WEBVTT - 5. Surf Nazi

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<v Speaker 1>Pushkin. Hey, Lost Tails listeners, it's Dana. I wanted to

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<v Speaker 1>let you know that you can hear the entire new

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<v Speaker 1>season of Lost Hills ad free, along with other great

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<v Speaker 1>binge listens by becoming a Pushkin Plus subscriber. Find Pushkin

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<v Speaker 1>Plus on the Lost Hills show page in Apple Podcasts,

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<v Speaker 1>or at pushkin dot fm slash plus.

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<v Speaker 2>So the board that we're going to look at is

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<v Speaker 2>right over here that I'm going to take you over to,

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<v Speaker 2>but it's from the American Ladder Company with the Los

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<v Speaker 2>Angeles Ladder Company. We'll see in a moment.

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<v Speaker 1>And I'm at the California Surf Museum in Oceanside with

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<v Speaker 1>jim Kempton. He's the museum president. It's a small museum

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<v Speaker 1>stuffed literally to the rafters withfboards. The collection includes the

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<v Speaker 1>one hundred and ten pound redwood planks that were used

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<v Speaker 1>in the early days by people like Mickey Door's Stepdad

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<v Speaker 1>Guard Chapin, the fiberglass and foam longboards that became popular

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<v Speaker 1>after World War Two, and the tiny light performance shortboards

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<v Speaker 1>many pros used today. They even have the surfboard the

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<v Speaker 1>professional surfer Bethany Hamilton was riding when she lost her

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<v Speaker 1>arm to a shark attack when she was thirteen. It

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<v Speaker 1>has a bite out of it. But right now I'm

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<v Speaker 1>looking at one of the first commercially manufactured and mass

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<v Speaker 1>produced surfboards in America, which came out in the nineteen thirties.

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<v Speaker 1>It's a thing of beauty varnished redwood with a balsa

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<v Speaker 1>wood stringer. It evokes an old woody station wagon crossed

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<v Speaker 1>with a totem pole.

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<v Speaker 2>And at the very bottom of those boards it was

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<v Speaker 2>where they put the swastika.

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<v Speaker 1>The first mass produced surfboards in America had swastikas on that.

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<v Speaker 1>They were called, wait for it, swastika boards. That's right,

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<v Speaker 1>America's original surf brand is associated with what is now

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<v Speaker 1>a universal symbol of white supremacy and hate right there.

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<v Speaker 1>And was it red or black or.

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<v Speaker 2>It was it was painted, It was generally black. And

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<v Speaker 2>just is that actually carved on them? So they were Yeah.

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<v Speaker 1>Swastika boards were made in la by a company that

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<v Speaker 1>built prefab homes and they were a huge hit.

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<v Speaker 2>They made all kinds of wooden products like ladders, they

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<v Speaker 2>and they made these surfboards and they put the swastkas

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<v Speaker 2>on them for reasons unbeknown standing. One I think now.

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<v Speaker 1>A flyer advertising the boards shows a muscular, fair haired

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<v Speaker 1>man sliding down the face of a wave, a giant

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<v Speaker 1>swastika in the background. Enjoy the thrill of a swastika

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<v Speaker 1>is the slogan.

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<v Speaker 2>The swastika has a very interesting story, both in surfing

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<v Speaker 2>in outside of it. It's an incredibly iconic symbol, like

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<v Speaker 2>the cross, or the crescent or so many others, and

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<v Speaker 2>it wasn't until the Nazis adopted it that anything was

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<v Speaker 2>thought of it. But as soon as Hitler actually invaded Poland,

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<v Speaker 2>they stopped making them.

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<v Speaker 1>In nineteen thirty eight, the board was renamed the Ykiki Model.

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<v Speaker 1>Nineteen thirty eight was a momentous year for Hitler's campaign

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<v Speaker 1>in Europe. It was the year of Anglis, the German

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<v Speaker 1>Army's annexation of Austria and Krystal knocked a devastating pogrom

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<v Speaker 1>against Jews in Germany, Austria and German occupied Czechoslovakia. The

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<v Speaker 1>Ykiki model board didn't come with the swastika on it.

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<v Speaker 1>I happened to think nineteen thirty eight is a little

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<v Speaker 1>late to have dropped the swastika branding. All the way

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<v Speaker 1>back in the nineteen twenties, Hitler had published main Komp

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<v Speaker 1>with the swastika on the cover, describing it as a

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<v Speaker 1>symbol of Aryan victory. But in California, swastika boards were

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<v Speaker 1>in circulation for as long as the boards lasted, surfers

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<v Speaker 1>didn't seem to be ashamed of them. They cherished them.

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<v Speaker 1>Guard Chapin Mickey's stepdad, was into making his own surfboards,

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<v Speaker 1>and when Micky got into surfing, Guard made one for him,

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<v Speaker 1>shaving down an old swastika board. This would have been

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<v Speaker 1>around nineteen fifty, when the atrocities committed by the Nazis

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<v Speaker 1>under the sign of the swastika were well known to

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<v Speaker 1>the entire world. The question was did surfers even care

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<v Speaker 1>or did that symbol gain cachet in some of their minds.

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<v Speaker 1>I don't know if Mickey's swastika board had an actual

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<v Speaker 1>swastika on It doesn't really matter though, Well, it didn't

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<v Speaker 1>matter to Mickey because way way later Mickey would ride

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<v Speaker 1>an up to date custom fiberglass board with a big

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<v Speaker 1>old swastika on the underside. The existence of the swastika

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<v Speaker 1>model boards is a kind of screen that surfers conduct

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<v Speaker 1>behind Nazi symbols. They can say are part of surf history,

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<v Speaker 1>but all that feels like a diversion from the real story,

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<v Speaker 1>which is that America's shameful history of exclusion and racial

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<v Speaker 1>policing continues to this day on beaches and in coastal

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<v Speaker 1>communities in the country's most liberal state. Mickey Dora didn't

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<v Speaker 1>invent this bigotry, but he made it a style. He

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<v Speaker 1>is the California folk hero and avatar of youth culture

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<v Speaker 1>that made hate cool. I'm Dana Goodyear and this is

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<v Speaker 1>Lost Hills episode five, surf Nazi.

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<v Speaker 3>My name is Dan Duwayne and I'm a writer and

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<v Speaker 3>surfer living in San Francisco.

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<v Speaker 1>And how did you get into the surfing.

