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Speaker 1: Big Fame and DJ Scream bring you Big Fat Podcast

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Speaker 1: in the streets. Visit the new website today www dot

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Speaker 1: Big Facts Pod dot com Live first class Sounds. You

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Speaker 1: know who it is, DJ Screen, Big Bankers Here, Baby Jay,

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Speaker 1: this here, the homie is arrived. Koda, you're always here. Code.

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Speaker 1: Let him sit in, you know what I'm saying to

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Speaker 1: see see what he see what you want to be

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Speaker 1: talking about today? But first, everybody good? Everybody good good?

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Speaker 1: What's wrong? What's wrong for the beat? This? Niggas asked?

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Speaker 1: Like real bro straight up, that's the way they show

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Speaker 1: their love. Bro stright out all right, Well, what what

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Speaker 1: are we discussing today? What's going on on Big Facts Special?

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Speaker 1: So we're picking a topic from one of our followers

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Speaker 1: in the d M. Right, So the topic is shout

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Speaker 1: out the follower real quick because he follow east side

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Speaker 1: Black You saw black salute, east side Black salute? Um?

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Speaker 1: He said. His question is it's signing to a rapper

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Speaker 1: like joining a gang. When you signed to a rapper,

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Speaker 1: are his enemies your enemies now? And if you're cool

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Speaker 1: with his enemies, should that cause a rift between the

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Speaker 1: two of you guys? So if I if somebody signed

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Speaker 1: with the label signed with somebody basically is they ops

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Speaker 1: you ops pretty much you inherit ops, yeshered ops and

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Speaker 1: wrap Yeah, I mean yeah, that's that's that's what it is.

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Speaker 1: And wrap. I mean nine nine times out of ten,

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Speaker 1: if you signed with the nigga and he got problems

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Speaker 1: with another nigga, didn't never become your problems. That's just

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Speaker 1: kind of how it is. I ain't saying I agree

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Speaker 1: with it, but that's just kind of you. If you

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Speaker 1: sign if you're a street nigga and you signed to

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Speaker 1: a nigga Yallo street ship, that's a different now. But

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Speaker 1: if I signed to a nigga he got problem with

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Speaker 1: a niggah, ain't got you to do with me. If

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Speaker 1: I don't hang with you every day, you know something

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Speaker 1: sign to you. But you know, if you're not a

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Speaker 1: street nigga, it doesn't have anything to do with you. Yeah.

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Speaker 1: If if I'm not okay, if the rapper that run

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Speaker 1: one to three records right got a well known problem,

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Speaker 1: if I got if I got my label right now,

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Speaker 1: duct taping the tame I Go sound, the nigger from

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Speaker 1: Goddamn Florida and this nigga don't need nobot no street ship.

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Speaker 1: Why should my enemies be his in it? Because what

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Speaker 1: if he's moving around and your enemies, Yeah, yeah, because

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Speaker 1: collateral damage when I get that. But what I'm saying,

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Speaker 1: what if you don't even move like that, I can

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Speaker 1: I take it a certain way if the nigul be

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Speaker 1: like niggas know whoever you be, when you even know

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Speaker 1: when I see them, I ain't on that with ain't

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Speaker 1: trying to hear that, trying to securing he need to

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Speaker 1: know what's going on. He can't saying then know what's

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Speaker 1: going on, right, but he still can't kick that one

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Speaker 1: like I don't got any to do it honestly, honestly

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Speaker 1: might make it worse because they might feel, like, think

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Speaker 1: about it, they can't get to the owner of one

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Speaker 1: to three records, so they're gonna get to the closest

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Speaker 1: thing to the brand that ain't close to me. Though

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Speaker 1: you signed you that's cool man, you Yeah, you're thinking

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Speaker 1: different what I'm saying, Like, you know how you signed

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Speaker 1: a nigg and you he signed a and you kick

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Speaker 1: it with him like this is my partner now, and

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Speaker 1: then you signed a thing and y'all just do business.

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Speaker 1: But he got one to like you got the chain

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Speaker 1: on and no chain he gonna get a shirt. It

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Speaker 1: don't matter ripped off that. I'm not saying that, Like, okay,

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Speaker 1: if that's the case, why nigga, Why niggas don't get it?

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Speaker 1: Why niggas don't go goddamn shoot up the big buildings

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Speaker 1: in in l A then in New York? Because different

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Speaker 1: That's WHATNA says. So why you can't look at the

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Speaker 1: different one? The nigga just doing feel you, I agree

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Speaker 1: with you. That's and they ain't gonna shoot up a building,

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Speaker 1: but the nigga will shoot up a niggative signed to

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Speaker 1: a niggat that he's beefing with. Every time. I get

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Speaker 1: what I'm saying. I get what y'all saying. What I'm

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Speaker 1: saying is listen, why can't it be executives? Why why

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Speaker 1: nigga donna got that? That's you're like, big facts, you

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Speaker 1: got a problem? Why am I coming in and shooting

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Speaker 1: at me? And j they're gonna shoot at close to

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Speaker 1: the brand, But no, I ain't got nothing to dude,

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Speaker 1: what you got that? You're talking about sensible people. You

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Speaker 1: talk about sensible people. Some people ain't sensible. They're not sensible.

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Speaker 1: They just want to get. I said, all depends on

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Speaker 1: how y'all display y'all relationship to the public. So this

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Speaker 1: is my nigga. I'm on these songs with this nigga,

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Speaker 1: this and your ass and saying this and that and

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Speaker 1: this that then that with this he signed to the

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Speaker 1: I'm signed to you, but I'm doing my own thing.

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Speaker 1: I got my steer, my whole movement down here. Well

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Speaker 1: i'm an we ain't know that, but but all that

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Speaker 1: sea is their affiliation with you. That said, oh he

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Speaker 1: got already, bam he out of here. I took it.

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Speaker 1: I took I'm taking your team out. I'm taking your

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Speaker 1: team out straight up. No, I agree, sensibly, if you

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Speaker 1: signed to a nigga, you should not have to inherit

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Speaker 1: this problem options sensibly, but on some nonsensible cloud bullshit.

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Speaker 1: If he anywhere near one, two, three records, this is

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Speaker 1: our perfect time because we can don't even get to

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Speaker 1: the millions. But they might whatever. Take the niggas really

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Speaker 1: niggers really had they been in No, because I do this,

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Speaker 1: it don't matter. All the headline is going to read it.

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Speaker 1: All the caption on Instagram is gonna read shut up.

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Speaker 1: That's all I'm saying. That they're gonna call you they

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Speaker 1: got one of yours, they got one of your artists?

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Speaker 1: What you're gonna do? Way? What happened? I get what

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Speaker 1: y'are saying. I'm just saying like these people ain't thinking strong.

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Speaker 1: Don't understand why niggers don't go shoot that they got

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Speaker 1: them because the bibi. Why niggas don't shoot that they

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Speaker 1: might be saying they might be biggest b ship the

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Speaker 1: Big Record Labors were signed. The two niggas beefing, they

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Speaker 1: would have both of them on the Big Records their

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Speaker 1: businessmen and they look at as executives. I'm saying, So

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Speaker 1: why niggas can't respect the business of having to wish

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Speaker 1: it was that way? I'm just saying it ain't that way.

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Speaker 1: And the Big Labors is not participate things three niggas

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Speaker 1: and stuff at all. Who just be like, I ain't

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Speaker 1: in that ship now, I haven't seen it though I

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Speaker 1: can see nigga. I know niggas not. I'd be like,

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Speaker 1: you know how you're seeing me like that bit Chad,

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Speaker 1: Nigga ain't got heinynny. It's like that for real niggas

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Speaker 1: see little bit. Niggas would be like, you know, this

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Speaker 1: is this is sense. Now you're talking any white flags

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Speaker 1: getting getting waved in wrap because everything couldn't get what

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Speaker 1: every every crew got beef, right, Yeah, sniggers from this

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Speaker 1: crew seeing nigga from this crew, could both of them

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Speaker 1: sides puss. Ain't nobody fre doing that. They all standing

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Speaker 1: in the club. They go, let me ask just the

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Speaker 1: real ship. The niggas ain't on nit but you see

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Speaker 1: them certain faces, they're gonna be gun shots if you had,

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Speaker 1: if you, if you, if you had a problem, big girl,

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Speaker 1: you sneered on me bright now in my hand, I'm

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Speaker 1: just saying, like real nigga ship though right now, because

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Speaker 1: you are more sensible bank right. I ain't saying I'm

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Speaker 1: most I'm just saying, like you don't get what I'm saying. Screen.

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Speaker 1: If a nigga me and you out right a nigga

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Speaker 1: and a nigga got a problem with me, that probably

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Speaker 1: like Donna shoot everybody. No, no nigga, probably like Scream

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Speaker 1: ain't got to do with that. If a nigga know

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Speaker 1: you a sensible nigga, I'm just saying, it's like just period,

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Speaker 1: like Scream ain't got to do it. But a lot

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Speaker 1: of people mentioned around him. Yeah, I'm just saying the

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Speaker 1: nonsensible people think if you win them, you with them.

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Speaker 1: I mean you can think. Really we talked about this

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Speaker 1: on Big Facts right then about comment under the Niggah.

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Speaker 1: Yeah like it. You're like, yeah, yeah, yeah, for sure.

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Speaker 1: What I'm saying, you know, I get what y'all saying.

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Speaker 1: What I'm saying is I look at it different me

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Speaker 1: me personally. I got a problem with I got a

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Speaker 1: problem with me too. That's all I'm saying. Now, if

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Speaker 1: you got them, you got them talking tough with him

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Speaker 1: and ship different, then yeah. But if you ain't saying

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Speaker 1: then holman, you see me is ain't on that man,

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Speaker 1: But I know what's going on. I ain't that what

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Speaker 1: hommy east Side Black is saying. Is is it like

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Speaker 1: a game if you got that one to three record shirt,

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Speaker 1: it is if you don't get it situated with all parties, Bro,

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Speaker 1: I know what you got going on the street. But

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Speaker 1: I ain't known that. But look back in the day

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Speaker 1: of money, if he had the death throw shirt off

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Speaker 1: use death row and whatever came with that game, No,

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Speaker 1: that was a game. But but I'm just saying that's

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Speaker 1: that's how it was. It can't get to that level.

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Speaker 1: So if in that, I don't think it's like that here. Now,

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Speaker 1: whether if a nigga, certain nigga sign up for ship

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Speaker 1: that they don't have to because if I had a

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Speaker 1: label and the nigga came to me and said these

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Speaker 1: words that, bro, I want to get money with you, brother,

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Speaker 1: and I ain't known. But if it's a beef, him

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Speaker 1: coming to tell you don't mean ship. It's about what

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Speaker 1: these other niggas arena. True, true, true, true, that's true.

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Speaker 1: But if he's successible nigga, if he's telling me he

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Speaker 1: not on it. If he's telling me he's not on it,

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Speaker 1: that must mean he knows both all parties. So you

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Speaker 1: don't told them that too. I'm gonna get my money

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Speaker 1: and nigga be like, you're gonna get your money, Bro,

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Speaker 1: I can't hate on you are the nigga money you

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Speaker 1: think wrong? But if but listen, listen, and I'm just

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Speaker 1: gonna play, I'm gonna play devils advocate for a minute.

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Speaker 1: If I'm one of them. If I'm the nigga on

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Speaker 1: the other side and I know the nigga, that's the

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Speaker 1: sign of you that said that he won on it. Whatever, whatever,

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Speaker 1: But me and you got like got like real smoke

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Speaker 1: going on. I'm gonna telling nigga yeah, yeah, yeah, okay,

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Speaker 1: you know whatever, you're not on the blah and I'm

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Speaker 1: a smoke this nigga too first because he's the weakest link.

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Speaker 1: When you put that, I'm just trying to get the

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Speaker 1: look at another. No. I want them to because you

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Speaker 1: know it's I'll come back to what you said to

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Speaker 1: getting pick a side. I get that, but at the

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Speaker 1: end of the don't even touch on the pig. Is

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Speaker 1: business too though, you know what I'm saying, it's business.

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Speaker 1: It's business too though, like you start the folk. Wait

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Speaker 1: now you know your side of the folk got all

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Speaker 1: the ship going on if you know what come with

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Speaker 1: this ship exactly, so it may be your best interest

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Speaker 1: not even to get involved with it. But I don't

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Speaker 1: see niggas if I ain't rapping about these niggas, ain't

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Speaker 1: on no a sign in the video with no nigga

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Speaker 1: this and no nigga ain't got hing to do with

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Speaker 1: that ship. You're saying. If I go sign right now

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Speaker 1: to QC, so all Qua bold and god damn all

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Speaker 1: the folk opstion, little baby, they opt my option instead.

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Speaker 1: Of knowing I'm doing business with QC for sure. No, no, no,

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Speaker 1: there's there's no you that. As an example, that's three

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Speaker 1: separate entities. That's what I'm saying. I'm saying, sigling to

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Speaker 1: a label, you're signed it to a label. So y'all saying,

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Speaker 1: if you're signed to a label, you got you didn't

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Speaker 1: have it. Everybody signed to a label as an artist,

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Speaker 1: right if you signed as an artist, you inherit their ship.

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Speaker 1: If you're doing business, what ain't like? What the beef

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Speaker 1: all that ship you're walking around with? The listen as

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Speaker 1: are gonna get that? Four pfs are gonna get that.

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Speaker 1: What I'm saying, I'm not saying that. I'm not saying

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Speaker 1: you're not. What I'm saying. What I'm saying is if

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Speaker 1: I am an artist right now and I go sign

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Speaker 1: to these niggas, y'all saying these are my ops to

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Speaker 1: they about labor. That's what I'm saying. If they can't

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Speaker 1: get the big fish chain or material or one up

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Speaker 1: on the big fish, they're gonna go to any whoever fish.

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Speaker 1: They're gonna take that change. I get what you are saying,

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Speaker 1: they're gonna take what I'm saying that it's your energy.

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Speaker 1: To me, it's the energy that you put off that

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Speaker 1: make niggas be like, oh he on that with them

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Speaker 1: niggles that you agree with, but it makes it worse,

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Speaker 1: but it doesn't you from Yeah exactly, it's not think

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Speaker 1: about it because just as you're saying I'm not on that,

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Speaker 1: I'm not you ain't on it for real. You ain't

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Speaker 1: on it for real. That's what I'm saying. That's all

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Speaker 1: I'm saying. I already established that any respectable gangster supposed

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Speaker 1: to be shoot or whatever big dog gonna be like

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Speaker 1: them niggas ain't on that. That's what it should be.

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Speaker 1: That's what it's gonna be. Bro, Those shooters are not

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Speaker 1: respectable now because you're gonna be doing a schlick ass ship,

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Speaker 1: doing a schlick ass ship. Really on that if you

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Speaker 1: ain't on the because I ain't on that, like posting

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Speaker 1: the posting this videos and shot you are liking and

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Speaker 1: coming and now you know that this your bad friend.

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Speaker 1: If you like this video of me, you on that.

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Speaker 1: You better like everything else, but that he ain't on that.

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Speaker 1: If you're going out your way to tell people you know,

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Speaker 1: don't you really got to not be on that. That's

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Speaker 1: what I'm saying. What I'm saying, like, I agree with

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Speaker 1: So if you if you're gonna go mate those video,

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Speaker 1: it's still if they can see that chain one to

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Speaker 1: three records, then get a funk who got it. It It

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Speaker 1: could be a preacher. We findn't get this chain and

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Speaker 1: go up, and it's more right that it's you, but

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Speaker 1: you three records. I'm wearing my own ship, bro, you

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Speaker 1: can got my own ship going on, just signed to

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Speaker 1: be getting money. If that's that's sensible. Bank fact that

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Speaker 1: you're signed to one to three records. So when the

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Speaker 1: nigga smokes you, the caption or the whatever or the

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Speaker 1: headline in the packet or whatever, such and such from

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Speaker 1: one to three records that might have had his own

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Speaker 1: company after one to three records got smoked in this beef.

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Speaker 1: You know you got the move different when you joined

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Speaker 1: death Row Records. Exactly the day you joined death Row Records.

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Speaker 1: Like this ship just changed. It is what it is. Yeah,

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Speaker 1: you know what I'm saying, Like, that's that's what it is.

