WEBVTT - 405: Landline

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<v Speaker 1>Talking about you guys. We have a very uh interesting

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<v Speaker 1>episode for you guys today, Landline, directed by I mean

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<v Speaker 1>basically a cast member of New Girl, so deeply embedded

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<v Speaker 1>in the family, mister Trent O'Donnell and written by Rob Roselle.

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<v Speaker 1>You wanna break it down, sure.

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<v Speaker 2>Let's do that now. In this episode, Jess is forced

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<v Speaker 2>to crack down on teacher hookups when she finds out

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<v Speaker 2>that Coach is doing nasty stuff with two of their colleagues.

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<v Speaker 2>But when a charming New British science teacher was brought in,

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<v Speaker 2>her own self control is put to the test. Meanwhile,

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<v Speaker 2>after a landline gets installed, Nick becomes the lost receptionist,

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<v Speaker 2>bushing out unsolicited dating and work advice. Let's got to

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<v Speaker 2>bring and we are back, as you said. Directed by

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<v Speaker 2>Tren o'donald, written by Rob Roselle. No episode is called

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<v Speaker 2>landline for obvious reasons. Now it's I am interested and

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<v Speaker 2>you know write it in the comments below. How many folks,

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<v Speaker 2>how many of our listeners had a landline or knew

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<v Speaker 2>what a landline was? You know, because some of them

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<v Speaker 2>are very very young and they are not in the

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<v Speaker 2>age of landlines what soever. I mean some of them

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<v Speaker 2>may have jobs where they work and they have the

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<v Speaker 2>landlord the desk of the phone. That's still that's still

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<v Speaker 2>a landline, but a lot of those still use like

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<v Speaker 2>wireless services. So I am curious to see how many

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<v Speaker 2>of these folks grew up with one. I know some

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<v Speaker 2>of the people are our age, for sure, but a

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<v Speaker 2>lot of the young folks discovering New Girl for the

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<v Speaker 2>first time in recent years, I don't think they had landlines.

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<v Speaker 1>I don't think so either. I think it's like, you know,

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<v Speaker 1>this is what a phone looks like, you know, like

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<v Speaker 1>it's just like that's the shape of it. That's how

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<v Speaker 1>you hold it, Like there's no grip like this.

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<v Speaker 3>Yeah.

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<v Speaker 1>You Also, I was thinking because they talk about it

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<v Speaker 1>in the episode when the phone rings and they're like,

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<v Speaker 1>who's that? And I was like, oh, yeah, you never

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<v Speaker 1>knew who was calling and if someone was using the phone,

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<v Speaker 1>no one else can call.

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<v Speaker 2>Right now unless you had caller ID, which was a

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<v Speaker 2>newer day, but.

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<v Speaker 1>That was later. Then caller IDA came in, and then

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<v Speaker 1>call waiting came in where you could hear a beep

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<v Speaker 1>if someone else was trying to call, But those were

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<v Speaker 1>like later inventions. I remember when I moved to La

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<v Speaker 1>I was renting like a floor in a woman's house,

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<v Speaker 1>and she was like, you need to get a landline

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<v Speaker 1>because like the service up here is so bad. If

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<v Speaker 1>you just have a cell phone, you might not be

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<v Speaker 1>able to reach people. And I was like, oh, so

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<v Speaker 1>I had to have like a landline and it cost

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<v Speaker 1>two dollars a month. And I was like, you guys

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<v Speaker 1>know what, you're going out of business.

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<v Speaker 2>Right dollars? Yeah, that's crazy.

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<v Speaker 1>It was. It was the craziest bill to pay. You're

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<v Speaker 1>also I used it zero times. The cell phone worked

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<v Speaker 1>just fine. I think she was just a little paranoid, like.

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<v Speaker 2>Can I pay off the whole year up front?

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<v Speaker 1>Here's twelve dollars?

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<v Speaker 2>Yeah? Yeah, So anyway, go ahead.

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<v Speaker 1>Oh man. So Jess gets a call from Principal Foster,

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<v Speaker 1>who calls her dog very strange, Jess Belzmasano bitch, and

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<v Speaker 1>they're trying to have this conversation and it's not going

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<v Speaker 1>well because there is no reception. That's happening in the

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<v Speaker 1>loft because of construction, which the building.

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<v Speaker 2>Up well, what happens is when you build, so there's

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<v Speaker 2>a million reasons why construction could do it that maybe

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<v Speaker 2>they they're using one of the polls one of the lines,

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<v Speaker 2>and it reduced the service. Maybe it's a tall building

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<v Speaker 2>that's blocking signal cell signal on that side of the

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<v Speaker 2>on that side of the building.

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<v Speaker 1>I just feel like it could be somewhere, like it's everywhere.

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<v Speaker 1>You're going to get service everywhere now, unless you're out

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<v Speaker 1>in the woods, like it's common for you be shocked.

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<v Speaker 2>You'd be shocked, you know. I remember buying when I

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<v Speaker 2>bought years ago, and I bought a house out deep

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<v Speaker 2>in the valley and I was like, oh, this is great,

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<v Speaker 2>it's perfect, this is perfect. And then I remember I

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<v Speaker 2>had no cell service in that house.

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<v Speaker 1>Get out.

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<v Speaker 2>It's like, what the hell I had to switch? I

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<v Speaker 2>just switched phone carriers.

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<v Speaker 1>Well, man, you were in Tarzana. That was basically like

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<v Speaker 1>the moon at that point.

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<v Speaker 2>Yeah, but AT and T didn't work.

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<v Speaker 1>That's hysterical. So they're all in there, they're all on

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<v Speaker 1>nick sped, leaning out the window. I do remember having

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<v Speaker 1>to lean out a window at my old apartment like

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<v Speaker 1>years so all they're just trying to like get a bar,

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<v Speaker 1>get a bar so that they can have their phone calls.

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<v Speaker 1>And they're like, Nook, we need to get a landline.

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<v Speaker 1>This is important. They'll look at it. Schmid's like, what's

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<v Speaker 1>the rope?

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<v Speaker 2>Yeah, yeah, the phone is sitting there, and it's just

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<v Speaker 2>like it's just a thing to them. It's almost like

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<v Speaker 2>which was shocking to me because this was twenty fourteen,

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<v Speaker 2>I want to say twenty thirteen when we shot this one.

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<v Speaker 2>It was shocking to twenty fourteen. Maybe it was shocking

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<v Speaker 2>to me just because I was like, these they know

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<v Speaker 2>what a landline is. I was like, why are they

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<v Speaker 2>doing that?

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<v Speaker 1>Like they ages down the network at that point, They're

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<v Speaker 1>like make them look like young ones. Yeah, they don't

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<v Speaker 1>know what I did. Love the flashback though of us.

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<v Speaker 2>Yeah, this one people talk about a lot. I get.

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<v Speaker 2>I get questions about this a lot, and people send

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<v Speaker 2>me different memes and gifts of this particular moment where

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<v Speaker 2>Winston is smooth talking some ladies into a double date

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<v Speaker 2>tell the girl to cut her fingertails, which I thought

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<v Speaker 2>was really funny because they pitched up our voices in

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<v Speaker 2>that one. So if you know, like every time we

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<v Speaker 2>flashed back to you know, young Nick and young Winston,

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<v Speaker 2>like they pitch up our voices, and their thought was like, oh,

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<v Speaker 2>that's interesting. But I've always said, there's a deep voice.

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<v Speaker 1>I will say, some people have a real sexy phone voice.

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<v Speaker 1>Some people just have that voice.

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<v Speaker 2>Thank you, thank you for saying so.

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<v Speaker 1>I remember that. They were always like they were so

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<v Speaker 1>good on the radio.

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<v Speaker 2>Did girls like that?

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<v Speaker 1>If it spoke to you like that way, then yeah.

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<v Speaker 1>There were some people I remember listening to the radio

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<v Speaker 1>and you were just like, we have a crush on

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<v Speaker 1>this person I've never seen, but just their voice is smooth.

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<v Speaker 2>I was like, cheesy as hell. Yes, all right, ladies,

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<v Speaker 2>ooh that does it for me? Like really, I guess

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<v Speaker 2>it's better than hi, ladies, I guess it's better.

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<v Speaker 1>Than that, A little bit better than that. You can

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<v Speaker 1>then just take. But then you're imagining what they look

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<v Speaker 1>like like, what they are like as a person. So

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<v Speaker 1>you're you're extrapolating a lot just from the voice.

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<v Speaker 2>Oh yeah, but if you like, look at David Beckham,

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<v Speaker 2>he's not gonna look like how he sounds high pitch choice,

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<v Speaker 2>you know what I'm saying. So if you heard, if

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<v Speaker 2>you heard David Beckham on the radio, you might miss out.

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<v Speaker 1>Yeah, you could count him out. You're a loss.

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<v Speaker 2>This is your loss, is your loss.

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<v Speaker 1>So then we uh we come back, and Schmid is

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<v Speaker 1>saying he needs to go study for Businessman, not Businessman magazine,

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<v Speaker 1>but businessman this man.

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<v Speaker 2>Yep. It's like jay Z's lying, I'm a I'm not

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<v Speaker 2>a businessman. I'm a business man.

