1 00:00:24,680 --> 00:00:27,360 Speaker 1: Hey, folks, and welcome to Movie Crush. It's Chuck Bryant here, 2 00:00:27,600 --> 00:00:31,080 Speaker 1: and uh boy, I gotta tell you this week is 3 00:00:31,120 --> 00:00:34,520 Speaker 1: a pretty special episode. Uh this one needs a little 4 00:00:34,520 --> 00:00:36,640 Speaker 1: bit of set up, and I urge you to, uh 5 00:00:36,760 --> 00:00:39,720 Speaker 1: to listen to this one because the background of Tig 6 00:00:39,800 --> 00:00:44,400 Speaker 1: Nataro's interview and how this thing started was, uh, well, 7 00:00:44,440 --> 00:00:47,560 Speaker 1: well here's here's what went down. So I had met 8 00:00:47,600 --> 00:00:51,640 Speaker 1: Tig before at her comedy festival that she curates every year, 9 00:00:51,720 --> 00:00:55,040 Speaker 1: Benson Ball in Washington, d C. And Josh and I 10 00:00:55,080 --> 00:00:57,800 Speaker 1: do our stuff you should know, live there usually every year, 11 00:00:58,520 --> 00:01:00,600 Speaker 1: and was lucky enough to meet her last year and 12 00:01:00,840 --> 00:01:04,319 Speaker 1: she's just really sweet and a very nice person. And 13 00:01:04,360 --> 00:01:07,640 Speaker 1: so I hit her up to be on this show 14 00:01:07,680 --> 00:01:11,080 Speaker 1: because she was coming through town to perform, and she 15 00:01:11,120 --> 00:01:13,520 Speaker 1: said yes. It was very sweet of her to do so. 16 00:01:13,680 --> 00:01:17,280 Speaker 1: And so day of the show, waiting for her to 17 00:01:17,319 --> 00:01:20,880 Speaker 1: get here, texting with her assistant who was traveling with her, 18 00:01:21,680 --> 00:01:24,880 Speaker 1: and uh, they said, all right, she's here, meet us downstairs. 19 00:01:25,000 --> 00:01:29,200 Speaker 1: Met her downstairs. I was really excited because I adore 20 00:01:29,640 --> 00:01:33,280 Speaker 1: Tick Nataro in her comedy, as I'm sure everyone listening does. 21 00:01:34,000 --> 00:01:38,240 Speaker 1: And I meet her downstairs in our building and she's, Um, 22 00:01:38,319 --> 00:01:41,840 Speaker 1: she's just a little weirdly removed, I guess the best 23 00:01:41,840 --> 00:01:44,600 Speaker 1: way to say it. She's a very warm, friendly person, 24 00:01:44,680 --> 00:01:49,840 Speaker 1: So it was different than I was expecting to get. Uh. 25 00:01:50,040 --> 00:01:51,640 Speaker 1: She wasn't being mean or anything. She wouldn't be in 26 00:01:51,640 --> 00:01:54,360 Speaker 1: a jerk, but I could tell something was going on, 27 00:01:54,480 --> 00:01:56,960 Speaker 1: and I was uh, kind of walked around the building 28 00:01:57,000 --> 00:01:58,920 Speaker 1: a little bit and then got on the elevator, and 29 00:01:58,960 --> 00:02:00,560 Speaker 1: the whole time she was just sort of nodding and 30 00:02:00,600 --> 00:02:03,920 Speaker 1: being being nice enough, but something was off, and I 31 00:02:03,920 --> 00:02:07,440 Speaker 1: could tell something was off. So we get up here 32 00:02:07,440 --> 00:02:10,760 Speaker 1: in the studio and she needs a moment to uh, 33 00:02:10,919 --> 00:02:14,280 Speaker 1: to go to the little podcaster's room. So I walk 34 00:02:14,320 --> 00:02:15,799 Speaker 1: her over there to the bathroom and say, here you go, 35 00:02:15,840 --> 00:02:19,240 Speaker 1: I'll be inside. It's fine. She takes a while. She 36 00:02:19,280 --> 00:02:22,840 Speaker 1: gets on the phone outside and it's sort of having 37 00:02:23,160 --> 00:02:27,919 Speaker 1: a it looks like a fairly intense conversation, and uh 38 00:02:28,080 --> 00:02:31,280 Speaker 1: wraps that up, and then we get into the studio. 39 00:02:32,360 --> 00:02:35,480 Speaker 1: We sit down and we we are just sort of 40 00:02:35,639 --> 00:02:41,120 Speaker 1: small talking initially, and she starts to cry right there 41 00:02:41,720 --> 00:02:45,160 Speaker 1: in front of my face, and I don't know what 42 00:02:45,280 --> 00:02:48,840 Speaker 1: to do. Um, she's just sort of crying and saying 43 00:02:48,880 --> 00:02:52,799 Speaker 1: I'm sorry, I'm sorry, and I go all right, listen, um, 44 00:02:52,960 --> 00:02:54,919 Speaker 1: I'm gonna give you a minute. And her assistance actually 45 00:02:54,960 --> 00:02:56,840 Speaker 1: in the studio with us so said, I'm gonna give 46 00:02:56,880 --> 00:02:59,480 Speaker 1: you all a sec uh and step out, um and 47 00:02:59,600 --> 00:03:02,119 Speaker 1: let you, you know, deal with whatever's going on here. 48 00:03:02,800 --> 00:03:05,560 Speaker 1: So I go out and I start chatting with producer 49 00:03:05,800 --> 00:03:09,760 Speaker 1: Noel and I'm like, ticks in there crying and he, 50 00:03:09,880 --> 00:03:11,360 Speaker 1: you know, he saw what was going on through the 51 00:03:11,400 --> 00:03:14,080 Speaker 1: through the window here, and nobody knows what to do. 52 00:03:14,280 --> 00:03:17,520 Speaker 1: Jerry's kind of over there too, and we're all just 53 00:03:17,560 --> 00:03:21,240 Speaker 1: sort of wondering what we should do. So I give 54 00:03:21,280 --> 00:03:23,320 Speaker 1: it a little bit of time. Finally, her assistant comes 55 00:03:23,320 --> 00:03:25,360 Speaker 1: out and says, hey, she's good. She wants to do this. 56 00:03:26,160 --> 00:03:28,040 Speaker 1: So I was like, are you sure and he says yes, 57 00:03:28,280 --> 00:03:31,080 Speaker 1: come back in the studio. I sit down and I said, 58 00:03:31,120 --> 00:03:34,120 Speaker 1: listen to it. Said, we do not have to do this. 59 00:03:34,360 --> 00:03:38,000 Speaker 1: I said, whatever you've got going on is more important 60 00:03:38,040 --> 00:03:40,640 Speaker 1: than this silly little show. And I will not think 61 00:03:40,680 --> 00:03:44,760 Speaker 1: any less of you. Uh. If you want to postpone 62 00:03:45,400 --> 00:03:47,600 Speaker 1: or cancel or whatever, I said, you take care of 63 00:03:47,640 --> 00:03:51,440 Speaker 1: yourself here. That's what's important. And she said, she said, 64 00:03:51,480 --> 00:03:53,480 Speaker 1: no, no no, no, I'll be all right. I was like, 65 00:03:53,520 --> 00:03:56,040 Speaker 1: all right, and uh, I was like, are you sure. 66 00:03:56,040 --> 00:03:59,320 Speaker 1: She said yeah, and she looked at me, and she 67 00:03:59,360 --> 00:04:01,520 Speaker 1: looked at her phone own and she was sort of 68 00:04:01,520 --> 00:04:04,160 Speaker 1: still wiping tears from her eyes, and she said it 69 00:04:04,200 --> 00:04:08,800 Speaker 1: looks like I'm gonna live. And I just stopped, and 70 00:04:09,040 --> 00:04:11,720 Speaker 1: I start to get a little emotional, honestly because I'm 71 00:04:11,720 --> 00:04:14,800 Speaker 1: a sensitive guy. And I was like, what do you mean? 72 00:04:14,840 --> 00:04:17,440 Speaker 1: And she said that was my doctor and she said, 73 00:04:17,480 --> 00:04:22,240 Speaker 1: I had my five year ah results from my cancer 74 00:04:22,240 --> 00:04:25,599 Speaker 1: treatment come back. And it was basically a call I 75 00:04:25,680 --> 00:04:28,919 Speaker 1: was have been waiting on for three days on whether 76 00:04:29,040 --> 00:04:31,480 Speaker 1: or not the cancer was back, and if the cancer 77 00:04:31,520 --> 00:04:34,839 Speaker 1: was back in the way that they thought it could be, 78 00:04:35,400 --> 00:04:37,680 Speaker 1: it would be a death sentence for me. And I 79 00:04:37,800 --> 00:04:41,719 Speaker 1: just got the call I'm gonna live. And I am 80 00:04:41,760 --> 00:04:47,080 Speaker 1: like literally fighting back tears at this point. Uh. She's 81 00:04:47,160 --> 00:04:49,880 Speaker 1: two ft from me, and it's a very intense situation 82 00:04:49,920 --> 00:04:53,000 Speaker 1: and she's sort of crying laughing at this point. So 83 00:04:53,040 --> 00:04:56,880 Speaker 1: it's a good call. That's the great news. Um. But 84 00:04:56,960 --> 00:04:59,280 Speaker 1: she was just overcome, obviously, And so we kind of 85 00:04:59,360 --> 00:05:01,720 Speaker 1: chat for a moment and about she she called her 86 00:05:01,960 --> 00:05:04,960 Speaker 1: her wife, Stephanie and shared the good news with her 87 00:05:05,080 --> 00:05:08,120 Speaker 1: and they were crying and it was just really a 88 00:05:08,240 --> 00:05:11,599 Speaker 1: super super special moment. But even so, even though it 89 00:05:11,640 --> 00:05:16,039 Speaker 1: was good news, I said, listen, seriously, I know it's great, 90 00:05:16,120 --> 00:05:18,400 Speaker 1: but if you you still don't have to do this, 91 00:05:18,480 --> 00:05:20,880 Speaker 1: like we're literally sitting here about to talk about the 92 00:05:20,920 --> 00:05:24,000 Speaker 1: movie mask and I don't blame you if this is 93 00:05:24,160 --> 00:05:25,920 Speaker 1: like not what you want to do right now. And 94 00:05:25,920 --> 00:05:28,320 Speaker 1: she said no, and she said, you know what, she said, 95 00:05:28,360 --> 00:05:30,240 Speaker 1: this is exactly what I want to do right now. 96 00:05:31,320 --> 00:05:35,320 Speaker 1: So that's the setup for this episode. Uh, my second 97 00:05:35,600 --> 00:05:41,520 Speaker 1: interview ever with someone um for the show, not like 98 00:05:41,880 --> 00:05:45,400 Speaker 1: the most accomplished interviewer yet, so needless to say, I 99 00:05:45,480 --> 00:05:48,240 Speaker 1: was sort of on ice skates at this point, um, 100 00:05:48,240 --> 00:05:52,080 Speaker 1: but it made for a really good conversation and I 101 00:05:52,200 --> 00:05:54,560 Speaker 1: just really hope you enjoy it. So here we go 102 00:05:55,120 --> 00:06:02,800 Speaker 1: with Tick Nataro and mask Man. Well, and especially after 103 00:06:02,839 --> 00:06:06,680 Speaker 1: everything well and I'm right at my five year um 104 00:06:07,000 --> 00:06:09,799 Speaker 1: mark where I was supposed to be technically in remission 105 00:06:10,680 --> 00:06:13,320 Speaker 1: and people have been congratulating me, and I've been like 106 00:06:13,400 --> 00:06:16,039 Speaker 1: walking around with like, well or I might be terrible, 107 00:06:17,080 --> 00:06:19,920 Speaker 1: you know, Um, so I've just been like, come on, 108 00:06:20,480 --> 00:06:24,719 Speaker 1: let's just get this news and um uh. And a 109 00:06:24,800 --> 00:06:27,960 Speaker 1: funny addition to this is that Thomas was just talking 110 00:06:27,960 --> 00:06:34,120 Speaker 1: about how uncomfortably is with people crying. I've never cried. 111 00:06:34,279 --> 00:06:36,560 Speaker 1: We've worked together now for a long time. I've never 112 00:06:36,600 --> 00:06:38,440 Speaker 1: cried in front of him. And then I'm like, oh, well, 113 00:06:39,360 --> 00:06:42,000 Speaker 1: like the day after, he was like, well, I'm a 114 00:06:42,000 --> 00:06:46,320 Speaker 1: little awkward when people cry, Like, oh no, I have 115 00:06:46,440 --> 00:06:52,920 Speaker 1: to release this. Um this sad but very excited, new 116 00:06:53,160 --> 00:06:58,880 Speaker 1: excited energy. Yeah. He was specifically talking about ex girl friends. 117 00:06:58,920 --> 00:07:05,240 Speaker 1: Okay on track good, I'm alive. Stephanie knows. I told him. 118 00:07:05,560 --> 00:07:09,039 Speaker 1: I told him. I told her, and she was texting 119 00:07:09,080 --> 00:07:13,200 Speaker 1: that she was crying, and I think that really triggered me. Yeah. Well, 120 00:07:13,200 --> 00:07:15,920 Speaker 1: and you have kids now, it's like not that it's 121 00:07:15,920 --> 00:07:21,840 Speaker 1: ever a light, but that I have a lot in 122 00:07:21,920 --> 00:07:25,040 Speaker 1: my life. Yeah, I love that's awesome. So everything's going 123 00:07:25,040 --> 00:07:29,120 Speaker 1: great with the kids, Yeah, everything's I mean, I really 124 00:07:30,200 --> 00:07:33,560 Speaker 1: have a pretty splendid life. Yeah, so there'd be a 125 00:07:33,600 --> 00:07:38,480 Speaker 1: lot to mourn. Yeah. So uh yeah, anyway, boy is 126 00:07:38,600 --> 00:07:43,559 Speaker 1: going to go down and history me too, Me too, 127 00:07:44,560 --> 00:07:49,760 Speaker 1: um my apologies. Oh no, they're everyone. I think you 128 00:07:49,800 --> 00:07:52,360 Speaker 1: have this thing where everyone cares about you so much 129 00:07:52,800 --> 00:07:57,480 Speaker 1: as fans because you've been so open about all your 130 00:07:57,520 --> 00:08:00,960 Speaker 1: experiences the past few years. So I think everyone feels 131 00:08:01,000 --> 00:08:04,840 Speaker 1: like like you get a collective hug from your fan base, 132 00:08:04,840 --> 00:08:06,440 Speaker 1: which I don't know if you can feel that, I'm 133 00:08:06,440 --> 00:08:09,760 Speaker 1: sure you can. I definitely can. So Thomas gets the 134 00:08:09,880 --> 00:08:14,400 Speaker 1: residual stuff at the merge booth. Are you doing season 135 00:08:14,440 --> 00:08:18,640 Speaker 1: two of What Mississippi's coming out September eight? I'm so glad. Yeah, 136 00:08:18,800 --> 00:08:22,240 Speaker 1: it's so great. Um, I think it has one of 137 00:08:22,240 --> 00:08:26,760 Speaker 1: those I think the quality that I find a lot 138 00:08:26,840 --> 00:08:30,280 Speaker 1: of TV shows is attracted to me is heart and 139 00:08:30,440 --> 00:08:32,920 Speaker 1: um like Master of None is another one, and I 140 00:08:32,920 --> 00:08:35,600 Speaker 1: think both those shows just have so much heart. Uh. 141 00:08:35,679 --> 00:08:39,480 Speaker 1: And that's something you can't manufacture, you know. So uh, 142 00:08:39,720 --> 00:08:44,440 Speaker 1: it's it's great, you can manufacture, it's just do you 143 00:08:44,440 --> 00:08:47,720 Speaker 1: want to watch it? Yeah? Well exactly, Paul start, I guess. 