WEBVTT - Pixel Perfect

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<v Speaker 1>So, Sabrina, we've talked briefly about your dance team was

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<v Speaker 1>going to the finals, and then I never heard it.

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<v Speaker 1>I never heard from you. How did you do?

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<v Speaker 2>Ugh? The girls went out there, We had such a

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<v Speaker 2>great weekend. They killed it. I had a coaching moment

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<v Speaker 2>for myself that I you know, it's one of those

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<v Speaker 2>things where you kind of have to remember. One, the

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<v Speaker 2>girls are in high school, right, so their age level,

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<v Speaker 2>not middle school. Not middle school, okay. Two that sometimes

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<v Speaker 2>it's like the lessons that they learn during these high

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<v Speaker 2>intense moments of the season. Sure that that mean a

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<v Speaker 2>lot more than just, you know, a trophy. And we

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<v Speaker 2>had not hit our palm routine. The palm routine is

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<v Speaker 2>like what we watched and got to kick it up. Okay,

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<v Speaker 2>we had not hit it the way it was supposed

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<v Speaker 2>to be hit. And the routine this is finals, this

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<v Speaker 2>is it where we went in in first place. They

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<v Speaker 2>brought it up, the energy to a whole other level.

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<v Speaker 2>It was amazing. You're just sitting there, I'm almost holding

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<v Speaker 2>my breath, going, oh my gosh, this is you know,

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<v Speaker 2>And with the five seconds left of the routine, one

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<v Speaker 2>of the girl's knees buckles in a turn, completely stops

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<v Speaker 2>and yes, that's the moment where you're.

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<v Speaker 1>Just like, did she fall?

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<v Speaker 2>She didn't fall, she fell out of it and stopped

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<v Speaker 2>turning right as the rest of the team was rotating.

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<v Speaker 2>And she's a sophomore, she's an incredible teammate, she's awesome

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<v Speaker 2>to coach. You know. It wasn't something that she does

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<v Speaker 2>all the time. This was a fluke, right, So you

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<v Speaker 2>have to go back there and just and just really

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<v Speaker 2>into perspective of you know. What I loved about it

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<v Speaker 2>was I was able to tell her, I know that

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<v Speaker 2>you can overcome this, and still they still had they

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<v Speaker 2>had still had a jazz routine and some girls would crumble,

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<v Speaker 2>they would barely be able to make of course, of

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<v Speaker 2>course she went out there for the jazz routine and

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<v Speaker 2>just lit on fire, you know. And so we ended

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<v Speaker 2>up not winning Palm, which was obviously devastating. I have

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<v Speaker 2>eleven seniors. That was hard. But for me, it's those

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<v Speaker 2>moments where you know, of course we want the trophy,

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<v Speaker 2>that's what we go for all season, but for her

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<v Speaker 2>to be able to overcome that obstacle and move on

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<v Speaker 2>was really amazing to watch as well.

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<v Speaker 1>Still doesn't but what place did you come in? We

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<v Speaker 1>came in second second. Oh no, and all because of

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<v Speaker 1>this one girl who you've now cut from the team.

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<v Speaker 1>I understand her.

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<v Speaker 2>I've never got her from that will she.

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<v Speaker 1>I'm kidding such a decomm ending. It's like she's got alert,

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<v Speaker 1>she'll learn.

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<v Speaker 2>And yeah, and she's got in our dcom of your

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<v Speaker 2>Belinda song in our Disney Channel original movie. She has

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<v Speaker 2>her junior and senior year to come back and you

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<v Speaker 2>know what I mean, have her own you know, vengeance

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<v Speaker 2>of of you know, just a mistake that was a fluke.

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<v Speaker 2>It wasn't like she yeah ever screws up, you know,

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<v Speaker 2>But that's what happens in the heat of any athletic

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<v Speaker 2>sport and high competition. Sometimes things just happen and you

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<v Speaker 2>just you can't let it. It can't define you and

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<v Speaker 2>your your year. It can't define what you're going to

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<v Speaker 2>do from there on out. You got to rise above

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<v Speaker 2>and just you know, hope that you you you get

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<v Speaker 2>better from it.

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<v Speaker 1>So that's good. Do you in the locker room do

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<v Speaker 1>you ever look around and go it's called your Belinda,

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<v Speaker 1>but it's really our Belinda. Do you ever do that?

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<v Speaker 1>Because I'd like to suggest you start because it's kind

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<v Speaker 1>of awesome.

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<v Speaker 2>Yes, it's our our Belinda.

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<v Speaker 1>Okay, you got to see I like it? Oh my, well,

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<v Speaker 1>welcome everybody to magic. What we want on the show

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<v Speaker 1>that makes you want to grab your friends, your pj's,

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<v Speaker 1>and your pop and go back to a time when

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<v Speaker 1>all the houses were smart, the wave Tsunamis and the

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<v Speaker 1>high School's musical. I'm Wilford Dell and.

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<v Speaker 2>I'm Sabrina Bryan.

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<v Speaker 1>And just as we thought that the acid had borne off,

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<v Speaker 1>we were ready to go. Woke up after that trip,

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<v Speaker 1>going hey, we are ready to hit it.

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<v Speaker 2>We enter the cyber version of it.

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<v Speaker 1>We come to the cyber version, we come to a

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<v Speaker 1>I mean, seriously, you're hard pressed to find a d

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<v Speaker 1>com for this podcast that's more relevant now. If we're

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<v Speaker 1>being honest, it's twenty four because it's where we are

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<v Speaker 1>this week. I mean, literally, all the stories that we're

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<v Speaker 1>hearing about in the news, all the things we're hearing

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<v Speaker 1>about with the SAG strike and all the stuff people

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<v Speaker 1>are hearing, they all have to do with AI and

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<v Speaker 1>two thousand and four's Pixel Perfect. Once again, Disney has

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<v Speaker 1>predicted the future. Absolutely it's all about AI and essentially

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<v Speaker 1>creating the next big pop star in your computer. So

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<v Speaker 1>that what we've got here. And they created a bit

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<v Speaker 1>of a technology gumbo with this this movie because they

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<v Speaker 1>were thrown a lot in the pot.

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<v Speaker 3>There.

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<v Speaker 1>There was drama, music, comedy, there's some sci fi, there's

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<v Speaker 1>a little bit of matrix kind of action. Even the

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<v Speaker 1>tagline for the film was even they don't make rock

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<v Speaker 1>stars like they used to, which is again, it's all

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<v Speaker 1>so relevant. Yes, it was reportedly done on a budget

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<v Speaker 1>of four million dollars, which I can't that's got have

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<v Speaker 1>been a lot of money, especially in two thousand and

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<v Speaker 1>four for a deep.

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<v Speaker 2>Yeah, I think, I mean yes, And you see where

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<v Speaker 2>it was going towards too, right.

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<v Speaker 1>I was just about to say, this is not one

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<v Speaker 1>of those movies where you go, where did the budget go?

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<v Speaker 2>Yeah, it was definitely not budget, but on their wardrobe, right, it.

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<v Speaker 1>Was absolutely agree Yeah. So this was I mean two

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<v Speaker 1>thousand and four is when all kind of the tech

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<v Speaker 1>startups were coming and social media's birth, and it was

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<v Speaker 1>a huge undertaking for the channel at the time. But

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<v Speaker 1>it's it's not a bad movie for the record, It's

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<v Speaker 1>just weird at times.

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<v Speaker 2>It went in and out of what's going on right

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<v Speaker 2>at Wait? What where?

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<v Speaker 1>Yes? Exactly here?

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<v Speaker 2>We got it?

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<v Speaker 1>Okay, what is that? But okay, but before the Zata

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<v Speaker 1>bytes take the stage, why don't we hop into the

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<v Speaker 1>synopsis here? So, when Samantha's band isn't gaining any success,

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<v Speaker 1>her friend Roscoe uses his father's technology to create a

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<v Speaker 1>sensational lead singer who's actually a hologram. And when things

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<v Speaker 1>get complicated and the technology starts to fail, what's going

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<v Speaker 1>to happen to the group, and more importantly, the identity

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<v Speaker 1>of the hologram. This is now years before keep in

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<v Speaker 1>mind the Tupac hologram would pop up at Coachella or

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<v Speaker 1>Siri was unveiled. Loretta Modern, that's the name of our

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<v Speaker 1>character here, Loretta Modern was introduced to the Disney viewer.

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<v Speaker 1>And it is a crazy and wild ride to say

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<v Speaker 1>the least. So before we I'm gonna say it, before

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<v Speaker 1>we log onto this one, thank you very much, Sabrina.

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<v Speaker 1>Did you like it? What are your thoughts? Initial thoughts?

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<v Speaker 2>You know, I did. I I was, like you said,

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<v Speaker 2>I went in and out. Sometimes I was kind of

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<v Speaker 2>you know, okay, what is going on? You know? Is

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<v Speaker 2>this needed? But I did. I loved the music in it.

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<v Speaker 2>I loved when we got all of our paperwork that

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<v Speaker 2>there was in fact a soundtrack to this movie, because

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<v Speaker 2>I thought the music was really great. It was to me.

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<v Speaker 2>I have recently watched the Pink, the Pink documentary of

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<v Speaker 2>what it was like when she was first coming out

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<v Speaker 2>as an artist.

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<v Speaker 1>This is about Pink, not a documentary all shot in

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<v Speaker 1>the color pink. Am.

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<v Speaker 2>I know the artist Pink and sort of her her

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<v Speaker 2>revelation of the artists she ends up being able to be.

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<v Speaker 2>So the storyline kind of reminded me of that, which

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<v Speaker 2>I thought was really cool.

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<v Speaker 1>Okay, and yeah, I did.

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<v Speaker 2>I enjoyed it. I thought there's obviously lots to pick

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<v Speaker 2>a part here and there, but I did like it.

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<v Speaker 1>Okay, it was easy.

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<v Speaker 2>There's only one part for me that was a little

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<v Speaker 2>all right, yeah, okay, Doki and and then the end,

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<v Speaker 2>the end I had to rewatch because there was a

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<v Speaker 2>lot of questionable choices there too, So okay, that was it.

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<v Speaker 2>But I did like it. I thought it was I

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<v Speaker 2>thought it was cute.

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<v Speaker 1>I will be honest with you. The first so I

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<v Speaker 1>watched these movies more than once. Right the first time

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<v Speaker 1>I saw this movie, I did not like it at all. Really,

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<v Speaker 1>I really didn't. I was like, I don't get this.

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<v Speaker 1>I don't like it. I thought visually, especially for a

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<v Speaker 1>Disney Channel movie, it was really good. I thought, again,

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<v Speaker 1>the acting we've seen in some of the last few

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<v Speaker 1>films has been spot on. It's not about the acting.

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<v Speaker 1>I thought the cast is good. I thought the acting

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<v Speaker 1>was good. I didn't like the story. I didn't. I

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<v Speaker 1>was like, man, I really don't like this. Then I

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<v Speaker 1>watched it again, Okay, And the second time I watched it,

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<v Speaker 1>I liked it a lot more than I did the

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<v Speaker 1>first time. I really did. I mean, is it a

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<v Speaker 1>perfect movie. No, Like you said, there's plenty of things

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<v Speaker 1>to pick apart, there's kind of nitpicky stuff. It hit

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<v Speaker 1>some of the same tropes that we've talked about all

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<v Speaker 1>the times, the non supportive dad. I mean, we've we've

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<v Speaker 1>hit kind of some of these where now I'm just

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<v Speaker 1>coming to expect them. But the second time I saw it,

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<v Speaker 1>I saw it differently than I did the first time.

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<v Speaker 1>And by the way, I agree with you one hundred

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<v Speaker 1>percent all respect to the Cheetah Girls, girl power everything.

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<v Speaker 1>I thought, I really liked the music and like I

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<v Speaker 1>was humming the songs, yeah, from this movie, same after

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<v Speaker 1>it was done. So this is some of my favorite

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<v Speaker 1>you know me and musicals. But again, like Cheetah Girls,

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<v Speaker 1>it's a band playing the music. It is not just

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<v Speaker 1>breaking into song.

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<v Speaker 2>But they do make a choice that does not make

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<v Speaker 2>sense to go along with that. And we're gonna come

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<v Speaker 2>there and.

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<v Speaker 1>We'll get it. We'll get into all that. There is

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<v Speaker 1>some some very strange things, but yes, overall not offten,

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<v Speaker 1>you know.

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<v Speaker 2>And I think I was exactly the same first time.

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<v Speaker 2>I what is happening?

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<v Speaker 1>Okay, all right?

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<v Speaker 2>When are all right? Bring me in high school musical.

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<v Speaker 2>I can't do this anymore. I got a super good one, right.

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<v Speaker 2>That was the first time. Then the second time, same thing,

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<v Speaker 2>but I think it was again this introducing this new

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<v Speaker 2>technology and you know, so I added a lot to

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<v Speaker 2>the storyline that almost flooded it a little bit for

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<v Speaker 2>the first watch. But the second watch, because I was

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<v Speaker 2>already understanding what was going on, it was an easier watch.

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<v Speaker 1>I don't disagree. I agree with you one hundred percent.

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<v Speaker 2>Right on the same page as that.

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<v Speaker 1>Yep. Okay, So the movie stars revive Olman, then Build

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<v Speaker 1>as Ricky Olman as Roscoe who after this role was

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<v Speaker 1>cast by Disney. Of course Disney and their synergy. We

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<v Speaker 1>talked about this all the time on Phil of the Future.

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<v Speaker 1>He was the title character, Phil Diffy and must have

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<v Speaker 1>impressed the channel obviously when it came to this type

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<v Speaker 1>of subject matter, because this is kind of what it

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<v Speaker 1>was all about. Leah Pipes played Samantha. She's the budding

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<v Speaker 1>musician looking for a way to break through in the industry.

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<v Speaker 2>Loved her.

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<v Speaker 1>She was great. That was one of my first things

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<v Speaker 1>I bumped against, and we'll get into that. That was

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<v Speaker 1>This was one of her first jobs. She'd later be

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<v Speaker 1>seen on TV shows like Malcolm in the Middle, Bones

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<v Speaker 1>and Glee, and she's best known as Camille O'Connell on

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<v Speaker 1>The Originals, which was a CW vampire diary spinoff which

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<v Speaker 1>ran for five seasons. So you know, wow, good career.

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<v Speaker 1>And then Spencer Redford. We've got to talk about Spencer

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<v Speaker 1>Redford because she plays the hologram Loretta Modern. She plays

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<v Speaker 1>it very interestingly. It's almost it's it's one step up above.

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<v Speaker 1>You won't remember this because you're far too young, but

0:11:11.080 --> 0:11:13.120
<v Speaker 1>there was a great show in the early and mid

0:11:13.120 --> 0:11:14.679
<v Speaker 1>eighties called Small Wonder.

0:11:14.760 --> 0:11:16.160
<v Speaker 2>Yes, I remember Small One.