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<v Speaker 1>And when he's busy, and all of a sudden, you

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<v Speaker 1>just see like Nick is like upset because he can't

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<v Speaker 1>just hang out and drink all day with his boys

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<v Speaker 1>and he's missing the bonding and knowing what's going on

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<v Speaker 1>in their life and all the hot goss and uh,

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<v Speaker 1>he's home alone.

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<v Speaker 2>And then he's home alone brings Yeah. The school nurse

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<v Speaker 2>calls the landline. Turns out that she's sleeping with Coach

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<v Speaker 2>right now in her office, just the newly appointed VP.

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<v Speaker 2>She makes Coach, she makes Coach and the school nurse

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<v Speaker 2>sign some papers in regard to their relationship.

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<v Speaker 1>Between coach and the nurse. Is so funny. And then

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<v Speaker 1>Zoe at the end is like, it looks like you're

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<v Speaker 1>wearing like something costume from Halloween Town and she's like, yeah, yeah,

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<v Speaker 1>buy it.

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<v Speaker 2>It's a media and they're.

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<v Speaker 1>Both so happy about it. Oh man, the greatest.

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<v Speaker 2>Yeah, having a work in a work situation is crazy.

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<v Speaker 2>I'm sure it happens all the time at schools. When

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<v Speaker 2>you're a kid, you never really you always wonder, but

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<v Speaker 2>you never really know if it's going on.

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<v Speaker 1>It's a second place. You get all these young people,

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<v Speaker 1>they're caring their hearts in the right place, all these teachers.

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<v Speaker 1>I'm sure things happen.

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<v Speaker 2>What that's a terrible explanation of why school is a

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<v Speaker 2>great place.

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<v Speaker 1>I'm just saying, if you're a single person at a

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<v Speaker 1>school working and there's other single teachers, I don't know

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<v Speaker 1>why it's like so bad. Why that's so bad to date?

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<v Speaker 2>I don't know, because you're trying to set an example

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<v Speaker 2>for these kids.

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<v Speaker 1>Well I was saying you have to like flaunt it.

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<v Speaker 1>But if you're grown adults after school hours and you

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<v Speaker 1>wanted to date, it seemed terrible to me.

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<v Speaker 2>Yeah, I guess you're right.

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<v Speaker 1>I guess you got to have a love like where

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<v Speaker 1>you supposed to meet somebody. You want your teacher going

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<v Speaker 1>to the bar after work to try to meet somebody. Okay,

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<v Speaker 1>So the nurse is all confused and she's like, so

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<v Speaker 1>what should we put down for like our relationship status?

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<v Speaker 1>You put like a calamari on my finger, like a ring.

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<v Speaker 1>So I'm assuming girlfriend. And then Rose comes barging in

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<v Speaker 1>and she's like, Ernie, last night was amazingly. She kills it.

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<v Speaker 1>She's so funny. And then the women start fighting because

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<v Speaker 1>Jess has blown up coaches spot.

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<v Speaker 2>Yes, oh yes, yeah. It turns out Coach is quite

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<v Speaker 2>he's quite the attraction there at the school.

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<v Speaker 1>I love it when later in the episode he's like,

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<v Speaker 1>I figured out who I am, Like, I figured out

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<v Speaker 1>who I am in the school.

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<v Speaker 2>I'm the guy that everybody I was like.

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<v Speaker 1>Yeah, I get for you. You you started that. Okay,

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<v Speaker 1>So now we are back with Nick, who's alone. He's

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<v Speaker 1>just dudeling just and the phone rings. That's a call

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<v Speaker 1>for Schmidt, and then the phone rings again as a

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<v Speaker 1>call for Winnie, and then all of a sudden, he's

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<v Speaker 1>got a purpose that connects him to his friends and

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<v Speaker 1>his friend's lives and he's good at it.

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<v Speaker 2>HM, that's right.

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<v Speaker 1>Now.

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<v Speaker 2>Nick asked Winston about Judy in particularly, who is this

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<v Speaker 2>Judy person?

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<v Speaker 1>Yeah, because then Winnie and Schmidt come back and he

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<v Speaker 1>presents them with their alphabetized message messages.

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<v Speaker 2>That's right, which is very strange for Nick, but it

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<v Speaker 2>feels like he did find his purpose in this one.

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<v Speaker 2>Which was like, I'm going to be the secretary.

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<v Speaker 1>The only thing that was shocking about it is that

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<v Speaker 1>he knew the alphabet. That was shocking the only part

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<v Speaker 1>that was shocking that he alphabetized it. I believe he

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<v Speaker 1>took the messages and he would enjoy like hot GOSSP.

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<v Speaker 1>But when he alphabetized it, I was like, man, you know,

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<v Speaker 1>Jess really rubbed off on him in the relationship. That's

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<v Speaker 1>a very just thing to do that.

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<v Speaker 2>Man knows ACB's.

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<v Speaker 1>Andy.

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<v Speaker 2>And I'm like, why didn't you just why are they all?

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<v Speaker 2>Why are they all on different types of How many

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<v Speaker 2>different types of sticky notes do they have?

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<v Speaker 1>But I think it is I just bought little almost

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<v Speaker 1>like recipe cards Q card things, and they usually do

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<v Speaker 1>come in a multicolored path.

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<v Speaker 2>No, this was beyond multicolor. This was like different shapes,

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<v Speaker 2>different sizes. I'm like, he could have just grabbed one

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<v Speaker 2>singular notebook and just wrote it all down on one note,

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<v Speaker 2>but you know, nobody did not do that, and that's fine.

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<v Speaker 2>This is television. Now we're now Judy. You know it's

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<v Speaker 2>a girl that Winston met at the driving range. It's like,

0:11:34.920 --> 0:11:36.400
<v Speaker 2>I don't know you were golfing. He's like, no, I

0:11:36.480 --> 0:11:37.160
<v Speaker 2>just go to watch.

0:11:37.480 --> 0:11:39.480
<v Speaker 1>Yeah, that sounds like me.

0:11:40.520 --> 0:11:41.920
<v Speaker 2>You go to driving range to watch?

0:11:42.120 --> 0:11:46.240
<v Speaker 1>Yeah, No, I wouldn't mind if, like I would go

0:11:46.280 --> 0:11:48.280
<v Speaker 1>with somebody who wanted to golf. I don't like to golf,

0:11:48.280 --> 0:11:49.880
<v Speaker 1>but if they're like, do you want to just hang out? Ship?

0:11:50.559 --> 0:11:54.640
<v Speaker 1>I love watching sports and sporty things. You can bring

0:11:54.640 --> 0:11:57.240
<v Speaker 1>me to anything where people are doing sports are sporty things.

0:11:57.520 --> 0:11:59.280
<v Speaker 1>I mean, golfing is a really fun one to tag

0:11:59.320 --> 0:12:01.280
<v Speaker 1>along because you often get to go on a cart

0:12:01.400 --> 0:12:04.120
<v Speaker 1>and you get to just like drive around. That's kind yeah.

0:12:04.880 --> 0:12:07.680
<v Speaker 2>Yeah, but like the driving range is literally just one

0:12:07.679 --> 0:12:09.040
<v Speaker 2>person hitting the ball over and over.

0:12:09.240 --> 0:12:10.800
<v Speaker 1>Yeah, would you like chat? I've been to the driving

0:12:10.880 --> 0:12:12.559
<v Speaker 1>range of something before and I just like hang out

0:12:12.640 --> 0:12:13.440
<v Speaker 1>and you didn't swing a.

0:12:13.440 --> 0:12:13.920
<v Speaker 2>Club at all.

0:12:15.040 --> 0:12:18.440
<v Speaker 1>Oh, I'm a good hang I don't know what to

0:12:18.480 --> 0:12:18.800
<v Speaker 1>tell you.

0:12:19.080 --> 0:12:20.280
<v Speaker 2>I'm not sure if you know this about me, But

0:12:20.320 --> 0:12:22.120
<v Speaker 2>I am a sponsored golf pro.

0:12:24.800 --> 0:12:25.160
<v Speaker 1>Arnold.

0:12:25.200 --> 0:12:26.760
<v Speaker 2>Is that you I am?

0:12:27.120 --> 0:12:27.600
<v Speaker 1>What is that?

0:12:28.520 --> 0:12:31.319
<v Speaker 2>It's a golf brand? Is it really Larson's Extreme Golf?

0:12:32.559 --> 0:12:35.920
<v Speaker 2>You know they they they're looking after your boy, now

0:12:36.600 --> 0:12:39.400
<v Speaker 2>after your boy. Yeah, I'm about to. I'm about to.

0:12:39.440 --> 0:12:42.400
<v Speaker 2>I'm straight up, straight up and down.

0:12:42.440 --> 0:12:44.000
<v Speaker 1>You're gonna get to wear the green coat.

0:12:44.600 --> 0:12:47.000
<v Speaker 2>Yeah. And I mean, listen, if I keep playing my

0:12:47.040 --> 0:12:49.880
<v Speaker 2>cards right, I might. You know, I might get a

0:12:49.880 --> 0:12:51.600
<v Speaker 2>grand slam in this thing. You know what I'm saying

0:12:51.600 --> 0:12:53.520
<v Speaker 2>when all the majors, You know, I might.

