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Speaker 1: So, Sabrina, we've talked briefly about your dance team was

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Speaker 1: going to the finals, and then I never heard it.

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Speaker 1: I never heard from you. How did you do?

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Speaker 2: Ugh? The girls went out there, We had such a

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Speaker 2: great weekend. They killed it. I had a coaching moment

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Speaker 2: for myself that I you know, it's one of those

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Speaker 2: things where you kind of have to remember. One, the

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Speaker 2: girls are in high school, right, so their age level,

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Speaker 2: not middle school. Not middle school, okay. Two that sometimes

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Speaker 2: it's like the lessons that they learn during these high

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Speaker 2: intense moments of the season. Sure that that mean a

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Speaker 2: lot more than just, you know, a trophy. And we

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Speaker 2: had not hit our palm routine. The palm routine is

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Speaker 2: like what we watched and got to kick it up. Okay,

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Speaker 2: we had not hit it the way it was supposed

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Speaker 2: to be hit. And the routine this is finals, this

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Speaker 2: is it where we went in in first place. They

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Speaker 2: brought it up, the energy to a whole other level.

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Speaker 2: It was amazing. You're just sitting there, I'm almost holding

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Speaker 2: my breath, going, oh my gosh, this is you know,

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Speaker 2: And with the five seconds left of the routine, one

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Speaker 2: of the girl's knees buckles in a turn, completely stops

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Speaker 2: and yes, that's the moment where you're.

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Speaker 1: Just like, did she fall?

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Speaker 2: She didn't fall, she fell out of it and stopped

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Speaker 2: turning right as the rest of the team was rotating.

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Speaker 2: And she's a sophomore, she's an incredible teammate, she's awesome

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Speaker 2: to coach. You know. It wasn't something that she does

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Speaker 2: all the time. This was a fluke, right, So you

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Speaker 2: have to go back there and just and just really

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Speaker 2: into perspective of you know. What I loved about it

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Speaker 2: was I was able to tell her, I know that

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Speaker 2: you can overcome this, and still they still had they

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Speaker 2: had still had a jazz routine and some girls would crumble,

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Speaker 2: they would barely be able to make of course, of

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Speaker 2: course she went out there for the jazz routine and

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Speaker 2: just lit on fire, you know. And so we ended

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Speaker 2: up not winning Palm, which was obviously devastating. I have

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Speaker 2: eleven seniors. That was hard. But for me, it's those

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Speaker 2: moments where you know, of course we want the trophy,

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Speaker 2: that's what we go for all season, but for her

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Speaker 2: to be able to overcome that obstacle and move on

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Speaker 2: was really amazing to watch as well.

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Speaker 1: Still doesn't but what place did you come in? We

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Speaker 1: came in second second. Oh no, and all because of

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Speaker 1: this one girl who you've now cut from the team.

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Speaker 1: I understand her.

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Speaker 2: I've never got her from that will she.

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Speaker 1: I'm kidding such a decomm ending. It's like she's got alert,

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Speaker 1: she'll learn.

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Speaker 2: And yeah, and she's got in our dcom of your

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Speaker 2: Belinda song in our Disney Channel original movie. She has

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Speaker 2: her junior and senior year to come back and you

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Speaker 2: know what I mean, have her own you know, vengeance

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Speaker 2: of of you know, just a mistake that was a fluke.

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Speaker 2: It wasn't like she yeah ever screws up, you know,

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Speaker 2: But that's what happens in the heat of any athletic

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Speaker 2: sport and high competition. Sometimes things just happen and you

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Speaker 2: just you can't let it. It can't define you and

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Speaker 2: your your year. It can't define what you're going to

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Speaker 2: do from there on out. You got to rise above

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Speaker 2: and just you know, hope that you you you get

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Speaker 2: better from it.

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Speaker 1: So that's good. Do you in the locker room do

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Speaker 1: you ever look around and go it's called your Belinda,

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Speaker 1: but it's really our Belinda. Do you ever do that?

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Speaker 1: Because I'd like to suggest you start because it's kind

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Speaker 1: of awesome.

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Speaker 2: Yes, it's our our Belinda.

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Speaker 1: Okay, you got to see I like it? Oh my, well,

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Speaker 1: welcome everybody to magic. What we want on the show

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Speaker 1: that makes you want to grab your friends, your pj's,

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Speaker 1: and your pop and go back to a time when

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Speaker 1: all the houses were smart, the wave Tsunamis and the

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Speaker 1: high School's musical. I'm Wilford Dell and.

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Speaker 2: I'm Sabrina Bryan.

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Speaker 1: And just as we thought that the acid had borne off,

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Speaker 1: we were ready to go. Woke up after that trip,

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Speaker 1: going hey, we are ready to hit it.

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Speaker 2: We enter the cyber version of it.

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Speaker 1: We come to the cyber version, we come to a

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Speaker 1: I mean, seriously, you're hard pressed to find a d

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Speaker 1: com for this podcast that's more relevant now. If we're

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Speaker 1: being honest, it's twenty four because it's where we are

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Speaker 1: this week. I mean, literally, all the stories that we're

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Speaker 1: hearing about in the news, all the things we're hearing

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Speaker 1: about with the SAG strike and all the stuff people

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Speaker 1: are hearing, they all have to do with AI and

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Speaker 1: two thousand and four's Pixel Perfect. Once again, Disney has

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Speaker 1: predicted the future. Absolutely it's all about AI and essentially

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Speaker 1: creating the next big pop star in your computer. So

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Speaker 1: that what we've got here. And they created a bit

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Speaker 1: of a technology gumbo with this this movie because they

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Speaker 1: were thrown a lot in the pot.

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Speaker 3: There.

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Speaker 1: There was drama, music, comedy, there's some sci fi, there's

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Speaker 1: a little bit of matrix kind of action. Even the

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Speaker 1: tagline for the film was even they don't make rock

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Speaker 1: stars like they used to, which is again, it's all

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Speaker 1: so relevant. Yes, it was reportedly done on a budget

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Speaker 1: of four million dollars, which I can't that's got have

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Speaker 1: been a lot of money, especially in two thousand and

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Speaker 1: four for a deep.

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Speaker 2: Yeah, I think, I mean yes, And you see where

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Speaker 2: it was going towards too, right.

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Speaker 1: I was just about to say, this is not one

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Speaker 1: of those movies where you go, where did the budget go?

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Speaker 2: Yeah, it was definitely not budget, but on their wardrobe, right, it.

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Speaker 1: Was absolutely agree Yeah. So this was I mean two

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Speaker 1: thousand and four is when all kind of the tech

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Speaker 1: startups were coming and social media's birth, and it was

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Speaker 1: a huge undertaking for the channel at the time. But

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Speaker 1: it's it's not a bad movie for the record, It's

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Speaker 1: just weird at times.

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Speaker 2: It went in and out of what's going on right

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Speaker 2: at Wait? What where?

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Speaker 1: Yes? Exactly here?

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Speaker 2: We got it?

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Speaker 1: Okay, what is that? But okay, but before the Zata

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Speaker 1: bytes take the stage, why don't we hop into the

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Speaker 1: synopsis here? So, when Samantha's band isn't gaining any success,

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Speaker 1: her friend Roscoe uses his father's technology to create a

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Speaker 1: sensational lead singer who's actually a hologram. And when things

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Speaker 1: get complicated and the technology starts to fail, what's going

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Speaker 1: to happen to the group, and more importantly, the identity

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Speaker 1: of the hologram. This is now years before keep in

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Speaker 1: mind the Tupac hologram would pop up at Coachella or

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Speaker 1: Siri was unveiled. Loretta Modern, that's the name of our

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Speaker 1: character here, Loretta Modern was introduced to the Disney viewer.

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Speaker 1: And it is a crazy and wild ride to say

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Speaker 1: the least. So before we I'm gonna say it, before

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Speaker 1: we log onto this one, thank you very much, Sabrina.

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Speaker 1: Did you like it? What are your thoughts? Initial thoughts?

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Speaker 2: You know, I did. I I was, like you said,

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Speaker 2: I went in and out. Sometimes I was kind of

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Speaker 2: you know, okay, what is going on? You know? Is

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Speaker 2: this needed? But I did. I loved the music in it.

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Speaker 2: I loved when we got all of our paperwork that

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Speaker 2: there was in fact a soundtrack to this movie, because

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Speaker 2: I thought the music was really great. It was to me.

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Speaker 2: I have recently watched the Pink, the Pink documentary of

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Speaker 2: what it was like when she was first coming out

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Speaker 2: as an artist.

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Speaker 1: This is about Pink, not a documentary all shot in

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Speaker 1: the color pink. Am.

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Speaker 2: I know the artist Pink and sort of her her

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Speaker 2: revelation of the artists she ends up being able to be.

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Speaker 2: So the storyline kind of reminded me of that, which

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Speaker 2: I thought was really cool.

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Speaker 1: Okay, and yeah, I did.

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Speaker 2: I enjoyed it. I thought there's obviously lots to pick

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Speaker 2: a part here and there, but I did like it.

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Speaker 1: Okay, it was easy.

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Speaker 2: There's only one part for me that was a little

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Speaker 2: all right, yeah, okay, Doki and and then the end,

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Speaker 2: the end I had to rewatch because there was a

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Speaker 2: lot of questionable choices there too, So okay, that was it.

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Speaker 2: But I did like it. I thought it was I

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Speaker 2: thought it was cute.

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Speaker 1: I will be honest with you. The first so I

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Speaker 1: watched these movies more than once. Right the first time

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Speaker 1: I saw this movie, I did not like it at all. Really,

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Speaker 1: I really didn't. I was like, I don't get this.

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Speaker 1: I don't like it. I thought visually, especially for a

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Speaker 1: Disney Channel movie, it was really good. I thought, again,

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Speaker 1: the acting we've seen in some of the last few

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Speaker 1: films has been spot on. It's not about the acting.

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Speaker 1: I thought the cast is good. I thought the acting

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Speaker 1: was good. I didn't like the story. I didn't. I

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Speaker 1: was like, man, I really don't like this. Then I

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Speaker 1: watched it again, Okay, And the second time I watched it,

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Speaker 1: I liked it a lot more than I did the

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Speaker 1: first time. I really did. I mean, is it a

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Speaker 1: perfect movie. No, Like you said, there's plenty of things

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Speaker 1: to pick apart, there's kind of nitpicky stuff. It hit

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Speaker 1: some of the same tropes that we've talked about all

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Speaker 1: the times, the non supportive dad. I mean, we've we've

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Speaker 1: hit kind of some of these where now I'm just

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Speaker 1: coming to expect them. But the second time I saw it,

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Speaker 1: I saw it differently than I did the first time.

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Speaker 1: And by the way, I agree with you one hundred

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Speaker 1: percent all respect to the Cheetah Girls, girl power everything.

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Speaker 1: I thought, I really liked the music and like I

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Speaker 1: was humming the songs, yeah, from this movie, same after

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Speaker 1: it was done. So this is some of my favorite

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Speaker 1: you know me and musicals. But again, like Cheetah Girls,

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Speaker 1: it's a band playing the music. It is not just

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Speaker 1: breaking into song.

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Speaker 2: But they do make a choice that does not make

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Speaker 2: sense to go along with that. And we're gonna come

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Speaker 2: there and.

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Speaker 1: We'll get it. We'll get into all that. There is

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Speaker 1: some some very strange things, but yes, overall not offten,

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Speaker 1: you know.

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Speaker 2: And I think I was exactly the same first time.

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Speaker 2: I what is happening?

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Speaker 1: Okay, all right?

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Speaker 2: When are all right? Bring me in high school musical.

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Speaker 2: I can't do this anymore. I got a super good one, right.

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Speaker 2: That was the first time. Then the second time, same thing,

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Speaker 2: but I think it was again this introducing this new

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Speaker 2: technology and you know, so I added a lot to

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Speaker 2: the storyline that almost flooded it a little bit for

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Speaker 2: the first watch. But the second watch, because I was

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Speaker 2: already understanding what was going on, it was an easier watch.

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Speaker 1: I don't disagree. I agree with you one hundred percent.

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Speaker 2: Right on the same page as that.

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Speaker 1: Yep. Okay, So the movie stars revive Olman, then Build

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Speaker 1: as Ricky Olman as Roscoe who after this role was

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Speaker 1: cast by Disney. Of course Disney and their synergy. We

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Speaker 1: talked about this all the time on Phil of the Future.

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Speaker 1: He was the title character, Phil Diffy and must have

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Speaker 1: impressed the channel obviously when it came to this type

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Speaker 1: of subject matter, because this is kind of what it

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Speaker 1: was all about. Leah Pipes played Samantha. She's the budding

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Speaker 1: musician looking for a way to break through in the industry.

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Speaker 2: Loved her.

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Speaker 1: She was great. That was one of my first things

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Speaker 1: I bumped against, and we'll get into that. That was

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Speaker 1: This was one of her first jobs. She'd later be

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Speaker 1: seen on TV shows like Malcolm in the Middle, Bones

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Speaker 1: and Glee, and she's best known as Camille O'Connell on

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Speaker 1: The Originals, which was a CW vampire diary spinoff which

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Speaker 1: ran for five seasons. So you know, wow, good career.

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Speaker 1: And then Spencer Redford. We've got to talk about Spencer

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Speaker 1: Redford because she plays the hologram Loretta Modern. She plays

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Speaker 1: it very interestingly. It's almost it's it's one step up above.

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Speaker 1: You won't remember this because you're far too young, but

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Speaker 1: there was a great show in the early and mid

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Speaker 1: eighties called Small Wonder.

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Speaker 2: Yes, I remember Small One.

