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Speaker 1: I'm trying a center part, you know, so I don't

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Speaker 1: look like a geriatric millennial.

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Speaker 2: But you know, you look adorable. But I think people

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Speaker 2: should part their hair according to what they think looks

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Speaker 2: best on them.

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Speaker 3: I do.

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Speaker 1: I actually really like a center part, but my hair

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Speaker 1: did that when I put the headphones on.

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Speaker 2: So well, it looks good on you, but on me

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Speaker 2: it looks terrible. I don't do a center part. And

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Speaker 2: people are so devoted to the center part, and I'm.

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Speaker 1: Like, guys, center part is great if you have a

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Speaker 1: really symmetrical face.

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Speaker 2: True, I do not. You don't.

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Speaker 1: Most people do, not know. Most people don't. Most people

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Speaker 1: don't have a perfectly symmetrical face. So like when you

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Speaker 1: party on the middle, I find anyway that it starts

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Speaker 1: to bring out like things that are like you start

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Speaker 1: to notice the two.

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Speaker 3: Halves aren't exactly the same.

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Speaker 2: I don't know, see, I just think when I think

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Speaker 2: of center parts, I think of either Wednesday Adams or

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Speaker 2: that famous painting with the farmer and his wife and

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Speaker 2: they've got.

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Speaker 3: Like the American Gothic with the parts. She has the

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Speaker 3: center part, like I think of do you know that

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Speaker 3: they were actually brother and sister?

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Speaker 2: What? Yeah?

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Speaker 3: American Gothic. Uh, it's uh, it's a brother her husband.

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Speaker 1: And no, they weren't a I mean that's sort of

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Speaker 1: the implication in the painting. But the actual people that

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Speaker 1: post for the painting were were brother and sister, and

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Speaker 1: they it was I wonder how they feel about center parts,

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Speaker 1: you know, like I don't know.

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Speaker 3: I don't know, I don't know.

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Speaker 1: I'm sure everyone is just waiting with baited bread to

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Speaker 1: find out.

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Speaker 2: Good morning everyone, How many drinks do you have? What

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Speaker 2: do you what do you drink when we're doing these podcasts,

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Speaker 2: because we're talking about how each.

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Speaker 1: I mean I have I have water because I before

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Speaker 1: we podcast, I.

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Speaker 3: Go to the gym. I work out in my trainer

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Speaker 3: at like eight in the morning.

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Speaker 1: So by the time I get back to start recording,

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Speaker 1: I have hopefully stopped sweating and I'm still drinking water.

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Speaker 1: Good and then of course the elixir of life coffefee.

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Speaker 2: Yes, I've got coffee today. I've got my normal peppermint

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Speaker 2: tea and then my water. But today I was like,

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Speaker 2: I'm a little tired today, so I'm going to have

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Speaker 2: a second cup of coffee. So this this is an experiment.

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Speaker 3: Might be busy you're getting wild. Now watch out.

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Speaker 1: If I decide to have more coffee.

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Speaker 3: I'm us just like, do we need a second pot?

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Speaker 1: I mean, like, I don't know, pot turteen cups of

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Speaker 1: coffee is probably good at I'm a d no, but

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Speaker 1: I drink like half a pot in the morning.

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Speaker 2: Probably well all the But you you metabolize caffeine differently

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Speaker 2: than I have that.

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Speaker 3: Weird twenty three and me thing where it was like

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Speaker 3: you have a thing.

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Speaker 1: I'm like, okay, random, I didn't even know what that was,

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Speaker 1: but yeah, that I I metabolized caffeine quicker, so it probably.

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Speaker 2: The eighth probably. Yeah. I know. I'm a one a

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Speaker 2: day er. I can't like with my anxiety, I can't

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Speaker 2: have more than that. And I just drink enough coffee

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Speaker 2: than poop and then I'm done for the day. It's like,

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Speaker 2: why bother drinking.

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Speaker 1: More Coffe'm so glad we got on this Wow Center

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Speaker 1: parts and morning.

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Speaker 2: Everyone get this.

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Speaker 3: Welcome to HRT.

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Speaker 1: We are aging ourselves sentenced by sexion.

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Speaker 2: Everybody poops. It doesn't matter your age.

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Speaker 3: I can't give everybody. We're not even having this conversation.

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Speaker 3: You know, Poop. I thought you're almost a direct.

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Speaker 2: Descendant from Dave Coolier. How do you not want to talk? Well,

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Speaker 2: I know, I maybe we only talk about poop?

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Speaker 3: Is not I'm like, no, it's fine, we can.

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Speaker 2: I just feel like nobody, okay, we will not we

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Speaker 2: won't talk about I was just explaining my coffee habits.

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Speaker 3: Which this is all eighties. I'm just gonna say.

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Speaker 1: She just asked me what I was drinking, and suddenly

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Speaker 1: we're talking about poop. I don't know what the hell

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Speaker 1: is happening, but uh, it's gonna be an interesting show.

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Speaker 2: What happens when I come to coffee I start talking

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Speaker 2: about poop?

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Speaker 1: Oh boy, oh boy, Well we're in for it today.

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Speaker 2: Were so?

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Speaker 3: But how's your weekend?

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Speaker 2: It's been great. Holly had a birthday. This dog made

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Speaker 2: it to eighteen years old.

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Speaker 3: Shot, she's an adult.

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Speaker 2: She can vote now, she can buy cigarettes like she

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Speaker 2: is just Oh my.

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Speaker 1: Does she have just a cigarette hanging out of her mouth?

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Speaker 3: And some scratchers? Although no, Actually, if they raise the age,

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Speaker 3: isn't it twenty one? Now twenty scratchers.

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Speaker 2: Or cigarettes for cigarettes? Oh that's good news, excellent? Yea great. No,

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Speaker 2: I think the should raise the driving age, like just

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Speaker 2: to keep you know, I think that anytime you can

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Speaker 2: mature your brain more before you could decisions.

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Speaker 3: She could join the armed forces if she's so desired,

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Speaker 3: she'd be really helpful. She at eighteen, but she'd be

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Speaker 3: super helpful. But right, I mean yeah.

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Speaker 2: But like most adults, you know, her birthday was not

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Speaker 2: a huge deal.

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Speaker 3: Like she's eighteen.

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Speaker 2: She can't really have any doggie cakes. I mean party, you.

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Speaker 3: Can really hear it if you're sang happy birthday to

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Speaker 3: or anyway.

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Speaker 2: Just got kidney disease, so she can't have one of

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Speaker 2: those little cakes. We just gave her extra like little

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Speaker 2: kidney treats, and she hates other dogs, so we didn't

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Speaker 2: have a party. So it's just like another day. And

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Speaker 2: I'm like, yeah, welcome to adult. It's just another day now.

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Speaker 3: It's just it, right, this is it.

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Speaker 1: You're eighteen now, it's I know we always give we

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Speaker 1: give Lisa uh some steak on her gotcha day because

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Speaker 1: we don't know her actual birthday, so but we know

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Speaker 1: we celebrate her little steak like she doesn't get treats

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Speaker 1: on every other day of the week and the year.

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Speaker 2: Yeah, I want to come over for Lisa's Gotcha Day.

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Speaker 3: I want steak seriously.

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Speaker 1: Yeah, I can't believe Holly made it to eighteen though.

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Speaker 2: That's I know. We're thankful for every day we have her.

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Speaker 2: We don't take it for granted. Yeah, that's why I

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Speaker 2: didn't say anything like, oh, she's having it br I'm like, well,

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Speaker 2: she's got to make it to.

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Speaker 3: February four Yeah. Yeah, you don't want to know, you

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Speaker 3: don't want you don't want to start celebrating an eighteen

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Speaker 3: year old dog's birthday before.

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Speaker 2: The day before. She made it. She's a Valentine baby

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Speaker 2: February fourteenth, as far as we know. And yeah, she's

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Speaker 2: she's a good little girl. She's very she's happy and help.

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Speaker 2: So I'm happy today that she's she's my good girl.

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Speaker 3: Oh yeah, yeah, that's so cute. I love it.

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Speaker 2: So what have you been up to? What's what's going

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Speaker 2: on in the week.

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Speaker 1: Did some did some girl Scout cookie boothing over the weekend?

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Speaker 2: Tell me about the booth.

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Speaker 1: It's a little bit easier now because the kids are older,

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Speaker 1: so it's like, you know, whatever too, they can do

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Speaker 1: boothing like on their own, like one parent or whatever

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Speaker 1: to Scouts. But I was there, it was a little slow.

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Speaker 1: We thought it might be a little bit busier on

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Speaker 1: the holiday.

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Speaker 3: Weekend, but we did. We It's just been slow across

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Speaker 3: the board, which I understand.

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Speaker 1: I understand it's you know, and also that they've been

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Speaker 1: really promoting like why I'm online. Okay, you know, which

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Speaker 1: kind of screws you if you're standing at the booth.

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Speaker 3: You're like, or here at your grocery store. But no,

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Speaker 3: it was fine. Oh. I actually ran into.

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Speaker 1: Someone who had worked on Hollywood Darlings as a magic consultant.

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Speaker 1: What we had a whole We had an episode where

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Speaker 1: there was a magician, but it was an adult magician.

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Speaker 3: Anyway, it's a long story.

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Speaker 1: But he came up with his girlfriend and they were

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Speaker 1: gonna buy stuff and he invited the girl.

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Speaker 3: Scout trop to the magic castle.

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Speaker 1: So I'm gonna we're gonna try and plan some sort

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Speaker 1: of magic castle, like.

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Speaker 2: A little field trip. Yeah.

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Speaker 3: Oh that's so cool, Adam, Thanks Adam. It was fun.

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Speaker 2: Good dude, Adam. Oh that's so cool. Yeah, I love that.

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Speaker 3: But yeah, we did that.

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Speaker 2: And then recognize, here's my thing because I did the

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Speaker 2: cookie booth for a long time. And if you're out

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Speaker 2: like at the mall or in front of a grocery store,

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Speaker 2: do you get recognized and then the more important question

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Speaker 2: do you use it to your advantage when you're selling

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Speaker 2: the helping the girls sell the cookies.

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Speaker 1: Uh. You know what's weird is I don't really think

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Speaker 1: I've gotten recognized it.

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Speaker 2: Yeah. Wow.

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Speaker 3: Well I also.

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Speaker 1: I'm like, you know what I mean, like and I'm

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Speaker 1: like sitting kind of off.

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Speaker 3: To the side, but I don't. I've never gotten recognized.

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Speaker 3: And I think.

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Speaker 1: Because people are busy talking to the girls and looking

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Speaker 1: at get the truth, and so I'm like, cool, I'm

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Speaker 1: just gonna be over here. I mean, I think maybe

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Speaker 1: one or two.

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Speaker 3: But but yeah, it's not Uh, it hasn't happened like

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Speaker 3: a buck bush.

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Speaker 2: Okay, yeah I would. I would get recognized when I

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Speaker 2: would do the girl Scout booths. But you know, I'm

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Speaker 2: the cookie mom, so I'm like handling cash and like

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Speaker 2: I'm you know, I said, oh, they want a selfie

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Speaker 2: or whatever. I said, you know what I'm I'm working

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Speaker 2: the booth right now, but I would love to take

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Speaker 2: a selfie with you. And if you get a free

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Speaker 2: autograph with every signed the box, I would just sign

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Speaker 2: the cookie boxes right there over my autograph's the cookie

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Speaker 2: box and they were thrilled, and so it was just like,

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Speaker 2: you know, I'm still selling and I'm I'm providing to

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Speaker 2: the fans. It's it was a win win.

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Speaker 3: For love everybody. Love it, win win for everybody.

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Speaker 2: Yeah, the Girl Scout counsel is listening, all right.

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Speaker 3: The Girls Scout counsels like that. It's very serious.

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Speaker 1: They're like they're like hoa's you know what I mean,

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Speaker 1: Like they they are on the lookout for making sure

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Speaker 1: you haven't crossed council boundaries for selling.

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Speaker 2: And you can't have like series, can't drag it to

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Speaker 2: like the sports practice.

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Speaker 3: Yeah, no illegal wagons. No, no, you can't.

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Speaker 1: Don't be dragging a wagon the day before you can

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Speaker 1: because it comes out in like you know, they.

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Speaker 3: Roll it out in uh phases. Oh yeah, anyway, these cookies,

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Speaker 3: it was uh yeah, it was. It's just relaxing. You know.

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Speaker 1: It was the holiday weekend, so you know, the kids

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Speaker 1: were off school Friday and Monday, and uh yeah it

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Speaker 1: was it was nice, mellow weekends.

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Speaker 2: Cool, love it, love it, Glad you had.

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Speaker 1: A good all right, Well, I mean, do you think

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Speaker 1: we've tormented everyone enough that we could finally get into

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Speaker 1: an actual.

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Speaker 2: We stopped talking about poop, so they should appreciate that.

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Speaker 2: And yes did we though, because now we were doing

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Speaker 2: it again. I won't talk anymore about poop. How about that?

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Speaker 3: Every time you say it, you're talking more.

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Speaker 2: About poop, poop, poop, poop.

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Speaker 3: Oh my god, let's get to the show.

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Speaker 2: Welcome back to Howard tanneritos. I'm an overcaffeinated Andrea Barber.

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Speaker 3: And I am just along for the ride Jody Sweeten.

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Speaker 2: And today we're discussing season four, episode twelve, Danny in Charge,

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Speaker 2: which I think is a take on Charles in Charge.

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Speaker 2: I don't know, probably appropriate title. It originally aired December fourteenth,

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Speaker 2: nineteen ninety, and it goes a little something like this.

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Speaker 2: When Joey and Jesse take a trip, Danny is alone

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Speaker 2: in caring for the girls for the first time. It's

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Speaker 2: hard to believe this is his first time.

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Speaker 1: Yeah, I feel like he's I mean, before the guys

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Speaker 1: moved in, he had to care for the girls and

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Speaker 1: they were little, holy literal and wasn't wasn't yet able

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Speaker 1: to dress herself, and you know, drivers.

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Speaker 2: Up, she wasn't a therapist yet she was still talk.

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Speaker 3: So like, I feel like Danny's done this.

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Speaker 2: Before, so too, but the storyline has to whatever you

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Speaker 2: got to make it. You need a story, a storyline,

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Speaker 2: and it's very relatable single parent woes or just you know,

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Speaker 2: even if your spouse is out of town or whatever.

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Speaker 2: It's it's hard to juggle.

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Speaker 3: All of a sudden, you go, oh, yeah, I actually.

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Speaker 2: Takes a village. Yes. Yes. It was directed by Joelswick,

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Speaker 2: it was written. The teleplay was written by Boyd Hale

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Speaker 2: and Scott Spencer Gordon, and the story is by Stacy Hurt.

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Speaker 2: No guest stars this week, just uh.

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Speaker 3: Wow, just the well other than the animals.

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Speaker 2: Yeah, lots of animals. What was the animal budget? I

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Speaker 2: was in Heaven that season like that. You had dogs

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Speaker 2: a few episodes ago. Now we've got like every animal

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Speaker 2: in the forest animal huge animal training budget.

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Speaker 1: I mean look season four Full House, ABC, we were

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Speaker 1: doing You're good. That was that back in the days

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Speaker 1: of network television, you know, and a nice long season.

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Speaker 2: Yeah they were. ABC was like, you've done a great job.

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Speaker 1: Yeah they got they got money for skunks, you know

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Speaker 1: what I mean.

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Speaker 3: There's just that's yeah.

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Speaker 2: Man, I got we gotta get an animal trainer on

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Speaker 2: here one of these days, because I got questions like

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Speaker 2: I think they de skunk. They must have skunked this.

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Speaker 1: The way I think they removed the glands. We'll get

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Speaker 1: pop'll get there. We're we're only we haven't even started

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Speaker 1: the teaser.

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Speaker 2: But we're gonna talk about glands. This goes along.

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Speaker 3: A sorry guys today teeser Michelle's room.

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Speaker 2: You're just take over my job just because I'm so

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Speaker 2: all over the place today.

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Speaker 3: Okay, we can switch. You can be me who's usually

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Speaker 3: all over the boys, and I'll be the responsible one

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Speaker 3: who actually keeps the show going.

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Speaker 2: We've switched bodies trade ease. We start in Michelle's room

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Speaker 2: with the teaser. The guys are tucking Michelle into bed

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Speaker 2: on the night of her birthday. It's still her birthday.

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Speaker 2: She decides it isn't quite bedtime yet. Jesse complains, we've

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Speaker 2: been celebrating all day since you woke up screaming, get up,

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Speaker 2: it's my birthday. Joey lays down the law say good night, kid,

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Speaker 2: but Michelle says, I'm not a kid anymore. I'm four

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Speaker 2: years old. Danny gently explains that even four year olds

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Speaker 2: need their sleep. He kisses her forehead and says good night.

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Speaker 2: As the guys walk out, Michelle asks, are you sure

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Speaker 2: there's no more presence? Danny nods the party's over. Then

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Speaker 2: he turns off the light and closes the door behind him.

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Speaker 2: A devious smirk crosses Michelle's face as she says, not

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Speaker 2: for me. She pulls herself out of bed while singing

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Speaker 2: Happy birthday to me, Happy Birthday to me. She pulls

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Speaker 2: out a huge piece of chocolate cake from under her bed.

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Speaker 3: A bit concerned about Michelle's uh sugar binges, you know

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Speaker 3: what I mean, Like it feels like like we're uh

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Speaker 3: there's some disordered food choices maybe happen.

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Speaker 1: And we had DJ passing out for just weeks ago.

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Speaker 1: Now Michelle is hiding chocolate cakes under her bed.

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Speaker 3: I mean, this is not a good message because obviously

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Speaker 3: she carried it off the stairs by herself.

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Speaker 1: Well, no one's watching her race, I mean birthday, Like

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Speaker 1: she's just had hours by herself.

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Speaker 2: She had plenty of time to get the contraband to

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Speaker 2: her room. But this is this is consistent. She has

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Speaker 2: loved cake for like seven episodes now, So I do

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Speaker 2: love cake.

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Speaker 1: I totally understand, but I try not to hide it

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Speaker 1: under my bed.

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Speaker 2: True anything for the kitchen, Yeah, anymore. Yeah, no, she

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Speaker 2: loves her cake. But it's just is she really a

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Speaker 2: direct descendant of Danny Tanner if she is hiding cake

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Speaker 2: under her bed?

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Speaker 1: That, oh yes, because she is going She's going to

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Speaker 1: be everything that Danny is not, you know what I mean,

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Speaker 1: Like she's the baby and she's like, I'm just here

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Speaker 1: to burn.

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Speaker 3: It all down.