144 00:08:48,120 --> 00:08:50,800 Speaker 1: But my family families from Mississippi, so it's sort of 145 00:08:50,960 --> 00:08:53,240 Speaker 1: that's what he was. He was reading that to me 146 00:08:53,720 --> 00:08:57,559 Speaker 1: in the car. Oh, how how did you know Wikipedia? Oh? 147 00:08:57,640 --> 00:09:04,400 Speaker 1: Is that on there? My family in Mississippi. They started 148 00:09:04,440 --> 00:09:10,640 Speaker 1: an email chain that I was on talking about how 149 00:09:10,679 --> 00:09:14,559 Speaker 1: I have a Wikipedia page, and they were all like oh, 150 00:09:14,679 --> 00:09:22,960 Speaker 1: chiming in, like wow, right, guys, I've actually done a 151 00:09:23,000 --> 00:09:25,840 Speaker 1: lot of other things and you could probably have your 152 00:09:25,880 --> 00:09:31,600 Speaker 1: own Wikipedia page to write I mean somehow someway. Um, 153 00:09:31,720 --> 00:09:37,880 Speaker 1: but this is not my biggest, biggest accomplishment. I hope not. Well, 154 00:09:37,880 --> 00:09:39,760 Speaker 1: I think for a long time and stuff, you should 155 00:09:39,800 --> 00:09:41,320 Speaker 1: know how to page. But I was like, no, why 156 00:09:41,360 --> 00:09:43,200 Speaker 1: don't I have a personal page? And then that happened. 157 00:09:43,240 --> 00:09:46,120 Speaker 1: I was like, be careful what you wish for. But um, yeah, 158 00:09:46,200 --> 00:09:52,000 Speaker 1: my family, my dad's uh ancestry is from like Tupelo 159 00:09:52,559 --> 00:10:01,000 Speaker 1: and Jackson, and I don't know, that's your that's your family. 160 00:10:02,160 --> 00:10:04,640 Speaker 1: You have to you know all the towns of Mississippi, right, 161 00:10:05,040 --> 00:10:07,520 Speaker 1: So I went there as a kid growing up and stuff. 162 00:10:07,559 --> 00:10:10,240 Speaker 1: So it's kind of cool to see, um, although you 163 00:10:10,280 --> 00:10:14,000 Speaker 1: didn't grow up there, right. I was born in Jackson. 164 00:10:14,080 --> 00:10:17,600 Speaker 1: Then we moved to Pastristam, Mississippi on the Gulf Coast, 165 00:10:17,760 --> 00:10:21,479 Speaker 1: and then yeah, we moved outside of Houston to Spring, Texas, 166 00:10:21,679 --> 00:10:26,240 Speaker 1: and then I used to spend our summers in New 167 00:10:26,360 --> 00:10:31,280 Speaker 1: Orleans and Jackson and Hattsburg and pastors Stan Right. Yeah, 168 00:10:31,559 --> 00:10:36,280 Speaker 1: so you're familiar with this weather, don't you out too much? Good? 169 00:10:36,559 --> 00:10:40,320 Speaker 1: Were your early days in Houston? Like, were you a 170 00:10:40,320 --> 00:10:45,320 Speaker 1: big movie goer? Was? How did did they factor in? Um? 171 00:10:45,520 --> 00:10:49,480 Speaker 1: I went and saw Greece and Star Wars, which are 172 00:10:49,600 --> 00:10:58,560 Speaker 1: kind of my two big movies. Uh, yeah, you know what, 173 00:10:58,760 --> 00:11:05,439 Speaker 1: I remember going to see Eddie Murphy his concert films, 174 00:11:05,600 --> 00:11:12,800 Speaker 1: and also you know all Molly Ringwald movies. Um, yeah, 175 00:11:13,000 --> 00:11:15,360 Speaker 1: just all that kind of I guess rat pack type 176 00:11:15,360 --> 00:11:19,960 Speaker 1: of stuff, Molly ringwalden I was. I think I've always 177 00:11:19,960 --> 00:11:23,720 Speaker 1: been a little more of a music person, and I 178 00:11:23,880 --> 00:11:27,160 Speaker 1: followed stand up a lot also until I got into it, 179 00:11:27,240 --> 00:11:33,280 Speaker 1: comedy records and um, but yeah, I think consistently through life, 180 00:11:33,320 --> 00:11:38,480 Speaker 1: I'm always more heavily in the music world. Thomas and 181 00:11:38,520 --> 00:11:45,280 Speaker 1: I were driving to Georgia yesterday, and I mean just 182 00:11:45,520 --> 00:11:49,440 Speaker 1: going through anywhere from the Indigo Girls to Frightened Rabbit 183 00:11:49,520 --> 00:11:54,280 Speaker 1: to Ronnie James Dio. You know, yeah, I don't, I 184 00:11:54,320 --> 00:11:59,280 Speaker 1: don't just somehere. But it was a fun. Uh, it 185 00:11:59,360 --> 00:12:02,200 Speaker 1: was a fun little drive. So you drove on this uh, 186 00:12:02,280 --> 00:12:11,120 Speaker 1: I think you said you were Mississippi and then Oxford, Yeah, Oxford, Birmingham, Atlanta. Yeah, yeah, 187 00:12:11,160 --> 00:12:14,040 Speaker 1: Thomas and we're talking before how do we mention who 188 00:12:14,040 --> 00:12:18,560 Speaker 1: Thomas is? Yeah, Thomas is your assistant. It was feet 189 00:12:18,600 --> 00:12:29,600 Speaker 1: from us, giggling in the background, smiling so proud of me. Right, Um, yeah, 190 00:12:29,640 --> 00:12:32,080 Speaker 1: we were talking about stuff you show did a Birmingham show, 191 00:12:32,080 --> 00:12:34,280 Speaker 1: and just how sometimes when you go to places like 192 00:12:34,280 --> 00:12:38,319 Speaker 1: Birmingham and Oxford, they're just so appreciative. It's just really lovely. Well, 193 00:12:38,360 --> 00:12:44,400 Speaker 1: I was reading um about Birmingham and I guess it's 194 00:12:44,440 --> 00:12:49,120 Speaker 1: the number one unless I have completely wrong information, but 195 00:12:49,200 --> 00:12:52,840 Speaker 1: the number one most liberal city in the Southern States. 196 00:12:53,000 --> 00:12:58,080 Speaker 1: Oh really Yeah, m hmmm, probably of a certain size. 197 00:12:58,160 --> 00:13:03,880 Speaker 1: Maybe I can't imagine a more liberal than like Athens, Georgia. Um, 198 00:13:04,040 --> 00:13:06,439 Speaker 1: I don't. I don't know. How do you measure how 199 00:13:06,440 --> 00:13:10,240 Speaker 1: liberal are places too? I'm not sure, but I could 200 00:13:10,240 --> 00:13:12,520 Speaker 1: believe that though Birmingham is pretty cool. I think it's 201 00:13:12,559 --> 00:13:15,640 Speaker 1: a pretty cool rep Yeah, I was. I was stunned. 202 00:13:15,720 --> 00:13:19,760 Speaker 1: And I think Atlanta was ranking fourth. Yeah, where the 203 00:13:19,760 --> 00:13:23,840 Speaker 1: city of Atlanta is, Um, it's fairly liberal and like 204 00:13:24,320 --> 00:13:26,800 Speaker 1: the in town neighborhoods are, well, I know it's fairly 205 00:13:26,920 --> 00:13:29,880 Speaker 1: liberal in Atlanta. I guess my shock was I thought 206 00:13:29,920 --> 00:13:33,320 Speaker 1: it would be closer to the top, right, Yeah, yeah, 207 00:13:33,360 --> 00:13:35,079 Speaker 1: I did too. I wonder what number two and three were. 208 00:13:36,200 --> 00:13:39,000 Speaker 1: I don't remember. Again, I could have gotten all the 209 00:13:39,000 --> 00:13:44,079 Speaker 1: wrong information. I'm here to spread. That's not what it 210 00:13:44,080 --> 00:13:47,360 Speaker 1: shows about it anyway. Um, so we can go ahead 211 00:13:47,360 --> 00:13:50,000 Speaker 1: and get into Mask if you want. Um I did. 212 00:13:50,200 --> 00:13:52,760 Speaker 1: I should let everyone know I've verified a little nervously 213 00:13:52,840 --> 00:13:55,880 Speaker 1: right before that it was not the Mask, the Jim 214 00:13:55,920 --> 00:13:58,480 Speaker 1: Carey movie, because I don't know what I would have 215 00:13:58,520 --> 00:14:01,040 Speaker 1: said about that. Well, here is the thing. There was 216 00:14:01,080 --> 00:14:04,360 Speaker 1: a part of me that wanted to reach out and 217 00:14:04,480 --> 00:14:10,079 Speaker 1: clarify which one. But then I also thought, it'll be 218 00:14:10,480 --> 00:14:14,600 Speaker 1: hilarious if you researched the wrong movie and I came 219 00:14:14,640 --> 00:14:18,480 Speaker 1: in to do a more dramatic film, and yours is 220 00:14:19,160 --> 00:14:23,400 Speaker 1: You've researched this over the top, ridiculous film. And so 221 00:14:23,440 --> 00:14:26,320 Speaker 1: I was like, you know what, just leave it. I 222 00:14:26,360 --> 00:14:31,200 Speaker 1: appreciate that. Let it do what it wants to. Yeah. 223 00:14:31,480 --> 00:14:33,160 Speaker 1: I think I would be in a panic if I 224 00:14:33,240 --> 00:14:36,840 Speaker 1: hadn't seen Mask, and that happened. But Mask, for me 225 00:14:37,080 --> 00:14:41,520 Speaker 1: was it was a big HBO movie. For me. I 226 00:14:41,560 --> 00:14:49,240 Speaker 1: was born in Oh, yeah, what's your birthday? What's your birthday? 227 00:14:47,880 --> 00:14:54,640 Speaker 1: Mar shut up really alright? Yeah, well, all right in 228 00:14:54,720 --> 00:14:59,520 Speaker 1: Mississippi ancestry. So when I was third, I guess we 229 00:14:59,560 --> 00:15:03,760 Speaker 1: were four seen then when he's kind of fun to 230 00:15:03,800 --> 00:15:07,360 Speaker 1: say when Mask came out and it was I don't 231 00:15:07,400 --> 00:15:10,440 Speaker 1: know about you, but HBO when that um landed in 232 00:15:10,480 --> 00:15:12,560 Speaker 1: my neighborhood, we were kind of one of the last 233 00:15:12,600 --> 00:15:15,360 Speaker 1: neighborhoods to get it because I kind of lived out 234 00:15:15,360 --> 00:15:17,080 Speaker 1: in the woods and on a dirt road until it 235 00:15:17,120 --> 00:15:19,320 Speaker 1: was paved when I was like twelve, So it was 236 00:15:19,360 --> 00:15:24,800 Speaker 1: a really really big deal. Right, So HBO came late, 237 00:15:25,000 --> 00:15:28,080 Speaker 1: and uh, I would just watch some of these movies 238 00:15:28,320 --> 00:15:30,320 Speaker 1: over and over again, and Mask was one of those. 239 00:15:31,040 --> 00:15:36,160 Speaker 1: You know what my HBO movie was, What under the Rainbow? 240 00:15:36,800 --> 00:15:41,560 Speaker 1: Oh yeah, Chevy Chase. Uh what was the premisi was 241 00:15:41,560 --> 00:15:46,400 Speaker 1: a Wizard of Oz like remake. No, I actually don't 242 00:15:46,440 --> 00:15:49,760 Speaker 1: even remember what the movie was about, but I remember 243 00:15:49,800 --> 00:15:53,200 Speaker 1: there were just a lot of little people, and um, 244 00:15:53,240 --> 00:15:58,480 Speaker 1: I watched it several times today anytime it was on HBO, 245 00:15:58,680 --> 00:16:00,120 Speaker 1: I was like, well, I know what I'm doing with 246 00:16:00,200 --> 00:16:04,080 Speaker 1: my time. Yeah, I don't remember the premise that there 247 00:16:04,120 --> 00:16:06,600 Speaker 1: was definitely a Wizard of Oz angle. I don't know 248 00:16:06,640 --> 00:16:07,880 Speaker 1: if they were trying to do a remake or a 249 00:16:07,960 --> 00:16:11,440 Speaker 1: musical or something. I have no idea. I mean, nothing 250 00:16:11,600 --> 00:16:18,480 Speaker 1: stuck except Chevy Chase and Little People and but really 251 00:16:18,560 --> 00:16:21,240 Speaker 1: I think that's the movie I've seen most in my 252 00:16:21,280 --> 00:16:27,040 Speaker 1: life is Under the Rainbow thanks to HBO. Have you 253 00:16:27,080 --> 00:16:30,600 Speaker 1: ever heard of that? Well, yeah, watch it. It didn't. 254 00:16:30,760 --> 00:16:33,520 Speaker 1: Um that's not one of the like, that's not one 255 00:16:33,520 --> 00:16:35,880 Speaker 1: of those even here about anymore of course not. It 256 00:16:35,920 --> 00:16:38,840 Speaker 1: didn't live on in like the popular culture. I think 257 00:16:38,880 --> 00:16:41,560 Speaker 1: it was thriving at the time, but something like Mask 258 00:16:41,680 --> 00:16:45,160 Speaker 1: like still you know, I think people still talk about 259 00:16:45,160 --> 00:16:47,320 Speaker 1: that kind of movie. I bring up Mask a lot 260 00:16:47,600 --> 00:16:53,440 Speaker 1: and it is often followed by the Mask. So yeah, 261 00:16:53,760 --> 00:16:57,240 Speaker 1: um so I watched it today again, um, Mask is 262 00:16:57,320 --> 00:17:01,920 Speaker 1: really hard to find, um Like, you can't even pay 263 00:17:02,000 --> 00:17:06,439 Speaker 1: for it on YouTube and as a rental um Like. 264 00:17:06,520 --> 00:17:08,320 Speaker 1: I had to watch it on it on YouTube. But 265 00:17:08,359 --> 00:17:12,960 Speaker 1: it was a The screen was in the top little 266 00:17:13,080 --> 00:17:16,040 Speaker 1: third of the corner and then all around it were 267 00:17:16,200 --> 00:17:19,400 Speaker 1: like starbursts going off and it was in Yeah that's 268 00:17:19,400 --> 00:17:23,960 Speaker 1: the original So that sounds about terrible quality. Was really weird, 269 00:17:24,000 --> 00:17:26,160 Speaker 1: But I've seen it, like I said, because of HBO, 270 00:17:26,240 --> 00:17:29,240 Speaker 1: saw I don't. I mean, I can't even hazard a guess, 271 00:17:29,280 --> 00:17:32,760 Speaker 1: but at least like ten times probably. So It's a 272 00:17:32,800 --> 00:17:35,000 Speaker 1: movie I was really familiar with, but I hadn't seen 273 00:17:35,000 --> 00:17:37,760 Speaker 1: in many, many years, so it was it was fun to, 274 00:17:37,920 --> 00:17:39,440 Speaker 1: you know, kind of go back and watch it. Now, 275 00:17:39,520 --> 00:17:43,520 Speaker 1: this is an embarrassing moment where I admit I didn't 276 00:17:43,520 --> 00:17:45,840 Speaker 1: go back and watch it. That's okay, okay, no, no, no, 277 00:17:46,040 --> 00:17:49,720 Speaker 1: that wasn't like part of my There won't be a quiz, 278 00:17:50,119 --> 00:17:52,159 Speaker 1: so you don't need to worry about it. You remember 279 00:17:52,200 --> 00:17:55,040 Speaker 1: the gist of the movie, right, yes, do so? Eric Stoltz, 280 00:17:55,280 --> 00:17:57,760 Speaker 1: Oh I remember? Yes? Okay, I thought I thought you 281 00:17:57,760 --> 00:17:59,480 Speaker 1: were about to say I didn't know that who that was? No? No, 282 00:18:00,160 --> 00:18:02,920 Speaker 1: sure did. Yeah. I read a funny thing today where 283 00:18:03,080 --> 00:18:06,240 Speaker 1: apparently at the rat party, uh, there were crew members 284 00:18:06,240 --> 00:18:08,600 Speaker 1: introducing themselves to him because they didn't see him out 285 00:18:08,640 --> 00:18:11,439 Speaker 1: of his makeup, so they didn't even know Eric's like 286 00:18:11,520 --> 00:18:14,159 Speaker 1: what Erik Saltz looked like. And I also read that 287 00:18:14,160 --> 00:18:18,560 Speaker 1: share dated him after the movie, which really, yeah, kind 288 00:18:18,560 --> 00:18:22,399 Speaker 1: of tarnished it a bit in my head, that is 289 00:18:23,200 --> 00:18:25,680 Speaker 1: that's bizarre. Yeah, I thought it was a little bit weird. 