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Speaker 1: You can't see none of that on the camera.

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Speaker 2: None of what this his paraphernalia.

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Speaker 1: Phone.

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Speaker 3: Let me see your phone.

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Speaker 2: You put your phone in your pocket, put the pair

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Speaker 2: Fermilia on the thing.

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Speaker 1: Can you still see that? No?

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Speaker 3: Right, I can't see like your butt oh you have

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Speaker 3: butt out. I can't see it.

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Speaker 1: Nothing more about it? All right?

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Speaker 4: I think people know you smoke with no.

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Speaker 1: Welcome to another episode of the new Rory and Mall Podcast.

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Speaker 1: I am All, I am Rory.

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Speaker 4: Keep that whole intro too.

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Speaker 1: Yeah, let's keep that whole thing going. How you feeling?

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Speaker 3: Man?

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Speaker 4: A little uncomfortable because Edden's wearing an Ovio shirt, and

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Speaker 4: I just I don't know why. I don't know why.

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Speaker 4: It's always weird me Do I sound like?

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Speaker 1: I ha, that's not you know why he's wearing Ovo shirt?

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Speaker 3: God?

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Speaker 4: How did you get that shirt?

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Speaker 1: I made you wear that shirt today. That's a great

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Speaker 1: way of looking at it.

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Speaker 4: I feel like, and I don't know, maybe it's my

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Speaker 4: age difference because I did wear rock a Wear and

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Speaker 4: Sean John and all that just Ovio. I feel like

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Speaker 4: only women should wear Ovio cloarly dream uh No, I

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Speaker 4: have never worn a Dreamville shirt. I just feel like

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Speaker 4: that era is kind of over.

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Speaker 1: Of wearing rappers.

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Speaker 4: Clothing merch is cool, but I mean, like just the

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Speaker 4: label branded shit. I think the rock Nation hat was

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Speaker 4: the last time that that was ever a thing. The

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Speaker 4: planes the planes had, yeah, because now yeah, now I

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Speaker 4: just feel like, well, one, anytime a girl has an

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Speaker 4: Ovo shirt on, I I do judge a bit, and

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Speaker 4: I don't think she gets there. I don't think she

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Speaker 4: purchased it.

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Speaker 1: She definitely didn't purchase it. You know. That was just

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Speaker 1: you know, to spend a nice shirt when you see it.

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Speaker 1: This is a gift, so that has to spend the

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Speaker 1: nice shirt.

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Speaker 4: I had a woman come to my house with the

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Speaker 4: Ovio Jordan collab bag that I don't think they sold

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Speaker 4: the white like I think you had think you actually

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Speaker 4: had to drake physically had to hand it to you.

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Speaker 1: Yeah. It's always funny when you notice things like that,

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Speaker 1: Like when you see women in like oversized like U

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Speaker 1: C l A T shirts and shit like that, It's like.

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Speaker 4: Is it is it corny that I kind of liked

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Speaker 4: that felt away?

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Speaker 1: Yeah, it's okay, Listen.

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Speaker 4: I didn't feel away in the regard of Eskimo Brothering, No,

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Speaker 4: but just like, I'm sure you have another bag and

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Speaker 4: you could have brought a different over another bag.

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Speaker 1: You have another shirt, you didn't have to wear that.

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Speaker 1: You know, that's a conversation piece. Like women know when

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Speaker 1: they're wearing a conversation piece.

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Speaker 4: Like, but they know you don't like Michael Georgian at

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Speaker 4: all at all.

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Speaker 1: But yeah, I see, y'all was out this weekend. That

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Speaker 1: was out shaking ass. Rory was out uh being a therapist.

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Speaker 4: What I he.

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Speaker 1: Looked like he was in your therapist bad. He was

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Speaker 1: walking on telling people, Hey.

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Speaker 4: God loves you. I mean God didn't.

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Speaker 1: Yeah, no, he definitely did this weekend for sure.

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Speaker 4: No, I was. I was getting to it. I felt

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Speaker 4: like at the party, I was my therapy, back to it.

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Speaker 1: You got a two step, I'm gonna catch you doing

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Speaker 1: the two steps.

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Speaker 4: I was shaking my rump a little bit.

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Speaker 1: Yeah. First of all, listen, see this is we gotta

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Speaker 1: get to see it. I'm learning it or you gotta.

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Speaker 1: I know what he's headed. Now, don't ever tell me

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Speaker 1: you were shaking your rump and then look at me.

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Speaker 1: Why no, we're just not doing that.

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Speaker 4: Don't shake.

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Speaker 1: First of all, don't shake your rump.

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Speaker 4: Okay, what happens if we go out and gy rate

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Speaker 4: my hips a little bit. But I'm leaving with you

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Speaker 4: next to me.

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Speaker 1: I'm leaving when you look around like, yo, I don't know, mam,

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Speaker 1: was just standing away. Just know that I'm on my

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Speaker 1: way home. We was.

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Speaker 4: Jillian had no problem with it.

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Speaker 1: Julian looks like he was out gyrating as well. Yeah

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Speaker 1: did you go out? Did you go out to?

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Speaker 4: No?

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Speaker 1: So just this one right here, this one, she's on it.

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Speaker 1: Let me just let you all know. Jamarius is on

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Speaker 1: a very short leash right now, like her leash.

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Speaker 2: Yo, what did I do?

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Speaker 1: You know how you give the dogs the retractable leashes.

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Speaker 1: She used to have the retractable leash. Yeah, she now

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Speaker 1: has the very short leash where she can only walk

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Speaker 1: maybe three feet ahead of you.

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Speaker 3: That's crazy.

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Speaker 1: Listen, you gotta watch the marriage when she goes out.

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Speaker 1: It's just like you just know some shit. I don't

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Speaker 1: want to hear it.

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Speaker 4: Just something. Something definitely came across her eyes the moment

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Speaker 4: we walked into the venue, because we we grabbed a

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Speaker 4: drink before, which was calm. Three of us was chilling.

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Speaker 4: I was like, oh, this is a cool going out

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Speaker 4: crew like everyone's calm, and you know, we'll know to

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Speaker 4: mind our business and when to leave. Something just came

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Speaker 4: over Demarus' aura. I felt like, but you went, we

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Speaker 4: went through like the side entrance too. So she was

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Speaker 4: kind of feeling herself looking at all the broken people.

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Speaker 1: Oh yeah, you know you look at the port. Time

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Speaker 1: Demaris realized she has access to something that she go crazy, like,

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Speaker 1: I'll walk through the kitchen, now I'll walk through the front.

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Speaker 4: Oh is that a lion.

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Speaker 1: Yeah.

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Speaker 4: I didn't think that Demarus wasn't going to shoot her

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Speaker 4: shot a little bit because she was saying she was

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Speaker 4: trying to find a man. I said, Oh, it's gonna

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Speaker 4: be a bunch of you know people I went to

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Speaker 4: college with that all work at JP Morgan. Now it's

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Speaker 4: a good place to find.

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Speaker 1: It was.

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Speaker 4: It was my cap of friends over through a party.

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Speaker 1: Okay, the sign up and everything.

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Speaker 4: Yeah, it felt it felt very dancing gang in there.

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Speaker 1: Okay, so it was a kapa. This was a Kapa event.

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Speaker 4: But I thought that was perfect for Demeris because again

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Speaker 4: they're adults. These are all people. It's like a thirty

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Speaker 4: plus party. Yeah, not not for the young kids, which

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Speaker 4: means they enjoy themselves. They like to go out, but

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Speaker 4: they also have job and responsibility, which is what I

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Speaker 4: think Demerius needs. Quiet as a mouse. So many handsome

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Speaker 4: men around us, quiet as a mouse.

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Speaker 2: Okay, let's let's kill this. Okay.

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Speaker 5: First of all, when me and Roy originally discussed going

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Speaker 5: to this event, I thought that this was going to

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Speaker 5: be like a mixer, right.

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Speaker 2: I thought that you would be able to hear yourself talk.

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Speaker 5: I was not aware that it was the type of

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Speaker 5: party that it was until I got there. I do

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Speaker 5: not I'm not gonna walk up to men in a

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Speaker 5: very loud party and attempt to That's not me.

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Speaker 2: I'm not that girl.

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Speaker 5: Now, women, I got a bunch of women, like my

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Speaker 5: Instagram and phone full of women.

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Speaker 2: Women were everywhere and they were in there. I couldn't

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Speaker 2: even pay attention to men.

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Speaker 5: It was so many beautiful women in there, but men.

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Speaker 5: I'm not walking up to no man and no loud party.

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Speaker 5: While he gyrating the last loss and trying to get his.

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Speaker 3: Number, I'm good lost loss.

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Speaker 2: No, it wasn't that type of vibe at all.

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Speaker 4: The joints weren't there.

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Speaker 2: Though they were, I couldn't even focus.

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Speaker 4: Like what there was there was a few ghost of

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Speaker 4: pussy passing there as well, which can always get a

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Speaker 4: little weird. A few skeletons, so they was alive and

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Speaker 4: well so not skeletons.

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Speaker 1: So a few zombies. It's always fun when you go

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Speaker 1: to a party and you haven't been out in a

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Speaker 1: while and you see a bunch of women that you

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Speaker 1: used to date.

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Speaker 4: But it was a specific crowd I haven't seen in

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Speaker 4: a long time.

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Speaker 1: Only if you're doing better in life, Like, if you're

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Speaker 1: doing better in life, then when you last saw them,

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Speaker 1: it's always great. But if you fucked up, you try

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Speaker 1: to you try to avoid them. You don't want to

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Speaker 1: see those women.

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Speaker 4: I did kind of have my my Mike Jones moment

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Speaker 4: while I was in there speaking of that. There there

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Speaker 4: was a joint that when I was in college, like

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Speaker 4: post college, that I used to shoot my shot at

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Speaker 4: and was like, you know, I liked her. Nothing ever happened.

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Speaker 4: You know, she did her thing, she was on me

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Speaker 4: at the party. I'm like, oh, wait, now you like me?

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Speaker 4: Yeah you got money fucking twelve years later, bitch.

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Speaker 1: Absolutely, yeah, that's that's when she's supposed to like you.

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Speaker 1: Well I don't like her now, Well yeah, no, and

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Speaker 1: that's when you're not supposed to like it, but it's

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Speaker 1: always good. When you noticed that women that you liked

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Speaker 1: years ago didn't wasn't really giving you no rhythm, and

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Speaker 1: then now you see them and it's like, oh, now

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Speaker 1: you got conversation for me, Now you got you know

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Speaker 1: me energy from me.

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Speaker 4: Well that actually made me more upset at myself because

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Speaker 4: why was I so love with a ho but want

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Speaker 4: to record she didn't she didn't like me until I succeeded.

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Speaker 1: But she's well she's a whole. Yeah. Yeah, we can't.

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Speaker 1: We can't be mad at women for now. Brokis like,

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Speaker 1: you know what I mean.

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Speaker 4: No, I'm never I've never seen that. I think women

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Speaker 4: should go after men with money.

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Speaker 1: I said that, listen, I get it. I just think

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Speaker 1: that as men now we need to start going after

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Speaker 1: women with money.

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Speaker 4: Yeah that's right.

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Speaker 1: Yeah, like you you gotta be bring something to the

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Speaker 1: table too. You have to be doing well in your life. Yeah,

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Speaker 1: no more broke bitches. We don't.

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Speaker 4: We not got great pussy man, the greatest sex, love

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Speaker 4: of love her bum bitch, yeah, bum bum pussy bum

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Speaker 4: pussy is great. Some of the best times in my

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Speaker 4: life with bumpitch. It looked amazing.

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Speaker 1: They were bumpo, just absolute bums.

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Speaker 4: They were dependents. They were children at the end of

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Speaker 4: the day, like.

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Speaker 1: Oh, this is where you live? Yeah? Like wow he fire, Yeah,

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Speaker 1: like I should have been had sex with you. I

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Speaker 1: was aiming low. This is how you sleep.

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Speaker 4: Wait, you were gonna make me work for it. You

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Speaker 4: need to go to work. Oh.

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Speaker 1: Man. So I had a good time when y'all went

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Speaker 1: out there. I went out. Uh, I went out as well. Saturday, Okay,

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Speaker 1: I linked up with with Julius. He had a he

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Speaker 1: had hit me. I haven't seen Julius in a while,

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Speaker 1: probably since before the season ended, and he hit me

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Speaker 1: and it was like, yo, what's up?

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Speaker 4: Man?

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Speaker 1: When to step choice?

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Speaker 4: Randall?

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Speaker 1: Julius Randall. So he's like, Yo, what something man, Let's

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Speaker 1: let's let's step out tonight. And I was like, I

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Speaker 1: was like, all right, man, only because you want to

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Speaker 1: step out. I haven't seen you cool. So we went

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Speaker 1: to Little Sister.

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Speaker 4: I know, when a man is fighting, it's.

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Speaker 2: Like, you're a fucking horror.

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Speaker 4: What is just when I thought we were thoughts for

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Speaker 4: being at States forty eight, you went to a Little

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Speaker 4: Sister For those that don't. I don't don't. Of course,

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Speaker 4: choice was on Saturday, Little Sister. I don't know the choice.

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Speaker 1: I don't know who was DJing, Like I'm sure. I

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Speaker 1: literally walked in said what's up to Julius and his wife.

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Speaker 1: We sat there, we talked, we kicked it for about

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Speaker 1: an hour, and I left.

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Speaker 3: What is Little Sister?

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Speaker 4: All right? For those that don't live in the New

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Speaker 4: York area, Little Sister, everyone knows. I guess one Oak

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Speaker 4: be a yeah, something universal.

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Speaker 1: You can't know New York and not know one o

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Speaker 1: and there's.

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Speaker 4: Other there's one Oaks in other places. Yeah, Little Sister

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Speaker 4: is kind of one Oak ish in the way that

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Speaker 4: it's very clubby, very industry, very ig dot e very much.

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Speaker 4: Take pictures in front of the sign, yeah and tag

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Speaker 4: it type of place would you guys? You guys go

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Speaker 4: to say less for dinner first and then.

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Speaker 1: Or no, God, I'm not. I wasn't outside like that. No, no,

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Speaker 1: But it's funny like going out, man. I was talking

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Speaker 1: to Julius about it when we was dead and I

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Speaker 1: was just looking around. Clubbing is like going out to

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Speaker 1: the club is a very weird thing when you really

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Speaker 1: think about it, Like I'm going to a place. I'm

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Speaker 1: gonna be around a bunch of strangers that I don't

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Speaker 1: know from different walks of life, different areas, different parts

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Speaker 1: of the city, different parts of the country, the world, wherever.

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Speaker 1: And we're gonna stand in this room. We're gonna all

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Speaker 1: get drunk, and some people are gonna be.

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Speaker 4: On drugs and be too loud to even communicate with

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Speaker 4: each other.

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Speaker 1: Like, it's just like, bro, this is the like being

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Speaker 1: in the club. There's no way you can enjoy yourself

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Speaker 1: being in the club and being sober, Like, you have

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Speaker 1: to smoke weed, you have.

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Speaker 4: To drink, you have to do something I could never be.

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Speaker 1: Like, you can't be completely sober and enjoy yourself. It's

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Speaker 1: too much. It's too much the frequency. It's just too

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Speaker 1: much shit going on. It's way too much shit going on.

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Speaker 3: You need to be a little like faded.

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Speaker 1: You have to be in another Yeah, you gotta be

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Speaker 1: tapped into another part of your fucking brain and just kind.

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Speaker 4: Of like because it's a terrible concept.

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Speaker 1: It's the it's the worst concept.

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Speaker 4: Oh, you're leaving out that I'm gonna go buy a

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Speaker 4: bottle that costs forty dollars.

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Speaker 1: Outside of it's just the craziest experience. But the music

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Speaker 1: was great, the people seem to be having a good time.

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Speaker 4: The ceilings are low in there was did how did

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Speaker 4: Julius navigate low ceilings? No couch?

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Speaker 1: Yeah it is lower than the Noma. But but he

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Speaker 1: was he was fine, but it was It was cool

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Speaker 1: to see him and can't getting catch up And we

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Speaker 1: talked about the upcoming season, the Knicks and the movie

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Speaker 1: that they made. And he told me, he said, Bro,

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Speaker 1: for some reason, I know it sounds crazy, but I

288
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Speaker 1: think this shit is gonna work this season. He just said,

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Speaker 1: the chemistry with the with the teammates, the new the

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Speaker 1: new players, the new management, front office. He was like,

291
00:11:13,000 --> 00:11:13,599
Speaker 1: Bro j R.

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Speaker 4: Smith said the same thing to me in Greenhouse.

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Speaker 2: Yeah, like fifteen years ago.

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Speaker 1: But I understand. I understand why he said it. He

295
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Speaker 1: said it in a little sister It's it's, it's it's.

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Speaker 1: But it's a reason why he said it. Just the

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Speaker 1: type of players that they have now. It's not really much.

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Speaker 1: There's not really much of an ego with this team.

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Speaker 4: I like last year's team.

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Speaker 1: Last year's team was good. They underachieved obviously, but they

301
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Speaker 1: were a good team. But yeah, man, it was just

302
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Speaker 1: good catching up with him, seeing him and hopefully the

303
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Speaker 1: Knicks make the fucking playoffs shit because New York needs it.

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Speaker 4: And I feel like we don't hear much about Obie

305
00:11:47,120 --> 00:11:49,720
Speaker 4: at all, Like he was one of those where I

306
00:11:49,760 --> 00:11:51,000
Speaker 4: was like, oh, yeah, we're going to see him out

307
00:11:51,040 --> 00:11:53,199
Speaker 4: every night. Every bitch. I know it's gonna call him

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Speaker 4: by his government.

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Speaker 1: First name because he's from here.

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Speaker 4: Yeah, so I just assumed that was that. The fact

311
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Speaker 4: that I hear nothing about him gives me confidence that

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Speaker 4: he's focused on.

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Speaker 1: Yeah, he's focused. Obviously, his dad is still very close

314
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Speaker 1: to him and in his life. But he seems like

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Speaker 1: he has his head his head on right. It doesn't

316
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Speaker 1: seem like he's distracted. He doesn't seem like he's out

317
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Speaker 1: there trying to, like, you know, be in the newspapers

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Speaker 1: for dumb shit. He seems like he's focused.

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Speaker 4: So, yeah, listen, I don't want to talk about my

320
00:12:17,559 --> 00:12:22,599
Speaker 4: weekend because life changing things happened over this weekend and

321
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Speaker 4: I don't want to dampen that light with my Atlantic

322
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Speaker 4: city bullshit, man. And there's a reason that I have

323
00:12:28,360 --> 00:12:31,800
Speaker 4: pink flowers right here. All you do and two joints

324
00:12:32,720 --> 00:12:36,719
Speaker 4: pre roll and a bottle of my wet?

325
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Speaker 3: Oh, well, hold on, what did you do?

326
00:12:38,720 --> 00:12:39,959
Speaker 4: He just not something I did.

327
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Speaker 1: He stole that from the bachelor party.

328
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Speaker 4: This weekend we got to celebrate my brother man. My

329
00:12:47,720 --> 00:12:50,520
Speaker 4: brother Maul got engaged over the weekend. Oh, wait on,

330
00:12:51,240 --> 00:12:53,360
Speaker 4: and I want to surprise you with his bottle of

331
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Speaker 4: my wet. I'll let you do the honors. I know,

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Speaker 4: it's a really big it's a really big thing. And

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Speaker 4: you're like, wait, who do you got engaged to?

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Speaker 1: Yeah? Who did I get engaged over the weekend?

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Speaker 4: I mean, I don't want to put your personal business

336
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Speaker 4: out there, but she announced it. She did the engagement reveal.

337
00:13:08,520 --> 00:13:11,000
Speaker 4: And because you guys are two big public figures, and

338
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Speaker 4: my and my favorite power couple in the industry, and

339
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Speaker 4: that power is trash.

340
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Speaker 1: Don't call her that. That's a low battery percentage.

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Speaker 4: A reflection of you. I think she's the light of

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Speaker 4: the world, which I believe you would think that as

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Speaker 4: well if you got engaged to her. Azilia Banks announced

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Speaker 4: over the weekend that Maul had proposed to her. She said, yes,

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Speaker 4: I thought the gifts that you got her for the

346
00:13:35,320 --> 00:13:37,240
Speaker 4: engagement were a little weird, but I know couples have

347
00:13:37,280 --> 00:13:39,760
Speaker 4: their things. I thought the bleach cream was a little much,

348
00:13:40,840 --> 00:13:42,520
Speaker 4: But I don't know what you guys are into. It's

349
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Speaker 4: not my business.

350
00:13:44,120 --> 00:13:45,880
Speaker 1: Well, it seems like it's your business talking about it.

351
00:13:46,679 --> 00:13:48,079
Speaker 3: I mean, you've both been engaged before.

352
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Speaker 4: So I follow the shade room, so it's all our business.

353
00:13:52,120 --> 00:13:54,319
Speaker 1: I wants to his the shade room. Tell youbody's business now.

354
00:13:54,400 --> 00:13:57,320
Speaker 5: So why were you guys secretly dating for one the

355
00:13:57,320 --> 00:13:59,320
Speaker 5: past year? She said, you guys were secretly dating for

356
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Speaker 5: the past year. So that's since we got the deal?

357
00:14:02,840 --> 00:14:03,839
Speaker 5: Is that when she came along?

358
00:14:03,920 --> 00:14:04,360
Speaker 2: Or was it?

359
00:14:05,559 --> 00:14:07,000
Speaker 1: You know, they try to jump on you after you

360
00:14:07,040 --> 00:14:09,720
Speaker 1: signed that contract, baby d you know, your phone start

361
00:14:09,760 --> 00:14:12,360
Speaker 1: blowing up, They start talking abut how much they adore

362
00:14:12,400 --> 00:14:15,480
Speaker 1: you and think you're a great guy. You're so charming,

363
00:14:16,360 --> 00:14:18,800
Speaker 1: And it's really just the contract that you just inked,

364
00:14:19,480 --> 00:14:19,880
Speaker 1: that's all.

365
00:14:19,960 --> 00:14:21,880
Speaker 2: So what was it about her that that really did

366
00:14:21,880 --> 00:14:22,240
Speaker 2: it for you?

367
00:14:23,920 --> 00:14:26,160
Speaker 1: Me and Azilia are friends. I don't know.

368
00:14:26,320 --> 00:14:28,960
Speaker 4: Listen, I listen as someone. I think that's how all

369
00:14:29,000 --> 00:14:31,520
Speaker 4: couples should start. Like, if you're not friends first, I

370
00:14:31,560 --> 00:14:33,280
Speaker 4: don't think it's not gonna work. So I'm glad. I'm

371
00:14:33,320 --> 00:14:34,480
Speaker 4: so glad that you guys went about that.

372
00:14:34,800 --> 00:14:38,280
Speaker 2: You weren't friends bad.

373
00:14:40,600 --> 00:14:44,800
Speaker 4: Yeah, we're here to talk about uh maul and Azilia's

374
00:14:44,800 --> 00:14:48,000
Speaker 4: engagement WI squash.

375
00:14:48,120 --> 00:14:51,760
Speaker 1: Let's ask the deeper question, why did Azilia choose to

376
00:14:51,880 --> 00:14:56,560
Speaker 1: just fucking throw my mentions and my text messages into

377
00:14:56,600 --> 00:15:01,560
Speaker 1: the fucking pits of fucking hell oh by tweeting that?

378
00:15:01,600 --> 00:15:03,920
Speaker 1: Because that's all that happened, I didn't know what the

379
00:15:03,920 --> 00:15:04,760
Speaker 1: fuck was going on.

380
00:15:05,160 --> 00:15:07,720
Speaker 4: Well, some people feel that if you don't show off

381
00:15:07,760 --> 00:15:10,040
Speaker 4: your partner to the world, it's like you're hiding them.

382
00:15:10,320 --> 00:15:12,600
Speaker 4: So I think she was just excited about the news

383
00:15:12,640 --> 00:15:16,640
Speaker 4: and like any woman couldn't wait to share with the

384
00:15:16,640 --> 00:15:17,760
Speaker 4: world for her fans.

385
00:15:17,840 --> 00:15:20,760
Speaker 1: I'll tell me she couldn't wait. She could wait, you

386
00:15:20,760 --> 00:15:23,080
Speaker 1: could always wait. Where was where did you get the

387
00:15:23,120 --> 00:15:29,080
Speaker 1: squash listen? I don't know. I love Azilia, She's she's great.

388
00:15:29,200 --> 00:15:31,560
Speaker 1: I just don't know why she chose to put me

389
00:15:31,800 --> 00:15:34,880
Speaker 1: in that tweet. All those series of tweets, I don't know,

390
00:15:35,320 --> 00:15:37,440
Speaker 1: and Azilia are not dating what she put in there.

391
00:15:37,600 --> 00:15:39,600
Speaker 1: I didn't have her in the mall closet. She said

392
00:15:39,600 --> 00:15:41,640
Speaker 1: she got it because she's coming out of the mall closet.

393
00:15:41,680 --> 00:15:43,320
Speaker 1: I was like, I don't. I didn't have you in

394
00:15:43,320 --> 00:15:46,760
Speaker 1: a closet. This is what Azilia said. I don't know.

395
00:15:46,920 --> 00:15:48,640
Speaker 4: Wait, did any other women come out as well?

396
00:15:49,080 --> 00:15:51,800
Speaker 1: No, thank god I didn't. I didn't even know I

397
00:15:51,800 --> 00:15:56,280
Speaker 1: had a closet. But yeah, she just felt like I

398
00:15:56,320 --> 00:15:58,840
Speaker 1: guess and the crazy shit is like I hit her

399
00:15:58,880 --> 00:16:02,360
Speaker 1: like with the lol, like yo, like you're crazy. She

400
00:16:02,400 --> 00:16:04,920
Speaker 1: didn't respond to that at all, but then text me

401
00:16:04,960 --> 00:16:08,040
Speaker 1: today like something about one of her upcoming shows. I'm like, so,

402
00:16:08,120 --> 00:16:10,480
Speaker 1: you just totally ignored the fact that you just do

403
00:16:10,680 --> 00:16:12,760
Speaker 1: my name out here. It's some crazy ship that's all

404
00:16:12,800 --> 00:16:15,440
Speaker 1: in the blogs this weekend. I hit you about it, laughing,

405
00:16:16,040 --> 00:16:17,880
Speaker 1: ignored that, but now you hit me teld my yo,

406
00:16:17,960 --> 00:16:20,960
Speaker 1: I gotta show in September, summer, stage whatever, whatever.

407
00:16:21,720 --> 00:16:23,880
Speaker 4: The most important thing in marriage is communication.

408
00:16:24,960 --> 00:16:30,160
Speaker 1: Yes, that is that is the most important. I mean,

409
00:16:30,240 --> 00:16:32,480
Speaker 1: she shouldn't have outed me like that. She outed me

410
00:16:32,560 --> 00:16:34,360
Speaker 1: how that she doesn't know if I wanted people to

411
00:16:34,400 --> 00:16:39,840
Speaker 1: know that, like, get down on one knee the show, Yeah,

412
00:16:40,600 --> 00:16:44,400
Speaker 1: do the re engagement. I probably I probably will bring

413
00:16:44,440 --> 00:16:50,240
Speaker 1: her some squash on stage. I might bring a good squash. Yeah.

414
00:16:50,400 --> 00:16:51,160
Speaker 4: Squash is good, I.

415
00:16:51,080 --> 00:16:53,120
Speaker 1: Mean, yeah, and it's good for the palette like when

416
00:16:53,160 --> 00:16:55,000
Speaker 1: she's performing. Yeah, it helps.

417
00:16:55,200 --> 00:16:57,440
Speaker 4: I just just don't do that brunch, That's what I'm saying.

418
00:16:58,320 --> 00:17:01,440
Speaker 1: No, we've had an example of what not to do it.

419
00:17:01,840 --> 00:17:04,639
Speaker 4: Brunch is probably just not the place to do that inappropriate.

420
00:17:05,160 --> 00:17:08,000
Speaker 1: Yeah, it doesn't. It doesn't last. Like engagements that brunches

421
00:17:08,040 --> 00:17:10,840
Speaker 1: don't seem to have a long shelf life. The shelf

422
00:17:10,840 --> 00:17:13,840
Speaker 1: life is very short on getting proposed to it.

423
00:17:15,359 --> 00:17:17,520
Speaker 4: And like if for some reason Beyonce is there, like

424
00:17:17,640 --> 00:17:18,880
Speaker 4: maybe wait, yeah.

425
00:17:18,640 --> 00:17:21,679
Speaker 5: Wait and do like another time the room.

426
00:17:21,920 --> 00:17:27,880
Speaker 1: Yeah, and what were you thinking? Like take me, take

427
00:17:27,920 --> 00:17:30,800
Speaker 1: me into the mind of the guy that I got

428
00:17:30,800 --> 00:17:31,560
Speaker 1: you MoWT.

429
00:17:32,840 --> 00:17:35,720
Speaker 4: Speech for your engagement and now off failed one.

430
00:17:35,760 --> 00:17:38,240
Speaker 1: We can still drink my wet to your failed engagement. Like,

431
00:17:38,560 --> 00:17:40,240
Speaker 1: let's cheers to the We got a cheers to the

432
00:17:40,280 --> 00:17:43,160
Speaker 1: losses too. We only cheers to the wins. Let's cheers

433
00:17:43,200 --> 00:17:45,800
Speaker 1: to the losses. Wins and losses. Like the teams that lose,

434
00:17:46,160 --> 00:17:48,840
Speaker 1: the teams that lose the fucking the finals, they should

435
00:17:48,840 --> 00:17:51,439
Speaker 1: still have champagne in their locker room. Yeah, you had

436
00:17:51,480 --> 00:17:53,160
Speaker 1: a great season, you didn't finish.

437
00:17:53,800 --> 00:17:55,399
Speaker 4: Rory did that, So hopefully mal will have to go

438
00:17:55,440 --> 00:17:56,359
Speaker 4: through that will.

439
00:17:56,440 --> 00:17:59,880
Speaker 1: Go through that. Let me assure you what MA would

440
00:17:59,880 --> 00:18:03,040
Speaker 1: never dumal never propose at the Rock Nation brunch. It

441
00:18:03,040 --> 00:18:07,160
Speaker 1: would never happen. I didn't propose that the rockation you did.

442
00:18:07,800 --> 00:18:11,280
Speaker 1: You wasn't there. You were on Rock Nation Brunch property. No,

443
00:18:11,400 --> 00:18:16,200
Speaker 1: I wasn't you were. You walked in the same interest

444
00:18:16,240 --> 00:18:18,440
Speaker 1: as everybody else, and then it walked to the side

445
00:18:18,440 --> 00:18:20,360
Speaker 1: of the property and said, hey, this will be good.

446
00:18:20,960 --> 00:18:21,320
Speaker 1: I did it.

447
00:18:21,960 --> 00:18:24,280
Speaker 4: Hey, uh, you know, the sun sets up. We've known

448
00:18:24,320 --> 00:18:25,240
Speaker 4: each other a little bit.

449
00:18:25,600 --> 00:18:27,040
Speaker 1: We might as well go ahead and lock this in

450
00:18:27,119 --> 00:18:27,480
Speaker 1: for life.

451
00:18:27,520 --> 00:18:29,240
Speaker 4: Why don't we make this fucking honest.

452
00:18:30,480 --> 00:18:32,679
Speaker 1: Make an honest woman out of you today and go

453
00:18:32,720 --> 00:18:34,760
Speaker 1: over there and get me some pineapple and French toasts.

454
00:18:35,320 --> 00:18:35,680
Speaker 1: I will.

455
00:18:35,720 --> 00:18:39,120
Speaker 4: I will continue to let uh these stereotypes or whatever

456
00:18:39,200 --> 00:18:41,439
Speaker 4: narratives ran about my engagement because I think it's funny

457
00:18:41,840 --> 00:18:42,679
Speaker 4: knowing it wasn't that.

458
00:18:43,080 --> 00:18:45,159
Speaker 1: It is funny though. It's the hand on the But yes, no,

459
00:18:45,440 --> 00:18:47,600
Speaker 1: I'm sorry to let you guys down. Azilia and I

460
00:18:47,680 --> 00:18:51,080
Speaker 1: are not dating. I did not propose to Azilia. Did

461
00:18:51,080 --> 00:18:51,400
Speaker 1: you beat?

462
00:18:52,040 --> 00:18:52,119
Speaker 4: No?

463
00:18:52,200 --> 00:18:52,920
Speaker 1: I did not beat.

464
00:18:53,119 --> 00:18:55,639
Speaker 4: At least my engagement lasted. Did she beat Yours was

465
00:18:55,640 --> 00:18:56,440
Speaker 4: twenty four hours.

466
00:18:57,320 --> 00:18:59,600
Speaker 1: No, she didn't beat n I didn't.

467
00:19:00,160 --> 00:19:01,639
Speaker 2: All last twenty four hours he proposed.

468
00:19:02,280 --> 00:19:03,680
Speaker 3: Yeah, that's hilarious, squash.

469
00:19:04,000 --> 00:19:05,600
Speaker 1: See, this is why you can't say because now, no

470
00:19:05,600 --> 00:19:08,159
Speaker 1: matter what I say, you guys like, yeah, yeah, true, No,

471
00:19:08,560 --> 00:19:15,520
Speaker 1: Azilia is just we don't text often once twice every

472
00:19:15,680 --> 00:19:16,120
Speaker 1: four months.

473
00:19:16,200 --> 00:19:16,960
Speaker 3: Oh yeah, they married.

474
00:19:18,840 --> 00:19:19,399
Speaker 1: I'll never be.

475
00:19:19,600 --> 00:19:22,560
Speaker 4: Well, we all have the you know, the quarterly girl.

476
00:19:22,880 --> 00:19:25,560
Speaker 4: I once a quarter girl, don't. That's a separate conversation.

477
00:19:25,560 --> 00:19:26,760
Speaker 4: We all want a quarter girl.

