WEBVTT - BONUS EPISODE: Catie Offerman Interview

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<v Speaker 1>On the Bobby Bones Show. Now, Katie, Katie, I was

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<v Speaker 1>watching some stuff that maybe you'd put online, some old videos,

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<v Speaker 1>and any fiddle player that I know like that dominates.

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<v Speaker 1>They're they're what they do musically, right, most of them

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<v Speaker 1>if they're a fiddle player, like first and foremost. I

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<v Speaker 1>was very surprised to see you killing a fiddle because

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<v Speaker 1>I and that, and that is a massive compliment because

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<v Speaker 1>I went through and we've been playing, you know, some

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<v Speaker 1>of your music on the Women of Our Country and

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<v Speaker 1>the Country Top thirty, Like I program both of those shows,

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<v Speaker 1>and so I've been awesome. I've been a fan of

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<v Speaker 1>your music, and I've watched some of your videos where

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<v Speaker 1>you play live. I was just so shocked to see

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<v Speaker 1>you play a fiddle, because you don't. That's usually the

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<v Speaker 1>person's thing. I know. You know, it's such an interesting

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<v Speaker 1>thing because, um, I grew up playing instruments as opposed

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<v Speaker 1>to singing and doing my own thing. Um you know,

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<v Speaker 1>people always ask like, oh, what all interests do you play? Whatever?

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<v Speaker 1>It's like I have to categorize them by what I'm

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<v Speaker 1>willing to get paid for and for me, like that's

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<v Speaker 1>fiddle and you know me backumuss of a guitar, but

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<v Speaker 1>fiddle has just always been my main thing. Like I

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<v Speaker 1>grew up playing in polka bands and playing fiddle in

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<v Speaker 1>a German dress and like you know, all that it

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<v Speaker 1>is the normal stuff. And so for me, it's like

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<v Speaker 1>I had to learn when I came to Nashville and

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<v Speaker 1>when I started my own thing, like where does that

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<v Speaker 1>fit in what I do? Did you purposefully not want

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<v Speaker 1>to be a You're a fiddle player, obviously, but did

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<v Speaker 1>you not want to be known because there's not a

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<v Speaker 1>lot of art There's a couple that are really good

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<v Speaker 1>with the fiddle, there's not a lot of artists who

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<v Speaker 1>play the fiddle upfront. I think for me, it was

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<v Speaker 1>really important that people focus on what I have to

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<v Speaker 1>say and who I am as an artist, and that

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<v Speaker 1>be kind of like a spice that I added, you know,

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<v Speaker 1>and it not be in my pictures or something that

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<v Speaker 1>I'm like, I'm Katie, I'm the fiddle chick. You know.

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<v Speaker 1>I wanted to be like if you were to go

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<v Speaker 1>see gosh, I mean, even somebody like let's just say

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<v Speaker 1>Taylor Swift, like somebody that everybody is kind of you know,

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<v Speaker 1>into of the years, if suddenly like mid set, they

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<v Speaker 1>picked up a fiddle and they played blow your mind

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<v Speaker 1>like on one song. And here's the thing too, It's

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<v Speaker 1>not about just pick up the fiddle. It's the difference

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<v Speaker 1>to me of playing something like Alison Crosswood versus like

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<v Speaker 1>I'm not. I'm You're never gonna catch me playing dead

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<v Speaker 1>one down in Georgia mid set, like please kill me

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<v Speaker 1>before that happens. And yes, I've done it too many

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<v Speaker 1>times and I'm over it. But for me, it's like,

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<v Speaker 1>while it will never be the forefront, it will never

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<v Speaker 1>be I'll never be the fiddle chick the fiddle, and

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<v Speaker 1>just my musicality is way too deep rooted in my

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<v Speaker 1>life and my career and who I am as a

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<v Speaker 1>person to ever completely neglect that. You know, yeah, it's awesome.

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<v Speaker 1>I mean it's kind of like the Lizzo flute thing,

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<v Speaker 1>right where what you pulls out the flute, you're like,

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<v Speaker 1>what the crap? Who even plays the flute? And she's

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<v Speaker 1>so good at it You're like wow. But anyway, that's

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<v Speaker 1>the feeling that I got because I was not expecting

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<v Speaker 1>to see you on a stage grab a fiddle and

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<v Speaker 1>tear it apart, and it was awesome. Well thanks, I

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<v Speaker 1>appreciate that. Think that is a massive compliment you. When

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<v Speaker 1>you grew up in Texas, Yeah, loved it. You spent

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<v Speaker 1>time there that you know makes every text and happy

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<v Speaker 1>a lot. So near New Bronfels. Yeah, I grew up

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<v Speaker 1>in a ranch outside New Bronfels, born and rais was

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<v Speaker 1>there my whole life, Um, up until moving to college.

