WEBVTT - The Decision

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>Hey everyone, it's warmer vol drama. When it comes to insurance,

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<v Speaker 1>Tura podcast network here to tell you that yes, you

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<v Speaker 1>it's we all love our culture's obsession with old tales.

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<v Speaker 1>Swimming after eating gives cramps, Reading with a dim light

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<v Speaker 1>all electric honday Ionic lineup is here to help drive

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<v Speaker 1>to stop believing old tales? Because when it comes to

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<v Speaker 1>debunking myths, Hyundai is thinking of every mile Unday, it's

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<v Speaker 1>your journey, proud partner of the Michael do the Podcast Network?

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<v Speaker 1>You sorry? Yes? Yes, yeah, Yeah, you're right. Man. Does

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<v Speaker 1>she know that that I'm the one who is replacing her?

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<v Speaker 1>I don't know. I ain't telling none that. I didn't

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<v Speaker 1>want to tell any of that without talking to you guys. First, Man,

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<v Speaker 1>this all feels pretty sudden to me. She got on

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<v Speaker 1>a plane. Wow, what if she breaks your heart again? Man?

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<v Speaker 1>Can you handle that emotional roller coaster twice? I don't know. Okay, Adelita,

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<v Speaker 1>you still haven't told me how you feel about any

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<v Speaker 1>of it? Is I need you to say something? I

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<v Speaker 1>don't think it matters. Of course it matters. Well, to

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<v Speaker 1>be honest, it sucks. We've worked our asses off. But

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<v Speaker 1>this is your decision to make. It's it's your song,

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<v Speaker 1>your performance. I know that I still want your opinion. Well,

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<v Speaker 1>my advice would be for you to separate your relationship

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<v Speaker 1>from the Grammys. If you want to get back together

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<v Speaker 1>with her, okay, but don't do it on stage. But

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<v Speaker 1>this song is about her and I. I literally wrote

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<v Speaker 1>it about us and for us. Do you trust her

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<v Speaker 1>after what she did to you? I'd like to think

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<v Speaker 1>that if I was in her poss and she'd give

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<v Speaker 1>me a second chance too. So this isn't a publicity

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<v Speaker 1>stunt z. Yeah, it's not like that out Alita. Really Yeah,

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<v Speaker 1>because the scandal made the song a massive hit. But

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<v Speaker 1>now no one is talking about her, just about you

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<v Speaker 1>and the Grammys. All right, all right, Look, what if

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<v Speaker 1>I tell her that I'm willing to give us a

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<v Speaker 1>second chance, but I want to wait until after the

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<v Speaker 1>Grammys to get back together. I mean, not make the

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<v Speaker 1>whole thing a spectacle. You know, that's a good way

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<v Speaker 1>to test her intentions. She says, No, that should raise

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<v Speaker 1>a red flag. You're a catch. Wisdom she'd be lucky

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<v Speaker 1>to get you back, So if she really wants you back,

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<v Speaker 1>she'll wait. The Grammys are irrelevant, but don't worry about us.

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<v Speaker 1>We'll accept whatever your decision is. We'll be fine. Yeah,

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<v Speaker 1>thanks man, I appreciate that. I really appreciate that, especially

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<v Speaker 1>after what we've gone through in the last few days.

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<v Speaker 1>You know, all right, you know what, I'll talk it

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<v Speaker 1>out with her and I'll call you at cool. Okay, See, yeah,

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<v Speaker 1>there you go. What do we do if he decides

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<v Speaker 1>to perform with sod Yeah, that will set me back

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<v Speaker 1>big time. You know, maybe it's for the best. What

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<v Speaker 1>do you mean for the best? I know you're counting

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<v Speaker 1>on Wisdom to jump start your crossover career, but I

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<v Speaker 1>don't think you need him or anyone else for that matter.

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<v Speaker 1>So who cares if we have to figure out another

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<v Speaker 1>way to do this? I care. This Grammy performance was

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<v Speaker 1>not only supposed to expose me to a mainstream audience.

