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Speaker 1: Up, Wake you up, Wake up, wake that ass up.

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Speaker 2: Program your alarm the power one oh five point one

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Speaker 2: on iHeartRadio.

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Speaker 1: Is it your time to get it off your chest?

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Speaker 1: Whether you're man or blessed.

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Speaker 3: I hate the way that you walk, the way that

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Speaker 3: you talk, I hate the way that you dress.

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Speaker 4: Everything.

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Speaker 5: When he is best, call up next eight hundred five

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Speaker 5: eighty five one O five one.

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Speaker 4: Not just me, I'm what the coach of philing Hello.

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Speaker 3: This Hey, this is off Kim from the eighth four

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Speaker 3: to three?

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Speaker 4: What up?

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Speaker 1: Three? What's happening?

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Speaker 6: Charlamagne married?

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Speaker 7: Now?

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Speaker 4: Oh?

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Speaker 1: Congratulations?

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Speaker 4: Nice?

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Speaker 1: What happened?

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Speaker 6: I said, I know you're trying to get you to come,

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Speaker 6: but I know you were busy.

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Speaker 4: Oh yeah, do you even know Auntie?

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Speaker 1: Yes? I know Auntie.

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Speaker 8: Can He said that you shouldn't that person shouldn't even marry?

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Speaker 9: Ye?

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Speaker 1: I did not say nothing.

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Speaker 10: Just well Jeff, yeah the math.

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Speaker 6: I love Jeff.

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Speaker 4: I love you.

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Speaker 6: I'm gonna keep calling every day until you come.

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Speaker 4: Down to Yes.

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Speaker 8: Man, I'm trying to get somebody to make it happen.

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Speaker 8: Venue down there, I gotta calm down there, it would

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Speaker 8: just come.

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Speaker 1: We ain't no comedy clubs in Charleston.

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Speaker 4: No more.

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Speaker 10: Didn't we have this conversation before, Yes, ma'am, Okay, you

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Speaker 10: got to work on that.

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Speaker 11: You chant them back to the right.

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Speaker 1: I didn't know that, but.

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Speaker 6: Outside, that's a lot of things you don't know about

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Speaker 6: yourself down here, and I still hold you down.

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Speaker 1: Here, you know, well, I appreciate that. You know, that's home.

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Speaker 3: So modern, right, Aunty Kim Charlamagne, send your wedding gift yet,

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Speaker 3: Aunty Kim Charlamagne, send your wedding gift yet?

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Speaker 12: No, oh no, that's not.

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Speaker 6: Right, just saying, you know, just giving me his wedding,

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Speaker 6: you know, just give him sending me off with nice words.

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Speaker 2: Give me something, send me the registry or something. I'll

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Speaker 2: I'll send something.

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Speaker 4: Because usually when people go to the wedding and they pay.

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Speaker 1: The plate, I know you ain't got any registry.

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Speaker 3: You know, usually when people have a wedding, people got

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Speaker 3: to pay the plate. So him and his wife and

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Speaker 3: his kids would have went that six people, So how

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Speaker 3: much is each plate?

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Speaker 6: Everything?

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Speaker 13: And I want to give a shout out to my

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Speaker 13: nephew the.

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Speaker 10: Moon Fainly who put her in that.

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Speaker 6: But I just want to let you guys know, I

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Speaker 6: love y'all.

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Speaker 4: On the deal with We.

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Speaker 1: Love you, Kim, thank you A four to three all day. Hello.

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Speaker 1: Who's this yo?

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Speaker 10: There's Jeff from Dayton.

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Speaker 4: Jeff dating Ohio. What's up about to get off your chest?

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Speaker 10: Yeah?

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Speaker 9: Man, I want to talk about Uh, these whiteyens out

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Speaker 9: here in these streets where I live.

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Speaker 10: Man, they ain't lost they mind.

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Speaker 9: You know, they didn't call us the epic center of

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Speaker 9: fitting all in the opiate trade, so.

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Speaker 10: I guess they on this money thing. Still we got

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Speaker 10: we got, we got two young guys on trail right now.

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Speaker 10: Uh shooting up a house thirty seven times, little girl.

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Speaker 1: Man, that's insane.

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Speaker 9: And it's just like, my goodness, man, a few months

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Speaker 9: ago we had a.

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Speaker 10: Cat killer landscaper for blowing grass.

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Speaker 4: On his fall.

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Speaker 10: So it's just like and we're here in.

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Speaker 1: Dayton on how we just we just tired?

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Speaker 10: Man, We need some help.

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Speaker 9: Like, ain't no political leaders where I'm from, no activist.

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Speaker 9: It's just downhill every spingle day.

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Speaker 1: What about? What about? What about the homes? Man?

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Speaker 2: Like, what about the parents and the homes? Do you

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Speaker 2: know any of these kids parents?

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Speaker 1: Yeah? I know a lot of them.

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Speaker 2: Man.

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Speaker 10: The direction ain't getting no positive direction, man, A lot

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Speaker 10: of these parents young at this point, man, we got

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Speaker 10: the win.

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Speaker 1: He is in the club with their period Lord, have mercy. Yeah,

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Speaker 1: it done got.

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Speaker 10: To that point. You know they're young, the thirty bad,

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Speaker 10: thirty six year old periods, seventeen nineteen year old kid.

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Speaker 10: They meeting up at nine three seven getting it in

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Speaker 10: on the wind.

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Speaker 1: Damn, my brother, Da. I'm sorry, brother.

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Speaker 10: I just want you out to uh and everybody across

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Speaker 10: the nation.

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Speaker 9: Man's inder prayer from our city man, because you know

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Speaker 9: they Ohio man, we know him for a whole lot

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Speaker 9: in America as far as positive attributes throughout history.

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Speaker 1: And we're not lost our way, Yes, sir, the prayers

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Speaker 1: definitely up. Brother. All right, brother, Hello, who's this parent? Aaron?

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Speaker 4: What up? Get it off your chest?

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Speaker 10: Oh man, y'all wanted to go to work today.

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Speaker 13: Trying to start my car.

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Speaker 9: That joint would not start up.

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Speaker 2: Man, Well that's why you got to warm it up.

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Speaker 2: You know you're supposed to warm it up, you know,

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Speaker 2: just get in it. Yeah, you gotta warm.

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Speaker 13: See what happened was I turned up early, so I

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Speaker 13: took warm it up.

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Speaker 10: When outside I saw my check engine right was on,

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Speaker 10: turned it off, trying to bring it back up.

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Speaker 1: Nope, damn, damn. What is it though? Low on oil? Like,

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Speaker 1: what's going on? You don't know?

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Speaker 9: Now?

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Speaker 10: I checked the oil oil last week and I just

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Speaker 10: poke it up with guess.

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Speaker 3: Hey, man, you should go back out and try. You know,

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Speaker 3: sometimes you just got to let the car sit for

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Speaker 3: a little bit. The restarted with too and be I

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Speaker 3: did that too.

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Speaker 1: Damn.

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Speaker 2: Now was the worst time to be having now the

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Speaker 2: worst time to be having car problems because that's more

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Speaker 2: money that you got to spend that you probably ain't got.

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Speaker 1: No, I don't. I'm just saying this.

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Speaker 10: Rough because you're one hundred percent.

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Speaker 1: Right, That's what I'm saying.

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Speaker 4: Yeah, I'm sorry for your Aaron.

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Speaker 10: Yeah, man, oh man, I appreciate that though.

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Speaker 1: I love y'all, love you too. What y'all do?

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Speaker 3: Mansten to get it off your chest eight hundred five

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Speaker 3: eight five one o five one.

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Speaker 4: If you need to vent, hit us now. It's the

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Speaker 4: breakfast club. Good morning. This is your time to get

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Speaker 4: it off your chest, whether you're man or blessed. I

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Speaker 4: hate the way that.

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Speaker 8: You walk, the way that you talk, I hate the

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Speaker 8: way that you dress.

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Speaker 4: Everything.

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Speaker 5: When he is best, call up next. Eight hundred five

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Speaker 5: eighty five five one not just I'm.

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Speaker 1: What the coach of philing. Hello, who's this?

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Speaker 6: This is Larry? What's going on?

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Speaker 1: Now? What's up? Larry? Get up your chest?

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Speaker 4: Larry?

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Speaker 10: Are you Larry?

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Speaker 6: I'm doing all right, mister the guys.

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Speaker 1: Yeah, my middle name is Larry.

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Speaker 6: My thing is America is is a dump anymore? Man,

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Speaker 6: you should be fun to live. You ain't fun to

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Speaker 6: live you no more?

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Speaker 2: That's not true. Now come on, cut it out now

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Speaker 2: we're being a little crazy. What so so tell me

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Speaker 2: a fun of place.

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Speaker 6: Hey, look, it's current administration trying.

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Speaker 1: To kill a ball. That is true.

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Speaker 6: But hey, that's that's the poverty line used to be

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Speaker 6: like twenty three or something. I bet you they line.

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Speaker 1: Listen the Madden level just on ninety nine right now.

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Speaker 1: You know what I'm saying. But you know it's America.

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Speaker 6: Heyres well, miss building is real. I got the man

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Speaker 6: I mean, but I got it.

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Speaker 1: Thank you, my brother. I appreciate you.

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Speaker 4: Man.

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Speaker 1: Hello, who's this?

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Speaker 6: Hey?

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Speaker 13: It's you Brouh Muhammad from Baton Rouge.

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Speaker 1: What's up?

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Speaker 4: Brother? Get it off your chest?

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Speaker 13: Hey, man, I just won't let everybody know with all

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Speaker 13: a fear mongrant going on about this food and being

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Speaker 13: able to afford food for your houses. The Mosara, Elijah

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Speaker 13: Muhammad and all missus. Louis Barkin told us beans and

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Speaker 13: rice every day. That's a very cheap meal. I guess what,

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Speaker 13: it's a very healthy meal, especially that navy beans. So

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Speaker 13: if you got to go buy food for your family,

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Speaker 13: you might not be able to buy me. But focus

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Speaker 13: on the basics, the beans, the rice and the water,

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Speaker 13: and everything will be okay.

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Speaker 1: You're absolutely right, brother.

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Speaker 4: Hello, who's this shame shave? What's up?

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Speaker 1: Piechee?

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Speaker 14: Mo'st thirty fourth birthday?

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Speaker 10: Thank you?

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Speaker 9: Thank you?

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Speaker 6: I walked up selling really good, really peaceol, really excited

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Speaker 6: for this chapter? Not positive energy.

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Speaker 1: Is I have a question yet?

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Speaker 4: What's up? Girl?

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Speaker 6: When are the next time you're going to be performing

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Speaker 6: in New York?

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Speaker 13: Because I already you and I want.

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Speaker 1: To come to you.

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Speaker 8: I'm trying to put together a deal now for Brooklyn

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Speaker 8: or somewhere like that. Everybody keep telling me about these

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Speaker 8: venues or whatever. It's I'm mad since Caroline's closed like.

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Speaker 4: That spot in New York.

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Speaker 8: But now I gotta find another venue that I can

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Speaker 8: make a good deal with.

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Speaker 4: You killed salsal Config in the Bronx, so you killed

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Speaker 4: that when I would you know what to see.

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Speaker 8: But everybody don't like coming to the Bronx.

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Speaker 1: And I understand, I understand why.

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Speaker 8: I'm see what I'm saying.

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Speaker 2: If you don't live in the Bronx, you know, going

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Speaker 2: there once a year is pretty much enough. Anything else

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Speaker 2: is risking it exactly.

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Speaker 12: I got you, no girl, I got you.

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Speaker 4: Thank you, Shay, Happy birthday, Okay.

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Speaker 6: Thank you.

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Speaker 3: Get it off your chest. Eight hundred five eight five

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Speaker 3: one O five one. If you need the vent, call

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Speaker 3: us up right now. It's the Breakfast Club.

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Speaker 4: Good Morning by the SDJ.

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Speaker 3: M V Jess Hilarius Charlamage the guy. We are the

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Speaker 3: Breakfast Club. La La Rosa is here and we got

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Speaker 3: a special guest in the.

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Speaker 1: Building, Big Lola. Lola welcome.

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Speaker 7: Uh uh uh?

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Speaker 1: How you feeling?

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Speaker 7: I feel good. I can't complain, y'all like it early

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Speaker 7: Breakfast Club.

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Speaker 15: I know I know what's up. New project out, Yes,

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Speaker 15: new project out. I feel it feel good?

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Speaker 7: Oh my god, I feel like I just feel like

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Speaker 7: a new person.

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Speaker 15: Why because the last project I put out, y'all, I'm not.

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Speaker 7: Gonna hold you it just my mom wasn't there, Like

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Speaker 7: I wasn't there.

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Speaker 4: Really, why not what was going on.

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Speaker 7: Like I said, success.

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Speaker 15: Once you get it, you don't know how to navigate

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Speaker 15: it when you get when you first get there. So

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Speaker 15: it took me some time to like really enjoy my moment,

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Speaker 15: be grateful for my task, and just celebrate myself. So

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Speaker 15: mentally I wasn't there. That's why with Dennis Project Thennis

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Speaker 15: Daughter project, I was so vulnerable because I started thinking

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Speaker 15: about what happened before my moment and I couldn't tap in.

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Speaker 15: But now I'm like, I bet I got it, Like

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Speaker 15: I'm sure.

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Speaker 2: So you didn't enjoy the moment of your your when

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Speaker 2: when you released the first album.

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Speaker 15: No No, And I just sitting there pretending like I

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Speaker 15: remember the last time I was with you.

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Speaker 7: I was like, I'm good now. No, I was not.

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Speaker 15: I was just trying to I was trying to trick

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Speaker 15: myself into thinking that I was okay, but I wasn't.

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Speaker 15: I tell you talk about and when I heard you

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Speaker 15: say this, so I was like I felt it.

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Speaker 7: It resonated with me.

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Speaker 15: You were talking about how that feeling, but also feeling like, wait,

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Speaker 15: is this really happening?

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Speaker 7: Am I supposed to be here? Is it all gonna

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Speaker 7: be going tomorrow?

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Speaker 4: Like syndrome.

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Speaker 15: Yeah, like it was freaking you out, like you didn't

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Speaker 15: know what one day after the other was going to live.

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Speaker 7: Yes, that's exactly how I was feeling. And then you

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Speaker 7: don't know what that feeling is.

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Speaker 15: Like you know you feeling something, but you want how

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Speaker 15: to explain it, and you don't want people to look

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Speaker 15: at you like you crazy, but you know you're going

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Speaker 15: through something. And then I don't vent to everybody about

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Speaker 15: things like I'm not that person that'd be like going

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Speaker 15: through this and I'm sad.

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Speaker 3: Nah, you could be sensitive, so you could be sensitive

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Speaker 3: and Lola, I mean.

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Speaker 2: I guess, I guess I like that though, because you

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Speaker 2: know you rap with such a big voice, that big

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Speaker 2: Brooklyn energy. But what's something in your life you still

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Speaker 2: feel small about, like something you scared them you're still

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Speaker 2: working on.

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Speaker 1: Is that.

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Speaker 7: My confidence is there?

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Speaker 15: It's not about having a confidence, it's about being confident

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Speaker 15: enough to not care to show my confidence because you

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Speaker 15: think about other people before yourself, Like I think about

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Speaker 15: stepping on people toes before I'm one hundred percent me,

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Speaker 15: and you shouldn't do that because that's that means you

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Speaker 15: holding back. So that's what it be. It's like I

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Speaker 15: know I can do this. I know I can do that,

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Speaker 15: But then with this person, feel away. If I start

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Speaker 15: feeling myself a little bit more, and it's like, so,

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Speaker 15: what right exactly?

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Speaker 4: You should?

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Speaker 3: But I was gonna ask, what with this project? Do

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Speaker 3: you ever chase? Try to chase the first project? Because

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Speaker 3: you had successful record, big records? You ever say I

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Speaker 3: gotta stay on top? Does that bring you the pressure?

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Speaker 7: No? See, the pressure was doing the last project.

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Speaker 15: This time around, it's like, no, I'm having fun, Like

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Speaker 15: I gotta remember that I'm rapping because I enjoy doing it,

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Speaker 15: So no pressure.

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Speaker 1: Like people underestimate you because of your size.

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Speaker 7: Yeah, that's why I'd be rapping, like I'm six foot two.

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Speaker 3: I've never seen nobody have a security guard that has

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Speaker 3: to put you.

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Speaker 12: He puts you, he puts you.

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Speaker 3: On his shoulders to get you in and out of spot.

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Speaker 3: Like that is the craziest thing I've never to see.

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Speaker 7: Yeah, and I'd be like, we.

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Speaker 1: Do you like proving people wrong?

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Speaker 15: I used to like proving people wrong, but not no

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Speaker 15: more because I realized that that's a dead end. Like

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Speaker 15: you can't waste your time trying to prove people wrong.

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Speaker 15: You got to prove yourself right on this project. I

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Speaker 15: bet from the first song, what's up with it? It

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Speaker 15: seems like it's like a temperature check. So that's not

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Speaker 15: proving people wrong. What temperature are you checking? Because it

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Speaker 15: seems like you're like, oh, y'all was looking for me.

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Speaker 7: I'm here.

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Speaker 15: I was checking everybody body temperature, like because my body check.

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Speaker 15: Check everybody body temperature because it's like my body different,

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Speaker 15: Like I'm all body over here, Like what's up with it?

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Speaker 15: Like this ain't no play play, I'm for real, So

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Speaker 15: let's get into it. What do you feel like has

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Speaker 15: been like the biggest uh? I guess things that have

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Speaker 15: been thrown that you're from opposition that you felt like

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Speaker 15: you had to let people know, like I'm not worried

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Speaker 15: about I see it, but I'm not worried about you

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Speaker 15: because that's kind of what that song gives me.

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Speaker 7: It's like you were dressing some things or.

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Speaker 15: Being a female artist in the rap business. I feel

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Speaker 15: like they put so much pressure on you. It's like

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Speaker 15: unnecessary pressure, and then you'll get tricked, like you get

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Speaker 15: tricked out your spot.

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Speaker 7: So I'm like, basically I'm saying, you ain't gon trick

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Speaker 7: me out my spot. What's up with it?

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Speaker 4: Chat saying picture shirt?

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Speaker 7: Oh, the chat, all the povies? You not really got nothing,

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Speaker 7: but it's looking good?

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Speaker 4: Why not?

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Speaker 7: But yeah, they give you unnecessary I'm good, now.

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Speaker 1: Good, it's it's all on display.

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Speaker 4: No, I.

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Speaker 7: Just think they saw the top of your bro it's new.

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Speaker 1: It's just you know, the chat disrespect. Look at the

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Speaker 1: chat like it.

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Speaker 15: But you know they put they put unnecessary pressure on you.

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Speaker 15: So it's like at a point, yeah, I did feel

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Speaker 15: like my back was against the.

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Speaker 7: Wall and I'm like, no, I'm not going out like that,

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Speaker 7: So what's.

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Speaker 12: Up with it?

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Speaker 1: What's something about the rap game that's that's way nasty

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Speaker 1: than you expect.

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Speaker 15: It's a it's it's it's really a game you gotta

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Speaker 15: play and you gotta learn to play it. It's like

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Speaker 15: everybody is not your friend for sure. This is a

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Speaker 15: business and if you do, uh, create some friends along

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Speaker 15: the way, it's a great thing.

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Speaker 7: But keep it to a man.

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Speaker 4: Yeah.

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Speaker 2: I heard on the album you was talking about people

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Speaker 2: that was fronting on you. But you gave a Boogie

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Speaker 2: a lot of problem.

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Speaker 4: Yes, I did.

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Speaker 15: Yeah, because he took me on my first tour and

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Speaker 15: he set me up clean like my set was on

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Speaker 15: his set in the middle of his set, so the

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Speaker 15: crowd is already warmthed up, you know what I'm saying,

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Speaker 15: And then I come in and then I'm like.

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Speaker 7: Ah, y'all ready for boogie again? And they're like, yeah,

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Speaker 7: so he set me up right?

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Speaker 15: Can you talk about how because even so it's a buggie.

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Speaker 15: I remember I came and saw you a while ago

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Speaker 15: Future was at the Barclay.

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Speaker 7: And they loved you there and they gave me so

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Speaker 7: much love there.

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Speaker 15: How impactful and important was it for people like that

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Speaker 15: wrap their arms around you but do it in a

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Speaker 15: very authentic way that gave you the best platform. It's

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Speaker 15: on the right place on the shows and things like that.

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Speaker 7: Yeah, it just it.

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Speaker 15: It allowed people to accept me more a little more faster.

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Speaker 7: But it wasn't forced.

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Speaker 15: It was just like, dang, why we ain't see this

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Speaker 15: girl before, you know what I'm saying.

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Speaker 3: So people ever say that you to New York trying

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Speaker 3: to make you cut New York down a little bit.

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Speaker 15: No, No, If anything, they asked me to be more

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Speaker 15: New York Like can can I hear?

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Speaker 7: They'd be like, can I hear your exit?

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Speaker 15: Can I can I hear some lingos and I'll be like,

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Speaker 15: I don't just talk to me.

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Speaker 1: You are New York, I was saying, this morning New York.

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Speaker 1: But I was like, yeah, it.

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Speaker 4: Will be ill.

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Speaker 2: She was almost like DMX on I love because of

400
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Speaker 2: how you look aesthetic.

401
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Speaker 4: She kind of is though.

402
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Speaker 7: The video that's kind of I.

403
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Speaker 15: Was going to put on some times, but I was

404
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Speaker 15: gonna put on the hills I was, but I was like,

405
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Speaker 15: all right, girl, packed the butters up like you.

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Speaker 7: But I'm very much influenced by DMX though.

407
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Speaker 15: It's a song called what on a project and oh

408
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Speaker 15: it give it Give It gives Norri too, and it's

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Speaker 15: very New York.

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Speaker 2: You mentioned people switching up on you too once you

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Speaker 2: got your your first plaque.

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Speaker 1: Yeah, was it family? Was it an artist or was it?