478
00:19:26,760 --> 00:19:29,119
Speaker 1: I don't even want to be on my platform line. No,

479
00:19:29,440 --> 00:19:33,159
Speaker 1: Azilia and I did not ever ever have sex. That

480
00:19:33,280 --> 00:19:34,840
Speaker 1: is my homegirl, my people. That's it.

481
00:19:35,359 --> 00:19:39,440
Speaker 4: I mean, I respect. I do think private relationships are better,

482
00:19:39,480 --> 00:19:42,119
Speaker 4: and I'm glad that you're taking a stand and getting

483
00:19:42,119 --> 00:19:43,520
Speaker 4: on camera like, yeah, we never did none of that.

484
00:19:43,560 --> 00:19:47,000
Speaker 4: We're not together, yeah, just to you know how it goes.

485
00:19:48,080 --> 00:19:49,800
Speaker 1: But we still want I still want to cheers to

486
00:19:49,880 --> 00:19:51,080
Speaker 1: your effort.

487
00:19:51,520 --> 00:19:54,880
Speaker 4: Yeah we joke. Hold on, can we cut the ship

488
00:19:54,880 --> 00:19:57,280
Speaker 4: for a second though, I know we're joking around all that.

489
00:19:59,400 --> 00:20:04,920
Speaker 4: What was your phone? Like crazy crazy and where did

490
00:20:04,920 --> 00:20:07,000
Speaker 4: that come from? I have no I'm getting in my

491
00:20:07,080 --> 00:20:07,920
Speaker 4: interview back at this point.

492
00:20:07,960 --> 00:20:08,600
Speaker 1: No, what the fuck?

493
00:20:08,840 --> 00:20:11,000
Speaker 4: I texted marriage. She showed that to me that night

494
00:20:11,240 --> 00:20:13,040
Speaker 4: and I kind of like laughed and didn't think about

495
00:20:13,280 --> 00:20:15,440
Speaker 4: the Next morning, I was like, what the fuck.

496
00:20:15,320 --> 00:20:18,200
Speaker 1: Is going forro listen when I tell you? Like literally,

497
00:20:19,520 --> 00:20:22,240
Speaker 1: I got a call and my home boy was like,

498
00:20:22,320 --> 00:20:26,000
Speaker 1: yo you and like, yo you saw what Azilia posted.

499
00:20:26,040 --> 00:20:27,639
Speaker 1: And I was like, first thing, I'm thinking, I'm like,

500
00:20:27,680 --> 00:20:30,080
Speaker 1: what the fuck did Zilia do? Now? She posted some

501
00:20:30,080 --> 00:20:33,240
Speaker 1: crazy shit? You know, just it's Azilia. Somebody calling you

502
00:20:33,280 --> 00:20:36,000
Speaker 1: asking me about what she posted. I'm like, oh my god.

503
00:20:36,560 --> 00:20:38,399
Speaker 1: He's like, yo, nah, just your couple love, but this

504
00:20:38,480 --> 00:20:41,880
Speaker 1: is my cuple love. Thank you. She's saying that it's

505
00:20:41,880 --> 00:20:43,560
Speaker 1: the first one she came out of the mall closet

506
00:20:43,560 --> 00:20:45,800
Speaker 1: and y'all are together, and that you proposed to her

507
00:20:45,840 --> 00:20:48,640
Speaker 1: with watermelon. I was like, well, that's racist first of all,

508
00:20:49,760 --> 00:20:52,240
Speaker 1: and a squash. And I was like, I don't know

509
00:20:52,240 --> 00:20:53,159
Speaker 1: why Azilia chose me.

510
00:20:53,200 --> 00:20:54,560
Speaker 4: What's the significance of the squash?

511
00:20:55,240 --> 00:20:59,600
Speaker 1: Well, she knows I'm vegan, okay, and watermelons are vegan though, Yeah,

512
00:20:59,680 --> 00:21:01,960
Speaker 1: So she tried to add that in it to be funny,

513
00:21:02,600 --> 00:21:06,680
Speaker 1: and she's been vegan off and on for a few months,

514
00:21:07,240 --> 00:21:09,080
Speaker 1: so I don't know. She just I don't know. Azilia

515
00:21:09,200 --> 00:21:10,960
Speaker 1: was just I guess she felt like just fucking with

516
00:21:11,040 --> 00:21:11,840
Speaker 1: me and my mentions that.

517
00:21:11,960 --> 00:21:14,040
Speaker 4: I mean, I like that you took the superficialness out

518
00:21:14,040 --> 00:21:16,159
Speaker 4: of it, whereas like society makes you think you have

519
00:21:16,200 --> 00:21:18,520
Speaker 4: to buy this really expensive ring to prove that you

520
00:21:18,560 --> 00:21:21,280
Speaker 4: love someone. Yeah, but you're saying because you're both vegan

521
00:21:21,400 --> 00:21:25,200
Speaker 4: and it's something that brought you guys together. Yeah, you know,

522
00:21:25,400 --> 00:21:27,040
Speaker 4: it's it's nice that you want.

523
00:21:26,920 --> 00:21:28,280
Speaker 1: Right, Well, Vegan didn't bring it.

524
00:21:28,320 --> 00:21:31,080
Speaker 4: Did you hit her first or she hit you? What

525
00:21:31,119 --> 00:21:36,480
Speaker 4: do you mean if Azilia Banks posted that on Instagram,

526
00:21:36,440 --> 00:21:38,119
Speaker 4: you didn't hear what I was saying. I would immediately

527
00:21:38,160 --> 00:21:38,520
Speaker 4: call her.

528
00:21:38,800 --> 00:21:43,080
Speaker 1: I text her. She did not respond. She texted me

529
00:21:43,160 --> 00:21:45,960
Speaker 1: today about something that had nothing to do with what

530
00:21:46,080 --> 00:21:48,800
Speaker 1: she posted over the weekend, Like she didn't even acknowledge it.

531
00:21:48,840 --> 00:21:50,439
Speaker 1: The text. I was like, Okay, I guess we're.

532
00:21:50,320 --> 00:21:51,560
Speaker 3: At busy celebrating.

533
00:21:51,680 --> 00:21:53,920
Speaker 1: Yeah, she probably was out busy cutting up watermelon. I

534
00:21:53,960 --> 00:21:57,240
Speaker 1: don't know, we're chickens, but yeah, no, to just put

535
00:21:57,280 --> 00:21:59,080
Speaker 1: it out there, Dazilia was joking.

536
00:21:59,359 --> 00:22:01,400
Speaker 4: It was she just felt like, did you in front

537
00:22:01,400 --> 00:22:03,840
Speaker 4: of the Apollo because like both of them, like the

538
00:22:03,840 --> 00:22:04,960
Speaker 4: Harlem connection and.

539
00:22:05,480 --> 00:22:08,760
Speaker 1: No Yah proposing in front of the Apollos and not

540
00:22:08,880 --> 00:22:12,080
Speaker 1: just people have gotten. How many marriages do you think

541
00:22:12,119 --> 00:22:13,919
Speaker 1: have lasted when they got because.

542
00:22:13,840 --> 00:22:15,959
Speaker 4: The same the same amount that lasted at the Rock

543
00:22:16,040 --> 00:22:16,840
Speaker 4: Nation brunch.

544
00:22:18,600 --> 00:22:20,280
Speaker 5: In front of Apollo. I feel like that's some real

545
00:22:20,359 --> 00:22:22,280
Speaker 5: strong like crackhead up. I feel like it's gonna last.

546
00:22:22,359 --> 00:22:22,840
Speaker 3: Crackhead.

547
00:22:23,040 --> 00:22:24,480
Speaker 1: So if you if you get on one knee at

548
00:22:24,520 --> 00:22:28,280
Speaker 1: the Rock Nation brunch with Gucci Gucci slippers with those

549
00:22:28,280 --> 00:22:31,760
Speaker 1: were not Gucci, Oh excuse me, those were uh Salvatore Faragma.

550
00:22:31,800 --> 00:22:32,119
Speaker 1: I don't know.

551
00:22:32,160 --> 00:22:33,320
Speaker 2: They were mules.

552
00:22:33,800 --> 00:22:35,680
Speaker 4: They were much cheaper than every brand that you guys

553
00:22:35,800 --> 00:22:37,520
Speaker 4: just said. First of all, my man Aunt told me

554
00:22:37,600 --> 00:22:39,439
Speaker 4: that that was in and that I didn't look crazy.

555
00:22:39,560 --> 00:22:40,679
Speaker 4: I felt I looked crazy.

556
00:22:40,880 --> 00:22:42,520
Speaker 1: Was Aunt the same guy that was stylin?

557
00:22:42,680 --> 00:22:43,040
Speaker 3: Uh?

558
00:22:44,240 --> 00:22:46,440
Speaker 4: You know, Aunt saved his life as far as that

559
00:22:46,560 --> 00:22:50,160
Speaker 4: was when he actually started wearing things that looked Okay,

560
00:22:50,920 --> 00:22:54,080
Speaker 4: no you didn't. It's all the other stuff. Once Aunt

561
00:22:54,160 --> 00:22:55,919
Speaker 4: moved to La Is when he went back.

562
00:22:55,800 --> 00:22:59,160
Speaker 1: On the path. Oh but yeah, don't have a widows again.

563
00:22:59,480 --> 00:23:00,840
Speaker 4: Oh no, they're thrown out.

564
00:23:01,520 --> 00:23:04,320
Speaker 1: It was the shoes. I think it was the shoes.

565
00:23:04,440 --> 00:23:06,360
Speaker 3: You should buy another pair and throw those out. Two.

566
00:23:07,920 --> 00:23:10,840
Speaker 4: I did feel weird afterwards, not because of the engagement,

567
00:23:10,920 --> 00:23:14,440
Speaker 4: ending that none of my friends said anything to me

568
00:23:14,480 --> 00:23:15,240
Speaker 4: about those slides.

569
00:23:16,359 --> 00:23:18,600
Speaker 1: No, you, I remember you really like talking like those

570
00:23:18,600 --> 00:23:19,080
Speaker 1: were the ship.

571
00:23:19,880 --> 00:23:22,520
Speaker 4: No, I didn't think that. I was. I was gassed

572
00:23:22,520 --> 00:23:24,600
Speaker 4: that they were the ship, and I believed it because.

573
00:23:24,359 --> 00:23:26,440
Speaker 1: I'm not you fell for it.

574
00:23:27,080 --> 00:23:31,000
Speaker 4: Fam I felt for a purple suit. I don't like

575
00:23:31,119 --> 00:23:32,200
Speaker 4: the color purple at all.

576
00:23:32,600 --> 00:23:35,040
Speaker 1: I like the movie He's oh oh, so he styled

577
00:23:35,040 --> 00:23:36,880
Speaker 1: the whole thing.

578
00:23:37,119 --> 00:23:43,520
Speaker 4: Yes, because I had set it up. Uh. Whereas we

579
00:23:43,520 --> 00:23:46,400
Speaker 4: were going to the brunch, and Aunt, who was our

580
00:23:46,440 --> 00:23:48,959
Speaker 4: close mutual friend, was going to style both of us

581
00:23:49,000 --> 00:23:50,320
Speaker 4: for the brunch, Like I was trying to set it

582
00:23:50,359 --> 00:23:52,960
Speaker 4: up so the proposal would be beautiful and we would

583
00:23:53,000 --> 00:23:56,879
Speaker 4: be dressed up, nails done, you would be looking your best.

584
00:23:57,200 --> 00:23:59,080
Speaker 4: I used the brunch as the way to get to

585
00:23:59,119 --> 00:24:01,359
Speaker 4: the proposal, to be dressed the way we were dressed.

586
00:24:02,320 --> 00:24:08,080
Speaker 4: I just I went with syle, not my style, and

587
00:24:08,160 --> 00:24:10,920
Speaker 4: that it would look great in that shirt and that

588
00:24:10,960 --> 00:24:15,680
Speaker 4: suit and those slides. Me, on the other hand, no.

589
00:24:16,800 --> 00:24:18,520
Speaker 1: Well, listen, I just want to say cheers to you

590
00:24:18,600 --> 00:24:22,160
Speaker 1: and your bravery for wearing that outfit, wearing those shoes.

591
00:24:22,480 --> 00:24:23,879
Speaker 4: I think I could get that suit off with a

592
00:24:23,920 --> 00:24:25,639
Speaker 4: different shirt. It was just a lot of it was

593
00:24:25,680 --> 00:24:26,480
Speaker 4: a lot of colors.

594
00:24:26,640 --> 00:24:28,440
Speaker 1: I think that you did a great job. I think

595
00:24:28,440 --> 00:24:31,640
Speaker 1: that you you you did a manly thing and tried

596
00:24:31,640 --> 00:24:33,840
Speaker 1: to make an honest woman out of your lady at

597
00:24:33,840 --> 00:24:36,960
Speaker 1: the time. So I want to salute you on that.

598
00:24:37,760 --> 00:24:39,320
Speaker 1: But I also want to drink to the fact that

599
00:24:39,720 --> 00:24:42,720
Speaker 1: Azilia and I are not engaged or not.

600
00:24:43,280 --> 00:24:45,920
Speaker 4: So both of our engagements didn't work out.

601
00:24:46,840 --> 00:24:50,240
Speaker 1: Engage was not working and my engagement never being never

602
00:24:50,280 --> 00:24:52,560
Speaker 1: being real. Yeah, they're bad bachelors.

603
00:24:52,880 --> 00:24:54,520
Speaker 4: Those are bad shoes.

604
00:24:55,119 --> 00:24:56,560
Speaker 1: Yeah, I actually really like the shoes.

605
00:24:56,560 --> 00:24:57,399
Speaker 2: They're just not your style.

606
00:24:58,359 --> 00:25:01,720
Speaker 4: Well that was for like the three months, those type

607
00:25:01,720 --> 00:25:05,080
Speaker 4: of slides because Gucci did them. Those aren't Gucci, but

608
00:25:05,640 --> 00:25:08,199
Speaker 4: Gucci made those are bit off. Whoever the ones I

609
00:25:08,240 --> 00:25:11,359
Speaker 4: have on a terrible and everyone was like that was

610
00:25:11,400 --> 00:25:13,119
Speaker 4: a thing for like a month, and thank god it

611
00:25:13,160 --> 00:25:14,920
Speaker 4: was one of those trends that only lasted a month.

612
00:25:15,000 --> 00:25:15,720
Speaker 1: Who wore those?

613
00:25:16,600 --> 00:25:18,560
Speaker 4: Rory, No, it was the thing and who.

614
00:25:18,800 --> 00:25:21,320
Speaker 2: They were definitely a thing who there's still a thing?

615
00:25:21,480 --> 00:25:23,360
Speaker 1: Who wears them?

616
00:25:23,480 --> 00:25:24,240
Speaker 4: Are they still a thing?

617
00:25:24,560 --> 00:25:27,600
Speaker 1: You know? Those are the fuck boy air Maxes, the fuck.

618
00:25:27,400 --> 00:25:29,960
Speaker 4: Boy air Mass the Capital air Maxes.

619
00:25:29,960 --> 00:25:33,879
Speaker 1: Are those are the boy a Maxies. You can't be it,

620
00:25:34,080 --> 00:25:36,480
Speaker 1: can't be an honest guy winning slippers like that would first.

621
00:25:36,480 --> 00:25:42,800
Speaker 4: Those are very much like casual Chelsea boots. Yuck, yuck,

622
00:25:44,480 --> 00:25:45,560
Speaker 4: horrible it was.

623
00:25:46,000 --> 00:25:47,359
Speaker 1: And he put the toe in the grass so he

624
00:25:47,359 --> 00:25:49,719
Speaker 1: wouldn't crease the front of the front of the slipper.

625
00:25:49,840 --> 00:25:52,520
Speaker 4: Yeah, I used to wear nasty towns. I know how

626
00:25:52,600 --> 00:25:53,360
Speaker 4: not to crease the toe.

627
00:25:55,200 --> 00:25:57,840
Speaker 1: Oh man, Yeah no. But me and Azilia just friends.

628
00:25:58,000 --> 00:26:01,320
Speaker 1: She just felt like running something on her story and

629
00:26:01,359 --> 00:26:04,080
Speaker 1: being funny, and you know it is what it is.

630
00:26:04,080 --> 00:26:05,600
Speaker 1: That's my people though, just friends.

631
00:26:06,359 --> 00:26:07,280
Speaker 4: Can we call her right now?

632
00:26:07,320 --> 00:26:07,600
Speaker 3: Please?

633
00:26:08,000 --> 00:26:08,280
Speaker 4: No?

634
00:26:08,520 --> 00:26:09,080
Speaker 1: Hell no?

635
00:26:09,240 --> 00:26:13,280
Speaker 4: Please please please? Can we please call her? I would

636
00:26:13,280 --> 00:26:15,240
Speaker 4: like to hear her reaction of the good news to

637
00:26:15,280 --> 00:26:16,440
Speaker 4: share it to the world.

638
00:26:17,400 --> 00:26:18,680
Speaker 1: Let me call it now and.

639
00:26:18,680 --> 00:26:20,359
Speaker 4: Again the one one of my favorite couples. I love

640
00:26:20,440 --> 00:26:25,000
Speaker 4: just watching interact and like it's just the chemistry is unmatched.

641
00:26:27,280 --> 00:26:32,880
Speaker 4: De Marius. What's their couple name? Mozilia?

642
00:26:34,119 --> 00:26:38,520
Speaker 1: Hello, and I.

643
00:26:38,600 --> 00:26:41,119
Speaker 4: Give it to my by is that your Is that

644
00:26:41,200 --> 00:26:41,600
Speaker 4: your song?

645
00:26:42,040 --> 00:26:42,119
Speaker 3: Uh?

646
00:26:43,440 --> 00:26:47,800
Speaker 1: Hello, Azilia, this is Soria Mall podcast a k A.

647
00:26:47,960 --> 00:26:51,879
Speaker 4: Your fiance. So yeah, congrats Azia, love you.

648
00:26:51,920 --> 00:26:56,359
Speaker 1: So we're sitting here talking about your well, he said,

649
00:26:56,400 --> 00:27:01,520
Speaker 1: congrats on on the announcement of our age or proposal.

650
00:27:02,800 --> 00:27:03,680
Speaker 2: The mall closet?

651
00:27:05,280 --> 00:27:06,719
Speaker 4: Yes, what's the mall closet?

652
00:27:06,760 --> 00:27:07,160
Speaker 1: Exactly?

653
00:27:09,359 --> 00:27:11,840
Speaker 4: You know, you know that little that little space on

654
00:27:11,920 --> 00:27:16,400
Speaker 4: the Nigga City.

655
00:27:17,200 --> 00:27:21,199
Speaker 1: What the titty I had to get from under the

656
00:27:21,240 --> 00:27:23,200
Speaker 1: forest and living under.

657
00:27:24,480 --> 00:27:26,560
Speaker 4: So you you circumcised mall is what you're saying.

658
00:27:26,720 --> 00:27:29,000
Speaker 1: So you've been so you've been living. I just would

659
00:27:29,040 --> 00:27:31,520
Speaker 1: like to know why you decided to just like just

660
00:27:31,720 --> 00:27:34,800
Speaker 1: post that and then like not even answer my fucking

661
00:27:34,880 --> 00:27:36,160
Speaker 1: message when I hit you about it.

662
00:27:37,440 --> 00:27:40,679
Speaker 2: But you didn't even really say anything about it. What

663
00:27:40,720 --> 00:27:42,600
Speaker 2: you're trying to say, we're breaking up now.

664
00:27:43,880 --> 00:27:47,760
Speaker 1: See this is that's not Azilio. See you just go keep.

665
00:27:47,560 --> 00:27:53,000
Speaker 4: Feeding this public announcements to public breakups.

666
00:27:50,359 --> 00:27:50,560
Speaker 1: God.

667
00:27:53,960 --> 00:27:55,280
Speaker 4: First of all, I don't know what the fuck I

668
00:27:55,359 --> 00:27:57,560
Speaker 4: was thinking, Like I think I just saw it in

669
00:27:57,640 --> 00:28:00,879
Speaker 4: got gassed. But this is like that eight housing plus

670
00:28:00,920 --> 00:28:02,360
Speaker 4: square foot house.

671
00:28:03,880 --> 00:28:04,960
Speaker 3: And I'm kind of I'm.

672
00:28:04,960 --> 00:28:06,080
Speaker 4: Very overwhelmed by it.

673
00:28:06,160 --> 00:28:07,280
Speaker 1: I'm not gonna lie.

674
00:28:07,800 --> 00:28:10,200
Speaker 5: Because when you have a house that big, that means

675
00:28:10,240 --> 00:28:12,000
Speaker 5: you need to clean a house that big.

676
00:28:12,680 --> 00:28:13,080
Speaker 1: Mm hmm.

677
00:28:13,359 --> 00:28:15,040
Speaker 4: If you guys break up, does mal get that in

678
00:28:15,080 --> 00:28:17,080
Speaker 4: the divorce or how does the housework?

679
00:28:18,440 --> 00:28:19,639
Speaker 3: How does the house work?

680
00:28:20,200 --> 00:28:20,640
Speaker 4: Okay?

681
00:28:20,760 --> 00:28:21,240
Speaker 2: If?

682
00:28:21,440 --> 00:28:23,600
Speaker 4: Well, first off, white man, look at.

683
00:28:23,520 --> 00:28:26,560
Speaker 2: You trying to cast a shadow on black love.

684
00:28:28,000 --> 00:28:29,919
Speaker 4: He is I'm part of the I know I'm part

685
00:28:29,960 --> 00:28:32,080
Speaker 4: of the problem. Man, I'm the systematic problem. At the

686
00:28:32,160 --> 00:28:37,399
Speaker 4: end of the day, are we hearing looking up? I agree?

687
00:28:37,840 --> 00:28:40,800
Speaker 4: Are we thinking destination wedding? Are we gonna do it uptown?

688
00:28:41,280 --> 00:28:47,880
Speaker 4: What mind you uptown? Well, you guys are both Uptown natives,

689
00:28:47,880 --> 00:28:49,080
Speaker 4: so I wasn't sure if you were going to go

690
00:28:49,120 --> 00:28:51,480
Speaker 4: back to the roots or if maybe we wanted to

691
00:28:51,480 --> 00:28:54,520
Speaker 4: do a destination I just as as as the best man,

692
00:28:54,560 --> 00:28:56,960
Speaker 4: I want to plan everything.

693
00:28:57,040 --> 00:28:59,040
Speaker 2: And you know you drinking is some chicken blood?

694
00:29:01,600 --> 00:29:04,719
Speaker 4: You know you eating? Doing the best man? Tell us

695
00:29:04,720 --> 00:29:06,280
Speaker 4: with chicken blood. It's fucking hilarious.

696
00:29:07,680 --> 00:29:07,880
Speaker 1: Yo.

697
00:29:07,920 --> 00:29:12,760
Speaker 4: We gotta come chicken I'm with it. I'm not vegan

698
00:29:12,760 --> 00:29:13,440
Speaker 4: like yo. Yo.

699
00:29:13,560 --> 00:29:15,719
Speaker 1: Ab we gotta come down there. We gotta shoot with you, man,

700
00:29:15,720 --> 00:29:17,520
Speaker 1: we gotta shoot an episode with you. We have to.

701
00:29:17,800 --> 00:29:18,440
Speaker 1: It's a must.

702
00:29:18,600 --> 00:29:18,800
Speaker 4: Yeah.

703
00:29:18,920 --> 00:29:20,720
Speaker 2: No, my house is nice.

704
00:29:21,200 --> 00:29:24,680
Speaker 1: Yeah. So all right, so we're gonna set it. I'm

705
00:29:24,680 --> 00:29:26,480
Speaker 1: gonna call you. We're gonna set a date, and we're

706
00:29:26,520 --> 00:29:27,920
Speaker 1: gonna fly down there and come shoot with you.

707
00:29:28,840 --> 00:29:33,760
Speaker 4: All right, cool. I'll make some like colors flowers.

708
00:29:32,680 --> 00:29:34,080
Speaker 1: All right. Bet, I'm gonna call you when I get

709
00:29:34,080 --> 00:29:40,240
Speaker 1: out of here, all right, all right later, power couple, man.

710
00:29:40,600 --> 00:29:41,680
Speaker 4: I love it love.

711
00:29:41,520 --> 00:29:43,560
Speaker 1: Ab shout out to a b man. She just decided

712
00:29:43,600 --> 00:29:47,600
Speaker 1: to just give me a fucking anxiety attack this weekends.

713
00:29:47,600 --> 00:29:48,760
Speaker 1: I didn't know what the fun was going on. My

714
00:29:48,760 --> 00:29:51,520
Speaker 1: phone started ringing like that, but all in love. That's

715
00:29:51,520 --> 00:29:53,960
Speaker 1: my friend, my homies, it's nothing like that.

716
00:29:54,480 --> 00:29:58,680
Speaker 4: Did you have any women and I know you're single

717
00:29:58,720 --> 00:30:00,480
Speaker 4: and don't talk to anyone or whatever you want to

718
00:30:00,480 --> 00:30:03,480
Speaker 4: tell the pod, Did any women hit your phone that

719
00:30:03,520 --> 00:30:07,120
Speaker 4: you may be dealing with. No, and we're angry. No.

720
00:30:07,160 --> 00:30:09,040
Speaker 1: I think I think everybody is going on. No. I

721
00:30:09,040 --> 00:30:12,520
Speaker 1: think everybody know that that was just a joke. I

722
00:30:12,560 --> 00:30:15,400
Speaker 1: think people that know Azilia didn't follow her or know

723
00:30:15,440 --> 00:30:18,800
Speaker 1: her history, knows that she just says off the wall

724
00:30:18,840 --> 00:30:19,560
Speaker 1: shit sometimes.

725
00:30:19,560 --> 00:30:22,760
Speaker 4: And No, I had women text my phone the next

726
00:30:22,840 --> 00:30:24,960
Speaker 4: day of my engagement that I hadn't spoken to in

727
00:30:25,360 --> 00:30:28,080
Speaker 4: seven years, And they were like, wow, are you serious?

728
00:30:28,960 --> 00:30:31,120
Speaker 1: What that's because yeah, I am what. That's because they

729
00:30:31,120 --> 00:30:33,959
Speaker 1: wanted to and I haven't talked to you in years. Well,

730
00:30:33,960 --> 00:30:35,760
Speaker 1: that's because they wanted to go to the brunch with you.

731
00:30:35,960 --> 00:30:37,680
Speaker 1: It wasn't about getting engaged. They wanted to go to

732
00:30:37,680 --> 00:30:38,080
Speaker 1: the brunch.

733
00:30:38,520 --> 00:30:40,000
Speaker 4: They wouldn't go to regular brunch with me.

734
00:30:40,600 --> 00:30:42,440
Speaker 1: They don't want to go to regular brunch. Are you

735
00:30:42,520 --> 00:30:42,920
Speaker 1: kidding me?

736
00:30:43,080 --> 00:30:44,440
Speaker 4: Well, if you're not going to regular brunch with me,

737
00:30:44,480 --> 00:30:46,920
Speaker 4: you're not going to Beyonce brunch with me exactly. I

738
00:30:46,960 --> 00:30:49,720
Speaker 4: went out on Saturday as well. Wow, Friday Friday was

739
00:30:49,760 --> 00:30:50,840
Speaker 4: when you embarrison.

740
00:30:51,640 --> 00:30:54,200
Speaker 1: Are you went back to ed can you? This is

741
00:30:54,200 --> 00:30:55,280
Speaker 1: where you drop back to back.

742
00:30:56,600 --> 00:30:58,920
Speaker 4: Here's the thing. I'm clouding you for going to little Sister.

743
00:30:59,480 --> 00:31:00,000
Speaker 1: Why did you?

744
00:31:00,200 --> 00:31:01,280
Speaker 4: I went to Atlantic City?

745
00:31:01,600 --> 00:31:05,360
Speaker 1: Oh my god, this you nasty, nasty man.

746
00:31:05,440 --> 00:31:06,440
Speaker 4: And I got in the pool.

747
00:31:07,520 --> 00:31:10,200
Speaker 1: Oh you know he's he was a white boy this weekend.

748
00:31:10,240 --> 00:31:11,120
Speaker 1: He was a real white boy.

749
00:31:11,400 --> 00:31:14,920
Speaker 4: So my god brother's bachelor party was in Atlantic City.

750
00:31:15,280 --> 00:31:18,160
Speaker 1: Y'all are the nastiest group of men ever. Who still

751
00:31:18,200 --> 00:31:20,680
Speaker 1: has that bachelor party in Atlantic City.

752
00:31:21,240 --> 00:31:26,280
Speaker 4: My god brother is half Irish, half Italian from North Jersey.

753
00:31:26,560 --> 00:31:28,720
Speaker 4: Where else would he celebrate his bachelor party?

754
00:31:28,960 --> 00:31:31,800
Speaker 1: Sounds like sounds like Nucky? Is this Nucky Thompson's Is

755
00:31:31,840 --> 00:31:35,120
Speaker 1: this one of his his grandchildren? Of course he was

756
00:31:35,120 --> 00:31:35,920
Speaker 1: in Atlantic City?

757
00:31:36,000 --> 00:31:37,360
Speaker 4: So I put it this way. I haven't been at

758
00:31:37,360 --> 00:31:40,440
Speaker 4: AC and I don't know, maybe ten years, maybe less.

759
00:31:40,920 --> 00:31:43,120
Speaker 4: It looks exactly the same. Nothing has changed. The whole

760
00:31:43,120 --> 00:31:46,360
Speaker 4: world is changing, but Atlantic City real justification is not touching.

761
00:31:46,400 --> 00:31:48,360
Speaker 4: It still looks like nineteen ninety six.

762
00:31:48,440 --> 00:31:50,200
Speaker 1: Wow, you haven't been in Atlantic City.

763
00:31:50,240 --> 00:31:52,960
Speaker 4: The people are the exact same, everything is the same.

764
00:31:53,000 --> 00:31:55,479
Speaker 4: So you down there for theday for the night? Okay,

765
00:31:55,560 --> 00:31:57,120
Speaker 4: well not really. I got a hotel room and then

766
00:31:57,120 --> 00:31:58,400
Speaker 4: I ended up just leaving at three am and.

767
00:31:58,400 --> 00:32:01,000
Speaker 1: Driving back up. Smart man, smart man, So the bummy?

768
00:32:01,040 --> 00:32:03,400
Speaker 1: Did you have fun? I was a bachelor party? Any

769
00:32:03,480 --> 00:32:04,280
Speaker 1: lap dances?

770
00:32:04,640 --> 00:32:06,360
Speaker 4: No? We ended up not doing well. They might have

771
00:32:06,360 --> 00:32:10,760
Speaker 4: done the strip club thing. I didn't. But uh, gambling

772
00:32:10,800 --> 00:32:12,680
Speaker 4: is not for me. I'm going to stick to my vices. Man,

773
00:32:12,720 --> 00:32:14,160
Speaker 4: not a game. You must have lost.

774
00:32:14,480 --> 00:32:18,040
Speaker 1: I lost so much fun where you gambled this weekend

775
00:32:18,040 --> 00:32:19,000
Speaker 1: and lost a lot of money.

776
00:32:19,080 --> 00:32:23,440
Speaker 4: Yes, we took over a blackjack table and for oh okay,

777
00:32:23,720 --> 00:32:27,560
Speaker 4: maybe for like the first twenty minutes, everyone was starting

778
00:32:27,560 --> 00:32:29,360
Speaker 4: to do pretty well, and then we started feeling ourselves

779
00:32:29,400 --> 00:32:31,920
Speaker 4: a little bit. Yep, that's how some cocktails started being

780
00:32:31,920 --> 00:32:32,560
Speaker 4: passed around.

781
00:32:32,720 --> 00:32:34,520
Speaker 1: This guy isn't one casino off top, and.

782
00:32:34,800 --> 00:32:36,880
Speaker 4: We were and we were throwing money down, keep playing,

783
00:32:36,880 --> 00:32:37,440
Speaker 4: and they kept it.

784
00:32:37,840 --> 00:32:40,080
Speaker 1: Absolutely, they had They had a great the house had

785
00:32:40,080 --> 00:32:41,840
Speaker 1: a great time for blasts.

786
00:32:42,120 --> 00:32:45,120
Speaker 4: Yeah, but no, it was it was cool to see them,

787
00:32:45,160 --> 00:32:47,960
Speaker 4: and it was it's always fun to see and you know,

788
00:32:50,000 --> 00:32:51,680
Speaker 4: other white people are going to relate to this, You

789
00:32:51,680 --> 00:32:54,840
Speaker 4: guys may not comes a time in a white woke

790
00:32:54,920 --> 00:32:58,280
Speaker 4: person's liberal life like mine where you have to hang

791
00:32:58,320 --> 00:33:00,880
Speaker 4: out with the republic against side your family.

792
00:33:01,640 --> 00:33:04,360
Speaker 1: That's always a fun time. That's always a fun time.

793
00:33:04,520 --> 00:33:06,880
Speaker 4: Every white person has people in their family that they

794
00:33:06,880 --> 00:33:09,000
Speaker 4: can all all of you guys can lie and say

795
00:33:09,000 --> 00:33:11,480
Speaker 4: your families are all these perfect, amazing woke people. We

796
00:33:11,520 --> 00:33:15,000
Speaker 4: would have ended slavery if we were there in that time. Cool,

797
00:33:15,040 --> 00:33:17,920
Speaker 4: I don't care. You all have Republican family members that

798
00:33:18,000 --> 00:33:20,240
Speaker 4: say really insane things to you, and you just kind

799
00:33:20,240 --> 00:33:22,000
Speaker 4: of have to sit there, like do I start this

800
00:33:22,080 --> 00:33:23,480
Speaker 4: fight or do I just let it go.

801
00:33:24,040 --> 00:33:26,000
Speaker 1: You have to let it go. You have to. I

802
00:33:26,000 --> 00:33:28,800
Speaker 1: think I think it's now, you know, it's it's pointless

803
00:33:28,800 --> 00:33:32,920
Speaker 1: to argue politics with family and and you know non

804
00:33:33,000 --> 00:33:35,320
Speaker 1: vax versus pro vax, like all of that shit is

805
00:33:35,360 --> 00:33:36,400
Speaker 1: like it's it's pointless.