0:12:53.880 --> 0:12:56.199
<v Speaker 1>Yeah, you have a you have a very serena vibe

0:12:56.240 --> 0:12:56.640
<v Speaker 1>right now.

0:12:57.240 --> 0:13:00.040
<v Speaker 2>I might. I'm powerful, you know what I mean. And

0:13:00.240 --> 0:13:01.800
<v Speaker 2>I was just the other day. I was out there

0:13:01.840 --> 0:13:05.000
<v Speaker 2>hitting some uh, hitting some balls and crushed one of

0:13:05.000 --> 0:13:08.720
<v Speaker 2>the balls so hard and exploded and then injured injured

0:13:08.720 --> 0:13:15.520
<v Speaker 2>the bird. Okay, bird survived, bird survived. Felt if I

0:13:15.559 --> 0:13:16.959
<v Speaker 2>might have felt that way to the bird, but the

0:13:16.960 --> 0:13:20.640
<v Speaker 2>bird survive. I nursed it back to health milk I

0:13:21.000 --> 0:13:25.439
<v Speaker 2>fed at milk from from my person. Sure, and uh,

0:13:25.640 --> 0:13:27.440
<v Speaker 2>it's it's like it's out there thriving right now.

0:13:27.520 --> 0:13:29.760
<v Speaker 1>You know what I'm here for is the representation of

0:13:29.800 --> 0:13:32.000
<v Speaker 1>you being the first male lactating golf pro.

0:13:33.280 --> 0:13:35.200
<v Speaker 2>I wouldn't say first. There are others before me that

0:13:35.200 --> 0:13:39.600
<v Speaker 2>paved the way, for sure, but I just learned from

0:13:39.600 --> 0:13:41.040
<v Speaker 2>their lead. You know what I mean. I can't take

0:13:41.040 --> 0:13:45.960
<v Speaker 2>credit for yeah, yeah, yeah, I can't. Yeah no, yeah, When.

0:13:45.920 --> 0:13:48.000
<v Speaker 1>We discussed it. We say it a loud speaking of

0:13:48.080 --> 0:13:59.120
<v Speaker 1>important the Julian Morris is the guest star on the episode. Yes, incredibly,

0:13:59.280 --> 0:14:00.560
<v Speaker 1>just lovely to watch.

0:14:01.840 --> 0:14:03.440
<v Speaker 2>He's great, He's so.

0:14:03.640 --> 0:14:06.640
<v Speaker 1>Great, He's so talented, and you can tell. It's so funny.

0:14:06.679 --> 0:14:09.520
<v Speaker 1>Some people when they're on camera, they just have that thing,

0:14:09.559 --> 0:14:12.880
<v Speaker 1>whatever that magic thing is, and you just believe every

0:14:12.920 --> 0:14:17.040
<v Speaker 1>expression on their face. He just has that thing, and

0:14:17.080 --> 0:14:22.320
<v Speaker 1>he's so lovely anyway. So here is a Jess kind

0:14:22.320 --> 0:14:24.080
<v Speaker 1>of giving it to coach, being like, you can't be

0:14:24.160 --> 0:14:26.320
<v Speaker 1>sleeping with all these people and it's it's wrong and

0:14:26.360 --> 0:14:28.040
<v Speaker 1>you're trouble and there there's all these forms and we

0:14:28.120 --> 0:14:32.800
<v Speaker 1>have to and then Principal Foster introduces her to the

0:14:32.880 --> 0:14:36.360
<v Speaker 1>new British teacher.

0:14:37.600 --> 0:14:38.880
<v Speaker 2>And goes in, you.

0:14:40.520 --> 0:14:43.160
<v Speaker 1>I can't goes in. Me goes in. Jess goes in,

0:14:43.360 --> 0:14:51.200
<v Speaker 1>It goes in, and she can't handle it. And she's

0:14:51.280 --> 0:14:53.720
<v Speaker 1>now all of a sudden, very much like in the

0:14:53.760 --> 0:14:56.080
<v Speaker 1>micro episode where she was just like, I know I'm

0:14:56.080 --> 0:14:58.360
<v Speaker 1>not shallow, and in this one she's like, I know

0:14:58.760 --> 0:15:02.080
<v Speaker 1>where the boundaries are in my workplace. She is now

0:15:02.160 --> 0:15:06.520
<v Speaker 1>being tested in the most horrifying way. In last week's episode,

0:15:06.560 --> 0:15:09.080
<v Speaker 1>it was with the absolute worst dude and now it's

0:15:09.200 --> 0:15:10.640
<v Speaker 1>the absolute best dude.

0:15:13.040 --> 0:15:17.480
<v Speaker 2>Oh yeah, oh yeah. Brian goes in you, Ryan goes

0:15:17.480 --> 0:15:20.200
<v Speaker 2>in you. I love it. First when he's when he's

0:15:20.240 --> 0:15:23.880
<v Speaker 2>introducing him, he's like, and he sounds a little what

0:15:24.040 --> 0:15:26.520
<v Speaker 2>he say, he sounds a little different. He goes, uh,

0:15:27.160 --> 0:15:30.320
<v Speaker 2>go ahead, say something to her, and he's speaking loud

0:15:30.360 --> 0:15:34.360
<v Speaker 2>to him as he's from a different planet.

0:15:34.600 --> 0:15:34.800
<v Speaker 3>Yeah.

0:15:35.080 --> 0:15:39.520
<v Speaker 1>It's so amazing thing to me. If someone speaks multiple

0:15:39.600 --> 0:15:43.800
<v Speaker 1>languages and usually the other person can only speak English, right,

0:15:44.160 --> 0:15:48.520
<v Speaker 1>and they're just like, so your country, how and they

0:15:49.080 --> 0:15:50.920
<v Speaker 1>forget to speak English and like say the whole thing,

0:15:51.000 --> 0:15:54.240
<v Speaker 1>Just say like speak country, just like say that, just

0:15:54.280 --> 0:15:56.680
<v Speaker 1>say the whole Why are you speaking like you don't

0:15:56.760 --> 0:15:57.600
<v Speaker 1>speak English?

0:15:57.800 --> 0:15:58.200
<v Speaker 2>English?

0:15:58.680 --> 0:16:01.600
<v Speaker 1>You think when that person speaks like five languages, have languages.

0:16:01.720 --> 0:16:05.800
<v Speaker 2>Yes, you're the slow one, You the slow one.

0:16:07.240 --> 0:16:09.280
<v Speaker 1>Yeah, okay, all right, we're gonna go to break and

0:16:09.320 --> 0:16:13.760
<v Speaker 1>we come back. We're gonna be in the three way call.

0:16:14.600 --> 0:16:17.720
<v Speaker 2>That's right, that's right, which is so silly.

0:16:18.080 --> 0:16:26.560
<v Speaker 1>It's very silly.

0:16:29.400 --> 0:16:38.560
<v Speaker 2>And son Nick three way calls Winston Schmidt uh and

0:16:38.600 --> 0:16:41.320
<v Speaker 2>he gives them their midday messages, which is so silly.

0:16:42.560 --> 0:16:45.160
<v Speaker 2>I like his rundown of it. Nick called Judy told

0:16:45.160 --> 0:16:48.440
<v Speaker 2>her Winston wasn't feeling her, so he sent. He also

0:16:48.520 --> 0:16:52.480
<v Speaker 2>sent the magazine a picture of Schmidt against his will.

0:16:52.560 --> 0:16:53.960
<v Speaker 2>He just picked a random picture.

0:16:54.200 --> 0:16:57.560
<v Speaker 1>He picked the most recent one on the stone for accuracy.

0:16:57.640 --> 0:17:00.960
<v Speaker 1>He thought that was the best branding move, which is

0:17:01.000 --> 0:17:02.880
<v Speaker 1>just him like yelling at him on the couch.

0:17:03.400 --> 0:17:06.359
<v Speaker 2>Yeah, have a very weird looking position. Yeah, kind of

0:17:06.359 --> 0:17:09.919
<v Speaker 2>blurry photo as well. Yeah. And then they you know,

0:17:09.920 --> 0:17:13.320
<v Speaker 2>they hang the phone up, and then Winston. Then Schmid

0:17:13.320 --> 0:17:15.960
<v Speaker 2>calls Winston and I don't know where this came from

0:17:16.080 --> 0:17:19.040
<v Speaker 2>or how this. I remember shooting it, and it's funny

0:17:19.040 --> 0:17:21.880
<v Speaker 2>how they put it together. But it's literally just us

0:17:21.920 --> 0:17:28.800
<v Speaker 2>going and yo, yo you And and then I just

0:17:28.880 --> 0:17:30.760
<v Speaker 2>love when Winstay goes, wait, who's this?

0:17:31.640 --> 0:17:36.480
<v Speaker 1>It's like Schmidt, But haven't you ever done that with

0:17:36.520 --> 0:17:39.080
<v Speaker 1>like a friend? I for sure have done that with

0:17:39.160 --> 0:17:41.119
<v Speaker 1>Wendy on a call where I'm like yo, she's.

0:17:41.000 --> 0:17:45.000
<v Speaker 2>Like yo, yeah back in the day, for sure.

0:17:44.880 --> 0:17:47.840
<v Speaker 1>Yo, And she's like yo, And it's just very weird.