290 00:18:25,800 --> 00:18:27,600 Speaker 1: I was about to say, are they the same age? 291 00:18:27,720 --> 00:18:31,000 Speaker 1: But guess that doesn't matter. Well, no, of course not. 292 00:18:31,160 --> 00:18:33,800 Speaker 1: But my wife's fifteen years younger than me. I think 293 00:18:33,800 --> 00:18:36,159 Speaker 1: that's about the age difference of sertol. Did I just 294 00:18:36,240 --> 00:18:39,520 Speaker 1: ruin it for you about me and Stephanie? No, no, no, no, 295 00:18:39,600 --> 00:18:42,480 Speaker 1: that doesn't tarnish because well you didn't play your mom 296 00:18:42,480 --> 00:18:45,080 Speaker 1: in a movie, so no, I played her love interest 297 00:18:45,160 --> 00:18:48,520 Speaker 1: in a movie. That's right. Uh, she's really good in 298 00:18:48,520 --> 00:18:51,080 Speaker 1: One Mississippi too. It's like that's part of the heart 299 00:18:51,119 --> 00:18:53,160 Speaker 1: of that show. I think. Is this like a little 300 00:18:53,200 --> 00:18:56,719 Speaker 1: sweet budding relationship that you guys have. She's so good 301 00:18:56,720 --> 00:19:00,639 Speaker 1: in season two, she's so good. Really, Oh my gosh, 302 00:19:00,720 --> 00:19:04,760 Speaker 1: who is the guy that plays your dad? Or yeah? 303 00:19:04,880 --> 00:19:08,960 Speaker 1: Um John Rothman, Well he's so good and I've seen 304 00:19:09,040 --> 00:19:12,880 Speaker 1: him like over the years as a character actor, but uh, 305 00:19:13,040 --> 00:19:17,639 Speaker 1: she's that role is just so like internal. But um 306 00:19:17,840 --> 00:19:21,000 Speaker 1: he's doing a lot with it. Yeah. Yeah, it's really 307 00:19:21,359 --> 00:19:24,680 Speaker 1: uh fun to watch. Yeah, I just can't wait for 308 00:19:24,720 --> 00:19:30,240 Speaker 1: season two, very excited. Um, so you know probably that 309 00:19:30,359 --> 00:19:33,760 Speaker 1: Springsteen was supposed to be the songs, right or do 310 00:19:33,800 --> 00:19:40,280 Speaker 1: you know that? I know what? Don't Bob seeger Bob 311 00:19:40,280 --> 00:19:43,960 Speaker 1: Seger was the sound the soundtrack. Yeah, so he he 312 00:19:44,080 --> 00:19:48,359 Speaker 1: was the stand in. Um Peter Bogdanovich, Um, the director 313 00:19:49,640 --> 00:19:52,960 Speaker 1: was insistent on Springsteen being the guy because in real life, 314 00:19:52,960 --> 00:19:56,760 Speaker 1: the real Rocky Dennis was a Springsteen fanatic, and so 315 00:19:57,440 --> 00:20:02,320 Speaker 1: UM very famously he Uh. They had a battle because 316 00:20:02,359 --> 00:20:06,120 Speaker 1: I think the record label UM and the I can't 317 00:20:06,119 --> 00:20:08,080 Speaker 1: remember it was Columbia or Universal who was who? I 318 00:20:08,119 --> 00:20:12,160 Speaker 1: think Springsteen was on Columbia and Universal was the movie studio. 319 00:20:12,200 --> 00:20:14,760 Speaker 1: But they someone didn't like each other and they wouldn't 320 00:20:14,760 --> 00:20:19,840 Speaker 1: allow it, and um and Bogdanovitch later sued the studio 321 00:20:20,560 --> 00:20:24,040 Speaker 1: because they made him use Bob Seeger, whom I don't 322 00:20:24,040 --> 00:20:28,840 Speaker 1: even think he cared for. Really, I feel like makes 323 00:20:28,880 --> 00:20:36,679 Speaker 1: that movie. Oh my gosh, the end credits. I remember, Um, 324 00:20:36,840 --> 00:20:42,560 Speaker 1: what Bob Seger song is that? Um, well, I can't 325 00:20:42,560 --> 00:20:44,720 Speaker 1: tell you because I watched the director's cut today which 326 00:20:44,720 --> 00:20:49,679 Speaker 1: has Springsteen. Really yeah, how was that? It was a 327 00:20:49,720 --> 00:20:52,840 Speaker 1: little like Bizarro mask because you're right, like it's such 328 00:20:52,880 --> 00:20:56,440 Speaker 1: a through line the Bob Seeger stuff, And then having 329 00:20:56,440 --> 00:21:00,159 Speaker 1: seen the Seeger version fifteen times, A knew that the 330 00:21:00,200 --> 00:21:03,080 Speaker 1: Springsteen version was out there, so it was a little 331 00:21:03,080 --> 00:21:05,960 Speaker 1: strange hearing like thunder Road and Born to Run, And 332 00:21:06,920 --> 00:21:09,679 Speaker 1: I'd feel so curious to see that version because I 333 00:21:09,720 --> 00:21:14,120 Speaker 1: feel like Bob Seeger represents way more of that world, 334 00:21:14,840 --> 00:21:19,320 Speaker 1: like biker Yeah, that biker world than Bruce Springstein. Does 335 00:21:19,440 --> 00:21:23,800 Speaker 1: you know Bob Segers is on the nose? Yeah? Yeah, 336 00:21:23,880 --> 00:21:26,800 Speaker 1: and the Catman do song, especially because you know, one 337 00:21:26,840 --> 00:21:29,320 Speaker 1: of the big subplots of the movie was his europe 338 00:21:29,359 --> 00:21:31,640 Speaker 1: trip that he was going to take with his friend. Yeah, 339 00:21:31,840 --> 00:21:36,040 Speaker 1: I mean so so great. Yeah, alright, so Seeger, you're 340 00:21:36,040 --> 00:21:39,520 Speaker 1: in the Seeger camp. I love Bob Seger. You're a fan. 341 00:21:40,000 --> 00:21:42,320 Speaker 1: Uh well, we actually had a thing on stuff. You 342 00:21:42,320 --> 00:21:45,639 Speaker 1: should know where I complained about Bob Seeger. Um. I 343 00:21:45,680 --> 00:21:50,080 Speaker 1: think I was complaining about a specific song, Turn the Page, 344 00:21:50,920 --> 00:21:53,680 Speaker 1: you know the song. Of course. I'm a Seeger fan anytime, 345 00:21:53,680 --> 00:21:56,720 Speaker 1: so I can to tell you. And I think I 346 00:21:56,840 --> 00:21:58,679 Speaker 1: made it. I think it may have just been so 347 00:21:58,720 --> 00:22:00,360 Speaker 1: I can make the joke that should have been called 348 00:22:00,400 --> 00:22:03,480 Speaker 1: turned the Station, um, because I always thought that was 349 00:22:03,520 --> 00:22:06,000 Speaker 1: kind of a funny joke. And then, um, we heard 350 00:22:06,040 --> 00:22:08,679 Speaker 1: a lot from a lot of people to your loyalists. 351 00:22:08,680 --> 00:22:11,120 Speaker 1: That kind of gave me ship for that. And then Metallica. 352 00:22:11,200 --> 00:22:13,639 Speaker 1: Do you hear their remake of Turned the Page? Oh? No, 353 00:22:13,720 --> 00:22:16,760 Speaker 1: I don't think so. It's great. It's just a heavy, 354 00:22:16,800 --> 00:22:20,679 Speaker 1: slow version. Yeah, it's good. It's I'm not typically a 355 00:22:20,680 --> 00:22:23,600 Speaker 1: fan of remakes of anything. I'm always like, I think 356 00:22:23,640 --> 00:22:27,880 Speaker 1: they had it handled, guys, relax, But I feel like 357 00:22:29,040 --> 00:22:34,080 Speaker 1: Metallica did a really great Metallica version of Turn the Page. Wow, 358 00:22:34,119 --> 00:22:36,320 Speaker 1: I'm gonna have to hear that. Yeah. Well it's sort 359 00:22:36,359 --> 00:22:39,560 Speaker 1: of the ultimate Grizzly road song, you know, as a 360 00:22:39,640 --> 00:22:42,040 Speaker 1: touring artist, and I do feel like when I hear 361 00:22:42,080 --> 00:22:48,480 Speaker 1: that song, I'm just like, that's me turning the page. Well, well, 362 00:22:48,520 --> 00:22:50,840 Speaker 1: you're definitely gonna have to check out the Springsteen version. 363 00:22:50,880 --> 00:22:52,840 Speaker 1: I think you can get it on DVD unless you 364 00:22:52,840 --> 00:22:56,520 Speaker 1: want to watch the weird um third screen YouTube starburst version. 365 00:22:57,320 --> 00:23:01,080 Speaker 1: Um no, thank you. Um. But as far as the 366 00:23:01,119 --> 00:23:04,920 Speaker 1: bikers go, UM, I don't know like what kind of 367 00:23:05,000 --> 00:23:08,480 Speaker 1: growing up uh you did in Houston, But I was 368 00:23:09,040 --> 00:23:13,080 Speaker 1: a very um, sort of sheltered Southern Baptist boy before 369 00:23:13,080 --> 00:23:17,440 Speaker 1: I came to my senses later on in life, and um, 370 00:23:17,560 --> 00:23:21,800 Speaker 1: the notion of like a biker gang was very exotic 371 00:23:21,840 --> 00:23:25,159 Speaker 1: and scary to me. Um. So to see this movie 372 00:23:25,720 --> 00:23:28,520 Speaker 1: where they like, you know, love puppies and did like 373 00:23:28,560 --> 00:23:30,560 Speaker 1: blood drives. I don't know if you remember that scene 374 00:23:30,560 --> 00:23:32,199 Speaker 1: where they were like had a blood drive at one 375 00:23:32,240 --> 00:23:35,359 Speaker 1: of their bike rallies. I don't remember. It's kind of 376 00:23:35,400 --> 00:23:37,359 Speaker 1: early on and that's where they had the puppies and 377 00:23:38,320 --> 00:23:41,119 Speaker 1: they all you know, cared for Rocky and love one another, 378 00:23:41,520 --> 00:23:43,240 Speaker 1: and it was just very kind of mind blowing for 379 00:23:43,320 --> 00:23:46,520 Speaker 1: me to see, uh, this other world of like the 380 00:23:46,560 --> 00:23:49,400 Speaker 1: bikers that I shouldn't fear them. Well, I think it's 381 00:23:49,440 --> 00:23:53,640 Speaker 1: that typical situation, whether it's bikers or punk rockers or 382 00:23:53,960 --> 00:23:55,959 Speaker 1: you know, just that whole like we take care of 383 00:23:55,960 --> 00:23:59,400 Speaker 1: our own and then they you know, all the little 384 00:23:59,720 --> 00:24:02,960 Speaker 1: spikes on the jackets, whether you're a biker a punk rocker, 385 00:24:03,080 --> 00:24:06,040 Speaker 1: it's just the you know, stay away from me because 386 00:24:06,240 --> 00:24:09,879 Speaker 1: if you get too close. I'm actually really soft and 387 00:24:09,920 --> 00:24:13,720 Speaker 1: I love puppies and I love babies, and I'm it's 388 00:24:13,720 --> 00:24:17,679 Speaker 1: like they don't trust how sensitive they actually are, so 389 00:24:17,720 --> 00:24:19,800 Speaker 1: they have to put the spikes on their coat. Yeah 390 00:24:19,800 --> 00:24:22,399 Speaker 1: that makes sense, and they're just like back off, I 391 00:24:22,480 --> 00:24:25,040 Speaker 1: cry easily, but they can show that love to each 392 00:24:25,040 --> 00:24:28,120 Speaker 1: other though. Yeah, I think when they're within their little 393 00:24:28,800 --> 00:24:32,760 Speaker 1: community and there, um they have their little puppies and 394 00:24:32,800 --> 00:24:35,520 Speaker 1: babies and well, it seemed unrealistic to me as a kid. 395 00:24:35,600 --> 00:24:36,959 Speaker 1: But now that I'm older and I look at that, 396 00:24:37,040 --> 00:24:39,560 Speaker 1: I think that's probably You're probably exactly right, yea, and 397 00:24:39,640 --> 00:24:44,320 Speaker 1: Bogdanovitch probably nailed the biker scene like more than anyone else. Yeah, 398 00:24:44,359 --> 00:24:47,880 Speaker 1: I whenever I see bikers, I'm I'm always just like 399 00:24:48,400 --> 00:24:52,639 Speaker 1: I'm that's scary, right, I'm a biker. Yeah. I have 400 00:24:52,680 --> 00:24:58,199 Speaker 1: two motorcycles, and uh well I started writing motorcycles. Well, 401 00:24:58,520 --> 00:25:00,679 Speaker 1: I mean, how long do we have? I mean, the 402 00:25:00,800 --> 00:25:05,520 Speaker 1: story triggers another. But I always wanted to ride motorcycles. 403 00:25:05,960 --> 00:25:11,200 Speaker 1: And I had a friend growing up that invited me 404 00:25:11,280 --> 00:25:13,000 Speaker 1: when I was in fourth grade to come over and 405 00:25:13,080 --> 00:25:16,480 Speaker 1: ride motorcycles in her pasture. And I was and she said, 406 00:25:16,520 --> 00:25:17,879 Speaker 1: do you know how to ride a motorcycle? And I 407 00:25:17,920 --> 00:25:22,280 Speaker 1: was like yeah, because I'm like, uh yeah, I know. 408 00:25:23,480 --> 00:25:28,480 Speaker 1: And so I went over to her house and we're 409 00:25:28,480 --> 00:25:32,520 Speaker 1: going to ride motorcycles. And it was just a mini bike. 410 00:25:32,920 --> 00:25:34,560 Speaker 1: You know what a mini bike is. It's just you 411 00:25:34,560 --> 00:25:37,719 Speaker 1: don't have to like switch gears. It's just gas and 412 00:25:37,760 --> 00:25:42,360 Speaker 1: break and motorcycles. Yeah, but they're just like little little things. 