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Speaker 1: You're sure, okay, I'm just checking. I can never tell

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Speaker 1: Sabrina so little deal a little more step up from

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Speaker 1: Small Wonder, But she'd already been on a bunch of

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Speaker 1: Disney shows. She was on Even Stevens that's so raven.

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Speaker 1: And after Pixel Perfect she did a couple more things

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Speaker 1: and then just stopped acting entirely disappeared. I tried a

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Speaker 1: deep dive. Other people have tried a deep dive two

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Speaker 1: thousand and seven. She's got no social media, she's got

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Speaker 1: no kind of presence in the industry, she kind of said.

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Speaker 1: At least it seems like and this is all speculation. Hey,

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Speaker 1: I did some stuff. I had some fun. Thank you.

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Speaker 1: Next chapter of my life really kind of cool. You

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Speaker 1: don't know.

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Speaker 2: Totally, okay, Spencer, but what is it you're leaving us

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Speaker 2: hanging now?

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Speaker 1: It really made me want to find Spencer Redford.

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Speaker 2: I know there are some fans d Calm, magical, rewind fans.

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Speaker 2: You guys, get out there, you start, You find Spencer

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Speaker 2: and let us know.

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Speaker 1: She might not want to be found, she might love

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Speaker 1: not being found.

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Speaker 2: That's the problem as an actress. But if she's you know,

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Speaker 2: my doctor or she's just this incredible mom red awesome.

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Speaker 2: There's so many, so many different things that she could

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Speaker 2: be doing that I'm sure she's proud of whatever she's doing,

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Speaker 2: and that's okay.

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Speaker 1: We hope you're happy, Spencer, but we would absolutely love

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Speaker 1: to know what you're doing. Yeah. This movie runs eighty

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Speaker 1: five minutes, which is five minutes from that bullseye that

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Speaker 1: we like, the ninety minute bullseye and it first aired

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Speaker 1: on January sixteenth, two thousand and four, in the United States.

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Speaker 1: It was co written by Alan Sachs, who was a

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Speaker 1: creator of this one. I know you're too. Were you

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Speaker 1: a welcome back Hotter fan?

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Speaker 2: Okay?

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Speaker 1: God is just learning all about this, Sabrina, I love it. Yes, okay,

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Speaker 1: mister gott Miss Danes he O missed the Kata and

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Speaker 1: the writer of the nineteen eighty six skateboarding Josh Brolin

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Speaker 1: movie Thrash, in which you remember Sam Horrigan, who played

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Speaker 1: Valen Brink said was like one of his quintessential kid

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Speaker 1: movies growing up, like he loved absolutely. Yes, He's also

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Speaker 1: involved in other Disney Channel classics like Smart House, Camp Rock,

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Speaker 1: and You Wish And the other writer was actually a

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Speaker 1: science fiction author and This was his only teleplay ever,

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Speaker 1: which is kind of cool. The movie was directed by

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Speaker 1: Mark A. Z. Dippey, who was already directing huge budget

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Speaker 1: studio films like Spawn, which was back in the day

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Speaker 1: based on the Todd McFarlane huge enormous comic book that

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Speaker 1: was a hit so big big budget movies and was

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Speaker 1: the era's most prolific visual effects artist and supervisors. Listen

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Speaker 1: to the movies that this man was involved with, the Abyss,

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Speaker 1: Back to the Future two, Ghost Terminator two and Jurassic Park.

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Speaker 1: I mean it was like you name it. I mean,

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Speaker 1: these visual effects that change industry. The first time you're

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Speaker 1: in a theater and I'm a kid and I'm watching

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Speaker 1: the the T two robot turn into liquid metal, and

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Speaker 1: then the Jurassic part, I mean, forget insane. So here's

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Speaker 1: my first question. Did Disney actually predict holographic musicians? Can

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Speaker 1: you think of a time before this, because now they're

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Speaker 1: everywhere and right?

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Speaker 2: No, I mean I can't think of anyone else that

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Speaker 2: had this. The closest to this storyline for me was

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Speaker 2: what was that movie?

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Speaker 1: I think he was in this in the Hols?

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Speaker 2: No, No, what was it Weird Science where he makes.

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Speaker 1: A girlfriend the Weird Times where he builds the two

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Speaker 1: of them build a girl, yes, and.

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Speaker 2: That this is that's it. But she wasn't a holographic girl.

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Speaker 2: She was like supposed to be a real.

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Speaker 1: Yes, built from they so they build Kelly le Brock

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Speaker 1: in the computer. Yeah part of that movie. Doesn't that

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Speaker 1: hold up? Well, we'll do that later.

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Speaker 2: But that's the closest of a storyline.

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Speaker 1: I can't really think of a disneyfied version. Kind of

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Speaker 1: of weird, That's That's what I'm guessing. The pitch was,

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Speaker 1: it's weird science meets musicians, right, So, yes, very similar

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Speaker 1: to that. But I mean there's now a hologram Whitney

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Speaker 1: Houston playing in Vegas, and one of the biggest pop

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Speaker 1: stars in Japan is Hotsuni Miko, which is a crowdsourced

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Speaker 1: three D anime image that plays with the band in

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Speaker 1: front of thousands of fans. So and then there's the gorillas.

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Speaker 1: I mean, you've got stuff like that. So they again

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Speaker 1: Disney on top of the game. Here.

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Speaker 2: It's unreal because this was so it was so long ago,

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Speaker 2: not not like decades and decades ago. You're long enough

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Speaker 2: to think that that would be a ridiculous idea, right

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Speaker 2: that a lot of people would think.

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Speaker 1: That is insane. No one's going to go to a

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Speaker 1: hologram concert.

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Speaker 2: I would not. I do not think I would go.

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Speaker 2: I would go to Whitney Houston. I think it would

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Speaker 2: be it have to be a Whitney Houston, a Selene Deeon.

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Speaker 2: It have to be someone that I already knew and

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Speaker 2: loved their music, right, and knew that they weren't going

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Speaker 2: to be somebody. I wasn't expecting a big production dan

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Speaker 2: scene of that artist, right. I don't want to see

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Speaker 2: a hologram dance around, but I will go and listen

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Speaker 2: to Whitney Houston's more.

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Speaker 1: You just don't want to be replaced as a dancer

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Speaker 1: by holograms. I get it. I totally get it.

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Speaker 2: I think I would have to will I don't know

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Speaker 2: if I could move the way that I used to.

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Speaker 1: You know, if you should be tested, sure you could,

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Speaker 1: just as long as you don't buckle your knee, and

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Speaker 1: then you wouldn't win pousse.

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Speaker 2: As long as it's like a you know, a younger,

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Speaker 2: cuter body, I'm.

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Speaker 1: Alright with the please. Now see what's funny is I

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Speaker 1: think I would rather they create something brand new as

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Speaker 1: opposed to bring back somebody who's passed away, because it's like,

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Speaker 1: how do you how do people know that Whitney Houston's

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Speaker 1: okay with being a hologram on stage or tupacsha Kors

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Speaker 1: where it's like, if you create something completely new, it's like,

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Speaker 1: all right, that's a nonsentient being as opposed to like,

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Speaker 1: we're gonna make more money off of this person that's

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Speaker 1: already dead and now we're gonna hologrammle right, I don't know.

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Speaker 1: That's a way. That's a whole different podcast.

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Speaker 2: That's a whole that is a different podcast, because that

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Speaker 2: does bring up that's very true.

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Speaker 1: Yeah, it brings up the whole moral dilemma. But there's

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Speaker 1: moral dilemmas in this film as well. Booms, he brought

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Speaker 1: it right back around.

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Speaker 2: Well, there we go. We're right back into Pixel Perfect.

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Speaker 1: The movie starts with Roscoe, who is a sixteen year

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Speaker 1: old computer do we messing with his father's new program

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Speaker 1: in a massive, really expensive house where they have like

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Speaker 1: a maid who is also their chef and feeds them.

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Speaker 1: But that's a little confusing because his dad doesn't seem

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Speaker 1: to be very high up in the company and also

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Speaker 1: seems to always be on the edge of maybe losing

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Speaker 1: his job.

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Speaker 2: Right.

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Speaker 1: He also has a son again, talked a little bit

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Speaker 1: about the first trope that bumped me. He has a

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Speaker 1: son who knows at fifteen or sixteen he drives, so

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Speaker 1: at sixteen enough about what his father does for a

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Speaker 1: living to where he's creating holographic cats and stuff. I mean,

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Speaker 1: this kid is obviously techno talented, right, and the dad's like,

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Speaker 1: what are you doing, Get off my computer, get read dude.

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Speaker 1: He's creating people and animals, and the dad is still

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Speaker 1: not cool with this.

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Speaker 2: Well, yeah, I mean, I yeah. I think his character

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Speaker 2: seemed to just sort of be in his own world,

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Speaker 2: which is what Roscoe is. Roscoe. I mean, we will

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Speaker 2: get into talk about the perfect example as us women

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Speaker 2: feel boys that age are so dumb and so out

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Speaker 2: not in the world that we are living in during

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Speaker 2: that time in high school. They just don't get it.

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Speaker 2: And it feels like that's kind of what his dad's

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Speaker 2: character is supposed to always also be.

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Speaker 1: Okay, he lives in the net.

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Speaker 2: Essentially, he has an issue with cutting off work and reality.

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Speaker 1: Okay, so the apple doesn't fall far from the tree,

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Speaker 1: is what we think we're going with. So yeah, he

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Speaker 1: creates this holographic cat that can change for color and

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Speaker 1: patterns just by pressing buttons. And then when his friend

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Speaker 1: best friend they set up her all girl band, needs

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Speaker 1: something to help them stand out, he decides to create

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Speaker 1: a lead singer from the physical attributes of many of

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Speaker 1: the talented women that are out there. I mean, we

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Speaker 1: could see him taking bits of magazines. Is like the

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Speaker 1: weird science thing, bits of you know, Michelle Branch and

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Speaker 1: Victoria Beckham and all these kind of people. But the

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Speaker 1: thing that I found amazing was that it started where

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Speaker 1: the band, the all girl band, goes to their first

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Speaker 1: audition and they kick some serious ass with this incredibly

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Speaker 1: cute rock star girlfriend who can sing and play guitar,

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Speaker 1: who is fronting this three piece band. They are incredible,

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Speaker 1: and the guys don't stop it. Everybody, Oh stop, you

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Speaker 1: can't do it. Unless I didn't get that they should

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Speaker 1: have made her less good because she was so good.

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Speaker 2: You know, I did not understand the problem, right, But

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Speaker 2: then it pulled me into this era of this was

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Speaker 2: when you know, Britney Spears was everything at this point, right,

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Speaker 2: So it's trying to make it into why would this

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Speaker 2: rock band need to dance? Why? Why they all play instruments.

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Speaker 1: They're a rock band.

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Speaker 2: Yes, even his example that comes out after they only

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Speaker 2: have mics and are dancing. Yes, let's see those girls move,

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Speaker 2: let's let's have them dance. Why that would be like

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Speaker 2: telling the Jonas brothers you suck because you guys aren't

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Speaker 2: dancing like in sync? What they're all they're a band

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Speaker 2: yet they're a band. Yeah, this is like so dump.

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Speaker 2: So that's where I went, uh oh, oh.

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Speaker 1: No, I got that's my That was my first I was.

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Speaker 2: Like, hey day, may day, I'm gonna hate this.

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Speaker 1: Also, she's awesome.

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Speaker 2: She was great.

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Speaker 1: Band is great, I know, I know. Yeah, so very

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Speaker 1: very strange, but you know, it leads us into our

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Speaker 1: story where Roscoe then essentially says the line I'm here

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Speaker 1: to make perfection. I'm here to make you, and he

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Speaker 1: makes Loretta matter. So they hold a another audition see

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Speaker 1: another Disney trope, which I'm a fan of. I love

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Speaker 1: the audition montages. I could do those all day.

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Speaker 2: Oh the screaming poem and he just hears it from outside.

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Speaker 2: It's like, and that girl was so good, she was hilarious.

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Speaker 2: She seemed like a stand up comic act. It was

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Speaker 2: so fun I loved that one. I thought, we're okay,

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Speaker 2: you know that funny enough Irish digging? Did you not go, oh,

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Speaker 2: I already know about the Irish Jane.

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Speaker 1: Yes, right, And I was like, oh my god, it's

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Speaker 1: lucky Irish again. They have found their their jigging trope. Yes,

435
00:21:55,119 --> 00:21:59,600
Speaker 1: oh man. And so then Loretta Modern comes in, she sings,

436
00:21:59,760 --> 00:22:02,959
Speaker 1: they of her. She also does this thing where now unfortunately,

437
00:22:03,000 --> 00:22:04,880
Speaker 1: which is another thing that and it's just a technical thing,

438
00:22:04,880 --> 00:22:07,120
Speaker 1: but it always annoys me in every movie where now,

439
00:22:07,160 --> 00:22:09,040
Speaker 1: all of a sudden, who's ever singing and leading the

440
00:22:09,040 --> 00:22:10,880
Speaker 1: band no longer needs a microphone.

441
00:22:10,960 --> 00:22:13,119
Speaker 2: That was what I was gonna say, is it doesn't

442
00:22:13,119 --> 00:22:15,680
Speaker 2: make sense. Why does she not need a microphone?

443
00:22:15,840 --> 00:22:18,440
Speaker 1: I could get if Loretta didn't need one, like maybe

444
00:22:18,480 --> 00:22:23,240
Speaker 1: she's hooked into like the the computer speakers. That's where

445
00:22:23,240 --> 00:22:25,520
Speaker 1: I got through it in my head. But then later

446
00:22:25,560 --> 00:22:28,200
Speaker 1: in the movie where his friend takes over the band again,

447
00:22:28,320 --> 00:22:30,359
Speaker 1: she now doesn't need a microphone anymore, and it's like,

448
00:22:30,359 --> 00:22:34,119
Speaker 1: why do not need microphones anymore? So Loretta of course

449
00:22:34,200 --> 00:22:36,879
Speaker 1: gets the job joins the band named the Zeta Bytes.