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Speaker 2: She's a rebel. Yeah, okay, yeah, yeah, that's right.

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Speaker 3: Come on, you've seen Michelle.

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Speaker 1: She she didn't give she doesn't give a flying about it.

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Speaker 3: She No, this is Michelle's house and we're all living

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Speaker 3: in it. Okay, this is true.

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Speaker 2: We should have retitled the series.

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Speaker 3: At this point.

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Speaker 1: Well, I can't tell you how many people say they

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Speaker 1: called it the Michelle Show.

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Speaker 2: Yeah, Michelle Show, Yes, all the which.

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Speaker 1: Is I mean, she almost demanded it, so I understand.

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Speaker 1: She's very like like this is mine. Yeah, so I

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Speaker 1: get it.

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Speaker 2: I get it. She was ruling with an iron fist,

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Speaker 2: no doubt. So she stuff some big piece of cake

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Speaker 2: in her mouth while finishing the song, and many more.

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Speaker 2: You know, I'm kind of surprised you didn't devote a

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Speaker 2: whole episode to Michelle's birthday, being such a main character

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Speaker 2: at this point, she only gets the teaser. I mean,

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Speaker 2: you know, we have twenty two episodes to fill for

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Speaker 2: season fourth. Give one, give an episode to her birthday.

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Speaker 3: I'm sure we will at some point, oh for sure,

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Speaker 3: to remember some sort of circus.

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Speaker 2: Already we do that.

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Speaker 3: We did that one was that Michelle's birth There were

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Speaker 3: scary clowns.

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Speaker 2: That wasn't you. That wasn't Stephanie's birthday. That was Michelle's.

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Speaker 3: No, it was somebody's. It was Michelle's. And we got

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Speaker 3: stuck in the thing in the garage. We've already was

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Speaker 3: having a circus birthday.

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Speaker 2: We've had Michelle's burg al I've been there, done that.

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Speaker 3: She's good for never mind.

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Speaker 1: Yeah yeah, and we don't want to have any more

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Speaker 1: terrifying clowns than we absolutely need to.

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Speaker 3: And those were horrific.

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Speaker 2: Yeah, never again. So next in the kitchen, Michelle joins

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Speaker 2: her two older sisters at the kitchen table to see

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Speaker 2: what they're up to. Stephanie proudly shows off her Science

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Speaker 2: Fair project, which is made of various vegetables to replicate

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Speaker 2: inside of a human brain.

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Speaker 1: I always just think about the prop person that had

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Speaker 1: to make that happen.

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Speaker 2: I think Roger Montesano.

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Speaker 1: I always think Roger Manson was like, I've got to

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Speaker 1: build a brain out of what.

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Speaker 3: So ourt department must just gets.

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Speaker 1: The weirdest request of like, okay, but I need like

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Speaker 1: a Rube Goldberg machine, which is one of those like

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Speaker 1: things that you know, you does this and then it

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Speaker 1: drops here and then it does but like tomorrow, tomorrow.

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Speaker 2: Tomorrow, and then we need to be able to reset

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Speaker 2: it for the next.

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Speaker 1: Taste, right right right, yeah, man, okay, can you please

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Speaker 1: look up the anatomy of the brain and replicate it

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Speaker 1: with crud tae.

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Speaker 2: Yes, yes, yes, okay. Well, if we can't find Roger Montsano,

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Speaker 2: we should get Steve Jared, our prop prop master for

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Speaker 2: Fuller House, would be great on the show. Make a

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Speaker 2: note of that. So she is proud and Michelle looks

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Speaker 2: at her perplexed. I got cauliflower in my head and

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Speaker 2: DJ jokes, no, but you once put a Lina bean

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Speaker 2: up your nose. Then Kimmy makes a grand entrance in

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Speaker 2: a very colorful outfit.

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Speaker 3: I don't remember.

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Speaker 1: Out was Wow, it was a lot, there was a lot,

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Speaker 1: it was it was a bold choice.

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Speaker 3: Dare I say it? Really?

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Speaker 2: I don't remember this episode in itself. But I remember

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Speaker 2: this outfit because it is.

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Speaker 3: So well, it had like it's unforgettable.

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Speaker 2: Wait it is. It's bright, it's got like Wooly Wonka

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Speaker 2: candy things. It's got racing stripe pattern like, it's just

388
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Speaker 2: got a lot in denim of course, like anything.

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Speaker 3: Goes denim on denim on denim.

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Speaker 1: Yeah, just this the Canadian spray painted tuxedo.

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Speaker 3: Is what you were wearing.

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Speaker 2: It was a lot.

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Speaker 1: It looked like it's spray It was like spray painted though,

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Speaker 1: you know what I mean, Like it looked that was

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Speaker 1: like kind of what it looked like.

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Speaker 2: Its hey, it's it was trendy in some circles. I

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Speaker 2: don't know what circles look you look adorable. Well, thank

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Speaker 2: you to be fair.

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Speaker 1: Uh DJ in this episode looks like she's going.

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Speaker 3: To court or something like. I don't think like her

401
00:18:38,119 --> 00:18:42,479
Speaker 3: wardrobe as as bold and bright as yours was. I

402
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Speaker 3: was like, is she does she work in a mortuary?

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Speaker 1: What is like black pants and like a long sleeve

404
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Speaker 1: like cream shirt.

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Speaker 3: I was just like, wow, really, we're like like a

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Speaker 3: middle school or like middle schooler.

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Speaker 2: Okay, well, she's the editor of the paper. You know,

408
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Speaker 2: she has to look like a boss woman.

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Speaker 3: She is serious.

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Speaker 2: You know she's gonna go straight from the yearbook room.

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Speaker 3: To the two of you together. I was like, wow,

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Speaker 3: this is what.

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Speaker 2: A juxtavi Part two ends of the spectrum. So Kimmy

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Speaker 2: greets the girls Buenos Dias last Tanna readas. Okay, doesn't

415
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Speaker 2: have the same ring. It's not altos and it is no, no,

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Speaker 2: it is not there. They were so fine.

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Speaker 3: Is this the first reference to Tanatas?

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Speaker 2: Yes? I think this is the first Tanna readA. They

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00:19:31,359 --> 00:19:33,800
Speaker 2: say she says Tanna read us, So the whole thing

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Speaker 2: is still wrong.

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00:19:34,400 --> 00:19:38,960
Speaker 1: But well, well not technically because she's referring to three women.

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00:19:38,760 --> 00:19:40,280
Speaker 2: So technically tr would be.

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Speaker 3: If she were referring to the whole family, it would

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Speaker 3: be loose.

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Speaker 2: Okay, see when.

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Speaker 1: Five years of Spanish rally around there, nice watch everyone's

427
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Speaker 1: gonna go yeah, you're wrong.

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Speaker 3: No, but I was surprised that it was Tannatas.

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Speaker 2: I was surprised too. It threw me for a loop.

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Speaker 2: I definitely for olat of tan ritos. But yeah, that's okay,

431
00:20:02,359 --> 00:20:05,280
Speaker 2: boyin us DS last tanner Ritas. I'll take it for now.

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00:20:06,640 --> 00:20:09,280
Speaker 2: Kimmy takes one look at Steph's science project, and her

433
00:20:09,320 --> 00:20:14,440
Speaker 2: face sours you sad looking breakfast. Steph smirks in response,

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Speaker 2: this is what's inside your head half a brain and

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00:20:19,040 --> 00:20:23,600
Speaker 2: she laughs. Then Steph puts her califlower brain pieces into

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Speaker 2: a tupperware container while telling the group, I don't want

437
00:20:26,560 --> 00:20:29,520
Speaker 2: dad to see this until the Science Fair. So remember,

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Speaker 2: you guys never saw my brain and Kimmy mok's I

439
00:20:34,440 --> 00:20:38,439
Speaker 2: never saw it. Used anyway, they're building, They're building the

440
00:20:38,440 --> 00:20:41,320
Speaker 2: frenemy ship. You know. It's yeah, yeah, yeah, it's deliberate.

441
00:20:41,480 --> 00:20:45,200
Speaker 1: We're getting the zingers in Steph, Kimmy, frenemy ship is.

442
00:20:45,119 --> 00:20:49,600
Speaker 2: Building, it's growing. I love it. Just then, Danny hurriedly

443
00:20:49,800 --> 00:20:51,960
Speaker 2: walks into the kitchen and tells the girls to gather

444
00:20:52,040 --> 00:20:55,359
Speaker 2: around for a family meeting. They all oblige, including Kimmy

445
00:20:55,720 --> 00:20:58,760
Speaker 2: and Danny. Begins when Jesse and Joey left this morning

446
00:20:58,800 --> 00:21:01,600
Speaker 2: to go shoot their commercial, it dawned on me, this

447
00:21:01,720 --> 00:21:03,919
Speaker 2: is the first time we're gonna have a few days

448
00:21:04,000 --> 00:21:07,760
Speaker 2: to spend together, just the four of us. Kimmy corrects him,

449
00:21:07,880 --> 00:21:10,159
Speaker 2: you mean the five of us, and Danny shoots her

450
00:21:10,200 --> 00:21:14,080
Speaker 2: a fake smile. Kimmy, I can count. He tells his

451
00:21:14,160 --> 00:21:16,239
Speaker 2: daughters not to make dinner plans tonight so they can

452
00:21:16,280 --> 00:21:20,080
Speaker 2: celebrate the occasion. DJ smiles, I'm there for you, Dad.

453
00:21:20,680 --> 00:21:23,359
Speaker 2: Steph slings her backpack over her shoulder and reminds Danny

454
00:21:23,400 --> 00:21:26,240
Speaker 2: not to forget about the science fair after school tomorrow.

455
00:21:26,760 --> 00:21:29,680
Speaker 2: Danny nods he can't wait to see her surprise project.

456
00:21:30,800 --> 00:21:33,560
Speaker 2: Michelle button, I know what it is, and Stephanie gives

457
00:21:33,560 --> 00:21:36,480
Speaker 2: her a knowing look. Michelle corrects herself, no, I don't.

458
00:21:37,520 --> 00:21:39,920
Speaker 2: Steph leaves and Kimmy and DJ start to gather their

459
00:21:39,960 --> 00:21:43,200
Speaker 2: things to head out too, but Kimmy reveals, I got

460
00:21:43,240 --> 00:21:46,240
Speaker 2: so caught up in this family togetherness, I almost forgot.

461
00:21:46,640 --> 00:21:49,200
Speaker 2: Kathy Santoni is home with the stomach flu.

462
00:21:49,960 --> 00:21:52,600
Speaker 3: Girls Santoni, Oh, it's always Kathy's.

463
00:21:52,600 --> 00:21:55,679
Speaker 2: It's always Katy, always Kathy Santoni. Yeah, she is the

464
00:21:55,680 --> 00:21:58,639
Speaker 2: one that's driving the plot every single time. You know,

465
00:22:00,000 --> 00:22:03,440
Speaker 2: he's a great plot device. So the girls are ecstatic

466
00:22:03,520 --> 00:22:06,919
Speaker 2: about this. They shout all right in high five. Danny

467
00:22:06,960 --> 00:22:10,560
Speaker 2: hears this and decides to lend some fatherly advice. It's

468
00:22:10,600 --> 00:22:15,440
Speaker 2: not nice to celebrate your friend's digestive disorders, but DJ explains,

469
00:22:15,800 --> 00:22:19,040
Speaker 2: I'm her understudy. This means I get to be Juliette

470
00:22:19,240 --> 00:22:22,760
Speaker 2: in the Drama Festival, and Danny shouts, all right, Anny

471
00:22:22,840 --> 00:22:26,840
Speaker 2: high fives DJ. DJ tells him it'll be this Wednesday afternoon,

472
00:22:27,000 --> 00:22:30,679
Speaker 2: and Danny says, I wouldn't miss it for anything. He

473
00:22:30,680 --> 00:22:32,600
Speaker 2: gives her a kiss and heads over to Michelle to

474
00:22:32,640 --> 00:22:35,600
Speaker 2: get her ready for preschool. He slips a card again

475
00:22:35,640 --> 00:22:38,000
Speaker 2: on to Michelle while her arms stick straight up in

476
00:22:38,000 --> 00:22:40,520
Speaker 2: the air, and then he recites his schedule for the

477
00:22:40,600 --> 00:22:41,640
Speaker 2: day after.

478
00:22:41,960 --> 00:22:43,080
Speaker 3: I had to say, though, I was.

479
00:22:43,400 --> 00:22:45,280
Speaker 1: I was like, so, she can't put on a sweater,

480
00:22:48,440 --> 00:22:52,000
Speaker 1: but some but she's been getting herself dressed and her

481
00:22:52,040 --> 00:22:54,480
Speaker 1: hair done and all this suff but now suddenly she

482
00:22:55,080 --> 00:22:57,080
Speaker 1: I guess the implication is that someone gets her dressed

483
00:22:57,080 --> 00:22:58,920
Speaker 1: in the morning, but we know that's not true.

484
00:22:58,960 --> 00:22:59,760
Speaker 3: But we know that's not true.

485
00:23:00,119 --> 00:23:03,120
Speaker 2: Danny is just Danny's no, he's just going through the motions.

486
00:23:03,320 --> 00:23:06,840
Speaker 1: She doesn't be She's like, oh, I'll pretend like I

487
00:23:06,880 --> 00:23:08,560
Speaker 1: can't do anything, you know what I mean. She's like,

488
00:23:08,680 --> 00:23:11,280
Speaker 1: I know that I can like drive a car and

489
00:23:11,320 --> 00:23:12,400
Speaker 1: make a martini, you.

490
00:23:12,359 --> 00:23:14,840
Speaker 2: Know, right, otherwise she might get caught with her her

491
00:23:14,880 --> 00:23:22,679
Speaker 2: cake upstairs. A little bit absolutely makes sense now, So

492
00:23:22,840 --> 00:23:25,160
Speaker 2: after he drops off Michelle. He will head to work,

493
00:23:25,359 --> 00:23:28,600
Speaker 2: then do the marketing, clean the house, send Kathy Santonio

494
00:23:28,640 --> 00:23:30,600
Speaker 2: get well card, and still have time to put a

495
00:23:30,600 --> 00:23:33,240
Speaker 2: hot dinner on the table. He carries Michelle to the

496
00:23:33,280 --> 00:23:36,880
Speaker 2: door and boasts impossible for the average father, yes, but

497
00:23:36,920 --> 00:23:37,280
Speaker 2: not for.

498
00:23:37,280 --> 00:23:39,119
Speaker 3: Me, because I'm Superdad.

499
00:23:39,840 --> 00:23:42,639
Speaker 2: He flips Michelle into the Superman flying position and flies

500
00:23:42,720 --> 00:23:45,320
Speaker 2: her out of the house, singing, Superdad, you can eat

501
00:23:45,400 --> 00:23:49,320
Speaker 2: right off my floor. Superdad boy he is. He's really

502
00:23:49,320 --> 00:23:51,480
Speaker 2: got a can do attitude about you know, he doesn't

503
00:23:51,480 --> 00:23:56,600
Speaker 2: seem stress so excited about this multitasking single parent thing.

504
00:23:56,720 --> 00:23:58,919
Speaker 2: You know. Yeah, I admire him. I would be yelling

505
00:23:58,920 --> 00:23:59,359
Speaker 2: at people.

506
00:23:59,400 --> 00:24:02,560
Speaker 3: I'd be like, ah right, yeah, I'd be like, I

507
00:24:02,600 --> 00:24:03,720
Speaker 3: have to do this all on my own.

508
00:24:03,800 --> 00:24:04,000
Speaker 2: Yeah.

509
00:24:04,080 --> 00:24:06,840
Speaker 1: Now he's excited to show off, uh you know, his

510
00:24:06,960 --> 00:24:08,000
Speaker 1: multitasking skills.

511
00:24:08,080 --> 00:24:09,919
Speaker 2: Yeah. Well, and he just loves being a dad. So

512
00:24:10,200 --> 00:24:13,920
Speaker 2: I do love that about Danny Tanner. So after they leave,

513
00:24:14,000 --> 00:24:17,480
Speaker 2: DJ looks at Kimmy and realizes, wait a minute, Tomorrow

514
00:24:17,680 --> 00:24:20,840
Speaker 2: is Wednesday. How can dad be at Stephanie's science fair

515
00:24:21,040 --> 00:24:25,000
Speaker 2: when it's the same day as my drama festival. Kimmy

516
00:24:25,000 --> 00:24:27,600
Speaker 2: shows no concern. He can be in two places at once.

517
00:24:27,920 --> 00:24:32,480
Speaker 1: He's super bad, been there and that was such a

518
00:24:32,520 --> 00:24:35,439
Speaker 1: relatable thing when you're like, oh, they both have a

519
00:24:35,480 --> 00:24:36,560
Speaker 1: thing on the you know.

520
00:24:36,480 --> 00:24:40,240
Speaker 2: Who like is so relatable. Yeah, so relatedle doesn't.

521
00:24:40,000 --> 00:24:42,080
Speaker 1: Matter how the kids open house and you're like, oh,

522
00:24:42,119 --> 00:24:44,760
Speaker 1: I got you know, usually they'll give you time, like

523
00:24:44,800 --> 00:24:46,760
Speaker 1: to go to two classrooms or something. But yeah, if

524
00:24:46,800 --> 00:24:48,920
Speaker 1: your open house or they're back to school night all

525
00:24:49,000 --> 00:24:50,520
Speaker 1: is on the same day as the one in high.

526
00:24:50,359 --> 00:24:51,480
Speaker 3: School or whatever, it's a bess.

527
00:24:51,720 --> 00:24:54,359
Speaker 2: Oh yeah, it's true. And and your kid will always

528
00:24:54,359 --> 00:24:56,639
Speaker 2: give you a guilt trip. Like to this day, Felicity

529
00:24:56,680 --> 00:24:59,400
Speaker 2: still talks about how I missed her kindergarten circus ring

530
00:24:59,440 --> 00:25:01,680
Speaker 2: Master per Foreman, And I'm like, you're seventeen, you're still

531
00:25:01,680 --> 00:25:02,640
Speaker 2: talking about kindergarten.

532
00:25:02,800 --> 00:25:04,600
Speaker 3: Oh, That'll hold on to that for yeah forever.

533
00:25:04,760 --> 00:25:07,159
Speaker 1: Like my mom didn't love me, she didn't see my

534
00:25:07,240 --> 00:25:11,399
Speaker 1: circus performance, right, And you're like, I what, I've given

535
00:25:11,440 --> 00:25:12,399
Speaker 1: you everything, right.

536
00:25:13,680 --> 00:25:15,600
Speaker 2: That's what she'll say at my funeral. You she'll put

537
00:25:15,600 --> 00:25:16,040
Speaker 2: it in my friend.

