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Speaker 1: So it's me and me by myself, and I'm doing

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Speaker 1: live action tomb reader. I have my shorts and I'm

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Speaker 1: sneaking around the neighborhood wrestling dogs and I have my

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Speaker 1: dual wheeled super Soakers and I'm winning. I'm doing very

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Speaker 1: I'm like advancing through the different stages, and then I

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Speaker 1: encounter the boss character my wife, and she comes out

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Speaker 1: and is like, put on your like, put on your clothes,

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Speaker 1: like what are you doing? And I'm like, I'm doing

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Speaker 1: my Easter egg hut, because you know, I like to

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Speaker 1: do a fantasy Easter egg hut every year right before

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Speaker 1: I hide them all and then I'm searching for them

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Speaker 1: like treasure.

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Speaker 2: And I can't believe I missed this one because of

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Speaker 2: course last year the theme was the Grinch, Yes and uh,

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Speaker 2: and that was so so fun that everyone was being

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Speaker 2: the Grinch and.

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Speaker 1: We were all down on who hell compete to, who

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Speaker 1: was like who was going to be the best Grinch?

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Speaker 2: Yeah, who was the main Grinch? You know? And I

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Speaker 2: remember that being one of my favorite Easter Egg hunts

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Speaker 2: of all the ones I've been.

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Speaker 1: And it's a fantasy that a lot of people have,

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Speaker 1: you know. But it did end up who hasn't imagined.

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Speaker 1: I would be the main grinch if there were a

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Speaker 1: lot of grinches in town, you know who, honestly, show me,

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Speaker 1: show me a guy who hasn't imagined that fantasy, and

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Speaker 1: I'll show you a guy who's already dead. Yeah, And

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Speaker 1: it is sort of a weirdo and is a fareak

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Speaker 1: what's going on?

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Speaker 2: And if he's not dead, he should be. And I'm

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Speaker 2: not for genocide wiping out entire groups of people, but

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Speaker 2: this one, you know, it's not racially motivated or anything,

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Speaker 2: which but it's not about religion, which I don't know

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Speaker 2: how I feel about that, but it is about living

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Speaker 2: and imagining and your brain being maybe sick if you

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Speaker 2: haven't thought about that.

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Speaker 1: So my wife says, Easter you have to go to church,

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Speaker 1: and I say, I don't want to go to church.

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Speaker 1: And this is how I do Easter. You know, like,

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Speaker 1: do not approach me about the way that I celebrate

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Speaker 1: this holiday. You'll something called the consolation.

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Speaker 2: Your ritual is every bit as valid, is every bit

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Speaker 2: as important and sacred as whatever they're doing in some

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Speaker 2: building would have freaking X on the top.

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Speaker 1: It's called the consolation.

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Speaker 2: Thank you.

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Speaker 1: And so ultimately she did make me square myself with

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Speaker 1: like sort of commandeer my guns to make me square

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Speaker 1: myself in my tank top disintegrated. Oh we got married,

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Speaker 1: by the way that I mentioned that.

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Speaker 2: Oh wow, congratulation and I it's wait, sorry, sorry, sorry, it's.

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Speaker 1: I am married to her.

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Speaker 2: She is not texting.

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Speaker 1: She is not married to you. So actually I should

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Speaker 1: not she I should not have said wife before. She

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Speaker 1: is my friend.

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Speaker 2: You are her husband. I am her husband, but she's

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Speaker 2: your friend and the freedoms that go along with.

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Speaker 1: Yes, which is another thing I love that we're experimenting

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Speaker 1: with these different ways to that you know, you can

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Speaker 1: sort of there's like a specter above these things, and

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Speaker 1: it doesn't have to be just like, Okay, I'm like

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Speaker 1: an unpronounce your man and wife. And like if Selwar

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Speaker 1: does want to be your friend but they do insist

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Speaker 1: that you are their husband, then there is room for that.

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Speaker 2: Yeah, and your friends, but you're friends with Ben and

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Speaker 2: Dryl because you both have allergies.

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Speaker 1: Hey, welcome to Hollywood Handbook and Decided Guide to kicking

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Speaker 1: button dropping names in the red carpet line back hallways

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Speaker 1: of this industry we call showbiz. We're always thinking about

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Speaker 1: new ways to be alive in Hollywood.

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Speaker 2: And yes, to keep ourselves relevant living, being able to

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Speaker 2: be still alive and to sort of stay cutting edge

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Speaker 2: new and a live.

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Speaker 1: And to be able to afford water, the basics.

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Speaker 2: Water and Hammer's sandwich. Bread, yes, well bread for the

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Speaker 2: hammer sewage. And so you know, once we have those

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Speaker 2: two things, it's like, all right now we can think

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Speaker 2: of some other you know, maybe more ambitious ideas, but

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Speaker 2: for right now, let's get the water and the bread. Uh.

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Speaker 2: And one of the things we've come up recently to

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Speaker 2: earn that is this trend that is sweeping the nation,

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Speaker 2: that is so big, it's huge, It's in almost every store.

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Speaker 2: And how are we going to hitch on to it?

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Speaker 2: How are we going to put our stamp on it?

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Speaker 2: How are we going to add our voice to the conversation.

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Speaker 1: So we've been seeing these these cards and I got one. Okay, great,

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Speaker 1: I've just kind of been hearing about these and seeing

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Speaker 1: other people have them, But you actually did get one.

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Speaker 2: I so yeah, And I didn't even realize I got it.

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Speaker 2: So as we were starting to embark on this journey,

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Speaker 2: it's these let's just say it's these cards. There's a

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Speaker 2: front and an open and a middle. They're in a

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Speaker 2: thing there might be a back. Also, they're in a

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Speaker 2: thing that looks like it's the same size, but must

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Speaker 2: be a little bit bigger because they are inside of.

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Speaker 1: It and it doesn't fit inside the card. No, the

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Speaker 1: bigger one.

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Speaker 2: I've tried to do well. It does but stick out

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Speaker 2: because you could put it in the middle. You could

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Speaker 2: probably put on the back if there is one. I

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Speaker 2: haven't never turned it over, but you could probably put

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Speaker 2: it on the back, or put it flat on the

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Speaker 2: table and.

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Speaker 1: Put the card on top. Yeah, and people collect all

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Speaker 1: these different kinds. There's kinds for Eastern, uh, for how Ween,

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Speaker 1: for graduation. Yes, it's like maybe the best way to that.

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Speaker 1: I'm sorry. Everyone knows about some E cards. This is

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Speaker 1: like that, but it's like not E cards, it's like

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Speaker 1: some non E cards.

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Speaker 2: That was what was so interesting to me is to

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Speaker 2: take this. I haven't seen it work this way before,

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Speaker 2: where there's a viral digital phenomenon like some E cards,

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Speaker 2: and somebody says, well, let's roll back the clock, go

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Speaker 2: analog with this and imagine presuppose what if this was

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Speaker 2: based on a hard copy, actual physical version of a

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Speaker 2: card like this, Yes, where there's sometimes a joke, but

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Speaker 2: sometimes a very sweet poem that might say, you know,

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Speaker 2: to my son, and then honor how noble your son

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Speaker 2: is and what a man he's beaking. Or it might say, well,

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Speaker 2: we'll get into what it might say because we're going

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Speaker 2: to design a bunch of these cards. But they are

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Speaker 2: used to say greetings, and they are used to say thanks,

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Speaker 2: and they are used to say hey, you're five.

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Speaker 1: And by the way, yes, we don't have a guest. Today.

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Speaker 1: People are noticing this and saying like, oh, like is

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Speaker 1: it because they couldn't get a guest and Kevin emailed

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Speaker 1: six people and every single one was out of town.

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Speaker 1: That is not what we do. Not want to cut

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Speaker 1: other people in on something like this.

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Speaker 2: This is going to be very very profitable. And if

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Speaker 2: you know anything about business, if somebody was here when

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Speaker 2: we're saying the idea for some of these card designs,

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Speaker 2: they should get thirty five percent of them.

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Speaker 1: Yeah, And so you say like, oh, it can be

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Speaker 1: just Sean Hayes doing it by themselves, or you can

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Speaker 1: bring someone else into it that's getting the percent of

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Speaker 1: the money. And it's worse. I'm thinking, like, I don't

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Speaker 1: remember what the first option was but that I now

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Speaker 1: I don't.

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Speaker 2: Work with the sec word either. But and I don't

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Speaker 2: remember that there was even options. But there's less of

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Speaker 2: the money, and engineer Ryan don't get any money because

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Speaker 2: of course he's not American, No, so he can't get

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Speaker 2: American business money, which is what we're planning to be

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Speaker 2: printing pretty soon.

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Speaker 1: Yes, and then on the same machine as the as

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Speaker 1: the cards. Yeah, well that's what's so nice about. We're

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Speaker 1: gonna put money on the money of the design of

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Speaker 1: money on the cards.

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Speaker 2: We took. We pulled together the last of our water

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Speaker 2: and bread money and put together enough of a bit

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Speaker 2: of a nest egg easter uh to buy a really

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Speaker 2: big printing machine, card printing machine easter yeah uh. And

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Speaker 2: so we've got this card printing machine, and what's the

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Speaker 2: first thing we're going to feed into it, you know,

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Speaker 2: one of our brilliant card designs.

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Speaker 1: So let's start with one of these brilliant card designs

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Speaker 1: where well, the first thing you do is you say,

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Speaker 1: who is going to be the lucky get her?

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Speaker 2: And imagine who's opening this large thing that is folded

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Speaker 2: that you can stick and pulling out this thing that

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Speaker 2: is look folded you could fold open.

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Speaker 1: And hard. So maybe we start I have been hearing

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Speaker 1: these various reports on the news about it it's Mother's Day. Yeah,

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Speaker 1: and but when this comes out two daco. But maybe

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Speaker 1: the card says it's mother like it is Mother's Day today.

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Speaker 2: Uh, because it always is.

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Speaker 1: Well, if you're getting this card, then like part of

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Speaker 1: like the story behind the card is like, well, today

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Speaker 1: is Mother's Day. So you're reading this and you're not like,

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Speaker 1: oh it was a while ago. It says in the

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Speaker 1: card that it is today.

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Speaker 2: Oh, so we're saying the day the card was written

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Speaker 2: was Mother's Day. And then you can actually give it

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Speaker 2: to them all year, yes, oh's.

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Speaker 1: And they're reading it. It's sort of like not trick them,

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Speaker 1: but that can help them think that it is brothers.

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Speaker 2: That can work also because sometimes very popular is the

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Speaker 2: lated birthday card. Right now, we go, hey, today's your birthday?

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Speaker 2: Yes and yes, and you can literally give it to

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Speaker 2: anyone whenever. Yes, and then and you just go like,

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Speaker 2: well that's when the card was done.

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Speaker 1: So you start, you say who who for Mother's Day? Yeah?

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Speaker 2: Would want a card?

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Speaker 1: What I would want a card? And sort of who

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Speaker 1: do I want to be my mom?

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Speaker 2: Yeah? Well, yes, it is that situation where you're asking

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Speaker 2: someone to be your mom with a big heart shaped

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Speaker 2: card with some lace around the sides, and you know,

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Speaker 2: some sort of like B mine mommy, uh messaging, And

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Speaker 2: so you do have to imagine the audience and of

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Speaker 2: course imagine the audience in their underwear.

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Speaker 1: And so for me, I'm thinking about that Blake Lively.

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Speaker 1: I wouldn't mind so much that Blake Lively bit.

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Speaker 2: Wow And I hate to be shallow, but uh, I

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Speaker 2: watched The Shallows and my mommy is a little something.

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Speaker 2: I was thinking during some of those scenes with the wetsuit.

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Speaker 1: All of it.