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Speaker 15: It was a lot of man like And you know,

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Speaker 15: the thing is for me, it's like I didn't even

415
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Speaker 15: pay no much attention to it because I'm not I'm

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Speaker 15: not a person that's into drama. So I know, when

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Speaker 15: you feed into drama, then you don't feed into yourself.

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Speaker 15: So yes, what'sched up like you know, but that's what

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Speaker 15: that's what comes with it, you know what I'm saying.

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Speaker 15: At least that part I kind of already knew, but

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Speaker 15: it's different when you go through it, you know what

422
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Speaker 15: I'm saying.

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Speaker 2: Do you feel like female rappers get boxed into things

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Speaker 2: like they want you to either be sexy or gangster

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Speaker 2: just do club records.

426
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Speaker 7: Like they don't know what they wanted to do. You

427
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Speaker 7: gotta know what you want.

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Speaker 15: To do because it's like whatever you're thinking, that's not

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Speaker 15: what it is.

430
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Speaker 7: This is whatever I'm giving you is what you get.

431
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Speaker 7: You gotta be confident.

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Speaker 15: You have to have way more confidence than the male

433
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Speaker 15: artists for sure.

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Speaker 2: Which land do you think people try to People wrongly

435
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Speaker 2: try to put you in.

436
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Speaker 8: Drill.

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Speaker 15: They tried to, but are cleaned up the energy. But

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Speaker 15: then you came with the Brice and Tiller situation, which

439
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Speaker 15: I would. I love that for you because so many

440
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Speaker 15: people got to meet you as an artist because the

441
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Speaker 15: song was so big.

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Speaker 7: But it's the energy of your music that feels like drill.

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Speaker 15: Yeah, that's what I'm not going to front. Yeah, because

444
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Speaker 15: I love pop smoke. You know what I'm saying. I

445
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Speaker 15: love his energy. I might I might get on the

446
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Speaker 15: drill beat, but I might talk about different things. But

447
00:17:27,440 --> 00:17:30,360
Speaker 15: my tempo in my pocket and my energy is going.

448
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Speaker 8: To be high.

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Speaker 4: Selling records mean a lot to you? Or do you

450
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Speaker 4: just like the music you put out?

451
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Speaker 3: Because you just talked about the Brice and Tiller bracket,

452
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Speaker 3: Like there's like plaques.

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Speaker 4: And the fact that you on behalf of team ad

454
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Speaker 4: and Adams the records. We want to congratulate you on

455
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Speaker 4: a gold platte.

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Speaker 1: Who wow, what is it? What does that mean to you?

457
00:18:11,119 --> 00:18:21,359
Speaker 16: This mean that you know?

458
00:18:21,600 --> 00:18:23,400
Speaker 15: I think I love that for you because I feel

459
00:18:23,400 --> 00:18:25,520
Speaker 15: like when that record hit, and it really hit, it

460
00:18:25,520 --> 00:18:27,040
Speaker 15: was at a time where people were trying to figure

461
00:18:27,080 --> 00:18:29,840
Speaker 15: out if you would be able to do everything you did,

462
00:18:30,080 --> 00:18:31,879
Speaker 15: but don't play with it and do it again, and

463
00:18:31,920 --> 00:18:33,880
Speaker 15: you did it bigger all slept y'all.

464
00:18:33,880 --> 00:18:34,560
Speaker 17: I can't believe this.

465
00:18:35,240 --> 00:18:41,680
Speaker 15: I can call my mom yo oh man. Yeah, because listen,

466
00:18:42,040 --> 00:18:45,160
Speaker 15: people was doubting me before I got my first one,

467
00:18:45,640 --> 00:18:48,639
Speaker 15: Like they was doubting me all around the board. And

468
00:18:48,680 --> 00:18:54,119
Speaker 15: then it's like she sh I gotta do it again. Yeah, okay, cool,

469
00:18:54,160 --> 00:18:56,960
Speaker 15: And then you do it again. But you know, you

470
00:18:57,040 --> 00:18:59,400
Speaker 15: still get slept on. You know what I'm saying you

471
00:18:59,400 --> 00:19:00,359
Speaker 15: You still get left on.

472
00:19:00,440 --> 00:19:03,320
Speaker 7: But it's cool. Like if you're not strong enough to

473
00:19:03,400 --> 00:19:07,560
Speaker 7: be in this game, then the success ain't gonna come.

474
00:19:08,000 --> 00:19:10,879
Speaker 3: But talk about what that means for you, right, the

475
00:19:10,920 --> 00:19:13,920
Speaker 3: fact that you're selling records, this one's goal.

476
00:19:14,680 --> 00:19:15,760
Speaker 1: Now, what does that mean?

477
00:19:15,840 --> 00:19:18,560
Speaker 3: Seeing that plaque and all your hard work coming through

478
00:19:18,600 --> 00:19:19,399
Speaker 3: with these seals.

479
00:19:19,800 --> 00:19:22,240
Speaker 15: It just means that all my dreams are coming true.

480
00:19:22,280 --> 00:19:25,120
Speaker 15: And it means that when I was saying to my mom,

481
00:19:25,240 --> 00:19:27,280
Speaker 15: like I just feel like I'm somebody in this world,

482
00:19:27,359 --> 00:19:31,560
Speaker 15: somebody important that I wasn't tripping, it was true, like

483
00:19:31,640 --> 00:19:35,320
Speaker 15: I really felt it. And it just shows that I'm

484
00:19:35,760 --> 00:19:36,760
Speaker 15: I'm gonna be able to.

485
00:19:36,680 --> 00:19:37,600
Speaker 4: Take care of y'all.

486
00:19:37,680 --> 00:19:40,480
Speaker 15: Mom, I got you, baby, I would continue painting no

487
00:19:40,600 --> 00:19:41,320
Speaker 15: bills girls.

488
00:19:41,359 --> 00:19:42,919
Speaker 3: Is your mom your biggest fan? Because that's first thing

489
00:19:42,920 --> 00:19:43,879
Speaker 3: he said, I need to call my mom.

490
00:19:44,119 --> 00:19:47,240
Speaker 15: Go yeah, my mom is the reason I resigned for

491
00:19:47,359 --> 00:19:52,120
Speaker 15: my job to pursue a music career. So I will

492
00:19:52,200 --> 00:19:54,840
Speaker 15: always like have her back because she always had money.

493
00:19:55,200 --> 00:19:56,320
Speaker 1: I know you got a record call.

494
00:19:56,400 --> 00:19:59,399
Speaker 2: It was all a dream and you mentioned that survivors

495
00:19:59,440 --> 00:20:01,640
Speaker 2: you more at hell you back from celebrating your win.

496
00:20:02,560 --> 00:20:03,680
Speaker 1: Are you gonna celebrate this?

497
00:20:03,800 --> 00:20:06,159
Speaker 15: Yes, I'm gonna celebrate that. I promise this is a

498
00:20:06,200 --> 00:20:09,000
Speaker 15: different time. I'm gonna celebrate that when I promise you that.

499
00:20:09,040 --> 00:20:11,360
Speaker 1: When you've reached the place now where you can celebrate.

500
00:20:10,920 --> 00:20:14,040
Speaker 15: Those yes, Like I feel like, dang, I should be

501
00:20:14,040 --> 00:20:18,040
Speaker 15: happy for myself and I shouldn't feel like because I

502
00:20:18,080 --> 00:20:21,280
Speaker 15: done went and found this success that I gotta worry

503
00:20:21,280 --> 00:20:24,439
Speaker 15: about where you at and the level of success of

504
00:20:24,480 --> 00:20:24,960
Speaker 15: your life.

505
00:20:25,359 --> 00:20:27,160
Speaker 7: You know what I'm saying, Like, yours is gonna come.

506
00:20:27,480 --> 00:20:30,320
Speaker 15: I waited for minds, I've been on a bench for

507
00:20:30,359 --> 00:20:32,119
Speaker 15: a very long time. I sat on the bench and

508
00:20:32,119 --> 00:20:35,639
Speaker 15: I watched the game that I'm in a court, like, dang,

509
00:20:35,720 --> 00:20:36,840
Speaker 15: can you cheer for me?

510
00:20:37,280 --> 00:20:37,359
Speaker 9: So?

511
00:20:37,400 --> 00:20:38,040
Speaker 1: What were you feelings?

512
00:20:38,119 --> 00:20:38,280
Speaker 4: Why?

513
00:20:38,280 --> 00:20:39,399
Speaker 1: I was remorse about.

514
00:20:39,560 --> 00:20:44,240
Speaker 15: Exactly, like just with everything, the littlest things like being

515
00:20:44,240 --> 00:20:46,359
Speaker 15: able to pay my bills on time, and I still

516
00:20:46,400 --> 00:20:48,359
Speaker 15: know people that that's not able to do. So you

517
00:20:48,400 --> 00:20:51,399
Speaker 15: know what I'm saying, Like the littlest things was holding

518
00:20:51,440 --> 00:20:54,000
Speaker 15: me back that I felt bad, And it's like, why

519
00:20:54,000 --> 00:20:56,560
Speaker 15: would you feel bad when it's your time and you

520
00:20:56,640 --> 00:21:00,000
Speaker 15: gotta keep going so that these people could be in yours?

521
00:21:00,080 --> 00:21:01,960
Speaker 2: This you too, right, So at what point in your

522
00:21:01,960 --> 00:21:04,080
Speaker 2: success did you realize it was okay to.

523
00:21:04,080 --> 00:21:07,240
Speaker 15: Help yourself first when nobody was there when I was

524
00:21:07,240 --> 00:21:09,679
Speaker 15: going through it in my room by myself, when I

525
00:21:09,760 --> 00:21:13,520
Speaker 15: was like, I was depressed and nobody was there. And

526
00:21:13,560 --> 00:21:16,080
Speaker 15: I'm not saying that nobody didn't want to be there.

527
00:21:17,119 --> 00:21:19,840
Speaker 15: I just dealt with it by myself. But I got

528
00:21:19,840 --> 00:21:22,960
Speaker 15: through it. So I'm like, Okay, now you got to

529
00:21:22,960 --> 00:21:24,159
Speaker 15: start putting yourself first.

530
00:21:24,560 --> 00:21:26,720
Speaker 3: You do know that you got to take care of

531
00:21:26,800 --> 00:21:29,320
Speaker 3: yourself and family first, because a lot of times that

532
00:21:29,400 --> 00:21:31,440
Speaker 3: happens to a lot of people and they take care

533
00:21:31,440 --> 00:21:35,200
Speaker 3: of everybody else.

534
00:21:35,720 --> 00:21:41,800
Speaker 4: That's right. You do understand that part of it, though.

535
00:21:42,080 --> 00:21:44,560
Speaker 2: Yes, when young girls from Brooklyn look at you and

536
00:21:44,600 --> 00:21:46,479
Speaker 2: say I want to rap too, what's the what's the

537
00:21:46,520 --> 00:21:47,800
Speaker 2: realest guy that you can offer?

538
00:21:49,359 --> 00:21:52,639
Speaker 15: I will say when they tell you to aggressive, be

539
00:21:52,680 --> 00:21:53,600
Speaker 15: even more aggressive.

540
00:21:54,680 --> 00:21:58,159
Speaker 7: Yeah, say what your chest girl, say with your tatars.

541
00:21:58,440 --> 00:21:59,840
Speaker 7: Just don't show them your check.

542
00:22:01,880 --> 00:22:04,480
Speaker 1: It's something you manifested from twenty twenty six that scares

543
00:22:04,520 --> 00:22:05,640
Speaker 1: you and the best.

544
00:22:06,720 --> 00:22:11,439
Speaker 15: The scariest thing right now for me would be knowing

545
00:22:11,520 --> 00:22:12,720
Speaker 15: that I know my worth.

546
00:22:14,760 --> 00:22:16,560
Speaker 7: I know my worth, and that's the scariest thing.

547
00:22:16,560 --> 00:22:19,000
Speaker 15: When somebody know they worth, they ain't taking no, I

548
00:22:19,000 --> 00:22:20,320
Speaker 15: ain't taking nothing from nobody.

549
00:22:20,320 --> 00:22:21,200
Speaker 12: I don't care who it is.

550
00:22:22,359 --> 00:22:25,199
Speaker 7: I'm standing on it like I'm six to two.

551
00:22:25,560 --> 00:22:26,880
Speaker 4: You are because I am.

552
00:22:27,040 --> 00:22:27,440
Speaker 7: I'm sick.

553
00:22:27,520 --> 00:22:33,920
Speaker 15: I'm seven two, but today i'm six two. I'm sitting down, ladies.

554
00:22:33,720 --> 00:22:36,760
Speaker 3: And gentlemen, Lord lab Brook, we appreciate you for joining us.

555
00:22:36,800 --> 00:22:39,840
Speaker 3: The new album I Bet is out now. Yes, and

556
00:22:39,960 --> 00:22:43,640
Speaker 3: congratulations on all the success.

557
00:22:44,040 --> 00:22:44,280
Speaker 15: Yes.

558
00:22:44,680 --> 00:22:46,520
Speaker 7: I don't know how carrying that thing is.

559
00:22:46,800 --> 00:22:48,360
Speaker 1: You got a bunch of men with you. I hope

560
00:22:48,359 --> 00:22:48,840
Speaker 1: you don't have.

561
00:22:48,840 --> 00:22:52,560
Speaker 3: To carry it, but I want to carry it.

562
00:22:52,640 --> 00:22:56,720
Speaker 4: I carry just like a prog. It's the Breakfast Clubs

563
00:22:56,720 --> 00:22:59,920
Speaker 4: owning everybody. It's DJ Envy, just hilarious.

564
00:23:00,040 --> 00:23:02,440
Speaker 3: All I mean, the guy we are the Breakfast Clubs

565
00:23:02,480 --> 00:23:04,159
Speaker 3: is here as well. We got a special guest in

566
00:23:04,160 --> 00:23:07,920
Speaker 3: the building.

567
00:23:08,520 --> 00:23:09,119
Speaker 4: What's that? What's that?

568
00:23:09,600 --> 00:23:10,119
Speaker 1: How you feeling?

569
00:23:11,720 --> 00:23:13,880
Speaker 4: How you doing that right now? Yeah?

570
00:23:13,920 --> 00:23:14,320
Speaker 1: I'm good.

571
00:23:14,400 --> 00:23:17,359
Speaker 3: Brood back on the roll back on tour, Yeah, on

572
00:23:17,440 --> 00:23:18,959
Speaker 3: tour right now, Moose Wings.

573
00:23:19,040 --> 00:23:20,920
Speaker 4: You know what I'm saying, the new ep out on tour.

574
00:23:21,080 --> 00:23:22,399
Speaker 4: I won't say, you're gonna start right now.

575
00:23:22,400 --> 00:23:24,000
Speaker 3: You shook that man saying that in front of on

576
00:23:24,040 --> 00:23:27,360
Speaker 3: you the other day.

577
00:23:27,720 --> 00:23:30,040
Speaker 1: What he said? What he said? Yes that can beat him?

578
00:23:30,080 --> 00:23:34,520
Speaker 1: Universe said, I mean you know.

579
00:23:34,520 --> 00:23:36,400
Speaker 4: He had to you know, he had to be on music.

580
00:23:36,560 --> 00:23:37,639
Speaker 1: I ain't talking about singing.

581
00:23:37,680 --> 00:23:41,560
Speaker 2: I'm not talking about like, I'm not talking about singing vocally, yes, music,

582
00:23:41,960 --> 00:23:42,439
Speaker 2: You think.

583
00:23:43,200 --> 00:23:45,720
Speaker 1: They lost his mind? You ain't let him on that stage.

584
00:23:46,400 --> 00:23:47,080
Speaker 1: What was going to happen?

585
00:23:48,520 --> 00:23:52,200
Speaker 3: Yeah, you said I didn't let him on wanted to

586
00:23:52,280 --> 00:23:56,320
Speaker 3: do there? You can ask Je what happened backstage. I

587
00:23:56,359 --> 00:23:58,359
Speaker 3: was like, Yo, let's do it, let's make it happen.

588
00:23:58,400 --> 00:23:59,520
Speaker 4: He was like, shrink me.

589
00:23:59,840 --> 00:24:01,560
Speaker 3: Just just I don't care what you do, just o't.

590
00:24:01,680 --> 00:24:03,199
Speaker 3: Just just make it happen. I'm like, I don't even

591
00:24:03,200 --> 00:24:04,320
Speaker 3: know he was gonna be that bad.

592
00:24:04,320 --> 00:24:06,040
Speaker 4: I got you. They didn't let him on stage. It

593
00:24:06,080 --> 00:24:06,399
Speaker 4: wasn't me.

594
00:24:07,280 --> 00:24:09,560
Speaker 1: That's not Reja story. Reje story was I wanted to

595
00:24:09,560 --> 00:24:11,399
Speaker 1: do the verses right there to Mario.

596
00:24:12,440 --> 00:24:17,879
Speaker 3: Out of all people, you trust Radie story, damn you

597
00:24:17,920 --> 00:24:19,679
Speaker 3: trust reggae story of people.

598
00:24:21,960 --> 00:24:23,159
Speaker 4: I don't know. I don't know.

599
00:24:23,200 --> 00:24:24,879
Speaker 3: I didn't know what was happening back there, like it

600
00:24:24,920 --> 00:24:26,240
Speaker 3: was a plan and then it did happen.

601
00:24:26,320 --> 00:24:28,640
Speaker 4: So you know each other again.

602
00:24:30,080 --> 00:24:32,919
Speaker 3: I know why they keep sleeping on you, why they

603
00:24:33,000 --> 00:24:33,679
Speaker 3: keep sleeping on me.

604
00:24:33,960 --> 00:24:34,600
Speaker 1: I don't know.

605
00:24:35,000 --> 00:24:38,359
Speaker 4: Vocally, I hold on, you said, hold on, we got did.

606
00:24:38,240 --> 00:24:41,960
Speaker 1: He said what? He said, that's great? Got three in

607
00:24:42,040 --> 00:24:43,240
Speaker 1: the possible. I don't think you can.

608
00:24:43,760 --> 00:24:47,200
Speaker 7: You got crazy about ten six?

609
00:24:47,840 --> 00:24:49,560
Speaker 4: Yeah, that's that's kind of crazy, bro.

610
00:24:50,359 --> 00:24:54,640
Speaker 1: But on one he said one song for one.

611
00:24:54,520 --> 00:24:56,520
Speaker 3: Song, and he said new music because he can only

612
00:24:56,560 --> 00:25:00,359
Speaker 3: do run song that really like really like be like,

613
00:25:00,600 --> 00:25:02,760
Speaker 3: that's a strong because versus you got it's like it

614
00:25:02,880 --> 00:25:05,639
Speaker 3: gotta be strong. You gotta have some strong it's not

615
00:25:05,720 --> 00:25:07,399
Speaker 3: you know that, it's not a joke. If you're going

616
00:25:07,440 --> 00:25:09,200
Speaker 3: with the right you're going against the right person. You

617
00:25:09,240 --> 00:25:11,560
Speaker 3: gotta have strong records. People people you don't know how

618
00:25:11,560 --> 00:25:13,560
Speaker 3: they're gonna be feeling that day. They might want the

619
00:25:13,600 --> 00:25:15,480
Speaker 3: song one day. One day you might be like, that's better.

620
00:25:15,520 --> 00:25:17,440
Speaker 3: What people aren't consistent.

621
00:25:17,520 --> 00:25:20,000
Speaker 1: But you can do one of those three times because technically.

622
00:25:21,040 --> 00:25:23,640
Speaker 4: Definitely, but he only got one wish.

623
00:25:23,440 --> 00:25:25,240
Speaker 1: And then but you can do it three times and

624
00:25:25,240 --> 00:25:29,120
Speaker 1: then no, for sure, he got got Wait a minute.

625
00:25:28,920 --> 00:25:31,960
Speaker 3: Bro, he got a couple of records, bro, Bro, And

626
00:25:32,000 --> 00:25:35,600
Speaker 3: then what but like they're not timeless classic records that

627
00:25:35,680 --> 00:25:37,600
Speaker 3: make you feel like it's just a.

628
00:25:37,560 --> 00:25:40,760
Speaker 4: Different you'll just stop taking me out of these conversations. Bro, Honestly,

629
00:25:41,359 --> 00:25:43,760
Speaker 4: I gotta stop taking me out of these conversations. You

630
00:25:43,800 --> 00:25:44,240
Speaker 4: know what I'm saying.

631
00:25:44,320 --> 00:25:46,840
Speaker 3: I get passionate about it, and I love all my piers.

632
00:25:47,040 --> 00:25:48,359
Speaker 3: Like you know what I'm saying, The Internet is the

633
00:25:48,400 --> 00:25:50,760
Speaker 3: Internet like whatever, But like y'all gotta.

634
00:25:50,600 --> 00:25:51,960
Speaker 4: Put me in different conversations.

635
00:25:52,040 --> 00:25:54,840
Speaker 3: But I get I get that during my hiatus, like

636
00:25:54,880 --> 00:25:58,639
Speaker 3: I've had to prove, like remind people that yo, like

637
00:25:58,720 --> 00:26:00,880
Speaker 3: I really God put me in this because the gift

638
00:26:00,960 --> 00:26:05,880
Speaker 3: is really there. My persistence and my ability to continue

639
00:26:05,880 --> 00:26:08,080
Speaker 3: to push and continue to put out music is still there.

640
00:26:08,240 --> 00:26:11,320
Speaker 4: My passion is still there. I'm still hungry, you know.

641
00:26:11,440 --> 00:26:13,600
Speaker 3: I take it serious, you know, but I think some

642
00:26:13,640 --> 00:26:15,879
Speaker 3: people are like Internet, have fun on the Internet, and

643
00:26:15,880 --> 00:26:17,200
Speaker 3: then some people really take it serious.

644
00:26:17,280 --> 00:26:18,040
Speaker 4: I'm one of those that takes.