413 00:25:42,600 --> 00:25:47,159 Speaker 1: And and so I got on her mini bike and 414 00:25:47,240 --> 00:25:52,200 Speaker 1: I just I was like what And I mean no 415 00:25:52,320 --> 00:25:55,400 Speaker 1: control of the bike. I just went shooting off through 416 00:25:55,440 --> 00:25:57,800 Speaker 1: the pasture over like a bump and then they had 417 00:25:57,920 --> 00:26:01,680 Speaker 1: like a hole in the and then I slammed into 418 00:26:02,040 --> 00:26:08,359 Speaker 1: the fence and fell over and I had hurt my hand, 419 00:26:09,080 --> 00:26:12,359 Speaker 1: and I just wanted my mommy, you know. And I 420 00:26:12,400 --> 00:26:15,600 Speaker 1: had gone from just feeling soak, like yeah, I know 421 00:26:15,640 --> 00:26:18,000 Speaker 1: how to ride a motorcycle because I truly just thought 422 00:26:18,080 --> 00:26:21,359 Speaker 1: it was just doing from room in their hands. And 423 00:26:21,400 --> 00:26:24,399 Speaker 1: you've probably ridden bicycles well, And I've been watching the 424 00:26:24,440 --> 00:26:29,199 Speaker 1: Funds and I've been watching Evil Kinnevil, who I was 425 00:26:29,240 --> 00:26:31,879 Speaker 1: obsessed with. And I had all those like wind up 426 00:26:33,680 --> 00:26:36,600 Speaker 1: and my mother stopped buying them for us because the 427 00:26:36,680 --> 00:26:41,399 Speaker 1: Evil Knevil doll ended up twice on our heaters that 428 00:26:41,480 --> 00:26:47,040 Speaker 1: were on the floor and melted. Um. But anyway, when 429 00:26:47,080 --> 00:26:51,520 Speaker 1: I was seventeen, I was going to play pool at 430 00:26:51,520 --> 00:26:54,840 Speaker 1: this pool hall my friend, and there's this motorcycle shop 431 00:26:54,880 --> 00:26:57,240 Speaker 1: next to the pool hall. And I had already dropped 432 00:26:57,240 --> 00:27:01,080 Speaker 1: out of high school and had a job, and um, 433 00:27:01,119 --> 00:27:03,800 Speaker 1: and I had saved all this money, and I was like, 434 00:27:05,520 --> 00:27:08,960 Speaker 1: should I buy that motorcycle? And my friend I still 435 00:27:08,960 --> 00:27:11,240 Speaker 1: didn't know how to ride one, and she was like, yeah, 436 00:27:11,320 --> 00:27:14,040 Speaker 1: you have to. So we went back the next day 437 00:27:14,040 --> 00:27:18,679 Speaker 1: and I bought the motorcycle. And when my friend and 438 00:27:18,720 --> 00:27:24,000 Speaker 1: I went into the shop, this was our plan. We 439 00:27:24,000 --> 00:27:27,760 Speaker 1: were pretending like I had broken my foot so I 440 00:27:27,840 --> 00:27:30,639 Speaker 1: can't ride, so could he teach my friend how to 441 00:27:30,720 --> 00:27:36,159 Speaker 1: ride a motorcycle? We weren't gonna Yeah, so yeah I 442 00:27:36,200 --> 00:27:40,720 Speaker 1: had That was my first acting job, so um uh yeah, 443 00:27:40,760 --> 00:27:42,879 Speaker 1: I was like, yeah, my foot's broken, can you just 444 00:27:42,920 --> 00:27:46,439 Speaker 1: show her how? So he did and we learned, and um, 445 00:27:46,800 --> 00:27:49,520 Speaker 1: we didn't even have motorcycle helmets. We had brought along 446 00:27:50,000 --> 00:27:56,680 Speaker 1: a go kart helmet and a plastic football helmet, and 447 00:27:56,720 --> 00:28:01,400 Speaker 1: we rode the motorcycle. Yeah, like a Houston Oilers or something. Yes, 448 00:28:02,000 --> 00:28:04,960 Speaker 1: and um, we just were so amused by it was 449 00:28:05,000 --> 00:28:10,199 Speaker 1: her little brother's plastic football helmet and um and then 450 00:28:10,240 --> 00:28:12,639 Speaker 1: I ended up selling that And then they sold you 451 00:28:12,680 --> 00:28:16,480 Speaker 1: a bike with but to some to a young seventeen 452 00:28:16,600 --> 00:28:19,240 Speaker 1: year old lady limping with the plastic football helmet. Yeah, 453 00:28:19,280 --> 00:28:21,639 Speaker 1: well they didn't see the helmets that was something we 454 00:28:21,640 --> 00:28:25,159 Speaker 1: took out of the car. Yeah, yeah, I wore the 455 00:28:25,880 --> 00:28:27,600 Speaker 1: We didn't want to be pulled over by the copts, 456 00:28:28,119 --> 00:28:30,560 Speaker 1: of course, so you know, you grab your football helmet 457 00:28:31,080 --> 00:28:36,080 Speaker 1: and uh, nothing to see here, officer. And so I 458 00:28:36,160 --> 00:28:39,000 Speaker 1: ended up selling that motorcycle. I had that from when 459 00:28:39,000 --> 00:28:46,600 Speaker 1: I was seventeen until I was probably twenty three. Wow, 460 00:28:47,320 --> 00:28:50,400 Speaker 1: is that your primary mode? Um? No, I had a 461 00:28:50,400 --> 00:28:55,760 Speaker 1: car as well. Um, And then I bought years later, 462 00:28:56,600 --> 00:29:00,880 Speaker 1: I bought a couple of vintage motorcycles that I still have. 463 00:29:01,960 --> 00:29:08,120 Speaker 1: But Stephanie no longer will allow such a thing. Like 464 00:29:08,240 --> 00:29:10,880 Speaker 1: a lot of people go through that thing, especially if 465 00:29:10,920 --> 00:29:13,160 Speaker 1: you grew up loving evil kin evil and the funds 466 00:29:13,720 --> 00:29:15,880 Speaker 1: to where at one point I thought about it like, 467 00:29:15,920 --> 00:29:19,040 Speaker 1: oh man, I know they're dangerous, but they're just so cool. Yeah, 468 00:29:19,200 --> 00:29:22,360 Speaker 1: and I got married. My wife was like, no, go 469 00:29:22,400 --> 00:29:24,520 Speaker 1: ahead and get that thought out of your head. So 470 00:29:24,640 --> 00:29:28,760 Speaker 1: did you own Did I think I kind of thought 471 00:29:28,760 --> 00:29:31,240 Speaker 1: about it here and there over the years. Well, yeah, 472 00:29:31,320 --> 00:29:36,040 Speaker 1: Stephanie said, probably before we were together, she would have 473 00:29:36,080 --> 00:29:40,080 Speaker 1: thought it was fun and cool whatever. But she saw 474 00:29:40,200 --> 00:29:45,080 Speaker 1: somebody die on our cycle and she said, it just 475 00:29:45,240 --> 00:29:48,600 Speaker 1: there's no way. If it was before she saw that right, 476 00:29:49,000 --> 00:29:51,120 Speaker 1: but then after she was like, it's me or the motorcycle. 477 00:29:52,240 --> 00:29:55,240 Speaker 1: So these theories still out. They collect dust in your garage, 478 00:29:55,360 --> 00:29:57,600 Speaker 1: they do, Okay, they do. I think I'm gonna get 479 00:29:57,680 --> 00:30:00,560 Speaker 1: rid of one of them. Yeah, one of their it's 480 00:30:00,600 --> 00:30:03,800 Speaker 1: one of them's gold and one of them is teal colored. 481 00:30:03,840 --> 00:30:10,080 Speaker 1: Their Honda CB three fifties and really cool ones on 482 00:30:10,280 --> 00:30:14,200 Speaker 1: a seventy. The gold one, uh is named Goldie Honda, 483 00:30:15,200 --> 00:30:22,240 Speaker 1: and the teal one is, um, what's her? What's her? Russell? 484 00:30:22,320 --> 00:30:24,760 Speaker 1: Kurt Russell? Okay, I thought it was gonna have something 485 00:30:24,800 --> 00:30:27,120 Speaker 1: to do with teal No, I know that's the setup, 486 00:30:27,200 --> 00:30:32,880 Speaker 1: and then you fooled you. Goldie Honda and Kurt Russell 487 00:30:33,120 --> 00:30:36,680 Speaker 1: sit in my Who am I going to? I mean 488 00:30:36,720 --> 00:30:40,960 Speaker 1: you love them both? Oh? I know for sure? Sell? Um, 489 00:30:41,200 --> 00:30:45,040 Speaker 1: Kurt Russell, Yeah yeah, Goldie Honda stays yeah. Goldie Honda 490 00:30:45,160 --> 00:30:48,960 Speaker 1: was the first, and I had that motorcycle. I did 491 00:30:49,240 --> 00:30:53,080 Speaker 1: like ten episodes or so of Sarah Silverman's first TV show, 492 00:30:54,080 --> 00:30:57,320 Speaker 1: and um, I had that motorcycle in that show. And 493 00:30:57,920 --> 00:31:00,440 Speaker 1: so there's kind of an attach, right, what if your 494 00:31:00,440 --> 00:31:02,280 Speaker 1: sons grew up and they're like, why don't you have 495 00:31:02,280 --> 00:31:07,400 Speaker 1: two motorcycles for it. My good friend Rick Is he 496 00:31:07,440 --> 00:31:11,280 Speaker 1: collects motorcycles and he races motorcycles and behind Stephanie's back 497 00:31:11,680 --> 00:31:16,880 Speaker 1: to the babies, he's always like motorcycles. You guys, get 498 00:31:16,960 --> 00:31:20,520 Speaker 1: him a sidecar. Those kind of cool. Um, that was 499 00:31:20,560 --> 00:31:26,440 Speaker 1: a great story, thank you. Uh so the bikers. Well, 500 00:31:26,480 --> 00:31:28,040 Speaker 1: first of all, we need to talk about Share in 501 00:31:28,080 --> 00:31:31,160 Speaker 1: that movie. Yes we do, because, um, I don't know 502 00:31:31,240 --> 00:31:36,040 Speaker 1: anything about shares process in her career, and I may 503 00:31:36,080 --> 00:31:39,400 Speaker 1: be wrong, but I've always had the feeling that she 504 00:31:39,480 --> 00:31:42,720 Speaker 1: can kind of be in anything if she wants to be, 505 00:31:43,640 --> 00:31:47,200 Speaker 1: or at least put herself out there to just act 506 00:31:47,280 --> 00:31:51,560 Speaker 1: all the time. But she's only done yeah, like five movies. Yeah. 507 00:31:51,600 --> 00:31:53,880 Speaker 1: I feel like she's could do whatever she wanted to, 508 00:31:54,360 --> 00:31:58,320 Speaker 1: but it's perfect purposely just sort of been super selective. Yeah. 509 00:31:58,400 --> 00:32:01,400 Speaker 1: I mean you hear about people be being selective, Yeah, 510 00:32:01,440 --> 00:32:05,960 Speaker 1: but she really really selective. She's just like, seriously, only 511 00:32:06,000 --> 00:32:09,480 Speaker 1: the greatest movies ever, That's all I'm doing. Yeah, I mean, 512 00:32:09,480 --> 00:32:13,880 Speaker 1: which is Eastwick, Mask, moon Struck, of course, the Sunny 513 00:32:13,920 --> 00:32:18,600 Speaker 1: and Share Show. That's a great movie. Um, but I 514 00:32:18,680 --> 00:32:21,840 Speaker 1: know that Mask was I think she had us while 515 00:32:21,920 --> 00:32:24,840 Speaker 1: she was in silk Wood. Uh, and had a small 516 00:32:24,840 --> 00:32:27,160 Speaker 1: part in silk Wood before this, but this was her 517 00:32:27,200 --> 00:32:32,000 Speaker 1: first big starring role. And um, and everything that she's in, 518 00:32:32,040 --> 00:32:38,120 Speaker 1: she's just so good and like real and authentic and um, 519 00:32:38,160 --> 00:32:41,600 Speaker 1: I like, I've always wanted more Share in my life. Yeah, 520 00:32:41,800 --> 00:32:45,880 Speaker 1: like movie life. Um, but you know, Share is gonna 521 00:32:45,880 --> 00:32:48,520 Speaker 1: do what Share wants to do. We can't boss this 522 00:32:48,560 --> 00:32:52,680 Speaker 1: woman around. No, And apparently Peter Bogdanovitch couldn't either because 523 00:32:53,000 --> 00:32:57,440 Speaker 1: apparently they um there was some friction because she was 524 00:32:57,480 --> 00:33:00,480 Speaker 1: sort of new and she wanted her boyfriend played Gar, 525 00:33:01,480 --> 00:33:04,960 Speaker 1: who was Val Kilmer at the time. So like, after 526 00:33:05,000 --> 00:33:08,200 Speaker 1: you see Sam Elliott, I mean he is Gar. I'm 527 00:33:08,240 --> 00:33:11,920 Speaker 1: surprised that's not his name. Uh, like you because remember 528 00:33:11,920 --> 00:33:14,520 Speaker 1: what Valkimer looked like in eighty five. There's no way 529 00:33:14,560 --> 00:33:21,120 Speaker 1: he could have pulled that part on Gosh that Gar? Yeah, 530 00:33:21,320 --> 00:33:25,840 Speaker 1: I mean I know. Do you love that movie? Yeah? 531 00:33:25,880 --> 00:33:28,800 Speaker 1: I did you just go? Yeah? You know I like it? No? No, no, 532 00:33:28,880 --> 00:33:31,000 Speaker 1: I love it. Um. And seeing it today it kind 533 00:33:31,000 --> 00:33:33,600 Speaker 1: of brought back a lot of did it hold up? Yeah? 534 00:33:33,600 --> 00:33:35,680 Speaker 1: I haven't seen it in a handful of years. It 535 00:33:35,760 --> 00:33:38,240 Speaker 1: does hold up? It? Um, I think it avoids that 536 00:33:38,320 --> 00:33:40,440 Speaker 1: like movie of the week thing that it easily could 537 00:33:40,440 --> 00:33:43,640 Speaker 1: have been because Bogdanovitch was a director and like a 538 00:33:43,680 --> 00:33:48,440 Speaker 1: really like masterful director and the casting you know. Um, Like, 539 00:33:48,560 --> 00:33:51,120 Speaker 1: my mom has been in love with Sam Elliott since 540 00:33:51,120 --> 00:33:55,920 Speaker 1: she was from that generation of uh, mustachioed hunks of 541 00:33:55,960 --> 00:33:58,640 Speaker 1: the seventies. We're kind of right up her alley. She 542 00:33:58,800 --> 00:34:03,560 Speaker 1: like Tom Seller, she loved Tom Selleck and Burt Reynolds. Uh. 543 00:34:03,600 --> 00:34:08,120 Speaker 1: In fact, Smoking the Bandit filmed um in Atlanta and 544 00:34:08,760 --> 00:34:11,839 Speaker 1: shot some scenes across from my elementary school in our 545 00:34:11,920 --> 00:34:15,279 Speaker 1: station wagon is in one of the scenes. And how 546 00:34:15,320 --> 00:34:18,080 Speaker 1: did you wait so long to bring this up? Well, 547 00:34:18,080 --> 00:34:22,399 Speaker 1: this gets even better, she um. For probably twelve years 548 00:34:22,400 --> 00:34:26,600 Speaker 1: after that movie, in our garage we had the sheriff 549 00:34:27,280 --> 00:34:30,880 Speaker 1: Jackie Gleeson's card door in our garage. It was knocked 550 00:34:30,880 --> 00:34:32,360 Speaker 1: off of the car in a scene in the movie, 551 00:34:32,680 --> 00:34:37,680 Speaker 1: and somehow my dad got it and we had it 552 00:34:37,719 --> 00:34:39,880 Speaker 1: in my garage and for years until my mom was like, 553 00:34:40,320 --> 00:34:42,319 Speaker 1: get rid of that thing, get rid of that piece 554 00:34:42,360 --> 00:34:47,160 Speaker 1: of movie history. But anyway, long story short, she drugged 555 00:34:47,160 --> 00:34:49,239 Speaker 1: me down one day to meet Burt Reynolds. He did 556 00:34:49,280 --> 00:34:52,040 Speaker 1: like an autograph day and It's one of those things. 557 00:34:52,040 --> 00:34:53,600 Speaker 1: You know. I'm like, I don't know, nine or two 558 00:34:53,640 --> 00:34:56,680 Speaker 1: years old, in line for hours and hours to meet 559 00:34:56,800 --> 00:34:59,920 Speaker 1: Burt Reynolds, uh and have him like smack is scumming 560 00:35:00,000 --> 00:35:02,680 Speaker 1: my face, hit me on the chin and sign a 561 00:35:02,719 --> 00:35:05,640 Speaker 1: thing for my mom. You know what movie history I have, 562 00:35:06,760 --> 00:35:09,560 Speaker 1: um that I didn't realize was movie history at the time. 563 00:35:10,360 --> 00:35:15,759 Speaker 1: I used to work for Sam Raymie, and yeah, I 564 00:35:15,840 --> 00:35:20,200 Speaker 1: was an assistant and I mean not his personal assistant, 565 00:35:20,239 --> 00:35:22,360 Speaker 1: and I was just an assistant for the company. You 566 00:35:22,400 --> 00:35:29,080 Speaker 1: hear that, Thomas and so um. Yeah, I remind Thomas 567 00:35:29,120 --> 00:35:32,879 Speaker 1: near daily about assisting Sam Raymie and let me tell 568 00:35:32,920 --> 00:35:40,879 Speaker 1: you how it's done. But when I was I think 569 00:35:41,080 --> 00:35:43,480 Speaker 1: the company was moving out of a building or I was. 570 00:35:43,960 --> 00:35:50,560 Speaker 1: I can't remember how I acquired Sam Raimi's old um 571 00:35:50,800 --> 00:35:54,680 Speaker 1: file cabinet, but I acquired I started working for Sam 572 00:35:54,760 --> 00:36:00,600 Speaker 1: Raimi when he was finishing up A simple Plan Great 573 00:36:00,640 --> 00:36:03,640 Speaker 1: Man and moving on to he was in he was 574 00:36:04,160 --> 00:36:06,400 Speaker 1: finishing that, and then he was in pre production on 575 00:36:06,480 --> 00:36:11,600 Speaker 1: his big, first big movie, which was Spider Man No 576 00:36:11,840 --> 00:36:15,000 Speaker 1: No Um for Love of the Game with Kevin Costner. 