WEBVTT - Sevyn Streeter Interview

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<v Speaker 1>Real people, real celebrity real joined the Breakfast Morning. Everybody

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<v Speaker 1>is DJ m Vy, Angeline, Charlomagne, the guy. We are

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<v Speaker 1>the Breakfast Club. We got a special guest in the

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<v Speaker 1>building with us this morning. Family to the room. Seven

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<v Speaker 1>squatters here. I hate you them just starting me this early, Charlomagne,

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<v Speaker 1>Stop the fun, don't kill the fun? What up, y'all?

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<v Speaker 1>Stop the don't stop the fun together already? Don't stop

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<v Speaker 1>and don't kill exactly. I mean, at least he put

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<v Speaker 1>both of my songs my issue. And you know what.

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<v Speaker 1>I saw you dancing at the show the other night.

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<v Speaker 1>He didn't see me. I want to see me dance.

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<v Speaker 1>No no, And then busy he had you. He recorded

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<v Speaker 1>you Ye don't know anybody dancing, and then he got

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<v Speaker 1>scared because of your dances, did a flipping kicked him

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<v Speaker 1>in the head. You should have just came on stage.

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<v Speaker 1>Why didn't you just come? Gonna tap me? And I

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<v Speaker 1>don't want you to fire your dancing and nobody no,

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<v Speaker 1>and then all your dances are so well choreograph. I

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<v Speaker 1>don't want aybody coming in. But none of that would

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<v Speaker 1>have added to the fun. And I would have loved that.

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<v Speaker 1>You should have just came on stage every time seven performance.

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<v Speaker 1>We all always stand behind her dance. I know, you know.

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<v Speaker 1>The funny thing is so awkward because I'll be like

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<v Speaker 1>feeling y'all like right here, so it's I'm performing like

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<v Speaker 1>I'm just like okay. When I do all of this,

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<v Speaker 1>I'm just like, oh okay, right there. You love springtime,

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<v Speaker 1>don't you? I love springtime. I do because I don't

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<v Speaker 1>have to wear a lot of clothes, thank you. Oh

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<v Speaker 1>my god, that's why you could get naked. I don't

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<v Speaker 1>already naked. Yeah. He did said it to me backstage.

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<v Speaker 1>He was like, I mean, can you can you? Can

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<v Speaker 1>you wear some short short? What do you say? Can

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<v Speaker 1>you get naked? You have more naked? Can I get? Man?

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<v Speaker 1>I'm like in a skirt and a crop top and

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<v Speaker 1>you know, but people can't talk to you crazy like

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<v Speaker 1>that anymore now, I mean, you know, try this is true.

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<v Speaker 1>She got a boat. I have a boat. Bob lot

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<v Speaker 1>them dollars over there like that? Yea, yeah, let's take it.

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<v Speaker 1>This is a sipping to kill the guys and eyes. Whoa,

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<v Speaker 1>and you do know what that means? Right? Yeah? You

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<v Speaker 1>don't have a good sex if you people try to

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<v Speaker 1>poison people back in the day. So that's why you

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<v Speaker 1>gotta look in the eye a word. Yeah, do that

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<v Speaker 1>now to seven years best sex. Can't have that, m

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<v Speaker 1>that's what that sevens for. Damn. Oh my god. Switched

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<v Speaker 1>the seventeen thirty eight too, Oh my god. But that's crazy, right,

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<v Speaker 1>it is gonna be a good day, no, okay, because

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<v Speaker 1>you don't want to be drinking and you're not. You're

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<v Speaker 1>drinking and you get tipsy. Then you gotta go to

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<v Speaker 1>the hotel by yourself. That's the worst. Yeah. Yeah, you

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<v Speaker 1>have toys for that and your FaceTime. I'm sure this

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<v Speaker 1>is well, you know what. I'm so mad. So I

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<v Speaker 1>bought a really good one in Houston right my last run,

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<v Speaker 1>and then I left it at the hotel on my

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<v Speaker 1>last run. That's embarrassing. It's the worst I feel bad for.

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<v Speaker 1>Are you feeling bad airport security with it? No, you

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<v Speaker 1>put that in there? Um luck at you check it well.