0:11:16.160 --> 0:11:19.360
<v Speaker 1>You're sure, okay, I'm just checking. I can never tell

0:11:19.400 --> 0:11:26.800
<v Speaker 1>Sabrina so little deal a little more step up from

0:11:26.840 --> 0:11:29.640
<v Speaker 1>Small Wonder, But she'd already been on a bunch of

0:11:29.800 --> 0:11:32.199
<v Speaker 1>Disney shows. She was on Even Stevens that's so raven.

0:11:32.760 --> 0:11:35.720
<v Speaker 1>And after Pixel Perfect she did a couple more things

0:11:35.880 --> 0:11:39.480
<v Speaker 1>and then just stopped acting entirely disappeared. I tried a

0:11:39.520 --> 0:11:42.679
<v Speaker 1>deep dive. Other people have tried a deep dive two

0:11:42.760 --> 0:11:46.000
<v Speaker 1>thousand and seven. She's got no social media, she's got

0:11:46.040 --> 0:11:48.920
<v Speaker 1>no kind of presence in the industry, she kind of said.

0:11:49.200 --> 0:11:51.640
<v Speaker 1>At least it seems like and this is all speculation. Hey,

0:11:51.720 --> 0:11:53.760
<v Speaker 1>I did some stuff. I had some fun. Thank you.

0:11:53.960 --> 0:11:57.400
<v Speaker 1>Next chapter of my life really kind of cool. You

0:11:57.480 --> 0:11:58.080
<v Speaker 1>don't know.

0:11:58.440 --> 0:12:02.120
<v Speaker 2>Totally, okay, Spencer, but what is it you're leaving us

0:12:02.160 --> 0:12:02.679
<v Speaker 2>hanging now?

0:12:02.880 --> 0:12:06.880
<v Speaker 1>It really made me want to find Spencer Redford.

0:12:07.000 --> 0:12:12.000
<v Speaker 2>I know there are some fans d Calm, magical, rewind fans.

0:12:12.040 --> 0:12:14.840
<v Speaker 2>You guys, get out there, you start, You find Spencer

0:12:14.960 --> 0:12:15.800
<v Speaker 2>and let us know.

0:12:16.320 --> 0:12:18.520
<v Speaker 1>She might not want to be found, she might love

0:12:18.640 --> 0:12:19.480
<v Speaker 1>not being found.

0:12:19.640 --> 0:12:22.680
<v Speaker 2>That's the problem as an actress. But if she's you know,

0:12:23.080 --> 0:12:27.959
<v Speaker 2>my doctor or she's just this incredible mom red awesome.

0:12:27.960 --> 0:12:30.560
<v Speaker 2>There's so many, so many different things that she could

0:12:30.600 --> 0:12:32.960
<v Speaker 2>be doing that I'm sure she's proud of whatever she's doing,

0:12:33.040 --> 0:12:33.600
<v Speaker 2>and that's okay.

0:12:33.679 --> 0:12:36.280
<v Speaker 1>We hope you're happy, Spencer, but we would absolutely love

0:12:36.320 --> 0:12:39.640
<v Speaker 1>to know what you're doing. Yeah. This movie runs eighty

0:12:39.640 --> 0:12:42.000
<v Speaker 1>five minutes, which is five minutes from that bullseye that

0:12:42.040 --> 0:12:43.760
<v Speaker 1>we like, the ninety minute bullseye and it first aired

0:12:43.800 --> 0:12:47.080
<v Speaker 1>on January sixteenth, two thousand and four, in the United States.

0:12:47.240 --> 0:12:49.240
<v Speaker 1>It was co written by Alan Sachs, who was a

0:12:49.320 --> 0:12:52.400
<v Speaker 1>creator of this one. I know you're too. Were you

0:12:52.440 --> 0:12:53.720
<v Speaker 1>a welcome back Hotter fan?

0:12:53.880 --> 0:12:54.200
<v Speaker 2>Okay?

0:12:54.720 --> 0:12:58.760
<v Speaker 1>God is just learning all about this, Sabrina, I love it. Yes, okay,

0:12:59.320 --> 0:13:03.640
<v Speaker 1>mister gott Miss Danes he O missed the Kata and

0:13:03.679 --> 0:13:06.360
<v Speaker 1>the writer of the nineteen eighty six skateboarding Josh Brolin

0:13:06.400 --> 0:13:09.200
<v Speaker 1>movie Thrash, in which you remember Sam Horrigan, who played

0:13:09.240 --> 0:13:13.360
<v Speaker 1>Valen Brink said was like one of his quintessential kid

0:13:13.400 --> 0:13:16.839
<v Speaker 1>movies growing up, like he loved absolutely. Yes, He's also

0:13:17.160 --> 0:13:20.720
<v Speaker 1>involved in other Disney Channel classics like Smart House, Camp Rock,

0:13:20.840 --> 0:13:23.160
<v Speaker 1>and You Wish And the other writer was actually a

0:13:23.200 --> 0:13:25.800
<v Speaker 1>science fiction author and This was his only teleplay ever,

0:13:25.840 --> 0:13:27.920
<v Speaker 1>which is kind of cool. The movie was directed by

0:13:27.960 --> 0:13:32.720
<v Speaker 1>Mark A. Z. Dippey, who was already directing huge budget

0:13:32.760 --> 0:13:36.920
<v Speaker 1>studio films like Spawn, which was back in the day

0:13:36.960 --> 0:13:41.520
<v Speaker 1>based on the Todd McFarlane huge enormous comic book that

0:13:41.600 --> 0:13:44.640
<v Speaker 1>was a hit so big big budget movies and was

0:13:44.679 --> 0:13:49.160
<v Speaker 1>the era's most prolific visual effects artist and supervisors. Listen

0:13:49.200 --> 0:13:53.559
<v Speaker 1>to the movies that this man was involved with, the Abyss,

0:13:53.600 --> 0:13:58.680
<v Speaker 1>Back to the Future two, Ghost Terminator two and Jurassic Park.

0:13:58.760 --> 0:14:01.679
<v Speaker 1>I mean it was like you name it. I mean,

0:14:02.679 --> 0:14:05.439
<v Speaker 1>these visual effects that change industry. The first time you're

0:14:05.480 --> 0:14:07.760
<v Speaker 1>in a theater and I'm a kid and I'm watching

0:14:08.120 --> 0:14:12.679
<v Speaker 1>the the T two robot turn into liquid metal, and

0:14:13.480 --> 0:14:18.960
<v Speaker 1>then the Jurassic part, I mean, forget insane. So here's

0:14:19.000 --> 0:14:25.120
<v Speaker 1>my first question. Did Disney actually predict holographic musicians? Can

0:14:25.160 --> 0:14:27.600
<v Speaker 1>you think of a time before this, because now they're

0:14:27.600 --> 0:14:28.800
<v Speaker 1>everywhere and right?

0:14:29.480 --> 0:14:33.040
<v Speaker 2>No, I mean I can't think of anyone else that

0:14:33.360 --> 0:14:37.480
<v Speaker 2>had this. The closest to this storyline for me was

0:14:37.560 --> 0:14:38.560
<v Speaker 2>what was that movie?

0:14:39.000 --> 0:14:40.840
<v Speaker 1>I think he was in this in the Hols?

0:14:41.320 --> 0:14:45.280
<v Speaker 2>No, No, what was it Weird Science where he makes.

0:14:45.000 --> 0:14:47.760
<v Speaker 1>A girlfriend the Weird Times where he builds the two

0:14:47.800 --> 0:14:49.760
<v Speaker 1>of them build a girl, yes, and.

0:14:49.720 --> 0:14:52.520
<v Speaker 2>That this is that's it. But she wasn't a holographic girl.

0:14:52.560 --> 0:14:55.160
<v Speaker 2>She was like supposed to be a real.

0:14:55.360 --> 0:14:58.280
<v Speaker 1>Yes, built from they so they build Kelly le Brock

0:14:58.320 --> 0:15:01.520
<v Speaker 1>in the computer. Yeah part of that movie. Doesn't that

0:15:01.560 --> 0:15:02.920
<v Speaker 1>hold up? Well, we'll do that later.

0:15:03.720 --> 0:15:06.000
<v Speaker 2>But that's the closest of a storyline.

0:15:06.000 --> 0:15:09.280
<v Speaker 1>I can't really think of a disneyfied version. Kind of

0:15:09.280 --> 0:15:11.240
<v Speaker 1>of weird, That's That's what I'm guessing. The pitch was,

0:15:11.280 --> 0:15:15.240
<v Speaker 1>it's weird science meets musicians, right, So, yes, very similar

0:15:15.320 --> 0:15:17.720
<v Speaker 1>to that. But I mean there's now a hologram Whitney

0:15:17.760 --> 0:15:20.640
<v Speaker 1>Houston playing in Vegas, and one of the biggest pop

0:15:20.680 --> 0:15:25.600
<v Speaker 1>stars in Japan is Hotsuni Miko, which is a crowdsourced

0:15:25.640 --> 0:15:28.640
<v Speaker 1>three D anime image that plays with the band in

0:15:28.720 --> 0:15:34.520
<v Speaker 1>front of thousands of fans. So and then there's the gorillas.

0:15:34.520 --> 0:15:36.440
<v Speaker 1>I mean, you've got stuff like that. So they again

0:15:36.600 --> 0:15:39.040
<v Speaker 1>Disney on top of the game. Here.

0:15:40.040 --> 0:15:44.000
<v Speaker 2>It's unreal because this was so it was so long ago,

0:15:44.120 --> 0:15:48.320
<v Speaker 2>not not like decades and decades ago. You're long enough

0:15:48.360 --> 0:15:51.760
<v Speaker 2>to think that that would be a ridiculous idea, right

0:15:52.000 --> 0:15:53.760
<v Speaker 2>that a lot of people would think.

0:15:53.720 --> 0:15:56.200
<v Speaker 1>That is insane. No one's going to go to a

0:15:56.200 --> 0:15:57.080
<v Speaker 1>hologram concert.

0:15:57.640 --> 0:15:59.920
<v Speaker 2>I would not. I do not think I would go.

0:16:00.480 --> 0:16:02.320
<v Speaker 2>I would go to Whitney Houston. I think it would

0:16:02.320 --> 0:16:05.200
<v Speaker 2>be it have to be a Whitney Houston, a Selene Deeon.

0:16:05.640 --> 0:16:08.520
<v Speaker 2>It have to be someone that I already knew and

0:16:08.560 --> 0:16:12.000
<v Speaker 2>loved their music, right, and knew that they weren't going

0:16:12.080 --> 0:16:15.720
<v Speaker 2>to be somebody. I wasn't expecting a big production dan

0:16:15.840 --> 0:16:18.280
<v Speaker 2>scene of that artist, right. I don't want to see

0:16:18.280 --> 0:16:21.240
<v Speaker 2>a hologram dance around, but I will go and listen

0:16:21.280 --> 0:16:22.360
<v Speaker 2>to Whitney Houston's more.

0:16:22.400 --> 0:16:24.160
<v Speaker 1>You just don't want to be replaced as a dancer

0:16:24.160 --> 0:16:26.800
<v Speaker 1>by holograms. I get it. I totally get it.

0:16:27.360 --> 0:16:29.520
<v Speaker 2>I think I would have to will I don't know

0:16:29.560 --> 0:16:31.520
<v Speaker 2>if I could move the way that I used to.

0:16:32.080 --> 0:16:34.560
<v Speaker 1>You know, if you should be tested, sure you could,

0:16:35.160 --> 0:16:37.960
<v Speaker 1>just as long as you don't buckle your knee, and

0:16:38.000 --> 0:16:39.240
<v Speaker 1>then you wouldn't win pousse.

0:16:39.240 --> 0:16:41.720
<v Speaker 2>As long as it's like a you know, a younger,

0:16:42.040 --> 0:16:43.320
<v Speaker 2>cuter body, I'm.

0:16:43.200 --> 0:16:46.920
<v Speaker 1>Alright with the please. Now see what's funny is I

0:16:46.960 --> 0:16:51.120
<v Speaker 1>think I would rather they create something brand new as

0:16:51.120 --> 0:16:54.760
<v Speaker 1>opposed to bring back somebody who's passed away, because it's like,

0:16:54.880 --> 0:16:57.280
<v Speaker 1>how do you how do people know that Whitney Houston's

0:16:57.280 --> 0:16:59.960
<v Speaker 1>okay with being a hologram on stage or tupacsha Kors

0:17:00.320 --> 0:17:03.360
<v Speaker 1>where it's like, if you create something completely new, it's like,

0:17:03.560 --> 0:17:06.720
<v Speaker 1>all right, that's a nonsentient being as opposed to like,

0:17:06.760 --> 0:17:08.840
<v Speaker 1>we're gonna make more money off of this person that's

0:17:08.840 --> 0:17:12.480
<v Speaker 1>already dead and now we're gonna hologrammle right, I don't know.

0:17:12.520 --> 0:17:14.240
<v Speaker 1>That's a way. That's a whole different podcast.

0:17:14.280 --> 0:17:16.800
<v Speaker 2>That's a whole that is a different podcast, because that

0:17:16.840 --> 0:17:18.520
<v Speaker 2>does bring up that's very true.

0:17:18.760 --> 0:17:20.920
<v Speaker 1>Yeah, it brings up the whole moral dilemma. But there's

0:17:20.960 --> 0:17:22.960
<v Speaker 1>moral dilemmas in this film as well. Booms, he brought

0:17:22.960 --> 0:17:23.679
<v Speaker 1>it right back around.

0:17:23.800 --> 0:17:27.840
<v Speaker 2>Well, there we go. We're right back into Pixel Perfect.

0:17:36.200 --> 0:17:39.119
<v Speaker 1>The movie starts with Roscoe, who is a sixteen year

0:17:39.160 --> 0:17:41.600
<v Speaker 1>old computer do we messing with his father's new program

0:17:41.640 --> 0:17:45.040
<v Speaker 1>in a massive, really expensive house where they have like

0:17:45.760 --> 0:17:48.520
<v Speaker 1>a maid who is also their chef and feeds them.

0:17:48.560 --> 0:17:52.240
<v Speaker 1>But that's a little confusing because his dad doesn't seem

0:17:52.280 --> 0:17:54.439
<v Speaker 1>to be very high up in the company and also

0:17:55.080 --> 0:17:57.439
<v Speaker 1>seems to always be on the edge of maybe losing

0:17:57.480 --> 0:17:58.240
<v Speaker 1>his job.

0:17:58.840 --> 0:17:59.080
<v Speaker 2>Right.

0:17:59.440 --> 0:18:01.879
<v Speaker 1>He also has a son again, talked a little bit

0:18:01.880 --> 0:18:04.040
<v Speaker 1>about the first trope that bumped me. He has a

0:18:04.080 --> 0:18:07.359
<v Speaker 1>son who knows at fifteen or sixteen he drives, so

0:18:07.359 --> 0:18:10.560
<v Speaker 1>at sixteen enough about what his father does for a

0:18:10.600 --> 0:18:13.600
<v Speaker 1>living to where he's creating holographic cats and stuff. I mean,

0:18:13.640 --> 0:18:17.159
<v Speaker 1>this kid is obviously techno talented, right, and the dad's like,

0:18:17.160 --> 0:18:21.199
<v Speaker 1>what are you doing, Get off my computer, get read dude.