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<v Speaker 3>I had a cool uncle in southern California who was

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<v Speaker 3>a great surfer, very dedicated surfer. So I kind of

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<v Speaker 3>grew up wanting to be like my cool uncle. And

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<v Speaker 3>I maybe also you know, getting tacit implicit reassurance from

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<v Speaker 3>him that surfing could be mine if I wanted it

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<v Speaker 3>to be.

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<v Speaker 1>Deciding to pick up surfing should be the simplest thing

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<v Speaker 1>in the world. You get a board, go to the beach,

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<v Speaker 1>you mess around, you figure it out. In California, by law, anyway,

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<v Speaker 1>all the beaches are free and open to the public.

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<v Speaker 1>But it does doesn't always turn out to be so simple.

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<v Speaker 1>It wasn't for Dan.

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<v Speaker 3>I was really an outsider to the culture because I

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<v Speaker 3>was a Berkeley kid, you know, I hadn't grown up

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<v Speaker 3>in San Clementy or Malibu or San Diego. And when

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<v Speaker 3>I started surfing a lot, like at age twenty one

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<v Speaker 3>in Santa Cruz, the sort of you know, local hierarchy

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<v Speaker 3>who gets to get a wave, who doesn't was more intense,

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<v Speaker 3>and I was really an outsider, and I felt that

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<v Speaker 3>pretty acutely, you know. I had to kind of fight

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<v Speaker 3>my way in.

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<v Speaker 1>Like happens to a lot of people who fall in

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<v Speaker 1>love with surfing. Dan got a little obsessed. He wanted

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<v Speaker 1>to learn about the history of the sport, specifically in California.

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<v Speaker 1>He went down a rabbit hole of online photos, books,

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<v Speaker 1>and early surf movies, and that led him straight to Mickey.

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<v Speaker 3>You can't really immerse yourself in a self education project

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<v Speaker 3>about surf culture without at some point bumping into stories

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<v Speaker 3>of Mickey Dora in the early days of Malibu, and

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<v Speaker 3>that the heart of it all was this guy, Mickey

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<v Speaker 3>Dora was this incredibly beautiful surfer, I mean a beautiful man.

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<v Speaker 3>So a very good looking guy, very very handsome guy,

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<v Speaker 3>and to be honest, enviably handsome in a ways a

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<v Speaker 3>lot of ways I wished I looked.

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<v Speaker 4>You know.

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<v Speaker 3>He had this beautiful, deep tan and this perfect kind

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<v Speaker 3>of athletic build, and the way he surfed was just

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<v Speaker 3>gorgeous and catlike. And he kind of emerges as really

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<v Speaker 3>the central culture hero, I would say, of California surfing.

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<v Speaker 3>And there were aspects of his identity that I never

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<v Speaker 3>really totally loved to begin with. Like, he was a

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<v Speaker 3>pretty wealthy kid, so he you know, he drove beautiful

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<v Speaker 3>cars and wore beautiful clothes and had a kind of

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<v Speaker 3>surly localism. He's credited by many with being the sort

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<v Speaker 3>of originator of localism.

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<v Speaker 1>This was what Dan encountered when he was first getting

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<v Speaker 1>into surfing localism. Localism is a phenomenon throughout surfing. It's

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<v Speaker 1>basically that some people, the self nominated locals, treat strangers

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<v Speaker 1>with hostility because those people are likely to get in

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<v Speaker 1>the way.

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<v Speaker 3>At the heart of surf culture, there is this inescapable problem,

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<v Speaker 3>which is waves are a limited resource. There aren't an

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<v Speaker 3>endless number of them, and good waves that break in

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<v Speaker 3>the right place at a good spot on that rare

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<v Speaker 3>day when the perfect swell and tide and wind all

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<v Speaker 3>line up. I mean, there might be a lot, but

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<v Speaker 3>there just is not an infinite number of them. So

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<v Speaker 3>if you live near them, and you've built your whole

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<v Speaker 3>kind of life and happiness around the good feeling they

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<v Speaker 3>give you, and you've dedicated your childhood and you adolescence

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<v Speaker 3>to it, and you've spent all this time and emotional

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<v Speaker 3>energy fighting your way into the local pack and the

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<v Speaker 3>hierarchy and all that, those waves are really precious. They're

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<v Speaker 3>really important gems in your life. And to have some

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<v Speaker 3>random st strangers just show up and paddle out and

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<v Speaker 3>get in your way and take that wave that was

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<v Speaker 3>going to be your set wave, it's not great. To

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<v Speaker 3>have a thousand of them show up and do that

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<v Speaker 3>is horrible. So that's kind of the fundamental driver I

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<v Speaker 3>think of localism in surfing and of secrecy, right, don't

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<v Speaker 3>tell anybody about the break, don't tell anybody where we're going.

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<v Speaker 1>There have been many ugly instances of locals defending their

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<v Speaker 1>turf with actual violence for decades in Pallas Verdes, down

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<v Speaker 1>the coast from Malibu. The local Bay Boys harassed outsiders

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<v Speaker 1>so badly throwing rocks at them from the cliffs above,

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<v Speaker 1>mocking them with blackface, that victims sued in federal court.

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<v Speaker 1>The case was dismissed, though a state court did ban

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<v Speaker 1>twelve of the Bay Boys from the surf break for

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<v Speaker 1>a year. Then, just a few months ago, in March

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<v Speaker 1>of twenty twenty three, an appeals court judge offered an

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<v Speaker 1>opinion suggesting that localism as it was practiced in palace

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<v Speaker 1>Vera days is a violation of a state law known

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<v Speaker 1>as the Coastal Act, which ensures equal access to the coast.

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<v Speaker 1>So this is an issue that has not gone away.

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<v Speaker 3>There used to be stories about, you know, guys would

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<v Speaker 3>get out of the water and find their car tires

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<v Speaker 3>slashed and surf wax rubbed all over the windshield. Or

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<v Speaker 3>I think I remember hearing once a story about a

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<v Speaker 3>horse's head cut off, or a cow's head or something

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<v Speaker 3>cut off and put in their driver's seat. I did once,

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<v Speaker 3>a long time ago, do a surf travel story about

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<v Speaker 3>a remote, somewhat secret surf spot in far northern California

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<v Speaker 3>that got me like actual death threats emailed to me,

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<v Speaker 3>and it was sort of an amazing thing because I

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<v Speaker 3>didn't say what the place was called, and I didn't

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<v Speaker 3>say where. I put it in an eighty mile stretch

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<v Speaker 3>of the northern California coast. That was as precise as

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<v Speaker 3>I got. And I got and some guy up there

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<v Speaker 3>went nuts and you know, said I'm coming for your family,

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<v Speaker 3>and you know, I don't know it. It was upsetting

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<v Speaker 3>for a while.