450
00:22:38,240 --> 00:22:43,480
Speaker 1: The opening the next band coming on was Moist Toilette.

451
00:22:44,800 --> 00:22:48,280
Speaker 1: It just might be arguably what I think, We're gonna

452
00:22:48,280 --> 00:22:50,879
Speaker 1: have to start making a record of greatest we have,

453
00:22:50,960 --> 00:22:56,520
Speaker 1: greatest character names, greatest band names. Colette has to be there.

454
00:22:56,560 --> 00:23:01,399
Speaker 1: So they now are starting to not tour but do

455
00:23:01,560 --> 00:23:06,400
Speaker 1: gigs with Loretta Modern. She's in the band, she's being

456
00:23:06,400 --> 00:23:10,879
Speaker 1: controlled by Roscoe, who stands off stage, and she's obviously

457
00:23:10,920 --> 00:23:14,320
Speaker 1: a wonderful singer. I have a question for you, Sabrina,

458
00:23:14,440 --> 00:23:16,520
Speaker 1: because I don't know anything about this and you are

459
00:23:16,560 --> 00:23:22,639
Speaker 1: absolutely the resident expert. Her dancing to me seemed weird.

460
00:23:24,359 --> 00:23:27,080
Speaker 1: It didn't seem like it was going with the music

461
00:23:27,200 --> 00:23:30,119
Speaker 1: that was actually happening. And I didn't know if they

462
00:23:30,119 --> 00:23:32,119
Speaker 1: were doing it because it was She's supposed to be

463
00:23:32,160 --> 00:23:35,480
Speaker 1: kind of robotic, like she's you know, can only do

464
00:23:35,680 --> 00:23:41,480
Speaker 1: so much because she is programmed. But it seemed very herky, jerky,

465
00:23:41,560 --> 00:23:43,160
Speaker 1: and I didn't know if you're like, no, that's called

466
00:23:43,359 --> 00:23:46,840
Speaker 1: Norvin and that's the biggest everyone dance like that. No.

467
00:23:47,000 --> 00:23:49,160
Speaker 2: When I saw her start dancing and go, oh gosh,

468
00:23:49,160 --> 00:23:52,040
Speaker 2: now I got to talk about this, she's gonna have

469
00:23:52,160 --> 00:23:57,919
Speaker 2: to happen because technically, Spencer, you can tell is a

470
00:23:58,040 --> 00:23:59,280
Speaker 2: very well trained dancer.

471
00:23:59,480 --> 00:24:02,200
Speaker 1: Yes, I even I could see that she has great technique,

472
00:24:02,280 --> 00:24:04,120
Speaker 1: but like in her spins and all that stuff, even

473
00:24:04,160 --> 00:24:05,080
Speaker 1: I could see that, yes.

474
00:24:05,000 --> 00:24:08,080
Speaker 2: She's got I mean, you know, everyone still needs to

475
00:24:08,400 --> 00:24:14,359
Speaker 2: continue to train. But she was great. The problem was, again,

476
00:24:14,720 --> 00:24:18,440
Speaker 2: this style of music does not call for dancing. Therefore,

477
00:24:18,520 --> 00:24:20,639
Speaker 2: the style of dancing they were doing did not go

478
00:24:20,720 --> 00:24:23,320
Speaker 2: with the music. So what you saw and that odd

479
00:24:24,000 --> 00:24:27,919
Speaker 2: she was, it was odd material for this type of music.

480
00:24:28,040 --> 00:24:31,480
Speaker 2: So I think they just did what happens a lot

481
00:24:31,480 --> 00:24:34,560
Speaker 2: of times, someone said, oh, we need a dancer, and

482
00:24:34,600 --> 00:24:37,600
Speaker 2: then you start looking at choreographers that have agents, and

483
00:24:37,720 --> 00:24:40,919
Speaker 2: someone just randomly gets booked. You know, I've worked on

484
00:24:40,960 --> 00:24:44,120
Speaker 2: a movie that wanted Latin style dancing and they had

485
00:24:44,480 --> 00:24:47,560
Speaker 2: a choreographer who that wasn't what they did, so they

486
00:24:47,560 --> 00:24:49,720
Speaker 2: don't really know partner work. So I end up calling

487
00:24:49,760 --> 00:24:52,560
Speaker 2: in one of my friends who's from Dancing with the Stars.

488
00:24:52,600 --> 00:24:55,520
Speaker 2: You know, it's like, not everyone can just throw you know,

489
00:24:55,640 --> 00:24:57,280
Speaker 2: Dancing with the Stars. Not every single one of those

490
00:24:57,320 --> 00:25:00,159
Speaker 2: pros can put together a contemporary routine that's not now

491
00:25:00,280 --> 00:25:02,359
Speaker 2: that's really what they're trained in. So that's what it

492
00:25:02,359 --> 00:25:04,760
Speaker 2: seemed like to me, they had just a choreographer that

493
00:25:04,880 --> 00:25:08,119
Speaker 2: wasn't seeing what kind of movement. But again, the style

494
00:25:08,080 --> 00:25:08,720
Speaker 2: of music.

495
00:25:08,520 --> 00:25:10,159
Speaker 1: Didn't need it, didn't I agree.

496
00:25:10,200 --> 00:25:12,639
Speaker 2: I agree that was a tough job for the choreographer

497
00:25:12,680 --> 00:25:13,119
Speaker 2: to begin with.

498
00:25:13,320 --> 00:25:15,360
Speaker 1: Yes, and exactly what you were saying. There's so few

499
00:25:15,400 --> 00:25:18,560
Speaker 1: of us that can dance all steps exactly you are.

500
00:25:18,720 --> 00:25:20,840
Speaker 1: I'm one of the few. I'm one of rare Gem.

501
00:25:20,960 --> 00:25:28,520
Speaker 1: Mister rare Gem. So okay, she's dancing around the stage.

502
00:25:28,680 --> 00:25:31,440
Speaker 1: She can't be touched or touch anybody else, but can

503
00:25:31,560 --> 00:25:33,639
Speaker 1: jump off of the drum set to do double flips.

504
00:25:33,680 --> 00:25:35,880
Speaker 1: I didn't get that either, didn't understand that he could

505
00:25:35,880 --> 00:25:37,119
Speaker 1: probably maybe just program it.

506
00:25:37,400 --> 00:25:38,920
Speaker 2: Yeah, I guess, yeah.

507
00:25:39,000 --> 00:25:42,080
Speaker 1: So uh. They of course start to take off, and

508
00:25:42,119 --> 00:25:46,240
Speaker 1: they instantly catch the eye of a former rapper turned

509
00:25:46,320 --> 00:25:49,320
Speaker 1: label talent scout who's got the subtle name of Darryl Fibbs,

510
00:25:50,040 --> 00:25:52,280
Speaker 1: who played was played by actor Chris Williams, who you

511
00:25:52,359 --> 00:25:55,080
Speaker 1: might remember as Crazy Eyes Killer in Curb Your Enthusiasm.

512
00:25:55,560 --> 00:25:57,240
Speaker 1: Look up his resume. He's done a bunch of stuff.

513
00:25:57,280 --> 00:26:00,800
Speaker 1: He's super funny. Oh I know, he played it straight

514
00:26:00,800 --> 00:26:03,359
Speaker 1: in this one, but he's also just really funny.

515
00:26:03,520 --> 00:26:06,600
Speaker 2: I was waiting for him to dive into some type

516
00:26:06,600 --> 00:26:11,280
Speaker 2: of comedy, something character, some type of real big character.

517
00:26:11,359 --> 00:26:14,200
Speaker 2: But it didn't happen. Spoiler alert, it doesn't happen.

518
00:26:14,200 --> 00:26:15,639
Speaker 1: But he doesn't happen. But he was great. He was

519
00:26:15,680 --> 00:26:17,800
Speaker 1: great playing a total, total straight man. But man, he

520
00:26:17,880 --> 00:26:20,880
Speaker 1: is funny. And then you know, obviously the Zeta Bites

521
00:26:20,960 --> 00:26:23,880
Speaker 1: music starts to become more and more popular, and we've

522
00:26:23,880 --> 00:26:25,280
Speaker 1: talked about this already. I wanted to get in a

523
00:26:25,280 --> 00:26:26,879
Speaker 1: little bit of the songs, but we talked about it.

524
00:26:26,920 --> 00:26:29,280
Speaker 1: We liked the songs they were They were really catchy.

525
00:26:29,400 --> 00:26:30,120
Speaker 2: I know I did.

526
00:26:30,240 --> 00:26:31,760
Speaker 1: Did they sing them? Do you know that?

527
00:26:32,119 --> 00:26:34,639
Speaker 2: That's what I was gonna ask when I was really

528
00:26:34,640 --> 00:26:37,200
Speaker 2: interested into knowing. But when we got the information from

529
00:26:37,200 --> 00:26:43,000
Speaker 2: the producers, it says the character's names on the the

530
00:26:43,080 --> 00:26:45,560
Speaker 2: mentions of the music, it says the character's names.

531
00:26:45,600 --> 00:26:49,240
Speaker 1: They're only apparently, according to one of our producers, they're

532
00:26:49,240 --> 00:26:53,040
Speaker 1: only listed as the Zeta Bytes. So maybe if we

533
00:26:53,080 --> 00:26:57,080
Speaker 1: get a chance to interview one of them, maybe wink wink,

534
00:26:57,200 --> 00:27:00,119
Speaker 1: that might be happening. We might be able to to

535
00:27:00,280 --> 00:27:04,200
Speaker 1: ask this person. So the band blows up. They've now

536
00:27:04,240 --> 00:27:09,040
Speaker 1: got some representation The problem is a Loretta has aspirations

537
00:27:09,040 --> 00:27:10,800
Speaker 1: maybe on being a hologram. She wants to go outside

538
00:27:10,800 --> 00:27:15,960
Speaker 1: and touch birds and rain, and she can't. She has

539
00:27:16,000 --> 00:27:19,080
Speaker 1: to stay inside. That's one of the parameters of her

540
00:27:19,119 --> 00:27:21,119
Speaker 1: being a hologram is she can't go outside. She can

541
00:27:21,160 --> 00:27:24,040
Speaker 1: only stay within the confines of whatever house or building

542
00:27:24,040 --> 00:27:27,320
Speaker 1: they're in, or this little soda can that they can

543
00:27:27,400 --> 00:27:31,119
Speaker 1: download her in and take her around with them in

544
00:27:31,240 --> 00:27:36,440
Speaker 1: different stuff. So yeah, that's gonna make Coachella a little

545
00:27:36,480 --> 00:27:40,800
Speaker 1: difficult to play. But anyway, Rosco, now here's where the

546
00:27:40,840 --> 00:27:43,000
Speaker 1: emotional part of the film really kicks in because Roscoe

547
00:27:43,040 --> 00:27:46,000
Speaker 1: obviously and this makes total sense, And this is what

548
00:27:46,040 --> 00:27:48,440
Speaker 1: I really liked about the second time I watched Okay,

549
00:27:48,800 --> 00:27:53,840
Speaker 1: he much like Weird Science. He's built his ideal woman, Like,

550
00:27:54,440 --> 00:27:57,120
Speaker 1: how does he not start to fall for her? And

551
00:27:57,160 --> 00:27:59,840
Speaker 1: she even his best friend, starts to address it later

552
00:27:59,880 --> 00:28:03,040
Speaker 1: in the film, where she's like, of course you're following

553
00:28:03,080 --> 00:28:06,320
Speaker 1: for her. You built your perfect your quote unquote perfect woman,

554
00:28:06,320 --> 00:28:09,320
Speaker 1: at least what you think is a perfect woman. And

555
00:28:09,680 --> 00:28:13,919
Speaker 1: so Samantha starts to get jealousy. Because one of the

556
00:28:13,920 --> 00:28:18,000
Speaker 1: things that I really liked about this this movie that

557
00:28:18,119 --> 00:28:22,560
Speaker 1: we haven't really seen much of is Samantha put herself

558
00:28:22,600 --> 00:28:26,679
Speaker 1: out there and full on took a shot where he's like,

559
00:28:26,720 --> 00:28:31,080
Speaker 1: there's a scene where she says she's not real and

560
00:28:31,119 --> 00:28:32,960
Speaker 1: he says, well, what's real? And she stands up and

561
00:28:32,960 --> 00:28:36,480
Speaker 1: she says me, I'm real. I've been here the whole time,

562
00:28:36,600 --> 00:28:41,680
Speaker 1: and then she kisses him and it's so sweet, like

563
00:28:41,760 --> 00:28:45,080
Speaker 1: she fully puts herself out there. I'm taking a shot.

564
00:28:45,360 --> 00:28:47,520
Speaker 1: I'm going and so, but did you know you didn't

565
00:28:47,520 --> 00:28:51,840
Speaker 1: see the kiss? You do? I know, but you know

566
00:28:52,920 --> 00:28:53,600
Speaker 1: you gotta imagine.

567
00:28:54,320 --> 00:28:56,760
Speaker 2: I know that that's so funny. Disney does stuff like that.

568
00:28:57,120 --> 00:28:59,400
Speaker 1: Yeah, and it's just a sweet little people bag.

569
00:28:59,480 --> 00:29:01,040
Speaker 2: They weren't crazy.

570
00:29:01,600 --> 00:29:03,560
Speaker 1: And then he instantly kind of the only thing he

571
00:29:03,560 --> 00:29:08,280
Speaker 1: didn't do is go like, yeah, oh man, dude, come

572
00:29:08,320 --> 00:29:09,440
Speaker 1: on again.