538
00:25:16,160 --> 00:25:17,960
Speaker 3: Yeah, it's already in the funeral. Yeah.

539
00:25:18,040 --> 00:25:21,159
Speaker 1: Yeah, she's just written down her funeral file for you.

540
00:25:21,280 --> 00:25:25,080
Speaker 3: Is just every time that you've done something wrong, all.

541
00:25:24,960 --> 00:25:26,760
Speaker 2: Of the disappointments I've created.

542
00:25:26,840 --> 00:25:29,280
Speaker 1: Yeah, yeah, yeah, you know, because that's what we do

543
00:25:29,359 --> 00:25:33,000
Speaker 1: to our mothers, for moms, foor moms.

544
00:25:34,680 --> 00:25:37,360
Speaker 2: So next we are in the middle of the woods.

545
00:25:38,280 --> 00:25:44,199
Speaker 1: This entire storyline is so it's weird, like were they

546
00:25:44,240 --> 00:25:45,560
Speaker 1: running out of ideas?

547
00:25:45,600 --> 00:25:49,560
Speaker 2: Like what who came up with this? And this isn't

548
00:25:49,600 --> 00:25:52,119
Speaker 2: like a low budget thing like that set the animals,

549
00:25:52,200 --> 00:25:54,480
Speaker 2: like this was a big budget for a for a

550
00:25:54,520 --> 00:25:55,560
Speaker 2: bee storyline.

551
00:25:56,080 --> 00:25:59,040
Speaker 1: Yeah, And it's just I just I was like, why

552
00:25:59,080 --> 00:26:01,960
Speaker 1: are they why are they in the middle of the woods.

553
00:26:02,640 --> 00:26:06,760
Speaker 3: Now their nature I thought they were advertising guys. Now

554
00:26:06,840 --> 00:26:08,280
Speaker 3: they're nature photographers.

555
00:26:08,560 --> 00:26:11,199
Speaker 2: Well, the fox is part of the commercial. I know

556
00:26:11,280 --> 00:26:13,760
Speaker 2: what they're advertising, right.

557
00:26:13,640 --> 00:26:16,680
Speaker 1: But if a director's doing a commercial, first of all,

558
00:26:16,720 --> 00:26:19,320
Speaker 1: they're director is also which kudos.

559
00:26:18,960 --> 00:26:22,879
Speaker 3: To them, But like, I wouldn't assume that someone who.

560
00:26:22,720 --> 00:26:25,600
Speaker 1: Could direct a commercial would also be able to do

561
00:26:25,680 --> 00:26:28,720
Speaker 1: some like nat geo sort of photography.

562
00:26:28,200 --> 00:26:28,679
Speaker 3: You know what I mean.

563
00:26:28,720 --> 00:26:30,879
Speaker 2: They needed to outsource some of this for sure, but

564
00:26:30,960 --> 00:26:35,000
Speaker 2: they are taking initiative. Yeah, they don't want to just

565
00:26:35,280 --> 00:26:40,600
Speaker 2: in his leather jacket and boots in the forest that

566
00:26:40,640 --> 00:26:44,960
Speaker 2: don't spec a dust on him though, clean just he Yeah,

567
00:26:46,160 --> 00:26:46,919
Speaker 2: I was shocked.

568
00:26:46,920 --> 00:26:48,680
Speaker 1: How did they get out there and just sleeping bags

569
00:26:48,680 --> 00:26:49,760
Speaker 1: on the ground, like not a tent.

570
00:26:49,880 --> 00:26:52,840
Speaker 2: Now there's no tent, there's no shelter, there's just you know,

571
00:26:52,960 --> 00:26:55,400
Speaker 2: they're they're rough in it. They are roughing it all

572
00:26:55,520 --> 00:26:59,480
Speaker 2: to catch this fox in the wild. Because why work

573
00:26:59,520 --> 00:27:01,880
Speaker 2: on a set with an animal trainer when you can

574
00:27:02,000 --> 00:27:02,679
Speaker 2: just go out.

575
00:27:02,600 --> 00:27:05,479
Speaker 1: When I do that, or get stock footage because I'm

576
00:27:05,480 --> 00:27:07,600
Speaker 1: pretty sure they still had stock footage at that you

577
00:27:07,640 --> 00:27:09,679
Speaker 1: know what I mean? That would have been to me

578
00:27:09,920 --> 00:27:11,800
Speaker 1: the simpler and cheaper way to do this.

579
00:27:11,960 --> 00:27:15,680
Speaker 3: But you know what, I'm not an.

580
00:27:14,760 --> 00:27:20,000
Speaker 1: AD executive director, wildlie photographer, So yeah, you've never done

581
00:27:20,320 --> 00:27:23,800
Speaker 1: an AD pitch with puppets in a boardroom, so you know, we.

582
00:27:24,280 --> 00:27:28,920
Speaker 3: Can't really Actually I have no the.

583
00:27:28,880 --> 00:27:31,480
Speaker 2: Hole people I could actually see, you know what?

584
00:27:32,000 --> 00:27:33,879
Speaker 1: You would be the one to go into like a

585
00:27:33,880 --> 00:27:35,000
Speaker 1: pitch meeting with puppets.

586
00:27:35,080 --> 00:27:39,520
Speaker 2: Yeah, that's on brand for you. Jesse enjoyers standing quietly

587
00:27:39,560 --> 00:27:42,439
Speaker 2: behind a tree while their camera equipment is positioned in

588
00:27:42,480 --> 00:27:45,280
Speaker 2: front of a small hole in the dirt. But Jesse

589
00:27:45,400 --> 00:27:48,879
Speaker 2: has had enough already. He storms out from behind the

590
00:27:48,880 --> 00:27:51,200
Speaker 2: tree and announces We've been out here for three hours.

591
00:27:51,440 --> 00:27:53,600
Speaker 2: The fox is not coming out. I hate it out

592
00:27:53,600 --> 00:27:58,480
Speaker 2: here straight out of the gate. Like the level of aggression.

593
00:27:58,800 --> 00:28:02,200
Speaker 3: I mean again, Like here's now Jesse's yelling in the woods.

594
00:28:02,240 --> 00:28:04,920
Speaker 3: Now you know, we got Jesse upset in every location.

595
00:28:05,720 --> 00:28:08,879
Speaker 2: Now DJ's upset, but it's really Jesse's up Jess upset.

596
00:28:09,680 --> 00:28:13,560
Speaker 2: Jesse upset for like most of season four and one

597
00:28:13,600 --> 00:28:16,960
Speaker 2: and two and three. So Joey remains calm as he

598
00:28:17,040 --> 00:28:20,440
Speaker 2: reminds Jesse to be patient. He runs him through their

599
00:28:20,440 --> 00:28:23,760
Speaker 2: commercial idea again. Once that fox pops his head out

600
00:28:23,760 --> 00:28:26,480
Speaker 2: of the hole and zips across the forest, we'll hear

601
00:28:27,200 --> 00:28:30,760
Speaker 2: fox fax machines for a fast fax facts with a fox,

602
00:28:32,000 --> 00:28:34,959
Speaker 2: and Jesse sneers, forget the fox. I'm freezing my fanny.

603
00:28:36,480 --> 00:28:39,440
Speaker 2: Joey unzips his giant puffy jacket and lends it to

604
00:28:39,560 --> 00:28:42,680
Speaker 2: Jesse for warmth. Jesse snatches it from him with aggression.

605
00:28:42,800 --> 00:28:46,640
Speaker 2: Joey tells him to mellow out. Animals can sense bad vibes, right,

606
00:28:46,760 --> 00:28:50,080
Speaker 2: Like this is true? Like animals, Yeah, they're like, oh,

607
00:28:50,120 --> 00:28:50,640
Speaker 2: you're yelling?

608
00:28:50,640 --> 00:28:52,400
Speaker 3: Why am I going to come out of my wool? Yeah?

609
00:28:52,440 --> 00:28:53,880
Speaker 2: He's the foxes clothe.

610
00:28:54,200 --> 00:28:57,160
Speaker 3: It's like sort of nocturnal, Like, don't they gonna come.

611
00:28:57,040 --> 00:29:00,440
Speaker 2: Out at Oh yeah, I think they do. Well, let's

612
00:29:00,440 --> 00:29:03,520
Speaker 2: not like these guys did research on habits of foxes.

613
00:29:03,600 --> 00:29:08,000
Speaker 3: They found a fox hole. They all like, they were like, well,

614
00:29:08,040 --> 00:29:10,040
Speaker 3: this is a foxhole. They obviously know that.

615
00:29:10,200 --> 00:29:11,640
Speaker 2: They know that. Yeah, well, how did you know it's

616
00:29:11,640 --> 00:29:14,920
Speaker 2: not like a like a raccoon hole or a coyote

617
00:29:14,960 --> 00:29:18,320
Speaker 2: hole or some other type of wildlife hole or you know,

618
00:29:18,520 --> 00:29:20,840
Speaker 2: I know what you're thinking. I'll stop saying the word hole.

619
00:29:24,680 --> 00:29:31,280
Speaker 2: So Joey decided, okay, so Jesse mocks him and Joey

620
00:29:31,520 --> 00:29:33,520
Speaker 2: he tells Joey to shoot some good vibes into the

621
00:29:33,560 --> 00:29:37,920
Speaker 2: hole so the fox will come out and play again.

622
00:29:38,080 --> 00:29:41,880
Speaker 3: One of those things where I'm like, I know that, yeah.

623
00:29:42,280 --> 00:29:45,440
Speaker 2: Oh yeah, that was a thing that they said. So

624
00:29:45,520 --> 00:29:48,160
Speaker 2: Joey decides to do just that. He bends down in

625
00:29:48,200 --> 00:29:51,600
Speaker 2: front of the hole and does his mister Woodchuck impression,

626
00:29:51,960 --> 00:29:54,800
Speaker 2: hoping that that will lure the fox out of the hole.

627
00:29:55,680 --> 00:29:59,360
Speaker 2: Then the impression doesn't provide the intended results, Jesse snaps

628
00:29:59,440 --> 00:30:01,680
Speaker 2: cut the voic, says, stick your hand in there, and

629
00:30:01,760 --> 00:30:05,560
Speaker 2: yank the fox out. Joey shouts back, no way, I

630
00:30:05,600 --> 00:30:07,800
Speaker 2: know my cartoons. I stick my hand in there, and

631
00:30:07,840 --> 00:30:11,680
Speaker 2: he gives me a stick of dynamite. Jesse scowls at

632
00:30:11,720 --> 00:30:13,320
Speaker 2: him and tells him to get out of the way.

633
00:30:14,200 --> 00:30:16,120
Speaker 2: He marches up to the hole and yells, all right,

634
00:30:16,200 --> 00:30:19,720
Speaker 2: you furry faced rodent, get your little fox buns out

635
00:30:19,720 --> 00:30:20,360
Speaker 2: here right now.

636
00:30:21,400 --> 00:30:24,920
Speaker 3: Jesse again, just the peak of emotional.

637
00:30:25,920 --> 00:30:30,200
Speaker 2: Boston. Boston foxes around ye yelling.

638
00:30:30,200 --> 00:30:31,560
Speaker 3: Animals didn't even do anything.

639
00:30:34,720 --> 00:30:38,440
Speaker 2: So when the fox doesn't appear, Jesse size they don't listen,

640
00:30:39,040 --> 00:30:41,040
Speaker 2: so he demands the head out of these woods and

641
00:30:41,080 --> 00:30:42,640
Speaker 2: just get the shot at the zoo.

642
00:30:43,240 --> 00:30:45,880
Speaker 3: Probably smarter. Why didn't we start there?

643
00:30:46,840 --> 00:30:48,840
Speaker 2: Because they're not going to get a permit, Like are they?

644
00:30:48,880 --> 00:30:52,480
Speaker 2: You think they're gonna plan in advance and like get permission.

645
00:30:53,400 --> 00:30:55,800
Speaker 3: Well no, they just shoot it on a little camp quarter,

646
00:30:55,920 --> 00:30:58,360
Speaker 3: you know what I mean. Yeah, gorilla style. I mean

647
00:30:58,920 --> 00:31:02,360
Speaker 3: that's a little confusing, it Yeah, gorilla.

648
00:31:02,040 --> 00:31:04,920
Speaker 2: Style at the zoo with a gorilla with a U

649
00:31:05,120 --> 00:31:05,840
Speaker 2: g u e.

650
00:31:06,040 --> 00:31:06,240
Speaker 3: Yeah.

651
00:31:06,320 --> 00:31:11,080
Speaker 2: Yeah. At the end, So Jesse bends down to retrieve

652
00:31:11,120 --> 00:31:14,920
Speaker 2: his things, but he comes face to face with a skunk.

653
00:31:16,000 --> 00:31:18,160
Speaker 3: So cute skunks are adorable.

654
00:31:17,840 --> 00:31:22,120
Speaker 2: He really is cute. I mean terrifying, but it's cute.

655
00:31:22,920 --> 00:31:26,320
Speaker 2: Joey warrens, no, sudden moves. You scared that skunk? He

656
00:31:26,440 --> 00:31:28,560
Speaker 2: sprays us, and we don't go on a date for

657
00:31:28,640 --> 00:31:32,640
Speaker 2: a year. Jesse calmly asks the skunk to excuse him

658
00:31:32,680 --> 00:31:34,840
Speaker 2: for a moment, and he offers the tiny creature to

659
00:31:34,960 --> 00:31:39,080
Speaker 2: use their roll on deodorant if needed. Then he frantically

660
00:31:39,120 --> 00:31:41,880
Speaker 2: grabs onto Joey and tells him to do something. Joey

661
00:31:41,920 --> 00:31:46,040
Speaker 2: thinks for a moment and realizes he speaks skunk, so

662
00:31:46,080 --> 00:31:48,560
Speaker 2: he tries out his pepe le Pew impression on the

663
00:31:48,560 --> 00:31:52,400
Speaker 2: little guy. I love Peppy leap like, this was a

664
00:31:52,440 --> 00:31:53,400
Speaker 2: great impression.

665
00:31:53,440 --> 00:31:59,040
Speaker 3: I laughed aloud the little the little French skunk, and.

666
00:31:59,000 --> 00:32:02,040
Speaker 2: Though the impression doesn't to wow the skunk, it lures

667
00:32:02,160 --> 00:32:03,720
Speaker 2: the fox out of his hole.

668
00:32:04,280 --> 00:32:06,520
Speaker 3: Who knew he was a peppular Fu fan. He's like,

669
00:32:06,560 --> 00:32:09,520
Speaker 3: I don't, yeah, don't wood Chuck me ide a skunk.

670
00:32:10,000 --> 00:32:13,760
Speaker 2: He's into The Skunk's not the Woodchucks. So Jesse notices

671
00:32:13,800 --> 00:32:15,880
Speaker 2: this and urges Joey to turn on the camera to

672
00:32:15,960 --> 00:32:19,200
Speaker 2: capture it, but Joey shakes his head, no way, I'm

673
00:32:19,240 --> 00:32:23,080
Speaker 2: not getting skunked, thankfully. The skunk starts to walk away,

674
00:32:23,520 --> 00:32:25,920
Speaker 2: but the fox has the same idea and flees in

675
00:32:25,960 --> 00:32:29,880
Speaker 2: the opposite direction. Jesse tries to shout after the wild animal,

676
00:32:29,920 --> 00:32:33,880
Speaker 2: but it obviously doesn't obey his command. Jesse wonders, now

677
00:32:33,920 --> 00:32:36,840
Speaker 2: what do we do? Joey suggests they sit and enjoy

678
00:32:36,880 --> 00:32:40,120
Speaker 2: the beauty of the forest at night. He loves the

679
00:32:40,200 --> 00:32:44,040
Speaker 2: forest sounds in particular, and tells Jesse to listen. Joey

680
00:32:44,080 --> 00:32:47,360
Speaker 2: surprises him between a cricket imitation, then he does an owl,

681
00:32:47,800 --> 00:32:50,440
Speaker 2: and then he imitates the flapping of wings in the distance.

682
00:32:51,200 --> 00:32:54,800
Speaker 3: Basically, this is just a scene with excuses for Dave

683
00:32:54,960 --> 00:32:55,720
Speaker 3: to do voices.

684
00:32:56,160 --> 00:32:59,360
Speaker 2: Maybe that's the point of this whole storyline, is just

685
00:33:00,080 --> 00:33:00,640
Speaker 2: he can do his.

686
00:33:00,640 --> 00:33:02,600
Speaker 1: Voices, you know, Yeah, Dave can do his voices, and

687
00:33:02,720 --> 00:33:06,600
Speaker 1: the skunk, a woodchuck, a fox, I don't know, all

688
00:33:06,600 --> 00:33:09,280
Speaker 1: sorts of fantastic, mister fox, and yeah, all sorts of things.

689
00:33:09,360 --> 00:33:12,440
Speaker 2: Yeah, he'll meet his quota just in this scene alone.

690
00:33:12,800 --> 00:33:13,760
Speaker 2: It's fantastic.

691
00:33:14,880 --> 00:33:17,160
Speaker 3: Can you imagine though, if somebody actually did voices like

692
00:33:17,200 --> 00:33:21,480
Speaker 3: that all the time, you know what I mean? At

693
00:33:21,480 --> 00:33:23,960
Speaker 3: some point I get it, Jesse, I would snap, I.

694
00:33:24,040 --> 00:33:27,719
Speaker 2: Will stop it. True. I mean, yes, I can understand

695
00:33:27,800 --> 00:33:30,680
Speaker 2: Jesse's gets impatient with this, but I'm sure the girls

696
00:33:30,720 --> 00:33:33,640
Speaker 2: love it, like they're living with Joey and he's always

697
00:33:33,640 --> 00:33:36,400
Speaker 2: doing the cartoon voices. So I bet he's a hit

698
00:33:36,840 --> 00:33:38,600
Speaker 2: with the elementary school set.

699
00:33:39,240 --> 00:33:43,080
Speaker 3: I feel like Michelle is very judgy though. Michelle's like, yeah, yeah,

700
00:33:43,200 --> 00:33:46,120
Speaker 3: she's just very much over it. She'll tolerate it, but

701
00:33:46,160 --> 00:33:48,760
Speaker 3: only if she gets cake, you know. Good point.

702
00:33:48,960 --> 00:33:54,600
Speaker 2: Yeah, So Jesse smacks Joey upside the head and tells

703
00:33:54,640 --> 00:33:57,760
Speaker 2: him knock it off. Jesse complains about how much he

704
00:33:57,800 --> 00:34:01,240
Speaker 2: hates the woods, so Joey tries to lighten his spirits.