0:17:48.040 --> 0:17:49.800
<v Speaker 1>You just kind of do it because now you're kind

0:17:49.840 --> 0:17:52.120
<v Speaker 1>of both like laughing at your own little weird thing.

0:17:52.119 --> 0:17:53.919
<v Speaker 1>And then finally when you run out of all your

0:17:53.960 --> 0:17:59.560
<v Speaker 1>hay and you're like, als, what you're doing A real

0:17:59.640 --> 0:18:03.399
<v Speaker 1>friendship moment man Robert Zell and Trent letting that moment

0:18:03.440 --> 0:18:05.200
<v Speaker 1>breathe and.

0:18:05.119 --> 0:18:07.119
<v Speaker 2>It worked out.

0:18:08.760 --> 0:18:09.919
<v Speaker 1>Just shut it down.

0:18:10.680 --> 0:18:14.080
<v Speaker 2>Oh yeah. The meeting, they're in the teachers meeting about relationships,

0:18:14.680 --> 0:18:16.560
<v Speaker 2>and uh, I.

0:18:16.480 --> 0:18:24.760
<v Speaker 4>Love no, you know, her whole her whole demonstration is

0:18:24.800 --> 0:18:27.800
<v Speaker 4>you know, if you ever get into a situation with someone,

0:18:28.160 --> 0:18:30.160
<v Speaker 4>you have to they if they get close to you

0:18:30.240 --> 0:18:32.560
<v Speaker 4>and you don't feel comfortable, just say, shut it down,

0:18:33.359 --> 0:18:34.720
<v Speaker 4>you know, shut it her up.

0:18:35.119 --> 0:18:38.080
<v Speaker 2>They come back down, shut it down. And Coach is

0:18:38.160 --> 0:18:40.960
<v Speaker 2>obviously trolling here at this point. Yeah, Coach is like

0:18:41.240 --> 0:18:43.600
<v Speaker 2>he because he knows, he knows she feels some type

0:18:43.600 --> 0:18:46.560
<v Speaker 2>of way about Ryan. And and this is also for

0:18:46.600 --> 0:18:49.119
<v Speaker 2>the betterment of everybody else who clearly they want to

0:18:49.160 --> 0:18:51.760
<v Speaker 2>be They want to you know, they're like, what do

0:18:51.760 --> 0:18:54.199
<v Speaker 2>you call a principal foster? Call him hose. He's like,

0:18:54.240 --> 0:18:57.720
<v Speaker 2>they want to they want to do it. So he

0:18:57.800 --> 0:18:59.520
<v Speaker 2>asks for a visual of this.

0:19:00.000 --> 0:19:01.120
<v Speaker 1>I'm a visual learner.

0:19:01.760 --> 0:19:03.719
<v Speaker 2>Yeah, and so she tries to get close to do it.

0:19:03.880 --> 0:19:05.160
<v Speaker 2>She tries to get close to do it.

0:19:05.280 --> 0:19:07.040
<v Speaker 1>Yeah, She's like, fine, how much get up here, and

0:19:07.040 --> 0:19:09.880
<v Speaker 1>he's like, no, I get the new guy. And what's

0:19:09.920 --> 0:19:13.639
<v Speaker 1>so sweet about how Julian La portrays this is he

0:19:13.640 --> 0:19:17.000
<v Speaker 1>he always plays everything like in knowledge, so like it's

0:19:17.000 --> 0:19:18.760
<v Speaker 1>not like, oh, I guess I'll go up there and

0:19:18.800 --> 0:19:21.600
<v Speaker 1>it's gonna be fine. You see him like already looking

0:19:21.640 --> 0:19:23.879
<v Speaker 1>at Jess being like, I know you don't like I

0:19:24.000 --> 0:19:27.760
<v Speaker 1>know what they're doing, and I don't want to put

0:19:27.800 --> 0:19:29.600
<v Speaker 1>you in that position. And so he kind of goes

0:19:29.720 --> 0:19:31.879
<v Speaker 1>up there and he's just trying to like make this

0:19:32.080 --> 0:19:34.880
<v Speaker 1>painless for her. He's already obviously you know, the attraction

0:19:35.000 --> 0:19:37.199
<v Speaker 1>is mutual, and so he's just trying to like like

0:19:37.280 --> 0:19:38.520
<v Speaker 1>I'm on your team too.

0:19:39.400 --> 0:19:39.720
<v Speaker 2>Yeah.

0:19:40.200 --> 0:19:42.560
<v Speaker 1>Yeah, And then she talks through the example and then

0:19:42.600 --> 0:19:45.600
<v Speaker 1>Coach is like, no, no, I need to, like you

0:19:45.600 --> 0:19:47.679
<v Speaker 1>guys have to act it out. I really have to

0:19:47.800 --> 0:19:51.879
<v Speaker 1>see it. And then he gives her a little massage.

0:19:52.160 --> 0:19:56.400
<v Speaker 1>Mister goes in you oh boy, and she forgets where

0:19:56.440 --> 0:19:58.399
<v Speaker 1>she is and what she's doing.

0:19:59.720 --> 0:20:03.400
<v Speaker 2>Oh well, right before that, right before that, yeah, right

0:20:03.480 --> 0:20:06.119
<v Speaker 2>before that. Back at the loft, Schmid is trying to

0:20:06.160 --> 0:20:08.080
<v Speaker 2>have you re record the voicemail.

0:20:08.119 --> 0:20:11.679
<v Speaker 1>Oh my god, this scene.

0:20:10.720 --> 0:20:16.880
<v Speaker 2>And you're just saying it in the most played boring voice.

0:20:17.520 --> 0:20:27.520
<v Speaker 2>He he can't you try to turn on the nations.

0:20:26.240 --> 0:20:29.120
<v Speaker 1>I will say, man, shout out to our writers. They

0:20:29.160 --> 0:20:32.760
<v Speaker 1>really did make me feel good about myself because they

0:20:32.800 --> 0:20:35.000
<v Speaker 1>really did. As opposed to last episode where they called

0:20:35.040 --> 0:20:37.000
<v Speaker 1>you a six and a half, they were really selling

0:20:37.000 --> 0:20:40.800
<v Speaker 1>me as a hard ten every single episode and I

0:20:40.840 --> 0:20:42.960
<v Speaker 1>don't think I'm a hard ten. And it was a

0:20:43.119 --> 0:20:47.840
<v Speaker 1>very sweet moment. And the way there's nothing more that

0:20:47.920 --> 0:20:52.880
<v Speaker 1>I love than someone being like, like like yelling and

0:20:53.000 --> 0:20:55.520
<v Speaker 1>mad because they're so into you, Like I think it's

0:20:55.560 --> 0:20:58.320
<v Speaker 1>so funny. It's a funny, funny thing. And the way

0:20:58.359 --> 0:21:02.800
<v Speaker 1>Max always played it like he was so angry she

0:21:02.960 --> 0:21:06.120
<v Speaker 1>couldn't just say it not sexy. But it's really his

0:21:06.320 --> 0:21:09.440
<v Speaker 1>lens of that everything she does is just the hottest

0:21:09.440 --> 0:21:11.240
<v Speaker 1>thing and he just can't take it.

0:21:11.800 --> 0:21:13.639
<v Speaker 2>My favorite is what he makes a comment later on.

0:21:13.840 --> 0:21:18.000
<v Speaker 2>He goes, when the act we will get there, but

0:21:18.040 --> 0:21:21.360
<v Speaker 2>it's just funny. It's when the voicemail goes out with breaks,

0:21:21.920 --> 0:21:23.560
<v Speaker 2>when he's like, well, you probably because you listen to

0:21:23.640 --> 0:21:25.719
<v Speaker 2>CC's voice a million times, and he goes, yeah, then

0:21:25.720 --> 0:21:26.360
<v Speaker 2>I touch my pen.

0:21:26.720 --> 0:21:31.760
<v Speaker 1>Yeah now again, once again, why are we saying the

0:21:31.840 --> 0:21:35.360
<v Speaker 1>choir parts out loud? It's so funny the freedom these

0:21:35.400 --> 0:21:38.200
<v Speaker 1>friends have in the loft. I was like, okay, wow,

0:21:38.359 --> 0:21:40.640
<v Speaker 1>we didn't need to say it. I also love that

0:21:40.680 --> 0:21:45.400
<v Speaker 1>the CC character just is like so unfazed, like she knows,

0:21:45.560 --> 0:21:47.400
<v Speaker 1>she knows, and she knows he's the guy to say

0:21:47.440 --> 0:21:48.120
<v Speaker 1>it out loud too.

0:21:48.720 --> 0:21:52.520
<v Speaker 2>Yeah. Now, back at the school meeting, coach keeps on

0:21:52.600 --> 0:21:56.800
<v Speaker 2>antagonizing Jess. Yeah, and this demonstration he's trying to see,

0:21:56.840 --> 0:21:59.080
<v Speaker 2>and then it leads to Ryan, like you said earlier,

0:21:59.280 --> 0:22:03.480
<v Speaker 2>rubbing just his shulders because she looks tense, because he goes,

0:22:03.520 --> 0:22:06.040
<v Speaker 2>oh you look tense, and he starts rubbing her shoulders.

0:22:06.320 --> 0:22:08.080
<v Speaker 2>And then when she goes to shut it down, she can't.