806
00:33:36,600 --> 00:33:38,920
Speaker 4: So they're all really good people, and they're not they're

807
00:33:38,920 --> 00:33:41,640
Speaker 4: not the stereotypical of what you would say of Republicans

808
00:33:42,080 --> 00:33:46,080
Speaker 4: that we've seen. But I did keep my mouth shut

809
00:33:46,160 --> 00:33:49,720
Speaker 4: and I did quietly laugh at all the Republican jokes.

810
00:33:50,120 --> 00:33:52,400
Speaker 4: There was one kid that was in the bachelor party

811
00:33:52,440 --> 00:33:56,240
Speaker 4: that grew up with my god brother. He is a liberal,

812
00:33:57,480 --> 00:33:59,760
Speaker 4: and they did not let him forget that for the

813
00:34:00,120 --> 00:34:03,000
Speaker 4: hire trip. Anytime he got when he got up for dinner,

814
00:34:03,000 --> 00:34:05,080
Speaker 4: they screamed, Oh, the transgender bathroom's over there.

815
00:34:07,640 --> 00:34:10,279
Speaker 1: See. And that's the thing. People are gonna be assholes, man,

816
00:34:10,920 --> 00:34:13,319
Speaker 1: People are gonna be asked, especially if it's family, family good.

817
00:34:13,320 --> 00:34:15,120
Speaker 1: They're gonna be assholes when they come to ship like that.

818
00:34:15,880 --> 00:34:20,520
Speaker 4: But you know, I quietly was like, ah, yeah, go Trump.

819
00:34:23,160 --> 00:34:23,680
Speaker 1: They got it.

820
00:34:24,440 --> 00:34:26,160
Speaker 2: They gotta know you're a liberal, Oh for sure.

821
00:34:26,239 --> 00:34:29,640
Speaker 4: They Oh yeah, they coworker and their their sisters.

822
00:34:29,840 --> 00:34:33,399
Speaker 1: What does that mean? You have a black coworker? What

823
00:34:33,400 --> 00:34:35,680
Speaker 1: what does that mean? What does that mean?

824
00:34:36,400 --> 00:34:39,000
Speaker 4: Listen? We follow each other on Instagram, which isn't as

825
00:34:39,000 --> 00:34:40,839
Speaker 4: bad as Facebook because that's when people really argue.

826
00:34:40,840 --> 00:34:41,439
Speaker 1: Oh my god.

827
00:34:41,520 --> 00:34:44,320
Speaker 4: But their sister, who I love dearly, is married to

828
00:34:44,360 --> 00:34:49,200
Speaker 4: a cop and his I G pages is private. I

829
00:34:49,200 --> 00:34:51,279
Speaker 4: don't follow him, but I can't see his bio and

830
00:34:51,320 --> 00:34:52,560
Speaker 4: it does say blue lives matter.

831
00:34:53,200 --> 00:34:56,839
Speaker 1: Oh my god, Oh my god, what are those conversations

832
00:34:56,840 --> 00:34:57,279
Speaker 1: in that house?

833
00:34:57,320 --> 00:35:01,160
Speaker 4: Listen. I stay far from it. But it was fun

834
00:35:01,200 --> 00:35:02,320
Speaker 4: to just just be with the whites.

835
00:35:03,239 --> 00:35:05,959
Speaker 1: Well, I'm glad you went down there and had lost

836
00:35:05,960 --> 00:35:09,520
Speaker 1: some money in Atlantic City over the weekend. But yeah,

837
00:35:09,520 --> 00:35:11,680
Speaker 1: so it was Sunday was quiet, stayed home most of

838
00:35:11,680 --> 00:35:15,200
Speaker 1: the day, didn't really do much. I tried to catch

839
00:35:15,239 --> 00:35:18,239
Speaker 1: up on some some shows and some documentaries and shit

840
00:35:18,320 --> 00:35:21,600
Speaker 1: like that. That was a big feel. Sundays are like

841
00:35:21,600 --> 00:35:23,480
Speaker 1: the days where everybody wants to call you and talk.

842
00:35:24,120 --> 00:35:26,080
Speaker 1: Not the only one that feels like that. Like I

843
00:35:26,120 --> 00:35:28,320
Speaker 1: spent a lot of time talking on the phone on Sundays.

844
00:35:28,480 --> 00:35:31,840
Speaker 1: It's like, are you answer well for certain people? Yeah?

845
00:35:31,880 --> 00:35:34,520
Speaker 1: Like you know when it's family and its like close friends,

846
00:35:34,560 --> 00:35:35,959
Speaker 1: like you know what I mean. I got to answer,

847
00:35:36,000 --> 00:35:38,000
Speaker 1: but then you look up some times and like damn,

848
00:35:38,000 --> 00:35:39,239
Speaker 1: we was on this phone for two and a half

849
00:35:39,280 --> 00:35:41,760
Speaker 1: hours just now, like talking about everything.

850
00:35:41,840 --> 00:35:43,959
Speaker 4: But listen, I just want to tell you how white

851
00:35:43,960 --> 00:35:47,000
Speaker 4: it was. Does anyone in this photo look like they

852
00:35:47,040 --> 00:35:47,960
Speaker 4: care for Kamala?

853
00:35:49,000 --> 00:35:53,200
Speaker 1: Wow, that's a white group. Oh no, absolutely, that's a

854
00:35:53,200 --> 00:35:54,880
Speaker 1: white Jersey group right there. Oh yeah, we gott to

855
00:35:54,880 --> 00:35:57,399
Speaker 1: insert this edit. We can't. We can't put that picture

856
00:35:57,440 --> 00:35:58,520
Speaker 1: and why not? That's the first of all. It was

857
00:35:58,520 --> 00:35:59,040
Speaker 1: a great photo.

858
00:35:59,080 --> 00:35:59,600
Speaker 3: Are you in it?

859
00:35:59,760 --> 00:36:00,160
Speaker 4: Yeah?

860
00:36:00,400 --> 00:36:01,880
Speaker 3: Everybody else's say it's.

861
00:36:01,760 --> 00:36:04,160
Speaker 1: A great photo. But you could definitely you can definitely

862
00:36:04,440 --> 00:36:07,160
Speaker 1: you can smell you can smell the Blue Lives Matter.

863
00:36:07,600 --> 00:36:10,279
Speaker 4: There's definitely some some conservative things going on.

864
00:36:10,320 --> 00:36:13,960
Speaker 1: Absolutely absolutely, that definitely looks like an Atlanta City crudo.

865
00:36:14,080 --> 00:36:15,560
Speaker 4: Oh absolutely yeah.

866
00:36:15,600 --> 00:36:18,160
Speaker 1: Those shirts, those colors, yea, this definitely looks like those

867
00:36:18,200 --> 00:36:19,040
Speaker 1: colors don't run.

868
00:36:23,239 --> 00:36:26,000
Speaker 4: Everyone in this photo is proud to be an American.

869
00:36:27,560 --> 00:36:29,480
Speaker 1: Those colors don't fade at all. Rory.

870
00:36:29,560 --> 00:36:31,560
Speaker 4: If there's one thing in this photo, it's that we

871
00:36:31,600 --> 00:36:33,719
Speaker 4: support the fucking troops. I'll tell you that much.

872
00:36:34,080 --> 00:36:34,640
Speaker 1: Bring them home.

873
00:36:36,560 --> 00:36:39,000
Speaker 4: First round, first round of shots went to the POWs.

874
00:36:39,760 --> 00:36:40,360
Speaker 4: Thank you.

875
00:36:40,400 --> 00:36:42,520
Speaker 1: How many times did you bring them home that weekend?

876
00:36:42,560 --> 00:36:43,520
Speaker 1: Bring them home.

877
00:36:46,560 --> 00:36:46,799
Speaker 6: Ship?

878
00:36:47,120 --> 00:36:49,799
Speaker 4: Definitely pregame to wear or not gun to take it.

879
00:36:52,960 --> 00:36:55,880
Speaker 1: Your white bachelors have to be the greatest thing in

880
00:36:55,920 --> 00:36:56,520
Speaker 1: the world, bro.

881
00:36:56,520 --> 00:36:58,080
Speaker 4: And you have to give like, you have to give

882
00:36:58,080 --> 00:36:59,640
Speaker 4: into it. I had to go all the way with it.

883
00:36:59,680 --> 00:37:00,960
Speaker 1: Know, you have have to once you're in, you have

884
00:37:01,040 --> 00:37:03,120
Speaker 1: to go. You have to. You can't like trying to

885
00:37:03,120 --> 00:37:05,279
Speaker 1: be too cool and I'm not doing this. And you

886
00:37:05,320 --> 00:37:07,239
Speaker 1: have to fist pump, you have to jump up and down.

887
00:37:07,680 --> 00:37:09,200
Speaker 4: You have to get American beer only.

888
00:37:09,320 --> 00:37:13,840
Speaker 1: Absolutely, absolutely, but absolutely have to have an American pilsner.

889
00:37:24,320 --> 00:37:27,239
Speaker 4: Look, this is nasty. Puff is laid out like an

890
00:37:27,280 --> 00:37:29,160
Speaker 4: old R and B album.

891
00:37:29,400 --> 00:37:31,759
Speaker 1: Yeahs, how Michael Jackson's laying on the bad cover.

892
00:37:31,920 --> 00:37:34,520
Speaker 4: He's laying in the piss. Puff is laying in the

893
00:37:34,560 --> 00:37:37,680
Speaker 4: piss of Hollywood bulevards to get his star in a

894
00:37:37,719 --> 00:37:38,239
Speaker 4: white suit.

895
00:37:39,400 --> 00:37:42,040
Speaker 1: I mean, what do you expect him to do? I

896
00:37:42,080 --> 00:37:44,040
Speaker 1: don't know. In two thousand and eight, come More, you know,

897
00:37:44,080 --> 00:37:47,960
Speaker 1: that's when Puff was really really like, he's still party Puff.

898
00:37:48,960 --> 00:37:50,560
Speaker 4: He's laid out like a RB singer and has a

899
00:37:50,600 --> 00:37:52,040
Speaker 4: nerve to ask who killed R and B? I think

900
00:37:52,120 --> 00:37:54,399
Speaker 4: you laying on Hollywood Boulevard and a white suit? Maybe

901
00:37:54,480 --> 00:37:54,799
Speaker 4: kill it?

902
00:37:56,080 --> 00:37:57,600
Speaker 1: And R and B is not killed. R and B

903
00:37:57,719 --> 00:37:59,319
Speaker 1: is not dead. R and B is alive and well.

904
00:37:59,360 --> 00:38:01,680
Speaker 1: I saw a lot of R and B artist chiming

905
00:38:01,760 --> 00:38:07,279
Speaker 1: in online about Puff's statements in regards to R and

906
00:38:07,280 --> 00:38:07,960
Speaker 1: B being dead.

907
00:38:08,760 --> 00:38:10,600
Speaker 4: What were his exact tweets? Because of course I saw

908
00:38:10,640 --> 00:38:13,680
Speaker 4: the whole back and forth of Puff saying R and

909
00:38:13,680 --> 00:38:15,879
Speaker 4: B is dead. But did he just tweet that out

910
00:38:15,960 --> 00:38:16,520
Speaker 4: R and B is dead?

911
00:38:16,800 --> 00:38:18,719
Speaker 2: He tweeted out who killed R and B?

912
00:38:20,760 --> 00:38:21,800
Speaker 1: Nobody is still alive?

913
00:38:23,000 --> 00:38:26,640
Speaker 4: You know what's really funny about that? Though I love

914
00:38:26,680 --> 00:38:28,759
Speaker 4: the Dirty Money album, I think it's one of the

915
00:38:28,800 --> 00:38:34,680
Speaker 4: more underrated album It's incredible, one could say that that

916
00:38:34,760 --> 00:38:37,719
Speaker 4: type of sound killed R and B. I don't think

917
00:38:37,800 --> 00:38:39,719
Speaker 4: R and B is dead, but Army is not one.

918
00:38:39,760 --> 00:38:43,200
Speaker 4: It's not close. But one could suggest, especially an R

919
00:38:43,239 --> 00:38:46,919
Speaker 4: and B purist, that the Dirty Money album is would

920
00:38:46,960 --> 00:38:51,320
Speaker 4: be the steps to kill R and B. H Puff

921
00:38:51,360 --> 00:38:53,319
Speaker 4: can't actually sing. It's a lot of auto tune, it's

922
00:38:53,400 --> 00:38:56,799
Speaker 4: a lot of fucking electric sense that that just sound

923
00:38:56,840 --> 00:39:00,160
Speaker 4: computerized like one could say that, yeah, dirty money.

924
00:39:00,040 --> 00:39:02,480
Speaker 1: He did it, I don't have to say.

925
00:39:02,840 --> 00:39:03,920
Speaker 4: And I think that album is a classic.

926
00:39:04,040 --> 00:39:06,120
Speaker 1: Yeah, no, it's a that's a great love that album.

927
00:39:06,160 --> 00:39:07,839
Speaker 1: I think that the sound of R and B has

928
00:39:07,920 --> 00:39:11,120
Speaker 1: changed and progressed over the years. I think that it's

929
00:39:12,080 --> 00:39:13,560
Speaker 1: the R and B that maybe we grew up on,

930
00:39:13,640 --> 00:39:16,000
Speaker 1: or that Puff grew up on, is today it's a

931
00:39:16,040 --> 00:39:19,960
Speaker 1: little different. The content is different, the uh, the energy

932
00:39:20,000 --> 00:39:23,600
Speaker 1: behind it is different. But R and B is not

933
00:39:23,680 --> 00:39:25,759
Speaker 1: that you have great Over the last few years, some

934
00:39:25,760 --> 00:39:27,200
Speaker 1: of the best albums of the year have been RB

935
00:39:27,239 --> 00:39:27,840
Speaker 1: and albums.

936
00:39:28,120 --> 00:39:32,520
Speaker 4: Yet yesterday Gibon sold out Radio City two nights in

937
00:39:32,520 --> 00:39:35,719
Speaker 4: a row singing traditional army Yeah, R and B is

938
00:39:35,800 --> 00:39:37,520
Speaker 4: So I'm not really quite sure where that came from.

939
00:39:37,600 --> 00:39:38,880
Speaker 4: And I think Puff is just trolling.

940
00:39:39,520 --> 00:39:41,279
Speaker 1: What Puff is? We know, Puff knows how to he

941
00:39:41,400 --> 00:39:43,960
Speaker 1: knows how to stay relevant, he knows how to you

942
00:39:44,000 --> 00:39:46,600
Speaker 1: know this is this is all built around, you know,

943
00:39:46,880 --> 00:39:49,080
Speaker 1: the fact that he's out promoting his single right now.

944
00:39:49,400 --> 00:39:51,920
Speaker 4: He's traveling the world, which one could say is not

945
00:39:51,960 --> 00:39:52,320
Speaker 4: an R and B.

946
00:39:52,440 --> 00:39:55,160
Speaker 1: Rickers is now the convensioner. It could be.

947
00:39:55,200 --> 00:39:59,120
Speaker 4: Dance pop and it's under R and B and Soul Puff. Yeah,

948
00:39:59,160 --> 00:40:01,080
Speaker 4: so I don't, I don't sorry Love his name is Love.

949
00:40:01,200 --> 00:40:03,840
Speaker 1: Yeah, So nobody R and B isn't dead. And I

950
00:40:03,840 --> 00:40:06,200
Speaker 1: thought that that was a little harsh to say that,

951
00:40:06,239 --> 00:40:08,640
Speaker 1: because again, we have great R and B talent out here.

952
00:40:09,080 --> 00:40:11,520
Speaker 1: Her and Jasmine Sullivan put out an amazing album a

953
00:40:11,560 --> 00:40:17,040
Speaker 1: couple of years ago. Uh give meon, Brent Fire is

954
00:40:17,719 --> 00:40:19,280
Speaker 1: kaylany lucky days.

955
00:40:19,320 --> 00:40:21,480
Speaker 4: That's why I'm not even like I really want to

956
00:40:21,600 --> 00:40:23,839
Speaker 4: entertain this too much, but I do want to see

957
00:40:23,840 --> 00:40:27,960
Speaker 4: what Puff's angle is because I feel like Puff being

958
00:40:28,000 --> 00:40:30,480
Speaker 4: who he is with this Love album whenever the fuck

959
00:40:30,600 --> 00:40:33,800
Speaker 4: does come out. Puff's not one of the old heads

960
00:40:33,800 --> 00:40:36,400
Speaker 4: that just sticks with the old heads. He stays with

961
00:40:36,440 --> 00:40:40,520
Speaker 4: the kids, which is why he's been relevant his entire career. Yeah,

962
00:40:40,680 --> 00:40:43,600
Speaker 4: he's about to grab a bunch of young R and

963
00:40:43,640 --> 00:40:46,520
Speaker 4: B artists for this album, I'm sure. So to say

964
00:40:46,640 --> 00:40:48,160
Speaker 4: R and B is dead and then go get the

965
00:40:48,320 --> 00:40:51,120
Speaker 4: R and B artists that are currently out, it's a

966
00:40:51,160 --> 00:40:52,400
Speaker 4: fucking insane rollout.

967
00:40:52,960 --> 00:40:57,400
Speaker 1: Not only that, I think that that the whole who

968
00:40:57,520 --> 00:41:00,440
Speaker 1: killed R and B thing for Puff off. I think

969
00:41:00,440 --> 00:41:03,759
Speaker 1: this is just a way to create the conversation. M hm.

970
00:41:03,960 --> 00:41:06,479
Speaker 1: And to you know, he's been doing a couple ig

971
00:41:06,680 --> 00:41:09,120
Speaker 1: livestreams with R and B artists. Yeah, I know. He

972
00:41:09,200 --> 00:41:13,080
Speaker 1: had Summer, he had Tory Lanez, he had somebody else.

973
00:41:13,120 --> 00:41:16,080
Speaker 1: I saw him sitting talking with So I think Puff

974
00:41:16,200 --> 00:41:18,000
Speaker 1: is Puff is a genius. He knows what he's doing.

975
00:41:18,360 --> 00:41:20,640
Speaker 1: He's just starting the conversation. He wants to wake up

976
00:41:20,680 --> 00:41:23,920
Speaker 1: all the R and B artists and maybe get them

977
00:41:23,920 --> 00:41:25,719
Speaker 1: for his album. Like you said, you know, get some

978
00:41:25,800 --> 00:41:29,200
Speaker 1: get some features. But your R and B is far

979
00:41:29,239 --> 00:41:30,920
Speaker 1: from dead. R and B as far from R and

980
00:41:30,960 --> 00:41:34,680
Speaker 1: B is alive and thriving. Guys like Eric Bellinger, who's

981
00:41:34,719 --> 00:41:37,640
Speaker 1: been waving the R and B flag for years. It's

982
00:41:37,680 --> 00:41:39,560
Speaker 1: just so many dope R and B artists out here

983
00:41:39,600 --> 00:41:41,600
Speaker 1: to ever make a statement like who killed R and B?

984
00:41:41,719 --> 00:41:44,120
Speaker 1: Or oppose a question of who killed R and B?

985
00:41:44,239 --> 00:41:47,080
Speaker 1: The conventional sound of R and B as Puff grew

986
00:41:47,120 --> 00:41:48,800
Speaker 1: up on it and I grew up and maybe a

987
00:41:48,800 --> 00:41:51,560
Speaker 1: little different today, I agree with that, but it's not dead,

988
00:41:51,680 --> 00:41:52,360
Speaker 1: and it was interesting.

989
00:41:52,360 --> 00:41:56,160
Speaker 4: I saw a most thriving that. Personally, I think R

990
00:41:56,200 --> 00:41:58,880
Speaker 4: and B. I don't. I don't. I'm not talking about

991
00:41:59,040 --> 00:42:01,759
Speaker 4: numbers monetarily any that me personally, I think R and

992
00:42:01,800 --> 00:42:04,920
Speaker 4: B is the best current genre of music, right, I

993
00:42:04,920 --> 00:42:07,400
Speaker 4: agree with you, Like I think it's the furthest genre

994
00:42:07,560 --> 00:42:10,640
Speaker 4: from deadho, I agree with you. I could argue hip

995
00:42:10,640 --> 00:42:13,400
Speaker 4: hop is dead way before I could say R and

996
00:42:13,400 --> 00:42:14,719
Speaker 4: B was, which I don't think hip hop is.

997
00:42:14,880 --> 00:42:17,560
Speaker 5: Can I play Devil's advocate and say that maybe he

998
00:42:17,800 --> 00:42:20,880
Speaker 5: meant numbers wise, like maybe he meant why isn't R

999
00:42:20,920 --> 00:42:23,880
Speaker 5: and B running the culture the way that it used to?

1000
00:42:24,520 --> 00:42:26,600
Speaker 1: Summer Walker album did the numbers that.

1001
00:42:26,719 --> 00:42:30,600
Speaker 5: Beyond, Yes, Summer Walker's album. But R and B is

1002
00:42:30,640 --> 00:42:32,960
Speaker 5: not running the culture. Hip hop runs the culture.

1003
00:42:33,360 --> 00:42:37,200
Speaker 4: Okay, Well, I could say to you the highest selling

1004
00:42:38,320 --> 00:42:42,560
Speaker 4: hip hop derives from R and B melodies. Hip hop

1005
00:42:42,600 --> 00:42:45,799
Speaker 4: is fucking super melodic. So and I saw R and

1006
00:42:45,800 --> 00:42:49,919
Speaker 4: B is hip hop, yes, one hundred percent. And even

1007
00:42:49,960 --> 00:42:51,840
Speaker 4: so I saw Brent tweet or say something to interview

1008
00:42:51,840 --> 00:42:53,840
Speaker 4: of like, no one cares about genres anymore, as it

1009
00:42:53,840 --> 00:42:57,319
Speaker 4: good or is it bad? Like which I agree with him.

1010
00:42:57,320 --> 00:42:59,319
Speaker 4: No one really gives a fuck with the genres. And

1011
00:42:59,360 --> 00:43:02,960
Speaker 4: so much of hip is R and B, So especially nowadays,

1012
00:43:03,000 --> 00:43:04,120
Speaker 4: it is alotic, and.

1013
00:43:04,080 --> 00:43:06,520
Speaker 1: It's always been that way hip hop and R and

1014
00:43:06,520 --> 00:43:08,640
Speaker 1: B has always been one and the same. You have

1015
00:43:08,680 --> 00:43:11,239
Speaker 1: a rapper that has a hook, he grabs the R

1016
00:43:11,280 --> 00:43:13,880
Speaker 1: and B star it's R and B hook now the

1017
00:43:14,320 --> 00:43:16,520
Speaker 1: rhythms R and B, but it's hip hop because the

1018
00:43:16,520 --> 00:43:19,319
Speaker 1: guy's rapping on some of the records. So, I mean,

1019
00:43:19,560 --> 00:43:20,120
Speaker 1: it's all the.

1020
00:43:20,040 --> 00:43:25,839
Speaker 4: Same outside of the Big three. Who would you say

1021
00:43:25,840 --> 00:43:29,160
Speaker 4: would be a Travis Little Baby future as far as

1022
00:43:29,239 --> 00:43:33,080
Speaker 4: hip hop artists, Yeah, all three of those. Entire flow

1023
00:43:33,200 --> 00:43:37,319
Speaker 4: is based off melodies and not rapping. It's R and B.

1024
00:43:37,400 --> 00:43:38,279
Speaker 1: Yeah, it's all R and B.

1025
00:43:38,719 --> 00:43:40,200
Speaker 4: You can't say R and B is dead in futures

1026
00:43:40,239 --> 00:43:40,600
Speaker 4: a lot.

1027
00:43:42,320 --> 00:43:45,400
Speaker 1: That's true. And doing what he's doing. I saw a

1028
00:43:45,520 --> 00:43:47,920
Speaker 1: fifty cent on the Breakfast Club and he said he

1029
00:43:47,920 --> 00:43:51,080
Speaker 1: has something interesting to say about Puff as far.

1030
00:43:51,000 --> 00:43:54,200
Speaker 4: As it which time, Well, he has a lot of.

1031
00:43:54,760 --> 00:43:58,880
Speaker 1: Interesting things he says about Puff. But he said Puff

1032
00:43:58,920 --> 00:44:03,880
Speaker 1: can't hear a hit, and he went further and he

1033
00:44:04,000 --> 00:44:07,600
Speaker 1: was also saying that he's still trying to hear hits

1034
00:44:07,640 --> 00:44:13,520
Speaker 1: from the late nineties, early two thousands in today. So

1035
00:44:13,600 --> 00:44:15,640
Speaker 1: he was saying, you know, with a whole with the

1036
00:44:15,719 --> 00:44:19,960
Speaker 1: whole situation that with him and Drake stemmed from him

1037
00:44:19,960 --> 00:44:22,759
Speaker 1: having that beat, Drake taking it and doing what he

1038
00:44:22,800 --> 00:44:24,359
Speaker 1: did on it. But he was saying Puff couldn't hear

1039
00:44:24,360 --> 00:44:26,640
Speaker 1: the hit and the beat without the lines on it,

1040
00:44:26,680 --> 00:44:31,200
Speaker 1: without the verses, whereas Drake heard it and automatically knew

1041
00:44:31,200 --> 00:44:33,400
Speaker 1: it was a hit because Drake is not listening with

1042
00:44:33,400 --> 00:44:35,800
Speaker 1: the same ears from the late nineties early two thousands.

1043
00:44:36,120 --> 00:44:37,239
Speaker 1: He has a more current ear.

1044
00:44:38,000 --> 00:44:43,839
Speaker 4: Well. Also, that's a weird comparison because Puff and Drake

1045
00:44:43,920 --> 00:44:46,799
Speaker 4: have different ears in different angles of how they even

1046
00:44:46,920 --> 00:44:50,959
Speaker 4: view Musicke Drake is a writer, so he can he'd

1047
00:44:50,960 --> 00:44:55,280
Speaker 4: be able to hear certain things on even skeleton beats

1048
00:44:55,320 --> 00:44:59,400
Speaker 4: that another producer couldn't because they're not a writer. Puff

1049
00:44:59,440 --> 00:45:03,360
Speaker 4: is very much a producer, but from an exec side

1050
00:45:03,440 --> 00:45:07,279
Speaker 4: and from an an executive producer type of way, so

1051
00:45:08,520 --> 00:45:10,840
Speaker 4: he knows what to add to records, he knows what

1052
00:45:10,560 --> 00:45:14,359
Speaker 4: won't work, But to just hear a beat, Yeah, that's

1053
00:45:14,440 --> 00:45:17,120
Speaker 4: just an odd comparison. I don't really agree with fifty there,

1054
00:45:17,719 --> 00:45:18,239
Speaker 4: I don't.

1055
00:45:18,719 --> 00:45:20,640
Speaker 1: I just thought it was interesting when he said that.

1056
00:45:20,760 --> 00:45:23,879
Speaker 1: And then now Puff poses the question of who killed

1057
00:45:24,000 --> 00:45:26,359
Speaker 1: R and B, and it was like, well, R and

1058
00:45:26,360 --> 00:45:29,319
Speaker 1: B isn't dead and is it because you can't hear,

1059
00:45:29,480 --> 00:45:31,400
Speaker 1: or you don't choose to hear the current R and B,

1060
00:45:31,960 --> 00:45:33,719
Speaker 1: or you're not listening to the current RB. You're not

1061
00:45:33,800 --> 00:45:36,360
Speaker 1: moved by it, you're not motivated by it, you're not

1062
00:45:36,440 --> 00:45:38,680
Speaker 1: inspired by the current R and B. Maybe, but R

1063
00:45:38,680 --> 00:45:41,200
Speaker 1: and B as we know it today in twenty twenty

1064
00:45:41,200 --> 00:45:42,520
Speaker 1: two is alive and well, well.

1065
00:45:42,480 --> 00:45:47,560
Speaker 4: When was the last time Puff made music? So it's like,

1066
00:45:47,600 --> 00:45:49,319
Speaker 4: to Fifty's point, I'm not quite sure that hasn't really

1067
00:45:49,320 --> 00:45:53,040
Speaker 4: been Puff's focus as of late. When was the last

1068
00:45:53,080 --> 00:45:54,920
Speaker 4: time Puff was fully involved with.

1069
00:45:54,840 --> 00:45:56,800
Speaker 1: A music project? It's been a while.

1070
00:45:57,160 --> 00:46:00,759
Speaker 4: I'm not even saying his solo shit directly, but just period.

1071
00:46:01,040 --> 00:46:02,680
Speaker 4: I know, people, I know a lot of the rollout

1072
00:46:02,760 --> 00:46:05,600
Speaker 4: is to have Puff listen to your album and posting

1073
00:46:05,640 --> 00:46:09,480
Speaker 4: on IG. But that does mean he's fully involved. Maybe

1074
00:46:10,200 --> 00:46:12,880
Speaker 4: the NIP album, wasn't he involved with that?

1075
00:46:14,360 --> 00:46:17,680
Speaker 1: Or maybe just towards the end he's on the album,

1076
00:46:17,719 --> 00:46:18,480
Speaker 1: I believe.

1077
00:46:19,360 --> 00:46:22,960
Speaker 4: So to just say that Puff, when was the last

1078
00:46:22,960 --> 00:46:24,080
Speaker 4: time Puff tried to make music?

1079
00:46:24,120 --> 00:46:24,200
Speaker 6: So?

1080
00:46:24,400 --> 00:46:26,000
Speaker 4: I don't really get what fifth is trying to say,

1081
00:46:27,760 --> 00:46:30,960
Speaker 4: especially because so much of what Puff's second half of

1082
00:46:31,000 --> 00:46:32,720
Speaker 4: his career sounded nothing like the nineties.

1083
00:46:33,680 --> 00:46:38,600
Speaker 1: Yeah, I mean again, you know, Tom's changed the music changes,

1084
00:46:39,200 --> 00:46:41,280
Speaker 1: Puff has had a lot to do with the sound,

1085
00:46:41,360 --> 00:46:45,960
Speaker 1: changing the music. And I mean maybe you know, listen,

1086
00:46:46,080 --> 00:46:49,360
Speaker 1: he's he's he's accomplished more music than you or I

1087
00:46:49,400 --> 00:46:52,160
Speaker 1: have accomplished. So maybe he feels like safe to say, yeah,

1088
00:46:52,239 --> 00:46:54,440
Speaker 1: maybe he feels like, Yo, you know what, this R

1089
00:46:54,480 --> 00:46:57,000
Speaker 1: and B shit is dead man. You know, let's let's

1090
00:46:57,040 --> 00:46:58,800
Speaker 1: get some new blood in here. Let's get some new energy.

1091
00:46:58,800 --> 00:47:01,719
Speaker 1: I know this thing is, let's change the frequency. You know, like,

1092
00:47:01,760 --> 00:47:04,840
Speaker 1: maybe he just and dead in the way of people

1093
00:47:04,880 --> 00:47:08,719
Speaker 1: aren't really having fun with it anymore. Yeah, maybe, you know,

1094
00:47:08,760 --> 00:47:11,880
Speaker 1: he just feels like the artists aren't really I don't know,

1095
00:47:12,640 --> 00:47:15,560
Speaker 1: moving the R and B culture anymore, which is, to

1096
00:47:15,600 --> 00:47:18,200
Speaker 1: me would be hard to argue that, because again, these

1097
00:47:18,280 --> 00:47:20,600
Speaker 1: R and B artists now are doing amazing, amazing things

1098
00:47:20,600 --> 00:47:23,600
Speaker 1: with their projects and live show. You know, give you

1099
00:47:23,680 --> 00:47:26,840
Speaker 1: on selling out Radio city is crazy. So yeah, I

1100
00:47:26,880 --> 00:47:28,440
Speaker 1: don't know Armby. To me, R and B nobody killed

1101
00:47:28,480 --> 00:47:29,839
Speaker 1: the R and B. R and B changed, for sure,

1102
00:47:29,880 --> 00:47:30,759
Speaker 1: but it's not.

1103
00:47:30,760 --> 00:47:34,640
Speaker 4: We always go through this. I don't see him getting

1104
00:47:34,640 --> 00:47:37,520
Speaker 4: the same flak Nas got when he said it when

1105
00:47:37,520 --> 00:47:38,760
Speaker 4: he said hip hop is dead.

1106
00:47:39,400 --> 00:47:40,520
Speaker 1: Well, NAS may have been right.

1107
00:47:42,920 --> 00:47:43,560
Speaker 2: Insight.

1108
00:47:43,719 --> 00:47:47,080
Speaker 1: Yeah, NAS may have saw something that we're now seeing like,

1109
00:47:47,120 --> 00:47:48,320
Speaker 1: oh okay, we getting.

1110
00:47:48,440 --> 00:47:50,719
Speaker 4: It was funny when NAS did say that, not to

1111
00:47:50,760 --> 00:47:53,920
Speaker 4: say there wasn't could hip hop at that time? What

1112
00:47:54,000 --> 00:47:56,040
Speaker 4: was that six o seven maybe hip Hop is Dead

1113
00:47:56,120 --> 00:47:57,560
Speaker 4: album came out and when not.

1114
00:47:57,840 --> 00:48:00,040
Speaker 1: Uh somewhere around it.

1115
00:48:00,160 --> 00:48:02,960
Speaker 4: Hip hop was definitely in a very strange place at

1116
00:48:02,960 --> 00:48:03,399
Speaker 4: that time.

1117
00:48:03,719 --> 00:48:05,480
Speaker 1: Yeah, we were getting out of the big T shirts

1118
00:48:05,480 --> 00:48:08,040
Speaker 1: and moving into a whole different thing. Yeah, it was.

1119
00:48:08,160 --> 00:48:10,960
Speaker 4: It was I understood why he was saying at that time.

1120
00:48:11,040 --> 00:48:14,600
Speaker 4: I think once two thousand and nine to ten came,

1121
00:48:15,280 --> 00:48:17,840
Speaker 4: hip hop was completely back to I even think the

1122
00:48:17,840 --> 00:48:19,960
Speaker 4: ship that NADS would like. It was just a weird time.

1123
00:48:20,040 --> 00:48:21,280
Speaker 1: It was. It was a transition.

