1
00:00:00,960 --> 00:00:03,040
Speaker 1: Look maher, oh, I see you.

2
00:00:04,480 --> 00:00:06,360
Speaker 2: And look over there is that culture.

3
00:00:06,519 --> 00:00:13,720
Speaker 1: Yes, Wow, Lost Ding Dong Lost Coultesa's calling. These Lost

4
00:00:13,720 --> 00:00:17,119
Speaker 1: Coach bonus episodes are top tens.

5
00:00:16,880 --> 00:00:21,520
Speaker 3: Top tens in the tradition of David Letterman, Miss Mojoe,

6
00:00:21,840 --> 00:00:23,279
Speaker 3: we are doing our countdowns.

7
00:00:23,400 --> 00:00:28,240
Speaker 1: Yes, this is important, I tell you, No, you didn't. Basically,

8
00:00:28,280 --> 00:00:30,240
Speaker 1: it's a little bit of what we're known for, which

9
00:00:30,280 --> 00:00:33,280
Speaker 1: are our famous lists, and we're sort of giving them

10
00:00:33,440 --> 00:00:34,600
Speaker 1: in minisodes here.

11
00:00:34,680 --> 00:00:36,839
Speaker 2: These are going to be tiny bites, quick bites.

12
00:00:37,080 --> 00:00:41,159
Speaker 1: Oh you, I can't let it go, one of the

13
00:00:41,159 --> 00:00:42,920
Speaker 1: many things I can't let go in my life.

14
00:00:42,960 --> 00:00:44,960
Speaker 2: Hey hey, I said.

15
00:00:44,800 --> 00:00:47,960
Speaker 1: Hey, So this today we're doing and we're gonna say

16
00:00:47,960 --> 00:00:52,520
Speaker 1: it in Unison, the top ten pop girly debut singles

17
00:00:52,920 --> 00:00:56,680
Speaker 1: talk about why it's important to make a splash with

18
00:00:56,720 --> 00:00:59,160
Speaker 1: your debut single as a pop girly. It's so important

19
00:00:59,200 --> 00:01:01,080
Speaker 1: to make a splash for your debut single as a

20
00:01:01,080 --> 00:01:03,440
Speaker 1: pop girly because there are so many pop girlies and

21
00:01:03,480 --> 00:01:05,560
Speaker 1: there are so many singles that you can get lost

22
00:01:05,600 --> 00:01:08,000
Speaker 1: in the fray, a fate worse than death. It's actually

23
00:01:08,000 --> 00:01:10,840
Speaker 1: a real culture. Number ninety nine Getting Lost in the

24
00:01:10,840 --> 00:01:12,880
Speaker 1: Fray a fate worse than death.

25
00:01:13,319 --> 00:01:16,240
Speaker 3: I mean, especially now you know it's so hard to

26
00:01:16,280 --> 00:01:18,640
Speaker 3: break through in a way that is monocultural. And yet

27
00:01:19,280 --> 00:01:21,680
Speaker 3: and she's not on this list spoiler alert. But like

28
00:01:21,720 --> 00:01:24,840
Speaker 3: Olivia Rodrigo with driver's license, she did that. I can't

29
00:01:24,840 --> 00:01:26,039
Speaker 3: believe she's not on the list.

30
00:01:26,080 --> 00:01:27,560
Speaker 2: We left out. We left it that we might have

31
00:01:27,560 --> 00:01:28,720
Speaker 2: to make another life, we might have.

32
00:01:28,640 --> 00:01:30,800
Speaker 1: To make another list down the road, because that's truly

33
00:01:30,840 --> 00:01:33,680
Speaker 1: one of the most iconic pop girly debut singles ever.

34
00:01:33,800 --> 00:01:36,479
Speaker 3: But I think we're looking at a pretty concentrated set

35
00:01:36,520 --> 00:01:39,280
Speaker 3: of girlies that and when we say pop girlies, you

36
00:01:39,280 --> 00:01:39,840
Speaker 3: know what we mean.

37
00:01:39,959 --> 00:01:42,920
Speaker 1: I would say popgirlies, and I would say this list

38
00:01:42,959 --> 00:01:46,440
Speaker 1: is really giving millennial culture because Billy's not on this

39
00:01:46,640 --> 00:01:48,560
Speaker 1: list and Olivia's not on this list, But.

40
00:01:48,520 --> 00:01:50,880
Speaker 2: Pop girlies is a millennial term.

41
00:01:51,280 --> 00:01:53,960
Speaker 3: I'm sorry to the other generations, but it is like

42
00:01:54,600 --> 00:01:58,160
Speaker 3: twenty ten was the year when Like It Sprung, when

43
00:01:58,200 --> 00:02:00,240
Speaker 3: Like the Fountain was a low.

44
00:02:00,520 --> 00:02:04,000
Speaker 1: I also feel like you and I make no apologies

45
00:02:04,320 --> 00:02:05,440
Speaker 1: about being millennials.

46
00:02:06,080 --> 00:02:10,799
Speaker 3: Everyone needs to stop like shrinking into like a millennial.

47
00:02:10,880 --> 00:02:15,200
Speaker 3: I'm stupid, I'm doing it in New York.

48
00:02:15,400 --> 00:02:19,240
Speaker 2: It's a really great millennial impression. It's almost stupid millennious.

49
00:02:20,120 --> 00:02:23,120
Speaker 1: Everyone's out here on these streets going, hey, I'm stupid,

50
00:02:23,400 --> 00:02:27,160
Speaker 1: I'm over medicated, I'm overstimulated, and I'm over educated.

51
00:02:27,320 --> 00:02:30,720
Speaker 2: I'm a millennial, honey, and I'm here, I'm in debt.

52
00:02:31,000 --> 00:02:33,240
Speaker 1: This is why you need to buy the diamond prescription.

53
00:02:33,440 --> 00:02:35,720
Speaker 1: And this is why is that what it's called the

54
00:02:35,720 --> 00:02:39,080
Speaker 1: diamond prescription. I love that big money players. Our company

55
00:02:39,320 --> 00:02:46,440
Speaker 1: did not say plus or gold. They said diamond, diamond status, medallion, medallion,

56
00:02:46,560 --> 00:02:50,280
Speaker 1: and very delta, very very delta of them, very big plane.

57
00:02:50,840 --> 00:02:52,320
Speaker 2: Now we should get right into it.

58
00:02:52,360 --> 00:02:55,679
Speaker 1: Okay, So, like these lists are sort of famously known

59
00:02:55,680 --> 00:02:57,080
Speaker 1: for it, we're going to start at ten and go

60
00:02:57,120 --> 00:02:58,920
Speaker 1: to one, because who wants to start at one and

61
00:02:58,960 --> 00:02:59,399
Speaker 1: go to ten?

62
00:02:59,480 --> 00:03:02,720
Speaker 2: You know what I mean, honey, it's literally diminishing returns, truly.

63
00:03:03,480 --> 00:03:06,080
Speaker 2: So Number ten so.

64
00:03:06,040 --> 00:03:09,320
Speaker 1: The top ten pop girly debut singles of all time,

65
00:03:09,360 --> 00:03:10,480
Speaker 1: but mostly millennial.

66
00:03:10,919 --> 00:03:12,440
Speaker 2: Here we go, Number ten.

67
00:03:12,960 --> 00:03:13,880
Speaker 1: Genie in a Bottle.

68
00:03:14,000 --> 00:03:18,000
Speaker 3: Christina Aguilera as soon as she comes in and says,

69
00:03:18,720 --> 00:03:21,120
Speaker 3: I feel like I've been locked up tight in a

70
00:03:21,160 --> 00:03:23,320
Speaker 3: century of lonely nights.