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<v Speaker 1>That is extreme.

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<v Speaker 3>It was pretty extreme.

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<v Speaker 4>Yeah.

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<v Speaker 1>Mickey Dora claimed that he invented localism and at Malibu

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<v Speaker 1>he was famous for pushing people off waves.

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<v Speaker 2>He glamorized the idea of being aggressive in pushing other

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<v Speaker 2>people out of the way on a wave and the

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<v Speaker 2>idea that the wave that I take off on belongs

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<v Speaker 2>to me, and that became codified.

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<v Speaker 1>This is Jim Kempton from the California Surf Museum. Again,

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<v Speaker 1>Jim knew Mickey in his prime.

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<v Speaker 2>And that created a sense that was bound to be

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<v Speaker 2>a conflict. And so you wouldn't necessarily say that Mickey

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<v Speaker 2>invented that or that he created the environment, but he

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<v Speaker 2>definitely glamorized it, and he definitely popularized the idea of

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<v Speaker 2>that and that whether they knew it or not that

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<v Speaker 2>frickled down in every place there was.

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<v Speaker 1>Localism isn't always racist, but often the factors that make

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<v Speaker 1>you an insider or an outsider break cleanly across racial lines.

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<v Speaker 1>Do you live by the coast, did you go to

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<v Speaker 1>school with the people in the water. Did you grow

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<v Speaker 1>up on this beach? Or are you not from around

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<v Speaker 1>here on the beach? In Malibu, Mickey was always spoiling

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<v Speaker 1>for a fight as he patrolled the waves he thought

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<v Speaker 1>belonged to him. He used the symbols and the signs

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<v Speaker 1>and the language of the most destructive hate group in

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<v Speaker 1>modern history. Mickey, in spite of being an immigrant himself

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<v Speaker 1>and having a dad with a heavy accent, leaned hard

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<v Speaker 1>into surf break xenophobia. In a piece he wrote for

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<v Speaker 1>Surfer Magazine in nineteen sixty seven, he described Malibu as

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<v Speaker 1>a place taken over by quote kooks of all colors, fags, finkx,

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<v Speaker 1>and a thousand other social deviations unquote. In a nineteen

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<v Speaker 1>ninety eight interview in Surfer's Journal, Nat Young, a famous

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<v Speaker 1>Australian surfer of the day who knew Mickey well, said quote,

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<v Speaker 1>He's a supreme racist, always has been. When I was younger.

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<v Speaker 1>I believed it was all just in mirth, that he

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<v Speaker 1>was just jivant at all. But no, he believes absolutely

0:14:53.556 --> 0:14:59.676
<v Speaker 1>in white supremacy end quote. At some point Mickey started

0:14:59.716 --> 0:15:01.996
<v Speaker 1>showing up to the beach in an s S leather

0:15:02.076 --> 0:15:06.196
<v Speaker 1>trench coat. That's the uniform of the Nazi racial elite

0:15:06.276 --> 0:15:10.676
<v Speaker 1>who controlled the concentration camps. And when Mickey described his

0:15:10.756 --> 0:15:14.276
<v Speaker 1>efforts to control the wave at Malibu, he didn't hold back.

0:15:15.116 --> 0:15:18.036
<v Speaker 1>This is from a nineteen sixty three interview titled The

0:15:18.076 --> 0:15:21.316
<v Speaker 1>Angry young Man of Surfing, which ran in Surfguide.

0:15:21.836 --> 0:15:22.396
<v Speaker 5>Quote.

0:15:22.676 --> 0:15:24.596
<v Speaker 1>These guys take off in front of me, and they're

0:15:24.636 --> 0:15:27.076
<v Speaker 1>scared to death. They know I'm behind them, but they

0:15:27.116 --> 0:15:29.276
<v Speaker 1>never know what I'll do next. They run up and

0:15:29.276 --> 0:15:30.956
<v Speaker 1>put their feet on the nose, and I give them

0:15:30.996 --> 0:15:34.116
<v Speaker 1>a little nudge in the tailblock. They start to corkscrew.

0:15:34.396 --> 0:15:38.636
<v Speaker 1>It never fails. I messerschmidt them, I dogfight them, I

0:15:38.716 --> 0:15:40.836
<v Speaker 1>go behind and below them, and they're so out of

0:15:40.836 --> 0:15:48.396
<v Speaker 1>control they simply crack up. Unquote. This calls for some unpacking.

0:15:49.916 --> 0:15:53.876
<v Speaker 1>To Mickey, wave enforcement was a military operation, a dog

0:15:53.916 --> 0:15:58.076
<v Speaker 1>fight out of World War Two, only he puts himself

0:15:58.316 --> 0:16:01.556
<v Speaker 1>on the side of the nazis. A mezser Schmidt is

0:16:01.596 --> 0:16:04.836
<v Speaker 1>a German fighter plane, one that was built using slave

0:16:04.916 --> 0:16:09.716
<v Speaker 1>labor in concentration camps. That's what Mickey imagines who surfboard

0:16:09.716 --> 0:16:15.396
<v Speaker 1>to be. So let's talk about swastikas. Yeah, this is

0:16:15.436 --> 0:16:18.236
<v Speaker 1>the writer Dan Dwayne Again. I asked him when he

0:16:18.276 --> 0:16:22.236
<v Speaker 1>first remembers seeing Nazi imagery associated with surfing.

0:16:23.356 --> 0:16:25.396
<v Speaker 3>I must have been twenty one years old. Let's say

0:16:26.436 --> 0:16:28.196
<v Speaker 3>one day I was at a break in Santa Cruz

0:16:28.196 --> 0:16:32.796
<v Speaker 3>called Pleasure Point right in town, beautiful Beautiful Point break,

0:16:33.716 --> 0:16:36.276
<v Speaker 3>and there was a swastika spray painted on a sea

0:16:36.316 --> 0:16:39.516
<v Speaker 3>wall where I was about to walk down to the beach.

0:16:39.716 --> 0:16:41.636
<v Speaker 3>You know, I think it said something like kooks go home.

0:16:42.356 --> 0:16:46.836
<v Speaker 3>At the time, I read it as Wow, there's like

0:16:46.876 --> 0:16:49.356
<v Speaker 3>some hardcore nasty locals around here who don't want me,

0:16:49.796 --> 0:16:50.516
<v Speaker 3>people like me.

0:16:50.756 --> 0:16:51.516
<v Speaker 2>To paddle out.

