1 00:00:10,480 --> 00:00:17,520 Speaker 1: Sure. Hello, welcome to the Naughty but Night Show. I'm 2 00:00:17,520 --> 00:00:20,520 Speaker 1: your host, Rub Shooter and it's Tuesday, which means our 3 00:00:20,920 --> 00:00:23,640 Speaker 1: friend Elena Dixon joins us. Hey, mister, are you there? 4 00:00:23,920 --> 00:00:26,560 Speaker 2: I am, and I am trying to stay cool. Oh 5 00:00:26,640 --> 00:00:29,560 Speaker 2: my goodness, it's going to be a one hundred degrees today. 6 00:00:30,120 --> 00:00:31,520 Speaker 2: What is going on? 7 00:00:31,720 --> 00:00:34,000 Speaker 1: I know I've been invited to a really fun party 8 00:00:34,000 --> 00:00:37,120 Speaker 1: Tonight's a friend of mine is a politician, and I 9 00:00:37,159 --> 00:00:39,040 Speaker 1: know we don't talk about politics on the show. A 10 00:00:39,040 --> 00:00:41,479 Speaker 1: local politician and he looks like he's going to win, 11 00:00:41,520 --> 00:00:43,680 Speaker 1: and he's got a Is it called a watching party 12 00:00:43,720 --> 00:00:46,000 Speaker 1: where you see the results come in? I've never been 13 00:00:46,040 --> 00:00:48,360 Speaker 1: to one. I think I might go to that tonight. 14 00:00:48,400 --> 00:00:53,519 Speaker 1: Although one hundred Degreestmas day? What are you wear? Nothing? No, 15 00:00:53,560 --> 00:00:55,000 Speaker 1: not that, But what are you wear? 16 00:00:55,600 --> 00:00:58,080 Speaker 2: I was out last night and I literally wanted to 17 00:00:58,120 --> 00:01:00,400 Speaker 2: take off my dress and walk home with my under 18 00:01:00,640 --> 00:01:02,880 Speaker 2: which is not illegal in Nearing the city, but it 19 00:01:03,080 --> 00:01:04,520 Speaker 2: might have raised a few eyebrows. 20 00:01:04,640 --> 00:01:07,200 Speaker 1: Thank you for the recommendation. I won't be doing that. Okay, 21 00:01:07,280 --> 00:01:10,080 Speaker 1: let's jump into our show. What time is it? My friends? 22 00:01:10,120 --> 00:01:13,000 Speaker 1: It is? It's big story at the top of the show, 23 00:01:13,040 --> 00:01:16,360 Speaker 1: So Prince William has made this call all by himself, 24 00:01:16,360 --> 00:01:19,360 Speaker 1: and he has decided that there will be no royal 25 00:01:19,480 --> 00:01:23,120 Speaker 1: future for little Archie and Lilibeth. So let me explain 26 00:01:23,440 --> 00:01:25,679 Speaker 1: Prince William. He didn't run this by the palace. He 27 00:01:25,720 --> 00:01:28,679 Speaker 1: didn't even ask Kat and he certainly did not ask 28 00:01:28,720 --> 00:01:33,520 Speaker 1: Carrie or Meghan. Multiple sources tell me that the bombshell 29 00:01:33,640 --> 00:01:38,520 Speaker 1: decision to exclude little Prince Archie and Little Lillibert from 30 00:01:38,520 --> 00:01:42,440 Speaker 1: the future of the monarchy was made entirely by William 31 00:01:42,440 --> 00:01:45,360 Speaker 1: and it's not up for discussion inside of saying this 32 00:01:45,400 --> 00:01:48,400 Speaker 1: is one hundred percent his call. He will not budge 33 00:01:48,560 --> 00:01:51,640 Speaker 1: and he believes this is the only way to protect 34 00:01:51,880 --> 00:01:54,680 Speaker 1: the crown. Now, let me say, for a long time 35 00:01:54,760 --> 00:01:57,640 Speaker 1: he said the monarch is too expensive, and when he's king, 36 00:01:57,920 --> 00:02:00,160 Speaker 1: he's going to make it small and much more, much 37 00:02:00,280 --> 00:02:03,720 Speaker 1: much smaller, not so many people involved in it. And 38 00:02:03,760 --> 00:02:06,320 Speaker 1: we do have to remember here that Harry and Meghan 39 00:02:06,360 --> 00:02:08,840 Speaker 1: decided to step out of the company. So you don't 40 00:02:08,840 --> 00:02:11,040 Speaker 1: get a job in the company if your parents have 41 00:02:11,200 --> 00:02:15,440 Speaker 1: dropped out, And so this was Harry and Meghan's decision. Now, 42 00:02:15,520 --> 00:02:18,280 Speaker 1: could they have consulted each other and do they want 43 00:02:18,280 --> 00:02:21,919 Speaker 1: their children to be working royals. Do the children want 44 00:02:21,919 --> 00:02:25,040 Speaker 1: to be working for royals? I can't imagine growing up 45 00:02:25,080 --> 00:02:27,240 Speaker 1: and finding out at eight or nine that I'm actually 46 00:02:27,280 --> 00:02:32,320 Speaker 1: a prince but my title is gone because my parents. 47 00:02:32,400 --> 00:02:34,880 Speaker 1: I'd be really bad about that. So this is quite 48 00:02:34,960 --> 00:02:37,520 Speaker 1: complicated and I think it's going to have a big, 49 00:02:37,560 --> 00:02:40,400 Speaker 1: big impact on the future of the royal family. 