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Speaker 1: Welcome and Bombing with They're and Andrey in the podcast

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Speaker 1: where I talk with friends, comedians, musicians, and other creative

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Speaker 1: people about their worst moments on stage and truly.

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Speaker 2: Embarrassing themselves in front of a live audience. Our guest this.

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Speaker 1: Week is a woman I absolutely adore.

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Speaker 2: She takes no shit, she takes no prisoners.

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Speaker 1: Seen her all over television doing voiceover and your favorite

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Speaker 1: animated shows. It's Ducey Sloan and remember to pretty please

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Speaker 1: subscribe to the podcast to get new episodes every week.

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Speaker 1: Rated five stars and on Apple Podcasts. Subscribe to Big

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Speaker 1: Money Players Diamond to hear more much Chat with Dulsay

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Speaker 1: plus add three episodes every week.

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Speaker 2: Let's get into it. Bombing with aeric Andre.

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Speaker 3: Wait wait, wait, you're telling me Eric and wanted.

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Speaker 1: Structure, a little bit of structure, a little bit of

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Speaker 1: organized chaos. I just want to like a piece of

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Speaker 1: paper to fall back on. Okay, cool, cool, Well we

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Speaker 1: can just hang fuck it. It's a podcast about bombing,

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Speaker 1: so that's gonna come up naturally.

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Speaker 2: You have to tell as a bombing story.

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Speaker 3: I remember I was meeting some of my cousin's friends

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Speaker 3: one day. He's an artist and I was having dinner

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Speaker 3: with all his artsy fucking friends and this motherfucker I

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Speaker 3: had just met. He was like, so, tell me about

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Speaker 3: when you bombed.

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Speaker 2: And I went, no, why because it's too traumatic.

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Speaker 3: I said, I just met you. He's like, I'm just saying.

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Speaker 3: I was just like, then, tell me about the time

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Speaker 3: that you had a traumatic event happened. No, I just

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Speaker 3: fucking met you, bro, I'm not Finnish a traumatic event, nigga,

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Speaker 3: I don't know your last name the fuck. And his

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Speaker 3: friends were like annoy and I said, I don't give

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Speaker 3: a fuck about you or your hat. No, fuck this,

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Speaker 3: little nigga, I'm not doing that. No, I don't know

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Speaker 3: this man. Shit was wild. Well, I just wanted you

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Speaker 3: to just shared experiences. No, you want to sit on

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Speaker 3: the trauma bomb with me, bitch. I don't know you

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Speaker 3: and you too little to fuck so please relax.

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Speaker 2: Wait are we doing this? Yeah? Yeah, yeah yeah on

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Speaker 2: the thing.

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Speaker 4: Now, we gotta talk about bombing. I want to hear

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Speaker 4: your bombing story. I want to hear the worst time

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Speaker 4: you ever bombed, so and I want to hear any

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Speaker 4: bomb you experience or any cringey incident that you had

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Speaker 4: in a in a performance. It could even be like

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Speaker 4: I saw Beyonce at the Rose Bowl and she.

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Speaker 1: I can say, Okay, what's it? And I know it's

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Speaker 1: deeply personal and traumatic, but please show.

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Speaker 3: I can say that the worst bomb I ever had.

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Speaker 3: I don't think people would consider a bomb, but it's

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Speaker 3: just something that had bugged me. It haunts not anymore,

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Speaker 3: but like for a good six months. Yeah, really fucked

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Speaker 3: with me.

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Speaker 2: I have a bomb from like five years ago. It

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Speaker 2: still haunts me.

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Speaker 3: Oh because people don't realize it's like because and I

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Speaker 3: was and I was like still early in so I

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Speaker 3: was at this place called Barnacles. So you know, people

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Speaker 3: of a sports.

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Speaker 4: Bar, okay, and for years it's paint as a picturey.

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Speaker 3: So I'm in Atlanta. I'm still like a baby comic.

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Speaker 3: I would say twenty ten, twenty eleven, because I have

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Speaker 3: my apartment and so I'm out of sports Bar that's

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Speaker 3: like down the street from where I grew up, literally

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Speaker 3: two miles three miles Atlanta in Atlanta, So I'm on

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Speaker 3: Jimmy Carter place called Barnacles. So sports Bar is like

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Speaker 3: a seafood place and it's a urban show. You know.

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Speaker 2: One.

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Speaker 3: Black rooms are always harder because people don't realize why

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Speaker 3: black rooms are harder. It's because we.

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Speaker 2: Break down for our audience. White black rooms are.

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Speaker 3: Black rooms are hard because, and I think it's one

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Speaker 3: of my theories, it's because so when black people go out,

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Speaker 3: we get dressed. So first of all, I got dressed.

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Speaker 3: I got a babysitter.

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Speaker 2: Like there's a production sit went into.

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Speaker 3: This wasn't a casual any time black people go out.

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Speaker 2: Yeah, we get dressed.

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Speaker 3: So I bought an outfit first of all. Then I

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Speaker 3: bought tickets second of all. Then they're the two to

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Speaker 3: three ITA minimum.

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Speaker 2: Yep, and a baby and a babysitter going on.

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Speaker 3: In the back, and a babysitter if they have show.

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Speaker 3: I'm not saying all black people got kids, but if

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Speaker 3: you have a babysitter, babysitter. What happened for sure is outfit,

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Speaker 3: tickets to ITA minimum.

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Speaker 4: Right, So they want results the comedian steps on stage,

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Speaker 4: they want results.

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Speaker 3: Every time you talk, they are counting money. Every word

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Speaker 3: out your mouth is dollars and cents my gas. I

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Speaker 3: might have had to pay the part, yeah yeah, I

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Speaker 3: might have had to run through five days of traffic

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Speaker 3: to get in this fucking place. Then security might have

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Speaker 3: shook me down. So it's like there's a lot going

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Speaker 3: into coming into this show at a fucking sports bar. Ye,

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Speaker 3: and you have the nerve to not bring the heads,

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Speaker 3: to not bring the heads and the other the thing

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Speaker 3: is about when it comes to urban rooms. Because Big Kenny.

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Speaker 2: Mentored me, I could meet Big Kenny.

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Speaker 3: He's a great he's a great man. He's in Atlanta.

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Speaker 2: Where's Big Kenny? Get Big Kenny to New York.

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Speaker 3: Listen, he got he got kids, he got a wife.

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Speaker 2: But bring him up.

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Speaker 4: Let's make a special trip ice skating at that thirty round.

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Speaker 4: I'll take him to Mama Mia Lion King.

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Speaker 3: We got to come through. But I mean, I make

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Speaker 3: sure I mentioned him at all times.

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Speaker 2: So he's like a mentor.