645
00:26:18,080 --> 00:26:21,159
Speaker 3: I think people forget because of your hiatus, right, And

646
00:26:21,160 --> 00:26:23,000
Speaker 3: the reason I say that because I forgot and we

647
00:26:23,240 --> 00:26:24,960
Speaker 3: went on to we went like an R and B

648
00:26:25,080 --> 00:26:28,120
Speaker 3: tool and our DJ for Mario doing that tool. Fact,

649
00:26:28,240 --> 00:26:31,399
Speaker 3: and when you understand when we're playing six songs and

650
00:26:31,480 --> 00:26:34,880
Speaker 3: those that fifteen thousand arena's singing them six songs only

651
00:26:34,880 --> 00:26:37,640
Speaker 3: because we only got fifteen minutes, we would play more music, but.

652
00:26:37,600 --> 00:26:41,000
Speaker 4: Yeah, go ahead, but the six songs you understand. It's like, oh,

653
00:26:41,119 --> 00:26:42,000
Speaker 4: I get it. That's what.

654
00:26:43,560 --> 00:26:43,840
Speaker 1: I'm like.

655
00:26:43,920 --> 00:26:44,120
Speaker 4: Nah.

656
00:26:44,920 --> 00:26:46,920
Speaker 2: The other day when was playing, I'm like, oh, yeah,

657
00:26:46,920 --> 00:26:49,400
Speaker 2: I forgot that yeahah, oh yeah I did forget that one.

658
00:26:49,480 --> 00:26:51,639
Speaker 4: Yeah. Yeah, And it happens. I think it's natural, you know.

659
00:26:51,680 --> 00:26:53,719
Speaker 4: I saw your interview with Mike the other day.

660
00:26:53,720 --> 00:26:55,399
Speaker 3: I was like, Yo, it was a great interview because

661
00:26:55,280 --> 00:26:57,959
Speaker 3: he made some good points about people forget.

662
00:26:58,040 --> 00:26:59,320
Speaker 4: You know, you got to remind people.

663
00:26:59,359 --> 00:27:01,840
Speaker 3: And I think that it's just the way of the

664
00:27:01,920 --> 00:27:04,680
Speaker 3: Internet as well. It's just like this this new world

665
00:27:04,680 --> 00:27:07,040
Speaker 3: of like everybody's receiving stuff so fast, and it's like,

666
00:27:07,359 --> 00:27:09,400
Speaker 3: if you don't put music out for it six months,

667
00:27:09,520 --> 00:27:10,880
Speaker 3: do you where you've been at?

668
00:27:10,960 --> 00:27:11,520
Speaker 4: You know what I'm saying.

669
00:27:11,520 --> 00:27:13,600
Speaker 3: But for us as artists, a six months, that's that's

670
00:27:13,600 --> 00:27:16,280
Speaker 3: a small campaign. It might take especially your R and B,

671
00:27:16,320 --> 00:27:17,919
Speaker 3: it might take six months for people to even though

672
00:27:17,920 --> 00:27:20,760
Speaker 3: you got a joint that's heating up, you know, But

673
00:27:21,320 --> 00:27:22,480
Speaker 3: that's just a part of the process.

674
00:27:22,560 --> 00:27:25,120
Speaker 2: You've been against you with a teenager. What's something the

675
00:27:25,160 --> 00:27:27,960
Speaker 2: grown version that you had to unlearned from the young

676
00:27:28,040 --> 00:27:28,560
Speaker 2: version of you?

677
00:27:28,960 --> 00:27:30,760
Speaker 3: A lot of things, bro, But I would start with,

678
00:27:31,320 --> 00:27:34,560
Speaker 3: you know, not falling in love with my creation, meaning

679
00:27:35,320 --> 00:27:37,280
Speaker 3: you know, when you create music and you put it

680
00:27:37,280 --> 00:27:38,800
Speaker 3: out to the world, you gotta let it go.

681
00:27:39,600 --> 00:27:39,800
Speaker 1: You know.

682
00:27:39,880 --> 00:27:42,040
Speaker 3: You got to let the people that connect with the

683
00:27:42,119 --> 00:27:44,160
Speaker 3: music and connect with what you're doing connect with it.

684
00:27:44,400 --> 00:27:46,640
Speaker 4: And you got to keep creating, Like, keep creating.

685
00:27:46,720 --> 00:27:49,520
Speaker 3: Don't pigeonhole yourself to oh you got to make another

686
00:27:49,560 --> 00:27:51,480
Speaker 3: hit like let me Love You, you gotta make it. It's

687
00:27:51,520 --> 00:27:54,000
Speaker 3: really just about evolving, bro, because there's so many other

688
00:27:54,040 --> 00:27:56,280
Speaker 3: things that happening in life as to why the music

689
00:27:56,320 --> 00:27:58,359
Speaker 3: sound the way it does now. Right Moose Swings is

690
00:27:58,359 --> 00:28:00,879
Speaker 3: a completely different vibe from Glad You Came, which I

691
00:28:01,160 --> 00:28:03,800
Speaker 3: released just a year ago. So really just being free

692
00:28:03,960 --> 00:28:06,800
Speaker 3: in the creative process because we're in a world now

693
00:28:06,800 --> 00:28:09,119
Speaker 3: where it's about exploring.

694
00:28:09,160 --> 00:28:11,720
Speaker 15: Were you like picking up the phone and calling where

695
00:28:11,720 --> 00:28:14,200
Speaker 15: you're going through the process of like I gotta re

696
00:28:14,320 --> 00:28:16,679
Speaker 15: remind people or I'm trying to make this sound different

697
00:28:16,680 --> 00:28:19,639
Speaker 15: than that and not chase that record. But ego wise,

698
00:28:19,640 --> 00:28:21,200
Speaker 15: like there has to be a part of Mario that's

699
00:28:21,240 --> 00:28:23,320
Speaker 15: like this has to be big because I'm Mario, Like

700
00:28:23,320 --> 00:28:27,480
Speaker 15: who coaches you through those battles coaches me just a god.

701
00:28:27,600 --> 00:28:30,439
Speaker 3: Honestly, God, I'm gonna be honest with you because I

702
00:28:30,440 --> 00:28:32,320
Speaker 3: think a lot of people that's around me every day

703
00:28:32,840 --> 00:28:35,320
Speaker 3: they just believe in me. You know, they're they're believe,

704
00:28:35,359 --> 00:28:38,080
Speaker 3: they get they tell me real, but they believe in me,

705
00:28:38,080 --> 00:28:40,480
Speaker 3: and it's like they understand how strong I am mentally.

706
00:28:40,760 --> 00:28:44,200
Speaker 4: But there's no person that I call to act advice

707
00:28:44,240 --> 00:28:45,120
Speaker 4: about those types of.

708
00:28:45,040 --> 00:28:47,280
Speaker 3: Things because I think that my journey is my journey,

709
00:28:47,280 --> 00:28:49,280
Speaker 3: and I just have to trust God and I gotta

710
00:28:49,320 --> 00:28:51,920
Speaker 3: trust the people that I entrust creatively.

711
00:28:52,040 --> 00:28:52,160
Speaker 1: Right.

712
00:28:52,200 --> 00:28:53,920
Speaker 3: So when I went to the studio to start Moo Swings,

713
00:28:53,960 --> 00:28:55,840
Speaker 3: me and my boy dray More, who I met through

714
00:28:55,840 --> 00:28:57,040
Speaker 3: one of my managers.

715
00:28:56,600 --> 00:28:58,120
Speaker 4: Ak with three six five.

716
00:28:58,400 --> 00:29:00,520
Speaker 3: We've been on each other for years, a bunch of

717
00:29:00,600 --> 00:29:02,840
Speaker 3: future records, but he never hopped into his R and

718
00:29:02,840 --> 00:29:03,160
Speaker 3: B back.

719
00:29:03,360 --> 00:29:04,160
Speaker 4: He's always wanted to.

720
00:29:04,240 --> 00:29:06,480
Speaker 3: I say, Yo, let's less less like I want to

721
00:29:06,520 --> 00:29:08,640
Speaker 3: hop into this darker, moodier part of me as an

722
00:29:08,720 --> 00:29:11,320
Speaker 3: R and B artist that's like moody and still musical

723
00:29:11,400 --> 00:29:13,840
Speaker 3: and R and B, but just like more authentic.

724
00:29:14,280 --> 00:29:16,000
Speaker 4: And so he's like, Yo, let's get in a studio.

725
00:29:16,080 --> 00:29:18,560
Speaker 3: Let's go and it was it was like working with

726
00:29:18,640 --> 00:29:21,040
Speaker 3: a friend and somebody that you go over their house,

727
00:29:21,080 --> 00:29:23,200
Speaker 3: they come over your house. You know, they kids, you

728
00:29:23,240 --> 00:29:25,800
Speaker 3: know they family, but you're both really young ghoasts. It's

729
00:29:25,920 --> 00:29:28,240
Speaker 3: different than working with somebody that's like, I'm a fan

730
00:29:28,280 --> 00:29:29,719
Speaker 3: of your music. I've always want to work with you,

731
00:29:29,760 --> 00:29:31,680
Speaker 3: but I don't know where you live, I don't know

732
00:29:32,080 --> 00:29:33,880
Speaker 3: you know what you're into us. It's a different thing.

733
00:29:34,000 --> 00:29:37,560
Speaker 3: Found the foundation is there, so that to me and

734
00:29:37,600 --> 00:29:39,000
Speaker 3: I trust the team that I work with.

735
00:29:38,960 --> 00:29:40,800
Speaker 4: And we just make the music that we love. We're

736
00:29:40,800 --> 00:29:41,440
Speaker 4: going to studio.

737
00:29:41,840 --> 00:29:44,240
Speaker 3: We might go to a studio and play verses with ourselves,

738
00:29:44,240 --> 00:29:46,280
Speaker 3: like Yo, you play your your favorite five records ever

739
00:29:46,320 --> 00:29:47,680
Speaker 3: and I'm gonna play mine against yours.

740
00:29:47,880 --> 00:29:50,200
Speaker 4: That inspires to get the studio session started.

741
00:29:50,280 --> 00:29:51,800
Speaker 1: But you won't do that with though.

742
00:29:53,600 --> 00:29:55,880
Speaker 3: I'm trying to really don't want no smoke with me

743
00:29:55,920 --> 00:29:59,160
Speaker 3: on any level. He know that's why he got it always.

744
00:29:58,960 --> 00:30:01,400
Speaker 4: He you know, he's a major troller.

745
00:30:01,440 --> 00:30:04,280
Speaker 3: Though, It's like, how do you execute a major troller?

746
00:30:04,560 --> 00:30:06,960
Speaker 3: Even if you execute him, he's gonna come back from

747
00:30:06,960 --> 00:30:07,560
Speaker 3: the day.

748
00:30:09,880 --> 00:30:10,440
Speaker 1: Underticket.

749
00:30:10,840 --> 00:30:13,360
Speaker 4: What did you not take it personally? What did you

750
00:30:13,360 --> 00:30:14,920
Speaker 4: realize that not take your personal.

751
00:30:14,720 --> 00:30:18,440
Speaker 3: Really because it's different from like and I had other

752
00:30:18,480 --> 00:30:22,400
Speaker 3: people that like hit me really got on some really sis,

753
00:30:22,720 --> 00:30:26,320
Speaker 3: but like ray J, like like we we talk, you

754
00:30:26,320 --> 00:30:28,560
Speaker 3: feel me. So it's like he can say some whow

755
00:30:28,840 --> 00:30:31,520
Speaker 3: and I might say some the next day. But it's

756
00:30:31,560 --> 00:30:34,560
Speaker 3: like he's a major troller, so he gonna go deep

757
00:30:34,600 --> 00:30:35,920
Speaker 3: in the quicksand whereas I got this.

758
00:30:36,240 --> 00:30:38,280
Speaker 4: I'm on tour right now. You know I'm saying, ain't

759
00:30:38,280 --> 00:30:40,640
Speaker 4: gonna go that deep in the quicksand. But yeah, it's whatever.

760
00:30:40,800 --> 00:30:42,360
Speaker 4: Mario was mad too. He was pissed off.

761
00:30:42,520 --> 00:30:46,560
Speaker 3: It is like he was, you know, it's crazy. Can

762
00:30:46,600 --> 00:30:48,440
Speaker 3: I be honest?

763
00:30:49,000 --> 00:30:49,160
Speaker 13: No?

764
00:30:49,160 --> 00:30:49,480
Speaker 4: No, no.

765
00:30:49,520 --> 00:30:52,400
Speaker 3: For the honesty is that all we were doing is

766
00:30:52,480 --> 00:30:56,080
Speaker 3: have a conversation about things y'all have, but nobody don't

767
00:30:56,080 --> 00:30:58,600
Speaker 3: really talk about it all the way. We're just having

768
00:30:58,600 --> 00:31:02,360
Speaker 3: a conversation the same everybody do. People in the comments

769
00:31:02,400 --> 00:31:06,080
Speaker 3: actually went crazy on everybody else spoke about or answer

770
00:31:06,120 --> 00:31:10,160
Speaker 3: the question about then I did you given too much grades?

771
00:31:10,160 --> 00:31:12,120
Speaker 4: And it's like, damn, is it that serious? Why is

772
00:31:12,160 --> 00:31:12,840
Speaker 4: it that serious?

773
00:31:12,880 --> 00:31:17,160
Speaker 2: Because you're an artist that can actually and I'm sure

774
00:31:17,280 --> 00:31:20,120
Speaker 2: they looked at like that, Mario, dope, you don't feel

775
00:31:20,120 --> 00:31:21,320
Speaker 2: the same way.

776
00:31:22,760 --> 00:31:27,120
Speaker 3: That's crazy, Like everybody got strengths and weaknesses. Like if

777
00:31:27,120 --> 00:31:30,000
Speaker 3: somebody somebody can dance, they ass off and they asked

778
00:31:30,000 --> 00:31:32,440
Speaker 3: somebody question like yo, who who out of these people?

779
00:31:32,440 --> 00:31:33,440
Speaker 4: Anna ask who can dance?

780
00:31:33,440 --> 00:31:34,000
Speaker 1: And who can't?

781
00:31:34,360 --> 00:31:36,080
Speaker 3: Let's just say always on that. He was like, yo,

782
00:31:36,440 --> 00:31:39,800
Speaker 3: and Mario dancing was like the miss I would laugh.

783
00:31:39,880 --> 00:31:40,360
Speaker 4: I would laugh.

784
00:31:40,360 --> 00:31:43,480
Speaker 3: I would be like, damn he right, because I don't

785
00:31:44,400 --> 00:31:48,000
Speaker 3: because that's the but they know him for dancing, right,

786
00:31:48,120 --> 00:31:51,320
Speaker 3: they know that's his craft, right, So that's you know,

787
00:31:51,560 --> 00:31:54,120
Speaker 3: it's just too serious.

788
00:31:54,520 --> 00:31:56,920
Speaker 8: So you up and down on that. This is like

789
00:31:57,040 --> 00:31:58,400
Speaker 8: most love angry.

790
00:31:59,040 --> 00:32:03,880
Speaker 3: It's a mix of like love. It's really a conversation.

791
00:32:03,960 --> 00:32:06,360
Speaker 3: It's a conversation. When I started Moves, it was just

792
00:32:06,440 --> 00:32:10,120
Speaker 3: about nineties R and B vibes and I'm like, Yo,

793
00:32:10,160 --> 00:32:13,560
Speaker 3: how do we take that feeling and like update it?

794
00:32:14,240 --> 00:32:15,520
Speaker 4: And this was like the approach.

795
00:32:15,760 --> 00:32:17,560
Speaker 3: And then I would have, like a couple of dre

796
00:32:17,680 --> 00:32:20,000
Speaker 3: Morning executive produced it work with a lot of great

797
00:32:20,000 --> 00:32:22,960
Speaker 3: producers are here. But yeah, the conversations are different. And

798
00:32:23,320 --> 00:32:25,840
Speaker 3: also the textures of what I singing is different. Like

799
00:32:25,840 --> 00:32:27,600
Speaker 3: I got a song called fortune Cookie and that that

800
00:32:27,920 --> 00:32:30,920
Speaker 3: I've never spoken like this before, but the actual texture

801
00:32:31,000 --> 00:32:33,600
Speaker 3: of the way I'm using my voice a song called mom,

802
00:32:33,800 --> 00:32:36,200
Speaker 3: same way I'm giving you different moves of who I

803
00:32:36,240 --> 00:32:38,040
Speaker 3: am as an R and B artist, How I think

804
00:32:38,080 --> 00:32:40,520
Speaker 3: about intimacy, how I think about love, and just you know, just.

805
00:32:40,480 --> 00:32:41,880
Speaker 4: Talking honestly.

806
00:32:43,200 --> 00:32:44,440
Speaker 1: Fortune cookie damn man.

807
00:32:45,960 --> 00:32:46,800
Speaker 4: With Asian women.

808
00:32:47,760 --> 00:32:48,400
Speaker 1: That's crazy.

809
00:32:49,160 --> 00:32:51,080
Speaker 3: It wasn't an Asian woman, It's just it's just women

810
00:32:51,120 --> 00:32:53,479
Speaker 3: in general. I think women are like fortune cookies, bro. Like,

811
00:32:54,080 --> 00:32:56,240
Speaker 3: you know, it's like you never know what you're gonna

812
00:32:56,240 --> 00:32:58,800
Speaker 3: get if you really dive in and really get to

813
00:32:58,840 --> 00:33:01,800
Speaker 3: know a woman on those more intimate levels, you know.

814
00:33:02,440 --> 00:33:05,800
Speaker 3: And it's something that I've always prided myself phone when

815
00:33:05,840 --> 00:33:07,760
Speaker 3: getting to know somebody. I'm in a relationship now, and

816
00:33:07,800 --> 00:33:10,520
Speaker 3: I'm still learning my girl. I'm still learning like how

817
00:33:10,600 --> 00:33:13,440
Speaker 3: to unlock certain parts of her and and you know,

818
00:33:13,960 --> 00:33:16,280
Speaker 3: how to make her feel safe in moments where I'm

819
00:33:16,320 --> 00:33:19,560
Speaker 3: not around, and like, just so many elements to having

820
00:33:19,600 --> 00:33:21,440
Speaker 3: a relationship with a woman, whether you're just a friend

821
00:33:21,520 --> 00:33:23,120
Speaker 3: or whether you're in something deep like I am.

822
00:33:23,560 --> 00:33:25,320
Speaker 4: It's just you never know what you're gonna get.

823
00:33:25,320 --> 00:33:27,200
Speaker 3: You gotta crack the open a fortune because obviously the

824
00:33:27,240 --> 00:33:29,560
Speaker 3: record goes a little deeper into some like more intimately,

825
00:33:29,800 --> 00:33:30,400
Speaker 3: like yeah.

826
00:33:30,240 --> 00:33:32,479
Speaker 15: How did your girlfriend deal with all of the like

827
00:33:33,240 --> 00:33:36,640
Speaker 15: being Mario's girlfriend? Everything's public, Like when you post to her,

828
00:33:36,680 --> 00:33:39,160
Speaker 15: there's like such a big response because they're like, she's

829
00:33:39,160 --> 00:33:40,680
Speaker 15: not a black woman, Like how does she deal with

830
00:33:40,720 --> 00:33:41,600
Speaker 15: seeing stuff like that?

831
00:33:41,880 --> 00:33:45,120
Speaker 3: I think that she she's a very like analytical person

832
00:33:45,200 --> 00:33:47,120
Speaker 3: like me, Like she dives into days to understand the

833
00:33:47,120 --> 00:33:48,520
Speaker 3: psychology behind it and like.

834
00:33:48,640 --> 00:33:50,320
Speaker 4: What's like, what's the what?

835
00:33:50,320 --> 00:33:53,440
Speaker 3: What does it really mean? She understood to a certain degree,

836
00:33:53,600 --> 00:33:56,440
Speaker 3: but she's also human, you know. So we've had conversations.

837
00:33:56,480 --> 00:33:59,480
Speaker 3: She's like I clap back at people. Before she clapp

838
00:33:59,480 --> 00:34:01,440
Speaker 3: back at a couple people, I'm like, yo, just don't

839
00:34:02,120 --> 00:34:04,120
Speaker 3: don't even don't let it, you know. And then once

840
00:34:04,200 --> 00:34:06,520
Speaker 3: that first initition happened, she was like, oh, okay, I get enough.

841
00:34:06,880 --> 00:34:09,200
Speaker 3: And I told her, you know, it's one of those

842
00:34:09,239 --> 00:34:12,680
Speaker 3: things where people until they understand that you got something real,

843
00:34:12,920 --> 00:34:14,480
Speaker 3: people hate you before they love you, you know what

844
00:34:14,480 --> 00:34:16,440
Speaker 3: I'm saying sometimes and that and that they don't even

845
00:34:16,480 --> 00:34:18,799
Speaker 3: have to know you, right, But then there's a lot

846
00:34:18,840 --> 00:34:21,400
Speaker 3: of support I don't want, and I think sometimes the Internet,

847
00:34:21,480 --> 00:34:25,080
Speaker 3: like the dark and the ugly get more highlighted than

848
00:34:25,200 --> 00:34:27,879
Speaker 3: the love. Right even with me, sometimes I see all

849
00:34:27,880 --> 00:34:30,279
Speaker 3: these love you know, I love what you're doing. We

850
00:34:30,320 --> 00:34:32,120
Speaker 3: know you love black when we know you're gonna and

851
00:34:32,120 --> 00:34:34,399
Speaker 3: then at one or two comments that's like.

852
00:34:34,760 --> 00:34:39,120
Speaker 4: Dark, You're like, you know what I'm saying, And that's

853
00:34:39,160 --> 00:34:41,719
Speaker 4: just human nature, right, So we just working and do

854
00:34:41,760 --> 00:34:42,160
Speaker 4: it together.

855
00:34:42,280 --> 00:34:46,320
Speaker 3: It's my first like real public relationship in this way,

856
00:34:46,640 --> 00:34:49,680
Speaker 3: whereas though like the picture, we were going on vacation

857
00:34:49,800 --> 00:34:52,560
Speaker 3: for my birthday and we had took some pictures that

858
00:34:52,640 --> 00:34:55,279
Speaker 3: she posted a picture of her pregnant on her page

859
00:34:55,320 --> 00:34:57,719
Speaker 3: before I did, but her page is probably like baby,

860
00:34:57,760 --> 00:35:01,880
Speaker 3: nobody's gonna say. I'm like, babe, I'm go ahead right.