1124
00:48:21,360 --> 00:48:22,080
Speaker 4: It was an odd time.

1125
00:48:22,560 --> 00:48:25,640
Speaker 1: It was. It was things were different, things were, you know, happening.

1126
00:48:25,680 --> 00:48:28,320
Speaker 1: A lot of the artists were phasing out. It started

1127
00:48:28,360 --> 00:48:30,759
Speaker 1: to feel like it was a because I think that

1128
00:48:30,840 --> 00:48:33,000
Speaker 1: was around the time we started moving more to like

1129
00:48:33,640 --> 00:48:35,320
Speaker 1: was it the ringtone.

1130
00:48:35,440 --> 00:48:37,120
Speaker 4: That was that was around Ringtone?

1131
00:48:37,120 --> 00:48:37,400
Speaker 3: Ay?

1132
00:48:37,719 --> 00:48:39,920
Speaker 1: Yeah, so it was. It was. It was a lot.

1133
00:48:39,920 --> 00:48:43,040
Speaker 1: I think business was changing around hip hop. People started

1134
00:48:43,080 --> 00:48:46,520
Speaker 1: to realize exactly how much money was in it. So

1135
00:48:46,600 --> 00:48:50,120
Speaker 1: you know, once business starts to infiltrate a culture, it's

1136
00:48:51,000 --> 00:48:52,000
Speaker 1: things are going to change.

1137
00:48:52,160 --> 00:48:56,840
Speaker 4: Yeah, because especially at that time is when music was

1138
00:48:56,880 --> 00:48:59,960
Speaker 4: not the money maker anymore. Everything had to shift focus

1139
00:49:00,040 --> 00:49:03,400
Speaker 4: said the shift, so the music became the least priority.

1140
00:49:03,520 --> 00:49:06,000
Speaker 4: The celebrity of what else we can leverage from the

1141
00:49:06,080 --> 00:49:09,880
Speaker 4: music is when everything changed, and that was probably around

1142
00:49:09,880 --> 00:49:12,880
Speaker 4: that time. But I mean, you can't say hip hop

1143
00:49:13,000 --> 00:49:15,040
Speaker 4: is dead and not put out I like the album

1144
00:49:15,120 --> 00:49:18,400
Speaker 4: hip Hop is Dead, but you can't say hip hop

1145
00:49:18,480 --> 00:49:19,520
Speaker 4: is dead not put out a classic.

1146
00:49:21,080 --> 00:49:22,560
Speaker 1: Well it's hard to put out of classic. Let's just

1147
00:49:22,600 --> 00:49:23,279
Speaker 1: say that it's not.

1148
00:49:23,320 --> 00:49:27,080
Speaker 4: Very That's why I would Yeah, here's my next album.

1149
00:49:28,360 --> 00:49:30,640
Speaker 4: Well that's why I'm saying with Puff doing there's a joint,

1150
00:49:30,640 --> 00:49:31,520
Speaker 4: there's joints on there.

1151
00:49:31,560 --> 00:49:35,600
Speaker 1: But oh yeah, yeah, I like album.

1152
00:49:35,719 --> 00:49:41,040
Speaker 4: Yeah, but yeah, Puff, he set himself up. Not not

1153
00:49:41,120 --> 00:49:42,600
Speaker 4: that internet slander.

1154
00:49:42,880 --> 00:49:45,200
Speaker 1: I like the record. I like the record with him

1155
00:49:45,200 --> 00:49:49,600
Speaker 1: and Bryson. You know, he's working, he's working the ship

1156
00:49:49,640 --> 00:49:52,200
Speaker 1: out of it. Puff is definitely working the ship out

1157
00:49:52,200 --> 00:49:54,719
Speaker 1: of his record. So I get it. It's just gonna

1158
00:49:54,719 --> 00:49:58,160
Speaker 1: be interesting to hear how the project sounds. Uh, the

1159
00:49:58,400 --> 00:50:01,479
Speaker 1: features that he leans on, the artist that he works

1160
00:50:01,520 --> 00:50:03,799
Speaker 1: with for this project, It's gonna be interesting to watch.

1161
00:50:03,880 --> 00:50:07,040
Speaker 1: I think that I think that he's he Puff has

1162
00:50:07,040 --> 00:50:08,640
Speaker 1: a he has a plan. This is I think this

1163
00:50:08,680 --> 00:50:11,080
Speaker 1: is all part of his plan. Let's have the conversation

1164
00:50:11,280 --> 00:50:14,080
Speaker 1: and then Okay, prove me wrong. Come get on my album.

1165
00:50:16,080 --> 00:50:18,880
Speaker 4: That would be such a Puff thing. It's not that

1166
00:50:19,000 --> 00:50:20,200
Speaker 4: I killed genre.

1167
00:50:19,960 --> 00:50:22,239
Speaker 1: But come to the studio and showed me it's not dead. Yeah, Like,

1168
00:50:22,680 --> 00:50:24,400
Speaker 1: give me a hit, Yeah, give me a hit, give

1169
00:50:24,440 --> 00:50:26,080
Speaker 1: me a hook. You know what I'm saying. Here's the beat.

1170
00:50:26,160 --> 00:50:27,319
Speaker 1: Let me see what you can do with show me

1171
00:50:27,320 --> 00:50:30,360
Speaker 1: it is not dead. But yeah, good, it's a good record.

1172
00:50:31,000 --> 00:50:33,839
Speaker 1: To move on is the name of it. Gotta move on.

1173
00:50:34,680 --> 00:50:36,040
Speaker 1: I like the reckon and Puff is working the sh

1174
00:50:36,160 --> 00:50:38,000
Speaker 1: out with he living life. I saw a Puff getting

1175
00:50:38,040 --> 00:50:40,799
Speaker 1: off the jet with no shirt on bucket hat. I

1176
00:50:40,840 --> 00:50:43,480
Speaker 1: know Henny when I see Henny boy, Oh that flight

1177
00:50:43,600 --> 00:50:45,240
Speaker 1: was there's a lot of honey spilt on those seats

1178
00:50:45,239 --> 00:50:45,640
Speaker 1: that flight.

1179
00:50:45,760 --> 00:50:50,719
Speaker 4: Can we discuss quickly the entire YouTube community that has

1180
00:50:50,760 --> 00:50:58,000
Speaker 4: made a living off interviewing people that just happened to

1181
00:50:58,080 --> 00:51:01,560
Speaker 4: walk past Biggie and Pock in the nineties. There's an

1182
00:51:01,719 --> 00:51:04,200
Speaker 4: entire internet like I used to come on here and

1183
00:51:04,200 --> 00:51:06,000
Speaker 4: be pissed off, Like, Yo, how many more Biggie and

1184
00:51:06,040 --> 00:51:08,720
Speaker 4: Tupac documentaries do we fucking need? How many more movies

1185
00:51:08,719 --> 00:51:10,440
Speaker 4: do we need? How many more TV series like this

1186
00:51:10,520 --> 00:51:12,680
Speaker 4: is you guys at this point are just exploiting shit

1187
00:51:12,719 --> 00:51:15,520
Speaker 4: and running it into the fucking ground. We don't need anymore. Yeah,

1188
00:51:15,719 --> 00:51:18,279
Speaker 4: but this, and granted I watch them, so I'm part

1189
00:51:18,320 --> 00:51:23,160
Speaker 4: of the problem. But there is an entire YouTube community

1190
00:51:23,239 --> 00:51:29,640
Speaker 4: that literally is living off interviewing people that maybe walked

1191
00:51:29,640 --> 00:51:33,879
Speaker 4: past Tupac at the House of Blues in nineteen ninety five.

1192
00:51:34,200 --> 00:51:36,920
Speaker 4: I'm more so and the like, it's getting to the point.

1193
00:51:37,120 --> 00:51:39,200
Speaker 4: In the beginning, I understood when you when they were

1194
00:51:40,000 --> 00:51:43,520
Speaker 4: interviewing like people that actually Knupac and people are involved

1195
00:51:43,560 --> 00:51:45,600
Speaker 4: with the murder and all that stuff. I guess I

1196
00:51:45,680 --> 00:51:49,120
Speaker 4: understood that. At this point, now they're asking questions like

1197
00:51:49,200 --> 00:51:51,520
Speaker 4: do you remember what cologne Poc had on in the studio,

1198
00:51:52,000 --> 00:51:56,280
Speaker 4: mister assistant engineer that worked with him for three hours?

1199
00:51:56,800 --> 00:52:00,759
Speaker 1: I just don't understand why, like all of these filmmakers

1200
00:52:00,800 --> 00:52:05,160
Speaker 1: and executive producers are so fascinated with this story still.

1201
00:52:05,600 --> 00:52:07,320
Speaker 1: And the thing about it is because I know people

1202
00:52:07,320 --> 00:52:09,440
Speaker 1: that were close to the situation is a lot of

1203
00:52:09,480 --> 00:52:12,560
Speaker 1: it is still false information that is trut out here.

1204
00:52:12,560 --> 00:52:17,399
Speaker 1: It's not even the real story that's going around. I've

1205
00:52:17,400 --> 00:52:19,600
Speaker 1: been told some things about people that were actually there

1206
00:52:19,640 --> 00:52:20,120
Speaker 1: that night.

1207
00:52:20,400 --> 00:52:21,680
Speaker 4: It's about the quad incident.

1208
00:52:21,760 --> 00:52:24,799
Speaker 1: Yeah, about what was happening and going on around that time.

1209
00:52:24,880 --> 00:52:29,680
Speaker 1: And the story is a lot different than people think

1210
00:52:29,719 --> 00:52:30,480
Speaker 1: and have been told.

1211
00:52:31,480 --> 00:52:35,200
Speaker 4: I mean, I do get it. It was one of

1212
00:52:35,239 --> 00:52:39,240
Speaker 4: the most polarizing times and moments in hip hop between

1213
00:52:39,280 --> 00:52:42,799
Speaker 4: pockin Big outside of two of our biggest stars. Yes, Like,

1214
00:52:43,080 --> 00:52:46,000
Speaker 4: if you look at all the factors that are in it,

1215
00:52:46,000 --> 00:52:55,919
Speaker 4: it's classic music, hit records, geniuses, gang shit, industry shit.

1216
00:52:56,520 --> 00:52:58,719
Speaker 4: It's got like the perfect script for a movie. It's

1217
00:52:58,719 --> 00:53:01,680
Speaker 4: almost like it wasn't real. Every single factor to tell

1218
00:53:01,680 --> 00:53:05,680
Speaker 4: a story was involved in what five four years. That's

1219
00:53:05,680 --> 00:53:08,200
Speaker 4: the other crazy part about everything they're talking about is

1220
00:53:08,200 --> 00:53:09,840
Speaker 4: from ninety four to ninety seven.

1221
00:53:10,200 --> 00:53:13,480
Speaker 1: It's and the old I get and I really look

1222
00:53:13,520 --> 00:53:15,520
Speaker 1: at how young Poc and Big was.

1223
00:53:15,920 --> 00:53:17,279
Speaker 4: Yeah, that's that's always been a thing.

1224
00:53:17,320 --> 00:53:20,680
Speaker 1: That's it's just it's the craziest, you know, some of

1225
00:53:20,680 --> 00:53:23,439
Speaker 1: the some of the images and videos we have of POC,

1226
00:53:23,560 --> 00:53:27,120
Speaker 1: you know, giving speeches and talking at schools, and you

1227
00:53:27,120 --> 00:53:29,879
Speaker 1: know it's like, yo, he was only nineteen. Here, he's

1228
00:53:29,920 --> 00:53:32,359
Speaker 1: only twenty crazy, he's only twenty one, like.

1229
00:53:32,440 --> 00:53:35,120
Speaker 4: One of the most evolved mature men.

1230
00:53:35,360 --> 00:53:37,600
Speaker 1: Smart. Yeah, it was just it's just a shame that

1231
00:53:37,640 --> 00:53:41,040
Speaker 1: we lost both of those artists and men at such

1232
00:53:41,040 --> 00:53:43,640
Speaker 1: a young age, because they were twenty four to twenty

1233
00:53:43,640 --> 00:53:44,319
Speaker 1: five years old.

1234
00:53:45,239 --> 00:53:47,360
Speaker 4: I mean that that tripped me out in my twenties

1235
00:53:47,360 --> 00:53:50,840
Speaker 4: so much once I got to that age, because obviously

1236
00:53:51,080 --> 00:53:54,239
Speaker 4: I was six seven eight when these people passed away,

1237
00:53:54,280 --> 00:53:58,000
Speaker 4: so they were automatically like gods to me. And then

1238
00:53:58,040 --> 00:54:00,680
Speaker 4: I turned twenty four and I was like, wait, like

1239
00:54:00,719 --> 00:54:03,120
Speaker 4: this will be big guy when he was this age. Yeah,

1240
00:54:03,200 --> 00:54:04,279
Speaker 4: I'm a child.

1241
00:54:04,040 --> 00:54:07,040
Speaker 1: And I haven't done shit. I haven't accomplished anything. I

1242
00:54:07,080 --> 00:54:09,360
Speaker 1: haven't done a damn thing. Park was given speeches as

1243
00:54:09,360 --> 00:54:12,640
Speaker 1: the naacp all kind of shit, and I'm just sitting

1244
00:54:12,719 --> 00:54:14,479
Speaker 1: here arguing with my mom about taking out.

1245
00:54:14,360 --> 00:54:16,040
Speaker 4: The trash even like, and when I got to my

1246
00:54:16,120 --> 00:54:19,200
Speaker 4: late twenties, I'm like, wait, wait, this guy, Jimmy Hendrix

1247
00:54:19,320 --> 00:54:20,080
Speaker 4: was twenty seven.

1248
00:54:20,600 --> 00:54:24,480
Speaker 1: Yeah, yeah, kidding me. It's it's it's it's it's something

1249
00:54:24,480 --> 00:54:26,160
Speaker 1: to think about. The older you get, is you know

1250
00:54:26,200 --> 00:54:29,640
Speaker 1: how young these these stars and celebrities are when they

1251
00:54:30,120 --> 00:54:34,520
Speaker 1: meet their demise. But yeah, I just I'm I'm all.

1252
00:54:34,520 --> 00:54:37,759
Speaker 1: I'm all good on the on the POC Big documentary stories,

1253
00:54:37,880 --> 00:54:42,080
Speaker 1: uh VH one specials, and I'm just it's like, I

1254
00:54:42,160 --> 00:54:45,200
Speaker 1: understand it was. It's unfortunate. I was, you know, a

1255
00:54:45,239 --> 00:54:47,520
Speaker 1: young kid back then, but I'm old enough to remember

1256
00:54:48,239 --> 00:54:50,040
Speaker 1: how it felt, how it was. It was a very

1257
00:54:50,080 --> 00:54:54,440
Speaker 1: sad time, a very unfortunate time. And the scary part is,

1258
00:54:54,440 --> 00:54:57,439
Speaker 1: I don't know if we learned anything from it because

1259
00:54:57,440 --> 00:55:00,480
Speaker 1: we look at the way we lose our artists now.

1260
00:55:01,960 --> 00:55:06,480
Speaker 4: Yeah, but there's so much politics that go into that,

1261
00:55:06,520 --> 00:55:09,080
Speaker 4: and how much of it that wasn't hip hop related

1262
00:55:09,160 --> 00:55:11,600
Speaker 4: at all? And how much of the violence now even

1263
00:55:11,640 --> 00:55:14,080
Speaker 4: with our hip hop artist is not hip hop related

1264
00:55:14,120 --> 00:55:14,440
Speaker 4: at all?

1265
00:55:15,440 --> 00:55:16,080
Speaker 1: Some of it you.

1266
00:55:16,000 --> 00:55:18,719
Speaker 4: Could just say, I mean, it's hard to even put

1267
00:55:18,719 --> 00:55:20,520
Speaker 4: that type of pressure of like why didn't we learn

1268
00:55:20,520 --> 00:55:22,799
Speaker 4: from this, because it's it's factors that have nothing to

1269
00:55:22,840 --> 00:55:26,879
Speaker 4: do with hip hop. They don't, Yeah, but still nor

1270
00:55:26,920 --> 00:55:27,600
Speaker 4: did Pacin Big.

1271
00:55:27,920 --> 00:55:31,520
Speaker 1: But still though, why haven't we. You know, at one point,

1272
00:55:31,560 --> 00:55:34,160
Speaker 1: I think we were losing a rapper or artist every

1273
00:55:34,480 --> 00:55:37,840
Speaker 1: other week. It seemed like this year it was always

1274
00:55:37,880 --> 00:55:41,319
Speaker 1: something like you turn around and another rapper dead, another rapper,

1275
00:55:43,719 --> 00:55:44,320
Speaker 1: that's the situation.

1276
00:55:45,080 --> 00:55:48,320
Speaker 4: But I feel like so much of this, and even

1277
00:55:48,400 --> 00:55:53,160
Speaker 4: to some degree with Pac maybe less with Big, they

1278
00:55:53,280 --> 00:55:58,040
Speaker 4: just so happened to be rappers. That's it. It doesn't

1279
00:55:58,040 --> 00:56:00,839
Speaker 4: have directly to do with hip hop to me at all,

1280
00:56:01,440 --> 00:56:04,600
Speaker 4: Like when we see unfortunately all these rappers getting killed

1281
00:56:04,600 --> 00:56:08,520
Speaker 4: all the time, they just happened to rap. Now, I

1282
00:56:08,560 --> 00:56:12,960
Speaker 4: think there's certain things when you smoking on packs of

1283
00:56:13,000 --> 00:56:15,239
Speaker 4: dead people and all that stuff. Yes, hip hop there

1284
00:56:15,320 --> 00:56:19,560
Speaker 4: can start to lead to actual violence when you start

1285
00:56:19,560 --> 00:56:22,520
Speaker 4: dissing people on records in a certain way. But a

1286
00:56:22,520 --> 00:56:24,840
Speaker 4: lot of the way rappers die has nothing to do

1287
00:56:24,880 --> 00:56:27,760
Speaker 4: with hip hop. They just happened to be rappers. Yeah.

1288
00:56:27,920 --> 00:56:31,480
Speaker 4: I think Pocks in so many ways was that as well,

1289
00:56:31,600 --> 00:56:34,640
Speaker 4: had nothing to do hip hop. Fucking punched the wrong person.

1290
00:56:35,280 --> 00:56:37,120
Speaker 1: I was glad to say, and oh, do you get

1291
00:56:37,160 --> 00:56:40,560
Speaker 1: and you really understand the situation what happened? You like, Oh,

1292
00:56:40,600 --> 00:56:45,920
Speaker 1: we were fed the wrong theory about this whole situation

1293
00:56:45,960 --> 00:56:49,480
Speaker 1: for years like people hate Biggie and they it's like

1294
00:56:49,680 --> 00:56:51,800
Speaker 1: he had nothing to do with that. Yeah, you know

1295
00:56:51,840 --> 00:56:53,879
Speaker 1: what I mean, it's just like it's it's it's it's

1296
00:56:53,920 --> 00:56:56,279
Speaker 1: just unfortunate, man, It's it's really unfortunate. Yeah.

1297
00:56:56,320 --> 00:56:58,319
Speaker 4: And I know, just went on a weird tangent like that,

1298
00:56:58,800 --> 00:57:00,640
Speaker 4: And I don't know. Maybe it's the true They make

1299
00:57:00,680 --> 00:57:05,719
Speaker 4: me more smart, the strooms, the streams, The streams make

1300
00:57:05,800 --> 00:57:06,560
Speaker 4: me way more smart.

1301
00:57:06,560 --> 00:57:11,479
Speaker 1: Me tweeted, uh so me tweeted some interesting things last week.

1302
00:57:11,600 --> 00:57:14,759
Speaker 1: He says, uh, well, he started with this rap shit

1303
00:57:14,880 --> 00:57:18,640
Speaker 1: is oversaturated. It's time again with the Diamond Dominie Moji,

1304
00:57:19,280 --> 00:57:21,600
Speaker 1: and then he says, I took some strooms. I never

1305
00:57:21,640 --> 00:57:24,280
Speaker 1: had shrooms, but I'm I think strooms is a little

1306
00:57:24,280 --> 00:57:25,280
Speaker 1: stronger than shrooms.

1307
00:57:25,320 --> 00:57:27,640
Speaker 4: Before we get there with the t Yeah, before we

1308
00:57:27,680 --> 00:57:31,400
Speaker 4: get to the strooms because I love strooms. Rap shit

1309
00:57:31,520 --> 00:57:36,040
Speaker 4: is oversaturated. Didn't he announce two days before this that

1310
00:57:36,080 --> 00:57:41,360
Speaker 4: he was gonna put out fifteen albums in like a day. Listen,

1311
00:57:41,560 --> 00:57:43,680
Speaker 4: So let's oversaturated more, let's let's listen.

1312
00:57:44,720 --> 00:57:47,479
Speaker 1: Well, maybe he made It's not it's not oversaturated with Meek.

1313
00:57:48,240 --> 00:57:51,080
Speaker 1: He felt like it was oversaturated with bullshit. The game

1314
00:57:51,120 --> 00:57:53,120
Speaker 1: needs some more meek in it. That's what the game needs.

1315
00:57:54,520 --> 00:57:54,920
Speaker 4: The Earth.

1316
00:57:56,440 --> 00:58:02,680
Speaker 1: Inherit the industry, the industry, I mean, this is what

1317
00:58:02,720 --> 00:58:03,040
Speaker 1: it is.

1318
00:58:03,400 --> 00:58:05,040
Speaker 4: Imagine me inheriting the industry.

1319
00:58:05,080 --> 00:58:06,520
Speaker 1: I love me, this is what he says. He says,

1320
00:58:06,600 --> 00:58:10,200
Speaker 1: I took some streams. It made me more smart, more happy,

1321
00:58:10,600 --> 00:58:13,280
Speaker 1: and have more love in my heart. Now me, let's

1322
00:58:13,280 --> 00:58:15,680
Speaker 1: just stop right there. If it's if it made you

1323
00:58:15,680 --> 00:58:18,360
Speaker 1: more smart, I think the correct word would be smarter

1324
00:58:19,200 --> 00:58:20,240
Speaker 1: and happier.

1325
00:58:21,320 --> 00:58:22,880
Speaker 4: You just a slave to the English language.

1326
00:58:23,040 --> 00:58:24,800
Speaker 1: That's what it is. I'm not thinking outside. You take

1327
00:58:24,840 --> 00:58:29,840
Speaker 1: if you take the trucks, yeahstructs of the yeah, more.

1328
00:58:29,920 --> 00:58:32,160
Speaker 4: Don't force me to speak proper English, but not even

1329
00:58:32,240 --> 00:58:33,800
Speaker 4: mean proper English. Get it? You don't get it.

1330
00:58:34,320 --> 00:58:36,280
Speaker 1: He said, I was gonna cold ship. I was gonna

1331
00:58:36,280 --> 00:58:40,200
Speaker 1: cold this ship like medicine. That's a bar. I was

1332
00:58:40,240 --> 00:58:42,520
Speaker 1: gonna you ain't never cold, no ship like medicine.

1333
00:58:42,560 --> 00:58:43,840
Speaker 4: I took medicine when I had a cold.

1334
00:58:43,960 --> 00:58:47,080
Speaker 1: Okay, Yeah, see again, you thinking to the confines that

1335
00:58:47,120 --> 00:58:49,040
Speaker 1: the world is put in front of you. Usually you

1336
00:58:49,040 --> 00:58:50,960
Speaker 1: wait till you get the cold and take the medicine.

1337
00:58:51,280 --> 00:58:53,920
Speaker 1: Me is saying, nah, I'm gonna get the cold, and

1338
00:58:53,960 --> 00:58:56,040
Speaker 1: then the medicine is gonna need me. You understand what

1339
00:58:56,040 --> 00:58:56,439
Speaker 1: I'm saying.

1340
00:58:56,520 --> 00:59:00,000
Speaker 4: Yes, I don't. I don't do drugs. Drugs do me exactly?

1341
00:59:01,120 --> 00:59:05,560
Speaker 1: Micro dose vibes. None of your niggas have ever had

1342
00:59:05,560 --> 00:59:06,520
Speaker 1: the micro dose vibes?

1343
00:59:06,560 --> 00:59:09,000
Speaker 4: All right? As someone that is micro dose shrooms and

1344
00:59:09,320 --> 00:59:13,600
Speaker 4: like really taking shrooms micro dosing, I'm sure he took

1345
00:59:13,600 --> 00:59:15,680
Speaker 4: a chocolate bar from some ig chick. I'm sure that's

1346
00:59:15,680 --> 00:59:16,160
Speaker 4: where this came.

1347
00:59:16,200 --> 00:59:18,320
Speaker 1: First of all, getting the chocolate bar of shrooms from

1348
00:59:18,320 --> 00:59:19,840
Speaker 1: an IG model is crazy.

1349
00:59:19,960 --> 00:59:21,600
Speaker 4: I've done it plenty of times, have you.

1350
00:59:21,680 --> 00:59:23,240
Speaker 1: Hell, you live a sick life.

1351
00:59:24,240 --> 00:59:28,000
Speaker 4: That's the ones that happen You do not. You do

1352
00:59:28,040 --> 00:59:32,000
Speaker 4: not get more. You just feel good for a second and.

1353
00:59:31,960 --> 00:59:33,480
Speaker 1: Then you come down and realize you have a whole

1354
00:59:33,480 --> 00:59:34,560
Speaker 1: bunch of problems.

1355
00:59:34,160 --> 00:59:35,880
Speaker 4: That chocolate bar and are like, wow, I really love

1356
00:59:35,920 --> 00:59:36,439
Speaker 4: people more.

1357
00:59:36,960 --> 00:59:39,240
Speaker 1: He says. I don't know if everybody's brain is structured

1358
00:59:39,280 --> 00:59:42,480
Speaker 1: for this, but there's some ship in these things. There's

1359
00:59:42,480 --> 00:59:43,560
Speaker 1: some ship in these things.

1360
00:59:43,640 --> 00:59:46,120
Speaker 4: Okay literally, but you don't even see what he do.

1361
00:59:46,240 --> 00:59:49,160
Speaker 4: That's come on, bro, that's a lyricist. Listen, I got

1362
00:59:49,320 --> 00:59:50,920
Speaker 4: shrooms come from ship.

1363
00:59:51,040 --> 00:59:53,720
Speaker 1: Come from the fertilized soil that you can fertilize soil

1364
00:59:53,760 --> 00:59:56,160
Speaker 1: with horse maneu and cal maneuver. Yeah, I get it.

1365
00:59:56,320 --> 00:59:58,480
Speaker 1: You know he's doing so, He's right, there's some ship

1366
00:59:58,480 --> 01:00:03,640
Speaker 1: in these things. He got a lot of people responded

1367
01:00:03,680 --> 01:00:05,440
Speaker 1: to these, which Meek does every time he goes on

1368
01:00:05,560 --> 01:00:06,720
Speaker 1: these rants. But well, he had some.

1369
01:00:06,840 --> 01:00:09,640
Speaker 4: He had some revelations off the streams, the microdols of strms.

1370
01:00:09,720 --> 01:00:12,160
Speaker 1: Oh yeah, this was like one of the uh, one

1371
01:00:12,200 --> 01:00:14,680
Speaker 1: of the ones that caught my I was like, okay again.

1372
01:00:14,840 --> 01:00:17,200
Speaker 4: I encourage people to microdose streams. I think it is

1373
01:00:17,240 --> 01:00:20,440
Speaker 4: great and you will feel happy. You don't realize anything,

1374
01:00:20,480 --> 01:00:22,120
Speaker 4: Like go take a whole bunch of stroms, then you

1375
01:00:22,200 --> 01:00:24,360
Speaker 4: might realize some shit. Go on a sound on Mike,

1376
01:00:24,440 --> 01:00:27,960
Speaker 4: go inside this painting. These are the microdose tweets. These

1377
01:00:28,000 --> 01:00:28,960
Speaker 4: are the microdose tweets.

1378
01:00:29,000 --> 01:00:30,640
Speaker 1: He says, if you're a corporate person that work in

1379
01:00:30,640 --> 01:00:33,800
Speaker 1: the music business and ever predicted Meek is over, I

1380
01:00:33,840 --> 01:00:35,720
Speaker 1: want to place a ten million dollar bet with you

1381
01:00:35,880 --> 01:00:39,840
Speaker 1: in contract label owners. And I don't know why an

1382
01:00:39,840 --> 01:00:41,400
Speaker 1: A and R would have ten million dollars, but I.

1383
01:00:41,400 --> 01:00:43,560
Speaker 4: Was gonna say the same bro A and R have

1384
01:00:43,600 --> 01:00:45,120
Speaker 4: some an r.

1385
01:00:45,360 --> 01:00:49,120
Speaker 1: CEO CEOs artists. I'm just finding out y'all was talking

1386
01:00:49,160 --> 01:00:51,840
Speaker 1: like that. Y'all said I was over at least five times.

1387
01:00:52,960 --> 01:00:55,920
Speaker 4: I'm crying at least.

1388
01:00:56,080 --> 01:00:57,760
Speaker 1: Here's what I think the problem is with me, because

1389
01:00:57,840 --> 01:00:59,400
Speaker 1: I believe that he is hearing a lot of things

1390
01:00:59,400 --> 01:01:02,040
Speaker 1: that people saying about his career. His last album wasn't

1391
01:01:02,080 --> 01:01:05,840
Speaker 1: what people expected. It didn't do what he probably expected

1392
01:01:05,840 --> 01:01:08,080
Speaker 1: it and didn't do what you know, people that worked

1393
01:01:08,080 --> 01:01:11,480
Speaker 1: on it probably expected me personally. And this is me

1394
01:01:11,480 --> 01:01:13,480
Speaker 1: from I was. I think Meek is still chasing his

1395
01:01:13,640 --> 01:01:17,000
Speaker 1: intro to his first album. He's still chasing that success

1396
01:01:17,400 --> 01:01:19,440
Speaker 1: of that song. I think that that's the gift and

1397
01:01:19,440 --> 01:01:21,560
Speaker 1: curse of having a song as big as that song,

1398
01:01:22,160 --> 01:01:25,200
Speaker 1: having a song that's as revered as that song is.

1399
01:01:25,560 --> 01:01:28,200
Speaker 1: You try to match that song every time you step

1400
01:01:28,240 --> 01:01:31,080
Speaker 1: in the booth. And I think that's a problem. I

1401
01:01:31,120 --> 01:01:33,120
Speaker 1: think that's what Meek is going wrong at I think

1402
01:01:33,160 --> 01:01:36,400
Speaker 1: he's that record is so big, it's like, Okay, weird

1403
01:01:36,440 --> 01:01:37,200
Speaker 1: Do I go from here?

1404
01:01:37,760 --> 01:01:40,920
Speaker 4: I think he's been trying to chase the sound of

1405
01:01:40,960 --> 01:01:42,440
Speaker 4: it rather than the success of it.

1406
01:01:43,040 --> 01:01:44,920
Speaker 1: No, no, no, I don't even think the sound of

1407
01:01:44,960 --> 01:01:48,560
Speaker 1: it I think because now the last project Meet put out,

1408
01:01:48,760 --> 01:01:49,360
Speaker 1: I think.

1409
01:01:49,160 --> 01:01:50,800
Speaker 4: He's chasing little dirks.

1410
01:01:50,880 --> 01:01:52,880
Speaker 1: But that's what I'm saying. I think with the auto tune,

1411
01:01:52,920 --> 01:01:56,360
Speaker 1: and he's used some before, but I think he's used

1412
01:01:56,520 --> 01:01:58,680
Speaker 1: he used more of it on the last album. I

1413
01:01:58,720 --> 01:02:01,720
Speaker 1: think it sounded too much like dirt little Baby vibes.

1414
01:02:01,760 --> 01:02:03,680
Speaker 1: It just was a little too much in that and

1415
01:02:04,200 --> 01:02:06,560
Speaker 1: Meek is something totally different from that. The meat that

1416
01:02:06,600 --> 01:02:08,640
Speaker 1: we love and the meat that we listen to was

1417
01:02:08,640 --> 01:02:11,040
Speaker 1: something different from that. And I know sometimes you fall

1418
01:02:11,080 --> 01:02:13,920
Speaker 1: in these things where you're chasing the current sound or

1419
01:02:13,920 --> 01:02:15,960
Speaker 1: whatever it's hot, whatever people seem to be wanting and

1420
01:02:16,000 --> 01:02:19,880
Speaker 1: listening to. But when you're an artist like Meek, you

1421
01:02:20,000 --> 01:02:22,600
Speaker 1: have to stay in that in the Meek lane. You

1422
01:02:22,640 --> 01:02:25,120
Speaker 1: cannot do what the new cats are doing. And I

1423
01:02:25,120 --> 01:02:26,520
Speaker 1: think that's the problem. I think that's why a lot

1424
01:02:26,560 --> 01:02:29,320
Speaker 1: of people were saying it's over for me, because they're saying,

1425
01:02:29,320 --> 01:02:31,400
Speaker 1: like he's he doesn't even sound like the meat that

1426
01:02:31,440 --> 01:02:33,200
Speaker 1: we fell in love with anymore.

1427
01:02:33,600 --> 01:02:35,960
Speaker 2: Meek is Molly, and I think he was like chasing

1428
01:02:35,960 --> 01:02:36,920
Speaker 2: a percoset sound.

1429
01:02:37,120 --> 01:02:39,560
Speaker 1: It's like a I mean, if you want to put

1430
01:02:39,600 --> 01:02:42,720
Speaker 1: it like that, Yeah, I just think that again. You know,

1431
01:02:42,840 --> 01:02:45,240
Speaker 1: it's what you're hearing and what you're being fair. You

1432
01:02:45,240 --> 01:02:46,520
Speaker 1: start to feel like a it's an artists, like, oh,

1433
01:02:46,520 --> 01:02:48,400
Speaker 1: this is what they're loving right now. Okay, then let

1434
01:02:48,440 --> 01:02:49,800
Speaker 1: me give him this, and I think that's what he

1435
01:02:50,080 --> 01:02:54,480
Speaker 1: went wrong. And again that Dreams and Nightmare song is

1436
01:02:54,520 --> 01:02:58,160
Speaker 1: so fucking big. You get in the booth and now

1437
01:02:58,280 --> 01:03:00,920
Speaker 1: you're like, okay, I need to that. Well.