573
00:29:10,160 --> 00:29:13,240
Speaker 2: And how could you not know that she was interested

574
00:29:13,280 --> 00:29:16,200
Speaker 2: in you to begin with? When you first bring up

575
00:29:16,200 --> 00:29:19,280
Speaker 2: the date, she's absolutely yes, I would love to go.

576
00:29:20,040 --> 00:29:22,239
Speaker 2: Oh what this is just a setup? I mean she

577
00:29:22,560 --> 00:29:25,320
Speaker 2: there's multiple times and we only get to see ninety

578
00:29:25,360 --> 00:29:30,040
Speaker 2: minutes of it, and we're catching on, Roscoe, get it together, homie.

579
00:29:32,320 --> 00:29:34,280
Speaker 1: Okay, so this is a perfect chance. There's this game

580
00:29:34,320 --> 00:29:36,560
Speaker 1: that we wanted to play for a while that we

581
00:29:36,600 --> 00:29:37,960
Speaker 1: haven't had a chance to do yet, and I think

582
00:29:37,960 --> 00:29:40,640
Speaker 1: this is the perfect opportunity. The game is called would

583
00:29:40,720 --> 00:29:43,840
Speaker 1: she ever really want it? So I have to ask.

584
00:29:44,120 --> 00:29:46,959
Speaker 1: You've got Roscoe, he's kind of like his dad. You're right,

585
00:29:46,960 --> 00:29:48,760
Speaker 1: you pointed that out takes it in a whole different direction.

586
00:29:49,320 --> 00:29:54,000
Speaker 1: Computer nerd falling in love with a fake girl when

587
00:29:54,040 --> 00:29:57,360
Speaker 1: the real girl, who is a literal rock star and

588
00:29:57,480 --> 00:30:00,760
Speaker 1: kicks some serious ass all the way around, is totally

589
00:30:00,760 --> 00:30:04,680
Speaker 1: in love with them. They both strangely seem out of

590
00:30:04,680 --> 00:30:07,120
Speaker 1: his league, one because she's a hologram, but he and

591
00:30:07,120 --> 00:30:09,800
Speaker 1: and a pop star. But the other one is would

592
00:30:09,840 --> 00:30:14,000
Speaker 1: either of these characters actually fall for this character? Yes?

593
00:30:14,680 --> 00:30:16,560
Speaker 1: I agree with you one hundred percent. Yes.

594
00:30:16,680 --> 00:30:20,720
Speaker 2: First of all, he's adorable. He's so cute, right, and

595
00:30:20,760 --> 00:30:23,000
Speaker 2: I love that. Well, I'll get That's why in one

596
00:30:23,000 --> 00:30:25,000
Speaker 2: of my sabriencies, because you haven't mentioned it yet, I'm

597
00:30:25,040 --> 00:30:26,640
Speaker 2: holding my breath that you're not going to take them

598
00:30:26,680 --> 00:30:32,120
Speaker 2: all again. But he's smart, he's kind, he's a great

599
00:30:32,200 --> 00:30:34,760
Speaker 2: friend to her. It's not he's not a jerk to her,

600
00:30:35,200 --> 00:30:36,000
Speaker 2: but also.

601
00:30:36,200 --> 00:30:39,440
Speaker 1: Is he is he a great friend? He's the first

602
00:30:39,440 --> 00:30:41,240
Speaker 1: one to come up and say, oh my god, you

603
00:30:41,240 --> 00:30:44,200
Speaker 1: should write the songs and let somebody else sing.

604
00:30:44,600 --> 00:30:47,280
Speaker 2: You should let somebody else. I know, it was really harsh.

605
00:30:47,360 --> 00:30:48,040
Speaker 2: I was really hard.

606
00:30:48,360 --> 00:30:50,960
Speaker 1: Yeah, I mean he's he's I don't know how great

607
00:30:51,000 --> 00:30:53,400
Speaker 1: a friend he is. He's like you, you know, they're right.

608
00:30:53,640 --> 00:30:56,560
Speaker 2: He's there for her. I mean, he comes to she's

609
00:30:56,600 --> 00:30:59,240
Speaker 2: the one that asks him to come to the audition

610
00:30:59,360 --> 00:31:01,520
Speaker 2: in the first place. He doesn't have to go. He's

611
00:31:01,520 --> 00:31:04,520
Speaker 2: working on making cats and stuff. He didn't have to go.

612
00:31:05,080 --> 00:31:07,360
Speaker 2: He's got stuff to do. He's got his own homework

613
00:31:07,560 --> 00:31:13,000
Speaker 2: he's making. He just hated to go. Yeah, he did go.

614
00:31:13,400 --> 00:31:15,720
Speaker 2: So he again, he's in his own world. He doesn't

615
00:31:15,760 --> 00:31:18,360
Speaker 2: really make sense. I think when he says that comment,

616
00:31:18,520 --> 00:31:20,120
Speaker 2: he already had in the back of his mind an

617
00:31:20,160 --> 00:31:21,360
Speaker 2: idea of what he was going to do.

618
00:31:21,560 --> 00:31:23,360
Speaker 1: That he wanted to build a girl, and he wanted

619
00:31:23,360 --> 00:31:25,880
Speaker 1: an excuse that wasn't creepy to build a girl. So

620
00:31:25,880 --> 00:31:27,040
Speaker 1: he's like, you need a lead singer.

621
00:31:27,040 --> 00:31:28,960
Speaker 2: Here, you go here, you need a lead singer. I

622
00:31:29,000 --> 00:31:30,760
Speaker 2: can have a girlfriend. You can get a lead singer

623
00:31:30,760 --> 00:31:32,640
Speaker 2: at all works. So that's that.

624
00:31:32,800 --> 00:31:35,640
Speaker 1: Yeah, he seemed he was. He was always there for her.

625
00:31:35,720 --> 00:31:38,520
Speaker 1: But sometimes while he was there, you're saying things like

626
00:31:38,600 --> 00:31:41,880
Speaker 1: you're not good enough to do this yourself. Yeah, so,

627
00:31:42,080 --> 00:31:45,600
Speaker 1: but I don't disagree with you. I can see how.

628
00:31:45,560 --> 00:31:46,720
Speaker 2: In a high school world.

629
00:31:47,160 --> 00:31:51,960
Speaker 1: Yeah, the soft spoken computer nerd and I'm a nerd myself.

630
00:31:52,320 --> 00:31:54,160
Speaker 1: How the girl who's kind of the rock star they

631
00:31:54,160 --> 00:31:57,240
Speaker 1: spend all this time together, I can totally see how

632
00:31:57,280 --> 00:31:59,680
Speaker 1: she developed feelings for him totally.

633
00:31:59,800 --> 00:32:04,000
Speaker 2: And then now you put in some competition, and that's

634
00:32:04,080 --> 00:32:08,080
Speaker 2: where girls they start to lose their marbles. Okay, you

635
00:32:08,120 --> 00:32:11,320
Speaker 2: cannot put some compet Now there's competition on the line.

636
00:32:11,560 --> 00:32:13,560
Speaker 2: It doesn't seem like he has the same kind of

637
00:32:13,960 --> 00:32:18,240
Speaker 2: you know, relationship with the other two bandmates. It's just

638
00:32:18,360 --> 00:32:21,920
Speaker 2: her and him. Now there's some competition, and oh, she's

639
00:32:21,920 --> 00:32:23,640
Speaker 2: going balls to the wall. She's pissed.

640
00:32:23,840 --> 00:32:25,360
Speaker 1: Here we go. But he even says to her at

641
00:32:25,360 --> 00:32:28,000
Speaker 1: one point they you know, she says something like, well, geez,

642
00:32:28,000 --> 00:32:30,520
Speaker 1: why don't you if only you could reprogram me so

643
00:32:30,560 --> 00:32:32,040
Speaker 1: I didn't argue with you all the time. He's like, yeah,

644
00:32:32,040 --> 00:32:34,320
Speaker 1: I wish I could or something. It's like, whoa that

645
00:32:35,200 --> 00:32:42,280
Speaker 1: even the character apologized, He's like, sorry that was super harsh, dude, like,

646
00:32:42,360 --> 00:32:44,719
Speaker 1: I wish I could reprogram you, so you just agreed

647
00:32:44,720 --> 00:32:45,440
Speaker 1: with me all the time.

648
00:32:45,520 --> 00:32:46,720
Speaker 2: Wow, Well.

649
00:32:55,040 --> 00:32:57,560
Speaker 1: There's now officially a love triangle where the Hologram and

650
00:32:57,600 --> 00:33:04,479
Speaker 1: Samantha are fighting over this guy and Loretta then to

651
00:33:04,600 --> 00:33:08,720
Speaker 1: get away from everything going on, goes into the Internet.

652
00:33:08,760 --> 00:33:10,360
Speaker 1: Now this is the first time when I saw this

653
00:33:10,400 --> 00:33:13,840
Speaker 1: where I was like, this is Banana's ba n A

654
00:33:13,960 --> 00:33:16,840
Speaker 1: n as, Like, what is going on? She's now in

655
00:33:16,880 --> 00:33:21,240
Speaker 1: the Internet machine where she meets a truck driver who

656
00:33:21,400 --> 00:33:23,720
Speaker 1: is kind of in control of the Internet and.

657
00:33:23,640 --> 00:33:27,400
Speaker 2: Being the idiot robot she is, she just joins this

658
00:33:28,080 --> 00:33:30,040
Speaker 2: stranger of a truck driver.

659
00:33:30,280 --> 00:33:32,760
Speaker 1: And then and then jumps into the thing. But do

660
00:33:32,800 --> 00:33:35,560
Speaker 1: you know what Disney did first here too? I realized

661
00:33:35,600 --> 00:33:41,080
Speaker 1: this is wrecket Ralph? Straight up? Did they did wreck

662
00:33:41,120 --> 00:33:44,080
Speaker 1: it Ralph before even wrecket Ralph? I mean, this is

663
00:33:44,240 --> 00:33:48,200
Speaker 1: like the precursor that she's going to try to find

664
00:33:48,240 --> 00:33:50,960
Speaker 1: the email and she's like They're like, oh my god,

665
00:33:51,040 --> 00:33:53,560
Speaker 1: there's a virus. This is all like straight up wreck

666
00:33:53,600 --> 00:33:57,920
Speaker 1: itt Ralph. And for the budget and the time, the

667
00:33:58,000 --> 00:34:00,320
Speaker 1: effects aren't bad. Right.

668
00:34:00,480 --> 00:34:04,640
Speaker 2: I did not understand why this train contraption that pixture

669
00:34:04,840 --> 00:34:08,680
Speaker 2: up looked that way, I thought, Yeah, it reminded me

670
00:34:08,760 --> 00:34:11,319
Speaker 2: a little of like the was it their training back

671
00:34:11,360 --> 00:34:13,200
Speaker 2: to the future that kind of looked funk.

672
00:34:13,080 --> 00:34:15,239
Speaker 1: Back Yeah, the future three.

673
00:34:15,320 --> 00:34:17,399
Speaker 2: Yeah, reminded me of that a little bit.

674
00:34:17,480 --> 00:34:19,520
Speaker 1: I felt it was almost like a Mad Max kind

675
00:34:19,520 --> 00:34:20,000
Speaker 1: of vehicle.

676
00:34:20,160 --> 00:34:22,520
Speaker 2: Yes, it could have been more modern, because that's what

677
00:34:22,560 --> 00:34:24,799
Speaker 2: they were going for, was this modern oh.

678
00:34:24,600 --> 00:34:26,280
Speaker 1: Like a space shippy kind of thing.

679
00:34:26,200 --> 00:34:30,280
Speaker 2: Space shipping type situation, rather than this old school looking

680
00:34:30,360 --> 00:34:33,480
Speaker 2: train thing. That's that didn't I did love that part.

681
00:34:33,320 --> 00:34:34,960
Speaker 1: But the first thing, but the thing would pop ups

682
00:34:35,000 --> 00:34:35,480
Speaker 1: and all that, and.

683
00:34:35,440 --> 00:34:38,640
Speaker 2: The dice why does he have dice in his training things?

684
00:34:38,719 --> 00:34:42,320
Speaker 2: A little furry dice? Like everyone still has, yeah, spurry

685
00:34:42,400 --> 00:34:44,960
Speaker 2: dice anymore except for my friend Carrie, who I got

686
00:34:44,960 --> 00:34:47,319
Speaker 2: some for her for her sixteen that's for.

687
00:34:47,520 --> 00:34:50,040
Speaker 1: And what Han Solo has them in the Millennium Falca

688
00:34:50,040 --> 00:34:53,160
Speaker 1: But that's a whole different thing. So yeah, she's trying

689
00:34:53,200 --> 00:34:57,360
Speaker 1: to I guess fine, she's trying to be more real.

690
00:34:57,520 --> 00:34:59,879
Speaker 1: She doesn't like the idea of being perfect. She wants

691
00:34:59,920 --> 00:35:02,320
Speaker 1: to There's actually a great scene between her and Samantha

692
00:35:02,320 --> 00:35:05,439
Speaker 1: where it's great but harsh and I'm amazed. They went

693
00:35:05,520 --> 00:35:12,080
Speaker 1: this route where she literally calls her fat I know that,

694
00:35:12,520 --> 00:35:14,480
Speaker 1: and it's like, well you at least I'm alive. You

695
00:35:14,480 --> 00:35:17,560
Speaker 1: don't have any feelings. It was like a harsh between

696
00:35:17,560 --> 00:35:18,640
Speaker 1: these two girls.

697
00:35:18,760 --> 00:35:24,520
Speaker 2: I'm the way the quote she said of her being

698
00:35:24,560 --> 00:35:27,239
Speaker 2: a little bit it was too much water or.