0:16:51.556 --> 0:16:54.036
<v Speaker 3>But it was sort of later over the years that

0:16:54.116 --> 0:16:57.636
<v Speaker 3>I started to see more swastika imagery in surf culture

0:16:57.676 --> 0:16:59.996
<v Speaker 3>that I kept sort of thinking back to and remembering

0:17:00.116 --> 0:17:03.316
<v Speaker 3>that swastika that I'd seen and wondering how to make

0:17:03.356 --> 0:17:04.556
<v Speaker 3>sense of it and what did it mean.

0:17:05.476 --> 0:17:08.396
<v Speaker 1>Surf culture has been a wash in Nazi symbols from

0:17:08.396 --> 0:17:13.636
<v Speaker 1>the moment it went mainstream. Swastikas, iron crosses, SS uniforms,

0:17:14.196 --> 0:17:18.036
<v Speaker 1>they're all over the place in American surf history. In

0:17:18.076 --> 0:17:20.916
<v Speaker 1>the late fifties and early sixties, a five part surf

0:17:20.956 --> 0:17:26.116
<v Speaker 1>documentary called Search for Surf came out. Search for Surf

0:17:26.196 --> 0:17:29.116
<v Speaker 1>includes a segment shot at Wind and Sea Beach down

0:17:29.156 --> 0:17:32.356
<v Speaker 1>the coast from Malibu in La Joya. In nineteen fifty nine,

0:17:32.636 --> 0:17:35.596
<v Speaker 1>the year the Gidget movie came out, young men in

0:17:35.676 --> 0:17:38.716
<v Speaker 1>Nazi uniforms ride to Boggins down a storm drain to

0:17:38.756 --> 0:17:42.036
<v Speaker 1>the beach. They're greeted by a cheering crowd of shirtless

0:17:42.076 --> 0:17:48.236
<v Speaker 1>teenagers waving swastika flags. The scene is absurd, but that

0:17:48.276 --> 0:17:51.916
<v Speaker 1>doesn't make it any less appalling. The movie was directed

0:17:51.956 --> 0:17:54.676
<v Speaker 1>by Greg Nol, a big wave surfer who was also

0:17:54.716 --> 0:17:55.876
<v Speaker 1>a good friend of Mickey's.

0:17:56.836 --> 0:18:01.236
<v Speaker 6>Greg famously talked about all of the stuff that surfers

0:18:01.276 --> 0:18:06.516
<v Speaker 6>did in the fifties, especially it was designed with nothing

0:18:06.596 --> 0:18:08.756
<v Speaker 6>more than to piss people off.

0:18:09.236 --> 0:18:12.076
<v Speaker 1>Surf historian Matt Warshaw, So.

0:18:11.996 --> 0:18:13.716
<v Speaker 7>He said, well, you know, you'd paint a swastik on

0:18:13.756 --> 0:18:17.076
<v Speaker 7>your car and would piss people off. So you'd paint

0:18:17.076 --> 0:18:20.396
<v Speaker 7>two swastikas on the car, one on each side, and

0:18:20.476 --> 0:18:24.156
<v Speaker 7>for him that was on the same level as going

0:18:24.156 --> 0:18:27.076
<v Speaker 7>to school as he did in a trench coat with

0:18:27.476 --> 0:18:29.956
<v Speaker 7>each pocket filled with rotten fish. He would just sit

0:18:29.996 --> 0:18:32.836
<v Speaker 7>there until someone said, what does that smell? And it

0:18:32.876 --> 0:18:35.596
<v Speaker 7>was just him trying to piss people off. It was

0:18:35.716 --> 0:18:40.356
<v Speaker 7>kids from fourteen to eighteen, mostly doing anything they could

0:18:40.796 --> 0:18:43.036
<v Speaker 7>to get a rise out of the squares.

0:18:44.276 --> 0:18:46.796
<v Speaker 1>Then there's the craze in the nineteen sixties where southern

0:18:46.876 --> 0:18:52.116
<v Speaker 1>California surfers were wearing Nazi stormtrooper helmets while surfing. I

0:18:52.196 --> 0:18:55.436
<v Speaker 1>don't think they were worried about concussions. I don't really

0:18:55.476 --> 0:18:58.596
<v Speaker 1>know what they were doing. I do know that it's

0:18:58.596 --> 0:19:01.836
<v Speaker 1>hard for the surf community to explain, so they end

0:19:01.956 --> 0:19:04.236
<v Speaker 1>up saying a bunch of different things, none of which

0:19:04.276 --> 0:19:09.116
<v Speaker 1>makes sense. It was to piss off the older general,

0:19:09.676 --> 0:19:10.436
<v Speaker 1>to be a rebel.

0:19:11.316 --> 0:19:14.236
<v Speaker 4>I saw it, but I didn't really realize the ramifications

0:19:14.276 --> 0:19:14.516
<v Speaker 4>of it.

0:19:14.556 --> 0:19:17.636
<v Speaker 2>You know, when you're a kid, it's.

0:19:16.636 --> 0:19:20.916
<v Speaker 4>Just part of their kind of having an attitude, you know, rebel.

0:19:20.636 --> 0:19:23.876
<v Speaker 1>Or something, and you know it was a celebration of

0:19:23.916 --> 0:19:25.316
<v Speaker 1>the victory over the Nazis.

0:19:25.916 --> 0:19:30.156
<v Speaker 8>The people from the war came home with these emblems

0:19:30.196 --> 0:19:33.796
<v Speaker 8>and drawings and stuff, and they brought it home as

0:19:33.876 --> 0:19:35.516
<v Speaker 8>souvenirs from having fought in.

0:19:35.476 --> 0:19:36.076
<v Speaker 9>World War Two.

0:19:36.756 --> 0:19:38.516
<v Speaker 1>It was a cool ancient symbol.

0:19:39.356 --> 0:19:42.636
<v Speaker 6>I do know that, Like, that's an ancient symbol, you

0:19:42.676 --> 0:19:45.756
<v Speaker 6>know that started in Egypt, and you know the American

0:19:45.796 --> 0:19:48.196
<v Speaker 6>Indians used it widely, you know, and they called it

0:19:48.196 --> 0:19:49.196
<v Speaker 6>the tumbling logs.

0:19:49.236 --> 0:19:51.996
<v Speaker 1>You know, they didn't know what they were doing.

0:19:52.676 --> 0:19:56.676
<v Speaker 2>There's an enormous ignorance of any of the of the

0:19:56.796 --> 0:20:00.876
<v Speaker 2>actual representations that those are what they stand for.