1438
01:03:01,160 --> 01:03:03,360
Speaker 4: The catch twenty two of Meek is that he pays

1439
01:03:03,360 --> 01:03:05,600
Speaker 4: attention to the kids. He's always been early on the

1440
01:03:05,600 --> 01:03:08,320
Speaker 4: younger generation. He's always helped the younger generation, but in

1441
01:03:08,400 --> 01:03:10,640
Speaker 4: doing so sometimes he chases the younger generation and we

1442
01:03:10,640 --> 01:03:11,880
Speaker 4: don't want to hear him all that type of shit.

1443
01:03:12,480 --> 01:03:13,959
Speaker 2: So are you one of the people that were saying

1444
01:03:13,960 --> 01:03:14,400
Speaker 2: that he's over?

1445
01:03:16,480 --> 01:03:19,760
Speaker 4: There's there's definitely been moments in Meek's career. I didn't

1446
01:03:19,760 --> 01:03:22,080
Speaker 4: think too deeply into it, but I was like, oh, yeah,

1447
01:03:22,280 --> 01:03:24,960
Speaker 4: it's what is so? But I do give I have

1448
01:03:25,000 --> 01:03:28,240
Speaker 4: to give Meek credit. He's had plenty of moments where

1449
01:03:28,640 --> 01:03:31,400
Speaker 4: someone could say, yo, it's over for Meek and it's

1450
01:03:31,560 --> 01:03:34,720
Speaker 4: clearly not. He's still here. Well he can still successful.

1451
01:03:34,760 --> 01:03:36,520
Speaker 1: Yeah, when you say, oh, he can still put out music.

1452
01:03:36,760 --> 01:03:38,720
Speaker 1: He may not have the success that he had on

1453
01:03:38,760 --> 01:03:43,840
Speaker 1: the first album Championships, but people may feel like, yo,

1454
01:03:44,000 --> 01:03:46,520
Speaker 1: that might be over because now you're you don't even

1455
01:03:46,560 --> 01:03:50,400
Speaker 1: sound like what we love anymore or what we feel

1456
01:03:50,440 --> 01:03:51,000
Speaker 1: them saying.

1457
01:03:51,040 --> 01:03:54,360
Speaker 4: More so, just some of his obviously with the Drake

1458
01:03:54,440 --> 01:03:57,240
Speaker 4: thing and just certain Nikki thing, just so much stuff

1459
01:03:57,240 --> 01:04:01,000
Speaker 4: in Meek's career. It's looked like his mistakes really may

1460
01:04:01,080 --> 01:04:05,120
Speaker 4: cost him the success that he has, and it it

1461
01:04:05,160 --> 01:04:07,720
Speaker 4: may have declined it a tiny bit, but I have

1462
01:04:07,760 --> 01:04:10,760
Speaker 4: to give me credit. He's still people still give a fuck.

1463
01:04:10,840 --> 01:04:12,760
Speaker 4: We are all going to stop when Meat puts a

1464
01:04:12,800 --> 01:04:15,600
Speaker 4: project out, even though I like the last album, I'm

1465
01:04:15,640 --> 01:04:17,200
Speaker 4: stopping when Meek mill is gonna.

1466
01:04:16,960 --> 01:04:18,600
Speaker 1: Put music because you're gonna you want to see what

1467
01:04:18,640 --> 01:04:18,960
Speaker 1: he's doing.

1468
01:04:19,000 --> 01:04:23,560
Speaker 4: And to me, that needs to be saluted. Like you've

1469
01:04:23,560 --> 01:04:25,360
Speaker 4: been through a lot of shit, the biggest artists in

1470
01:04:25,360 --> 01:04:29,080
Speaker 4: the world. Some could say fucking demolished you in a

1471
01:04:29,160 --> 01:04:31,560
Speaker 4: rap battle and you were supposed to be the rapper.

1472
01:04:32,840 --> 01:04:35,920
Speaker 4: And Meek is still here, and I would say it's

1473
01:04:35,960 --> 01:04:38,520
Speaker 4: probably as relevant as he was at the time when

1474
01:04:38,520 --> 01:04:39,960
Speaker 4: it looked like it was over for him.

1475
01:04:40,200 --> 01:04:40,600
Speaker 1: Me So.

1476
01:04:42,560 --> 01:04:43,600
Speaker 4: I have to give him credit.

1477
01:04:44,400 --> 01:04:46,880
Speaker 1: Meek put on Tom Brady's championship rings? Was that those

1478
01:04:46,880 --> 01:04:49,800
Speaker 1: are Tom's? Or what are those Robert Crafts rings.

1479
01:04:51,840 --> 01:04:54,200
Speaker 4: You've put You've put on one of your NBA friends

1480
01:04:54,680 --> 01:04:55,960
Speaker 4: championship rings before. It. Don't do that.

1481
01:04:56,040 --> 01:05:00,280
Speaker 1: I've never done that. You've looked at it, though my

1482
01:05:00,280 --> 01:05:02,360
Speaker 1: friend wins a world championship. I'm not gonna look at

1483
01:05:02,360 --> 01:05:04,880
Speaker 1: the ring. What do we talking about. I've never put

1484
01:05:04,880 --> 01:05:06,240
Speaker 1: it on my hand and took a picture of it.

1485
01:05:06,320 --> 01:05:08,240
Speaker 1: Do you What are you talking about? So why is

1486
01:05:08,280 --> 01:05:10,120
Speaker 1: he now? You're lying on me. Look how you just

1487
01:05:10,160 --> 01:05:11,880
Speaker 1: throw me to lie. They've never done that before in

1488
01:05:11,880 --> 01:05:16,200
Speaker 1: my life. Oh damn you No, I just looked at it.

1489
01:05:16,200 --> 01:05:17,360
Speaker 1: I never put it on my hand.

1490
01:05:17,720 --> 01:05:20,800
Speaker 4: Who is that from the bulls that's selling their championship rings?

1491
01:05:20,840 --> 01:05:22,800
Speaker 4: Oh Horace grand piece.

1492
01:05:22,640 --> 01:05:25,800
Speaker 1: Piece chip for one hundred grand piece selling his championship.

1493
01:05:25,880 --> 01:05:27,360
Speaker 4: If I'm buying that one hundred grand I'm putting on

1494
01:05:27,480 --> 01:05:28,280
Speaker 4: my finger in them.

1495
01:05:28,560 --> 01:05:30,560
Speaker 1: If you get a picture, if you're buying it, it's

1496
01:05:30,560 --> 01:05:32,320
Speaker 1: yours now you can do whatever you want with it.

1497
01:05:32,440 --> 01:05:34,440
Speaker 4: Okay, So what was the what was the point of me?

1498
01:05:35,120 --> 01:05:39,080
Speaker 1: I'm saying, Well, because because the name of the album's championships.

1499
01:05:39,520 --> 01:05:42,240
Speaker 1: So he gave us that whole you know what I mean,

1500
01:05:42,320 --> 01:05:45,080
Speaker 1: Like he put on the championship rings. Uh. He was

1501
01:05:45,120 --> 01:05:48,680
Speaker 1: hanging out with Robert Craft, you know. So it was like, Okay,

1502
01:05:49,040 --> 01:05:53,120
Speaker 1: he's a champion, gave us championships. Good album. I'm just

1503
01:05:53,160 --> 01:05:55,240
Speaker 1: telling you, good album.

1504
01:05:55,360 --> 01:05:57,760
Speaker 4: I know, I'm just laughing at your rendition of the rollout.

1505
01:05:57,480 --> 01:06:00,640
Speaker 1: Like, okay, he's a champion, that's what That's what he

1506
01:06:00,680 --> 01:06:02,720
Speaker 1: was trying to sell us on the championship thing. Like

1507
01:06:03,200 --> 01:06:04,320
Speaker 1: you know what I mean, I got I got a

1508
01:06:04,360 --> 01:06:06,320
Speaker 1: picture with the five six Brady rings.

1509
01:06:06,440 --> 01:06:09,920
Speaker 4: I could just picture the marketing team at Atlantic in

1510
01:06:10,000 --> 01:06:14,480
Speaker 4: a meeting. All right, it's called championships. What do we do,

1511
01:06:15,080 --> 01:06:18,600
Speaker 4: cal Robert, Let's put him with some champions Cole.

1512
01:06:18,520 --> 01:06:20,480
Speaker 1: Robert, Let's put the rings on them.

1513
01:06:20,680 --> 01:06:22,480
Speaker 4: You know, Julian came up with that marketing place.

1514
01:06:22,560 --> 01:06:24,760
Speaker 1: That's because now you've got throw the rings on your hands.

1515
01:06:24,920 --> 01:06:27,120
Speaker 1: He had the theos he in now, but he gave

1516
01:06:27,200 --> 01:06:27,360
Speaker 1: us You.

1517
01:06:27,320 --> 01:06:29,000
Speaker 4: Would have definitely posted that too. I don't think Mek

1518
01:06:29,000 --> 01:06:31,160
Speaker 4: posted it. I think Julian posted that from Meek's acount.

1519
01:06:31,320 --> 01:06:35,360
Speaker 4: Do we owe a little Wayne an apology for what I

1520
01:06:35,400 --> 01:06:38,360
Speaker 4: didn't know that me put all the Patriots rings on. Yeah,

1521
01:06:38,560 --> 01:06:41,320
Speaker 4: we've given Wayne a lot of shit for being probably

1522
01:06:41,400 --> 01:06:45,480
Speaker 4: the most bandwagon sports fan on planets fucking earth. Yeah,

1523
01:06:46,000 --> 01:06:48,400
Speaker 4: Eagles Patriots. I wouldn't say it would be a rivalry

1524
01:06:48,440 --> 01:06:51,800
Speaker 4: to some degree, but they have history. Yeah, he just

1525
01:06:51,840 --> 01:06:53,960
Speaker 4: can't throw on the Patriots rings, all.

1526
01:06:53,800 --> 01:06:56,600
Speaker 1: Five of them. He had a fist full of rings.

1527
01:06:58,160 --> 01:07:00,160
Speaker 4: But I don't think that's as bad as you do

1528
01:07:00,400 --> 01:07:03,480
Speaker 4: of Meek just posting that's it's a super Bowl ring.

1529
01:07:03,560 --> 01:07:06,320
Speaker 4: If I came across the superw ring, I posted Drama's Grammy, Like,

1530
01:07:06,360 --> 01:07:09,160
Speaker 4: if I came across the super Bowl ring that my

1531
01:07:09,240 --> 01:07:11,920
Speaker 4: man's won, I would post it. That's cool.

1532
01:07:12,080 --> 01:07:15,000
Speaker 1: No, it's nothing again, it's nothing wrong with posting the

1533
01:07:15,120 --> 01:07:20,400
Speaker 1: ring when you put him on, and then you make

1534
01:07:20,440 --> 01:07:24,640
Speaker 1: the fist yeah, and then your album what's what's the

1535
01:07:25,560 --> 01:07:28,240
Speaker 1: and then your album it's like, Okay, I get it,

1536
01:07:28,240 --> 01:07:29,880
Speaker 1: you tied it all in, you made it make sense.

1537
01:07:30,480 --> 01:07:33,840
Speaker 1: Great album. We love that. We love championship album. So

1538
01:07:33,880 --> 01:07:36,120
Speaker 1: now it's like, what are we gonna do for the

1539
01:07:36,160 --> 01:07:38,959
Speaker 1: next album, because we know what happened to the last album?

1540
01:07:39,040 --> 01:07:40,600
Speaker 1: We didn't wasn't really it was a couple joints in

1541
01:07:40,640 --> 01:07:42,919
Speaker 1: the year. Wasn't really feeling it like that. So now

1542
01:07:42,960 --> 01:07:44,560
Speaker 1: this album, this project, I don't know how many you

1543
01:07:44,560 --> 01:07:47,000
Speaker 1: say he mixtapes coming, I don't know when an actual

1544
01:07:47,080 --> 01:07:50,200
Speaker 1: album is coming. But what does Meat do now to

1545
01:07:50,360 --> 01:07:54,080
Speaker 1: rebrand or to pivot into another direction? I don't know

1546
01:07:54,120 --> 01:07:56,640
Speaker 1: what he's because he did the championship thing already.

1547
01:07:56,760 --> 01:08:00,520
Speaker 4: It appears that he does now. Is the I'm independent? Yeah,

1548
01:08:01,000 --> 01:08:03,600
Speaker 4: that's what it appears to be, and it appears to be.

1549
01:08:03,960 --> 01:08:07,280
Speaker 4: Is he the whole industry has been against me and

1550
01:08:08,080 --> 01:08:11,320
Speaker 4: y'all counted me out. I'm still here, clearly, Mika still

1551
01:08:11,440 --> 01:08:14,440
Speaker 4: but upset about I don't know. I don't know his business,

1552
01:08:14,440 --> 01:08:19,840
Speaker 4: but from what I understand, he is. I think Atlantic

1553
01:08:20,040 --> 01:08:22,880
Speaker 4: that was his last album, No, and he got out

1554
01:08:22,880 --> 01:08:26,719
Speaker 4: of the contracts because he's saying he's independent now, Okay,

1555
01:08:26,840 --> 01:08:29,920
Speaker 4: so I think his next that's the new direction of

1556
01:08:29,960 --> 01:08:33,000
Speaker 4: what the narrative will be. It won't be the Championship

1557
01:08:33,600 --> 01:08:36,479
Speaker 4: thanos rings, but yeah, he's gonna do the independent ship.

1558
01:08:36,520 --> 01:08:38,439
Speaker 4: And I'm sure he's gonna sit with Robert Kraft and

1559
01:08:38,479 --> 01:08:40,160
Speaker 4: be like, you're independent too, bro.

1560
01:08:43,400 --> 01:08:46,280
Speaker 1: Yo, all that Robert Craft and telling him Yeah, you're

1561
01:08:46,280 --> 01:08:46,920
Speaker 1: independent to.

1562
01:08:47,160 --> 01:08:49,200
Speaker 4: All that you own. You own all the royalties of

1563
01:08:49,240 --> 01:08:50,519
Speaker 4: that Craft Mac over there.

1564
01:08:51,360 --> 01:08:53,360
Speaker 1: Every box Robert Craft is not dependent.

1565
01:08:53,439 --> 01:08:55,320
Speaker 4: Even the Dinosaur Mac and Cheese. You got all the

1566
01:08:55,360 --> 01:08:58,360
Speaker 4: masters of that. So I think that, yeah, his plan

1567
01:08:58,479 --> 01:09:03,720
Speaker 4: now is to do the independent rollout. I personally not

1568
01:09:03,760 --> 01:09:05,880
Speaker 4: that Meek ever asked me. I wouldn't put out fucking

1569
01:09:05,880 --> 01:09:09,720
Speaker 4: this twenty mixtapes in a for the years up thing. Yeah,

1570
01:09:09,720 --> 01:09:11,160
Speaker 4: I understand they're sitting on it, and.

1571
01:09:11,200 --> 01:09:14,080
Speaker 1: I believe he was supposed to put something out this

1572
01:09:14,200 --> 01:09:18,200
Speaker 1: past week, right, and I think he posted something about that.

1573
01:09:18,840 --> 01:09:20,800
Speaker 1: I think I read he posted something that we're still

1574
01:09:20,840 --> 01:09:23,800
Speaker 1: on track for something, but he was supposed to put

1575
01:09:23,800 --> 01:09:25,719
Speaker 1: out a song. The song I know he's been playing

1576
01:09:25,720 --> 01:09:30,320
Speaker 1: on his ig with the big pun sample. I don't

1577
01:09:30,320 --> 01:09:32,000
Speaker 1: know if that was supposed to come out Friday or not,

1578
01:09:33,080 --> 01:09:35,080
Speaker 1: but I know I know he posted something about that

1579
01:09:35,120 --> 01:09:37,280
Speaker 1: like it was a minor setback, but the song was

1580
01:09:37,320 --> 01:09:41,240
Speaker 1: still coming. So, I mean, I don't know. Man, it's

1581
01:09:41,360 --> 01:09:44,280
Speaker 1: you know, being independent, you could kind of get some

1582
01:09:44,360 --> 01:09:46,519
Speaker 1: freedom and you're able to move and do what you want.

1583
01:09:46,560 --> 01:09:49,080
Speaker 1: But still the music has to be good. The man

1584
01:09:49,280 --> 01:09:49,840
Speaker 1: has to be good.

1585
01:09:49,840 --> 01:09:53,040
Speaker 4: If you are gonna use recognizable samples. It's gonna be

1586
01:09:53,160 --> 01:09:55,040
Speaker 4: kind of difficult independent.

1587
01:09:55,080 --> 01:09:57,000
Speaker 5: Yeah, how can he be independent when in February of

1588
01:09:57,000 --> 01:09:59,200
Speaker 5: this year he was complaining that Atlantic wouldn't let him

1589
01:09:59,240 --> 01:09:59,720
Speaker 5: put music out.

1590
01:09:59,720 --> 01:10:02,599
Speaker 4: Remember from I think he got out of that contract somehow,

1591
01:10:03,520 --> 01:10:04,559
Speaker 4: because I know he left.

1592
01:10:04,439 --> 01:10:08,000
Speaker 1: Rock but well they're no longer managing him. But I

1593
01:10:08,000 --> 01:10:11,160
Speaker 1: think he is still signed with.

1594
01:10:11,160 --> 01:10:12,080
Speaker 4: Atlantic and MMG.

1595
01:10:12,320 --> 01:10:14,439
Speaker 1: Yeah, I don't know.

1596
01:10:14,479 --> 01:10:17,160
Speaker 4: I saw Kaiser at the Kaylanney show and he looked

1597
01:10:17,200 --> 01:10:20,960
Speaker 4: really happy, So I don't know. That's how you gauge it.

1598
01:10:21,280 --> 01:10:23,320
Speaker 1: That's how you gauge Meek's business based on.

1599
01:10:23,240 --> 01:10:26,760
Speaker 4: How in the bathroom with Kaiser and I was like,

1600
01:10:26,960 --> 01:10:28,200
Speaker 4: Meek must must have got out.

1601
01:10:28,840 --> 01:10:33,120
Speaker 1: Yeah, yeah, he didn't wash his hands. Meek is still signed.

1602
01:10:33,520 --> 01:10:37,080
Speaker 4: There's two names that I feel are not discussed, and

1603
01:10:37,200 --> 01:10:39,240
Speaker 4: why Big Sean and Meek.

1604
01:10:40,560 --> 01:10:42,280
Speaker 1: You feel like they're not discussed as far as what.

1605
01:10:42,320 --> 01:10:48,360
Speaker 4: They were And this is again it's just no artists

1606
01:10:48,360 --> 01:10:50,800
Speaker 4: are fucking sensitive. This is nothing, is no personal ship.

1607
01:10:50,880 --> 01:10:54,320
Speaker 4: I like both of you guys a lot. They were

1608
01:10:54,320 --> 01:10:58,639
Speaker 4: in that conversation for so long and I I guess

1609
01:10:58,680 --> 01:11:00,000
Speaker 4: I'm asking why they're not anymore.

1610
01:11:01,920 --> 01:11:04,760
Speaker 1: I think because so many other artists have come into

1611
01:11:04,800 --> 01:11:07,639
Speaker 1: the picture since then and have put out really good.

1612
01:11:07,600 --> 01:11:13,760
Speaker 4: Projects outside of Detroit too. Has Big Sean never not

1613
01:11:13,880 --> 01:11:17,680
Speaker 4: came with a hit record or two hit records when

1614
01:11:17,720 --> 01:11:21,640
Speaker 4: he's putting album out Big Sean, Yeah, he keeps a

1615
01:11:21,720 --> 01:11:26,080
Speaker 4: hit record out. So and Meek outside of this last one,

1616
01:11:26,479 --> 01:11:28,400
Speaker 4: which I think was the mistake. They didn't wait to

1617
01:11:28,439 --> 01:11:31,280
Speaker 4: get a record, they just put that album out. Meek

1618
01:11:31,360 --> 01:11:38,640
Speaker 4: comes with a big single every album. I'm just not

1619
01:11:38,720 --> 01:11:40,920
Speaker 4: sure why they don't ever get brought up anymore when

1620
01:11:40,920 --> 01:11:44,320
Speaker 4: we're talking about like that level of when we say,

1621
01:11:45,600 --> 01:11:48,519
Speaker 4: I'm not saying they're the Kendrick Drake Cole shit. That's

1622
01:11:48,560 --> 01:11:53,160
Speaker 4: obviously separated for those three and Nicki as well, But shit,

1623
01:11:54,200 --> 01:11:58,080
Speaker 4: we start going down to the future little baby conversation.

1624
01:11:58,479 --> 01:12:00,720
Speaker 4: Shawn's never brought up in there now, Meek has never

1625
01:12:00,720 --> 01:12:02,679
Speaker 4: brought up in there now. Is it because their sales

1626
01:12:02,680 --> 01:12:04,559
Speaker 4: aren't the same. I'm really asking a question. I don't

1627
01:12:04,600 --> 01:12:07,000
Speaker 4: have the answer. I just feel no one talks about

1628
01:12:07,040 --> 01:12:09,280
Speaker 4: them or talks about why no one's talking about them?

1629
01:12:10,520 --> 01:12:12,639
Speaker 1: I don't know. I think I think with Big Sean

1630
01:12:12,680 --> 01:12:16,519
Speaker 1: it may be a little different now because I feel

1631
01:12:16,600 --> 01:12:20,920
Speaker 1: like he kind of like real life for him has changed.

1632
01:12:21,280 --> 01:12:25,240
Speaker 4: He stays out the way. Yeah, and I think it's

1633
01:12:25,320 --> 01:12:29,200
Speaker 4: probably helped his actual mental life and is.

1634
01:12:29,160 --> 01:12:30,360
Speaker 1: What he's spoken about.

1635
01:12:30,920 --> 01:12:32,519
Speaker 4: I think it's better for him as a human being.

1636
01:12:33,720 --> 01:12:36,479
Speaker 4: I think it has taken away a bit of his career,

1637
01:12:36,520 --> 01:12:38,960
Speaker 4: which I think is a fair trade. I'd rather be

1638
01:12:39,000 --> 01:12:41,720
Speaker 4: happy and about the way than absolutely, But I do

1639
01:12:41,760 --> 01:12:44,880
Speaker 4: think Sean not being in the mix the way even

1640
01:12:45,120 --> 01:12:47,880
Speaker 4: even Cole who just disappears, Cole still gets in the

1641
01:12:47,920 --> 01:12:50,240
Speaker 4: mix when it's time to get into the mix the

1642
01:12:50,280 --> 01:12:53,080
Speaker 4: feature thing does like he's he gets active when it's

1643
01:12:53,080 --> 01:12:56,800
Speaker 4: time to get active. Sean I think was doing that,

1644
01:12:57,360 --> 01:13:01,240
Speaker 4: probably more than the other three and then stopped, which

1645
01:13:01,240 --> 01:13:02,840
Speaker 4: I'm sure what she's talked about had to do a

1646
01:13:02,840 --> 01:13:04,920
Speaker 4: lot with his mental health. But he got the fuck

1647
01:13:04,960 --> 01:13:07,040
Speaker 4: out the way, and I kind of think that's why

1648
01:13:07,080 --> 01:13:07,400
Speaker 4: no one.

1649
01:13:08,200 --> 01:13:09,960
Speaker 1: I think it's good to disappear for a while and

1650
01:13:10,040 --> 01:13:12,240
Speaker 1: kind of just watch where things are going.

1651
01:13:12,320 --> 01:13:14,400
Speaker 4: But he did even Detroit too, like he wasn't in

1652
01:13:14,479 --> 01:13:18,160
Speaker 4: the mix leading up to it, He wasn't doing features

1653
01:13:18,200 --> 01:13:21,720
Speaker 4: like he was really out of the fucking way the

1654
01:13:21,760 --> 01:13:24,240
Speaker 4: way Kendrick would do. But Kendrick is obviously a monster,

1655
01:13:24,360 --> 01:13:27,720
Speaker 4: so he can do that and still keep going in

1656
01:13:27,720 --> 01:13:29,800
Speaker 4: his career. Sean is someone that would still need to

1657
01:13:29,800 --> 01:13:34,280
Speaker 4: be in the mix to keep those numbers going. But

1658
01:13:34,439 --> 01:13:36,240
Speaker 4: he really just got the fuck out the way. And

1659
01:13:36,280 --> 01:13:37,360
Speaker 4: I think it's it's.

1660
01:13:37,240 --> 01:13:40,880
Speaker 1: Just whack when artists feel like they have to, uh,

1661
01:13:41,439 --> 01:13:45,240
Speaker 1: you have to create with the the thought of I

1662
01:13:45,320 --> 01:13:48,920
Speaker 1: have to hit these certain numbers. Yeah, I think that

1663
01:13:48,960 --> 01:13:51,240
Speaker 1: that's unfair the artists. I don't think any artist should

1664
01:13:51,240 --> 01:13:53,880
Speaker 1: be creating from that standpoint of thinking, Damn, I gotta

1665
01:13:53,920 --> 01:13:55,479
Speaker 1: I gotta hit these numbers, I gotta sell this, I

1666
01:13:55,479 --> 01:13:58,240
Speaker 1: gotta move this many because it's like you should be

1667
01:13:58,240 --> 01:14:00,920
Speaker 1: in there and I've never been in the studio with

1668
01:14:01,200 --> 01:14:02,960
Speaker 1: Cole and see how you work. But I don't think

1669
01:14:03,000 --> 01:14:06,680
Speaker 1: Cole gives a fuck about numbers and what's hot at

1670
01:14:06,680 --> 01:14:10,200
Speaker 1: the moment. I don't think Kendrick does eithern That's what

1671
01:14:10,200 --> 01:14:12,759
Speaker 1: I'm saying. I think in order to become that true artist,

1672
01:14:13,479 --> 01:14:15,559
Speaker 1: you gotta kind of just block all that other shit out,

1673
01:14:15,560 --> 01:14:18,880
Speaker 1: those distractions, don't who gives a fuck the numbers? Fuck with?

1674
01:14:19,360 --> 01:14:22,240
Speaker 1: Everybody is running two Well, they just got what do

1675
01:14:22,320 --> 01:14:22,800
Speaker 1: you sound like?

1676
01:14:22,840 --> 01:14:27,040
Speaker 4: They just got to that position, though, who Cole and

1677
01:14:27,680 --> 01:14:30,720
Speaker 4: Kendrick where they don't? I don't now. I do not

1678
01:14:30,800 --> 01:14:32,960
Speaker 4: think those two gentlemen give a fuck about numbers at all.

1679
01:14:33,840 --> 01:14:35,880
Speaker 4: I don't cold in the beginning of his career, of course,

1680
01:14:35,920 --> 01:14:37,760
Speaker 4: he's talked about it plenty of times, of having a

1681
01:14:37,800 --> 01:14:41,120
Speaker 4: fucking do a bunch of bullshit singles, getting with producers.

1682
01:14:41,120 --> 01:14:42,720
Speaker 4: He want to get in because he's chasing. He's trying

1683
01:14:42,760 --> 01:14:43,040
Speaker 4: to chase.

1684
01:14:43,080 --> 01:14:46,720
Speaker 1: But it's a very early Cole has kind of been

1685
01:14:46,760 --> 01:14:48,240
Speaker 1: in that class. He can do what the fuck he

1686
01:14:48,280 --> 01:14:49,160
Speaker 1: wants for a few years, and.

1687
01:14:49,360 --> 01:14:57,960
Speaker 4: I think twenty fourteen, four Cells Drive this was the

1688
01:14:58,000 --> 01:15:00,280
Speaker 4: time in his career that after that he didn't have

1689
01:15:00,320 --> 01:15:02,920
Speaker 4: to care about the numbers. But because he cared about

1690
01:15:02,920 --> 01:15:05,400
Speaker 4: the numbers is what got him to the numbers of

1691
01:15:05,439 --> 01:15:10,880
Speaker 4: twenty fourteen. That was his biggest selling project, if I

1692
01:15:10,960 --> 01:15:13,920
Speaker 4: remember correctly, at that time, that put him born center.

1693
01:15:13,960 --> 01:15:16,080
Speaker 4: He was chased, like, I don't mean chasing in a

1694
01:15:16,080 --> 01:15:19,000
Speaker 4: bad way, but no, no, no, they were definitely concerned and

1695
01:15:19,200 --> 01:15:21,680
Speaker 4: looking at the landscape figuring out what it's gonna work,

1696
01:15:21,680 --> 01:15:23,120
Speaker 4: what's not gonna work. Yeah, he was focused on the

1697
01:15:23,200 --> 01:15:23,880
Speaker 4: numbers at that time.

1698
01:15:24,320 --> 01:15:24,639
Speaker 3: For sure.

1699
01:15:24,640 --> 01:15:26,120
Speaker 4: They wasn't established yet. And I get it.

1700
01:15:26,120 --> 01:15:28,160
Speaker 1: It's the music business. It's a business of selling music.

1701
01:15:28,200 --> 01:15:30,439
Speaker 1: You have to you know, people invest in you. You

1702
01:15:30,520 --> 01:15:33,759
Speaker 1: have to sell music. I understand that. But it's unfair

1703
01:15:33,760 --> 01:15:36,559
Speaker 1: to have these artists like a Meek who feels like

1704
01:15:36,600 --> 01:15:39,240
Speaker 1: he has to or saying things like he was counted

1705
01:15:39,280 --> 01:15:42,760
Speaker 1: out and things like that, and it's all because they

1706
01:15:42,880 --> 01:15:45,559
Speaker 1: if his last album sold what they projected to sell,

1707
01:15:45,560 --> 01:15:48,040
Speaker 1: what they thought it was, he wouldn't be No, you understand,

1708
01:15:48,040 --> 01:15:49,200
Speaker 1: I'm saying, you wouldn't be sweted like that.

1709
01:15:49,240 --> 01:15:49,800
Speaker 4: So of course not.

1710
01:15:50,000 --> 01:15:51,760
Speaker 1: It's just fucked up that, you know, we got to

1711
01:15:51,840 --> 01:15:55,479
Speaker 1: chase these numbers and these things without just being able

1712
01:15:55,520 --> 01:15:57,880
Speaker 1: to create and you know, put out good product and

1713
01:15:57,920 --> 01:15:58,840
Speaker 1: let it do what it's gonna do.

1714
01:15:58,920 --> 01:16:02,200
Speaker 4: And I'm saying that's a luxury front. Artists create from

1715
01:16:02,200 --> 01:16:04,400
Speaker 4: a stance of not having to carry it out. That's

1716
01:16:04,000 --> 01:16:09,040
Speaker 4: the and I think there's very very few artists period

1717
01:16:09,080 --> 01:16:13,040
Speaker 4: that can create. I don't think Drake creates from that space.

1718
01:16:13,360 --> 01:16:15,360
Speaker 4: To this day, I still think Drake. Now I'm not

1719
01:16:15,400 --> 01:16:17,760
Speaker 4: saying down to that, oh I have to do a

1720
01:16:17,800 --> 01:16:22,040
Speaker 4: mill first week, but numbers are people and numbers are

1721
01:16:24,320 --> 01:16:28,479
Speaker 4: how we even kind of gauge the reaction to music.

1722
01:16:28,520 --> 01:16:32,240
Speaker 4: At this point, it's not so much in person. Oh

1723
01:16:32,240 --> 01:16:34,120
Speaker 4: when I walk outside, that's what I hear all the time.

1724
01:16:34,120 --> 01:16:38,160
Speaker 4: It's it's very much algorithms and numbers. So yeah, Drake

1725
01:16:38,240 --> 01:16:41,519
Speaker 4: of course is sitting there focused on what that number

1726
01:16:41,560 --> 01:16:43,160
Speaker 4: is going to come back as.

1727
01:16:43,520 --> 01:16:46,320
Speaker 1: I mean, he just put out a dance album. Yeah,

1728
01:16:46,360 --> 01:16:49,840
Speaker 1: I don't think he was too concerned about the numbers.

1729
01:16:50,080 --> 01:16:53,960
Speaker 4: So, like, I get why Sean it's probably out of

1730
01:16:53,960 --> 01:16:56,240
Speaker 4: that combo because he's kind of taking himself out of

1731
01:16:56,240 --> 01:16:58,479
Speaker 4: that conbo. Meek, on the other hand, is in the

1732
01:16:58,520 --> 01:17:01,680
Speaker 4: mix NonStop. He's around the younger kids, he's around the

1733
01:17:01,720 --> 01:17:06,519
Speaker 4: relevant rappers, he does features, he's outside, he's on social media.

1734
01:17:07,000 --> 01:17:11,479
Speaker 4: Why is Mek not brought up in those conversations though anymore?

1735
01:17:11,520 --> 01:17:12,519
Speaker 4: Because he was at one point?

1736
01:17:12,640 --> 01:17:17,360
Speaker 1: Mm hm, Well, I mean again, if you it would

1737
01:17:17,360 --> 01:17:21,000
Speaker 1: have to be because of the music. The music is

1738
01:17:21,040 --> 01:17:23,960
Speaker 1: not as good as people once felt it was. The

1739
01:17:24,040 --> 01:17:26,479
Speaker 1: music is not as good as people thought it would be.

1740
01:17:29,600 --> 01:17:31,720
Speaker 1: But again, I mean, Meek is the one, Meek in

1741
01:17:31,800 --> 01:17:33,960
Speaker 1: his in his in his bracket, Meek is the one

1742
01:17:34,000 --> 01:17:37,559
Speaker 1: that all of those guys look up to like I

1743
01:17:37,560 --> 01:17:40,960
Speaker 1: think at one point, the Dirk's and the babies, the

1744
01:17:40,960 --> 01:17:43,240
Speaker 1: little babies, I think they looked up to me because

1745
01:17:43,960 --> 01:17:46,120
Speaker 1: when when Meek came in with his Dreams of Nightmas,

1746
01:17:46,160 --> 01:17:47,519
Speaker 1: all of those guys were really young.