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Speaker 2: So you're gonna go with Blake Lively and that is

201
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Speaker 2: so smart. And I'm gonna say, how about this Carolyn Ray,

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Speaker 2: This Caroline Ray figure who's been a very interesting mom,

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Speaker 2: who has been absolutely on fire lately. She's starting to

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Speaker 2: do this comedy and as a mom, she's cracking up.

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Speaker 2: But I gotta say something else about her, and I

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Speaker 2: don't want to say it, but it's something that we're

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Speaker 2: all thinking about. If she is your mom, she is

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Speaker 2: in fact a milk And if you don't know that term,

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Speaker 2: go ahead and ask the cherminator from American pie because

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Speaker 2: the terminator's gonna clear. That could be to John Show

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Speaker 2: and to just about everybody else.

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Speaker 1: Like a what's a milf card?

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Speaker 2: Oh, and we're already starting to go outside of the

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Speaker 2: cards cover.

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Speaker 1: Create because sometimes you have to write the whole thing

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Speaker 1: out to Blake Lively or whoever. But in this time,

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Speaker 1: the outside part already says to the cherminator, to the cherminator, Yeah,

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Speaker 1: and there's.

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Speaker 2: A drawing maybe of like a turtle.

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Speaker 1: Going to school.

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Speaker 2: Mm hmm, because it's an educational card. Yes, So the

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Speaker 2: turtle's got stack of books and a backpack. Wanted to

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Speaker 2: see a naw backpacker. You got a shell? Well, he says,

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Speaker 2: my shell is my backpack, and he's holding books. He's

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Speaker 2: got glasses he's holding.

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Speaker 1: But what's the what's the backpack for?

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Speaker 2: Uh? Pends so holding stack of books, My shell's my backpack.

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Speaker 2: He's saying glasses, okay, glasses.

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Speaker 1: And he's a graduation capper. Then is like, why is

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Speaker 1: he going.

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Speaker 2: To Well he can have it in the case still.

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Speaker 1: Okay, it's ready to go, but it's not ready to

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Speaker 1: come out yet.

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Speaker 2: Yeah. Yeah, so he's ready. Uh, and he's hitting a

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Speaker 2: light jog because it's uh, and so you do some

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Speaker 2: speed lines, not too extreme because he's not sprinting, right,

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Speaker 2: but he's seen that he might be a little late

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Speaker 2: for school, and he is sort of a stand in

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Speaker 2: for the Terminator who needs has some learning to do.

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Speaker 2: Still about oh.

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Speaker 1: I thought that was me. Oh okay, I thought the

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Speaker 1: Cherminator was explaining to me what a milf is. Cool.

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Speaker 2: So maybe we see in the Turtles John Show and

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Speaker 2: the Cherminator is telling us what a millf is. Still

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Speaker 2: there's Mom's an example. So the Turtle is John Show,

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Speaker 2: and in Terminator is the school and Cherminator is the school.

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Speaker 1: So maybe there's a building over in the distance that

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Speaker 1: he's running to. But there's like a little mirror.

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Speaker 2: And a red brick building would perhaps demonstrate because Cherminator,

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Speaker 2: if you remember, was a ginger, almost looked like Ferguson

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Speaker 2: from Closer to explains at all so off brand seth Green.

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Speaker 1: So the Turtle is like, all right, so that in

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Speaker 1: that case you don't really need to put anything inside

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Speaker 1: the card because.

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Speaker 2: Now there's so much here. So this is this for

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Speaker 2: somebody who doesn't know what a millf is, and you

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Speaker 2: probably want to underneath the turtle like an arrow pointing up.

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Speaker 2: I'm John Show.

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Speaker 1: And the school will be called like Cherminator Elementary or something, right,

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Speaker 1: And but so that's why I would also help to

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Speaker 1: have a mirror on top, so he like a little

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Speaker 1: like reflective portion. So he's looking at the card and

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Speaker 1: he's saying like, oh, like I am the school.

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Speaker 2: Yeah, and you might want to have a portrait of

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Speaker 2: a mill right in the halls of one of the school.

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Speaker 2: I don't know that you'll be able to see it

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Speaker 2: on the card because it's two dimensional, but in one

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Speaker 2: of the hallways or even in the principal's office. Yeah,

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Speaker 2: you might want to have a portrait of a milf.

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Speaker 2: She's older, she's robust, and she's in some kind of teddy,

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Speaker 2: a slinky teddy. Yeah, she's in a slinky teddy garters,

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Speaker 2: et cetera.

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Speaker 1: And so then he has room on the inside to

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Speaker 1: write the explanation. And so there should be another outside

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Speaker 1: envelope that comes in the card that is addressed back

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Speaker 1: to envelope. Right, So this is what I was. I

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Speaker 1: was sort of looking some stuff up while we were talking,

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Speaker 1: and I look up the outside part that folds and

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Speaker 1: you do give it like a big white kiss. Ah,

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Speaker 1: and that is the envelope.

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Speaker 2: Okay, and that'll make it not necessarily flopping.

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Speaker 1: Around, yes, because you know how sometimes it is falling out.

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Speaker 1: M Yes, you forgot the kiss.

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Speaker 2: Well, this is all very helpful. Envelope that's perfect and

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Speaker 2: so great. That's great because I'm calling it here. I

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Speaker 2: was calling it paper slit. Yeah, that was the only

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Speaker 2: name I had for it. Oh, it sounded like the

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Speaker 2: beginning of a list. Oh really, just the way you

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Speaker 2: said it.

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Speaker 1: Yeah, it did seem like item one on like a

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Speaker 1: list of things that you call it. Oh wow, that's it.

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Speaker 2: A card house. But it's that that makes me think

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Speaker 2: of Kevin Spacey.

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Speaker 1: So we did that one. What are some other good cards?

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Speaker 1: I'm noticing that a lot of these cards in the

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Speaker 1: store are for Garfield.

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Speaker 2: We well, yes, we've designed one hit card already that's

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Speaker 2: gonna go viral, probably make e cards have to fold

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Speaker 2: up and bring their website home. Now, the Garfield stuff

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Speaker 2: you get into a sticky legal situation because Garfield owns

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Speaker 2: his own image. Yeah, and he also owns quite a

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Speaker 2: bit of zonia. He's addicted to this stuff. So what

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Speaker 2: you want to do if you have a Garfield type idea.

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Speaker 2: For instance, Yeah, you want to see John hitting on

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Speaker 2: the vet? Mm hmm, right, and she's sort of being like,

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Speaker 2: just jump and you want to have Garfield there, kind

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Speaker 2: of being like, I agree with the vet. You have

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Speaker 2: to move where the stripes are on Garfields but yeah,

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Speaker 2: do you know what I mean? Yeah, And we found

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Speaker 2: that if you put the stripes over Garfield's face so

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Speaker 2: it's hidden or and yeah, and maybe on the vet,

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Speaker 2: it doesn't take anything away.

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Speaker 1: From the card. One way to do it also is

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Speaker 1: just to have them be kind of like resting on

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Speaker 1: the ground around him and so then like a savvy

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Speaker 1: reader will say, oh he sneezed, yes, and they explode

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Speaker 1: it off.

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Speaker 2: And that is something we really want to try to

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Speaker 2: do with our cards, is sort of drop off the

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Speaker 2: joke and let the audience come pick it.

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Speaker 1: Yes. And so he's not saying I sneezed necessarily.

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Speaker 2: No, no, but he doesn't have to.

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Speaker 1: He doesn't have to, but he is, you know, rubbing

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Speaker 1: his nose with a tissue. And then legally, if you're

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Speaker 1: rendering a character but all his strength things plot it off,

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Speaker 1: then that's not the same guy.

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Speaker 2: No, it's a totally different character, and we're just we're

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Speaker 2: you know, Hayes and I do smart comedy on our

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Speaker 2: greeting cards. And there's a lot of these some e

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Speaker 2: cards and some of these other people who want to

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Speaker 2: do what we do, who are bringing the joke to

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Speaker 2: you on a plate, your jokes and force feeding you,

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Speaker 2: shoving a ladle in your throat. And what we're doing

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Speaker 2: is we're sort of going like, hey, did you hear

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Speaker 2: that I heard there's a joke in the back room

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Speaker 2: or something, just and just sort of like we're sort

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Speaker 2: of circulating the party, just like did you hear about

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Speaker 2: I heard there's actually a joke coming later or there

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Speaker 2: was one earlier in the other room, and then the

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Speaker 2: later version just like taking the ladle and just sort

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Speaker 2: of spooning it out on the ground, just sort of yeah.

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Speaker 2: Almost remember in shawsh Ank or whatever where they have

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Speaker 2: to get rid of the dirt or a rock and

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Speaker 2: they come out as pants.

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Speaker 1: Well, the jokes like that food. In this case, it

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Speaker 1: is a food analogy until we are putting the food

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Speaker 1: in our pants and just sort of like or the

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Speaker 1: soup your string, yeah, and just sort of a little soup, yeah,

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Speaker 1: just a little soup. And then it comes dripping out

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Speaker 1: your pant leg, and then people at a party say, oh,

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Speaker 1: look at this some soup, and that is so much

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Speaker 1: more enjoyable for them. Imagine you discover the soup.

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Speaker 2: Imagine you're at a party and some beef barley soup

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Speaker 2: comes dripping out of someone's pant leg who you're having

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Speaker 2: a conversation with. Wouldn't you go, oh, thank you for

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Speaker 2: treating me like someone intelligent. I'll be able to come

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Speaker 2: and find and eat this soup myself rather than have

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Speaker 2: and get shoved in my face.

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Speaker 1: So it's John in the vet and Garfield is there

360
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Speaker 1: a version of.

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Speaker 2: Him where's normally he's an amadabbie.

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Speaker 3: He was sent to Abu Dhabi. Yes, send him a bitch, And.

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Speaker 1: So you're mailing this to remember to put holes in.

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Speaker 2: The backs he gotta breathe. Yeah, it's annoyed. Garbiel jealous, you.

365
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Speaker 1: Know, because that's the thing. He's so cute, you know,

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Speaker 1: he is cute and he is nice and he's not

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Speaker 1: really doing anything, but it is. But it is Garfield's house. Jealous,

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Speaker 1: you know, and John likes him better, I guess, but

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Speaker 1: like Garfield hates John mm hmm. But he also wants

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Speaker 1: John want. Yeah. Yeah, so you send that card to

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Speaker 1: Garfield and off it goes. What else do we want

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Speaker 1: to do a card?

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Speaker 2: Oh? Okay, Well some of the cards you see these

374
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Speaker 2: days are for the post milf set. Uh you remember

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Speaker 2: show Men of a Certain Age?

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Speaker 1: Okay, Riemano Andanderbrawer, I'm remembering and the third guy.

377
00:22:26,840 --> 00:22:31,520
Speaker 2: Yes, Well, Women of a Certain Age it's got Dracula.

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00:22:32,080 --> 00:22:36,360
Speaker 2: It's got Dracula. Women of a Certain Age don't have

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Speaker 2: that show.

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Speaker 1: Ah, they need the What they.

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00:22:40,400 --> 00:22:43,680
Speaker 2: Have is cards. And some of the cards that are

382
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Speaker 2: going to be really hot this year is like, uh,

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Speaker 2: old lady gray, hand shades on.

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Speaker 1: Yes, she's standing there.

385
00:22:56,800 --> 00:23:03,880
Speaker 2: And going, uh, I remember uh when my tits were

386
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Speaker 2: higher than my fucking knees or some shit, you know,

387
00:23:07,760 --> 00:23:10,919
Speaker 2: And then yes, and she's gotta like shooting you straight,

388
00:23:11,440 --> 00:23:13,360
Speaker 2: drinking like a glass of Merleau.

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00:23:13,720 --> 00:23:19,040
Speaker 1: Yeah, she's got the Merleau. Kevin, can we have a

390
00:23:19,080 --> 00:23:19,800
Speaker 1: seat please?