705
00:34:01,680 --> 00:34:04,120
Speaker 2: You just have to open yourself up to the natural

706
00:34:04,160 --> 00:34:07,959
Speaker 2: beauty that surrounds us. But Jesse's not convinced. There's no

707
00:34:08,000 --> 00:34:11,320
Speaker 2: central hating, no pizza delivery, and no place to plug

708
00:34:11,320 --> 00:34:14,919
Speaker 2: in my blow dryer. Ah, this is why he doesn't

709
00:34:14,960 --> 00:34:19,160
Speaker 2: like it. He reminds Joey that there's no people out

710
00:34:19,160 --> 00:34:22,359
Speaker 2: here because as soon as Man invented cars, he drove

711
00:34:22,400 --> 00:34:25,719
Speaker 2: out of there. Joey asks why he feels the need

712
00:34:25,760 --> 00:34:29,560
Speaker 2: to yell yeah, yes, yes, Joey.

713
00:34:29,640 --> 00:34:34,400
Speaker 1: The first intelligent thing that you've said in this entire scene.

714
00:34:35,280 --> 00:34:36,680
Speaker 2: Why are you yelling, Jesse?

715
00:34:36,920 --> 00:34:39,080
Speaker 3: Why are you what you even need to yell all

716
00:34:39,120 --> 00:34:44,680
Speaker 3: the time? I don't know, yelling small forest animals?

717
00:34:44,680 --> 00:34:46,560
Speaker 2: I mean, good lord, Yeah, he's running out of things

718
00:34:46,560 --> 00:34:50,040
Speaker 2: to yell at, so he's resorting to small forest animals.

719
00:34:52,360 --> 00:34:55,120
Speaker 2: So Jesse responds by yelling at him, and yells at

720
00:34:55,120 --> 00:34:58,439
Speaker 2: the poor creatures too, and Jesse spits back at least

721
00:34:58,440 --> 00:35:00,759
Speaker 2: I don't talk to them in stupid little voices. I

722
00:35:00,840 --> 00:35:03,120
Speaker 2: hate to burst your bubble, but very few of these

723
00:35:03,160 --> 00:35:07,279
Speaker 2: animals have ever watched cartoons. Joey is shopped at this

724
00:35:07,400 --> 00:35:11,120
Speaker 2: cruel remark. You are really starting to bum me out?

725
00:35:11,600 --> 00:35:13,560
Speaker 2: Are you happy? I was in a great mood and

726
00:35:13,640 --> 00:35:17,680
Speaker 2: you just ruined it? A smile spreads across Jesse's face. Actually,

727
00:35:17,719 --> 00:35:21,759
Speaker 2: I do feel a little bit better. Yeah, like this

728
00:35:21,840 --> 00:35:25,120
Speaker 2: is I don't know. I'm still trying to understand the

729
00:35:25,120 --> 00:35:27,959
Speaker 2: point of this storyline, and I'm like, normally, I would

730
00:35:27,960 --> 00:35:31,240
Speaker 2: think when writers put people into a forest or nature,

731
00:35:31,400 --> 00:35:34,759
Speaker 2: there's usually an element of danger or escaping something or

732
00:35:34,840 --> 00:35:37,000
Speaker 2: hiding from something. But no, it's just the danger is

733
00:35:37,040 --> 00:35:38,480
Speaker 2: what Jesse's temper.

734
00:35:38,680 --> 00:35:41,520
Speaker 3: Getting skunked that's the decay, okay.

735
00:35:41,160 --> 00:35:44,960
Speaker 1: And Jesse hates it, and then it gives him someplace

736
00:35:45,000 --> 00:35:46,720
Speaker 1: to go because they you know, then he's.

737
00:35:46,600 --> 00:35:47,800
Speaker 3: Like, oh, look at the beautiful woods.

738
00:35:47,840 --> 00:35:50,880
Speaker 1: He's a cheaping heart, so that gives him something. And

739
00:35:50,920 --> 00:35:52,800
Speaker 1: they also need something that's going to keep the guys

740
00:35:52,880 --> 00:35:56,000
Speaker 1: out of the house overnight. Oh okay, that's the whole

741
00:35:56,040 --> 00:35:58,520
Speaker 1: The entire thing is that they need the guys to

742
00:35:58,640 --> 00:36:01,880
Speaker 1: stay uh like out of the house. And you know,

743
00:36:02,440 --> 00:36:06,200
Speaker 1: we've already had people locked in a auto garage, so

744
00:36:06,239 --> 00:36:09,320
Speaker 1: we get we're running out of places to leave people, right.

745
00:36:09,560 --> 00:36:11,680
Speaker 2: The writers had to get creative, all right, Well that

746
00:36:11,719 --> 00:36:14,520
Speaker 2: makes that makes more sense. This isn't a high stakes storyline.

747
00:36:14,600 --> 00:36:15,160
Speaker 2: This is just.

748
00:36:15,080 --> 00:36:19,600
Speaker 3: Like a but the point is that they need to

749
00:36:19,600 --> 00:36:23,080
Speaker 3: be gone for like a day and a half. Yeah, okay,

750
00:36:23,160 --> 00:36:25,680
Speaker 3: all right, so he can have his Superdad moment.

751
00:36:25,960 --> 00:36:30,440
Speaker 2: Yeah he's all about Superdad. Yes, uh speaking of Superdad.

752
00:36:30,680 --> 00:36:33,440
Speaker 2: In the kitchen, Danny is setting the table when Michelle

753
00:36:33,520 --> 00:36:37,960
Speaker 2: walks downstairs. She happily waves hi Daddy, and Danny is

754
00:36:38,000 --> 00:36:40,120
Speaker 2: happy to see her. He asks if she would like

755
00:36:40,160 --> 00:36:43,840
Speaker 2: to be Daddy's special helper by helping him finish setting

756
00:36:43,840 --> 00:36:47,720
Speaker 2: the table. Michelle nods, it will be my pleasure. Danny

757
00:36:47,719 --> 00:36:50,160
Speaker 2: giggles and then gets cut off by the dryer buzzing.

758
00:36:50,440 --> 00:36:52,920
Speaker 2: He realizes the clothes are dry and grabs the hamper

759
00:36:52,960 --> 00:36:55,760
Speaker 2: to unload them, but just then the oven bell dings.

760
00:36:56,000 --> 00:37:01,359
Speaker 2: Danny grins, ooh, my famous tuna noodle casse role. Well,

761
00:37:01,400 --> 00:37:03,080
Speaker 2: the hamper still rests in one hand.

762
00:37:03,080 --> 00:37:04,880
Speaker 3: Wait, did you just make a face about tuna.

763
00:37:05,160 --> 00:37:07,319
Speaker 2: I know this sounds so gross, and I love tuna.

764
00:37:07,480 --> 00:37:11,319
Speaker 2: I did make a face tuna noodles. And my mom

765
00:37:11,400 --> 00:37:13,440
Speaker 2: used to make something like this too, and I was like,

766
00:37:14,280 --> 00:37:16,600
Speaker 2: I don't know, just some doo. Tuna and noodles don't

767
00:37:16,640 --> 00:37:19,480
Speaker 2: go together for me. I need like a bread or

768
00:37:19,520 --> 00:37:22,640
Speaker 2: a biscuit or okay, something just okay. I don't know.

769
00:37:23,560 --> 00:37:25,279
Speaker 3: It was just shocked because I know your love of

770
00:37:25,480 --> 00:37:28,160
Speaker 3: the tuna melt and you're like tuna noodle. I was like, oh,

771
00:37:28,200 --> 00:37:29,839
Speaker 3: there's lines that.

772
00:37:29,800 --> 00:37:33,560
Speaker 2: We don't I have lines that I won't cross it

773
00:37:33,680 --> 00:37:37,760
Speaker 2: I get a tuna. So just then the phone rings.

774
00:37:37,920 --> 00:37:40,200
Speaker 2: He ditches his other tasks so he can get to

775
00:37:40,239 --> 00:37:43,640
Speaker 2: the phone in time. He answers, Hello, super Dad, and

776
00:37:43,719 --> 00:37:46,799
Speaker 2: it turns out it's Becky tell Becky he doesn't need

777
00:37:46,840 --> 00:37:50,080
Speaker 2: her housekeeper because this single parenting thing is a piece

778
00:37:50,120 --> 00:37:53,640
Speaker 2: of cake. Then another bell chimes from the kitchen. He states, oh,

779
00:37:53,680 --> 00:37:58,040
Speaker 2: gotta go, that's my vegetable medley. Then all the buzzers

780
00:37:58,040 --> 00:37:59,960
Speaker 2: and timers start to go off at the same time,

781
00:38:00,239 --> 00:38:03,360
Speaker 2: causing Danny to panic. While the phone is still attached

782
00:38:03,440 --> 00:38:05,960
Speaker 2: to his ear, he tells Becky he needs to go

783
00:38:06,120 --> 00:38:08,879
Speaker 2: now because his shorts are cooked and his noodles are dry.

784
00:38:10,600 --> 00:38:12,399
Speaker 2: He pulls two heart on the phone and the cord

785
00:38:12,520 --> 00:38:17,120
Speaker 2: unplugs from the wall. It's mayhem. He quickly turns off

786
00:38:17,160 --> 00:38:20,080
Speaker 2: all the buzzers and timers, and then Michelle catches his attention.

787
00:38:20,719 --> 00:38:23,400
Speaker 2: He asks what she's doing, and she stands next to

788
00:38:23,440 --> 00:38:27,600
Speaker 2: the table, proudly being your special helper. She places a

789
00:38:27,640 --> 00:38:30,520
Speaker 2: container of baking soda onto the table, next to every

790
00:38:30,600 --> 00:38:33,959
Speaker 2: other condiment she has managed to pull out of the fridge.

791
00:38:34,640 --> 00:38:37,040
Speaker 2: Danny asks her to put the condiments back in the fridge,

792
00:38:37,080 --> 00:38:41,319
Speaker 2: preferably how she found them, in alphabetical order. Then DJ

793
00:38:41,440 --> 00:38:44,600
Speaker 2: and Kimmy walk in, giving Danny a pleasant greeting. He

794
00:38:44,640 --> 00:38:47,960
Speaker 2: walks up to DJ and beams Juliette. How was rehearsal.

795
00:38:48,560 --> 00:38:51,279
Speaker 3: Have you never seen two middle schoolers walk in that happy.

796
00:38:51,960 --> 00:38:54,600
Speaker 2: Yeah and willing to talk to the adults? Yeah?

797
00:38:56,080 --> 00:38:59,720
Speaker 3: Was like, oh hey, I was like, no middle schooler

798
00:38:59,719 --> 00:39:01,080
Speaker 3: ever does that? They walk in eh?

799
00:39:01,239 --> 00:39:05,560
Speaker 2: Eh, I w was school and then maybe my way

800
00:39:05,600 --> 00:39:08,799
Speaker 2: up to the room. R. Yeah. This is not true

801
00:39:08,800 --> 00:39:13,240
Speaker 2: to life people. So DJ admits that rehearsal was hard work.

802
00:39:13,520 --> 00:39:17,080
Speaker 2: She must have done that kissing scene with Romeo fifteen times.

803
00:39:17,480 --> 00:39:21,200
Speaker 2: Danny's jaw drops fifteen times, and DJ shrugs, I had

804
00:39:21,239 --> 00:39:23,319
Speaker 2: a lot of catching up to do. But you're coming

805
00:39:23,360 --> 00:39:26,359
Speaker 2: tomorrow like you promised, right, and he doesn't hesitate. I

806
00:39:26,400 --> 00:39:28,360
Speaker 2: will be there in the front row with a bucket

807
00:39:28,360 --> 00:39:32,200
Speaker 2: of cold water. Danny looks over at his youngest, who

808
00:39:32,360 --> 00:39:34,960
Speaker 2: has loaded the condiments and all of the place settings

809
00:39:34,960 --> 00:39:38,480
Speaker 2: into her tiny chopping cart. He asks, why did you

810
00:39:38,480 --> 00:39:41,760
Speaker 2: clear everything from the table, and she responds, you said

811
00:39:41,920 --> 00:39:46,080
Speaker 2: put everything back. She's not wrong, you know she is

812
00:39:46,160 --> 00:39:50,680
Speaker 2: not wrong. He ryan's her. I meant the condiments, not

813
00:39:50,800 --> 00:39:54,240
Speaker 2: the plates and silverware, and Michelle says, through gritted teeth,

814
00:39:54,560 --> 00:39:58,040
Speaker 2: this is not my fault. Danny agrees with her to

815
00:39:58,160 --> 00:40:01,279
Speaker 2: take she's had enough. I don't blame her. You know,

816
00:40:02,800 --> 00:40:05,120
Speaker 2: she's just like, I work for free in this house.

817
00:40:05,200 --> 00:40:09,719
Speaker 2: I give you guys free mental health. And I'm asked, yeah, yeah,

818
00:40:09,840 --> 00:40:11,480
Speaker 2: this is just this is too much of an ask.

819
00:40:13,680 --> 00:40:16,680
Speaker 2: So just then Stephanie runs down the stairs with enthusiasm.

820
00:40:17,080 --> 00:40:19,640
Speaker 2: Let's eat. I gotta put the finishing touches on my

821
00:40:19,719 --> 00:40:23,480
Speaker 2: science project. Danny offers, if you need any extra help,

822
00:40:23,719 --> 00:40:27,200
Speaker 2: Superdad is here for you. Stephanie thanks him, but says

823
00:40:27,200 --> 00:40:29,919
Speaker 2: he can't see the project until tomorrow at the science fair.

824
00:40:30,640 --> 00:40:35,800
Speaker 2: Danny's eyes widen tomorrow Wednesday, and stephan nods, which prompts

825
00:40:35,880 --> 00:40:38,640
Speaker 2: Danny to turn to DJ. Isn't that when you're doing

826
00:40:38,719 --> 00:40:43,800
Speaker 2: Romeo and Juliet? DJ nods, and Kimmy sarcastically says, bingo

827
00:40:44,120 --> 00:40:48,440
Speaker 2: super Dad. Danny looks between both of his daughters and apologizes, Oh,

828
00:40:48,480 --> 00:40:50,960
Speaker 2: I'm so sorry. I didn't realize I promised you both.

829
00:40:51,719 --> 00:40:56,040
Speaker 2: Stephanie argues, you promised me first. DJ retorts tell her

830
00:40:56,080 --> 00:40:59,000
Speaker 2: you're coming with me, Dad. Stephanie shouts no, tell her

831
00:40:59,040 --> 00:41:01,960
Speaker 2: you're coming with me. Jimmy decides to get in the

832
00:41:01,960 --> 00:41:04,239
Speaker 2: middle of this, telling Danny this would make a great

833
00:41:04,280 --> 00:41:09,000
Speaker 2: game show. Mister t Hoodia love more Danny grabs her

834
00:41:09,000 --> 00:41:11,439
Speaker 2: shoulders and begins to push her out. Let's say, what's

835
00:41:11,440 --> 00:41:12,480
Speaker 2: behind door number one?

836
00:41:12,640 --> 00:41:12,839
Speaker 3: Oh?

837
00:41:12,880 --> 00:41:15,480
Speaker 2: Would you look at that? It's the exit, and closes

838
00:41:15,520 --> 00:41:19,880
Speaker 2: the kitchen door behind her. DJ continues this argument, addressing Danny,

839
00:41:20,200 --> 00:41:22,960
Speaker 2: you said you wouldn't miss me playing Juliet for anything.

840
00:41:23,640 --> 00:41:26,640
Speaker 2: Danny realizes, yeah, he did say that, but he doesn't know,

841
00:41:27,120 --> 00:41:29,120
Speaker 2: and Stephanie cuts him off. You're not coming to my

842
00:41:29,200 --> 00:41:32,360
Speaker 2: science fair? How could you do this to me? Steph

843
00:41:32,440 --> 00:41:35,800
Speaker 2: runs upstairs before Danny can explain, and DJ is smiling

844
00:41:35,840 --> 00:41:39,440
Speaker 2: at her dad with approval. Good choice, dad, Danny points.

845
00:41:39,200 --> 00:41:41,440
Speaker 1: Out, something like an older sibling to just enjoy the

846
00:41:41,440 --> 00:41:42,439
Speaker 1: pain of the other one.

847
00:41:42,440 --> 00:41:45,840
Speaker 2: That's not kidding what they want. There's no empathy, there's no.

848
00:41:47,360 --> 00:41:48,760
Speaker 3: The one walks away crying, they're.

849
00:41:48,600 --> 00:41:52,080
Speaker 2: Like, ah good, Yeah, they do not feel bad at all,

850
00:41:52,600 --> 00:41:57,720
Speaker 2: just like I just want to win. When so, Danny

851
00:41:57,719 --> 00:42:00,240
Speaker 2: points out, well, he didn't actually say he was going

852
00:42:00,280 --> 00:42:03,440
Speaker 2: with her, and DJ shouts, but you promised me. Danny

853
00:42:03,480 --> 00:42:06,439
Speaker 2: nods with understanding, but DJ's not having it. Fine, break

854
00:42:06,440 --> 00:42:08,920
Speaker 2: a promise. Why don't you just go with Stephanie? And

855
00:42:08,960 --> 00:42:12,120
Speaker 2: then she storms away too, And these girls are acting

856
00:42:12,160 --> 00:42:16,720
Speaker 2: so bratty, you know, it's like, this is what happened.

857
00:42:16,800 --> 00:42:19,080
Speaker 3: You're like, Oh, the day's going along so well, I've

858
00:42:19,120 --> 00:42:21,480
Speaker 3: got everything done and then all of a sudden, it

859
00:42:21,600 --> 00:42:23,440
Speaker 3: just the bottom falls out and you're like, oh, I

860
00:42:23,480 --> 00:42:24,160
Speaker 3: screwed it all up.

861
00:42:24,239 --> 00:42:25,360
Speaker 2: Yep and bless.

862
00:42:25,480 --> 00:42:27,719
Speaker 3: This was the moment when Danny was very relatable, when

863
00:42:27,760 --> 00:42:30,960
Speaker 3: everything was just sideways and the kids were arguing, and

864
00:42:30,960 --> 00:42:33,640
Speaker 3: you're like, oh, I literally can't do anything right. Yeah,

865
00:42:33,680 --> 00:42:36,680
Speaker 3: you can't, he can't win. This is you're right, so relatable.

866
00:42:36,920 --> 00:42:38,880
Speaker 3: We have all been here. Yeah.