0:22:08.080 --> 0:22:10.920
<v Speaker 2>She's actually she's actually like, yeah, it's a little lower, Yeah,

0:22:11.080 --> 0:22:15.320
<v Speaker 2>just like that. And then when she goes to shut

0:22:15.320 --> 0:22:16.480
<v Speaker 2>it down, she actually touches his.

0:22:16.880 --> 0:22:22.160
<v Speaker 1>Yes, she does an accidental bank and she is mortified

0:22:22.359 --> 0:22:26.160
<v Speaker 1>because now she's just touched somebody. This is the whole thing.

0:22:26.320 --> 0:22:29.520
<v Speaker 1>She's now done this, and then she goes to show

0:22:29.560 --> 0:22:31.600
<v Speaker 1>what she was trying to do and then does.

0:22:31.440 --> 0:22:35.000
<v Speaker 2>It again again.

0:22:35.320 --> 0:22:37.600
<v Speaker 1>Literal nightmare if that ever happened to me, I would.

0:22:37.320 --> 0:22:41.879
<v Speaker 2>Move Yeah, Oh are you kidding me? Not back at

0:22:41.880 --> 0:22:45.639
<v Speaker 2>the loft now the answering machine is not working.

0:22:45.840 --> 0:22:48.600
<v Speaker 1>Yeah. So Nick was pretty hurt because he was like

0:22:49.400 --> 0:22:52.400
<v Speaker 1>loving his job as being a secretary, loving being there

0:22:52.400 --> 0:22:54.640
<v Speaker 1>for his friends. It gets revealed that he even bought

0:22:54.720 --> 0:22:59.040
<v Speaker 1>himself a secretary and he was like, look, the computer

0:22:59.119 --> 0:23:00.879
<v Speaker 1>is going to take over and all the robots are

0:23:00.880 --> 0:23:02.920
<v Speaker 1>going to take over, and you're gonna miss me. And

0:23:02.960 --> 0:23:06.840
<v Speaker 1>then guess what. The answering machine is on the fritz

0:23:06.880 --> 0:23:14.360
<v Speaker 1>and it's not working. And when he's like, don't say anything, Nick, Yes,

0:23:15.600 --> 0:23:18.879
<v Speaker 1>then we have the beautiful hysterical pen moment that Schmidt

0:23:18.920 --> 0:23:23.160
<v Speaker 1>says about CC that Schmid is the one who broke

0:23:23.200 --> 0:23:24.080
<v Speaker 1>the answering machine.

0:23:25.359 --> 0:23:28.560
<v Speaker 2>Yeah. And then when Nick comes Nick comes in, he

0:23:28.600 --> 0:23:31.840
<v Speaker 2>comes back into the living room and Schmidt asked him

0:23:31.840 --> 0:23:33.199
<v Speaker 2>if the magazine's.

0:23:32.640 --> 0:23:37.320
<v Speaker 1>Called yeah, is check the machine?

0:23:38.600 --> 0:23:42.199
<v Speaker 2>Oh my gosh. Now Nick jokingly tells whence that the

0:23:42.200 --> 0:23:44.960
<v Speaker 2>magazine did call? This is so crazy because this is

0:23:45.000 --> 0:23:47.879
<v Speaker 2>a multiple episodes where Nick is kind of sabotaged just

0:23:47.880 --> 0:23:48.720
<v Speaker 2>with his job.

0:23:49.840 --> 0:23:54.080
<v Speaker 1>It is still employed with Nick around is crazy because

0:23:54.119 --> 0:23:56.920
<v Speaker 1>it feels like he's trying to sabotage that man.

0:23:57.080 --> 0:23:59.439
<v Speaker 2>Yeah, and he's like, he's like, they did call, and

0:23:59.480 --> 0:24:02.560
<v Speaker 2>they do want to do the interview with Schmidt today.

0:24:03.160 --> 0:24:05.720
<v Speaker 2>And you know, Schmid had already left. Was he's trying

0:24:05.720 --> 0:24:08.920
<v Speaker 2>to get the damn you know, recorder or the yeah,

0:24:08.960 --> 0:24:12.480
<v Speaker 2>whatever you call it, the answering machine fixed. So he's gone,

0:24:12.520 --> 0:24:14.240
<v Speaker 2>and Winston asked him. He goes, why didn't why did

0:24:14.280 --> 0:24:17.720
<v Speaker 2>he say anything this interview? Man, it's very important to Schmidt.

0:24:17.960 --> 0:24:22.360
<v Speaker 2>And Winston asked Nick, like, hey man, there's something bigger

0:24:23.080 --> 0:24:25.560
<v Speaker 2>going on here, So what's really going on? And he

0:24:25.600 --> 0:24:28.600
<v Speaker 2>says he just you know, he just misses them, you know,

0:24:28.680 --> 0:24:31.359
<v Speaker 2>and then answering the phone makes him feel connected to

0:24:31.400 --> 0:24:34.399
<v Speaker 2>him and Schmidt actually, I mean in Winston actually understands.

0:24:34.480 --> 0:24:37.600
<v Speaker 1>Yeah. It's a very sweet, like emotionally mature moment between

0:24:37.600 --> 0:24:38.960
<v Speaker 1>both of them.

0:24:38.480 --> 0:24:38.800
<v Speaker 3>M M.

0:24:38.960 --> 0:24:42.960
<v Speaker 1>That felt very shocking. Yeah, oh, in the phone.

0:24:43.119 --> 0:24:46.440
<v Speaker 2>Rings, that's right, it's the magazine. Yeah, and they want

0:24:46.440 --> 0:24:49.560
<v Speaker 2>to do the interview right now. Nick tells Winston that

0:24:49.680 --> 0:24:53.200
<v Speaker 2>he has to do it. He's magical on the phone.

0:24:53.359 --> 0:24:55.520
<v Speaker 2>So Winston grabs the phone. He tells Nick he needs

0:24:55.520 --> 0:24:57.320
<v Speaker 2>a soda and a straw and he also needs to

0:24:57.359 --> 0:24:58.159
<v Speaker 2>get horizontal.

0:24:58.200 --> 0:24:59.920
<v Speaker 1>I will say this as the owner of that cow

0:25:00.880 --> 0:25:03.359
<v Speaker 1>mm hmm. I saw you like get up and with

0:25:03.400 --> 0:25:05.240
<v Speaker 1>your shoes on it, and it didn't shit right with me.

0:25:06.119 --> 0:25:07.320
<v Speaker 1>I got grossed up on my couch.

0:25:07.359 --> 0:25:09.280
<v Speaker 2>Now, a lot more happened on that couch than you.

0:25:09.200 --> 0:25:11.280
<v Speaker 1>Probably I know, I know, but I don't have to

0:25:11.320 --> 0:25:13.760
<v Speaker 1>see it. And it was really weird that in my body.

0:25:13.800 --> 0:25:15.600
<v Speaker 1>The first thing was like, get your shoes off my.

0:25:15.680 --> 0:25:18.399
<v Speaker 2>Couch, Hannah. Can I you know how many times we

0:25:18.400 --> 0:25:19.800
<v Speaker 2>stood on that couch playing true American.

0:25:19.920 --> 0:25:21.720
<v Speaker 1>I know, I know, I know. I'm just saying what

0:25:21.800 --> 0:25:22.240
<v Speaker 1>it was.

0:25:22.280 --> 0:25:25.520
<v Speaker 2>But when I get it, when I do it, it's like, oh,

0:25:26.200 --> 0:25:27.200
<v Speaker 2>he can't stop.

0:25:27.080 --> 0:25:29.800
<v Speaker 1>On it because I know you were raised better, that's all.

0:25:29.920 --> 0:25:33.680
<v Speaker 2>Yeah, I can, I can. I can guarantee you. When

0:25:33.680 --> 0:25:37.880
<v Speaker 2>the crew was breaking down the set, some crew members

0:25:37.920 --> 0:25:40.400
<v Speaker 2>were sleeping with each other. And I guarantee you they

0:25:40.440 --> 0:25:41.800
<v Speaker 2>slept with each other on that couch.

0:25:42.000 --> 0:25:45.800
<v Speaker 1>Crew members were sleeping with each other. No, yeah, you

0:25:45.840 --> 0:25:47.240
<v Speaker 1>know what I do think about those because I know

0:25:47.240 --> 0:25:48.920
<v Speaker 1>a lot of people did take naps on the couch.

0:25:49.000 --> 0:25:51.359
<v Speaker 1>Like for the billions of years we had that couch.

0:25:51.680 --> 0:25:53.560
<v Speaker 1>And here's what I really do think it does gross

0:25:53.600 --> 0:25:55.160
<v Speaker 1>me about the couch a lot.

0:25:55.480 --> 0:25:57.200
<v Speaker 2>Yeah, but it's leather, so it bounced off.

0:25:57.280 --> 0:25:58.800
<v Speaker 1>But I don't like it.

0:25:59.680 --> 0:26:01.480
<v Speaker 2>Just squeeze that. You can know if you just push

0:26:01.560 --> 0:26:03.040
<v Speaker 2>the cushion down and the air comes out and it

0:26:03.080 --> 0:26:04.800
<v Speaker 2>smells like ERDs.