0:18:21.600 --> 0:18:25.720
<v Speaker 1>He's creating people and animals, and the dad is still

0:18:25.720 --> 0:18:26.480
<v Speaker 1>not cool with this.

0:18:27.520 --> 0:18:32.679
<v Speaker 2>Well, yeah, I mean, I yeah. I think his character

0:18:32.760 --> 0:18:34.919
<v Speaker 2>seemed to just sort of be in his own world,

0:18:35.000 --> 0:18:38.840
<v Speaker 2>which is what Roscoe is. Roscoe. I mean, we will

0:18:38.840 --> 0:18:44.119
<v Speaker 2>get into talk about the perfect example as us women

0:18:44.440 --> 0:18:49.320
<v Speaker 2>feel boys that age are so dumb and so out

0:18:49.640 --> 0:18:53.520
<v Speaker 2>not in the world that we are living in during

0:18:53.600 --> 0:18:56.160
<v Speaker 2>that time in high school. They just don't get it.

0:18:56.440 --> 0:18:59.159
<v Speaker 2>And it feels like that's kind of what his dad's

0:18:59.200 --> 0:19:00.919
<v Speaker 2>character is supposed to always also be.

0:19:01.320 --> 0:19:03.000
<v Speaker 1>Okay, he lives in the net.

0:19:03.359 --> 0:19:09.040
<v Speaker 2>Essentially, he has an issue with cutting off work and reality.

0:19:09.359 --> 0:19:11.840
<v Speaker 1>Okay, so the apple doesn't fall far from the tree,

0:19:12.280 --> 0:19:14.600
<v Speaker 1>is what we think we're going with. So yeah, he

0:19:14.680 --> 0:19:17.280
<v Speaker 1>creates this holographic cat that can change for color and

0:19:17.359 --> 0:19:20.560
<v Speaker 1>patterns just by pressing buttons. And then when his friend

0:19:21.000 --> 0:19:23.480
<v Speaker 1>best friend they set up her all girl band, needs

0:19:23.480 --> 0:19:26.040
<v Speaker 1>something to help them stand out, he decides to create

0:19:26.040 --> 0:19:28.600
<v Speaker 1>a lead singer from the physical attributes of many of

0:19:28.600 --> 0:19:30.920
<v Speaker 1>the talented women that are out there. I mean, we

0:19:30.920 --> 0:19:32.760
<v Speaker 1>could see him taking bits of magazines. Is like the

0:19:33.240 --> 0:19:36.200
<v Speaker 1>weird science thing, bits of you know, Michelle Branch and

0:19:36.280 --> 0:19:38.560
<v Speaker 1>Victoria Beckham and all these kind of people. But the

0:19:38.640 --> 0:19:42.680
<v Speaker 1>thing that I found amazing was that it started where

0:19:42.680 --> 0:19:45.040
<v Speaker 1>the band, the all girl band, goes to their first

0:19:45.080 --> 0:19:51.280
<v Speaker 1>audition and they kick some serious ass with this incredibly

0:19:51.520 --> 0:19:56.199
<v Speaker 1>cute rock star girlfriend who can sing and play guitar,

0:19:56.640 --> 0:20:01.160
<v Speaker 1>who is fronting this three piece band. They are incredible,

0:20:01.240 --> 0:20:05.400
<v Speaker 1>and the guys don't stop it. Everybody, Oh stop, you

0:20:05.440 --> 0:20:08.320
<v Speaker 1>can't do it. Unless I didn't get that they should

0:20:08.359 --> 0:20:11.000
<v Speaker 1>have made her less good because she was so good.

0:20:11.160 --> 0:20:15.320
<v Speaker 2>You know, I did not understand the problem, right, But

0:20:15.359 --> 0:20:19.040
<v Speaker 2>then it pulled me into this era of this was

0:20:19.080 --> 0:20:22.840
<v Speaker 2>when you know, Britney Spears was everything at this point, right,

0:20:22.880 --> 0:20:25.240
<v Speaker 2>So it's trying to make it into why would this

0:20:25.359 --> 0:20:29.399
<v Speaker 2>rock band need to dance? Why? Why they all play instruments.

0:20:29.440 --> 0:20:30.200
<v Speaker 1>They're a rock band.

0:20:30.359 --> 0:20:34.040
<v Speaker 2>Yes, even his example that comes out after they only

0:20:34.080 --> 0:20:37.560
<v Speaker 2>have mics and are dancing. Yes, let's see those girls move,

0:20:37.640 --> 0:20:40.280
<v Speaker 2>let's let's have them dance. Why that would be like

0:20:40.359 --> 0:20:43.359
<v Speaker 2>telling the Jonas brothers you suck because you guys aren't

0:20:43.440 --> 0:20:46.720
<v Speaker 2>dancing like in sync? What they're all they're a band

0:20:46.880 --> 0:20:50.200
<v Speaker 2>yet they're a band. Yeah, this is like so dump.

0:20:50.240 --> 0:20:51.920
<v Speaker 2>So that's where I went, uh oh, oh.

0:20:51.800 --> 0:20:54.720
<v Speaker 1>No, I got that's my That was my first I was.

0:20:54.640 --> 0:20:56.919
<v Speaker 2>Like, hey day, may day, I'm gonna hate this.

0:20:57.560 --> 0:20:59.000
<v Speaker 1>Also, she's awesome.

0:20:59.160 --> 0:20:59.760
<v Speaker 2>She was great.

0:21:00.080 --> 0:21:03.840
<v Speaker 1>Band is great, I know, I know. Yeah, so very

0:21:03.960 --> 0:21:06.400
<v Speaker 1>very strange, but you know, it leads us into our

0:21:06.440 --> 0:21:10.960
<v Speaker 1>story where Roscoe then essentially says the line I'm here

0:21:10.960 --> 0:21:12.800
<v Speaker 1>to make perfection. I'm here to make you, and he

0:21:12.960 --> 0:21:18.280
<v Speaker 1>makes Loretta matter. So they hold a another audition see

0:21:18.320 --> 0:21:20.480
<v Speaker 1>another Disney trope, which I'm a fan of. I love

0:21:20.520 --> 0:21:23.240
<v Speaker 1>the audition montages. I could do those all day.

0:21:23.800 --> 0:21:28.680
<v Speaker 2>Oh the screaming poem and he just hears it from outside.

0:21:28.760 --> 0:21:33.360
<v Speaker 2>It's like, and that girl was so good, she was hilarious.

0:21:33.359 --> 0:21:38.800
<v Speaker 2>She seemed like a stand up comic act. It was

0:21:38.880 --> 0:21:43.000
<v Speaker 2>so fun I loved that one. I thought, we're okay,

0:21:43.040 --> 0:21:47.359
<v Speaker 2>you know that funny enough Irish digging? Did you not go, oh,

0:21:47.600 --> 0:21:49.520
<v Speaker 2>I already know about the Irish Jane.

0:21:49.520 --> 0:21:51.120
<v Speaker 1>Yes, right, And I was like, oh my god, it's

0:21:51.160 --> 0:21:54.960
<v Speaker 1>lucky Irish again. They have found their their jigging trope. Yes,

0:21:55.119 --> 0:21:59.600
<v Speaker 1>oh man. And so then Loretta Modern comes in, she sings,

0:21:59.760 --> 0:22:02.959
<v Speaker 1>they of her. She also does this thing where now unfortunately,

0:22:03.000 --> 0:22:04.880
<v Speaker 1>which is another thing that and it's just a technical thing,

0:22:04.880 --> 0:22:07.120
<v Speaker 1>but it always annoys me in every movie where now,

0:22:07.160 --> 0:22:09.040
<v Speaker 1>all of a sudden, who's ever singing and leading the

0:22:09.040 --> 0:22:10.880
<v Speaker 1>band no longer needs a microphone.

0:22:10.960 --> 0:22:13.119
<v Speaker 2>That was what I was gonna say, is it doesn't

0:22:13.119 --> 0:22:15.680
<v Speaker 2>make sense. Why does she not need a microphone?

0:22:15.840 --> 0:22:18.440
<v Speaker 1>I could get if Loretta didn't need one, like maybe

0:22:18.480 --> 0:22:23.240
<v Speaker 1>she's hooked into like the the computer speakers. That's where

0:22:23.240 --> 0:22:25.520
<v Speaker 1>I got through it in my head. But then later

0:22:25.560 --> 0:22:28.200
<v Speaker 1>in the movie where his friend takes over the band again,

0:22:28.320 --> 0:22:30.359
<v Speaker 1>she now doesn't need a microphone anymore, and it's like,

0:22:30.359 --> 0:22:34.119
<v Speaker 1>why do not need microphones anymore? So Loretta of course

0:22:34.200 --> 0:22:36.879
<v Speaker 1>gets the job joins the band named the Zeta Bytes.

0:22:38.240 --> 0:22:43.480
<v Speaker 1>The opening the next band coming on was Moist Toilette.

0:22:44.800 --> 0:22:48.280
<v Speaker 1>It just might be arguably what I think, We're gonna

0:22:48.280 --> 0:22:50.879
<v Speaker 1>have to start making a record of greatest we have,

0:22:50.960 --> 0:22:56.520
<v Speaker 1>greatest character names, greatest band names. Colette has to be there.

0:22:56.560 --> 0:23:01.399
<v Speaker 1>So they now are starting to not tour but do

0:23:01.560 --> 0:23:06.400
<v Speaker 1>gigs with Loretta Modern. She's in the band, she's being

0:23:06.400 --> 0:23:10.879
<v Speaker 1>controlled by Roscoe, who stands off stage, and she's obviously

0:23:10.920 --> 0:23:14.320
<v Speaker 1>a wonderful singer. I have a question for you, Sabrina,

0:23:14.440 --> 0:23:16.520
<v Speaker 1>because I don't know anything about this and you are

0:23:16.560 --> 0:23:22.639
<v Speaker 1>absolutely the resident expert. Her dancing to me seemed weird.

0:23:24.359 --> 0:23:27.080
<v Speaker 1>It didn't seem like it was going with the music

0:23:27.200 --> 0:23:30.119
<v Speaker 1>that was actually happening. And I didn't know if they

0:23:30.119 --> 0:23:32.119
<v Speaker 1>were doing it because it was She's supposed to be

0:23:32.160 --> 0:23:35.480
<v Speaker 1>kind of robotic, like she's you know, can only do

0:23:35.680 --> 0:23:41.480
<v Speaker 1>so much because she is programmed. But it seemed very herky, jerky,

0:23:41.560 --> 0:23:43.160
<v Speaker 1>and I didn't know if you're like, no, that's called

0:23:43.359 --> 0:23:46.840
<v Speaker 1>Norvin and that's the biggest everyone dance like that. No.

0:23:47.000 --> 0:23:49.160
<v Speaker 2>When I saw her start dancing and go, oh gosh,

0:23:49.160 --> 0:23:52.040
<v Speaker 2>now I got to talk about this, she's gonna have

0:23:52.160 --> 0:23:57.919
<v Speaker 2>to happen because technically, Spencer, you can tell is a

0:23:58.040 --> 0:23:59.280
<v Speaker 2>very well trained dancer.

0:23:59.480 --> 0:24:02.200
<v Speaker 1>Yes, I even I could see that she has great technique,

0:24:02.280 --> 0:24:04.120
<v Speaker 1>but like in her spins and all that stuff, even

0:24:04.160 --> 0:24:05.080
<v Speaker 1>I could see that, yes.

0:24:05.000 --> 0:24:08.080
<v Speaker 2>She's got I mean, you know, everyone still needs to

0:24:08.400 --> 0:24:14.359
<v Speaker 2>continue to train. But she was great. The problem was, again,

0:24:14.720 --> 0:24:18.440
<v Speaker 2>this style of music does not call for dancing. Therefore,

0:24:18.520 --> 0:24:20.639
<v Speaker 2>the style of dancing they were doing did not go

0:24:20.720 --> 0:24:23.320
<v Speaker 2>with the music. So what you saw and that odd

0:24:24.000 --> 0:24:27.919
<v Speaker 2>she was, it was odd material for this type of music.

0:24:28.040 --> 0:24:31.480
<v Speaker 2>So I think they just did what happens a lot

0:24:31.480 --> 0:24:34.560
<v Speaker 2>of times, someone said, oh, we need a dancer, and

0:24:34.600 --> 0:24:37.600
<v Speaker 2>then you start looking at choreographers that have agents, and

0:24:37.720 --> 0:24:40.919
<v Speaker 2>someone just randomly gets booked. You know, I've worked on

0:24:40.960 --> 0:24:44.120
<v Speaker 2>a movie that wanted Latin style dancing and they had

0:24:44.480 --> 0:24:47.560
<v Speaker 2>a choreographer who that wasn't what they did, so they

0:24:47.560 --> 0:24:49.720
<v Speaker 2>don't really know partner work. So I end up calling

0:24:49.760 --> 0:24:52.560
<v Speaker 2>in one of my friends who's from Dancing with the Stars.

0:24:52.600 --> 0:24:55.520
<v Speaker 2>You know, it's like, not everyone can just throw you know,

0:24:55.640 --> 0:24:57.280
<v Speaker 2>Dancing with the Stars. Not every single one of those

0:24:57.320 --> 0:25:00.159
<v Speaker 2>pros can put together a contemporary routine that's not now

0:25:00.280 --> 0:25:02.359
<v Speaker 2>that's really what they're trained in. So that's what it

0:25:02.359 --> 0:25:04.760
<v Speaker 2>seemed like to me, they had just a choreographer that

0:25:04.880 --> 0:25:08.119
<v Speaker 2>wasn't seeing what kind of movement. But again, the style

0:25:08.080 --> 0:25:08.720
<v Speaker 2>of music.

0:25:08.520 --> 0:25:10.159
<v Speaker 1>Didn't need it, didn't I agree.

0:25:10.200 --> 0:25:12.639
<v Speaker 2>I agree that was a tough job for the choreographer

0:25:12.680 --> 0:25:13.119
<v Speaker 2>to begin with.

0:25:13.320 --> 0:25:15.360
<v Speaker 1>Yes, and exactly what you were saying. There's so few

0:25:15.400 --> 0:25:18.560
<v Speaker 1>of us that can dance all steps exactly you are.

0:25:18.720 --> 0:25:20.840
<v Speaker 1>I'm one of the few. I'm one of rare Gem.

0:25:20.960 --> 0:25:28.520
<v Speaker 1>Mister rare Gem. So okay, she's dancing around the stage.

0:25:28.680 --> 0:25:31.440
<v Speaker 1>She can't be touched or touch anybody else, but can

0:25:31.560 --> 0:25:33.639
<v Speaker 1>jump off of the drum set to do double flips.

0:25:33.680 --> 0:25:35.880
<v Speaker 1>I didn't get that either, didn't understand that he could

0:25:35.880 --> 0:25:37.119
<v Speaker 1>probably maybe just program it.

0:25:37.400 --> 0:25:38.920
<v Speaker 2>Yeah, I guess, yeah.