867
00:42:39,239 --> 00:42:42,359
Speaker 2: So, before Danny can follow the girls upstairs, Michelle calls

868
00:42:42,400 --> 00:42:45,200
Speaker 2: after him. I set the table again, and Danny tells

869
00:42:45,239 --> 00:42:47,839
Speaker 2: her they are not eating right now. Michelle throws her

870
00:42:47,920 --> 00:42:51,120
Speaker 2: arms in the air, complaining he's driving me bananas, and

871
00:42:51,160 --> 00:42:52,399
Speaker 2: then she goes upstairs with them.

872
00:42:53,400 --> 00:42:55,240
Speaker 3: Did he ever get the stuff out of the stove?

873
00:42:57,840 --> 00:43:01,359
Speaker 2: No? That comes later, right, No, when he takes brain

874
00:43:01,400 --> 00:43:02,759
Speaker 2: out some Yeah, that's the next scene.

875
00:43:02,800 --> 00:43:03,920
Speaker 3: Yeah, No, he didn't.

876
00:43:04,600 --> 00:43:11,799
Speaker 2: This stuff still stuff still burning? Maybe or well, I'm

877
00:43:11,840 --> 00:43:14,799
Speaker 2: just saying I don't know. I'm gonna say he doesn't matter.

878
00:43:14,960 --> 00:43:17,360
Speaker 3: It doesn't again, I'm picking at things that don't matter.

879
00:43:17,560 --> 00:43:20,040
Speaker 1: But I just he like left the room after all

880
00:43:20,080 --> 00:43:21,879
Speaker 1: the panic about the hamper and the.

881
00:43:21,760 --> 00:43:24,600
Speaker 3: Food and the stuff, and then didn't didn't do any

882
00:43:24,640 --> 00:43:24,840
Speaker 3: of it.

883
00:43:25,040 --> 00:43:28,000
Speaker 1: No, technically, wouldn't it still be like dinging and beeping

884
00:43:28,040 --> 00:43:28,880
Speaker 1: and doing stuff.

885
00:43:29,280 --> 00:43:32,120
Speaker 2: He turned the timers off, so I don't know, but

886
00:43:32,160 --> 00:43:35,359
Speaker 2: he did drop that super dad bit really fast like this, Yeah,

887
00:43:35,760 --> 00:43:36,359
Speaker 2: straight to reality.

888
00:43:36,400 --> 00:43:38,680
Speaker 3: Yeah, you'd be like, wow, I really feel stupid.

889
00:43:38,320 --> 00:43:49,200
Speaker 2: Saying that now. So upstairs in the hallway, Danny urges

890
00:43:49,200 --> 00:43:51,719
Speaker 2: the girls to talk to him. At that moment, DJ

891
00:43:51,920 --> 00:43:54,280
Speaker 2: bursts out of the shared room and shouts at Stephanie,

892
00:43:54,640 --> 00:43:56,840
Speaker 2: I'm sick of you wrecking my life. I'm sleeping in

893
00:43:56,920 --> 00:44:01,000
Speaker 2: Uncle Jesse's room. Steph gives a stern nod fine and

894
00:44:01,080 --> 00:44:03,920
Speaker 2: slams their bedroom door shut, and then DJ yell's fine

895
00:44:04,040 --> 00:44:07,319
Speaker 2: and slams Jesse's door shut down the hall Michelle stands

896
00:44:07,360 --> 00:44:10,680
Speaker 2: in her bedroom doorway and screams fine before slamming her

897
00:44:10,680 --> 00:44:16,160
Speaker 2: doorshut just like her sisters did. Danny questions Michelle, why

898
00:44:16,200 --> 00:44:18,680
Speaker 2: are you What are you mad about? And Michelle opens

899
00:44:18,680 --> 00:44:20,680
Speaker 2: the door with a grin I'm not mad. I like

900
00:44:20,719 --> 00:44:23,720
Speaker 2: this game, and then she frowns and shouts fine. Before

901
00:44:23,760 --> 00:44:28,640
Speaker 2: slamming the door shut again. Danny sighs with defeat. You know,

902
00:44:28,719 --> 00:44:31,400
Speaker 2: this is the perfect amount of Michelle like for this

903
00:44:31,560 --> 00:44:35,040
Speaker 2: age four, Like she's cute, it's now and then. But

904
00:44:35,080 --> 00:44:37,000
Speaker 2: it's not like they're giving her the weight of a

905
00:44:37,000 --> 00:44:40,160
Speaker 2: whole storyline to carry age like. This is just the

906
00:44:40,200 --> 00:44:43,799
Speaker 2: right amount of Michelle, the right balance. They're doing it right.

907
00:44:45,520 --> 00:44:48,319
Speaker 2: So next in the kitchen, Danny has wrangled all of

908
00:44:48,320 --> 00:44:51,840
Speaker 2: his daughters to the dining table to figure out this dilemma.

909
00:44:52,440 --> 00:44:55,440
Speaker 2: He reminds them, we have two events and one parent.

910
00:44:56,000 --> 00:44:59,080
Speaker 2: You know my motto. When life gives you dilemmas, you

911
00:44:59,120 --> 00:45:00,160
Speaker 2: make dilemma.

912
00:45:01,360 --> 00:45:03,960
Speaker 3: Oh man, I'm pretty sure that's why Beyonce named her

913
00:45:04,000 --> 00:45:04,320
Speaker 3: album that.

914
00:45:06,600 --> 00:45:09,040
Speaker 2: Yes, give full Hops the credit please, Yeah?

915
00:45:09,080 --> 00:45:10,440
Speaker 3: Yeah, yeah.

916
00:45:10,480 --> 00:45:13,719
Speaker 2: But so shockingly no one laughs and Stephanie points out

917
00:45:13,760 --> 00:45:17,960
Speaker 2: that he is obviously stalling. Danny. Siys, before I tell

918
00:45:17,960 --> 00:45:20,839
Speaker 2: you my decision. You both understand that I love all

919
00:45:20,880 --> 00:45:23,960
Speaker 2: of my girls exactly the same. You know that, don't you?

920
00:45:24,920 --> 00:45:28,560
Speaker 2: And stephan dj oh, for sure, depending on how they're.

921
00:45:28,360 --> 00:45:29,920
Speaker 3: Acting, you.

922
00:45:31,880 --> 00:45:35,000
Speaker 2: Would you like them differently depending on I love you

923
00:45:35,040 --> 00:45:38,239
Speaker 2: the same, I like you differently, Yes, I tell my

924
00:45:38,280 --> 00:45:40,160
Speaker 2: kid like Hey, I don't like you today, this behavior

925
00:45:40,560 --> 00:45:40,840
Speaker 2: all know.

926
00:45:41,160 --> 00:45:43,279
Speaker 3: I will always I love you, I do not like

927
00:45:43,360 --> 00:45:43,960
Speaker 3: what you're acting.

928
00:45:44,000 --> 00:45:48,799
Speaker 2: Like, yes, that's so true. So Danny turns to DJ

929
00:45:49,040 --> 00:45:51,760
Speaker 2: and says, I'm sorry, I cannot go to your play,

930
00:45:52,280 --> 00:45:56,280
Speaker 2: and Stephanie shouts yes. Danny turns to steph and continues,

931
00:45:56,840 --> 00:45:58,960
Speaker 2: I promised you i'd go to your science fare before

932
00:45:58,960 --> 00:46:02,839
Speaker 2: I even knew about DJ's play. But DJ's obviously hurt,

933
00:46:03,200 --> 00:46:06,800
Speaker 2: So that's it. You're not coming. Danny tries to reconcile.

934
00:46:07,239 --> 00:46:09,040
Speaker 2: I promise the next time you're on to play, I'll

935
00:46:09,040 --> 00:46:11,360
Speaker 2: see it twice.

936
00:46:11,800 --> 00:46:14,760
Speaker 3: You gotta you know, stephan got there first.

937
00:46:15,040 --> 00:46:17,279
Speaker 2: It's true. I agree with this decision. I really don't.

938
00:46:17,280 --> 00:46:19,680
Speaker 3: I do too, And it's a hard one. Like it's hard.

939
00:46:20,040 --> 00:46:23,400
Speaker 1: I've been there when it's like one has a performance

940
00:46:23,400 --> 00:46:25,320
Speaker 1: and one has a game, and you're like, oh.

941
00:46:25,160 --> 00:46:27,600
Speaker 2: No, you just have to choose one and promise the

942
00:46:27,600 --> 00:46:29,640
Speaker 2: other one you'll show up next time. There's nothing else

943
00:46:29,640 --> 00:46:33,000
Speaker 2: to do, so Danny says he hopes that they can

944
00:46:33,040 --> 00:46:35,759
Speaker 2: all have a nice dinner tonight as a family, and

945
00:46:35,760 --> 00:46:37,880
Speaker 2: he stands up and tries to shed some light on

946
00:46:37,960 --> 00:46:41,680
Speaker 2: this storm. I made my fabulous tuna noodle casserole, and

947
00:46:41,719 --> 00:46:44,680
Speaker 2: some absolutely glorious steamed vegetables.

948
00:46:45,160 --> 00:46:47,399
Speaker 3: Oh, every child's favorite.

949
00:46:47,840 --> 00:46:52,640
Speaker 2: Get excited, girls, right yeah. He uncovers the pot with

950
00:46:52,680 --> 00:46:55,799
Speaker 2: the veggies and Steph sticks her fork in to grab some.

951
00:46:56,400 --> 00:47:01,080
Speaker 2: To her surprise, she pulls out her cooked cauliflower brain replica.

952
00:47:01,800 --> 00:47:06,000
Speaker 2: She screams when she witnesses this. This was my science project.

953
00:47:06,680 --> 00:47:09,680
Speaker 2: Danny asks, you made a side dish for your science project,

954
00:47:09,920 --> 00:47:13,279
Speaker 2: and she clarifies it was a brain and you boiled it.

955
00:47:14,640 --> 00:47:17,319
Speaker 2: Danny is shocked. I'm so sorry. I thought Uncle Jesse

956
00:47:17,480 --> 00:47:21,640
Speaker 2: left it for us for dinner. Uncle Jesse would not

957
00:47:21,719 --> 00:47:23,839
Speaker 2: leave you vegetables or cauliflower.

958
00:47:23,960 --> 00:47:30,480
Speaker 1: And also if you saw a cauliflower with things toothpicked

959
00:47:30,480 --> 00:47:32,560
Speaker 1: in specific places like that, wouldn't she be like, this

960
00:47:32,600 --> 00:47:35,680
Speaker 1: looks this looks like someone did this for a reason.

961
00:47:36,120 --> 00:47:40,080
Speaker 2: Yes, yes, And to be honest, it didn't even look ruined,

962
00:47:40,160 --> 00:47:42,880
Speaker 2: like it just looked. I just wish which a brain

963
00:47:43,120 --> 00:47:43,719
Speaker 2: is so it.

964
00:47:43,840 --> 00:47:44,760
Speaker 3: Liked more accurate.

965
00:47:44,800 --> 00:47:47,680
Speaker 1: It might it's you can just say like this is

966
00:47:48,280 --> 00:47:49,520
Speaker 1: like one half of the brain.

967
00:47:49,600 --> 00:47:50,879
Speaker 3: You know, you make and then you go and then

968
00:47:50,880 --> 00:47:53,520
Speaker 3: this is your brain on drugs. Yes, squishy one this is.

969
00:47:53,440 --> 00:47:56,120
Speaker 2: A lesson, right, you see this is this is not

970
00:47:56,200 --> 00:47:59,840
Speaker 2: the crisis that they're making it out to be. So

971
00:48:00,040 --> 00:48:03,200
Speaker 2: so dj sarcastically says, ugh, this is a real tragedy.

972
00:48:03,400 --> 00:48:06,919
Speaker 2: Speaking of tragedies, Romeo and Juliet is one of the best.

973
00:48:07,360 --> 00:48:10,479
Speaker 2: Steph rolls her eyes. I guess Dad can go see

974
00:48:10,480 --> 00:48:13,360
Speaker 2: it now, and Michelle chimes in, I'm hungry. Can I

975
00:48:13,400 --> 00:48:16,120
Speaker 2: have some brain please? And Danny hands it to her.

976
00:48:18,120 --> 00:48:21,000
Speaker 2: So back in the woods, the sun has risen and

977
00:48:21,120 --> 00:48:24,719
Speaker 2: Jesse is chipper as ever. He says hello to all

978
00:48:24,719 --> 00:48:27,520
Speaker 2: of the forest animals before kneeling by Joey, who is

979
00:48:27,640 --> 00:48:31,200
Speaker 2: still in his sleeping bag. Jesse recaps his morning, which

980
00:48:31,239 --> 00:48:34,040
Speaker 2: included watching a beautiful sunrise by the lake.

981
00:48:34,480 --> 00:48:38,160
Speaker 1: And getting is closed directly, apparently because he is still spotless.

982
00:48:38,239 --> 00:48:40,480
Speaker 2: He's still spotty in his leather coat.

983
00:48:41,440 --> 00:48:44,920
Speaker 1: Yeah all black, by the way, and not just not

984
00:48:44,960 --> 00:48:45,759
Speaker 1: a piece of lint on.

985
00:48:45,719 --> 00:48:47,760
Speaker 2: Him, No, not a speca dust nothing.

986
00:48:48,200 --> 00:48:50,160
Speaker 3: I'd love to go camping like that. I'd be great.

987
00:48:53,080 --> 00:48:56,720
Speaker 2: So when he receives no response, he opens Joey's sleeping

988
00:48:56,719 --> 00:48:58,759
Speaker 2: bag and starts ruffling his hair to get him to

989
00:48:58,800 --> 00:49:02,360
Speaker 2: wake up. Joey groans, at the sunlight and admits he

990
00:49:02,400 --> 00:49:06,200
Speaker 2: didn't sleep a wink. Apparently, an army of ants turned

991
00:49:06,239 --> 00:49:08,160
Speaker 2: him into an all night salad bar.

992
00:49:08,760 --> 00:49:11,439
Speaker 3: Oh I had that happen in Panama. It's not fun.

993
00:49:11,760 --> 00:49:13,600
Speaker 2: Oh, getting attacked by ants.

994
00:49:13,880 --> 00:49:19,319
Speaker 1: Yeah, like biting outside in the rainforest. Yeah, well there

995
00:49:19,320 --> 00:49:21,560
Speaker 1: was one incident with biting ants. But then also like

996
00:49:21,600 --> 00:49:22,799
Speaker 1: something sticky got left up.

997
00:49:22,840 --> 00:49:25,799
Speaker 2: Oh. I bet they're bigger in Panama too, Are they

998
00:49:25,840 --> 00:49:26,719
Speaker 2: like those big.

999
00:49:26,880 --> 00:49:28,759
Speaker 1: Red Well, there was like the little ones and then yeah,

1000
00:49:28,760 --> 00:49:30,520
Speaker 1: then there's the big like you can see the little

1001
00:49:30,520 --> 00:49:33,120
Speaker 1: pinchers on him. Oh, you got to flick off anyway.

1002
00:49:33,880 --> 00:49:35,760
Speaker 1: I was like, oh, it just brought back memories.

1003
00:49:35,800 --> 00:49:37,440
Speaker 3: I was like, oh yeah, oh God, ants in your

1004
00:49:37,480 --> 00:49:38,879
Speaker 3: bed when you're sleeping outside is not fun.

1005
00:49:39,280 --> 00:49:43,040
Speaker 2: You're like, oh, yeah, that's right. So it seems that

1006
00:49:43,480 --> 00:49:47,200
Speaker 2: Joey and Jesse have had a role reversal. Now Jesse's

1007
00:49:47,239 --> 00:49:49,160
Speaker 2: trying to cheer him up by pointing out all of

1008
00:49:49,200 --> 00:49:53,560
Speaker 2: the wonders that lie within the forest. Joey is really confused.

1009
00:49:53,960 --> 00:49:56,320
Speaker 2: Did you have a close encounter with a wood fairy?

1010
00:49:57,600 --> 00:49:59,960
Speaker 2: Jesse shakes his head and admits, I was just thinking

1011
00:50:00,120 --> 00:50:03,800
Speaker 2: about what you said. I never realized how beautiful nature

1012
00:50:03,880 --> 00:50:04,560
Speaker 2: really is?

1013
00:50:05,360 --> 00:50:05,840
Speaker 3: Very true?

1014
00:50:06,360 --> 00:50:08,839
Speaker 2: And what prompted this change of heart? Was it like

1015
00:50:09,080 --> 00:50:11,640
Speaker 2: you just got a good night's sleep or what like?

1016
00:50:11,760 --> 00:50:15,759
Speaker 1: I guess I mean, apparently just some rocks in your

1017
00:50:15,800 --> 00:50:19,719
Speaker 1: back is all you need to you know, the show

1018
00:50:20,200 --> 00:50:22,360
Speaker 1: had a great sleep, and now he has fallen in

1019
00:50:22,400 --> 00:50:23,080
Speaker 1: love with the woods.

1020
00:50:23,360 --> 00:50:25,319
Speaker 2: It all it takes is a sunrise over a lake

1021
00:50:25,400 --> 00:50:27,560
Speaker 2: and he's he's fully young.

1022
00:50:27,680 --> 00:50:29,880
Speaker 3: You know what, I'll take it. I'll take it because

1023
00:50:29,920 --> 00:50:31,800
Speaker 3: at least he's not yelling at forest animals.

1024
00:50:32,040 --> 00:50:34,440
Speaker 2: This is true. Let's not question it. Let's just take

1025
00:50:34,480 --> 00:50:36,040
Speaker 2: it as Jesse's happy.

1026
00:50:36,160 --> 00:50:39,960
Speaker 3: Great, everyone's gonna have a good day. Yeah.

1027
00:50:40,080 --> 00:50:42,720
Speaker 2: So Jesse tries to rub off his good mood onto

1028
00:50:42,800 --> 00:50:45,600
Speaker 2: Joey and tells him to do a voice. He picks

1029
00:50:45,680 --> 00:50:48,240
Speaker 2: up a twig from the ground and suggests, do mister twig.

1030
00:50:48,440 --> 00:50:51,560
Speaker 2: How does mister twig talk? And Joey stares at him

1031
00:50:51,800 --> 00:50:57,759
Speaker 2: utterly unamused. Twigs do not talk, and Jesse wonders, and

1032
00:50:57,800 --> 00:51:00,839
Speaker 2: why not in the words of mister woods, and then

1033
00:51:00,840 --> 00:51:04,479
Speaker 2: he imitates the Woodchuck stands and begins his impersonation. They're

1034
00:51:04,520 --> 00:51:06,400
Speaker 2: made of wood.