71
00:03:23,080 --> 00:03:26,840
Speaker 1: Waiting for someone to release me. We get a sense

72
00:03:26,960 --> 00:03:32,960
Speaker 1: of sort of repression, but of a demon willing to

73
00:03:33,040 --> 00:03:36,560
Speaker 1: be unleashed. Not a demon really, more like a spirit,

74
00:03:36,720 --> 00:03:40,440
Speaker 1: a spirit like sort of This was Christina saying I

75
00:03:40,520 --> 00:03:42,720
Speaker 1: have a talent that is ready to be unleashed on

76
00:03:42,760 --> 00:03:43,200
Speaker 1: the world.

77
00:03:43,560 --> 00:03:45,160
Speaker 2: And it is a vivid.

78
00:03:45,160 --> 00:03:48,480
Speaker 1: One that that you will remember forever.

79
00:03:49,120 --> 00:03:52,640
Speaker 3: And we have remembered forever, haven't we. And you know,

80
00:03:52,800 --> 00:03:56,360
Speaker 3: growing up, I think on the radio, hearing the difference

81
00:03:56,880 --> 00:03:59,080
Speaker 3: you gotta treat me the right way versus you gotta

82
00:03:59,120 --> 00:04:00,880
Speaker 3: rub me the right way, said well, no, why did

83
00:04:00,880 --> 00:04:01,520
Speaker 3: they change that?

84
00:04:01,720 --> 00:04:03,800
Speaker 2: What is so lamp imagery?

85
00:04:04,080 --> 00:04:04,160
Speaker 3: Oh?

86
00:04:04,200 --> 00:04:05,120
Speaker 2: Why did they change it?

87
00:04:05,640 --> 00:04:08,280
Speaker 3: You gotta treat me, isn't it. You gotta rub me

88
00:04:08,520 --> 00:04:11,720
Speaker 3: the but so like, let's say, and I'm gonna reveal

89
00:04:11,760 --> 00:04:14,600
Speaker 3: myself as a Radio Disney kid on Radio Disney, they said,

90
00:04:14,640 --> 00:04:16,000
Speaker 3: you got to treat me the right way.

91
00:04:16,200 --> 00:04:19,520
Speaker 2: I think that was classic parents saying I don't want

92
00:04:19,520 --> 00:04:22,760
Speaker 2: my kids rubbing. Well, I was like, what's so bad

93
00:04:22,800 --> 00:04:23,560
Speaker 2: about rubbing?

94
00:04:23,680 --> 00:04:23,960
Speaker 1: You know?

95
00:04:24,160 --> 00:04:28,400
Speaker 3: And then I learned, by exploring my own body the

96
00:04:28,400 --> 00:04:29,240
Speaker 3: beauty of rubbing.

97
00:04:29,440 --> 00:04:33,920
Speaker 1: What happens when you rub is so ultimately, honestly, it

98
00:04:34,000 --> 00:04:35,000
Speaker 1: was very Christina.

99
00:04:35,640 --> 00:04:39,080
Speaker 3: Christina literally put me on a path towards discovery.

100
00:04:39,440 --> 00:04:41,280
Speaker 1: This is why it's such a great debut single, because

101
00:04:41,279 --> 00:04:43,800
Speaker 1: it hints at what's to come in the stripped album.

102
00:04:43,880 --> 00:04:48,560
Speaker 3: She was rubbing so hard, she busted, Oh she busted,

103
00:04:49,120 --> 00:04:50,600
Speaker 3: and the sheets were soaked.

104
00:04:50,880 --> 00:04:54,039
Speaker 1: Absolutely, and that's why Genie a Bottle is number ten

105
00:04:54,240 --> 00:04:58,479
Speaker 1: on the Pop Girly Debut Singles Last Coach List, number nine,

106
00:04:59,120 --> 00:04:59,920
Speaker 1: I kissed.

107
00:04:59,680 --> 00:05:02,040
Speaker 2: The Girl Girl Katy Perry? Wow?

108
00:05:02,080 --> 00:05:05,159
Speaker 1: Wow, Who could forget when Katy Perry came out and

109
00:05:05,279 --> 00:05:07,760
Speaker 1: she dared be sort of a lesbian?

110
00:05:09,080 --> 00:05:11,240
Speaker 3: It is, and to be a lesbian is the most

111
00:05:11,320 --> 00:05:13,680
Speaker 3: daring thing. And so I think, no matter what, even

112
00:05:13,720 --> 00:05:17,080
Speaker 3: if you're curious, even if you're fully in your identity

113
00:05:17,080 --> 00:05:20,760
Speaker 3: and your power as a lesbian person, you've dared, you.

114
00:05:20,839 --> 00:05:24,320
Speaker 1: Have been daring, You've been bold, You've been adventurous. Isn't

115
00:05:24,360 --> 00:05:26,440
Speaker 1: it interesting that she sort of came out with I

116
00:05:26,520 --> 00:05:28,159
Speaker 1: kissed her girl, and then she would sort of go

117
00:05:28,279 --> 00:05:30,719
Speaker 1: on to be one of the most heterosexual pop stars

118
00:05:30,720 --> 00:05:32,440
Speaker 1: that we have. Not only did she that, I mean

119
00:05:32,480 --> 00:05:33,640
Speaker 1: she dated John Mayer.

120
00:05:33,440 --> 00:05:36,120
Speaker 3: And that she dated John Mayer, and that she has

121
00:05:36,160 --> 00:05:37,800
Speaker 3: a child with really no bloom.

122
00:05:37,600 --> 00:05:40,520
Speaker 1: Incredibly straight girl things to do. She fucked Diplow, which

123
00:05:40,560 --> 00:05:42,520
Speaker 1: is about Diplo. That's the straight and now I mean, to

124
00:05:42,600 --> 00:05:45,640
Speaker 1: fuck a bye guy in the hindsight is very straight,

125
00:05:45,680 --> 00:05:48,440
Speaker 1: you know what I mean? And to like work in

126
00:05:48,560 --> 00:05:50,920
Speaker 1: Vegas is the straightest thing you could possibly.

127
00:05:50,560 --> 00:05:52,040
Speaker 2: Do, one hundred percent.

128
00:05:52,120 --> 00:05:53,760
Speaker 1: I think all the big straight girls, a lot of

129
00:05:53,760 --> 00:05:56,760
Speaker 1: them on this list, have all worked in Vegas. Well,

130
00:05:56,960 --> 00:05:58,880
Speaker 1: I kissed her girl? What was your first memory of it?

131
00:05:58,920 --> 00:06:01,039
Speaker 1: Because I see it, so do you want to know

132
00:06:01,040 --> 00:06:03,080
Speaker 1: what happened. One of the times I was listening to

133
00:06:03,120 --> 00:06:04,480
Speaker 1: I Kiss a Girl, I got in one of my

134
00:06:04,600 --> 00:06:06,680
Speaker 1: very first car accidents while I was playing.

135
00:06:06,600 --> 00:06:10,480
Speaker 2: In Long Island. Oh my god, I'm so sorry. It's okay.

136
00:06:10,640 --> 00:06:13,520
Speaker 1: It's now more funny than it was traumatic at the time.

137
00:06:13,960 --> 00:06:16,760
Speaker 1: It was traumatic because I wasn't sure if people were okay,

138
00:06:17,000 --> 00:06:20,120
Speaker 1: and everyone was okay ultimately, But I did get into

139
00:06:20,120 --> 00:06:23,440
Speaker 1: a car accident while listening to this song, and it

140
00:06:23,480 --> 00:06:25,440
Speaker 1: hasn't dominated my memory of the song.

141
00:06:25,760 --> 00:06:26,479
Speaker 2: It's contributed.