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<v Speaker 1>It was supposed to help me convince Miracles to let

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<v Speaker 1>me do something else with the two albums. I still

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<v Speaker 1>owe him. If I don't do this performance, I could

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<v Speaker 1>be stuck for at least two more years doing Dahana.

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<v Speaker 1>I get it, and I know you're upset, like this

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<v Speaker 1>is out of our control. No, let's just wait and

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<v Speaker 1>see what wisdom decides. We're gonna be fine. Why don't

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<v Speaker 1>I help you with those? Well, you'll have to make

0:04:54.839 --> 0:04:57.599
<v Speaker 1>them yourself. My mom will be here any minute. I

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<v Speaker 1>need to get ready. This drive never gets old. Do

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<v Speaker 1>you remember all the weekends I used to take you

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<v Speaker 1>back to Guarez after we moved to a bustle, back

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<v Speaker 1>and forth all the time to see our willows. I'd

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<v Speaker 1>be so excited to see them, and then they fall

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<v Speaker 1>asleep before we even got there. It wasn't even an

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<v Speaker 1>hour drive. You've always been able to sleep anywhere, you

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<v Speaker 1>learn when you've been touring for half of your life.

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<v Speaker 1>I miss them me too, h Adelita, wake up? Mm

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<v Speaker 1>we're here, m oh hipaa. How was my favorite tailor?

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<v Speaker 1>Don't get me started. I had a girl in here

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<v Speaker 1>last month who had fifteen girls in her court. Made

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<v Speaker 1>all those dresses in a month. Wowa, How do you

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<v Speaker 1>do it? Your fabric store got mad at me for

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<v Speaker 1>buying up all their taffat Wow? When I always making

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<v Speaker 1>Akinsianera's dreams come true. Let me show you what I

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<v Speaker 1>made for you. Based on the sketches you sent me,

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<v Speaker 1>m Poor Carmen as sequent dress as you requested, seated, bunk, classy,

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<v Speaker 1>as the gold will make you shine on the red

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<v Speaker 1>garpet night. It's stunning, absolutely stunning, And for you, my

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<v Speaker 1>dearra Belita, I didn't just as you asked. She didn't

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<v Speaker 1>even tell me what you were making for her. Here

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<v Speaker 1>it is. What do you think? I love it? Wow?

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<v Speaker 1>That's different. Is that a dress? No, it's a hand

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<v Speaker 1>embroidered cap. I wanted something that was both traditional and

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<v Speaker 1>modern Mexican nouveaux. Oh my gosh, I love this. It's beautiful.

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<v Speaker 1>But why would you wear a cape to the Grammys? Mom?

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<v Speaker 1>I just wanted something different. I wanna it's gorgeous, but

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<v Speaker 1>it's not even te Hanno style. But it's Mexican and

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<v Speaker 1>I was Mexican before I ever became a Tehannah. I

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<v Speaker 1>want to try it on. She's going through a face.

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<v Speaker 1>I get it. I got five daughters of my own. Remember,

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<v Speaker 1>let's see it on her. You might like it. What

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<v Speaker 1>do you think you look like? You're ready to make

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<v Speaker 1>an entrance? Huh. It's definitely a beautiful cape. I'm just

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<v Speaker 1>not sure it's the right outfit for the Grammys too late.

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<v Speaker 1>I'm afraid I love it. I love it. Thank you? Juanna,

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<v Speaker 1>wanna maybe we make a backup dress just to be safe, Juanna,

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<v Speaker 1>I'm not changing my mind. This is what I'm wearing.

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<v Speaker 1>I guess it's settled them. Oh, I could tell my

0:08:57.600 --> 0:09:02.640
<v Speaker 1>mom was screaming inside, just couldn't bear the idea of

0:09:02.679 --> 0:09:06.360
<v Speaker 1>not being in charge of my every move. She gave

0:09:06.360 --> 0:09:09.120
<v Speaker 1>me one of those looks mother's give, one that said

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<v Speaker 1>she wasn't about to make a scene in front of Juana,

0:09:12.080 --> 0:09:15.439
<v Speaker 1>but we'd be speaking about it later. But this time

0:09:15.760 --> 0:09:19.200
<v Speaker 1>I wasn't going to back down. After all, only I

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<v Speaker 1>knew how symbolic this outfit would be for the Grammys.

