happen in the country finds itself

0:41:59.160 --> 0:42:02.319
<v Speaker 1>in a crisis, you know, we scratch our heads and

0:42:02.760 --> 0:42:06.080
<v Speaker 1>this is absurd. And it happened when the president of

0:42:06.120 --> 0:42:11.360
<v Speaker 1>Haiti was assassinated and journalists descend on the country and

0:42:11.400 --> 0:42:13.440
<v Speaker 1>they say, oh, why is Hati such a mess? What's

0:42:13.440 --> 0:42:16.600
<v Speaker 1>going on in Haiti? What happened after the earthquake? And

0:42:16.680 --> 0:42:22.839
<v Speaker 1>there's no context for this long, secretive history. So that's

0:42:22.880 --> 0:42:35.600
<v Speaker 1>what Secrets have left being with family. Secrets is a

0:42:35.640 --> 0:42:38.719
<v Speaker 1>production of I Heart Radio. Molly z a Core is

0:42:38.719 --> 0:42:41.880
<v Speaker 1>the story editor and Dylan Fagan is the executive producer.

0:42:43.160 --> 0:42:45.160
<v Speaker 1>If you have a family secret you'd like to share.

0:42:45.560 --> 0:42:47.960
<v Speaker 1>Please leave us a voicemail and your story could appear

0:42:48.000 --> 0:42:52.960
<v Speaker 1>on an upcoming episode. Our number is one eight Secret zero.

0:42:53.360 --> 0:42:56.440
<v Speaker 1>That's the number zero. You can also find me on

0:42:56.520 --> 0:43:00.880
<v Speaker 1>Instagram at Danny writer. And if you'd like to know

0:43:00.920 --> 0:43:03.839
<v Speaker 1>more about the story that inspired this podcast, check out

0:43:03.840 --> 0:43:16.800
<v Speaker 1>my memoir Inheritance. For more podcasts. For my heart Radio,

0:43:16.960 --> 0:43:19.800
<v Speaker 1>visit the I heart Radio app, Apple podcast, or wherever

0:43:20.000 --> 0:43:21.440
<v Speaker 1>you listen to your favorite shows.