0:26:06.440 --> 0:26:10.320
<v Speaker 1>I will say, Man winning on the phone was very

0:26:10.440 --> 0:26:14.879
<v Speaker 1>smooth and actually sells the deal way better than Schmidt

0:26:14.960 --> 0:26:19.280
<v Speaker 1>ever could do, even Schmidt what it stands for.

0:26:20.520 --> 0:26:24.800
<v Speaker 2>Yeah, some can have money. I desire thoughtfulness.

0:26:24.200 --> 0:26:27.720
<v Speaker 1>I mean amazing and then watching like Max and Jake

0:26:27.800 --> 0:26:32.679
<v Speaker 1>high five in the background because they're so happy. It's amazing.

0:26:33.480 --> 0:26:37.600
<v Speaker 2>Yep, yep, yep, yep, yep. There's been multiple episodes where

0:26:37.640 --> 0:26:41.359
<v Speaker 2>Winston proves himself on the phone, which is hilarious. Certain,

0:26:41.680 --> 0:26:43.479
<v Speaker 2>but when the writers come up with this stuff, it's like,

0:26:43.600 --> 0:26:46.520
<v Speaker 2>it's it's funny. It's very creative. It's very funny to

0:26:46.560 --> 0:26:49.520
<v Speaker 2>get to add that there's this is to get to

0:26:49.560 --> 0:26:52.120
<v Speaker 2>get so much mileage out of oh, this person's good

0:26:52.160 --> 0:26:56.280
<v Speaker 2>on the phone, like that very basic thought, and you

0:26:56.359 --> 0:26:59.640
<v Speaker 2>get multiple episodes of hilarity out of it.

0:27:02.080 --> 0:27:04.760
<v Speaker 1>Yeah, all right, now we're going to wrap the episode

0:27:04.800 --> 0:27:07.439
<v Speaker 1>up because Jess walks into coaches room. She's a sorry,

0:27:07.800 --> 0:27:12.040
<v Speaker 1>she realizes now that it's sometimes hard to control your feelings.

0:27:12.119 --> 0:27:17.840
<v Speaker 1>And then he apologizes she's repealed the policy. How convenient,

0:27:18.160 --> 0:27:24.760
<v Speaker 1>but she's repealed the policy. And then Ruth pops up

0:27:24.800 --> 0:27:28.600
<v Speaker 1>from under the covers hot under there? Can I tell

0:27:28.600 --> 0:27:29.879
<v Speaker 1>you what I thought was gonna happen? I don't know

0:27:29.880 --> 0:27:31.240
<v Speaker 1>if you thought this was going to happen too, because

0:27:31.280 --> 0:27:33.119
<v Speaker 1>the scene was going on really long for a new

0:27:33.160 --> 0:27:35.280
<v Speaker 1>girl scene. It just seemed like really long. They were

0:27:35.320 --> 0:27:38.800
<v Speaker 1>talking justin coach, and then finally Ruth pops up, and

0:27:38.840 --> 0:27:40.480
<v Speaker 1>then I thought, what was going to happen is you

0:27:40.520 --> 0:27:42.280
<v Speaker 1>were going to see Rose pop up?

0:27:42.320 --> 0:27:43.160
<v Speaker 2>Me too?

0:27:43.160 --> 0:27:44.480
<v Speaker 1>I thought that was going to happen. I was like,

0:27:44.520 --> 0:27:45.880
<v Speaker 1>oh man, Ernie.

0:27:47.680 --> 0:27:49.560
<v Speaker 2>Missed opportunity. I thought that was going to happen too.

0:27:49.760 --> 0:27:53.800
<v Speaker 1>Yeah, That's what I was like, all right. The next

0:27:53.840 --> 0:27:56.840
<v Speaker 1>day at school, Princeville, Foster says he's tried to corral

0:27:56.920 --> 0:27:59.360
<v Speaker 1>these animals, but teachers are just straight up hoes.

0:28:02.160 --> 0:28:03.920
<v Speaker 2>Oh yeah, And then he tells Jess that, you know,

0:28:03.960 --> 0:28:07.520
<v Speaker 2>the two administrators like themselves could hook up, but he's

0:28:07.520 --> 0:28:10.400
<v Speaker 2>not attracted to her. Only Asians.

0:28:10.920 --> 0:28:12.160
<v Speaker 1>She said the faster again.

0:28:12.480 --> 0:28:16.480
<v Speaker 2>Why oh uh, now you know Schmidt, the bad boy

0:28:16.480 --> 0:28:20.640
<v Speaker 2>of marketing. It's officially out. And then at the end,

0:28:20.800 --> 0:28:24.200
<v Speaker 2>outside you hear a boombox screaming for Winston, which I've

0:28:24.200 --> 0:28:26.480
<v Speaker 2>heard before, screaming for La morn right outside my door.

0:28:26.520 --> 0:28:29.840
<v Speaker 2>I'm to show up a boombox as often and you

0:28:29.920 --> 0:28:32.679
<v Speaker 2>know that's Judy. That is Judy.

0:28:32.840 --> 0:28:35.440
<v Speaker 1>Another ever made a female pick for Winston?

0:28:36.280 --> 0:28:43.400
<v Speaker 2>Yes, oh my gosh. Yeah, let's let's go to a

0:28:43.480 --> 0:28:44.800
<v Speaker 2>quick commercial recor when we come back.

0:28:44.840 --> 0:28:46.960
<v Speaker 3>I just want to I do want to mess around

0:28:46.960 --> 0:28:59.800
<v Speaker 3>a little bit and we I'm back again.

0:29:03.440 --> 0:29:10.440
<v Speaker 2>Uh babe. Yeah, what's the craziest in office secret relationship

0:29:10.520 --> 0:29:12.720
<v Speaker 2>story you've heard or had?

0:29:13.560 --> 0:29:16.000
<v Speaker 1>Yeah? Have you had? Have you dated a co worker?

0:29:16.720 --> 0:29:19.840
<v Speaker 2>I have me too? I have Again?

0:29:19.880 --> 0:29:21.400
<v Speaker 1>Where are you supposed to meet people?

0:29:21.520 --> 0:29:21.600
<v Speaker 2>Like?

0:29:21.680 --> 0:29:24.000
<v Speaker 1>I know right now, like online dating is like a

0:29:24.000 --> 0:29:25.800
<v Speaker 1>big thing, but like back in the day, it kind

0:29:25.800 --> 0:29:27.760
<v Speaker 1>of wasn't, And so you met people where you met them.

0:29:28.280 --> 0:29:31.440
<v Speaker 1>And of course you're going to meet someone at work

0:29:31.680 --> 0:29:34.640
<v Speaker 1>because often your boss sucks and work can be hard,

0:29:34.680 --> 0:29:37.000
<v Speaker 1>and that's how like you bond and connect and it's

0:29:37.040 --> 0:29:41.160
<v Speaker 1>the person you're spending time with. Yeah, I think that

0:29:41.160 --> 0:29:43.000
<v Speaker 1>there's like there's this big rule around it.

0:29:43.880 --> 0:29:46.320
<v Speaker 2>Yeah, it is strange. It is strange, I think just

0:29:46.360 --> 0:29:50.360
<v Speaker 2>because of work productivity of what happens when you don't

0:29:50.360 --> 0:29:51.360
<v Speaker 2>work together anymore.

0:29:51.440 --> 0:29:52.880
<v Speaker 1>Yeah, but then they're just going to do it in secret.

0:29:52.880 --> 0:29:55.080
<v Speaker 1>They're not going to not do it to people know

0:29:55.080 --> 0:29:56.200
<v Speaker 1>what I mean to each other.

0:29:56.720 --> 0:29:58.440
<v Speaker 2>Well, here's what I mean. Here's what I mean if

0:29:58.480 --> 0:30:01.600
<v Speaker 2>you break up and the issues that it causes at work,

0:30:02.240 --> 0:30:04.400
<v Speaker 2>especially if you work in the same department, Like if

0:30:04.400 --> 0:30:07.640
<v Speaker 2>your two cast mates and you're doing it and you

0:30:07.760 --> 0:30:09.960
<v Speaker 2>break up, you're going to notice that there is some

0:30:10.000 --> 0:30:11.120
<v Speaker 2>sort of weird energy.

0:30:11.200 --> 0:30:13.360
<v Speaker 1>Yeah, but there's no rule around that on an acting set,

0:30:13.440 --> 0:30:16.040
<v Speaker 1>and like right, it's like not a traditional workplace, and

0:30:16.080 --> 0:30:18.640
<v Speaker 1>so people do date on sets because it wasn't there.

0:30:18.680 --> 0:30:21.240
<v Speaker 1>Like the craziest story, I don't know it, but I

0:30:21.280 --> 0:30:25.280
<v Speaker 1>just know it's a crazy story with like Dexter. Was

0:30:25.360 --> 0:30:27.600
<v Speaker 1>he like with his wife and his girlfriend and it

0:30:27.760 --> 0:30:31.560
<v Speaker 1>was a whole it is a regulation in Dexter, and

0:30:31.600 --> 0:30:34.640
<v Speaker 1>it got very messy for everybody in the crew. I

0:30:34.680 --> 0:30:37.120
<v Speaker 1>think that's true. I think that was the craziest one

0:30:37.120 --> 0:30:39.520
<v Speaker 1>I ever heard on And there was like multiple articles

0:30:39.520 --> 0:30:42.160
<v Speaker 1>because he had to continue working and the women had

0:30:42.200 --> 0:30:46.560
<v Speaker 1>to continue working there. Yeah, and it was like very challenging.