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Speaker 3: He's mentoring me, and so he taught me he is.

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Speaker 3: But I also realized that, like a lot of things,

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Speaker 3: I think because I came in and everyone knew me

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Speaker 3: because I was like he was helping me and all

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Speaker 3: this other stuff, I think there's a lot of bullshit

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Speaker 3: when I first started out that I didn't have to

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Speaker 3: deal with because like a lot of girls talk about,

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Speaker 3: like you know, men being a certain way with them,

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Speaker 3: But I literally like heard comments go, oh, that's that's

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Speaker 3: the girl Big Kenny is, and they didn't want to

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Speaker 3: piss off Big because they would have lost spots.

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Speaker 2: So he protected you.

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Speaker 3: Yeah, and even when he wasn't even there.

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Speaker 2: You were under his wing.

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Speaker 3: Yes, so it was in his weekchic sh and then.

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Speaker 3: But I knew all these other comics because I had

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Speaker 3: been like hanging around comedy clubs two years before I

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Speaker 3: even started. So it's a bunch of comics that I

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Speaker 3: just knew. So when I started out, they were like, oh, no,

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Speaker 3: this is leave her alone. Don't like they I mean,

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Speaker 3: they have no idea, but like, oh, you were.

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Speaker 2: Like Tony Soprano's daughter.

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Speaker 3: Basically, it was like, oh you cool with something, Okay,

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Speaker 3: well don't with some nigga Once a while would say

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Speaker 3: something slick. But for the most part, there was a

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Speaker 3: lot of bullshit that I didn't put up with as

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Speaker 3: a female comics starting out in urban rooms. That because

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Speaker 3: there was Big Kenny and I knew a lot of

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Speaker 3: the comics before I started. It was a lot of oh,

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Speaker 3: she good, she good.

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Speaker 2: Oh you know, don't you're almost spoiled by that.

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Speaker 1: It's not a spoiled but I mean like going into

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Speaker 1: this particular night.

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Speaker 4: Well you were almost like, I'm protected. Big Kenny's got

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Speaker 4: has vouch for me, and see what this is.

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Speaker 1: That scrambled a little bit because you were like, I'm

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Speaker 1: gonna be Everything's gonna be just dandy.

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Speaker 3: Well, the thing is, so at this point, I was

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Speaker 3: doing both rooms, and I was only doing mainstream rooms

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Speaker 3: at this point because even though I didn't put up

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Speaker 3: a bullshit from like a people, yeah, I still wasn't

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Speaker 3: getting up because I was a girl, right, So I

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Speaker 3: still wasn't getting a lot of time in urban rooms.

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Speaker 3: So I started just doing more mainstream rooms. Well, people

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Speaker 3: also don't realize what Big Kenny taught me was in

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Speaker 3: urban rooms, you have a laugh every thirty second.

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Speaker 2: Yeah.

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Speaker 3: Think about the number of times you put to a

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Speaker 3: white show just still doing his setup and I'm.

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Speaker 2: Like, wow, yeah, yeah, yeah, yeah, a.

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Speaker 3: Two minute fucking setup.

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Speaker 2: Yeah really yeah.

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Speaker 1: It's like when I watch Earthquake or I watched j

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Speaker 1: Anthony Brown, like those guys like the setup is punchlines.

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Speaker 2: I'm away to the punch out and that's it's like

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Speaker 2: every sentence, it's like the machine gun. You're like, what

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Speaker 2: the fuck? Their writing is just like unbelievable.

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Speaker 4: And then you're like, you watch those guys like, oh yeah,

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Speaker 4: you have to get a laugh every sentence. Yes, on

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Speaker 4: the way to the big yes laugh and that better

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Speaker 4: big people laugh.

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Speaker 3: But if you watch me, that's how I do my joke.

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Speaker 2: Yeah. Yeah, yeah, it makes you strong. I mean, urban

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Speaker 2: rooms make you.

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Speaker 4: You go back to the mainstream room, you're like, I've

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Speaker 4: been lifting five hundred pound weights days.

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Speaker 3: But they make you strong if you can get on stage.

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Speaker 2: Yeah. And that's the other thing. So what happened at

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Speaker 2: this particular So.

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Speaker 3: This particular evening at Barnacles.

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Speaker 1: Barnacles and are the football games going on the fucking

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Speaker 1: flat screen and.

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Speaker 3: Attention but because of but the host, to his credit,

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Speaker 3: made them turn the TVs off.

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Speaker 4: Huh But some times that brings animosity at the top

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Speaker 4: of the thing. Well, what they said was he was

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Speaker 4: like a stage of the guys on the floor. There

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Speaker 4: was a slight stage, slight stages, but everything was.

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Speaker 3: Directed towards that stage because we were in the different room.

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Speaker 3: And he was like, yo, if you want to watch

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Speaker 3: the game, because it was almost like a big event room, okay,

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Speaker 3: because they had the chairs all turned to the stage

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Speaker 3: and they're like, he was like, listen, if you want

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Speaker 3: to watch the game, you go to the bar. Okay,

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Speaker 3: we haven't shown here.

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Speaker 2: Okay, that's fair. That's a good way to I was like, God, bless, Yeah,

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Speaker 2: that's a good way to do.

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Speaker 3: A number of times I have had to tell jokes

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Speaker 3: in front of a championship.

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Speaker 4: Oh I've been. I've been like, they just walked me

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Speaker 4: out with no inch. I've been in a sports bar.

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Speaker 4: They just magically turned off all the TVs, didn't announced shit,

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Speaker 4: and I just had to walk out amongst tables and

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Speaker 4: chairs and just start telling jokes in like a sports

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Speaker 4: bar in Florida.

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Speaker 2: I called They're just like what? People are like what?

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Speaker 4: And then they're like, is one of the waiters talking

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Speaker 4: for some reason into a microphone? And the first like

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Speaker 4: five to ten minutes are just people comprehending what's going on.

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Speaker 4: And by then it's over like you're just bombing, Like

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Speaker 4: they're like, stop talking. I was just watching basketball out.

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Speaker 3: I call that Kamakazi comedy.

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Speaker 2: You are living your life, trap.

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Speaker 3: You are living your life watching the game, eating some

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Speaker 3: mediocre wings and then all of a sudden, so uh,

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Speaker 3: you guys ever know, bitch, we have it.

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Speaker 2: They're like, who the fuck is this guy? The bus

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Speaker 2: boy won't shut the fuck.

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Speaker 3: Up, sir, Who let you in here? Security security, come

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Speaker 3: get this man.

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Speaker 2: Oh man, those shows what you're awful?

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Speaker 1: Okay, So the host is on stage and he goes

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Speaker 1: you guys want to watch the game, set of the bars,

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Speaker 1: watch the show.