391
00:23:22,080 --> 00:23:24,760
Speaker 2: And it's and we're being friends in the seat, not

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Speaker 2: necessarily sitting down to try to have a fight.

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Speaker 1: And can we just establish that the situation was not

394
00:23:33,119 --> 00:23:38,119
Speaker 1: that you emailed six people asking him to do the

395
00:23:38,160 --> 00:23:43,959
Speaker 1: show and they all said no, Can we just clarify

396
00:23:44,080 --> 00:23:45,480
Speaker 1: that this is not the situation.

397
00:23:45,480 --> 00:23:47,240
Speaker 2: Do you remember that didn't happen, and we.

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Speaker 1: Do want to do the show by ourself.

399
00:23:49,160 --> 00:23:51,760
Speaker 4: Yeah, you guys totally wanted to do the show by yourself.

400
00:23:51,880 --> 00:23:53,919
Speaker 4: I could have reached out to six people, but you

401
00:23:53,960 --> 00:23:55,720
Speaker 4: said that's okay, don't do it.

402
00:23:55,760 --> 00:23:57,560
Speaker 2: But if you did that, they probably all would have

403
00:23:57,560 --> 00:23:59,480
Speaker 2: said yes, Now we've got six guests and we got

404
00:23:59,520 --> 00:24:01,879
Speaker 2: to split the money like seven or eight ways.

405
00:24:02,160 --> 00:24:04,280
Speaker 4: Yeah, it would be really difficult. So I'm glad that

406
00:24:04,400 --> 00:24:06,080
Speaker 4: you were able to do an episode by yourself.

407
00:24:06,160 --> 00:24:12,960
Speaker 1: But had you done that, what would be What would

408
00:24:12,960 --> 00:24:18,760
Speaker 1: you have done so badly that all those people would say, oh, no,

409
00:24:18,920 --> 00:24:20,080
Speaker 1: I'm saying no to Ken.

410
00:24:20,200 --> 00:24:23,240
Speaker 2: Oh right, It would be Kevin's fault if they all

411
00:24:23,280 --> 00:24:26,320
Speaker 2: said no. So I wonder if that happened. Yeah, that's

412
00:24:26,359 --> 00:24:28,640
Speaker 2: a great question for this hypothetical.

413
00:24:30,640 --> 00:24:35,200
Speaker 4: That is a great question. Maybe they don't like my creepshots,

414
00:24:35,240 --> 00:24:38,399
Speaker 4: they feel uncomfortable by my presence. They would have preferred

415
00:24:38,400 --> 00:24:40,600
Speaker 4: if you guys would have reached out instead of me.

416
00:24:41,200 --> 00:24:42,800
Speaker 2: But then they would go, this is weird. Why are

417
00:24:42,840 --> 00:24:46,880
Speaker 2: these guys reaching out? They're busy famous Kevin.

418
00:24:47,359 --> 00:24:50,240
Speaker 4: So yeah, hypothetically that would, but you guys in a

419
00:24:50,280 --> 00:24:51,160
Speaker 4: difficult situation.

420
00:24:51,359 --> 00:24:54,520
Speaker 2: If that happened, we'd be in a tough spot where

421
00:24:54,560 --> 00:25:00,159
Speaker 2: there's really no foreseeable scenario where we end up the

422
00:25:00,200 --> 00:25:02,600
Speaker 2: guests because we can't reach ourselves. People say, where's Kevin?

423
00:25:02,680 --> 00:25:04,159
Speaker 2: But nobody want to say yes to Kevin.

424
00:25:04,920 --> 00:25:07,560
Speaker 1: So here's a way to make this right. I think

425
00:25:07,800 --> 00:25:09,640
Speaker 1: this thing that didn't happen. This other thing that I've

426
00:25:09,680 --> 00:25:12,040
Speaker 1: been thinking about is you come in here and you

427
00:25:12,960 --> 00:25:15,920
Speaker 1: take your pictures and then you even then you got

428
00:25:15,960 --> 00:25:18,960
Speaker 1: what you wanted, but I got nothing out of this. Yeah,

429
00:25:18,960 --> 00:25:21,480
Speaker 1: so maybe we make a deal, a deal this time

430
00:25:21,800 --> 00:25:22,720
Speaker 1: where make.

431
00:25:22,640 --> 00:25:24,200
Speaker 2: A meal distant Kevin.

432
00:25:24,400 --> 00:25:27,119
Speaker 1: I didn't okay, I didn't say that, he's but he

433
00:25:27,240 --> 00:25:31,959
Speaker 1: was thinking it. Uh. And so maybe this time you

434
00:25:32,000 --> 00:25:36,560
Speaker 1: take your picture, but I get something on my end,

435
00:25:36,800 --> 00:25:38,640
Speaker 1: which is that you have to buy one of these cards.

436
00:25:38,680 --> 00:25:42,360
Speaker 1: We're doing these cards now, cards, Yes, cards.

437
00:25:42,080 --> 00:25:43,600
Speaker 2: Yeah, you know who some of the cards is?

438
00:25:44,480 --> 00:25:44,960
Speaker 1: I know?

439
00:25:45,640 --> 00:25:49,280
Speaker 2: Okay, of course he doesn't. Oh my god, what a

440
00:25:49,400 --> 00:25:52,240
Speaker 2: fucking find. Kevin is my normal?

441
00:25:53,040 --> 00:25:53,880
Speaker 1: Uh So.

442
00:25:55,320 --> 00:26:00,560
Speaker 2: Cards are almost like there's a front to him, but

443
00:26:00,640 --> 00:26:01,359
Speaker 2: there's a middle.

444
00:26:02,200 --> 00:26:08,719
Speaker 1: Oh yeah, you know paper, Yeah, Okay, take the paper,

445
00:26:09,840 --> 00:26:16,920
Speaker 1: triple it, yes, thicking it okay, okay, take one side

446
00:26:16,960 --> 00:26:19,040
Speaker 1: of the paper and mosh it up against the other side.

447
00:26:19,080 --> 00:26:24,919
Speaker 1: Squash right, and now it's a tissue. No, that's not

448
00:26:25,000 --> 00:26:28,199
Speaker 1: a tissue. Ken No, No, don't movesh it like that. No,

449
00:26:28,320 --> 00:26:29,080
Speaker 1: you're doing it wrong.

450
00:26:29,600 --> 00:26:34,000
Speaker 2: Uh oh so you are? Do you really know what

451
00:26:34,040 --> 00:26:34,439
Speaker 2: paper is?

452
00:26:35,920 --> 00:26:36,480
Speaker 1: Ah?

453
00:26:36,840 --> 00:26:37,760
Speaker 4: Like I know of it.

454
00:26:38,280 --> 00:26:45,080
Speaker 2: Okay, So imagine the paper. How do I do this

455
00:26:45,119 --> 00:26:50,960
Speaker 2: without using because I want to imagine if a baby

456
00:26:51,320 --> 00:26:54,880
Speaker 2: is little, yes, and a milf is a big, grown

457
00:26:54,960 --> 00:26:58,880
Speaker 2: up version of the baby. Yes, then maybe the paper

458
00:26:59,560 --> 00:27:03,119
Speaker 2: this is like the sort of milf element of And

459
00:27:03,160 --> 00:27:05,320
Speaker 2: I wish we had that card because that would.

460
00:27:05,080 --> 00:27:06,680
Speaker 1: Help me, and then we already mailed.

461
00:27:06,359 --> 00:27:10,000
Speaker 2: It is a grown up version of the paper where

462
00:27:10,080 --> 00:27:13,560
Speaker 2: it's a little bit thicker. Uh huh, got a little

463
00:27:13,600 --> 00:27:17,200
Speaker 2: more heft to it, and you could do more with it, right,

464
00:27:17,560 --> 00:27:19,760
Speaker 2: you know what I mean? The sort of baby versus

465
00:27:19,840 --> 00:27:24,919
Speaker 2: milf is like paper versus this card. Yeah, okay, and

466
00:27:25,080 --> 00:27:26,199
Speaker 2: give it a kissy.

467
00:27:26,440 --> 00:27:28,600
Speaker 1: Well yeah, and you can open it up.

468
00:27:29,200 --> 00:27:34,080
Speaker 4: Mm hmm. Jesus Louisa in there, I think I know

469
00:27:34,119 --> 00:27:38,119
Speaker 4: what cards are. Now, great, so you're doing cards.

470
00:27:38,200 --> 00:27:40,000
Speaker 1: So we're doing cards now, and we're going to do

471
00:27:40,040 --> 00:27:41,600
Speaker 1: one for you and you have to buy it, and

472
00:27:41,840 --> 00:27:46,000
Speaker 1: maybe it's for your mom. So what who do you

473
00:27:46,040 --> 00:27:47,200
Speaker 1: want your mom to be this year?

474
00:27:47,680 --> 00:27:49,199
Speaker 4: Who do I want my mom to be?

475
00:27:49,480 --> 00:27:51,359
Speaker 1: Yeah, Kevin forgot Mother's Day.

476
00:27:51,359 --> 00:27:54,240
Speaker 2: It's Mother's Day. You're supposed to have already picked out

477
00:27:54,240 --> 00:27:55,320
Speaker 2: your new mom.

478
00:27:55,800 --> 00:28:02,520
Speaker 4: Oh, nom, just can't it can't be my can't be

479
00:28:02,600 --> 00:28:05,280
Speaker 4: Blake Lively, can't be Blake Lively. And it can't be

480
00:28:05,359 --> 00:28:07,880
Speaker 4: my Carolyn Ray. Can't be Carolyn Ray.

481
00:28:09,359 --> 00:28:11,560
Speaker 1: Wait did you say it can't be your birth mom? Yeah,

482
00:28:11,960 --> 00:28:12,960
Speaker 1: it's kind of weird.

483
00:28:12,760 --> 00:28:16,280
Speaker 2: To like cards gonna be kind of romantic.

484
00:28:16,480 --> 00:28:19,040
Speaker 1: Oh, it's just kind of a weird.

485
00:28:20,320 --> 00:28:22,720
Speaker 4: Do you have a preference? Do you have any recommendations

486
00:28:22,760 --> 00:28:23,120
Speaker 4: you give?

487
00:28:25,480 --> 00:28:29,679
Speaker 2: Well, looking at you, I have an idea, could be

488
00:28:29,760 --> 00:28:30,120
Speaker 2: your mom?

489
00:28:30,200 --> 00:28:35,240
Speaker 1: Okay, Ryan telling me before engineer Ryan, the guy who's

490
00:28:35,240 --> 00:28:40,680
Speaker 1: over there is going to see his mom very soon.

491
00:28:41,520 --> 00:28:45,600
Speaker 2: Okay, Maybe we save money on a stamp and he

492
00:28:45,640 --> 00:28:49,920
Speaker 2: can bring Kevin's Mother's Day card directly to his own mom. Yes,

493
00:28:50,120 --> 00:28:53,000
Speaker 2: and we don't have to necessarily put all these stamps on.

494
00:28:53,320 --> 00:28:56,960
Speaker 1: Yes, two birds, because I already were talking about the

495
00:28:57,080 --> 00:28:58,120
Speaker 1: envelope before.

496
00:28:58,120 --> 00:28:59,080
Speaker 2: Two Birds, one Cup.

497
00:29:04,480 --> 00:29:08,000
Speaker 1: It's funny. It's it's gross, but it's funny. Well, because

498
00:29:08,040 --> 00:29:12,480
Speaker 1: I mean, think about it, I already gave the envelop

499
00:29:12,520 --> 00:29:14,640
Speaker 1: a big kiss, and I don't have as much kissing

500
00:29:14,800 --> 00:29:21,239
Speaker 1: juice for the stamp. Now, yeah, Kevin, we remember what

501
00:29:21,280 --> 00:29:21,680
Speaker 1: we said.