861
00:35:01,800 --> 00:35:02,960
Speaker 4: Next thing you know is you know.

862
00:35:03,160 --> 00:35:05,200
Speaker 3: So I was trying to tell her like you know,

863
00:35:05,440 --> 00:35:06,719
Speaker 3: but I was I'm not ashamed of it.

864
00:35:06,760 --> 00:35:08,120
Speaker 4: So it's like, yo, go ahead and do your thing.

865
00:35:08,440 --> 00:35:12,040
Speaker 3: And so it's beautiful, Like I'm really proud that I'm

866
00:35:12,080 --> 00:35:14,960
Speaker 3: able to say, out of all the men in my family,

867
00:35:15,040 --> 00:35:17,680
Speaker 3: especially on my mom's side, like that I can give

868
00:35:17,719 --> 00:35:20,919
Speaker 3: my son something that I didn't have, you know, when

869
00:35:20,960 --> 00:35:23,480
Speaker 3: he touches, when he incarnates, on this planet.

870
00:35:23,760 --> 00:35:25,439
Speaker 4: He's going to have a different life than I had.

871
00:35:25,719 --> 00:35:29,520
Speaker 3: I'm proud of that, you know, in the growing pains

872
00:35:29,560 --> 00:35:32,840
Speaker 3: of being an artist who's now more open with his life.

873
00:35:33,440 --> 00:35:36,439
Speaker 3: I should have did this seven years ago, ten years ago,

874
00:35:36,560 --> 00:35:38,160
Speaker 3: but now I'm being more open. So this is the

875
00:35:38,200 --> 00:35:39,480
Speaker 3: part is the part of it. You got to go

876
00:35:39,520 --> 00:35:45,560
Speaker 3: through it. I'm ready, come on, regulations, do you hold on?

877
00:35:45,840 --> 00:35:48,840
Speaker 3: Fig I want to give you your flowers. I'm so proud

878
00:35:48,840 --> 00:35:51,080
Speaker 3: of you. J just I'm so proud of you. Know

879
00:35:51,120 --> 00:35:54,359
Speaker 3: where we come from. You know, you're raising a young king,

880
00:35:54,960 --> 00:35:57,919
Speaker 3: you got another baby that you just had, You're married

881
00:35:57,960 --> 00:36:01,480
Speaker 3: now get married now like you're doing your thing.

882
00:36:01,280 --> 00:36:02,759
Speaker 4: And I'm proud of you. You know what I'm saying.

883
00:36:02,800 --> 00:36:04,680
Speaker 4: I love you and I'm proud of you. You know

884
00:36:04,719 --> 00:36:06,759
Speaker 4: what I'm saying. I say that, yeah, for sure.

885
00:36:07,160 --> 00:36:08,839
Speaker 2: Do you what do you feel Mario the man has

886
00:36:08,880 --> 00:36:11,040
Speaker 2: grown the most compared to Mario the Artist.

887
00:36:11,840 --> 00:36:17,720
Speaker 4: That's a great question. Thank you. I think that I've

888
00:36:19,800 --> 00:36:20,680
Speaker 4: been able to.

889
00:36:22,760 --> 00:36:26,000
Speaker 3: Shadow working myself on a more honest and authentic level

890
00:36:27,360 --> 00:36:33,520
Speaker 3: than I have before, because not just because I'm about

891
00:36:33,560 --> 00:36:36,640
Speaker 3: to be a father, but because I see I see

892
00:36:36,680 --> 00:36:39,000
Speaker 3: the world around me changing the ways that I'm like

893
00:36:39,360 --> 00:36:42,920
Speaker 3: when things get out of control. If you can't always

894
00:36:43,120 --> 00:36:48,080
Speaker 3: control how your environment is going to uh, what's going

895
00:36:48,120 --> 00:36:50,319
Speaker 3: to happen in the environments around you. Because when you're

896
00:36:50,320 --> 00:36:52,279
Speaker 3: an artist, things happen around you.

897
00:36:52,280 --> 00:36:53,800
Speaker 4: You have to be exposed you.

898
00:36:53,840 --> 00:36:55,080
Speaker 3: If you want to have success, you got to be

899
00:36:55,120 --> 00:36:57,719
Speaker 3: out here, right, And so it's really important for me

900
00:36:57,800 --> 00:37:00,960
Speaker 3: to have controling myself on a deeper level and control

901
00:37:01,000 --> 00:37:05,719
Speaker 3: of my emotions and control of my how I view

902
00:37:05,760 --> 00:37:07,560
Speaker 3: the world, how I view people, how I view my

903
00:37:07,600 --> 00:37:10,960
Speaker 3: relationships with people, getting better at relationship building because I

904
00:37:11,000 --> 00:37:13,160
Speaker 3: wasn't good at that as a young kid and as

905
00:37:13,200 --> 00:37:17,680
Speaker 3: a young adult, and so just really doing that shadow work, bro,

906
00:37:17,760 --> 00:37:24,759
Speaker 3: and also becoming a better friend to people that I

907
00:37:24,840 --> 00:37:28,880
Speaker 3: consider important in my life instead of being like closed

908
00:37:28,920 --> 00:37:31,799
Speaker 3: off or being like, Okay, I can't trust nobody, like

909
00:37:31,880 --> 00:37:34,799
Speaker 3: I'm not opening up to like having a little bit

910
00:37:34,840 --> 00:37:39,360
Speaker 3: more grace and understanding that, Bro. With greatness comes the

911
00:37:39,440 --> 00:37:43,960
Speaker 3: opportunity for leadership. And with the opportunity for leadership, you're

912
00:37:44,040 --> 00:37:46,160
Speaker 3: able to actually see the world from a different space

913
00:37:46,280 --> 00:37:50,160
Speaker 3: when you take on that role of being vulnerable and

914
00:37:50,200 --> 00:37:53,680
Speaker 3: being a leader, which means coming up with solutions, right,

915
00:37:53,880 --> 00:37:55,439
Speaker 3: And it could be anything that could be in work,

916
00:37:55,520 --> 00:37:57,080
Speaker 3: it could be in your personal life, it could be

917
00:37:57,120 --> 00:37:59,040
Speaker 3: for your family, it could be for f And I

918
00:37:59,080 --> 00:38:01,640
Speaker 3: think that that's something that God blessed me with experiences

919
00:38:01,800 --> 00:38:03,680
Speaker 3: to get through so that I can help people s

920
00:38:04,000 --> 00:38:06,120
Speaker 3: come up with solutions, you know. And it could be

921
00:38:06,200 --> 00:38:07,960
Speaker 3: small things, bro. Somebody could call me one day and

922
00:38:07,960 --> 00:38:09,560
Speaker 3: be like, Yo, I'm gonna through this. You know what

923
00:38:09,560 --> 00:38:12,920
Speaker 3: I'm saying. I I I just made my first you know,

924
00:38:13,040 --> 00:38:16,600
Speaker 3: twenty thousand dollars, bro, my first time, Like w it's

925
00:38:16,680 --> 00:38:18,919
Speaker 3: like those small things I've done money before.

926
00:38:19,000 --> 00:38:19,520
Speaker 4: I know how to.

927
00:38:19,800 --> 00:38:21,719
Speaker 3: I could give you advice on that. If I can't

928
00:38:21,719 --> 00:38:23,319
Speaker 3: give you advice on something, I know somebody who can.

929
00:38:23,640 --> 00:38:26,560
Speaker 3: Just being more open and vulnerable about life, man, and

930
00:38:26,960 --> 00:38:28,960
Speaker 3: knowing that everybody's not out to hurt you, you know,

931
00:38:29,160 --> 00:38:31,520
Speaker 3: and that comes from growth and doing shadow work.

932
00:38:31,560 --> 00:38:33,120
Speaker 2: When you when you first did your shadow work, did

933
00:38:33,160 --> 00:38:34,680
Speaker 2: your shadow self scape.

934
00:38:34,920 --> 00:38:40,080
Speaker 3: It scared me when I felt like people weren't respecting

935
00:38:40,120 --> 00:38:41,960
Speaker 3: the work that I was doing myself, and that triggered me.

936
00:38:42,400 --> 00:38:45,080
Speaker 3: It was like, what the the purpose of doing it?

937
00:38:45,120 --> 00:38:47,440
Speaker 3: If nobody cares and they still gonna judge you. They

938
00:38:47,480 --> 00:38:50,399
Speaker 3: still and it realized, like, yo, bro, it doesn't matter

939
00:38:50,440 --> 00:38:52,560
Speaker 3: if people don't see the work that you're doing. You

940
00:38:52,600 --> 00:38:55,560
Speaker 3: can't change their perspective. You can't change how people see

941
00:38:55,600 --> 00:38:57,239
Speaker 3: things because they can only understand things on.

942
00:38:57,160 --> 00:38:58,240
Speaker 4: The level that they're experiencing.

943
00:38:58,320 --> 00:38:58,600
Speaker 1: Right.

944
00:38:58,719 --> 00:39:01,560
Speaker 4: And I was reading this book called the author's name

945
00:39:01,600 --> 00:39:03,840
Speaker 4: is called Power Versus Force. Don't beware of that, but

946
00:39:03,920 --> 00:39:04,560
Speaker 4: he's really.

947
00:39:04,360 --> 00:39:11,040
Speaker 3: Good, and it basically talks about life by way of calibration,

948
00:39:11,320 --> 00:39:14,560
Speaker 3: Like it's from zero to six hundred, right, So you

949
00:39:14,560 --> 00:39:16,960
Speaker 3: can have a conversation with your homie about running down

950
00:39:16,960 --> 00:39:19,560
Speaker 3: on somebody that might be calibrated at like a ten

951
00:39:19,800 --> 00:39:22,160
Speaker 3: or twenty. But then you can have a conversation about

952
00:39:22,160 --> 00:39:26,640
Speaker 3: growth and health and building community building that's calibrated at

953
00:39:26,640 --> 00:39:28,080
Speaker 3: like a four to fifty five hundred. And it just

954
00:39:28,080 --> 00:39:30,680
Speaker 3: talks about how these things affect your body, how to

955
00:39:30,680 --> 00:39:33,680
Speaker 3: affect your mind. And I got it from this chiropractor.

956
00:39:33,880 --> 00:39:36,279
Speaker 3: But he doesn't do regular chiropractor work. He does like

957
00:39:36,440 --> 00:39:41,239
Speaker 3: spiritual chiropractic work. Whereas though he finds where your traumas are,

958
00:39:42,080 --> 00:39:44,920
Speaker 3: you know, where you're lying to yourself, where you're not

959
00:39:45,000 --> 00:39:47,640
Speaker 3: being honest. On the first time I work with him,

960
00:39:48,160 --> 00:39:50,600
Speaker 3: he brought me. He does it like in his backyard.

961
00:39:51,000 --> 00:39:54,439
Speaker 4: He lives in la And then he was like, he said,

962
00:39:54,480 --> 00:39:55,440
Speaker 4: hold both your arms out.

963
00:39:55,760 --> 00:39:58,160
Speaker 3: He's like, I'm gonna ask you a question, and you

964
00:39:58,200 --> 00:40:00,880
Speaker 3: could choose to tell me the truth in life. The

965
00:40:00,920 --> 00:40:03,320
Speaker 3: one where I lied on him, my arm got weak,

966
00:40:03,800 --> 00:40:06,960
Speaker 3: like literally did I'm not? It was like if it

967
00:40:07,000 --> 00:40:09,400
Speaker 3: was like and I knew I was lying. And then

968
00:40:09,440 --> 00:40:11,080
Speaker 3: the one where I told the truth, it was like

969
00:40:11,120 --> 00:40:13,560
Speaker 3: my own was steady, it was strong, and I was like, damn,

970
00:40:13,600 --> 00:40:16,040
Speaker 3: that's crazy. You don't think that like your body and

971
00:40:16,080 --> 00:40:19,120
Speaker 3: your mind and and how everything worked, like the truth,

972
00:40:19,520 --> 00:40:22,480
Speaker 3: even if it's ugly, it's more powerful than a lot.

973
00:40:23,360 --> 00:40:25,279
Speaker 3: I mean, you could take that in so many different ways.

974
00:40:25,280 --> 00:40:27,680
Speaker 3: But I would like to think that I want to

975
00:40:27,719 --> 00:40:29,879
Speaker 3: live in a in a space where I can live

976
00:40:29,920 --> 00:40:32,640
Speaker 3: as much truth as possible and and the lies aren't

977
00:40:32,680 --> 00:40:34,600
Speaker 3: as that I tell myself.

978
00:40:34,840 --> 00:40:36,200
Speaker 4: You know what I'm saying. So I don't know all

979
00:40:36,200 --> 00:40:38,040
Speaker 4: of that stuff is just a part of my journey.

980
00:40:38,320 --> 00:40:41,400
Speaker 1: Just say one time your actually going in and up Baltimore.

981
00:40:43,120 --> 00:40:46,400
Speaker 15: Talking to me about it's cool it do it?

982
00:40:53,040 --> 00:40:55,040
Speaker 7: And then I forget what I asked you about and

983
00:40:55,080 --> 00:40:56,759
Speaker 7: it was like and I was like, oh yeah, he

984
00:40:57,200 --> 00:40:57,560
Speaker 7: from there.

985
00:40:57,960 --> 00:41:01,200
Speaker 1: I haven't heard this interview. That's why I've been living.

986
00:41:01,200 --> 00:41:03,480
Speaker 3: I've been living in LA for like fifteen years now,

987
00:41:03,560 --> 00:41:07,960
Speaker 3: so just if I go home for two weeks, it's

988
00:41:07,960 --> 00:41:10,440
Speaker 3: crazy when he get upset about something that.

989
00:41:12,239 --> 00:41:13,120
Speaker 1: We're trying to get mad.

990
00:41:16,520 --> 00:41:23,480
Speaker 3: Good luck you definitely don't at all some question, right, but.

991
00:41:22,840 --> 00:41:24,840
Speaker 4: But it I'm mad at you for kicking the cameraman

992
00:41:24,920 --> 00:41:26,640
Speaker 4: off stage. Yeah yeah, I.

993
00:41:26,600 --> 00:41:28,520
Speaker 3: Thought that was kind of crazy because that's your time

994
00:41:28,560 --> 00:41:30,960
Speaker 3: to before you don't know what this DoD is on stage.

995
00:41:31,160 --> 00:41:32,799
Speaker 3: I think that it was just people. And I used

996
00:41:32,800 --> 00:41:34,839
Speaker 3: to seeing me like that, bro, like you're mad.

997
00:41:35,480 --> 00:41:35,719
Speaker 4: Yeah.

998
00:41:35,840 --> 00:41:38,799
Speaker 3: Like, so it's like I try not to get mad, bro,

999
00:41:38,880 --> 00:41:41,840
Speaker 3: because when I get mad, I get mad, you know

1000
00:41:41,880 --> 00:41:44,799
Speaker 3: what I'm saying. And then it's like, I'm like, it

1001
00:41:44,880 --> 00:41:46,520
Speaker 3: takes a lot to get me mad, right, So when

1002
00:41:46,560 --> 00:41:49,600
Speaker 3: I get there, hopefully I don't want it to be seen, like,

1003
00:41:49,640 --> 00:41:51,400
Speaker 3: I don't want people to see that side of me, like,

1004
00:41:51,520 --> 00:41:53,799
Speaker 3: and it's not like I'm not human, I just it

1005
00:41:53,840 --> 00:41:56,560
Speaker 3: can get taken out of context, which it did, right.

1006
00:41:56,840 --> 00:41:57,600
Speaker 4: So I'm gonna tell.

1007
00:41:57,440 --> 00:42:00,799
Speaker 3: The story officially here on breakfast club. They hit us

1008
00:42:00,840 --> 00:42:03,640
Speaker 3: for this fair. I'm like, okay, as close as to LA,

1009
00:42:03,680 --> 00:42:05,239
Speaker 3: we'll take the sprint up. Go up there, dud it,

1010
00:42:05,320 --> 00:42:07,120
Speaker 3: knock it out. We come back to the crib.

1011
00:42:07,239 --> 00:42:10,400
Speaker 4: Right cool. His family only said, all right, cool, Lloyd,

1012
00:42:10,440 --> 00:42:12,040
Speaker 4: a couple of artists, let's do it.

1013
00:42:12,480 --> 00:42:14,600
Speaker 3: I get to my shows usually if it's shows with

1014
00:42:14,640 --> 00:42:16,759
Speaker 3: other people, I get there like like when we're doing

1015
00:42:16,800 --> 00:42:18,759
Speaker 3: a drink, not they get like ten fifteen minutes before

1016
00:42:18,760 --> 00:42:20,080
Speaker 3: because I don't like sitting in the dress roenm I

1017
00:42:20,120 --> 00:42:24,600
Speaker 3: get assi like man, So no one told me that

1018
00:42:24,680 --> 00:42:27,160
Speaker 3: a camera man was going to be on stage at all.

1019
00:42:27,360 --> 00:42:30,239
Speaker 3: So when I go on stage, I'm performing and I

1020
00:42:30,320 --> 00:42:33,279
Speaker 3: keep seeing a figure around the stage is pretty big,

1021
00:42:33,920 --> 00:42:35,960
Speaker 3: but I keep seeing a figure. I'm like, Okay. Then

1022
00:42:35,960 --> 00:42:37,680
Speaker 3: when I saw him for the first time, I'm like, damn.

1023
00:42:37,680 --> 00:42:40,000
Speaker 3: Then he jump up from because he didn't have a camera, bro,

1024
00:42:40,239 --> 00:42:42,640
Speaker 3: he had an iPhone on a joint.

1025
00:42:42,920 --> 00:42:43,719
Speaker 4: Go look at the video.

1026
00:42:44,080 --> 00:42:45,879
Speaker 3: So I'm like, right, he must have jumped from out

1027
00:42:45,880 --> 00:42:47,879
Speaker 3: of the crowd. He came on my irony trip or whatever.

1028
00:42:47,880 --> 00:42:51,839
Speaker 3: He over there. But then he got comfortable and on

1029
00:42:51,880 --> 00:42:54,000
Speaker 3: the stage they got they had too many speakers they

1030
00:42:54,000 --> 00:42:56,799
Speaker 3: have more speakers because usually every artist get to say

1031
00:42:56,800 --> 00:42:58,640
Speaker 3: what they wanted the stage to be. Like, they left

1032
00:42:58,640 --> 00:43:00,320
Speaker 3: the other artist speakers on the stage, so it was

1033
00:43:00,360 --> 00:43:01,040
Speaker 3: more speakers than.

1034
00:43:01,000 --> 00:43:01,520
Speaker 4: Supposed to be.

1035
00:43:01,760 --> 00:43:03,440
Speaker 3: So I'm looking for where he about to go, and

1036
00:43:03,600 --> 00:43:05,439
Speaker 3: I tripped one time over the over court.

1037
00:43:05,960 --> 00:43:08,440
Speaker 4: I ain't say nothing, man, crazy, I gotta watch up.

1038
00:43:09,000 --> 00:43:11,400
Speaker 3: Then as I'm walking back to the right side of

1039
00:43:11,440 --> 00:43:15,640
Speaker 3: the stage, he's all the way downstage, like near the speaker,

1040
00:43:15,760 --> 00:43:17,439
Speaker 3: like you should be.

1041
00:43:17,400 --> 00:43:18,880
Speaker 4: Like further back, like you feel me.

1042
00:43:19,320 --> 00:43:20,719
Speaker 3: And then that moment is like, yo, you gotta get

1043
00:43:20,960 --> 00:43:23,759
Speaker 3: off the stage. Bro, you didn't already like you get

1044
00:43:24,440 --> 00:43:26,880
Speaker 3: It wasn't even like I hate you, get up, like

1045
00:43:26,920 --> 00:43:29,560
Speaker 3: it was just like get the I just feel me.

1046
00:43:29,600 --> 00:43:30,120
Speaker 4: It was like that.

1047
00:43:31,920 --> 00:43:33,319
Speaker 8: Anologized shortly after.

1048
00:43:34,040 --> 00:43:35,719
Speaker 4: It was hot as a half as apology.

1049
00:43:35,800 --> 00:43:38,719
Speaker 3: But I didn't even realize he went on tour, went

1050
00:43:38,760 --> 00:43:40,640
Speaker 3: on to he went on, he went on a press

1051
00:43:40,680 --> 00:43:43,799
Speaker 3: store about it, so like I was like, I'm like, bro,

1052
00:43:43,960 --> 00:43:44,800
Speaker 3: you know, let me just do it.

1053
00:43:45,320 --> 00:43:46,480
Speaker 4: But yeah, that's what happened.

1054
00:43:46,719 --> 00:43:48,920
Speaker 3: He was but he was supposed to be there apparently,

1055
00:43:48,960 --> 00:43:51,360
Speaker 3: and then you know, but it really was just I

1056
00:43:51,400 --> 00:43:54,040
Speaker 3: didn't know who he had an I phone.

1057
00:43:54,160 --> 00:43:55,719
Speaker 8: Have you taken your girl to Baltimore?

1058
00:43:56,480 --> 00:43:58,359
Speaker 1: Yeah, she's been at Baltimore like three.

1059
00:43:58,480 --> 00:44:01,520
Speaker 3: She went with me on Thanksgiving one year, we went

1060
00:44:01,600 --> 00:44:04,360
Speaker 3: to Bottomore, went to Philly. Family in Philly, Baltimore. She

1061
00:44:04,680 --> 00:44:05,320
Speaker 3: she's Mexican.

1062
00:44:05,800 --> 00:44:08,920
Speaker 4: She's from she's from uh Sacramento.

1063
00:44:10,920 --> 00:44:15,480
Speaker 1: Wait, hold on't that comfortable with hand?

1064
00:44:18,000 --> 00:44:23,839
Speaker 4: She got Mexican as well?

1065
00:44:24,040 --> 00:44:24,360
Speaker 1: Thank you?

1066
00:44:24,440 --> 00:44:25,880
Speaker 8: But he and Mexican.