50 00:02:40,400 --> 00:02:43,840 Speaker 2: What do you think, mister Well, it's so interesting because 51 00:02:43,840 --> 00:02:46,880 Speaker 2: you said he did not consult his wife, Princess Keith, 52 00:02:47,000 --> 00:02:49,480 Speaker 2: and even she has put it out there that these 53 00:02:49,480 --> 00:02:53,120 Speaker 2: are innocent children. You're making a decision based on quote 54 00:02:53,200 --> 00:02:57,200 Speaker 2: unquote the sins of the father. So and I don't know. 55 00:02:57,280 --> 00:02:59,960 Speaker 2: I mean, I think I would probably be a little 56 00:03:00,240 --> 00:03:02,679 Speaker 2: upset to find out that I am a prince or 57 00:03:02,720 --> 00:03:05,280 Speaker 2: a princess, and Rob you might know the answer to this. 58 00:03:05,520 --> 00:03:08,600 Speaker 2: Even if they get their royal title strip, there's still 59 00:03:08,720 --> 00:03:10,560 Speaker 2: a prince, there's still a princess. 60 00:03:10,600 --> 00:03:15,240 Speaker 1: Correct, Yes, the bloodline is still there. Harry is a 61 00:03:15,400 --> 00:03:18,280 Speaker 1: Prince of England. He will be for the rest of 62 00:03:18,320 --> 00:03:21,520 Speaker 1: his life, even if he loses his Sussex title. But 63 00:03:21,560 --> 00:03:24,399 Speaker 1: I think it's interesting to think about monarchies because it's 64 00:03:24,400 --> 00:03:28,320 Speaker 1: a really outdated, old system. I like to believe people 65 00:03:28,360 --> 00:03:30,640 Speaker 1: have a job because they worked really hard for it, 66 00:03:30,760 --> 00:03:34,920 Speaker 1: that they're really talented, that they put in the hours. 67 00:03:34,960 --> 00:03:37,120 Speaker 1: And that's the opposite. When you're a king. You were 68 00:03:37,400 --> 00:03:40,840 Speaker 1: just a king or a queen by luck of birth. 69 00:03:40,920 --> 00:03:45,560 Speaker 1: It's not based on merit, it's based on heritage, on bloodlines. 70 00:03:45,760 --> 00:03:49,400 Speaker 1: So he does all feel very old fashioned to me. 71 00:03:49,920 --> 00:03:54,400 Speaker 1: But nevertheless, who wouldn't love to be a prince or 72 00:03:54,440 --> 00:03:57,880 Speaker 1: a princess now? I'm told that when Harry and Meghan 73 00:03:58,000 --> 00:04:01,520 Speaker 1: stepped down from the royal family, they did think about this. 74 00:04:01,840 --> 00:04:04,600 Speaker 1: They thought about the impact not just on them but 75 00:04:04,640 --> 00:04:08,360 Speaker 1: their children and their children, and were they leaving probably 76 00:04:08,400 --> 00:04:11,720 Speaker 1: the most elite club in the world. Yes, But at 77 00:04:11,720 --> 00:04:14,760 Speaker 1: the same time they didn't really want their kids to 78 00:04:14,760 --> 00:04:17,159 Speaker 1: be part of this club because it comes at a 79 00:04:17,279 --> 00:04:20,360 Speaker 1: really high price. Ask Mega markl about that. It's a 80 00:04:20,400 --> 00:04:24,479 Speaker 1: really high price. So sometimes I think that although this 81 00:04:24,640 --> 00:04:27,640 Speaker 1: sounds like a Disney fairy tale gone wrong, that you're 82 00:04:27,680 --> 00:04:30,320 Speaker 1: no longer a prince, you're no longer a princess. When 83 00:04:30,320 --> 00:04:34,680 Speaker 1: you think about the scrutiny the job itself, I think 84 00:04:34,720 --> 00:04:37,600 Speaker 1: a lot of people might not want that job. I 85 00:04:37,880 --> 00:04:40,600 Speaker 1: like being famous enough mystery that me and you can 86 00:04:40,640 --> 00:04:42,960 Speaker 1: get a free dessert, maybe in a restaurant. But I 87 00:04:43,000 --> 00:04:46,719 Speaker 1: don't want paparazzi outside my apartment. I don't want people 88 00:04:47,040 --> 00:04:49,920 Speaker 1: follow me around. I don't want to be in the tablois. 