502
00:29:22,440 --> 00:29:24,320
Speaker 2: We get that after you buy the card and the

503
00:29:24,320 --> 00:29:30,080
Speaker 2: card's expensive. Yes, well that could be really great.

504
00:29:30,680 --> 00:29:33,960
Speaker 1: Uh So we have to do the card for Ryan.

505
00:29:34,200 --> 00:29:37,160
Speaker 1: It is from Kevin for Ryan, It's for Ryan's mom.

506
00:29:37,200 --> 00:29:39,680
Speaker 2: But I want to say I'd love to embrace diversity

507
00:29:39,720 --> 00:29:44,080
Speaker 2: a little bit with this card, Okay, And so we

508
00:29:44,080 --> 00:29:47,719
Speaker 2: don't necessarily have to treat Ryan's mom like she's like Ryan,

509
00:29:48,080 --> 00:29:48,720
Speaker 2: you know what I mean?

510
00:29:48,920 --> 00:29:52,600
Speaker 1: Okay, Okay, I'm fully understanding you.

511
00:29:53,200 --> 00:29:58,320
Speaker 2: And so what I'm wondering is, Kevin, is there a

512
00:29:58,360 --> 00:30:05,680
Speaker 2: particular race or culture that you have an affinity for?

513
00:30:05,880 --> 00:30:08,280
Speaker 2: And Ryan, is there a race or culture that your

514
00:30:08,320 --> 00:30:14,720
Speaker 2: mom could convincingly portray on the card? I like dogs, Okay,

515
00:30:15,720 --> 00:30:18,480
Speaker 2: my mom could be a dog. Great, Okay, his mom

516
00:30:18,520 --> 00:30:22,920
Speaker 2: could be a dog okay. Well, and we know we

517
00:30:22,960 --> 00:30:25,880
Speaker 2: didn't use Odie on that Garfield. No, we still do

518
00:30:26,000 --> 00:30:31,840
Speaker 2: have all the odies the sort of iron Hunts. But

519
00:30:32,000 --> 00:30:35,680
Speaker 2: looking at Ryan, I'm leaning more Muttley.

520
00:30:36,280 --> 00:30:40,440
Speaker 1: Right, Okay, Yes, the laugh is very like it's a

521
00:30:40,480 --> 00:30:46,840
Speaker 1: lot like ye yeah, so okay. So Ryan's mom is

522
00:30:47,480 --> 00:30:51,600
Speaker 1: can convincingly be Mutley. She's Mutley, but Kevin wants it

523
00:30:51,640 --> 00:30:55,520
Speaker 1: to be his mom but also a date. Yes, so

524
00:30:55,600 --> 00:30:59,640
Speaker 1: maybe here's what I'm picturing. Uh huh it's Kevin on

525
00:30:59,680 --> 00:31:06,560
Speaker 1: the card. Yes, but Kevin is dictastardly yep. And but

526
00:31:06,640 --> 00:31:09,720
Speaker 1: he's got an empty side car.

527
00:31:10,120 --> 00:31:10,239
Speaker 2: Mm.

528
00:31:11,080 --> 00:31:12,120
Speaker 1: But he's sort of like.

529
00:31:12,360 --> 00:31:14,400
Speaker 2: If you can read this, the bitch fell off.

530
00:31:17,960 --> 00:31:19,240
Speaker 1: Right, But he's sad about that.

531
00:31:19,600 --> 00:31:22,040
Speaker 2: Yeah, no, no, no, no he is he's pissed.

532
00:31:22,200 --> 00:31:25,760
Speaker 1: Yes, uh. But and now so he's like looking for

533
00:31:26,440 --> 00:31:30,200
Speaker 1: a new Monthley in this case ryandom mom uh to

534
00:31:30,400 --> 00:31:34,600
Speaker 1: join him in the side car? Yes? Perfect, perfect, But

535
00:31:34,640 --> 00:31:35,120
Speaker 1: there has.

536
00:31:35,000 --> 00:31:36,280
Speaker 2: Been more such a good card?

537
00:31:36,880 --> 00:31:37,120
Speaker 1: Yes?

538
00:31:37,440 --> 00:31:43,200
Speaker 2: No, Well the outside should say perhaps something like, uh,

539
00:31:46,320 --> 00:31:54,000
Speaker 2: to my son, I'm so honored at the man you

540
00:31:54,160 --> 00:31:59,880
Speaker 2: become in the dignity you carry yourself with from my

541
00:32:00,240 --> 00:32:05,280
Speaker 2: womb to the front of the room. You're a class act,

542
00:32:06,320 --> 00:32:09,160
Speaker 2: kabo and stop stop.

543
00:32:09,000 --> 00:32:12,280
Speaker 1: Let's save that. That's for the inside.

544
00:32:12,560 --> 00:32:19,320
Speaker 2: Yeah, you're you're a class act uh and a fun

545
00:32:19,360 --> 00:32:24,080
Speaker 2: fact and you well, now that kaboom kaboom thing threw

546
00:32:24,120 --> 00:32:26,000
Speaker 2: me off, But I think we had the makings of

547
00:32:26,000 --> 00:32:28,720
Speaker 2: what was a really good card where there's a sort

548
00:32:28,720 --> 00:32:32,120
Speaker 2: of a poem to your son on the outside that

549
00:32:32,280 --> 00:32:34,440
Speaker 2: is a very good way to convince her that Kevin

550
00:32:35,000 --> 00:32:39,520
Speaker 2: is her son now, and the inside could say something

551
00:32:39,640 --> 00:32:42,680
Speaker 2: like this was the poem on the front? Was you

552
00:32:42,760 --> 00:32:50,240
Speaker 2: talking to Kevin? And that's me f yi and you're Muttley. Yes,

553
00:32:51,120 --> 00:32:52,280
Speaker 2: And if anybody wants.

554
00:32:52,120 --> 00:32:53,000
Speaker 1: To do the laugh.

555
00:32:55,280 --> 00:32:57,120
Speaker 2: The laugh Mouly's laugh.

556
00:32:59,480 --> 00:33:07,160
Speaker 1: Well, okay, good that okay, that's a good card. Now

557
00:33:07,200 --> 00:33:10,240
Speaker 1: what do we think is a fair price for that card?

558
00:33:10,240 --> 00:33:12,320
Speaker 1: And remember that you are also getting a picture out

559
00:33:12,360 --> 00:33:15,200
Speaker 1: of this. We are doing not like it's it's not

560
00:33:15,280 --> 00:33:17,479
Speaker 1: only just like us doing this diice card for you

561
00:33:17,600 --> 00:33:20,840
Speaker 1: when you have this wonderful picture of the mom now,

562
00:33:21,320 --> 00:33:23,400
Speaker 1: but you are also getting to take a picture of it.

563
00:33:23,480 --> 00:33:25,960
Speaker 1: So I'm just saying, so now like waiting a little

564
00:33:26,000 --> 00:33:26,640
Speaker 1: more expensive?

565
00:33:26,800 --> 00:33:30,040
Speaker 4: Yes, how much do I have to pay? Are we

566
00:33:30,200 --> 00:33:31,640
Speaker 4: figuring out price as well?

567
00:33:31,840 --> 00:33:34,120
Speaker 1: We're you know, we're talking about fairness and just what

568
00:33:34,160 --> 00:33:37,720
Speaker 1: we think is like a you know, a good for example,

569
00:33:39,080 --> 00:33:41,120
Speaker 1: one thing that Sean and I have been talking about

570
00:33:41,840 --> 00:33:45,120
Speaker 1: how we would really enjoy recently is water.

571
00:33:45,840 --> 00:33:49,960
Speaker 4: Mm hmm, great, Okay, we have.

572
00:33:49,800 --> 00:33:56,080
Speaker 1: Become Yes, I'm one of the thirstiest people that I

573
00:33:56,160 --> 00:33:57,200
Speaker 1: have ever met.

574
00:33:57,920 --> 00:34:04,160
Speaker 2: Mm yeah. And I obviously don't want to get into

575
00:34:04,200 --> 00:34:07,440
Speaker 2: any gross sort of bathroom stuff. That's more the arena

576
00:34:07,480 --> 00:34:12,200
Speaker 2: of the comedy bang bangs of the omfgs, those shows.

577
00:34:11,840 --> 00:34:14,200
Speaker 1: That sort of talk about that kind of functioning. So

578
00:34:14,239 --> 00:34:16,359
Speaker 1: go listen to that and come back if you.

579
00:34:16,719 --> 00:34:20,239
Speaker 2: But but what I'll say in the kindest sort of

580
00:34:20,840 --> 00:34:26,799
Speaker 2: just like most kind of straightforward medical terms, as I

581
00:34:26,880 --> 00:34:30,839
Speaker 2: have not been doing a lot of peepees, and that

582
00:34:31,200 --> 00:34:47,600
Speaker 2: the ones I do are it's like mud, oh because

583
00:34:47,680 --> 00:34:48,120
Speaker 2: no water.

584
00:34:48,680 --> 00:34:51,000
Speaker 1: Yeah, it's like dirt.

585
00:34:51,239 --> 00:34:56,000
Speaker 2: And I don't know, well no, because what's happening is

586
00:34:56,040 --> 00:35:00,720
Speaker 2: my body is pulling liquid like stuff from other areas

587
00:35:00,719 --> 00:35:02,840
Speaker 2: of my body. So some of the juice that maybe

588
00:35:02,960 --> 00:35:05,799
Speaker 2: is supposed to be layering my organs keeping them wet.

589
00:35:05,560 --> 00:35:08,600
Speaker 1: It's trying to find water inside itself.

590
00:35:09,520 --> 00:35:12,040
Speaker 2: And it's being able to create a mud out of

591
00:35:12,040 --> 00:35:14,160
Speaker 2: the dirt that I'm eating because we have no bread,

592
00:35:16,280 --> 00:35:26,640
Speaker 2: so and dirt free and worms in it. So that's

593
00:35:27,000 --> 00:35:29,520
Speaker 2: a situation that I'm in, and I want to be

594
00:35:29,560 --> 00:35:30,960
Speaker 2: gross about it. And you can listen to some of

595
00:35:31,000 --> 00:35:32,960
Speaker 2: those other shows if you want to hear people fetish

596
00:35:33,040 --> 00:35:39,759
Speaker 2: eyes and you know, romanticize the sort of expulsion of

597
00:35:40,280 --> 00:35:42,919
Speaker 2: bodily juices. That's not what we do on this show.

598
00:35:42,960 --> 00:35:44,400
Speaker 2: We make cool greeting cards.

599
00:35:44,640 --> 00:35:47,239
Speaker 1: So maybe since we're giving you all this time the

600
00:35:47,280 --> 00:35:51,080
Speaker 1: picture of their cards, it might be fair for you

601
00:35:51,160 --> 00:35:56,000
Speaker 1: to give us some wet bread, okay, and a lot

602
00:35:56,040 --> 00:35:59,520
Speaker 1: of it, because I do worry about if I am

603
00:36:00,520 --> 00:36:04,359
Speaker 1: with the way my body feels, if I am just

604
00:36:04,440 --> 00:36:08,040
Speaker 1: eating or just drinking, the other situation will become such

605
00:36:08,040 --> 00:36:10,960
Speaker 1: an emergency that I will go into some kind of

606
00:36:11,320 --> 00:36:12,080
Speaker 1: brain shock.

607
00:36:12,280 --> 00:36:15,160
Speaker 2: Oh yeah, when I brought up the mud, even that's

608
00:36:15,160 --> 00:36:18,319
Speaker 2: not happening in any sort of predictable pattern, or I'm

609
00:36:18,320 --> 00:36:23,320
Speaker 2: getting no indication that that's coming. That's happening just whenever,

610
00:36:24,680 --> 00:36:28,279
Speaker 2: a little bit all the time. Really yeah, And so

611
00:36:28,320 --> 00:36:28,680
Speaker 2: it may be.