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Speaker 2: We're here for a show.

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Speaker 3: Because there are people that bought tickets to the show,

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Speaker 3: and then people just want to watch the game. But

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Speaker 3: there's like a pool table like way off in the bag,

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Speaker 3: and people are actually playing pool, but they're kind of

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Speaker 3: like paying attention. And so I probably went up like

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Speaker 3: dead in the middle, because that's the thing that I

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Speaker 3: like to do. People like, oh, they want to go

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Speaker 3: up last, they want to go first.

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Speaker 2: No, I'll be fifth, yeah, third, fourth.

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Speaker 3: Third, fourth, fifth, yeah.

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Speaker 2: Why Yeah.

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Speaker 3: That's that's how you know you've been working as a comic,

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Speaker 3: where you're like, I'll go third.

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Speaker 2: Yeah. Yeah.

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Speaker 3: Also, I need to whoever is listening if you are

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Speaker 3: a comic. No, going last does not mean you headlined.

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Speaker 1: No, not on those shows. That's just like a showcase show.

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Speaker 3: Going last means you closed.

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Speaker 2: Yes.

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Speaker 3: Also, yes, stop calling me and Eric Andre to come

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Speaker 3: to your show. To go last. And when we say

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Speaker 3: we want to go third, yeah, well you know what

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Speaker 3: the audience.

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Speaker 2: Yeah, yeah, I hate that show.

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Speaker 3: If your audience leaves because I left.

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Speaker 2: That's all. That's not me, That's true.

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Speaker 1: I always feel guilty and I'm like, okay, all right,

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Speaker 1: I'll go last, And then I'm waiting like seven hours

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Speaker 1: through a bunch of like nonsense, and I'm like, I

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Speaker 1: don't even know that. This is just a guy that

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Speaker 1: got my email from somebody that I don't even know. Like,

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Speaker 1: I'm like, well, I don't know anybody.

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Speaker 4: This guy's paying me thirteen bucks to sit on a

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Speaker 4: seven hour show.

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Speaker 2: Yes, I'm getting paid.

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Speaker 3: You have to be respectful of people's time.

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Speaker 2: Yeah, you have to.

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Speaker 3: Be respectful of the fact that I've been doing this

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Speaker 3: for twelve thirteen years. I already did this telling jokes

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Speaker 3: in a fucking basement of a pizza restaurant.

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Speaker 2: Yeah, in twenty ten, I feel guilty.

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Speaker 3: You can't, there's no no, because you didn't do anything wrong.

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Speaker 3: Somebody is wasting your time. You worked hard enough to

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Speaker 3: go This is when I'd.

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Speaker 2: Like to go up. Yeah, you're right. Third is my sweets.

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Speaker 2: Third or fourth, the third or four, fifth, and so

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Speaker 2: so you're there, I'm in your play. You're going up

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Speaker 2: fifth going up? Are the comics? How are the comics

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Speaker 2: before you doing?

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Speaker 3: The comics that do urban rooms kill it, the comics

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Speaker 3: that do mainstream rooms not killing No, the two comics

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Speaker 3: in Atlanta. I saw the bet that could Clayton English

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Speaker 3: seamless between doing a mainstream room and an urban room.

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Speaker 2: That's the fucking sweet spot, seamless. That's why he's fucking amazing.

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Speaker 3: He's a beast. Rob Hay, same thing. He's a beast

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Speaker 3: Clayton English. I'm talking about no difference. And I know

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Speaker 3: when I so, I know when I do urban room. Okay,

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Speaker 3: I have to be you know, a little bit more

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Speaker 3: more energy, you talk a little faster about it. It's

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Speaker 3: bout by by by by by bye because little more.

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Speaker 3: That's just what it is. Clayton English. I've been watching

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Speaker 3: this man because he's one of the first comics I've

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Speaker 3: been watching clay He was just two thousand and seven.

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Speaker 3: Because I said them one day, I was like, do

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Speaker 3: you know I've known you since I was twenty seven

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Speaker 3: years old? He said, your nigga, get away from it?

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Speaker 2: Were you like falling in love with him?

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Speaker 3: And I just talked sweet, but I'm just like, you know,

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Speaker 3: I have known you since I was like twenty seven. Yeah,

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Speaker 3: he said what I said, I'm thirty nine. He said,

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Speaker 3: get away from it out He's like, I love you,

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Speaker 3: but back it up. He was not trying to hear

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Speaker 3: it at all. And it's weird to think about that.

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Speaker 3: I've known this niggas two thousand and seven. But if

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Speaker 3: you watched this, it was very up and down. The

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Speaker 3: audience was very up and down, okay, and people were

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Speaker 3: kind of like coming in and out of it room,

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Speaker 3: and the room got settled a little bit before I

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Speaker 3: went up. And this is this is the thing. Did

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Speaker 3: I bomb bomb?

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Speaker 2: No?

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Speaker 3: I saw the comics on the show eat a Bag

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Speaker 3: of Dude, Yeah, which I know confuses people would go,

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Speaker 3: why is that called bombing? I don't know what it's called,

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Speaker 3: eat Dick. I don't know what's called the bag. And

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Speaker 3: I don't know why bombing destroyed. I don't I don't

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Speaker 3: as you.

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Speaker 2: Yeah, yeah, it's true. I don't know why bombing means

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Speaker 2: one thing and destroyed me as the opposite.

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Speaker 3: But right, and so oh that's interesting. Bombing and destroyed

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Speaker 3: means to destroyed, said I bombed horribly horrific.

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Speaker 2: So what happened?

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Speaker 3: I feel I'm not leaving out of key thing. I'm

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Speaker 3: gonna trying to explain to you. If someone else watched me,

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Speaker 3: they wouldn't think that I bombed.

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Speaker 1: What affected you? That it's stuck to your ribs for

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Speaker 1: six months?

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Speaker 3: I couldn't get everyone in the room to laugh at

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Speaker 3: the same time.

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Speaker 2: There's little pockets.

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Speaker 3: It was every other person, every other joke. So someone

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Speaker 3: I had just made laugh my next joke, I couldn't

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Speaker 3: get him to laugh. And then they're sitting at a

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Speaker 3: table together. This would suck me up. I watched one table.

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Speaker 3: They would laugh at every other joke, but they didn't

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Speaker 3: laugh at the same time, so neither one of them

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Speaker 3: found the same thing funny at the same time.

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Speaker 2: Did this make you psychologically unraveled? Did you?

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Speaker 3: Because I couldn't because.

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Speaker 2: There was you couldn't figure out what.

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Speaker 3: I couldn't figure out how to fix it because there

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Speaker 3: was one table that was laughing the whole time, some

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Speaker 3: tables that weren't laughing at all, and then it was

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Speaker 3: other tables that were every other joke, every other person.