577 00:36:16,200 --> 00:36:20,839 Speaker 1: So everybody, Yeah, there's one moment where Kevin Costner's hand 578 00:36:20,920 --> 00:36:24,800 Speaker 1: is bleeding, um and there's like a shot that everyone's like, oh, 579 00:36:24,840 --> 00:36:32,080 Speaker 1: there's Sam. But um. So I have this um file cabinet, 580 00:36:32,440 --> 00:36:34,080 Speaker 1: and I remember when I brought it home, I was 581 00:36:34,160 --> 00:36:37,360 Speaker 1: like peeling all the labels off that said like dark 582 00:36:37,440 --> 00:36:40,480 Speaker 1: Man and Evil Dead one and Evil Dead too, and 583 00:36:40,560 --> 00:36:43,279 Speaker 1: did you have it just so you could use it? Yeah? 584 00:36:43,320 --> 00:36:47,120 Speaker 1: I wasn't even like thinking, this is Sam Raimi's file cabinet, 585 00:36:47,360 --> 00:36:52,920 Speaker 1: like historic little stickers and um, and I couldn't fully 586 00:36:53,000 --> 00:36:56,239 Speaker 1: get the stickers off, and I just bailed halfway and 587 00:36:56,280 --> 00:36:59,680 Speaker 1: just wrote like comedy on one and like it just 588 00:37:00,000 --> 00:37:02,399 Speaker 1: all these stupid labels that have to do with me. 589 00:37:03,200 --> 00:37:08,520 Speaker 1: But then years later, um, you know, after he went 590 00:37:08,560 --> 00:37:13,400 Speaker 1: from just cult iconic director to just like one of 591 00:37:13,440 --> 00:37:17,240 Speaker 1: the biggest A list directors you can find, I looked 592 00:37:17,239 --> 00:37:20,480 Speaker 1: at the file cabinet and I was like, thank god, 593 00:37:20,640 --> 00:37:24,640 Speaker 1: I was unable to fully scrape off Evil Dead and 594 00:37:24,840 --> 00:37:28,200 Speaker 1: dark Man and all these labels, even though my stupid 595 00:37:28,280 --> 00:37:32,160 Speaker 1: like comedy label is written on there too. That's pretty funny. 596 00:37:32,200 --> 00:37:37,680 Speaker 1: It's a funny merging my stuff and Sam Raimi's file cabinet. 597 00:37:37,719 --> 00:37:40,920 Speaker 1: But I have that like Johnny Ron's base case and 598 00:37:40,960 --> 00:37:42,920 Speaker 1: I had a bunch of stickers. I couldn't get them off. 599 00:37:42,960 --> 00:37:47,759 Speaker 1: It's fine. I used it as a planter. So did 600 00:37:47,800 --> 00:37:50,759 Speaker 1: you do you still have that? Oh? Cool and use it? 601 00:37:51,000 --> 00:37:54,880 Speaker 1: I do? And now you tell everyone right over it 602 00:37:54,920 --> 00:37:57,280 Speaker 1: actually hasn't. It's in my garage. So I was forget 603 00:37:57,520 --> 00:38:00,920 Speaker 1: with Goldie and Curt. It's real. It's a really I 604 00:38:00,960 --> 00:38:02,719 Speaker 1: need to get share to come over and hang out 605 00:38:02,719 --> 00:38:05,920 Speaker 1: in the garage. Uh do the same, RAMI do you 606 00:38:05,920 --> 00:38:07,359 Speaker 1: know him now? Like does he know who you are 607 00:38:07,400 --> 00:38:11,040 Speaker 1: and that you worked for him? Or uh? Yeah? He Um. 608 00:38:11,120 --> 00:38:14,960 Speaker 1: He made a couple of short films and he paid 609 00:38:15,000 --> 00:38:18,799 Speaker 1: for both of them. One is called Clown Service. Yeah, yeah, 610 00:38:18,840 --> 00:38:21,680 Speaker 1: I saw that he paid for that. He did well 611 00:38:21,880 --> 00:38:25,280 Speaker 1: a portion of it. Um. And my first short film 612 00:38:25,360 --> 00:38:32,040 Speaker 1: called Poop Dreams colon a series of stained short I'm 613 00:38:32,120 --> 00:38:35,279 Speaker 1: certain you haven't. It's not anywhere to be found. You've 614 00:38:35,320 --> 00:38:38,720 Speaker 1: never heard of this, Thomas. Okay, Sam not only paid 615 00:38:38,760 --> 00:38:43,120 Speaker 1: for it, but he's in it. Yeah and um and 616 00:38:43,160 --> 00:38:47,480 Speaker 1: then yeah, he gave a chunk of money to Clown Service. Yeah, 617 00:38:47,560 --> 00:38:49,360 Speaker 1: because that Clown Service kind of help put you on 618 00:38:49,400 --> 00:38:54,400 Speaker 1: the map, didn't it? Or did it no, okay, no, 619 00:38:54,680 --> 00:38:57,319 Speaker 1: it only came out a couple of years ago. I 620 00:38:57,360 --> 00:39:01,480 Speaker 1: wrote it twenty years ago, and then I started a 621 00:39:01,560 --> 00:39:05,319 Speaker 1: Kickstarter fund to raise money for it five years ago, 622 00:39:06,239 --> 00:39:08,160 Speaker 1: and then I had a few bumps in the road 623 00:39:08,200 --> 00:39:13,640 Speaker 1: in life, installed the production, and then I made it 624 00:39:13,680 --> 00:39:16,120 Speaker 1: two years ago. I know what I'm thinking of now 625 00:39:16,320 --> 00:39:20,680 Speaker 1: that I read about it recently because of a controversy. Yes, yes, 626 00:39:20,960 --> 00:39:23,920 Speaker 1: that's why there is a controversy around it. Yeah, you 627 00:39:23,960 --> 00:39:34,320 Speaker 1: get ripped off controversy. I just know that I wrote 628 00:39:34,320 --> 00:39:36,440 Speaker 1: it twenty years ago. I made it two years ago, 629 00:39:36,600 --> 00:39:40,839 Speaker 1: and it's based on true events from my life, so 630 00:39:41,320 --> 00:39:42,879 Speaker 1: it might have put me on the map to some 631 00:39:42,920 --> 00:39:45,080 Speaker 1: people who had never heard of me. I know. The 632 00:39:45,080 --> 00:39:48,120 Speaker 1: first time I saw you was the Conan O'Brien appearance 633 00:39:48,160 --> 00:39:51,400 Speaker 1: where you where you shoved the stool around. Um. I 634 00:39:51,560 --> 00:39:54,480 Speaker 1: was just like, who is this? That is the best 635 00:39:54,480 --> 00:39:59,040 Speaker 1: thing I've seen and m and uh. Paul Thompkins was 636 00:39:59,040 --> 00:40:01,480 Speaker 1: the guest that might Yeah, so I'm a fan and 637 00:40:01,560 --> 00:40:03,520 Speaker 1: sort of friend of his now and that was why 638 00:40:03,520 --> 00:40:05,720 Speaker 1: I was watching that night. I was to watch Paul 639 00:40:06,120 --> 00:40:07,880 Speaker 1: and then you came on and did that and I 640 00:40:07,920 --> 00:40:10,399 Speaker 1: was like, Wow, this is awesome. This is funny because 641 00:40:10,400 --> 00:40:13,400 Speaker 1: when I when I pitched that idea to the booking 642 00:40:13,440 --> 00:40:16,480 Speaker 1: agent producer, they were like, I said, so I just 643 00:40:16,520 --> 00:40:21,640 Speaker 1: want to you know, push a stool around and he 644 00:40:21,800 --> 00:40:26,239 Speaker 1: was like, well, um, I trust you, but I did 645 00:40:26,440 --> 00:40:28,080 Speaker 1: you know, I think I need to see it. And 646 00:40:28,120 --> 00:40:30,239 Speaker 1: I was like, yeah, it just makes no you really 647 00:40:30,239 --> 00:40:35,120 Speaker 1: need to hear. It makes these squeaky noises. It makes 648 00:40:35,280 --> 00:40:37,520 Speaker 1: people laugh and then it makes them not laugh, and 649 00:40:37,520 --> 00:40:40,719 Speaker 1: then they laugh and then they don't. And he was 650 00:40:40,800 --> 00:40:43,120 Speaker 1: just like, let me, let me just come see this, 651 00:40:43,400 --> 00:40:45,520 Speaker 1: and um, I was like yeah, sure. And so he 652 00:40:45,600 --> 00:40:47,680 Speaker 1: came and saw me do it live and he was like, 653 00:40:47,719 --> 00:40:49,759 Speaker 1: oh my gosh, So that was part of your act 654 00:40:49,760 --> 00:40:52,640 Speaker 1: for a while. Uh, for a little bit. Yeah, and 655 00:40:52,800 --> 00:40:55,880 Speaker 1: um and then when I did it, I when I 656 00:40:55,960 --> 00:40:59,000 Speaker 1: was doing it on Conan, I couldn't get the stool 657 00:40:59,080 --> 00:41:01,399 Speaker 1: to make the noise is it was supposed to make. 658 00:41:02,160 --> 00:41:06,440 Speaker 1: So I just went on a leap of faith literally 659 00:41:06,680 --> 00:41:11,719 Speaker 1: and leapt up closer to where because there was a 660 00:41:11,960 --> 00:41:18,400 Speaker 1: plexiglass underneath the plexiglass floor or these lights that come up, 661 00:41:18,600 --> 00:41:20,920 Speaker 1: and so I went over and I was, you know, 662 00:41:21,080 --> 00:41:24,239 Speaker 1: running running it across the plexiglass and it was just 663 00:41:24,360 --> 00:41:31,720 Speaker 1: making the sweet sweet. Well, yeah, I think I'd probably 664 00:41:31,719 --> 00:41:35,760 Speaker 1: told you, yeah, you probably heard it directly from me. Um, 665 00:41:35,800 --> 00:41:38,680 Speaker 1: but yeah, I I scratched the floor. No, the scratch 666 00:41:38,760 --> 00:41:41,680 Speaker 1: isn't still there. They had to have it buffed out. 667 00:41:42,800 --> 00:41:45,640 Speaker 1: But what is still there is the sound of the 668 00:41:45,719 --> 00:41:49,400 Speaker 1: stool and the one of the sound guys, I guess 669 00:41:49,840 --> 00:41:53,560 Speaker 1: to annoy ConA will play it every now and then. 670 00:41:54,840 --> 00:41:57,120 Speaker 1: That's great. Yeah, I think, well it was kind of 671 00:41:57,120 --> 00:41:58,919 Speaker 1: great that you went up to that second level because 672 00:41:58,960 --> 00:42:02,280 Speaker 1: then you had Andy and and p F. T. Conan 673 00:42:02,360 --> 00:42:05,000 Speaker 1: like just dying in the background, so that really added 674 00:42:05,000 --> 00:42:06,880 Speaker 1: to it. It was really fun. So that was my 675 00:42:06,920 --> 00:42:10,920 Speaker 1: introduce introduction to you. But but you can watch Clown 676 00:42:10,960 --> 00:42:15,560 Speaker 1: Service on Vimeo. Now, okay, well that should settle any 677 00:42:16,080 --> 00:42:19,759 Speaker 1: controversial Um. Two years ago, I do feel like I 678 00:42:19,800 --> 00:42:21,839 Speaker 1: have I need to mention that we were talking about 679 00:42:22,160 --> 00:42:26,120 Speaker 1: how great, uh well, how great Gar was, Yeah, and 680 00:42:26,160 --> 00:42:28,400 Speaker 1: Sam Elliott, but that was the only thing in that 681 00:42:28,440 --> 00:42:30,719 Speaker 1: movie that kind of took me out of it was. Um, 682 00:42:30,800 --> 00:42:32,840 Speaker 1: I don't know if you remember, there's the one scene 683 00:42:32,880 --> 00:42:35,279 Speaker 1: at a party, one of the many biker parties, where 684 00:42:35,320 --> 00:42:40,000 Speaker 1: he has a mustache, rides shirt on. I don't. Yeah, 685 00:42:40,120 --> 00:42:41,759 Speaker 1: I didn't. I don't think I probably knew what that 686 00:42:41,800 --> 00:42:44,000 Speaker 1: meant when I was fourteen, and then I saw it 687 00:42:44,040 --> 00:42:46,400 Speaker 1: today and I was like, oh, man, like car, it 688 00:42:46,520 --> 00:42:48,560 Speaker 1: is way too cool to wear a shirt like that. 689 00:42:48,680 --> 00:42:52,760 Speaker 1: It's like somebody walking around with a hey Man or whatever. 690 00:42:52,880 --> 00:42:55,520 Speaker 1: Bart Simpson, Yeah, you know, or I don't have a 691 00:42:55,560 --> 00:42:59,120 Speaker 1: cow Yeah, just like, hey, what are you doing. I 692 00:42:59,160 --> 00:43:00,680 Speaker 1: remember a friend of my and was on a date 693 00:43:00,760 --> 00:43:02,600 Speaker 1: and she ran off to the bathroom and called me 694 00:43:02,640 --> 00:43:04,719 Speaker 1: and she was like, I'm out with this guy and 695 00:43:04,760 --> 00:43:08,520 Speaker 1: he's wearing Uh, what was that movie the guy that 696 00:43:08,520 --> 00:43:11,360 Speaker 1: that was filmed I think in Salt Lake City with 697 00:43:11,480 --> 00:43:16,879 Speaker 1: the kind of nerdy guy. No Thomas said, Wayne's World. 