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<v Speaker 1>You know, and to me, like, I mean, Texas is

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<v Speaker 1>obviously a huge part of who I am as well.

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<v Speaker 1>I feel like that comes in my out my music

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<v Speaker 1>and um, even though I played all these different genres

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<v Speaker 1>like country music, I feel like you have to love

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<v Speaker 1>country music you're from Texas, but like that's what my

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<v Speaker 1>foundation was built on. Um, you grew up on a ranch.

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<v Speaker 1>So did you have to go out and I don't

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<v Speaker 1>know before you got to play the field. Yes, all right,

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<v Speaker 1>so tam I. But um, my husband two weeks ago

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<v Speaker 1>was like, you know, people have been talking about this

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<v Speaker 1>like raw milk thing. You know, I think it's like

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<v Speaker 1>pretty hit, Maybe I should try it. So we like

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<v Speaker 1>go to the Charlotte Farmer's market, we buy the raw milk,

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<v Speaker 1>and he's telling me how it's going to change my life.

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<v Speaker 1>I'm like, cool, I'm probably I'm not a huge dairy person.

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<v Speaker 1>But um, so that in the process of doing that,

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<v Speaker 1>He's like, well, have you ever tried it? I'm like, yes,

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<v Speaker 1>straight from the goat. I would go out, I just

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<v Speaker 1>take the utter and I put it straight to my mouth.

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<v Speaker 1>I can't even believe I'm telling you this, because that

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<v Speaker 1>does that seems so far from the person that I

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<v Speaker 1>am today. Um, but like I was that girl, Like

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<v Speaker 1>I'm like, I want to be unpopular, you know, let

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<v Speaker 1>me tell you how to do it. Grow up on

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<v Speaker 1>a ranch, be homeschooled, being only child. You're best friends

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<v Speaker 1>are your goats, and you play music. You were homeschooled

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<v Speaker 1>on the ranch. Who was your teacher? My dad? And

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<v Speaker 1>what was his expertise? The best attitude? What is not

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<v Speaker 1>his expertise? If you talk to him. Um, you know

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<v Speaker 1>at the time he was a horse trainer. And so

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<v Speaker 1>we grew up like just kind of a simple life.

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<v Speaker 1>And I was homeschooled the attack room of our barn um,

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<v Speaker 1>you know, like just being homeschool being only child. Like

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<v Speaker 1>it's funny now, because I think that's the problem with

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<v Speaker 1>kind of like social media and just it's easy to

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<v Speaker 1>assume things about people and see my life on there

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<v Speaker 1>and be like, oh, man, looks like she's you know,

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<v Speaker 1>doing the thing, must be cool whatever. And it's like,

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<v Speaker 1>deep inside, I'm still kind of like that twelve year

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<v Speaker 1>old that's out of the ranch, that's just kind of

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<v Speaker 1>like by myself, just kind of doing my thing and

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<v Speaker 1>like not cool at all, you know. And I'm just

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<v Speaker 1>so lucky that my dad homeschool me, because I think

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<v Speaker 1>if my mom had, I would have been a horrible person.

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<v Speaker 1>Think she would have stressed me out. Love her, but

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<v Speaker 1>not in the classroom. Did you guys have a music class?

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<v Speaker 1>Did you do anything like that? You know, my parents

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<v Speaker 1>are not musical at all, So then how are you

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<v Speaker 1>so musical if they're not? Man, I don't know. Maybe, yeah,

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<v Speaker 1>just kind of got lucky. I think that for me

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<v Speaker 1>is like we grew up going to church, you know,

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<v Speaker 1>and I'd see the old gal at the front. It's

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<v Speaker 1>nothing special to me. Yeah, I mean now I go

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<v Speaker 1>to a big church and it's like the light show

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<v Speaker 1>and the whole deal. I'm into it. I definitely wouldn't

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<v Speaker 1>want to go back to my small church. But it's

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<v Speaker 1>crazy how far like you know that even just going

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<v Speaker 1>to that Presbyterian Church when I was a little kid,

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<v Speaker 1>like the one person when old playing piano inspired me,

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<v Speaker 1>and I just remember asking my parents like mll it's

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<v Speaker 1>kind of cool, like I want to do that, and

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<v Speaker 1>they were supportive to help you do it, so supportive.

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<v Speaker 1>They're the best. You know. I really couldn't be and

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<v Speaker 1>do all the things that I do without having all

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<v Speaker 1>their support over the years, and like, yeah, I think

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<v Speaker 1>it's just been a game changer for me, even just emotionally,

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<v Speaker 1>like to have that support. So you grew up playing

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<v Speaker 1>the fiddle obviously the accordion. Yeah, so the accordion, that's

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<v Speaker 1>something like that's like the cool attention I've been thinking.