89 00:04:50,240 --> 00:04:52,919 Speaker 1: And so like, this life that I have is the 90 00:04:52,960 --> 00:04:55,960 Speaker 1: perfect life for me. But I chose it. I chose 91 00:04:56,000 --> 00:04:58,400 Speaker 1: this life. And so I think we should sort of 92 00:04:58,440 --> 00:05:01,120 Speaker 1: ask the children here, maybe not ask the parents, but 93 00:05:01,200 --> 00:05:03,960 Speaker 1: wait for the kids to get eighteen or nineteen, and 94 00:05:04,000 --> 00:05:06,640 Speaker 1: then William should say do you want to roll in this? 95 00:05:06,720 --> 00:05:08,960 Speaker 1: The problem is is if they do have a role 96 00:05:09,000 --> 00:05:12,720 Speaker 1: in it, then they get a paycheck and the taxpayer 97 00:05:13,160 --> 00:05:15,800 Speaker 1: has to pay this. So there's a mixed feelings about this. 98 00:05:15,880 --> 00:05:18,680 Speaker 1: In Britain. Some people are very happy about it because 99 00:05:18,680 --> 00:05:21,279 Speaker 1: they want the monarchy to be shrunk down. It can't 100 00:05:21,320 --> 00:05:24,479 Speaker 1: be all these hangar ons anymore. Prince Andrew up in 101 00:05:24,520 --> 00:05:27,679 Speaker 1: his castle and Fergy and all those are the royals 102 00:05:27,720 --> 00:05:29,760 Speaker 1: that don't really do anything, but they're all on the 103 00:05:30,360 --> 00:05:33,000 Speaker 1: family pay roll. But that's where that's where it's not 104 00:05:33,040 --> 00:05:36,360 Speaker 1: true mystic. It's not a family business. It's a state 105 00:05:36,440 --> 00:05:39,760 Speaker 1: business that is subsidized by the taxpayer. So if this 106 00:05:39,880 --> 00:05:42,560 Speaker 1: was a private family business, if this was me and you, 107 00:05:42,680 --> 00:05:45,320 Speaker 1: Misty and your family, my family had a beauty shop, 108 00:05:45,920 --> 00:05:48,040 Speaker 1: we could hire whoever we wanted because we'd have to 109 00:05:48,040 --> 00:05:50,960 Speaker 1: pay their wages. But if the beauty shop had a 110 00:05:51,000 --> 00:05:54,440 Speaker 1: grant from the government, then we are not actually paying 111 00:05:54,800 --> 00:05:57,760 Speaker 1: the taxpayer is And so William is really you know, 112 00:05:57,839 --> 00:06:00,440 Speaker 1: it's easy just to wrinkle, you know, said this and 113 00:06:00,440 --> 00:06:02,880 Speaker 1: be like, oh, it's so spiteful. What a silly thing 114 00:06:02,960 --> 00:06:05,000 Speaker 1: took for William to do. And these are kids. Leave 115 00:06:05,040 --> 00:06:09,480 Speaker 1: the kids alone. But there is a bigger, bigger question debate. 116 00:06:09,200 --> 00:06:12,679 Speaker 2: To have, absolutely, And I think you hit the nail 117 00:06:12,720 --> 00:06:15,039 Speaker 2: on the head right there when you said, let's see 118 00:06:15,040 --> 00:06:16,320 Speaker 2: what the kids are going to do. First of all, 119 00:06:16,320 --> 00:06:18,320 Speaker 2: they're going to be Hollywood kids, so we're still going 120 00:06:18,400 --> 00:06:21,520 Speaker 2: to know about them via the paparazzi and all the tabloids, 121 00:06:21,520 --> 00:06:23,480 Speaker 2: because people are going to want to know about these 122 00:06:23,920 --> 00:06:27,480 Speaker 2: royal kids without royal titles. But I think when they're 123 00:06:27,520 --> 00:06:29,600 Speaker 2: eighteen and they can make a decision, you know what, 124 00:06:29,839 --> 00:06:33,719 Speaker 2: there's nothing from knocking on your uncle's door and saying, hey, hey, hey, 125 00:06:34,000 --> 00:06:37,440 Speaker 2: it's me and I actually would like to work in 126 00:06:37,480 --> 00:06:43,960 Speaker 2: the family business. So what we got about what? Ten twelve? Yeah, yeah, 127 00:06:44,120 --> 00:06:45,120 Speaker 2: here's time. 128 00:06:45,640 --> 00:06:47,920 Speaker 1: We've got We've got time. And let's also too, let's 129 00:06:47,960 --> 00:06:51,359 Speaker 1: hope that William doesn't make this decision too quickly, because 130 00:06:51,480 --> 00:06:55,200 Speaker 1: the floor of this of this family, the floor of 131 00:06:55,240 --> 00:06:57,920 Speaker 1: the monarchy, is your Your parent has to die for 132 00:06:58,000 --> 00:07:00,880 Speaker 1: you to become the next royal, So let's not be 133 00:07:00,960 --> 00:07:03,719 Speaker 1: rushing that, which brings us to our poll question of 134 00:07:04,000 --> 00:07:07,360 Speaker 1: the day. William has declared he's decided that there will 135 00:07:07,400 --> 00:07:10,760 Speaker 1: be no future role for Archie and Lilibet in his 136 00:07:10,920 --> 00:07:14,840 Speaker 1: royal family. Is he making the right decision or the 137 00:07:14,880 --> 00:07:17,920 Speaker 1: wrong decision? Hey? Go vote on our Twitter page at 138 00:07:18,000 --> 00:07:20,840 Speaker 1: Naughty Nice Rabbi. Facebook page is naughty gilsip and be 139 00:07:20,880 --> 00:07:23,720 Speaker 1: sure to check that time out rawater Here your results. 140 00:07:23,920 --> 00:07:25,480 Speaker 1: Hey Misteve, what are you working on there? 