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Speaker 3: So I was like, I got head because I couldn't

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Speaker 3: figure out in I have just bomb bombed.

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Speaker 2: I could accept the bomb, right.

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Speaker 3: They didn't like it. You fucking do your time, you

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Speaker 3: move on.

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Speaker 2: But this was more of a mental.

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Speaker 3: Yes, because it's like I couldn't find the right thing

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Speaker 3: to get them all, and it fuck it fucked with

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Speaker 3: me so bad because it was like as a comic,

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Speaker 3: you're like, okay, because when you're getting to like because

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Speaker 3: this when of the first time they started doing like

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Speaker 3: a ten minute set, we just started to do ten

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Speaker 3: minute sets, right, so that's enough time to get people

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Speaker 3: or lose people, or get them or lose them and

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Speaker 3: bring them back. But there's enough to in a ten

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Speaker 3: minute set, because when you first start doing ten minute sets,

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Speaker 3: it feels like a fucking.

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Speaker 2: It's a long ten minutes, ten minutes.

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Speaker 3: People don't realize, like you don't realize how long time.

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Speaker 3: Like the only time like you think about time like

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Speaker 3: this is when you're microwaving something. We're like, a minute

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Speaker 3: and a half is like, oh my children, my children,

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Speaker 3: Like a minute and a half of the microwave is dead.

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Speaker 3: That's what it's ten We first.

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Speaker 2: Start feeling a good point.

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Speaker 4: Yes, the microwave feels long, like nothing else except stand up.

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Speaker 2: If someone don't microwaving and stand up are weirdly similar. Yes,

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Speaker 2: if never thought about it.

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Speaker 3: If someone looked at you in the face and said,

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Speaker 3: wait for a minute and a half, you go.

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Speaker 2: What yeah, maybe yeah.

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Speaker 3: A little minute, yeah, a minute and a half go.

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Speaker 2: You're like, I don't know, yeah, yeah.

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Speaker 3: You fucking scratch your hass, you'd be done. You're like,

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Speaker 3: this is what, Yeah, but a microwave, the sands have done, yeah,

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Speaker 3: or moving and your food's not hot, so you're like,

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Speaker 3: birds have stopped flapping.

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Speaker 2: A minute, so you get off stage.

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Speaker 3: So this was the weird part. It's I'm on stage

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Speaker 3: and in my mind it's like, but some people are laughing,

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Speaker 3: You're fine. But there was just I just couldn't wrap

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Speaker 3: my head around what was going on because it was like, listen,

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Speaker 3: I don't do I always do great in urban rooms. No. Also,

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Speaker 3: I mean it just by nature intimidating, but they want

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Speaker 3: to be intimidating because the open mic at uptown was

383
00:17:31,960 --> 00:17:38,040
Speaker 3: literally called boo night. That's hard, and they stopped booming

384
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Speaker 3: and they just shake their keys at people like nigga,

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Speaker 3: go home.

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Speaker 2: It's a possum amount of.

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Speaker 3: Your dreams beat it, get out of here. You see

388
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Speaker 3: what I'm saying. So it fucked me up because I couldn't.

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Speaker 3: I think would bug me the most is it was

390
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Speaker 3: every other person laughing at every other joke, which meant

391
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Speaker 3: that I didn't know what anybody liked because of it.

392
00:18:06,680 --> 00:18:08,480
Speaker 3: It was a bunch of people. If there was ever

393
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Speaker 3: a moment where everyone laughed at the same thing, then

394
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Speaker 3: I would go boom, Okay, that's what I need to do.

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Speaker 2: Right.

396
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Speaker 1: So did this affect you because it made you psychologically

397
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Speaker 1: unravel about your entire set. Yes, and you were like

398
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Speaker 1: everything I built is just crumbled into It was like

399
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Speaker 1: a house of cards and it just fucking crumbled.

400
00:18:29,640 --> 00:18:34,120
Speaker 3: It made me think more about me as a performer.

401
00:18:34,480 --> 00:18:37,280
Speaker 2: Because you brought it, brought everything into questions.

402
00:18:37,320 --> 00:18:39,320
Speaker 3: It made me question things because it was just like

403
00:18:39,600 --> 00:18:42,040
Speaker 3: one It's like there's urban room in the there's.

404
00:18:41,840 --> 00:18:43,560
Speaker 2: A hood room.

405
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Speaker 1: Oh yeah, Like people have guns at the table, which

406
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Speaker 1: I don't mind. With every condrey with a recondre how

407
00:19:01,800 --> 00:19:05,199
Speaker 1: was your love life? Put it all out on the table.

408
00:19:05,520 --> 00:19:08,160
Speaker 1: I no boundaries here. That's a new premise of the show,

409
00:19:09,040 --> 00:19:09,800
Speaker 1: No boundaries.

410
00:19:10,080 --> 00:19:14,399
Speaker 3: I am You're on hinge. I got off all of

411
00:19:14,400 --> 00:19:18,040
Speaker 3: those you're on Riyah Rayah is racist as ship?

412
00:19:18,240 --> 00:19:19,480
Speaker 2: Is it? They don't accept black people.

413
00:19:19,520 --> 00:19:20,800
Speaker 3: Let me tell you something I could not.

414
00:19:20,920 --> 00:19:22,679
Speaker 2: I'm on Blast, I could not.

415
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Speaker 3: I'll say this, I.

416
00:19:25,160 --> 00:19:26,119
Speaker 2: It's a white people app.

417
00:19:26,200 --> 00:19:28,280
Speaker 3: It's a very watch of white people app. You had

418
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Speaker 3: to have it first of all. It's like you have

419
00:19:29,400 --> 00:19:31,399
Speaker 3: to have iPhone to use it. But the fun thing

420
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Speaker 3: about that app.

421
00:19:32,280 --> 00:19:34,919
Speaker 2: Is that I'm old enough to remember Black Planet.

422
00:19:35,040 --> 00:19:36,920
Speaker 3: Do you know they're still on the internet. That's still

423
00:19:36,920 --> 00:19:37,639
Speaker 3: a website.

424
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Speaker 2: I'm the fucking goddamn president a black planet.

425
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Speaker 3: How do we buy a black planet?

426
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Speaker 2: I don't know.

427
00:19:41,960 --> 00:19:45,159
Speaker 1: I think it's called something else now, still black black Planet.

428
00:19:45,680 --> 00:19:48,000
Speaker 1: I was on Black Planet and Jay Date, I.

429
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Speaker 3: Was on Black Wait. I was on Black Planet. I

430
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Speaker 3: was on me hin.

431
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Speaker 2: Have you ever dated a white guy? Yes, a Jewish man.