0:25:39.000 --> 0:25:42.080
<v Speaker 1>So uh. They of course start to take off, and

0:25:42.119 --> 0:25:46.240
<v Speaker 1>they instantly catch the eye of a former rapper turned

0:25:46.320 --> 0:25:49.320
<v Speaker 1>label talent scout who's got the subtle name of Darryl Fibbs,

0:25:50.040 --> 0:25:52.280
<v Speaker 1>who played was played by actor Chris Williams, who you

0:25:52.359 --> 0:25:55.080
<v Speaker 1>might remember as Crazy Eyes Killer in Curb Your Enthusiasm.

0:25:55.560 --> 0:25:57.240
<v Speaker 1>Look up his resume. He's done a bunch of stuff.

0:25:57.280 --> 0:26:00.800
<v Speaker 1>He's super funny. Oh I know, he played it straight

0:26:00.800 --> 0:26:03.359
<v Speaker 1>in this one, but he's also just really funny.

0:26:03.520 --> 0:26:06.600
<v Speaker 2>I was waiting for him to dive into some type

0:26:06.600 --> 0:26:11.280
<v Speaker 2>of comedy, something character, some type of real big character.

0:26:11.359 --> 0:26:14.200
<v Speaker 2>But it didn't happen. Spoiler alert, it doesn't happen.

0:26:14.200 --> 0:26:15.639
<v Speaker 1>But he doesn't happen. But he was great. He was

0:26:15.680 --> 0:26:17.800
<v Speaker 1>great playing a total, total straight man. But man, he

0:26:17.880 --> 0:26:20.880
<v Speaker 1>is funny. And then you know, obviously the Zeta Bites

0:26:20.960 --> 0:26:23.880
<v Speaker 1>music starts to become more and more popular, and we've

0:26:23.880 --> 0:26:25.280
<v Speaker 1>talked about this already. I wanted to get in a

0:26:25.280 --> 0:26:26.879
<v Speaker 1>little bit of the songs, but we talked about it.

0:26:26.920 --> 0:26:29.280
<v Speaker 1>We liked the songs they were They were really catchy.

0:26:29.400 --> 0:26:30.120
<v Speaker 2>I know I did.

0:26:30.240 --> 0:26:31.760
<v Speaker 1>Did they sing them? Do you know that?

0:26:32.119 --> 0:26:34.639
<v Speaker 2>That's what I was gonna ask when I was really

0:26:34.640 --> 0:26:37.200
<v Speaker 2>interested into knowing. But when we got the information from

0:26:37.200 --> 0:26:43.000
<v Speaker 2>the producers, it says the character's names on the the

0:26:43.080 --> 0:26:45.560
<v Speaker 2>mentions of the music, it says the character's names.

0:26:45.600 --> 0:26:49.240
<v Speaker 1>They're only apparently, according to one of our producers, they're

0:26:49.240 --> 0:26:53.040
<v Speaker 1>only listed as the Zeta Bytes. So maybe if we

0:26:53.080 --> 0:26:57.080
<v Speaker 1>get a chance to interview one of them, maybe wink wink,

0:26:57.200 --> 0:27:00.119
<v Speaker 1>that might be happening. We might be able to to

0:27:00.280 --> 0:27:04.200
<v Speaker 1>ask this person. So the band blows up. They've now

0:27:04.240 --> 0:27:09.040
<v Speaker 1>got some representation The problem is a Loretta has aspirations

0:27:09.040 --> 0:27:10.800
<v Speaker 1>maybe on being a hologram. She wants to go outside

0:27:10.800 --> 0:27:15.960
<v Speaker 1>and touch birds and rain, and she can't. She has

0:27:16.000 --> 0:27:19.080
<v Speaker 1>to stay inside. That's one of the parameters of her

0:27:19.119 --> 0:27:21.119
<v Speaker 1>being a hologram is she can't go outside. She can

0:27:21.160 --> 0:27:24.040
<v Speaker 1>only stay within the confines of whatever house or building

0:27:24.040 --> 0:27:27.320
<v Speaker 1>they're in, or this little soda can that they can

0:27:27.400 --> 0:27:31.119
<v Speaker 1>download her in and take her around with them in

0:27:31.240 --> 0:27:36.440
<v Speaker 1>different stuff. So yeah, that's gonna make Coachella a little

0:27:36.480 --> 0:27:40.800
<v Speaker 1>difficult to play. But anyway, Rosco, now here's where the

0:27:40.840 --> 0:27:43.000
<v Speaker 1>emotional part of the film really kicks in because Roscoe

0:27:43.040 --> 0:27:46.000
<v Speaker 1>obviously and this makes total sense, And this is what

0:27:46.040 --> 0:27:48.440
<v Speaker 1>I really liked about the second time I watched Okay,

0:27:48.800 --> 0:27:53.840
<v Speaker 1>he much like Weird Science. He's built his ideal woman, Like,

0:27:54.440 --> 0:27:57.120
<v Speaker 1>how does he not start to fall for her? And

0:27:57.160 --> 0:27:59.840
<v Speaker 1>she even his best friend, starts to address it later

0:27:59.880 --> 0:28:03.040
<v Speaker 1>in the film, where she's like, of course you're following

0:28:03.080 --> 0:28:06.320
<v Speaker 1>for her. You built your perfect your quote unquote perfect woman,

0:28:06.320 --> 0:28:09.320
<v Speaker 1>at least what you think is a perfect woman. And

0:28:09.680 --> 0:28:13.919
<v Speaker 1>so Samantha starts to get jealousy. Because one of the

0:28:13.920 --> 0:28:18.000
<v Speaker 1>things that I really liked about this this movie that

0:28:18.119 --> 0:28:22.560
<v Speaker 1>we haven't really seen much of is Samantha put herself

0:28:22.600 --> 0:28:26.679
<v Speaker 1>out there and full on took a shot where he's like,

0:28:26.720 --> 0:28:31.080
<v Speaker 1>there's a scene where she says she's not real and

0:28:31.119 --> 0:28:32.960
<v Speaker 1>he says, well, what's real? And she stands up and

0:28:32.960 --> 0:28:36.480
<v Speaker 1>she says me, I'm real. I've been here the whole time,

0:28:36.600 --> 0:28:41.680
<v Speaker 1>and then she kisses him and it's so sweet, like

0:28:41.760 --> 0:28:45.080
<v Speaker 1>she fully puts herself out there. I'm taking a shot.

0:28:45.360 --> 0:28:47.520
<v Speaker 1>I'm going and so, but did you know you didn't

0:28:47.520 --> 0:28:51.840
<v Speaker 1>see the kiss? You do? I know, but you know

0:28:52.920 --> 0:28:53.600
<v Speaker 1>you gotta imagine.

0:28:54.320 --> 0:28:56.760
<v Speaker 2>I know that that's so funny. Disney does stuff like that.

0:28:57.120 --> 0:28:59.400
<v Speaker 1>Yeah, and it's just a sweet little people bag.

0:28:59.480 --> 0:29:01.040
<v Speaker 2>They weren't crazy.

0:29:01.600 --> 0:29:03.560
<v Speaker 1>And then he instantly kind of the only thing he

0:29:03.560 --> 0:29:08.280
<v Speaker 1>didn't do is go like, yeah, oh man, dude, come

0:29:08.320 --> 0:29:09.440
<v Speaker 1>on again.

0:29:10.160 --> 0:29:13.240
<v Speaker 2>And how could you not know that she was interested

0:29:13.280 --> 0:29:16.200
<v Speaker 2>in you to begin with? When you first bring up

0:29:16.200 --> 0:29:19.280
<v Speaker 2>the date, she's absolutely yes, I would love to go.

0:29:20.040 --> 0:29:22.239
<v Speaker 2>Oh what this is just a setup? I mean she

0:29:22.560 --> 0:29:25.320
<v Speaker 2>there's multiple times and we only get to see ninety

0:29:25.360 --> 0:29:30.040
<v Speaker 2>minutes of it, and we're catching on, Roscoe, get it together, homie.

0:29:32.320 --> 0:29:34.280
<v Speaker 1>Okay, so this is a perfect chance. There's this game

0:29:34.320 --> 0:29:36.560
<v Speaker 1>that we wanted to play for a while that we

0:29:36.600 --> 0:29:37.960
<v Speaker 1>haven't had a chance to do yet, and I think

0:29:37.960 --> 0:29:40.640
<v Speaker 1>this is the perfect opportunity. The game is called would

0:29:40.720 --> 0:29:43.840
<v Speaker 1>she ever really want it? So I have to ask.

0:29:44.120 --> 0:29:46.959
<v Speaker 1>You've got Roscoe, he's kind of like his dad. You're right,

0:29:46.960 --> 0:29:48.760
<v Speaker 1>you pointed that out takes it in a whole different direction.

0:29:49.320 --> 0:29:54.000
<v Speaker 1>Computer nerd falling in love with a fake girl when

0:29:54.040 --> 0:29:57.360
<v Speaker 1>the real girl, who is a literal rock star and

0:29:57.480 --> 0:30:00.760
<v Speaker 1>kicks some serious ass all the way around, is totally

0:30:00.760 --> 0:30:04.680
<v Speaker 1>in love with them. They both strangely seem out of

0:30:04.680 --> 0:30:07.120
<v Speaker 1>his league, one because she's a hologram, but he and

0:30:07.120 --> 0:30:09.800
<v Speaker 1>and a pop star. But the other one is would

0:30:09.840 --> 0:30:14.000
<v Speaker 1>either of these characters actually fall for this character? Yes?

0:30:14.680 --> 0:30:16.560
<v Speaker 1>I agree with you one hundred percent. Yes.

0:30:16.680 --> 0:30:20.720
<v Speaker 2>First of all, he's adorable. He's so cute, right, and

0:30:20.760 --> 0:30:23.000
<v Speaker 2>I love that. Well, I'll get That's why in one

0:30:23.000 --> 0:30:25.000
<v Speaker 2>of my sabriencies, because you haven't mentioned it yet, I'm

0:30:25.040 --> 0:30:26.640
<v Speaker 2>holding my breath that you're not going to take them

0:30:26.680 --> 0:30:32.120
<v Speaker 2>all again. But he's smart, he's kind, he's a great

0:30:32.200 --> 0:30:34.760
<v Speaker 2>friend to her. It's not he's not a jerk to her,

0:30:35.200 --> 0:30:36.000
<v Speaker 2>but also.

0:30:36.200 --> 0:30:39.440
<v Speaker 1>Is he is he a great friend? He's the first

0:30:39.440 --> 0:30:41.240
<v Speaker 1>one to come up and say, oh my god, you

0:30:41.240 --> 0:30:44.200
<v Speaker 1>should write the songs and let somebody else sing.

0:30:44.600 --> 0:30:47.280
<v Speaker 2>You should let somebody else. I know, it was really harsh.

0:30:47.360 --> 0:30:48.040
<v Speaker 2>I was really hard.

0:30:48.360 --> 0:30:50.960
<v Speaker 1>Yeah, I mean he's he's I don't know how great

0:30:51.000 --> 0:30:53.400
<v Speaker 1>a friend he is. He's like you, you know, they're right.

0:30:53.640 --> 0:30:56.560
<v Speaker 2>He's there for her. I mean, he comes to she's

0:30:56.600 --> 0:30:59.240
<v Speaker 2>the one that asks him to come to the audition

0:30:59.360 --> 0:31:01.520
<v Speaker 2>in the first place. He doesn't have to go. He's

0:31:01.520 --> 0:31:04.520
<v Speaker 2>working on making cats and stuff. He didn't have to go.

0:31:05.080 --> 0:31:07.360
<v Speaker 2>He's got stuff to do. He's got his own homework

0:31:07.560 --> 0:31:13.000
<v Speaker 2>he's making. He just hated to go. Yeah, he did go.

0:31:13.400 --> 0:31:15.720
<v Speaker 2>So he again, he's in his own world. He doesn't

0:31:15.760 --> 0:31:18.360
<v Speaker 2>really make sense. I think when he says that comment,

0:31:18.520 --> 0:31:20.120
<v Speaker 2>he already had in the back of his mind an

0:31:20.160 --> 0:31:21.360
<v Speaker 2>idea of what he was going to do.

0:31:21.560 --> 0:31:23.360
<v Speaker 1>That he wanted to build a girl, and he wanted

0:31:23.360 --> 0:31:25.880
<v Speaker 1>an excuse that wasn't creepy to build a girl. So

0:31:25.880 --> 0:31:27.040
<v Speaker 1>he's like, you need a lead singer.

0:31:27.040 --> 0:31:28.960
<v Speaker 2>Here, you go here, you need a lead singer. I

0:31:29.000 --> 0:31:30.760
<v Speaker 2>can have a girlfriend. You can get a lead singer

0:31:30.760 --> 0:31:32.640
<v Speaker 2>at all works. So that's that.

0:31:32.800 --> 0:31:35.640
<v Speaker 1>Yeah, he seemed he was. He was always there for her.

0:31:35.720 --> 0:31:38.520
<v Speaker 1>But sometimes while he was there, you're saying things like

0:31:38.600 --> 0:31:41.880
<v Speaker 1>you're not good enough to do this yourself. Yeah, so,

0:31:42.080 --> 0:31:45.600
<v Speaker 1>but I don't disagree with you. I can see how.

0:31:45.560 --> 0:31:46.720
<v Speaker 2>In a high school world.

0:31:47.160 --> 0:31:51.960
<v Speaker 1>Yeah, the soft spoken computer nerd and I'm a nerd myself.

0:31:52.320 --> 0:31:54.160
<v Speaker 1>How the girl who's kind of the rock star they

0:31:54.160 --> 0:31:57.240
<v Speaker 1>spend all this time together, I can totally see how

0:31:57.280 --> 0:31:59.680
<v Speaker 1>she developed feelings for him totally.

0:31:59.800 --> 0:32:04.000
<v Speaker 2>And then now you put in some competition, and that's

0:32:04.080 --> 0:32:08.080
<v Speaker 2>where girls they start to lose their marbles. Okay, you

0:32:08.120 --> 0:32:11.320
<v Speaker 2>cannot put some compet Now there's competition on the line.

0:32:11.560 --> 0:32:13.560
<v Speaker 2>It doesn't seem like he has the same kind of

0:32:13.960 --> 0:32:18.240
<v Speaker 2>you know, relationship with the other two bandmates. It's just

0:32:18.360 --> 0:32:21.920
<v Speaker 2>her and him. Now there's some competition, and oh, she's

0:32:21.920 --> 0:32:23.640
<v Speaker 2>going balls to the wall. She's pissed.

0:32:23.840 --> 0:32:25.360
<v Speaker 1>Here we go. But he even says to her at

0:32:25.360 --> 0:32:28.000
<v Speaker 1>one point they you know, she says something like, well, geez,

0:32:28.000 --> 0:32:30.520
<v Speaker 1>why don't you if only you could reprogram me so

0:32:30.560 --> 0:32:32.040
<v Speaker 1>I didn't argue with you all the time. He's like, yeah,

0:32:32.040 --> 0:32:34.320
<v Speaker 1>I wish I could or something. It's like, whoa that

0:32:35.200 --> 0:32:42.280
<v Speaker 1>even the character apologized, He's like, sorry that was super harsh, dude, like,

0:32:42.360 --> 0:32:44.719
<v Speaker 1>I wish I could reprogram you, so you just agreed

0:32:44.720 --> 0:32:45.440
<v Speaker 1>with me all the time.