141 00:07:26,040 --> 00:07:28,880 Speaker 2: Well, we're gonna talk about Sonny Houston because she had 142 00:07:28,880 --> 00:07:32,680 Speaker 2: a bit of a melt down on television and her 143 00:07:32,720 --> 00:07:35,080 Speaker 2: co stars are kind of rolling their eyes about it. 144 00:07:35,160 --> 00:07:38,480 Speaker 2: So let me set the scene. So last Wednesday, during 145 00:07:38,480 --> 00:07:41,720 Speaker 2: a live taping, she freaked out after discovering she had 146 00:07:41,720 --> 00:07:45,680 Speaker 2: eaten walnuts, our food she is deathly allergic to and 147 00:07:45,760 --> 00:07:49,280 Speaker 2: a Greek dish brought on by guests Debbie Mountainopolos. 148 00:07:48,880 --> 00:07:50,000 Speaker 1: Who used to be on. 149 00:07:51,760 --> 00:07:55,040 Speaker 2: SO Sonny scribbled what she called a death note and 150 00:07:55,080 --> 00:07:58,040 Speaker 2: slid it to Alissa Farren Griffith in full view of 151 00:07:58,080 --> 00:08:01,240 Speaker 2: the cameras. Then she shook her and she was shaking 152 00:08:01,240 --> 00:08:05,200 Speaker 2: her head at the executive producer while the show continued rolling. 153 00:08:05,840 --> 00:08:09,000 Speaker 2: And so people are just saying that Sunny lives for 154 00:08:09,080 --> 00:08:13,200 Speaker 2: the spotlight bringing in the medical team. It was a 155 00:08:13,200 --> 00:08:15,760 Speaker 2: scary moment for sure. You know, I'd be upset if 156 00:08:15,800 --> 00:08:17,840 Speaker 2: I had something that I was allergic to. When a 157 00:08:17,960 --> 00:08:19,960 Speaker 2: dog is around, I'm like, oh my god, I'm going 158 00:08:20,000 --> 00:08:26,080 Speaker 2: to breakdown. But you know, it's okay. You had a 159 00:08:26,120 --> 00:08:30,000 Speaker 2: little bite, you found out you didn't need anymore. She 160 00:08:30,160 --> 00:08:34,800 Speaker 2: was visibly panicking, but also very aware that the camera's on. 161 00:08:35,040 --> 00:08:38,520 Speaker 2: This is what sources are telling us. But what do 162 00:08:38,559 --> 00:08:41,320 Speaker 2: you think having a meltdown on live cameras. Sometimes you 163 00:08:41,440 --> 00:08:44,040 Speaker 2: just you don't realize it could have been a mistake. 164 00:08:44,080 --> 00:08:44,720 Speaker 2: What do you think wrong? 165 00:08:44,920 --> 00:08:46,400 Speaker 1: No, I don't think it was a mistake. We've been 166 00:08:46,440 --> 00:08:48,760 Speaker 1: on a panel show, misty, and there's always somebody on 167 00:08:48,800 --> 00:08:51,719 Speaker 1: the panel. It's normally the same person who knows how 168 00:08:51,760 --> 00:08:55,480 Speaker 1: to make everything about themselves. And we've witnessed this firsthand. 169 00:08:55,880 --> 00:08:59,280 Speaker 1: And I'm not playing down here a medical emergency. But 170 00:08:59,320 --> 00:09:02,320 Speaker 1: you raise your and you say, oh my goodness, I've 171 00:09:02,440 --> 00:09:04,840 Speaker 1: just let something I shouldn't have et. Can we go 172 00:09:04,920 --> 00:09:09,319 Speaker 1: to commercial break? Or you quietly leave the set and 173 00:09:09,360 --> 00:09:12,840 Speaker 1: then the executive producer or Whoopie or Joy explains what's 174 00:09:12,880 --> 00:09:15,679 Speaker 1: going on. If there's an EpiPen backstage, which there are 175 00:09:15,800 --> 00:09:18,840 Speaker 1: at all the shows, there is medical help at those shows, 176 00:09:19,080 --> 00:09:22,080 Speaker 1: I wouldn't be messing about waiting for commercial break. I'd 177 00:09:22,080 --> 00:09:24,480 Speaker 1: get up and I'd excuse myself and say I've got 178 00:09:24,480 --> 00:09:27,160 Speaker 1: a medical emergency, forgive me, and then I'd walk over 179 00:09:27,240 --> 00:09:28,920 Speaker 1: to the nurse and it would make a lot of news. 180 00:09:28,960 --> 00:09:31,320 Speaker 1: I'd get all the attention, but I would do it 181 00:09:31,360 --> 00:09:34,839 Speaker 1: in a way that also too didn't really it didn't 182 00:09:34,840 --> 00:09:36,760 Speaker 1: really feel shady to the other host. I get what 183 00:09:36,800 --> 00:09:39,839 Speaker 1: they're saying here, because we've been their misty. We've been 184 00:09:39,920 --> 00:09:44,559 Speaker 1: on shows and we've seen somebody who's sort of asked. 