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<v Speaker 1>And we actually tried to sent me up one day

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<v Speaker 1>and he put a vibrator in my carry on. Shut up,

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<v Speaker 1>I don't tell just dropped in. You're lying. No, No,

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<v Speaker 1>it's so funny. I went all the ways to where

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<v Speaker 1>I was going came back and didn't even realize it

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<v Speaker 1>was in there. She got back in and I was like,

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<v Speaker 1>you didn't see it when I put your backs like

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<v Speaker 1>what you put my back right At the same time,

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<v Speaker 1>I fell asleep on the plane. When I woke up

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<v Speaker 1>as a little somebody put the deal door on my Yeah,

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<v Speaker 1>I put it vibrator. You are lying and y'all too much.

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<v Speaker 1>Everybody was walking past and it was a big yeah

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<v Speaker 1>it was pink. That's hilarious. I like this approach you're

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<v Speaker 1>taking with your fans too, like going with him to

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<v Speaker 1>like spot days and stuff. I love doing stuff like

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<v Speaker 1>that though. That's me all day. Did you make any

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<v Speaker 1>real friends when you did that, like people that you

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<v Speaker 1>still stay in touch with? Well, I mean my fans

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<v Speaker 1>they hit me on Twitter and Instagram all the time,

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<v Speaker 1>and um yeah. The thing is when you go to

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<v Speaker 1>things like that, you do make connections with your fans

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<v Speaker 1>in that way. When you go back into those markers,

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<v Speaker 1>into those cities, the same fans come out of show support.

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<v Speaker 1>So I have certain fans that I know I'm seeing

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<v Speaker 1>every single market, which is dope, and you're doing a

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<v Speaker 1>little bit. I did have I had one fan to

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<v Speaker 1>just scare me. I'm not even gonna lie because she

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<v Speaker 1>couldn't get into a concert, and so she went on

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<v Speaker 1>this Twitter rant and she was like cussing me out

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<v Speaker 1>and cussing Chris out on Twitter and talking about how

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<v Speaker 1>you know, she had to be escorted by security off

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<v Speaker 1>the she who It scared me a little bit. I'm

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<v Speaker 1>not even gonna lie one of your dance classes that

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<v Speaker 1>you do. I mean. But the thing is, they my team.

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<v Speaker 1>They get mad at me because I still love her,

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<v Speaker 1>right and they're like, okay, all right, dude, Like all right,

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<v Speaker 1>that's the one going. That's gonna get you with a

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<v Speaker 1>tranquilizer and have you tied it with your hands behind

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<v Speaker 1>your back in the hotel. I'm like, but she don't

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<v Speaker 1>cut it out. You cut it out. You don't mean

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<v Speaker 1>no harm. I'll not forgive me to My voice is gone.

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<v Speaker 1>I've been talking so much and working because you've been

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<v Speaker 1>going non stop. I was telling them the other day

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<v Speaker 1>were in Detroit. We did our one year anniversary. You

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<v Speaker 1>performed at that I did and I was a seven.

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<v Speaker 1>Has been going all right because I know you flew

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<v Speaker 1>in and then you had to go do radio that night,

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<v Speaker 1>and then you were out at the club that night

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<v Speaker 1>than the next day you did a spy day. Then yeah,

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<v Speaker 1>I would say she's going hard. It's NonStop. But I

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<v Speaker 1>love it. I'm really having a good time this run,

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<v Speaker 1>like I really am, because they're giving me like multiple

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<v Speaker 1>days in the in the cities and I get to

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<v Speaker 1>do like all different types of things with my fans.

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<v Speaker 1>That's dope. So when you do these things with your fans,

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<v Speaker 1>are you playing the music at least a yell personality? Nah?

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<v Speaker 1>I get to I get to play them like the

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<v Speaker 1>album and like get their opinions, see what they like,

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<v Speaker 1>what they rock with, what they don't. And so that's

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<v Speaker 1>really dope for me because I get to find out

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<v Speaker 1>what's fune of y'all think should come next, And that's

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<v Speaker 1>really dope for me. Do you think that would translate

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<v Speaker 1>the record sales? Um? You know what. I would hope

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<v Speaker 1>that it would. But at the end of the day,

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<v Speaker 1>I think that it more so helps them get a

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<v Speaker 1>better feeling and a better vibe of who I am.