699
00:35:27,280 --> 00:35:29,600
Speaker 1: Something, yeah, like you're you have too much you carry

700
00:35:29,680 --> 00:35:31,719
Speaker 1: just water weight, maybe too much such.

701
00:35:31,800 --> 00:35:37,320
Speaker 2: It was like whoa Loretta wait lo heyes, lo redda,

702
00:35:37,960 --> 00:35:40,400
Speaker 2: I need you to take it down a bit. Calm

703
00:35:40,440 --> 00:35:41,000
Speaker 2: down girl.

704
00:35:41,360 --> 00:35:43,759
Speaker 1: And then she's like, yeah, you don't ever learn And

705
00:35:43,760 --> 00:35:46,200
Speaker 1: then the Samantha comes back with, well, you'll never learn

706
00:35:46,280 --> 00:35:48,600
Speaker 1: anything and you're not. It's basically like you you're not

707
00:35:48,640 --> 00:35:50,719
Speaker 1: gonna you have a no soul. You're gonna end up there.

708
00:35:50,840 --> 00:35:52,480
Speaker 2: It's like, oh my god, you know what a baby is,

709
00:35:52,520 --> 00:35:53,640
Speaker 2: but you've never been one.

710
00:35:53,960 --> 00:35:56,799
Speaker 1: Yeah, it's it's a harsh fight. It's a very real

711
00:35:56,880 --> 00:35:57,359
Speaker 1: harsh fight.

712
00:35:57,480 --> 00:36:01,000
Speaker 2: It was the weight thing really shocked me though.

713
00:36:01,000 --> 00:36:04,759
Speaker 1: He too, because it's it's very not Disney exactly to

714
00:36:04,800 --> 00:36:08,600
Speaker 1: go after somebody's looks or wait, we've.

715
00:36:08,480 --> 00:36:11,080
Speaker 2: Seen that twice. Now, where was the other one? Got

716
00:36:11,080 --> 00:36:11,680
Speaker 2: to kick it up?

717
00:36:12,360 --> 00:36:15,600
Speaker 1: Remember Reese's pieces in the beginning with America.

718
00:36:15,280 --> 00:36:19,799
Speaker 2: For our friend, Yes, bully coming after her. It's not big.

719
00:36:19,840 --> 00:36:21,840
Speaker 2: They don't go into it for very long. It's just

720
00:36:21,880 --> 00:36:23,720
Speaker 2: like a small little snippet.

721
00:36:23,560 --> 00:36:27,080
Speaker 1: A little jab And both times it's interesting. It's girl

722
00:36:27,320 --> 00:36:30,200
Speaker 1: against girl. Absolutely, they're never making fun of a boy's

723
00:36:30,200 --> 00:36:32,160
Speaker 1: weight or any of that stuff. It's girl against girl.

724
00:36:32,440 --> 00:36:36,120
Speaker 1: Very interesting. I didn't think about that. That's a good connection. So, yes,

725
00:36:36,280 --> 00:36:39,080
Speaker 1: she's speeding on the Information super Highway and the truck

726
00:36:39,160 --> 00:36:42,200
Speaker 1: driver is showing her around, and we talked about how

727
00:36:42,400 --> 00:36:45,319
Speaker 1: I think the effects are pretty darn good for the

728
00:36:45,360 --> 00:36:48,840
Speaker 1: budget what they had. But again, this guy was Jurassic

729
00:36:48,880 --> 00:36:51,360
Speaker 1: Park terminator. You give him twenty dollars, he's going to

730
00:36:51,400 --> 00:36:53,680
Speaker 1: make it seem like you gave him a hundred thousands. Absolutely,

731
00:36:53,880 --> 00:36:54,680
Speaker 1: it looked amazing.

732
00:36:54,719 --> 00:36:58,239
Speaker 2: I just didn't really one hundred percent understand what her

733
00:36:58,320 --> 00:36:59,600
Speaker 2: mission was going in there.

734
00:37:00,000 --> 00:37:01,880
Speaker 1: I know I didn't either, And.

735
00:37:01,920 --> 00:37:04,400
Speaker 2: Then when she came out what it was that she

736
00:37:04,560 --> 00:37:07,839
Speaker 2: gained that was just a very big barret. It just

737
00:37:08,080 --> 00:37:10,440
Speaker 2: it was cool that they were again, especially since we

738
00:37:10,520 --> 00:37:12,680
Speaker 2: now know they were at the front of this type

739
00:37:12,719 --> 00:37:16,200
Speaker 2: of you know, AI stuff. But at the same time,

740
00:37:16,480 --> 00:37:18,440
Speaker 2: what was the purpose.

741
00:37:18,840 --> 00:37:20,560
Speaker 1: I agree there was no real motivation.

742
00:37:20,680 --> 00:37:22,040
Speaker 2: She watched it two times.

743
00:37:22,040 --> 00:37:24,640
Speaker 1: Will didn't understand. Yeah, me too. I didn't need it.

744
00:37:24,760 --> 00:37:25,200
Speaker 1: I don't.

745
00:37:25,280 --> 00:37:26,840
Speaker 2: I still don't have the answer.

746
00:37:27,000 --> 00:37:29,360
Speaker 1: So yeah, it was Hey, let's let's go into the

747
00:37:29,400 --> 00:37:31,480
Speaker 1: information too. Let's go into the web and see what

748
00:37:31,520 --> 00:37:33,160
Speaker 1: the web would look like, which again would look like

749
00:37:33,239 --> 00:37:36,319
Speaker 1: two thousand and four. Probably we're going back to. If

750
00:37:36,360 --> 00:37:38,440
Speaker 1: you go back to like tron and stuff like that,

751
00:37:38,640 --> 00:37:40,440
Speaker 1: then you got to see like the inside of the

752
00:37:40,480 --> 00:37:42,839
Speaker 1: quote unquote computer. But this is one of the first

753
00:37:42,880 --> 00:37:44,960
Speaker 1: times of going into the web and all that kind

754
00:37:44,960 --> 00:37:47,839
Speaker 1: of stuff. So cool, But I agree the motivation was

755
00:37:48,239 --> 00:37:52,480
Speaker 1: muddled at best. Yeah. Yeah. Through a random series of events,

756
00:37:52,600 --> 00:37:55,520
Speaker 1: she's at a concert somebody, you know, she starts to

757
00:37:55,520 --> 00:37:59,160
Speaker 1: lose pixelation. People in the audience realize she's she's fake,

758
00:37:59,520 --> 00:38:02,959
Speaker 1: but love the idea that there's a hologram pop star.

759
00:38:03,440 --> 00:38:06,080
Speaker 1: The record company gets wint to the fact that this

760
00:38:06,239 --> 00:38:09,520
Speaker 1: is going to happen. They love the idea, and now

761
00:38:09,600 --> 00:38:11,960
Speaker 1: Rosco's dad because this is going to kind of end

762
00:38:12,040 --> 00:38:14,759
Speaker 1: up saving his dad's job. Again. The super wealthy guy

763
00:38:14,760 --> 00:38:18,240
Speaker 1: for some reason was about to lose his job becomes

764
00:38:18,520 --> 00:38:21,799
Speaker 1: partners with Roscoe, or tries to become partners with Roscoe

765
00:38:22,280 --> 00:38:27,040
Speaker 1: as they then pivot the entire movie to more of

766
00:38:27,040 --> 00:38:30,719
Speaker 1: a morality tale of not only fathers and sons and

767
00:38:31,160 --> 00:38:33,120
Speaker 1: being your dad and being there for your kid, but

768
00:38:33,320 --> 00:38:40,239
Speaker 1: also is Loretta modern becoming her own person? Should she

769
00:38:40,320 --> 00:38:43,799
Speaker 1: be allowed to have her own voice, her own ideas.

770
00:38:44,200 --> 00:38:45,960
Speaker 1: The answer is, of course no, she's a computer thing.

771
00:38:46,000 --> 00:38:49,520
Speaker 1: But whatever, I get where they're going for the morality play,

772
00:38:49,560 --> 00:38:51,920
Speaker 1: because it is Disney, it's like she's supposed to she

773
00:38:51,960 --> 00:38:54,480
Speaker 1: should be able to make her own decisions, and it's

774
00:38:54,520 --> 00:38:59,920
Speaker 1: interesting how they they do that. So the record executive

775
00:39:00,320 --> 00:39:03,359
Speaker 1: essentially says, I'm taking you. If you want to get

776
00:39:03,400 --> 00:39:04,600
Speaker 1: out of here, we should get out of here, and

777
00:39:04,640 --> 00:39:07,640
Speaker 1: he downloads her to his phone. They take off. She

778
00:39:07,800 --> 00:39:12,880
Speaker 1: is once again in the web. Meanwhile, this is the

779
00:39:12,960 --> 00:39:16,720
Speaker 1: Japanese web. Now, yes, now she's somehow in Japan.

780
00:39:16,680 --> 00:39:21,360
Speaker 2: Japan in a perfectly ensemble outfit.

781
00:39:21,680 --> 00:39:25,680
Speaker 1: Right, and she mentions that she went club hopping in Japan.

782
00:39:26,239 --> 00:39:29,439
Speaker 1: Somehow we don't get into that. And it's weird enough,

783
00:39:29,440 --> 00:39:30,960
Speaker 1: but we don't get into that. You imagine, maybe it's

784
00:39:30,960 --> 00:39:33,120
Speaker 1: from one club goers phone to another seeing the music,

785
00:39:33,120 --> 00:39:36,640
Speaker 1: who knows all right, the band tries to go on

786
00:39:36,840 --> 00:39:43,480
Speaker 1: without her, so Samantha puts on a wig, fakes the dance, moves,

787
00:39:44,160 --> 00:39:51,320
Speaker 1: tries one cartwheel, and almost dies. That is not an exaggeration.

788
00:39:52,120 --> 00:39:54,440
Speaker 1: That's literally what happened.

789
00:39:54,440 --> 00:39:59,000
Speaker 2: But could we pause and talk about Mom is now

790
00:39:59,120 --> 00:40:03,680
Speaker 2: up there playing Samantha's old role. Correct, So Mom is

791
00:40:03,719 --> 00:40:07,160
Speaker 2: giving the okay for the daughter to put on a

792
00:40:07,160 --> 00:40:08,840
Speaker 2: wig and portray somebody.

793
00:40:08,440 --> 00:40:12,120
Speaker 1: Else, right, who now doesn't need a microphone? Because apparently

794
00:40:12,120 --> 00:40:13,759
Speaker 1: now when you front this band, you no longer need

795
00:40:13,800 --> 00:40:14,600
Speaker 1: a mic now.

796
00:40:14,680 --> 00:40:16,759
Speaker 2: I didn't watch Hannah Montana a lot.

797
00:40:16,840 --> 00:40:17,520
Speaker 1: I never saw it.

798
00:40:17,640 --> 00:40:20,680
Speaker 2: This seems like the the build up. This is what

799
00:40:20,760 --> 00:40:23,560
Speaker 2: the Hannah Montana. She wears wigs when she's performing, and

800
00:40:23,560 --> 00:40:27,400
Speaker 2: then she's like her real persona. She has her Mala

801
00:40:27,480 --> 00:40:30,760
Speaker 2: Cyris's gorgeous brown hair, but on when she's on stage,

802
00:40:30,760 --> 00:40:32,600
Speaker 2: she asked the way a blonde wig? So for me,

803
00:40:32,640 --> 00:40:34,320
Speaker 2: I went, oh my gosh, is this where they figured

804
00:40:34,360 --> 00:40:37,360
Speaker 2: out is pixel perfect? Where they thought of the idea

805
00:40:37,440 --> 00:40:38,480
Speaker 2: for Sannah Montana.

806
00:40:38,600 --> 00:40:39,560
Speaker 1: Which one came first?

807
00:40:39,719 --> 00:40:41,560
Speaker 2: I don't know, A two thousand and four I don't

808
00:40:41,560 --> 00:40:42,880
Speaker 2: remember when Ana Montana came out.

809
00:40:42,920 --> 00:40:45,239
Speaker 1: Oh my god, what what came first, the egg or

810
00:40:45,280 --> 00:40:46,279
Speaker 1: hatching pete?

811
00:40:46,840 --> 00:40:50,520
Speaker 2: Right, So I also don't know if if Hannah Montana

812
00:40:50,600 --> 00:40:53,320
Speaker 2: like the parent part of this, but that really struck

813
00:40:53,360 --> 00:40:56,600
Speaker 2: me very weird that the mom's like, oh, yeah, I'll

814
00:40:56,640 --> 00:40:59,520
Speaker 2: take your part. You go and put a wig on

815
00:40:59,560 --> 00:41:02,040
Speaker 2: and be somebody else and be yes, because you're not

816
00:41:02,080 --> 00:41:03,960
Speaker 2: good enough to take spotlight by yourself.

817
00:41:04,120 --> 00:41:07,000
Speaker 1: Yes, you can't just play the guitar. That was so

818
00:41:07,040 --> 00:41:09,319
Speaker 1: weird to me and be awesome like you were.

819
00:41:09,560 --> 00:41:12,520
Speaker 2: Can't just be cool and guitar? Yes, So that was weird.

820
00:41:12,600 --> 00:41:15,960
Speaker 1: But she was again dear listeners, not an exaggeration. She

821
00:41:16,120 --> 00:41:17,960
Speaker 1: tries one cartwheel.