185 00:09:44,559 --> 00:09:49,120 Speaker 1: He always making about themselves, and even when they are right, 186 00:09:49,600 --> 00:09:52,280 Speaker 1: even when they are not crying wolf, but even when 187 00:09:52,360 --> 00:09:57,480 Speaker 1: they're right, you're just like, ah again, it's you, it's me, me, me, 188 00:09:57,480 --> 00:10:01,560 Speaker 1: me me. I think that here the incident was real. 189 00:10:01,920 --> 00:10:04,760 Speaker 1: I think it was dangerous. I'm concerned for her. I 190 00:10:04,800 --> 00:10:08,679 Speaker 1: think the way she handled it certainly brought even more 191 00:10:08,840 --> 00:10:12,040 Speaker 1: attention to her then just getting up and waiting for 192 00:10:12,080 --> 00:10:14,240 Speaker 1: the camera to zoom in onn wwhoopy and you just 193 00:10:14,360 --> 00:10:17,640 Speaker 1: slide off, mister camera. You don't have to see me 194 00:10:17,679 --> 00:10:20,640 Speaker 1: get up and storm offset. I would just make a 195 00:10:20,679 --> 00:10:23,160 Speaker 1: little bit of an eye contact, I'd throw to Whoopie, 196 00:10:23,559 --> 00:10:25,480 Speaker 1: and then I'd slip off and I'd go to my 197 00:10:25,559 --> 00:10:26,840 Speaker 1: dressing room and get my EpiPen. 198 00:10:27,160 --> 00:10:29,400 Speaker 2: Well, I can let you know that she is doing 199 00:10:29,480 --> 00:10:33,360 Speaker 2: fine because she was at the New York premiere of 200 00:10:33,559 --> 00:10:38,760 Speaker 2: Jirassic World rebooth yesterday having a little cottail not too 201 00:10:38,840 --> 00:10:42,000 Speaker 2: far from Misty. Okay, she wasn't drinking anything, but I 202 00:10:42,040 --> 00:10:45,200 Speaker 2: did see her in her little gorgeous crochet dress. Maybe 203 00:10:45,200 --> 00:10:47,000 Speaker 2: that's the key to the heat. Wear a dress that's 204 00:10:47,000 --> 00:10:51,199 Speaker 2: a crochet piece. And she looked just fine. So she's okay. 205 00:10:51,120 --> 00:10:53,920 Speaker 1: Yea. And of you, note to the producers of the view, 206 00:10:54,440 --> 00:10:57,720 Speaker 1: if you know one of your hosts is deadly allergic 207 00:10:57,800 --> 00:11:02,120 Speaker 1: to nuts, don't bring out that has nuts in them. 208 00:11:02,440 --> 00:11:07,960 Speaker 1: It's not that hard food doesn't just organically naturally accidentally 209 00:11:08,040 --> 00:11:11,080 Speaker 1: appear on a TV show. It is prepared, it is 210 00:11:11,120 --> 00:11:13,960 Speaker 1: carried on, there are knives, there are forks. There's a 211 00:11:14,000 --> 00:11:17,840 Speaker 1: whole staff to do all this, and so this story, 212 00:11:18,040 --> 00:11:21,200 Speaker 1: I get why it is annoyed a few ladies on 213 00:11:21,280 --> 00:11:24,000 Speaker 1: the view. Okay, moving along to the new Harry Potter series, 214 00:11:24,040 --> 00:11:26,520 Speaker 1: which I can't wait for. Is going to distance yourself 215 00:11:26,559 --> 00:11:30,760 Speaker 1: from JK Rowling after her views that have not sat 216 00:11:30,800 --> 00:11:34,760 Speaker 1: well with everybody. So HBO have an upcoming TV reboot 217 00:11:35,200 --> 00:11:39,400 Speaker 1: that is already making headlines, and they're tiptoeing a way 218 00:11:39,840 --> 00:11:45,600 Speaker 1: away or around JK. Ruling. So she is not writing it, 219 00:11:45,640 --> 00:11:50,320 Speaker 1: but she is hands on. She's made some very very 220 00:11:50,360 --> 00:11:55,880 Speaker 1: strong comments about trans rites, which have divided fans and 221 00:11:55,920 --> 00:11:59,800 Speaker 1: also divided creative people who work on the show. I 222 00:12:00,080 --> 00:12:04,480 Speaker 1: think they want the show to be about wizards, not politics, 223 00:12:04,520 --> 00:12:07,360 Speaker 1: and so I'm not I'm not saying if her view 224 00:12:07,400 --> 00:12:09,160 Speaker 1: is a right or wrong. We can all have our 225 00:12:09,440 --> 00:12:13,120 Speaker 1: own opinion about that. But when you bring politics into entertainment, 226 00:12:13,520 --> 00:12:16,880 Speaker 1: it often often turns people off. And that's why we've 227 00:12:16,920 --> 00:12:21,239 Speaker 1: been so careful on this show. We're a celebrity celegue 228 00:12:21,360 --> 00:12:25,160 Speaker 1: gossip show. There are so many brilliant political shows out 229 00:12:25,200 --> 00:12:27,959 Speaker 1: there that can cover whatever views you want or give 230 00:12:28,000 --> 00:12:30,720 Speaker 1: it to you straight down the middle. We're not that show, Misty, 231 00:12:31,040 --> 00:12:35,400 Speaker 1: Harry Potter's not about trans rites, and so I think 232 00:12:35,480 --> 00:12:38,760 Speaker 1: that they're probably making the right decision here. Let's be honest. 233 00:12:38,840 --> 00:12:41,280 Speaker 1: Jk Rowling has so much money. This is not going 234 00:12:41,320 --> 00:12:44,960 Speaker 1: to affect her either way. Now, But I do understand 235 00:12:44,960 --> 00:12:47,959 Speaker 1: Misty that they're trying to focus on Harry on Wizards 236 00:12:48,240 --> 00:12:50,439 Speaker 1: and not JK Rowling or her views. 