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<v Speaker 1>That's definitely because that's important to the Definitely worked for

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<v Speaker 1>it seemed like it worked. I just think that it's

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<v Speaker 1>important regardless of any anything else. I think that it's

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<v Speaker 1>important to establish a relationship. I don't. I hate being

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<v Speaker 1>in a city or for one day and be like, hey,

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<v Speaker 1>I'm here, you know, play my stuff, support my record

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<v Speaker 1>and all this type of stuff, and then you leave.

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<v Speaker 1>So this run you know the label, they know me.

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<v Speaker 1>I like to talk to them. I like to go skating.

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<v Speaker 1>I like to go to Papa. I like to do

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<v Speaker 1>that called super serving, superserving your your audience, something like that.

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<v Speaker 1>Can I say that I'm really feeling that shot? And

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<v Speaker 1>I hate all three of y'all. Right now, I hate

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<v Speaker 1>all of y'all. Were concerned about you seven? Now I

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<v Speaker 1>gotta I gotta ask you about this. Well, why were

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<v Speaker 1>you concer because apparently I get the feeling that you

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<v Speaker 1>get choked out a lot. Is that right? I mean,

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<v Speaker 1>listen here, Okay, I don't. I don't kill the fun.

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<v Speaker 1>And I think that that is important. Okay, so you

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<v Speaker 1>admit that you do like choking. I think it's sexy.

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<v Speaker 1>I think that when you know, when you're with somebody

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<v Speaker 1>that you love and you trust or whatever, I think

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<v Speaker 1>that it's important that you know you don't kill the fun.

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<v Speaker 1>You know. My motto is, I feel like I'm gonna

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<v Speaker 1>kick your I think that did you see if you

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<v Speaker 1>watch him for that? No, I'm on camera, ye, but

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<v Speaker 1>you got my back though, right, I watched him for you. No,

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<v Speaker 1>But I think that it's important. I always say that,

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<v Speaker 1>me and my friends had this conversation all the time.

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<v Speaker 1>I think that when you, you know, commit to somebody,

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<v Speaker 1>you take them off the market, right. I think that

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<v Speaker 1>it is your job as a woman or as you know,

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<v Speaker 1>a man too, you know, like, I don't think you

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<v Speaker 1>should ever say no. You know what I mean, Like

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<v Speaker 1>I don't want to hear no. I'm talking about no

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<v Speaker 1>anal sex. I'm not into no. But I mean, like

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<v Speaker 1>if you're tired, I mean, if somebody's tired there like,

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<v Speaker 1>oh I'm tired. I'm feel like it. No, because at

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<v Speaker 1>the end of the day, you took that person off

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<v Speaker 1>the market. They can't go and be with somebody else

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<v Speaker 1>because they're with you. So they would ever say no,

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<v Speaker 1>You don't until he's shooting out air and everything's gone

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<v Speaker 1>pretty much. I mean, you know, if they like that,

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<v Speaker 1>you know, day's day. I'm just saying, if that's what

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<v Speaker 1>you're do, like, then that's what you do. You're actually

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<v Speaker 1>opening in the door for him. To go out there

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<v Speaker 1>and cheat. How if if he says you y'all want

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<v Speaker 1>to I want to get in, You're like, oh, I'm tired. Yeah, No, seriously,

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<v Speaker 1>I agree with that. And I don't say how she

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<v Speaker 1>switched that. You said you're actually opening to do it

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<v Speaker 1>for him to teach she said, how said something real too.

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<v Speaker 1>She says she's never claimed anybody publicly because nobody's ever

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<v Speaker 1>put a ring on her finger. You worry about that

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<v Speaker 1>because you and out here on Instagram and kissing. I mean,

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<v Speaker 1>my thing is I take my life a day at

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<v Speaker 1>a time, you know what I mean A day. I

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<v Speaker 1>don't I think that that's all that you can do.

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<v Speaker 1>And um, you know, for me, like with you know,

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<v Speaker 1>with me and Bob, we started out as friends. We

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<v Speaker 1>were friends for a very long time. And I say

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<v Speaker 1>this all the time, and I mean it from the

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<v Speaker 1>bottom of my heart. If it ended tomorrow, you know

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<v Speaker 1>what I mean, He's still my friend. And I've never

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<v Speaker 1>had anything start out that way before, you know, in

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<v Speaker 1>the past, I've you know, had relationships, I've I've had

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<v Speaker 1>bands for real on some real life A bitch bitch

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<v Speaker 1>as oh yeah, like that's one of my record show

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<v Speaker 1>me what are you doing? You don't have my EP?