432
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Speaker 2: Jewish man love?

433
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Speaker 3: Have you not heard? I have a whole bit about it.

434
00:19:57,320 --> 00:19:59,040
Speaker 2: Really, Oh, Jewish men love you?

435
00:19:59,240 --> 00:20:01,119
Speaker 3: They I mean I love working for me.

436
00:20:01,200 --> 00:20:01,760
Speaker 2: I'll say that.

437
00:20:04,240 --> 00:20:06,120
Speaker 3: My manager and my lawyer.

438
00:20:06,840 --> 00:20:14,320
Speaker 4: Your lawyer, unbelievable, very I.

439
00:20:14,240 --> 00:20:16,920
Speaker 3: Can't stand you. Those men are very much happily married.

440
00:20:16,920 --> 00:20:19,560
Speaker 3: And I'm very sad, no i am.

441
00:20:19,680 --> 00:20:22,199
Speaker 4: But they're in a polyamorous, open relationship and you're there

442
00:20:22,200 --> 00:20:25,440
Speaker 4: one past. I'm just putting that out there.

443
00:20:25,640 --> 00:20:28,479
Speaker 3: No, they're very nice, but I can't say if it

444
00:20:28,560 --> 00:20:31,479
Speaker 3: wasn't for the white means is I would not have

445
00:20:31,520 --> 00:20:34,160
Speaker 3: had sex between twenty sixteen and twenty eighteen.

446
00:20:34,640 --> 00:20:36,200
Speaker 2: Wait, so the white guys are.

447
00:20:36,560 --> 00:20:38,919
Speaker 3: It's yeah, I mean it's I also.

448
00:20:38,680 --> 00:20:40,920
Speaker 2: But the first dominating you, well.

449
00:20:40,640 --> 00:20:42,800
Speaker 3: They I've never known a white man dominate me.

450
00:20:43,240 --> 00:20:44,320
Speaker 2: Uh that man is?

451
00:20:44,640 --> 00:20:44,960
Speaker 3: That man?

452
00:20:45,040 --> 00:20:45,080
Speaker 1: Was?

453
00:20:45,119 --> 00:20:48,840
Speaker 3: Persian love life non existent? How'd your love life?

454
00:20:49,040 --> 00:20:49,320
Speaker 5: I love?

455
00:20:49,760 --> 00:20:50,080
Speaker 3: I love?

456
00:20:50,119 --> 00:20:50,600
Speaker 2: That's good.

457
00:20:50,880 --> 00:20:53,560
Speaker 3: I'm sure yours is good. Yeah, I'm sure you're a

458
00:20:53,640 --> 00:20:56,720
Speaker 3: nice little you know, some interesting girl.

459
00:20:56,760 --> 00:20:59,640
Speaker 2: Hanging out with a gal that makes sense? Hanging out

460
00:20:59,640 --> 00:20:59,960
Speaker 2: with a gap?

461
00:21:00,119 --> 00:21:00,959
Speaker 3: Did you're dropping it off?

462
00:21:01,000 --> 00:21:02,280
Speaker 2: In No?

463
00:21:03,359 --> 00:21:06,560
Speaker 3: My my love life since I've moved here, I've been

464
00:21:06,560 --> 00:21:08,000
Speaker 3: in a biblical.

465
00:21:07,520 --> 00:21:10,920
Speaker 1: Wait wait, wait, hold on, when did you move here

466
00:21:11,000 --> 00:21:11,720
Speaker 1: twenty seventeen?

467
00:21:11,880 --> 00:21:13,480
Speaker 2: I thought you've been here for like a decade.

468
00:21:13,960 --> 00:21:15,560
Speaker 3: I was in La before that.

469
00:21:15,600 --> 00:21:20,200
Speaker 1: Well, we are going to find you the Dominican Persian

470
00:21:20,320 --> 00:21:21,120
Speaker 1: love of your love.

471
00:21:21,520 --> 00:21:23,200
Speaker 2: Listen, this is happens to be Jewish.

472
00:21:23,280 --> 00:21:26,400
Speaker 1: Did you and he's going to be giant? Why don't

473
00:21:26,400 --> 00:21:28,680
Speaker 1: you date a w c W wrestler. I'm going to

474
00:21:28,720 --> 00:21:31,040
Speaker 1: hook you up with the wrestler. I got John Cena's number.

475
00:21:31,320 --> 00:21:33,800
Speaker 1: Would you make love to John? I think he's married.

476
00:21:34,200 --> 00:21:37,160
Speaker 4: Well, the other thing, what wrestler is your type? I'm

477
00:21:37,160 --> 00:21:39,320
Speaker 4: going to match make you with the wrestler. I love Jewish,

478
00:21:39,359 --> 00:21:42,040
Speaker 4: so I love matchmaking. Who's your celebrity crush and who's

479
00:21:42,040 --> 00:21:42,600
Speaker 4: your ideal?

480
00:21:42,960 --> 00:21:44,520
Speaker 3: My celebrity crush is Michael Strahan.

481
00:21:45,200 --> 00:21:49,080
Speaker 1: Michael Strahan because he's beautiful wrestler. Wise, I don't have

482
00:21:49,119 --> 00:21:52,440
Speaker 1: access to Michael Strahan. Wrestlers love me. Wrestlers and porn

483
00:21:52,720 --> 00:21:53,560
Speaker 1: people love me.

484
00:21:53,920 --> 00:21:55,679
Speaker 3: Those USLO boys are cute.

485
00:21:56,160 --> 00:21:58,359
Speaker 2: The USA boys, so you'd be in a throupple, I

486
00:21:58,400 --> 00:21:58,679
Speaker 2: would be.

487
00:21:58,720 --> 00:22:00,280
Speaker 3: I mean one of them is married to a black girl.

488
00:22:01,080 --> 00:22:03,840
Speaker 2: About the other one, I don't know that's your guy.

489
00:22:04,880 --> 00:22:10,720
Speaker 3: So brothers, Yeah, was cute us O, which I think.

490
00:22:12,640 --> 00:22:16,560
Speaker 2: Oh so they're big somemoanan dude. Yeah, oh yeah, okay,

491
00:22:16,720 --> 00:22:17,080
Speaker 2: I like.

492
00:22:17,080 --> 00:22:17,719
Speaker 3: Mean being like that.

493
00:22:17,760 --> 00:22:21,399
Speaker 1: I want to feel a dancy Oh yes, okay, os

494
00:22:21,400 --> 00:22:22,120
Speaker 1: so bros.

495
00:22:22,760 --> 00:22:25,280
Speaker 2: I I it's a whole lot of man. Yeah, twins,

496
00:22:25,840 --> 00:22:27,280
Speaker 2: so you can get him confused and you could suck

497
00:22:27,320 --> 00:22:28,359
Speaker 2: the other one if you get pissed out the.