1067
00:44:26,000 --> 00:44:28,800
Speaker 4: I think man's street Mexican. I can I ask you

1068
00:44:28,840 --> 00:44:31,160
Speaker 4: a questions? What does it matter?

1069
00:44:31,400 --> 00:44:32,439
Speaker 1: No, it don't matter.

1070
00:44:32,440 --> 00:44:35,880
Speaker 4: You know what I'm saying that just one of the

1071
00:44:35,920 --> 00:44:36,359
Speaker 4: know how.

1072
00:44:38,239 --> 00:44:39,480
Speaker 7: That your girlfriend is Mexican.

1073
00:44:39,560 --> 00:44:40,680
Speaker 4: Yeah, like doesn't matter.

1074
00:44:41,760 --> 00:44:47,560
Speaker 1: Don't matter to me. Doctor, She's not that kind she legally.

1075
00:44:47,440 --> 00:44:52,680
Speaker 4: Yeah, man, everybody legal lo love is definitely love.

1076
00:44:52,719 --> 00:44:54,920
Speaker 2: But but I do like to see black men with

1077
00:44:54,960 --> 00:44:58,759
Speaker 2: black women. But that's that's that's just because that's what

1078
00:44:58,800 --> 00:44:59,160
Speaker 2: I feel.

1079
00:44:59,480 --> 00:45:01,000
Speaker 4: For sure. I love to see all of it.

1080
00:45:01,080 --> 00:45:02,719
Speaker 1: I love to see all but I want you to

1081
00:45:02,719 --> 00:45:03,680
Speaker 1: be in love. You love her.

1082
00:45:03,840 --> 00:45:06,000
Speaker 3: Love is man, I wouldn't be I wouldn't be here

1083
00:45:06,000 --> 00:45:07,759
Speaker 3: if I didn't love her. I wouldn't We wouldn't be

1084
00:45:07,800 --> 00:45:10,600
Speaker 3: here if we didn't love each other. Pro creating like

1085
00:45:10,640 --> 00:45:14,319
Speaker 3: this exactly like we having a beautiful experience right now.

1086
00:45:14,320 --> 00:45:17,040
Speaker 3: The only you know, the hardest part obviously is always

1087
00:45:17,040 --> 00:45:20,879
Speaker 3: the traveler, right being away from home, checking in being like, damn,

1088
00:45:20,880 --> 00:45:22,560
Speaker 3: if I'm on stage and something's happening, I.

1089
00:45:22,520 --> 00:45:24,080
Speaker 4: Will not I can't get you know.

1090
00:45:24,080 --> 00:45:24,520
Speaker 1: What I'm saying.

1091
00:45:24,520 --> 00:45:27,400
Speaker 3: It's this, This has been This has been hard because

1092
00:45:27,400 --> 00:45:29,759
Speaker 3: it's like things were already in motion, these toys are

1093
00:45:29,760 --> 00:45:31,760
Speaker 3: already playing, you know. But I get off tour in December,

1094
00:45:31,960 --> 00:45:33,920
Speaker 3: and I'll be home for all the holidays, So I

1095
00:45:33,960 --> 00:45:34,920
Speaker 3: don't I don't.

1096
00:45:34,719 --> 00:45:37,200
Speaker 2: Think you owe anybody an explanation, though I think that's right.

1097
00:45:37,280 --> 00:45:40,480
Speaker 2: It's like, why are you explaining who you love? You know?

1098
00:45:40,960 --> 00:45:43,280
Speaker 3: It's not so much explaining who I love is it's

1099
00:45:43,440 --> 00:45:47,080
Speaker 3: it's the narrative of oh, Mario doesn't like black women

1100
00:45:47,800 --> 00:45:49,800
Speaker 3: that I have an issue with, and where this narrative

1101
00:45:49,920 --> 00:45:52,040
Speaker 3: was created from. That's the thing about the Internet, is

1102
00:45:52,120 --> 00:45:55,840
Speaker 3: like you can't just leave that, you know, out in

1103
00:45:55,880 --> 00:45:56,239
Speaker 3: the air.

1104
00:45:56,560 --> 00:45:58,080
Speaker 4: That's crazy, you know what I'm saying, So.

1105
00:46:00,239 --> 00:46:02,560
Speaker 3: Confront it so people understand that it's a lie and

1106
00:46:02,600 --> 00:46:05,719
Speaker 3: it's it's not true versus not saying anythingbody, which I've

1107
00:46:05,719 --> 00:46:06,560
Speaker 3: done in a couple.

1108
00:46:06,360 --> 00:46:08,200
Speaker 4: Of interviews since that interview, you know.

1109
00:46:08,600 --> 00:46:11,239
Speaker 3: But the way he asked it was so he set

1110
00:46:11,280 --> 00:46:21,719
Speaker 3: me up.

1111
00:46:16,080 --> 00:46:18,399
Speaker 7: Set up, like what's your relationship with black women?

1112
00:46:18,920 --> 00:46:19,080
Speaker 4: Right?

1113
00:46:19,200 --> 00:46:20,680
Speaker 7: No, that wasn't the first question.

1114
00:46:20,600 --> 00:46:22,279
Speaker 4: Was No, that was like that. He was like, do

1115
00:46:22,360 --> 00:46:23,799
Speaker 4: you have a problem with black women?

1116
00:46:24,200 --> 00:46:25,160
Speaker 1: That's a wild question.

1117
00:46:26,360 --> 00:46:30,880
Speaker 15: The way you answer you answered it, play that answered it.

1118
00:46:30,960 --> 00:46:33,960
Speaker 15: I don't think it. It didn't make it any worse,

1119
00:46:34,040 --> 00:46:36,000
Speaker 15: but I think it made people try to find another

1120
00:46:36,000 --> 00:46:36,920
Speaker 15: reason why you don't like.

1121
00:46:36,920 --> 00:46:42,840
Speaker 3: Black Psychologically, these podcasts and people when people are not

1122
00:46:43,120 --> 00:46:44,600
Speaker 3: everybody doesn't have the.

1123
00:46:44,520 --> 00:46:47,800
Speaker 4: Same way they receive things.

1124
00:46:48,480 --> 00:46:51,879
Speaker 3: And we're dealing with y'all know, we're dealing Brian got said,

1125
00:46:52,120 --> 00:46:53,640
Speaker 3: you know, we dealing with in the coming you know.

1126
00:46:53,760 --> 00:46:55,919
Speaker 3: And so it's like, yes, of course, like I come

1127
00:46:55,960 --> 00:46:59,120
Speaker 3: from I'm a black man who comes from a black city,

1128
00:46:59,160 --> 00:47:04,920
Speaker 3: who comes from the struggles of black people in this country.

1129
00:47:05,280 --> 00:47:08,000
Speaker 3: So I come from what my course, a lot of

1130
00:47:08,000 --> 00:47:10,239
Speaker 3: my core fans come from. So of course it's like

1131
00:47:10,320 --> 00:47:12,120
Speaker 3: if someone says something like do you have a problem,

1132
00:47:12,120 --> 00:47:14,719
Speaker 3: but the people who never even heard their question be like, wait,

1133
00:47:14,760 --> 00:47:15,799
Speaker 3: you got a probably.

1134
00:47:16,680 --> 00:47:20,960
Speaker 4: It's like it's it's like right. So once I gotta say.

1135
00:47:21,080 --> 00:47:23,879
Speaker 3: You know what I'm saying, I'm defending that to say

1136
00:47:23,880 --> 00:47:26,279
Speaker 3: that I love black women and black women the most

1137
00:47:26,320 --> 00:47:29,480
Speaker 3: beautiful creatures on this planet, and why do you hate them?

1138
00:47:30,760 --> 00:47:34,760
Speaker 15: Talk about to say I feel like it made people

1139
00:47:35,280 --> 00:47:36,359
Speaker 15: do what he's doing right now.

1140
00:47:37,880 --> 00:47:43,040
Speaker 3: Bro, look for everybody who hates Charlamagne.

1141
00:47:44,440 --> 00:47:48,759
Speaker 4: But where did y'all bet we met?

1142
00:47:49,480 --> 00:47:49,759
Speaker 1: I met?

1143
00:47:49,920 --> 00:47:51,960
Speaker 3: I met her in Florida, like years ago, when I

1144
00:47:51,960 --> 00:47:54,200
Speaker 3: was living in Miami. We met and her mind was

1145
00:47:54,200 --> 00:47:54,839
Speaker 3: living at the time.

1146
00:47:55,000 --> 00:47:57,400
Speaker 4: Yeah, we met like we were knowing each other for

1147
00:47:57,480 --> 00:47:59,920
Speaker 4: like like nine years. You know what I'm saying. So

1148
00:48:00,040 --> 00:48:02,560
Speaker 4: you've seen each other through relationships. We're dead friends for

1149
00:48:02,640 --> 00:48:03,040
Speaker 4: so long.

1150
00:48:03,520 --> 00:48:05,719
Speaker 2: Yeah, I'm mad before you, brother, I appreciate it. I

1151
00:48:05,760 --> 00:48:07,719
Speaker 2: really enjoyed this conversation. Let's do it.

1152
00:48:07,719 --> 00:48:09,600
Speaker 1: Hearing you do the work, it's good. Yes, that's the

1153
00:48:09,600 --> 00:48:17,520
Speaker 1: breakfast club is Mario with the It's time donkeys around here?

1154
00:48:20,080 --> 00:48:22,400
Speaker 4: Yes, you are a.

1155
00:48:26,280 --> 00:48:27,799
Speaker 8: The more the needs you saw here.

1156
00:48:28,160 --> 00:48:36,799
Speaker 1: Some donkey to days just saw themselves. Oh man, Charlotte, man,

1157
00:48:36,920 --> 00:48:37,799
Speaker 1: who giving dunk?

1158
00:48:37,840 --> 00:48:38,640
Speaker 4: Really? Do to man?

1159
00:48:40,600 --> 00:48:40,839
Speaker 1: Wow?

1160
00:48:41,920 --> 00:48:44,400
Speaker 2: Donkey to Dave goes the forty three year old David

1161
00:48:44,440 --> 00:48:46,879
Speaker 2: Scott Jr. Now I get on this radio every day

1162
00:48:46,920 --> 00:48:47,760
Speaker 2: and tell you.

1163
00:48:47,600 --> 00:48:49,920
Speaker 1: All to do your jail math. Okay.

1164
00:48:50,280 --> 00:48:52,360
Speaker 2: Your jail math is when you find yourself in a

1165
00:48:52,400 --> 00:48:55,319
Speaker 2: situation and you have to calculate whether or not you

1166
00:48:55,320 --> 00:48:59,319
Speaker 2: can afford to do whatever time you will have to

1167
00:48:59,360 --> 00:49:02,600
Speaker 2: do if you we act a certain way to set situation. Okay,

1168
00:49:02,640 --> 00:49:05,520
Speaker 2: Everything has to be calculated, all right. The money you

1169
00:49:05,520 --> 00:49:08,000
Speaker 2: will spend on bail, if you even get one, The

1170
00:49:08,000 --> 00:49:09,360
Speaker 2: money you will spend on a lawyer.

1171
00:49:10,200 --> 00:49:12,840
Speaker 1: Can you even afford the time it will take.

1172
00:49:12,840 --> 00:49:16,359
Speaker 2: To be arrested, process detained, et cetera, et cetera. You

1173
00:49:16,400 --> 00:49:18,720
Speaker 2: have to make all these calculations in your head before

1174
00:49:18,760 --> 00:49:21,360
Speaker 2: you make certain decisions. Now, some of us have decided

1175
00:49:21,440 --> 00:49:23,919
Speaker 2: that if someone ever harms our kids in any way,

1176
00:49:24,320 --> 00:49:25,160
Speaker 2: we going to jail.

1177
00:49:25,480 --> 00:49:27,719
Speaker 1: And I too am in that number. Okay. But what

1178
00:49:27,760 --> 00:49:31,120
Speaker 1: I need us parents to understand is there is levels

1179
00:49:31,360 --> 00:49:32,160
Speaker 1: two reacting.

1180
00:49:32,360 --> 00:49:36,160
Speaker 2: Okay, is one before you harm somebody being the highest.

1181
00:49:36,160 --> 00:49:37,080
Speaker 1: All right, our.

1182
00:49:37,000 --> 00:49:39,920
Speaker 2: Kids are worth it all, but everything doesn't require you

1183
00:49:40,000 --> 00:49:42,439
Speaker 2: to take it to one to ten.

1184
00:49:42,800 --> 00:49:43,040
Speaker 1: Oka.

1185
00:49:43,280 --> 00:49:45,960
Speaker 2: Case in point, the story of David Scott Jr. From

1186
00:49:45,960 --> 00:49:48,239
Speaker 2: East Point, Michigan. All Right, he was arrested after he

1187
00:49:48,320 --> 00:49:53,239
Speaker 2: allegedly threatened to shoot up in elementary school because they

1188
00:49:53,280 --> 00:49:56,440
Speaker 2: was playing in this child's face. I can't make this

1189
00:49:56,520 --> 00:49:59,439
Speaker 2: kind of stuff up. Let's go to the ABC seventh

1190
00:49:59,440 --> 00:49:59,919
Speaker 2: to trip pervery.

1191
00:50:00,160 --> 00:50:04,040
Speaker 11: Police say apparent at Pleasant View Elementary School god's so

1192
00:50:04,160 --> 00:50:07,080
Speaker 11: upset that his first grader didn't get snack time Wednesday

1193
00:50:07,360 --> 00:50:10,520
Speaker 11: that he made threats to staff members. During child pickup.

1194
00:50:10,640 --> 00:50:13,880
Speaker 4: He allegedly confronted the teacher and stated words to the

1195
00:50:13,920 --> 00:50:18,560
Speaker 4: effect of I'll air this uh and I'll be back tomorrow.

1196
00:50:18,640 --> 00:50:22,080
Speaker 11: That suspect, forty three year old David Scott Junior, shaking

1197
00:50:22,160 --> 00:50:25,800
Speaker 11: his head at the allegations. In court Thursday for his arraignment.

1198
00:50:26,080 --> 00:50:28,399
Speaker 11: He pleaded not guilty and his bond set at one

1199
00:50:28,440 --> 00:50:31,799
Speaker 11: hundred and fifty thousand dollars cash surety due to a

1200
00:50:31,840 --> 00:50:35,759
Speaker 11: criminal past. On Thursday, police added extra patrols to the

1201
00:50:35,840 --> 00:50:38,920
Speaker 11: area and the school had only indoor recess as an

1202
00:50:38,920 --> 00:50:42,560
Speaker 11: additional precaution. But that child's mother tells me there's more

1203
00:50:42,640 --> 00:50:45,799
Speaker 11: to this story. Takesha Walkin says their son has been

1204
00:50:45,800 --> 00:50:50,240
Speaker 11: coming home from school hungry for weeks, overwhelmed by loud noises.

1205
00:50:50,320 --> 00:50:53,799
Speaker 11: Sometimes he'll skip lunch, so snack time is sometimes the

1206
00:50:53,840 --> 00:50:56,040
Speaker 11: only time he has to eat, so he's been coming

1207
00:50:56,040 --> 00:50:58,920
Speaker 11: home hungry. But the school district told me there is

1208
00:50:59,040 --> 00:51:03,280
Speaker 11: no official snaw While the mother wasn't there at pickup Wednesday,

1209
00:51:03,480 --> 00:51:06,800
Speaker 11: she does not believe the allegations against Scott Junior.

1210
00:51:06,960 --> 00:51:09,239
Speaker 15: I mean, yes, we get upset his parents and certain

1211
00:51:09,280 --> 00:51:11,279
Speaker 15: things could have been said, but I don't I do

1212
00:51:11,400 --> 00:51:13,560
Speaker 15: not believe that that came out of his mind.

1213
00:51:14,000 --> 00:51:17,920
Speaker 1: Guess what I got this one? Shut up?

1214
00:51:18,040 --> 00:51:24,279
Speaker 2: No, okay, okay, don't act like they don't be appropriating

1215
00:51:24,280 --> 00:51:28,000
Speaker 2: our culture too. You don't know if after this Okay Now.

1216
00:51:28,200 --> 00:51:30,480
Speaker 2: I did look it up on Urban Dictionary though, Okay,

1217
00:51:30,600 --> 00:51:33,360
Speaker 2: just to be sure, and Urban Dictionary says airs this

1218
00:51:33,480 --> 00:51:36,880
Speaker 2: bitch out is a term used by gangsters are really

1219
00:51:36,960 --> 00:51:38,440
Speaker 2: mad hood people with guns.

1220
00:51:38,600 --> 00:51:38,920
Speaker 1: Okay.

1221
00:51:38,960 --> 00:51:43,320
Speaker 2: The example Urban Dictionary uses is jamal man f this

1222
00:51:43,640 --> 00:51:48,120
Speaker 2: I'm finished and is bitch out? Why Nita, damn you right,

1223
00:51:48,360 --> 00:51:50,680
Speaker 2: let me grab my nine. It's safe to say that

1224
00:51:50,800 --> 00:51:54,360
Speaker 2: Urban Dictionary is ran by people who wouldn't be considered urban. Okay,

1225
00:51:54,400 --> 00:51:57,000
Speaker 2: by the way, I hate the term urban, but that

1226
00:51:57,120 --> 00:51:59,279
Speaker 2: site is clearly not ran by anyone from coaching. Now

1227
00:51:59,360 --> 00:52:02,320
Speaker 2: David got you when it's saying he didn't say this, Okay,

1228
00:52:02,400 --> 00:52:04,440
Speaker 2: I don't know if he did or not, but whatever

1229
00:52:04,480 --> 00:52:06,640
Speaker 2: he said was enough to get him arrested. And I

1230
00:52:06,719 --> 00:52:09,160
Speaker 2: just want my brothers to know that we don't always

1231
00:52:09,200 --> 00:52:09,560
Speaker 2: have to.

1232
00:52:09,520 --> 00:52:12,239
Speaker 1: Take it there. Okay, whatever then it may be.

1233
00:52:12,400 --> 00:52:14,239
Speaker 2: And I also understand that this is a lot of

1234
00:52:14,320 --> 00:52:17,160
Speaker 2: us brothers first time being fathers, and there is no

1235
00:52:17,280 --> 00:52:19,680
Speaker 2: manual for this thing. But this is why smart people

1236
00:52:19,760 --> 00:52:21,879
Speaker 2: learn from their own mistakes, and wise people learn from

1237
00:52:21,880 --> 00:52:25,480
Speaker 2: the mistakes of others. We must learn from David Scott Junior. Okay,

1238
00:52:26,560 --> 00:52:28,560
Speaker 2: you don't have to threaten the teacher. You don't have

1239
00:52:28,600 --> 00:52:30,680
Speaker 2: to threaten to shoot up the school, none of that,

1240
00:52:30,719 --> 00:52:35,640
Speaker 2: all right, Calmly, calmly requests a meeting. Okay, request a

1241
00:52:35,719 --> 00:52:39,479
Speaker 2: meeting with the teacher, our school administration to discuss your.

1242
00:52:39,440 --> 00:52:41,840
Speaker 1: Child not receiving a snack, because when you're.

1243
00:52:41,640 --> 00:52:44,720
Speaker 2: In this private setting, Okay, emotions are less heightened.

1244
00:52:44,719 --> 00:52:47,320
Speaker 1: The right the teacher in school can explain the snack.

1245
00:52:47,080 --> 00:52:49,880
Speaker 2: Policy are the fact that they may not have a

1246
00:52:49,880 --> 00:52:52,680
Speaker 2: snack policy, then both parties can find a solution.

1247
00:52:52,880 --> 00:52:53,160
Speaker 1: Okay.

1248
00:52:53,160 --> 00:52:56,320
Speaker 2: This approach reduces conflict, It opens up communication.

1249
00:52:56,480 --> 00:52:56,920
Speaker 1: And it's just.

1250
00:52:56,880 --> 00:52:59,680
Speaker 2: Always good to have a witness around so nobody can

1251
00:52:59,760 --> 00:53:02,200
Speaker 2: say you said something you didn't.

1252
00:53:02,239 --> 00:53:02,520
Speaker 1: Okay.

1253
00:53:02,560 --> 00:53:04,799
Speaker 2: Another thing you can do, just always feel free to

1254
00:53:04,800 --> 00:53:08,160
Speaker 2: gather information, all right. Policy review, all right, that is

1255
00:53:08,320 --> 00:53:12,279
Speaker 2: very important. Sometimes we just assume wrongdoing. But maybe David

1256
00:53:12,320 --> 00:53:14,440
Speaker 2: should have checked to see if the school has an

1257
00:53:14,440 --> 00:53:17,080
Speaker 2: official snack policy, and then he would know that this

1258
00:53:17,200 --> 00:53:20,880
Speaker 2: child isn't actually missing snack time. They just don't have

1259
00:53:20,960 --> 00:53:21,760
Speaker 2: a snack policy.

1260
00:53:21,800 --> 00:53:22,080
Speaker 1: Okay.

1261
00:53:22,080 --> 00:53:25,360
Speaker 2: But that's why you should always make a formal complaint.

1262
00:53:25,440 --> 00:53:27,719
Speaker 2: That's another thing that you could do, all right, write

1263
00:53:27,840 --> 00:53:30,920
Speaker 2: or submit a formal concern to the principal of school district.

1264
00:53:31,239 --> 00:53:37,120
Speaker 2: All of these things are better than making alleged public threat, Okay,

1265
00:53:37,160 --> 00:53:39,480
Speaker 2: because now you in jail, away.

1266
00:53:39,160 --> 00:53:41,680
Speaker 1: From your child, and now you got to fight a case.

1267
00:53:41,800 --> 00:53:42,120
Speaker 1: All right.

1268
00:53:42,160 --> 00:53:44,160
Speaker 2: Money that could be going to your child's future is

1269
00:53:44,200 --> 00:53:46,600
Speaker 2: going to keeping you out of prison. This brother was

1270
00:53:46,680 --> 00:53:49,600
Speaker 2: charged with possession of ammunition by a prohibited person.

1271
00:53:50,040 --> 00:53:51,279
Speaker 1: Okay, that's a.