1035
00:51:06,920 --> 00:51:09,320
Speaker 3: I think Jesse got a hold of some mushrooms on

1036
00:51:09,360 --> 00:51:15,719
Speaker 3: the poor You know, he is entirely too happy, entirely

1037
00:51:15,800 --> 00:51:19,480
Speaker 3: too happy all of a sudden, that makes glorias. We're

1038
00:51:19,480 --> 00:51:21,719
Speaker 3: all one. You're like, you ate a mushroom, didn't you?

1039
00:51:22,120 --> 00:51:26,200
Speaker 2: If he's doing the woodchuck voice, absolutely sure, this makes

1040
00:51:26,400 --> 00:51:29,080
Speaker 2: three more sense than a good night's sleep or a sunrise. Yes,

1041
00:51:29,120 --> 00:51:34,279
Speaker 2: he is eating wild mushrooms. So Joey can't help but

1042
00:51:34,360 --> 00:51:36,520
Speaker 2: chuckle at this impression, and then he does his own

1043
00:51:36,600 --> 00:51:41,120
Speaker 2: mister Woodchuck impression. They do look pretty appetizing. He thanks

1044
00:51:41,200 --> 00:51:43,319
Speaker 2: Jesse for cheering him up. He knows he was being

1045
00:51:43,360 --> 00:51:47,520
Speaker 2: a crab. Jesse apologizes for being a crab too. Then

1046
00:51:47,560 --> 00:51:50,040
Speaker 2: he suggests they go on a hike and Jesse can

1047
00:51:50,080 --> 00:51:53,320
Speaker 2: show him the lake nearby. Joey nodds, I'll grab a

1048
00:51:53,360 --> 00:51:56,359
Speaker 2: couple of granola bars, some toilet paper, and then we're

1049
00:51:56,400 --> 00:51:58,040
Speaker 2: out of here. They start to gather.

1050
00:51:58,120 --> 00:52:00,640
Speaker 1: The paper was a very prominent thing in the background.

1051
00:52:00,680 --> 00:52:04,520
Speaker 1: By the way, did you notice I did not know shot.

1052
00:52:04,920 --> 00:52:06,799
Speaker 3: No, it was, but like it was a role.

1053
00:52:06,880 --> 00:52:08,879
Speaker 1: But then it was like pulled out and like kind

1054
00:52:08,880 --> 00:52:11,759
Speaker 1: of over some twigs, and I was like, did we.

1055
00:52:11,760 --> 00:52:15,000
Speaker 3: Need to see the toilet paper like that. I don't know.

1056
00:52:15,719 --> 00:52:19,680
Speaker 2: Everybody boops, it all comes back. I should have just

1057
00:52:19,719 --> 00:52:22,759
Speaker 2: shut my mouth. Hey, that's what you get. You know,

1058
00:52:23,560 --> 00:52:27,680
Speaker 2: it's accurate, it's true to life. So they are start

1059
00:52:27,719 --> 00:52:30,960
Speaker 2: they're gathering their belongings, and Joey starts whistling Happy Trails.

1060
00:52:31,320 --> 00:52:33,560
Speaker 2: The guys start to sing the song in unison, and

1061
00:52:33,600 --> 00:52:36,080
Speaker 2: this prompts a little bunny to hop over to them.

1062
00:52:36,640 --> 00:52:39,600
Speaker 2: They continue to sing, and a raccoon appears by Joey's head,

1063
00:52:40,000 --> 00:52:41,920
Speaker 2: and then a possum shows up nearby.

1064
00:52:42,280 --> 00:52:45,080
Speaker 3: Oh, I think possums are cute. They are cute.

1065
00:52:45,280 --> 00:52:47,560
Speaker 2: They I think it all. They're furry.

1066
00:52:47,239 --> 00:52:50,360
Speaker 1: They've done and I have pictures somewhere of me and

1067
00:52:50,400 --> 00:52:56,160
Speaker 1: that raccoon. You do, yeah, because they the trainers. Whenever

1068
00:52:56,160 --> 00:52:58,400
Speaker 1: they bring animals on set, I like one of the

1069
00:52:58,400 --> 00:53:00,319
Speaker 1: things that you know, every kid wants to I want

1070
00:53:00,320 --> 00:53:04,000
Speaker 1: to be a veterinarian. And then you find out they

1071
00:53:04,040 --> 00:53:10,680
Speaker 1: have a really high rate of yeah anyway, so yeah, yeah, yeah,

1072
00:53:10,960 --> 00:53:15,600
Speaker 1: well anyway, So they would bring all these cool animals

1073
00:53:15,680 --> 00:53:19,839
Speaker 1: in and part of like what the teachers would do

1074
00:53:20,120 --> 00:53:21,880
Speaker 1: is have them like come in or I'd get to

1075
00:53:21,920 --> 00:53:23,960
Speaker 1: go out, and they'd like, tell us all about the animals.

1076
00:53:23,960 --> 00:53:26,600
Speaker 1: So I have this cute picture of this little raccoon

1077
00:53:26,840 --> 00:53:29,840
Speaker 1: like with its face or its hands like on me.

1078
00:53:30,000 --> 00:53:31,040
Speaker 3: Yeah, it's really cute.

1079
00:53:31,280 --> 00:53:32,160
Speaker 2: They are cute.

1080
00:53:32,239 --> 00:53:34,120
Speaker 3: I mean they are and smart.

1081
00:53:34,440 --> 00:53:37,879
Speaker 2: They're smart. They're known as dangerous. I don't know if

1082
00:53:37,880 --> 00:53:42,280
Speaker 2: that's great, but maybe just dangerous to other animals.

1083
00:53:42,320 --> 00:53:46,160
Speaker 1: Not dangerous, no, And I think people also think of

1084
00:53:46,280 --> 00:53:49,359
Speaker 1: them as like rabid, like if you see them, they're

1085
00:53:49,440 --> 00:53:50,840
Speaker 1: you know what I mean, like they're going to attack you,

1086
00:53:50,880 --> 00:53:54,680
Speaker 1: and it's like, no, they just are looking for your trash.

1087
00:53:54,840 --> 00:53:57,520
Speaker 2: Yeah, they just they want trash, right, yeah? Or rodents?

1088
00:53:57,560 --> 00:53:59,080
Speaker 2: Do they eat little rodents? I don't even know what

1089
00:53:59,120 --> 00:53:59,640
Speaker 2: they eat, but.

1090
00:53:59,680 --> 00:54:02,239
Speaker 3: Trash, I'm not sure. I'm not sure, but but I

1091
00:54:02,480 --> 00:54:05,719
Speaker 3: I yeah, there, I don't know. It's a good question.

1092
00:54:05,840 --> 00:54:06,520
Speaker 3: Have to look that up.

1093
00:54:06,880 --> 00:54:08,840
Speaker 2: And how do okay, so how do they how do

1094
00:54:08,880 --> 00:54:10,879
Speaker 2: you deskunk a skunk? Let's get back to this very

1095
00:54:10,920 --> 00:54:11,680
Speaker 2: important topic.

1096
00:54:11,880 --> 00:54:15,680
Speaker 1: Oh, I mean I I look, I'm again not.

1097
00:54:15,680 --> 00:54:20,040
Speaker 3: A vet, as I said, but I believe there are like.

1098
00:54:20,200 --> 00:54:23,960
Speaker 1: Little glands in the rear uh side of the skunk

1099
00:54:25,120 --> 00:54:29,360
Speaker 1: uh and that that is what shoots out the the

1100
00:54:29,880 --> 00:54:30,800
Speaker 1: scented stuff.

1101
00:54:31,000 --> 00:54:33,280
Speaker 2: Okay, So I believe it if.

1102
00:54:33,160 --> 00:54:37,560
Speaker 1: You remove those you that you basically have deskunked the skunk,

1103
00:54:37,640 --> 00:54:39,439
Speaker 1: so like people that have them as pets or things

1104
00:54:39,440 --> 00:54:41,759
Speaker 1: like that, or trained ones. I don't know if you

1105
00:54:41,800 --> 00:54:43,319
Speaker 1: really train a skunk, if you just kind of let

1106
00:54:43,320 --> 00:54:46,960
Speaker 1: it do whatever skunks do. But yeah, I believe that

1107
00:54:47,000 --> 00:54:49,320
Speaker 1: you that that is how it's done. But please someone

1108
00:54:49,400 --> 00:54:52,839
Speaker 1: correct me if I'm wrong, be like, you know nothing

1109
00:54:52,840 --> 00:54:55,359
Speaker 1: about veterinary science, and I will agree with you, and

1110
00:54:55,560 --> 00:54:58,000
Speaker 1: uh yeah, but I think that that's what happens. So

1111
00:54:58,040 --> 00:55:00,440
Speaker 1: it's just about the time I had two skunks in

1112
00:55:00,480 --> 00:55:02,319
Speaker 1: my driveway that wouldn't let me pull in the middle

1113
00:55:02,320 --> 00:55:02,600
Speaker 1: of the night.

1114
00:55:04,160 --> 00:55:05,960
Speaker 3: I had a five minute stand off with a skunk

1115
00:55:06,000 --> 00:55:10,120
Speaker 3: in my driveway like one in the morning. It was ridiculous.

1116
00:55:10,200 --> 00:55:11,200
Speaker 2: Wow, they're balls.

1117
00:55:11,200 --> 00:55:14,160
Speaker 1: They were in my driveway and I was gonna pull in.

1118
00:55:14,239 --> 00:55:16,239
Speaker 1: No parking on my streets. So I'm like, it's one

1119
00:55:16,239 --> 00:55:19,200
Speaker 1: o'clock more, I'm like, yeah, pull in, and it's just

1120
00:55:19,320 --> 00:55:22,560
Speaker 1: there are they stared at it, which it's yeah, tails

1121
00:55:22,640 --> 00:55:26,319
Speaker 1: up and I'm like, oh great, so and I can't honk.

1122
00:55:26,040 --> 00:55:29,040
Speaker 3: At them right right one in the morning, and they

1123
00:55:29,080 --> 00:55:33,960
Speaker 3: will they will. So I'm like, oh god, we're rolling

1124
00:55:34,000 --> 00:55:34,359
Speaker 3: down the road.

1125
00:55:34,400 --> 00:55:37,279
Speaker 1: I'm like systems like trying to like scare you, but

1126
00:55:37,280 --> 00:55:38,400
Speaker 1: I'm not gonna want to scare them, you know.

1127
00:55:39,440 --> 00:55:41,160
Speaker 3: I sat in the car and stared at these two

1128
00:55:41,200 --> 00:55:43,880
Speaker 3: skunks who didn't move for minutes.

1129
00:55:44,160 --> 00:55:46,920
Speaker 2: Wow. Yeah, normally you think they'd be scared of a

1130
00:55:47,040 --> 00:55:48,080
Speaker 2: vehicle or a human.

1131
00:55:48,160 --> 00:55:50,400
Speaker 1: Well, I think they were, which was why they stood

1132
00:55:50,440 --> 00:55:52,400
Speaker 1: frozen and had their tails up and They're.

1133
00:55:52,200 --> 00:55:55,080
Speaker 3: Like, we were coming for you. And so I was like, okay,

1134
00:55:55,120 --> 00:55:57,160
Speaker 3: I just I just want to pull the driveway.

1135
00:55:57,160 --> 00:55:59,520
Speaker 2: You guys can go over the Tober's house.

1136
00:55:59,800 --> 00:56:01,480
Speaker 3: Yeah. It was like just a little just like a

1137
00:56:01,520 --> 00:56:03,239
Speaker 3: foot over, you know.

1138
00:56:04,480 --> 00:56:05,719
Speaker 2: And I was worried to get out of the car,

1139
00:56:06,080 --> 00:56:08,720
Speaker 2: I know, because they're unpredictable. But when you see, my dad.

1140
00:56:08,600 --> 00:56:13,200
Speaker 3: Got skunked as a kid living at Tomato Juice a

1141
00:56:13,239 --> 00:56:14,120
Speaker 3: couple of years ago.

1142
00:56:14,480 --> 00:56:15,880
Speaker 2: I let her out at like five in the morning

1143
00:56:15,880 --> 00:56:17,680
Speaker 2: to go putti and she just made a beeline for

1144
00:56:17,719 --> 00:56:20,360
Speaker 2: this skunk or is it sprayed her right in the face.

1145
00:56:20,400 --> 00:56:23,480
Speaker 2: And I didn't know, like I did everything wrong. Apparently

1146
00:56:23,480 --> 00:56:26,080
Speaker 2: you're not supposed to bathe the dogs after they get skunked.

1147
00:56:26,080 --> 00:56:29,680
Speaker 3: Because it sets in the tomato juice, the acid.

1148
00:56:29,719 --> 00:56:31,080
Speaker 2: I think, yeah, the tomato juice.

1149
00:56:31,120 --> 00:56:33,640
Speaker 1: You did this in fuller No, I was gonna say,

1150
00:56:33,719 --> 00:56:35,799
Speaker 1: remember when I was in a vat of tomato juice

1151
00:56:35,840 --> 00:56:37,040
Speaker 1: holding a baby?

1152
00:56:36,960 --> 00:56:40,399
Speaker 2: Yes, yes, see, I didn't have any tomato juice on hand.

1153
00:56:40,400 --> 00:56:42,640
Speaker 2: I just threw Hollie, who was like she had like

1154
00:56:42,760 --> 00:56:44,839
Speaker 2: the skunk juice in her eye. I felt so bad,

1155
00:56:44,880 --> 00:56:47,200
Speaker 2: and so I threw in the bath and she smelled

1156
00:56:47,239 --> 00:56:49,640
Speaker 2: for a long time, and it permeated the whole house,

1157
00:56:49,680 --> 00:56:52,880
Speaker 2: even though it happened outside. Poor kids were like, oh,

1158
00:56:52,960 --> 00:56:54,319
Speaker 2: and then they had to go to school and their

1159
00:56:54,360 --> 00:56:56,239
Speaker 2: friends were like, you smell like pot. And I'm like,

1160
00:56:56,719 --> 00:56:59,799
Speaker 2: it was just a bad, bad situation all around. So

1161
00:57:00,360 --> 00:57:04,320
Speaker 2: who there you go, folks, there's your your skunk knowledge

1162
00:57:04,960 --> 00:57:08,480
Speaker 2: tales of the day. There we go, Where the heck

1163
00:57:08,520 --> 00:57:08,759
Speaker 2: are we?

1164
00:57:08,800 --> 00:57:09,000
Speaker 3: Okay?

1165
00:57:09,000 --> 00:57:11,360
Speaker 2: So we got possums, we got raccoons.

1166
00:57:11,040 --> 00:57:11,760
Speaker 3: We got bunnies.

1167
00:57:12,160 --> 00:57:15,560
Speaker 2: The bunnies to deer walk over, and then a bird

1168
00:57:15,640 --> 00:57:20,200
Speaker 2: lands on Jesse's arm, and finally the fox appears outside

1169
00:57:20,200 --> 00:57:23,800
Speaker 2: of the hole. Jesse continues to sing the melody of

1170
00:57:23,840 --> 00:57:26,920
Speaker 2: Happy Trails, but replaces the lyrics to slyly tell Joey

1171
00:57:26,920 --> 00:57:30,720
Speaker 2: to grab the camera and film their furry friend. Joey

1172
00:57:30,720 --> 00:57:32,880
Speaker 2: does as he's told, and the film's the fox. As

1173
00:57:32,920 --> 00:57:35,520
Speaker 2: the two of them finish their song, the other woodland

1174
00:57:35,560 --> 00:57:38,600
Speaker 2: animals stay right by them too, and the crowd cheers

1175
00:57:38,760 --> 00:57:39,920
Speaker 2: at this incredible moment.

1176
00:57:40,920 --> 00:57:41,960
Speaker 3: They became snow white.

1177
00:57:42,240 --> 00:57:44,600
Speaker 2: Yeah, snow white. It was. It was a great little nod.

1178
00:57:44,640 --> 00:57:46,920
Speaker 3: It's so cute. It was so cute.

1179
00:57:46,920 --> 00:57:48,680
Speaker 1: That was like my dream as a kid to like

1180
00:57:48,760 --> 00:57:52,120
Speaker 1: go into the forest and just put my hand up

1181
00:57:52,120 --> 00:57:53,200
Speaker 1: and have a bird land on it.

1182
00:57:53,280 --> 00:57:54,240
Speaker 3: Oh you know, I was.

1183
00:57:54,160 --> 00:57:57,120
Speaker 2: Like, I just want so bad. Yeah, man, Yeah, this

1184
00:57:57,400 --> 00:57:58,240
Speaker 2: was a.

1185
00:57:57,960 --> 00:58:02,120
Speaker 3: Great he was really cute, really ridiculous storyline that didn't

1186
00:58:02,120 --> 00:58:06,480
Speaker 3: make any sense because if they grabbed the camera.

1187
00:58:06,200 --> 00:58:08,040
Speaker 1: Today to get the fuck, why didn't they just do

1188
00:58:08,040 --> 00:58:11,400
Speaker 1: it tomorrow or yesterday? What anyway, Well, skunk is whatever.

1189
00:58:12,840 --> 00:58:15,120
Speaker 1: It was a ridiculous storyline, but I'll let it slide

1190
00:58:15,160 --> 00:58:17,200
Speaker 1: because they were cute. For the animals, they were cute.

1191
00:58:17,280 --> 00:58:20,560
Speaker 2: Joyce was a good payoff, and we weren't in those scenes.

1192
00:58:20,600 --> 00:58:23,240
Speaker 2: To hear Joel Zwick, the director, yell, I'm sure can

1193
00:58:23,320 --> 00:58:25,360
Speaker 2: you imagine him shooting this scene?

1194
00:58:25,360 --> 00:58:28,480
Speaker 3: With each individual shot the animals, each individual shot of

1195
00:58:28,560 --> 00:58:31,120
Speaker 3: the skunk and the possum, and just him freaking out

1196
00:58:31,120 --> 00:58:34,520
Speaker 3: in the booth about like get the yeah, I need

1197
00:58:34,560 --> 00:58:36,480
Speaker 3: the skunk, the fight forward, yeah.

1198
00:58:38,840 --> 00:58:42,800
Speaker 2: Oh joel uh So. Back in the kitchen, Danny is

1199
00:58:42,840 --> 00:58:45,960
Speaker 2: reading the newspaper. When DJ hops down the stairs. She

1200
00:58:46,040 --> 00:58:49,520
Speaker 2: greets him by saying, hark, oh, father, my first scene

1201
00:58:49,560 --> 00:58:53,560
Speaker 2: beginneth at three point fifteen. Be thou not late. Danny

1202
00:58:53,560 --> 00:58:57,800
Speaker 2: responds in the same tone, I'll beeth there. Then DJ's

1203
00:58:57,800 --> 00:59:00,920
Speaker 2: demeanor shifts as she looks at the cauliflower brain sitting

1204
00:59:00,920 --> 00:59:03,720
Speaker 2: on the table. She asks that, what's that doing here?