142
00:06:26,640 --> 00:06:28,839
Speaker 1: I did make out with our friend Charlotte while the

143
00:06:28,920 --> 00:06:30,440
Speaker 1: song played in Las Vegas.

144
00:06:30,480 --> 00:06:31,320
Speaker 2: You weren't on that trip.

145
00:06:31,440 --> 00:06:33,320
Speaker 1: We had to go see Katy Perry for my birthday

146
00:06:33,320 --> 00:06:35,240
Speaker 1: and Patrick House's birthday, and.

147
00:06:35,160 --> 00:06:37,400
Speaker 2: I made that with our friend Charlotte A bye woman,

148
00:06:37,640 --> 00:06:39,520
Speaker 2: A little little on the nose, but I love that.

149
00:06:39,960 --> 00:06:40,360
Speaker 2: I'm sorry.

150
00:06:40,400 --> 00:06:43,040
Speaker 3: I know I didn't mean to undercut. I'm just saying, like,

151
00:06:43,120 --> 00:06:45,720
Speaker 3: I think it's so apropos that you kissed Charlotte. A

152
00:06:45,800 --> 00:06:48,880
Speaker 3: lot of our gay friends thought it was quote hot hmm.

153
00:06:49,480 --> 00:06:51,200
Speaker 3: I'm so sorry I didn't. I wasn't coming for you

154
00:06:51,200 --> 00:06:52,919
Speaker 3: when I said it was on the nose, by the way.

155
00:06:53,120 --> 00:06:55,120
Speaker 1: It was on the mouth is what it was, right

156
00:06:55,200 --> 00:06:57,640
Speaker 1: on the lips, And that's why I kissed A Girl

157
00:06:57,680 --> 00:07:00,000
Speaker 1: by Katy Perry is number nine on the top ten

158
00:07:00,200 --> 00:07:04,560
Speaker 1: Pop Girly debut singles Last Golf and number eight Your Love,

159
00:07:06,080 --> 00:07:08,839
Speaker 1: I Love a ballad, I love It, beautiful.

160
00:07:08,320 --> 00:07:14,880
Speaker 3: Ballad with a sample, A ballot with the sample, Ah,

161
00:07:15,080 --> 00:07:18,000
Speaker 3: listen to this girl, Okay. So you know we should say,

162
00:07:18,000 --> 00:07:20,600
Speaker 3: of course, these are all of the Pop Girley's debut

163
00:07:20,680 --> 00:07:25,160
Speaker 3: studio album singles. So NICKI obviously had mixtapes, mixtapes you know,

164
00:07:25,200 --> 00:07:28,000
Speaker 3: beat Me Up Scotty as classic, but this was when

165
00:07:28,000 --> 00:07:30,440
Speaker 3: she came on the scene. This is right when this

166
00:07:30,480 --> 00:07:33,600
Speaker 3: woman was coming on post Monster verse you were like,

167
00:07:33,760 --> 00:07:36,120
Speaker 3: we need more of this person. It was really a

168
00:07:36,200 --> 00:07:38,640
Speaker 3: day where I like, I was in Honduras on a

169
00:07:38,720 --> 00:07:42,760
Speaker 3: medical brigade mission, oh my, after freshman year of college,

170
00:07:42,800 --> 00:07:45,520
Speaker 3: and the entire bus played monster in the entire bus,

171
00:07:45,560 --> 00:07:49,040
Speaker 3: all these fucking college students screaming Nicki's verse.

172
00:07:49,040 --> 00:07:50,760
Speaker 2: I was like, what is this?

173
00:07:51,080 --> 00:07:53,080
Speaker 3: It was the birth of a new artist. Well, they

174
00:07:53,080 --> 00:07:55,560
Speaker 3: were like, you haven't heard of Nicki Minaj yet. I

175
00:07:55,600 --> 00:07:59,840
Speaker 3: was like no, and then went home from that trip,

176
00:08:00,520 --> 00:08:03,760
Speaker 3: read up. And then when this song came out, when

177
00:08:03,760 --> 00:08:05,680
Speaker 3: your Love came out, this I've never been able to

178
00:08:05,720 --> 00:08:06,440
Speaker 3: get out of my head.

179
00:08:06,800 --> 00:08:08,680
Speaker 2: He'd type to keep a couple of hundred and the

180
00:08:08,760 --> 00:08:11,320
Speaker 2: rubber band. I was just gonna say the same.

181
00:08:11,160 --> 00:08:12,560
Speaker 1: Line he that t hap to keep a couple of

182
00:08:12,640 --> 00:08:15,720
Speaker 1: hundred in the rubber band, the damn mon bam in

183
00:08:15,720 --> 00:08:18,440
Speaker 1: the mother blam and the money. Grand said he must

184
00:08:18,520 --> 00:08:21,400
Speaker 1: be from the motherland anyway. I think I met it

185
00:08:21,440 --> 00:08:23,680
Speaker 1: in the sky when it was a geisha. He was

186
00:08:24,720 --> 00:08:26,080
Speaker 1: somehow I understand him when he.

187
00:08:26,120 --> 00:08:28,800
Speaker 2: Spoke Tai never spoke lies, and it never broke fly

188
00:08:29,440 --> 00:08:31,520
Speaker 2: so much. Let me get my cape, et cetera.

189
00:08:31,600 --> 00:08:34,920
Speaker 1: And all these words coming together make the great song

190
00:08:35,200 --> 00:08:37,400
Speaker 1: that is Your Love. I'll never forget. Well, my friend

191
00:08:37,720 --> 00:08:40,440
Speaker 1: Allison Coelo texted me and she said, have you heard

192
00:08:40,480 --> 00:08:43,679
Speaker 1: Your Love by Nicki Minaj? She introduced you to your

193
00:08:43,920 --> 00:08:45,880
Speaker 1: Well she didn't, I never mind and then she had

194
00:08:45,920 --> 00:08:47,360
Speaker 1: just heard it and she said, I had no idea.

195
00:08:47,480 --> 00:08:49,880
Speaker 1: She was like a real artist. I was like, honey,

196
00:08:50,000 --> 00:08:53,000
Speaker 1: get ready. Then Pink Friday dropped soon, We're gonna have

197
00:08:53,000 --> 00:08:56,719
Speaker 1: Pink Friday Part two. Excited for that, Excited for that.

198
00:08:56,840 --> 00:08:59,840
Speaker 1: All these reasons are why Your Love by Nicki Minaj

199
00:09:00,200 --> 00:09:02,640
Speaker 1: Number eight on the top end Pop Gurly Debut.

200
00:09:02,440 --> 00:09:07,040
Speaker 3: Singles, Last Coach number seven, Miss Independent Kelly.

201
00:09:06,760 --> 00:09:08,920
Speaker 1: Clarkson, you came from me earlier when I put this

202
00:09:08,960 --> 00:09:10,359
Speaker 1: on the list, and you have a point.

203
00:09:10,200 --> 00:09:12,480
Speaker 3: I said, does this count? Because I don't know if

204
00:09:12,520 --> 00:09:13,720
Speaker 3: this is the debut single.

205
00:09:13,920 --> 00:09:16,720
Speaker 1: Technically it was not the debut single. It's the lead

206
00:09:16,760 --> 00:09:19,120
Speaker 1: single from the debut album. And this is sort of

207
00:09:19,120 --> 00:09:21,240
Speaker 1: where I want to make the distinction, because I feel

208
00:09:21,280 --> 00:09:24,320
Speaker 1: like Kelly Clarkson does not consider a moment like this

209
00:09:24,440 --> 00:09:26,880
Speaker 1: her first single. I feel like she considers thank you

210
00:09:26,920 --> 00:09:29,840
Speaker 1: for teaching Independent her first single. And I told you

211
00:09:29,880 --> 00:09:32,120
Speaker 1: we could fight about this and you're not taking a

212
00:09:32,160 --> 00:09:33,199
Speaker 1: combative tone.