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<v Speaker 1>You know. The funny thing is I have my old

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<v Speaker 1>according at the house and it's broken. Your house here,

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<v Speaker 1>you're back in Texas. No, it's here. Oh if you

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<v Speaker 1>brought that in and played on our show, that I

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<v Speaker 1>would be I'd be better than a Garth performance. See,

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<v Speaker 1>all right, we've added to the fiddle to this set.

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<v Speaker 1>We've not out of the accordion. Hilarious and awesome and

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<v Speaker 1>tough and hard to play. It's all the combination. It's

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<v Speaker 1>a lot, man, I'm not saying no, so maybe sometime

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<v Speaker 1>we'll do that together. But it's funny because my according

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<v Speaker 1>all the buttons on the left are stuck and it's

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<v Speaker 1>just got It sounds like just the worst. And so

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<v Speaker 1>I was thinking recently, like, you know what, maybe it

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<v Speaker 1>should just like go on Amazon and like order some

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<v Speaker 1>like cruddy just cheap like little you know, maybe I

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<v Speaker 1>learned the button box because I feel like that would

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<v Speaker 1>be so fun to bring out to a show for

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<v Speaker 1>one song. People wouldn't even they wouldn't know what. They

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<v Speaker 1>would be like, what is happening? Yeah, it would be

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<v Speaker 1>awesome because you would surprise folks and give up something

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<v Speaker 1>they haven't seen before, no one's ever played. There might

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<v Speaker 1>be a reason for that. No, I take it back, Um,

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<v Speaker 1>the Texas Twist Eddie, who was it became Tim mc

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<v Speaker 1>graw brought in the Texas Tornadoes. Oh they played Texas Tornadoes. Yeah,

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<v Speaker 1>Oh that's what it was. And they brought in an accordion. Yeah,

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<v Speaker 1>the whole group it was, and it was awesome, And

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<v Speaker 1>I was like, that's the coolest thing I've ever seen

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<v Speaker 1>restaurant in Mariachi. Right, man, you've only seen them more.

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<v Speaker 1>You need to give him out to a polka show. Sometimes,

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<v Speaker 1>I've never been to a polka show. We went to

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<v Speaker 1>a bar in Vegas, right, Eddie wants it was polka.

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<v Speaker 1>Oh that's German. Yeah they did yeah, yeah and polka bar. Yeah.

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<v Speaker 1>I don't know, I just know it was fun. Yeah.

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<v Speaker 1>It was like green. It's very green. Yeah, green, and

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<v Speaker 1>people are going to put it's a good time. You know.

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<v Speaker 1>People drink a lot of beer, you a lot of sour.

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<v Speaker 1>Crimean man, I remember when I was like twelve eleven,

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<v Speaker 1>twelve thirteen on the road with his polka band, Like,

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<v Speaker 1>I've never eaten more. You went in the road with

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<v Speaker 1>a polka ban when you were twelve or thirteen, for sure,

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<v Speaker 1>Like he doesn't. I mean, man, I'll tell you this.

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<v Speaker 1>Up until like when I moved to Nashville six years ago,

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<v Speaker 1>I used to play with this guy back in Texas.

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<v Speaker 1>His name was Terry Cavanaugh, and he was like the

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<v Speaker 1>reason why I started playing shows because I was playing

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<v Speaker 1>all these instruments, but it was, you know, primarily either

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<v Speaker 1>classical base or kind of gospel bluegrass, and for me,

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<v Speaker 1>like all the the only potential I saw in my

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<v Speaker 1>musicality was either playing in an orchestra or like playing

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<v Speaker 1>at home or playing kind of at the church. But

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<v Speaker 1>when I started taking according lessons from Terry, he was like, man,

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<v Speaker 1>you should do in my polka band. And so Terry

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<v Speaker 1>and I long story short, played together for a long time.

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<v Speaker 1>We kind of ended up having a falling out, I

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<v Speaker 1>think because he saw me leaving the polka industry or whatever.

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<v Speaker 1>And you know, it was just I looked one day,

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<v Speaker 1>I woke up and I looked in my closet and

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<v Speaker 1>I realized I didn't have any clothes. Like, I'd never

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<v Speaker 1>wore jeans to a gig. I wore a diurnal And

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<v Speaker 1>so anyway, years went by. Terry and I didn't really

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<v Speaker 1>you know, talk much. I was doing my thing. He

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<v Speaker 1>was still playing polka music, and he was like in

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<v Speaker 1>his sixties. When I moved to Nashville, you know, starting

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<v Speaker 1>out semi desperate, and Terry calls me and he was like, hey,

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<v Speaker 1>I know it's been a while. Do you want to

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<v Speaker 1>make some extra money? Like heck yeah. So we would

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<v Speaker 1>go play these secret polka gigs over Auprey Mills at