0:32:45.520 --> 0:32:46.720
<v Speaker 2>Wow, Well.

0:32:55.040 --> 0:32:57.560
<v Speaker 1>There's now officially a love triangle where the Hologram and

0:32:57.600 --> 0:33:04.479
<v Speaker 1>Samantha are fighting over this guy and Loretta then to

0:33:04.600 --> 0:33:08.720
<v Speaker 1>get away from everything going on, goes into the Internet.

0:33:08.760 --> 0:33:10.360
<v Speaker 1>Now this is the first time when I saw this

0:33:10.400 --> 0:33:13.840
<v Speaker 1>where I was like, this is Banana's ba n A

0:33:13.960 --> 0:33:16.840
<v Speaker 1>n as, Like, what is going on? She's now in

0:33:16.880 --> 0:33:21.240
<v Speaker 1>the Internet machine where she meets a truck driver who

0:33:21.400 --> 0:33:23.720
<v Speaker 1>is kind of in control of the Internet and.

0:33:23.640 --> 0:33:27.400
<v Speaker 2>Being the idiot robot she is, she just joins this

0:33:28.080 --> 0:33:30.040
<v Speaker 2>stranger of a truck driver.

0:33:30.280 --> 0:33:32.760
<v Speaker 1>And then and then jumps into the thing. But do

0:33:32.800 --> 0:33:35.560
<v Speaker 1>you know what Disney did first here too? I realized

0:33:35.600 --> 0:33:41.080
<v Speaker 1>this is wrecket Ralph? Straight up? Did they did wreck

0:33:41.120 --> 0:33:44.080
<v Speaker 1>it Ralph before even wrecket Ralph? I mean, this is

0:33:44.240 --> 0:33:48.200
<v Speaker 1>like the precursor that she's going to try to find

0:33:48.240 --> 0:33:50.960
<v Speaker 1>the email and she's like They're like, oh my god,

0:33:51.040 --> 0:33:53.560
<v Speaker 1>there's a virus. This is all like straight up wreck

0:33:53.600 --> 0:33:57.920
<v Speaker 1>itt Ralph. And for the budget and the time, the

0:33:58.000 --> 0:34:00.320
<v Speaker 1>effects aren't bad. Right.

0:34:00.480 --> 0:34:04.640
<v Speaker 2>I did not understand why this train contraption that pixture

0:34:04.840 --> 0:34:08.680
<v Speaker 2>up looked that way, I thought, Yeah, it reminded me

0:34:08.760 --> 0:34:11.319
<v Speaker 2>a little of like the was it their training back

0:34:11.360 --> 0:34:13.200
<v Speaker 2>to the future that kind of looked funk.

0:34:13.080 --> 0:34:15.239
<v Speaker 1>Back Yeah, the future three.

0:34:15.320 --> 0:34:17.399
<v Speaker 2>Yeah, reminded me of that a little bit.

0:34:17.480 --> 0:34:19.520
<v Speaker 1>I felt it was almost like a Mad Max kind

0:34:19.520 --> 0:34:20.000
<v Speaker 1>of vehicle.

0:34:20.160 --> 0:34:22.520
<v Speaker 2>Yes, it could have been more modern, because that's what

0:34:22.560 --> 0:34:24.799
<v Speaker 2>they were going for, was this modern oh.

0:34:24.600 --> 0:34:26.280
<v Speaker 1>Like a space shippy kind of thing.

0:34:26.200 --> 0:34:30.280
<v Speaker 2>Space shipping type situation, rather than this old school looking

0:34:30.360 --> 0:34:33.480
<v Speaker 2>train thing. That's that didn't I did love that part.

0:34:33.320 --> 0:34:34.960
<v Speaker 1>But the first thing, but the thing would pop ups

0:34:35.000 --> 0:34:35.480
<v Speaker 1>and all that, and.

0:34:35.440 --> 0:34:38.640
<v Speaker 2>The dice why does he have dice in his training things?

0:34:38.719 --> 0:34:42.320
<v Speaker 2>A little furry dice? Like everyone still has, yeah, spurry

0:34:42.400 --> 0:34:44.960
<v Speaker 2>dice anymore except for my friend Carrie, who I got

0:34:44.960 --> 0:34:47.319
<v Speaker 2>some for her for her sixteen that's for.

0:34:47.520 --> 0:34:50.040
<v Speaker 1>And what Han Solo has them in the Millennium Falca

0:34:50.040 --> 0:34:53.160
<v Speaker 1>But that's a whole different thing. So yeah, she's trying

0:34:53.200 --> 0:34:57.360
<v Speaker 1>to I guess fine, she's trying to be more real.

0:34:57.520 --> 0:34:59.879
<v Speaker 1>She doesn't like the idea of being perfect. She wants

0:34:59.920 --> 0:35:02.320
<v Speaker 1>to There's actually a great scene between her and Samantha

0:35:02.320 --> 0:35:05.439
<v Speaker 1>where it's great but harsh and I'm amazed. They went

0:35:05.520 --> 0:35:12.080
<v Speaker 1>this route where she literally calls her fat I know that,

0:35:12.520 --> 0:35:14.480
<v Speaker 1>and it's like, well you at least I'm alive. You

0:35:14.480 --> 0:35:17.560
<v Speaker 1>don't have any feelings. It was like a harsh between

0:35:17.560 --> 0:35:18.640
<v Speaker 1>these two girls.

0:35:18.760 --> 0:35:24.520
<v Speaker 2>I'm the way the quote she said of her being

0:35:24.560 --> 0:35:27.239
<v Speaker 2>a little bit it was too much water or.

0:35:27.280 --> 0:35:29.600
<v Speaker 1>Something, yeah, like you're you have too much you carry

0:35:29.680 --> 0:35:31.719
<v Speaker 1>just water weight, maybe too much such.

0:35:31.800 --> 0:35:37.320
<v Speaker 2>It was like whoa Loretta wait lo heyes, lo redda,

0:35:37.960 --> 0:35:40.400
<v Speaker 2>I need you to take it down a bit. Calm

0:35:40.440 --> 0:35:41.000
<v Speaker 2>down girl.

0:35:41.360 --> 0:35:43.759
<v Speaker 1>And then she's like, yeah, you don't ever learn And

0:35:43.760 --> 0:35:46.200
<v Speaker 1>then the Samantha comes back with, well, you'll never learn

0:35:46.280 --> 0:35:48.600
<v Speaker 1>anything and you're not. It's basically like you you're not

0:35:48.640 --> 0:35:50.719
<v Speaker 1>gonna you have a no soul. You're gonna end up there.

0:35:50.840 --> 0:35:52.480
<v Speaker 2>It's like, oh my god, you know what a baby is,

0:35:52.520 --> 0:35:53.640
<v Speaker 2>but you've never been one.

0:35:53.960 --> 0:35:56.799
<v Speaker 1>Yeah, it's it's a harsh fight. It's a very real

0:35:56.880 --> 0:35:57.359
<v Speaker 1>harsh fight.

0:35:57.480 --> 0:36:01.000
<v Speaker 2>It was the weight thing really shocked me though.

0:36:01.000 --> 0:36:04.759
<v Speaker 1>He too, because it's it's very not Disney exactly to

0:36:04.800 --> 0:36:08.600
<v Speaker 1>go after somebody's looks or wait, we've.

0:36:08.480 --> 0:36:11.080
<v Speaker 2>Seen that twice. Now, where was the other one? Got

0:36:11.080 --> 0:36:11.680
<v Speaker 2>to kick it up?

0:36:12.360 --> 0:36:15.600
<v Speaker 1>Remember Reese's pieces in the beginning with America.

0:36:15.280 --> 0:36:19.799
<v Speaker 2>For our friend, Yes, bully coming after her. It's not big.

0:36:19.840 --> 0:36:21.840
<v Speaker 2>They don't go into it for very long. It's just

0:36:21.880 --> 0:36:23.720
<v Speaker 2>like a small little snippet.

0:36:23.560 --> 0:36:27.080
<v Speaker 1>A little jab And both times it's interesting. It's girl

0:36:27.320 --> 0:36:30.200
<v Speaker 1>against girl. Absolutely, they're never making fun of a boy's

0:36:30.200 --> 0:36:32.160
<v Speaker 1>weight or any of that stuff. It's girl against girl.

0:36:32.440 --> 0:36:36.120
<v Speaker 1>Very interesting. I didn't think about that. That's a good connection. So, yes,

0:36:36.280 --> 0:36:39.080
<v Speaker 1>she's speeding on the Information super Highway and the truck

0:36:39.160 --> 0:36:42.200
<v Speaker 1>driver is showing her around, and we talked about how

0:36:42.400 --> 0:36:45.319
<v Speaker 1>I think the effects are pretty darn good for the

0:36:45.360 --> 0:36:48.840
<v Speaker 1>budget what they had. But again, this guy was Jurassic

0:36:48.880 --> 0:36:51.360
<v Speaker 1>Park terminator. You give him twenty dollars, he's going to

0:36:51.400 --> 0:36:53.680
<v Speaker 1>make it seem like you gave him a hundred thousands. Absolutely,

0:36:53.880 --> 0:36:54.680
<v Speaker 1>it looked amazing.

0:36:54.719 --> 0:36:58.239
<v Speaker 2>I just didn't really one hundred percent understand what her

0:36:58.320 --> 0:36:59.600
<v Speaker 2>mission was going in there.

0:37:00.000 --> 0:37:01.880
<v Speaker 1>I know I didn't either, And.

0:37:01.920 --> 0:37:04.400
<v Speaker 2>Then when she came out what it was that she

0:37:04.560 --> 0:37:07.839
<v Speaker 2>gained that was just a very big barret. It just

0:37:08.080 --> 0:37:10.440
<v Speaker 2>it was cool that they were again, especially since we

0:37:10.520 --> 0:37:12.680
<v Speaker 2>now know they were at the front of this type

0:37:12.719 --> 0:37:16.200
<v Speaker 2>of you know, AI stuff. But at the same time,

0:37:16.480 --> 0:37:18.440
<v Speaker 2>what was the purpose.

0:37:18.840 --> 0:37:20.560
<v Speaker 1>I agree there was no real motivation.

0:37:20.680 --> 0:37:22.040
<v Speaker 2>She watched it two times.

0:37:22.040 --> 0:37:24.640
<v Speaker 1>Will didn't understand. Yeah, me too. I didn't need it.

0:37:24.760 --> 0:37:25.200
<v Speaker 1>I don't.

0:37:25.280 --> 0:37:26.840
<v Speaker 2>I still don't have the answer.

0:37:27.000 --> 0:37:29.360
<v Speaker 1>So yeah, it was Hey, let's let's go into the

0:37:29.400 --> 0:37:31.480
<v Speaker 1>information too. Let's go into the web and see what

0:37:31.520 --> 0:37:33.160
<v Speaker 1>the web would look like, which again would look like

0:37:33.239 --> 0:37:36.319
<v Speaker 1>two thousand and four. Probably we're going back to. If

0:37:36.360 --> 0:37:38.440
<v Speaker 1>you go back to like tron and stuff like that,

0:37:38.640 --> 0:37:40.440
<v Speaker 1>then you got to see like the inside of the

0:37:40.480 --> 0:37:42.839
<v Speaker 1>quote unquote computer. But this is one of the first

0:37:42.880 --> 0:37:44.960
<v Speaker 1>times of going into the web and all that kind

0:37:44.960 --> 0:37:47.839
<v Speaker 1>of stuff. So cool, But I agree the motivation was

0:37:48.239 --> 0:37:52.480
<v Speaker 1>muddled at best. Yeah. Yeah. Through a random series of events,

0:37:52.600 --> 0:37:55.520
<v Speaker 1>she's at a concert somebody, you know, she starts to

0:37:55.520 --> 0:37:59.160
<v Speaker 1>lose pixelation. People in the audience realize she's she's fake,

0:37:59.520 --> 0:38:02.959
<v Speaker 1>but love the idea that there's a hologram pop star.

0:38:03.440 --> 0:38:06.080
<v Speaker 1>The record company gets wint to the fact that this

0:38:06.239 --> 0:38:09.520
<v Speaker 1>is going to happen. They love the idea, and now

0:38:09.600 --> 0:38:11.960
<v Speaker 1>Rosco's dad because this is going to kind of end

0:38:12.040 --> 0:38:14.759
<v Speaker 1>up saving his dad's job. Again. The super wealthy guy

0:38:14.760 --> 0:38:18.240
<v Speaker 1>for some reason was about to lose his job becomes

0:38:18.520 --> 0:38:21.799
<v Speaker 1>partners with Roscoe, or tries to become partners with Roscoe

0:38:22.280 --> 0:38:27.040
<v Speaker 1>as they then pivot the entire movie to more of

0:38:27.040 --> 0:38:30.719
<v Speaker 1>a morality tale of not only fathers and sons and

0:38:31.160 --> 0:38:33.120
<v Speaker 1>being your dad and being there for your kid, but

0:38:33.320 --> 0:38:40.239
<v Speaker 1>also is Loretta modern becoming her own person? Should she

0:38:40.320 --> 0:38:43.799
<v Speaker 1>be allowed to have her own voice, her own ideas.

0:38:44.200 --> 0:38:45.960
<v Speaker 1>The answer is, of course no, she's a computer thing.

0:38:46.000 --> 0:38:49.520
<v Speaker 1>But whatever, I get where they're going for the morality play,

0:38:49.560 --> 0:38:51.920
<v Speaker 1>because it is Disney, it's like she's supposed to she

0:38:51.960 --> 0:38:54.480
<v Speaker 1>should be able to make her own decisions, and it's

0:38:54.520 --> 0:38:59.920
<v Speaker 1>interesting how they they do that. So the record executive

0:39:00.320 --> 0:39:03.359
<v Speaker 1>essentially says, I'm taking you. If you want to get

0:39:03.400 --> 0:39:04.600
<v Speaker 1>out of here, we should get out of here, and

0:39:04.640 --> 0:39:07.640
<v Speaker 1>he downloads her to his phone. They take off. She

0:39:07.800 --> 0:39:12.880
<v Speaker 1>is once again in the web. Meanwhile, this is the

0:39:12.960 --> 0:39:16.720
<v Speaker 1>Japanese web. Now, yes, now she's somehow in Japan.

0:39:16.680 --> 0:39:21.360
<v Speaker 2>Japan in a perfectly ensemble outfit.

0:39:21.680 --> 0:39:25.680
<v Speaker 1>Right, and she mentions that she went club hopping in Japan.