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Speaker 1: There's a lot of people that was cool on all sides,

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Speaker 1: and some of them is probably still on the phone

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Speaker 1: talk but guess what if they if they crossed pass

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Speaker 1: what you gonna do? Okay, y'all, y'all go ahead and fight.

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Speaker 1: I'm gonna sit over here because I do. That's what

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Speaker 1: I'm saying. Eminem. Like back in the early two thousand,

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Speaker 1: when he was beef with Benzino, everyone heerded that beef.

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Speaker 1: He will win that. Yeah, he didn'tybody have to ask

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Speaker 1: him to do that. He willingly did that. He will

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Speaker 1: with it. That's different. They gave him millions to be

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Speaker 1: with it though fairly niggas. No nigga, Nigga who doing

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Speaker 1: whatever he want to do. I'm showing up around. I'm

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Speaker 1: doing I ain't gotten him to do with that. But

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Speaker 1: I'm saying, bro, you haven't never seen a situation where

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Speaker 1: maybe it wasn't supposed to go like that, but it did.

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Speaker 1: Casualty a war right oh for a show. That's because

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Speaker 1: he didn't. He wasn't moving like that. Bro. I don't

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Speaker 1: seen times with niggas be like well, I haven't seen

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Speaker 1: it all put it like that. I haven't seen time

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Speaker 1: when he be like them. Nigga ain't gottah to do

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Speaker 1: it that ship no matter what if then them the

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Speaker 1: whole assets sudden over there and you look over they

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Speaker 1: were like, no, that ain't the ones. But have you

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Speaker 1: seen it the other way around? Like if you all

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Speaker 1: because not because it already be got damn established you

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Speaker 1: acting like mean with them, but you've them, I'm telling

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Speaker 1: it's on your actions. Bro. I'll just to me, I

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Speaker 1: just believe in innocent Boston. No, I'm saying no everybody,

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Speaker 1: If everybody depends on the level they're not get what

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Speaker 1: you're saying. But what I'm saying that, I'm saying like,

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Speaker 1: but anything could happen if if it's just spread them moment.

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Speaker 1: But we're not hunting knees bit yours niggers. Oh no,

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Speaker 1: for sure, I agree when you stunning them, ain't the

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Speaker 1: money they ain't. No, if I see you now you

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Speaker 1: better head you've been the head yass or whatever. But whatever,

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Speaker 1: I get that part with y'all saying like go ahead

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Speaker 1: and spend that ship. No, I'm not saying what I'm

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Speaker 1: saying like like if such such signs want to three

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Speaker 1: record now, Oh there, my kid, I can't see a

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Speaker 1: nigga doing that when you're not crashing niggers. That fun

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Speaker 1: up in the head though, I'm telling you, but you're

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Speaker 1: not crashing out over somebody that's not the main target. Yeah,

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Speaker 1: people shooting up, that's not the man. We ain't saying

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Speaker 1: main target. It can't be the main target. You're the

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Speaker 1: new small fish. Yeah, you get to the big fish

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Speaker 1: and you want to eat, You're gonna eat the small fish.

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Speaker 1: That's how the because it's trophies for that too. It's

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Speaker 1: trophies for the little niggas that wasn't in it exactly,

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Speaker 1: That's all I'm saying. But yeah, well I'm just trying

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Speaker 1: to but it's like, I love what you're saying, like

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Speaker 1: it should be some executive ship like these people getting

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Speaker 1: money I'm a record label on. But again, just to

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Speaker 1: reiterate what he was saying, because I get what he's saying,

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Speaker 1: like about if you're not like ship talking, if you're

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Speaker 1: not doing all the extra ship, then you know what

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Speaker 1: I'm saying, you should be spared. And that's true. But

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Speaker 1: at the end of the day, like the ship talking

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Speaker 1: only put you in it deeper. You're already in it

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Speaker 1: because you already suspect you're not in it. You already

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Speaker 1: suspect to be in it. If you over there with them.

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Speaker 1: That's just how it goes. Yeah, but but but for

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Speaker 1: two years, Okay, I still can see like brain never

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Speaker 1: did to me. So I can't make him have a

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Speaker 1: problem with me because I got a problem with his nigga.

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Speaker 1: I'm I'm just saying, like me, I'm speaking from myself,

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Speaker 1: me like he ain't never did that to me. But

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Speaker 1: I'm still know fuck you still, But I ain't got

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Speaker 1: no problem with you. But you know, funcky cause you're

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Speaker 1: over there. You get what I'm saying. But at the

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Speaker 1: same time, I ain't. I ain't not watching you, but

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Speaker 1: I ain't watching you to do that to you. You

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Speaker 1: get what I'm saying. You don't want try to say

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Speaker 1: It's like you could be so well with me and

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Speaker 1: I won't feel uncomfortable. I'm know I'm pay atention to everything,

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Speaker 1: but I don't feel like I need to what's up,

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Speaker 1: put out or whatever? Whatever. You get what I'm saying,

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Speaker 1: because this ain't because you just you. You just I understand.

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Speaker 1: I can't don't get your money, and I ain't get

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Speaker 1: happy you get no money. I'll be that's a hater

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Speaker 1: to me. But I'm talking about the niggers with you

338
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Speaker 1: that don't give a funk you, I'm gonna be the

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Speaker 1: upset that no. But you know, no, you know what

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Speaker 1: I feel what he's saying, because I just had a

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Speaker 1: similar situation like that to um a person that was

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Speaker 1: a friend of mine, and it's been a friend of

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Speaker 1: mine forever, but just recently for whatever reason. You know

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Speaker 1: what I'm saying. We're not speaking anymore. But I don't

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Speaker 1: necessarily look at him, I'm like, but I'm not. I'm

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Speaker 1: not necessarily looking at him like a dangerous there on

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Speaker 1: the other side, so I don't funk with that side,

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Speaker 1: So stay over there. But you know what I'm saying,

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Speaker 1: it's not it's not it's not no smoke like that.

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Speaker 1: You see what I'm saying, Like, I get, I under

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Speaker 1: I get what I think. You know what it is.

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Speaker 1: You know we're not cool, but I ain't what y'all

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Speaker 1: got going on. If y'all got real smoke or whatever

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Speaker 1: she's saying, real beef or whatever, then I don't feel

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Speaker 1: like a nigger should just be automatically thrown in that

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Speaker 1: ship unless he you know, I dissipate. I agree, you're participating.

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Speaker 1: You participate, but you're saying put it on the one

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Speaker 1: to three shirt and the one to three chain and

359
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Speaker 1: saying one to three for life. But I'm just asking,

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Speaker 1: do you feel like that's participating one to three for life,

361
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Speaker 1: one to three shirt, one to three chain. I'm riding

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Speaker 1: on one to three one. That's what I'm saying in

363
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Speaker 1: the interviews. I ain't going at nobody on my rap,

364
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Speaker 1: but I'm down for this ship. I want to three.

365
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Speaker 1: They just cut me a check, you're down for Yeah,

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Speaker 1: We're gonna ask you how. Yeah, for sure, Like they

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Speaker 1: didn't specified. They're just doing their interviews what they're supposed

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Speaker 1: to do. But they didn't get you some money, suspect.

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Speaker 1: That's a lot. That's that'spect. That's a lot of repping

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Speaker 1: for somebody who's not really any Yeah. No, it's not

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Speaker 1: that of somebody. Okay, if something, if somebody, and it

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Speaker 1: ain't just the money, but if somebody saying you a

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Speaker 1: wife for six figures and everything you ever dreamed of

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Speaker 1: and it came from me and we're beefing, then you're

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Speaker 1: gonna be riding with me. But to what extent is

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Speaker 1: what we're trying to say. But I feel like that's

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Speaker 1: that's my character though, So if I'm with somebody, and

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Speaker 1: that person got issues with somebody else, ship I felt

379
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Speaker 1: the same way. I got issues with him too. That's

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Speaker 1: where y'all come from, though, I'm saying like a person

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Speaker 1: that don't even come from there like they because I

382
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Speaker 1: wouldn't want aybody else doing that to me. So if

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Speaker 1: somebody I got issues with, it's kicking it with somebody

384
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Speaker 1: I'm cool with. Then I got what I'm saying that

385
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Speaker 1: we're talking about a rapper signing to somebody. I'm gonna

386
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Speaker 1: break it down. This isn't really good. It could be

387
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Speaker 1: the backpack rapper. You could have one, two or three

388
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Speaker 1: records backpack. Right. If that nigga walked through the linings mall,

389
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Speaker 1: they're gonna kick his ass. I'm just gonna be honest

390
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Speaker 1: with y'all, sugar cold all y'all. As hopefully they won't

391
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Speaker 1: smoke him, like say, it won't get that deep. But

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Speaker 1: it's like, bro, you gotta get this through the mill

393
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Speaker 1: with a backpack. I'm not talking about that. I'm talking

394
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Speaker 1: about it's just it's about it. It's about a loyalty

395
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Speaker 1: to the situation because just like just like take me

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Speaker 1: for instance, like if we're somewhere or anywhere or any

397
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Speaker 1: day at a time or whatever, and the nigga says

398
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Speaker 1: fuck him. I'm gonna feel like they're saying fuck me.

399
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Speaker 1: You know what I'm saying. Period Like, no type of

400
00:20:54,760 --> 00:20:57,359
Speaker 1: signing up for all my bullsh it ain't it don't

401
00:20:57,440 --> 00:21:02,359
Speaker 1: matter totally different we're talking about. This is the thing.

402
00:21:02,400 --> 00:21:05,240
Speaker 1: When you were records, it could be different ships. It

403
00:21:05,280 --> 00:21:06,639
Speaker 1: could be your at the club, it could be your mom,

404
00:21:06,720 --> 00:21:08,680
Speaker 1: could be at the restaurant, hotel, you could be in

405
00:21:08,960 --> 00:21:12,520
Speaker 1: tip saying is bro, I ain't gotten to do it

406
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Speaker 1: with old, but I'm doing over that once with three records.

407
00:21:14,720 --> 00:21:20,439
Speaker 1: I'm over to get me some money records. There are

408
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Speaker 1: certain people that would not have signed a certain record

409
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Speaker 1: labels because they know where it's gonna come with. So

410
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Speaker 1: you think I'm gonna sign you and you and you're

411
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Speaker 1: gonna be a disloyal nigger because I got beef how

412
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Speaker 1: we did? How you disloyal? Bro? If we if were

413
00:21:31,720 --> 00:21:34,840
Speaker 1: still getting money, if you're streaming, I'm getting paid every month,

414
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Speaker 1: you getting paid every month, we're getting paid off our shows.

415
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Speaker 1: I don't have to see you. But bro, you're not

416
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Speaker 1: many niggas that we think are something else and they're

417
00:21:44,359 --> 00:21:47,960
Speaker 1: really that facts, biggest like don't get it fun up,

418
00:21:51,760 --> 00:21:55,400
Speaker 1: biggest ship lot. You to talk that ship and that's it. Yeah,

419
00:21:56,880 --> 00:21:59,200
Speaker 1: niggas around there will do them ship that they're talking about.

420
00:21:59,240 --> 00:22:01,840
Speaker 1: But you can't make the folks do that ship. Bro.

421
00:22:01,920 --> 00:22:04,760
Speaker 1: That to me, you shouldn't if you know, like even

422
00:22:04,800 --> 00:22:07,320
Speaker 1: the niggas around you know shout, ain't that and you

423
00:22:07,480 --> 00:22:09,680
Speaker 1: know that ain't that? Why are you gonna make this

424
00:22:09,800 --> 00:22:12,000
Speaker 1: person yet you ain't doing them making a snitch because

425
00:22:12,040 --> 00:22:14,400
Speaker 1: people be on bullshit, you ain't doing that making a snitch.

426
00:22:14,440 --> 00:22:16,080
Speaker 1: You're forcing to do some ship that he wan't ready

427
00:22:16,119 --> 00:22:19,680
Speaker 1: to do. He's gonna tell So why are you not

428
00:22:19,760 --> 00:22:22,359
Speaker 1: even respecting that? Like nigga to me, shooting out the

429
00:22:22,400 --> 00:22:24,040
Speaker 1: nigga who's saying he ain't gotten in to do with

430
00:22:24,200 --> 00:22:26,080
Speaker 1: or hein't in it, that's the same thing is shooting

431
00:22:26,080 --> 00:22:29,919
Speaker 1: at the child. It's a fucking innocent You gonna make

432
00:22:29,960 --> 00:22:31,840
Speaker 1: this nigg because he over there trying to change this

433
00:22:31,960 --> 00:22:38,840
Speaker 1: faminine life standard I agree should be. That's not how

434
00:22:38,920 --> 00:22:40,760
Speaker 1: it is, and that's how it is. If it's that

435
00:22:40,920 --> 00:22:43,280
Speaker 1: for real, bro, if you see on your funk, bro,

436
00:22:43,400 --> 00:22:46,280
Speaker 1: any nigga, it could be the craziest nigga in the world. Bro,

437
00:22:46,520 --> 00:22:49,760
Speaker 1: he gonna think twice like, No, I'm nigga dag. Unless

438
00:22:49,840 --> 00:22:52,240
Speaker 1: they all standing there standing over that with him, I

439
00:22:52,280 --> 00:22:54,560
Speaker 1: can't tell you. But it's going around. That's just how

440
00:22:54,640 --> 00:22:56,600
Speaker 1: I go you're standing over that with the with the

441
00:22:56,640 --> 00:22:58,520
Speaker 1: main I can't tell them going around. Now you out

442
00:22:58,600 --> 00:23:01,000
Speaker 1: by yourself, you or your crew, You ain't You know

443
00:23:01,040 --> 00:23:04,760
Speaker 1: what I'm saying. One to three records is out with

444
00:23:05,560 --> 00:23:10,399
Speaker 1: records and everybody comes boom, they meet a head right

445
00:23:10,440 --> 00:23:15,680
Speaker 1: here right What are the rappers on each side? Now,

446
00:23:15,680 --> 00:23:17,680
Speaker 1: if you're all together, y'all together, That's what I'm saying.

447
00:23:17,720 --> 00:23:20,800
Speaker 1: But I'm just hands like, you gotta do what you

448
00:23:20,840 --> 00:23:23,280
Speaker 1: gotta do. No, he's saying. He's saying, like, just say,

449
00:23:23,520 --> 00:23:26,800
Speaker 1: you ain't gotten them to do with it? With his

450
00:23:27,080 --> 00:23:29,880
Speaker 1: boasting them, it's boasting him. Got real smoke a man,

451
00:23:31,200 --> 00:23:33,760
Speaker 1: whatever came with it, came with it. Then I can't

452
00:23:33,800 --> 00:23:35,800
Speaker 1: not do it because you're here. That's just how that goes.

453
00:23:35,920 --> 00:23:37,760
Speaker 1: Little and you know that we got something to do

454
00:23:37,840 --> 00:23:40,200
Speaker 1: with it. Now, yeah you got. But if I see

455
00:23:40,240 --> 00:23:43,440
Speaker 1: you out alone alone, you're not with these folks. You

456
00:23:43,440 --> 00:23:46,040
Speaker 1: don't be with the folks, you know, not me personally.

457
00:23:46,040 --> 00:23:47,960
Speaker 1: I'm just saying, like, because I wouldn't do none of this.

458
00:23:48,920 --> 00:23:51,960
Speaker 1: What I'm saying is, if nigga see you, if your

459
00:23:52,040 --> 00:23:53,800
Speaker 1: ops see you, and you know it's gonna be your

460
00:23:53,800 --> 00:23:56,480
Speaker 1: on site whatever with what I have the option, and

461
00:23:56,560 --> 00:23:59,879
Speaker 1: you're standing over there with them, you better be fast, right,

462
00:24:00,480 --> 00:24:02,280
Speaker 1: you know what I'm saying. But I see you somewhere. Okay,

463
00:24:02,600 --> 00:24:06,920
Speaker 1: you ain't a threat. If you're not a threat, I sat.

464
00:24:07,880 --> 00:24:11,040
Speaker 1: You get what I'm saying. That makes sense, That makes sense.