698 00:43:16,920 --> 00:43:19,719 Speaker 1: By the way, Napoleon Dynamite. I guess he had some 699 00:43:19,840 --> 00:43:23,640 Speaker 1: Napoleon Dynamite shirt on that thing. Yeah. And my friend 700 00:43:23,719 --> 00:43:25,960 Speaker 1: was like, am I crazy? But this is such a 701 00:43:26,000 --> 00:43:28,520 Speaker 1: turn off and I was like, no, it's it's telling 702 00:43:28,560 --> 00:43:32,120 Speaker 1: of something that's absolutely Yeah, if you choose to wear 703 00:43:32,320 --> 00:43:35,440 Speaker 1: like it was probably a vote for Pedro. Yes, it 704 00:43:35,520 --> 00:43:38,560 Speaker 1: was for Pedro. On the first day, first day, you're 705 00:43:38,600 --> 00:43:41,319 Speaker 1: screaming yeah, because you pick out your clothes for a 706 00:43:41,360 --> 00:43:43,319 Speaker 1: first day, and you think about it deliberate and you 707 00:43:43,400 --> 00:43:45,600 Speaker 1: might try a few things on even I'd like to 708 00:43:45,640 --> 00:43:49,120 Speaker 1: see the rejected outfit exactly. Let's see what t shirts 709 00:43:49,160 --> 00:43:51,440 Speaker 1: he did not wear. Can I tell you my favorite 710 00:43:51,480 --> 00:43:56,240 Speaker 1: Gar moment? Yeah, and it's actually my favorite. It's my favorite. Oh, 711 00:43:56,360 --> 00:43:58,040 Speaker 1: oh my gosh. Right when I started to say it's 712 00:43:58,080 --> 00:44:01,520 Speaker 1: my favorite moment from the movie, then my brain jumps 713 00:44:01,560 --> 00:44:09,759 Speaker 1: to other unbelievable performances by Share but Share and Gar together. Um, 714 00:44:10,400 --> 00:44:15,520 Speaker 1: I guess that's not her movie name, but anyway, it's When, Um, 715 00:44:16,480 --> 00:44:20,279 Speaker 1: what's her name? Yeah, it's When, Um, And what's her 716 00:44:20,280 --> 00:44:23,120 Speaker 1: son's name? Again? Bad with names? But I love the 717 00:44:23,120 --> 00:44:27,640 Speaker 1: movie Rocky Rocky. Rocky has gone off to camp and 718 00:44:27,760 --> 00:44:33,239 Speaker 1: Rusty is so devastated him and then she's trying to 719 00:44:33,239 --> 00:44:36,879 Speaker 1: write a letter. And that is a scene that when 720 00:44:36,920 --> 00:44:39,720 Speaker 1: I would try to describe it to somebody, I would 721 00:44:39,760 --> 00:44:45,560 Speaker 1: a lot of times start crying. Um, it's so raw 722 00:44:45,840 --> 00:44:50,279 Speaker 1: her love for this child. And when Gar comes in, 723 00:44:50,760 --> 00:44:56,360 Speaker 1: any starts to try and right what she's saying, and 724 00:44:56,400 --> 00:44:59,919 Speaker 1: then he just stops and looks at her and oh man, 725 00:45:00,000 --> 00:45:03,120 Speaker 1: and are you kidding me? Yeah? I mean, just kill me. Now. 726 00:45:03,320 --> 00:45:06,839 Speaker 1: Another few of those scenes are when Rocky confronts her 727 00:45:06,840 --> 00:45:09,719 Speaker 1: about her drug use and she rips up one of 728 00:45:09,760 --> 00:45:13,560 Speaker 1: his baseball cards and he goes into his room and 729 00:45:13,600 --> 00:45:16,360 Speaker 1: like it brings on one of his headaches brought on 730 00:45:16,400 --> 00:45:20,160 Speaker 1: by his bone disorder. And then she goes in there 731 00:45:20,160 --> 00:45:22,640 Speaker 1: because you know, it's one of those parents kids, the 732 00:45:22,680 --> 00:45:27,840 Speaker 1: parent of the parent kind of situations, and algy he 733 00:45:27,920 --> 00:45:29,960 Speaker 1: cares about is for her just to not do drugs, 734 00:45:30,000 --> 00:45:32,319 Speaker 1: you know. And then she goes in there and does 735 00:45:32,880 --> 00:45:36,880 Speaker 1: her her thing where she talks to him, uh, to 736 00:45:37,000 --> 00:45:39,319 Speaker 1: get his headaches to go away, because they go to 737 00:45:39,360 --> 00:45:40,600 Speaker 1: the doctor and they're like, what do you do and 738 00:45:40,600 --> 00:45:42,920 Speaker 1: they're like, she she talks to me and they go away. 739 00:45:43,200 --> 00:45:45,359 Speaker 1: And the doctors are very incredulous about the whole thing, 740 00:45:45,360 --> 00:45:48,720 Speaker 1: of course because it's an eighties movie, but that scene 741 00:45:48,760 --> 00:45:53,840 Speaker 1: just devastates me. Are still in gradulous, Yeah, you've got 742 00:45:53,880 --> 00:45:58,200 Speaker 1: a little experience there. Um. And then the scene where 743 00:45:58,280 --> 00:46:01,640 Speaker 1: does are the big tough biker with the stutter after 744 00:46:01,680 --> 00:46:04,879 Speaker 1: graduation tells him that he's proud of him, and that's 745 00:46:04,880 --> 00:46:07,359 Speaker 1: the only thing he says in the whole movie. I 746 00:46:07,400 --> 00:46:09,879 Speaker 1: was crying in my room today. It's like in there 747 00:46:09,920 --> 00:46:14,080 Speaker 1: with the blind strawn crying. Were those were those all 748 00:46:14,120 --> 00:46:17,600 Speaker 1: the ones that destroyed you? Because I mean there's a 749 00:46:17,680 --> 00:46:25,360 Speaker 1: major one, just like come on, yeah, no, that's not it. Um, 750 00:46:25,440 --> 00:46:27,200 Speaker 1: well we may as well. I was thinking you might 751 00:46:27,239 --> 00:46:30,799 Speaker 1: be a tough little cookie. If that's all that destroyed you, 752 00:46:30,960 --> 00:46:34,160 Speaker 1: well we should go to Laura Dern. And then Rocky 753 00:46:34,200 --> 00:46:39,359 Speaker 1: goes to camp for the blind. And um, first of all, 754 00:46:39,400 --> 00:46:42,120 Speaker 1: that's where like I developed a lifelong crush on Laura Dern. 755 00:46:42,200 --> 00:46:45,640 Speaker 1: I think everybody says that, Yeah, yeah, that movie kind 756 00:46:45,640 --> 00:46:48,120 Speaker 1: of did it for me, and I still just adore her. 757 00:46:48,680 --> 00:46:52,960 Speaker 1: But um, when he well, first when she feels his 758 00:46:53,040 --> 00:46:56,960 Speaker 1: face and you know, he tells her like he's not handsome. 759 00:46:57,040 --> 00:46:59,399 Speaker 1: Then he has this thing and she feels his face 760 00:46:59,440 --> 00:47:02,600 Speaker 1: and says, you pretty good to me. That gets me, yeah, 761 00:47:02,600 --> 00:47:06,160 Speaker 1: of course. And then when he uh and just look 762 00:47:06,200 --> 00:47:12,600 Speaker 1: on her face, sweetness and openness. She already knows she 763 00:47:12,719 --> 00:47:15,960 Speaker 1: loves this guy, you know, and of course his face 764 00:47:16,080 --> 00:47:19,879 Speaker 1: is everything's going to feel and it seemed perfect to her. 765 00:47:20,880 --> 00:47:24,000 Speaker 1: It's just so sweet. Uh. And then when she teaches 766 00:47:24,000 --> 00:47:27,839 Speaker 1: her the colors with the hot rocks and the cool things, Yeah, 767 00:47:28,000 --> 00:47:30,880 Speaker 1: and like she gets it, she gets, Yeah, it's just 768 00:47:31,280 --> 00:47:38,080 Speaker 1: disrects me. Yeah, but uh yeah, I mean we should 769 00:47:38,080 --> 00:47:44,000 Speaker 1: talk about his death. Yeah, it's devastating, devastating. I was 770 00:47:44,280 --> 00:47:48,000 Speaker 1: weeping this morning. I'm a big sap and a big 771 00:47:48,040 --> 00:47:50,400 Speaker 1: sucker I got. I don't know when I got so emotional, 772 00:47:50,960 --> 00:47:55,000 Speaker 1: But um, I have no qualms about breaking down and crying. Yeah, 773 00:47:55,040 --> 00:47:58,359 Speaker 1: the spirit moves me. I don't think we caught my 774 00:47:58,440 --> 00:48:05,800 Speaker 1: boohoo session on audio today, obviously, I will. You should 775 00:48:05,800 --> 00:48:09,440 Speaker 1: watch Mask tonight if you need a good cry. I don't. 776 00:48:09,719 --> 00:48:12,480 Speaker 1: I'm foo hooed out today. Well, so, as you probably 777 00:48:12,480 --> 00:48:17,520 Speaker 1: remember in the movie, she um the night before they're 778 00:48:17,560 --> 00:48:19,719 Speaker 1: having another big biker party and he says that his 779 00:48:19,760 --> 00:48:21,960 Speaker 1: headache is kind of bad, so he goes in. She 780 00:48:22,040 --> 00:48:23,880 Speaker 1: goes to bed, and then she gets the call in 781 00:48:23,920 --> 00:48:27,480 Speaker 1: the morning that he's not at school, and she fucking 782 00:48:27,480 --> 00:48:30,440 Speaker 1: knows right then, there's no way Rocky wouldn't be in 783 00:48:30,440 --> 00:48:35,319 Speaker 1: school because he like swept the academic awards. And uh 784 00:48:35,560 --> 00:48:38,440 Speaker 1: goes in the room and he's there, and she knows 785 00:48:38,520 --> 00:48:43,799 Speaker 1: he's gone, but she's she's pulling the blinds up and 786 00:48:43,920 --> 00:48:49,600 Speaker 1: talking to him like, you know, oh my god, it's 787 00:48:49,640 --> 00:48:55,080 Speaker 1: just devastating too much, it is, and um, she keeps 788 00:48:55,080 --> 00:48:57,719 Speaker 1: talking to him and then you know, it goes and 789 00:48:57,800 --> 00:49:01,360 Speaker 1: kind of destroys her kitchen briefly, and it's just so 790 00:49:01,640 --> 00:49:06,120 Speaker 1: painful because he's this this one bit of light she 791 00:49:06,239 --> 00:49:10,120 Speaker 1: has in her life. You know, very hard to sit 792 00:49:10,120 --> 00:49:12,480 Speaker 1: through that scene. And I remember being thirteen or fourteen 793 00:49:12,480 --> 00:49:15,840 Speaker 1: and just like it wrecked me. Then, yeah, you know, 794 00:49:15,840 --> 00:49:20,200 Speaker 1: it's a sense of Baptist boy. But yeah, I uh, 795 00:49:21,120 --> 00:49:23,840 Speaker 1: I don't know if that movie is what started things 796 00:49:23,840 --> 00:49:28,120 Speaker 1: off for me, but I'm I love movies that just 797 00:49:28,760 --> 00:49:32,120 Speaker 1: destroy me. I do too. I don't know what it is. 798 00:49:32,640 --> 00:49:38,640 Speaker 1: I mean, yeah, but that was Catharsis in a way too, 799 00:49:39,520 --> 00:49:42,560 Speaker 1: I think for me it is. Yeah, probably so just 800 00:49:42,600 --> 00:49:46,680 Speaker 1: to like be affected so deeply about something you're seeing. 801 00:49:47,440 --> 00:49:49,279 Speaker 1: I'm not that way with music too, Like any piece 802 00:49:49,280 --> 00:49:52,400 Speaker 1: of art now can move me to tears, and like 803 00:49:52,560 --> 00:49:57,520 Speaker 1: a second, it's that I feel like that might be 804 00:49:57,560 --> 00:50:02,200 Speaker 1: that that first dramatic film, and then it just became 805 00:50:02,960 --> 00:50:08,200 Speaker 1: you know, I actually don't follow too like comedic movies 806 00:50:08,400 --> 00:50:12,400 Speaker 1: or things like that. It's just more like York and 807 00:50:12,520 --> 00:50:14,840 Speaker 1: Dancer in the Dark. Yeah, I'm there. Oh my god, 808 00:50:15,400 --> 00:50:19,239 Speaker 1: talk about a heavy movie, Please don't cry. Oh jeez. Yeah. 809 00:50:19,800 --> 00:50:21,879 Speaker 1: But then my favorite thing to do when I leave 810 00:50:22,000 --> 00:50:24,719 Speaker 1: the movie theater after movies like that, as I'm going 811 00:50:24,760 --> 00:50:27,719 Speaker 1: down the escalator with other people that clearly just saw 812 00:50:27,760 --> 00:50:30,440 Speaker 1: that movie, I'm just like, I didn't think it was 813 00:50:30,480 --> 00:50:34,560 Speaker 1: that funny, you know, or what part? What did you 814 00:50:34,560 --> 00:50:42,320 Speaker 1: think was the funniest part? And people are just like, yeah, Um, 815 00:50:42,360 --> 00:50:44,400 Speaker 1: it's always so weird in l A too, because I 816 00:50:44,440 --> 00:50:47,320 Speaker 1: lived there for like five years, and um, when you 817 00:50:47,520 --> 00:50:49,479 Speaker 1: hold up in a dark theater, and especially a heavy 818 00:50:49,520 --> 00:50:51,680 Speaker 1: movie like that, and then you come out and it's 819 00:50:51,719 --> 00:50:55,080 Speaker 1: always just like you're at the fucking grove or something 820 00:50:55,560 --> 00:50:58,880 Speaker 1: so alarming trolley goes by it is it's alarming, like 821 00:50:58,880 --> 00:51:03,200 Speaker 1: a trolley full of touria. Um, it's very disconcerting to me. 822 00:51:03,960 --> 00:51:06,200 Speaker 1: I remember I left a movie at the Beverly Center 823 00:51:06,239 --> 00:51:09,120 Speaker 1: one time. I can't remember which one it was. You know, 824 00:51:09,120 --> 00:51:11,839 Speaker 1: they have like a series of escalators going down there, 825 00:51:12,480 --> 00:51:16,000 Speaker 1: and uh, this is inconsequential. But I looked out to 826 00:51:16,040 --> 00:51:18,120 Speaker 1: the side and there was something going on a parking 827 00:51:18,120 --> 00:51:20,360 Speaker 1: lot across the street, and I went down. It's like, 828 00:51:20,400 --> 00:51:21,719 Speaker 1: what's going on over there? And so I said, oh, 829 00:51:21,719 --> 00:51:24,680 Speaker 1: the Go Goes are about to play. It's free. It's like, 830 00:51:24,680 --> 00:51:27,040 Speaker 1: are you shipping me? So me and my friend like 831 00:51:27,080 --> 00:51:29,440 Speaker 1: went from this downer movie and we literally walked straight 832 00:51:29,440 --> 00:51:32,879 Speaker 1: off as the Go Goes stage. It was a little 833 00:51:32,880 --> 00:51:35,640 Speaker 1: shorty promotional thing that they did like their eight greatest 834 00:51:35,719 --> 00:51:39,440 Speaker 1: hits and banged it out like yeah and like forty 835 00:51:39,440 --> 00:51:41,279 Speaker 1: minutes and it was. It was one of those l 836 00:51:41,280 --> 00:51:43,400 Speaker 1: A things like did this just happen? This is like 837 00:51:43,440 --> 00:51:45,560 Speaker 1: the best day ever. Oh my gosh, the Go Goes 838 00:51:45,600 --> 00:51:50,680 Speaker 1: are so great. Uh So I'm here, but I have 839 00:51:50,800 --> 00:51:53,960 Speaker 1: plenty to say about that. Boy. Yeah, well, I mean 840 00:51:54,480 --> 00:51:57,279 Speaker 1: you're my age. That was that was our wheelhouse. Yeah, 841 00:51:57,320 --> 00:52:03,239 Speaker 1: I mean we talked about this march because I don't 842 00:52:03,400 --> 00:52:07,000 Speaker 1: I think I'm aries Stephanie follows all that. I think 843 00:52:07,040 --> 00:52:10,800 Speaker 1: it's I'm like pisces cuss or something, But I truly 844 00:52:10,920 --> 00:52:14,600 Speaker 1: don't know what I'm talking about. And hilariously enough, I 845 00:52:14,640 --> 00:52:19,200 Speaker 1: don't know what her sign is, and she is astounded 846 00:52:19,320 --> 00:52:22,920 Speaker 1: every time she finds us out because she talks about 847 00:52:22,920 --> 00:52:26,760 Speaker 1: her sign all the time, and I never I can't 848 00:52:27,040 --> 00:52:30,560 Speaker 1: I can't clock that, I can't quite register. It's not 849 00:52:30,640 --> 00:52:33,600 Speaker 1: anything like that that I follow so you can put 850 00:52:33,600 --> 00:52:35,200 Speaker 1: a gun in my head and I cannot tell you 851 00:52:35,239 --> 00:52:38,200 Speaker 1: what Stephanie's sins. Well, we did a stuff you should 852 00:52:38,200 --> 00:52:40,400 Speaker 1: Know episode about astrology about how it was just bullshit. 853 00:52:40,560 --> 00:52:43,560 Speaker 1: So don't feel bad. I know. I used to with 854 00:52:43,640 --> 00:52:46,720 Speaker 1: the next girlfriend of mine. Uh, when we have an argument, 855 00:52:46,800 --> 00:52:50,319 Speaker 1: she likes because you're an aries and everything I did, 856 00:52:50,520 --> 00:52:52,560 Speaker 1: I guess it's because you're an aries. And I would 857 00:52:52,600 --> 00:52:56,000 Speaker 1: always say, so you're telling me that if I was 858 00:52:56,080 --> 00:52:59,160 Speaker 1: born just one day earlier, everything would be your fault, 859 00:52:59,600 --> 00:53:04,840 Speaker 1: you know. I mean, it's just I'm baffled by I 860 00:53:04,920 --> 00:53:07,040 Speaker 1: don't have information on it, and so I don't want 861 00:53:07,040 --> 00:53:13,840 Speaker 1: to completely slam stuff. My wife believes him, but whatever 862 00:53:15,200 --> 00:53:20,919 Speaker 1: her sign is really quickly speaking of alternate casting, Um, 863 00:53:21,000 --> 00:53:23,799 Speaker 1: Kevin Costner, who you mentioned from Sam Ramy's movie was 864 00:53:23,840 --> 00:53:28,279 Speaker 1: almost Rocky Dennis. Do you want some Costner trivia? I'd 865 00:53:28,320 --> 00:53:31,600 Speaker 1: love some. Do you know what his production company is called? Boy? 866 00:53:31,760 --> 00:53:38,960 Speaker 1: Can I get a guess? Sure? Um, Kicking Bird Productions. 