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<v Speaker 1>What are you doing with your life? I know I

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<v Speaker 1>remember it, just it just hit me. Okay, he said,

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<v Speaker 1>a kid, It's okay, you get but no, um, but yes,

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<v Speaker 1>I have ran across bands before, and honestly, like my

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<v Speaker 1>ex and my last situation, I felt like, you know,

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<v Speaker 1>like he didn't you know, I had to dim my light,

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<v Speaker 1>you know what I mean? Like I feel like he

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<v Speaker 1>didn't want me to shine. And so it feels really

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<v Speaker 1>good to, you know, be dating somebody who he got

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<v Speaker 1>his own light. He is comfortable in his own skin

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<v Speaker 1>and supports me. It's like, all right, bull, they go

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<v Speaker 1>shine like and I think that that's the dope and

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<v Speaker 1>that's important industry. Then no, he was then you take

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<v Speaker 1>him back though, no he thought about it. No, my

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<v Speaker 1>ex when I was like twenty two, that was the

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<v Speaker 1>one who I wrote next about and that was the

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<v Speaker 1>one that we went back and forth. But my one,

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<v Speaker 1>you know that I dated before Bob, that I was

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<v Speaker 1>with for a little minute. I know, you gotta watch

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<v Speaker 1>publicly bashing these guys. It's but it's not a bash.

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<v Speaker 1>The thing is, it's not a bash. It's just it's

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<v Speaker 1>the truth. I feel like you know with with my ex, Like,

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<v Speaker 1>you know, I'm not gonna be embarrassed to feel crazy

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<v Speaker 1>because I I actually loved you and you excuse my

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<v Speaker 1>friends book up. You know, I'm not gonna feel bad

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<v Speaker 1>about that. I think that anytime you're in a relationship

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<v Speaker 1>you should give it. You're one hundred and twenty percent

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<v Speaker 1>you know what I mean, and if it works out,

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<v Speaker 1>you don't feel bad about it. If you tried your

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<v Speaker 1>best and they because you no, okay, good, No, guys

0:10:17.880 --> 0:10:20.599
<v Speaker 1>always get angry and you start hearing any name in

0:10:20.679 --> 0:10:24.040
<v Speaker 1>music are here, that's all about me? Watch this. He knows,

0:10:24.120 --> 0:10:25.840
<v Speaker 1>he knows that a lot of the records are about him.

0:10:25.880 --> 0:10:28.280
<v Speaker 1>Man is about him. He knows you for you and

0:10:28.400 --> 0:10:30.000
<v Speaker 1>Bob did you Guys have to sit down and like

0:10:30.120 --> 0:10:31.920
<v Speaker 1>go through everything like okay, if you hear about this,

0:10:32.559 --> 0:10:34.640
<v Speaker 1>I did go out with this girl briefly, and then

0:10:34.760 --> 0:10:36.319
<v Speaker 1>you have to say, okay, well just so you know.

0:10:36.559 --> 0:10:39.360
<v Speaker 1>But the thing, the thing um with Bob and I

0:10:39.559 --> 0:10:43.079
<v Speaker 1>I just I'm really big on just don't do anything

0:10:43.120 --> 0:10:44.559
<v Speaker 1>that you wouldn't want me to do. And he's the

0:10:44.640 --> 0:10:47.840
<v Speaker 1>same way. And in terms of um, you know, seeing

0:10:47.960 --> 0:10:49.800
<v Speaker 1>him in a picture with somebody or seeing me in

0:10:49.840 --> 0:10:52.959
<v Speaker 1>a picture. That comes along with the job. Like I'm

0:10:53.000 --> 0:10:55.120
<v Speaker 1>a singer, I'm a performer, I'm entertainer. I'm gonna meet

0:10:55.440 --> 0:10:58.280
<v Speaker 1>plenty of actors, athletes. It just that comes along with

0:10:58.360 --> 0:11:00.640
<v Speaker 1>the territory and the same thing with him, you know.