822
00:41:17,640 --> 00:41:19,879
Speaker 2: But by the looks of the cartwheel, you could tell

823
00:41:19,920 --> 00:41:22,760
Speaker 2: she really wasn't sure about the cartwheel. Well, first of all,

824
00:41:24,360 --> 00:41:28,319
Speaker 2: the actress Leah Pipes, great actress. Yes, cartwheels like a

825
00:41:28,360 --> 00:41:33,839
Speaker 2: six month old if we're being totally honest, and I

826
00:41:33,880 --> 00:41:35,759
Speaker 2: bet you. She was like, I don't. I bet you

827
00:41:35,960 --> 00:41:38,440
Speaker 2: when when if you get a chance to ask her

828
00:41:39,080 --> 00:41:41,680
Speaker 2: and go with the cartwheel? How nervous were you? Do

829
00:41:41,760 --> 00:41:44,120
Speaker 2: you have an experience? She's like, no, I thought I

830
00:41:44,160 --> 00:41:45,680
Speaker 2: was actually going to die.

831
00:41:46,080 --> 00:41:49,520
Speaker 1: I hope that's because if not, then she acted it beautifully.

832
00:41:49,640 --> 00:41:53,319
Speaker 2: Either that or she was a great acting into that cartwheel.

833
00:41:53,360 --> 00:41:57,239
Speaker 1: Because she cartwheels into falling off the stage and ends

834
00:41:57,320 --> 00:42:01,320
Speaker 1: up in a coma. Yeah again, all this is really happening.

835
00:42:01,920 --> 00:42:07,000
Speaker 1: This is when I was going, wait, what so, so

836
00:42:07,880 --> 00:42:09,959
Speaker 1: were you shocked that all of a sudden it turned

837
00:42:09,960 --> 00:42:11,120
Speaker 1: into a coma story.

838
00:42:11,440 --> 00:42:14,680
Speaker 2: Yes, I figured she would get hurt and that would

839
00:42:15,160 --> 00:42:19,520
Speaker 2: when it woke up into the hospital. That's when I

840
00:42:19,640 --> 00:42:23,600
Speaker 2: was like, oh my gosh, what.

841
00:42:23,000 --> 00:42:24,680
Speaker 1: Yeah, she said a coma.

842
00:42:24,960 --> 00:42:27,680
Speaker 2: She did hit the back of her head falling from

843
00:42:27,680 --> 00:42:30,920
Speaker 2: a stage. Okay, but I just wouldn't expect that to

844
00:42:31,080 --> 00:42:32,240
Speaker 2: it would go that serious.

845
00:42:32,280 --> 00:42:35,360
Speaker 1: But you know, no, she's also at the only really

846
00:42:35,360 --> 00:42:39,680
Speaker 1: popular concert where the girl falls back perfectly wanting to

847
00:42:39,680 --> 00:42:42,160
Speaker 1: be caught for a stage dive, and everyone just parts

848
00:42:42,160 --> 00:42:43,280
Speaker 1: the way.

849
00:42:44,600 --> 00:42:47,279
Speaker 2: I would have hoped that one really actually happened. I

850
00:42:47,320 --> 00:42:49,400
Speaker 2: hope you try to help someone.

851
00:42:49,320 --> 00:42:53,839
Speaker 1: Yes, catch somebody, trustfall catch somebody. So Loretta ends up

852
00:42:54,520 --> 00:42:58,680
Speaker 1: jumping into the hospital brain machine, the EKG machine going

853
00:42:58,800 --> 00:43:04,040
Speaker 1: into Samantha's waking her back up, taking over her body

854
00:43:04,120 --> 00:43:08,240
Speaker 1: briefly just so she can experience rain, and then disappears

855
00:43:08,640 --> 00:43:13,160
Speaker 1: and lets Samantha then run the band again, and then

856
00:43:13,480 --> 00:43:17,799
Speaker 1: it ends with it being totally fine that Samantha is

857
00:43:17,840 --> 00:43:20,400
Speaker 1: the lead singer of the band, which leads me to believe,

858
00:43:20,880 --> 00:43:22,759
Speaker 1: why couldn't she have always just been the lead singer

859
00:43:22,800 --> 00:43:24,719
Speaker 1: of the band. She didn't learn it, you know.

860
00:43:24,760 --> 00:43:27,600
Speaker 2: She didn't, But that's what it always should have been.

861
00:43:27,680 --> 00:43:30,960
Speaker 2: And it's just I feel I'm hoping that the story,

862
00:43:31,680 --> 00:43:34,799
Speaker 2: like the moral of the story, was believe in yourself,

863
00:43:35,480 --> 00:43:39,239
Speaker 2: work on you guys, being best at what you do,

864
00:43:39,840 --> 00:43:43,120
Speaker 2: instead of trying to alter and go towards This was

865
00:43:43,200 --> 00:43:47,520
Speaker 2: one person of you know, again, I hate this character.

866
00:43:47,560 --> 00:43:51,040
Speaker 2: I hated him that he was my Oh. I couldn't

867
00:43:51,040 --> 00:43:52,160
Speaker 2: stand that club owner.

868
00:43:52,200 --> 00:43:54,319
Speaker 1: I could not stand oh, yeah, you're not supposed the

869
00:43:54,320 --> 00:43:57,279
Speaker 1: British guy who's just not you're a girl, you can't

870
00:43:57,280 --> 00:43:59,839
Speaker 1: be gone. Yeah, it's like, yeah, it's very weird.

871
00:44:00,239 --> 00:44:03,319
Speaker 2: I could not stand him. One guy. That was one

872
00:44:03,360 --> 00:44:05,480
Speaker 2: guy that should not take your dreams away or make

873
00:44:05,520 --> 00:44:08,960
Speaker 2: you alter what your vision, especially when it comes to art.

874
00:44:09,280 --> 00:44:12,040
Speaker 2: It should be about your vision, not anyone else's, right.

875
00:44:12,120 --> 00:44:14,680
Speaker 2: So I agree, I think that's what it was supposed

876
00:44:14,719 --> 00:44:17,880
Speaker 2: to be. But I do need to again go back

877
00:44:18,239 --> 00:44:22,600
Speaker 2: and talk about these parents for just two seconds. Why

878
00:44:22,800 --> 00:44:25,760
Speaker 2: were they okay with her get being in a coma,

879
00:44:25,880 --> 00:44:29,000
Speaker 2: getting up and then going into the rain. Why if

880
00:44:29,000 --> 00:44:31,360
Speaker 2: she's been in acoma, she should not have the strength

881
00:44:31,680 --> 00:44:33,880
Speaker 2: to be able to do that. Didn't you think that

882
00:44:34,000 --> 00:44:35,080
Speaker 2: was very strange too.

883
00:44:35,200 --> 00:44:38,840
Speaker 1: Yes, you thought maybe they'd say, hey, you've been asleep

884
00:44:38,880 --> 00:44:41,120
Speaker 1: for a week, maybe stay in bed.

885
00:44:41,400 --> 00:44:43,080
Speaker 2: My parents would have been like, I don't care what

886
00:44:43,239 --> 00:44:45,279
Speaker 2: your issue is right now, you're not getting out of bed.

887
00:44:45,440 --> 00:44:46,239
Speaker 2: Not getting out of bed.

888
00:44:46,360 --> 00:44:48,440
Speaker 1: Yeah, I think my parents probably would have also mentioned

889
00:44:48,480 --> 00:44:50,560
Speaker 1: the girl breaking into pixels and going into the AKG

890
00:44:50,840 --> 00:44:51,600
Speaker 1: that would come up.

891
00:44:51,760 --> 00:44:53,920
Speaker 2: No one brought anything up about that. Nothing.

892
00:44:54,040 --> 00:44:55,640
Speaker 1: Yes, that was a strange ending.

893
00:44:55,680 --> 00:44:57,680
Speaker 2: And they it seemed there was a couple of lines

894
00:44:57,680 --> 00:44:59,920
Speaker 2: where they were on to the fact that it was

895
00:45:00,080 --> 00:45:01,640
Speaker 2: isn't actually Samantha, it.

896
00:45:01,600 --> 00:45:04,640
Speaker 1: Was Loretta, Yes, And Loretta says it's gonna be I'm

897
00:45:04,680 --> 00:45:07,279
Speaker 1: borrow essentially, I'm borrowing her body briefly and I'll give

898
00:45:07,280 --> 00:45:11,040
Speaker 1: it back. And the parents are like, great, you gotta cool. Yeah,

899
00:45:11,239 --> 00:45:12,879
Speaker 1: Disney parents need some work.

900
00:45:13,040 --> 00:45:14,200
Speaker 2: Should we meet you out there?

901
00:45:14,280 --> 00:45:16,360
Speaker 1: Are you gonna come back in here or see you

902
00:45:16,400 --> 00:45:19,200
Speaker 1: after you run around in the lightning and rain?

903
00:45:19,280 --> 00:45:22,040
Speaker 2: Would you like five dollars to get maybe a twist

904
00:45:22,040 --> 00:45:24,440
Speaker 2: out at the vending machine and a dream like what?

905
00:45:25,120 --> 00:45:26,759
Speaker 2: That just didn't make sense at all. I did not

906
00:45:26,880 --> 00:45:29,240
Speaker 2: that part. That's the part that of the movie where

907
00:45:29,680 --> 00:45:32,560
Speaker 2: I was liking it. I was able to get past

908
00:45:32,640 --> 00:45:37,680
Speaker 2: the the web train and then this is when I

909
00:45:37,719 --> 00:45:42,320
Speaker 2: went okay, so and then he kind of flip flopped.

910
00:45:42,400 --> 00:45:46,600
Speaker 2: Was Roscoe more worried about Loretta or worried about Samantha?

911
00:45:46,640 --> 00:45:48,960
Speaker 2: I couldn't really tell the difference yet.

912
00:45:49,080 --> 00:45:52,080
Speaker 1: No, that that also got muddled. It was the ending

913
00:45:52,480 --> 00:45:54,000
Speaker 1: needed I think a bit of a rewrite.

914
00:45:54,320 --> 00:45:57,360
Speaker 2: Yeah, a little bit, because the rest of it was great.

915
00:45:57,400 --> 00:46:00,399
Speaker 2: And again, the actors were great. The music was its great.

916
00:46:00,480 --> 00:46:03,680
Speaker 1: Yes, the visuals were great. It just we needed a

917
00:46:03,680 --> 00:46:13,200
Speaker 1: little tweak on the story. That's what we think of

918
00:46:13,239 --> 00:46:14,719
Speaker 1: the movie. Why don't we get into real reviews and

919
00:46:14,760 --> 00:46:17,720
Speaker 1: see what other people think of the movie. I don't

920
00:46:17,800 --> 00:46:19,879
Speaker 1: ever do this, but I want to call one. I'd

921
00:46:19,920 --> 00:46:21,880
Speaker 1: really like to do the one star review this time,

922
00:46:22,239 --> 00:46:23,799
Speaker 1: So if you could start us off with the five

923
00:46:23,800 --> 00:46:24,960
Speaker 1: star review, that would.

924
00:46:24,800 --> 00:46:32,920
Speaker 2: Be great, all right, Noel starmg my childhood. This movie

925
00:46:33,040 --> 00:46:37,360
Speaker 2: is such a good watch. Can't recommend it enough. Do

926
00:46:37,440 --> 00:46:40,160
Speaker 2: people say that to you you were my childhood?

927
00:46:40,320 --> 00:46:43,080
Speaker 1: Yeah, I get it all the time. That's I hear

928
00:46:43,120 --> 00:46:44,520
Speaker 1: that almost more than anything else.

929
00:46:44,680 --> 00:46:47,640
Speaker 2: Yes, you were my childhood. I don't ever know how

930
00:46:47,680 --> 00:46:49,120
Speaker 2: to respond to that.

931
00:46:49,280 --> 00:46:51,520
Speaker 1: I love. I just I'm so honored. It's amazing to

932
00:46:51,560 --> 00:46:51,839
Speaker 1: hear that.

933
00:46:51,960 --> 00:46:54,600
Speaker 2: I love It's so cute. Right, But when girls say

934
00:46:54,640 --> 00:46:57,000
Speaker 2: it and they're still eighteen yearly.

935
00:46:57,160 --> 00:47:00,080
Speaker 1: Still a child, yeah, imagine when they're saying it to

936
00:47:00,160 --> 00:47:03,759
Speaker 1: you and they're thirty five. That's the price. You're my

937
00:47:03,880 --> 00:47:06,839
Speaker 1: childhood and this is my child Like, oh, oh my god,

938
00:47:06,840 --> 00:47:10,320
Speaker 1: oh yeah. The one star review, I don't want to

939
00:47:10,360 --> 00:47:12,319
Speaker 1: say it's my favorite review I've ever heard of any

940
00:47:12,360 --> 00:47:17,360
Speaker 1: movie ever, but it's up there. Mohammed k writes, I

941
00:47:17,400 --> 00:47:23,400
Speaker 1: love all women. That's it. Let that silence roll over you.

942
00:47:23,560 --> 00:47:27,320
Speaker 1: That's that's the one star review. I love all women. Okay.

943
00:47:27,480 --> 00:47:29,160
Speaker 1: So this brings us to a brand new future here

944
00:47:29,160 --> 00:47:32,160
Speaker 1: on Magical Rewind, and it's one that I'm pretty excited

945
00:47:32,200 --> 00:47:35,919
Speaker 1: about and involves a producer husband of the podcast, Jensen Karp,

946
00:47:35,960 --> 00:47:39,960
Speaker 1: and we're calling it Jensen's Hot Take, and Jenson's going

947
00:47:40,000 --> 00:47:40,680
Speaker 1: to join us here.

948
00:47:40,960 --> 00:47:44,240
Speaker 3: Hello, Jensen, Hi, guys. Every once in a while, something

949
00:47:44,320 --> 00:47:46,400
Speaker 3: will come to my brain. I will know that it's

950
00:47:46,440 --> 00:47:48,839
Speaker 3: an extremely hot take. This happens a lot in my life.

951
00:47:49,160 --> 00:47:51,439
Speaker 3: I keep it to myself so that no one yells

952
00:47:51,440 --> 00:47:53,759
Speaker 3: at me. But here in this case, I'm willing to share.