1272
00:53:51,280 --> 00:53:54,239
Speaker 2: Five year felony, all right, our five thousand dollar find

1273
00:53:54,400 --> 00:53:56,640
Speaker 2: He's also charged with an intentional threat to commit an

1274
00:53:56,680 --> 00:53:59,040
Speaker 2: act of violence at a school. That's a misdemeanor one

1275
00:53:59,080 --> 00:54:02,799
Speaker 2: thousand dollar fine disorderly I've seen conduct and he's an

1276
00:54:02,800 --> 00:54:06,000
Speaker 2: habitual offendom because this is his fourth offense, three previously

1277
00:54:06,040 --> 00:54:09,280
Speaker 2: committed crimes with drugs and weapons related and his bond

1278
00:54:09,520 --> 00:54:10,480
Speaker 2: is one hundred.

1279
00:54:10,360 --> 00:54:12,760
Speaker 4: And fifty thousand dollars.

1280
00:54:12,840 --> 00:54:15,160
Speaker 2: Okay, so that's about fifteen thousand because you usually got

1281
00:54:15,239 --> 00:54:16,040
Speaker 2: to pay ten percent.

1282
00:54:16,280 --> 00:54:17,840
Speaker 1: Calculate your jail math.

1283
00:54:17,960 --> 00:54:23,359
Speaker 2: People, calculate your jail math and always ask yourself, will

1284
00:54:23,440 --> 00:54:24,720
Speaker 2: it be worth it?

1285
00:54:26,520 --> 00:54:34,120
Speaker 1: Please give David Scott Jr. The biggest he huff no game.

1286
00:54:34,800 --> 00:54:36,759
Speaker 2: Yeah, And this is also why you gotta, you know,

1287
00:54:36,920 --> 00:54:39,080
Speaker 2: be like you know what, baby, you go down there

1288
00:54:39,120 --> 00:54:40,520
Speaker 2: and handle it, because if I go down there and

1289
00:54:40,520 --> 00:54:41,719
Speaker 2: handle it, I'm going to jail.

1290
00:54:42,000 --> 00:54:43,040
Speaker 1: Okay, you know what I'm say.

1291
00:54:43,480 --> 00:54:45,440
Speaker 2: So you gotta go turn to the baby mama and

1292
00:54:45,480 --> 00:54:47,400
Speaker 2: say you go down there and handle it, because if

1293
00:54:47,440 --> 00:54:49,640
Speaker 2: I go down there and handle it, I'm going to jail.

1294
00:54:49,840 --> 00:54:53,920
Speaker 1: Some people not lying when they say that. Okay, damn

1295
00:54:54,600 --> 00:54:56,280
Speaker 1: all right, Well thank you for that donkey.

1296
00:54:56,320 --> 00:55:01,520
Speaker 3: Today, sir morning, everybody is DJ and Jess Hilarious, Charlamage

1297
00:55:01,520 --> 00:55:03,280
Speaker 3: and the guy we are the Breakfast Club.

1298
00:55:03,320 --> 00:55:04,439
Speaker 1: Lor La Rosa is here.

1299
00:55:05,000 --> 00:55:06,960
Speaker 4: We got a special guest in the building.

1300
00:55:07,520 --> 00:55:10,320
Speaker 1: Ray, J y J. How you doing? My brother, blessed

1301
00:55:10,480 --> 00:55:11,440
Speaker 1: to you all.

1302
00:55:11,880 --> 00:55:12,800
Speaker 12: That's a new designer.

1303
00:55:13,080 --> 00:55:14,440
Speaker 1: But welcome Ray. How are you feeling.

1304
00:55:14,680 --> 00:55:15,879
Speaker 4: How you're good?

1305
00:55:16,040 --> 00:55:16,640
Speaker 12: I'm feeling good.

1306
00:55:16,680 --> 00:55:18,000
Speaker 1: You got a lot going on, A.

1307
00:55:17,960 --> 00:55:18,480
Speaker 12: Lot going on.

1308
00:55:18,640 --> 00:55:21,320
Speaker 18: Yeah, I want to I want to make it. Uh really,

1309
00:55:21,440 --> 00:55:23,080
Speaker 18: I'm happy that this is my platform.

1310
00:55:23,160 --> 00:55:23,319
Speaker 1: Now.

1311
00:55:23,920 --> 00:55:26,920
Speaker 18: Thank you for forgiving me the opportunity to to to

1312
00:55:26,960 --> 00:55:29,880
Speaker 18: go into the holidays and the Q four correctly. Okay,

1313
00:55:30,440 --> 00:55:32,040
Speaker 18: with respect and honor and love.

1314
00:55:32,600 --> 00:55:34,480
Speaker 1: Well, listen, let's start with the legal stuff.

1315
00:55:34,920 --> 00:55:35,520
Speaker 4: Legal stuff.

1316
00:55:35,520 --> 00:55:37,360
Speaker 12: What I thought y'all didn't want to. I thought that

1317
00:55:37,400 --> 00:55:37,880
Speaker 12: we couldn't.

1318
00:55:38,239 --> 00:55:38,600
Speaker 1: Can't we?

1319
00:55:38,800 --> 00:55:40,799
Speaker 4: Oh no, you mean yes.

1320
00:55:40,960 --> 00:55:42,640
Speaker 3: I was gonna say first and foremost, I just would you.

1321
00:55:42,840 --> 00:55:45,319
Speaker 3: People don't know that we really love you Ray. Thank

1322
00:55:45,600 --> 00:55:48,240
Speaker 3: for for for new listeners. Ray was our first guest

1323
00:55:48,280 --> 00:55:50,680
Speaker 3: ever on the break Yes, I was before I went

1324
00:55:50,719 --> 00:55:53,120
Speaker 3: crazy on the rant before the Ring. I was the

1325
00:55:53,160 --> 00:55:57,319
Speaker 3: first guest guest on the Breakfast ever. I was the

1326
00:55:57,360 --> 00:55:59,640
Speaker 3: first guest ever. That's the reference.

1327
00:55:59,680 --> 00:56:01,880
Speaker 4: It was a first viral moment also on the Breakfast

1328
00:56:01,880 --> 00:56:02,399
Speaker 4: Club as well.

1329
00:56:02,600 --> 00:56:03,160
Speaker 1: Yeah, so we.

1330
00:56:03,120 --> 00:56:05,080
Speaker 4: Got we love Ray. We talked about Ray all the

1331
00:56:05,120 --> 00:56:07,520
Speaker 4: time and good to bad we just know what we love.

1332
00:56:07,600 --> 00:56:07,880
Speaker 4: Thank you.

1333
00:56:07,920 --> 00:56:09,680
Speaker 18: I would rather you guys always talk good about me.

1334
00:56:09,680 --> 00:56:12,000
Speaker 18: But it's okay, but the bad is on you. But

1335
00:56:14,680 --> 00:56:16,920
Speaker 18: you guys are my friends, and plus we're all entertainers,

1336
00:56:17,000 --> 00:56:18,839
Speaker 18: and you guys have to do what you have to do.

1337
00:56:19,840 --> 00:56:22,440
Speaker 12: Charlemagne. No, sometimes I get a little emotional.

1338
00:56:22,120 --> 00:56:22,560
Speaker 4: All the time.

1339
00:56:22,680 --> 00:56:25,279
Speaker 1: Me and Ray had a good heart to heart this year.

1340
00:56:25,760 --> 00:56:29,440
Speaker 18: Yeah, and so sometimes because I get emotional, you know,

1341
00:56:29,560 --> 00:56:29,960
Speaker 18: and and.

1342
00:56:31,960 --> 00:56:35,760
Speaker 12: But I sometimes but because I'm we're all in our zone.

1343
00:56:35,920 --> 00:56:40,080
Speaker 18: I'm a journalist as well, and so I just I

1344
00:56:40,200 --> 00:56:43,840
Speaker 18: just feel a little bit like this is my personal people.

1345
00:56:44,160 --> 00:56:46,440
Speaker 18: But you guys have to keep it neutral, you know,

1346
00:56:46,520 --> 00:56:49,319
Speaker 18: throughout you know, the day, because that's the way you're

1347
00:56:49,360 --> 00:56:51,720
Speaker 18: supposed to be. So it can be one sided because

1348
00:56:51,920 --> 00:56:53,120
Speaker 18: that's not what journalism is.

1349
00:56:53,320 --> 00:56:55,440
Speaker 2: I appreciated the phone call though, because I'm like, you know,

1350
00:56:55,480 --> 00:56:57,120
Speaker 2: there's not people that's gonna be honest, and that's the

1351
00:56:57,160 --> 00:56:58,000
Speaker 2: way Ray was feeling.

1352
00:56:58,000 --> 00:56:58,759
Speaker 4: But he was on my life.

1353
00:56:58,760 --> 00:56:58,960
Speaker 1: First.

1354
00:56:59,000 --> 00:57:01,320
Speaker 4: He was like, Charlamage's pie is Yeah, he'tes Charlamagne.

1355
00:57:01,320 --> 00:57:04,200
Speaker 18: I was like, he said, call him, and then so

1356
00:57:04,320 --> 00:57:07,319
Speaker 18: we talked even we went I called Charlemagne a lot

1357
00:57:07,520 --> 00:57:10,400
Speaker 18: and there's just times what I feel like, you know,

1358
00:57:10,880 --> 00:57:13,759
Speaker 18: sometimes y'all can have my back or you know, in

1359
00:57:13,840 --> 00:57:17,120
Speaker 18: certain instances what I'm going through, just give it a

1360
00:57:17,160 --> 00:57:19,560
Speaker 18: little more seriousness on my side.

1361
00:57:19,640 --> 00:57:22,320
Speaker 4: But but we do, we put we protect Ray a lot.

1362
00:57:22,480 --> 00:57:24,720
Speaker 2: But Redge got a comedian energy to where you don't

1363
00:57:24,720 --> 00:57:25,760
Speaker 2: know when he'd been serious.

1364
00:57:26,360 --> 00:57:29,000
Speaker 15: Was the first time and I serious conversation, but I

1365
00:57:29,040 --> 00:57:32,000
Speaker 15: didn't know when you're being serious. And sometimes I laughed

1366
00:57:32,000 --> 00:57:33,280
Speaker 15: and I'll put on mute because didn't want you to

1367
00:57:33,320 --> 00:57:37,240
Speaker 15: feel the way. But you're just laughing because he's funny naturally,

1368
00:57:37,400 --> 00:57:40,480
Speaker 15: but he's really serious and everything's like so heartfelt, so

1369
00:57:40,560 --> 00:57:41,560
Speaker 15: you don't want to laugh.

1370
00:57:41,680 --> 00:57:43,640
Speaker 12: But yeah, a lot of people try to hold it in.

1371
00:57:44,400 --> 00:57:45,440
Speaker 12: But I'm serious.

1372
00:57:45,440 --> 00:57:48,480
Speaker 18: I'm serious everything that I've been going through, it's been

1373
00:57:48,560 --> 00:57:50,600
Speaker 18: up and down, and everybody has their up and down days.

1374
00:57:50,760 --> 00:57:53,120
Speaker 18: And I think with the streaming world, and shout out

1375
00:57:53,160 --> 00:57:55,920
Speaker 18: to Kay Sanat for kind of like opening up his

1376
00:57:56,120 --> 00:57:59,240
Speaker 18: doors to Luther, Yeah, because he really like put us

1377
00:57:59,320 --> 00:58:01,600
Speaker 18: really on in the stream in a different way. And

1378
00:58:01,800 --> 00:58:04,440
Speaker 18: from there, when you're on your streams and you're streaming

1379
00:58:04,520 --> 00:58:07,640
Speaker 18: twenty four hours, it's like therapy. So you go through

1380
00:58:07,680 --> 00:58:10,160
Speaker 18: these therapy sessions with the chat because nothing's bigger than

1381
00:58:10,200 --> 00:58:14,000
Speaker 18: the chat. And then you don't I don't know every

1382
00:58:14,120 --> 00:58:16,520
Speaker 18: time it's going to go this viral when I be

1383
00:58:16,560 --> 00:58:18,320
Speaker 18: saying certain things. So then I watch it the next

1384
00:58:18,400 --> 00:58:20,040
Speaker 18: day and I'm like, oh man, I gotta stand on that.

1385
00:58:20,320 --> 00:58:21,560
Speaker 2: But people, I'm gonna tell you what I love to

1386
00:58:21,640 --> 00:58:23,840
Speaker 2: I love seeing you on stage with your sister, and

1387
00:58:23,880 --> 00:58:25,760
Speaker 2: I love seeing your niece with you. I love when

1388
00:58:25,760 --> 00:58:28,960
Speaker 2: I see your real family around you. That's when you

1389
00:58:29,040 --> 00:58:31,120
Speaker 2: look your whole, your whole, your whole.

1390
00:58:31,240 --> 00:58:33,160
Speaker 18: And I was so excited when I found out we

1391
00:58:33,280 --> 00:58:35,840
Speaker 18: were coming up here together. I'm like, vin, this is everything,

1392
00:58:35,960 --> 00:58:38,840
Speaker 18: because again I do want to turn the tides and

1393
00:58:38,920 --> 00:58:41,959
Speaker 18: I do want to, you know, showcase a different side

1394
00:58:41,960 --> 00:58:44,200
Speaker 18: of me because I think we've been crashing out to

1395
00:58:44,280 --> 00:58:50,040
Speaker 18: the left too much. And again, everything's entertainment, but you know,

1396
00:58:50,240 --> 00:58:51,800
Speaker 18: you just want to make sure you kind of like

1397
00:58:51,920 --> 00:58:55,440
Speaker 18: guarantee to everybody that this isn't a liability situation. Or

1398
00:58:55,920 --> 00:58:57,720
Speaker 18: every time I'm in the airport and they're like, we

1399
00:58:57,800 --> 00:59:03,280
Speaker 18: praying for you, a J man, everything's okay, I'm like, dang, because.

1400
00:59:03,080 --> 00:59:05,480
Speaker 3: People don't know when you're crashing out, crashing out or

1401
00:59:05,600 --> 00:59:06,760
Speaker 3: if you're just entertaining.

1402
00:59:06,960 --> 00:59:08,720
Speaker 12: So it's been a lot of brand for you. Man,

1403
00:59:08,760 --> 00:59:09,280
Speaker 12: God bless you.

1404
00:59:09,360 --> 00:59:09,480
Speaker 2: Man.

1405
00:59:09,480 --> 00:59:10,400
Speaker 12: I hope you're gonna be all right.

1406
00:59:10,640 --> 00:59:12,400
Speaker 2: People think you're on drugs and then you've got mental

1407
00:59:12,440 --> 00:59:14,360
Speaker 2: health issues, but which we all deal with our own

1408
00:59:14,480 --> 00:59:15,240
Speaker 2: mental health issues.

1409
00:59:15,640 --> 00:59:18,800
Speaker 12: Mental health is serious. And shout out to doctor Shyanne Bryant.

1410
00:59:20,120 --> 00:59:23,880
Speaker 18: Yeah, she's I mean we talk a lot and off camera,

1411
00:59:24,640 --> 00:59:27,840
Speaker 18: it's always off camera, but she helps me through certain things.

1412
00:59:27,960 --> 00:59:31,680
Speaker 18: And doctor Scott too out of Cleveland. Pastor Scott helps

1413
00:59:31,760 --> 00:59:34,560
Speaker 18: me through some of some of the issues that I'll

1414
00:59:34,640 --> 00:59:35,880
Speaker 18: be going through too, and it helps me.

1415
00:59:35,960 --> 00:59:37,720
Speaker 1: Man, you learn what have you learned about yourself?

1416
00:59:38,560 --> 00:59:41,840
Speaker 18: Well, you got to watch yourself. It's easy to know

1417
00:59:42,000 --> 00:59:45,720
Speaker 18: it when you just watch it. And I think without

1418
00:59:46,200 --> 00:59:49,680
Speaker 18: adding in the trolling, you know, it's it's just me

1419
00:59:49,960 --> 00:59:53,240
Speaker 18: just keeping it real. And a lot of times people can't,

1420
00:59:53,920 --> 00:59:56,160
Speaker 18: I think, keep it this real because there's a lot

1421
00:59:56,200 --> 00:59:58,200
Speaker 18: of different situations that might be in front of them,

1422
00:59:58,320 --> 01:00:02,720
Speaker 18: the job, their workspace, their partners, the people that are

1423
01:00:02,720 --> 01:00:05,920
Speaker 18: around them that might feel away, that's paying you know,

1424
01:00:06,200 --> 01:00:08,760
Speaker 18: the bills, whatever it is. You know, there's a lot

1425
01:00:08,800 --> 01:00:10,840
Speaker 18: of things that people go through that keep them away

1426
01:00:10,880 --> 01:00:13,960
Speaker 18: from being this extremely blunt. But for me, it's not

1427
01:00:14,200 --> 01:00:16,640
Speaker 18: like that, and I think that I have to hold

1428
01:00:16,680 --> 01:00:20,080
Speaker 18: myself responsible to hold some of this stuff in as

1429
01:00:20,160 --> 01:00:22,600
Speaker 18: we grow and as I grow, I'm getting older and

1430
01:00:22,760 --> 01:00:25,000
Speaker 18: I want my knees to be proud of me, and

1431
01:00:25,120 --> 01:00:27,080
Speaker 18: I want the team to be proud of me, and

1432
01:00:27,240 --> 01:00:29,520
Speaker 18: we can't crash out in twenty twenty six.

1433
01:00:29,600 --> 01:00:31,680
Speaker 1: So when the public paint you is the bad guy

1434
01:00:31,800 --> 01:00:33,960
Speaker 1: for years, what does that do to you? Mentally? How

1435
01:00:34,000 --> 01:00:34,880
Speaker 1: do you protect your piece?

1436
01:00:34,920 --> 01:00:36,680
Speaker 12: Now you just turn into the bad guy?

1437
01:00:37,120 --> 01:00:39,080
Speaker 1: Ooh, leaning toe?

1438
01:00:39,840 --> 01:00:42,360
Speaker 18: Will you not only lean into it? Because I think

1439
01:00:42,400 --> 01:00:46,440
Speaker 18: that's the only thing that I think makes sense. You know,

1440
01:00:46,600 --> 01:00:50,000
Speaker 18: It's almost like, you know, if you're doing something that's

1441
01:00:50,080 --> 01:00:51,920
Speaker 18: extremely believable, then it works.

1442
01:00:52,960 --> 01:00:53,840
Speaker 12: But if you're doing.

1443
01:00:53,760 --> 01:00:56,000
Speaker 18: Something that's not and it might be really who you

1444
01:00:56,120 --> 01:01:00,120
Speaker 18: really are, people don't understand it, and so it it

1445
01:01:00,800 --> 01:01:02,840
Speaker 18: Sometimes it takes a toll to try to like, hey,

1446
01:01:03,040 --> 01:01:05,920
Speaker 18: I'm going to be positive for twenty twenty six, ray

1447
01:01:06,000 --> 01:01:08,880
Speaker 18: J is gonna turn the new leaf.

1448
01:01:09,040 --> 01:01:13,120
Speaker 12: He's gonna be a good person. But that's who I

1449
01:01:13,240 --> 01:01:14,760
Speaker 12: am internally, no matter what.

1450
01:01:15,120 --> 01:01:17,400
Speaker 18: So when the character comes out if it gets over

1451
01:01:17,480 --> 01:01:21,200
Speaker 18: the top, and it's the impressions are up, you know,

1452
01:01:21,320 --> 01:01:23,040
Speaker 18: the profits are up.

1453
01:01:23,080 --> 01:01:25,520
Speaker 12: You know what I mean, the numbers are up. Then

1454
01:01:25,560 --> 01:01:26,280
Speaker 12: it makes sense.

1455
01:01:26,400 --> 01:01:28,680
Speaker 18: But but then on the other side, you know, there's

1456
01:01:28,680 --> 01:01:31,400
Speaker 18: a negative side to that too, with whatever comments people

1457
01:01:31,440 --> 01:01:33,320
Speaker 18: are putting in. I don't read any comments or nothing,

1458
01:01:33,400 --> 01:01:38,240
Speaker 18: but overall, just I really want my family to be

1459
01:01:38,320 --> 01:01:42,440
Speaker 18: proud of me, and they want me to show a

1460
01:01:42,600 --> 01:01:44,800
Speaker 18: different side of myself, you know what I mean that

1461
01:01:44,920 --> 01:01:48,000
Speaker 18: I don't really show, and so I'm up for it

1462
01:01:48,440 --> 01:01:50,240
Speaker 18: and I want to do it for twenty twenty six.

1463
01:01:50,400 --> 01:01:52,600
Speaker 3: It's ray J's sober. Now, last time you were up here,

1464
01:01:53,320 --> 01:01:56,680
Speaker 3: you was playing with the little lead. But you look thinner,

1465
01:01:56,880 --> 01:02:02,520
Speaker 3: you look clearer. So I'm assuming not anymore with the lean. Yes, yeah, no,

1466
01:02:02,840 --> 01:02:08,840
Speaker 3: not the lean. It's certain things are bad, are bad,

1467
01:02:09,320 --> 01:02:10,000
Speaker 3: and I think.

1468
01:02:10,880 --> 01:02:11,320
Speaker 1: You don't even know.

1469
01:02:11,440 --> 01:02:12,400
Speaker 3: Last time you was up here, you know me and

1470
01:02:12,440 --> 01:02:14,120
Speaker 3: showing me dumped out and act like it was really

1471
01:02:14,160 --> 01:02:17,040
Speaker 3: there wasn't there, And that's what that's where That's what

1472
01:02:17,120 --> 01:02:17,960
Speaker 3: I'm saying, right.

1473
01:02:17,960 --> 01:02:21,160
Speaker 4: We dumped it out like you don't think we love it.

1474
01:02:22,320 --> 01:02:26,720
Speaker 18: It's okay, okay, now very expensive so it was just like,

1475
01:02:30,320 --> 01:02:35,440
Speaker 18: but no, again, you have to have self control eventually

1476
01:02:35,760 --> 01:02:40,040
Speaker 18: over time, because if you have the option to make

1477
01:02:40,160 --> 01:02:44,360
Speaker 18: mistakes and just and it works, the mistakes work, then

1478
01:02:44,400 --> 01:02:48,920
Speaker 18: you find yourself in a weird position because crashing out works.