0:20:02.196 --> 0:20:07.396
<v Speaker 1>But Mickey was supposedly so smart and so worldly, he

0:20:07.596 --> 0:20:12.116
<v Speaker 1>definitely knew the implications of a swastika. Anti Semitism was

0:20:12.156 --> 0:20:15.956
<v Speaker 1>a style, and Mickey helped set the trend. He was

0:20:15.996 --> 0:20:21.196
<v Speaker 1>the guy surfer magazine called Mister Malibu, Everyone's idol, and

0:20:21.276 --> 0:20:24.796
<v Speaker 1>he was wearing an SS leather trench coat on the beach.

0:20:26.236 --> 0:20:30.916
<v Speaker 1>What was Mickey up to with his SS leather trench

0:20:30.956 --> 0:20:32.676
<v Speaker 1>coat and his swastikas?

0:20:33.236 --> 0:20:38.596
<v Speaker 2>So I think they were attention getters.

0:20:39.116 --> 0:20:41.076
<v Speaker 1>Surf Museum president Jim Kempton.

0:20:42.036 --> 0:20:47.436
<v Speaker 2>Mickey was almost always in costume. Truly, it was rare

0:20:47.516 --> 0:20:52.516
<v Speaker 2>for Mickey not to be like rock stars are why

0:20:52.596 --> 0:20:57.236
<v Speaker 2>do rock stars wear you know, sequins and fringe and

0:20:58.596 --> 0:21:03.116
<v Speaker 2>leather pants because they're rock stars, right, It's to indicate

0:21:03.156 --> 0:21:08.996
<v Speaker 2>to other people that I am not just a regular guy,

0:21:09.316 --> 0:21:12.316
<v Speaker 2>I'm someone.

0:21:12.396 --> 0:21:18.276
<v Speaker 1>Well into the eighties, agrosurfers called themselves surf Nazis, and yes,

0:21:18.356 --> 0:21:21.556
<v Speaker 1>these symbols have also been used by other rebellious cultures,

0:21:21.996 --> 0:21:26.516
<v Speaker 1>biker gangs, British punk rockers. When it comes to surf culture,

0:21:26.636 --> 0:21:30.836
<v Speaker 1>what everyone, even Kathy Kohner Zuckerman, will tell you is no,

0:21:31.676 --> 0:21:35.036
<v Speaker 1>it isn't what you think. No one who loves surfing

0:21:35.156 --> 0:21:39.636
<v Speaker 1>wants all the Nazi references to mean anything. One thing

0:21:39.676 --> 0:21:42.876
<v Speaker 1>you hear a lot from swastika apologists is that it

0:21:42.956 --> 0:21:47.036
<v Speaker 1>was a different time. It was it was a time

0:21:47.436 --> 0:21:50.756
<v Speaker 1>that was much closer to the horrors of the Holocaust.

0:21:51.316 --> 0:21:52.236
<v Speaker 1>Writer Dan Dwayne.

0:21:53.356 --> 0:21:57.516
<v Speaker 3>There has been this argument that the early swastikas didn't

0:21:57.556 --> 0:22:02.316
<v Speaker 3>mean fascist sympathy, that they were just you know, symbols

0:22:02.316 --> 0:22:04.196
<v Speaker 3>of rebellion, that they were just, you know, whatever the

0:22:04.316 --> 0:22:06.316
<v Speaker 3>enemy is wearing, that's what I want to wear because

0:22:06.356 --> 0:22:07.516
<v Speaker 3>then I'm like a bad dude.

0:22:08.116 --> 0:22:08.316
<v Speaker 4>Or that.

0:22:08.396 --> 0:22:11.356
<v Speaker 3>In the early movies with the you know, with the

0:22:11.356 --> 0:22:14.236
<v Speaker 3>Gestapo uniforms, or whatever it was, the SS uniforms that

0:22:14.436 --> 0:22:18.156
<v Speaker 3>it's a form of prank and play and culture play.

0:22:18.876 --> 0:22:21.396
<v Speaker 3>And I'm not ready to say that that's one hundred

0:22:21.396 --> 0:22:24.956
<v Speaker 3>percent wrong. I'm just not ready to say that it's

0:22:24.996 --> 0:22:27.396
<v Speaker 3>one hundred percent right either. There's just too much in

0:22:27.436 --> 0:22:30.916
<v Speaker 3>the air at the time. It's too close in historical

0:22:30.996 --> 0:22:33.836
<v Speaker 3>time to you know, that movie is made in the

0:22:33.836 --> 0:22:38.436
<v Speaker 3>fifties with Auschwitz, what is it, you know, ten years before.

0:22:38.556 --> 0:22:40.956
<v Speaker 3>I mean, Auschwitz is more recent to that movie than

0:22:41.756 --> 0:22:44.516
<v Speaker 3>nine to eleven is to us. It's it's not you know,

0:22:44.996 --> 0:22:51.676
<v Speaker 3>it's not ancient history.

0:22:50.836 --> 0:22:54.556
<v Speaker 1>For Dan. It's a quick slide from the nastiness Mickey

0:22:54.556 --> 0:22:57.916
<v Speaker 1>Dora put into the world to the nastiness that still

0:22:57.956 --> 0:23:00.436
<v Speaker 1>exists in certain pockets of surf culture.

0:23:00.996 --> 0:23:03.116
<v Speaker 3>So now we've got like a rich kid in fancy

0:23:03.156 --> 0:23:06.996
<v Speaker 3>sunglasses and fancy clothes and a fancy sports car, passing

0:23:07.076 --> 0:23:11.196
<v Speaker 3>bad checks and putting swastikas on his bored and being

0:23:11.236 --> 0:23:13.556
<v Speaker 3>a jerk to outsiders because they don't know how to surf,

0:23:13.836 --> 0:23:18.036
<v Speaker 3>and spewing all this vile stuff. I don't know, it

0:23:18.156 --> 0:23:21.156
<v Speaker 3>just kind of started to turn, you know, green and

0:23:21.276 --> 0:23:23.996
<v Speaker 3>gross inside and feel to me like there's something wrong

0:23:24.036 --> 0:23:25.436
<v Speaker 3>with this, like this is this guy?

0:23:25.556 --> 0:23:25.956
<v Speaker 4>I don't know?

0:23:27.516 --> 0:23:30.396
<v Speaker 3>Why? Is this creep? Our big culture hero?