465
00:24:13,880 --> 00:24:16,399
Speaker 1: I did, and they could go the other way, but

466
00:24:16,520 --> 00:24:18,440
Speaker 1: I just feel like that's how it sho. That's the

467
00:24:18,560 --> 00:24:20,800
Speaker 1: proper way. That's what we should put in. Both sides

468
00:24:20,800 --> 00:24:23,600
Speaker 1: should respect even the nigga like even if they need

469
00:24:23,640 --> 00:24:26,000
Speaker 1: to go do a song with the niggas, niggas from

470
00:24:26,040 --> 00:24:27,520
Speaker 1: over that way, who fought with them niggas? Why do

471
00:24:27,640 --> 00:24:32,399
Speaker 1: you care? They're not dissing either, they're not doing that.

472
00:24:32,480 --> 00:24:35,960
Speaker 1: I'm not liking your video and one of your artists

473
00:24:36,240 --> 00:24:39,440
Speaker 1: that was signed that you went and did a song with,

474
00:24:40,240 --> 00:24:43,080
Speaker 1: maybe not your but the team. I haven't signed the

475
00:24:43,200 --> 00:24:48,080
Speaker 1: artists of that caliber yet. Amar is a family that's different.

476
00:24:48,160 --> 00:24:49,879
Speaker 1: We can't you know what I'm saying like if I

477
00:24:49,960 --> 00:24:54,159
Speaker 1: signed a nigga outside from goddamn to below Jupilo, what

478
00:24:54,280 --> 00:24:58,640
Speaker 1: you do nigga right? Okay? No type of no type

479
00:24:58,640 --> 00:25:01,600
Speaker 1: of way do be I gonna especially if it's gonna

480
00:25:01,600 --> 00:25:02,960
Speaker 1: help you elevating. Now you go over there, you like

481
00:25:03,040 --> 00:25:05,320
Speaker 1: you just dick right ship like bro, I won't do

482
00:25:05,400 --> 00:25:07,400
Speaker 1: no right. But if you go on this, she's gonna

483
00:25:07,440 --> 00:25:12,080
Speaker 1: help you in your career further, you can do that ship. Okay,

484
00:25:12,480 --> 00:25:15,120
Speaker 1: what I said, you can't know. How are you gonna stop?

485
00:25:17,200 --> 00:25:19,159
Speaker 1: How you gonna stop from doing some ship that you

486
00:25:19,280 --> 00:25:23,440
Speaker 1: can't do for? I agree, I just see ship and

487
00:25:23,480 --> 00:25:26,479
Speaker 1: it'd be like wow. But if we don't see a lot,

488
00:25:26,560 --> 00:25:28,960
Speaker 1: I see a lot of While differ between sign and

489
00:25:29,040 --> 00:25:33,840
Speaker 1: the nigga and taking an oath, is it? That's the difference?

490
00:25:34,040 --> 00:25:37,440
Speaker 1: Is it? If you if you sign, you signed to

491
00:25:37,440 --> 00:25:39,000
Speaker 1: put them in all you're being they don't. No, hell no,

492
00:25:39,160 --> 00:25:41,280
Speaker 1: that's what I'm saying. If you go sign to death

493
00:25:41,359 --> 00:25:43,920
Speaker 1: Jam Records, that's what you said earlier, then this understood.

494
00:25:44,640 --> 00:25:47,280
Speaker 1: They signed the Deaf Jam Records. We ain't tripping. Unfortunately,

495
00:25:47,320 --> 00:25:50,080
Speaker 1: when it becomes that boutique label one to three Records

496
00:25:50,119 --> 00:25:52,959
Speaker 1: slash death jam. They're looking at one to three records.

497
00:25:53,280 --> 00:25:55,520
Speaker 1: And I'm telling you what I'm saying, you inherit all

498
00:25:55,560 --> 00:25:59,359
Speaker 1: that if you, if you signed to a label or

499
00:25:59,480 --> 00:26:02,840
Speaker 1: you what they call, get jumped in what you want

500
00:26:02,880 --> 00:26:07,560
Speaker 1: you doing a That's what me asking. That's what I'm saying.

501
00:26:10,240 --> 00:26:12,640
Speaker 1: Some niggas come, some niggas come to the labor like ship.

502
00:26:12,720 --> 00:26:15,400
Speaker 1: But I'm I'm with whatever whatever y'all with something that comes,

503
00:26:15,400 --> 00:26:18,879
Speaker 1: ain't with that. So that's the difference, right. But what

504
00:26:19,040 --> 00:26:20,720
Speaker 1: I am all I'm saying is and I say it

505
00:26:20,800 --> 00:26:23,159
Speaker 1: want the last time, that doesn't mean you won't inherit

506
00:26:23,280 --> 00:26:26,720
Speaker 1: some bullshit. Yeah, Now, you can't avoid what you can't avoid.

507
00:26:27,720 --> 00:26:29,720
Speaker 1: But what I'm saying is you can try to avoid

508
00:26:29,800 --> 00:26:32,160
Speaker 1: what you don't want to see happen. Do you think

509
00:26:32,200 --> 00:26:34,119
Speaker 1: it's do you think do you think that if they

510
00:26:34,200 --> 00:26:36,200
Speaker 1: do that, I ain't on it on? Do you think

511
00:26:36,240 --> 00:26:37,879
Speaker 1: that that might show a little bit of weakness and

512
00:26:38,480 --> 00:26:43,760
Speaker 1: weakness because playing with me, if they ain't playing me still,

513
00:26:43,960 --> 00:26:47,560
Speaker 1: I ain't playing with me still. That ain't what ain't

514
00:26:47,560 --> 00:26:49,800
Speaker 1: telling about me. I'm saying the artist. If the artists

515
00:26:49,840 --> 00:26:54,400
Speaker 1: ain't having no type of problems himself, how the fund

516
00:26:54,480 --> 00:26:56,119
Speaker 1: is that weakness by saying I ain't got to do it.

517
00:26:58,480 --> 00:27:00,560
Speaker 1: When you come on board. I know this ship. He

518
00:27:00,600 --> 00:27:03,119
Speaker 1: should not have the problems. He shouldn't have the problems.

519
00:27:03,200 --> 00:27:06,000
Speaker 1: But if, like I said, if I'm on the other

520
00:27:06,080 --> 00:27:09,240
Speaker 1: side of the option or whatever's going on and fucking

521
00:27:09,840 --> 00:27:13,560
Speaker 1: little bitty bitty boot from fucking one to three records

522
00:27:13,840 --> 00:27:15,520
Speaker 1: comes at me, or are we running to each other

523
00:27:15,640 --> 00:27:17,760
Speaker 1: bump as or whatever, and he comes up to me

524
00:27:17,840 --> 00:27:19,800
Speaker 1: and says, I don't want to smoke. I ain't got

525
00:27:19,840 --> 00:27:21,320
Speaker 1: nothing to do with that ship. I'm gonna look at

526
00:27:21,359 --> 00:27:23,119
Speaker 1: this nigga like he's a pussy. I'm gonna say, okay,

527
00:27:23,280 --> 00:27:24,879
Speaker 1: And it's the first thing I'm gonna do something too,

528
00:27:25,119 --> 00:27:30,440
Speaker 1: just to prove my point. This is what I'm saying, nigga.

529
00:27:31,400 --> 00:27:33,240
Speaker 1: But that man come up to me. But ain't that

530
00:27:33,359 --> 00:27:36,000
Speaker 1: like retreat? But that's how, that's how, that's how you

531
00:27:36,040 --> 00:27:40,280
Speaker 1: get your head, that's how you get your how you lose.

532
00:27:40,560 --> 00:27:43,520
Speaker 1: But let's that's how you lose. You go against principals

533
00:27:43,560 --> 00:27:45,480
Speaker 1: and more. You know, this man ain't got shipped to

534
00:27:45,520 --> 00:27:48,880
Speaker 1: do with this ship. That's how you niggas don't really

535
00:27:48,960 --> 00:27:51,240
Speaker 1: understand the art of war. A lot of these niggas

536
00:27:51,240 --> 00:27:54,120
Speaker 1: don't understand that. Let's ship. Please hear me, how you lose.

537
00:27:55,600 --> 00:27:59,320
Speaker 1: He ain't got nothing that you're like that. You're like

538
00:27:59,440 --> 00:28:02,399
Speaker 1: schumes like the motherucker. Come tell you if you're in

539
00:28:02,440 --> 00:28:05,399
Speaker 1: a fight. That's why they got m A. You can

540
00:28:05,480 --> 00:28:07,879
Speaker 1: tap out, nign tap out, you let them go. You

541
00:28:08,000 --> 00:28:10,720
Speaker 1: tep that. You hope the trick card? So you tap out?

542
00:28:11,119 --> 00:28:16,040
Speaker 1: How the funk off in the steer? So what what thinking?

543
00:28:16,080 --> 00:28:21,200
Speaker 1: I'll tell dot situation you pull up? It could be

544
00:28:21,600 --> 00:28:23,480
Speaker 1: one in the morning or somehow making nigga bust your

545
00:28:23,520 --> 00:28:26,200
Speaker 1: glass up. That's all like playing like that, trying to

546
00:28:27,960 --> 00:28:31,600
Speaker 1: do let's leave on this said I want to hold that.

547
00:28:33,160 --> 00:28:34,320
Speaker 1: I said, I don't want on it, but I ain't

548
00:28:34,320 --> 00:28:37,600
Speaker 1: say I don't know, hope. You pull up right? You

549
00:28:37,720 --> 00:28:41,520
Speaker 1: see the one to three records nigger at a gas station? Right,

550
00:28:41,640 --> 00:28:45,280
Speaker 1: so y'all both pumping y'all gas. What's your actions? What's

551
00:28:45,280 --> 00:28:46,959
Speaker 1: your thought? What do you do if you're looking at

552
00:28:47,000 --> 00:28:49,040
Speaker 1: the one to three records? Nigger? I'm going to shoot

553
00:28:49,040 --> 00:28:51,120
Speaker 1: the tank and bow the gas, nigger, that's what you're

554
00:28:51,120 --> 00:28:54,000
Speaker 1: gonna do. Listen, why are you gonna do that? I'm

555
00:28:54,000 --> 00:28:59,480
Speaker 1: gonna go out. Why going on? That's a rapper? But

556
00:28:59,520 --> 00:29:02,160
Speaker 1: why are you going do that? Answer? Why are you

557
00:29:02,200 --> 00:29:06,080
Speaker 1: gonna do that? Answer Why you're gonna do that? Why

558
00:29:06,080 --> 00:29:07,560
Speaker 1: are you gonna do it? Because I'm trying to make

559
00:29:07,640 --> 00:29:09,800
Speaker 1: the point because it's up, because it's up. And he's

560
00:29:10,000 --> 00:29:12,560
Speaker 1: not the op, but he with the ops. Right, Okay,

561
00:29:12,680 --> 00:29:15,480
Speaker 1: what would you do? What? You see one to three

562
00:29:15,520 --> 00:29:18,200
Speaker 1: records bro at the gas tank pumping his gas, mind

563
00:29:18,320 --> 00:29:22,000
Speaker 1: his business, gonna shot, I'm gonna shoot him. You're nigga

564
00:29:22,120 --> 00:29:25,200
Speaker 1: that I'm gonna shoot if I see my but I'm

565
00:29:25,240 --> 00:29:27,800
Speaker 1: wanting to shoot on shoot you could be the CEO whatever.

566
00:29:28,200 --> 00:29:29,680
Speaker 1: You can know, he ain't got nothing to do with it.

567
00:29:29,760 --> 00:29:31,160
Speaker 1: I think of your head. Ain't got nothing to do

568
00:29:31,200 --> 00:29:32,680
Speaker 1: with it. You see him at the gas tank. You

569
00:29:32,760 --> 00:29:34,480
Speaker 1: see him at the gas tank. She said it's up

570
00:29:34,480 --> 00:29:38,040
Speaker 1: because you're to see him with the nigga just one

571
00:29:38,080 --> 00:29:41,240
Speaker 1: on one gas station with the nigh said he got

572
00:29:41,360 --> 00:29:43,080
Speaker 1: to do it. He got the shirt on one to

573
00:29:43,200 --> 00:29:45,560
Speaker 1: three records because he signed the one. But it ain't

574
00:29:45,560 --> 00:29:48,040
Speaker 1: saying nothing. And you at the gas station one in

575
00:29:48,080 --> 00:29:50,680
Speaker 1: the morning. But but I'm gonna be good because I'm

576
00:29:50,720 --> 00:29:53,560
Speaker 1: gonna be on research the niggas to see who owned that.

577
00:29:54,280 --> 00:29:58,040
Speaker 1: I seen him, but you've seen it. Ain't on it ain't,

578
00:29:58,200 --> 00:30:00,080
Speaker 1: I ain't. I ain't got no shoke with him. Are

579
00:30:00,080 --> 00:30:01,960
Speaker 1: you gonna let it go? You're not gonna let it go?

580
00:30:02,800 --> 00:30:10,000
Speaker 1: The why? Why? Why? Why? Because it's up? But listen,

581
00:30:10,080 --> 00:30:12,200
Speaker 1: I'm not speaking from what I would do. I'm speaking

582
00:30:12,320 --> 00:30:15,200
Speaker 1: from the other side of the eye, but insensible, Yeah,

583
00:30:15,240 --> 00:30:17,920
Speaker 1: because that's we gotta do, you know, for everybody. But

584
00:30:17,960 --> 00:30:19,840
Speaker 1: do you do you know why she would blow the

585
00:30:20,000 --> 00:30:22,960
Speaker 1: fucking whatever off the ones? You can say, because I'm

586
00:30:23,040 --> 00:30:25,080
Speaker 1: thinking that this nigg is gonna blow me up. That's

587
00:30:25,160 --> 00:30:27,440
Speaker 1: what I'm saying. You don't know. That's the point I'm

588
00:30:27,480 --> 00:30:29,480
Speaker 1: getting that you don't know, right, That's what I said,

589
00:30:30,680 --> 00:30:32,840
Speaker 1: and then you end uf we ball gotta go, nigger.

590
00:30:32,880 --> 00:30:34,880
Speaker 1: I'm gonna make sure that you understand that I got

591
00:30:34,960 --> 00:30:37,160
Speaker 1: you first, which comes to my point that you inherit

592
00:30:37,200 --> 00:30:39,960
Speaker 1: the bullshit because you can't pump gas without running the song,

593
00:30:40,000 --> 00:30:43,120
Speaker 1: and so you ain't gonna It's always gonna be a

594
00:30:43,200 --> 00:30:46,000
Speaker 1: risk what I want to bank on this one, Like

595
00:30:46,280 --> 00:30:49,480
Speaker 1: I feel like just because I signed to somebody, I

596
00:30:49,520 --> 00:30:52,120
Speaker 1: don't any like, Okay, I'm not going to inherit them.

597
00:30:52,240 --> 00:30:57,880
Speaker 1: That's called naive, naive naive. When he said, if I'm

598
00:30:57,960 --> 00:30:59,920
Speaker 1: in the videos, if I'm in the comments, if I'm

599
00:31:00,040 --> 00:31:02,560
Speaker 1: on all that extra ship, if I'm doing all that, yes,

600
00:31:02,640 --> 00:31:04,680
Speaker 1: I inherent to be. But what if I am like

601
00:31:05,080 --> 00:31:06,920
Speaker 1: pop artists. I don't have nothing to do with that

602
00:31:09,360 --> 00:31:17,040
Speaker 1: piggoty pop popcorn New Day. The problem is we're all

603
00:31:17,480 --> 00:31:20,680
Speaker 1: listen to what I'm saying. That's no, but I'm living.

604
00:31:20,760 --> 00:31:22,479
Speaker 1: I could be signed to Bank, Bank could be all

605
00:31:22,480 --> 00:31:24,880
Speaker 1: in the streets of bullshit. I came out here from California.