1479
01:02:50,240 --> 01:02:53,240
Speaker 18: So how do you balance that with you know, just

1480
01:02:53,520 --> 01:02:56,120
Speaker 18: being level in life? And sometimes for me it just

1481
01:02:56,160 --> 01:03:00,440
Speaker 18: gets confusing and everything just becomes blank and it allays

1482
01:03:00,520 --> 01:03:01,920
Speaker 18: just gives real blurry right now.

1483
01:03:02,240 --> 01:03:06,600
Speaker 2: You know, when you think about Raycon Tronics, you built

1484
01:03:06,640 --> 01:03:10,760
Speaker 2: these hundred million dollar businesses. To me, that's working, absolutely

1485
01:03:11,120 --> 01:03:13,760
Speaker 2: they we're crashing out is just a tension online that's

1486
01:03:13,840 --> 01:03:14,720
Speaker 2: not really working.

1487
01:03:15,000 --> 01:03:17,600
Speaker 18: But it does work. It does work for impressions. It

1488
01:03:17,680 --> 01:03:21,440
Speaker 18: does work for certain scales. When you're doing Snapchat or

1489
01:03:21,440 --> 01:03:24,360
Speaker 18: you're doing Twitter, or you're doing Instagram, or you're doing

1490
01:03:24,440 --> 01:03:27,919
Speaker 18: Twitch and you're running you know, fifteen ads an hour

1491
01:03:28,600 --> 01:03:31,280
Speaker 18: and you want your CPM to be solid, right, and

1492
01:03:31,520 --> 01:03:34,280
Speaker 18: you're running them at night in late night, and you

1493
01:03:34,400 --> 01:03:36,400
Speaker 18: want those to work as well. So I think it

1494
01:03:36,520 --> 01:03:38,520
Speaker 18: all works if you're looking at it from a really

1495
01:03:39,040 --> 01:03:43,000
Speaker 18: scientific level, and I think a lot of people don't

1496
01:03:43,040 --> 01:03:44,920
Speaker 18: think we look at it like that, but we do.

1497
01:03:45,840 --> 01:03:49,280
Speaker 18: But enough is enough? At some point, right, And I

1498
01:03:49,320 --> 01:03:51,240
Speaker 18: don't know when it is. I don't know when enough

1499
01:03:51,360 --> 01:03:54,000
Speaker 18: is enough because I'm like, enough's enough now, but I'm like,

1500
01:03:54,160 --> 01:03:54,680
Speaker 18: is it enough?

1501
01:03:55,680 --> 01:03:58,080
Speaker 3: So ah, you're changing a new leaf now because two

1502
01:03:58,160 --> 01:04:00,120
Speaker 3: days ago I'm not even listening to you.

1503
01:04:00,240 --> 01:04:02,960
Speaker 1: Called Mario gay, I called Mario no.

1504
01:04:03,040 --> 01:04:04,800
Speaker 18: I said, I never seen Mario with a woman, but

1505
01:04:04,880 --> 01:04:06,560
Speaker 18: I love Mario and I'm sure he has women. And

1506
01:04:06,560 --> 01:04:10,640
Speaker 18: I'm sorry, ma Instat, I'm so sorry, exactly so I

1507
01:04:10,720 --> 01:04:11,320
Speaker 18: made a mistake.

1508
01:04:11,960 --> 01:04:14,480
Speaker 4: Also, you said was you know? You said I like

1509
01:04:14,600 --> 01:04:16,520
Speaker 4: the hospitality of the show and pretty much call him

1510
01:04:16,520 --> 01:04:16,840
Speaker 4: a sucker.

1511
01:04:16,920 --> 01:04:19,560
Speaker 18: I'm sorry Wila for that as well, and I want

1512
01:04:19,600 --> 01:04:22,080
Speaker 18: to extend my apology to La Mario.

1513
01:04:22,280 --> 01:04:25,280
Speaker 12: He did a great job with Brandy. I appreciate Brandy

1514
01:04:25,320 --> 01:04:26,080
Speaker 12: for having my back.

1515
01:04:26,440 --> 01:04:28,160
Speaker 18: She said, I needed to just slow down on all

1516
01:04:28,160 --> 01:04:31,000
Speaker 18: the extracurricular things that I do on the side and

1517
01:04:31,080 --> 01:04:33,240
Speaker 18: I would be able to compete. So you long want

1518
01:04:33,280 --> 01:04:35,320
Speaker 18: to battle him in the verses in a versus what

1519
01:04:35,600 --> 01:04:38,000
Speaker 18: they had the main stage, they were headlining the verses

1520
01:04:38,040 --> 01:04:41,000
Speaker 18: and then we did the beginning of the verses and

1521
01:04:41,280 --> 01:04:44,800
Speaker 18: all together collectively it was a successful disaster.

1522
01:04:44,960 --> 01:04:47,000
Speaker 1: I told Mario that he didn't let you on stage

1523
01:04:47,160 --> 01:04:48,080
Speaker 1: because he was afraid of this.

1524
01:04:49,240 --> 01:04:51,240
Speaker 18: I'm telling you because I was on the side and

1525
01:04:51,920 --> 01:04:53,920
Speaker 18: I see Mario on the side of the stage.

1526
01:04:53,920 --> 01:04:56,040
Speaker 12: I walk up to him. Were in Baltimore or we know,

1527
01:04:56,120 --> 01:04:56,800
Speaker 12: we in DC.

1528
01:04:56,800 --> 01:04:59,080
Speaker 1: And we got let's hear Mark, We got Mark.

1529
01:05:01,280 --> 01:05:04,440
Speaker 12: Okay, tomorrow Mario, even if he said something bad, God

1530
01:05:04,480 --> 01:05:04,920
Speaker 12: bless him.

1531
01:05:05,120 --> 01:05:06,520
Speaker 1: He's here.

1532
01:05:07,840 --> 01:05:09,080
Speaker 7: He's here like we had him in the closet.

1533
01:05:09,200 --> 01:05:17,720
Speaker 18: Just come on, Coop, I just today here and you

1534
01:05:17,840 --> 01:05:21,480
Speaker 18: know Sheila's here and the whole team is king Cooper.

1535
01:05:21,960 --> 01:05:24,240
Speaker 18: Don't hide, don't you can't Coop?

1536
01:05:25,520 --> 01:05:26,840
Speaker 12: You got I hit.

1537
01:05:26,960 --> 01:05:29,000
Speaker 18: I hit me and said, wow, you have my back

1538
01:05:29,200 --> 01:05:34,240
Speaker 18: for one time. I said, I said, I know you

1539
01:05:34,360 --> 01:05:36,200
Speaker 18: have j and but you haven't had it for a

1540
01:05:36,280 --> 01:05:36,680
Speaker 18: few times.

1541
01:05:36,680 --> 01:05:37,439
Speaker 4: I'm sorry. I'm sorry.

1542
01:05:37,520 --> 01:05:40,680
Speaker 1: Something said you ain't let him on that stage. What

1543
01:05:40,800 --> 01:05:41,280
Speaker 1: was going to happen?

1544
01:05:42,720 --> 01:05:45,480
Speaker 4: Yeah, you said I didn't let him.

1545
01:05:46,200 --> 01:05:49,760
Speaker 3: Wanted to do You can ask Je what happened backstage.

1546
01:05:50,440 --> 01:05:52,640
Speaker 3: I was like, Yo, let's do it. Let's make it happen.

1547
01:05:52,680 --> 01:05:54,840
Speaker 4: He was like, nigga, shrink me. Just just I don't

1548
01:05:54,880 --> 01:05:56,760
Speaker 4: care what you just out. Just just make it happen.

1549
01:05:56,800 --> 01:05:58,800
Speaker 4: I'm like, I don't even know he was gonna be there. Bad,

1550
01:05:58,800 --> 01:06:01,200
Speaker 4: I got you. They let them on stage. It wasn't me,

1551
01:06:02,080 --> 01:06:03,880
Speaker 4: that's not story was.

1552
01:06:03,920 --> 01:06:05,320
Speaker 1: I wanted to do the verses right.

1553
01:06:07,240 --> 01:06:09,920
Speaker 4: Out of all people, you trust Reggie Story, Damn.

1554
01:06:11,400 --> 01:06:13,320
Speaker 1: You trust.

1555
01:06:17,760 --> 01:06:19,240
Speaker 12: Mario. That's not okay.

1556
01:06:21,960 --> 01:06:24,640
Speaker 18: I saw Mario behind this stage, and when they said

1557
01:06:24,720 --> 01:06:28,160
Speaker 18: Mario's here, I'm like, no way, this is a coincidence.

1558
01:06:28,200 --> 01:06:30,160
Speaker 12: It's perfect for us to do what we gotta do.

1559
01:06:31,360 --> 01:06:34,520
Speaker 18: I didn't know because somebody, well my management said while

1560
01:06:34,560 --> 01:06:37,640
Speaker 18: A wanted ray J to come out for a homecoming

1561
01:06:37,680 --> 01:06:39,600
Speaker 18: event or whatever, and I'm like, I'm doing the d

1562
01:06:39,720 --> 01:06:42,800
Speaker 18: m V Baltimore suba than anyway, let's go up there.

1563
01:06:43,240 --> 01:06:44,920
Speaker 18: I didn't talk to La or none of them, so

1564
01:06:44,960 --> 01:06:47,960
Speaker 18: I didn't know really who invited me. I ended up backstage.

1565
01:06:48,040 --> 01:06:50,280
Speaker 18: They said Mario's upstairs. I said, let's go find him.

1566
01:06:50,600 --> 01:06:52,600
Speaker 12: We went up. I said Mario, what's up? He said,

1567
01:06:52,600 --> 01:06:53,280
Speaker 12: what's up? Ray J?

1568
01:06:53,760 --> 01:06:56,000
Speaker 18: I said what's up? I said it's time. I said,

1569
01:06:56,000 --> 01:06:58,160
Speaker 18: you're about to get on stage and then I need

1570
01:06:58,240 --> 01:07:00,200
Speaker 18: to battle you with my song. I said, bro, even

1571
01:07:00,240 --> 01:07:03,080
Speaker 18: if I lose, we gotta we gotta do it. He said,

1572
01:07:03,920 --> 01:07:07,720
Speaker 18: and I promise you give me five minutes to think

1573
01:07:07,760 --> 01:07:10,400
Speaker 18: about it, and I go five minutes to think about it.

1574
01:07:11,080 --> 01:07:12,920
Speaker 18: So then he goes down and then I go down

1575
01:07:13,040 --> 01:07:16,280
Speaker 18: ten minutes later and he's performing. He didn't give me

1576
01:07:16,360 --> 01:07:18,840
Speaker 18: the five minutes. He just like kind of shaded me

1577
01:07:18,920 --> 01:07:20,800
Speaker 18: on that end. And so I was standing on the

1578
01:07:20,840 --> 01:07:23,240
Speaker 18: side of the stage waiting for Mike and they start

1579
01:07:23,360 --> 01:07:25,880
Speaker 18: directing me off like traffic, like with the car, like

1580
01:07:26,000 --> 01:07:27,920
Speaker 18: ray J, come on this way, go that way, now,

1581
01:07:28,040 --> 01:07:28,760
Speaker 18: get the hell out of here.

1582
01:07:28,760 --> 01:07:31,360
Speaker 1: And I was just like, yeah, it was crazy to

1583
01:07:31,600 --> 01:07:32,080
Speaker 1: kick you out.

1584
01:07:32,560 --> 01:07:34,880
Speaker 18: They didn't kick me out, but they kind of just

1585
01:07:35,000 --> 01:07:37,160
Speaker 18: told me to get off because they they was like,

1586
01:07:37,240 --> 01:07:38,360
Speaker 18: we don't want no problems here.

1587
01:07:38,520 --> 01:07:38,920
Speaker 4: What ray J?

1588
01:07:39,080 --> 01:07:39,120
Speaker 6: Was?

1589
01:07:39,160 --> 01:07:39,200
Speaker 11: It?

1590
01:07:39,320 --> 01:07:39,960
Speaker 4: Was it this ray J?

1591
01:07:40,280 --> 01:07:40,600
Speaker 9: Or was it?

1592
01:07:41,120 --> 01:07:41,560
Speaker 1: It was this?

1593
01:07:41,880 --> 01:07:42,680
Speaker 12: It was this ray J.

1594
01:07:42,920 --> 01:07:45,800
Speaker 18: My eyes was really wide and I was ready to

1595
01:07:45,880 --> 01:07:48,680
Speaker 18: get on stage. Okay, they go, we don't want those

1596
01:07:48,760 --> 01:07:50,800
Speaker 18: problems here, come on, and.

1597
01:07:50,880 --> 01:07:53,120
Speaker 7: I just was like, all right, Mario, ever look over

1598
01:07:53,280 --> 01:07:54,720
Speaker 7: and see you, like you know how that you on

1599
01:07:54,800 --> 01:07:55,040
Speaker 7: a stage?

1600
01:07:55,080 --> 01:07:55,560
Speaker 4: What you could hear?

1601
01:07:55,560 --> 01:07:57,560
Speaker 18: He didn't want no problems at that point because I

1602
01:07:57,680 --> 01:08:00,680
Speaker 18: knew that DC, which is one of my favorite cities

1603
01:08:00,680 --> 01:08:02,880
Speaker 18: in the world, I love DC. Shout out to Kathy Hughes,

1604
01:08:02,880 --> 01:08:06,120
Speaker 18: Shout out to d C. I wanted it so bad,

1605
01:08:07,320 --> 01:08:09,960
Speaker 18: but they they didn't, they didn't let it happen, so

1606
01:08:10,280 --> 01:08:13,440
Speaker 18: I respected. I was a little mad, but I think

1607
01:08:13,480 --> 01:08:14,920
Speaker 18: after that night I started to go, you know what,

1608
01:08:15,000 --> 01:08:16,280
Speaker 18: maybe I'm a little mad too much.

1609
01:08:17,160 --> 01:08:18,840
Speaker 12: Maybe I need to switch up from the cost of

1610
01:08:18,920 --> 01:08:20,440
Speaker 12: Migos to maybe Tito's.

1611
01:08:22,000 --> 01:08:24,040
Speaker 1: Love that you Got. I say, three in the possible.

1612
01:08:25,360 --> 01:08:27,639
Speaker 18: It just depends on where you are. Like, I think

1613
01:08:27,720 --> 01:08:30,800
Speaker 18: that the the the verses for no Limit and cash

1614
01:08:30,840 --> 01:08:32,080
Speaker 18: Money should have been in New Orleans.

1615
01:08:32,240 --> 01:08:33,479
Speaker 12: Absolutely, it would have been.

1616
01:08:33,439 --> 01:08:34,280
Speaker 1: A whole nother thing.

1617
01:08:34,479 --> 01:08:36,439
Speaker 7: So where does J's versus take place?

1618
01:08:36,880 --> 01:08:37,639
Speaker 12: Ray J's versus?

1619
01:08:37,920 --> 01:08:40,880
Speaker 15: If you have the perfect setting in Baltimore and Baltimore okay, yeah,

1620
01:08:40,880 --> 01:08:44,040
Speaker 15: and it's hometowntown.

1621
01:08:42,760 --> 01:08:45,240
Speaker 12: Because I love I love Mario and I love Baltimore.

1622
01:08:46,200 --> 01:08:48,200
Speaker 18: You know, I think doing it in LA wouldn't be

1623
01:08:48,240 --> 01:08:50,760
Speaker 18: fair because now I'm doing songs that Mario might not

1624
01:08:50,880 --> 01:08:53,799
Speaker 18: have even heard and they still lit and they still platinum.

1625
01:08:54,479 --> 01:08:56,280
Speaker 7: You know, what song do you lead with? Like, what's

1626
01:08:56,320 --> 01:08:56,960
Speaker 7: your number one?

1627
01:08:57,320 --> 01:09:00,200
Speaker 12: The song that I lead with is one wish No

1628
01:09:00,960 --> 01:09:05,040
Speaker 12: at the Gate because I got a new gospel version.

1629
01:09:06,720 --> 01:09:07,200
Speaker 1: That's dope.

1630
01:09:07,439 --> 01:09:09,840
Speaker 2: You should be allowed to do one wish three times,

1631
01:09:09,920 --> 01:09:12,519
Speaker 2: three different ways. You're supposed to get three wishes, so

1632
01:09:12,920 --> 01:09:14,559
Speaker 2: so it should be more than one wish. So one

1633
01:09:14,600 --> 01:09:18,240
Speaker 2: wish than you're doing one, then you can know one wish.

1634
01:09:18,280 --> 01:09:19,640
Speaker 2: Afro beats kill them.

1635
01:09:20,080 --> 01:09:22,800
Speaker 18: I think one wish five times, then sexy can I

1636
01:09:23,680 --> 01:09:25,599
Speaker 18: I said, this is what I said. I said, let

1637
01:09:25,680 --> 01:09:26,960
Speaker 18: me love you is not bigger.

1638
01:09:26,720 --> 01:09:27,240
Speaker 12: Than one wish.

1639
01:09:28,000 --> 01:09:31,040
Speaker 1: You should let me love jay.

1640
01:09:32,160 --> 01:09:34,200
Speaker 7: I love one wish. I love to see performance, but

1641
01:09:34,320 --> 01:09:36,560
Speaker 7: I do think what's the metrics that we love you

1642
01:09:36,800 --> 01:09:37,240
Speaker 7: is bigger?

1643
01:09:37,680 --> 01:09:39,160
Speaker 1: But you can look it up, you can see well.

1644
01:09:39,360 --> 01:09:42,599
Speaker 18: But then also also taking the account, I'm one thousand

1645
01:09:42,640 --> 01:09:46,240
Speaker 18: percent independent, like there's there, there's no there's no like.

1646
01:09:46,680 --> 01:09:50,200
Speaker 12: There's no catch distribution on this one. There's no epic

1647
01:09:50,320 --> 01:09:51,400
Speaker 12: distribution on this one.

1648
01:09:51,439 --> 01:09:54,240
Speaker 18: This is just straight sanctuary and rayg a three percent

1649
01:09:54,760 --> 01:09:57,759
Speaker 18: like deal within ninety seven percent us forever.

1650
01:09:58,080 --> 01:09:59,800
Speaker 1: Sexy can, I Sexy can.

1651
01:10:00,120 --> 01:10:01,840
Speaker 12: Sexy cannot bigger than let me love you to me?

1652
01:10:02,080 --> 01:10:03,200
Speaker 1: Hit it first is a possible.

1653
01:10:03,600 --> 01:10:05,840
Speaker 18: Hit it first is not okay. You can do hit

1654
01:10:05,880 --> 01:10:07,519
Speaker 18: it first, well, hit it first and have a really

1655
01:10:07,520 --> 01:10:07,880
Speaker 18: big record.

1656
01:10:07,920 --> 01:10:08,599
Speaker 4: People know that record.

1657
01:10:08,640 --> 01:10:10,760
Speaker 12: That's crazy because it never really saw the light to day.

1658
01:10:10,840 --> 01:10:12,320
Speaker 2: And I want you to know that those two right

1659
01:10:12,360 --> 01:10:14,760
Speaker 2: there said that Mario would wash you in the verse ID.

1660
01:10:14,800 --> 01:10:16,040
Speaker 2: I don't know why he's not keeping that.

1661
01:10:16,080 --> 01:10:17,960
Speaker 12: Same right now, and I think so.

1662
01:10:18,120 --> 01:10:20,040
Speaker 7: But honestly, I don't think that.

1663
01:10:20,200 --> 01:10:22,880
Speaker 4: You listen, I think so too. I think I think

1664
01:10:22,920 --> 01:10:23,639
Speaker 4: you got five joys.

1665
01:10:23,880 --> 01:10:28,360
Speaker 12: I think five Mario can sing live as hell for

1666
01:10:28,439 --> 01:10:29,320
Speaker 12: your Nie said one.

1667
01:10:30,160 --> 01:10:31,479
Speaker 1: Mario only got one joint on.

1668
01:10:35,360 --> 01:10:39,040
Speaker 4: Just a friend braid right here, the joy with Gucci.

1669
01:10:42,520 --> 01:10:44,080
Speaker 12: I love you Ro and I love that.

1670
01:10:44,160 --> 01:10:46,719
Speaker 18: Brandy supported me too, But she also said, Ray, gotta

1671
01:10:46,880 --> 01:10:49,880
Speaker 18: you know, do right in order to compete, because Mario

1672
01:10:50,200 --> 01:10:54,519
Speaker 18: is a serial singer. Right, He's a serial singer and

1673
01:10:54,840 --> 01:10:56,920
Speaker 18: I respect that, and I think that in a versus

1674
01:10:57,000 --> 01:10:58,920
Speaker 18: live right now, Mario will crush me.

1675
01:10:59,080 --> 01:11:02,400
Speaker 1: I'm glad you when your sister, I love being. How

1676
01:11:02,439 --> 01:11:02,920
Speaker 1: did that happen?

1677
01:11:03,280 --> 01:11:04,799
Speaker 12: We always been on the same page.

1678
01:11:04,800 --> 01:11:07,720
Speaker 18: I think just publicly it was just you know, she

1679
01:11:07,880 --> 01:11:10,439
Speaker 18: brought me out at the concert, but I was just

1680
01:11:10,560 --> 01:11:13,280
Speaker 18: every time I get around Be and my mom and Sarah,

1681
01:11:13,760 --> 01:11:15,479
Speaker 18: I just get real emotional, man, and.

1682
01:11:15,520 --> 01:11:18,120
Speaker 1: You screen up. You don't act like you act anywhere

1683
01:11:18,120 --> 01:11:19,160
Speaker 1: else with them, I'm sure.

1684
01:11:19,120 --> 01:11:21,479
Speaker 12: Yeah, nah, And I think that it's just enough is enough.

1685
01:11:21,640 --> 01:11:25,960
Speaker 18: And I'm so happy that Rara's here today because it

1686
01:11:26,120 --> 01:11:29,599
Speaker 18: just it makes me do better no matter what, because

1687
01:11:29,600 --> 01:11:31,880
Speaker 18: I know my mom is watching and my dad and

1688
01:11:32,560 --> 01:11:33,240
Speaker 18: Brandy and so.