867 00:53:39,160 --> 00:53:46,440 Speaker 1: That's Correct Productions. Really? Why is that? Uh? Something about 868 00:53:46,480 --> 00:53:50,520 Speaker 1: like his grandmother. I'm not sure, but Kevin Costner was 869 00:53:50,560 --> 00:53:53,400 Speaker 1: a star of for Love of the Game. When I 870 00:53:53,400 --> 00:53:57,800 Speaker 1: worked for Sam there was a mix up, two couple 871 00:53:57,840 --> 00:54:02,120 Speaker 1: of mix ups where cash was livered to me when 872 00:54:02,160 --> 00:54:04,800 Speaker 1: I would sit at my office that was clearly supposed 873 00:54:04,800 --> 00:54:07,359 Speaker 1: to go to the production or someplace else. I don't know. 874 00:54:07,840 --> 00:54:12,280 Speaker 1: I also ended up on a conference call with Kevin 875 00:54:12,320 --> 00:54:17,440 Speaker 1: Costner and somebody else and looped in. I'm just wondering 876 00:54:17,440 --> 00:54:19,640 Speaker 1: about the cash. Is that how Costner operates? He just 877 00:54:19,680 --> 00:54:22,759 Speaker 1: has catched. I think it was just petty cast or something. Yeah, 878 00:54:22,960 --> 00:54:25,400 Speaker 1: I thought you met like a briefcase. I ended up 879 00:54:25,440 --> 00:54:29,279 Speaker 1: with an envelope of petty cash that clearly had to 880 00:54:29,280 --> 00:54:31,840 Speaker 1: do with the production. And then I ended up on 881 00:54:31,880 --> 00:54:36,400 Speaker 1: a conference call going hello, Hello, who is that? This 882 00:54:36,520 --> 00:54:41,399 Speaker 1: is Tig, and it was Kevin Costner and somebody else 883 00:54:41,440 --> 00:54:43,960 Speaker 1: going what do you mean? Yeah? It was a lot 884 00:54:44,040 --> 00:54:47,960 Speaker 1: of but it was me just really unaware of what 885 00:54:48,040 --> 00:54:50,799 Speaker 1: was happening. And then I was like, I'm an assistant 886 00:54:51,040 --> 00:54:54,120 Speaker 1: over at my name is Tig, and you're probably so 887 00:54:54,120 --> 00:54:57,200 Speaker 1: afraid to miss any meeting like you felt like, well, 888 00:54:57,239 --> 00:54:59,759 Speaker 1: I never needed in a meeting. Well that's why when 889 00:54:59,800 --> 00:55:04,480 Speaker 1: you at the conference, they must really need me. Yeah, 890 00:55:04,600 --> 00:55:08,480 Speaker 1: I was like a call for me, okay, chime, I'd 891 00:55:08,520 --> 00:55:11,319 Speaker 1: like press conference and then all of a sudden, in 892 00:55:11,520 --> 00:55:13,760 Speaker 1: on a meeting, when did you hang up from the meeting? 893 00:55:14,320 --> 00:55:17,120 Speaker 1: After they were like, okay, well you know, can you 894 00:55:17,200 --> 00:55:20,359 Speaker 1: hang up now? We need to have our meeting when 895 00:55:20,360 --> 00:55:23,400 Speaker 1: you were politely asked yea, and now could someone actually 896 00:55:23,400 --> 00:55:27,840 Speaker 1: connect us to TIG Productions and not this buffoon answering 897 00:55:27,840 --> 00:55:31,680 Speaker 1: the phone at the production office? Is your production company, 898 00:55:31,880 --> 00:55:35,360 Speaker 1: Kevin Costner Productions? It should be That's a good idea. 899 00:55:35,719 --> 00:55:38,200 Speaker 1: Robolo was the other person who almost played Rocky. I 900 00:55:38,239 --> 00:55:40,680 Speaker 1: don't have any trivia for you there, No, that seems 901 00:55:40,719 --> 00:55:43,200 Speaker 1: like it would have just been weird stunt casting. Like 902 00:55:43,280 --> 00:55:45,239 Speaker 1: let's take like the most handsome guy in Hollywood, and 903 00:55:45,480 --> 00:55:48,880 Speaker 1: I can't stand stunt casting, saying I pride myself on 904 00:55:49,000 --> 00:55:56,279 Speaker 1: with my show, is that we hire who's perfect for 905 00:55:56,320 --> 00:56:01,799 Speaker 1: the job. Yeah, and we I personally, I am never 906 00:56:02,080 --> 00:56:04,319 Speaker 1: like I want to get a celebrity. I always wanted 907 00:56:04,320 --> 00:56:06,000 Speaker 1: to work with this person, and now this is it's 908 00:56:06,040 --> 00:56:08,960 Speaker 1: easier to buy into. I think, uh for me as 909 00:56:09,000 --> 00:56:11,880 Speaker 1: a viewer, because like when I saw the guy that 910 00:56:11,920 --> 00:56:13,840 Speaker 1: played her stepdad, I was like, wait a minute, like 911 00:56:13,880 --> 00:56:16,280 Speaker 1: I know that face, like I think he was in Ghostbusters. 912 00:56:16,600 --> 00:56:18,960 Speaker 1: We'll See. That's the thing is if somebody's just like 913 00:56:19,000 --> 00:56:22,640 Speaker 1: a character actor working actor, I don't care, or if 914 00:56:22,680 --> 00:56:26,120 Speaker 1: they've never acted, but I do not want to like 915 00:56:26,560 --> 00:56:29,960 Speaker 1: cram a bunch of famous people. That's weird. And they 916 00:56:30,040 --> 00:56:32,720 Speaker 1: kind of plays your brother. He's so great, he's so good. Yeah, 917 00:56:32,960 --> 00:56:35,960 Speaker 1: it's really so great. Second season. I can't wait. How 918 00:56:35,960 --> 00:56:39,640 Speaker 1: many episodes? Six? Again? Okay? Yeah, that's good, A nice 919 00:56:39,640 --> 00:56:43,040 Speaker 1: tight like there's no filler episode. No, I feel that 920 00:56:43,040 --> 00:56:45,319 Speaker 1: way for sure. It um. I watched it with my 921 00:56:45,360 --> 00:56:49,120 Speaker 1: wife well when I came out, but it was I 922 00:56:49,120 --> 00:56:52,080 Speaker 1: think people try to do too much these days for 923 00:56:52,120 --> 00:56:55,600 Speaker 1: more episodes, like anything over ten, and I'm trying to 924 00:56:55,640 --> 00:56:58,479 Speaker 1: do less. Yeah that's good. Yeah, it's a good goal. 925 00:57:00,440 --> 00:57:02,279 Speaker 1: All right. Well, let's finish up then with a couple 926 00:57:02,320 --> 00:57:06,640 Speaker 1: of quick segments. You've been kind enough with your time. 927 00:57:07,280 --> 00:57:11,320 Speaker 1: I want to call what Ebert said, because Roger Ebert's 928 00:57:11,360 --> 00:57:13,520 Speaker 1: my favorite movie critic of all times. So I like 929 00:57:13,560 --> 00:57:15,440 Speaker 1: to go back and kind of see where he landed 930 00:57:15,480 --> 00:57:18,360 Speaker 1: two thumbs up from Thomas. He gave Mask three and 931 00:57:18,360 --> 00:57:20,600 Speaker 1: a half stars out of four three and a half. 932 00:57:21,400 --> 00:57:24,400 Speaker 1: I wonder what the little half problem was. You know 933 00:57:24,440 --> 00:57:26,560 Speaker 1: what John Watson said the same thing when he got 934 00:57:26,560 --> 00:57:28,600 Speaker 1: three and a half stars on his movie. He went, yeah, 935 00:57:28,640 --> 00:57:30,680 Speaker 1: I wonder why he deducted a half a star. Yeah, 936 00:57:30,760 --> 00:57:32,480 Speaker 1: but I mean, really, what was the problem. I don't know. 937 00:57:32,520 --> 00:57:34,240 Speaker 1: I guess you just didn't think it was a perfect movie. 938 00:57:35,200 --> 00:57:40,480 Speaker 1: I'm I disagree. Well, here's this quote. Movies don't often 939 00:57:40,520 --> 00:57:42,920 Speaker 1: grab us as quickly as Mask does. The story of 940 00:57:43,000 --> 00:57:46,280 Speaker 1: Rocky and Rusty is absorbing from the very first maybe 941 00:57:46,320 --> 00:57:48,720 Speaker 1: because the movie doesn't waste a lot of time wringing 942 00:57:48,720 --> 00:57:51,600 Speaker 1: its hands over Rocky's fate. Mask lands on its feet 943 00:57:51,680 --> 00:57:57,760 Speaker 1: running mm hmm, not bad. And then five questions and 944 00:57:57,800 --> 00:58:00,680 Speaker 1: these can be short answers. I kind of I don't 945 00:58:00,680 --> 00:58:02,000 Speaker 1: even know if I have been named for this yet, 946 00:58:02,400 --> 00:58:05,120 Speaker 1: sort of like movie going one on one with with 947 00:58:05,200 --> 00:58:08,440 Speaker 1: Tig and you'll call that segment movie going one on 948 00:58:08,520 --> 00:58:13,600 Speaker 1: one with Tig. Every other Um, what was the first 949 00:58:13,720 --> 00:58:19,120 Speaker 1: movie remember seeing in the movie theater? I think it 950 00:58:19,160 --> 00:58:22,400 Speaker 1: was Star Wars. That's good. I mean we were sick, 951 00:58:22,440 --> 00:58:29,920 Speaker 1: so we were march. Um first R rated movie that 952 00:58:30,000 --> 00:58:32,960 Speaker 1: you remember seeing in theater or in VHS or whatever. 953 00:58:34,160 --> 00:58:37,840 Speaker 1: Oh yeah, I couldn't go near that one. I was. 954 00:58:37,960 --> 00:58:40,680 Speaker 1: That was so for boating in my life, I would have. Really, 955 00:58:40,680 --> 00:58:43,240 Speaker 1: I don't think anybody was saying, sure, go ahead and 956 00:58:43,320 --> 00:58:47,120 Speaker 1: watch it. I think, um, you know, there was just 957 00:58:47,320 --> 00:58:49,920 Speaker 1: other activities going on at my house that we're more 958 00:58:50,000 --> 00:58:54,800 Speaker 1: interesting to my mother than monitoring what I was watching 959 00:58:55,360 --> 00:58:59,200 Speaker 1: up here, watching Parks such a dumb movie, now that 960 00:58:59,240 --> 00:59:01,680 Speaker 1: what we look back, you know, didn't you know it 961 00:59:01,720 --> 00:59:04,200 Speaker 1: was a dumb movie when you were watching? No, because 962 00:59:04,200 --> 00:59:05,840 Speaker 1: I didn't see it until I was much older, because 963 00:59:05,880 --> 00:59:08,360 Speaker 1: I just thought it was I thought it was like, 964 00:59:08,720 --> 00:59:11,760 Speaker 1: you know, the sexiest movie ever made, because there were 965 00:59:12,200 --> 00:59:14,800 Speaker 1: body parts in there that aren't usually shown. And I 966 00:59:14,880 --> 00:59:17,640 Speaker 1: literally thought it was like the filthiest movie. Yeah. Like 967 00:59:17,880 --> 00:59:24,120 Speaker 1: I have no recollection of the movie. I just know, yeah, 968 00:59:24,640 --> 00:59:28,920 Speaker 1: I just I just know I watched it, and I 969 00:59:29,040 --> 00:59:33,600 Speaker 1: know it was rated. Are Um, will you walk out 970 00:59:33,640 --> 00:59:40,160 Speaker 1: of a bad movie? Do you remember doing? So? I have. 971 00:59:40,520 --> 00:59:42,440 Speaker 1: I did walk out of a bad movie? Do you 972 00:59:42,440 --> 00:59:45,560 Speaker 1: remember it? I do? Are you willing to go on record? 973 00:59:45,760 --> 00:59:47,880 Speaker 1: I am not. Because a friend of mine was in 974 00:59:47,920 --> 00:59:53,960 Speaker 1: a and I I was stunned about how bad it was. Okay, 975 00:59:54,920 --> 00:59:58,640 Speaker 1: and then I saw a bad movie. I think it 976 00:59:58,760 --> 01:00:04,440 Speaker 1: was not true, and I didn't walk out because my 977 01:00:04,560 --> 01:00:07,080 Speaker 1: friend and I were laughing so hard that it ended 978 01:00:07,160 --> 01:00:11,439 Speaker 1: up being so fun laughing in the wrong way. What 979 01:00:11,480 --> 01:00:13,640 Speaker 1: was that one? Can you say that one? It was 980 01:00:13,760 --> 01:00:20,240 Speaker 1: Calm cong Skull Island? Oh like the recent thing? Yeah, okay, 981 01:00:20,240 --> 01:00:23,480 Speaker 1: did you see it? It looked I knew better. Why 982 01:00:23,480 --> 01:00:27,040 Speaker 1: did you go see that? Well? I love I love 983 01:00:27,360 --> 01:00:31,080 Speaker 1: the original King Kong movie here and so the original 984 01:00:31,080 --> 01:00:35,720 Speaker 1: meaning Jessica Lang. Yeah, and so when this movie was 985 01:00:35,760 --> 01:00:44,200 Speaker 1: coming out, I was I just was hopeful, and my 986 01:00:44,320 --> 01:00:49,880 Speaker 1: hope was completely annihilated. It supposed to be really bad. 987 01:00:52,400 --> 01:00:54,600 Speaker 1: It was just me and my friend and two other 988 01:00:54,680 --> 01:00:57,400 Speaker 1: people in the theater, and I don't know what the 989 01:00:57,440 --> 01:01:03,280 Speaker 1: other people thought of us, but we were laughing so hard. Yeah, 990 01:01:03,600 --> 01:01:09,920 Speaker 1: it's oh so funny. It's one of the funniest. I 991 01:01:09,960 --> 01:01:12,360 Speaker 1: can't believe it. Well, that's good that you stuck it out. 992 01:01:12,400 --> 01:01:14,960 Speaker 1: You didn't walk out. I wanted to, but then I 993 01:01:15,040 --> 01:01:18,720 Speaker 1: just also wanted to see how much this would escalate. 994 01:01:18,960 --> 01:01:21,080 Speaker 1: And it's ridiculous, and yeah, how bad it could get. 995 01:01:21,200 --> 01:01:24,480 Speaker 1: This movie felt like they turned in the first draft. 