237 00:12:50,800 --> 00:12:53,120 Speaker 2: Yeah, and when you're doing a TV series, obviously this 238 00:12:53,240 --> 00:12:56,360 Speaker 2: is going to be a certain number of episodes. It's 239 00:12:56,400 --> 00:12:58,360 Speaker 2: a different type of writing than writing a book or 240 00:12:58,400 --> 00:13:00,840 Speaker 2: writing a movie. So I think, you know, just with 241 00:13:00,920 --> 00:13:03,400 Speaker 2: that in mind, they can just say from a professional stance, 242 00:13:03,800 --> 00:13:06,080 Speaker 2: it makes more sense. You're gonna have several writers working 243 00:13:06,160 --> 00:13:08,960 Speaker 2: in a writer's room. But what may happen, and we've 244 00:13:08,960 --> 00:13:12,600 Speaker 2: seen this happen when we know somebody has maybe racist 245 00:13:12,720 --> 00:13:15,880 Speaker 2: views or sexist views. One of the ways of kind 246 00:13:15,920 --> 00:13:18,920 Speaker 2: of dealing with it is they might hire a transgender 247 00:13:18,960 --> 00:13:22,040 Speaker 2: actor and not even make that a part of the storyline. 248 00:13:22,040 --> 00:13:25,800 Speaker 2: We've seen that happening a lot more nowadays, that transgender 249 00:13:25,840 --> 00:13:29,679 Speaker 2: actors are just playing roles and they're not playing transgender. 250 00:13:29,760 --> 00:13:33,120 Speaker 2: So you may see that happen and that's it. That's 251 00:13:33,160 --> 00:13:35,600 Speaker 2: all that's said, and it says everything it needs to say. 252 00:13:35,800 --> 00:13:38,640 Speaker 1: Good good advice. Okay, moving along, Brad Pitt has been 253 00:13:38,640 --> 00:13:42,520 Speaker 1: doing some very controversial interviews, I think really really deep interview. 254 00:13:42,559 --> 00:13:45,640 Speaker 1: Has been terribly honest about the breakup with Angelina Jolie, 255 00:13:45,760 --> 00:13:49,440 Speaker 1: how it brought him to his knees. However, Angelina is 256 00:13:49,480 --> 00:13:52,640 Speaker 1: not really responding to this in the way that everybody 257 00:13:52,679 --> 00:13:54,439 Speaker 1: else is. Please explain that. 258 00:13:55,040 --> 00:13:57,440 Speaker 2: Yeah, so Brad is you know, he's on the tour 259 00:13:57,520 --> 00:13:59,280 Speaker 2: so with it. He has a new movie coming out 260 00:13:59,440 --> 00:14:02,559 Speaker 2: f one the movie on Friday, So he was on 261 00:14:02,840 --> 00:14:06,920 Speaker 2: Armchair Expert and he talked about hitting rock bottom post 262 00:14:07,000 --> 00:14:10,680 Speaker 2: divorce and finding clarity in AA. He says, I was 263 00:14:10,760 --> 00:14:14,240 Speaker 2: on my knees. I needed to wake the f up. 264 00:14:15,080 --> 00:14:18,200 Speaker 2: But insiders are telling, of course you showed her scoop 265 00:14:18,600 --> 00:14:21,560 Speaker 2: that Angelina Julie is an impressed to her. It feels 266 00:14:21,560 --> 00:14:24,840 Speaker 2: more like pr not to personal growth. We know this 267 00:14:25,000 --> 00:14:26,840 Speaker 2: was when they were a couple. They didn't really have 268 00:14:26,920 --> 00:14:30,760 Speaker 2: a big PR entourage around them. She's not really into that, 269 00:14:31,320 --> 00:14:35,320 Speaker 2: so she doesn't think that a podcast fixes everything. I mean, 270 00:14:35,360 --> 00:14:38,680 Speaker 2: obviously we don't know what happened behind closed door, so 271 00:14:38,800 --> 00:14:42,120 Speaker 2: a lot could have gone down. You know, Brad's version 272 00:14:42,400 --> 00:14:45,840 Speaker 2: plays well to the public, but she feels behind the 273 00:14:45,880 --> 00:14:48,280 Speaker 2: scenes it's still a mess. 274 00:14:47,840 --> 00:14:50,720 Speaker 1: So tricky. It's so tricky. I've worked on these campaigns. 275 00:14:50,920 --> 00:14:52,240 Speaker 1: When you have a movie, you want to do a 276 00:14:52,280 --> 00:14:53,680 Speaker 1: lot of interviews, and you always want to give a 277 00:14:53,720 --> 00:14:56,160 Speaker 1: little bit of a personal story because then you get 278 00:14:56,200 --> 00:14:58,360 Speaker 1: a lot of press. But you don't want to use 279 00:14:58,400 --> 00:15:01,080 Speaker 1: these interviews for the movie to tell these big stories 280 00:15:01,120 --> 00:15:03,640 Speaker 1: because it looks like you're using the story to sell tickets. 