606
00:31:25,160 --> 00:31:27,960
Speaker 1: I have my whole management team. I have my own team. No,

607
00:31:28,080 --> 00:31:30,000
Speaker 1: but I'm not around. Listen to what I'm saying. Listen

608
00:31:30,040 --> 00:31:35,880
Speaker 1: what I'm saying. You know that, you know that your

609
00:31:35,920 --> 00:31:41,160
Speaker 1: ass up to your Mike brother security. No listening to

610
00:31:41,160 --> 00:31:44,480
Speaker 1: what I'm saying. You know that Bank knows that, or

611
00:31:44,520 --> 00:31:47,200
Speaker 1: Black or whatever y'all call him. But fucking at the

612
00:31:47,320 --> 00:31:50,280
Speaker 1: end of the day, these niggas don't know that. You

613
00:31:50,400 --> 00:31:55,840
Speaker 1: keep you keep talking. I'm saying. I'm saying you thinkers

614
00:31:55,880 --> 00:31:58,920
Speaker 1: don't know. These niggas ain't communicating with y'all. These niggas

615
00:31:58,920 --> 00:32:02,240
Speaker 1: don't know what's going on. I'm speaking from me. I'm

616
00:32:02,240 --> 00:32:05,280
Speaker 1: speaking from me my point, Like now, I can't say

617
00:32:05,320 --> 00:32:11,880
Speaker 1: what that signed to somebody and never be seen around

618
00:32:11,960 --> 00:32:15,280
Speaker 1: them like Bank of be in Atlanta, me and my California.

619
00:32:15,360 --> 00:32:18,880
Speaker 1: Y'all gotta understand. Let me, let me say this. In

620
00:32:19,040 --> 00:32:22,640
Speaker 1: this world, this game, you're just running the people you

621
00:32:22,760 --> 00:32:25,280
Speaker 1: cannot want to leave your house, walk out your house,

622
00:32:25,320 --> 00:32:29,000
Speaker 1: and the opstitute neighbors. That's how that should go. You

623
00:32:29,200 --> 00:32:31,800
Speaker 1: have now just inherited one, two or three records. Bullshit,

624
00:32:33,320 --> 00:32:35,360
Speaker 1: it is what it is you've inherited. I'm not saying

625
00:32:35,400 --> 00:32:37,640
Speaker 1: it will be active and some ship what happened, but

626
00:32:37,720 --> 00:32:41,360
Speaker 1: you're gonna think different with you because if it rolls

627
00:32:41,400 --> 00:32:44,040
Speaker 1: had to be back when y'all had when you got

628
00:32:44,120 --> 00:32:49,920
Speaker 1: crazy phone calls. But let it be. I would never

629
00:32:50,000 --> 00:32:52,040
Speaker 1: think if I had a problem with ried rosson and

630
00:32:52,280 --> 00:32:54,720
Speaker 1: uh maybe music, I had a problem with DJ String

631
00:32:54,880 --> 00:32:57,440
Speaker 1: for sure. All right then, so we don't need it.

632
00:32:58,600 --> 00:33:03,960
Speaker 1: But listen, I move as if just in case I

633
00:33:04,040 --> 00:33:07,440
Speaker 1: don't know, just say, don't go out there and be slipping. Yeah,

634
00:33:07,600 --> 00:33:09,840
Speaker 1: they said what I'm saying is a nigga, don't respecting

635
00:33:09,920 --> 00:33:12,440
Speaker 1: like screaming, got ship to do with this man? Yes,

636
00:33:12,600 --> 00:33:16,240
Speaker 1: I agree with that. They're gonna say, that's a perfect example.

637
00:33:16,240 --> 00:33:20,160
Speaker 1: I perfect for sure, like rocks that all counts. Sheet

638
00:33:20,200 --> 00:33:23,080
Speaker 1: going on thereby when y'all and I walked around and

639
00:33:23,240 --> 00:33:27,840
Speaker 1: I don't want to you want, we'll speak. It is

640
00:33:27,920 --> 00:33:30,479
Speaker 1: what it is. I'm a different brand. It is separate.

641
00:33:30,680 --> 00:33:34,920
Speaker 1: I guess that's but that doesn't say that does not

642
00:33:35,200 --> 00:33:38,000
Speaker 1: That does not mean in every sing got lucky. There

643
00:33:38,040 --> 00:33:40,000
Speaker 1: are niggers out there, and that would have seen that.

644
00:33:41,800 --> 00:33:49,520
Speaker 1: There are some people right right, right right, What are

645
00:33:49,560 --> 00:33:57,000
Speaker 1: you saying? Right, don't give a scream. We don't care.

646
00:33:57,800 --> 00:34:00,160
Speaker 1: He got on the MMG. He got on the you

647
00:34:00,240 --> 00:34:04,080
Speaker 1: got on the shirt. We're gonna get on the shirt.

648
00:34:04,120 --> 00:34:07,239
Speaker 1: You're gonna ain't turn to We know we can't get

649
00:34:08,680 --> 00:34:11,239
Speaker 1: you know that, we an't turn getting smoke to fuck it.

650
00:34:11,480 --> 00:34:14,000
Speaker 1: That's what I'm saying. There's people like that, everybody like

651
00:34:16,960 --> 00:34:19,400
Speaker 1: I know it, rupie getting popped too, I know it.

652
00:34:19,760 --> 00:34:25,960
Speaker 1: You know it. Facts, it's the round. I get what

653
00:34:26,080 --> 00:34:31,400
Speaker 1: they saying because some people don't know though, Bro, your affiliation,

654
00:34:31,440 --> 00:34:34,920
Speaker 1: your affiliation, you live through it though. Yeah, what I'm

655
00:34:34,920 --> 00:34:37,640
Speaker 1: saying so big gerg say what else you want to say? Bro?

656
00:34:38,280 --> 00:34:40,879
Speaker 1: I get what y'all said. I'm saying. Now you gotta

657
00:34:40,920 --> 00:34:42,640
Speaker 1: watch your back for niggas who just want to prove

658
00:34:42,680 --> 00:34:44,839
Speaker 1: a point. A hundred thousand got niggas want to prove

659
00:34:44,880 --> 00:34:47,000
Speaker 1: a point. But you ain't even moving because you ain't

660
00:34:47,040 --> 00:34:50,440
Speaker 1: on that. You ain't around got them the little the

661
00:34:50,520 --> 00:34:54,400
Speaker 1: little post shooters. Know what I'm saying, Shoot you or

662
00:34:54,480 --> 00:34:58,040
Speaker 1: some ship, so the chimp, the chat none. If you're

663
00:34:58,040 --> 00:35:00,399
Speaker 1: not on that. If you on that, you're down way

664
00:35:00,560 --> 00:35:03,520
Speaker 1: going down the period. You get what I'm saying. Like,

665
00:35:03,880 --> 00:35:05,520
Speaker 1: you know what I'm saying, bro, Like she said she

666
00:35:05,560 --> 00:35:10,560
Speaker 1: could be a whole, it'll be less likely percentage. But

667
00:35:10,760 --> 00:35:14,200
Speaker 1: all I'm saying, and the fact is you have inherited.

668
00:35:15,040 --> 00:35:21,800
Speaker 1: You have inherited the bullshit you like, who's your enemies?

669
00:35:22,040 --> 00:35:26,800
Speaker 1: Who I have to look at? Sho, you should have

670
00:35:26,920 --> 00:35:28,520
Speaker 1: got to say things. Ain't gonna do that, do that

671
00:35:28,960 --> 00:35:32,200
Speaker 1: because before you get signed, A majority of niggas before

672
00:35:32,200 --> 00:35:34,239
Speaker 1: they get signed are fucked up and they're trying to

673
00:35:34,680 --> 00:35:37,600
Speaker 1: make a way out, so they're not even taken into

674
00:35:37,680 --> 00:35:41,160
Speaker 1: consideration all of the extra ship that comes along with

675
00:35:41,600 --> 00:35:43,960
Speaker 1: what they're about to do to get themselves out of

676
00:35:44,000 --> 00:35:48,080
Speaker 1: the situation that they end. They said, you got something

677
00:35:49,440 --> 00:35:56,480
Speaker 1: fun about the DJ screen y'all, y'all ain't even around them.

678
00:35:56,960 --> 00:35:59,400
Speaker 1: You know, anybody could be hit it with. You know what,

679
00:35:59,440 --> 00:36:01,759
Speaker 1: I'm be your neighbor, I'm telling you, But you know

680
00:36:01,800 --> 00:36:03,839
Speaker 1: what I'm saying, we're about to think about. Think about

681
00:36:05,080 --> 00:36:07,640
Speaker 1: in concludes, think about the weird places you don't run into,

682
00:36:07,760 --> 00:36:09,960
Speaker 1: even if they' four options. People you don't funk with

683
00:36:10,080 --> 00:36:13,960
Speaker 1: that you didn't expect to really weird fucking places, fucking wafihouse,

684
00:36:14,000 --> 00:36:17,160
Speaker 1: fucking Walmart. But think about this ship called like man,

685
00:36:17,600 --> 00:36:19,960
Speaker 1: it's something bullshit going on, and she can happen to

686
00:36:19,960 --> 00:36:22,000
Speaker 1: you don't a round them, so you gotta be preparing

687
00:36:22,040 --> 00:36:23,800
Speaker 1: for all bullshits. So all the ship fit on the

688
00:36:23,840 --> 00:36:26,840
Speaker 1: one category. Do the wrong, she can get busted up.

689
00:36:28,000 --> 00:36:31,279
Speaker 1: They just high got they just hidh go on, give

690
00:36:31,320 --> 00:36:37,399
Speaker 1: a fun. It could be goddamn she you know. Cut

691
00:36:37,400 --> 00:36:38,640
Speaker 1: at the end of the day, you don't know how

692
00:36:38,680 --> 00:36:42,360
Speaker 1: that ship gonna come so very the whole everybody of

693
00:36:42,400 --> 00:36:48,239
Speaker 1: your if you're on. Yeah, I know that probably the

694
00:36:48,320 --> 00:36:50,279
Speaker 1: dumb and ship to say, but that's the truth. You

695
00:36:50,320 --> 00:36:54,359
Speaker 1: don't know what you don't this is doing the old

696
00:36:54,480 --> 00:36:57,160
Speaker 1: people's and people that don't suppose to like. So this

697
00:36:57,280 --> 00:37:03,120
Speaker 1: ship is different, this ship different. You're niggas all this

698
00:37:03,160 --> 00:37:05,160
Speaker 1: ship getting shot up and ship man plead like. So

699
00:37:05,239 --> 00:37:09,040
Speaker 1: it's like and you better stay ready anyway. Some stuff

700
00:37:09,040 --> 00:37:11,399
Speaker 1: you just you really don't expect it to happen though,

701
00:37:11,440 --> 00:37:12,759
Speaker 1: like it should have happened at to fed that ship

702
00:37:12,800 --> 00:37:14,560
Speaker 1: a few days ago, like you're being damned food or

703
00:37:14,560 --> 00:37:17,480
Speaker 1: not too. I'm tweaking area where I go all this ship, bro,

704
00:37:17,560 --> 00:37:19,520
Speaker 1: you don't never know a nigga could. There's so many

705
00:37:19,600 --> 00:37:21,359
Speaker 1: nigga waking up, fed up, ready to do some dumb

706
00:37:21,440 --> 00:37:24,520
Speaker 1: ship man. You did what it is? That's how I

707
00:37:24,600 --> 00:37:26,440
Speaker 1: look at it, like some ship or what it is

708
00:37:26,480 --> 00:37:28,480
Speaker 1: like it shouldn't go down in it. What anything min

709
00:37:28,520 --> 00:37:30,080
Speaker 1: ain't got any to do with me. I could be wrong,

710
00:37:30,160 --> 00:37:33,000
Speaker 1: played wrong time this ship. Just that's how this ship go.

711
00:37:34,480 --> 00:37:37,440
Speaker 1: Look at all this bullshit happened in bro, so it

712
00:37:37,640 --> 00:37:44,600
Speaker 1: like I is. But I'm saying me personally, I wouldn't

713
00:37:45,000 --> 00:37:48,520
Speaker 1: if I see a nigga ain't on that, but he

714
00:37:48,680 --> 00:37:51,040
Speaker 1: over there trying to get them some paper, get your money.

715
00:37:51,600 --> 00:37:54,040
Speaker 1: I'm with you get your money. That that's just me

716
00:37:54,560 --> 00:37:56,800
Speaker 1: and any niggat is hearing my voice or seeing my

717
00:37:56,920 --> 00:37:59,520
Speaker 1: face and you you out here in the streets, I

718
00:37:59,640 --> 00:38:02,640
Speaker 1: feel like you should do the same ship, Like why

719
00:38:02,680 --> 00:38:05,040
Speaker 1: the fun. It's just because at the end of the day,

720
00:38:05,080 --> 00:38:07,040
Speaker 1: if you look at trouble donna come anyway, you don't

721
00:38:07,040 --> 00:38:09,640
Speaker 1: have to look for that ship. I'll be telling them

722
00:38:09,680 --> 00:38:12,080
Speaker 1: niggle like, bro, you're gonna have a time to show

723
00:38:12,160 --> 00:38:15,360
Speaker 1: with you about You ain't gotta go around trying to

724
00:38:15,719 --> 00:38:21,000
Speaker 1: use up all your good chances on some bullshit. Any

725
00:38:21,080 --> 00:38:26,520
Speaker 1: nig as seeing my voice and hearing my face, just

726
00:38:27,480 --> 00:38:32,920
Speaker 1: so you don't have to straight up like it's already

727
00:38:33,200 --> 00:38:35,720
Speaker 1: always up, do you. You gotta move like it's always

728
00:38:35,800 --> 00:38:39,839
Speaker 1: up so you won't go down straight up like real ship,

729
00:38:41,400 --> 00:38:44,879
Speaker 1: biggest facts, good healthy discussion, and I hope everybody learns

730
00:38:46,360 --> 00:38:47,600
Speaker 1: the twist the man. You know what I'm saying that

731
00:38:47,640 --> 00:38:49,000
Speaker 1: O g to legend about to pull up. You know

732
00:38:49,000 --> 00:38:51,919
Speaker 1: what it is Triple w dot Big Facts pot dot com,

733
00:38:52,760 --> 00:38:56,000
Speaker 1: the truth, the whole truth, and nothing but the truth

734
00:38:56,520 --> 00:38:58,680
Speaker 1: live for first class Sounds is going down. Of course.

735
00:38:58,680 --> 00:39:00,759
Speaker 1: It is DJ screen Big Bank, Baby Jay. We got

736
00:39:00,840 --> 00:39:03,680
Speaker 1: a special guest in the building the day the legendary

737
00:39:04,120 --> 00:39:10,040
Speaker 1: legendary Twister is here a big facts. What's up, my brother?

738
00:39:10,080 --> 00:39:12,600
Speaker 1: How you been How everything going? Man? I've been cooling, man.

739
00:39:13,360 --> 00:39:15,399
Speaker 1: Everything is good. Everything is good. You know. I want

740
00:39:15,440 --> 00:39:18,279
Speaker 1: to start off with this conversation about asking, bro, what

741
00:39:18,520 --> 00:39:21,759
Speaker 1: what what made you decide to wrap so fast? Let's

742
00:39:21,760 --> 00:39:24,080
Speaker 1: get into the essence of your rap style and when

743
00:39:24,120 --> 00:39:25,960
Speaker 1: you started rapping a little bit, like when when did

744
00:39:26,040 --> 00:39:29,319
Speaker 1: you decide that I won't be not only a fast

745
00:39:29,440 --> 00:39:32,800
Speaker 1: rapper but pretty much the fastest rapping nigger ever, Like

746
00:39:32,880 --> 00:39:35,120
Speaker 1: nobody raps faster than Twister? Like how did that come about?