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<v Speaker 1>the Brow Beer Garden. So I'd be there like every Tuesday,

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<v Speaker 1>so and I'd be like, please, God, let me not

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<v Speaker 1>see anybody. I know. Um, So I did that until

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<v Speaker 1>I started seeing people out that I knew and I

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<v Speaker 1>was like, you need to stop. So the funniest thing

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<v Speaker 1>about that is that is now the coolest thing that

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<v Speaker 1>you would that you have that skill. No, but it's

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<v Speaker 1>so not cool that it's super cool, Like it's because

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<v Speaker 1>I just don't know anything about It's why I say

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<v Speaker 1>it's not cool. I know that there's like a tuba

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<v Speaker 1>and people aren't suspenders and people going up and down

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<v Speaker 1>like the yes whatever idea suspenders that is, so I

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<v Speaker 1>think that, uh yeah, it's just totally shape too. I

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<v Speaker 1>am and um got me this place, Like I would

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<v Speaker 1>never do it any other way that, you know, awesome.

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<v Speaker 1>I'd recommend to anybody go play some polka music and

0:10:48.120 --> 0:10:51.360
<v Speaker 1>come back. You play the mandolin, wicked piano, all these instruments.

0:10:51.440 --> 0:10:53.560
<v Speaker 1>So you could you decide to go to music school? Yep?

0:10:53.679 --> 0:10:56.000
<v Speaker 1>Do you go to school for the instrument or for

0:10:56.040 --> 0:11:00.320
<v Speaker 1>your voice? So I didn't really find my voice for

0:11:00.360 --> 0:11:02.200
<v Speaker 1>a while, you know, That's kind of what came last

0:11:02.200 --> 0:11:03.960
<v Speaker 1>and so for me, like I was still kind of

0:11:04.120 --> 0:11:06.360
<v Speaker 1>figuring out my deal when I went to college. I

0:11:06.400 --> 0:11:08.080
<v Speaker 1>went up to Berkeley when I was sixteen, I had

0:11:08.080 --> 0:11:10.800
<v Speaker 1>already started college at that point sixteen, so you were

0:11:10.800 --> 0:11:13.520
<v Speaker 1>finishing earlier because at homeschool you did all your stuff early. Yeah,

0:11:13.559 --> 0:11:15.439
<v Speaker 1>that's kind of a long story. I ended up starting

0:11:15.480 --> 0:11:18.400
<v Speaker 1>college like a few years before I went to Berkeley,

0:11:18.520 --> 0:11:21.320
<v Speaker 1>so I was super young and it's kind of a

0:11:21.360 --> 0:11:23.440
<v Speaker 1>crazy opportunity I had, and so I kind of ran

0:11:23.520 --> 0:11:26.960
<v Speaker 1>with it. And I was like fifteen amar in college.

0:11:26.960 --> 0:11:28.760
<v Speaker 1>It took a year off school, was just playing like

0:11:28.840 --> 0:11:30.959
<v Speaker 1>western swing gigs around Texas, and I'm like, what do

0:11:31.000 --> 0:11:33.640
<v Speaker 1>I want to do with my life? And this loser

0:11:33.720 --> 0:11:36.240
<v Speaker 1>guy I was playing with at the time handed me

0:11:36.280 --> 0:11:39.600
<v Speaker 1>this Berkeley like pamphlet thing. It was like I'm not

0:11:39.640 --> 0:11:43.600
<v Speaker 1>gonna go, like you should go. I'm like okay. So anyway,

0:11:43.679 --> 0:11:48.600
<v Speaker 1>I ended up there and you graduated. I actually graduated, yeah, graduate.

0:11:48.640 --> 0:11:52.120
<v Speaker 1>I was nineteen, And I say those were kind of

0:11:52.160 --> 0:11:53.760
<v Speaker 1>like the bonus years of my life because I got

0:11:53.760 --> 0:11:57.320
<v Speaker 1>to go and like moved to la and get told

0:11:57.320 --> 0:11:59.360
<v Speaker 1>no like a million times for a couple of years,

0:11:59.360 --> 0:12:02.120
<v Speaker 1>and it was like, what was your degree? It wasn't fiddle?