0:30:47.400 --> 0:30:49.360
<v Speaker 2>I could imagine. Yeah, that's one thing that I don't

0:30:49.400 --> 0:30:52.640
<v Speaker 2>I wouldn't date a as an actor. I wouldn't date

0:30:52.720 --> 0:30:56.080
<v Speaker 2>a coworker in a project that I was working on. Now,

0:30:56.200 --> 0:30:59.880
<v Speaker 2>if it had ended and you guys had a thing,

0:31:00.040 --> 0:31:02.120
<v Speaker 2>then I could see it, you know, if you if

0:31:02.160 --> 0:31:04.400
<v Speaker 2>you pursued it after the fact. But I couldn't do it.

0:31:04.400 --> 0:31:06.200
<v Speaker 2>I couldn't do it while we were working. It's too

0:31:06.400 --> 0:31:08.600
<v Speaker 2>you never know what scenarios the writers are going to write.

0:31:09.200 --> 0:31:10.840
<v Speaker 2>You never know what scenarios are going to put you in,

0:31:10.880 --> 0:31:12.400
<v Speaker 2>and you never know how your partner's going to react.

0:31:12.480 --> 0:31:14.719
<v Speaker 2>Like if if you're you're a couple, and then they

0:31:15.400 --> 0:31:17.560
<v Speaker 2>constantly have you dating these other women that come on

0:31:17.600 --> 0:31:21.320
<v Speaker 2>the show, yeah, you know, for storyline purposes. You never

0:31:21.360 --> 0:31:24.040
<v Speaker 2>know how people react to that. Every weekend, I'm like

0:31:24.080 --> 0:31:26.240
<v Speaker 2>making out with some different women, Like, you might feel

0:31:26.280 --> 0:31:27.720
<v Speaker 2>some type of way about that, even though we know

0:31:27.760 --> 0:31:30.320
<v Speaker 2>it's pretend. Yeah, and I might feel some type of

0:31:30.360 --> 0:31:32.840
<v Speaker 2>way if every episode she's like doing sex scenes with

0:31:32.880 --> 0:31:35.160
<v Speaker 2>somebody else, that's right, I'm like, that's weird.

0:31:35.320 --> 0:31:38.280
<v Speaker 1>And the acting workplace it is a wild thing, but

0:31:38.320 --> 0:31:40.440
<v Speaker 1>it's also hard, I would assume, because if you're like,

0:31:40.600 --> 0:31:44.239
<v Speaker 1>have real chemistry with somebody and you're both single and like,

0:31:44.360 --> 0:31:48.040
<v Speaker 1>oh yeah, stuff can happen. But I had, like write,

0:31:48.040 --> 0:31:51.080
<v Speaker 1>office romance was just like in a normal job. It

0:31:51.120 --> 0:31:52.120
<v Speaker 1>wasn't that exciting.

0:31:52.240 --> 0:31:54.600
<v Speaker 2>In Cyprus, it was very, very chill.

0:31:54.840 --> 0:31:57.120
<v Speaker 1>I think I've actually had several and they were all

0:31:57.160 --> 0:32:00.520
<v Speaker 1>like because again, where else were you going to meet somebody? Yeah,

0:32:00.520 --> 0:32:03.200
<v Speaker 1>but there was no like consequence to it. There was

0:32:03.400 --> 0:32:04.960
<v Speaker 1>like boss being like I've heard.

0:32:05.520 --> 0:32:08.640
<v Speaker 2>Yeah, there was no consequence to mine because it wasn't.

0:32:08.920 --> 0:32:12.240
<v Speaker 2>We didn't. We didn't make it a thing, make it crazy,

0:32:12.480 --> 0:32:14.040
<v Speaker 2>right like, it didn't and we were and we were

0:32:14.040 --> 0:32:15.720
<v Speaker 2>in two completely different departments.

0:32:15.920 --> 0:32:18.720
<v Speaker 1>Yeah, I think it's normal people say they met at work.

0:32:18.800 --> 0:32:21.280
<v Speaker 1>I don't know. The teaching thing, it does feel weird

0:32:21.280 --> 0:32:23.200
<v Speaker 1>to me. Teachers. I'll say this again, I do want

0:32:23.240 --> 0:32:25.920
<v Speaker 1>to hear if you have met your partner at work,

0:32:26.840 --> 0:32:29.200
<v Speaker 1>was there any consequence to it? Like? It seems so

0:32:29.360 --> 0:32:31.600
<v Speaker 1>strange to me. I'm here for teaching.

0:32:31.680 --> 0:32:38.680
<v Speaker 2>Love that. What's that show with something? Remember? What was

0:32:38.720 --> 0:32:41.560
<v Speaker 2>it called May December? What's that about?

0:32:41.840 --> 0:32:44.240
<v Speaker 1>I don't know you watched these romantic movies. I don't

0:32:44.240 --> 0:32:45.240
<v Speaker 1>watch romantic movies.

0:32:45.760 --> 0:32:47.600
<v Speaker 2>I didn't watch this one yet, but I should. I should.

0:32:47.880 --> 0:32:50.440
<v Speaker 2>I should. Got Corey Michael Smith and he is a

0:32:50.480 --> 0:32:55.440
<v Speaker 2>fantastic actor. I gotta check that out. Anyway.

0:32:55.520 --> 0:32:57.800
<v Speaker 1>Oh, I know which one you were talking about. I

0:32:57.840 --> 0:32:59.120
<v Speaker 1>read about it. I didn't watch it.

0:32:59.600 --> 0:33:02.640
<v Speaker 2>Yeah, in May December. It's about a teacher about teacher.

0:33:03.280 --> 0:33:07.560
<v Speaker 2>Uh why am I great actresses? Yeah?

0:33:07.640 --> 0:33:08.840
<v Speaker 1>No, super famous persons.

0:33:09.080 --> 0:33:11.440
<v Speaker 2>Their names. Yeah, I'm dropping their names for some reason.

0:33:13.520 --> 0:33:15.920
<v Speaker 2>But uh anyway, Yeah, did she put.

0:33:15.720 --> 0:33:19.440
<v Speaker 1>In the chat no May December? Julianne Moore and Charles

0:33:19.480 --> 0:33:25.680
<v Speaker 1>Milton and Natalie Portman. Yeah, just like a murderer's row

0:33:25.680 --> 0:33:28.320
<v Speaker 1>of actors, just like I was gorgeous talented.

0:33:29.840 --> 0:33:31.400
<v Speaker 2>I just know Corey Michael Smith said it because I

0:33:31.480 --> 0:33:34.600
<v Speaker 2>just worked with him on Saturday Night. He's on that movie.

0:33:34.720 --> 0:33:35.800
<v Speaker 1>Yeah, that was a big movie.

0:33:35.840 --> 0:33:38.720
<v Speaker 2>I remember that so anyway he uh oh yeah yeah

0:33:38.880 --> 0:33:40.880
<v Speaker 2>with Dexter. He they did the woman who played his sister.

0:33:41.800 --> 0:33:43.560
<v Speaker 2>I remember that. But I didn't know he was married

0:33:43.560 --> 0:33:44.080
<v Speaker 2>when he did it.

0:33:44.480 --> 0:33:46.800
<v Speaker 1>There was something I don't know. I got to read

0:33:46.880 --> 0:33:48.680
<v Speaker 1>up on it. I'm so sorry Dexter. People have I

0:33:48.720 --> 0:33:50.640
<v Speaker 1>got that wrong, but I heard that there was some

0:33:50.920 --> 0:33:54.920
<v Speaker 1>real drama put allegations. I know. I'm so sorry, so

0:33:54.960 --> 0:33:58.280
<v Speaker 1>sorry to get back. Okay, So our next question is

0:33:58.280 --> 0:34:00.600
<v Speaker 1>should we go back to landlines? Do you may recording

0:34:00.600 --> 0:34:02.520
<v Speaker 1>your first voicemail?

0:34:03.480 --> 0:34:06.080
<v Speaker 2>I think landlines are cool because you know the surface

0:34:06.160 --> 0:34:08.600
<v Speaker 2>is going to be fine. Yeah, you know, everybody should

0:34:08.640 --> 0:34:10.719
<v Speaker 2>have one because you know when service is an issue,

0:34:11.480 --> 0:34:12.840
<v Speaker 2>like if I'm at home, yeah, I'll call from the

0:34:12.920 --> 0:34:14.839
<v Speaker 2>landline just to make sure we're clear, just to make

0:34:14.880 --> 0:34:18.400
<v Speaker 2>sure we're good to go and locked in. I remember,

0:34:18.960 --> 0:34:21.399
<v Speaker 2>I don't remember it recording my Actually I do, I do,

0:34:22.080 --> 0:34:25.400
<v Speaker 2>but mine was a silly one, and I'm drawing a

0:34:25.400 --> 0:34:27.399
<v Speaker 2>blank on what exactly it was. But it was one

0:34:27.400 --> 0:34:30.480
<v Speaker 2>of those like it was one of those like I'll

0:34:30.680 --> 0:34:34.120
<v Speaker 2>act like we're having a conversation and then go, I'm

0:34:34.120 --> 0:34:35.240
<v Speaker 2>just kidding. Leave a message.