1747
01:17:48,280 --> 01:17:50,760
Speaker 4: Yeah, and I think when we're talking about those the

1748
01:17:50,920 --> 01:17:54,600
Speaker 4: big three that will call them again, they're nerds. And

1749
01:17:54,640 --> 01:17:56,360
Speaker 4: I don't mean that in a bad way. I'm a nerd.

1750
01:17:57,600 --> 01:17:59,599
Speaker 4: Meek was like the one person that felt like from

1751
01:17:59,640 --> 01:18:05,000
Speaker 4: that from that cloth, that was rapping about actual street shit.

1752
01:18:06,880 --> 01:18:09,640
Speaker 4: So did the music just fucking stop that it's just

1753
01:18:10,360 --> 01:18:11,920
Speaker 4: outside of the last album because we all know what

1754
01:18:11,920 --> 01:18:14,640
Speaker 4: that is. Championships I thought was good. But before that,

1755
01:18:16,600 --> 01:18:19,200
Speaker 4: I don't know. Does Meek have too many ups and downs?

1756
01:18:19,200 --> 01:18:20,120
Speaker 4: He's just not consistent?

1757
01:18:21,120 --> 01:18:23,960
Speaker 1: That can be. Yeah, that's maybe one of the reasons.

1758
01:18:23,960 --> 01:18:25,840
Speaker 4: Which scares me of him putting out all this music

1759
01:18:26,520 --> 01:18:28,000
Speaker 4: because it's like, now, all right, now you're putting out

1760
01:18:28,040 --> 01:18:30,599
Speaker 4: a lot. You have a lot of opportunities for lows here.

1761
01:18:30,840 --> 01:18:35,400
Speaker 1: Yeah. I just again, I don't think we need the

1762
01:18:35,439 --> 01:18:37,720
Speaker 1: whole mixtape. I mean, I'm not mad at getting a

1763
01:18:37,760 --> 01:18:40,720
Speaker 1: mixtape or you know, an EP or something like that,

1764
01:18:42,080 --> 01:18:45,760
Speaker 1: but whatever he's putting out. I think Meek need to tap.

1765
01:18:45,840 --> 01:18:48,240
Speaker 1: I would like to see him locking with one producer.

1766
01:18:48,840 --> 01:18:50,600
Speaker 1: M I would like to see Mek do that. I

1767
01:18:50,600 --> 01:18:52,080
Speaker 1: would like to see him go that route, locking with

1768
01:18:52,160 --> 01:18:57,439
Speaker 1: one producer. You know, take your time on it. Don't

1769
01:18:57,439 --> 01:18:59,519
Speaker 1: listen to the outside noise. Don't get caught up and

1770
01:18:59,640 --> 01:19:03,000
Speaker 1: you know, social media bullshit. Don't worry about the number.

1771
01:19:03,040 --> 01:19:06,639
Speaker 1: I mean, well, you said he's independent. Now we don't

1772
01:19:06,680 --> 01:19:09,800
Speaker 1: know what, we don't even know. But don't worry about

1773
01:19:09,840 --> 01:19:13,320
Speaker 1: the numbers, you know, don't this is treat this like

1774
01:19:13,760 --> 01:19:17,080
Speaker 1: a whole new introduction to meet and get back to

1775
01:19:17,120 --> 01:19:20,439
Speaker 1: the ship that you know that meat does. Get back

1776
01:19:20,479 --> 01:19:22,960
Speaker 1: to that meat. Don't don't chase none of this new

1777
01:19:23,000 --> 01:19:26,160
Speaker 1: shit going on because that's not with your fans. That's

1778
01:19:26,200 --> 01:19:28,640
Speaker 1: not what the call wants. The call wants Meek, we

1779
01:19:28,680 --> 01:19:31,360
Speaker 1: don't want none of this other, these other sounds that's

1780
01:19:31,400 --> 01:19:33,920
Speaker 1: going on. And it's hard again. You know, they popularize

1781
01:19:33,920 --> 01:19:35,960
Speaker 1: these sounds and got to sound this. You gotta have

1782
01:19:35,960 --> 01:19:38,680
Speaker 1: a record that sounds like that. Nah, just give us meet.

1783
01:19:38,800 --> 01:19:40,360
Speaker 1: We don't want nothing. We don't want none of this other.

1784
01:19:40,360 --> 01:19:42,040
Speaker 1: We don't want me to sound like nobody.

1785
01:19:41,680 --> 01:19:47,760
Speaker 4: Else has he had a hit since Going Back?

1786
01:19:50,840 --> 01:19:52,160
Speaker 1: Well, you loved the Uptown vibs.

1787
01:19:53,080 --> 01:19:56,200
Speaker 4: Let's take out my personal preference, I do. I did

1788
01:19:56,240 --> 01:20:00,200
Speaker 4: love Uptown Bobs. But Going Bad was the one which

1789
01:20:00,200 --> 01:20:02,000
Speaker 4: I was definitely wrong about when I was like, yeah,

1790
01:20:02,000 --> 01:20:03,479
Speaker 4: I don't like it, and You're like, you're bugging, and

1791
01:20:03,520 --> 01:20:05,679
Speaker 4: then yeah, a month passed it, I was like, hey,

1792
01:20:05,680 --> 01:20:08,360
Speaker 4: I'm bugging, this is great.

1793
01:20:08,960 --> 01:20:09,519
Speaker 1: That was the one.

1794
01:20:11,320 --> 01:20:12,240
Speaker 4: How long ago is that.

1795
01:20:13,800 --> 01:20:17,840
Speaker 1: Year? Maybe four years going Bad with twenty nineteen, so yeah,

1796
01:20:17,880 --> 01:20:19,280
Speaker 1: three years, three years ago.

1797
01:20:20,479 --> 01:20:22,840
Speaker 4: Three years ago. And outside of it just being a

1798
01:20:22,840 --> 01:20:26,759
Speaker 4: good record, let's also give credit to the Drake stimulus

1799
01:20:26,760 --> 01:20:29,160
Speaker 4: package plus the moment of them coming back together. Yeah,

1800
01:20:29,160 --> 01:20:31,920
Speaker 4: that was that definitely added to the record outside of

1801
01:20:31,920 --> 01:20:35,280
Speaker 4: it actually being good song. Before Going Bad, what was

1802
01:20:35,600 --> 01:20:36,120
Speaker 4: his hit.

1803
01:20:38,000 --> 01:20:38,479
Speaker 1: Before that?

1804
01:20:38,680 --> 01:20:41,679
Speaker 4: It was the hit before that, Dangerous, which was great.

1805
01:20:42,040 --> 01:20:47,320
Speaker 4: Dangerous was fire. Yeah, it's been a while, man, I'll

1806
01:20:47,439 --> 01:20:49,920
Speaker 4: just be the one to say it as a Meek fan,

1807
01:20:50,040 --> 01:20:53,439
Speaker 4: it's been a fucking long time which he's been relevant

1808
01:20:53,560 --> 01:20:55,680
Speaker 4: music wise. Meek will always be relevant, but to Meek

1809
01:20:55,720 --> 01:20:58,720
Speaker 4: is a statement in the culture. But well, now he.

1810
01:20:58,640 --> 01:21:01,120
Speaker 1: Had twenty four to seven to Going Bad, with Lama

1811
01:21:01,360 --> 01:21:01,800
Speaker 1: and that was.

1812
01:21:01,800 --> 01:21:04,040
Speaker 2: In between twenty nineteen, same that the same album.

1813
01:21:04,080 --> 01:21:08,600
Speaker 4: Though, yeah, it's been a minute, so we can and

1814
01:21:08,640 --> 01:21:11,240
Speaker 4: I know things were difficult business wise, and it's tough

1815
01:21:11,240 --> 01:21:14,120
Speaker 4: to put out hits when your business is not correct.

1816
01:21:14,120 --> 01:21:17,439
Speaker 4: Me of problems with labels, I fully sympathize for that,

1817
01:21:17,760 --> 01:21:21,479
Speaker 4: but it's let's call a spade a spade. To some degree,

1818
01:21:22,000 --> 01:21:25,720
Speaker 4: he has not been relevant music wise in a minute.

1819
01:21:26,560 --> 01:21:30,479
Speaker 1: Since twenty nineteen LA twenty four seven, twenty nineteen, any.

1820
01:21:30,320 --> 01:21:32,479
Speaker 4: Factor in COVID factor and other things. Don't get me

1821
01:21:32,520 --> 01:21:34,960
Speaker 4: wrong business year. I hope this isn't coming across as

1822
01:21:34,960 --> 01:21:35,600
Speaker 4: hate and I love me.

1823
01:21:36,000 --> 01:21:37,160
Speaker 1: No, it's never, no, we don't.

1824
01:21:37,160 --> 01:21:39,479
Speaker 4: But as someone as someone that is so active and

1825
01:21:39,520 --> 01:21:41,880
Speaker 4: has been so active and is so voiicious, which I

1826
01:21:41,880 --> 01:21:44,280
Speaker 4: think he should be, and so much in the light

1827
01:21:44,320 --> 01:21:49,080
Speaker 4: in the camera, you can't ask questions about music, and

1828
01:21:49,120 --> 01:21:52,679
Speaker 4: you're not delivering music when you're outside that much. Sean Sean,

1829
01:21:52,720 --> 01:21:55,040
Speaker 4: on the other hand, shuts the fuck up and goes

1830
01:21:55,040 --> 01:21:58,000
Speaker 4: in his crib and chills. Just producers good put to music.

1831
01:21:58,400 --> 01:22:00,760
Speaker 4: So I if I were to be like, oh damn,

1832
01:22:00,760 --> 01:22:02,920
Speaker 4: Sean hasn't put something else since twenty nineteen. He also

1833
01:22:02,960 --> 01:22:05,839
Speaker 4: has not been seen since twenty nineteen, so it's different.

1834
01:22:06,920 --> 01:22:09,160
Speaker 4: So you can't just keep can't be talking this way

1835
01:22:09,680 --> 01:22:12,080
Speaker 4: and not deliver the music and question why it's not

1836
01:22:12,200 --> 01:22:14,280
Speaker 4: hitting well? Is the music good?

1837
01:22:15,360 --> 01:22:21,040
Speaker 1: Start there? Yeah? I think that. You know, again, we

1838
01:22:21,120 --> 01:22:23,280
Speaker 1: got to see what happens now, he's saying that his

1839
01:22:23,360 --> 01:22:27,200
Speaker 1: business is in order, he feels better, he's able to

1840
01:22:27,200 --> 01:22:30,240
Speaker 1: do the things that he wants to do. So again,

1841
01:22:30,400 --> 01:22:32,760
Speaker 1: is he adding a lot of expectations to this next

1842
01:22:32,840 --> 01:22:35,000
Speaker 1: drop with all of this, because now you're doing all

1843
01:22:35,040 --> 01:22:36,640
Speaker 1: of this, you tweeting all of this, and you know

1844
01:22:36,680 --> 01:22:38,320
Speaker 1: I'm able to do what I want and you know

1845
01:22:38,400 --> 01:22:40,519
Speaker 1: they were standing in the way of my creativity. The

1846
01:22:40,560 --> 01:22:42,479
Speaker 1: business was fucking me up. We understand how that goes.

1847
01:22:42,840 --> 01:22:45,360
Speaker 1: So now with all of that being clear and all

1848
01:22:45,360 --> 01:22:47,240
Speaker 1: of that being set up the way you wanted it

1849
01:22:47,280 --> 01:22:50,920
Speaker 1: to be, now with these next projects, in this next

1850
01:22:50,920 --> 01:22:54,400
Speaker 1: album and these mixtapes that you're ready to get into,

1851
01:22:54,920 --> 01:22:58,840
Speaker 1: if those don't sound good, what does that mean for me? Now?

1852
01:23:00,240 --> 01:23:02,320
Speaker 1: Because he's had that he had he has He's had

1853
01:23:02,360 --> 01:23:05,160
Speaker 1: more code signs than a lot of artists. I mean Ross,

1854
01:23:05,200 --> 01:23:08,799
Speaker 1: you know, t I one point Hove, Robert Kraft, everybody,

1855
01:23:09,120 --> 01:23:13,040
Speaker 1: Tom Brady, Nikki, Uh, you know, it's it's like fari,

1856
01:23:13,560 --> 01:23:15,840
Speaker 1: It's like, it's like, it's a lot of it's a

1857
01:23:15,840 --> 01:23:18,680
Speaker 1: lot of He's had a lot of you know, shoulders

1858
01:23:18,680 --> 01:23:21,960
Speaker 1: to and conversations to have with people that knew what

1859
01:23:21,960 --> 01:23:24,240
Speaker 1: the fuck they were talking about. He has the right relationships,

1860
01:23:24,240 --> 01:23:26,920
Speaker 1: He has access to a lot, a lot of things

1861
01:23:26,960 --> 01:23:29,439
Speaker 1: that other artists don't. So now if the music doesn't

1862
01:23:29,439 --> 01:23:32,920
Speaker 1: live up to these you know, the images and you

1863
01:23:32,960 --> 01:23:35,800
Speaker 1: know the social media hanging out here, you know, with

1864
01:23:35,880 --> 01:23:38,439
Speaker 1: these guys, and if the music doesn't live up to that, Now,

1865
01:23:38,479 --> 01:23:39,400
Speaker 1: what does that mean for me?

1866
01:23:40,479 --> 01:23:43,800
Speaker 4: I think it looks for the first time in a

1867
01:23:44,200 --> 01:23:47,840
Speaker 4: truthful way, would be the time to count him out.

1868
01:23:48,040 --> 01:23:49,840
Speaker 1: Count him out as far as you don't mention him

1869
01:23:49,880 --> 01:23:51,080
Speaker 1: with the Shawn's.

1870
01:23:50,720 --> 01:23:54,320
Speaker 4: The He's still He's still there because of his desography

1871
01:23:54,360 --> 01:23:57,479
Speaker 4: and everything that he's he's done. But Championships was so

1872
01:23:57,640 --> 01:24:03,639
Speaker 4: fucking good that when expensive, expensive pain came and flopped

1873
01:24:04,400 --> 01:24:07,240
Speaker 4: and wasn't good, it was like, all right, you could

1874
01:24:07,240 --> 01:24:10,120
Speaker 4: get you get one bad off like it's okay, And

1875
01:24:10,120 --> 01:24:12,599
Speaker 4: every artist got one that we just wasn't with. It's Okay,

1876
01:24:12,800 --> 01:24:14,400
Speaker 4: we know your track record, we know the type of

1877
01:24:14,400 --> 01:24:14,960
Speaker 4: shit you we.

1878
01:24:14,880 --> 01:24:16,040
Speaker 1: Told I'm moving forward from this.

1879
01:24:16,280 --> 01:24:18,360
Speaker 4: So but if you do another dud and you were

1880
01:24:18,360 --> 01:24:20,519
Speaker 4: blaming everything else on the bad business and now the

1881
01:24:20,520 --> 01:24:23,559
Speaker 4: business is okay, and then you flop again, Yes, that's

1882
01:24:23,800 --> 01:24:26,719
Speaker 4: it's talking about. Now you're putting yourself in a place

1883
01:24:26,720 --> 01:24:28,439
Speaker 4: where it possibly could be over. And I'm not saying

1884
01:24:28,479 --> 01:24:32,040
Speaker 4: that is going to happen, but yeah, that's why sometimes

1885
01:24:32,040 --> 01:24:35,200
Speaker 4: with these marketing plans, like what Puff is doing with

1886
01:24:35,439 --> 01:24:38,800
Speaker 4: his R and B dead, Yeah, it creates moments. But

1887
01:24:38,960 --> 01:24:42,920
Speaker 4: now you're putting yourself on a pedestal that you have

1888
01:24:43,000 --> 01:24:47,040
Speaker 4: to deliver with me now blaming Atlantic and that entire

1889
01:24:47,080 --> 01:24:51,120
Speaker 4: thing all right, now, now deliver the same way when

1890
01:24:51,200 --> 01:24:54,320
Speaker 4: Khaled does the most amazing marketing ever and then he

1891
01:24:54,360 --> 01:24:56,920
Speaker 4: puts himself so high up on this pedestal and the

1892
01:24:57,000 --> 01:25:00,439
Speaker 4: record is so much lower than that pedestal, it makes

1893
01:25:00,439 --> 01:25:03,040
Speaker 4: the marketing not even fucking worth it. Like, so, put

1894
01:25:03,040 --> 01:25:04,200
Speaker 4: you in a worst place.

1895
01:25:04,280 --> 01:25:06,400
Speaker 1: So you're saying you don't like the Believe record with

1896
01:25:06,520 --> 01:25:09,920
Speaker 1: Justin Timberlake because I know you were really going crazy

1897
01:25:09,920 --> 01:25:11,040
Speaker 1: and you found out about that feature.

1898
01:25:11,080 --> 01:25:12,760
Speaker 4: I don't even remember what that sounds like.

1899
01:25:13,600 --> 01:25:18,800
Speaker 1: I still believe, still believe used right, that is the record?

1900
01:25:18,880 --> 01:25:19,000
Speaker 4: Right?

1901
01:25:20,680 --> 01:25:22,360
Speaker 1: Is that the that's the same record, right, I believe?

1902
01:25:23,080 --> 01:25:23,320
Speaker 3: Yeah?

1903
01:25:24,000 --> 01:25:25,920
Speaker 1: I know they played it for like the playoffs. I

1904
01:25:25,920 --> 01:25:30,240
Speaker 1: think they that was like the NBA playoffs like record. Yeah,

1905
01:25:30,439 --> 01:25:32,599
Speaker 1: I think the All Star Game. The star lineups may

1906
01:25:32,640 --> 01:25:34,880
Speaker 1: have walked out to that record. Oh. They they pushed it,

1907
01:25:35,320 --> 01:25:36,599
Speaker 1: They tried to push it to us.

1908
01:25:41,280 --> 01:25:43,679
Speaker 4: Yeah, I remember that record.

1909
01:25:43,720 --> 01:25:45,040
Speaker 1: You don't look at yourself in the mirror when that

1910
01:25:45,080 --> 01:25:49,080
Speaker 1: comes on and like really like dive into like your

1911
01:25:49,080 --> 01:25:52,479
Speaker 1: psyche and who you are. It doesn't come this is Rory, Yeah,

1912
01:25:52,479 --> 01:25:54,880
Speaker 1: like this is this is Rory inside of here. This

1913
01:25:55,000 --> 01:25:56,760
Speaker 1: is just the vessel that I roamed the earthen but

1914
01:25:57,600 --> 01:25:58,479
Speaker 1: inside they don't know.

1915
01:25:58,439 --> 01:26:01,280
Speaker 4: What's the best. I roamed that off the off the

1916
01:26:01,439 --> 01:26:07,840
Speaker 4: justin Timberlake say you believe right, believe in yourself. That

1917
01:26:08,280 --> 01:26:10,080
Speaker 4: is terrible. What was that on?

1918
01:26:11,240 --> 01:26:11,519
Speaker 1: It was?

1919
01:26:11,680 --> 01:26:13,080
Speaker 2: It was a non album single?

1920
01:26:14,479 --> 01:26:16,160
Speaker 1: Oh yeah, it was for the NBA Playoffs.

1921
01:26:16,200 --> 01:26:18,080
Speaker 4: When you need when you when you need one, they'll

1922
01:26:18,120 --> 01:26:20,400
Speaker 4: throw a pop star and never mind forget it.

1923
01:26:20,479 --> 01:26:22,439
Speaker 1: Listen, make we love you. We just hope that this

1924
01:26:22,600 --> 01:26:26,320
Speaker 1: new music. These mixtapes these freestyles. Just get back to

1925
01:26:26,400 --> 01:26:28,720
Speaker 1: that meek ship man, Please just get back to that

1926
01:26:28,760 --> 01:26:30,880
Speaker 1: meet ship. That's all we want. We don't want nothing else.

1927
01:26:30,920 --> 01:26:33,080
Speaker 1: We just need meek Mill. That's it.

1928
01:26:34,320 --> 01:26:36,640
Speaker 2: That jump up and down on the couch music, that

1929
01:26:36,680 --> 01:26:38,439
Speaker 2: meet mil meeks like, that's what he makes you feel like,

1930
01:26:38,520 --> 01:26:39,200
Speaker 2: I want to jump off.

1931
01:26:39,400 --> 01:26:41,160
Speaker 1: Well, you jump up and down on the couch. It

1932
01:26:41,200 --> 01:26:44,760
Speaker 1: could be sharing ed, sharing could be blasting and she's

1933
01:26:44,800 --> 01:26:46,439
Speaker 1: jumping up and down on the couch. It doesn't matter.

1934
01:26:46,520 --> 01:26:47,840
Speaker 1: You just want a reason to just jump up and

1935
01:26:47,880 --> 01:26:49,639
Speaker 1: down on couches. The matters. We get it. We love

1936
01:26:49,640 --> 01:26:55,679
Speaker 1: you though, everybody. So she's too week Actually, yeah.

1937
01:26:55,560 --> 01:26:57,720
Speaker 4: I'm sure Dreams and I played at some point there.

1938
01:26:57,800 --> 01:27:03,080
Speaker 3: Yeah, seriously, it.

1939
01:27:03,000 --> 01:27:03,960
Speaker 4: Didn't make the album though.

1940
01:27:04,280 --> 01:27:05,559
Speaker 2: No, yeah, it didn't make that album.

1941
01:27:05,680 --> 01:27:06,639
Speaker 4: That should tell you something.

1942
01:27:09,040 --> 01:27:09,800
Speaker 1: Justin didn't clear it.

1943
01:27:11,080 --> 01:27:14,040
Speaker 4: No, it didn't work and it would have costed them

1944
01:27:14,040 --> 01:27:15,840
Speaker 4: more to put it on the album.

1945
01:27:16,160 --> 01:27:22,200
Speaker 1: So Justin Justin didn't said that was on all No, noah, fam,

1946
01:27:22,200 --> 01:27:24,160
Speaker 1: I'm gonna need that check for that feature you heard.

1947
01:27:24,600 --> 01:27:26,439
Speaker 1: I know we cool and all that, but I'm gonna

1948
01:27:26,439 --> 01:27:29,360
Speaker 1: need my duckets a sap h Jesus.

1949
01:27:29,400 --> 01:27:31,679
Speaker 4: Oh wow, you're definitely aging yourself with dunts.

1950
01:27:32,080 --> 01:27:34,040
Speaker 1: I mean, you know, Justin tim Blake still says ducats.

1951
01:27:34,080 --> 01:27:35,519
Speaker 1: You know that you've seen his.

1952
01:27:35,479 --> 01:27:37,080
Speaker 4: Hair think Justin severer Lake says duckets.

1953
01:27:37,160 --> 01:27:38,639
Speaker 1: Absolutely, you've seen his haircut.

1954
01:27:39,479 --> 01:27:40,720
Speaker 4: Well, which one Justin's went through?

1955
01:27:40,760 --> 01:27:43,960
Speaker 1: The new ones? No, I think he has a fade

1956
01:27:43,960 --> 01:27:46,960
Speaker 1: now he said again, Yeah, he has a fade.

1957
01:27:47,680 --> 01:27:49,639
Speaker 4: Oh wait, hold on, No one told me that Justin

1958
01:27:49,760 --> 01:27:54,120
Speaker 4: was trying to be back in the in the culture.

1959
01:27:55,479 --> 01:27:57,519
Speaker 4: You mean, well, he went, he went out to the

1960
01:27:57,560 --> 01:27:59,360
Speaker 4: woods and fucking made an awful album.

1961
01:27:59,400 --> 01:28:02,960
Speaker 1: He just went just wanted some smores, so you gotta go.

1962
01:28:02,960 --> 01:28:04,640
Speaker 4: On with he left it. He left the woods and

1963
01:28:04,760 --> 01:28:05,639
Speaker 4: went to the barber shop.

1964
01:28:06,600 --> 01:28:11,479
Speaker 1: Yeah, you know, Justin look good, fate, No, he's.

1965
01:28:11,320 --> 01:28:13,920
Speaker 2: Still looking still looking white.

1966
01:28:14,120 --> 01:28:18,000
Speaker 3: God, those dance I'm a fan of just simulating with that.

1967
01:28:18,720 --> 01:28:22,519
Speaker 1: Justin timl he dances like he's uh in Rewind. That was.

1968
01:28:24,200 --> 01:28:27,800
Speaker 4: That's fucking hilarious. Please clean myself. So this works well

1969
01:28:27,960 --> 01:28:31,439
Speaker 4: and that hits. He definitely dances like Rewind.

1970
01:28:31,640 --> 01:28:34,200
Speaker 1: Look at him, he looked like he walked in like

1971
01:28:34,240 --> 01:28:35,719
Speaker 1: that and they just reminded to take.

1972
01:28:37,920 --> 01:28:43,080
Speaker 4: Oh my god, Justin Timberlake is one of those white

1973
01:28:43,160 --> 01:28:48,120
Speaker 4: dancers that appears like he has rhythm, but if you

1974
01:28:48,120 --> 01:28:53,280
Speaker 4: start counting while he's dancing, you can't. He just like

1975
01:28:53,280 --> 01:28:57,439
Speaker 4: there's there's really no fluidity to anything. It's it's very counted.

1976
01:28:58,120 --> 01:28:59,960
Speaker 1: No, I mean, listen, Justine, that makes sense.

1977
01:29:00,080 --> 01:29:02,320
Speaker 4: My head go count. When you watch him dancing, he

1978
01:29:02,400 --> 01:29:04,080
Speaker 4: has it's very much robotic.

1979
01:29:04,600 --> 01:29:06,880
Speaker 1: He has rhythm, but it's like when you're a white

1980
01:29:06,920 --> 01:29:10,640
Speaker 1: boy with as well rhythm people it kind of like exaggerated,

1981
01:29:10,680 --> 01:29:12,920
Speaker 1: like oh my god, he's amazing on the dance floor.

1982
01:29:13,640 --> 01:29:15,800
Speaker 4: He has rhythm for sure, but I just feel like

1983
01:29:15,880 --> 01:29:17,960
Speaker 4: in his head he's like one, two three.

1984
01:29:19,040 --> 01:29:19,960
Speaker 1: You see him count, you can.

1985
01:29:19,880 --> 01:29:23,800
Speaker 4: See him one and two and three. Yeah, it's like

1986
01:29:24,200 --> 01:29:26,640
Speaker 4: that's how I think. That's how his dancing looks to me,

1987
01:29:27,920 --> 01:29:30,760
Speaker 4: Like in his in his in ear, it's not just

1988
01:29:30,800 --> 01:29:34,680
Speaker 4: the engineer in front of house. It's like the it's

1989
01:29:34,720 --> 01:29:39,400
Speaker 4: the choreographer. It's like one and two, cho now.

1990
01:29:41,240 --> 01:29:46,679
Speaker 1: And fall change step back in three and one were

1991
01:29:46,720 --> 01:29:47,160
Speaker 1: going from here.

1992
01:29:47,280 --> 01:29:51,800
Speaker 4: Everything Everything about his dancing looks like urban cotton eye Joe.

1993
01:29:51,800 --> 01:29:55,920
Speaker 4: To me, they goes, you're just in feature, buddy, that

1994
01:29:56,000 --> 01:29:56,800
Speaker 4: was never getting one.

1995
01:29:58,280 --> 01:30:00,479
Speaker 1: I thought the whites would unite the whites and the

1996
01:30:00,920 --> 01:30:03,160
Speaker 1: night they only unit when they see the blacks united.

1997
01:30:04,960 --> 01:30:06,920
Speaker 2: All right, what do you guys, Mark, what do you guys?

1998
01:30:07,160 --> 01:30:11,240
Speaker 4: Uh, we can go to Well. Speaking of Justin probably

1999
01:30:11,760 --> 01:30:14,080
Speaker 4: trying to get back in the culture, I'm sure he

2000
01:30:14,120 --> 01:30:14,920
Speaker 4: called Timberland.

2001
01:30:16,120 --> 01:30:18,320
Speaker 1: Oh yeah, you know, that's his uh, his ticket back

2002
01:30:18,320 --> 01:30:21,280
Speaker 1: in coming out there. Definitely, Timbler picked him up from

2003
01:30:21,280 --> 01:30:27,160
Speaker 1: the from from camp. He's like, Tim, I'm ready. He's like,

2004
01:30:27,200 --> 01:30:30,000
Speaker 1: you sure. He was like, yeah, I'm ready. You know.

2005
01:30:30,080 --> 01:30:34,240
Speaker 4: Tim answered that call three months after the Man in

2006
01:30:34,240 --> 01:30:36,600
Speaker 4: the Woods album, was like I was expecting this.

2007
01:30:37,880 --> 01:30:39,200
Speaker 1: I knew you'd be called.

2008
01:30:39,400 --> 01:30:40,439
Speaker 4: I knew you'd be back here.

2009
01:30:40,479 --> 01:30:43,760
Speaker 1: I'm already on my way. Justin's on the side of

2010
01:30:43,800 --> 01:30:46,720
Speaker 1: road with a sleeping bag. You didn't have to come

2011
01:30:46,720 --> 01:30:47,880
Speaker 1: out here for this, you know, you could have made

2012
01:30:47,920 --> 01:30:48,759
Speaker 1: smores in the house.

2013
01:30:50,040 --> 01:30:52,040
Speaker 4: Justin's gonna act on this next album. In Timberland that

2014
01:30:52,080 --> 01:30:54,040
Speaker 4: he was like one of the inner city kids that

2015
01:30:54,080 --> 01:30:57,760
Speaker 4: got busted out to camp. That's his Man in the

2016
01:30:57,760 --> 01:31:00,599
Speaker 4: Woods album, Like he's gonna act. He was a fresh

2017
01:31:00,640 --> 01:31:03,160
Speaker 4: air kid, like, yeah, man, I just went out I

2018
01:31:03,200 --> 01:31:04,840
Speaker 4: went out to the burbs for a bit. But I'm back.

2019
01:31:05,040 --> 01:31:07,559
Speaker 1: You don't think Justin Timerlake was a fresh air kid?

2020
01:31:07,800 --> 01:31:09,720
Speaker 4: No? I think his family probably took in a kid

2021
01:31:09,760 --> 01:31:11,920
Speaker 4: from the Fresh Air Funds. I don't think he was a.

2022
01:31:12,080 --> 01:31:13,840
Speaker 1: House They house some kids from the inner city.

2023
01:31:13,960 --> 01:31:16,120
Speaker 4: Do they have fresh Air Funds in like Nashville and

2024
01:31:16,120 --> 01:31:16,639
Speaker 4: other cities?

2025
01:31:17,800 --> 01:31:19,960
Speaker 1: Oh? I don't know. That's a good question. Is that

2026
01:31:20,040 --> 01:31:20,880
Speaker 1: just like a New York thing?

2027
01:31:21,360 --> 01:31:23,240
Speaker 4: I think I'm sure.

2028
01:31:23,120 --> 01:31:26,240
Speaker 1: They have other programs like that in other cities. That's

2029
01:31:26,240 --> 01:31:27,720
Speaker 1: a sick program when you think about it. Hey bring

2030
01:31:27,720 --> 01:31:29,160
Speaker 1: the kids from the ghetto and let them show them

2031
01:31:29,200 --> 01:31:31,479
Speaker 1: how we live for for a weekend and then send

2032
01:31:31,479 --> 01:31:31,880
Speaker 1: them back.

2033
01:31:32,120 --> 01:31:35,360
Speaker 4: The Fresh Air Fund is one of the sickest programs

2034
01:31:35,360 --> 01:31:42,800
Speaker 4: of all time. Can you pull up Mace's twenty four

2035
01:31:42,840 --> 01:31:43,559
Speaker 4: Hours to Live versus?

2036
01:31:43,560 --> 01:31:43,760
Speaker 3: Please?

2037
01:31:43,840 --> 01:31:44,080
Speaker 1: Why not?

2038
01:31:45,160 --> 01:31:47,320
Speaker 4: Everything Mace was talking about would have taken way more

2039
01:31:47,360 --> 01:31:51,360
Speaker 4: than twenty four hours.

2040
01:31:53,880 --> 01:31:56,679
Speaker 1: No, not necessarily. It was a lot of kids.

2041
01:31:56,800 --> 01:31:58,960
Speaker 4: Take white kids and throw them in the ghetto to

2042
01:31:59,160 --> 01:32:01,679
Speaker 4: show them what Christmas is like in twenty four hours?

2043
01:32:01,760 --> 01:32:03,799
Speaker 4: What month does he what's his record?

2044
01:32:04,640 --> 01:32:05,640
Speaker 1: And what hour is this?

2045
01:32:05,800 --> 01:32:05,880
Speaker 4: Like?

2046
01:32:05,920 --> 01:32:07,040
Speaker 1: How many hours you got left?

2047
01:32:08,240 --> 01:32:11,920
Speaker 4: Uh? All right, hold on, I do I do?

2048
01:32:11,960 --> 01:32:12,240
Speaker 3: All right?

2049
01:32:12,320 --> 01:32:13,760
Speaker 4: I have twenty four hours to lift I do shit

2050
01:32:13,880 --> 01:32:15,920
Speaker 4: like take kids from the ghetto, show them that they

2051
01:32:16,000 --> 01:32:18,360
Speaker 4: could have had if they never settle. Take every white

2052
01:32:18,439 --> 01:32:20,720
Speaker 4: kid from high last level, show them what Christmas is

2053
01:32:20,760 --> 01:32:22,400
Speaker 4: like grow up in the ghetto. If you can take

2054
01:32:22,479 --> 01:32:25,920
Speaker 4: every white kid from high last, high class level on

2055
01:32:26,000 --> 01:32:29,720
Speaker 4: Christmas to the ghetto, I just feel like twenty four

2056
01:32:29,760 --> 01:32:30,599
Speaker 4: hours isn't enough time.

2057
01:32:31,040 --> 01:32:33,360
Speaker 1: Well, I mean it's not that far fetched because everybody

2058
01:32:33,400 --> 01:32:35,360
Speaker 1: comes from you know, nice neighborhoods and go down to

2059
01:32:35,439 --> 01:32:37,760
Speaker 1: the city to Rockefeller Center during Christmas, come up town

2060
01:32:37,760 --> 01:32:39,559
Speaker 1: the hallm a little bit, just a little further Madison.