0:39:26.239 --> 0:39:29.439
<v Speaker 1>Somehow we don't get into that. And it's weird enough,

0:39:29.440 --> 0:39:30.960
<v Speaker 1>but we don't get into that. You imagine, maybe it's

0:39:30.960 --> 0:39:33.120
<v Speaker 1>from one club goers phone to another seeing the music,

0:39:33.120 --> 0:39:36.640
<v Speaker 1>who knows all right, the band tries to go on

0:39:36.840 --> 0:39:43.480
<v Speaker 1>without her, so Samantha puts on a wig, fakes the dance, moves,

0:39:44.160 --> 0:39:51.320
<v Speaker 1>tries one cartwheel, and almost dies. That is not an exaggeration.

0:39:52.120 --> 0:39:54.440
<v Speaker 1>That's literally what happened.

0:39:54.440 --> 0:39:59.000
<v Speaker 2>But could we pause and talk about Mom is now

0:39:59.120 --> 0:40:03.680
<v Speaker 2>up there playing Samantha's old role. Correct, So Mom is

0:40:03.719 --> 0:40:07.160
<v Speaker 2>giving the okay for the daughter to put on a

0:40:07.160 --> 0:40:08.840
<v Speaker 2>wig and portray somebody.

0:40:08.440 --> 0:40:12.120
<v Speaker 1>Else, right, who now doesn't need a microphone? Because apparently

0:40:12.120 --> 0:40:13.759
<v Speaker 1>now when you front this band, you no longer need

0:40:13.800 --> 0:40:14.600
<v Speaker 1>a mic now.

0:40:14.680 --> 0:40:16.759
<v Speaker 2>I didn't watch Hannah Montana a lot.

0:40:16.840 --> 0:40:17.520
<v Speaker 1>I never saw it.

0:40:17.640 --> 0:40:20.680
<v Speaker 2>This seems like the the build up. This is what

0:40:20.760 --> 0:40:23.560
<v Speaker 2>the Hannah Montana. She wears wigs when she's performing, and

0:40:23.560 --> 0:40:27.400
<v Speaker 2>then she's like her real persona. She has her Mala

0:40:27.480 --> 0:40:30.760
<v Speaker 2>Cyris's gorgeous brown hair, but on when she's on stage,

0:40:30.760 --> 0:40:32.600
<v Speaker 2>she asked the way a blonde wig? So for me,

0:40:32.640 --> 0:40:34.320
<v Speaker 2>I went, oh my gosh, is this where they figured

0:40:34.360 --> 0:40:37.360
<v Speaker 2>out is pixel perfect? Where they thought of the idea

0:40:37.440 --> 0:40:38.480
<v Speaker 2>for Sannah Montana.

0:40:38.600 --> 0:40:39.560
<v Speaker 1>Which one came first?

0:40:39.719 --> 0:40:41.560
<v Speaker 2>I don't know, A two thousand and four I don't

0:40:41.560 --> 0:40:42.880
<v Speaker 2>remember when Ana Montana came out.

0:40:42.920 --> 0:40:45.239
<v Speaker 1>Oh my god, what what came first, the egg or

0:40:45.280 --> 0:40:46.279
<v Speaker 1>hatching pete?

0:40:46.840 --> 0:40:50.520
<v Speaker 2>Right, So I also don't know if if Hannah Montana

0:40:50.600 --> 0:40:53.320
<v Speaker 2>like the parent part of this, but that really struck

0:40:53.360 --> 0:40:56.600
<v Speaker 2>me very weird that the mom's like, oh, yeah, I'll

0:40:56.640 --> 0:40:59.520
<v Speaker 2>take your part. You go and put a wig on

0:40:59.560 --> 0:41:02.040
<v Speaker 2>and be somebody else and be yes, because you're not

0:41:02.080 --> 0:41:03.960
<v Speaker 2>good enough to take spotlight by yourself.

0:41:04.120 --> 0:41:07.000
<v Speaker 1>Yes, you can't just play the guitar. That was so

0:41:07.040 --> 0:41:09.319
<v Speaker 1>weird to me and be awesome like you were.

0:41:09.560 --> 0:41:12.520
<v Speaker 2>Can't just be cool and guitar? Yes, So that was weird.

0:41:12.600 --> 0:41:15.960
<v Speaker 1>But she was again dear listeners, not an exaggeration. She

0:41:16.120 --> 0:41:17.960
<v Speaker 1>tries one cartwheel.

0:41:17.640 --> 0:41:19.879
<v Speaker 2>But by the looks of the cartwheel, you could tell

0:41:19.920 --> 0:41:22.760
<v Speaker 2>she really wasn't sure about the cartwheel. Well, first of all,

0:41:24.360 --> 0:41:28.319
<v Speaker 2>the actress Leah Pipes, great actress. Yes, cartwheels like a

0:41:28.360 --> 0:41:33.839
<v Speaker 2>six month old if we're being totally honest, and I

0:41:33.880 --> 0:41:35.759
<v Speaker 2>bet you. She was like, I don't. I bet you

0:41:35.960 --> 0:41:38.440
<v Speaker 2>when when if you get a chance to ask her

0:41:39.080 --> 0:41:41.680
<v Speaker 2>and go with the cartwheel? How nervous were you? Do

0:41:41.760 --> 0:41:44.120
<v Speaker 2>you have an experience? She's like, no, I thought I

0:41:44.160 --> 0:41:45.680
<v Speaker 2>was actually going to die.

0:41:46.080 --> 0:41:49.520
<v Speaker 1>I hope that's because if not, then she acted it beautifully.

0:41:49.640 --> 0:41:53.319
<v Speaker 2>Either that or she was a great acting into that cartwheel.

0:41:53.360 --> 0:41:57.239
<v Speaker 1>Because she cartwheels into falling off the stage and ends

0:41:57.320 --> 0:42:01.320
<v Speaker 1>up in a coma. Yeah again, all this is really happening.

0:42:01.920 --> 0:42:07.000
<v Speaker 1>This is when I was going, wait, what so, so

0:42:07.880 --> 0:42:09.959
<v Speaker 1>were you shocked that all of a sudden it turned

0:42:09.960 --> 0:42:11.120
<v Speaker 1>into a coma story.

0:42:11.440 --> 0:42:14.680
<v Speaker 2>Yes, I figured she would get hurt and that would

0:42:15.160 --> 0:42:19.520
<v Speaker 2>when it woke up into the hospital. That's when I

0:42:19.640 --> 0:42:23.600
<v Speaker 2>was like, oh my gosh, what.

0:42:23.000 --> 0:42:24.680
<v Speaker 1>Yeah, she said a coma.

0:42:24.960 --> 0:42:27.680
<v Speaker 2>She did hit the back of her head falling from

0:42:27.680 --> 0:42:30.920
<v Speaker 2>a stage. Okay, but I just wouldn't expect that to

0:42:31.080 --> 0:42:32.240
<v Speaker 2>it would go that serious.

0:42:32.280 --> 0:42:35.360
<v Speaker 1>But you know, no, she's also at the only really

0:42:35.360 --> 0:42:39.680
<v Speaker 1>popular concert where the girl falls back perfectly wanting to

0:42:39.680 --> 0:42:42.160
<v Speaker 1>be caught for a stage dive, and everyone just parts

0:42:42.160 --> 0:42:43.280
<v Speaker 1>the way.

0:42:44.600 --> 0:42:47.279
<v Speaker 2>I would have hoped that one really actually happened. I

0:42:47.320 --> 0:42:49.400
<v Speaker 2>hope you try to help someone.

0:42:49.320 --> 0:42:53.839
<v Speaker 1>Yes, catch somebody, trustfall catch somebody. So Loretta ends up

0:42:54.520 --> 0:42:58.680
<v Speaker 1>jumping into the hospital brain machine, the EKG machine going

0:42:58.800 --> 0:43:04.040
<v Speaker 1>into Samantha's waking her back up, taking over her body

0:43:04.120 --> 0:43:08.240
<v Speaker 1>briefly just so she can experience rain, and then disappears

0:43:08.640 --> 0:43:13.160
<v Speaker 1>and lets Samantha then run the band again, and then

0:43:13.480 --> 0:43:17.799
<v Speaker 1>it ends with it being totally fine that Samantha is

0:43:17.840 --> 0:43:20.400
<v Speaker 1>the lead singer of the band, which leads me to believe,

0:43:20.880 --> 0:43:22.759
<v Speaker 1>why couldn't she have always just been the lead singer

0:43:22.800 --> 0:43:24.719
<v Speaker 1>of the band. She didn't learn it, you know.

0:43:24.760 --> 0:43:27.600
<v Speaker 2>She didn't, But that's what it always should have been.

0:43:27.680 --> 0:43:30.960
<v Speaker 2>And it's just I feel I'm hoping that the story,

0:43:31.680 --> 0:43:34.799
<v Speaker 2>like the moral of the story, was believe in yourself,

0:43:35.480 --> 0:43:39.239
<v Speaker 2>work on you guys, being best at what you do,

0:43:39.840 --> 0:43:43.120
<v Speaker 2>instead of trying to alter and go towards This was

0:43:43.200 --> 0:43:47.520
<v Speaker 2>one person of you know, again, I hate this character.

0:43:47.560 --> 0:43:51.040
<v Speaker 2>I hated him that he was my Oh. I couldn't

0:43:51.040 --> 0:43:52.160
<v Speaker 2>stand that club owner.

0:43:52.200 --> 0:43:54.319
<v Speaker 1>I could not stand oh, yeah, you're not supposed the

0:43:54.320 --> 0:43:57.279
<v Speaker 1>British guy who's just not you're a girl, you can't

0:43:57.280 --> 0:43:59.839
<v Speaker 1>be gone. Yeah, it's like, yeah, it's very weird.

0:44:00.239 --> 0:44:03.319
<v Speaker 2>I could not stand him. One guy. That was one

0:44:03.360 --> 0:44:05.480
<v Speaker 2>guy that should not take your dreams away or make

0:44:05.520 --> 0:44:08.960
<v Speaker 2>you alter what your vision, especially when it comes to art.

0:44:09.280 --> 0:44:12.040
<v Speaker 2>It should be about your vision, not anyone else's, right.

0:44:12.120 --> 0:44:14.680
<v Speaker 2>So I agree, I think that's what it was supposed

0:44:14.719 --> 0:44:17.880
<v Speaker 2>to be. But I do need to again go back

0:44:18.239 --> 0:44:22.600
<v Speaker 2>and talk about these parents for just two seconds. Why

0:44:22.800 --> 0:44:25.760
<v Speaker 2>were they okay with her get being in a coma,

0:44:25.880 --> 0:44:29.000
<v Speaker 2>getting up and then going into the rain. Why if

0:44:29.000 --> 0:44:31.360
<v Speaker 2>she's been in acoma, she should not have the strength

0:44:31.680 --> 0:44:33.880
<v Speaker 2>to be able to do that. Didn't you think that

0:44:34.000 --> 0:44:35.080
<v Speaker 2>was very strange too.

0:44:35.200 --> 0:44:38.840
<v Speaker 1>Yes, you thought maybe they'd say, hey, you've been asleep

0:44:38.880 --> 0:44:41.120
<v Speaker 1>for a week, maybe stay in bed.

0:44:41.400 --> 0:44:43.080
<v Speaker 2>My parents would have been like, I don't care what

0:44:43.239 --> 0:44:45.279
<v Speaker 2>your issue is right now, you're not getting out of bed.

0:44:45.440 --> 0:44:46.239
<v Speaker 2>Not getting out of bed.

0:44:46.360 --> 0:44:48.440
<v Speaker 1>Yeah, I think my parents probably would have also mentioned

0:44:48.480 --> 0:44:50.560
<v Speaker 1>the girl breaking into pixels and going into the AKG

0:44:50.840 --> 0:44:51.600
<v Speaker 1>that would come up.

0:44:51.760 --> 0:44:53.920
<v Speaker 2>No one brought anything up about that. Nothing.

0:44:54.040 --> 0:44:55.640
<v Speaker 1>Yes, that was a strange ending.

0:44:55.680 --> 0:44:57.680
<v Speaker 2>And they it seemed there was a couple of lines

0:44:57.680 --> 0:44:59.920
<v Speaker 2>where they were on to the fact that it was

0:45:00.080 --> 0:45:01.640
<v Speaker 2>isn't actually Samantha, it.

0:45:01.600 --> 0:45:04.640
<v Speaker 1>Was Loretta, Yes, And Loretta says it's gonna be I'm

0:45:04.680 --> 0:45:07.279
<v Speaker 1>borrow essentially, I'm borrowing her body briefly and I'll give

0:45:07.280 --> 0:45:11.040
<v Speaker 1>it back. And the parents are like, great, you gotta cool. Yeah,

0:45:11.239 --> 0:45:12.879
<v Speaker 1>Disney parents need some work.

0:45:13.040 --> 0:45:14.200
<v Speaker 2>Should we meet you out there?

0:45:14.280 --> 0:45:16.360
<v Speaker 1>Are you gonna come back in here or see you

0:45:16.400 --> 0:45:19.200
<v Speaker 1>after you run around in the lightning and rain?

0:45:19.280 --> 0:45:22.040
<v Speaker 2>Would you like five dollars to get maybe a twist

0:45:22.040 --> 0:45:24.440
<v Speaker 2>out at the vending machine and a dream like what?

0:45:25.120 --> 0:45:26.759
<v Speaker 2>That just didn't make sense at all. I did not

0:45:26.880 --> 0:45:29.240
<v Speaker 2>that part. That's the part that of the movie where

0:45:29.680 --> 0:45:32.560
<v Speaker 2>I was liking it. I was able to get past

0:45:32.640 --> 0:45:37.680
<v Speaker 2>the the web train and then this is when I

0:45:37.719 --> 0:45:42.320
<v Speaker 2>went okay, so and then he kind of flip flopped.

0:45:42.400 --> 0:45:46.600
<v Speaker 2>Was Roscoe more worried about Loretta or worried about Samantha?

0:45:46.640 --> 0:45:48.960
<v Speaker 2>I couldn't really tell the difference yet.

0:45:49.080 --> 0:45:52.080
<v Speaker 1>No, that that also got muddled. It was the ending

0:45:52.480 --> 0:45:54.000
<v Speaker 1>needed I think a bit of a rewrite.

0:45:54.320 --> 0:45:57.360
<v Speaker 2>Yeah, a little bit, because the rest of it was great.

0:45:57.400 --> 0:46:00.399
<v Speaker 2>And again, the actors were great. The music was its great.

0:46:00.480 --> 0:46:03.680
<v Speaker 1>Yes, the visuals were great. It just we needed a

0:46:03.680 --> 0:46:13.200
<v Speaker 1>little tweak on the story. That's what we think of

0:46:13.239 --> 0:46:14.719
<v Speaker 1>the movie. Why don't we get into real reviews and

0:46:14.760 --> 0:46:17.720
<v Speaker 1>see what other people think of the movie. I don't

0:46:17.800 --> 0:46:19.879
<v Speaker 1>ever do this, but I want to call one. I'd

0:46:19.920 --> 0:46:21.880
<v Speaker 1>really like to do the one star review this time,

0:46:22.239 --> 0:46:23.799
<v Speaker 1>So if you could start us off with the five

0:46:23.800 --> 0:46:24.960
<v Speaker 1>star review, that would.