498
00:22:28,320 --> 00:22:30,360
Speaker 3: Other ones just married and I don't married man.

499
00:22:30,400 --> 00:22:32,760
Speaker 2: Okay, that's fine, that's fair. Fair you want to be

500
00:22:32,800 --> 00:22:33,760
Speaker 2: all lamb about it.

501
00:22:35,040 --> 00:22:36,000
Speaker 3: My goal in life is.

502
00:22:36,280 --> 00:22:38,720
Speaker 2: Do you think you've ever fucked married man? And you have?

503
00:22:38,920 --> 00:22:41,520
Speaker 3: I didn't know you're fucked up? He didn't tell me.

504
00:22:41,680 --> 00:22:43,600
Speaker 2: How dare you ruin this sanctity?

505
00:22:43,840 --> 00:22:46,040
Speaker 3: He never wore a ring and he didn't tell me

506
00:22:46,040 --> 00:22:46,639
Speaker 3: he was married.

507
00:22:46,680 --> 00:22:48,080
Speaker 2: Find out when I saw.

508
00:22:48,119 --> 00:22:49,960
Speaker 3: I saw him like a year or two later, and

509
00:22:50,000 --> 00:22:52,000
Speaker 3: he had a ring on, and I was like, what

510
00:22:52,640 --> 00:22:53,480
Speaker 3: was excuse me?

511
00:22:53,920 --> 00:22:55,080
Speaker 2: Really? You confronted about it?

512
00:22:55,240 --> 00:22:55,400
Speaker 1: Yeah?

513
00:22:55,400 --> 00:22:57,639
Speaker 3: And I was like a nigga for a year.

514
00:22:57,560 --> 00:22:59,280
Speaker 2: Or two goes by, he could have got married in

515
00:22:59,320 --> 00:22:59,960
Speaker 2: that year or two.

516
00:23:00,240 --> 00:23:07,880
Speaker 3: He had been married for ten And I was like, sir,

517
00:23:08,040 --> 00:23:09,399
Speaker 3: he was like, I was married the whole time. Is

518
00:23:09,440 --> 00:23:10,520
Speaker 3: what the fuck do you mean?

519
00:23:10,840 --> 00:23:12,679
Speaker 2: Did him and his wife have understanding?

520
00:23:12,720 --> 00:23:18,760
Speaker 3: Absolutely not, absolutely not, because I can say in his defense,

521
00:23:18,880 --> 00:23:20,359
Speaker 3: I didn't know he was married, but I knew he

522
00:23:20,359 --> 00:23:21,159
Speaker 3: was in a relationship.

523
00:23:21,280 --> 00:23:22,080
Speaker 1: Uh huh.

524
00:23:22,119 --> 00:23:24,439
Speaker 3: So listen, I'm not gonna fuck up a marriage.

525
00:23:24,640 --> 00:23:27,640
Speaker 2: Yeah, but your girlfriend sometimes.

526
00:23:27,359 --> 00:23:29,520
Speaker 4: A girlfriend doesn't count, But you can't fuck up a marriage.

527
00:23:29,560 --> 00:23:30,720
Speaker 4: Especially I got kids, and.

528
00:23:30,760 --> 00:23:32,360
Speaker 2: It was like they definitely a kids.

529
00:23:32,680 --> 00:23:34,600
Speaker 1: My friend put it this way, He's like, I never

530
00:23:34,760 --> 00:23:38,200
Speaker 1: want to hook up with a married woman because the

531
00:23:38,240 --> 00:23:42,560
Speaker 1: anger of the husband finding out, like that specific type

532
00:23:42,600 --> 00:23:43,760
Speaker 1: of anger kills.

533
00:23:43,960 --> 00:23:46,840
Speaker 2: I would never want that anger from another man. That's

534
00:23:46,840 --> 00:23:48,040
Speaker 2: like primal.

535
00:23:49,280 --> 00:23:54,760
Speaker 3: The number of people who have died for fucking with

536
00:23:54,880 --> 00:23:58,159
Speaker 3: somebody's spouse. Like it's I mean it very much, is like,

537
00:23:58,400 --> 00:23:58,919
Speaker 3: oh it is.

538
00:23:59,080 --> 00:24:01,560
Speaker 2: It's old school. It's old school. It's one of the

539
00:24:01,560 --> 00:24:02,240
Speaker 2: ten commandments.

540
00:24:02,320 --> 00:24:04,879
Speaker 3: Yes, this is from old Fuck your neighbors, cover the

541
00:24:04,920 --> 00:24:05,760
Speaker 3: neighbor's wife.

542
00:24:07,119 --> 00:24:10,600
Speaker 2: Don't kill, and don't covet a neighbor's oxen or something

543
00:24:10,720 --> 00:24:13,000
Speaker 2: or mule or something like. No. I think also, you know.

544
00:24:13,040 --> 00:24:15,080
Speaker 4: There's one of them that's like, don't touch your neighbor's

545
00:24:15,160 --> 00:24:16,560
Speaker 4: ox No, there.

546
00:24:16,480 --> 00:24:20,520
Speaker 3: Is no no, it's covered. It can either be covered

547
00:24:20,560 --> 00:24:22,719
Speaker 3: the wife or covered something from your name, like covered

548
00:24:22,880 --> 00:24:25,480
Speaker 3: anything from your neighbors. So the first guy there was

549
00:24:25,480 --> 00:24:30,320
Speaker 3: from a salvador so like as a teenager, and then I.

550
00:24:29,840 --> 00:24:32,920
Speaker 1: As a teenager, faded as Salvadorian because he lived in

551
00:24:32,920 --> 00:24:35,720
Speaker 1: my neighborhood. Oh okay, it wasn't a long distance ninety.

552
00:24:36,960 --> 00:24:38,960
Speaker 3: His whole family lived on the other side of our

553
00:24:38,960 --> 00:24:43,959
Speaker 3: apartment complex, like grandma, aunts, uncles, fucking cousins, everybody. Okay,

554
00:24:44,160 --> 00:24:48,840
Speaker 3: so and then it's been mostly black dudes. I could say,

555
00:24:48,840 --> 00:24:50,240
Speaker 3: the ones who put in the most time and broke

556
00:24:50,240 --> 00:24:53,399
Speaker 3: my heart black dudes, cause them in the ones that

557
00:24:53,520 --> 00:24:57,560
Speaker 3: was closest to me. But yeah, like white dudes are

558
00:24:57,560 --> 00:24:59,679
Speaker 3: a Filipino dude for about twenty minutes. But it's been

559
00:24:59,760 --> 00:25:03,200
Speaker 3: most you know, black and Latin white dudes. But since

560
00:25:03,240 --> 00:25:05,040
Speaker 3: I moved here, dating here.