612
00:36:28,760 --> 00:36:31,080
Speaker 1: Good to take the water and the bread and have

613
00:36:31,200 --> 00:36:32,680
Speaker 1: it be some sort of water bread.

614
00:36:32,760 --> 00:36:34,920
Speaker 2: And then as we talk about the water bread for

615
00:36:35,000 --> 00:36:36,960
Speaker 2: people listening home, going like why you just go down

616
00:36:37,000 --> 00:36:44,319
Speaker 2: to the pond and go and get in there. The ducks

617
00:36:45,600 --> 00:36:49,440
Speaker 2: are smart and mean at this pond.

618
00:36:49,760 --> 00:36:50,799
Speaker 1: Yes, very mean.

619
00:36:51,280 --> 00:36:55,520
Speaker 4: Yes. Can I give water bread to Ryan's mom as well?

620
00:36:55,640 --> 00:36:56,799
Speaker 4: Do you think she'll appreciate that?

621
00:36:57,160 --> 00:37:02,280
Speaker 2: Jesus, Jesus Kevin.

622
00:37:04,440 --> 00:37:11,279
Speaker 1: That's so the man's right here, right here, so unbelievably

623
00:37:11,560 --> 00:37:17,919
Speaker 1: rude Jesus to offer Ryan's mom water bread. Ryan's mom

624
00:37:18,000 --> 00:37:21,920
Speaker 1: is muttley, she needs a bone.

625
00:37:22,280 --> 00:37:29,239
Speaker 2: Oh God, Jesus. Well, maybe it's time to do an

626
00:37:29,239 --> 00:37:38,000
Speaker 2: erotic card, uh one that is aimed at a more

627
00:37:38,120 --> 00:37:44,640
Speaker 2: romantic holiday. I think you know the one I'm talking about. Yes, yeah, yes,

628
00:37:44,920 --> 00:37:48,840
Speaker 2: And I don't think I needn't necessarily say it. I

629
00:37:48,880 --> 00:37:52,840
Speaker 2: think we all know. This holiday is when lovers find

630
00:37:52,920 --> 00:37:56,520
Speaker 2: each other and uh want to communicate some of their

631
00:37:57,120 --> 00:38:03,400
Speaker 2: feelings that are a little more uh risque. Yeah, it's holiday,

632
00:38:03,680 --> 00:38:07,560
Speaker 2: you know. Well, okay, I'll go ahead and say it's

633
00:38:07,760 --> 00:38:08,520
Speaker 2: you do you want to say?

634
00:38:08,719 --> 00:38:08,959
Speaker 1: Yes?

635
00:38:09,040 --> 00:38:14,160
Speaker 2: Okay, okay, tenth birthday?

636
00:38:16,680 --> 00:38:18,160
Speaker 4: You don't mean tenth anniversary?

637
00:38:20,040 --> 00:38:20,880
Speaker 1: Well, yeah it is.

638
00:38:22,680 --> 00:38:24,920
Speaker 2: Yes, a birthday comes every year of the birthday.

639
00:38:25,000 --> 00:38:26,440
Speaker 4: Yeah, just double checking.

640
00:38:26,719 --> 00:38:30,040
Speaker 2: So I'm thinking that this could be a race car

641
00:38:30,160 --> 00:38:37,160
Speaker 2: cake with ten candles on it. Whoa cool and it's rooming.

642
00:38:37,960 --> 00:38:44,000
Speaker 2: It's speeding. Uh, it's maybe it's lightning and queen. But

643
00:38:44,160 --> 00:38:47,760
Speaker 2: maybe we've change some of the dismission. Take the stripes off.

644
00:38:47,920 --> 00:38:49,920
Speaker 2: Maybe he's going so fast the stripes fell.

645
00:38:50,120 --> 00:38:51,040
Speaker 1: Okay, yeah he could have.

646
00:38:52,200 --> 00:38:54,960
Speaker 2: Oh he sneezed so hard that the stripes came off.

647
00:38:55,400 --> 00:38:57,600
Speaker 2: Maybe Mater is towing the stripes.

648
00:38:58,000 --> 00:39:01,760
Speaker 1: Okay, that could be good, But Mayer also needs a difference.

649
00:39:01,960 --> 00:39:03,520
Speaker 1: He would have to have sneezed as well.

650
00:39:03,600 --> 00:39:07,640
Speaker 2: He sneezed also, and he blew his headlights off and

651
00:39:07,680 --> 00:39:10,400
Speaker 2: they're stuck in lightning MC queen's tailpipe.

652
00:39:11,000 --> 00:39:11,360
Speaker 1: Okay.

653
00:39:12,560 --> 00:39:18,279
Speaker 2: And the card should say something clever, right, something that

654
00:39:18,320 --> 00:39:22,920
Speaker 2: indicates yeah, that's suggestive, yeah.

655
00:39:22,200 --> 00:39:27,400
Speaker 1: Okay, And so what would that be where the card

656
00:39:27,520 --> 00:39:37,040
Speaker 1: says today you are ten, tomorrow, so tomorrow.

657
00:39:37,200 --> 00:39:39,600
Speaker 2: Sorry, are you saying you are ten or you are

658
00:39:39,800 --> 00:39:40,319
Speaker 2: a ten?

659
00:39:42,880 --> 00:39:47,440
Speaker 1: Okay? Well, maybe that's it. Today you are ten, today,

660
00:39:47,480 --> 00:39:50,160
Speaker 1: you are ten, Tomorrow you are a ten. Tomorrow you

661
00:39:50,200 --> 00:39:50,919
Speaker 1: are a ten?

662
00:39:52,320 --> 00:39:57,120
Speaker 2: Yeah okay, and then inside it says and so am

663
00:39:57,160 --> 00:39:58,640
Speaker 2: I right?

664
00:40:00,000 --> 00:40:01,800
Speaker 1: And so then they sort of fill it from the

665
00:40:02,000 --> 00:40:05,959
Speaker 1: you know, we're both tens. Yeah, what does nature want

666
00:40:06,239 --> 00:40:09,399
Speaker 1: from a couple of tens? Okay? So, Kevin, who would

667
00:40:09,400 --> 00:40:10,880
Speaker 1: you like to give that card to?

668
00:40:11,920 --> 00:40:19,080
Speaker 4: Frankly, nobody. I mean Ryan's mom seems really nice. I'm

669
00:40:19,160 --> 00:40:22,520
Speaker 4: clearly testing the waters with gifts for her.

670
00:40:22,920 --> 00:40:28,360
Speaker 1: Jesus, we already said that she does not need waters.

671
00:40:28,440 --> 00:40:33,680
Speaker 1: She's probably right, we are getting the waters. And Ryan's

672
00:40:33,680 --> 00:40:35,160
Speaker 1: mom is Muttley.

673
00:40:35,960 --> 00:40:39,839
Speaker 4: Just to clarify, you can give this to someone on

674
00:40:39,920 --> 00:40:42,520
Speaker 4: any person's tenth birthday. Like, it doesn't have to be

675
00:40:42,560 --> 00:40:45,440
Speaker 4: to the ten year old, Like if I was interested

676
00:40:45,480 --> 00:40:47,880
Speaker 4: in someone in their twenties, but it was like my

677
00:40:47,920 --> 00:40:49,080
Speaker 4: neighbor's tenth birthday.

678
00:40:49,160 --> 00:40:53,200
Speaker 2: Well, the it's somebody's tenth birthday when we're making the card, yes,

679
00:40:53,760 --> 00:40:57,520
Speaker 2: Like that's when the card is written. Doesn't have anything

680
00:40:57,560 --> 00:41:00,239
Speaker 2: to do with when you can't time out give meaning

681
00:41:00,280 --> 00:41:02,960
Speaker 2: someone a card on the exact day of what you

682
00:41:02,960 --> 00:41:03,960
Speaker 2: know what I mean like that.

683
00:41:04,239 --> 00:41:06,359
Speaker 1: Because if you wrote some other day, it would be fake.

684
00:41:07,120 --> 00:41:10,319
Speaker 2: Yeah, So you write it on someone's tenth birthday and

685
00:41:10,320 --> 00:41:12,680
Speaker 2: then you could give it to whoever for anything.

686
00:41:12,960 --> 00:41:15,160
Speaker 1: H Yeah. Great.

687
00:41:15,360 --> 00:41:17,719
Speaker 2: That's what's so great about these things is they're ever green.

688
00:41:18,640 --> 00:41:21,200
Speaker 1: So who is someone you would like to just give

689
00:41:21,280 --> 00:41:21,759
Speaker 1: the card to?

690
00:41:23,840 --> 00:41:24,640
Speaker 4: Probably Ryan?

691
00:41:24,719 --> 00:41:28,399
Speaker 2: Now okay, okay, and then I wonder if Ryan has

692
00:41:28,440 --> 00:41:33,960
Speaker 2: anything to say about that. Thanks, great, Okay, that's done.

693
00:41:34,120 --> 00:41:35,960
Speaker 1: You don't think it's weird? What about you, guys? Give

694
00:41:36,200 --> 00:41:41,000
Speaker 1: give Ryan a card and then his mom. Yeah, and

695
00:41:41,160 --> 00:41:42,840
Speaker 1: you're going to get and the card is kind of

696
00:41:42,840 --> 00:41:44,880
Speaker 1: like that you are like interested in a ten.

697
00:41:44,760 --> 00:41:49,920
Speaker 2: Year old car your card to his mom, to his

698
00:41:49,960 --> 00:41:50,520
Speaker 2: own mom.

699
00:41:50,760 --> 00:41:53,439
Speaker 4: Yeah, and then you're trying.

700
00:41:55,040 --> 00:41:56,520
Speaker 2: And then you're hating him in that card.

701
00:41:56,840 --> 00:41:58,000
Speaker 4: Can I give you, guys a card?

702
00:41:59,360 --> 00:42:01,719
Speaker 2: Well, what even be on it?

703
00:42:01,719 --> 00:42:05,160
Speaker 4: It would be a smiley face on the front, and

704
00:42:05,200 --> 00:42:08,719
Speaker 4: then and the inside it would say that this is

705
00:42:09,400 --> 00:42:12,120
Speaker 4: how I feel, okay, thank you?

706
00:42:12,880 --> 00:42:14,880
Speaker 1: Well what if I want to be the smiling.

707
00:42:15,640 --> 00:42:20,319
Speaker 4: Then underneath it could say and how you feel? Thank you?

708
00:42:21,960 --> 00:42:26,760
Speaker 2: It's me and you? Yes, So what am I doing?

709
00:42:28,080 --> 00:42:29,960
Speaker 4: Do you feel like you would smile?

710
00:42:31,840 --> 00:42:35,359
Speaker 2: You and Hayes are smiling? Yeah, both of you.

711
00:42:35,920 --> 00:42:39,200
Speaker 1: On the front, it's me and Kevin. It's one face.

712
00:42:41,480 --> 00:42:46,239
Speaker 2: Well, that would probably make me pretty scared. Oh, it's so,

713
00:42:46,320 --> 00:42:48,680
Speaker 2: I guess I want to have sort of a grimace.

714
00:42:49,160 --> 00:42:50,560
Speaker 2: And you may want to get a picture of the

715
00:42:50,560 --> 00:42:52,840
Speaker 2: face that I'm going to have to make on the card.

716
00:42:54,719 --> 00:42:56,799
Speaker 1: And so he's reading it and He's scared because his

717
00:42:56,880 --> 00:43:02,320
Speaker 1: friend Hayes is stuck on Kevin's face and he seems

718
00:43:02,360 --> 00:43:04,040
Speaker 1: to like Kevin's.