0:12:02.320 --> 0:12:04.360
<v Speaker 1>So I did go for fiddle. Wasn't for voice? Do

0:12:04.480 --> 0:12:07.320
<v Speaker 1>they have fiddle and violin a different no, No, it's

0:12:07.400 --> 0:12:09.360
<v Speaker 1>it's all the same. I just feel like fiddle makes

0:12:09.400 --> 0:12:12.520
<v Speaker 1>me seem like a like you want to be my friend,

0:12:12.960 --> 0:12:15.319
<v Speaker 1>you know, it's more approachable, like, oh, I play the

0:12:15.360 --> 0:12:18.600
<v Speaker 1>fiddle and say like, oh I play the violin. Yeah,

0:12:18.679 --> 0:12:20.520
<v Speaker 1>and I you know, the same thing I would say

0:12:20.520 --> 0:12:22.520
<v Speaker 1>if you were selling I agree with that statementing play

0:12:22.559 --> 0:12:26.040
<v Speaker 1>because it fidd was warmer, right, like some biscuits. Right

0:12:27.480 --> 0:12:32.200
<v Speaker 1>if you were someone who wasn't believable as a country artist,

0:12:32.200 --> 0:12:33.760
<v Speaker 1>because there will people they're like, oh, like, how country

0:12:33.760 --> 0:12:35.880
<v Speaker 1>I am? And You're like, you never know. This is

0:12:35.920 --> 0:12:37.440
<v Speaker 1>just a game to you're trying to make into music,

0:12:37.440 --> 0:12:38.800
<v Speaker 1>and this is where you think you have the best shot.

0:12:38.960 --> 0:12:41.719
<v Speaker 1>But you are so freaking country that it doesn't. I mean,

0:12:41.760 --> 0:12:43.679
<v Speaker 1>you know, you could say I'm playing the cello, we'd

0:12:43.679 --> 0:12:47.680
<v Speaker 1>be like as a country cello. Yeah. You know That's

0:12:47.679 --> 0:12:51.680
<v Speaker 1>the thing. It's like, I've never had to um sell

0:12:51.800 --> 0:12:53.840
<v Speaker 1>that part of me. You know. It's like even I've

0:12:54.520 --> 0:12:56.880
<v Speaker 1>lived in Boston, I've lived in la you know, I've

0:12:57.240 --> 0:12:59.560
<v Speaker 1>traveled all of the world and I'm not you know,

0:12:59.600 --> 0:13:01.679
<v Speaker 1>there are other parts of me that are not just

0:13:01.760 --> 0:13:05.840
<v Speaker 1>that girl on the ranch, you know. But um but like,

0:13:05.840 --> 0:13:07.839
<v Speaker 1>like I said, that's always even my foundation, like a

0:13:07.880 --> 0:13:11.560
<v Speaker 1>group listening to Bob Wills and Ray Price and people

0:13:11.559 --> 0:13:13.560
<v Speaker 1>that you're saying earlier about do you know this song?

0:13:13.600 --> 0:13:16.240
<v Speaker 1>Because you know you're probably too young for him, Like man,

0:13:16.600 --> 0:13:19.680
<v Speaker 1>the older, I'm more likely to know it. You know?

0:13:19.960 --> 0:13:22.280
<v Speaker 1>Is that because of your parents at all? You say

0:13:22.320 --> 0:13:24.959
<v Speaker 1>they weren't music but a lot of music, you know.

0:13:25.600 --> 0:13:27.440
<v Speaker 1>I feel like I really listened to that with my grandparents.

0:13:27.480 --> 0:13:30.240
<v Speaker 1>Like my grandfather would just trying records, you know. And

0:13:30.360 --> 0:13:32.280
<v Speaker 1>he's the reason why I started playing fiddle, because he

0:13:33.000 --> 0:13:35.080
<v Speaker 1>was like, ah, they're gonna go to poun shop today

0:13:35.080 --> 0:13:37.760
<v Speaker 1>and buy a fiddle and try to play because you know,

0:13:37.800 --> 0:13:40.680
<v Speaker 1>he played violin in high school. Which is that weird

0:13:40.679 --> 0:13:42.920
<v Speaker 1>that I say violin and fiddle in the same sentence,

0:13:43.400 --> 0:13:46.280
<v Speaker 1>because I mean I can differentiate and what even what

0:13:46.320 --> 0:13:50.280
<v Speaker 1>you mean by yeah difference? There's a style difference when

0:13:50.320 --> 0:13:52.360
<v Speaker 1>you say the two. Yeah, it's a stylistic thing. I

0:13:52.360 --> 0:13:55.439
<v Speaker 1>feel like it's the kind of person you are, um

0:13:55.640 --> 0:13:58.319
<v Speaker 1>like are you wearing jeans? Are you wearing like trousers?