953
00:47:54,160 --> 00:47:56,440
Speaker 1: Okay, we'd love to hear what is What's Jensen's hot

954
00:47:56,440 --> 00:47:57,000
Speaker 1: take this week?

955
00:47:57,880 --> 00:48:00,399
Speaker 3: Pixel Perfect is the best decon we've watched so far.

956
00:48:01,840 --> 00:48:02,280
Speaker 1: Wow.

957
00:48:02,719 --> 00:48:03,000
Speaker 2: Wow.

958
00:48:03,120 --> 00:48:04,880
Speaker 3: And by the way, there the record, that's no offense

959
00:48:04,920 --> 00:48:06,839
Speaker 3: to either of you. I know that we've watched both

960
00:48:06,840 --> 00:48:08,440
Speaker 3: of your films. I just want to let you know

961
00:48:08,480 --> 00:48:10,080
Speaker 3: I think both of those were great. I just think

962
00:48:10,120 --> 00:48:10,720
Speaker 3: this is greater.

963
00:48:11,360 --> 00:48:13,200
Speaker 1: Can I ask why is it? Story?

964
00:48:13,200 --> 00:48:15,120
Speaker 3: The whole segment, Just for the record, the whole segment

965
00:48:15,160 --> 00:48:16,960
Speaker 3: is you asking me questions about why I have this

966
00:48:17,000 --> 00:48:18,120
Speaker 3: hot take, and I'm think.

967
00:48:17,960 --> 00:48:21,120
Speaker 1: Okay, well good, why? Why? Now? What has led you

968
00:48:21,160 --> 00:48:22,120
Speaker 1: to this opinion?

969
00:48:22,600 --> 00:48:27,280
Speaker 3: This movie excels on a level that Disney didn't even

970
00:48:27,360 --> 00:48:30,080
Speaker 3: know the film was on, which is the idea that

971
00:48:30,120 --> 00:48:33,960
Speaker 3: this is a critique and a satire of Silicon Valley

972
00:48:34,120 --> 00:48:38,279
Speaker 3: and the bros that worked there, and they wouldn't even

973
00:48:38,320 --> 00:48:41,680
Speaker 3: necessarily know. Well, that's not true unless they're very by

974
00:48:41,680 --> 00:48:43,680
Speaker 3: the way, to show you that they may have known

975
00:48:43,680 --> 00:48:45,920
Speaker 3: exactly what they were doing. The director of the movie

976
00:48:45,960 --> 00:48:49,080
Speaker 3: is on the cutting edge of computer technology. That's true,

977
00:48:49,239 --> 00:48:52,520
Speaker 3: he's already dealt with these people before, so let's throw

978
00:48:52,520 --> 00:48:59,799
Speaker 3: that in. The characters are perfect for the Reddit male garbage.

979
00:49:00,080 --> 00:49:00,680
Speaker 1: That is.

980
00:49:02,400 --> 00:49:05,799
Speaker 3: Their take on women, right. This guy has a perfectly

981
00:49:05,840 --> 00:49:08,080
Speaker 3: good woman in front of him that likes him amazing,

982
00:49:08,239 --> 00:49:12,760
Speaker 3: she's beautiful, she's sys. He thinks he's doing the world

983
00:49:12,800 --> 00:49:16,720
Speaker 3: a favor with the inventions he's making, and in real life,

984
00:49:17,200 --> 00:49:20,480
Speaker 3: he's actually just making it perfect for himself. This is

985
00:49:21,120 --> 00:49:25,760
Speaker 3: Mark Zuckerberg, this is Elon Musk, this is every single

986
00:49:26,160 --> 00:49:30,600
Speaker 3: technology billionaire we've seen is exactly this kid. And by

987
00:49:30,680 --> 00:49:32,840
Speaker 3: the way, even when at the end of the movie,

988
00:49:32,920 --> 00:49:35,239
Speaker 3: just to show you how much I absolutely connect with

989
00:49:35,280 --> 00:49:37,680
Speaker 3: how genius it was written. At the end of the movie,

990
00:49:37,800 --> 00:49:40,040
Speaker 3: the poor girl is still like I sang good, but

991
00:49:40,160 --> 00:49:43,280
Speaker 3: I was a little pitchy. She still knows she's not perfect,

992
00:49:43,360 --> 00:49:45,760
Speaker 3: and she knows this d bag needs perfection.

993
00:49:46,040 --> 00:49:47,839
Speaker 2: I know he is.

994
00:49:48,440 --> 00:49:52,400
Speaker 3: These social media company owning these guys, at the end

995
00:49:52,400 --> 00:49:54,680
Speaker 3: of the day are just bros. They're not geniuses. They're

996
00:49:54,719 --> 00:49:58,560
Speaker 3: just technically, you know, jerks and it's the it's a

997
00:49:58,719 --> 00:50:01,839
Speaker 3: great way to play into that. And at each turn

998
00:50:01,880 --> 00:50:03,440
Speaker 3: I was like, they're not really gonna do that, are they?

999
00:50:03,480 --> 00:50:03,600
Speaker 1: Are?

1000
00:50:03,600 --> 00:50:07,960
Speaker 3: They not really? And every time it was and by

1001
00:50:07,960 --> 00:50:12,799
Speaker 3: the way, techno anxiety like it's it's all in this movie, Like, uh,

1002
00:50:13,040 --> 00:50:14,800
Speaker 3: it kept my intent attention all the way through. I

1003
00:50:14,840 --> 00:50:18,239
Speaker 3: will admit jumping into the brain wave machine may have

1004
00:50:18,600 --> 00:50:20,319
Speaker 3: may have been one step too far, but again at

1005
00:50:20,320 --> 00:50:22,360
Speaker 3: the end of the movie, right.

1006
00:50:22,280 --> 00:50:24,839
Speaker 2: Maybe maybe one step too far.

1007
00:50:25,160 --> 00:50:27,480
Speaker 3: But I ask you, I ask you, why is Siri?

1008
00:50:27,719 --> 00:50:30,960
Speaker 3: Why is Alexa? Why are these all women's voices? Because

1009
00:50:31,040 --> 00:50:32,120
Speaker 3: men make them?

1010
00:50:32,440 --> 00:50:32,600
Speaker 2: Yes?

1011
00:50:33,040 --> 00:50:36,040
Speaker 3: Yes, And that's the whole that's the whole plot of

1012
00:50:36,080 --> 00:50:39,160
Speaker 3: the film. Yeah, you know, she tried. And by the way,

1013
00:50:39,280 --> 00:50:42,680
Speaker 3: talk about you're talking about how current it is. There's

1014
00:50:42,680 --> 00:50:45,320
Speaker 3: a part in the movie where the AI robot tries

1015
00:50:45,360 --> 00:50:48,800
Speaker 3: her hardest to write her own music and she's terrible

1016
00:50:48,840 --> 00:50:51,600
Speaker 3: at it. She's all she does is take other people's music.

1017
00:50:51,800 --> 00:50:53,800
Speaker 3: She's not any good at it. This is the perfect

1018
00:50:53,840 --> 00:50:56,520
Speaker 3: commentary that we need right now, for for the for

1019
00:50:56,600 --> 00:50:59,680
Speaker 3: the idea that these musicians think they can be replaced. Well,

1020
00:51:00,080 --> 00:51:02,480
Speaker 3: there's no heart in it, and that's what and that's

1021
00:51:02,520 --> 00:51:04,719
Speaker 3: what the industry is saying back to them, which is

1022
00:51:04,880 --> 00:51:06,279
Speaker 3: you could try your hardest, but at the end of

1023
00:51:06,280 --> 00:51:07,920
Speaker 3: the day, it doesn't have that. So if you have

1024
00:51:07,960 --> 00:51:09,960
Speaker 3: any other questions, please grow the man.

1025
00:51:10,200 --> 00:51:13,960
Speaker 1: Do you think that this film did for Ai what

1026
00:51:14,080 --> 00:51:16,200
Speaker 1: Luck of the Irish did for Leprechauns.

1027
00:51:16,400 --> 00:51:21,239
Speaker 3: Well, well, I like to think the Leprechauns needed the

1028
00:51:21,280 --> 00:51:24,799
Speaker 3: work more than Ai and in twenty twenty four, so

1029
00:51:24,960 --> 00:51:28,160
Speaker 3: I am true I hold back any sort of critique

1030
00:51:28,160 --> 00:51:32,240
Speaker 3: about them because they need the work. But Pixel Perfect, again,

1031
00:51:32,800 --> 00:51:35,960
Speaker 3: in comparison to Luck of the Irish, both are obviously trips,

1032
00:51:36,040 --> 00:51:40,279
Speaker 3: both are not At times they're messy, But if you

1033
00:51:40,440 --> 00:51:42,840
Speaker 3: really look at the meaning of what's going on in

1034
00:51:42,880 --> 00:51:48,880
Speaker 3: Pixel Perfect about how men see technology and the music industry,

1035
00:51:49,000 --> 00:51:52,560
Speaker 3: there's just so many elements of characters and their true

1036
00:51:52,600 --> 00:51:56,160
Speaker 3: motivations that it was working on a different level. And

1037
00:51:56,400 --> 00:51:57,880
Speaker 3: by the way, four million dollars is a lot for

1038
00:51:57,880 --> 00:52:00,080
Speaker 3: Disney movie. But yeah, when we compare it to like

1039
00:52:00,160 --> 00:52:03,560
Speaker 3: other movies and and budgets of other films, if this

1040
00:52:03,600 --> 00:52:06,080
Speaker 3: guy was given that he made Spawn, which is a

1041
00:52:06,120 --> 00:52:09,120
Speaker 3: decent action movie, he would have done a lot more

1042
00:52:09,120 --> 00:52:11,440
Speaker 3: with it. But at its core, this was a sci

1043
00:52:11,560 --> 00:52:16,080
Speaker 3: fi nightmare. This was this was a dystopian garbage can

1044
00:52:16,080 --> 00:52:18,040
Speaker 3: that we're living in and the movie knew it the

1045
00:52:18,080 --> 00:52:20,080
Speaker 3: whole time. And I thought that was really impressive.

1046
00:52:20,560 --> 00:52:22,000
Speaker 1: Now do you think it did? Do you think the

1047
00:52:22,040 --> 00:52:25,160
Speaker 1: writer actually knew that he was doing this commentary on

1048
00:52:25,160 --> 00:52:26,600
Speaker 1: this level? Absolutely?

1049
00:52:26,680 --> 00:52:29,759
Speaker 3: I mean, at least maybe not the Welcome Back Cotter guy,

1050
00:52:30,080 --> 00:52:32,719
Speaker 3: but the other the other writer was a sci fi

1051
00:52:32,960 --> 00:52:35,799
Speaker 3: was like a pretty sci fi writer. Yeah, And he

1052
00:52:35,880 --> 00:52:39,719
Speaker 3: wrote dystopian ya novels. That was what he did, and

1053
00:52:39,760 --> 00:52:42,319
Speaker 3: so this was right in line with that, which is like,

1054
00:52:42,320 --> 00:52:44,960
Speaker 3: if the world turns into this, it's absolutely going to

1055
00:52:45,000 --> 00:52:47,320
Speaker 3: be terrible, and we're so close to it, we're actually

1056
00:52:47,400 --> 00:52:50,520
Speaker 3: like living in it now. And this movie showed, you know,

1057
00:52:51,000 --> 00:52:55,640
Speaker 3: the possibilities and also truly an incredible message about women

1058
00:52:55,719 --> 00:52:57,760
Speaker 3: and the way that they're looked at in the industry.

1059
00:52:58,280 --> 00:53:02,280
Speaker 1: Wow, Hot take, Hey, hey, hot take all the way around?

1060
00:53:02,320 --> 00:53:06,200
Speaker 1: I don't. Yeah, that's amazing. I love how you not

1061
00:53:06,239 --> 00:53:08,400
Speaker 1: only can see it on different level, but you're convinced

1062
00:53:08,440 --> 00:53:10,200
Speaker 1: they were writing it on a different level. Right.

1063
00:53:10,280 --> 00:53:11,640
Speaker 2: That part is my favorite.

1064
00:53:11,680 --> 00:53:14,440
Speaker 3: There is also one other person who has an amazing

1065
00:53:14,520 --> 00:53:16,959
Speaker 3: I wasn't even going to try to condense it because

1066
00:53:16,960 --> 00:53:18,320
Speaker 3: it's just too much, but you might be able to

1067
00:53:18,320 --> 00:53:21,640
Speaker 3: find it that she believes that it's not a hologram.

1068
00:53:21,800 --> 00:53:23,480
Speaker 3: This is so awesome. And by the way, it's great

1069
00:53:23,760 --> 00:53:27,759
Speaker 3: his dad was actually creating a way to bring back

1070
00:53:27,920 --> 00:53:31,160
Speaker 3: souls into the bodies of people. That's why there's no

1071
00:53:31,239 --> 00:53:35,080
Speaker 3: projector right. And there's also a scene later in the

1072
00:53:35,120 --> 00:53:37,200
Speaker 3: movie I think where he goes to they're in the

1073
00:53:37,200 --> 00:53:38,600
Speaker 3: hospital and he's like, come with me, I need to

1074
00:53:38,600 --> 00:53:40,279
Speaker 3: talk to you, and he's like, no, I'm staying here,

1075
00:53:40,520 --> 00:53:42,239
Speaker 3: and he's like, well, there is something I need to

1076
00:53:42,239 --> 00:53:45,160
Speaker 3: tell you that. The theory in Reddit is that he

1077
00:53:45,280 --> 00:53:46,680
Speaker 3: was going to tell him, like, this is a much

1078
00:53:46,680 --> 00:53:49,320
Speaker 3: bigger technology than you think it is. We should we

1079
00:53:49,360 --> 00:53:51,480
Speaker 3: should stop it now. And that's why the dad turns

1080
00:53:51,520 --> 00:53:55,760
Speaker 3: and is like, we we can't do this anymore anyway, dude.