719
00:43:03,600 --> 00:43:07,360
Speaker 2: Loving it, and he somehow maybe has like brainwashed Hayes

720
00:43:07,440 --> 00:43:09,440
Speaker 2: to think he likes it too, when I know Hayes

721
00:43:09,480 --> 00:43:13,560
Speaker 2: wants to have his own face. We've talked about it

722
00:43:13,640 --> 00:43:20,360
Speaker 2: maybe too much. Guy loves his face, so I, and

723
00:43:21,280 --> 00:43:23,960
Speaker 2: it's very nice, so I.

724
00:43:24,400 --> 00:43:27,040
Speaker 1: And who's and also who is turning ten in this?

725
00:43:27,719 --> 00:43:32,120
Speaker 2: Who's turning ten? Who's turned on? And what cartoon is

726
00:43:32,160 --> 00:43:32,560
Speaker 2: in it?

727
00:43:34,120 --> 00:43:34,279
Speaker 1: Oh?

728
00:43:34,280 --> 00:43:39,279
Speaker 4: It could be like ear Wolf's tenth birthday, which is

729
00:43:39,320 --> 00:43:40,480
Speaker 4: like the reason we're all.

730
00:43:40,320 --> 00:43:44,000
Speaker 2: Here rejected and don't make that car and don't make

731
00:43:44,080 --> 00:43:46,320
Speaker 2: that card and use our card, pretty Michione.

732
00:43:46,360 --> 00:43:48,440
Speaker 1: It could also we could make it just an advance

733
00:43:48,440 --> 00:43:51,120
Speaker 1: to have it ready, and it is celebrating your Wolf's

734
00:43:51,160 --> 00:43:53,759
Speaker 1: tenth birthday, but we're also saying like we are no

735
00:43:53,840 --> 00:43:56,359
Speaker 1: longer working at this company at all.

736
00:43:56,640 --> 00:44:00,120
Speaker 2: That's cool, it's sort of a piss off message to your.

737
00:44:00,560 --> 00:44:02,839
Speaker 1: Yes, it would be good to have that ready so that,

738
00:44:02,920 --> 00:44:06,120
Speaker 1: like when we are finally split Skis from those plays,

739
00:44:06,200 --> 00:44:10,319
Speaker 1: we don't have to design the whole card after we've

740
00:44:10,360 --> 00:44:12,960
Speaker 1: made the decision. We have the card that's ready to go.

741
00:44:13,200 --> 00:44:15,600
Speaker 1: And so here's what we're already showing the Kevin side

742
00:44:15,600 --> 00:44:18,440
Speaker 1: off on it. Kevin is happy. It's like happy for us,

743
00:44:18,480 --> 00:44:23,759
Speaker 1: then better opportunities. Maybe it's Kevin really giving it to Scripts.

744
00:44:26,400 --> 00:44:27,080
Speaker 2: He's got him.

745
00:44:27,360 --> 00:44:29,719
Speaker 1: We already have Kevin smiling. We could have him be

746
00:44:29,760 --> 00:44:30,960
Speaker 1: saying basically anything.

747
00:44:31,000 --> 00:44:33,399
Speaker 2: He's got him leaned over a guardrail on the side

748
00:44:33,440 --> 00:44:38,640
Speaker 2: of the highway. Scripts and ear Wolf Ulrich is in

749
00:44:38,680 --> 00:44:41,799
Speaker 2: it too, and he's given it, and he's given it

750
00:44:41,840 --> 00:44:46,520
Speaker 2: to all three of them. He's and that he's really smiling.

751
00:44:46,800 --> 00:44:48,600
Speaker 2: Here's where we use that smile.

752
00:44:48,360 --> 00:44:49,160
Speaker 1: You wanted keV.

753
00:44:52,239 --> 00:44:57,120
Speaker 5: He's laying into him some ferocious you can see. And

754
00:44:57,160 --> 00:45:03,680
Speaker 5: there's speedlides behind his rear edd and maybe there's like

755
00:45:03,719 --> 00:45:06,000
Speaker 5: a thump of thumpo sound effect as well.

756
00:45:06,719 --> 00:45:12,719
Speaker 2: And all Rich is there and the ear Wolf and

757
00:45:12,840 --> 00:45:20,520
Speaker 2: they're all like, oh no, He's more like, oh yes, And.

758
00:45:20,480 --> 00:45:28,160
Speaker 1: Then the does Haze and Sean have moved on to

759
00:45:29,080 --> 00:45:29,920
Speaker 1: another company.

760
00:45:30,480 --> 00:45:32,280
Speaker 4: It's very different than the smiley face.

761
00:45:32,960 --> 00:45:35,399
Speaker 1: No, it's actually not different than it is. We as

762
00:45:35,400 --> 00:45:37,960
Speaker 1: we mentioned, you are doing the smiley face in it.

763
00:45:37,960 --> 00:45:42,399
Speaker 1: It's just more more ideas. Yes than just like one

764
00:45:42,400 --> 00:45:45,839
Speaker 1: little smiley face. We have all this cards are huge, Yeah,

765
00:45:45,880 --> 00:45:47,719
Speaker 1: the cars, all this space on the card.

766
00:45:47,880 --> 00:45:50,080
Speaker 2: Yeah, we've got some really big ones in all have

767
00:45:50,120 --> 00:45:53,600
Speaker 2: different shapes. I'd like to do a smart card if

768
00:45:53,600 --> 00:45:58,840
Speaker 2: we could. Okay, one that is maybe even more of

769
00:45:58,880 --> 00:46:02,680
Speaker 2: a thinker, one where we're maybe even hiding the soup

770
00:46:02,719 --> 00:46:08,759
Speaker 2: in a safe Basically, I see and you don't know

771
00:46:08,800 --> 00:46:14,359
Speaker 2: what so and I've seen these and they're almost in

772
00:46:14,440 --> 00:46:21,239
Speaker 2: the style of the New Yorking magazine Okay, yes, yes,

773
00:46:22,440 --> 00:46:26,520
Speaker 2: and so I think what it should maybe be is

774
00:46:26,600 --> 00:46:34,959
Speaker 2: like maybe it's like a horse in like a therapist's office, okay,

775
00:46:35,440 --> 00:46:42,560
Speaker 2: and maybe the therapist is whusay, who'saying yes? And maybe

776
00:46:42,600 --> 00:46:44,719
Speaker 2: the horse is saying something like.

777
00:46:44,880 --> 00:46:49,200
Speaker 1: Uh uh.

778
00:46:52,160 --> 00:46:55,760
Speaker 2: I was in favor, but I can only say nay

779
00:46:56,200 --> 00:47:00,319
Speaker 2: or something like that I was in favor. It's like

780
00:47:00,320 --> 00:47:00,880
Speaker 2: a vote.

781
00:47:01,800 --> 00:47:02,840
Speaker 1: There was a vote.

782
00:47:02,880 --> 00:47:05,640
Speaker 2: He's in some sort of vote, like a Robert's Rules

783
00:47:05,640 --> 00:47:10,719
Speaker 2: of Order situation. Yeah, where you know you'd have to

784
00:47:10,760 --> 00:47:15,200
Speaker 2: say I if you were in favor, but a horse

785
00:47:15,200 --> 00:47:18,680
Speaker 2: Satane can only say nay. But he's telling his therapist this.

786
00:47:18,800 --> 00:47:22,399
Speaker 2: He's regretting. He's yeah that the vote didn't read out,

787
00:47:22,600 --> 00:47:24,680
Speaker 2: and I have another And if you don't like it,

788
00:47:24,760 --> 00:47:26,160
Speaker 2: can I say I do like it?

789
00:47:26,200 --> 00:47:28,840
Speaker 1: Oh, as you're talking about it, I am having trouble

790
00:47:28,880 --> 00:47:31,600
Speaker 1: getting the magazine in the envelope.

791
00:47:32,400 --> 00:47:36,040
Speaker 2: Oh okay, well okay, we may not want to do

792
00:47:36,080 --> 00:47:38,759
Speaker 2: it because there's an alternate version of this where there's a.

793
00:47:38,680 --> 00:47:48,400
Speaker 1: Pirate okay outside, no inside, the pirates inside okay, in

794
00:47:48,440 --> 00:47:55,600
Speaker 1: his therapist's office and he's saying I was opposed, okay,

795
00:47:57,360 --> 00:48:02,439
Speaker 1: but I can but just used to say, ay, oh yeah,

796
00:48:02,560 --> 00:48:06,480
Speaker 1: right right, right right. Maybe has to say maybe this

797
00:48:06,560 --> 00:48:09,359
Speaker 1: is an alternate version. I mean, I guess they say

798
00:48:09,440 --> 00:48:11,040
Speaker 1: are more than they say I should it just be

799
00:48:11,080 --> 00:48:12,520
Speaker 1: a generic sailor? Right?

800
00:48:12,600 --> 00:48:12,880
Speaker 2: Well?

801
00:48:13,440 --> 00:48:17,280
Speaker 1: A y e I okay, so how about this one?

802
00:48:17,800 --> 00:48:18,200
Speaker 2: Okay?

803
00:48:18,239 --> 00:48:21,319
Speaker 1: And this is an alternate version okay, and we can

804
00:48:21,360 --> 00:48:24,359
Speaker 1: do that. It's good that like they sometimes, we want

805
00:48:24,360 --> 00:48:27,440
Speaker 1: to buy all three cards this they are going to

806
00:48:27,480 --> 00:48:30,000
Speaker 1: be inside for this one, okay. And they're doing the

807
00:48:30,120 --> 00:48:36,600
Speaker 1: vote okay. So it's political, yes, and so and uhusey

808
00:48:36,640 --> 00:48:38,560
Speaker 1: Hussein is like far away. You see him, like way

809
00:48:38,600 --> 00:48:40,319
Speaker 1: far away, so you know that this is somewhere else.

810
00:48:40,480 --> 00:48:42,880
Speaker 2: Did he fart so hard? A blasted him far away

811
00:48:44,160 --> 00:48:47,799
Speaker 2: or that's really kind of more like that's more for

812
00:48:47,840 --> 00:48:48,160
Speaker 2: one of.

813
00:48:48,080 --> 00:48:52,319
Speaker 1: Our other cards. Yes, but there could be could it

814
00:48:52,360 --> 00:48:55,880
Speaker 1: could be a mushroom cloud somewhere else? Yeah, yes, and

815
00:48:55,920 --> 00:48:58,279
Speaker 1: so you say that's where he farted so hard, and

816
00:48:58,320 --> 00:48:59,920
Speaker 1: so now he's like all the way over here. But

817
00:49:00,080 --> 00:49:01,719
Speaker 1: the whole idea is just to show that like, oh

818
00:49:01,760 --> 00:49:05,279
Speaker 1: this is a different one. He's somewhere else. And so

819
00:49:06,760 --> 00:49:11,759
Speaker 1: it's doing the vote and you see the horse and

820
00:49:11,800 --> 00:49:19,840
Speaker 1: the pirate sitting there, and the judge who is organizing

821
00:49:19,880 --> 00:49:23,279
Speaker 1: the vote, yeah, says, oh, looks like we have a

822
00:49:23,320 --> 00:49:24,120
Speaker 1: tie once again.

823
00:49:24,920 --> 00:49:31,840
Speaker 2: Ah ah, show, don't tell. Yes, And what you've done

824
00:49:32,080 --> 00:49:35,240
Speaker 2: is put me in the room where the real story happens.

825
00:49:35,920 --> 00:49:37,080
Speaker 4: I don't I don't get it.

826
00:49:38,440 --> 00:49:44,360
Speaker 1: Right. Well, let me explain what happened. There's a vote.

827
00:49:45,120 --> 00:49:45,920
Speaker 1: What's the vote on?

828
00:49:46,640 --> 00:49:53,279
Speaker 2: Oh, well, well, this is another opportunity to maybe put

829
00:49:53,280 --> 00:49:58,680
Speaker 2: some different messaging in. Oh that too, yes, Uh, it

830
00:49:58,760 --> 00:50:01,600
Speaker 2: shouldn't be on like a bord something, right, No, I

831
00:50:01,640 --> 00:50:02,520
Speaker 2: don't think so. No.