0:34:35.640 --> 0:34:37.640
<v Speaker 1>Everybody did that message where it was like, yeah, you

0:34:37.640 --> 0:34:43.560
<v Speaker 1>went like this, hello, yeah, hey, I'm actually not here man,

0:34:43.680 --> 0:34:44.520
<v Speaker 1>and that person.

0:34:44.320 --> 0:34:49.600
<v Speaker 2>Is yeah, you deep your message like that.

0:34:49.600 --> 0:34:51.920
<v Speaker 1>That was so funny. Yeah, it was fun to leave

0:34:51.960 --> 0:34:53.440
<v Speaker 1>your own voice message. And now you don't even do

0:34:53.480 --> 0:34:55.920
<v Speaker 1>it on your iPhone. It's so funny. Nobody like leaves

0:34:55.960 --> 0:34:58.799
<v Speaker 1>a message really like records one anymore, you just kind

0:34:58.800 --> 0:34:59.480
<v Speaker 1>of like whatever.

0:35:00.200 --> 0:35:01.719
<v Speaker 2>Yeah, what I used to do was record a song.

0:35:01.840 --> 0:35:03.560
<v Speaker 2>I used to record a song too. I used to

0:35:03.600 --> 0:35:06.160
<v Speaker 2>have some like music playing and then I would come in.

0:35:06.480 --> 0:35:10.319
<v Speaker 2>Yeah the morning here right now. Yeah you just hear

0:35:10.440 --> 0:35:13.680
<v Speaker 2>like some like jo toicy in the background. Yeah, that's

0:35:13.680 --> 0:35:14.480
<v Speaker 2>how I used to do it.

0:35:15.600 --> 0:35:17.760
<v Speaker 1>I remember. Here's what I will say about I remember

0:35:17.760 --> 0:35:20.239
<v Speaker 1>my first landline. I used to live in Saudi Arabia

0:35:20.280 --> 0:35:23.440
<v Speaker 1>and I remember my first landline and I think the

0:35:23.440 --> 0:35:27.440
<v Speaker 1>phone number was like six numbers long, like it was

0:35:27.480 --> 0:35:29.560
<v Speaker 1>like so short and soud because they didn't have like

0:35:29.600 --> 0:35:30.880
<v Speaker 1>a ton of phone and so it was like the

0:35:31.000 --> 0:35:34.280
<v Speaker 1>shortest phone number in the world. And I remember feeling

0:35:34.280 --> 0:35:36.040
<v Speaker 1>really practiced little. I was like seven years old, and

0:35:36.080 --> 0:35:37.480
<v Speaker 1>I was like, oh, I know my phone number, and

0:35:37.480 --> 0:35:39.000
<v Speaker 1>now I respect I'm like, yeah, of course you did.

0:35:39.040 --> 0:35:41.560
<v Speaker 1>It was like literally two numbers.

0:35:42.480 --> 0:35:43.239
<v Speaker 2>I hope you remember that.

0:35:43.280 --> 0:35:45.000
<v Speaker 1>Yeah, I hope you remembered six numbers in a row

0:35:45.040 --> 0:35:49.279
<v Speaker 1>at age six. Yeah, way back in the day. Man,

0:35:49.320 --> 0:35:50.800
<v Speaker 1>here's what I will say. When I lived in the

0:35:50.880 --> 0:35:52.719
<v Speaker 1>hills and I had to get the landline because she

0:35:52.760 --> 0:35:55.440
<v Speaker 1>told me there's no service up in that house, and

0:35:55.520 --> 0:35:59.959
<v Speaker 1>I got the landline. It was annoying because that phone

0:36:00.280 --> 0:36:04.480
<v Speaker 1>would just ring. Spam people get landline numbers, and so

0:36:04.719 --> 0:36:07.279
<v Speaker 1>at night. What the crazy thing was, I'd have to

0:36:07.800 --> 0:36:11.680
<v Speaker 1>unplug the phone phone because you can't just be like

0:36:11.680 --> 0:36:14.360
<v Speaker 1>I'm going to put you on silent. That doesn't increase.

0:36:14.840 --> 0:36:17.000
<v Speaker 1>So I have to unplug the phone, and then you

0:36:17.040 --> 0:36:19.200
<v Speaker 1>have to remember to plug in the phone. And I

0:36:19.280 --> 0:36:22.080
<v Speaker 1>was like, this is ridiculous. I need bout two dollars back.

0:36:22.600 --> 0:36:25.000
<v Speaker 2>I know, because it does keep you up. I had

0:36:25.000 --> 0:36:28.359
<v Speaker 2>the same thing recently, because you know, depending on the

0:36:28.520 --> 0:36:31.160
<v Speaker 2>I think it was Spectrum. When you get Spectrum cable service,

0:36:31.920 --> 0:36:33.759
<v Speaker 2>you know, they make you get the whole package of

0:36:33.800 --> 0:36:35.880
<v Speaker 2>the internet phone whatever. It's cheaper if you get the

0:36:35.880 --> 0:36:38.600
<v Speaker 2>phone included. And I get the phone included, and I

0:36:38.600 --> 0:36:41.520
<v Speaker 2>had a little landline phone that just I never used,

0:36:41.560 --> 0:36:42.680
<v Speaker 2>but it would ring all the time.

0:36:42.800 --> 0:36:44.280
<v Speaker 1>Yes, it rings all the time.

0:36:44.960 --> 0:36:45.680
<v Speaker 2>Who's calling it?

0:36:47.160 --> 0:36:50.040
<v Speaker 1>No one has this number except Spectrum.

0:36:50.239 --> 0:36:51.480
<v Speaker 2>The same thing had it unplugged.

0:36:51.719 --> 0:36:53.399
<v Speaker 1>That's right, That's what I'm trying to say. The joke

0:36:53.440 --> 0:36:55.200
<v Speaker 1>of it is you can get the landline, but then

0:36:55.239 --> 0:36:58.880
<v Speaker 1>it's actually somehow more annoying and then you just unplug

0:36:58.920 --> 0:37:00.440
<v Speaker 1>it and now you just got this relic.

0:37:01.040 --> 0:37:02.319
<v Speaker 2>Yeah, they just want to go to your house.

0:37:02.520 --> 0:37:04.480
<v Speaker 1>They just need that two dollars man.

0:37:04.800 --> 0:37:06.920
<v Speaker 2>Making millions that way for everybody to give you two bucks.

0:37:08.200 --> 0:37:10.960
<v Speaker 1>All right, y'all, that was a landline. If you like

0:37:11.040 --> 0:37:13.120
<v Speaker 1>this merch you can barely see because of my hair.

0:37:14.520 --> 0:37:17.400
<v Speaker 1>It's so cute though. My cosiest sweater in the world.

0:37:17.440 --> 0:37:19.799
<v Speaker 1>You can head to the messround pod dot com buy

0:37:19.920 --> 0:37:23.560
<v Speaker 1>for yourself a loved one good birthday gift. For all

0:37:23.560 --> 0:37:27.239
<v Speaker 1>those diehard New Girl fans. You can follow us at

0:37:27.320 --> 0:37:31.759
<v Speaker 1>the mess Around Pod on ig and send in your

0:37:32.040 --> 0:37:37.239
<v Speaker 1>office romance stories. I want to know and I want

0:37:37.239 --> 0:37:40.880
<v Speaker 1>to know if there's consequences, because that feels crazy to me.

0:37:41.440 --> 0:37:44.560
<v Speaker 2>Yeah, and I think that there's a lot of people.

0:37:44.640 --> 0:37:49.439
<v Speaker 2>The consequences are high for some people because you lose

0:37:49.440 --> 0:37:51.040
<v Speaker 2>your job, you mess around, sleep with the wrong Let's

0:37:51.040 --> 0:37:53.040
<v Speaker 2>say you're in the mob and that's your job and

0:37:53.080 --> 0:37:55.920
<v Speaker 2>you sleep with the head of the mob's wife. Yeah,

0:37:55.960 --> 0:37:59.040
<v Speaker 2>that's all office romance. You lose your you lose your legs.

0:37:58.800 --> 0:38:01.400
<v Speaker 1>For that's it. That's it. Are real consequences.

0:38:01.880 --> 0:38:06.120
<v Speaker 2>Yeah, oh my god. All right, anyway, Love you guys

0:38:06.160 --> 0:38:10.600
<v Speaker 2>as always. Hmmm, stay safe out there.

0:38:11.960 --> 0:38:15.240
<v Speaker 1>That was the mess around. In iHeartMedia production, Our.

0:38:15.120 --> 0:38:18.720
<v Speaker 2>Executive producer is Joel Monique. Our senior producer is Abu

0:38:18.880 --> 0:38:22.320
<v Speaker 2>Zafar Bei Wang provided engineering and editing services.

0:38:22.400 --> 0:38:26.360
<v Speaker 1>Additional production from Daniel Goodman, Wendy Heisler, and Kyle Shevron.

0:38:26.800 --> 0:38:30.000
<v Speaker 1>Our theme song was written and composed by Ronald Jukebox Jackson.

0:38:30.640 --> 0:38:33.000
<v Speaker 2>Catch you next time. Bye,