0:11:00.760 --> 0:11:02.600
<v Speaker 1>And half the time, if we're chilling and I see

0:11:02.640 --> 0:11:04.040
<v Speaker 1>a girl with a big old booty and be like, oh,

0:11:04.120 --> 0:11:08.360
<v Speaker 1>look at how booty is crazy? Why like a preemptive thing,

0:11:08.400 --> 0:11:10.040
<v Speaker 1>like I know he gonna looks so let me go ahead.

0:11:10.080 --> 0:11:12.960
<v Speaker 1>And no, it's not even that like to each other too,

0:11:13.000 --> 0:11:16.160
<v Speaker 1>though you'd be like, damn you see that. Girls said

0:11:16.200 --> 0:11:23.079
<v Speaker 1>that to my girlfriend, right, Yeah, No, guys aren't as

0:11:23.080 --> 0:11:26.000
<v Speaker 1>comfortable doing that, and you know you're not. Ain't thinking

0:11:26.000 --> 0:11:28.520
<v Speaker 1>about it. I'm secure women because we got to strip

0:11:28.600 --> 0:11:35.160
<v Speaker 1>clubs and see other women naked clubs. I don't know

0:11:35.800 --> 0:11:39.240
<v Speaker 1>there are men Vegas, Vegas, in Vegas. Now, you write

0:11:39.280 --> 0:11:40.959
<v Speaker 1>for so many artists, do you do you continue to

0:11:41.000 --> 0:11:42.240
<v Speaker 1>write or as one of those things where I'm not

0:11:42.240 --> 0:11:44.679
<v Speaker 1>giving up a hit anymore. No, I do. Actually, I

0:11:44.760 --> 0:11:46.599
<v Speaker 1>just I took some time off to write, you know,

0:11:46.600 --> 0:11:48.840
<v Speaker 1>I work on my album like eight months, just focus

0:11:48.960 --> 0:11:51.079
<v Speaker 1>on my album. I didn't really listen to the radio.

0:11:51.240 --> 0:11:53.600
<v Speaker 1>I couldn't tell you, you know, they would they would

0:11:53.600 --> 0:11:55.240
<v Speaker 1>ask me, you know, if I was like, what's you

0:11:55.320 --> 0:11:57.840
<v Speaker 1>like right now? I don't know because I really wanted

0:11:57.880 --> 0:12:00.719
<v Speaker 1>to focus on my album and I didn't want to

0:12:00.720 --> 0:12:02.439
<v Speaker 1>be influenced by the artists. I didn't want to be

0:12:02.480 --> 0:12:06.079
<v Speaker 1>influenced by anything. So I'm about to get back into

0:12:06.760 --> 0:12:08.959
<v Speaker 1>writing records for other artists. And now that my album

0:12:09.120 --> 0:12:11.600
<v Speaker 1>is closed, I have a lot of songs, like forty records,

0:12:11.600 --> 0:12:13.040
<v Speaker 1>so I'm an artist. I want to wreck. I'm gonna say,

0:12:13.040 --> 0:12:15.559
<v Speaker 1>I want to record like don't stop the fun you do, Like,

0:12:15.640 --> 0:12:18.880
<v Speaker 1>don't kill the fun you're doing, Like Charlemagne, you've been drinking.

0:12:19.040 --> 0:12:25.720
<v Speaker 1>He's been drinking right, Yeah, thank you, he said, queen out.

0:12:25.960 --> 0:12:28.600
<v Speaker 1>Oh my god, are you serious? He really does? Where

0:12:28.600 --> 0:12:30.480
<v Speaker 1>does the infiration come from from music? Then if you're

0:12:30.480 --> 0:12:34.439
<v Speaker 1>not listening to other people? Um, life, life and the

0:12:34.600 --> 0:12:37.400
<v Speaker 1>things I go through. I say all the time, my

0:12:37.600 --> 0:12:39.800
<v Speaker 1>ex needs publishing, but I'm not gonna give it to

0:12:39.920 --> 0:12:43.959
<v Speaker 1>him because I wrote so many records about be careful

0:12:44.000 --> 0:12:45.600
<v Speaker 1>what you say, because then he'll be like right here,

0:12:45.679 --> 0:12:50.280
<v Speaker 1>she said, I need public keep playing with it can't

0:12:50.320 --> 0:12:51.760
<v Speaker 1>be if I never seen him a picture of it,

0:12:52.160 --> 0:12:54.439
<v Speaker 1>you know what I mean? But um, well, he doesn't

0:12:54.440 --> 0:12:56.120
<v Speaker 1>wish you well. Now, he's not like, I'm sorry for

0:12:56.160 --> 0:12:58.160
<v Speaker 1>everything I did. I wish you well. I messed up.