213
00:09:33,040 --> 00:09:35,840
Speaker 3: Because you just explained it to me and I appreciate.

214
00:09:35,960 --> 00:09:38,240
Speaker 3: Can I poke holes in that? If she's saying, moment

215
00:09:38,280 --> 00:09:41,040
Speaker 3: like this was not my debut, I have to respect.

216
00:09:41,200 --> 00:09:45,120
Speaker 1: Yeah, she was in no way, in any way in

217
00:09:45,200 --> 00:09:46,240
Speaker 1: control of that.

218
00:09:46,360 --> 00:09:47,640
Speaker 2: Of course the selection.

219
00:09:47,520 --> 00:09:51,040
Speaker 3: She and justin saying it, it's not even Nicky mckibbon

220
00:09:51,120 --> 00:09:51,600
Speaker 3: even record.

221
00:09:51,720 --> 00:09:53,720
Speaker 2: NICKI even saying, and so did Tomorrow.

222
00:09:53,760 --> 00:09:55,320
Speaker 1: I think I think they all had versions of it

223
00:09:55,360 --> 00:09:57,920
Speaker 1: that they were getting ready to release as the lead single,

224
00:09:57,960 --> 00:09:59,040
Speaker 1: and then they didn't.

225
00:09:59,040 --> 00:10:01,080
Speaker 2: Have We heard the tamaira version. I would like to

226
00:10:01,120 --> 00:10:01,679
Speaker 2: dig that up.

227
00:10:01,720 --> 00:10:04,200
Speaker 1: I would love to hear that. All I want is

228
00:10:04,200 --> 00:10:06,440
Speaker 1: more a moment like this. But can we just talk

229
00:10:06,480 --> 00:10:10,800
Speaker 1: about how Misindependent launched Kelly into true pop stardom and

230
00:10:10,840 --> 00:10:14,680
Speaker 1: also co written by Christina Aguilera, This actually was a

231
00:10:14,760 --> 00:10:16,800
Speaker 1: Christina Aguilera castaway.

232
00:10:17,400 --> 00:10:19,640
Speaker 3: And sometimes the songs that are always like, you know

233
00:10:19,679 --> 00:10:21,200
Speaker 3: this song was supposed to be for blah blah blah,

234
00:10:21,200 --> 00:10:24,600
Speaker 3: I'm always like, well, I'm glad it worked out another way.

235
00:10:25,040 --> 00:10:27,120
Speaker 3: I'm never like, oh, I wish toxic was saying by

236
00:10:27,160 --> 00:10:29,679
Speaker 3: Kylie Minou, But no, that's Britney Spears's song.

237
00:10:29,800 --> 00:10:31,280
Speaker 2: I mean one hundred percent.

238
00:10:31,360 --> 00:10:34,680
Speaker 1: Sometimes the songs end up with the right pop girly yes,

239
00:10:34,720 --> 00:10:36,440
Speaker 1: and this was the case of that. In fact, to

240
00:10:36,480 --> 00:10:39,400
Speaker 1: this day, Kelly Clarkson says that one of her favorite

241
00:10:39,400 --> 00:10:41,360
Speaker 1: songs to perform live is Misindependent.

242
00:10:41,600 --> 00:10:43,920
Speaker 2: I love that and for that reason, it's.

243
00:10:43,800 --> 00:10:46,240
Speaker 1: Number seven on our list of top ten pop girly

244
00:10:46,320 --> 00:10:47,360
Speaker 1: debut singles.

245
00:10:47,080 --> 00:10:51,319
Speaker 3: Last Coach number six, Just Dance Lady Gaga.

246
00:10:51,920 --> 00:10:54,560
Speaker 1: I know this changed her life. Actually, this wasn't the

247
00:10:54,559 --> 00:10:56,520
Speaker 1: song that changed my life. I know this was the

248
00:10:56,520 --> 00:10:59,400
Speaker 1: beginning of something that would ultimately change her life. Well,

249
00:10:59,520 --> 00:11:02,880
Speaker 1: I mean it was a song that like gives you

250
00:11:02,920 --> 00:11:06,400
Speaker 1: the classic Lady Gaga road map, right, like like you

251
00:11:06,559 --> 00:11:09,120
Speaker 1: here for the first time, you go, it's interesting. I

252
00:11:09,160 --> 00:11:11,000
Speaker 1: don't know if I love it just yet.

253
00:11:11,720 --> 00:11:13,760
Speaker 3: Then you listen to it again, then again and again

254
00:11:13,760 --> 00:11:16,120
Speaker 3: and again, and then something happens where you listen to

255
00:11:16,160 --> 00:11:18,040
Speaker 3: it on the radio or it comes on at the

256
00:11:18,080 --> 00:11:20,880
Speaker 3: grocery store and you go, wow, damn, that's good.

257
00:11:21,720 --> 00:11:23,199
Speaker 2: It's like a breath of fresh air.

258
00:11:23,400 --> 00:11:23,600
Speaker 1: Yeah.

259
00:11:23,640 --> 00:11:24,720
Speaker 2: Remember a chromatica ball.

260
00:11:24,720 --> 00:11:26,800
Speaker 1: When she's sang this, oh my god, Well, she wasn't

261
00:11:26,840 --> 00:11:30,280
Speaker 1: moving at all and saying just dance. She needn't move.

262
00:11:30,400 --> 00:11:33,000
Speaker 1: She needn't because when she said just dance, you know

263
00:11:33,040 --> 00:11:35,640
Speaker 1: who heard her, the little monster, the little months we

264
00:11:35,640 --> 00:11:36,960
Speaker 1: were dancing fore mother.

265
00:11:37,120 --> 00:11:40,360
Speaker 3: Dada doodoo da da doo dooo. I said, she can't

266
00:11:40,400 --> 00:11:42,160
Speaker 3: come up with words for this, but I don't think

267
00:11:42,160 --> 00:11:45,559
Speaker 3: there there can't possibly be lyrics for that expression.

268
00:11:46,200 --> 00:11:48,080
Speaker 1: Didn't just dance.

269
00:11:48,000 --> 00:11:53,359
Speaker 2: Baby, Cooby o'donnas? Kobe o'donnas.

270
00:11:53,679 --> 00:11:57,400
Speaker 1: Those two words are why just dance is number six

271
00:11:57,440 --> 00:12:01,880
Speaker 1: on the top ten Pop Girlly debut singles Last Coach, number.

272
00:12:01,559 --> 00:12:06,320
Speaker 2: Five, Baby one More Time, Britney spears. I think we

273
00:12:06,360 --> 00:12:08,439
Speaker 2: all remember where we were when.

274
00:12:08,240 --> 00:12:11,839
Speaker 3: We saw her traps around the hallways, the basketball court.

275
00:12:12,040 --> 00:12:15,800
Speaker 3: Little heathen, little heathen, little girl, little girl dressed up

276
00:12:15,840 --> 00:12:16,400
Speaker 3: as a big.

277
00:12:16,240 --> 00:12:20,839
Speaker 1: Girl, confusing the fathers, the fathers, the mother's, the daughters

278
00:12:20,880 --> 00:12:21,400
Speaker 1: and sons.

279
00:12:21,559 --> 00:12:23,960
Speaker 2: Yeah, everyone in the family was confused, but intrigued.