747
00:39:35,560 --> 00:39:38,320
Speaker 1: Just really really wanted to do a different rap style,

748
00:39:38,480 --> 00:39:40,640
Speaker 1: the one want to do something different other than what

749
00:39:40,719 --> 00:39:43,680
Speaker 1: I was doing. Like I got into it early in Chicago,

750
00:39:44,200 --> 00:39:48,360
Speaker 1: doing my thing, and I just feel like, uh, it

751
00:39:48,520 --> 00:39:51,000
Speaker 1: was a little before my time, you know what I

752
00:39:51,160 --> 00:39:54,960
Speaker 1: was doing as far as the music, and started battling

753
00:39:55,040 --> 00:39:57,239
Speaker 1: around the neighborhood and stuff like that. Once I got

754
00:39:57,320 --> 00:40:00,239
Speaker 1: pretty good, and they always wanted to keep elevating. And

755
00:40:00,320 --> 00:40:03,319
Speaker 1: I remember the moment when I said, Okay, I don't

756
00:40:03,360 --> 00:40:05,600
Speaker 1: want to make this next rapper battle rap. Let me

757
00:40:05,640 --> 00:40:08,160
Speaker 1: try to come with a style or rhythm, you know,

758
00:40:08,320 --> 00:40:11,960
Speaker 1: so I started getting into cadences and rhythms and styles,

759
00:40:12,520 --> 00:40:15,560
Speaker 1: and so that's what sparked me, you know, starting to

760
00:40:15,760 --> 00:40:18,360
Speaker 1: triple up a word, flipping it with the style, and

761
00:40:18,600 --> 00:40:20,520
Speaker 1: you know, start messing with it and for the for

762
00:40:21,040 --> 00:40:24,680
Speaker 1: factual facts, ain't you in the Guinness Book words for

763
00:40:25,920 --> 00:40:28,640
Speaker 1: the fastest rapper every ye? Yeah, when I first got on,

764
00:40:28,800 --> 00:40:30,440
Speaker 1: that was one of the things I did to give

765
00:40:30,480 --> 00:40:33,719
Speaker 1: me like a promotional burst. You know. We found out

766
00:40:33,760 --> 00:40:35,680
Speaker 1: that it was a record in a Guinness book for

767
00:40:35,800 --> 00:40:38,879
Speaker 1: being the fastest rapper, and so you know, I put

768
00:40:38,960 --> 00:40:41,640
Speaker 1: myself to the test a little bit before I did it,

769
00:40:41,760 --> 00:40:44,560
Speaker 1: and then came along and broke the record. It took

770
00:40:44,600 --> 00:40:47,799
Speaker 1: a long time before anybody even tried, though, like over

771
00:40:47,880 --> 00:40:52,120
Speaker 1: teen years. So that was anybody like dethroned you as

772
00:40:52,160 --> 00:40:54,480
Speaker 1: the fastest think of a rap I wouldn't even call

773
00:40:54,520 --> 00:40:56,200
Speaker 1: a dethrone And I was an o G by the

774
00:40:56,239 --> 00:41:01,040
Speaker 1: time the next person even try, so uh yeah, because

775
00:41:01,040 --> 00:41:03,600
Speaker 1: I actually did a slower version because I thought people

776
00:41:03,640 --> 00:41:05,480
Speaker 1: would come right behind me and try to break it,

777
00:41:05,560 --> 00:41:09,839
Speaker 1: but they never did, so I wouldn't say that. I'll

778
00:41:09,880 --> 00:41:12,000
Speaker 1: give it to the young guy that's saying, I forget.

779
00:41:12,000 --> 00:41:16,560
Speaker 1: It's not definitely a young a young bull in there. Now.

780
00:41:17,640 --> 00:41:19,480
Speaker 1: I used stay in shape and keep your breath and

781
00:41:19,520 --> 00:41:21,600
Speaker 1: all that type of ship like when you go performing

782
00:41:21,960 --> 00:41:25,040
Speaker 1: concerts and all the ship, like how you breath control?

783
00:41:25,360 --> 00:41:28,400
Speaker 1: You know, um, smoking a little. You know, I pretty

784
00:41:28,480 --> 00:41:30,800
Speaker 1: pretty much chilled out lately since I've been doing my

785
00:41:30,880 --> 00:41:35,680
Speaker 1: new thing. But um, mostly just breath control. You're practicing

786
00:41:35,719 --> 00:41:37,840
Speaker 1: in the house, so you spend that line out and

787
00:41:37,920 --> 00:41:40,280
Speaker 1: then you know when they get to when the voice

788
00:41:40,360 --> 00:41:43,000
Speaker 1: is running out and you gotta take that breath. Then

789
00:41:43,080 --> 00:41:45,800
Speaker 1: you write the line so that it kind of fits

790
00:41:45,880 --> 00:41:48,719
Speaker 1: within your breath and ability. So it might it might

791
00:41:48,800 --> 00:41:51,080
Speaker 1: look like, oh, he ain't taking a breath, but I

792
00:41:51,200 --> 00:41:56,800
Speaker 1: put them strategic breaths in between. Yeah, that's what it is.

793
00:41:57,000 --> 00:41:58,560
Speaker 1: So how do you feel about the everlution to the

794
00:41:58,680 --> 00:42:01,120
Speaker 1: Chicago man? You know from obviously what you did and

795
00:42:01,480 --> 00:42:03,280
Speaker 1: do a die in the nineties and now you fast

796
00:42:03,320 --> 00:42:05,640
Speaker 1: forward the uh the drill music. You know what I'm saying,

797
00:42:05,640 --> 00:42:08,040
Speaker 1: there's a lot of younger cats doing that thing. Like, man,

798
00:42:08,560 --> 00:42:12,239
Speaker 1: I remember coming up and feeling the music wasn't as

799
00:42:12,320 --> 00:42:15,960
Speaker 1: good from my city, and then I remember fast forward

800
00:42:16,000 --> 00:42:17,840
Speaker 1: to just looking around and listening to all of the

801
00:42:18,000 --> 00:42:21,840
Speaker 1: artists and being like, man, all I hear is dopeness

802
00:42:21,880 --> 00:42:23,759
Speaker 1: from my city. Every time I look up and see

803
00:42:23,760 --> 00:42:25,920
Speaker 1: a new artist coming out, they're coming with it on

804
00:42:25,960 --> 00:42:29,240
Speaker 1: a whole another level. So it's like a proud moment

805
00:42:29,440 --> 00:42:33,200
Speaker 1: because when I first came up, it was me telling everybody,

806
00:42:33,360 --> 00:42:36,279
Speaker 1: Chicago is dope. Chicago, dude, got some dope wrappers. Y'all

807
00:42:36,320 --> 00:42:39,040
Speaker 1: need to check us out. So now you know, they

808
00:42:39,120 --> 00:42:41,239
Speaker 1: kind of like at the forefront and and and you know,

809
00:42:42,040 --> 00:42:44,920
Speaker 1: helping people evolved with the sounds that they got from

810
00:42:44,960 --> 00:42:47,319
Speaker 1: them listening to Chicago music. So were your favorite new

811
00:42:47,400 --> 00:42:51,359
Speaker 1: artists of Chicago A long, Um, I probably don't got

812
00:42:51,680 --> 00:42:56,560
Speaker 1: uh one. I like all of these these new little guys.

813
00:42:57,160 --> 00:43:00,600
Speaker 1: I like the uh I like Zeo Psammo too. That's

814
00:43:00,600 --> 00:43:02,200
Speaker 1: a new guy right there. And I like a lot

815
00:43:02,320 --> 00:43:05,719
Speaker 1: from the city, and uh, all of them. I liked

816
00:43:05,760 --> 00:43:07,759
Speaker 1: all of them. When Chief Key first came out, when

817
00:43:07,760 --> 00:43:10,120
Speaker 1: Little Dirk first came out, all of the guys that

818
00:43:10,200 --> 00:43:12,120
Speaker 1: come out from the city, I like them, Cowboy, all

819
00:43:12,160 --> 00:43:14,440
Speaker 1: of these guys that do their things Like I'm a

820
00:43:14,480 --> 00:43:17,200
Speaker 1: fan of Chicago music. So that was refreshing for me

821
00:43:17,280 --> 00:43:20,600
Speaker 1: to like to go from the point of constantly having

822
00:43:20,640 --> 00:43:24,239
Speaker 1: to be a fan of artists outside the city to

823
00:43:24,400 --> 00:43:26,440
Speaker 1: one day looking up, like, man, all of the artists

824
00:43:26,440 --> 00:43:29,040
Speaker 1: I'm listening to lately on a playlist, it's people from

825
00:43:29,080 --> 00:43:33,320
Speaker 1: my crib. So so that was that was refreshing. Oh no, no, no,

826
00:43:33,480 --> 00:43:35,759
Speaker 1: I just like I know that you always talk a

827
00:43:35,840 --> 00:43:39,160
Speaker 1: lot about Chicago, like your city, how beautiful it is,

828
00:43:39,239 --> 00:43:40,600
Speaker 1: and how much you love it and all that kind

829
00:43:40,640 --> 00:43:45,719
Speaker 1: of stuff. So coming from an O G standpoint, what

830
00:43:45,880 --> 00:43:49,000
Speaker 1: do you think can be done to kind of help

831
00:43:49,080 --> 00:43:51,960
Speaker 1: clean up the darker side of Chicago, like with all

832
00:43:52,000 --> 00:43:55,600
Speaker 1: the violence and the the killings and stuff like that.

833
00:43:56,120 --> 00:43:59,560
Speaker 1: Anything that can be done in any town like Chicago

834
00:44:00,320 --> 00:44:02,919
Speaker 1: to start the darker side, you know, because I feel

835
00:44:02,920 --> 00:44:05,920
Speaker 1: like a certain town will get a bad rap A

836
00:44:06,000 --> 00:44:08,760
Speaker 1: lot of times it comes with the hot rapper. Notice

837
00:44:08,800 --> 00:44:11,200
Speaker 1: how Compton was looked at as the baddest town ever

838
00:44:11,280 --> 00:44:14,680
Speaker 1: when Snoop was hot. Remember how New York was looked

839
00:44:14,680 --> 00:44:16,680
Speaker 1: at when Biggie was hot. You know, so a lot

840
00:44:16,719 --> 00:44:19,040
Speaker 1: of times I noticed that that attention will follow the

841
00:44:19,120 --> 00:44:22,520
Speaker 1: hot artists too. But to me, all of the neighborhoods

842
00:44:22,560 --> 00:44:25,680
Speaker 1: in the United States that's similar to Chicago. Need that

843
00:44:25,760 --> 00:44:27,800
Speaker 1: type of help and whatever help you can bring to

844
00:44:27,840 --> 00:44:30,200
Speaker 1: the infrastructure of Chicago. I feel like it's needed and

845
00:44:30,320 --> 00:44:34,440
Speaker 1: all about yeah so and and you know, there's no

846
00:44:34,680 --> 00:44:39,240
Speaker 1: one answer, but definitely UH funding put into the proper

847
00:44:40,680 --> 00:44:43,399
Speaker 1: sections will definitely help because a lot of the kids

848
00:44:43,440 --> 00:44:45,839
Speaker 1: need something to do. Come outside and they see all

849
00:44:45,880 --> 00:44:47,680
Speaker 1: of the wrong stuff and that's what they emulate. But

850
00:44:48,239 --> 00:44:50,759
Speaker 1: you know, if you got certain centers in the hood

851
00:44:50,920 --> 00:44:55,240
Speaker 1: or certain things, whether with a positive, then they divert

852
00:44:55,280 --> 00:44:59,480
Speaker 1: their attention to that's something else that can help them. Yeah,

853
00:44:59,520 --> 00:45:02,919
Speaker 1: you got these undeveloped mind seeing all of this gangsterism,

854
00:45:03,000 --> 00:45:05,840
Speaker 1: and that's what they're gonna go to. You know, how

855
00:45:05,880 --> 00:45:07,480
Speaker 1: does it make it feel when you see a headline

856
00:45:07,480 --> 00:45:10,160
Speaker 1: though with a crazy weekend? I don't know, forty people

857
00:45:10,320 --> 00:45:13,840
Speaker 1: thirty people shot in Chicago this weekend? Like, does it

858
00:45:13,960 --> 00:45:16,839
Speaker 1: make you? Does it make you want to personally get

859
00:45:17,000 --> 00:45:20,640
Speaker 1: involved and do certain things to try to stop those headlines?

860
00:45:20,800 --> 00:45:22,360
Speaker 1: Or is it like it just is what it is?

861
00:45:22,440 --> 00:45:24,640
Speaker 1: Or what's your thoughts when you see a headline like that? Man,

862
00:45:24,760 --> 00:45:27,920
Speaker 1: I'm affected by not just when I see it in Chicago,

863
00:45:28,080 --> 00:45:29,839
Speaker 1: when I see it in other towns too. I think

864
00:45:29,880 --> 00:45:32,480
Speaker 1: the last shooting was about eight nine people killed in

865
00:45:32,560 --> 00:45:36,120
Speaker 1: the house. It wasn't in Chicago. So this is a

866
00:45:36,239 --> 00:45:38,560
Speaker 1: thing that we're dealing with in our urban communities. It

867
00:45:38,640 --> 00:45:41,600
Speaker 1: is happening a lot in Chicago, and uh, I think

868
00:45:42,120 --> 00:45:44,319
Speaker 1: education is the key. Like a lot of times when

869
00:45:44,360 --> 00:45:47,600
Speaker 1: you think and see guns, the first thing you think is,

870
00:45:47,680 --> 00:45:49,239
Speaker 1: let's try to get rid of her, you know. So

871
00:45:49,320 --> 00:45:51,040
Speaker 1: I think a lot of times we have to be

872
00:45:51,360 --> 00:45:54,000
Speaker 1: educated the right way when it comes to firearms, and

873
00:45:54,080 --> 00:45:56,320
Speaker 1: it changes our perception a little bit, you know. And

874
00:45:56,400 --> 00:45:59,759
Speaker 1: that ain't the only thing, but uh, definitely one of

875
00:45:59,840 --> 00:46:01,920
Speaker 1: the things that I see that will help is uh,

876
00:46:02,600 --> 00:46:06,080
Speaker 1: situational awareness, paying attention to what's going on around, you know,

877
00:46:06,200 --> 00:46:08,400
Speaker 1: and when to be somewhere, when not to be somewhere.

878
00:46:08,719 --> 00:46:12,120
Speaker 1: And then just just education, you know, better infrastructure on

879
00:46:12,160 --> 00:46:15,560
Speaker 1: how things are ran. You stuck. You started a gun

880
00:46:16,080 --> 00:46:20,279
Speaker 1: safety camp. It is it a gun safety camp or something?

881
00:46:20,320 --> 00:46:22,640
Speaker 1: We got gun camp? The gun camp? What we got

882
00:46:22,840 --> 00:46:26,040
Speaker 1: gun camp? Uh? Actually, my body is with me right now. Yeah,

883
00:46:26,080 --> 00:46:29,200
Speaker 1: we gun camp is really instructors were instructors, Like during

884
00:46:29,239 --> 00:46:32,759
Speaker 1: my downtime, he was already doing it. But once we

885
00:46:32,880 --> 00:46:34,840
Speaker 1: had to go into quarantine, and you know, I'm pretty

886
00:46:34,840 --> 00:46:38,360
Speaker 1: sure a lot of us started extra careers, got a

887
00:46:38,440 --> 00:46:40,839
Speaker 1: new bag, switched it up a little bit. So one

888
00:46:40,840 --> 00:46:43,360
Speaker 1: of the things I got into was gun safety and

889
00:46:44,760 --> 00:46:48,360
Speaker 1: becoming a concealed carry instructor. So yeah, I'm a U, S, C, C, A,

890
00:46:48,640 --> 00:46:51,759
Speaker 1: and N A concealed carry instructor. So you can give

891
00:46:51,880 --> 00:46:54,960
Speaker 1: somebody you you can can you you can't issue the license,

892
00:46:55,719 --> 00:46:57,160
Speaker 1: or you just teach them so they can go get

893
00:46:57,200 --> 00:46:59,800
Speaker 1: the license, or yeah, you you come see me and

894
00:47:00,239 --> 00:47:03,000
Speaker 1: if you want to get your concealed carry license. Yeah,

895
00:47:03,920 --> 00:47:09,440
Speaker 1: I can't care in New York. Not New York. You

896
00:47:09,520 --> 00:47:12,040
Speaker 1: need to New York Cally. You know, you gotta go

897
00:47:12,160 --> 00:47:15,040
Speaker 1: there and do the things they way. Even Illinois. You

898
00:47:15,080 --> 00:47:18,120
Speaker 1: know Illinois, we don't honor anything you bring up in there.

899
00:47:19,160 --> 00:47:21,600
Speaker 1: But you know Illinois you can travel to like twenty

900
00:47:21,680 --> 00:47:25,880
Speaker 1: seven states. Yeah, so if you got a george of carrying,

901
00:47:25,920 --> 00:47:30,320
Speaker 1: like you can't go to really why did know that?