561
00:25:05,000 --> 00:25:07,320
Speaker 2: Is what do you mean?

562
00:25:07,400 --> 00:25:11,280
Speaker 1: It's New York City, no romantic No, these motherfuckers don't

563
00:25:11,280 --> 00:25:11,840
Speaker 1: talk to people.

564
00:25:11,960 --> 00:25:14,679
Speaker 2: No, bro, I'm trying how to get on black planet.

565
00:25:16,280 --> 00:25:19,000
Speaker 3: I've been on dating apps here. The most dates I've

566
00:25:19,040 --> 00:25:21,000
Speaker 3: ever been on was right after Lockdown ended.

567
00:25:21,200 --> 00:25:22,480
Speaker 2: Oh you were crushing it.

568
00:25:22,400 --> 00:25:24,480
Speaker 3: Bro, because I'm a fucker spent five months with their

569
00:25:24,520 --> 00:25:26,040
Speaker 3: hands and was like, I would give a big.

570
00:25:25,920 --> 00:25:26,560
Speaker 2: Bitch a chance.

571
00:25:26,640 --> 00:25:30,160
Speaker 3: I don't care. I don't care.

572
00:25:34,920 --> 00:25:35,840
Speaker 2: With Ari Condre.

573
00:25:46,320 --> 00:25:48,639
Speaker 4: With Ari Condrey, I want to ask the words mommy

574
00:25:48,720 --> 00:25:50,760
Speaker 4: or was? And I want to ask have you've ever

575
00:25:50,800 --> 00:25:53,960
Speaker 4: been drunk on stage? Those are my two questions, So

576
00:25:54,040 --> 00:25:55,320
Speaker 4: any order you want to do those.

577
00:25:55,600 --> 00:25:58,000
Speaker 3: I can't be drunk. I've been tipsy on stage and

578
00:25:58,040 --> 00:25:59,919
Speaker 3: it made my brain foggy.

579
00:25:59,520 --> 00:26:03,720
Speaker 1: And it like I did it end in catastrophe or okay?

580
00:26:03,800 --> 00:26:05,280
Speaker 1: So tell me what was the thing?

581
00:26:05,480 --> 00:26:06,879
Speaker 2: I like it? What did you go?

582
00:26:08,680 --> 00:26:09,600
Speaker 3: I can say again?

583
00:26:10,240 --> 00:26:12,640
Speaker 2: What did you see? Not a not a not a

584
00:26:12,640 --> 00:26:14,040
Speaker 2: bomb bomb okay.

585
00:26:14,520 --> 00:26:17,000
Speaker 3: But a comic you know starbar?

586
00:26:17,600 --> 00:26:20,159
Speaker 2: Yeah, starbar in Atlanta, like little five points.

587
00:26:19,920 --> 00:26:22,120
Speaker 3: Yeah yeah yeah, see it on the Monday night show.

588
00:26:22,080 --> 00:26:24,080
Speaker 2: I think so yeah, yeah yeah.

589
00:26:24,119 --> 00:26:26,159
Speaker 3: So a comic from New York could come down to

590
00:26:26,200 --> 00:26:30,760
Speaker 3: do it, okay, and he was unaware of this five

591
00:26:30,840 --> 00:26:33,879
Speaker 3: dollars special they would have where you could get a

592
00:26:33,920 --> 00:26:38,719
Speaker 3: shot of jamison and a whole beer for five bucks.

593
00:26:39,400 --> 00:26:41,760
Speaker 3: And he'd been living here for years, so five.

594
00:26:42,200 --> 00:26:45,159
Speaker 2: So he's like, that's a bar that's like this is

595
00:26:45,200 --> 00:26:46,200
Speaker 2: the best deal on earth.

596
00:26:46,320 --> 00:26:51,080
Speaker 3: The deal, yeah, the deal, right, And so he goes

597
00:26:51,119 --> 00:26:53,760
Speaker 3: to close out and he's only doing thirty minutes, right,

598
00:26:53,840 --> 00:26:58,120
Speaker 3: It's like a long ass open microsproblic twelve thirteen people

599
00:26:58,160 --> 00:27:02,199
Speaker 3: to go up and then the headliner. So he's he

600
00:27:02,280 --> 00:27:04,840
Speaker 3: took like he's been drinking all night, but he was

601
00:27:04,920 --> 00:27:07,719
Speaker 3: like fucked up. And then he took like two so

602
00:27:07,720 --> 00:27:08,760
Speaker 3: he's in the middle of the set. I think it

603
00:27:08,800 --> 00:27:11,280
Speaker 3: tooks like one or two shots on excuse me on stage,

604
00:27:12,200 --> 00:27:14,600
Speaker 3: and you see the alcohol hit.

605
00:27:14,520 --> 00:27:17,560
Speaker 2: Him while he's mid joke while.

606
00:27:17,320 --> 00:27:19,680
Speaker 3: He's on stage to the point, so he tells a

607
00:27:19,760 --> 00:27:25,320
Speaker 3: joke and gets a laugh, and then he starts to joke.

608
00:27:26,000 --> 00:27:31,960
Speaker 2: Again, like completely not realizing.

609
00:27:32,119 --> 00:27:37,200
Speaker 5: Not realizing people are like laughing because they're like, okay, yeah,

610
00:27:37,280 --> 00:27:40,560
Speaker 5: He's like and then he gets to the end of

611
00:27:40,600 --> 00:27:43,199
Speaker 5: it and like the laugh of He's like, wait, did

612
00:27:43,280 --> 00:27:44,000
Speaker 5: I tell that joke?

613
00:27:44,040 --> 00:27:44,240
Speaker 1: Girl?

614
00:27:45,240 --> 00:27:47,320
Speaker 2: They were like yes, It's my biggest fear.

615
00:27:48,119 --> 00:27:52,400
Speaker 3: And then he starts to joke a third no.

616
00:27:53,320 --> 00:27:56,040
Speaker 2: Bro's Jameson and beer is not for you.

617
00:27:56,359 --> 00:28:00,440
Speaker 3: No no, no, no, no no, And and everybody's like, hey,

618
00:28:00,920 --> 00:28:03,760
Speaker 3: the third time is rough and he but he did

619
00:28:03,800 --> 00:28:06,520
Speaker 3: it so like you it hit him and then it

620
00:28:06,600 --> 00:28:10,360
Speaker 3: fucking slammed him.

621
00:28:09,560 --> 00:28:12,240
Speaker 2: When he saw his name is Mark Norman.