832
00:50:03,400 --> 00:50:07,480
Speaker 1: Yeah, it could be that somebody gave a child a card.

833
00:50:08,440 --> 00:50:12,400
Speaker 1: Oh good, and they're deciding whether or not this was

834
00:50:12,640 --> 00:50:16,400
Speaker 1: a good thing to do. And so they're having the vote.

835
00:50:16,840 --> 00:50:19,319
Speaker 2: Oh and oh this is great because it ties into

836
00:50:19,320 --> 00:50:20,840
Speaker 2: our other card. So it's like, if you'd like to

837
00:50:20,880 --> 00:50:22,560
Speaker 2: know more about this card, why don't you buy our

838
00:50:22,600 --> 00:50:26,319
Speaker 2: card that's for children. Yes, and that's what it says

839
00:50:26,320 --> 00:50:26,800
Speaker 2: its side.

840
00:50:26,880 --> 00:50:29,200
Speaker 1: And so they're having the vote, but it's the Horse

841
00:50:29,239 --> 00:50:32,960
Speaker 1: and the Pirate and they can only say the one thing.

842
00:50:34,320 --> 00:50:37,719
Speaker 1: I think the message of that one is is it

843
00:50:37,760 --> 00:50:39,719
Speaker 1: showing the horse and the pirate And it's saying like

844
00:50:39,719 --> 00:50:42,520
Speaker 1: it's like, why do other people even get to decide

845
00:50:42,560 --> 00:50:45,880
Speaker 1: on this? Is this a dumb way to even decide

846
00:50:46,719 --> 00:50:48,560
Speaker 1: like whether something is good or bad. It's like these

847
00:50:48,560 --> 00:50:51,399
Speaker 1: guys are basically a jury, but they can only say

848
00:50:51,400 --> 00:50:56,320
Speaker 1: one thing. Yeah, Like why is this system correct?

849
00:50:57,000 --> 00:50:57,360
Speaker 2: Yeah?

850
00:50:57,400 --> 00:50:59,520
Speaker 1: Like you do something and then this group of people

851
00:50:59,760 --> 00:51:01,640
Speaker 1: get to decide whether it was good or bad. But

852
00:51:01,760 --> 00:51:05,600
Speaker 1: some of them can only maybe say one thing and

853
00:51:05,640 --> 00:51:10,279
Speaker 1: maybe it says America on it. Yeah, you know, I

854
00:51:10,280 --> 00:51:12,640
Speaker 1: mean that's a smart card. It's making people think about

855
00:51:12,800 --> 00:51:15,840
Speaker 1: like why are we allowing people to make these decisions

856
00:51:15,840 --> 00:51:19,000
Speaker 1: when like maybe if they are saying they that is

857
00:51:19,040 --> 00:51:21,160
Speaker 1: the only thing that they are able to say.

858
00:51:21,840 --> 00:51:25,520
Speaker 2: And maybe if they're saying I similarly. Yes, that's one

859
00:51:25,560 --> 00:51:27,120
Speaker 2: of only two things they can say, and the other

860
00:51:27,160 --> 00:51:31,200
Speaker 2: thing they say are doesn't apply right, So that's an

861
00:51:31,280 --> 00:51:32,040
Speaker 2: interesting area.

862
00:51:32,680 --> 00:51:33,960
Speaker 1: What's one more card to do?

863
00:51:35,200 --> 00:51:39,040
Speaker 2: Okay, all right, let's do one more card.

864
00:51:40,360 --> 00:51:43,680
Speaker 1: Halloween kind of would have been really smart if Flake

865
00:51:44,160 --> 00:51:47,919
Speaker 1: we had arranged ahead of time that I would say

866
00:51:47,920 --> 00:51:51,319
Speaker 1: Halloween and then we'd think for a second ago, uh

867
00:51:52,280 --> 00:51:54,840
Speaker 1: too scary at the same time because people used to

868
00:51:55,040 --> 00:51:55,400
Speaker 1: love that.

869
00:51:55,920 --> 00:51:57,319
Speaker 2: Do you want to do it? I?

870
00:51:57,440 --> 00:52:01,080
Speaker 4: Well, I can say Halloween and al oh.

871
00:52:01,000 --> 00:52:03,439
Speaker 1: That's good. It's good for it to be coming from

872
00:52:03,440 --> 00:52:06,080
Speaker 1: someone else because we used to do this all the time,

873
00:52:06,120 --> 00:52:12,520
Speaker 1: and then we forgot to uh, and then people enjoyed it,

874
00:52:12,560 --> 00:52:15,279
Speaker 1: and we're mad that we stopped doing it. So it

875
00:52:15,280 --> 00:52:17,040
Speaker 1: could be good to get some of these old things

876
00:52:17,080 --> 00:52:20,600
Speaker 1: going again, and like you know, people want to buy them. Great.

877
00:52:20,760 --> 00:52:25,000
Speaker 4: Okay, so Kevin, we'll start here. What about a Halloween card?

878
00:52:27,440 --> 00:52:29,400
Speaker 1: Wait? Sorry, I didn't get it. I didn't get at

879
00:52:29,440 --> 00:52:32,279
Speaker 1: the exact time you count to, did it?

880
00:52:32,560 --> 00:52:35,360
Speaker 4: Yeah, drave me an account. When you guys should respond

881
00:52:35,400 --> 00:52:35,920
Speaker 4: or when I should?

882
00:52:36,120 --> 00:52:39,239
Speaker 1: When you say you and you say what was the

883
00:52:39,280 --> 00:52:40,439
Speaker 1: thing you say? One?

884
00:52:40,680 --> 00:52:47,239
Speaker 4: Two, three? Hey, we should do a scrap one two three, Hey,

885
00:52:47,239 --> 00:52:50,880
Speaker 4: you should do a Halloween card? And then one two three.

886
00:52:51,880 --> 00:52:53,520
Speaker 1: Oh, I'm sorry, I didn't know what that is.

887
00:52:53,600 --> 00:52:56,839
Speaker 2: He was counting, and usually because you said three two

888
00:52:56,920 --> 00:52:59,719
Speaker 2: one right, So that so this is going to be

889
00:52:59,719 --> 00:53:00,600
Speaker 2: really good, I think.

890
00:53:01,360 --> 00:53:01,560
Speaker 1: Yeah.

891
00:53:01,640 --> 00:53:05,120
Speaker 2: So, uh so here's what we'll do, Kevin. I'll count

892
00:53:05,160 --> 00:53:08,719
Speaker 2: in you saying we should do a Halloween card. Yes, hey,

893
00:53:09,719 --> 00:53:15,080
Speaker 2: you then count up to Kevin's countdown? Okay, Kevin could

894
00:53:15,120 --> 00:53:18,480
Speaker 2: count down to us doing what I think we both

895
00:53:18,520 --> 00:53:23,560
Speaker 2: agree is pretty funny, which is we go too scary,

896
00:53:23,760 --> 00:53:27,719
Speaker 2: and so we'll do that together, and then maybe we

897
00:53:27,800 --> 00:53:31,400
Speaker 2: should all count down together as well to the people

898
00:53:31,480 --> 00:53:32,080
Speaker 2: cracking up.

899
00:53:33,719 --> 00:53:37,239
Speaker 1: That's because at home listening, they're saying, okay, when is

900
00:53:37,280 --> 00:53:38,680
Speaker 1: it my turn to crack up? Yeah?

901
00:53:39,400 --> 00:53:41,799
Speaker 2: Okay, so I'll count down. You count up, Kevin, you

902
00:53:41,800 --> 00:53:44,520
Speaker 2: count down, we do too scary. We all count down

903
00:53:44,840 --> 00:53:49,000
Speaker 2: and then maybe count up again to the lafts. So

904
00:53:49,040 --> 00:53:53,560
Speaker 2: three two, one two three, one two three?

905
00:53:53,760 --> 00:53:56,359
Speaker 4: Hey, what do you think about a Halloween card?

906
00:53:57,840 --> 00:53:59,040
Speaker 2: One two three?

907
00:53:59,360 --> 00:54:09,480
Speaker 1: Hey? What do you think about it? Halloween cards? Wait? Right? Yes?

908
00:54:09,520 --> 00:54:11,759
Speaker 2: And hey, what do you think about a Halloween card?

909
00:54:11,800 --> 00:54:12,120
Speaker 1: Kevin?

910
00:54:13,280 --> 00:54:16,759
Speaker 4: One two three? Hey, what do you guys think about

911
00:54:16,800 --> 00:54:20,120
Speaker 4: doing Yeah, then god.

912
00:54:21,440 --> 00:54:26,280
Speaker 2: Two three they're laughing and laughing too scary?

913
00:54:28,000 --> 00:54:31,720
Speaker 1: And now you that was too scary.

914
00:54:32,920 --> 00:54:37,200
Speaker 2: Two three so that people are going to go crazy

915
00:54:37,360 --> 00:54:37,600
Speaker 2: for that.

916
00:54:37,719 --> 00:54:39,360
Speaker 1: Yes, and we have to figure out a way to

917
00:54:40,239 --> 00:54:44,680
Speaker 1: turn that into like a card, maybe on a T shirt?

918
00:54:45,600 --> 00:54:47,320
Speaker 4: Can you make a viral video a card?

919
00:54:48,680 --> 00:54:51,719
Speaker 1: See that's what some E cards is basically, So now

920
00:54:51,760 --> 00:54:55,840
Speaker 1: you're knowing what some of e cards is. It's basically

921
00:54:55,920 --> 00:54:59,520
Speaker 1: like a a motionless viral video.

922
00:54:59,760 --> 00:55:02,400
Speaker 2: And it's and so what I think we may be

923
00:55:02,560 --> 00:55:05,279
Speaker 2: what really is too scary? Then we could put on

924
00:55:05,400 --> 00:55:11,000
Speaker 2: here is the screen mask? Okay, uh, but we have

925
00:55:11,080 --> 00:55:14,200
Speaker 2: to I think make it the guy Fox mask, right,

926
00:55:14,640 --> 00:55:20,000
Speaker 2: just so it's not you know, just so we don't

927
00:55:20,000 --> 00:55:20,640
Speaker 2: get in trouble.

928
00:55:20,760 --> 00:55:22,560
Speaker 1: It could be the guy Fox mask. But could you

929
00:55:22,600 --> 00:55:25,799
Speaker 1: know how he's smiling maybe in this version he's going like.

930
00:55:25,840 --> 00:55:29,640
Speaker 2: Oh okay, yeah, because he's scared.

931
00:55:29,800 --> 00:55:30,200
Speaker 1: Yes.

932
00:55:31,239 --> 00:55:33,320
Speaker 2: Oh and if it's scary enough to scare.

933
00:55:33,080 --> 00:55:35,200
Speaker 1: Guy Fox, yeah, I don't want any part of it.

934
00:55:35,880 --> 00:55:38,839
Speaker 2: Two three three.

935
00:55:40,280 --> 00:55:43,560
Speaker 1: So and that is like if we have a card

936
00:55:43,600 --> 00:55:45,560
Speaker 1: that's like opening up on the T shirt, so like

937
00:55:45,600 --> 00:55:47,239
Speaker 1: people put the T shirt on, it's got the card

938
00:55:47,239 --> 00:55:51,520
Speaker 1: on the outside, and now people are like approaching them.

939
00:55:51,719 --> 00:55:55,520
Speaker 1: Yeah maybe certain like prospective moms are coming up and

940
00:55:55,520 --> 00:55:57,160
Speaker 1: saying like, oh, I kind of want to see what's

941
00:55:57,200 --> 00:55:59,640
Speaker 1: too scared of the inside of that car? Yeah, and

942
00:55:59,680 --> 00:56:03,160
Speaker 1: they it up and it's guy Fox blast them.