902
00:47:32,560 --> 00:47:35,240
Speaker 1: The laws is? The laws is just kind of crazy

903
00:47:35,320 --> 00:47:37,120
Speaker 1: for guns. You have to learn them and know you

904
00:47:37,160 --> 00:47:38,719
Speaker 1: know what I'm saying, Like you can be driving through

905
00:47:38,880 --> 00:47:41,160
Speaker 1: from county to county in one county. You might be

906
00:47:41,239 --> 00:47:47,960
Speaker 1: good the next county you might note it's all one county.

907
00:47:51,880 --> 00:47:55,160
Speaker 1: So with so with um the gun camp and the

908
00:47:55,800 --> 00:47:58,440
Speaker 1: other things that you've done like over the years, like

909
00:47:58,560 --> 00:48:01,160
Speaker 1: in the community or whatever. Have you ever thought about

910
00:48:01,160 --> 00:48:04,800
Speaker 1: possibly running for a public office. Not me, but my

911
00:48:04,880 --> 00:48:08,480
Speaker 1: buddy creative Scott Uh dabbles in that field. Who's with

912
00:48:08,600 --> 00:48:13,040
Speaker 1: me right here again? Yeah? Yeah, he actually ran for

913
00:48:13,120 --> 00:48:16,040
Speaker 1: Alderman in his area. You know, came in a second,

914
00:48:16,160 --> 00:48:20,279
Speaker 1: you know, and uh probably gonna do it again. So

915
00:48:20,400 --> 00:48:22,200
Speaker 1: we got some questions for listeners that want to know,

916
00:48:22,320 --> 00:48:24,680
Speaker 1: I guess some of your interactions relationship with some of

917
00:48:24,719 --> 00:48:29,600
Speaker 1: these Chicago people. Let's start with President or former President Obama.

918
00:48:29,640 --> 00:48:32,200
Speaker 1: Have you ever met Obama? Talked to Obama? No? Never,

919
00:48:32,280 --> 00:48:36,480
Speaker 1: not at all. Okay, what about Kanye West? Obviously you

920
00:48:36,600 --> 00:48:38,680
Speaker 1: met and work with Kanye West, but like, what's your

921
00:48:38,680 --> 00:48:41,880
Speaker 1: relationship with you now? Um, we haven't talked lately, but

922
00:48:42,200 --> 00:48:44,440
Speaker 1: still cool. You know, we just haven't talked, both of

923
00:48:44,520 --> 00:48:46,560
Speaker 1: us working in our own fields. I'm pretty sure we're

924
00:48:46,560 --> 00:48:49,120
Speaker 1: gonna get together. So because you know, we got mutual

925
00:48:49,160 --> 00:48:51,960
Speaker 1: people still that go back and forth. Line Fast is

926
00:48:52,040 --> 00:48:54,000
Speaker 1: one of my buddies and you know, he goes back

927
00:48:54,040 --> 00:48:55,919
Speaker 1: and forth in between us, so we'll probably get together.

928
00:48:56,000 --> 00:48:59,160
Speaker 1: And I was reading that Kanye always been that visionary

929
00:48:59,280 --> 00:49:00,880
Speaker 1: like people. A lot of people are getting to know

930
00:49:01,040 --> 00:49:02,759
Speaker 1: him now social media and all that. Ship. But I

931
00:49:02,880 --> 00:49:05,319
Speaker 1: was reading in the book it was like Kanye been

932
00:49:05,440 --> 00:49:07,520
Speaker 1: like that since way back in the day, like here

933
00:49:07,520 --> 00:49:09,719
Speaker 1: coming to the studio and say soon when I was

934
00:49:09,960 --> 00:49:12,279
Speaker 1: going to his crib, when he was living on the

935
00:49:12,360 --> 00:49:14,879
Speaker 1: South Side and he was making beats, he still knew

936
00:49:14,960 --> 00:49:17,920
Speaker 1: he was gonna be the ship show. So so yeah,

937
00:49:21,680 --> 00:49:24,400
Speaker 1: right there. Hey, so, what what you think is the

938
00:49:24,800 --> 00:49:28,680
Speaker 1: advantages or disadvantages from then and now? Like from coming

939
00:49:28,719 --> 00:49:30,120
Speaker 1: up in the music back then and coming up in

940
00:49:30,160 --> 00:49:34,279
Speaker 1: the music now. What you think is advantaging technology? Yeah,

941
00:49:34,400 --> 00:49:38,000
Speaker 1: that's one of the main things. Back then, technology was

942
00:49:38,920 --> 00:49:41,160
Speaker 1: something you had to pay for. You know, you want

943
00:49:41,160 --> 00:49:44,560
Speaker 1: to be seen on that television or be on cable

944
00:49:44,600 --> 00:49:47,400
Speaker 1: or radio, you had to pay for it. Where's today

945
00:49:47,560 --> 00:49:49,720
Speaker 1: You can be the brokest person and open your laptop

946
00:49:49,800 --> 00:49:51,360
Speaker 1: and get a bunch of people to see. So you

947
00:49:51,400 --> 00:49:53,560
Speaker 1: would rather you're rather streaming and be back in your

948
00:49:53,680 --> 00:49:55,640
Speaker 1: days you're streaming. You think streaming is a good thing

949
00:49:55,719 --> 00:49:58,080
Speaker 1: or bad thing. It's good, but I can't say one

950
00:49:58,200 --> 00:50:01,439
Speaker 1: era is worse or better than the other. Yes, back

951
00:50:01,520 --> 00:50:04,600
Speaker 1: then we didn't have the technology, but you might have

952
00:50:04,719 --> 00:50:08,920
Speaker 1: also been the only rapper in your neighborhood. Fast forward, today,

953
00:50:09,160 --> 00:50:11,600
Speaker 1: you got the technology to open your laptop. Do next

954
00:50:11,640 --> 00:50:14,279
Speaker 1: to you opening, hiss her next to opening you know,

955
00:50:14,440 --> 00:50:17,000
Speaker 1: so you got the playing field. It's like you got

956
00:50:17,160 --> 00:50:20,879
Speaker 1: so much more competition that I opening their laptops too,

957
00:50:21,440 --> 00:50:24,319
Speaker 1: so they kind of balance out. Back then you didn't

958
00:50:24,360 --> 00:50:27,839
Speaker 1: have the technology, but you also didn't have the competition

959
00:50:28,400 --> 00:50:31,120
Speaker 1: as much. Today you got the technology to do what

960
00:50:31,239 --> 00:50:33,120
Speaker 1: you want to do, but you got all the competition

961
00:50:33,160 --> 00:50:35,160
Speaker 1: in the world right there doing the same thing, so

962
00:50:35,280 --> 00:50:37,920
Speaker 1: it's harder to stick out. What about the cloud, Like,

963
00:50:38,040 --> 00:50:42,200
Speaker 1: what's your take on like this cloud ship? It was

964
00:50:42,280 --> 00:50:46,200
Speaker 1: different back then, you know, getting your cloud. Now people

965
00:50:46,239 --> 00:50:48,960
Speaker 1: will go to the extreme to get some cloud. I

966
00:50:49,000 --> 00:50:51,319
Speaker 1: don't even know for sure people understand what the hell

967
00:50:51,400 --> 00:50:56,399
Speaker 1: cloud is when I mean, I mean cloud is something

968
00:50:56,440 --> 00:50:59,080
Speaker 1: to be respected for. You know, you used to have

969
00:50:59,320 --> 00:51:01,440
Speaker 1: used to get cloud cloud with your talents. It was

970
00:51:01,560 --> 00:51:05,400
Speaker 1: some fly about you, not something stupid about you. A

971
00:51:05,440 --> 00:51:07,600
Speaker 1: lot of times, like now you could do something stupid

972
00:51:08,000 --> 00:51:09,840
Speaker 1: and get a certain type of cloud. It end up

973
00:51:09,920 --> 00:51:11,360
Speaker 1: coming back on you when you look at it in

974
00:51:11,400 --> 00:51:13,640
Speaker 1: the long run. But I just think put people put

975
00:51:13,719 --> 00:51:16,359
Speaker 1: theirselves out there too much. I remember when this era

976
00:51:16,560 --> 00:51:20,480
Speaker 1: first started with the cameras being from Chicago, Like gangsters

977
00:51:20,520 --> 00:51:22,880
Speaker 1: don't tell on theirselves in Chicago like that. Maybe the

978
00:51:22,960 --> 00:51:25,640
Speaker 1: shorties do, But like the O G s, if they

979
00:51:25,719 --> 00:51:28,040
Speaker 1: want to get you, they're not jumping on Instagram and

980
00:51:28,160 --> 00:51:30,040
Speaker 1: I'm doing this, I'm gonna do that. The first thing

981
00:51:30,120 --> 00:51:32,880
Speaker 1: that's gonna happen is silence, you know what I mean?

982
00:51:33,040 --> 00:51:34,800
Speaker 1: So if they want to get you at home and

983
00:51:34,960 --> 00:51:37,680
Speaker 1: what you're talking about? What what? Like? We we are

984
00:51:37,880 --> 00:51:41,440
Speaker 1: very weary of putting business out there or chatter boxing

985
00:51:41,480 --> 00:51:43,680
Speaker 1: too much, you know. So, so that's one thing, uh

986
00:51:44,200 --> 00:51:46,520
Speaker 1: that I see that's different today is people have gotten

987
00:51:47,000 --> 00:51:49,839
Speaker 1: too used to the cameras. You will literally hold up

988
00:51:49,880 --> 00:51:51,719
Speaker 1: in the legal gun in the camera and not think

989
00:51:51,760 --> 00:51:54,640
Speaker 1: anything is gonna happen to him, you know. So that

990
00:51:54,760 --> 00:51:58,279
Speaker 1: cloud game is is a dangerous game right now, and

991
00:51:58,320 --> 00:52:00,680
Speaker 1: I think, uh, we need to edge a kid ourselves

992
00:52:00,719 --> 00:52:02,719
Speaker 1: a little bit more on how it used to be

993
00:52:03,360 --> 00:52:06,000
Speaker 1: when it came to talking too much. You be on

994
00:52:06,080 --> 00:52:07,759
Speaker 1: the social media kicking the dog not I don't know

995
00:52:07,840 --> 00:52:09,480
Speaker 1: cloud ship, but you'd be on there kind of just

996
00:52:09,560 --> 00:52:12,320
Speaker 1: posting funny ship like almost every day, like whatever is

997
00:52:12,360 --> 00:52:14,080
Speaker 1: going on, yeah, be a little bit of me. It

998
00:52:14,160 --> 00:52:15,719
Speaker 1: might be a little bit of my manager a little

999
00:52:15,719 --> 00:52:17,719
Speaker 1: bit too. Okay, I got you. You just gotta keep

1000
00:52:17,760 --> 00:52:21,080
Speaker 1: it going. Yeah. Yeah. So I know like when like

1001
00:52:21,239 --> 00:52:23,040
Speaker 1: when I was, when I was coming up and when

1002
00:52:23,080 --> 00:52:26,600
Speaker 1: I was little, like we have this, um we have

1003
00:52:26,719 --> 00:52:29,840
Speaker 1: this program here in Atlanta called American Ratmakers And that

1004
00:52:30,040 --> 00:52:32,719
Speaker 1: was the first time that I ever saw the po

1005
00:52:32,880 --> 00:52:36,560
Speaker 1: Pimp video like when I was little, like I made

1006
00:52:36,600 --> 00:52:56,759
Speaker 1: it my business, little fucking I'll bet American frakers shout

1007
00:52:56,760 --> 00:53:01,600
Speaker 1: out of star. I made it my business so fucking right,

1008
00:53:01,680 --> 00:53:05,640
Speaker 1: down every word and learn the song, like every word

1009
00:53:05,760 --> 00:53:09,680
Speaker 1: and God, I wrote down every word and learn the song.

1010
00:53:09,800 --> 00:53:18,200
Speaker 1: It's be like a weed. Rab um Um you got

1011
00:53:18,280 --> 00:53:29,040
Speaker 1: to start like so what um, what happened? Whatever happened

1012
00:53:29,080 --> 00:53:31,960
Speaker 1: to um? Pope him? The group that was on the

1013
00:53:32,040 --> 00:53:34,360
Speaker 1: song with you, I mean, door Die. I'm sorry to

1014
00:53:34,520 --> 00:53:38,160
Speaker 1: do it because I had like I had get it wet.

1015
00:53:38,239 --> 00:53:39,840
Speaker 1: They were don't get it wet too right now they

1016
00:53:39,880 --> 00:53:42,120
Speaker 1: weren't know that. Do you want to ride? Do you

1017
00:53:42,160 --> 00:53:45,279
Speaker 1: want to? Yeah? Yeah, So what happened to them? And

1018
00:53:45,760 --> 00:53:48,120
Speaker 1: they still make music. They still make music. They do

1019
00:53:48,200 --> 00:53:50,080
Speaker 1: a lot of other stuff too, in the real estate

1020
00:53:50,160 --> 00:53:52,000
Speaker 1: other things. I actually just talked to one of them

1021
00:53:52,400 --> 00:53:54,560
Speaker 1: a couple of days ago. Yeah, we still talk. They

1022
00:53:54,640 --> 00:53:56,600
Speaker 1: just recently released the song with me featuring on it

1023
00:53:56,719 --> 00:54:00,440
Speaker 1: called Hotel. Kind of you started the group, y'all from

1024
00:54:00,440 --> 00:54:03,680
Speaker 1: the same neighborhood, family friends with not the same neighborhood,

1025
00:54:03,760 --> 00:54:06,560
Speaker 1: but the same area. We were cross each other all

1026
00:54:06,600 --> 00:54:08,919
Speaker 1: the time and do what. I was already hot before

1027
00:54:08,960 --> 00:54:12,360
Speaker 1: they got into music, because they used to do dances

1028
00:54:12,400 --> 00:54:14,640
Speaker 1: and stuff like that. They was already a group. It

1029
00:54:14,719 --> 00:54:17,279
Speaker 1: was already a group, and it was already popular and

1030
00:54:17,400 --> 00:54:21,400
Speaker 1: doing that like you just came you just like the

1031
00:54:21,480 --> 00:54:24,160
Speaker 1: heart is coming out of Chicago. I was on the rap.

1032
00:54:24,640 --> 00:54:28,239
Speaker 1: Then they got into Wrap and then you know, kind

1033
00:54:28,239 --> 00:54:32,040
Speaker 1: of organically came together. Yeah. That was that was my

1034
00:54:32,120 --> 00:54:35,920
Speaker 1: ship back then. That was my chance. Classic you had

1035
00:54:35,960 --> 00:54:39,399
Speaker 1: to stick to when you was with Rockefeller, right, Yeah,

1036
00:54:39,719 --> 00:54:42,280
Speaker 1: Once you with Rockefeller for some time, that was around

1037
00:54:42,320 --> 00:54:47,000
Speaker 1: the time Slow Jams came out and because of his Yeah,

1038
00:54:47,640 --> 00:54:50,640
Speaker 1: that was my ship too. Yeah, y'all need to know,

1039
00:54:50,800 --> 00:54:54,879
Speaker 1: not twisted get hits, just twister get hits. Put that out.

1040
00:54:56,600 --> 00:54:58,360
Speaker 1: I looked back some time and be like, damn, I

1041
00:54:58,400 --> 00:55:02,560
Speaker 1: got if you want the tank, okay, I got a few. Yeah.

1042
00:55:03,360 --> 00:55:05,360
Speaker 1: Oh so, so how was that working with Rock and

1043
00:55:05,400 --> 00:55:07,399
Speaker 1: Feller though? How long was it was? It was dope.

1044
00:55:07,440 --> 00:55:09,719
Speaker 1: It was dope. I wish we got the chance to

1045
00:55:09,840 --> 00:55:12,120
Speaker 1: like make it as solid as I wanted to make it,

1046
00:55:12,239 --> 00:55:14,359
Speaker 1: but I was already with Atlantic Records at the time,

1047
00:55:14,760 --> 00:55:16,600
Speaker 1: so we kind of had to well, you know, we

1048
00:55:16,719 --> 00:55:18,759
Speaker 1: just had to make it work with the vibe, you know.

1049
00:55:19,120 --> 00:55:21,839
Speaker 1: Then I was already linked in with Kanye then I did, uh,

1050
00:55:22,480 --> 00:55:24,840
Speaker 1: is that your chick with Jay? You know? Then you

1051
00:55:24,960 --> 00:55:32,319
Speaker 1: got tas with popping Tag. Yeah, and niggas weren't doing

1052
00:55:32,400 --> 00:55:35,000
Speaker 1: that back then. Yeah, niggas weren't doing that back then.