0:12:58.280 --> 0:13:00.319
<v Speaker 1>I mean, I'm happy you're happy. I don't know what

0:13:00.480 --> 0:13:02.719
<v Speaker 1>he feels because I don't talk to him. That was

0:13:02.760 --> 0:13:05.839
<v Speaker 1>that bad? What did he talk about? What I talk

0:13:05.880 --> 0:13:08.520
<v Speaker 1>about my music and I talk about my truth. That's

0:13:08.520 --> 0:13:10.800
<v Speaker 1>a difference, you know what I mean? Inspired some music.

0:13:10.920 --> 0:13:14.160
<v Speaker 1>So what exactly happened that? You know what? I just

0:13:14.280 --> 0:13:17.040
<v Speaker 1>felt like? Honestly, he went hard for everything else in

0:13:17.120 --> 0:13:22.240
<v Speaker 1>his life except for me, and no, First of all,

0:13:22.240 --> 0:13:26.200
<v Speaker 1>I got a daddy named Tim Street or hello, I did,

0:13:26.360 --> 0:13:33.000
<v Speaker 1>I didn't try me listen here, listening here and y'all,

0:13:33.000 --> 0:13:34.439
<v Speaker 1>and you met my mama, You met my mom and

0:13:34.600 --> 0:13:37.920
<v Speaker 1>my dad. They don't play the radio men. Yeah, you

0:13:37.960 --> 0:13:39.880
<v Speaker 1>hit him my mom in front of me. You did.

0:13:44.600 --> 0:13:47.160
<v Speaker 1>But no, I write about I write about my truth,

0:13:47.320 --> 0:13:51.200
<v Speaker 1>and I write about it's not about bashing anybody. It's not. Literally.

0:13:51.320 --> 0:13:55.000
<v Speaker 1>If if I never had to mention um, you know,

0:13:55.480 --> 0:13:57.920
<v Speaker 1>if I never had to mention him at all, I wouldn't.

0:13:58.280 --> 0:14:00.240
<v Speaker 1>But it's just a part of my story. It's a

0:14:00.280 --> 0:14:02.400
<v Speaker 1>part of music comes out of great music. And you

0:14:02.520 --> 0:14:05.360
<v Speaker 1>listen here they there's a saying that you know if

0:14:05.480 --> 0:14:07.480
<v Speaker 1>sometimes if it's bad for your art, it's good. I

0:14:07.559 --> 0:14:09.719
<v Speaker 1>meant bad for your heart, it's good for your art.

0:14:10.040 --> 0:14:12.839
<v Speaker 1>And I really believe that. And um, I've written some

0:14:13.000 --> 0:14:16.959
<v Speaker 1>of the best records from you know, heartache, heartbreak and

0:14:17.000 --> 0:14:20.920
<v Speaker 1>all that good stuff. And you're gonna be whacked. No, no, no,

0:14:21.000 --> 0:14:23.640
<v Speaker 1>no no no, because I wrote you know, no, it's

0:14:23.680 --> 0:14:27.040
<v Speaker 1>not gonna be I just have different things to speak about,

0:14:27.320 --> 0:14:31.040
<v Speaker 1>you know what I mean. But I I write from

0:14:31.120 --> 0:14:32.840
<v Speaker 1>all of my life. You know what I mean, Like

0:14:32.960 --> 0:14:35.280
<v Speaker 1>from the good, the bad, the ugly and all of it.

0:14:35.480 --> 0:14:38.120
<v Speaker 1>That's actually a song. If it's bad for your heart, yeah,

0:14:38.240 --> 0:14:40.800
<v Speaker 1>what's what's bad for your heart, it's good for your art.