0:13:58.480 --> 0:14:01.800
<v Speaker 1>Like you know, it's like just different different kinds of people,

0:14:01.920 --> 0:14:05.280
<v Speaker 1>different kinds of whatever. I like fiddle vests. But um,

0:14:05.320 --> 0:14:07.240
<v Speaker 1>he took me to the punch shop and it was like,

0:14:07.360 --> 0:14:09.720
<v Speaker 1>we're gonna get a fiddle, and he brought it home

0:14:09.840 --> 0:14:11.640
<v Speaker 1>try to play. He was in his eighties and so

0:14:12.320 --> 0:14:14.720
<v Speaker 1>he's like, man, I got two bad arthritis in my hands,

0:14:14.800 --> 0:14:16.880
<v Speaker 1>and so he gave the fiddle to me. It was like,

0:14:17.040 --> 0:14:20.320
<v Speaker 1>you can do something with this. So that's something I

0:14:20.320 --> 0:14:24.600
<v Speaker 1>always hold on to, and that's what keeps me always,

0:14:25.080 --> 0:14:26.760
<v Speaker 1>you know, at the end of the day, keeping that

0:14:27.000 --> 0:14:29.680
<v Speaker 1>in what I do. So because I think it's important

0:14:29.680 --> 0:14:31.880
<v Speaker 1>to keep the fiddle alive and know that that's a

0:14:31.960 --> 0:14:34.960
<v Speaker 1>huge part of who I am. I'm more of let's

0:14:35.080 --> 0:14:45.440
<v Speaker 1>keep the Yeah, all right, I'm working on that, so

0:14:46.160 --> 0:14:50.120
<v Speaker 1>we'll see. How How would you describe your journey to

0:14:50.320 --> 0:14:52.400
<v Speaker 1>Nashville because it sounds like there are a lot of

0:14:52.680 --> 0:14:57.040
<v Speaker 1>really interesting character building stops along the way. Yeah. I

0:14:57.080 --> 0:15:01.680
<v Speaker 1>think the the biggest, um maybe time period of my

0:15:01.720 --> 0:15:04.760
<v Speaker 1>life that really taught me a lot of lessons and

0:15:04.840 --> 0:15:06.840
<v Speaker 1>made me grow up a lot was living in la

0:15:06.960 --> 0:15:10.520
<v Speaker 1>after college because I wasn't I really wasn't playing on

0:15:10.560 --> 0:15:13.000
<v Speaker 1>I'm moving out there and I was gonna go either

0:15:13.040 --> 0:15:15.920
<v Speaker 1>back to Texas do some kind of a Texas scene

0:15:16.000 --> 0:15:17.880
<v Speaker 1>thing and come here. I was just gonna come here

0:15:18.640 --> 0:15:25.600
<v Speaker 1>and I met Simon Fuller, who created American Idol. He

0:15:25.720 --> 0:15:29.000
<v Speaker 1>happened to be at a show I played, and I

0:15:29.040 --> 0:15:33.280
<v Speaker 1>was backing up a few different people, but Annie Lennox

0:15:33.360 --> 0:15:36.280
<v Speaker 1>was one of those people and who he I don't

0:15:36.280 --> 0:15:37.800
<v Speaker 1>know if he still manages, but it was managing her

0:15:37.800 --> 0:15:40.320
<v Speaker 1>at the time. And he came up to me afterwards

0:15:40.360 --> 0:15:42.600
<v Speaker 1>and was like, you know, what are you doing with

0:15:42.600 --> 0:15:44.960
<v Speaker 1>your life? And I'm like, well, I don't know. I'm

0:15:45.000 --> 0:15:47.040
<v Speaker 1>fixing a graduate and we're gonna see what happens. And

0:15:49.360 --> 0:15:51.680
<v Speaker 1>that anyway, that all brought me out to LA and

0:15:51.920 --> 0:15:53.680
<v Speaker 1>I'd finally just so scared, I'm gonna go out there

0:15:53.680 --> 0:15:56.280
<v Speaker 1>and just kind of chase this thing, you know, us

0:15:56.520 --> 0:15:59.520
<v Speaker 1>moved out well, he said we were gonna do music,

0:15:59.600 --> 0:16:02.280
<v Speaker 1>you know, but he was coming up with a show,

0:16:02.360 --> 0:16:03.440
<v Speaker 1>or he had come up with a show that was

0:16:03.440 --> 0:16:04.840
<v Speaker 1>going to take the place of Idol. And this is

0:16:04.880 --> 0:16:08.480
<v Speaker 1>when Idol, I guess was before it came back. And

0:16:08.560 --> 0:16:10.080
<v Speaker 1>because this has been several years ago, I was ten

0:16:10.160 --> 0:16:12.960
<v Speaker 1>years ago. And he was like, I think it would

0:16:12.960 --> 0:16:14.240
<v Speaker 1>be great if you were the host of the show.

0:16:14.720 --> 0:16:17.560
<v Speaker 1>And then we made your music kind of throughout the

0:16:17.600 --> 0:16:20.320
<v Speaker 1>whole thing, and so I'm like, god, cool, you know.