622
00:28:13,240 --> 00:28:18,440
Speaker 4: Mark, think you're like, I can't say. They like, yeah,

623
00:28:18,480 --> 00:28:21,840
Speaker 4: no problems Mark, But this was like Mark was that drunk.

624
00:28:22,080 --> 00:28:23,640
Speaker 3: He was fucked up?

625
00:28:24,480 --> 00:28:28,040
Speaker 2: Wow, I was hanging out anyway, what was the joke?

626
00:28:28,280 --> 00:28:30,720
Speaker 3: But I don't God, I didn't know Zen when I

627
00:28:30,760 --> 00:28:32,720
Speaker 3: was telling the stories zen, I didn't know the joke.

628
00:28:32,840 --> 00:28:34,320
Speaker 2: Well, you were watching it, you didn't know the joke.

629
00:28:34,400 --> 00:28:37,359
Speaker 3: And I told the next time, third time, and then

630
00:28:37,400 --> 00:28:39,960
Speaker 3: everyone was like hey, hey, and then he got too

631
00:28:40,080 --> 00:28:43,360
Speaker 3: drunk to finish his No. So he was supposed to

632
00:28:43,400 --> 00:28:45,280
Speaker 3: do thirty. I don't think he did the full thirty.

633
00:28:46,360 --> 00:28:49,640
Speaker 2: He liked a bargain he saw it was five dollars.

634
00:28:49,680 --> 00:28:51,000
Speaker 3: He's been in New York for so long.

635
00:28:51,080 --> 00:28:52,200
Speaker 2: Does he drink like that?

636
00:28:52,680 --> 00:28:54,800
Speaker 3: I don't know if he still does. One of my

637
00:28:54,880 --> 00:28:57,840
Speaker 3: favorite things to do at like comedy festivals is I

638
00:28:57,840 --> 00:29:00,640
Speaker 3: would come up to comments ago, give your best.

639
00:29:00,440 --> 00:29:12,320
Speaker 2: Mark Norman, oh ship, yeah I have. Oh huh, well

640
00:29:12,360 --> 00:29:13,520
Speaker 2: that's fucking weird.

641
00:29:15,520 --> 00:29:16,600
Speaker 3: Yes, you would be.

642
00:29:18,920 --> 00:29:22,280
Speaker 4: He's like a he's like I've known since his early

643
00:29:22,400 --> 00:29:24,280
Speaker 4: twenties and he's like a fifty.

644
00:29:24,040 --> 00:29:27,200
Speaker 2: Five year old like man. My question since his like twenties,

645
00:29:27,240 --> 00:29:31,240
Speaker 2: he's like. But my question is, yeah, I love him

646
00:29:31,320 --> 00:29:31,760
Speaker 2: by the way.

647
00:29:31,840 --> 00:29:32,640
Speaker 3: Oh, I love him too.

648
00:29:32,640 --> 00:29:33,040
Speaker 2: He's great.

649
00:29:33,040 --> 00:29:34,720
Speaker 3: He used to come up to me and if I

650
00:29:34,800 --> 00:29:37,600
Speaker 3: was sitting down, he would have slapped my thigh and

651
00:29:37,600 --> 00:29:39,959
Speaker 3: grab it and go, oh if I wasn't gay, just

652
00:29:40,040 --> 00:29:40,680
Speaker 3: walk off.

653
00:29:41,280 --> 00:29:42,240
Speaker 2: Is he gay? He's a gay?

654
00:29:42,360 --> 00:29:42,400
Speaker 1: No?

655
00:29:43,960 --> 00:29:45,760
Speaker 2: He's like married, right, yes.

656
00:29:46,680 --> 00:29:48,760
Speaker 3: But what's funny because I meet too. Ship started to

657
00:29:48,840 --> 00:29:52,560
Speaker 3: quit doing it and I'd be like Norman normand so

658
00:29:52,640 --> 00:29:54,520
Speaker 3: now I'd come up to him and go, I wasn't gay,

659
00:29:54,520 --> 00:30:00,600
Speaker 3: He's like, but he's one of my favorites thanks to

660
00:30:01,800 --> 00:30:04,200
Speaker 3: is it being festivals and be like, hey, comic, give

661
00:30:04,240 --> 00:30:07,040
Speaker 3: me your best mind. The way that people get so

662
00:30:07,160 --> 00:30:08,280
Speaker 3: excited to do it.

663
00:30:08,320 --> 00:30:09,760
Speaker 2: Oh fuck, I can see that.

664
00:30:09,920 --> 00:30:11,680
Speaker 3: It's like almost like a little bonding thing.

665
00:30:11,840 --> 00:30:13,760
Speaker 2: I could see that where everyone's like, well.

666
00:30:13,600 --> 00:30:15,800
Speaker 3: You do your best one. But I think it's so wild,

667
00:30:15,880 --> 00:30:18,960
Speaker 3: like Mark Norman grew up in New Orleans.

668
00:30:19,800 --> 00:30:22,800
Speaker 2: Really, yes, studies like from like Michigan.

669
00:30:23,080 --> 00:30:25,719
Speaker 3: No, he should sound like Sean Patton.

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00:30:25,880 --> 00:30:27,280
Speaker 2: Yeah, yeah, he should be like.

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00:30:27,200 --> 00:30:37,040
Speaker 1: Oh lord, those thirty one spices and herbs.

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00:30:34,080 --> 00:30:38,240
Speaker 2: O lord. And on that note, ladies and gentlemen, Bill

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00:30:38,360 --> 00:30:43,920
Speaker 2: Zey slam thank you so much.

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00:30:47,720 --> 00:30:50,360
Speaker 1: With Aeric Condrey Bombing with Eric Andres brought to you

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00:30:50,400 --> 00:30:53,920
Speaker 1: by Will Ferrell's Big Money Players Network and iHeart Podcast.

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00:30:54,080 --> 00:30:55,120
Speaker 2: Executive produced by.

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00:30:55,000 --> 00:30:58,680
Speaker 1: Hans Sani Olivia Aguilar, edited and sound designed by Andy Harris,

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00:30:58,720 --> 00:31:01,160
Speaker 1: and our art is by Dylan. If you want to

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Speaker 1: confess to your own bombing moments or give us a

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Speaker 1: shout out. Go rate us five stars and drop a

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Speaker 1: review on your podcast app a choice right about your

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Speaker 1: own stories of bombing at life, and if you're on

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Speaker 1: Apple Podcasts, you could also subscribe a Big Mini Player's

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Speaker 1: Diamond to get exclusive bonus content with every episode and

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Speaker 1: listen to all my episodes at free. The guests on

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00:31:17,680 --> 00:31:21,320
Speaker 1: Bombing with Eric Andre were recorded before the sag after

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Speaker 1: strike