1689
01:11:35,360 --> 01:11:37,360
Speaker 12: Like, I'm like, I'm really a comedian.

1690
01:11:37,760 --> 01:11:40,800
Speaker 18: We really are in like like this Richard pryor like

1691
01:11:41,040 --> 01:11:45,680
Speaker 18: Red Fox for mat of comedy where it's uncut right,

1692
01:11:46,960 --> 01:11:49,200
Speaker 18: and if everybody took it like that, I think it'd

1693
01:11:49,240 --> 01:11:51,800
Speaker 18: be better. But for the seriousness of what it is,

1694
01:11:52,080 --> 01:11:55,759
Speaker 18: I just I don't want to let them down moving forward,

1695
01:11:56,160 --> 01:11:57,479
Speaker 18: and I just want to do right now.

1696
01:11:57,960 --> 01:11:59,120
Speaker 1: You still have sex with Scripps.

1697
01:12:00,120 --> 01:12:03,080
Speaker 12: I do, Yeah, Okay, I do. I do here and there,

1698
01:12:03,200 --> 01:12:05,080
Speaker 12: But I'm not I'm really not a sex aholic at all.

1699
01:12:05,120 --> 01:12:05,240
Speaker 14: Over.

1700
01:12:05,400 --> 01:12:08,759
Speaker 18: Yeah, I just I'm very focused right now. So Sheila

1701
01:12:08,920 --> 01:12:11,120
Speaker 18: tell you, like shout out to Sheila on the Love Cabin.

1702
01:12:11,200 --> 01:12:12,719
Speaker 18: We got the show on zeus.

1703
01:12:13,000 --> 01:12:17,320
Speaker 2: Crazy, They got chat that what questions y'all got for

1704
01:12:17,360 --> 01:12:19,840
Speaker 2: Sheila person, We got a lot to get to it.

1705
01:12:21,240 --> 01:12:21,439
Speaker 16: Yeah.

1706
01:12:22,240 --> 01:12:23,920
Speaker 1: I saw you make I saw on Shade Room you

1707
01:12:24,000 --> 01:12:25,000
Speaker 1: had this young lady crying.

1708
01:12:25,320 --> 01:12:25,920
Speaker 4: She was crying.

1709
01:12:26,400 --> 01:12:27,680
Speaker 2: I'm not gonna lie with a part of me. I

1710
01:12:27,760 --> 01:12:29,280
Speaker 2: was like, that's kind of playing just a little bit,

1711
01:12:30,479 --> 01:12:32,360
Speaker 2: just a little bit, just the way, just the way,

1712
01:12:32,520 --> 01:12:34,720
Speaker 2: because once again I can't tell when ray J being

1713
01:12:34,840 --> 01:12:36,600
Speaker 2: serious that he's just entertaining.

1714
01:12:36,280 --> 01:12:37,599
Speaker 1: That it was just all about the chat.

1715
01:12:37,640 --> 01:12:40,320
Speaker 4: It wasn't. She was crying.

1716
01:12:40,520 --> 01:12:42,800
Speaker 1: So, Sheila, you're holding Reggie now ntil he goes back

1717
01:12:42,800 --> 01:12:45,719
Speaker 1: to his family. How does that feel? That is crazy?

1718
01:12:46,240 --> 01:12:46,519
Speaker 2: You know what?

1719
01:12:46,680 --> 01:12:49,559
Speaker 17: Let me say this, ray J and I are really

1720
01:12:49,600 --> 01:12:52,720
Speaker 17: good friends, you know, and.

1721
01:12:52,720 --> 01:12:53,599
Speaker 12: You're looking good today.

1722
01:12:53,640 --> 01:12:54,679
Speaker 8: Sheila, thank you so much.

1723
01:12:55,120 --> 01:12:57,559
Speaker 4: I may cry, I may not, but are your more

1724
01:12:57,560 --> 01:12:57,960
Speaker 4: than friends?

1725
01:12:57,960 --> 01:13:00,880
Speaker 1: Are y'all we're really good friends. What do you cry?

1726
01:13:01,120 --> 01:13:01,960
Speaker 1: What were you crying over?

1727
01:13:02,080 --> 01:13:04,120
Speaker 17: You can do what you want with that information.

1728
01:13:04,439 --> 01:13:06,760
Speaker 18: Sheila was crying because she couldn't be on the on

1729
01:13:06,880 --> 01:13:09,840
Speaker 18: the front desk and the back desk was where her

1730
01:13:09,920 --> 01:13:12,839
Speaker 18: office was with Clark and they were doing their streams.

1731
01:13:12,840 --> 01:13:16,960
Speaker 12: I thought you was to the family, but that wasn't

1732
01:13:17,000 --> 01:13:17,880
Speaker 12: what she was crying for.

1733
01:13:18,880 --> 01:13:21,120
Speaker 18: Yeah, so what she was crying for because I was like, yo,

1734
01:13:21,280 --> 01:13:23,439
Speaker 18: I'm on the front desk. You have to do this

1735
01:13:23,640 --> 01:13:25,360
Speaker 18: desk and you can work your way up to the

1736
01:13:25,400 --> 01:13:27,080
Speaker 18: front desk. But right now, this is my chat. You

1737
01:13:27,200 --> 01:13:28,760
Speaker 18: have your chat, Clark asked his chat.

1738
01:13:29,360 --> 01:13:31,200
Speaker 3: She's so scared you're gonna fall from him. And then

1739
01:13:31,520 --> 01:13:34,200
Speaker 3: he you know, you get connected and he leaves for

1740
01:13:35,040 --> 01:13:36,160
Speaker 3: goes back to his family.

1741
01:13:36,880 --> 01:13:40,960
Speaker 14: No, not necessarily. You know, that wasn't my first time

1742
01:13:41,040 --> 01:13:45,080
Speaker 14: I cried. I was like probably my fourth time crying.

1743
01:13:45,960 --> 01:13:49,800
Speaker 18: Well, because she well, and I really like the week,

1744
01:13:49,880 --> 01:13:53,040
Speaker 18: and I respect everybody that cry. Some people and I

1745
01:13:53,080 --> 01:13:56,920
Speaker 18: don't want I don't know people's water base, right, but

1746
01:13:57,520 --> 01:13:59,200
Speaker 18: some people cry more than others.

1747
01:13:59,240 --> 01:14:02,040
Speaker 12: So she is a lot, just even when she's happy

1748
01:14:02,160 --> 01:14:02,519
Speaker 12: or sad.

1749
01:14:02,640 --> 01:14:04,080
Speaker 17: Right, I mean, I'm a cancer, y'all.

1750
01:14:04,280 --> 01:14:04,559
Speaker 1: Me too.

1751
01:14:05,479 --> 01:14:09,080
Speaker 17: You're a cancer as much as me, No more like

1752
01:14:09,600 --> 01:14:12,160
Speaker 17: I do, but not a lot. But you understand, like

1753
01:14:12,280 --> 01:14:12,840
Speaker 17: I'm like.

1754
01:14:12,880 --> 01:14:15,240
Speaker 1: You, I don't see you as a cry June cancer.

1755
01:14:16,479 --> 01:14:18,720
Speaker 1: You know what June twenty six. Oh yeah, I'm twenty nine.

1756
01:14:18,800 --> 01:14:21,799
Speaker 17: Okay, okay, right, okay, So so you kind of understand

1757
01:14:21,800 --> 01:14:22,439
Speaker 17: where I'm coming from.

1758
01:14:22,680 --> 01:14:24,200
Speaker 15: The first time you cry it was about the or

1759
01:14:24,240 --> 01:14:25,720
Speaker 15: the last time we saw it was the desk. What

1760
01:14:25,880 --> 01:14:27,120
Speaker 15: were the other issues that we.

1761
01:14:29,520 --> 01:14:34,880
Speaker 14: I honestly cry about, anything like if if he tells

1762
01:14:34,960 --> 01:14:37,720
Speaker 14: me he doesn't like my hair, I'll cry like, it's just.

1763
01:14:37,920 --> 01:14:40,960
Speaker 12: I love your hair. I'm just I love your hair

1764
01:14:41,040 --> 01:14:42,759
Speaker 12: now and I love your hair yesterday.

1765
01:14:43,280 --> 01:14:44,560
Speaker 4: Yeah, So where do you want it to go?

1766
01:14:44,960 --> 01:14:45,000
Speaker 9: What?

1767
01:14:45,400 --> 01:14:47,200
Speaker 4: Because Pete, that's the chat to ask, like, where do

1768
01:14:47,240 --> 01:14:48,600
Speaker 4: you want this relationship to go? Do you want it

1769
01:14:48,600 --> 01:14:49,600
Speaker 4: to be serious? You wanted to take it?

1770
01:14:50,439 --> 01:14:54,440
Speaker 7: This is a relationship, Yeah, for sure, this is a relationship.

1771
01:14:54,600 --> 01:14:55,599
Speaker 4: This great.

1772
01:14:56,840 --> 01:14:58,440
Speaker 17: This is a really good friendship.

1773
01:14:58,640 --> 01:14:59,479
Speaker 1: It's a good.

1774
01:15:01,960 --> 01:15:06,120
Speaker 3: Start to Ray said, we go together because once you

1775
01:15:06,160 --> 01:15:08,120
Speaker 3: both ugly, it goes to another world.

1776
01:15:08,320 --> 01:15:11,479
Speaker 18: We're really good friends, right, absolutely, But Love Cabin is

1777
01:15:12,040 --> 01:15:16,920
Speaker 18: going crazy in all new episodes Sunday on zeus run

1778
01:15:17,000 --> 01:15:19,320
Speaker 18: your knees though. Well, this is the first time they

1779
01:15:19,400 --> 01:15:21,920
Speaker 18: ever been well, they actually got into a spat before

1780
01:15:21,960 --> 01:15:23,599
Speaker 18: when they didn't know each other, and they haven't worked

1781
01:15:23,600 --> 01:15:24,040
Speaker 18: it out yet.

1782
01:15:25,680 --> 01:15:29,719
Speaker 12: But we're gonna work it out. Listen, We're gonna hold on, We're.

1783
01:15:29,640 --> 01:15:33,960
Speaker 18: Gonna, we're gonna They had they got into what at

1784
01:15:34,040 --> 01:15:36,639
Speaker 18: a club when I wasn't there, and so they didn't

1785
01:15:36,640 --> 01:15:37,479
Speaker 18: know each other and.

1786
01:15:37,960 --> 01:15:40,120
Speaker 1: I haven't walked up like she was family, like, yo,

1787
01:15:40,240 --> 01:15:40,680
Speaker 1: what's up?

1788
01:15:41,439 --> 01:15:43,800
Speaker 18: Well, no, no, no, it was something they she didn't

1789
01:15:43,840 --> 01:15:46,160
Speaker 18: know that was my knees, and so they had got

1790
01:15:46,200 --> 01:15:49,400
Speaker 18: into it. And I'm like, yo, that's my knees, and

1791
01:15:49,560 --> 01:15:52,439
Speaker 18: so I want everything to be at peace. I'm turning

1792
01:15:52,520 --> 01:15:53,040
Speaker 18: a new leaf.

1793
01:15:53,360 --> 01:15:54,599
Speaker 1: I got all money on right.

1794
01:15:55,400 --> 01:15:58,360
Speaker 18: Well little yeah, we wouldn't even do that because that's

1795
01:15:58,360 --> 01:16:00,080
Speaker 18: my little niece and I love her so much and

1796
01:16:00,200 --> 01:16:03,320
Speaker 18: I love everything that she's doing with her career.

1797
01:16:03,400 --> 01:16:04,680
Speaker 1: And you got to listen to your family, and your

1798
01:16:04,680 --> 01:16:06,679
Speaker 1: family said they don't like somebody. Is it the energy?

1799
01:16:07,360 --> 01:16:09,040
Speaker 18: I just think we all got to sit down after this,

1800
01:16:10,080 --> 01:16:11,760
Speaker 18: well after the breakfast club, I think we're all going

1801
01:16:11,840 --> 01:16:14,519
Speaker 18: to go and have lunch breakfast.

1802
01:16:15,960 --> 01:16:19,880
Speaker 15: She said, she got more, So you expect this to

1803
01:16:20,000 --> 01:16:21,960
Speaker 15: go somewhere then if she because I thought the show

1804
01:16:22,040 --> 01:16:23,800
Speaker 15: was like you're helping other people find love, you find

1805
01:16:23,840 --> 01:16:24,320
Speaker 15: the love to you.

1806
01:16:25,520 --> 01:16:28,559
Speaker 18: This is about this is about love cabin, the love Cabin.

1807
01:16:28,800 --> 01:16:31,960
Speaker 18: You don't know how it's gonna the like the last

1808
01:16:32,120 --> 01:16:34,360
Speaker 18: like twelve episodes are.

1809
01:16:34,360 --> 01:16:35,080
Speaker 12: Going to go crazy.

1810
01:16:35,360 --> 01:16:36,840
Speaker 1: You're not supposed to get high off your own supply.

1811
01:16:37,920 --> 01:16:40,960
Speaker 1: If she is, if she is a star tested and.

1812
01:16:41,000 --> 01:16:44,880
Speaker 18: She's beautiful, well well you got to understand ray j

1813
01:16:45,040 --> 01:16:46,880
Speaker 18: As The host on this show is a different host.

1814
01:16:47,439 --> 01:16:50,639
Speaker 18: He's a he's a dirtier host than most, but he's

1815
01:16:50,840 --> 01:16:55,400
Speaker 18: he's very curious and he invites himself into the composition product.

1816
01:16:55,960 --> 01:16:57,720
Speaker 18: This is a different hosting gig.

1817
01:16:58,560 --> 01:16:59,920
Speaker 17: He's kind of find love as well.

1818
01:17:00,160 --> 01:17:01,960
Speaker 4: But are you are you fine with that that he's

1819
01:17:02,160 --> 01:17:04,920
Speaker 4: you know, finding, you know, tasting his product.

1820
01:17:05,160 --> 01:17:06,280
Speaker 1: You're not the only ones with you.

1821
01:17:08,200 --> 01:17:10,320
Speaker 18: If you watch well, if you watched the last episode,

1822
01:17:10,360 --> 01:17:13,439
Speaker 18: I was kissing Athena, which was kissed you.

1823
01:17:13,840 --> 01:17:14,760
Speaker 12: She kissed me, which was.

1824
01:17:15,240 --> 01:17:18,519
Speaker 1: Amazing, Right, so it's okay that you're not the only

1825
01:17:18,560 --> 01:17:19,439
Speaker 1: ones you find with that?

1826
01:17:20,200 --> 01:17:21,639
Speaker 17: What do you what do you mean like that? I'm

1827
01:17:21,680 --> 01:17:23,920
Speaker 17: not the only one in regards.

1828
01:17:23,640 --> 01:17:25,880
Speaker 1: To in regards to what puts his penis.

1829
01:17:27,320 --> 01:17:30,920
Speaker 14: Well, like I said, Ray and I were really good friends,

1830
01:17:31,040 --> 01:17:34,440
Speaker 14: and whatever he decides to do with his penis.

1831
01:17:34,320 --> 01:17:35,760
Speaker 4: Is well here.

1832
01:17:36,080 --> 01:17:38,439
Speaker 12: So my niece is here, so keep penis out.

1833
01:17:38,680 --> 01:17:42,600
Speaker 18: I'm sorry, I just gotta keep just saying no, no, no,

1834
01:17:42,920 --> 01:17:46,280
Speaker 18: but I'm saying but still uncle and venis is she's laughing.

1835
01:17:46,640 --> 01:17:48,479
Speaker 12: I just don't want to do that, like let's do

1836
01:17:48,760 --> 01:17:52,439
Speaker 12: just loving about Brandy's watching.

1837
01:17:53,040 --> 01:17:57,400
Speaker 1: I'm sorry, how do you my mom?

1838
01:17:57,439 --> 01:17:57,720
Speaker 4: As well.

1839
01:18:00,439 --> 01:18:02,680
Speaker 7: I was lying, have you met his mom too? Have

1840
01:18:02,800 --> 01:18:03,680
Speaker 7: you met Raj's mom?

1841
01:18:05,160 --> 01:18:08,680
Speaker 1: And she and you shouldn't ray that's doing too much?

1842
01:18:09,200 --> 01:18:09,800
Speaker 4: Why is why?

1843
01:18:09,880 --> 01:18:12,040
Speaker 1: Why do you say that you can't come on?

1844
01:18:12,240 --> 01:18:13,519
Speaker 17: I mean it might be a little.

1845
01:18:13,360 --> 01:18:15,519
Speaker 18: Soon, but well, I think I think they can meet

1846
01:18:15,560 --> 01:18:17,840
Speaker 18: on this because she's one of the stars of Love Cabin.

1847
01:18:17,920 --> 01:18:21,200
Speaker 12: So we're on an extreme Love Cabin promo tour.

1848
01:18:21,600 --> 01:18:24,120
Speaker 1: Business meeting the pathing like business.

1849
01:18:24,400 --> 01:18:26,640
Speaker 18: Yeah, like right now, we've got the opportunity to be

1850
01:18:26,720 --> 01:18:28,320
Speaker 18: on one of the biggest shows in the hame wide

1851
01:18:28,360 --> 01:18:32,040
Speaker 18: world to promote Love Cabin with Sheila and I and

1852
01:18:32,360 --> 01:18:34,639
Speaker 18: and this is a great moment for as far as.

1853
01:18:35,040 --> 01:18:39,680
Speaker 3: Like, So, how did you feel, I'm sorry, how did

1854
01:18:39,720 --> 01:18:41,800
Speaker 3: you feel when he was when he professed his love

1855
01:18:41,840 --> 01:18:43,280
Speaker 3: and said he wants to get back with his family

1856
01:18:43,960 --> 01:18:44,960
Speaker 3: when you were there and together.

1857
01:18:45,120 --> 01:18:49,080
Speaker 14: Oh honestly, I wasn't there at the time when he

1858
01:18:49,240 --> 01:18:53,000
Speaker 14: said that on the stream. I was sleeping, But I

1859
01:18:53,120 --> 01:18:56,760
Speaker 14: support him whatever he you know, I like that, that's what.

1860
01:18:57,040 --> 01:19:02,320
Speaker 12: She because because she spells her name s h I

1861
01:19:03,160 --> 01:19:03,519
Speaker 12: I thought, I.

1862
01:19:07,240 --> 01:19:11,160
Speaker 4: Want to love you in the bed in the back

1863
01:19:11,240 --> 01:19:12,160
Speaker 4: when he was on the stream.

1864
01:19:12,040 --> 01:19:14,280
Speaker 17: That day, I went to sleep because you know I was.

1865
01:19:14,800 --> 01:19:16,920
Speaker 17: I cried all night, So I won't.

1866
01:19:16,800 --> 01:19:18,360
Speaker 2: Right back with Princess to because that's when I saw

1867
01:19:18,479 --> 01:19:21,000
Speaker 2: Red is most stable when Ray was with Princess.

1868
01:19:21,080 --> 01:19:23,360
Speaker 4: That's that's the Princess asked the warning back as well.

1869
01:19:23,479 --> 01:19:25,360
Speaker 7: I was about to ask how does Princess Love feel

1870
01:19:25,400 --> 01:19:26,160
Speaker 7: about Sheila?

1871
01:19:26,439 --> 01:19:29,840
Speaker 12: And I think Princess is in a place where she

1872
01:19:29,920 --> 01:19:30,800
Speaker 12: has her nail shop.

1873
01:19:30,960 --> 01:19:35,080
Speaker 18: She's been super focused on work and really just trying

1874
01:19:35,120 --> 01:19:38,120
Speaker 18: to build her business, and so I haven't really got

1875
01:19:38,160 --> 01:19:40,240
Speaker 18: a chance to talk too much about it, but I

1876
01:19:40,400 --> 01:19:43,120
Speaker 18: know that I'm there for the kids and for her,

1877
01:19:44,560 --> 01:19:48,040
Speaker 18: uh financially and and and and for love as well.

1878
01:19:48,360 --> 01:19:51,720
Speaker 1: Right right, that's what you want, right right back with Princess.

1879
01:19:54,000 --> 01:19:55,240
Speaker 18: Ray, Ray said she wants both of them to be

1880
01:19:55,280 --> 01:19:59,280
Speaker 18: happy to the nail shop alone, you and Princess Wow

1881
01:20:00,120 --> 01:20:02,439
Speaker 18: and l shop on Preler Beauty Bar.

1882
01:20:03,400 --> 01:20:05,040
Speaker 4: Thank y'all for joining us. Thank you for a whole

1883
01:20:05,240 --> 01:20:05,559
Speaker 4: unk down.

1884
01:20:06,400 --> 01:20:09,240
Speaker 12: Of course, my favorite person, Ray J.

1885
01:20:09,360 --> 01:20:13,559
Speaker 4: We love you brother, all right. It's the breath she look,

1886
01:20:13,680 --> 01:20:24,120
Speaker 4: we see you back there too. The breakfast club.

1887
01:20:25,280 --> 01:20:27,320
Speaker 2: Time to get up out of here, and yo, man,

1888
01:20:27,720 --> 01:20:30,320
Speaker 2: my positive notice simply this, I just want to salute

1889
01:20:30,560 --> 01:20:33,160
Speaker 2: the everybody that's on their healing journey. Man, and I

1890
01:20:33,240 --> 01:20:36,080
Speaker 2: want to tell y'all that some people were not put

1891
01:20:36,160 --> 01:20:39,439
Speaker 2: here to evolve. They are here to remind you what

1892
01:20:39,600 --> 01:20:42,280
Speaker 2: it looks like if you don't have a great.

1893
01:20:42,160 --> 01:20:45,160
Speaker 4: Day, Breakfast club, don't finish for y'all done.

1894
01:20:47,000 --> 01:20:50,240
Speaker 1: Wake you up, wake up, program your alarm. The Power

1895
01:20:50,280 --> 01:20:52,120
Speaker 1: one five point one on iHeartRadio