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<v Speaker 1>Let's head over to ichiha Wama. I'm craving Maria tam Alice,

0:09:27.679 --> 0:09:30.800
<v Speaker 1>the only thing your husband hasn't mastered yet. I'll make

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<v Speaker 1>sure to tell him. I guess it's my turn to

0:09:33.360 --> 0:09:40.960
<v Speaker 1>try on my dress. Yes, you think I could still

0:09:41.000 --> 0:09:51.400
<v Speaker 1>trade her him. As a dad, actor, producer, and activist,

0:09:51.720 --> 0:09:54.320
<v Speaker 1>my schedule fills up fast, and as we all know,

0:09:54.480 --> 0:09:57.840
<v Speaker 1>life can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>Like when your friend offers you those mordant words of

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<v Speaker 1>advice or when your mom makes your favorite food, just

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<v Speaker 1>supporter of the Michael Tuda podcast network by helping showcase

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<v Speaker 1>Stay farm Istas and as a punto State Farm, punto

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<v Speaker 1>Wherever you listen to your podcasts, you've heard the phrase

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<v Speaker 1>well behaved women rarely make history, especially in the sports world.

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<v Speaker 1>Michaelob Ultra and Michael Tura are proud to spotlight female

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<v Speaker 1>making history her way. Did you know Alexa Grosso has

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<v Speaker 1>made history as the first Latina UFC Women's flyweight champion.

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<v Speaker 1>I think that's so incredible image yo, see a Latina

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<v Speaker 1>get this amazing recognition, especially in a male dominated sport.

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<v Speaker 1>As someone who also works in a male dominated industry.

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<v Speaker 1>I know how hard it can be to break through,

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<v Speaker 1>is a win for all of us and for women everywhere.

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<v Speaker 1>So here's a toast to the fierce women doing what

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<v Speaker 1>they love, becoming living legends in the sports world in

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<v Speaker 1>the process, and making her story. Because it's only worth

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<v Speaker 1>it if you enjoy it. Make a low ultra, please

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<v Speaker 1>enjoy responsibly. Sitting too close to the TV is bad

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<v Speaker 1>for your eyes, Shaving your hair makes it grow back thicker,

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<v Speaker 1>or you can get a cold from walking barefoot. How

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<v Speaker 1>many times have you heard these popular so called truths? Well, no,

0:11:47.640 --> 0:11:51.439
<v Speaker 1>what they're not really truths? Are they more like old tales?

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<v Speaker 1>And what about electric cars? How many tales have you heard?

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<v Speaker 1>They lack performance, take too long to charge, don't have

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<v Speaker 1>Ionic six are the best cars in the world. But

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<v Speaker 1>it's not just them saying it. Dozens and dozens of

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<v Speaker 1>global awards around the world say it. So isn't it

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<v Speaker 1>time to stop believing old tales when it comes to

0:12:27.840 --> 0:12:39.680
<v Speaker 1>debunking myths? Unday's thinking of every mile Unday, it's your journey. Wow,

0:12:40.080 --> 0:12:42.800
<v Speaker 1>every time we come here, the restaurant gets bigger. It

0:12:42.840 --> 0:12:45.440
<v Speaker 1>looks like they remodeled it since last time we were here.

0:12:45.760 --> 0:12:48.640
<v Speaker 1>But look at the walmiha. They still have that sign

0:12:48.720 --> 0:12:51.840
<v Speaker 1>polaroid of you singing here as a little girl. They

0:12:52.040 --> 0:12:57.560
<v Speaker 1>live dottlement off. So nice to see you again. Look

0:12:57.600 --> 0:13:01.800
<v Speaker 1>at you, you look so beautiful. Him that it has

0:13:01.920 --> 0:13:05.720
<v Speaker 1>been too long. I know, so good to see you too, Maria.