2061
01:32:39,720 --> 01:32:42,240
Speaker 4: Essentially, whenever the Christmas tree is lit at Rockefeller Center,

2062
01:32:42,320 --> 01:32:44,439
Speaker 4: we can just get a bunch of buses. Yeah, and

2063
01:32:44,520 --> 01:32:47,879
Speaker 4: but just getting throw them in there literally eighty blocks,

2064
01:32:48,000 --> 01:32:50,719
Speaker 4: like we got to go eighty blocks up Madison.

2065
01:32:51,080 --> 01:32:52,600
Speaker 1: And I promise you she is going to start to

2066
01:32:52,640 --> 01:32:55,200
Speaker 1: look very different, very different.

2067
01:32:55,680 --> 01:32:59,040
Speaker 4: I mean, I've been in Harlem during Christmas. It's a

2068
01:32:59,040 --> 01:33:00,000
Speaker 4: little more violent, but it's not.

2069
01:33:00,400 --> 01:33:02,200
Speaker 1: Dangerous, you know, very dangerous.

2070
01:33:02,280 --> 01:33:04,719
Speaker 4: They still sometimes put the little snowflake lights.

2071
01:33:04,840 --> 01:33:06,840
Speaker 1: Oh no, no, they try to make it look good

2072
01:33:06,840 --> 01:33:08,760
Speaker 1: on the eye. But you better have your ass out

2073
01:33:08,800 --> 01:33:09,880
Speaker 1: of they when them stores closed.

2074
01:33:10,560 --> 01:33:15,120
Speaker 4: Believe that fah Ma's just giving out blunts on his

2075
01:33:15,200 --> 01:33:19,080
Speaker 4: last twenty four hours. It's fucking hilarious to me. And

2076
01:33:19,080 --> 01:33:22,360
Speaker 4: then Kiss, my favorite bar on this whole shit. Kiss

2077
01:33:22,400 --> 01:33:24,559
Speaker 4: heard all that amazing shit that Mace was gonna do.

2078
01:33:25,240 --> 01:33:27,000
Speaker 4: And Kiss was like, Man, if I had twenty four

2079
01:33:27,040 --> 01:33:29,679
Speaker 4: hours to kick the bucket, fuck it. I'm just gonna

2080
01:33:29,720 --> 01:33:31,800
Speaker 4: go eat some fried chicken and drinking Nantucket. Not gonna

2081
01:33:31,800 --> 01:33:36,000
Speaker 4: stress himself out when his last twenty four I'll just listen, man,

2082
01:33:36,040 --> 01:33:38,080
Speaker 4: you want to go help everyone? Cool, Mace, I'll just

2083
01:33:38,080 --> 01:33:41,559
Speaker 4: give me a two piece in a side and a Nantucket.

2084
01:33:41,600 --> 01:33:41,920
Speaker 4: I'm good.

2085
01:33:41,960 --> 01:33:43,680
Speaker 1: I want to know who came up with this, Like

2086
01:33:43,760 --> 01:33:46,719
Speaker 1: who decided that this was going to be the direction

2087
01:33:46,840 --> 01:33:47,479
Speaker 1: of this record?

2088
01:33:47,680 --> 01:33:51,800
Speaker 4: You know, Puff gave the greatest speech ever in the

2089
01:33:51,800 --> 01:33:55,760
Speaker 4: studio of the deepest listen. But like, if you had

2090
01:33:55,920 --> 01:33:59,920
Speaker 4: twenty four left, you know I Puff would sell that. Yeah,

2091
01:34:00,000 --> 01:34:02,200
Speaker 4: it sounded like twenty yo, you had twenty four, Like

2092
01:34:02,240 --> 01:34:05,000
Speaker 4: that's all we got left on this earth? What would

2093
01:34:05,040 --> 01:34:08,439
Speaker 4: you do? Like, we gotta think about that. You know,

2094
01:34:08,520 --> 01:34:11,800
Speaker 4: he sold it that way.

2095
01:34:12,000 --> 01:34:12,360
Speaker 1: And it worked.

2096
01:34:12,400 --> 01:34:13,160
Speaker 4: It would have worked on me.

2097
01:34:13,600 --> 01:34:15,320
Speaker 1: Yeah, going in and start writing some ship.

2098
01:34:15,520 --> 01:34:17,040
Speaker 4: And then Black Rob was like, yeah, I'm a piss

2099
01:34:17,080 --> 01:34:23,920
Speaker 4: on dude. Puff probably gave.

2100
01:34:22,880 --> 01:34:25,759
Speaker 1: To live, fuck it, why not piss on somebody.

2101
01:34:25,760 --> 01:34:27,799
Speaker 4: I actually think Black Rob was probably the most honest

2102
01:34:27,840 --> 01:34:30,600
Speaker 4: in this entire record. Everyone else said a bunch of

2103
01:34:30,640 --> 01:34:31,240
Speaker 4: positive shit.

2104
01:34:31,840 --> 01:34:33,760
Speaker 1: Was like, because Black Rob probably felt like he only

2105
01:34:33,760 --> 01:34:36,679
Speaker 1: had twenty four hours left at some point in his life, pull.

2106
01:34:36,520 --> 01:34:38,639
Speaker 4: Out my dick and take a piss on the floor. Yeah,

2107
01:34:39,000 --> 01:34:40,400
Speaker 4: I would maybe do that on my last day.

2108
01:34:40,479 --> 01:34:42,320
Speaker 1: I do that when it's not my last day. I

2109
01:34:42,320 --> 01:34:43,080
Speaker 1: don't give a fuck.

2110
01:34:45,600 --> 01:34:47,439
Speaker 2: Juliane is asking what the boys would do in that

2111
01:34:47,520 --> 01:34:48,519
Speaker 2: last twenty four hours.

2112
01:34:48,520 --> 01:34:50,680
Speaker 1: Oh, man, First I would.

2113
01:34:50,439 --> 01:34:53,559
Speaker 2: Cry, please put it into a bar.

2114
01:34:53,920 --> 01:34:59,719
Speaker 1: Thanks. No, I would start with a cry, but murdered

2115
01:34:59,720 --> 01:35:04,960
Speaker 1: to you would kill someone one hundred percent who It

2116
01:35:05,120 --> 01:35:07,360
Speaker 1: definitely be murder you if you had twenty, if you

2117
01:35:07,439 --> 01:35:09,920
Speaker 1: knew you had twenty, if you were healthy and not

2118
01:35:10,040 --> 01:35:13,240
Speaker 1: like in the hospital, you have twenty four literally at midnight,

2119
01:35:13,800 --> 01:35:14,519
Speaker 1: it's a rap for.

2120
01:35:14,479 --> 01:35:16,720
Speaker 4: You, and you knew that, murder wouldn't be on your mind.

2121
01:35:16,920 --> 01:35:18,640
Speaker 5: No, no, why would I kill I don't have to

2122
01:35:18,640 --> 01:35:19,639
Speaker 5: deal with them once I'm going.

2123
01:35:19,680 --> 01:35:20,640
Speaker 2: Why am I going to murder me.

2124
01:35:20,960 --> 01:35:25,040
Speaker 4: No, because you're coming with me. Oh no, so you

2125
01:35:25,080 --> 01:35:25,519
Speaker 4: love you?

2126
01:35:25,720 --> 01:35:27,000
Speaker 2: Is what I feel like now?

2127
01:35:27,000 --> 01:35:28,320
Speaker 1: Because he want to he want to kill them in

2128
01:35:28,400 --> 01:35:30,160
Speaker 1: like the the ghost world too.

2129
01:35:30,400 --> 01:35:31,800
Speaker 3: Yeah, oh okay, got it.

2130
01:35:32,080 --> 01:35:33,519
Speaker 4: I don't know. There's no laws in the ghost world

2131
01:35:33,640 --> 01:35:34,320
Speaker 4: right that we know of.

2132
01:35:35,600 --> 01:35:36,439
Speaker 1: I've been there a few times.

2133
01:35:36,439 --> 01:35:38,000
Speaker 4: You don't act like y'all are just good at people.

2134
01:35:38,160 --> 01:35:40,920
Speaker 4: I just don't know if all right, I understand we're

2135
01:35:40,920 --> 01:35:41,479
Speaker 4: all amazing.

2136
01:35:41,520 --> 01:35:44,200
Speaker 1: At what hour are you killing somebody? What hour is

2137
01:35:44,360 --> 01:35:45,040
Speaker 1: like the first hour?

2138
01:35:45,200 --> 01:35:46,840
Speaker 2: Wake up at five am? I know you got twenty

2139
01:35:46,840 --> 01:35:47,680
Speaker 2: four hours.

2140
01:35:48,040 --> 01:35:51,280
Speaker 1: Here's the thing, Like, I'm dead tomorrow at five am tomorrow.

2141
01:35:51,640 --> 01:35:55,200
Speaker 4: I played a lot of grand theft authough, okay, In

2142
01:35:55,240 --> 01:35:57,479
Speaker 4: no way would I kill innocent people I have. I

2143
01:35:57,520 --> 01:36:00,080
Speaker 4: have two people in mind that would be murdered, and

2144
01:36:00,200 --> 01:36:02,519
Speaker 4: that I would do it early in the day, just

2145
01:36:02,560 --> 01:36:04,599
Speaker 4: so I could get five stars and see what would happen.

2146
01:36:05,360 --> 01:36:06,639
Speaker 3: That's nuts.

2147
01:36:06,720 --> 01:36:08,519
Speaker 4: I would spend my twenty four hours on the run,

2148
01:36:09,080 --> 01:36:11,559
Speaker 4: like it would be exciting wants I would. I would

2149
01:36:11,680 --> 01:36:13,920
Speaker 4: murder early, and I would call I would call in

2150
01:36:13,920 --> 01:36:16,320
Speaker 4: and snitch on myself, like, hey, there's two bodies right

2151
01:36:16,320 --> 01:36:18,080
Speaker 4: over there. My name's Rory Ferrell. This is my social

2152
01:36:18,080 --> 01:36:20,040
Speaker 4: security number, this is my I give you my location.

2153
01:36:20,800 --> 01:36:22,760
Speaker 4: Let's see how long I can last in my twenty

2154
01:36:22,800 --> 01:36:23,320
Speaker 4: four hours.

2155
01:36:23,360 --> 01:36:26,400
Speaker 1: You would catch two bodies in one day, and then

2156
01:36:26,400 --> 01:36:28,519
Speaker 1: they care it is my last day. But then they

2157
01:36:28,600 --> 01:36:31,920
Speaker 1: catch you and lock you up, and like what if

2158
01:36:31,920 --> 01:36:33,599
Speaker 1: they catch you like your last few hours in the cell?

2159
01:36:34,800 --> 01:36:37,559
Speaker 4: No, if I know, I'd kill myself if I got

2160
01:36:37,560 --> 01:36:39,800
Speaker 4: into you.

2161
01:36:40,400 --> 01:36:42,920
Speaker 1: I always knew you was crazy. Listen, I always knew

2162
01:36:42,920 --> 01:36:44,839
Speaker 1: you was crazy. But you tell yourself.

2163
01:36:45,840 --> 01:36:48,000
Speaker 4: All right, Okay, all right, let's go through the let's

2164
01:36:48,000 --> 01:36:50,280
Speaker 4: go through through the itinerary. Sure, all right, I find

2165
01:36:50,320 --> 01:36:51,280
Speaker 4: I wake up at eight am.

2166
01:36:51,400 --> 01:36:52,400
Speaker 1: Okay, you have breakfast.

2167
01:36:52,439 --> 01:36:56,600
Speaker 4: Someone says, hey, this is your last twenty four Yeah,

2168
01:36:56,760 --> 01:36:58,919
Speaker 4: you're gonna die at eight am tomorrow.

2169
01:36:59,040 --> 01:36:59,280
Speaker 1: Yeah.

2170
01:36:59,520 --> 01:37:03,439
Speaker 4: Yeah, I give myself some time. Maybe do some bacon,

2171
01:37:03,560 --> 01:37:07,120
Speaker 4: maybe a lot of bacon. Bacon, I would, I would

2172
01:37:07,120 --> 01:37:07,600
Speaker 4: eat a lot of it.

2173
01:37:07,680 --> 01:37:08,920
Speaker 1: Your blood pressure doesn't matter, right.

2174
01:37:08,960 --> 01:37:11,920
Speaker 4: I would. Bacon would be the first thought. I would

2175
01:37:12,000 --> 01:37:21,040
Speaker 4: probably start murdering around two pm. Okay, thinking too, because

2176
01:37:21,040 --> 01:37:23,280
Speaker 4: sometimes have you ever ate a pack of bacon? And

2177
01:37:23,520 --> 01:37:26,519
Speaker 4: never you never make a pack of bacon when you

2178
01:37:26,600 --> 01:37:28,240
Speaker 4: eat to much bacon, your stomach starts to hurt, so

2179
01:37:28,240 --> 01:37:29,559
Speaker 4: I have to I have to keep in mind that

2180
01:37:29,760 --> 01:37:33,360
Speaker 4: I may need a moment to lay down. So I'm

2181
01:37:33,360 --> 01:37:36,120
Speaker 4: thinking murder would happen around two pm, right after you're

2182
01:37:36,120 --> 01:37:37,720
Speaker 4: taking nap. Yeah, yeah, I love it.

2183
01:37:37,760 --> 01:37:39,840
Speaker 1: I'm well rested. Yeah yeah, you got You gotta have

2184
01:37:39,880 --> 01:37:40,920
Speaker 1: a lot of rest before you murder.

2185
01:37:41,160 --> 01:37:43,000
Speaker 2: I know he's dead ass, though I believe it.

2186
01:37:44,800 --> 01:37:47,800
Speaker 4: I would depend where they were in the scenario. But

2187
01:37:47,880 --> 01:37:50,679
Speaker 4: I mean, I listen, there's registered guns here. I would

2188
01:37:50,720 --> 01:37:53,480
Speaker 4: keep it simple. Let's I'm not like a sick, diabolical

2189
01:37:53,520 --> 01:37:55,479
Speaker 4: person where I want to torture anyone. No, I would just

2190
01:37:55,520 --> 01:37:56,559
Speaker 4: be quick, right to the head.

2191
01:37:57,400 --> 01:37:58,200
Speaker 1: There you go, got you?

2192
01:37:58,760 --> 01:38:00,800
Speaker 4: Well. I would want them to know with me though, Okay,

2193
01:38:00,800 --> 01:38:02,920
Speaker 4: so that's it wouldn't behind like I won, It would

2194
01:38:02,960 --> 01:38:04,080
Speaker 4: be facing forward.

2195
01:38:04,160 --> 01:38:04,400
Speaker 1: Okay.

2196
01:38:04,400 --> 01:38:08,439
Speaker 4: So that's two o'clock. So so I'm thinking by six

2197
01:38:08,520 --> 01:38:10,800
Speaker 4: you'd be done, depending if it was done in a

2198
01:38:10,800 --> 01:38:13,920
Speaker 4: public place and cameras and all that. By two thirty

2199
01:38:13,920 --> 01:38:16,040
Speaker 4: the cops would know, if not by three, I would

2200
01:38:16,080 --> 01:38:18,680
Speaker 4: I would call them okay and say that I did it.

2201
01:38:18,800 --> 01:38:21,400
Speaker 2: These people live in the Burroughs, Yes, and you live

2202
01:38:21,400 --> 01:38:23,600
Speaker 2: in Jersey City. Yes, so you actually wouldn't get to

2203
01:38:23,640 --> 01:38:24,280
Speaker 2: them till three.

2204
01:38:25,280 --> 01:38:27,400
Speaker 4: That's fair. With traffic, we do have to consider a

2205
01:38:27,439 --> 01:38:28,120
Speaker 4: factoring traffick.

2206
01:38:28,680 --> 01:38:31,320
Speaker 1: But spending an hour last twenty four in traffic is sick.

2207
01:38:31,760 --> 01:38:34,639
Speaker 1: I'm just, I'm just, I'm just listen. I'm just trying

2208
01:38:34,680 --> 01:38:35,880
Speaker 1: to help you out spending.

2209
01:38:35,560 --> 01:38:37,559
Speaker 6: That hour in traffic, so I should take take it off.

2210
01:38:38,200 --> 01:38:41,839
Speaker 6: I just, I mean, I know, but murder off your tenerary.

2211
01:38:42,000 --> 01:38:43,760
Speaker 6: But you got to think, have bacon, eat all the

2212
01:38:43,800 --> 01:38:45,840
Speaker 6: fucking bacon you want. I promise you that's fine.

2213
01:38:46,000 --> 01:38:48,400
Speaker 4: First of all, a pig, a pig died, was murdered

2214
01:38:48,400 --> 01:38:51,320
Speaker 4: for that to sit in traffic one hour and your

2215
01:38:51,400 --> 01:38:53,120
Speaker 4: last twenty four. But if you look at the way

2216
01:38:53,160 --> 01:38:55,400
Speaker 4: I planned it, when I'm eating the bacon is when

2217
01:38:55,479 --> 01:38:58,519
Speaker 4: rush hours, rush hours done by the time my bacon's

2218
01:38:58,520 --> 01:39:00,360
Speaker 4: stomach ache is over. Okay, so I can get to

2219
01:39:00,400 --> 01:39:03,160
Speaker 4: the boroughs in a relative time around to you.

2220
01:39:03,320 --> 01:39:05,320
Speaker 1: Shower or no stink ass all day?

2221
01:39:05,560 --> 01:39:06,360
Speaker 3: You die? Stink? Yes?

2222
01:39:07,360 --> 01:39:09,080
Speaker 4: Why usually shower before bed, so I don't know if

2223
01:39:09,080 --> 01:39:10,960
Speaker 4: I need I wouldn't need a shower, Okay, I would

2224
01:39:10,960 --> 01:39:12,200
Speaker 4: put on some cologne to murder.

2225
01:39:12,040 --> 01:39:14,360
Speaker 5: Though I feel like something you might wedding if somebody

2226
01:39:14,439 --> 01:39:16,040
Speaker 5: told you at eight am that today was your last

2227
01:39:16,080 --> 01:39:16,479
Speaker 5: day to live.

2228
01:39:16,800 --> 01:39:19,960
Speaker 4: That's why I gave this. I would cry first. So

2229
01:39:20,640 --> 01:39:21,640
Speaker 4: see I gave this saying it.

2230
01:39:21,720 --> 01:39:23,920
Speaker 1: I'm gonna cry, But then I'm gonna be like, all right,

2231
01:39:24,000 --> 01:39:26,120
Speaker 1: I gotta, I gotta just my last day. I'm doing

2232
01:39:26,240 --> 01:39:26,800
Speaker 1: a lot of shit.

2233
01:39:27,040 --> 01:39:29,799
Speaker 4: You know, I'm an Irish exit person. I'm not telling anyone.

2234
01:39:30,320 --> 01:39:32,200
Speaker 4: I'm not I'm not going to have my last moments

2235
01:39:32,200 --> 01:39:34,120
Speaker 4: with the family, say all the things I want to say.

2236
01:39:34,120 --> 01:39:36,640
Speaker 4: Now I'm out of here the way it should be.

2237
01:39:36,680 --> 01:39:38,519
Speaker 1: You wouldn't know. So if you had twenty fives lived,

2238
01:39:38,520 --> 01:39:41,760
Speaker 1: you wouldn't tell your mother. No, you wouldn't tell your father.

2239
01:39:42,360 --> 01:39:42,439
Speaker 4: No.

2240
01:39:43,120 --> 01:39:44,960
Speaker 2: Can you tell the people of this podcast like we

2241
01:39:45,040 --> 01:39:45,720
Speaker 2: have to because if.

2242
01:39:45,680 --> 01:39:47,800
Speaker 3: We come to work, but you just had a text

2243
01:39:47,880 --> 01:39:50,320
Speaker 3: in our group chat, Hey g'all, it's my last day.

2244
01:39:50,479 --> 01:39:52,559
Speaker 4: What a shitty way to spend your last day. What

2245
01:39:52,640 --> 01:39:54,800
Speaker 4: a sad fucking I gotta tell my mother I'm going

2246
01:39:54,880 --> 01:39:56,599
Speaker 4: to die. I don't want to spend my last day

2247
01:39:56,600 --> 01:39:57,960
Speaker 4: that way, but.

2248
01:39:57,920 --> 01:39:58,400
Speaker 1: You would rather.

2249
01:39:58,479 --> 01:39:59,200
Speaker 4: That's so sad.

2250
01:39:59,280 --> 01:40:01,479
Speaker 1: An entire pack a bacon, take a nap and then

2251
01:40:01,520 --> 01:40:02,160
Speaker 1: go kill somebody.

2252
01:40:02,200 --> 01:40:05,160
Speaker 4: Yes, okay, so you guys keep sucking on my itinerary

2253
01:40:05,200 --> 01:40:06,599
Speaker 4: three pm, I'm calling the cops.

2254
01:40:06,720 --> 01:40:08,479
Speaker 1: I'm not one of the right that you're coming too.

2255
01:40:09,680 --> 01:40:10,760
Speaker 1: I just had to make that as long as I'm

2256
01:40:10,760 --> 01:40:12,320
Speaker 1: not one of the people that you're coming to, because

2257
01:40:12,320 --> 01:40:14,000
Speaker 1: I'll make it easier. I'll just lay run and keep

2258
01:40:14,000 --> 01:40:14,880
Speaker 1: you on a run for all day.

2259
01:40:14,960 --> 01:40:17,240
Speaker 4: Like yeah, and now I think about it, I might

2260
01:40:17,240 --> 01:40:19,439
Speaker 4: call you for the unregistered pistols, but I'm gonna die anyway,

2261
01:40:19,520 --> 01:40:21,360
Speaker 4: so gosh, if it's registered in my name, fuck it.

2262
01:40:21,360 --> 01:40:21,800
Speaker 1: It's okay.

2263
01:40:22,120 --> 01:40:25,000
Speaker 4: By three pm, I call the cops. But at that

2264
01:40:25,160 --> 01:40:26,080
Speaker 4: point I think I.

2265
01:40:26,000 --> 01:40:28,639
Speaker 1: Would choose Wait, why would you call the cops?

2266
01:40:29,880 --> 01:40:33,000
Speaker 4: Because I'm out. I'm reliving my Grand Theft Auto fantasy.

2267
01:40:33,000 --> 01:40:34,640
Speaker 4: I want to have fa stars. I want like the

2268
01:40:34,680 --> 01:40:35,479
Speaker 4: Force after me.

2269
01:40:35,520 --> 01:40:37,439
Speaker 1: Okay, I gott okay.

2270
01:40:37,880 --> 01:40:42,040
Speaker 4: Now I would love to have that chase on the

2271
01:40:42,080 --> 01:40:46,760
Speaker 4: Grand Central or on the Jackie Grand Concourse, because I

2272
01:40:46,800 --> 01:40:48,680
Speaker 4: think that would just be fun. But I feel like

2273
01:40:48,720 --> 01:40:53,719
Speaker 4: innocent people may be hurt, Like imagine a Grand Theft

2274
01:40:53,720 --> 01:40:56,920
Speaker 4: auto ship on the FDR. People are dying. I don't

2275
01:40:56,920 --> 01:40:59,320
Speaker 4: want that to happen. So I think I would Turnpike

2276
01:40:59,360 --> 01:41:02,479
Speaker 4: has enough space I could do my OJ moment. You're

2277
01:41:02,640 --> 01:41:03,160
Speaker 4: on the TURNPI.

2278
01:41:03,240 --> 01:41:05,320
Speaker 1: You're not having an OJ moment on the turnpike at

2279
01:41:05,360 --> 01:41:08,720
Speaker 1: three thirty and a's way too many cars on the

2280
01:41:08,760 --> 01:41:09,479
Speaker 1: turnpike at that time.

2281
01:41:09,960 --> 01:41:13,680
Speaker 4: First of all, I have twenty four hours to live.

2282
01:41:13,720 --> 01:41:14,599
Speaker 1: Take the side streets.

2283
01:41:14,640 --> 01:41:18,839
Speaker 4: I am one hundred percent renting a fucking Lamborghini or something.

2284
01:41:21,040 --> 01:41:22,960
Speaker 2: This time he stressing me.

2285
01:41:23,080 --> 01:41:25,280
Speaker 4: And I'm a multi tasker on the way to the murder.

2286
01:41:25,320 --> 01:41:26,880
Speaker 1: And your card isn't working, so you have to sit

2287
01:41:26,880 --> 01:41:30,200
Speaker 1: on the phone with the bank for about forty minutes, Like.

2288
01:41:30,160 --> 01:41:32,639
Speaker 4: You can't spending my last twenty four hours with loyon

2289
01:41:32,720 --> 01:41:34,759
Speaker 4: on the phone, like, hey, can you tell Chase to

2290
01:41:35,000 --> 01:41:38,240
Speaker 4: let this transaction go through? I'm trying to murder someone.

2291
01:41:38,120 --> 01:41:41,519
Speaker 1: Later, Yeah, down at that last twenty four sounds but no,

2292
01:41:41,640 --> 01:41:41,960
Speaker 1: if the.

2293
01:41:42,280 --> 01:41:45,040
Speaker 4: If the cops ended up catching me and cornering me, yeah,

2294
01:41:45,040 --> 01:41:47,439
Speaker 4: I would kill myself. I'm about to die in three

2295
01:41:47,439 --> 01:41:49,679
Speaker 4: hours anyway, So no.

2296
01:41:49,600 --> 01:41:51,160
Speaker 1: That's not three hours. Used to have some time left?

2297
01:41:51,240 --> 01:41:55,720
Speaker 4: Yeah, And and I wouldn't want the cops to kill

2298
01:41:55,720 --> 01:41:57,800
Speaker 4: me because then Fox News would take it and be like, see,

2299
01:41:57,840 --> 01:42:00,639
Speaker 4: they kill white people too, so I wouldn't to contribute

2300
01:42:00,640 --> 01:42:00,920
Speaker 4: to that, to.

2301
01:42:00,920 --> 01:42:03,639
Speaker 1: Go to every time every time we want the joke.

2302
01:42:05,280 --> 01:42:08,000
Speaker 4: See that's my white and bress. Yeah no, no with

2303
01:42:08,120 --> 01:42:08,679
Speaker 4: a white face.

2304
01:42:09,520 --> 01:42:11,559
Speaker 1: Yeah that's twenty four hours. No, bro, you gotta rethink

2305
01:42:11,560 --> 01:42:13,719
Speaker 1: that I'm not mad at the bacon in the morning.

2306
01:42:13,720 --> 01:42:16,599
Speaker 1: Start your day with a whole fucking pack of bacon. Yeah,

2307
01:42:16,960 --> 01:42:20,560
Speaker 1: my last day, I'm eating all kind of burger, steaks, oxtail,

2308
01:42:20,640 --> 01:42:23,240
Speaker 1: all kind of shit. What you would get sick, LIZI, yeah,

2309
01:42:23,439 --> 01:42:25,360
Speaker 1: I'm shitting on myself and just walk outside. I don't

2310
01:42:25,360 --> 01:42:26,479
Speaker 1: get it's my last day.

2311
01:42:27,000 --> 01:42:28,640
Speaker 4: You killed me for sitting in traffic. You want to

2312
01:42:28,680 --> 01:42:30,040
Speaker 4: spend your twenty four hour on the bowl.

2313
01:42:30,160 --> 01:42:31,800
Speaker 1: No, I'm just saying I would know. I would shot

2314
01:42:31,800 --> 01:42:34,840
Speaker 1: outside somewhere. Who gives a fuck? I'm dead in sixteen hours.

2315
01:42:34,840 --> 01:42:37,040
Speaker 1: Who gives a fuck. I'll ship right here in front

2316
01:42:37,040 --> 01:42:40,120
Speaker 1: of your house, neighbor. I don't give a fuck. I'm

2317
01:42:40,160 --> 01:42:42,920
Speaker 1: out of here tomorrow. Like, who gives a fuck? Like

2318
01:42:43,080 --> 01:42:45,200
Speaker 1: Rory shit was like, I gotta sit in the car traffic,

2319
01:42:45,439 --> 01:42:46,479
Speaker 1: go rent a Lamborghini?

2320
01:42:46,880 --> 01:42:47,640
Speaker 4: What would you know?

2321
01:42:48,000 --> 01:42:49,840
Speaker 1: How sick of a guy? You gotta beat Like on

2322
01:42:49,880 --> 01:42:51,800
Speaker 1: my last three, I'm gonna go rent a Lamborghini.

2323
01:42:51,840 --> 01:42:55,280
Speaker 4: Man, I don't want that's sick. I think y'all areware that.

2324
01:42:55,800 --> 01:42:58,600
Speaker 1: Murder, Lamborghini not dying that murder.

2325
01:42:58,240 --> 01:42:59,880
Speaker 4: And luxury cars would not be at the top of

2326
01:43:00,040 --> 01:43:02,040
Speaker 4: mind if you have twenty four. I don't think y'all

2327
01:43:02,560 --> 01:43:02,880
Speaker 4: are that.

2328
01:43:02,920 --> 01:43:04,960
Speaker 2: Going to eat food and have sex. I'm not thinking

2329
01:43:05,000 --> 01:43:06,400
Speaker 2: about Yeah, Like, you ain't even get it.

2330
01:43:06,400 --> 01:43:07,080
Speaker 1: To that part yet.

2331
01:43:07,080 --> 01:43:11,360
Speaker 4: When do you have sex? I wouldn't You're not wrong.

2332
01:43:11,439 --> 01:43:13,280
Speaker 1: Your last day you want to you wouldn't want to

2333
01:43:13,320 --> 01:43:16,559
Speaker 1: take You don't want like three just beautiful five beautiful

2334
01:43:16,560 --> 01:43:18,439
Speaker 1: women in bed and you just going to town.

2335
01:43:19,680 --> 01:43:24,160
Speaker 4: No, because anytime I've had sex that I didn't really

2336
01:43:24,200 --> 01:43:26,920
Speaker 4: want to have, I regretted it afterwards. Now, revenge and

2337
01:43:27,040 --> 01:43:32,400
Speaker 4: murder I think would be a better way to spend it,

2338
01:43:32,439 --> 01:43:34,640
Speaker 4: because you're gonna be all right. You ever have post it?

2339
01:43:34,680 --> 01:43:36,559
Speaker 4: You don't. I don't know if I want post nut

2340
01:43:36,560 --> 01:43:40,599
Speaker 4: clarity on my last day. Sometimes post nutclarity is not cool.

2341
01:43:40,600 --> 01:43:42,240
Speaker 4: It's like, why did I do that? Why not go

2342
01:43:42,280 --> 01:43:42,600
Speaker 4: and do that?

2343
01:43:42,640 --> 01:43:44,360
Speaker 1: No, I don't think the post nut clarity works.

2344
01:43:44,520 --> 01:43:48,200
Speaker 4: Post murder clarity now they feel pretty fucking good.

2345
01:43:50,120 --> 01:43:52,479
Speaker 1: Okay, I see the thought behind it because you've never

2346
01:43:52,520 --> 01:43:54,200
Speaker 1: done it, you know, because he's never done it, he

2347
01:43:54,240 --> 01:43:56,280
Speaker 1: has an experience it, so he doesn't know. So it's like, oh,

2348
01:43:56,360 --> 01:43:58,000
Speaker 1: let me just see what this How I feel after

2349
01:43:58,000 --> 01:43:59,680
Speaker 1: I kill somebody? Okay.

2350
01:44:00,200 --> 01:44:02,400
Speaker 4: No, And it's not that on some American psycho shit.

2351
01:44:02,439 --> 01:44:03,920
Speaker 1: It's just like it's definitely on something.

2352
01:44:03,960 --> 01:44:06,200
Speaker 4: No, it's it's justice. You got what you got, what

2353
01:44:06,240 --> 01:44:06,920
Speaker 4: was coming to you?

2354
01:44:07,439 --> 01:44:08,840
Speaker 1: Are you going to kill somebody that you feel like

2355
01:44:08,840 --> 01:44:09,360
Speaker 1: deserves it?

2356
01:44:09,479 --> 01:44:12,240
Speaker 4: Two people that I would murder would deserve, in my opinion,

2357
01:44:12,360 --> 01:44:12,960
Speaker 4: to be murdered.

2358
01:44:13,040 --> 01:44:15,400
Speaker 1: Okay, got you, which is why.

2359
01:44:15,240 --> 01:44:18,120
Speaker 4: I don't create loss. But I believe that they should

2360
01:44:18,160 --> 01:44:22,280
Speaker 4: be murdered. And if they die today, I would say good.

2361
01:44:22,320 --> 01:44:25,160
Speaker 1: Got you? Okay, My twenty four hours to live would

2362
01:44:25,200 --> 01:44:26,080
Speaker 1: be a little more.

2363
01:44:26,160 --> 01:44:28,600
Speaker 4: And I know it's evolved all you therapy people, but

2364
01:44:29,000 --> 01:44:30,320
Speaker 4: so that's how I feel.

2365
01:44:30,320 --> 01:44:32,240
Speaker 1: We're only speaking if you have this is your last day,

2366
01:44:32,240 --> 01:44:33,679
Speaker 1: it doesn't all of that shit goes out the window.

2367
01:44:33,720 --> 01:44:35,840
Speaker 4: No. Actually, they could die today and I'd be happy.

2368
01:44:36,240 --> 01:44:40,720
Speaker 1: Oh you mean even if you weren't dying. Yes, Okay. No,

2369
01:44:40,760 --> 01:44:43,960
Speaker 1: I don't like them just to see if they did.

2370
01:44:47,320 --> 01:44:50,680
Speaker 1: And cheese demarus, I'm eating everything.

2371
01:44:51,240 --> 01:44:54,559
Speaker 4: Jay Z went to his enemy's funeral and said, looked

2372
01:44:54,560 --> 01:44:58,120
Speaker 4: at the casket, sarcastic, look at them still sleeping. Oh

2373
01:44:58,160 --> 01:45:00,680
Speaker 4: my god, always a fucking are human being?