280
00:12:24,200 --> 00:12:26,760
Speaker 3: I mean this was confusing for us as a generation

281
00:12:26,840 --> 00:12:31,080
Speaker 3: of little gay boys, because it was undeniable to any

282
00:12:31,679 --> 00:12:34,920
Speaker 3: living person at the time that she was the hottest

283
00:12:34,960 --> 00:12:39,160
Speaker 3: person alive. That she appealed to all sectors that if

284
00:12:39,160 --> 00:12:41,400
Speaker 3: you were a gay boy in the closet, you were like,

285
00:12:41,800 --> 00:12:43,680
Speaker 3: that's the most beautiful woman in the world, and that

286
00:12:43,720 --> 00:12:45,640
Speaker 3: was the same exact thing that was being said by

287
00:12:45,640 --> 00:12:46,280
Speaker 3: the straight boys.

288
00:12:46,360 --> 00:12:49,560
Speaker 2: Mm hmm. Yeah, it actually was a unifier. It was

289
00:12:49,600 --> 00:12:50,319
Speaker 2: a unifier.

290
00:12:50,480 --> 00:12:50,720
Speaker 1: Yeah.

291
00:12:50,720 --> 00:12:51,960
Speaker 2: I remember Britney Spears.

292
00:12:52,160 --> 00:12:54,040
Speaker 1: There was a time in my life when my aunt

293
00:12:54,080 --> 00:12:56,679
Speaker 1: and uncle were like, who's your favorite singer? And I

294
00:12:56,760 --> 00:12:58,560
Speaker 1: remember I didn't really have one of the time, so

295
00:12:58,600 --> 00:13:01,000
Speaker 1: I just said Britney Spears because it felt safe because

296
00:13:01,000 --> 00:13:04,719
Speaker 1: everyone knew who she was. Aunts, uncles, mothers, fathers, the

297
00:13:04,880 --> 00:13:09,200
Speaker 1: childless know who bring childless, those without nieces and nephews,

298
00:13:09,360 --> 00:13:10,840
Speaker 1: the parentless, the orphans knew.

299
00:13:11,200 --> 00:13:14,240
Speaker 2: You know. TLC was first offered this song. I didn't

300
00:13:14,280 --> 00:13:14,680
Speaker 2: know that.

301
00:13:15,000 --> 00:13:16,960
Speaker 1: Yeah, And you can kind of hear a tea Boss

302
00:13:17,080 --> 00:13:19,400
Speaker 1: chili vocal on this. You really listen hard.

303
00:13:19,320 --> 00:13:20,760
Speaker 2: On the my loneliness.

304
00:13:20,880 --> 00:13:22,440
Speaker 1: No, but I'm just saying like, if you if you

305
00:13:22,480 --> 00:13:24,679
Speaker 1: picture it in your mind's eye, Oh yeah, you can

306
00:13:24,720 --> 00:13:26,720
Speaker 1: sort of if you picture it in your mind's eye,

307
00:13:26,720 --> 00:13:29,880
Speaker 1: you can sort of hear uh huh. I can tell

308
00:13:30,000 --> 00:13:32,200
Speaker 1: on this. Although what would the Lisa Left Di Lopez

309
00:13:32,360 --> 00:13:33,440
Speaker 1: rap sample be on this?

310
00:13:33,880 --> 00:13:36,920
Speaker 3: It would be over the bridge. Although it's the classic

311
00:13:36,960 --> 00:13:40,160
Speaker 3: Max Martin thing of overlays the bridge onto the chorus

312
00:13:40,360 --> 00:13:43,319
Speaker 3: the last key change overlaying the bridge onto the chorus

313
00:13:43,440 --> 00:13:47,240
Speaker 3: at the same time, and it's like wow, like whatever

314
00:13:47,240 --> 00:13:49,079
Speaker 3: Phil Spectr Wall of Sound equivalent.

315
00:13:49,200 --> 00:13:51,720
Speaker 2: Oh my god, I turn but.

316
00:13:51,600 --> 00:13:53,559
Speaker 3: I'm sure I'm sure the left diverse would have been

317
00:13:53,600 --> 00:13:56,400
Speaker 3: over like the my loneliness is.

318
00:13:56,440 --> 00:13:59,199
Speaker 2: Killing oh intem doing it twice. I love the bridge

319
00:13:59,200 --> 00:14:04,200
Speaker 2: of the site and it's don't you know that's the thing,

320
00:14:04,320 --> 00:14:05,240
Speaker 2: that's the interval.

321
00:14:07,640 --> 00:14:09,600
Speaker 1: I love it, and we love it so much that

322
00:14:09,800 --> 00:14:12,480
Speaker 1: it is number five on the list of top ten

323
00:14:12,800 --> 00:14:14,960
Speaker 1: pop girly debut singles.

324
00:14:14,640 --> 00:14:19,160
Speaker 3: Lost Colt number four Call Me Maybe Carli ra Jepson,

325
00:14:19,360 --> 00:14:22,720
Speaker 3: Now this is technically not accurate either. Go on and

326
00:14:22,760 --> 00:14:26,320
Speaker 3: say why, because, as we all know, Carlie ray Jepson

327
00:14:26,800 --> 00:14:29,240
Speaker 3: places high in Canadian idol. In two thousand and eight,

328
00:14:29,680 --> 00:14:34,520
Speaker 3: her debut album comes out. Her single is something called

329
00:14:34,960 --> 00:14:36,960
Speaker 3: Sunshine on My Shoulders. I have not heard this song,

330
00:14:37,000 --> 00:14:39,000
Speaker 3: but that is technically her debut single. I've not heard

331
00:14:39,000 --> 00:14:44,480
Speaker 3: that song, but the song. But but you retorted, I retorted,

332
00:14:44,560 --> 00:14:49,280
Speaker 3: and you said you you were being retorted. I was

333
00:14:49,320 --> 00:14:51,760
Speaker 3: being retorted, I should say, and you said it has

334
00:14:51,800 --> 00:14:52,960
Speaker 3: to be on the list. And I mean, I said,

335
00:14:52,960 --> 00:14:54,800
Speaker 3: you know what, You're right, because this is the song

336
00:14:54,880 --> 00:14:58,720
Speaker 3: that everybody was able to be like, this is the song.

337
00:14:59,480 --> 00:15:02,560
Speaker 1: I I think that when this song came out, everyone

338
00:15:02,640 --> 00:15:05,880
Speaker 1: knew who Carli Raye Jepson was, and you couldn't tell

339
00:15:05,920 --> 00:15:08,440
Speaker 1: most people. This wasn't her debut single, and I think

340
00:15:08,480 --> 00:15:11,880
Speaker 1: it was designed by her record label to feel like

341
00:15:11,920 --> 00:15:15,480
Speaker 1: a debut single because this was her introduction. If you

342
00:15:15,520 --> 00:15:19,400
Speaker 1: weren't Canadian and weren't ringing the phones on Canadian idol,

343
00:15:19,520 --> 00:15:20,800
Speaker 1: you didn't know this, young honey.

344
00:15:21,160 --> 00:15:24,560
Speaker 3: If you're not living in Manitoba with the landline dialing

345
00:15:24,600 --> 00:15:27,600
Speaker 3: you know carl Ray's number every week, you didn't know

346
00:15:27,600 --> 00:15:28,480
Speaker 3: who the fuck she was.

347
00:15:28,720 --> 00:15:29,240
Speaker 2: No, you did not.

348
00:15:29,440 --> 00:15:31,400
Speaker 1: I'll never forget. At the time when this came out,

349
00:15:31,480 --> 00:15:33,080
Speaker 1: a lot of the narrative around her was like, well,

350
00:15:33,120 --> 00:15:36,720
Speaker 1: you know, she's forty, and I was like what. And

351
00:15:36,800 --> 00:15:38,360
Speaker 1: I think that I think the truth of it was

352
00:15:38,400 --> 00:15:40,440
Speaker 1: she was in her like late twenties and people like

353
00:15:40,480 --> 00:15:44,240
Speaker 1: she's so old. Fuck that fuck it sucks so much,

354
00:15:44,280 --> 00:15:47,160
Speaker 1: but you know it doesn't suck. The earworm that is

355
00:15:47,240 --> 00:15:49,240
Speaker 1: Call Me Maybe by Calie ray Jepson.