0:23:42.316 --> 0:23:46.636
<v Speaker 1>In public, Mickey was slippery about his identity, even as

0:23:46.676 --> 0:23:49.356
<v Speaker 1>he wore the iron cross and the SS trench and

0:23:49.476 --> 0:23:53.156
<v Speaker 1>rode the swastikaboard. He referred to himself as a quote

0:23:53.396 --> 0:23:57.156
<v Speaker 1>wandering Rabbi. One of his closest friends at the end

0:23:57.196 --> 0:24:00.036
<v Speaker 1>of his life told me he had always assumed Mickey

0:24:00.116 --> 0:24:05.236
<v Speaker 1>was part Jewish on his Hungarian side. It's possible the

0:24:05.356 --> 0:24:07.756
<v Speaker 1>name Dora does come up in a couple of Holocaust

0:24:07.756 --> 0:24:11.836
<v Speaker 1>memorial records from Budapest, Rush, but Mickey's half sister, Pauline,

0:24:11.876 --> 0:24:14.476
<v Speaker 1>who didn't want to be interviewed, wrote in an email

0:24:14.516 --> 0:24:16.716
<v Speaker 1>that she had never heard that the family was Jewish.

0:24:17.916 --> 0:24:20.956
<v Speaker 1>I suppose I wanted it to be true because it

0:24:20.956 --> 0:24:23.476
<v Speaker 1>would give a different texture to some of Mickey's behavior.

0:24:24.876 --> 0:24:28.396
<v Speaker 1>Miklos Dora, Mickey's father, worked for the baron a Rothschild

0:24:28.636 --> 0:24:31.916
<v Speaker 1>starting in the mid sixties. The Rothschilds are one of

0:24:31.916 --> 0:24:35.676
<v Speaker 1>the oldest Jewish families in Europe, the first unconverted Jews

0:24:35.676 --> 0:24:39.036
<v Speaker 1>to be inducted into the House of Lords. They're also

0:24:39.076 --> 0:24:42.636
<v Speaker 1>at the center of just about every antisemitic conspiracy theory

0:24:42.676 --> 0:24:45.676
<v Speaker 1>you can think of in some corners of the Internet.

0:24:46.036 --> 0:24:49.516
<v Speaker 1>They're responsible for World War two and nine to eleven.

0:24:51.676 --> 0:24:55.116
<v Speaker 1>Mickey loved this connection to the aristocracy. When he had

0:24:55.156 --> 0:24:57.916
<v Speaker 1>the chance, he stole some letterhead from the baron's desk

0:24:58.036 --> 0:25:02.236
<v Speaker 1>and gleefully used it to conduct his correspondence. Micky also

0:25:02.356 --> 0:25:05.596
<v Speaker 1>embraced the idea that he had a Romani background, calling

0:25:05.676 --> 0:25:09.756
<v Speaker 1>himself the Gipsy Cavalier. Like the Jews, the Roma were

0:25:09.756 --> 0:25:15.356
<v Speaker 1>considered quote racially inferior and murdered by the Nazis. But

0:25:15.396 --> 0:25:18.036
<v Speaker 1>when he had his own surfboard line, the cat made

0:25:18.036 --> 0:25:21.396
<v Speaker 1>by Greg Knowle of cute teen Nazis on the Beach Fame,

0:25:22.076 --> 0:25:25.356
<v Speaker 1>Mickey dressed up in his SS leather trench and sported

0:25:25.436 --> 0:25:30.596
<v Speaker 1>a monogrammed iron cross for the advertising campaign. Was the

0:25:30.676 --> 0:25:34.836
<v Speaker 1>Nazi stick? Just mockery of dumb surfers for their ignorance

0:25:35.196 --> 0:25:38.236
<v Speaker 1>by someone who conceivably might have been Jewish or Romani,

0:25:39.076 --> 0:25:41.436
<v Speaker 1>someone who, if he had grown up in Hungary and

0:25:41.476 --> 0:25:44.156
<v Speaker 1>not Los Angeles, might have suffered at the hands of

0:25:44.156 --> 0:25:50.276
<v Speaker 1>the Nazis. How complicated a mind game was Mickey playing

0:25:58.836 --> 0:25:59.516
<v Speaker 1>ic is cool?

0:25:59.636 --> 0:26:03.076
<v Speaker 9>It's a Tudor house in the middle of.

0:26:04.556 --> 0:26:06.556
<v Speaker 1>Southern California subdivision Land.

0:26:08.196 --> 0:26:12.716
<v Speaker 9>I see an old mustard yellow VW van that looks

0:26:12.716 --> 0:26:14.996
<v Speaker 9>like it's in mint condition.

0:26:18.556 --> 0:26:22.716
<v Speaker 1>Hi, I'm Dana. Thank you for letting us come over.

0:26:25.036 --> 0:26:27.836
<v Speaker 1>I'm in Riverside, California, at the home of a guy

0:26:27.996 --> 0:26:31.196
<v Speaker 1>I've been told new Mickey better than just about anyone else.

0:26:32.236 --> 0:26:33.876
<v Speaker 4>I am Rick Peterson.

0:26:36.316 --> 0:26:37.636
<v Speaker 1>What do you do for work?

0:26:38.436 --> 0:26:42.796
<v Speaker 4>Uh? Nothing, I'm retired your painter. I thought, yeah, I

0:26:42.876 --> 0:26:49.236
<v Speaker 4>was a professional artist for like three decades, and you know,

0:26:49.356 --> 0:26:52.116
<v Speaker 4>has shows all over over Europe and here, and you know,

0:26:53.076 --> 0:26:56.716
<v Speaker 4>but it got too nasty only about twenty years ago.

0:26:56.876 --> 0:26:58.236
<v Speaker 4>I pretty much burned out on it.

0:27:00.116 --> 0:27:02.716
<v Speaker 1>Rick met Mickey at Malibu in the late fifties or

0:27:02.756 --> 0:27:06.356
<v Speaker 1>early sixties. Mickey was about thirteen years older, but they

0:27:06.396 --> 0:27:10.116
<v Speaker 1>shared a worldview. They were the athletes the beach, talking

0:27:10.196 --> 0:27:12.596
<v Speaker 1>about art and fine wine.

0:27:12.876 --> 0:27:17.436
<v Speaker 4>He was my best male friend, just if nothing else,

0:27:17.476 --> 0:27:19.396
<v Speaker 4>I mean, long term. My god, I never knew anybody

0:27:19.436 --> 0:27:19.796
<v Speaker 4>that long.

0:27:21.076 --> 0:27:22.996
<v Speaker 1>Rick is a bit of a recluse, and he says

0:27:23.036 --> 0:27:26.196
<v Speaker 1>he's very reluctant to give an interview about Mickey. It

0:27:26.236 --> 0:27:30.516
<v Speaker 1>feels disloyal. He keeps looking up at the sky, cringing,

0:27:30.556 --> 0:27:34.436
<v Speaker 1>almost apologizing to Mickey for talking about him without his permission.