1053
00:55:35,160 --> 00:55:37,680
Speaker 1: Like yeah, yeah, that was my joint right there. It was.

1054
00:55:37,760 --> 00:55:39,319
Speaker 1: It was fun working with him. I got a chance

1055
00:55:39,360 --> 00:55:41,960
Speaker 1: to go around the country, you know, doing is that

1056
00:55:42,120 --> 00:55:44,239
Speaker 1: your chick with j And just to get that whole

1057
00:55:44,320 --> 00:55:47,560
Speaker 1: experience definitely helped me grow as an artist. So it

1058
00:55:47,680 --> 00:55:49,920
Speaker 1: was dope. What some of the things you say that um,

1059
00:55:51,120 --> 00:55:53,040
Speaker 1: some of the young artists are just artists in general.

1060
00:55:53,080 --> 00:55:56,440
Speaker 1: Man to keep certain things good as you grow older,

1061
00:55:56,520 --> 00:55:59,200
Speaker 1: like keep your health right, keep your finances right. Like

1062
00:55:59,280 --> 00:56:02,319
Speaker 1: we've been seeing some unfortunate circumstances with people passing away,

1063
00:56:02,480 --> 00:56:04,719
Speaker 1: some people having financial issues and ship like that. Like

1064
00:56:04,760 --> 00:56:06,120
Speaker 1: with some of the game, you get the people so

1065
00:56:06,200 --> 00:56:08,920
Speaker 1: that they can grow and as they grow. Definitely, you

1066
00:56:09,000 --> 00:56:11,000
Speaker 1: want to know what type of deals you're getting in.

1067
00:56:11,480 --> 00:56:15,000
Speaker 1: One thing that I see that's different is today artists

1068
00:56:15,040 --> 00:56:17,879
Speaker 1: would just be geek to be signed. But the error

1069
00:56:17,920 --> 00:56:22,680
Speaker 1: I came up in artists would be bragging about owning

1070
00:56:22,719 --> 00:56:25,960
Speaker 1: their masters. They would be bragging about how much knowledge

1071
00:56:26,040 --> 00:56:29,320
Speaker 1: they had about their contract and what publishing deal they're getting.

1072
00:56:29,520 --> 00:56:32,960
Speaker 1: Like it was clout to have knowledge about the deal

1073
00:56:33,040 --> 00:56:36,720
Speaker 1: that you were being involved in, whereas today I got signed,

1074
00:56:36,840 --> 00:56:39,400
Speaker 1: I'm signed, and that's it. And they lit and turned

1075
00:56:39,480 --> 00:56:42,600
Speaker 1: up until they realized where all the paper going and

1076
00:56:42,760 --> 00:56:44,840
Speaker 1: where it ain't going, you know. So that's one of

1077
00:56:44,880 --> 00:56:47,800
Speaker 1: the biggest things I would say, is to know the business,

1078
00:56:48,200 --> 00:56:51,080
Speaker 1: know what type of contract you're signing. Don't just be

1079
00:56:52,040 --> 00:56:55,880
Speaker 1: geeked up about the moment, because tomorrow what you're gonna do,

1080
00:56:56,120 --> 00:57:00,600
Speaker 1: How you when you sign your first contract about and

1081
00:57:00,920 --> 00:57:03,200
Speaker 1: you had a lawyer and everything when you sign your

1082
00:57:03,200 --> 00:57:05,120
Speaker 1: contract or or how did that go? Yeah? I had

1083
00:57:05,160 --> 00:57:07,080
Speaker 1: a lawyer, but my lawyer was given to me by

1084
00:57:07,120 --> 00:57:09,879
Speaker 1: my manager. I was. I came in the game getting fun,

1085
00:57:10,080 --> 00:57:12,360
Speaker 1: So I got you what I'm saying, everybody kind of

1086
00:57:12,400 --> 00:57:16,840
Speaker 1: gotta go through it myself. Ain't nobody to blame but me,

1087
00:57:17,480 --> 00:57:21,320
Speaker 1: you know. So look, going back to the music ship though, right,

1088
00:57:21,800 --> 00:57:25,560
Speaker 1: so do I am I if I'm if I'm remembering correctly?

1089
00:57:25,720 --> 00:57:30,080
Speaker 1: What wasn't there like some little like minor static with

1090
00:57:31,600 --> 00:57:34,640
Speaker 1: Naughty by Nature and Bone Thugs and Harmony. Yeah, back

1091
00:57:34,680 --> 00:57:37,160
Speaker 1: then you got everybody what happened with that ship? Because

1092
00:57:37,200 --> 00:57:40,520
Speaker 1: like they don't even seem like it doesn't even like

1093
00:57:40,600 --> 00:57:42,960
Speaker 1: I don't understand like what the deal was with that?

1094
00:57:43,040 --> 00:57:45,400
Speaker 1: So can you like elaborate on that and how you

1095
00:57:45,520 --> 00:57:49,560
Speaker 1: felt about like being this and you just we're just

1096
00:57:50,240 --> 00:57:54,400
Speaker 1: a fast rapper who somebody this twist? I think it was?

1097
00:57:54,760 --> 00:57:58,160
Speaker 1: Was it um bone Thugs and Harmony and Naughty by Nature? Like,

1098
00:57:58,280 --> 00:58:00,640
Speaker 1: what was what was going on with that? We all

1099
00:58:00,720 --> 00:58:02,680
Speaker 1: I don't remember exactly because it was I was little,

1100
00:58:02,720 --> 00:58:11,480
Speaker 1: but like again, but what like what happened with that ship,

1101
00:58:11,560 --> 00:58:17,080
Speaker 1: because I know it was something you're ready. We all

1102
00:58:17,280 --> 00:58:21,440
Speaker 1: was wrapping fast. Back then, everybody wanted to be everybody

1103
00:58:21,480 --> 00:58:24,000
Speaker 1: wanted to be the catalyst or the person that did

1104
00:58:24,080 --> 00:58:27,440
Speaker 1: it first. So when you got Bone Thugs and Harmony,

1105
00:58:28,040 --> 00:58:30,720
Speaker 1: Naughty by Nature, Twister, you got all of these artists

1106
00:58:30,760 --> 00:58:33,560
Speaker 1: that's doing that style, we was at each Oh and

1107
00:58:33,640 --> 00:58:38,440
Speaker 1: what about crucial conflict, Well from Chicago, Yeah they're from Chicago,

1108
00:58:38,520 --> 00:58:41,880
Speaker 1: then my guy, So so yeah, you had like back then,

1109
00:58:41,960 --> 00:58:43,760
Speaker 1: you had a lot of us at each other, trying

1110
00:58:43,800 --> 00:58:46,120
Speaker 1: to stay claimed for a style. So you have this

1111
00:58:46,240 --> 00:58:48,400
Speaker 1: person made it this wrap and this person made a rap.

1112
00:58:48,480 --> 00:58:50,640
Speaker 1: I made a rap. And I think what made it

1113
00:58:50,720 --> 00:58:55,760
Speaker 1: all diffuse itself was everybody started rapping fast. And then

1114
00:58:55,880 --> 00:58:59,280
Speaker 1: we realized that between are fighting about the first thing

1115
00:58:59,360 --> 00:59:01,360
Speaker 1: that that said no app or something like that. Yeah,

1116
00:59:01,920 --> 00:59:06,040
Speaker 1: once everybody started uh for me, once everybody else started

1117
00:59:06,080 --> 00:59:11,160
Speaker 1: doing it then me, Bone Thugs and Harmony, Uh by

1118
00:59:11,240 --> 00:59:14,200
Speaker 1: Nature groups like us, we started to realize that we

1119
00:59:14,440 --> 00:59:17,439
Speaker 1: pioneered in a new sound, right, and there's not nothing

1120
00:59:17,480 --> 00:59:20,360
Speaker 1: to be about. Yeah, I'm going to be proud about actually. Yeah.

1121
00:59:20,480 --> 00:59:22,360
Speaker 1: And then once we realized, like why are we gonna

1122
00:59:22,360 --> 00:59:26,080
Speaker 1: dis it? Well, we're gonna diss everybody now, so you know,

1123
00:59:26,160 --> 00:59:29,440
Speaker 1: we we developed the brotherhood once we realized that everybody

1124
00:59:29,600 --> 00:59:33,000
Speaker 1: was doing what we was doing. Shout out to Tech

1125
00:59:33,120 --> 00:59:38,480
Speaker 1: nine to, he'd be killing it. Yeah. But independent king,

1126
00:59:39,000 --> 00:59:43,240
Speaker 1: independent king man. Are you into sports at all a

1127
00:59:43,360 --> 00:59:45,680
Speaker 1: little a little bit, a little bit? What's what's your

1128
00:59:45,720 --> 00:59:49,000
Speaker 1: thoughts on the Chicago Bulls the Chicago Bears. I can't

1129
00:59:49,000 --> 00:59:51,520
Speaker 1: even tell you that nothing really happening right now, you know,

1130
00:59:52,000 --> 00:59:54,000
Speaker 1: with with the Bulls or the or the Bears. You know,

1131
00:59:54,120 --> 00:59:58,800
Speaker 1: I think, Uh, with the Bears, we got uh Khalil

1132
00:59:58,880 --> 01:00:01,640
Speaker 1: Matt and then with the Rules, we've got Levine And

1133
01:00:01,680 --> 01:00:03,400
Speaker 1: I don't really know what else going on, you know,

1134
01:00:03,680 --> 01:00:08,440
Speaker 1: ain't too much happening on our seen basketball or football wise.

1135
01:00:08,680 --> 01:00:13,320
Speaker 1: Mad about it, but yeah, shah, you got any artist

1136
01:00:13,360 --> 01:00:16,800
Speaker 1: out of you? I used to, I used to. Right now,

1137
01:00:17,040 --> 01:00:19,880
Speaker 1: the only thing I'm focused on right now artist wise

1138
01:00:19,920 --> 01:00:22,360
Speaker 1: as far as being under me is my buddy Relo.

1139
01:00:22,760 --> 01:00:25,640
Speaker 1: But Relo is pretty much his own, his own entity

1140
01:00:25,760 --> 01:00:28,320
Speaker 1: and CEO, and uh, he's an artist that works in

1141
01:00:28,400 --> 01:00:31,960
Speaker 1: my studio a lot, real real dope and you'll hear

1142
01:00:32,000 --> 01:00:34,960
Speaker 1: his music because he's dropping something soon, maybe this week,

1143
01:00:35,280 --> 01:00:37,320
Speaker 1: and it's called News at nine and I'm on like

1144
01:00:37,440 --> 01:00:39,480
Speaker 1: four or five other songs with him. And when he

1145
01:00:39,600 --> 01:00:41,800
Speaker 1: dropped that project, you know, everybody get to hear a

1146
01:00:41,880 --> 01:00:44,960
Speaker 1: new vibe from me as well as how Relo is

1147
01:00:45,000 --> 01:00:47,280
Speaker 1: bringing it. Hit me about another artist. I did a

1148
01:00:47,520 --> 01:00:54,920
Speaker 1: mixtape for you though, m artist. Yeah yeah, yeah. Relo

1149
01:00:55,080 --> 01:00:58,000
Speaker 1: is coming out now with his thing called News at nine,

1150
01:00:58,080 --> 01:01:00,640
Speaker 1: So look for that any day. Bad Man Kevil was

1151
01:01:00,680 --> 01:01:02,840
Speaker 1: hot on the whole another level right now. Bam Man

1152
01:01:02,960 --> 01:01:05,960
Speaker 1: Kevil was given advice to anybody who wants to try

1153
01:01:06,000 --> 01:01:08,400
Speaker 1: to get rich. He was actually featured on our last

1154
01:01:11,240 --> 01:01:16,200
Speaker 1: He make money. He get money. If it's cars, if

1155
01:01:16,280 --> 01:01:21,080
Speaker 1: it's Airbnbs, if it's credit situations, if it's crypto. Bamman,

1156
01:01:21,240 --> 01:01:25,320
Speaker 1: just get money. So you want to get money, gets money.

1157
01:01:25,360 --> 01:01:27,080
Speaker 1: If you want to learn how to get money, if

1158
01:01:27,080 --> 01:01:29,360
Speaker 1: you don't know nothing about getting money, check out bad

1159
01:01:29,400 --> 01:01:32,160
Speaker 1: Man Kevil. He's gonna give you all the scoop, the

1160
01:01:32,320 --> 01:01:34,920
Speaker 1: ends and outs, credit everything. He's gonna help you get

1161
01:01:34,960 --> 01:01:36,880
Speaker 1: your getting money and still doing music, or he's just

1162
01:01:36,960 --> 01:01:38,960
Speaker 1: like I'm just getting money now. I think he's still

1163
01:01:39,080 --> 01:01:41,880
Speaker 1: do music. Every time I look up. He's standing on

1164
01:01:42,040 --> 01:01:44,520
Speaker 1: some hill in front of some big, gigantic house with

1165
01:01:44,960 --> 01:01:47,720
Speaker 1: every fashion on his body. You can game, So just

1166
01:01:47,800 --> 01:01:49,960
Speaker 1: get money, that's my man. So I know you're speaking

1167
01:01:50,000 --> 01:01:54,200
Speaker 1: about your label. Um is your label legit ball and

1168
01:01:54,320 --> 01:01:56,280
Speaker 1: still active? Is that's what you're still working through or

1169
01:01:56,400 --> 01:01:59,680
Speaker 1: is there a new like situation? GMG, that's what all

1170
01:01:59,680 --> 01:02:02,400
Speaker 1: of my objects been dropping under leg to give money gang, GMG.

1171
01:02:04,960 --> 01:02:08,720
Speaker 1: Anybody hits you up about the Versus ship, Everybody bring

1172
01:02:08,840 --> 01:02:10,720
Speaker 1: it up every once in a while, but you know,

1173
01:02:11,440 --> 01:02:14,520
Speaker 1: if it happens, it happens. You know, But me personally

1174
01:02:14,640 --> 01:02:17,200
Speaker 1: don't have anybody in mind like man, me and this

1175
01:02:17,360 --> 01:02:18,960
Speaker 1: person should go up there and do it. You know,

1176
01:02:19,760 --> 01:02:23,320
Speaker 1: you ain't got nobody. I want the fans to pick

1177
01:02:24,080 --> 01:02:26,760
Speaker 1: like me personally. No, I ain't really got nobody in

1178
01:02:26,880 --> 01:02:29,640
Speaker 1: my head like Twister kind of get his own legs

1179
01:02:31,320 --> 01:02:34,560
Speaker 1: the top of my head. If I saw Versus with Twister,

1180
01:02:34,600 --> 01:02:39,320
Speaker 1: I'll be hyped. But just twisted who bust? Twisted? Busted?

1181
01:02:39,800 --> 01:02:42,760
Speaker 1: But I think Buster is already talking about it with

1182
01:02:43,040 --> 01:02:45,920
Speaker 1: other people. So that's why I'm always looking for the

1183
01:02:46,000 --> 01:02:48,479
Speaker 1: Bust is the only nigga that can really like even

1184
01:02:48,560 --> 01:02:54,800
Speaker 1: stand a chance. Possibly Buster will be hard, that'll be yeah,

1185
01:02:54,960 --> 01:03:00,760
Speaker 1: their visionary. He might have some more jams, but I'll

1186
01:03:00,800 --> 01:03:12,600
Speaker 1: swing with him though, right yeah, yeah, yeahs. That's weeping

1187
01:03:12,640 --> 01:03:14,680
Speaker 1: to get out whoever it is though, and the end

1188
01:03:14,680 --> 01:03:16,360
Speaker 1: of it to be a fun thing to like for

1189
01:03:16,720 --> 01:03:18,560
Speaker 1: you got you got some where they'd be like going that.

1190
01:03:18,640 --> 01:03:20,520
Speaker 1: I ain't really got that type of vibe with nobody,

1191
01:03:20,560 --> 01:03:22,720
Speaker 1: so I'm gonna want to get lit turned up with somebody.