943
00:56:03,120 --> 00:56:03,759
Speaker 2: Out of their top.

944
00:56:04,600 --> 00:56:08,759
Speaker 4: Hey what about a Halloween card? No, see, I said

945
00:56:08,800 --> 00:56:09,359
Speaker 4: I didn't count.

946
00:56:09,360 --> 00:56:12,920
Speaker 2: I'm sorry, it doesn't matter, I guess.

947
00:56:13,280 --> 00:56:13,480
Speaker 1: You know.

948
00:56:14,280 --> 00:56:18,320
Speaker 2: Obviously we've done Queen, we've done Mader, We've done Odie

949
00:56:18,360 --> 00:56:21,440
Speaker 2: and a lot of the Garfield people. You'd think, well,

950
00:56:21,480 --> 00:56:23,160
Speaker 2: we won't do any more cars, but we do want

951
00:56:23,160 --> 00:56:24,040
Speaker 2: to do a Herbi we.

952
00:56:23,960 --> 00:56:26,040
Speaker 1: Didn't do by the way, we and we do still

953
00:56:26,040 --> 00:56:26,960
Speaker 1: have all these odies.

954
00:56:27,120 --> 00:56:29,200
Speaker 2: Yeah, we have all these ODI's. Maybe we do want

955
00:56:29,239 --> 00:56:33,960
Speaker 2: to do ODI's driving Herbie the love Bug and uh,

956
00:56:34,120 --> 00:56:38,040
Speaker 2: this one we should do maybe for a more like

957
00:56:38,200 --> 00:56:45,080
Speaker 2: dating type holiday. It's more romance. Yeah right, you know,

958
00:56:45,120 --> 00:56:47,640
Speaker 2: because we haven't really hit that area and do something

959
00:56:47,680 --> 00:56:51,440
Speaker 2: that's a little more celebrating love and couples and uh,

960
00:56:52,120 --> 00:56:57,520
Speaker 2: you know the boudoir. Okay, So I would say for that,

961
00:56:57,640 --> 00:56:59,400
Speaker 2: let's just go ahead and you know, get right in

962
00:56:59,480 --> 00:57:03,200
Speaker 2: the teeth of it. Veterans day, right, and uh and

963
00:57:03,280 --> 00:57:09,600
Speaker 2: so to me, who is Herbie Lovebug making? Like, who's

964
00:57:09,600 --> 00:57:15,319
Speaker 2: Odie driving him toward? Okay, like that's the answer. So

965
00:57:15,520 --> 00:57:18,840
Speaker 2: here's what I So, maybe Herbie the Lovebug is parked.

966
00:57:18,960 --> 00:57:22,720
Speaker 1: You know what I mean? Yes?

967
00:57:24,160 --> 00:57:26,720
Speaker 2: And two three good?

968
00:57:27,600 --> 00:57:30,880
Speaker 1: And maybe you have the windows are starting to get

969
00:57:30,920 --> 00:57:37,200
Speaker 1: a little foggy, foggied up and covered in Yes, and

970
00:57:37,240 --> 00:57:39,040
Speaker 1: maybe John's girlfriend is in there as well as the

971
00:57:39,120 --> 00:57:42,240
Speaker 1: veterinarian because you have a reasonable understanding of how they

972
00:57:42,320 --> 00:57:44,320
Speaker 1: might have met. You know she's not interested in.

973
00:57:44,320 --> 00:57:47,560
Speaker 2: John, right, and you know that, yes, And you know

974
00:57:47,640 --> 00:57:50,960
Speaker 2: that she and Odie have some sort of rapport, yes,

975
00:57:51,520 --> 00:57:54,439
Speaker 2: because she's I mean, she puts her memor in his butt.

976
00:57:54,600 --> 00:57:56,840
Speaker 1: And so it's getting a little misty in there. And

977
00:57:56,880 --> 00:58:01,920
Speaker 1: then maybe you have sort of like the not silhouettes,

978
00:58:01,960 --> 00:58:05,240
Speaker 1: but like these sort of misty images of some of

979
00:58:05,280 --> 00:58:08,880
Speaker 1: these veterans from the different branches of the armed forces

980
00:58:08,920 --> 00:58:11,400
Speaker 1: in the sky that are sort of looking.

981
00:58:11,120 --> 00:58:12,760
Speaker 2: Down in the constellations.

982
00:58:12,840 --> 00:58:15,720
Speaker 1: Yes, in the constellations. That's good, and they're sort of

983
00:58:15,760 --> 00:58:20,240
Speaker 1: like saluting and they're saying, we this is what we

984
00:58:20,280 --> 00:58:20,800
Speaker 1: did it for.

985
00:58:22,600 --> 00:58:27,200
Speaker 2: Oh, yes, yes, yes, it's McCain. Yeah, yeah, and uh

986
00:58:28,120 --> 00:58:31,960
Speaker 2: and Odie is going uh she goes. She goes, Odie,

987
00:58:32,000 --> 00:58:34,479
Speaker 2: I see you're saluting right back.

988
00:58:35,880 --> 00:58:36,360
Speaker 1: That's right.

989
00:58:36,520 --> 00:58:39,440
Speaker 2: And then he could maybe make some reference to like

990
00:58:39,760 --> 00:58:43,640
Speaker 2: go ahead and lift up my tail, right, you know,

991
00:58:44,040 --> 00:58:46,800
Speaker 2: And she goes, well, I don't have my thermometer. It's

992
00:58:46,840 --> 00:58:48,920
Speaker 2: a bunch of panels. She goes, well, I don't have

993
00:58:48,920 --> 00:58:54,840
Speaker 2: a thermometer. Yeah, and he goes, you got any Uh, well,

994
00:58:54,880 --> 00:59:01,640
Speaker 2: do you have anything else, you know, with you? And

995
00:59:01,760 --> 00:59:05,720
Speaker 2: she could probably say you know, and you can you know,

996
00:59:05,760 --> 00:59:07,880
Speaker 2: you can fill in what she'd probably say.

997
00:59:07,920 --> 00:59:12,720
Speaker 1: What she has with her? Yeah, I mean I guess

998
00:59:12,920 --> 00:59:15,520
Speaker 1: she could say like, well, I brought my lipstick, and

999
00:59:16,600 --> 00:59:19,200
Speaker 1: Odie could say, well, I already have something that kind

1000
00:59:19,200 --> 00:59:20,440
Speaker 1: of looks like one. It does.

1001
00:59:23,000 --> 00:59:29,240
Speaker 2: He does, oh hayes, Odie's got chapstick with him. Okay,

1002
00:59:29,320 --> 00:59:31,600
Speaker 2: that's a bit too sick, because that means that they're

1003
00:59:31,600 --> 00:59:33,720
Speaker 2: going to go well, so they think so hard lips

1004
00:59:33,760 --> 00:59:34,439
Speaker 2: get Then you.

1005
00:59:34,320 --> 00:59:36,280
Speaker 1: Pull it back and I think you just open up

1006
00:59:36,280 --> 00:59:41,920
Speaker 1: the card and it says they fought for this just

1007
00:59:41,920 --> 00:59:44,880
Speaker 1: just to remember, you know, sort of what this day

1008
00:59:45,000 --> 00:59:48,760
Speaker 1: is all about, that the certain freedoms that we get

1009
00:59:48,760 --> 00:59:50,800
Speaker 1: to enjoy at lookout point.

1010
00:59:51,600 --> 00:59:54,040
Speaker 2: Yeah, and maybe we use your idea of a very

1011
00:59:54,080 --> 00:59:57,200
Speaker 2: far away Cohusey Hussein in chains.

1012
00:59:58,360 --> 01:00:01,320
Speaker 1: Yes this time. Yes, it could be that this is

1013
01:00:01,320 --> 01:00:02,920
Speaker 1: why we arrested kuse Hussein.

1014
01:00:03,400 --> 01:00:08,600
Speaker 4: What Kevin could say, love is a freedom?

1015
01:00:08,880 --> 01:00:12,640
Speaker 2: Hmm, I don't know, because it's already said, this is

1016
01:00:12,680 --> 01:00:13,360
Speaker 2: what we fought for.

1017
01:00:14,280 --> 01:00:17,240
Speaker 1: Okay, So maybe it's like love isn't freedom. Love is

1018
01:00:17,240 --> 01:00:21,680
Speaker 1: a freedom and freedom isn't free. So it's saying and

1019
01:00:21,760 --> 01:00:25,040
Speaker 1: so that it's it's Odi saying that. So he's saying, like,

1020
01:00:25,400 --> 01:00:30,040
Speaker 1: you know, pony up before we get it right, Yeah,

1021
01:00:30,160 --> 01:00:31,920
Speaker 1: if we're going to get down to business here, it

1022
01:00:32,040 --> 01:00:36,000
Speaker 1: is a business, right.

1023
01:00:36,280 --> 01:00:39,000
Speaker 2: Yeah, that could really be a good card. So we've

1024
01:00:39,040 --> 01:00:41,920
Speaker 2: got all the cards and we got all the moddey

1025
01:00:42,360 --> 01:00:46,720
Speaker 2: and it's been so good having a podcast with all

1026
01:00:46,720 --> 01:00:52,600
Speaker 2: of you. Heyes has to leave, has something I don't

1027
01:00:52,600 --> 01:00:56,000
Speaker 2: know what it is, and so we really do have

1028
01:00:56,040 --> 01:00:59,280
Speaker 2: to wrap this up. Thanks to all our guests, Thanks

1029
01:00:59,280 --> 01:01:02,240
Speaker 2: to Kevin for coming in, Thanks to Engineering Ryan, thanks

1030
01:01:02,280 --> 01:01:06,560
Speaker 2: to Engineer Ryan's mom, Thanks to stamps dot com. You know,

1031
01:01:06,640 --> 01:01:09,000
Speaker 2: we don't need you for this one because we have

1032
01:01:09,080 --> 01:01:12,640
Speaker 2: the uh you know, we're saving on stamps because we're

1033
01:01:12,680 --> 01:01:15,200
Speaker 2: going to be walking all these cards around. But at

1034
01:01:15,200 --> 01:01:16,560
Speaker 2: some point somebody might need you.

1035
01:01:17,760 --> 01:01:20,720
Speaker 1: And thanks to the computer, we couldn't do this without

1036
01:01:22,040 --> 01:01:23,120
Speaker 1: the computer.

1037
01:01:24,040 --> 01:01:26,320
Speaker 2: Pens, all this stuff. All you guys are part of

1038
01:01:26,360 --> 01:01:28,680
Speaker 2: what makes this show happen, part of what makes it great.

1039
01:01:30,120 --> 01:01:35,400
Speaker 2: It's really been an honor. It's just been this is

1040
01:01:35,440 --> 01:01:38,360
Speaker 2: such a special time of year for us. Obviously, this

1041
01:01:38,440 --> 01:01:47,400
Speaker 2: is when we do the podcast. Please ray on iTunes, subscribe,

1042
01:01:48,200 --> 01:01:54,880
Speaker 2: go to go, stay in school, uh you know, within reason,

1043
01:01:56,040 --> 01:02:00,520
Speaker 2: and uh go for you know, go go for it

1044
01:02:00,560 --> 01:02:05,080
Speaker 2: and don't and don't stop dreaming. I uh have to

1045
01:02:05,120 --> 01:02:06,360
Speaker 2: take a break for a while.

1046
01:02:08,000 --> 01:02:17,320
Speaker 6: But this has been an Earwolf production executive produced by

1047
01:02:17,360 --> 01:02:21,280
Speaker 6: Scott Ackerman, Chris Bannon, and Colin Anderson. For more information

1048
01:02:21,360 --> 01:02:28,200
Speaker 6: and content, visit earwolf dot com.

1049
01:02:27,800 --> 01:02:27,840
Speaker 2: M