0:46:24.800 --> 0:46:32.920
<v Speaker 2>Be great, all right, Noel starmg my childhood. This movie

0:46:33.040 --> 0:46:37.360
<v Speaker 2>is such a good watch. Can't recommend it enough. Do

0:46:37.440 --> 0:46:40.160
<v Speaker 2>people say that to you you were my childhood?

0:46:40.320 --> 0:46:43.080
<v Speaker 1>Yeah, I get it all the time. That's I hear

0:46:43.120 --> 0:46:44.520
<v Speaker 1>that almost more than anything else.

0:46:44.680 --> 0:46:47.640
<v Speaker 2>Yes, you were my childhood. I don't ever know how

0:46:47.680 --> 0:46:49.120
<v Speaker 2>to respond to that.

0:46:49.280 --> 0:46:51.520
<v Speaker 1>I love. I just I'm so honored. It's amazing to

0:46:51.560 --> 0:46:51.839
<v Speaker 1>hear that.

0:46:51.960 --> 0:46:54.600
<v Speaker 2>I love It's so cute. Right, But when girls say

0:46:54.640 --> 0:46:57.000
<v Speaker 2>it and they're still eighteen yearly.

0:46:57.160 --> 0:47:00.080
<v Speaker 1>Still a child, yeah, imagine when they're saying it to

0:47:00.160 --> 0:47:03.759
<v Speaker 1>you and they're thirty five. That's the price. You're my

0:47:03.880 --> 0:47:06.839
<v Speaker 1>childhood and this is my child Like, oh, oh my god,

0:47:06.840 --> 0:47:10.320
<v Speaker 1>oh yeah. The one star review, I don't want to

0:47:10.360 --> 0:47:12.319
<v Speaker 1>say it's my favorite review I've ever heard of any

0:47:12.360 --> 0:47:17.360
<v Speaker 1>movie ever, but it's up there. Mohammed k writes, I

0:47:17.400 --> 0:47:23.400
<v Speaker 1>love all women. That's it. Let that silence roll over you.

0:47:23.560 --> 0:47:27.320
<v Speaker 1>That's that's the one star review. I love all women. Okay.

0:47:27.480 --> 0:47:29.160
<v Speaker 1>So this brings us to a brand new future here

0:47:29.160 --> 0:47:32.160
<v Speaker 1>on Magical Rewind, and it's one that I'm pretty excited

0:47:32.200 --> 0:47:35.919
<v Speaker 1>about and involves a producer husband of the podcast, Jensen Karp,

0:47:35.960 --> 0:47:39.960
<v Speaker 1>and we're calling it Jensen's Hot Take, and Jenson's going

0:47:40.000 --> 0:47:40.680
<v Speaker 1>to join us here.

0:47:40.960 --> 0:47:44.240
<v Speaker 3>Hello, Jensen, Hi, guys. Every once in a while, something

0:47:44.320 --> 0:47:46.400
<v Speaker 3>will come to my brain. I will know that it's

0:47:46.440 --> 0:47:48.839
<v Speaker 3>an extremely hot take. This happens a lot in my life.

0:47:49.160 --> 0:47:51.439
<v Speaker 3>I keep it to myself so that no one yells

0:47:51.440 --> 0:47:53.759
<v Speaker 3>at me. But here in this case, I'm willing to share.

0:47:54.160 --> 0:47:56.440
<v Speaker 1>Okay, we'd love to hear what is What's Jensen's hot

0:47:56.440 --> 0:47:57.000
<v Speaker 1>take this week?

0:47:57.880 --> 0:48:00.399
<v Speaker 3>Pixel Perfect is the best decon we've watched so far.

0:48:01.840 --> 0:48:02.280
<v Speaker 1>Wow.

0:48:02.719 --> 0:48:03.000
<v Speaker 2>Wow.

0:48:03.120 --> 0:48:04.880
<v Speaker 3>And by the way, there the record, that's no offense

0:48:04.920 --> 0:48:06.839
<v Speaker 3>to either of you. I know that we've watched both

0:48:06.840 --> 0:48:08.440
<v Speaker 3>of your films. I just want to let you know

0:48:08.480 --> 0:48:10.080
<v Speaker 3>I think both of those were great. I just think

0:48:10.120 --> 0:48:10.720
<v Speaker 3>this is greater.

0:48:11.360 --> 0:48:13.200
<v Speaker 1>Can I ask why is it? Story?

0:48:13.200 --> 0:48:15.120
<v Speaker 3>The whole segment, Just for the record, the whole segment

0:48:15.160 --> 0:48:16.960
<v Speaker 3>is you asking me questions about why I have this

0:48:17.000 --> 0:48:18.120
<v Speaker 3>hot take, and I'm think.

0:48:17.960 --> 0:48:21.120
<v Speaker 1>Okay, well good, why? Why? Now? What has led you

0:48:21.160 --> 0:48:22.120
<v Speaker 1>to this opinion?

0:48:22.600 --> 0:48:27.280
<v Speaker 3>This movie excels on a level that Disney didn't even

0:48:27.360 --> 0:48:30.080
<v Speaker 3>know the film was on, which is the idea that

0:48:30.120 --> 0:48:33.960
<v Speaker 3>this is a critique and a satire of Silicon Valley

0:48:34.120 --> 0:48:38.279
<v Speaker 3>and the bros that worked there, and they wouldn't even

0:48:38.320 --> 0:48:41.680
<v Speaker 3>necessarily know. Well, that's not true unless they're very by

0:48:41.680 --> 0:48:43.680
<v Speaker 3>the way, to show you that they may have known

0:48:43.680 --> 0:48:45.920
<v Speaker 3>exactly what they were doing. The director of the movie

0:48:45.960 --> 0:48:49.080
<v Speaker 3>is on the cutting edge of computer technology. That's true,

0:48:49.239 --> 0:48:52.520
<v Speaker 3>he's already dealt with these people before, so let's throw

0:48:52.520 --> 0:48:59.799
<v Speaker 3>that in. The characters are perfect for the Reddit male garbage.

0:49:00.080 --> 0:49:00.680
<v Speaker 1>That is.

0:49:02.400 --> 0:49:05.799
<v Speaker 3>Their take on women, right. This guy has a perfectly

0:49:05.840 --> 0:49:08.080
<v Speaker 3>good woman in front of him that likes him amazing,

0:49:08.239 --> 0:49:12.760
<v Speaker 3>she's beautiful, she's sys. He thinks he's doing the world

0:49:12.800 --> 0:49:16.720
<v Speaker 3>a favor with the inventions he's making, and in real life,

0:49:17.200 --> 0:49:20.480
<v Speaker 3>he's actually just making it perfect for himself. This is

0:49:21.120 --> 0:49:25.760
<v Speaker 3>Mark Zuckerberg, this is Elon Musk, this is every single

0:49:26.160 --> 0:49:30.600
<v Speaker 3>technology billionaire we've seen is exactly this kid. And by

0:49:30.680 --> 0:49:32.840
<v Speaker 3>the way, even when at the end of the movie,

0:49:32.920 --> 0:49:35.239
<v Speaker 3>just to show you how much I absolutely connect with

0:49:35.280 --> 0:49:37.680
<v Speaker 3>how genius it was written. At the end of the movie,

0:49:37.800 --> 0:49:40.040
<v Speaker 3>the poor girl is still like I sang good, but

0:49:40.160 --> 0:49:43.280
<v Speaker 3>I was a little pitchy. She still knows she's not perfect,

0:49:43.360 --> 0:49:45.760
<v Speaker 3>and she knows this d bag needs perfection.

0:49:46.040 --> 0:49:47.839
<v Speaker 2>I know he is.

0:49:48.440 --> 0:49:52.400
<v Speaker 3>These social media company owning these guys, at the end

0:49:52.400 --> 0:49:54.680
<v Speaker 3>of the day are just bros. They're not geniuses. They're

0:49:54.719 --> 0:49:58.560
<v Speaker 3>just technically, you know, jerks and it's the it's a

0:49:58.719 --> 0:50:01.839
<v Speaker 3>great way to play into that. And at each turn

0:50:01.880 --> 0:50:03.440
<v Speaker 3>I was like, they're not really gonna do that, are they?

0:50:03.480 --> 0:50:03.600
<v Speaker 1>Are?

0:50:03.600 --> 0:50:07.960
<v Speaker 3>They not really? And every time it was and by

0:50:07.960 --> 0:50:12.799
<v Speaker 3>the way, techno anxiety like it's it's all in this movie, Like, uh,

0:50:13.040 --> 0:50:14.800
<v Speaker 3>it kept my intent attention all the way through. I

0:50:14.840 --> 0:50:18.239
<v Speaker 3>will admit jumping into the brain wave machine may have

0:50:18.600 --> 0:50:20.319
<v Speaker 3>may have been one step too far, but again at

0:50:20.320 --> 0:50:22.360
<v Speaker 3>the end of the movie, right.

0:50:22.280 --> 0:50:24.839
<v Speaker 2>Maybe maybe one step too far.

0:50:25.160 --> 0:50:27.480
<v Speaker 3>But I ask you, I ask you, why is Siri?

0:50:27.719 --> 0:50:30.960
<v Speaker 3>Why is Alexa? Why are these all women's voices? Because

0:50:31.040 --> 0:50:32.120
<v Speaker 3>men make them?

0:50:32.440 --> 0:50:32.600
<v Speaker 2>Yes?

0:50:33.040 --> 0:50:36.040
<v Speaker 3>Yes, And that's the whole that's the whole plot of

0:50:36.080 --> 0:50:39.160
<v Speaker 3>the film. Yeah, you know, she tried. And by the way,

0:50:39.280 --> 0:50:42.680
<v Speaker 3>talk about you're talking about how current it is. There's

0:50:42.680 --> 0:50:45.320
<v Speaker 3>a part in the movie where the AI robot tries

0:50:45.360 --> 0:50:48.800
<v Speaker 3>her hardest to write her own music and she's terrible

0:50:48.840 --> 0:50:51.600
<v Speaker 3>at it. She's all she does is take other people's music.

0:50:51.800 --> 0:50:53.800
<v Speaker 3>She's not any good at it. This is the perfect

0:50:53.840 --> 0:50:56.520
<v Speaker 3>commentary that we need right now, for for the for

0:50:56.600 --> 0:50:59.680
<v Speaker 3>the idea that these musicians think they can be replaced. Well,

0:51:00.080 --> 0:51:02.480
<v Speaker 3>there's no heart in it, and that's what and that's

0:51:02.520 --> 0:51:04.719
<v Speaker 3>what the industry is saying back to them, which is

0:51:04.880 --> 0:51:06.279
<v Speaker 3>you could try your hardest, but at the end of

0:51:06.280 --> 0:51:07.920
<v Speaker 3>the day, it doesn't have that. So if you have

0:51:07.960 --> 0:51:09.960
<v Speaker 3>any other questions, please grow the man.

0:51:10.200 --> 0:51:13.960
<v Speaker 1>Do you think that this film did for Ai what

0:51:14.080 --> 0:51:16.200
<v Speaker 1>Luck of the Irish did for Leprechauns.

0:51:16.400 --> 0:51:21.239
<v Speaker 3>Well, well, I like to think the Leprechauns needed the

0:51:21.280 --> 0:51:24.799
<v Speaker 3>work more than Ai and in twenty twenty four, so

0:51:24.960 --> 0:51:28.160
<v Speaker 3>I am true I hold back any sort of critique

0:51:28.160 --> 0:51:32.240
<v Speaker 3>about them because they need the work. But Pixel Perfect, again,

0:51:32.800 --> 0:51:35.960
<v Speaker 3>in comparison to Luck of the Irish, both are obviously trips,

0:51:36.040 --> 0:51:40.279
<v Speaker 3>both are not At times they're messy, But if you

0:51:40.440 --> 0:51:42.840
<v Speaker 3>really look at the meaning of what's going on in

0:51:42.880 --> 0:51:48.880
<v Speaker 3>Pixel Perfect about how men see technology and the music industry,

0:51:49.000 --> 0:51:52.560
<v Speaker 3>there's just so many elements of characters and their true

0:51:52.600 --> 0:51:56.160
<v Speaker 3>motivations that it was working on a different level. And

0:51:56.400 --> 0:51:57.880
<v Speaker 3>by the way, four million dollars is a lot for

0:51:57.880 --> 0:52:00.080
<v Speaker 3>Disney movie. But yeah, when we compare it to like

0:52:00.160 --> 0:52:03.560
<v Speaker 3>other movies and and budgets of other films, if this

0:52:03.600 --> 0:52:06.080
<v Speaker 3>guy was given that he made Spawn, which is a

0:52:06.120 --> 0:52:09.120
<v Speaker 3>decent action movie, he would have done a lot more

0:52:09.120 --> 0:52:11.440
<v Speaker 3>with it. But at its core, this was a sci

0:52:11.560 --> 0:52:16.080
<v Speaker 3>fi nightmare. This was this was a dystopian garbage can

0:52:16.080 --> 0:52:18.040
<v Speaker 3>that we're living in and the movie knew it the

0:52:18.080 --> 0:52:20.080
<v Speaker 3>whole time. And I thought that was really impressive.

0:52:20.560 --> 0:52:22.000
<v Speaker 1>Now do you think it did? Do you think the

0:52:22.040 --> 0:52:25.160
<v Speaker 1>writer actually knew that he was doing this commentary on

0:52:25.160 --> 0:52:26.600
<v Speaker 1>this level? Absolutely?

0:52:26.680 --> 0:52:29.759
<v Speaker 3>I mean, at least maybe not the Welcome Back Cotter guy,

0:52:30.080 --> 0:52:32.719
<v Speaker 3>but the other the other writer was a sci fi

0:52:32.960 --> 0:52:35.799
<v Speaker 3>was like a pretty sci fi writer. Yeah, And he

0:52:35.880 --> 0:52:39.719
<v Speaker 3>wrote dystopian ya novels. That was what he did, and

0:52:39.760 --> 0:52:42.319
<v Speaker 3>so this was right in line with that, which is like,

0:52:42.320 --> 0:52:44.960
<v Speaker 3>if the world turns into this, it's absolutely going to

0:52:45.000 --> 0:52:47.320
<v Speaker 3>be terrible, and we're so close to it, we're actually

0:52:47.400 --> 0:52:50.520
<v Speaker 3>like living in it now. And this movie showed, you know,

0:52:51.000 --> 0:52:55.640
<v Speaker 3>the possibilities and also truly an incredible message about women

0:52:55.719 --> 0:52:57.760
<v Speaker 3>and the way that they're looked at in the industry.

0:52:58.280 --> 0:53:02.280
<v Speaker 1>Wow, Hot take, Hey, hey, hot take all the way around?

0:53:02.320 --> 0:53:06.200
<v Speaker 1>I don't. Yeah, that's amazing. I love how you not

0:53:06.239 --> 0:53:08.400
<v Speaker 1>only can see it on different level, but you're convinced

0:53:08.440 --> 0:53:10.200
<v Speaker 1>they were writing it on a different level. Right.

0:53:10.280 --> 0:53:11.640
<v Speaker 2>That part is my favorite.