0:27:36.396 --> 0:27:40.756
<v Speaker 4>My interest in doing this really is for you know,

0:27:41.476 --> 0:27:44.276
<v Speaker 4>posterities such as it may be, for whatever we do,

0:27:44.396 --> 0:27:47.956
<v Speaker 4>to round him out, you know, and eliminate the bullshit,

0:27:48.316 --> 0:27:50.716
<v Speaker 4>you know, and who he really was. He was a

0:27:50.836 --> 0:27:58.516
<v Speaker 4>very nice, decent person. Loved animals, you know, love nice things,

0:27:59.796 --> 0:28:04.476
<v Speaker 4>lived very simply, but had great appreciation for the finer things.

0:28:05.436 --> 0:28:08.236
<v Speaker 1>Rick says he wants to set the record straight because

0:28:08.236 --> 0:28:10.316
<v Speaker 1>he knows that Micky, he has a reputation.

0:28:11.556 --> 0:28:14.316
<v Speaker 4>Well, there's stories about that, you know. I don't know

0:28:14.316 --> 0:28:15.676
<v Speaker 4>if I need to go into that. You know, there's

0:28:15.756 --> 0:28:19.036
<v Speaker 4>enough enough of less, you know, legendary stuff so called.

0:28:19.156 --> 0:28:21.556
<v Speaker 4>You know that somebody else might have a take on.

0:28:22.556 --> 0:28:24.116
<v Speaker 4>But he had, he had, he had, he had ways

0:28:24.156 --> 0:28:25.956
<v Speaker 4>of dealing with the crowd. This put it that way.

0:28:27.916 --> 0:28:31.676
<v Speaker 9>Do you think some of the sort of bad Mickey

0:28:31.836 --> 0:28:34.996
<v Speaker 9>stories are untrue or exaggerated?

0:28:35.076 --> 0:28:35.396
<v Speaker 4>Yes?

0:28:36.476 --> 0:28:41.116
<v Speaker 1>Absolutely, you know, And why do you think that happened?

0:28:41.436 --> 0:28:47.116
<v Speaker 4>Like what, people are stupid? I have no idea. That's

0:28:47.156 --> 0:28:48.196
<v Speaker 4>their problem, not mine.

0:28:48.556 --> 0:28:51.436
<v Speaker 9>Do you think Mickey played into that sort of myth

0:28:51.516 --> 0:28:53.916
<v Speaker 9>of the dark Prince No No.

0:28:56.476 --> 0:28:59.676
<v Speaker 1>Rix made it clear that he wants to avoid controversial topics,

0:29:00.236 --> 0:29:03.836
<v Speaker 1>but I have to ask him about Mickey's bigotry. One

0:29:03.836 --> 0:29:06.756
<v Speaker 1>of the things that's confusing about him from an outsider,

0:29:06.836 --> 0:29:09.516
<v Speaker 1>you know, someone who I never knew him, obviously, I

0:29:09.596 --> 0:29:14.836
<v Speaker 1>never you know, but a lot of people say, oh,

0:29:14.876 --> 0:29:19.156
<v Speaker 1>he was bigoted against Jewish people and black people.

0:29:19.836 --> 0:29:23.076
<v Speaker 9>And then a lot of other people say, no, no, no,

0:29:23.116 --> 0:29:24.196
<v Speaker 9>you don't understand at all.

0:29:24.276 --> 0:29:27.236
<v Speaker 1>He wasn't. Do you have any insight that you can

0:29:27.276 --> 0:29:28.236
<v Speaker 1>share with us about that?

0:29:30.396 --> 0:29:34.996
<v Speaker 4>No, no, no, no, no, no, no, he wasn't. I mean, there

0:29:35.036 --> 0:29:40.196
<v Speaker 4>are things that passed at one time that wouldn't pass now.

0:29:40.396 --> 0:29:43.276
<v Speaker 4>Not necessarily applied to Mickey, but just generally, you know,

0:29:43.436 --> 0:29:45.116
<v Speaker 4>and now they have this woke thing, and I mean,

0:29:45.196 --> 0:29:47.756
<v Speaker 4>my god, you know, you open your mouth and you've

0:29:47.756 --> 0:29:49.796
<v Speaker 4>got fifty people in front of your house with pish

0:29:49.836 --> 0:29:50.716
<v Speaker 4>force and horses.

0:29:52.316 --> 0:29:56.476
<v Speaker 9>I mean, I know that certain symbols, like the swastika

0:29:56.556 --> 0:29:58.876
<v Speaker 9>is kind of part of surf culture in certain ways.

0:29:59.556 --> 0:30:04.276
<v Speaker 4>Swastika is an ancient symbol from the Orient. He also

0:30:04.276 --> 0:30:08.276
<v Speaker 4>in Buddha's in the American Indians. That's a great design.

0:30:10.316 --> 0:30:13.676
<v Speaker 1>But after the nineteen thirties, he doesn't have the same.

0:30:13.556 --> 0:30:17.236
<v Speaker 4>Mean at Allmore surfers adopted a lot of things iron

0:30:17.276 --> 0:30:18.316
<v Speaker 4>crosses and you.

0:30:18.276 --> 0:30:21.236
<v Speaker 1>Know, yeah, a lot of fascist symbols.

0:30:21.356 --> 0:30:23.236
<v Speaker 4>Yeah. I don't give any cretis to any of that stuff.

0:30:23.356 --> 0:30:26.076
<v Speaker 1>Yeah, but Mickey was into it. He wore that stuff.

0:30:26.676 --> 0:30:28.356
<v Speaker 4>Well. I think he put a swasteak on a board

0:30:28.396 --> 0:30:31.836
<v Speaker 4>one time just to kiss somebody off. It should be

0:30:31.836 --> 0:30:36.076
<v Speaker 4>a little contrary, you know, raise a few wife brows

0:30:36.116 --> 0:30:38.996
<v Speaker 4>at Malibu. Oh, look at the you know, yeah, you know.

0:30:41.076 --> 0:30:43.436
<v Speaker 1>After we talk outside for a while, Rick shows me

0:30:43.476 --> 0:30:45.676
<v Speaker 1>around the inside of his house, which is filled with

0:30:45.716 --> 0:30:49.756
<v Speaker 1>Mickey memorabilia, one of Mickey's fake rolex'es, a passport he

0:30:49.836 --> 0:30:53.436
<v Speaker 1>had made for his dog, Scooter Boy. It's basically a

0:30:53.476 --> 0:30:58.036
<v Speaker 1>private Mickey museum, curated by one of Mickey's biggest fanboys.