996 01:01:25,440 --> 01:01:28,480 Speaker 1: Nobody gave a note. Everyone was just like, all right, 997 01:01:28,880 --> 01:01:33,520 Speaker 1: all cameras go and do it. Yeah, let's do it. 998 01:01:33,560 --> 01:01:38,920 Speaker 1: We wrote the movie. Um, can you name a guilty 999 01:01:38,960 --> 01:01:46,720 Speaker 1: pleasure movie aside from Under the Rainbow? Point? Um? Like, 1000 01:01:46,840 --> 01:01:48,000 Speaker 1: is there one that you go back to a lot 1001 01:01:48,080 --> 01:01:53,560 Speaker 1: that's just kind of ridiculous and dumb? Yeah? I guess 1002 01:01:53,600 --> 01:01:57,160 Speaker 1: some people think it's ridiculous and dumb. And actually, now 1003 01:01:57,240 --> 01:02:02,080 Speaker 1: that I am and fairly educated adult, I can see 1004 01:02:02,120 --> 01:02:06,160 Speaker 1: some flaws in it in uh, in ways that are 1005 01:02:06,280 --> 01:02:11,360 Speaker 1: not socially accepted, Like it's it's not just socially acceptable, 1006 01:02:11,400 --> 01:02:18,480 Speaker 1: but there's horrendous behavior and you're cheering for an abusive person. Um. 1007 01:02:18,560 --> 01:02:24,560 Speaker 1: But Urban Cowboy that is a nearly perfect film as 1008 01:02:24,560 --> 01:02:29,400 Speaker 1: far as I'm concerned. And that's a guilty pleasure because, um, 1009 01:02:29,560 --> 01:02:31,920 Speaker 1: I just I think I relate to it and connect 1010 01:02:32,000 --> 01:02:34,920 Speaker 1: to it because a lot of like living in Texas 1011 01:02:35,920 --> 01:02:39,560 Speaker 1: as a kid, and that was Houston too, Yeah, and 1012 01:02:40,000 --> 01:02:43,680 Speaker 1: living outside of Houston, a lot of these people look 1013 01:02:43,880 --> 01:02:48,439 Speaker 1: very familiar to me, and the urban cowboys that lived 1014 01:02:48,440 --> 01:02:52,000 Speaker 1: in pent house apartments and drove the big trucks and 1015 01:02:52,080 --> 01:02:55,840 Speaker 1: cowboy hats and and you know, my parents were friends 1016 01:02:55,880 --> 01:03:01,200 Speaker 1: with um specifically this couple that we used to go 1017 01:03:01,240 --> 01:03:05,200 Speaker 1: over to their house. I it felt like that it 1018 01:03:05,240 --> 01:03:08,840 Speaker 1: felt like John Travolta and that new girl he started 1019 01:03:08,880 --> 01:03:11,720 Speaker 1: a date with the hair down to the down the 1020 01:03:11,760 --> 01:03:16,440 Speaker 1: back Crystal who I've seen her live at the rodeo 1021 01:03:16,520 --> 01:03:20,840 Speaker 1: but anyway, so yeah, I would say Irvin Cowboy for sure. 1022 01:03:20,960 --> 01:03:24,040 Speaker 1: I could watch that movie. And I loved Eva Winger Man. 1023 01:03:24,120 --> 01:03:29,480 Speaker 1: She was so good. But she is who I wanted 1024 01:03:29,520 --> 01:03:33,200 Speaker 1: to play my mother on One Mississippi, and she wanted 1025 01:03:33,240 --> 01:03:35,400 Speaker 1: to play my mother and One Mississippi and wrote me 1026 01:03:35,440 --> 01:03:40,360 Speaker 1: this unbelievable email, just desperately wanting this to work. And 1027 01:03:40,400 --> 01:03:44,120 Speaker 1: then she got booked on another show right called The Ranch, 1028 01:03:44,720 --> 01:03:47,880 Speaker 1: which I haven't Ashton Kutcher. It's like a sitcom on Netflix, 1029 01:03:48,520 --> 01:03:51,720 Speaker 1: and then Amazon didn't you know, there was just a 1030 01:03:51,720 --> 01:03:55,840 Speaker 1: lot of like we want somebody that Anyway, it didn't work. 1031 01:03:55,880 --> 01:03:58,400 Speaker 1: But the actress that does play my mother on One 1032 01:03:58,440 --> 01:04:01,160 Speaker 1: Mississippi is so phenomenal. She's great, and it's like one 1033 01:04:01,200 --> 01:04:02,520 Speaker 1: of one of the things like once you see her, 1034 01:04:02,560 --> 01:04:04,600 Speaker 1: like I can't imagine even deva Winger. And I know 1035 01:04:04,680 --> 01:04:06,600 Speaker 1: I already said I didn't want to litter a show 1036 01:04:06,680 --> 01:04:09,480 Speaker 1: with just famous faces, but that wasn't that wouldn't be 1037 01:04:09,480 --> 01:04:12,960 Speaker 1: stunt casting. No, no, Oh, my gosh, Debora Winger nothing 1038 01:04:12,960 --> 01:04:15,680 Speaker 1: better officer and a gentleman still share. I mean those 1039 01:04:15,720 --> 01:04:19,800 Speaker 1: two Share reminds me of my mother. Deva Winger reminds 1040 01:04:19,800 --> 01:04:22,440 Speaker 1: me of my mother. Yeah, my mother was a little 1041 01:04:22,440 --> 01:04:25,479 Speaker 1: bit of a clammy. Well no, she was just she's 1042 01:04:25,600 --> 01:04:30,000 Speaker 1: very beautiful, but she she's wild and a little irresponsible. 1043 01:04:30,240 --> 01:04:34,240 Speaker 1: And so that character in Mass reminded me a bit 1044 01:04:34,320 --> 01:04:37,280 Speaker 1: of my relationship at times with her mother, and I 1045 01:04:37,320 --> 01:04:41,200 Speaker 1: think it's also why it kind of killed me a bit. Yeah, 1046 01:04:41,280 --> 01:04:43,400 Speaker 1: I was before we get to question five, I was 1047 01:04:43,440 --> 01:04:45,320 Speaker 1: going to ask you, was like, what was it about 1048 01:04:45,360 --> 01:04:51,200 Speaker 1: Masks specifically? Um? For you? Yeah, it was the parent 1049 01:04:51,360 --> 01:04:54,400 Speaker 1: child connection and I did feel like a lot of 1050 01:04:54,440 --> 01:05:02,240 Speaker 1: times I was the mature together m HM one and 1051 01:05:02,520 --> 01:05:05,360 Speaker 1: that I it was a lot of times parenting and 1052 01:05:05,400 --> 01:05:08,440 Speaker 1: trying to get my mother to pull it together in 1053 01:05:08,440 --> 01:05:13,160 Speaker 1: different ways, and you know, yeah, never happened, but well 1054 01:05:13,200 --> 01:05:14,480 Speaker 1: that kind of came through on the TV show. I 1055 01:05:14,520 --> 01:05:16,160 Speaker 1: kind of had a feeling that might have been part 1056 01:05:16,200 --> 01:05:18,760 Speaker 1: of it. What do you mean part of your love 1057 01:05:18,760 --> 01:05:22,720 Speaker 1: for Matt the connection to Mass? Yeah, yeah, yeah for sure. Yeah. 1058 01:05:22,840 --> 01:05:27,160 Speaker 1: Share shares portrayal very much reminds me of my mother. 1059 01:05:27,560 --> 01:05:33,120 Speaker 1: But I also really connected to Deva Winger um as 1060 01:05:33,160 --> 01:05:37,000 Speaker 1: my mother because of that, like just passionate, like I'll 1061 01:05:37,080 --> 01:05:39,920 Speaker 1: rip your face off. I love my kids. Deva wing 1062 01:05:40,040 --> 01:05:42,880 Speaker 1: Or share kind of love for their kids. Yeah, for sure, 1063 01:05:43,880 --> 01:05:46,919 Speaker 1: I saw big mistake. I saw terms of endearment believe 1064 01:05:46,920 --> 01:05:49,560 Speaker 1: it or not, for the first time last year on 1065 01:05:49,600 --> 01:05:53,320 Speaker 1: a plane and I had to like put on my 1066 01:05:53,360 --> 01:05:58,000 Speaker 1: sunglasses and like in my seat. And I told my 1067 01:05:58,000 --> 01:05:59,760 Speaker 1: wife after She's like, why the fund did you watch 1068 01:05:59,800 --> 01:06:01,920 Speaker 1: that the plane? Yeah, so you know what that movie is. 1069 01:06:01,960 --> 01:06:04,520 Speaker 1: I was like, I thought I could handle it, but yeah, 1070 01:06:04,520 --> 01:06:06,680 Speaker 1: I could not handle it. Have you seen that? I 1071 01:06:06,720 --> 01:06:08,200 Speaker 1: don't know why it took me so long to see 1072 01:06:08,200 --> 01:06:10,240 Speaker 1: that movie because I loved every wing Orson and Gentleman 1073 01:06:10,280 --> 01:06:12,520 Speaker 1: is one of my favorite movies of all time. And 1074 01:06:13,360 --> 01:06:16,280 Speaker 1: just speaking of wrecking me, yeah, the whole movie wrecked me. 1075 01:06:17,200 --> 01:06:21,320 Speaker 1: Uh And finally, um, what is your do you have 1076 01:06:21,360 --> 01:06:23,520 Speaker 1: like a movie ritual? Like do you kind of sit 1077 01:06:23,560 --> 01:06:25,160 Speaker 1: in the same place or get the same thing at 1078 01:06:25,160 --> 01:06:30,880 Speaker 1: the concession stand? Or oh boy, I have always been 1079 01:06:30,920 --> 01:06:36,800 Speaker 1: somebody that gets popcorn. Well, I love barks root beer barks. 1080 01:06:36,800 --> 01:06:40,040 Speaker 1: You know it's it's from Mississippi. Um, I would always 1081 01:06:40,080 --> 01:06:43,400 Speaker 1: get barks no ice and always feel like, don't don't 1082 01:06:43,480 --> 01:06:45,680 Speaker 1: you even put ice in there because it comes out 1083 01:06:45,720 --> 01:06:48,520 Speaker 1: cold anyway. So just fill up the large one with 1084 01:06:48,640 --> 01:06:52,320 Speaker 1: barks no ice. Yeah, you get so much? Yeah and 1085 01:06:52,680 --> 01:06:54,640 Speaker 1: uh And I don't typically eat like that, but when 1086 01:06:54,680 --> 01:06:56,640 Speaker 1: I would go to the movies and it's like, fill 1087 01:06:56,720 --> 01:07:02,000 Speaker 1: me up big old barks and extra large, big gulp 1088 01:07:02,080 --> 01:07:06,720 Speaker 1: of popcorn and then throw some milk duds into the popcorn. 1089 01:07:07,480 --> 01:07:13,000 Speaker 1: And but now I'm vegan. So Stephanie just reminded me 1090 01:07:13,080 --> 01:07:17,840 Speaker 1: the other day. She's like, our milk days are gone. 1091 01:07:18,160 --> 01:07:20,160 Speaker 1: Inde sit in sort of the same area, or do 1092 01:07:20,200 --> 01:07:23,240 Speaker 1: you care? You know? Um, this girl I dated several 1093 01:07:23,320 --> 01:07:27,160 Speaker 1: years ago, she told me the trick at this one 1094 01:07:27,360 --> 01:07:31,240 Speaker 1: theater in Los Angeles, which, um, well, I don't want 1095 01:07:31,280 --> 01:07:33,000 Speaker 1: to tell you because I don't want in case you're 1096 01:07:33,040 --> 01:07:35,240 Speaker 1: in town, if you're going to see a movie when 1097 01:07:35,280 --> 01:07:37,800 Speaker 1: I'm going to see that all full to bump into me. 1098 01:07:38,000 --> 01:07:40,440 Speaker 1: Now it's I don't want you to steal my good seats. 1099 01:07:41,480 --> 01:07:46,640 Speaker 1: It's at the grove and if you sit with you 1100 01:07:46,680 --> 01:07:52,640 Speaker 1: sit behind where there's um bars. I think it might 1101 01:07:52,680 --> 01:07:57,360 Speaker 1: be a handicap seating is in front, so there's no 1102 01:07:57,600 --> 01:08:00,960 Speaker 1: chairs there. So if there's nobody in a wheelchair sitting 1103 01:08:00,960 --> 01:08:03,840 Speaker 1: there and you sit behind those bars, you can just 1104 01:08:03,880 --> 01:08:06,840 Speaker 1: put your feet on those bars. Yeah. I guess you 1105 01:08:06,840 --> 01:08:08,920 Speaker 1: could be a total jerk and put your feet up 1106 01:08:08,920 --> 01:08:11,880 Speaker 1: there if there's a wheelchair there, but I would highly 1107 01:08:11,920 --> 01:08:17,120 Speaker 1: suggest being a considerate human not doing that. Put your 1108 01:08:17,160 --> 01:08:21,439 Speaker 1: feet down, you slob. But anyway, Wow, so that's your 1109 01:08:21,520 --> 01:08:25,320 Speaker 1: that's your secret tip grove. But I also always have 1110 01:08:25,400 --> 01:08:28,960 Speaker 1: had a fantasy of going to a movie walking to 1111 01:08:29,000 --> 01:08:33,719 Speaker 1: the front the very front rope, you know, Ryder left 1112 01:08:33,720 --> 01:08:39,120 Speaker 1: corner by myself, just in an empty theater that was there. 1113 01:08:39,280 --> 01:08:43,400 Speaker 1: That's John Ronson's move. He sits in the front left seat. 1114 01:08:43,960 --> 01:08:46,920 Speaker 1: I'll see him there. I'll sit on his lap. So 1115 01:08:47,000 --> 01:08:50,760 Speaker 1: strange kind of like to see that. I know we 1116 01:08:50,800 --> 01:08:53,240 Speaker 1: have to wrap up. I will say, this is what 1117 01:08:53,320 --> 01:08:56,400 Speaker 1: my fantasy of I've always wanted to do is go 1118 01:08:56,520 --> 01:09:02,320 Speaker 1: into the grove. Yeah, and just start making announcements to 1119 01:09:02,479 --> 01:09:06,800 Speaker 1: the theater and not work there obviously, and just see 1120 01:09:07,600 --> 01:09:10,000 Speaker 1: how that goes for me. Yeah, see what takes. Yeah, 1121 01:09:10,040 --> 01:09:12,559 Speaker 1: And because the person you know that does work there 1122 01:09:12,600 --> 01:09:15,240 Speaker 1: is going to come in and and need to do 1123 01:09:15,280 --> 01:09:18,800 Speaker 1: the announcements and ask me would you just freewheel it 1124 01:09:18,920 --> 01:09:22,120 Speaker 1: or yeah, just like make sure you get your ticket validated, 1125 01:09:22,160 --> 01:09:25,799 Speaker 1: and you know, no talking, turn off your cell phones, 1126 01:09:28,439 --> 01:09:31,639 Speaker 1: really tell people the rules, you know, please no talk. 1127 01:09:31,760 --> 01:09:35,120 Speaker 1: You know, just bathrooms are over here, and if you 1128 01:09:35,200 --> 01:09:36,680 Speaker 1: have to get up and get it. And then the 1129 01:09:36,720 --> 01:09:39,519 Speaker 1: person the job that is comes in and sees me 1130 01:09:39,600 --> 01:09:44,800 Speaker 1: doing it one day, one day, I'll do it, all right, thanks, 1131 01:09:45,320 --> 01:09:56,280 Speaker 1: thanks for having me. Appreciate you coming in. All right. 1132 01:09:56,640 --> 01:10:01,000 Speaker 1: So how about that Jack Nataro and mask uh mirror 1133 01:10:01,160 --> 01:10:04,599 Speaker 1: seconds after getting the news that she was gonna live 1134 01:10:05,920 --> 01:10:10,200 Speaker 1: very very intense, cool conversation. She is the best. The 1135 01:10:10,200 --> 01:10:13,640 Speaker 1: fact that she soldiered on through this and uh we 1136 01:10:14,080 --> 01:10:17,400 Speaker 1: I feel like we really shared a moment. And I 1137 01:10:17,439 --> 01:10:19,519 Speaker 1: think she even admitted it on the show that she's 1138 01:10:19,520 --> 01:10:21,800 Speaker 1: going to remember this one for a while. So I 1139 01:10:21,840 --> 01:10:25,439 Speaker 1: feel lucky to have to have been with her when 1140 01:10:25,479 --> 01:10:28,479 Speaker 1: she found that news out. Very grateful that this all 1141 01:10:28,520 --> 01:10:31,320 Speaker 1: worked out this way and uh, not a bad way 1142 01:10:31,760 --> 01:10:34,840 Speaker 1: to get the second show off the ground. So I 1143 01:10:34,920 --> 01:10:37,720 Speaker 1: hope you enjoyed it and we will see you next 1144 01:10:37,760 --> 01:10:41,040 Speaker 1: time on movie Crush and until then, Uh, would you 1145 01:10:41,080 --> 01:10:57,920 Speaker 1: mind putting your phone away? Movie Crushes, produced, edited, engineered, 1146 01:10:57,960 --> 01:11:01,760 Speaker 1: and scored by Noel Brown from our podcast studio at 1147 01:11:01,800 --> 01:11:03,559 Speaker 1: Pond City Market, Atlanta, Georgia,