1205
00:59:03,800 --> 00:59:06,520
Speaker 2: I thought we ate it. Steph shows up at that

1206
00:59:06,520 --> 00:59:09,440
Speaker 2: moment and looks up the vegetable in awe, my brain,

1207
00:59:09,840 --> 00:59:14,480
Speaker 2: it's alive, Danny adds, and uncooked. I stayed up all

1208
00:59:14,600 --> 00:59:18,960
Speaker 2: night finishing it. Steph grins. I know that looks like

1209
00:59:19,000 --> 00:59:21,360
Speaker 2: a ten minute project, Like, really, you just need some

1210
00:59:21,400 --> 00:59:23,720
Speaker 2: toothpicks and come on, Danny.

1211
00:59:23,640 --> 00:59:26,000
Speaker 3: Anna bell pepper, maybe a baby tomato here and there,

1212
00:59:26,040 --> 00:59:29,040
Speaker 3: you know. Anyways, he's making it way more complicated than

1213
00:59:29,080 --> 00:59:31,439
Speaker 3: it needs to be typical Danny fashion.

1214
00:59:32,640 --> 00:59:35,720
Speaker 2: Uh so grin. Steph is excited. This works out great,

1215
00:59:35,760 --> 00:59:38,040
Speaker 2: you can come to my science fair. She gives Danny

1216
00:59:38,080 --> 00:59:40,959
Speaker 2: a big hug, and DJ is upset. Yeah, it worked

1217
00:59:41,000 --> 00:59:45,080
Speaker 2: out great for you, Danny clarifies, And for you, I

1218
00:59:45,200 --> 00:59:47,560
Speaker 2: figured the whole thing out. Steph. If I go to

1219
00:59:47,600 --> 00:59:51,080
Speaker 2: your science fair and leave at exactly four eighteen thendeed,

1220
00:59:51,200 --> 00:59:53,440
Speaker 2: I'll make it just in time to see your second scene.

1221
00:59:54,320 --> 00:59:58,040
Speaker 2: But DJ bursts his bubble in the second scene. Juliette's dead.

1222
00:59:58,520 --> 01:00:00,960
Speaker 2: Too bad, you can't see me when I'm alive. She

1223
01:00:01,040 --> 01:00:03,600
Speaker 2: turns to leave and gives her dad a sad goodbye,

1224
01:00:04,400 --> 01:00:07,160
Speaker 2: and Steph reveals some not so great news too. You're

1225
01:00:07,160 --> 01:00:10,080
Speaker 2: gonna miss the judging, which is pretty much the reason

1226
01:00:10,120 --> 01:00:13,400
Speaker 2: for going. She grabs her cauliflower and heads out, also

1227
01:00:13,480 --> 01:00:16,320
Speaker 2: giving him a disappointed goodbye.

1228
01:00:16,840 --> 01:00:19,520
Speaker 3: Also a relatable parenting moment. Yeah, when you've.

1229
01:00:19,440 --> 01:00:22,120
Speaker 1: Literally been like, no, I've got it, everything's gonna be great,

1230
01:00:22,600 --> 01:00:23,880
Speaker 1: and then they're like, actually no, it.

1231
01:00:23,840 --> 01:00:27,919
Speaker 2: Still sucks someone. They're both still upset. Someone is always upset,

1232
01:00:28,080 --> 01:00:28,840
Speaker 2: like gonna.

1233
01:00:29,040 --> 01:00:31,560
Speaker 1: You can't make anybody happy, And that's at that point,

1234
01:00:31,560 --> 01:00:34,520
Speaker 1: that's just when you go, you know what you're everybody, Yeah,

1235
01:00:34,520 --> 01:00:36,320
Speaker 1: it's fine, I'm just not I'm not gonna do it anything.

1236
01:00:36,800 --> 01:00:42,439
Speaker 2: I'm gonna go take anyway, make it equal. Question, though,

1237
01:00:42,800 --> 01:00:45,880
Speaker 2: why didn't he just switch the order go to DJ's

1238
01:00:46,000 --> 01:00:48,520
Speaker 2: for the first act of DJ's play, and then go

1239
01:00:48,600 --> 01:00:51,920
Speaker 2: to Stephanie's judging, which presumably is in the second half

1240
01:00:51,960 --> 01:00:53,120
Speaker 2: of the evening. Like that seems like a.

1241
01:00:53,720 --> 01:00:58,000
Speaker 3: Simple Well, this is this is why moms do things.

1242
01:00:58,040 --> 01:01:01,320
Speaker 1: This is n just kidding some great dads out there too.

1243
01:01:02,600 --> 01:01:06,040
Speaker 3: Yeah, but it very true where you're like just flip it.

1244
01:01:06,640 --> 01:01:09,880
Speaker 2: Yeah, we're problem solvers. But you know that's the storyline

1245
01:01:09,920 --> 01:01:11,440
Speaker 2: has to work, So storyline's got to work.

1246
01:01:11,520 --> 01:01:12,680
Speaker 3: Yeah.

1247
01:01:12,880 --> 01:01:16,320
Speaker 2: So up in Michelle's room, Danny follows Michelle into her room,

1248
01:01:16,520 --> 01:01:19,240
Speaker 2: and Michelle says, let's play Horsey. You be the horse,

1249
01:01:20,120 --> 01:01:22,720
Speaker 2: but Danny's eyes are heavy as he admits how tired

1250
01:01:22,800 --> 01:01:26,320
Speaker 2: he is. But Michelle can't take a hint and responds, Okay,

1251
01:01:26,440 --> 01:01:28,600
Speaker 2: I'll be the horse, and she starts walking on her

1252
01:01:28,640 --> 01:01:32,480
Speaker 2: hands and knees, making horse noises, but Danny scoops her

1253
01:01:32,560 --> 01:01:34,840
Speaker 2: up and announces I have a better idea miss ed.

1254
01:01:35,560 --> 01:01:37,800
Speaker 2: Since we've got an hour before the science fare and

1255
01:01:37,840 --> 01:01:39,880
Speaker 2: the play, why don't you lie down and take a

1256
01:01:39,880 --> 01:01:42,959
Speaker 2: little nap Michelle argues, I don't want to take a nap,

1257
01:01:43,360 --> 01:01:47,200
Speaker 2: but Danny's not messing around. He responds, Danny, Daddy doesn't

1258
01:01:47,200 --> 01:01:49,760
Speaker 2: really care. Daddy had a hard day at work. Daddy

1259
01:01:49,800 --> 01:01:53,280
Speaker 2: was up all night performing third grade brain surgery. He

1260
01:01:53,320 --> 01:01:56,080
Speaker 2: places Michelle onto her bed with no ifs, hands or butts,

1261
01:01:56,120 --> 01:01:58,120
Speaker 2: and decides he'll lay down with her for a couple

1262
01:01:58,120 --> 01:02:01,680
Speaker 2: of minutes too. In one instant, Danny is fast asleep

1263
01:02:02,000 --> 01:02:06,120
Speaker 2: and Michelle is surprised. She says Daddy, but he doesn't respond,

1264
01:02:06,600 --> 01:02:09,640
Speaker 2: so she decides to sweetly sing rock Goodbye Daddy to him.

1265
01:02:10,160 --> 01:02:11,840
Speaker 2: She covers him with a blanket and gives him a

1266
01:02:11,840 --> 01:02:14,400
Speaker 2: little kiss on the nose before saying good night, and

1267
01:02:14,440 --> 01:02:16,400
Speaker 2: then she hops off the bed to play with her blocks.

1268
01:02:16,960 --> 01:02:17,720
Speaker 3: It was very cute.

1269
01:02:17,800 --> 01:02:18,680
Speaker 2: That was so sweet.

1270
01:02:18,800 --> 01:02:20,680
Speaker 3: I don't like it, although I'm surprised she didn't pull

1271
01:02:20,720 --> 01:02:22,000
Speaker 3: another cake out from under the bed.

1272
01:02:22,080 --> 01:02:23,720
Speaker 2: I was waiting for that like that. That would have

1273
01:02:23,760 --> 01:02:25,560
Speaker 2: been an excellent little button on that scene.

1274
01:02:25,880 --> 01:02:28,880
Speaker 3: Yeah, so maybe this time it was a bunt cake,

1275
01:02:29,080 --> 01:02:31,560
Speaker 3: you know. Oh every time it's just a different kind

1276
01:02:31,560 --> 01:02:32,880
Speaker 3: of cake. It's a different cant.

1277
01:02:33,080 --> 01:02:35,440
Speaker 2: She's just working her way through all the flavors. Ye.

1278
01:02:36,640 --> 01:02:39,560
Speaker 2: So later that day in the kitchen, Stephanie bursts the

1279
01:02:39,560 --> 01:02:42,640
Speaker 2: door and announces, Dad, I'm home with my prize winning

1280
01:02:42,680 --> 01:02:46,120
Speaker 2: brain that you didn't show up to see. But she

1281
01:02:46,120 --> 01:02:49,240
Speaker 2: gets no response, and she says dad, and she's confused.

1282
01:02:50,040 --> 01:02:53,120
Speaker 2: Then DJ storms in and immediately corners Steph, okay, little

1283
01:02:53,200 --> 01:02:55,240
Speaker 2: kiss up? How did you convince dad to miss my

1284
01:02:55,320 --> 01:02:59,320
Speaker 2: Romeo and Juliet. Stephanie is just as perplexed considering he

1285
01:02:59,400 --> 01:03:03,520
Speaker 2: missed her. It's fair. DJ wonders where is he? He

1286
01:03:03,520 --> 01:03:06,800
Speaker 2: wouldn't just not show up, and Steph's face drops? Do

1287
01:03:06,840 --> 01:03:10,160
Speaker 2: you think something happened to him? DJ is frozen with fear.

1288
01:03:10,720 --> 01:03:12,680
Speaker 2: Then both girls start to shout for their dad and

1289
01:03:12,760 --> 01:03:16,320
Speaker 2: run up the stairs to search for him. Back in

1290
01:03:16,320 --> 01:03:18,720
Speaker 2: Michelle's room, Danny is still fast asleep on the little

1291
01:03:18,720 --> 01:03:22,080
Speaker 2: bed while Michelle continues to build her block towers. DJ

1292
01:03:22,200 --> 01:03:24,600
Speaker 2: and Stuff run past the door screaming for their dad.

1293
01:03:24,960 --> 01:03:29,320
Speaker 2: In response, Michelle demands that they be quiet. Daddy is sleeping.

1294
01:03:30,240 --> 01:03:32,600
Speaker 2: DJ and Stuff come running into the room immediately and

1295
01:03:32,680 --> 01:03:36,200
Speaker 2: hug their dad with relief. They're so happy he's okay.

1296
01:03:37,240 --> 01:03:39,840
Speaker 2: Danny wakes up in a daze, assuring the girls. He's fine,

1297
01:03:40,280 --> 01:03:42,480
Speaker 2: but then he takes a look at the time and panics,

1298
01:03:42,720 --> 01:03:45,240
Speaker 2: six o'clock. I slept through everything.

1299
01:03:45,960 --> 01:03:47,919
Speaker 3: This is what happens without cell phones.

1300
01:03:48,200 --> 01:03:51,440
Speaker 2: Yes, yes, or proper sleep like, this is why you

1301
01:03:51,480 --> 01:03:52,880
Speaker 2: shouldn't be building brains in the night.

1302
01:03:52,920 --> 01:03:55,240
Speaker 3: You and you lay down and take a nap without

1303
01:03:55,280 --> 01:03:56,360
Speaker 3: a little alarm. That's it.

1304
01:03:56,440 --> 01:04:00,480
Speaker 2: You're done for the night's all done. So DJ promises

1305
01:04:00,520 --> 01:04:03,439
Speaker 2: him it's okay. They're just glad nothing happened to him.

1306
01:04:04,160 --> 01:04:07,440
Speaker 2: Danny shakes his head with disappointment. Oh, I'm so sorry.

1307
01:04:07,640 --> 01:04:09,560
Speaker 2: I wanted to be there so badly and I let

1308
01:04:09,600 --> 01:04:13,600
Speaker 2: you both down. He admits, this single parent stuff is

1309
01:04:13,640 --> 01:04:15,880
Speaker 2: not as easy as I thought it would be. DJ

1310
01:04:15,960 --> 01:04:18,240
Speaker 2: points out that they didn't make it easier for him,

1311
01:04:18,560 --> 01:04:21,960
Speaker 2: and they apologize for being so selfish. Now this is

1312
01:04:22,000 --> 01:04:24,160
Speaker 2: not true to life. What kid comes like? What kid

1313
01:04:24,200 --> 01:04:26,680
Speaker 2: apologizes and make that that turn that quickly? Right?

1314
01:04:26,720 --> 01:04:30,920
Speaker 3: And I'm like, I'm I was selfish? What I mean,

1315
01:04:31,040 --> 01:04:34,040
Speaker 3: I would be like all that on the floor.

1316
01:04:34,000 --> 01:04:37,200
Speaker 2: Right If kids ever said that, I would be flabbergasted.

1317
01:04:37,360 --> 01:04:39,440
Speaker 3: But yeah, that's okay. These kids are I mean, my

1318
01:04:39,520 --> 01:04:41,640
Speaker 3: kids have said it, but certainly not in the moment.

1319
01:04:41,680 --> 01:04:43,600
Speaker 3: They've like it was taken a couple days, and they'll get.

1320
01:04:43,480 --> 01:04:46,560
Speaker 2: Takes a few days before they are willing to admit it.

1321
01:04:46,720 --> 01:04:49,280
Speaker 3: Yep, but they we don't have days. We have twenty

1322
01:04:49,280 --> 01:04:49,760
Speaker 3: two minutes.

1323
01:04:50,240 --> 01:04:52,280
Speaker 2: Yeah, we have to, like, we got to make it

1324
01:04:52,320 --> 01:04:52,959
Speaker 2: out of people.

1325
01:04:53,000 --> 01:04:53,200
Speaker 3: Let's go.

1326
01:04:53,720 --> 01:04:58,920
Speaker 2: Yeah. Michelle frowns, I'm sorry too, but Danny reminds her

1327
01:04:58,960 --> 01:05:01,880
Speaker 2: she had nothing to do this. Michelle shrugs, I don't

1328
01:05:01,880 --> 01:05:05,040
Speaker 2: want to be left out. Danny pulls Michelle onto his

1329
01:05:05,120 --> 01:05:07,439
Speaker 2: lap and DJ and Steph take a seat right next

1330
01:05:07,440 --> 01:05:09,960
Speaker 2: to him. He tells his daughters that they are the

1331
01:05:10,000 --> 01:05:12,680
Speaker 2: greatest and he feels like the luckiest dad in the

1332
01:05:12,720 --> 01:05:16,280
Speaker 2: whole world. Steph smiles, You're the greatest dad in the

1333
01:05:16,280 --> 01:05:20,320
Speaker 2: whole world, and Danny grins, oh shucks. Then he asks

1334
01:05:20,360 --> 01:05:22,600
Speaker 2: the girls what the greatest dad in the whole world

1335
01:05:22,720 --> 01:05:26,360
Speaker 2: slept through. DJ tells him the play was great, but

1336
01:05:26,720 --> 01:05:28,800
Speaker 2: Romeo had the hiccups, so they had to cut this

1337
01:05:29,000 --> 01:05:33,360
Speaker 2: kissing scene short, and Danny fakes a frown. Then he

1338
01:05:33,400 --> 01:05:36,200
Speaker 2: asks Steph about the science fair. She reveals that her

1339
01:05:36,240 --> 01:05:42,000
Speaker 2: brain won a special prize most biodegradable. Danny congratulates her

1340
01:05:42,040 --> 01:05:44,280
Speaker 2: and tells the girls he's going to get dinner started,

1341
01:05:44,880 --> 01:05:47,560
Speaker 2: but DJ has a better idea. Since their dad does

1342
01:05:47,600 --> 01:05:50,200
Speaker 2: so much for them, they'd like to cook him dinner tonight.

1343
01:05:50,840 --> 01:05:54,920
Speaker 2: Plus Steph offers Michelle to be their special helper. Michelle

1344
01:05:54,960 --> 01:05:58,840
Speaker 2: hesitantly agrees, Okay, but I'm not setting that table, mister.

1345
01:05:59,640 --> 01:06:02,000
Speaker 2: The girl set out, and Danny watches them go with

1346
01:06:02,040 --> 01:06:05,440
Speaker 2: a giant smile on his face, and that is our show.

1347
01:06:07,880 --> 01:06:09,720
Speaker 3: It was a very cute little moment at the end

1348
01:06:09,720 --> 01:06:10,960
Speaker 3: with the girls and Danny.

1349
01:06:11,360 --> 01:06:13,920
Speaker 2: Yeah, this is this is where Bob shines. You know,

1350
01:06:13,960 --> 01:06:17,680
Speaker 2: he is such a great America's dad, and he is

1351
01:06:17,720 --> 01:06:20,280
Speaker 2: trying to do it all, but he's humble and he's honest,

1352
01:06:20,360 --> 01:06:22,840
Speaker 2: and he like, I just love Danny Tanner. I have

1353
01:06:22,880 --> 01:06:24,040
Speaker 2: such a greater appreciation.

1354
01:06:24,400 --> 01:06:26,240
Speaker 3: I mean, yeah, no, Danny Tanner's great.

1355
01:06:26,280 --> 01:06:28,200
Speaker 1: And you know what I thought about two is that

1356
01:06:28,240 --> 01:06:30,440
Speaker 1: he hasn't done this before because his mom was.

1357
01:06:30,400 --> 01:06:31,040
Speaker 3: Living with him.

1358
01:06:31,120 --> 01:06:32,760
Speaker 2: Okay, that's right, so.

1359
01:06:32,960 --> 01:06:34,840
Speaker 3: His mom was there, so this is kind of the

1360
01:06:34,840 --> 01:06:35,800
Speaker 3: first time that he's.

1361
01:06:35,640 --> 01:06:39,480
Speaker 2: Had to do it without, like Jesse and Joey good points, Yeah,

1362
01:06:39,520 --> 01:06:40,520
Speaker 2: I forgot about Grandma.

1363
01:06:40,640 --> 01:06:42,280
Speaker 3: Yeah, and three is overwhelming.

1364
01:06:42,440 --> 01:06:45,200
Speaker 1: Three is two is hard, but three is I can't

1365
01:06:45,200 --> 01:06:46,240
Speaker 1: imagine game changer.

1366
01:06:46,320 --> 01:06:47,640
Speaker 2: Yep, that's why I stopped it too.