281 00:15:03,880 --> 00:15:05,480 Speaker 1: So you want to give a little, but you don't 282 00:15:05,520 --> 00:15:07,440 Speaker 1: want to give too much. I think here Brad might 283 00:15:07,440 --> 00:15:09,960 Speaker 1: have given too much. I love the honesty. I think 284 00:15:09,960 --> 00:15:13,120 Speaker 1: these conversations are important to have. I'm not sure they 285 00:15:13,160 --> 00:15:16,120 Speaker 1: are important to have in the context of selling a movie. 286 00:15:16,280 --> 00:15:18,720 Speaker 1: Brad is sitting down to do all these interviews, not 287 00:15:18,880 --> 00:15:21,600 Speaker 1: to really help other people. Let's be honest. He wants 288 00:15:21,680 --> 00:15:25,000 Speaker 1: to sell tickets. That's why they go on these PR tours. 289 00:15:25,280 --> 00:15:28,320 Speaker 1: When they have a project to sell movie tickets, to 290 00:15:28,360 --> 00:15:31,360 Speaker 1: sell albums, to sell concert tickets, and so that's what 291 00:15:31,400 --> 00:15:34,000 Speaker 1: he's doing. So sometimes I think when you mix it 292 00:15:34,040 --> 00:15:37,960 Speaker 1: all together, it really diminishes the power of what you 293 00:15:38,080 --> 00:15:39,960 Speaker 1: are saying because it looks like you're saying it just 294 00:15:40,000 --> 00:15:42,640 Speaker 1: to sell tickets. I don't know if that is totally 295 00:15:42,720 --> 00:15:45,760 Speaker 1: true with Brad, but thank you for the honest conversation. 296 00:15:45,880 --> 00:15:49,400 Speaker 1: I'm just not sure this was the moment to have it. 297 00:15:49,600 --> 00:15:52,840 Speaker 1: I think maybe, Okay, we're going to take a quick 298 00:15:52,840 --> 00:15:56,480 Speaker 1: break and we will be right back. Welcome back to 299 00:15:56,560 --> 00:15:58,560 Speaker 1: the Naughty but Nashami hostrom shooter where they do it 300 00:15:58,560 --> 00:16:00,240 Speaker 1: for Missy. Hey, Misty, let's get to the whole that 301 00:16:00,360 --> 00:16:03,920 Speaker 1: that are. Last year, we talked about Ambarell's husband's bizarre 302 00:16:04,000 --> 00:16:08,440 Speaker 1: behavior at the funeral, which has fueled whispers is he 303 00:16:08,600 --> 00:16:11,440 Speaker 1: hiding something? Is something going on? This story is so 304 00:16:11,440 --> 00:16:15,920 Speaker 1: so strange. Fifty five years old passed away in the shower. 305 00:16:16,040 --> 00:16:18,440 Speaker 1: Her husband found her. He called nine one one. Now 306 00:16:18,480 --> 00:16:21,560 Speaker 1: there are reports there are about one hundred pills around her. 307 00:16:21,920 --> 00:16:25,440 Speaker 1: We know that that food world, the culinary world, has 308 00:16:25,480 --> 00:16:28,440 Speaker 1: a lot of addiction and demons. So what do you 309 00:16:28,440 --> 00:16:31,080 Speaker 1: think here is he hiding something. Let's have a look. 310 00:16:31,240 --> 00:16:35,240 Speaker 1: Sixty percent said, Yes, something's not quite right with this story. 311 00:16:35,280 --> 00:16:37,040 Speaker 1: I'm not sure if it's the husband. I'm not sure 312 00:16:37,040 --> 00:16:39,880 Speaker 1: if he's hiding ann secrets he doesn't want out there 313 00:16:39,920 --> 00:16:43,280 Speaker 1: her secrets exposed. I'm sure her business people are thinking 314 00:16:43,320 --> 00:16:46,120 Speaker 1: about the future and they don't want to ruin her legacy, 315 00:16:46,160 --> 00:16:48,440 Speaker 1: and so lots of decisions going on here. But there's 316 00:16:48,480 --> 00:16:51,680 Speaker 1: something not quite right. I totally agree with you. Nought ease, Hey, 317 00:16:51,680 --> 00:16:54,280 Speaker 1: don't forget to vote on today's Paul. Go to our 318 00:16:54,320 --> 00:16:57,120 Speaker 1: Twitter page at Naughty Nice rob. Our facebook page is 319 00:16:57,280 --> 00:16:59,920 Speaker 1: naughty doesn't amy? Sure to check back to morrow to 320 00:17:00,520 --> 00:17:01,200 Speaker 1: your results. 321 00:17:01,200 --> 00:17:08,960 Speaker 2: In Nicest of the Well, our nicest of the day 322 00:17:09,160 --> 00:17:13,600 Speaker 2: is Taylor Swift because she's letting her man play hero. Now. 323 00:17:13,640 --> 00:17:18,840 Speaker 2: She's given explicit instructions to her ever watchful security team 324 00:17:18,920 --> 00:17:21,480 Speaker 2: to let her man shine. They were on a date 325 00:17:21,520 --> 00:17:24,040 Speaker 2: in New York City. She sold him, you know, hang 326 00:17:24,160 --> 00:17:27,159 Speaker 2: back a little so that Travis could get out of 327 00:17:27,200 --> 00:17:30,600 Speaker 2: their car, open the door, you know, and create that 328 00:17:30,680 --> 00:17:33,600 Speaker 2: whole gentlemanly fantasy thing. 