0:30:58.916 --> 0:31:00.996
<v Speaker 1>Just as I'm about to leave, he offers to show

0:31:01.036 --> 0:31:04.956
<v Speaker 1>me his yellow nineteen seventy two VW van It's kept

0:31:05.036 --> 0:31:07.796
<v Speaker 1>under an awning at the backside of the house. It's

0:31:07.836 --> 0:31:11.756
<v Speaker 1>in great condition, obviously a possession. Rick is really proud

0:31:11.796 --> 0:31:14.556
<v Speaker 1>of Vanity plate are volksy.

0:31:20.396 --> 0:31:21.956
<v Speaker 4>It's gotta be waxed. I gotta wax it.

0:31:22.796 --> 0:31:23.596
<v Speaker 5>This is awesome.

0:31:24.956 --> 0:31:26.276
<v Speaker 4>Actually can't get in from here, and.

0:31:28.236 --> 0:31:31.556
<v Speaker 1>For some reason I peek through the back window. There's

0:31:31.556 --> 0:31:32.596
<v Speaker 1>a surfboard in there.

0:31:33.156 --> 0:31:37.156
<v Speaker 4>That's a catboard dupe. I had a friend that made

0:31:37.196 --> 0:31:39.356
<v Speaker 4>surfboards and he copied copied one for me.

0:31:40.236 --> 0:31:42.516
<v Speaker 1>It's a copy of the kind of board making made

0:31:42.516 --> 0:31:46.516
<v Speaker 1>with Greg Nole, a de cat board. It's bright yellow

0:31:46.636 --> 0:31:49.836
<v Speaker 1>and it's got bubble writing on it that says Eadie Amine,

0:31:50.716 --> 0:31:58.156
<v Speaker 1>as in the brutal Dictator of Uganda. Okay, that's weird,

0:31:59.196 --> 0:32:01.196
<v Speaker 1>but not as weird as what else I see on

0:32:01.236 --> 0:32:07.436
<v Speaker 1>the board, an ancient symbol from the Orient. You've got

0:32:07.436 --> 0:32:08.996
<v Speaker 1>a splastic on your board too.

0:32:11.236 --> 0:32:16.236
<v Speaker 4>Number number of things. That's my ida mean, you know, uh,

0:32:16.276 --> 0:32:17.676
<v Speaker 4>you know, I just want that on there.

0:32:21.316 --> 0:32:47.916
<v Speaker 10>No, may not see doctor Strange love man through my thora.

0:32:41.996 --> 0:32:45.036
<v Speaker 4>Because we were all get generous. What can I say?

0:32:46.076 --> 0:32:50.916
<v Speaker 4>And I social demetted anarchists.

0:32:57.596 --> 0:33:00.396
<v Speaker 1>This is the first time I've seen in person a

0:33:00.436 --> 0:33:03.556
<v Speaker 1>surfboard with a swastika on it. It's a board that's

0:33:03.556 --> 0:33:06.716
<v Speaker 1>a knockoff of Mickey's brand, the Cat. So it's an

0:33:06.716 --> 0:33:09.756
<v Speaker 1>homage to the Dark Prince of Malibu by a friend

0:33:09.756 --> 0:33:12.836
<v Speaker 1>of Mickey's who's denied the entire premise of my questions

0:33:12.876 --> 0:33:16.796
<v Speaker 1>about Mickey's beliefs when it came to white supremacy and fascism.

0:33:17.756 --> 0:33:20.516
<v Speaker 1>He wasn't going to help me make sense of the contradictions.

0:33:21.756 --> 0:33:26.236
<v Speaker 1>But in a way, seeing this board does there's no

0:33:26.356 --> 0:33:30.876
<v Speaker 1>nuance here, no getting it or not getting it. I

0:33:30.956 --> 0:33:36.316
<v Speaker 1>get it. Seeing a swastika on a surfboard feels absolutely terrible.

0:33:38.476 --> 0:33:41.956
<v Speaker 1>This is the layer of the Mickey Dora onion where

0:33:41.996 --> 0:33:54.676
<v Speaker 1>I just want to cry.

0:33:58.556 --> 0:33:59.276
<v Speaker 5>In the next.

0:33:59.036 --> 0:34:03.396
<v Speaker 1>Episode of Lost Hills, Mickey has a secret life.

0:34:04.076 --> 0:34:07.356
<v Speaker 8>It was on Gretna Green in Brentwood and there was

0:34:07.396 --> 0:34:13.316
<v Speaker 8>a row of before little one bedroom apartments.

0:34:13.796 --> 0:34:15.076
<v Speaker 5>Ours was in the back.

0:34:15.916 --> 0:34:18.636
<v Speaker 8>It had a garage where he could keep all the

0:34:18.916 --> 0:34:24.636
<v Speaker 8>boards and cars, you know, his antique cars. And of

0:34:24.676 --> 0:34:28.916
<v Speaker 8>course I was always warned never ever to let anybody

0:34:29.076 --> 0:34:34.796
<v Speaker 8>know where he lived, so our whole relationship was super

0:34:34.876 --> 0:34:35.756
<v Speaker 8>super secret.

0:34:36.596 --> 0:34:41.076
<v Speaker 5>What was behind all that secrecy probably afraid that somebody

0:34:41.156 --> 0:34:44.356
<v Speaker 5>was going to come and steal stuff that he probably

0:34:44.396 --> 0:34:50.036
<v Speaker 5>already stole. And other words, a thief is always suspicious

0:34:50.076 --> 0:34:52.956
<v Speaker 5>that someone's going to come and steal from them.

0:34:53.756 --> 0:34:59.996
<v Speaker 1>That's next in episode six, Fuck the World. Lost Hills

0:35:00.036 --> 0:35:03.476
<v Speaker 1>is written and reported by me Dana Goodyear. It's created

0:35:03.516 --> 0:35:06.836
<v Speaker 1>by me and Benadere and produced by Western Sound and

0:35:06.916 --> 0:35:10.876
<v Speaker 1>Pushkin Industries. Subscribed Pushkin Plus, and you can binge the

0:35:11.076 --> 0:35:14.756
<v Speaker 1>entire season right now ad free. Find Pushkin Plus on

0:35:14.796 --> 0:35:17.436
<v Speaker 1>the Lost Tail show page in Apple Podcasts, or at

0:35:17.476 --> 0:35:19.756
<v Speaker 1>pushkin dot fm slash plus