0:13:06.040 --> 0:13:08.600
<v Speaker 1>And and look at this place. You turned your tiny

0:13:08.679 --> 0:13:11.679
<v Speaker 1>hole in the wall into an incredible place. Let me

0:13:11.720 --> 0:13:17.120
<v Speaker 1>tell you because of you. Now, every aspiring singer and

0:13:17.240 --> 0:13:21.640
<v Speaker 1>band in Chihuahua performs here, hoping to be his famous

0:13:21.760 --> 0:13:25.360
<v Speaker 1>as you something. I I was just happy to have

0:13:25.440 --> 0:13:27.760
<v Speaker 1>a place that would let me perform. Let me get

0:13:27.800 --> 0:13:36.240
<v Speaker 1>you a table, Okay, say it, say it. I'm so

0:13:36.320 --> 0:13:39.079
<v Speaker 1>glad you came to night gutman because it's luck. What

0:13:39.280 --> 0:13:42.400
<v Speaker 1>have it? We have a new young singer about to perform.

0:13:42.520 --> 0:13:45.360
<v Speaker 1>I'm so curious to know what you think. Great, Oh

0:13:45.440 --> 0:13:48.240
<v Speaker 1>what kind of music does she do? Nor dagnel, but

0:13:48.720 --> 0:13:51.800
<v Speaker 1>I ReLit that she reminds me so much of you.

0:13:52.320 --> 0:13:56.800
<v Speaker 1>Oh well, I can't wait to hear her sing. Okay,

0:13:57.760 --> 0:14:12.600
<v Speaker 1>there she is mocha Grassiers grassiers estroste Ah, he can

0:14:12.679 --> 0:14:20.960
<v Speaker 1>eat the dam in canda, the busy life Ah hes done.

0:14:21.120 --> 0:14:29.240
<v Speaker 1>Bonita la be the quand tu show eer the lip

0:14:29.440 --> 0:14:37.640
<v Speaker 1>and the bet della realita. Ah. He can may mean

0:14:38.200 --> 0:14:46.800
<v Speaker 1>slappy the dane to beja peroo, no signific, Go give

0:14:46.880 --> 0:14:53.880
<v Speaker 1>me get us the ba po is so no significant

0:14:54.120 --> 0:15:00.640
<v Speaker 1>Get the behead then mea e joe he eats it

0:15:02.400 --> 0:15:16.760
<v Speaker 1>may get foota you only go on more, pa, see

0:15:16.800 --> 0:15:26.360
<v Speaker 1>it again on the foot of the foot game. You

0:15:26.520 --> 0:15:56.400
<v Speaker 1>see that's gonna so whoa, whoa. Oh, thanks so much everyone.

0:15:57.360 --> 0:16:00.480
<v Speaker 1>I'll be back with a couple more songs. Okay. Oh

0:16:00.800 --> 0:16:13.000
<v Speaker 1>in the meantime, please enjoy your dinner. Guard me meet Ola.

0:16:13.440 --> 0:16:16.600
<v Speaker 1>You were wonderful up there. I can't believe I just

0:16:16.760 --> 0:16:20.960
<v Speaker 1>performed for avelita for you, Miss Fas and I loved it. Really,

0:16:21.760 --> 0:16:25.400
<v Speaker 1>I mean, you're the woman who made avelita star. Well

0:16:25.600 --> 0:16:28.840
<v Speaker 1>that was me Like, okay, well, I do know how

0:16:28.880 --> 0:16:31.680
<v Speaker 1>to spot talent, and you, my dear, have a lot

0:16:31.760 --> 0:16:34.920
<v Speaker 1>of it. Thank you so much. Do you have a

0:16:35.080 --> 0:16:37.760
<v Speaker 1>manager yet, because if you don't, I'd like to talk

0:16:37.800 --> 0:16:40.160
<v Speaker 1>to you and your parents about that. I don't have

0:16:40.240 --> 0:16:44.120
<v Speaker 1>a manager, but I didn't think you took on other clients.