356
00:15:48,880 --> 00:15:51,160
Speaker 3: Can I say something before we move on with strings?

357
00:15:51,200 --> 00:15:53,320
Speaker 3: For me, the strings and the strings are the thing

358
00:15:53,360 --> 00:15:56,359
Speaker 3: that I'm always like, it's like a booooo.

359
00:15:56,560 --> 00:15:58,800
Speaker 2: I'm like, yes, it's kissy.

360
00:15:58,920 --> 00:16:02,040
Speaker 1: It's one of the most you can never listen to,

361
00:16:02,320 --> 00:16:05,080
Speaker 1: which is why Call Me Maybe? By Carlie Ray Jackson

362
00:16:05,200 --> 00:16:10,040
Speaker 1: is number four on the top ten Pop girly debut singles.

363
00:16:09,560 --> 00:16:13,640
Speaker 2: Last Cult, Last Cult, number three Crazy in Love Beyonce.

364
00:16:14,640 --> 00:16:18,560
Speaker 2: I mean what song is more?

365
00:16:19,200 --> 00:16:23,440
Speaker 1: When it starts at the Renaissance World Tour, serotonin releases

366
00:16:23,440 --> 00:16:27,960
Speaker 1: into your brain. Oh my god, the horns, the iconic stomp, stomp,

367
00:16:28,120 --> 00:16:29,280
Speaker 1: the dance at the end.

368
00:16:29,840 --> 00:16:33,160
Speaker 3: I would say the white girl stomp was an invention,

369
00:16:33,520 --> 00:16:36,640
Speaker 3: ironically of Beyonces in this music video and in the

370
00:16:36,680 --> 00:16:38,000
Speaker 3: subsequent live performances.

371
00:16:38,160 --> 00:16:41,400
Speaker 1: Yes, she made that kind of stomp something that white

372
00:16:41,440 --> 00:16:43,280
Speaker 1: girls saw and said, I can walk too.

373
00:16:43,400 --> 00:16:46,000
Speaker 3: I bet I can lift my eyes a little bit higher,

374
00:16:46,320 --> 00:16:49,040
Speaker 3: shake my hips, sway them to and fro to fro

375
00:16:49,400 --> 00:16:54,000
Speaker 3: here there back forth. Can we talk about this? When

376
00:16:54,040 --> 00:16:55,239
Speaker 3: I talk to my friends.

377
00:16:55,000 --> 00:16:57,560
Speaker 2: So quietly, who he think he is? Look at what

378
00:16:57,600 --> 00:16:58,160
Speaker 2: you did to me?

379
00:16:58,760 --> 00:17:03,080
Speaker 1: When I talk to my friends so so quietly, writing

380
00:17:03,880 --> 00:17:06,480
Speaker 1: the way that the that the chorus comes back in

381
00:17:07,040 --> 00:17:09,440
Speaker 1: when you don't expect it after the jay Z Verse,

382
00:17:09,520 --> 00:17:11,120
Speaker 1: Like the jay Z Verse kind of ends a little

383
00:17:11,160 --> 00:17:15,000
Speaker 1: bit sooner than it's supposed to do. Geniees, do you

384
00:17:15,000 --> 00:17:17,760
Speaker 1: remember when she said, got me hoping you page me

385
00:17:17,880 --> 00:17:20,680
Speaker 1: right now? Even in the year of our twenty twenty three,

386
00:17:20,720 --> 00:17:22,920
Speaker 1: we're still being like, got me hoping you page me

387
00:17:23,040 --> 00:17:25,639
Speaker 1: right now? I hope I get paged by the item

388
00:17:25,960 --> 00:17:27,160
Speaker 1: of my affection.

389
00:17:27,320 --> 00:17:28,920
Speaker 3: This is one of those things like there is such

390
00:17:28,920 --> 00:17:31,840
Speaker 3: a fear these days around like, oh, let's not like

391
00:17:31,960 --> 00:17:35,520
Speaker 3: throw slang into like our scripts or our songs, because

392
00:17:35,520 --> 00:17:36,959
Speaker 3: then it'll date it too quickly.

393
00:17:37,280 --> 00:17:37,480
Speaker 2: Hmm.

394
00:17:38,040 --> 00:17:41,240
Speaker 3: Every now and then it's fine. If it's good enough,

395
00:17:41,400 --> 00:17:44,800
Speaker 3: it won't matter because guess what, we're gonna be singing

396
00:17:44,840 --> 00:17:47,960
Speaker 3: it quoting it twenty years from now and we're not

397
00:17:48,000 --> 00:17:48,480
Speaker 3: gonna care.

398
00:17:48,800 --> 00:17:51,800
Speaker 1: Look out for my new single, Apple Watch dropping in

399
00:17:51,840 --> 00:17:54,680
Speaker 1: twenty twenty four. I look down, Am I Apple Wash

400
00:17:54,760 --> 00:17:58,240
Speaker 1: eerie seven. I look down, am I Apple Watch Series seven?

401
00:17:58,880 --> 00:17:59,600
Speaker 1: Say your name?

402
00:18:00,600 --> 00:18:01,800
Speaker 2: Saw you? What text to me?

403
00:18:02,200 --> 00:18:02,520
Speaker 3: Boy?

404
00:18:03,600 --> 00:18:09,480
Speaker 1: iOS seventeen phone had up? Did the iOS AA? And

405
00:18:09,520 --> 00:18:12,800
Speaker 1: that's why Crazy in Love by Beyonce is number three.

406
00:18:12,880 --> 00:18:16,760
Speaker 1: I'm the top ten popularly debut Singles last colt number

407
00:18:16,840 --> 00:18:19,040
Speaker 1: two TikTok Kesha.

408
00:18:20,160 --> 00:18:21,800
Speaker 3: Well, I guess we should save this for the end

409
00:18:21,840 --> 00:18:25,439
Speaker 3: of this discussion for this particular song, But now I

410
00:18:25,480 --> 00:18:26,199
Speaker 3: can't not say it.

411
00:18:26,240 --> 00:18:28,520
Speaker 2: This was supposed to be number one. It was supposed

412
00:18:28,520 --> 00:18:30,159
Speaker 2: to be number one, and then no one reminded me

413
00:18:30,200 --> 00:18:30,960
Speaker 2: of another.

414
00:18:30,640 --> 00:18:32,720
Speaker 1: Song, and I said, wait, hold the phone on the

415
00:18:32,760 --> 00:18:34,800
Speaker 1: phone popular expression for wait a second.

416
00:18:35,000 --> 00:18:35,680
Speaker 2: Uh huh.

417
00:18:35,760 --> 00:18:37,439
Speaker 1: I knew that that one had to be number one,

418
00:18:37,440 --> 00:18:39,840
Speaker 1: but this was number two. Here's the famous thing about

419
00:18:40,080 --> 00:18:43,080
Speaker 1: my life. The first time I heard this song, not

420
00:18:43,200 --> 00:18:46,040
Speaker 1: only did I hate it, I actually thought music was over.

421
00:18:46,520 --> 00:18:47,679
Speaker 2: I'm like, what are you kidding me?

422
00:18:47,760 --> 00:18:50,240
Speaker 1: I remember the second time I heard it, I thought

423
00:18:50,240 --> 00:18:52,040
Speaker 1: it was the biggest smash I had ever heard in

424
00:18:52,040 --> 00:18:52,480
Speaker 1: my life.

425
00:18:52,480 --> 00:18:53,280
Speaker 2: What do you think today?