0:53:11.680 --> 0:53:14.440
<v Speaker 3>There is also one other person who has an amazing

0:53:14.520 --> 0:53:16.959
<v Speaker 3>I wasn't even going to try to condense it because

0:53:16.960 --> 0:53:18.320
<v Speaker 3>it's just too much, but you might be able to

0:53:18.320 --> 0:53:21.640
<v Speaker 3>find it that she believes that it's not a hologram.

0:53:21.800 --> 0:53:23.480
<v Speaker 3>This is so awesome. And by the way, it's great

0:53:23.760 --> 0:53:27.759
<v Speaker 3>his dad was actually creating a way to bring back

0:53:27.920 --> 0:53:31.160
<v Speaker 3>souls into the bodies of people. That's why there's no

0:53:31.239 --> 0:53:35.080
<v Speaker 3>projector right. And there's also a scene later in the

0:53:35.120 --> 0:53:37.200
<v Speaker 3>movie I think where he goes to they're in the

0:53:37.200 --> 0:53:38.600
<v Speaker 3>hospital and he's like, come with me, I need to

0:53:38.600 --> 0:53:40.279
<v Speaker 3>talk to you, and he's like, no, I'm staying here,

0:53:40.520 --> 0:53:42.239
<v Speaker 3>and he's like, well, there is something I need to

0:53:42.239 --> 0:53:45.160
<v Speaker 3>tell you that. The theory in Reddit is that he

0:53:45.280 --> 0:53:46.680
<v Speaker 3>was going to tell him, like, this is a much

0:53:46.680 --> 0:53:49.320
<v Speaker 3>bigger technology than you think it is. We should we

0:53:49.360 --> 0:53:51.480
<v Speaker 3>should stop it now. And that's why the dad turns

0:53:51.520 --> 0:53:55.760
<v Speaker 3>and is like, we we can't do this anymore anyway, dude.

0:53:56.200 --> 0:53:58.040
<v Speaker 3>I'm really looking forward to Pixel Perfect too.

0:53:58.200 --> 0:53:58.840
<v Speaker 1>I think it's.

0:54:00.239 --> 0:54:02.279
<v Speaker 3>Sequel, but this is my favorite d com so far.

0:54:02.360 --> 0:54:03.040
<v Speaker 3>That's my hot take.

0:54:03.800 --> 0:54:06.759
<v Speaker 1>Wow, thank you so much for joining us, Jensen, I

0:54:06.800 --> 0:54:10.799
<v Speaker 1>love it. Back to the husband of the podcast, Wow, well,

0:54:10.880 --> 0:54:12.640
<v Speaker 1>I mean he's taken it to a whole other level.

0:54:12.719 --> 0:54:14.879
<v Speaker 1>That's the thing about Jensen. It's like talking to Rider.

0:54:15.000 --> 0:54:16.960
<v Speaker 1>It's all of a sudden, you think you just read something,

0:54:17.000 --> 0:54:20.600
<v Speaker 1>and yes, it changes the whole thing. He's right, zuckerbroke

0:54:20.680 --> 0:54:22.719
<v Speaker 1>all that kind of stuff right at the end of

0:54:22.760 --> 0:54:25.120
<v Speaker 1>the day. She's still in a coma for trying to

0:54:25.200 --> 0:54:26.200
<v Speaker 1>do a cartwheel.

0:54:26.440 --> 0:54:28.600
<v Speaker 2>Yes, that is unfortunate.

0:54:28.680 --> 0:54:29.880
<v Speaker 1>That will throw me forever.

0:54:30.040 --> 0:54:32.200
<v Speaker 2>I wish it would have been maybe tripped up in

0:54:32.320 --> 0:54:35.839
<v Speaker 2>the wires of something or something. Yeah, little bit more

0:54:35.880 --> 0:54:36.200
<v Speaker 2>than that.

0:54:36.320 --> 0:54:39.399
<v Speaker 1>But wow, Jensen, I don't even want to ask him

0:54:39.400 --> 0:54:40.960
<v Speaker 1>to help us reade it. We know his rating. But

0:54:41.040 --> 0:54:43.880
<v Speaker 1>before we get to our rating system, we need to

0:54:43.920 --> 0:54:48.000
<v Speaker 1>do a Sabrina scenes.

0:54:48.960 --> 0:54:50.920
<v Speaker 2>All right, Well, I have just a couple of them.

0:54:50.960 --> 0:54:53.200
<v Speaker 2>We haven't covered quite a bit of them. I wanted

0:54:53.239 --> 0:54:55.239
<v Speaker 2>to start with the house that they did live in. Now,

0:54:55.280 --> 0:54:58.239
<v Speaker 2>you mentioned that it was much bigger, but if you

0:54:58.320 --> 0:55:02.040
<v Speaker 2>looked at any of the other houses, it was supposed

0:55:02.040 --> 0:55:04.000
<v Speaker 2>to be a modern what you would think like a

0:55:04.120 --> 0:55:06.799
<v Speaker 2>science person would be in, and it was just so

0:55:07.200 --> 0:55:10.920
<v Speaker 2>out of even the background. It looked like they made

0:55:10.920 --> 0:55:12.680
<v Speaker 2>that house. They didn't find the house to film. It

0:55:13.160 --> 0:55:15.360
<v Speaker 2>look like they just made it. It was. It was

0:55:15.480 --> 0:55:18.719
<v Speaker 2>very jarring to me. It was strained. Yeah, the movie

0:55:18.760 --> 0:55:21.280
<v Speaker 2>had a little bit of a slow pickup of things.

0:55:21.480 --> 0:55:24.839
<v Speaker 2>The very first the cat. Could you not tell that

0:55:24.880 --> 0:55:27.960
<v Speaker 2>they were just projecting lights onto the cat? Yeah, it

0:55:28.000 --> 0:55:31.239
<v Speaker 2>did not look like that cat was made. It was.

0:55:32.040 --> 0:55:33.680
<v Speaker 2>It looked like a real cat that they were putting

0:55:33.719 --> 0:55:34.920
<v Speaker 2>like a filter.

0:55:34.760 --> 0:55:37.440
<v Speaker 1>Of bad filter.

0:55:37.680 --> 0:55:39.919
<v Speaker 2>Yeah, it did it. It did not work.

0:55:40.000 --> 0:55:41.680
<v Speaker 1>It was technology not the best.

0:55:41.760 --> 0:55:45.520
<v Speaker 2>Yeah, yeah, not great. And then my last thing that

0:55:45.560 --> 0:55:47.400
<v Speaker 2>I just wanted to mention good is I thought you

0:55:47.400 --> 0:55:49.840
<v Speaker 2>would absolutely I know it's not that you didn't notice it.

0:55:49.880 --> 0:55:53.840
<v Speaker 2>But he had a pair of you know, remember and

0:55:53.880 --> 0:55:57.080
<v Speaker 2>bring how he had those glasses that you know, transformed

0:55:57.160 --> 0:56:00.400
<v Speaker 2>him into not being able to be seen. Ross had

0:56:00.400 --> 0:56:02.680
<v Speaker 2>a pair of glasses that made him smart in this movie.

0:56:02.920 --> 0:56:04.600
<v Speaker 1>Oh what did you say at the smart glaves?

0:56:04.680 --> 0:56:07.600
<v Speaker 2>Every time he was working he had glasses on. It

0:56:07.640 --> 0:56:10.440
<v Speaker 2>was like every time, Yes, he didn't look like he

0:56:10.480 --> 0:56:13.160
<v Speaker 2>couldn't see. He wasn't wearing them at school.

0:56:12.960 --> 0:56:15.120
<v Speaker 1>Ever, It just to be.

0:56:15.040 --> 0:56:17.000
<v Speaker 2>Seeing them to be a little bit smarter.

0:56:17.080 --> 0:56:19.600
<v Speaker 1>That was. I saw a great meme the other day

0:56:19.600 --> 0:56:22.080
<v Speaker 1>it said it said, I wonder if anybody ever put

0:56:22.120 --> 0:56:24.600
<v Speaker 1>glasses on Lois Lane's dog and she was like, hey,

0:56:24.800 --> 0:56:26.879
<v Speaker 1>whose dog is this? I've never seen this dog before

0:56:26.880 --> 0:56:29.080
<v Speaker 1>in my life. I thought that was all right. So

0:56:29.080 --> 0:56:30.759
<v Speaker 1>now let's rate the movie. We're gonna do one out

0:56:30.760 --> 0:56:31.080
<v Speaker 1>of ten.

0:56:31.560 --> 0:56:34.359
<v Speaker 2>Oh that reminds me, but I saw the ratings. One more.

0:56:34.680 --> 0:56:40.800
<v Speaker 2>One band we never brought up was we had Moist Tallet,

0:56:41.280 --> 0:56:45.120
<v Speaker 2>but we did not bring up the Infectious Measles.

0:56:45.400 --> 0:56:47.560
<v Speaker 1>Yes, another great name.

0:56:47.640 --> 0:56:50.839
<v Speaker 2>It was a great name. And then when the Infectious

0:56:50.880 --> 0:56:54.760
<v Speaker 2>Measles had to cancel, it was because the lead singer

0:56:54.840 --> 0:56:55.919
<v Speaker 2>got chicken bug.

0:56:57.719 --> 0:56:59.839
<v Speaker 1>That was funny. They do good. They do names. Nobody

0:56:59.840 --> 0:57:03.200
<v Speaker 1>did names like Dcom's all right, So what do we

0:57:03.200 --> 0:57:06.799
<v Speaker 1>do then? One out of ten? Zeta Bytes, Moist Toulettes,

0:57:07.360 --> 0:57:12.840
<v Speaker 1>Hologram Cats, COMBA, brain Wave machines, Information highway truck drivers,

0:57:12.920 --> 0:57:18.680
<v Speaker 1>Infectious Measles. I want to add half assed cartwheels, but whatever,

0:57:21.480 --> 0:57:24.240
<v Speaker 1>all right? So I one out of ten? What one

0:57:24.320 --> 0:57:26.840
<v Speaker 1>being the worst movie you've ever seen? Ten being the

0:57:26.840 --> 0:57:29.120
<v Speaker 1>best we've seen? How many half assed cartwheels? You give

0:57:29.160 --> 0:57:29.440
<v Speaker 1>this one?

0:57:29.920 --> 0:57:33.080
<v Speaker 2>I actually I liked it and I'm going with a

0:57:33.160 --> 0:57:34.080
<v Speaker 2>seven point five.

0:57:34.880 --> 0:57:36.560
<v Speaker 1>You know again, you and I are starting to be

0:57:36.680 --> 0:57:39.800
<v Speaker 1>kind of in the ballpark. And I watched this movie once,

0:57:40.480 --> 0:57:42.360
<v Speaker 1>yes it would have been a four or a five,

0:57:43.080 --> 0:57:44.919
<v Speaker 1>and watching it the second time and now I'm gonna

0:57:44.920 --> 0:57:48.520
<v Speaker 1>be honest hearing Jensen's hot take, Yeah, that's gonna that's

0:57:48.520 --> 0:57:50.040
<v Speaker 1>gonna bump it up a point five for me. I

0:57:50.080 --> 0:57:51.400
<v Speaker 1>was gonna go with the seven. I'm gonna meet you

0:57:51.400 --> 0:57:53.360
<v Speaker 1>at a seven point five. It is a seven point

0:57:53.400 --> 0:57:59.600
<v Speaker 1>five half assed cartwheels for for this movie. It really

0:57:59.640 --> 0:58:02.840
<v Speaker 1>is it? Yeah, so bad, So thank you so much

0:58:03.280 --> 0:58:09.080
<v Speaker 1>for joining us as we unpixelated pixel Perfect, the movie

0:58:09.160 --> 0:58:11.120
<v Speaker 1>that I thought was just a dicon that turned out

0:58:11.160 --> 0:58:14.600
<v Speaker 1>to have this dystopian yes life and my god, it's

0:58:14.640 --> 0:58:17.560
<v Speaker 1>all about silicon what's.

0:58:16.760 --> 0:58:18.680
<v Speaker 2>Going on in two thousand and four?

0:58:19.160 --> 0:58:22.200
<v Speaker 1>No, it's like the Professor of films came on and

0:58:22.320 --> 0:58:24.920
<v Speaker 1>was like, here's what you missed. It's actually about this

0:58:25.040 --> 0:58:25.400
<v Speaker 1>and it's.

0:58:25.320 --> 0:58:27.880
<v Speaker 2>Like, oh my god, Wow, I was still worried about

0:58:27.880 --> 0:58:28.520
<v Speaker 2>that cat.

0:58:28.800 --> 0:58:32.400
<v Speaker 1>That is that's what we're doing the window Where does

0:58:32.440 --> 0:58:32.720
<v Speaker 1>he go?

0:58:32.880 --> 0:58:33.160
<v Speaker 2>Now?

0:58:33.280 --> 0:58:35.800
<v Speaker 1>Why is the cat blue? And Jensen's like in the

0:58:35.880 --> 0:58:39.520
<v Speaker 1>dystopian society, like, oh okay, we're watching these movies different.

0:58:39.680 --> 0:58:41.880
<v Speaker 2>Where did the cat go? When? He went out the window.

0:58:41.960 --> 0:58:45.400
<v Speaker 2>Is he okay? Oh? Man?

0:58:45.480 --> 0:58:47.200
<v Speaker 1>Well, thank you so much for joining us. The next

0:58:47.200 --> 0:58:50.000
<v Speaker 1>movie we're going to be watching is a two thousand

0:58:50.000 --> 0:58:53.160
<v Speaker 1>and four movie with a good friend of mine and

0:58:53.240 --> 0:58:55.080
<v Speaker 1>going to be friend of the show because he's done

0:58:55.080 --> 0:58:57.600
<v Speaker 1>a bunch of these movies. We're going to be doing

0:58:57.760 --> 0:59:01.439
<v Speaker 1>a blind wrestler movie with our friend and Andy Lawrence. Yes,

0:59:01.600 --> 0:59:05.040
<v Speaker 1>going to the Mat is going to be our next movie.

0:59:05.400 --> 0:59:07.520
<v Speaker 1>And I should be able to tell you that there's

0:59:07.520 --> 0:59:09.920
<v Speaker 1>a chance we're going to be talking to Andy too,

0:59:10.600 --> 0:59:13.520
<v Speaker 1>because the Lawrences are friends of mine and the Lawrences

0:59:13.560 --> 0:59:15.560
<v Speaker 1>are dcom legends, so I'm sure we're going to have

0:59:15.600 --> 0:59:18.480
<v Speaker 1>them all on the show at some point, because man,

0:59:18.680 --> 0:59:20.880
<v Speaker 1>they've done it all. So thank you so much again

0:59:20.880 --> 0:59:23.120
<v Speaker 1>for joining us. And remember to subscribe to our feed

0:59:23.160 --> 0:59:25.480
<v Speaker 1>and you can follow us that magical rewind pod on

0:59:25.560 --> 0:59:41.440
<v Speaker 1>the Instagram Machine. We'll see you next time. Bye, everybody, Bye,