329 00:17:33,720 --> 00:17:33,919 Speaker 1: You know. 330 00:17:34,080 --> 00:17:37,960 Speaker 2: She wants the man to be home man. So they 331 00:17:37,960 --> 00:17:40,680 Speaker 2: were rolling around in a range rover, it was silver 332 00:17:41,280 --> 00:17:46,080 Speaker 2: and they backed the security guards just backed off. So basically, 333 00:17:46,119 --> 00:17:48,399 Speaker 2: what sources are telling us is she's letting him be 334 00:17:48,480 --> 00:17:52,159 Speaker 2: the alpha in public. But make no mistake, we know 335 00:17:52,280 --> 00:17:55,000 Speaker 2: that Taylor is still the corner back in this relation. 336 00:17:57,040 --> 00:17:58,320 Speaker 2: She's our nicest of. 337 00:17:58,320 --> 00:18:01,960 Speaker 1: The sweet, sweetish. She's not getting rid of a security 338 00:18:02,200 --> 00:18:04,320 Speaker 1: She's just telling them, let you know, let Travis have 339 00:18:04,480 --> 00:18:06,760 Speaker 1: a role in this too, and making him feel good. 340 00:18:06,880 --> 00:18:09,560 Speaker 1: It's all about making people feel feel good. And if 341 00:18:09,560 --> 00:18:12,440 Speaker 1: you've got to adjust your behavior slightly and still stay safe, 342 00:18:12,640 --> 00:18:14,359 Speaker 1: then it's worth doing. How nice is the day? And 343 00:18:14,359 --> 00:18:19,280 Speaker 1: now I noticed the day? Naughty? Naughty? Did he already 344 00:18:19,280 --> 00:18:22,000 Speaker 1: thinks he's won? So in a stunning decision, he is 345 00:18:22,040 --> 00:18:24,800 Speaker 1: refusing to testify or even call a single witness. We 346 00:18:24,920 --> 00:18:28,880 Speaker 1: could have a decision on Thursday or Friday of this week. 347 00:18:29,160 --> 00:18:31,800 Speaker 1: So now we are at the point of the trial. 348 00:18:31,840 --> 00:18:35,120 Speaker 1: Where did his legal team put on their defense. They've 349 00:18:35,160 --> 00:18:37,680 Speaker 1: said they're not going to call any witnesses and did 350 00:18:37,720 --> 00:18:40,600 Speaker 1: he's not going to testify? Sources say he thinks he's 351 00:18:40,720 --> 00:18:44,880 Speaker 1: already won. The only reason, the only reason lawyers do 352 00:18:44,960 --> 00:18:47,960 Speaker 1: this is they believe it's over. They think they've already won. 353 00:18:48,400 --> 00:18:51,120 Speaker 1: Maybe a little bit too confident. We will find out 354 00:18:51,560 --> 00:18:54,840 Speaker 1: really really soon. But buttle down. I projict Monday, your Tuesday. 355 00:18:55,119 --> 00:18:59,520 Speaker 1: We might have a decision in this case. Okay, let's 356 00:18:59,720 --> 00:19:00,840 Speaker 1: end a moment. 357 00:19:00,520 --> 00:19:01,120 Speaker 2: Of rob. 358 00:19:02,440 --> 00:19:06,920 Speaker 1: Rub Protect your piece. Not every battle deserves your energy, 359 00:19:07,280 --> 00:19:11,040 Speaker 1: So stop carrying the weight of other people's worlds. Their 360 00:19:11,119 --> 00:19:15,480 Speaker 1: opinions are not your truth. Their protection projections are not 361 00:19:15,600 --> 00:19:19,640 Speaker 1: your burden. And you don't have to show up every 362 00:19:19,800 --> 00:19:22,240 Speaker 1: time to an argument that you're invited. You don't have 363 00:19:22,280 --> 00:19:24,720 Speaker 1: to show up. I've learned this the hard way. I 364 00:19:24,800 --> 00:19:29,440 Speaker 1: can walk away. Silence is strength. Walking away is wisdom. 365 00:19:29,880 --> 00:19:35,960 Speaker 1: Protect your piece like it's sacred because it is. Hey, 366 00:19:36,000 --> 00:19:39,600 Speaker 1: that is it for today. Thank you so much for 367 00:19:39,680 --> 00:19:42,280 Speaker 1: listening to the Naughty bit Nice with Robin miss d 368 00:19:42,359 --> 00:19:46,600 Speaker 1: show a production of iHeartRadio. Don't forget to subscribe on 369 00:19:46,680 --> 00:19:50,800 Speaker 1: the iHeartRadio app, Apple Podcasts wherever you listen, leave us 370 00:19:50,800 --> 00:19:53,680 Speaker 1: a review if you can. They really really do help. 371 00:19:53,920 --> 00:19:56,880 Speaker 1: And remember let me hear you singing along. If you're 372 00:19:56,920 --> 00:20:02,000 Speaker 1: going to be naughty, you got to be take care 373 00:20:02,040 --> 00:20:03,520 Speaker 1: of everybody. Keep good. 374 00:20:03,800 --> 00:20:07,560 Speaker 2: But that's not even nice with brom Okay, I'll send 375 00:20:07,560 --> 00:20:07,840 Speaker 2: her to you