2374
01:45:02,280 --> 01:45:05,200
Speaker 2: You yeah, yeah, you your ho.

2375
01:45:06,000 --> 01:45:07,559
Speaker 1: You just said you wanted to sit in traffic after

2376
01:45:07,560 --> 01:45:09,879
Speaker 1: you killed somebody, And I'm calling the cops on myself

2377
01:45:10,240 --> 01:45:12,200
Speaker 1: so y'all could come find me, yeah, so I could

2378
01:45:12,240 --> 01:45:12,519
Speaker 1: go out.

2379
01:45:12,880 --> 01:45:15,679
Speaker 4: You know what really sucked though, if this whatever person

2380
01:45:15,720 --> 01:45:17,559
Speaker 4: told me I was gonna die in twenty four hours

2381
01:45:17,640 --> 01:45:19,679
Speaker 4: and you ever watched that so raven or you too, yes,

2382
01:45:20,120 --> 01:45:25,280
Speaker 4: you know how like she got the revelations, but because

2383
01:45:25,280 --> 01:45:28,080
Speaker 4: she got the revelations, that actually created the revelation. The

2384
01:45:28,200 --> 01:45:31,559
Speaker 4: concept of that's the raven if anyone, Okay, what if

2385
01:45:32,640 --> 01:45:35,200
Speaker 4: I wasn't really gonna die, but because they told me this,

2386
01:45:36,200 --> 01:45:38,960
Speaker 4: then I then did everything and that's what killed me.

2387
01:45:39,320 --> 01:45:39,759
Speaker 3: Damn.

2388
01:45:41,400 --> 01:45:43,200
Speaker 4: Like someone said you're gonna die in twenty four hours,

2389
01:45:43,200 --> 01:45:44,320
Speaker 4: and then I go do the murder.

2390
01:45:44,320 --> 01:45:44,880
Speaker 1: I don't know how you.

2391
01:45:45,040 --> 01:45:46,519
Speaker 4: Then I do the cop yeah, I don't know that.

2392
01:45:46,560 --> 01:45:48,400
Speaker 4: I do the cop thing, and then the cops corner

2393
01:45:48,479 --> 01:45:49,840
Speaker 4: me and I'm like, well, I might as well shoot

2394
01:45:49,840 --> 01:45:52,160
Speaker 4: myself so they don't shoot me. And now I'm dead

2395
01:45:52,160 --> 01:45:53,040
Speaker 4: and I wasn't gonna die.

2396
01:45:54,520 --> 01:45:55,280
Speaker 1: That's fucked up.

2397
01:45:56,040 --> 01:45:58,559
Speaker 4: That's the that's the show. That's so raven and no

2398
01:45:58,560 --> 01:46:01,360
Speaker 4: one wants to fuck how dark that show really is.

2399
01:46:01,439 --> 01:46:04,000
Speaker 4: I totally understand why she went off the rocker and

2400
01:46:04,120 --> 01:46:08,200
Speaker 4: so did. Uh what's the other dude's name? Orlando Brown

2401
01:46:08,240 --> 01:46:12,080
Speaker 4: and Raven both have had their public moments after that show.

2402
01:46:12,120 --> 01:46:14,439
Speaker 4: If you look at the concept of the show they

2403
01:46:14,479 --> 01:46:15,640
Speaker 4: were on, it's that.

2404
01:46:15,720 --> 01:46:15,920
Speaker 2: Yeah.

2405
01:46:15,920 --> 01:46:16,840
Speaker 3: I would never want to see the thing.

2406
01:46:16,840 --> 01:46:18,800
Speaker 4: It's it's creating all the negative shit in your life.

2407
01:46:18,880 --> 01:46:21,000
Speaker 2: Yeah, I wouldn't want to see the future. It would

2408
01:46:21,040 --> 01:46:22,080
Speaker 2: drive me fucking insane.

2409
01:46:22,160 --> 01:46:24,800
Speaker 1: Yeah, Orlando Orlando Brown. I saw the old video him

2410
01:46:24,800 --> 01:46:27,000
Speaker 1: talking about when Puff gave him the ushi washy.

2411
01:46:28,560 --> 01:46:28,840
Speaker 4: Okay?

2412
01:46:28,920 --> 01:46:31,200
Speaker 1: Was that's what he said? But I know what he

2413
01:46:32,160 --> 01:46:35,760
Speaker 1: that's what he said he said, But this is this

2414
01:46:35,800 --> 01:46:37,800
Speaker 1: is what I'm saying Puff.

2415
01:46:38,400 --> 01:46:39,880
Speaker 4: I mean, was that his twenty four hours?

2416
01:46:39,960 --> 01:46:46,040
Speaker 1: No Puff? No Orlando Brown. He's I think he knows

2417
01:46:46,080 --> 01:46:54,559
Speaker 1: how to say things without actually saying like so. In

2418
01:46:54,600 --> 01:46:58,040
Speaker 1: the video he says, Yo, shout out the Puff. He

2419
01:46:58,080 --> 01:47:01,439
Speaker 1: gave me that. Now you can interpret that to be

2420
01:47:01,560 --> 01:47:04,040
Speaker 1: whatever you want to interpret it to be.

2421
01:47:04,200 --> 01:47:06,360
Speaker 4: We're not dancing on this podcast. He's suggesting that Puff

2422
01:47:06,439 --> 01:47:07,040
Speaker 4: sucked his dick.

2423
01:47:07,120 --> 01:47:10,120
Speaker 1: No, see, no, he wants he knows that people are

2424
01:47:10,240 --> 01:47:12,559
Speaker 1: are gonna think that I do do I exactly Well,

2425
01:47:12,600 --> 01:47:14,240
Speaker 1: I've never thought about it, but I don't think that

2426
01:47:14,320 --> 01:47:17,679
Speaker 1: Puff has performed for Latio in our mb And he's

2427
01:47:17,680 --> 01:47:20,559
Speaker 1: not saying it. That's not what he's saying. He just

2428
01:47:20,600 --> 01:47:23,519
Speaker 1: knows the way the internet works. People gonna take this video,

2429
01:47:23,560 --> 01:47:25,320
Speaker 1: take this clip, and they're gonna be like, oh he

2430
01:47:25,720 --> 01:47:26,479
Speaker 1: alleges that part.

2431
01:47:26,520 --> 01:47:27,519
Speaker 4: Well, then what was he saying?

2432
01:47:28,600 --> 01:47:30,120
Speaker 1: That's what I'm saying. He was just rambled. He just

2433
01:47:30,120 --> 01:47:33,120
Speaker 1: made up some fucking words. It just started rambling. It's like, yo,

2434
01:47:33,160 --> 01:47:35,840
Speaker 1: what are you saying right now? American Airlines orders twenty

2435
01:47:35,840 --> 01:47:39,639
Speaker 1: supersonic planes, Rory. This is especially good for us because

2436
01:47:39,960 --> 01:47:41,479
Speaker 1: it says that now we can get from LA to

2437
01:47:41,520 --> 01:47:45,720
Speaker 1: New York in three hours as opposed to five.

2438
01:47:46,280 --> 01:47:49,240
Speaker 4: Yeah, I don't want to go super sonic. Give me

2439
01:47:49,240 --> 01:47:51,840
Speaker 4: there in five. No, you never forget shoot for just

2440
01:47:51,880 --> 01:47:52,960
Speaker 4: to shave off two hours?

2441
01:47:53,000 --> 01:47:55,599
Speaker 3: No, okay, Yeah, I wonder how much extion.

2442
01:47:55,720 --> 01:47:57,880
Speaker 4: Now, if you were to say forty five minutes, cool,

2443
01:47:57,920 --> 01:47:59,760
Speaker 4: I'll take the risk to do the supersonic shit.

2444
01:48:00,200 --> 01:48:04,160
Speaker 1: But so taking two hours off of a trip isn't

2445
01:48:04,200 --> 01:48:04,720
Speaker 1: worth it for you?

2446
01:48:05,320 --> 01:48:09,080
Speaker 4: Yeah, I'd rather go the safe for five hundred miles

2447
01:48:09,080 --> 01:48:09,800
Speaker 4: per hour route.

2448
01:48:10,360 --> 01:48:12,160
Speaker 3: You don't think super sonic would be safe?

2449
01:48:13,400 --> 01:48:18,559
Speaker 1: No, right, exactly, he said, the super Sonic isn't safe,

2450
01:48:18,560 --> 01:48:20,320
Speaker 1: but he would get on the flight from the Ella

2451
01:48:20,400 --> 01:48:21,799
Speaker 1: to New York that is forty five minutes.

2452
01:48:22,000 --> 01:48:24,840
Speaker 4: Yes, because I think that's I think it's all makes

2453
01:48:24,880 --> 01:48:25,559
Speaker 4: sense in my head.

2454
01:48:25,880 --> 01:48:28,840
Speaker 1: No, I'm sure it does. That's Ted Bundy said, the

2455
01:48:28,840 --> 01:48:31,639
Speaker 1: safe thing. It all made sense in my head.

2456
01:48:31,680 --> 01:48:33,679
Speaker 4: First of all. First of all, she deserved it. First

2457
01:48:33,680 --> 01:48:37,639
Speaker 4: of all. Charming man, very charming, very handsome too. Yeah,

2458
01:48:39,120 --> 01:48:43,240
Speaker 4: talk about he was handsome. Zach Efron played him. It's

2459
01:48:43,240 --> 01:48:43,960
Speaker 4: a handsome man.

2460
01:48:46,640 --> 01:48:46,960
Speaker 2: Okay.

2461
01:48:47,600 --> 01:48:52,280
Speaker 4: Anyways, I let the whites fight for their heroes. I

2462
01:48:52,320 --> 01:48:53,680
Speaker 4: really don't know what Ted Bundy looked like. I just

2463
01:48:53,720 --> 01:48:55,479
Speaker 4: know that zach Efron played him and that he got mad.

2464
01:48:55,520 --> 01:48:57,720
Speaker 1: Bitches, Ted Bundy was not a Ted Bundy got mad.

2465
01:48:57,960 --> 01:48:59,320
Speaker 1: Look at that guy.

2466
01:49:00,120 --> 01:49:01,280
Speaker 3: I mean, I'm sure they did.

2467
01:49:01,720 --> 01:49:02,479
Speaker 1: They did him a favor.

2468
01:49:02,560 --> 01:49:04,280
Speaker 4: Let I mean, you don't know the filter.

2469
01:49:04,720 --> 01:49:05,320
Speaker 1: The filter.

2470
01:49:06,680 --> 01:49:08,559
Speaker 3: I'm sure at that time you know that ship was.

2471
01:49:08,960 --> 01:49:10,320
Speaker 4: Look at that head of hair. What are you talking

2472
01:49:10,320 --> 01:49:11,160
Speaker 4: about that ahead of it?

2473
01:49:11,200 --> 01:49:13,000
Speaker 1: That's all it takes for white guys to be handsome.

2474
01:49:13,400 --> 01:49:16,120
Speaker 1: I have a full head of hair, okay, but without

2475
01:49:16,160 --> 01:49:18,439
Speaker 1: the rest of your forehead and face, sir, he looked

2476
01:49:18,439 --> 01:49:20,599
Speaker 1: like a fucking big toe without the nail on it.

2477
01:49:23,439 --> 01:49:25,720
Speaker 7: But you have a full head of hair. You look

2478
01:49:25,760 --> 01:49:29,200
Speaker 7: like a ninja turtle. Without the bandana, but full head

2479
01:49:29,240 --> 01:49:33,120
Speaker 7: of hair. You look like spoiled milk. But you full

2480
01:49:33,120 --> 01:49:35,120
Speaker 7: head of hair, So.

2481
01:49:36,360 --> 01:49:38,400
Speaker 4: All right, I take it back. He must have been

2482
01:49:38,479 --> 01:49:43,320
Speaker 4: really fucking charming. Then how did he get that? I

2483
01:49:43,320 --> 01:49:45,080
Speaker 4: thought he looked like zac Efron. I was like, oh, yeah,

2484
01:49:45,120 --> 01:49:46,519
Speaker 4: he was just showing up to the bar, and.

2485
01:49:46,560 --> 01:49:49,679
Speaker 1: Which is like they did him a favor letting zach

2486
01:49:49,720 --> 01:49:52,000
Speaker 1: Efron play him in a fucking bio pic.

2487
01:49:52,400 --> 01:49:54,000
Speaker 4: Yo, his jokes must have been hitting.

2488
01:49:54,800 --> 01:49:56,760
Speaker 1: No, he probably you know, you know those ugly white guys.

2489
01:49:56,760 --> 01:49:59,920
Speaker 1: He's not a cook. He knows about art. He spent

2490
01:50:00,280 --> 01:50:01,200
Speaker 1: a winter and shot.

2491
01:50:01,360 --> 01:50:03,200
Speaker 4: I feel like like you're describing me.

2492
01:50:04,200 --> 01:50:06,400
Speaker 1: Yeah, you know, white guys just like art, you know,

2493
01:50:06,520 --> 01:50:09,280
Speaker 1: they do. They put all the bells and whistles around you.

2494
01:50:09,280 --> 01:50:11,400
Speaker 1: You know what I mean. They're into music, you know

2495
01:50:11,439 --> 01:50:14,639
Speaker 1: what that is, buy nice couches so so me. They

2496
01:50:14,640 --> 01:50:16,400
Speaker 1: know how to explain the autom like this ottoman was

2497
01:50:16,400 --> 01:50:17,599
Speaker 1: flown in. It's weird.

2498
01:50:17,600 --> 01:50:19,120
Speaker 4: It really feels like you're describing me.

2499
01:50:20,280 --> 01:50:22,599
Speaker 1: That's what it is. White guys just know a lot

2500
01:50:22,600 --> 01:50:25,160
Speaker 1: of things about stuff, and they have conversations about women

2501
01:50:25,200 --> 01:50:27,200
Speaker 1: that don't know anything about what the fuck they're talking about,

2502
01:50:27,479 --> 01:50:29,120
Speaker 1: and then before you know it, they got a fucking

2503
01:50:29,160 --> 01:50:29,679
Speaker 1: butcher knife.

2504
01:50:29,760 --> 01:50:30,920
Speaker 4: Are you saying I'm a courser.

2505
01:50:31,760 --> 01:50:33,840
Speaker 1: No, I'm saying that you're just falling in line with

2506
01:50:33,920 --> 01:50:38,120
Speaker 1: the ancestors, with your ancestors and forefathers on Patreon.

2507
01:50:38,360 --> 01:50:40,400
Speaker 4: Can we look up the definition of course and have

2508
01:50:40,439 --> 01:50:46,120
Speaker 4: a conversation about it? Yes, okay, because sometimes I'm not coursing.

2509
01:50:46,160 --> 01:50:49,920
Speaker 4: Sometimes you're just stupid, so.

2510
01:50:49,840 --> 01:50:51,559
Speaker 1: You don't know wish to keep that or not, So

2511
01:50:51,640 --> 01:50:52,520
Speaker 1: you wouldn't.

2512
01:50:54,640 --> 01:50:57,280
Speaker 4: So the supersonic shit. Yes, I know you guys think

2513
01:50:57,280 --> 01:50:59,479
Speaker 4: I'm crazy by saying I wouldn't do it if it

2514
01:50:59,560 --> 01:51:02,200
Speaker 4: just shaved two hours, if it was forty five minutes.

2515
01:51:02,240 --> 01:51:05,000
Speaker 4: It would make me think that technology was worth the

2516
01:51:05,080 --> 01:51:06,880
Speaker 4: risks to figure out, because now it's like, I could

2517
01:51:06,920 --> 01:51:08,559
Speaker 4: get to LA and forty five minutes. That's crazy.

2518
01:51:08,680 --> 01:51:11,599
Speaker 3: Shaving two hours off of flight is kind of insane.

2519
01:51:11,880 --> 01:51:13,360
Speaker 4: That's a big five hour flight.

2520
01:51:13,400 --> 01:51:15,519
Speaker 1: It's a big that would make it three hours. It's

2521
01:51:15,520 --> 01:51:18,120
Speaker 1: a big difference. Rory's crazy. He just said he doesn't

2522
01:51:18,160 --> 01:51:19,840
Speaker 1: want to do that to be safe, but he'll get

2523
01:51:19,880 --> 01:51:21,599
Speaker 1: on a forty five minute flight from here lay.

2524
01:51:21,479 --> 01:51:24,439
Speaker 4: With no mask. Now you really.

2525
01:51:24,320 --> 01:51:28,559
Speaker 1: Living on the edge no mask. I'm I'm I don't know.

2526
01:51:28,760 --> 01:51:30,400
Speaker 4: Whatever happened? What was the name of those planes?

2527
01:51:30,840 --> 01:51:30,960
Speaker 2: Uh?

2528
01:51:32,120 --> 01:51:34,759
Speaker 4: I fucking started with a C. I think the continent

2529
01:51:34,880 --> 01:51:38,759
Speaker 4: the Yeah, the Continental Concords. Whatever happened in those planes?

2530
01:51:39,040 --> 01:51:41,720
Speaker 1: They they discontinued them, but they're they're trying to bring

2531
01:51:41,720 --> 01:51:42,080
Speaker 1: them back.

2532
01:51:42,560 --> 01:51:44,240
Speaker 4: They used to go Why did they discontinue them?

2533
01:51:44,240 --> 01:51:44,479
Speaker 3: Though?

2534
01:51:46,000 --> 01:51:48,000
Speaker 1: Yeah, these are these are like the newer version of

2535
01:51:48,040 --> 01:51:49,120
Speaker 1: the concords.

2536
01:51:50,640 --> 01:51:53,400
Speaker 4: Oh, they typed in Concord plane and disaster was the

2537
01:51:53,400 --> 01:51:55,080
Speaker 4: first thing that came up, So of course things must

2538
01:51:55,120 --> 01:51:55,759
Speaker 4: have been crashing.

2539
01:51:56,400 --> 01:52:05,400
Speaker 3: WHOA right, Okay, great, you bring up its final flight article.

2540
01:52:08,560 --> 01:52:11,519
Speaker 1: No, it was October twenty fourth, two thousand, two thousand

2541
01:52:11,520 --> 01:52:14,080
Speaker 1: and three. That was the last time that the Concord

2542
01:52:14,080 --> 01:52:16,200
Speaker 1: made a flight from New York to London.

2543
01:52:17,520 --> 01:52:21,479
Speaker 4: So all right your flight. These existed for a while though, right, Yeah,

2544
01:52:21,479 --> 01:52:27,720
Speaker 4: Concours absolutely so they fucked them up. Mad people died,

2545
01:52:27,760 --> 01:52:29,040
Speaker 4: So now we're going to try to bring them back

2546
01:52:29,080 --> 01:52:31,519
Speaker 4: for two extra hours in our lives.

2547
01:52:31,520 --> 01:52:32,880
Speaker 1: Why do you keep saying mad? Why do you keep

2548
01:52:32,920 --> 01:52:33,720
Speaker 1: saying mad people died?

2549
01:52:33,920 --> 01:52:36,040
Speaker 4: All it was was disaster, crash, crash, crash.

2550
01:52:37,200 --> 01:52:39,439
Speaker 1: I don't know if they had any flights crash.

2551
01:52:39,720 --> 01:52:42,760
Speaker 5: It's saying one of the issues that negatively affected the

2552
01:52:42,840 --> 01:52:44,799
Speaker 5: success of Concord was the cost of fuel.

2553
01:52:45,360 --> 01:52:48,120
Speaker 1: Yeah, Little Roy just got people dying on Concord.

2554
01:52:48,400 --> 01:52:50,800
Speaker 4: We talking gas prices is the craziest they've ever been.

2555
01:52:50,840 --> 01:52:53,719
Speaker 4: We're gonna bring the Concords back, thanks Joe Biden.

2556
01:52:53,880 --> 01:52:57,200
Speaker 1: Restricted we did it over That's what they were talking about.

2557
01:52:57,560 --> 01:52:59,640
Speaker 5: You said what they were only allowed to go supersonic

2558
01:52:59,680 --> 01:53:01,880
Speaker 5: over the ocean because it sent a shockwave into the

2559
01:53:01,920 --> 01:53:04,360
Speaker 5: air strong enough to shatter glass if it went over

2560
01:53:04,479 --> 01:53:05,799
Speaker 5: densely populated areas.

2561
01:53:05,920 --> 01:53:07,560
Speaker 3: Yeah, they went super sonic.

2562
01:53:07,600 --> 01:53:09,479
Speaker 2: Yeah, causing huge headaches for the airline.

2563
01:53:09,479 --> 01:53:11,720
Speaker 1: I so Maverick with Tom Cruise. I get it. I

2564
01:53:11,720 --> 01:53:12,720
Speaker 1: don't know how fast they were going.

2565
01:53:13,800 --> 01:53:15,599
Speaker 4: Oh I see, I see what Biden's trying to do.

2566
01:53:15,640 --> 01:53:18,679
Speaker 4: All those flyover states that voted for Trump. We're about

2567
01:53:18,720 --> 01:53:22,960
Speaker 4: to shatter every window with these planes. Headaches, Well, enjoy

2568
01:53:23,000 --> 01:53:23,840
Speaker 4: your glass.

2569
01:53:23,760 --> 01:53:25,480
Speaker 1: Fly of all the Red states.

2570
01:53:25,080 --> 01:53:28,120
Speaker 4: Exactly that New York to LA is just mad Trump

2571
01:53:28,200 --> 01:53:30,760
Speaker 4: votes that you fly over. Let's just shatter all the

2572
01:53:30,800 --> 01:53:33,600
Speaker 4: glass in their house. I think this is gonna be

2573
01:53:33,640 --> 01:53:36,080
Speaker 4: I think that's a great strates.

2574
01:53:36,520 --> 01:53:38,479
Speaker 1: I think it's gonna be good for American airlines, though.

2575
01:53:40,240 --> 01:53:42,160
Speaker 4: They're already not my favorite airline. I think they have

2576
01:53:42,200 --> 01:53:46,519
Speaker 4: other issues besides the two extra hours, because most of

2577
01:53:46,560 --> 01:53:49,080
Speaker 4: their planes do feel very much nineteen ninety.

2578
01:53:49,160 --> 01:53:50,960
Speaker 1: Yeah, they have a lot of old whole lot of

2579
01:53:50,960 --> 01:53:51,920
Speaker 1: old planes for sure.

2580
01:53:53,000 --> 01:53:54,720
Speaker 4: All Right, we'll see what the super sonic shit.

2581
01:53:55,760 --> 01:54:00,439
Speaker 1: The Lakers are retiring Palagosol's jersey. Congratulations to Palagosol. That uh,

2582
01:54:00,479 --> 01:54:03,000
Speaker 1: that duo with him and Kobe don't get talked about

2583
01:54:03,120 --> 01:54:06,879
Speaker 1: recognized enough when you talk about duos and championship histories.

2584
01:54:07,040 --> 01:54:08,400
Speaker 4: Very sure so.

2585
01:54:08,320 --> 01:54:12,639
Speaker 1: Saluted Palgasol in a great career. I love the way

2586
01:54:12,680 --> 01:54:14,880
Speaker 1: he stepped in, you know, with the with the Bryant

2587
01:54:14,920 --> 01:54:17,640
Speaker 1: family after Kobe's and timely passing and his daughter and

2588
01:54:17,680 --> 01:54:21,040
Speaker 1: everybody else on that helicopter that day. Palagasol has you know,

2589
01:54:21,800 --> 01:54:25,479
Speaker 1: always been close to the Bryant family. But uh, from

2590
01:54:25,479 --> 01:54:28,360
Speaker 1: what you know, we see with Vanessa posting now these days,

2591
01:54:28,360 --> 01:54:30,799
Speaker 1: like power is still there. He's still being a figure

2592
01:54:30,880 --> 01:54:33,920
Speaker 1: in their life. He hasn't. You know, sometimes it's hard

2593
01:54:33,920 --> 01:54:36,600
Speaker 1: for people to stay around, and you know, people say, oh,

2594
01:54:36,680 --> 01:54:39,200
Speaker 1: hold the family down while you're going that last four years, right,

2595
01:54:39,680 --> 01:54:41,800
Speaker 1: and then you know they disappear and phase out. But

2596
01:54:42,240 --> 01:54:44,920
Speaker 1: pal Gasol is being a great, great friend, a great brother,

2597
01:54:45,000 --> 01:54:47,640
Speaker 1: and a great uncle. So saluted to Pagosol in a

2598
01:54:47,640 --> 01:54:50,680
Speaker 1: great career with the Lakers and having his jersey retired.

2599
01:54:51,440 --> 01:54:56,200
Speaker 4: Quietly, I think will be first ballot Hall of Fame

2600
01:54:57,000 --> 01:55:00,080
Speaker 4: for sure, But like one of the quiet players like that,

2601
01:55:00,160 --> 01:55:02,560
Speaker 4: one would think off rip that he should be first

2602
01:55:02,560 --> 01:55:04,280
Speaker 4: ballot right away until you look at his stats and

2603
01:55:04,280 --> 01:55:06,720
Speaker 4: then it's like, oh, yeah, he's better the players that

2604
01:55:06,760 --> 01:55:07,360
Speaker 4: we revere.

2605
01:55:08,080 --> 01:55:09,840
Speaker 1: Yeah, he's he's he's a he's a first ballot Hall

2606
01:55:09,880 --> 01:55:14,720
Speaker 1: of Famer. He's his career in Spain, his career in NBA,

2607
01:55:16,240 --> 01:55:18,040
Speaker 1: he's definitely had a Hall of Fame career without a doubt.

2608
01:55:18,080 --> 01:55:21,360
Speaker 1: He's not a diplomat though, so uh No, Cam didn't

2609
01:55:21,400 --> 01:55:22,280
Speaker 1: give him a change, so.

2610
01:55:22,720 --> 01:55:23,680
Speaker 4: Nor did Dennis Robin.

2611
01:55:23,840 --> 01:55:27,040
Speaker 1: Yeah, Dennis Robin is going to rush you to discuss uh.

2612
01:55:27,080 --> 01:55:30,680
Speaker 4: An American American diplomat, Dennis Robin. Make sure you put.

2613
01:55:30,600 --> 01:55:34,680
Speaker 1: American diplomat Dennis Robin. Yeah.

2614
01:55:35,240 --> 01:55:40,440
Speaker 4: Hall of Famer, American diplomat legend Dennis Robin.

2615
01:55:40,680 --> 01:55:42,560
Speaker 1: Yeah.

2616
01:55:42,920 --> 01:55:45,560
Speaker 4: Did I know? We give Wayne a lot of credit

2617
01:55:45,600 --> 01:55:47,680
Speaker 4: for how all these rappers look now? But is it

2618
01:55:47,720 --> 01:55:48,480
Speaker 4: really Dennis.

2619
01:55:48,240 --> 01:55:51,600
Speaker 1: Robin that that that started having just.

2620
01:55:51,520 --> 01:55:53,560
Speaker 4: Then the look of what hip hop is now? Is

2621
01:55:53,600 --> 01:55:54,320
Speaker 4: it Dennis Robin?

2622
01:55:54,760 --> 01:55:57,960
Speaker 1: I mean the drug He look drugged out, everything.

2623
01:55:57,760 --> 01:55:59,280
Speaker 4: Just everything that Dennis looks like.

2624
01:55:59,480 --> 01:56:01,640
Speaker 1: If you would have been two more nights in Atlantic City,

2625
01:56:01,640 --> 01:56:02,440
Speaker 1: that's what you would have looked like.

2626
01:56:03,440 --> 01:56:05,720
Speaker 4: It doesn't take long to look like that was in

2627
01:56:05,720 --> 01:56:06,880
Speaker 4: the air. I could.

2628
01:56:07,160 --> 01:56:09,000
Speaker 1: That's three nights in Atlantic City and you look like

2629
01:56:09,040 --> 01:56:12,040
Speaker 1: Dennis Robin. You got out of there just in time.

2630
01:56:12,680 --> 01:56:15,000
Speaker 1: That was definitely a proud boy photo. Y'all took yellow

2631
01:56:15,040 --> 01:56:17,720
Speaker 1: like yellow like some proud boys. Y'all would proudly be

2632
01:56:17,720 --> 01:56:19,480
Speaker 1: Americans in Atlantic City that day.

2633
01:56:19,520 --> 01:56:21,560
Speaker 4: Everyone in that photo knows what the inside of the

2634
01:56:21,560 --> 01:56:24,839
Speaker 4: Capitol Building looks like.

2635
01:56:26,840 --> 01:56:31,200
Speaker 1: Yo, man, listen, We're going on tour. We're coming to

2636
01:56:31,200 --> 01:56:34,560
Speaker 1: a city near you soon. Hopefully get tickets now at

2637
01:56:34,560 --> 01:56:39,080
Speaker 1: New roryenmall dot com. We'll be in Chicago September eighteen,

2638
01:56:40,240 --> 01:56:42,080
Speaker 1: and I'm not sure where we're after that.

2639
01:56:43,080 --> 01:56:45,240
Speaker 4: I believe Russia is our next lot.

2640
01:56:45,040 --> 01:56:47,040
Speaker 1: Shot, but we definitely won't be going to Russia. I

2641
01:56:47,080 --> 01:56:49,680
Speaker 1: can if we have Russian fans. Thank you for listening

2642
01:56:49,720 --> 01:56:50,160
Speaker 1: and watching.

2643
01:56:50,520 --> 01:56:53,080
Speaker 4: Won't you're allowed to listen if we're not Shadow Band.

2644
01:56:53,200 --> 01:56:57,520
Speaker 1: September eighteen, Chicago September twenty third, Washington, d C. October two, Charlotte,

2645
01:56:57,560 --> 01:57:03,040
Speaker 1: North Carolina November fifth, London November thirteenth, Atlanta, Georgia, November nineteenth, Dallas,

2646
01:57:03,120 --> 01:57:07,839
Speaker 1: Texas November twentieth, Houston, Texas December nine, Seattle December eleventh,

2647
01:57:07,920 --> 01:57:13,880
Speaker 1: Portland December eighteenth, Boston and New York and LA will

2648
01:57:13,880 --> 01:57:18,120
Speaker 1: be added to this schedule soon as well, so get

2649
01:57:18,120 --> 01:57:21,080
Speaker 1: your tickets now New roryenmaul dot com. Come out kick

2650
01:57:21,080 --> 01:57:22,600
Speaker 1: it with us. We'll have a good time at the

2651
01:57:22,640 --> 01:57:25,280
Speaker 1: live show. Good to see the people that watch us.

2652
01:57:25,400 --> 01:57:29,000
Speaker 1: Listen to two crazy men sitting on the couch talking

2653
01:57:29,040 --> 01:57:31,760
Speaker 1: about all their gripes with life and what they'll do

2654
01:57:31,800 --> 01:57:32,840
Speaker 1: in twenty four hours to live.

2655
01:57:33,440 --> 01:57:36,400
Speaker 4: Listen. I'm excited for this store. I don't even really

2656
01:57:36,440 --> 01:57:38,320
Speaker 4: want to pod, Like I know we're going to be

2657
01:57:38,400 --> 01:57:39,640
Speaker 4: on stage and all that. I want to go sit

2658
01:57:39,680 --> 01:57:42,760
Speaker 4: in the crowd and like actually have conversations.

2659
01:57:42,800 --> 01:57:47,960
Speaker 1: Yeah, go get that backs like, well that's fine, I mean, yeah,

2660
01:57:48,000 --> 01:57:49,760
Speaker 1: so get your tickets. Man, we'll be on the road.

2661
01:57:50,080 --> 01:57:52,080
Speaker 1: Come check us out or not whatever. We'll have a

2662
01:57:52,080 --> 01:57:53,080
Speaker 1: good time with it without you.

2663
01:57:53,520 --> 01:57:56,400
Speaker 4: That is true. Yeah, either way, I'm having fun. Yeah,

2664
01:57:56,480 --> 01:57:57,120
Speaker 4: I can't wait.

2665
01:57:57,240 --> 01:57:58,000
Speaker 1: I can't wait either.

2666
01:57:58,360 --> 01:57:59,880
Speaker 4: So yeah, man, fucking women on.

2667
01:58:00,560 --> 01:58:02,680
Speaker 1: No, never doing that again. I told you that the

2668
01:58:02,720 --> 01:58:04,560
Speaker 1: last time. Stop asking me that you're bringing up an

2669
01:58:04,560 --> 01:58:07,440
Speaker 1: old traumatic experience. I will never do that again.

2670
01:58:07,960 --> 01:58:10,120
Speaker 4: I think maybe I want to. That's why I keep asking.

2671
01:58:10,240 --> 01:58:11,560
Speaker 1: You know, if you're going to see the worst ship.

2672
01:58:11,640 --> 01:58:13,040
Speaker 4: Like you know, sometimes when you want to do something,

2673
01:58:13,080 --> 01:58:14,800
Speaker 4: you keep asking your friends like, oh, well will you

2674
01:58:14,800 --> 01:58:15,040
Speaker 4: do it?

2675
01:58:15,040 --> 01:58:16,760
Speaker 1: No, I know I'm answering you will never do it.

2676
01:58:16,760 --> 01:58:18,720
Speaker 4: Make me feel better about me thinking about trying.

2677
01:58:18,520 --> 01:58:21,160
Speaker 1: Not happen and not doing it. So you enjoy the

2678
01:58:21,160 --> 01:58:23,120
Speaker 1: rest of you all week. We'll be back Friday to

2679
01:58:23,160 --> 01:58:24,800
Speaker 1: kick it with y'all. What you got planning on for

2680
01:58:24,840 --> 01:58:25,400
Speaker 1: the rest of the week.

2681
01:58:25,880 --> 01:58:32,760
Speaker 4: Rory, Uh, just recording. I like to live more dream recording.

2682
01:58:32,840 --> 01:58:35,440
Speaker 1: Go proud boys. We'll be back so if you guys

2683
01:58:35,440 --> 01:58:37,880
Speaker 1: on Friday, I'll be safe. Enjoy your week. I'm that nigga.

2684
01:58:37,920 --> 01:58:40,040
Speaker 1: He's just Ginger Peace.

2685
01:58:40,240 --> 01:58:42,440
Speaker 4: Goodbye, no wie eno