0:16:20.800 --> 0:16:23.800
<v Speaker 1>Suddenly I was being picked up in black cars, like

0:16:23.840 --> 0:16:25.920
<v Speaker 1>from my apartment in Boston. I was saying, the airport

0:16:25.920 --> 0:16:28.240
<v Speaker 1>flu like I'd meet him in New York at the

0:16:28.320 --> 0:16:31.640
<v Speaker 1>Plaza Hotel. Like everything felt very glamorous, flown out to

0:16:31.840 --> 0:16:36.640
<v Speaker 1>La you know. I mean, I was just like, Wow,

0:16:36.680 --> 0:16:41.360
<v Speaker 1>what is happening with my life? And then as time

0:16:41.440 --> 0:16:46.040
<v Speaker 1>pass passes, you realize, like things don't fall through. They

0:16:46.080 --> 0:16:49.160
<v Speaker 1>fall through, they don't happen, you know. And I hadn't

0:16:49.200 --> 0:16:51.560
<v Speaker 1>learned that yet in life because I was so used

0:16:51.560 --> 0:16:54.120
<v Speaker 1>to like play a gig, do a good job, get

0:16:54.200 --> 0:16:56.560
<v Speaker 1>hired back, you know, and like these little baby steps.

0:16:57.840 --> 0:17:01.280
<v Speaker 1>But it seemed like out there it was like do

0:17:01.360 --> 0:17:03.560
<v Speaker 1>this and tomorrow we'll put you on a billboard or

0:17:03.600 --> 0:17:07.439
<v Speaker 1>you know whatever. Everything was so grandiose that after a

0:17:07.440 --> 0:17:11.160
<v Speaker 1>while the show didn't go through. I was having to pay.

0:17:11.200 --> 0:17:12.760
<v Speaker 1>They told me, we're going to put you in classes

0:17:12.800 --> 0:17:15.240
<v Speaker 1>to be a TV host. We'll let you pay to

0:17:15.359 --> 0:17:18.000
<v Speaker 1>go have this gal, get rid of your accent, you know,

0:17:18.119 --> 0:17:20.639
<v Speaker 1>like all these different things, and I'm like all I

0:17:20.720 --> 0:17:23.959
<v Speaker 1>lost there was my money, and it's just funny. It's

0:17:24.000 --> 0:17:27.679
<v Speaker 1>like all these different things that totally weren't me. But

0:17:28.000 --> 0:17:30.679
<v Speaker 1>I wouldn't do it any other way because, you know,

0:17:30.960 --> 0:17:33.920
<v Speaker 1>looking back now, like that shaved me so much. And

0:17:34.760 --> 0:17:36.760
<v Speaker 1>I ended up partning ways with Simon. I pretty much

0:17:36.800 --> 0:17:38.600
<v Speaker 1>just told him, like, I need to go find me.

0:17:38.840 --> 0:17:43.720
<v Speaker 1>You know, you can't do that, and I stayed out there.

0:17:43.720 --> 0:17:46.560
<v Speaker 1>It was kind of having like a you know, feeling

0:17:46.600 --> 0:17:48.920
<v Speaker 1>like I was in crisis modus twenty one years old.

0:17:49.000 --> 0:17:52.120
<v Speaker 1>I had broken up with this manager that I thought

0:17:52.200 --> 0:17:56.600
<v Speaker 1>was going to change my life, and I said, screw it.

0:17:56.640 --> 0:17:58.479
<v Speaker 1>So I went to Europe and I wrote for several

0:17:58.480 --> 0:18:02.960
<v Speaker 1>months and came back, got offered a record deal on

0:18:03.000 --> 0:18:06.159
<v Speaker 1>Sony with those songs i'd written they were so god awful.

0:18:07.280 --> 0:18:13.159
<v Speaker 1>And finally realize the importance of getting told no a

0:18:13.200 --> 0:18:15.840
<v Speaker 1>thousand times but knowing when to say no to a yes,

0:18:16.200 --> 0:18:20.639
<v Speaker 1>you know. And I realized, like, if I stayt here

0:18:20.800 --> 0:18:23.280
<v Speaker 1>any longer, I'm gonna get stuck in something I don't like.

0:18:23.359 --> 0:18:29.080
<v Speaker 1>I'm gonna be wearing some some probably like slutty leotard,

0:18:30.040 --> 0:18:33.480
<v Speaker 1>I'm gonna have sparkles falling from the sky, and it's

0:18:33.520 --> 0:18:36.360
<v Speaker 1>just I'm gonna be so unhappy, you know, or I

0:18:36.359 --> 0:18:40.280
<v Speaker 1>can figure out why I do music and what I

0:18:40.320 --> 0:18:44.160
<v Speaker 1>do it for, and you know the route to who

0:18:44.160 --> 0:18:46.119
<v Speaker 1>I am. And so I realized I cried for like

0:18:46.160 --> 0:18:49.679
<v Speaker 1>a month, and I moved to Nashville. And so I

0:18:49.720 --> 0:18:52.280
<v Speaker 1>say that that that little portion of my life, that