0:16:44.360 --> 0:16:48.040
<v Speaker 1>I never have, but maybe it's time I did. Here

0:16:48.160 --> 0:16:53.040
<v Speaker 1>take my car. I chewa am I witnessing history in

0:16:53.120 --> 0:16:56.720
<v Speaker 1>the making, mets hope, So not that yet. Let me

0:16:56.800 --> 0:16:59.080
<v Speaker 1>get a poor word of you. I want you to

0:16:59.200 --> 0:17:01.640
<v Speaker 1>sign it, so you put it up next to this

0:17:02.440 --> 0:17:09.680
<v Speaker 1>sure yeah, oh sake, jeez, cheeze. Does anybody have a pen?

0:17:11.320 --> 0:17:14.280
<v Speaker 1>I'll trade you a pen for a mic. Oh maybe

0:17:14.320 --> 0:17:19.040
<v Speaker 1>your customers would enjoy an impromptu performance. Oh my goodness,

0:17:19.119 --> 0:17:23.920
<v Speaker 1>take love it. The band can play anything. Go back?

0:17:28.080 --> 0:17:50.720
<v Speaker 1>What was love a hen day? This day? As I

0:17:50.800 --> 0:17:53.840
<v Speaker 1>started to say, I looked over at my mother, who

0:17:53.920 --> 0:17:56.320
<v Speaker 1>gave me the same look as the one at once.

0:17:57.560 --> 0:18:01.280
<v Speaker 1>She knew exactly what I was doing, but she also

0:18:01.640 --> 0:18:12.040
<v Speaker 1>way do we beat a moment? Though? Hey? He gon

0:18:12.359 --> 0:18:20.800
<v Speaker 1>us and she love or get through messa us stanti,

0:18:23.200 --> 0:18:30.720
<v Speaker 1>I ever relm be still up to God asan instead

0:18:30.960 --> 0:18:37.720
<v Speaker 1>I'm going I said that stack comes on his still

0:18:37.840 --> 0:18:43.840
<v Speaker 1>do had a grip. Men just said is Eri to

0:18:44.040 --> 0:18:49.440
<v Speaker 1>take canea he is lie use them mething I got

0:18:49.560 --> 0:18:57.080
<v Speaker 1>a son one more hard through the Vida Saphia Josette

0:18:57.160 --> 0:19:20.480
<v Speaker 1>is he Ri to day can Hena. If you're enjoying

0:19:20.520 --> 0:19:24.600
<v Speaker 1>Adelita Changing the Key, please subscribe, rate, and review our

0:19:24.640 --> 0:19:28.520
<v Speaker 1>show wherever you're listening. Adelita Changing the Key is a

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<v Speaker 1>production of Sonoro in partnership with Ihearts Michael Tura Network.

0:19:33.240 --> 0:19:37.040
<v Speaker 1>Created and written by li Jia Vijaloos, Produced by Luisa

0:19:37.119 --> 0:19:42.239
<v Speaker 1>Guardo Castillo, Grinza Chaires and Bettina Lopez Mendoza, directed by

0:19:42.359 --> 0:19:48.240
<v Speaker 1>Javier Praza. Developed by Jasmine Romero, Bettina Lopez and Christian Hatar.

0:19:48.880 --> 0:19:52.560
<v Speaker 1>Executive produced by Gisel Benzes and conal Byrne for iHeart

0:19:52.800 --> 0:19:57.480
<v Speaker 1>and Camilla Victoriano and Josia Weinstein for Sonoro. Executive produced

0:19:57.520 --> 0:20:01.720
<v Speaker 1>by Dayangerero and li Jia Vijanoos. This episode written by

0:20:01.800 --> 0:20:05.840
<v Speaker 1>Helen Jencer and Lejavia Lobos, with help from Daniela Sarkis

0:20:06.080 --> 0:20:11.359
<v Speaker 1>Bedina Lopez Rodrigo, Bravo, Monizachin, Rich Bariana Martinez Gomez and

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<v Speaker 1>ed Garristeva. Performances in this episode by Dian Guerrero, La

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<v Speaker 1>Marquis Chiston, Jesi Garcia, Anna Artis, Marguerite No Sera, Terry

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<v Speaker 1>Hoyos and Elie Hernandez as a dad actor producer for

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<v Speaker 1>an activist. My schedule feels up fast and as we

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