426
00:18:53,920 --> 00:18:55,840
Speaker 1: I think it's number two on the list of top

427
00:18:55,880 --> 00:18:58,880
Speaker 1: ten popular Singlesauce Coach, that's what I think. This song

428
00:18:58,960 --> 00:19:01,720
Speaker 1: is fourteen years this recording fourteen years old.

429
00:19:02,040 --> 00:19:03,040
Speaker 2: This is incredible.

430
00:19:03,800 --> 00:19:06,760
Speaker 1: You want to know why it's so iconic because it

431
00:19:06,840 --> 00:19:10,040
Speaker 1: gets Kesha across in a nutshell. All these songs need

432
00:19:10,119 --> 00:19:13,320
Speaker 1: to get the artists across in a nutshell and everything

433
00:19:13,359 --> 00:19:16,520
Speaker 1: about pretty much all of these songs says this is

434
00:19:16,560 --> 00:19:18,960
Speaker 1: who I am. Here is the introduction to who I am,

435
00:19:19,359 --> 00:19:21,480
Speaker 1: Like literally every single one of them. Like Ginny in

436
00:19:21,520 --> 00:19:23,720
Speaker 1: a Bottle you have that like raw sexuality and vocals

437
00:19:23,800 --> 00:19:24,360
Speaker 1: Kiss a Girl.

438
00:19:24,400 --> 00:19:26,520
Speaker 2: You have the cheeky humor your love.

439
00:19:26,680 --> 00:19:29,879
Speaker 1: You have like Nicki Minaj giving giving you like fucking

440
00:19:29,960 --> 00:19:33,280
Speaker 1: like a female rapper hasn't done before, Like syllabic acrobatics.

441
00:19:33,520 --> 00:19:36,080
Speaker 3: You're like, damn, like I would never have thought, like

442
00:19:36,600 --> 00:19:38,800
Speaker 3: Kabaha Na Green and the Rubber Band just laying many

443
00:19:38,840 --> 00:19:40,560
Speaker 3: things and the money Graham you know, I mean, you're like,

444
00:19:40,600 --> 00:19:41,280
Speaker 3: oh shit.

445
00:19:41,240 --> 00:19:46,240
Speaker 1: Yes, like giving like verity, verbosity and dexterity to everyone

446
00:19:46,359 --> 00:19:48,800
Speaker 1: and then everyone's sort of nailing it in their own right.

447
00:19:49,240 --> 00:19:53,840
Speaker 1: Then misindependent, you have like that big chorus that's indicative

448
00:19:53,880 --> 00:19:57,679
Speaker 1: of Kelly that like big blasted choruses and those tasty

449
00:19:57,720 --> 00:19:58,760
Speaker 1: little verses.

450
00:19:58,480 --> 00:20:02,320
Speaker 3: Tasty verses where she's low and crispy, okay, and then

451
00:20:02,400 --> 00:20:02,800
Speaker 3: keep going.

452
00:20:02,920 --> 00:20:05,679
Speaker 2: Just Dance Gaga. Just dance gave pure pop.

453
00:20:05,560 --> 00:20:09,639
Speaker 3: Dance pop, the revival of like Euro inspired dance pop techno.

454
00:20:09,960 --> 00:20:12,880
Speaker 1: Maybe one more Time gave tongue in cheek. I mean

455
00:20:13,000 --> 00:20:16,359
Speaker 1: those like little Stevie Wonderism vocals that Brittany had in

456
00:20:16,359 --> 00:20:19,800
Speaker 1: the very beginning Brittany that really was like pure nineties

457
00:20:19,800 --> 00:20:22,520
Speaker 1: pop sound too, like that she engineered and was like

458
00:20:22,640 --> 00:20:23,600
Speaker 1: sounded perfectly on.

459
00:20:23,840 --> 00:20:26,920
Speaker 3: But it's through one person. That's like yearning teenage yearning

460
00:20:27,040 --> 00:20:30,840
Speaker 3: through one person. So good, m okay, now call me maybe.

461
00:20:30,880 --> 00:20:33,200
Speaker 1: I think call me maybe was just like a true

462
00:20:33,520 --> 00:20:37,399
Speaker 1: genius or songwriter getting it across and saying to you,

463
00:20:37,600 --> 00:20:40,320
Speaker 1: it doesn't matter what you want. You're singing my song.

464
00:20:40,440 --> 00:20:40,720
Speaker 2: Yeah.

465
00:20:40,720 --> 00:20:44,000
Speaker 1: And I think Carli ray Jepson like, especially for gays now,

466
00:20:44,400 --> 00:20:48,080
Speaker 1: it doesn't matter when Carli Ray comes out, You're singing it.

467
00:20:48,119 --> 00:20:51,119
Speaker 3: Really is amazing how at this point she's established her

468
00:20:51,160 --> 00:20:55,320
Speaker 3: the thing she's established as like something different from like

469
00:20:55,400 --> 00:20:58,399
Speaker 3: Taylor's version. Let's say it's like, here are the B

470
00:20:58,600 --> 00:21:01,000
Speaker 3: sides that are gonna be just as good as the

471
00:21:01,040 --> 00:21:04,280
Speaker 3: regular album yep. Like we've gone through three cycles of

472
00:21:04,320 --> 00:21:06,040
Speaker 3: this now and I'm like, that's amazing.

473
00:21:07,200 --> 00:21:12,480
Speaker 1: Yes, TikTok said I'm a mess and I'm chaotic, uh huh,

474
00:21:12,520 --> 00:21:14,520
Speaker 1: and you're singing along to it.

475
00:21:15,000 --> 00:21:15,560
Speaker 2: We skipped it.

476
00:21:15,560 --> 00:21:18,359
Speaker 1: Crazy and love, oh crazy and love literally even the

477
00:21:18,440 --> 00:21:21,040
Speaker 1: jay Z feature. It's just all like, this is Beyonce

478
00:21:21,160 --> 00:21:23,480
Speaker 1: saying I am a take charge. I remember the first

479
00:21:23,520 --> 00:21:26,200
Speaker 1: time I heard this, I thought, Michael Jackson, I thought,

480
00:21:26,200 --> 00:21:29,120
Speaker 1: like timeless. That's what I love about Crazy and Love

481
00:21:29,200 --> 00:21:30,879
Speaker 1: is it is a timeless sound. You could put it

482
00:21:30,880 --> 00:21:33,000
Speaker 1: out today. It would be a hit, even with the

483
00:21:33,040 --> 00:21:34,639
Speaker 1: page me lyric. I think she'd find a way to

484
00:21:34,640 --> 00:21:35,760
Speaker 1: make that like innovative.

485
00:21:36,359 --> 00:21:40,320
Speaker 3: It's powerful, yes, as it harkens to the classics.

486
00:21:40,359 --> 00:21:42,760
Speaker 1: It's dance forward, and also it had an iconic dance

487
00:21:42,800 --> 00:21:44,600
Speaker 1: move attached to it, which she would do many, many,

488
00:21:44,600 --> 00:21:46,600
Speaker 1: many times. I feel like that's also a part of

489
00:21:46,600 --> 00:21:48,720
Speaker 1: Beyonce that like gets lost. That's the fact that she's

490
00:21:48,800 --> 00:21:52,080
Speaker 1: like pretty much always gives you like, even if we

491
00:21:52,119 --> 00:21:54,720
Speaker 1: don't have the visuals explicitly on it a renaissance like

492
00:21:54,800 --> 00:21:57,280
Speaker 1: we have like dances that we're doing to the songs,

493
00:21:57,320 --> 00:21:59,560
Speaker 1: like She's just timeless and Crazy in Love was that?