1081
00:53:56,200 --> 00:53:58,040
Speaker 3: I'm really looking forward to Pixel Perfect too.

1082
00:53:58,200 --> 00:53:58,840
Speaker 1: I think it's.

1083
00:54:00,239 --> 00:54:02,279
Speaker 3: Sequel, but this is my favorite d com so far.

1084
00:54:02,360 --> 00:54:03,040
Speaker 3: That's my hot take.

1085
00:54:03,800 --> 00:54:06,759
Speaker 1: Wow, thank you so much for joining us, Jensen, I

1086
00:54:06,800 --> 00:54:10,799
Speaker 1: love it. Back to the husband of the podcast, Wow, well,

1087
00:54:10,880 --> 00:54:12,640
Speaker 1: I mean he's taken it to a whole other level.

1088
00:54:12,719 --> 00:54:14,879
Speaker 1: That's the thing about Jensen. It's like talking to Rider.

1089
00:54:15,000 --> 00:54:16,960
Speaker 1: It's all of a sudden, you think you just read something,

1090
00:54:17,000 --> 00:54:20,600
Speaker 1: and yes, it changes the whole thing. He's right, zuckerbroke

1091
00:54:20,680 --> 00:54:22,719
Speaker 1: all that kind of stuff right at the end of

1092
00:54:22,760 --> 00:54:25,120
Speaker 1: the day. She's still in a coma for trying to

1093
00:54:25,200 --> 00:54:26,200
Speaker 1: do a cartwheel.

1094
00:54:26,440 --> 00:54:28,600
Speaker 2: Yes, that is unfortunate.

1095
00:54:28,680 --> 00:54:29,880
Speaker 1: That will throw me forever.

1096
00:54:30,040 --> 00:54:32,200
Speaker 2: I wish it would have been maybe tripped up in

1097
00:54:32,320 --> 00:54:35,839
Speaker 2: the wires of something or something. Yeah, little bit more

1098
00:54:35,880 --> 00:54:36,200
Speaker 2: than that.

1099
00:54:36,320 --> 00:54:39,399
Speaker 1: But wow, Jensen, I don't even want to ask him

1100
00:54:39,400 --> 00:54:40,960
Speaker 1: to help us reade it. We know his rating. But

1101
00:54:41,040 --> 00:54:43,880
Speaker 1: before we get to our rating system, we need to

1102
00:54:43,920 --> 00:54:48,000
Speaker 1: do a Sabrina scenes.

1103
00:54:48,960 --> 00:54:50,920
Speaker 2: All right, Well, I have just a couple of them.

1104
00:54:50,960 --> 00:54:53,200
Speaker 2: We haven't covered quite a bit of them. I wanted

1105
00:54:53,239 --> 00:54:55,239
Speaker 2: to start with the house that they did live in. Now,

1106
00:54:55,280 --> 00:54:58,239
Speaker 2: you mentioned that it was much bigger, but if you

1107
00:54:58,320 --> 00:55:02,040
Speaker 2: looked at any of the other houses, it was supposed

1108
00:55:02,040 --> 00:55:04,000
Speaker 2: to be a modern what you would think like a

1109
00:55:04,120 --> 00:55:06,799
Speaker 2: science person would be in, and it was just so

1110
00:55:07,200 --> 00:55:10,920
Speaker 2: out of even the background. It looked like they made

1111
00:55:10,920 --> 00:55:12,680
Speaker 2: that house. They didn't find the house to film. It

1112
00:55:13,160 --> 00:55:15,360
Speaker 2: look like they just made it. It was. It was

1113
00:55:15,480 --> 00:55:18,719
Speaker 2: very jarring to me. It was strained. Yeah, the movie

1114
00:55:18,760 --> 00:55:21,280
Speaker 2: had a little bit of a slow pickup of things.

1115
00:55:21,480 --> 00:55:24,839
Speaker 2: The very first the cat. Could you not tell that

1116
00:55:24,880 --> 00:55:27,960
Speaker 2: they were just projecting lights onto the cat? Yeah, it

1117
00:55:28,000 --> 00:55:31,239
Speaker 2: did not look like that cat was made. It was.

1118
00:55:32,040 --> 00:55:33,680
Speaker 2: It looked like a real cat that they were putting

1119
00:55:33,719 --> 00:55:34,920
Speaker 2: like a filter.

1120
00:55:34,760 --> 00:55:37,440
Speaker 1: Of bad filter.

1121
00:55:37,680 --> 00:55:39,919
Speaker 2: Yeah, it did it. It did not work.

1122
00:55:40,000 --> 00:55:41,680
Speaker 1: It was technology not the best.

1123
00:55:41,760 --> 00:55:45,520
Speaker 2: Yeah, yeah, not great. And then my last thing that

1124
00:55:45,560 --> 00:55:47,400
Speaker 2: I just wanted to mention good is I thought you

1125
00:55:47,400 --> 00:55:49,840
Speaker 2: would absolutely I know it's not that you didn't notice it.

1126
00:55:49,880 --> 00:55:53,840
Speaker 2: But he had a pair of you know, remember and

1127
00:55:53,880 --> 00:55:57,080
Speaker 2: bring how he had those glasses that you know, transformed

1128
00:55:57,160 --> 00:56:00,400
Speaker 2: him into not being able to be seen. Ross had

1129
00:56:00,400 --> 00:56:02,680
Speaker 2: a pair of glasses that made him smart in this movie.

1130
00:56:02,920 --> 00:56:04,600
Speaker 1: Oh what did you say at the smart glaves?

1131
00:56:04,680 --> 00:56:07,600
Speaker 2: Every time he was working he had glasses on. It

1132
00:56:07,640 --> 00:56:10,440
Speaker 2: was like every time, Yes, he didn't look like he

1133
00:56:10,480 --> 00:56:13,160
Speaker 2: couldn't see. He wasn't wearing them at school.

1134
00:56:12,960 --> 00:56:15,120
Speaker 1: Ever, It just to be.

1135
00:56:15,040 --> 00:56:17,000
Speaker 2: Seeing them to be a little bit smarter.

1136
00:56:17,080 --> 00:56:19,600
Speaker 1: That was. I saw a great meme the other day

1137
00:56:19,600 --> 00:56:22,080
Speaker 1: it said it said, I wonder if anybody ever put

1138
00:56:22,120 --> 00:56:24,600
Speaker 1: glasses on Lois Lane's dog and she was like, hey,

1139
00:56:24,800 --> 00:56:26,879
Speaker 1: whose dog is this? I've never seen this dog before

1140
00:56:26,880 --> 00:56:29,080
Speaker 1: in my life. I thought that was all right. So

1141
00:56:29,080 --> 00:56:30,759
Speaker 1: now let's rate the movie. We're gonna do one out

1142
00:56:30,760 --> 00:56:31,080
Speaker 1: of ten.

1143
00:56:31,560 --> 00:56:34,359
Speaker 2: Oh that reminds me, but I saw the ratings. One more.

1144
00:56:34,680 --> 00:56:40,800
Speaker 2: One band we never brought up was we had Moist Tallet,

1145
00:56:41,280 --> 00:56:45,120
Speaker 2: but we did not bring up the Infectious Measles.

1146
00:56:45,400 --> 00:56:47,560
Speaker 1: Yes, another great name.

1147
00:56:47,640 --> 00:56:50,839
Speaker 2: It was a great name. And then when the Infectious

1148
00:56:50,880 --> 00:56:54,760
Speaker 2: Measles had to cancel, it was because the lead singer

1149
00:56:54,840 --> 00:56:55,919
Speaker 2: got chicken bug.

1150
00:56:57,719 --> 00:56:59,839
Speaker 1: That was funny. They do good. They do names. Nobody

1151
00:56:59,840 --> 00:57:03,200
Speaker 1: did names like Dcom's all right, So what do we

1152
00:57:03,200 --> 00:57:06,799
Speaker 1: do then? One out of ten? Zeta Bytes, Moist Toulettes,

1153
00:57:07,360 --> 00:57:12,840
Speaker 1: Hologram Cats, COMBA, brain Wave machines, Information highway truck drivers,

1154
00:57:12,920 --> 00:57:18,680
Speaker 1: Infectious Measles. I want to add half assed cartwheels, but whatever,

1155
00:57:21,480 --> 00:57:24,240
Speaker 1: all right? So I one out of ten? What one

1156
00:57:24,320 --> 00:57:26,840
Speaker 1: being the worst movie you've ever seen? Ten being the

1157
00:57:26,840 --> 00:57:29,120
Speaker 1: best we've seen? How many half assed cartwheels? You give

1158
00:57:29,160 --> 00:57:29,440
Speaker 1: this one?

1159
00:57:29,920 --> 00:57:33,080
Speaker 2: I actually I liked it and I'm going with a

1160
00:57:33,160 --> 00:57:34,080
Speaker 2: seven point five.

1161
00:57:34,880 --> 00:57:36,560
Speaker 1: You know again, you and I are starting to be

1162
00:57:36,680 --> 00:57:39,800
Speaker 1: kind of in the ballpark. And I watched this movie once,

1163
00:57:40,480 --> 00:57:42,360
Speaker 1: yes it would have been a four or a five,

1164
00:57:43,080 --> 00:57:44,919
Speaker 1: and watching it the second time and now I'm gonna

1165
00:57:44,920 --> 00:57:48,520
Speaker 1: be honest hearing Jensen's hot take, Yeah, that's gonna that's

1166
00:57:48,520 --> 00:57:50,040
Speaker 1: gonna bump it up a point five for me. I

1167
00:57:50,080 --> 00:57:51,400
Speaker 1: was gonna go with the seven. I'm gonna meet you

1168
00:57:51,400 --> 00:57:53,360
Speaker 1: at a seven point five. It is a seven point

1169
00:57:53,400 --> 00:57:59,600
Speaker 1: five half assed cartwheels for for this movie. It really

1170
00:57:59,640 --> 00:58:02,840
Speaker 1: is it? Yeah, so bad, So thank you so much

1171
00:58:03,280 --> 00:58:09,080
Speaker 1: for joining us as we unpixelated pixel Perfect, the movie

1172
00:58:09,160 --> 00:58:11,120
Speaker 1: that I thought was just a dicon that turned out

1173
00:58:11,160 --> 00:58:14,600
Speaker 1: to have this dystopian yes life and my god, it's

1174
00:58:14,640 --> 00:58:17,560
Speaker 1: all about silicon what's.

1175
00:58:16,760 --> 00:58:18,680
Speaker 2: Going on in two thousand and four?

1176
00:58:19,160 --> 00:58:22,200
Speaker 1: No, it's like the Professor of films came on and

1177
00:58:22,320 --> 00:58:24,920
Speaker 1: was like, here's what you missed. It's actually about this

1178
00:58:25,040 --> 00:58:25,400
Speaker 1: and it's.

1179
00:58:25,320 --> 00:58:27,880
Speaker 2: Like, oh my god, Wow, I was still worried about

1180
00:58:27,880 --> 00:58:28,520
Speaker 2: that cat.

1181
00:58:28,800 --> 00:58:32,400
Speaker 1: That is that's what we're doing the window Where does

1182
00:58:32,440 --> 00:58:32,720
Speaker 1: he go?

1183
00:58:32,880 --> 00:58:33,160
Speaker 2: Now?

1184
00:58:33,280 --> 00:58:35,800
Speaker 1: Why is the cat blue? And Jensen's like in the

1185
00:58:35,880 --> 00:58:39,520
Speaker 1: dystopian society, like, oh okay, we're watching these movies different.

1186
00:58:39,680 --> 00:58:41,880
Speaker 2: Where did the cat go? When? He went out the window.

1187
00:58:41,960 --> 00:58:45,400
Speaker 2: Is he okay? Oh? Man?

1188
00:58:45,480 --> 00:58:47,200
Speaker 1: Well, thank you so much for joining us. The next

1189
00:58:47,200 --> 00:58:50,000
Speaker 1: movie we're going to be watching is a two thousand

1190
00:58:50,000 --> 00:58:53,160
Speaker 1: and four movie with a good friend of mine and

1191
00:58:53,240 --> 00:58:55,080
Speaker 1: going to be friend of the show because he's done

1192
00:58:55,080 --> 00:58:57,600
Speaker 1: a bunch of these movies. We're going to be doing

1193
00:58:57,760 --> 00:59:01,439
Speaker 1: a blind wrestler movie with our friend and Andy Lawrence. Yes,

1194
00:59:01,600 --> 00:59:05,040
Speaker 1: going to the Mat is going to be our next movie.

1195
00:59:05,400 --> 00:59:07,520
Speaker 1: And I should be able to tell you that there's

1196
00:59:07,520 --> 00:59:09,920
Speaker 1: a chance we're going to be talking to Andy too,

1197
00:59:10,600 --> 00:59:13,520
Speaker 1: because the Lawrences are friends of mine and the Lawrences

1198
00:59:13,560 --> 00:59:15,560
Speaker 1: are dcom legends, so I'm sure we're going to have

1199
00:59:15,600 --> 00:59:18,480
Speaker 1: them all on the show at some point, because man,

1200
00:59:18,680 --> 00:59:20,880
Speaker 1: they've done it all. So thank you so much again

1201
00:59:20,880 --> 00:59:23,120
Speaker 1: for joining us. And remember to subscribe to our feed

1202
00:59:23,160 --> 00:59:25,480
Speaker 1: and you can follow us that magical rewind pod on

1203
00:59:25,560 --> 00:59:41,440
Speaker 1: the Instagram Machine. We'll see you next time. Bye, everybody, Bye,