1367
01:06:48,360 --> 01:06:51,600
Speaker 1: But yeah, I I this was a cute little moment

1368
01:06:51,640 --> 01:06:53,360
Speaker 1: at the end, And it was a cute little moment

1369
01:06:53,360 --> 01:06:56,000
Speaker 1: at the end of both storylines. We got fuzzy forest animals,

1370
01:06:56,000 --> 01:06:59,640
Speaker 1: We've got cute little dad daughter moments. Yeah, ties it

1371
01:06:59,640 --> 01:07:01,720
Speaker 1: all up a nice neat little bow as full house,

1372
01:07:01,760 --> 01:07:04,200
Speaker 1: does I kind of give you that warm, fuzzy feeling.

1373
01:07:03,920 --> 01:07:06,880
Speaker 2: You know, sometimes you need that. It's maybe not true

1374
01:07:06,880 --> 01:07:10,040
Speaker 2: to life, but sometimes you just need a happy little bow, right,

1375
01:07:10,080 --> 01:07:12,320
Speaker 2: and then you can go to sleep at night and

1376
01:07:12,320 --> 01:07:13,240
Speaker 2: not have nightmares.

1377
01:07:13,520 --> 01:07:16,920
Speaker 1: Wouldn't it be amazing though, if like you did something

1378
01:07:17,360 --> 01:07:21,040
Speaker 1: like accidentally sleeping through both of your kids' performances, and

1379
01:07:21,160 --> 01:07:23,720
Speaker 1: instead of like it being a three day thing where

1380
01:07:23,720 --> 01:07:27,760
Speaker 1: they're just pissy and attitude and whatever, they're.

1381
01:07:27,560 --> 01:07:29,880
Speaker 3: Like, no, no, no, no, we're going to make dinner

1382
01:07:29,880 --> 01:07:32,680
Speaker 3: for you. I'm sorry. No no, no, I'm sorry and

1383
01:07:32,680 --> 01:07:34,760
Speaker 3: and basically like bow their way out of the room.

1384
01:07:34,920 --> 01:07:35,560
Speaker 3: Do you imagine that?

1385
01:07:36,240 --> 01:07:38,520
Speaker 2: No, I need to sit my kids down and force

1386
01:07:38,600 --> 01:07:39,880
Speaker 2: them to watch this episode.

1387
01:07:40,120 --> 01:07:42,640
Speaker 3: You see this? Do you see how they're getting along?

1388
01:07:43,160 --> 01:07:45,640
Speaker 2: They're doing it right right, and.

1389
01:07:45,600 --> 01:07:47,520
Speaker 3: Your kids are like, yeah, we're eighteen and twenty one.

1390
01:07:47,600 --> 01:07:51,000
Speaker 3: Bye yeah, real late suck.

1391
01:07:51,480 --> 01:07:53,480
Speaker 2: I know, I wish this was true to life, and

1392
01:07:53,520 --> 01:07:55,400
Speaker 2: maybe it ain't in some families. Not in my family,

1393
01:07:55,520 --> 01:07:55,880
Speaker 2: you know what.

1394
01:07:55,960 --> 01:08:00,600
Speaker 1: I this is part of that lovely, wonderful like scapism

1395
01:08:00,640 --> 01:08:04,360
Speaker 1: that Full House offered, which was just come to somewhere

1396
01:08:04,360 --> 01:08:07,040
Speaker 1: where everything does work out perfectly and nobody really gets

1397
01:08:07,120 --> 01:08:09,840
Speaker 1: mad for that long except Jesse because he's mad over.

1398
01:08:09,720 --> 01:08:10,880
Speaker 3: Like seasons, right.

1399
01:08:12,280 --> 01:08:14,760
Speaker 1: But you know, it was like this was a very

1400
01:08:14,880 --> 01:08:17,280
Speaker 1: cute little full House thing, but it was h.

1401
01:08:17,400 --> 01:08:19,680
Speaker 3: It was again felt like one of those.

1402
01:08:21,960 --> 01:08:25,840
Speaker 1: Meh storyline you know, I mean, like nothing earth shaking.

1403
01:08:25,920 --> 01:08:30,519
Speaker 3: Or super like critical totally really happened.

1404
01:08:30,600 --> 01:08:33,000
Speaker 1: It was like one of those which you could do

1405
01:08:33,040 --> 01:08:35,479
Speaker 1: when you had twenty two episodes that came out once

1406
01:08:35,520 --> 01:08:35,840
Speaker 1: a week.

1407
01:08:35,920 --> 01:08:36,599
Speaker 3: You know, you could have.

1408
01:08:36,560 --> 01:08:38,479
Speaker 1: Those episodes where it was like that's nothing, We're not

1409
01:08:38,520 --> 01:08:40,599
Speaker 1: going to really do anything too big in this one.

1410
01:08:40,640 --> 01:08:43,280
Speaker 1: No guest stars, no, well except the animals.

1411
01:08:43,479 --> 01:08:44,240
Speaker 2: The animals.

1412
01:08:44,560 --> 01:08:48,360
Speaker 3: The animal uncredited. I'd like to know that bossums name, you.

1413
01:08:48,360 --> 01:08:50,880
Speaker 2: Know, yeah, they should have names and credits, like the

1414
01:08:50,960 --> 01:08:54,400
Speaker 2: dog from the one episode sparky or rightly or whatever.

1415
01:08:54,520 --> 01:08:57,360
Speaker 1: Yeah, yeah, yeah, Barkley has an IMDb. What about these

1416
01:08:57,400 --> 01:08:58,400
Speaker 1: poor little bossums.

1417
01:08:58,640 --> 01:09:00,519
Speaker 2: Barkley's a producer, you know, Like, I don't know what

1418
01:09:00,560 --> 01:09:01,960
Speaker 2: that's right, but that's right.

1419
01:09:02,000 --> 01:09:04,200
Speaker 3: I forgot about Barkley. He's very yeah, demanded, I got

1420
01:09:04,240 --> 01:09:07,679
Speaker 3: crediting together. But no, I liked it. It was cute.

1421
01:09:07,720 --> 01:09:08,719
Speaker 3: Now I want a pet raccoon.

1422
01:09:09,000 --> 01:09:10,559
Speaker 2: It was a little fillery. It's like a like a

1423
01:09:10,600 --> 01:09:13,200
Speaker 2: filler episode, but not in a bad way like it was.

1424
01:09:13,240 --> 01:09:15,439
Speaker 1: No, No, it was just just not in a way

1425
01:09:15,439 --> 01:09:17,439
Speaker 1: where I was like, I wish I hadn't watched that,

1426
01:09:18,120 --> 01:09:20,840
Speaker 1: like that Michelle Princess.

1427
01:09:20,479 --> 01:09:23,920
Speaker 3: Episode where the adults played kids that just popped into it.

1428
01:09:23,920 --> 01:09:25,519
Speaker 1: I was like, what is one that I really wish

1429
01:09:25,680 --> 01:09:27,559
Speaker 1: I could scrub my eyeballs off? And I was like, oh,

1430
01:09:27,680 --> 01:09:29,479
Speaker 1: And all of a sudden, I just pictured that scene

1431
01:09:29,479 --> 01:09:33,479
Speaker 1: with giant Michelle and the three adults and I was like, yeah, that.

1432
01:09:33,400 --> 01:09:36,559
Speaker 2: One, that's the one. Yeah, that's please strike that from

1433
01:09:36,600 --> 01:09:38,760
Speaker 2: your memories. Let's get a lobotomies so we don't have

1434
01:09:38,800 --> 01:09:39,400
Speaker 2: to ever.

1435
01:09:40,360 --> 01:09:43,679
Speaker 1: Did you did you have any uh everywhere you look moments?

1436
01:09:43,880 --> 01:09:46,839
Speaker 2: I don't I'm failing greatly. He had the failing.

1437
01:09:46,880 --> 01:09:47,679
Speaker 3: I know, we failed.

1438
01:09:48,520 --> 01:09:51,120
Speaker 2: I mean we're season four. There's how many this one?

1439
01:09:51,280 --> 01:09:55,080
Speaker 3: Yeah, there was not I didn't see two. I didn't

1440
01:09:55,120 --> 01:09:56,240
Speaker 3: see anything.

1441
01:09:56,000 --> 01:09:59,160
Speaker 1: Because uh, we didn't have guest stars. There was no

1442
01:09:59,320 --> 01:10:02,080
Speaker 1: like extras where we're like, oh that's so and so, right,

1443
01:10:02,200 --> 01:10:07,840
Speaker 1: nothing really outside of the house other than the forest scene,

1444
01:10:07,920 --> 01:10:12,760
Speaker 1: but it was pretty like stationary kitchen, bedroom forest sort

1445
01:10:12,800 --> 01:10:13,040
Speaker 1: of thing.

1446
01:10:13,360 --> 01:10:16,879
Speaker 2: They been in the Tanner backyard, Like the backyard just expands,

1447
01:10:17,000 --> 01:10:18,200
Speaker 2: you know, Actually.

1448
01:10:17,800 --> 01:10:19,679
Speaker 3: It might have been it might have They just went

1449
01:10:19,960 --> 01:10:23,000
Speaker 3: way to the back. Yeah, way to the back.

1450
01:10:23,120 --> 01:10:24,439
Speaker 2: Yeah, you're back in the backyard.

1451
01:10:24,479 --> 01:10:27,639
Speaker 1: And suddenly they're in They're like, who needs a tend

1452
01:10:27,800 --> 01:10:28,599
Speaker 1: We're in the backyard.

1453
01:10:28,600 --> 01:10:31,120
Speaker 2: What's the worst that could happen? You know exactly.

1454
01:10:31,200 --> 01:10:36,479
Speaker 1: Yeah, they just went like several thousand acres back into

1455
01:10:36,560 --> 01:10:37,120
Speaker 1: the backyard.

1456
01:10:37,200 --> 01:10:38,160
Speaker 2: Just expands it.

1457
01:10:38,160 --> 01:10:41,320
Speaker 1: It just expands, and and Kimmy's house is right on

1458
01:10:41,360 --> 01:10:42,640
Speaker 1: the other side.

1459
01:10:42,560 --> 01:10:43,760
Speaker 2: Yeah, just keep going.

1460
01:10:43,800 --> 01:10:47,760
Speaker 3: You'll eventually it's like what was that those kids book

1461
01:10:47,880 --> 01:10:51,880
Speaker 3: Wayside store? Oh yeah, Sideway stores from Wayside School and yeah,

1462
01:10:51,960 --> 01:10:55,559
Speaker 3: and it just like the how the building went sideways,

1463
01:10:55,560 --> 01:10:57,840
Speaker 3: but like or maybe I'm thinking Magic School bus anyway.

1464
01:10:57,880 --> 01:10:59,240
Speaker 2: No, No, I think you're I think you're right. I

1465
01:10:59,240 --> 01:11:01,559
Speaker 2: think you're right. But no, it's you just look for

1466
01:11:01,560 --> 01:11:03,280
Speaker 2: the Ostrich and then you'll know you've reached the end

1467
01:11:03,280 --> 01:11:03,400
Speaker 2: of it.

1468
01:11:03,840 --> 01:11:06,200
Speaker 1: Right, If you find the Ostrich, you've gone too far

1469
01:11:06,240 --> 01:11:07,240
Speaker 1: in the forest backyard.

1470
01:11:07,600 --> 01:11:08,519
Speaker 3: You need to turn around.

1471
01:11:08,760 --> 01:11:12,160
Speaker 2: Yeah. I love it this show. I love this show

1472
01:11:12,320 --> 01:11:12,720
Speaker 2: so much.

1473
01:11:13,280 --> 01:11:18,599
Speaker 1: It's so wild and yeah I'm ridiculous and I love

1474
01:11:18,640 --> 01:11:19,760
Speaker 1: it and I'm proud of it.

1475
01:11:20,000 --> 01:11:20,840
Speaker 3: I do too.

1476
01:11:20,960 --> 01:11:23,080
Speaker 2: I love this show. It's like I mean, with it

1477
01:11:23,120 --> 01:11:23,840
Speaker 2: all over again.

1478
01:11:24,360 --> 01:11:26,120
Speaker 3: Yeah, you weren't in it too much. You were only

1479
01:11:26,160 --> 01:11:26,920
Speaker 3: in a couple of scenes.

1480
01:11:27,240 --> 01:11:30,680
Speaker 2: No, my sole purpose was to inform the audience that

1481
01:11:30,800 --> 01:11:33,080
Speaker 2: Kathy Santonio is sick and so DJ now has the

1482
01:11:33,120 --> 01:11:35,040
Speaker 2: role of Juliet. It is my only purpose.

1483
01:11:35,080 --> 01:11:38,160
Speaker 3: Well, it is that, and to show off that outfit.

1484
01:11:37,880 --> 01:11:40,600
Speaker 2: That's true, the outfit that was it really you know,

1485
01:11:40,680 --> 01:11:42,880
Speaker 2: Roberta was holding onto that for a while. She was like,

1486
01:11:43,000 --> 01:11:45,960
Speaker 2: for sure, for just the right time. Yeah, yeah, yeah,

1487
01:11:46,439 --> 01:11:49,240
Speaker 2: I see that outfit again too. Maybe not, but it

1488
01:11:49,320 --> 01:11:49,760
Speaker 2: might come back.

1489
01:11:49,760 --> 01:11:52,080
Speaker 1: I'm sure we'll remember it if it pops up again.

1490
01:11:52,520 --> 01:11:55,200
Speaker 1: I have a feeling we'll go. Oh, that one kind

1491
01:11:55,200 --> 01:11:59,000
Speaker 1: of like, uh, the Mermaid butts Onesie, The Mermaid butts onesie.

1492
01:11:59,400 --> 01:12:00,760
Speaker 2: Yeah, that which is.

1493
01:12:00,720 --> 01:12:03,120
Speaker 1: Now my name for it, the Mermaid butts Onesie, which

1494
01:12:03,600 --> 01:12:06,080
Speaker 1: again I would seriously rock.

1495
01:12:06,680 --> 01:12:09,679
Speaker 2: You would rock it, you would rock it. But me

1496
01:12:09,760 --> 01:12:11,519
Speaker 2: as a thirteen year old, no, I was.

1497
01:12:11,520 --> 01:12:15,439
Speaker 1: Not like anyone could wear that and it looks amazing.

1498
01:12:15,680 --> 01:12:20,280
Speaker 1: Anyone put it on Bob great comment, sure everything, It

1499
01:12:20,320 --> 01:12:23,360
Speaker 1: looks great on everything, because it's just ridiculous.

1500
01:12:23,400 --> 01:12:27,000
Speaker 2: It's just mermaid butts, rightid.

1501
01:12:25,760 --> 01:12:28,799
Speaker 1: Butts and weird tattoo things and and and it's and it's.

1502
01:12:28,720 --> 01:12:31,360
Speaker 3: You look like you could be racing a bicycle.

1503
01:12:31,680 --> 01:12:36,240
Speaker 1: Or uh like I don't know, we're getting ready to

1504
01:12:36,479 --> 01:12:37,760
Speaker 1: like do tattoo somebody.

1505
01:12:38,560 --> 01:12:38,880
Speaker 3: I don't know.

1506
01:12:38,960 --> 01:12:42,559
Speaker 2: Yeah, there's so many it keeps you guessing guessing.

1507
01:12:42,880 --> 01:12:43,920
Speaker 3: Oh Kimmy does.

1508
01:12:44,360 --> 01:12:48,559
Speaker 1: Yes, Well everybody, speaking of guessing, here's one thing you

1509
01:12:48,560 --> 01:12:51,000
Speaker 1: won't have to guess, which is what I'm gonna say next.

1510
01:12:51,240 --> 01:12:53,840
Speaker 3: Uh, you know the drill.

1511
01:12:53,960 --> 01:12:56,160
Speaker 1: Make sure you're liking and subscribing to the podcast wherever

1512
01:12:56,160 --> 01:12:58,280
Speaker 1: you're listening to it. Make sure you're following us on

1513
01:12:58,360 --> 01:13:03,000
Speaker 1: Instagram at Howard Podcast. Start sending us an email questions concerns, uh,

1514
01:13:03,080 --> 01:13:04,800
Speaker 1: veterinary facts, you know, whatevs.

1515
01:13:05,200 --> 01:13:05,800
Speaker 3: Uh.

1516
01:13:05,960 --> 01:13:09,639
Speaker 1: And that is how Rude Tannerritos at gmail dot com.

1517
01:13:10,200 --> 01:13:10,439
Speaker 3: Uh.

1518
01:13:10,479 --> 01:13:15,040
Speaker 1: And also make sure and visit how Rude merch dot com,

1519
01:13:15,120 --> 01:13:17,120
Speaker 1: which is our merch store. We have some fun T

1520
01:13:17,240 --> 01:13:18,320
Speaker 1: shirts and hoodies up there.

1521
01:13:18,720 --> 01:13:20,439
Speaker 3: Uh. And I think we're gonna it's gonna be time

1522
01:13:20,479 --> 01:13:22,479
Speaker 3: here pretty soon for some news designs.

1523
01:13:22,560 --> 01:13:23,519
Speaker 2: It's time. It's time.

1524
01:13:23,960 --> 01:13:28,599
Speaker 1: Information might be one. We just create our own mermaid

1525
01:13:28,600 --> 01:13:32,920
Speaker 1: butt onesie. Yeah, can you imagine? Oh, it would sell

1526
01:13:32,960 --> 01:13:38,559
Speaker 1: out just for me. I'd buy all of them. But yeah,

1527
01:13:38,640 --> 01:13:41,439
Speaker 1: how Rude merch dot com make sure and go check that.

1528
01:13:41,439 --> 01:13:44,640
Speaker 3: Out too, and we will see you next time. And

1529
01:13:44,680 --> 01:13:50,080
Speaker 3: remember the world is small. The house is full of

1530
01:13:50,160 --> 01:13:52,559
Speaker 3: forest animals, just full of them.

1531
01:13:52,760 --> 01:13:53,920
Speaker 2: Just I love it.

1532
01:13:54,080 --> 01:13:56,720
Speaker 3: Well, it's like snow why, it's like some dwarfs house.

1533
01:13:56,840 --> 01:13:58,559
Speaker 2: It makes you so high, washing dishes.

1534
01:13:58,680 --> 01:13:59,920
Speaker 3: They're hanging along.

1535
01:14:00,640 --> 01:14:01,559
Speaker 2: They're just so happy.

1536
01:14:01,880 --> 01:14:02,919
Speaker 3: They know forest animals.

1537
01:14:03,120 --> 01:14:07,400
Speaker 2: We all need more forest animals in our lives. By