0:18:52.359 --> 0:18:55.840
<v Speaker 1>chapter taught me the most. Now I don't get excited

0:18:55.920 --> 0:19:01.920
<v Speaker 1>by anything, like what's even exciting food Going to a

0:19:01.960 --> 0:19:03.879
<v Speaker 1>good restaurant that gets any food that's in front of

0:19:03.880 --> 0:19:05.280
<v Speaker 1>you right then you know you can eat it for sure,

0:19:05.440 --> 0:19:07.280
<v Speaker 1>right right, right right, because you may get there and

0:19:07.280 --> 0:19:09.400
<v Speaker 1>it's all the menu that happens too. First day I'll

0:19:09.440 --> 0:19:11.080
<v Speaker 1>go on yelp and look and be like, oh, awesome,

0:19:11.160 --> 0:19:13.000
<v Speaker 1>they got those crispy brussels, you know. And then I'll

0:19:13.040 --> 0:19:17.280
<v Speaker 1>go and be like, yeah, well those brussels. Yeah, I'm like, no,

0:19:17.359 --> 0:19:22.159
<v Speaker 1>ma'am u. So yeah, And just like finding contentment in

0:19:22.160 --> 0:19:25.040
<v Speaker 1>the journey because I realized what I learned from La

0:19:25.240 --> 0:19:30.239
<v Speaker 1>was it like I what I'd see work in the

0:19:30.280 --> 0:19:33.639
<v Speaker 1>past was just the blood, sweat and tears of showing

0:19:33.760 --> 0:19:36.879
<v Speaker 1>up being a good human, playing a show, whether it

0:19:36.960 --> 0:19:39.120
<v Speaker 1>was polka music, whether it's a country you know, whether

0:19:39.160 --> 0:19:42.640
<v Speaker 1>there's one person or ten thousand, and it was just

0:19:43.240 --> 0:19:46.000
<v Speaker 1>showing up every day and doing it again the next day.

0:19:46.320 --> 0:19:48.479
<v Speaker 1>UM So I feel like that's kind of the mindset

0:19:48.480 --> 0:19:50.360
<v Speaker 1>I'd try to get back into when I moved to town.

0:19:51.119 --> 0:19:52.720
<v Speaker 1>I want to play a couple of clips here before

0:19:52.720 --> 0:20:04.480
<v Speaker 1>we end with Katie Offerman. Here is Happy Land Trailer Park,

0:20:08.240 --> 0:20:11.600
<v Speaker 1>and here is don't do it in Texas. Just don't

0:20:11.640 --> 0:20:18.240
<v Speaker 1>do it in Texas. Don't do that. Katie. Good to

0:20:18.280 --> 0:20:20.639
<v Speaker 1>talk to you. Thanks for having me. I'm glad we

0:20:20.800 --> 0:20:23.639
<v Speaker 1>finally get to hang out the real life. Quite the journey,

0:20:23.720 --> 0:20:26.840
<v Speaker 1>quite the story, Quite the journey. Really, you know you

0:20:26.880 --> 0:20:30.120
<v Speaker 1>say that they're like, well, I lived in North Carolina,

0:20:30.119 --> 0:20:32.399
<v Speaker 1>moved in Nashville. I'm like, wow, quite the journey. That

0:20:32.440 --> 0:20:36.320
<v Speaker 1>ain't crap compared to hers. I mean, I think then

0:20:36.359 --> 0:20:39.199
<v Speaker 1>for me, it's like, um, it's all part of the journey.

0:20:39.840 --> 0:20:42.360
<v Speaker 1>I feel like that's um maybe that's kind of why

0:20:42.359 --> 0:20:44.720
<v Speaker 1>we do. It's like because there's you never really know

0:20:44.760 --> 0:20:46.800
<v Speaker 1>what's going to happen, you know, like I don't know,

0:20:47.040 --> 0:20:49.760
<v Speaker 1>I could win a Grammy next year, or I could

0:20:49.760 --> 0:20:52.199
<v Speaker 1>just be sitting on the couch. You know, I have

0:20:52.240 --> 0:20:54.359
<v Speaker 1>no idea but I think that's what keeps that fire alive.

0:20:54.560 --> 0:20:57.639
<v Speaker 1>You know, I just wrote all that down as lyrics.

0:20:57.080 --> 0:21:01.639
<v Speaker 1>Ye use it, man. Follow Katie at Katie Offerman, C A, T,

0:21:01.880 --> 0:21:03.840
<v Speaker 1>I E. And Katie Grad to talk to you and

0:21:03.840 --> 0:21:06.880
<v Speaker 1>hopefully I see soon. Sounds good. Thanks for having this.

0:21:10.000 --> 0:21:10.639
<v Speaker 1>I think that's it.