1192
01:03:22,920 --> 01:03:27,120
Speaker 1: I think the Versus help help help your kell out story, Yeah,

1193
01:03:27,320 --> 01:03:32,640
Speaker 1: help your streams like Spike for Spike out of them

1194
01:03:32,720 --> 01:03:35,120
Speaker 1: person because a lot of because a lot of that

1195
01:03:35,200 --> 01:03:37,560
Speaker 1: stuff that I'd be seeing on Versus when I do

1196
01:03:37,680 --> 01:03:45,400
Speaker 1: watch um Damn, I forgot about, forget about and then

1197
01:03:45,440 --> 01:03:49,320
Speaker 1: I remember you had a collaboration with the rough Riders.

1198
01:03:49,720 --> 01:03:51,560
Speaker 1: How did that come about? And how was it working?

1199
01:03:51,680 --> 01:03:54,800
Speaker 1: Like with Swiss and Dragon that was real though I

1200
01:03:54,920 --> 01:03:59,280
Speaker 1: remember walking in then I didn't like that be that first. Yeah,

1201
01:03:59,280 --> 01:04:01,000
Speaker 1: I had to become events to rap on that. But

1202
01:04:01,160 --> 01:04:03,760
Speaker 1: I hated that damn Beat, Are you serious? I hated

1203
01:04:03,800 --> 01:04:06,000
Speaker 1: the ship out of the Beat until I sat down

1204
01:04:06,120 --> 01:04:10,160
Speaker 1: with Swiss and then his energy made me love to beat. Yeah,

1205
01:04:10,200 --> 01:04:12,840
Speaker 1: they say he has great. Yeah. Once I saw him

1206
01:04:13,080 --> 01:04:14,920
Speaker 1: and how he was making the beat and the and

1207
01:04:15,000 --> 01:04:19,000
Speaker 1: I understood the beat perspective coming from him, then it

1208
01:04:19,160 --> 01:04:21,040
Speaker 1: was over. Then drag on doing what he was doing.

1209
01:04:21,320 --> 01:04:23,640
Speaker 1: And then that turned out to be really like one

1210
01:04:23,680 --> 01:04:26,760
Speaker 1: of my favorite rappers still to this day, Like yeah, yeah,

1211
01:04:26,880 --> 01:04:30,200
Speaker 1: Dragon still kills it right now, he shout out to them,

1212
01:04:30,320 --> 01:04:32,520
Speaker 1: prayers still to them, because I know him and Dragon

1213
01:04:32,600 --> 01:04:34,720
Speaker 1: were really really close, and I know he's taking that hard.

1214
01:04:34,840 --> 01:04:37,640
Speaker 1: But yeah, that was That was the dope. That was

1215
01:04:37,720 --> 01:04:40,959
Speaker 1: a dope collaboration. That was a collaboration. Rest in power

1216
01:04:41,040 --> 01:04:45,320
Speaker 1: to dmx man. So before we wrapped, you've been in

1217
01:04:45,360 --> 01:04:49,040
Speaker 1: the game for a minute, give us like a time

1218
01:04:49,200 --> 01:04:51,400
Speaker 1: or a story, maybe something we do or don't know

1219
01:04:51,480 --> 01:04:54,000
Speaker 1: about twisted, like something that was just kind of crazy.

1220
01:04:54,080 --> 01:04:57,640
Speaker 1: It could be maybe some crazy groupie ship. It could

1221
01:04:57,680 --> 01:05:00,480
Speaker 1: be some in the studio ship, like just a real

1222
01:05:00,600 --> 01:05:03,640
Speaker 1: memorable experience. Yeah, mine don't be out there. A lot

1223
01:05:03,680 --> 01:05:08,000
Speaker 1: of mine happened before the social media days, Like I'm

1224
01:05:08,040 --> 01:05:10,120
Speaker 1: like damn boy of Instagram was out when I kicked

1225
01:05:10,160 --> 01:05:12,120
Speaker 1: that nigga in his chest, that time to steal my

1226
01:05:12,200 --> 01:05:20,640
Speaker 1: coat off the stage had canceled that's what they like

1227
01:05:20,800 --> 01:05:23,640
Speaker 1: that y'all have saw my coat and how the nigga

1228
01:05:23,720 --> 01:05:26,480
Speaker 1: was sneaker dragging my coat off of that stage and

1229
01:05:26,600 --> 01:05:34,280
Speaker 1: I turned around, saw the nigga with my coat back.

1230
01:05:34,320 --> 01:05:36,560
Speaker 1: This was in I think St. Louis. Then a few

1231
01:05:36,680 --> 01:05:38,960
Speaker 1: years later, we're in the record store. I'm doing like

1232
01:05:39,320 --> 01:05:42,919
Speaker 1: a signing and looked up and Don was right there. Yeah,

1233
01:05:43,040 --> 01:05:46,240
Speaker 1: just so happened. It wasn't no tough dude, know. It

1234
01:05:46,320 --> 01:05:52,280
Speaker 1: was like, yeah, but that little incident could have cost

1235
01:05:52,320 --> 01:05:56,440
Speaker 1: me my life. Yeah nowadays. Yeah, I remember when I

1236
01:05:56,560 --> 01:05:59,120
Speaker 1: was going back and forth with Trach from Naughty by Nature,

1237
01:05:59,400 --> 01:06:01,400
Speaker 1: and then we took that big picture for Double x

1238
01:06:01,640 --> 01:06:04,560
Speaker 1: L and we're standing out there and he swollen walking up,

1239
01:06:04,600 --> 01:06:07,040
Speaker 1: looking like my man cree and we're like, damn, that

1240
01:06:07,160 --> 01:06:09,000
Speaker 1: gonna tredg right there. I'm like, man, is it gonna

1241
01:06:09,000 --> 01:06:10,959
Speaker 1: be something? So we wondered if it's gonna be something.

1242
01:06:11,240 --> 01:06:13,000
Speaker 1: He walked up and said, see, I told y'all, it

1243
01:06:13,080 --> 01:06:15,160
Speaker 1: was all good. Y'all in my hood. We're chilling and

1244
01:06:15,240 --> 01:06:16,880
Speaker 1: we just took the picture and it was cool. It

1245
01:06:16,960 --> 01:06:20,480
Speaker 1: was cool with trah every sense. Okay, that's what's up.

1246
01:06:22,840 --> 01:06:25,080
Speaker 1: I wish some of that energy could go on now,

1247
01:06:25,080 --> 01:06:27,600
Speaker 1: because sometimes it just don't be about nothing, like y'all.

1248
01:06:28,080 --> 01:06:30,840
Speaker 1: You and Trench, it really wasn't about nothing. It's some

1249
01:06:31,000 --> 01:06:33,440
Speaker 1: music ship. It ain't know, some shi it really happened.

1250
01:06:35,040 --> 01:06:39,040
Speaker 1: Sometimes sometimes some ship that ain't about nothing turns into something.

1251
01:06:39,080 --> 01:06:41,560
Speaker 1: That's what I'm always just preaching sending in the dressing room,

1252
01:06:41,640 --> 01:06:44,320
Speaker 1: I heard and my video came on, and I was

1253
01:06:44,440 --> 01:06:46,960
Speaker 1: rapping fast and they stopped talking about him, and he

1254
01:06:47,080 --> 01:06:49,760
Speaker 1: got mad. So then he came out and dissed me.

1255
01:06:50,880 --> 01:06:54,400
Speaker 1: And then I think he used the wrong words because

1256
01:06:54,520 --> 01:06:57,120
Speaker 1: he said you could tongue twist your ass back to Chicago.

1257
01:06:57,880 --> 01:07:00,560
Speaker 1: M hmm. He said, I do a wax. Yeah, if

1258
01:07:00,600 --> 01:07:05,640
Speaker 1: you would have just left for that, that nigga said

1259
01:07:05,800 --> 01:07:07,760
Speaker 1: you can tongue twist your Yeah. He said, I put

1260
01:07:07,800 --> 01:07:09,959
Speaker 1: a few blows in cargo so you can tue twist

1261
01:07:10,000 --> 01:07:14,240
Speaker 1: your ass back to Chicago. Oh, then y'all go listen

1262
01:07:14,280 --> 01:07:17,320
Speaker 1: to Suicide. I ain't gonna say nothing else. That was

1263
01:07:17,400 --> 01:07:20,960
Speaker 1: my reply suicide. But but we're cool though. Man. Those

1264
01:07:21,040 --> 01:07:24,680
Speaker 1: those are good stories, you know, even with Bone Thugs

1265
01:07:24,680 --> 01:07:27,960
Speaker 1: and harmony. I remember when I approached Crazy Bone and

1266
01:07:28,040 --> 01:07:31,040
Speaker 1: told him we've been to do some music. We've benna

1267
01:07:31,120 --> 01:07:34,040
Speaker 1: put all that behind us. I'm the new honorary member

1268
01:07:34,120 --> 01:07:36,680
Speaker 1: Bone Thugs and Harmony Twister. Let's get this bag, let's

1269
01:07:36,720 --> 01:07:40,120
Speaker 1: make this music. And we've been cool every since. Every

1270
01:07:40,160 --> 01:07:45,280
Speaker 1: member Bone I'm cool with. Yeah, big shots out of

1271
01:07:45,320 --> 01:07:46,960
Speaker 1: Twist to put it up the big fast man. Any

1272
01:07:47,000 --> 01:07:49,120
Speaker 1: final words for the fans and everybody out there. Man,

1273
01:07:49,160 --> 01:07:55,320
Speaker 1: we'd like to get people game man, exercise your Second

1274
01:07:55,360 --> 01:07:59,680
Speaker 1: Amendment right, protect yourself, learn about fire arms, make sure

1275
01:07:59,720 --> 01:08:02,040
Speaker 1: you earn the safety rules. Let me jump in that, man,

1276
01:08:02,080 --> 01:08:04,560
Speaker 1: because I got a couple of family members that's scared

1277
01:08:04,640 --> 01:08:06,439
Speaker 1: of guns, and I'm trying to get them to get guns.

1278
01:08:06,560 --> 01:08:10,240
Speaker 1: Like everybody should have a gun. What's your thoughts on that? Yeah,

1279
01:08:10,320 --> 01:08:16,120
Speaker 1: I mean guns are something that to me, uh, we

1280
01:08:16,720 --> 01:08:21,439
Speaker 1: as people were made to fear them. You know, a

1281
01:08:21,560 --> 01:08:24,760
Speaker 1: lot of times people don't understand that gun laws themselves

1282
01:08:25,479 --> 01:08:29,840
Speaker 1: are something that's part of racism. Most gun laws was

1283
01:08:29,920 --> 01:08:33,200
Speaker 1: made to keep guns out of our hands, you know.

1284
01:08:33,439 --> 01:08:37,599
Speaker 1: So I think we should definitely educate ourselves about guns.

1285
01:08:37,640 --> 01:08:40,120
Speaker 1: You see other demographics, you see the little boys and

1286
01:08:40,200 --> 01:08:43,080
Speaker 1: girls learning how to break them down do everything at

1287
01:08:43,200 --> 01:08:46,400
Speaker 1: eight nine years old. So I just think for us, uh,

1288
01:08:47,000 --> 01:08:51,160
Speaker 1: learning about gun safety helps kill that curiosity, and it

1289
01:08:51,280 --> 01:08:54,760
Speaker 1: also changed the perception a little about what it is

1290
01:08:54,880 --> 01:08:56,639
Speaker 1: to have a fire on because a lot of times

1291
01:08:56,680 --> 01:08:58,640
Speaker 1: people see it and he first thought you think is

1292
01:08:58,920 --> 01:09:01,200
Speaker 1: gangster ship I wanted to be the first time you

1293
01:09:01,280 --> 01:09:06,000
Speaker 1: see it, you think protection or a sport recreation competition,

1294
01:09:06,120 --> 01:09:09,639
Speaker 1: something like that. They people shoot at targets all the time.

1295
01:09:09,720 --> 01:09:11,880
Speaker 1: You know, it's not always about a body. So that's

1296
01:09:11,920 --> 01:09:14,280
Speaker 1: one thing with me is I feel like the education

1297
01:09:14,880 --> 01:09:18,040
Speaker 1: about guns and gun safety will change the perception and

1298
01:09:18,160 --> 01:09:20,639
Speaker 1: then change some of the things people out here doing.

1299
01:09:21,880 --> 01:09:24,960
Speaker 1: And then mental mental Everybody talking about guns the guns

1300
01:09:25,040 --> 01:09:28,200
Speaker 1: that that gun ain't nothing, gun, knife is all just

1301
01:09:28,320 --> 01:09:30,720
Speaker 1: sitting there, nothing could be done with it until the

1302
01:09:30,800 --> 01:09:34,160
Speaker 1: person with the personality or problem picks it up. So

1303
01:09:34,479 --> 01:09:37,120
Speaker 1: a lot of times when you see things happen on

1304
01:09:37,240 --> 01:09:43,360
Speaker 1: the mass level, address mental health, not just guns. Yeah,

1305
01:09:44,320 --> 01:09:48,640
Speaker 1: it's not the gun, it's the person. Oh and lastly too,

1306
01:09:48,760 --> 01:09:51,240
Speaker 1: y'all be looking for this new movie that I got

1307
01:09:51,320 --> 01:09:53,479
Speaker 1: coming out. I can't tell everybody the name right now,

1308
01:09:53,800 --> 01:09:56,280
Speaker 1: but I'm an executive producer and part of this new movie.

1309
01:09:56,600 --> 01:09:58,960
Speaker 1: We got a big budget getting put together. It's gonna

1310
01:09:58,960 --> 01:10:01,559
Speaker 1: be off the chain. Just remember I told John Twister

1311
01:10:01,880 --> 01:10:05,800
Speaker 1: a new movie coming. It's gonna be dope. We haven't

1312
01:10:05,840 --> 01:10:08,479
Speaker 1: even picked the location yet. Right now, what's happening is

1313
01:10:09,000 --> 01:10:12,280
Speaker 1: investors coming together, which I hope it don't turn out

1314
01:10:12,320 --> 01:10:15,000
Speaker 1: to be too many investors, but they're coming together. We

1315
01:10:15,120 --> 01:10:17,320
Speaker 1: got a plan that's going to be off the chain,

1316
01:10:17,840 --> 01:10:20,640
Speaker 1: and I don't even want to make you We're in

1317
01:10:20,680 --> 01:10:23,760
Speaker 1: the middle of the script and right now I'm under

1318
01:10:23,920 --> 01:10:26,679
Speaker 1: orders to let everybody know that the movie is about

1319
01:10:26,760 --> 01:10:33,120
Speaker 1: to pope. Movie coming some yeah, yeah, Okay. When we

1320
01:10:33,160 --> 01:10:36,360
Speaker 1: get off, we're gonna change information. Everybody in here can

1321
01:10:36,400 --> 01:10:42,599
Speaker 1: audition for There you go, Big sat out of Twister Man.

1322
01:10:42,640 --> 01:10:45,000
Speaker 1: We appreciate you, man. You know what it is. Triple

1323
01:10:45,160 --> 01:10:47,840
Speaker 1: w Dot, Big Facts Pot dot Com, salute you know

1324
01:10:47,960 --> 01:10:50,599
Speaker 1: what it is, Big Facts Baby, your boy Twister. You did.

1325
01:10:50,840 --> 01:10:53,840
Speaker 1: You're listening to Big Facts with Big Bank and DJ

1326
01:10:54,080 --> 01:11:00,840
Speaker 1: Scream Facts on social media, Big Facts Pot, Big Bag

1327
01:11:01,080 --> 01:11:04,839
Speaker 1: and DJ Screen bring you big fat hey Man, solway

1328
01:11:04,960 --> 01:11:09,840
Speaker 1: up good at merch Es. Yeah, that's right, www Dot,

1329
01:11:10,160 --> 01:11:13,080
Speaker 1: Big facts Pot dot com. What's the real one? One time?

1330
01:11:13,160 --> 01:11:14,880
Speaker 1: Y'all Come get y'all some of this merch man Big

1331
01:11:14,920 --> 01:11:18,479
Speaker 1: facts pot dot com. Get that merch right now, shot

1332
01:11:18,560 --> 01:11:20,720
Speaker 1: with US side away up. Make fact merch going down.

1333
01:11:20,960 --> 01:11:25,040
Speaker 1: It's the new website today www. Dot Big factspot dot com.

1334
01:11:25,439 --> 01:11:25,880
Speaker 1: Is it now