494
00:21:59,640 --> 00:22:00,439
Speaker 2: Crazy Love was that?

495
00:22:00,520 --> 00:22:03,879
Speaker 3: And then TikTok by Kesha as we finished this conversation

496
00:22:03,960 --> 00:22:06,000
Speaker 3: about that song College for.

497
00:22:06,000 --> 00:22:10,840
Speaker 1: Us absolutely and said, I'm a nasty, nasty pop girl

498
00:22:10,840 --> 00:22:14,280
Speaker 1: who speaks singing, but it's melodic and musical and brilliant

499
00:22:14,320 --> 00:22:16,880
Speaker 1: and she would do that many many times, and that's

500
00:22:16,880 --> 00:22:19,840
Speaker 1: why it's number two on our Top ten Popularly debut

501
00:22:19,880 --> 00:22:22,879
Speaker 1: Singles Lost Cult, which brings us all the way to

502
00:22:23,840 --> 00:22:37,119
Speaker 1: number one. London Bridge Fergie, Yes a stupid, stupid, stupid,

503
00:22:37,880 --> 00:22:40,880
Speaker 1: so stupid makes no sense? How oh shit, oh shit,

504
00:22:42,160 --> 00:22:44,440
Speaker 1: oh shit, Burgie ferg what's up baby?

505
00:22:45,040 --> 00:22:47,040
Speaker 3: It makes no sense? How come every time you come

506
00:22:47,080 --> 00:22:49,040
Speaker 3: around my London London.

507
00:22:48,680 --> 00:22:49,640
Speaker 2: Bridge want to go down?

508
00:22:49,760 --> 00:22:54,760
Speaker 1: Like much of her first album, her debut album, The Ductress,

509
00:22:54,760 --> 00:22:57,080
Speaker 1: doesn't make any sense, but we never have gotten a

510
00:22:57,080 --> 00:22:59,560
Speaker 1: better album. Since it's art, It's one of the great

511
00:22:59,560 --> 00:23:02,280
Speaker 1: pieces of art we've experienced in culture.

512
00:23:02,400 --> 00:23:07,320
Speaker 2: The hits from that album are bountiful. Tell me a

513
00:23:07,320 --> 00:23:13,400
Speaker 2: better song than Glamorous? Go Ahead, Delicious, Don't cry because.

514
00:23:13,200 --> 00:23:16,720
Speaker 1: I'm gonna miss dude like a time, isn't there playing it?

515
00:23:17,480 --> 00:23:21,480
Speaker 1: I'm gonna get a loo with my life. I said

516
00:23:21,520 --> 00:23:25,800
Speaker 1: every song tasty girl, tasty girl, clumsy when I'm following

517
00:23:25,840 --> 00:23:26,680
Speaker 1: is lumsy?

518
00:23:27,119 --> 00:23:30,199
Speaker 3: Are you kidding me? People are still on these streets

519
00:23:30,200 --> 00:23:33,679
Speaker 3: singing glamorous. When they feel glamorous. The thing that pops

520
00:23:33,680 --> 00:23:36,080
Speaker 3: into their head is they start spelling the damn.

521
00:23:35,840 --> 00:23:40,639
Speaker 1: Word I can't describe how London Bridge opened the door

522
00:23:40,720 --> 00:23:44,399
Speaker 1: to Fergie. Yes, and here's the thing. It gets lost

523
00:23:44,440 --> 00:23:48,640
Speaker 1: in the conversation. Yeah, not anymore, not anymore. Number one,

524
00:23:48,720 --> 00:23:51,800
Speaker 1: because the second everyone turns off this podcast, they're gonna

525
00:23:51,840 --> 00:23:53,760
Speaker 1: go to their Spotify, their Apple Music, whatever there is.

526
00:23:53,800 --> 00:23:55,160
Speaker 1: They're gonna go to their walk came in if they're

527
00:23:55,160 --> 00:23:56,800
Speaker 1: still using one. They're gonna go to their vinyls. They're

528
00:23:56,800 --> 00:23:59,400
Speaker 1: gonna whip out the Duchess final that they definitely own

529
00:23:59,440 --> 00:24:00,960
Speaker 1: and it got to get one.

530
00:24:01,000 --> 00:24:01,600
Speaker 2: I'm getting one.

531
00:24:01,600 --> 00:24:04,320
Speaker 1: They're gonna put her on the player, put the thing

532
00:24:04,359 --> 00:24:09,280
Speaker 1: on the record and start spinning London Bridge.

533
00:24:09,640 --> 00:24:12,679
Speaker 3: I mean, this sound is powerful. I'm so glad we

534
00:24:12,760 --> 00:24:13,320
Speaker 3: landed on This.

535
00:24:13,359 --> 00:24:21,600
Speaker 2: Isn't the Grey Goose Get Your Girl for Loose?

536
00:24:22,520 --> 00:24:24,199
Speaker 1: So dangerous to come out in the time when I

537
00:24:24,240 --> 00:24:27,040
Speaker 1: was going to sweet sixteens on high school because did

538
00:24:27,080 --> 00:24:30,000
Speaker 1: have your girlfriend and loose in front of my friend's parents.

539
00:24:30,560 --> 00:24:35,679
Speaker 1: My Humps was a sinful song that made our generation devils,

540
00:24:35,920 --> 00:24:38,800
Speaker 1: wares and devils, and then we thought we knew Fergi then.

541
00:24:38,880 --> 00:24:41,240
Speaker 1: But like even with London Bridge, it's that same thesis

542
00:24:41,440 --> 00:24:45,159
Speaker 1: that you were saying earlier, where this blasted down the doors.

543
00:24:45,960 --> 00:24:51,440
Speaker 1: Fergie created the culture of our generation being whores and devils,

544
00:24:51,760 --> 00:24:52,800
Speaker 1: and that's real culture.

545
00:24:52,800 --> 00:24:56,520
Speaker 2: At number eighty created the culture of.

546
00:24:56,400 --> 00:25:00,240
Speaker 1: Our generation being wares and devils, and that is Bye

547
00:25:00,920 --> 00:25:01,719
Speaker 1: London Bridge.

548
00:25:01,720 --> 00:25:01,920
Speaker 2: Bye.

549
00:25:01,960 --> 00:25:05,160
Speaker 1: Fergie is number one on the Top ten Pop Girly

550
00:25:05,240 --> 00:25:07,160
Speaker 1: Debut singles last Culture.

551
00:25:07,400 --> 00:25:09,119
Speaker 3: Well, thank you so much for joining us on this

552
00:25:09,359 --> 00:25:13,320
Speaker 3: mini bonus episode where we are beginning our journey into

553
00:25:13,359 --> 00:25:15,760
Speaker 3: top ten list culture. We're so excited.

554
00:25:15,840 --> 00:25:20,040
Speaker 1: We're so excited to join this journey because we are

555
00:25:20,080 --> 00:25:22,280
Speaker 1: really joining it too. We all already have already been

556
00:25:22,320 --> 00:25:24,960
Speaker 1: on it, and stay tuned for our next bonus episode,

557
00:25:24,960 --> 00:25:29,200
Speaker 1: which is Top ten Julia Roberts Films.

558
00:25:28,600 --> 00:25:31,040
Speaker 2: And we end every episode with the song when.

559
00:25:30,920 --> 00:25:34,800
Speaker 1: I Talked to the Coast episode Happy in the Loud

560
00:25:35,440 --> 00:25:39,760
Speaker 1: up Oky for again you love Me, Love to Shit.

561
00:25:39,840 --> 00:25:41,399
Speaker 1: If you want to listen to that, do exactly what

562
00:25:41,440 --> 00:25:42,159
Speaker 1: I just said.

563
00:25:42,800 --> 00:25:43,520
Speaker 2: Bye Bye