0:14:40.880 --> 0:14:42.840
<v Speaker 1>That works with faults too. If it's bad for your heart,

0:14:42.880 --> 0:14:44.400
<v Speaker 1>it's good for your faults because the things they give

0:14:44.400 --> 0:14:46.280
<v Speaker 1>you heartburn give you the best gas. You was the

0:14:46.560 --> 0:14:53.640
<v Speaker 1>dumbest chaman who says that, Like, seriously, nobody Brown, How,

0:14:53.960 --> 0:14:57.720
<v Speaker 1>oh my god, we talk about farts to Chris Brown? Right?

0:14:57.840 --> 0:15:00.120
<v Speaker 1>How hands on this Chris Brown? With with your with

0:15:00.240 --> 0:15:06.760
<v Speaker 1>your project. You know what with Chris Chris Um he did,

0:15:07.120 --> 0:15:09.440
<v Speaker 1>he directed you know, don't kill the Fun and obviously

0:15:09.480 --> 0:15:11.000
<v Speaker 1>he's in the video and on the song, and the

0:15:11.080 --> 0:15:13.880
<v Speaker 1>same thing with they Won't Stop. But I love the

0:15:13.960 --> 0:15:17.480
<v Speaker 1>fact that when when I first signed to him, he

0:15:18.040 --> 0:15:19.880
<v Speaker 1>you know, he helped me figure out. He taught me

0:15:19.960 --> 0:15:21.880
<v Speaker 1>so much about writing, and taught me so much about

0:15:22.360 --> 0:15:25.080
<v Speaker 1>videos and all these things. And then once you know,

0:15:25.320 --> 0:15:28.640
<v Speaker 1>it came time for my album, he'll say his two

0:15:28.760 --> 0:15:32.120
<v Speaker 1>cents and then he encourages me to find myself. And

0:15:32.280 --> 0:15:34.600
<v Speaker 1>I think that that is the healthiest thing that you

0:15:34.640 --> 0:15:37.280
<v Speaker 1>could ever do for any of your artists. And you know,

0:15:37.560 --> 0:15:39.640
<v Speaker 1>after I you know, I wrote my records and I

0:15:39.680 --> 0:15:41.280
<v Speaker 1>wrote things, and I came back, I would come back

0:15:41.280 --> 0:15:42.720
<v Speaker 1>to him and play it. And I would go away

0:15:42.760 --> 0:15:43.880
<v Speaker 1>and I would write and I would come back to

0:15:43.960 --> 0:15:46.080
<v Speaker 1>him and play it, and you know, he would give

0:15:46.120 --> 0:15:47.480
<v Speaker 1>me his opinion, and he still that he gives me

0:15:47.560 --> 0:15:49.960
<v Speaker 1>his opinions and things like that, but he allows me

0:15:50.080 --> 0:15:52.800
<v Speaker 1>to be my own artist. And I think that that's

0:15:52.800 --> 0:15:55.560
<v Speaker 1>amazing because you know, I've been in two groups before

0:15:55.600 --> 0:15:59.120
<v Speaker 1>the situation where people wouldn't care about what I thought,

0:15:59.320 --> 0:16:01.600
<v Speaker 1>They didn't care about you know what I wrote. They

0:16:01.640 --> 0:16:03.880
<v Speaker 1>didn't even encourage me to write, you know what I mean?

0:16:04.000 --> 0:16:07.880
<v Speaker 1>So literally it I mean, I'm not gonna get all

0:16:07.920 --> 0:16:11.640
<v Speaker 1>way into it, but like I mean, it wasn't abusive,

0:16:11.960 --> 0:16:15.080
<v Speaker 1>but it was stifling, you know what I mean. They

0:16:15.160 --> 0:16:18.720
<v Speaker 1>didn't encourage me. Remember one time, for example, I went

0:16:18.800 --> 0:16:20.440
<v Speaker 1>up to you know, the person who was over my

0:16:20.520 --> 0:16:22.160
<v Speaker 1>last group, and I was like, hey, I have an

0:16:22.200 --> 0:16:24.040
<v Speaker 1>idea for a line, like what do you think about this?

0:16:24.440 --> 0:16:26.880
<v Speaker 1>And they tapped me on my should just said no, baby, no,

0:16:29.960 --> 0:16:34.280
<v Speaker 1>like seriously, And people don't realize how the things like

0:16:34.440 --> 0:16:37.880
<v Speaker 1>that can really they can damage somebody. Like it made

0:16:37.920 --> 0:16:40.280
<v Speaker 1>me feel like, okay, whoa So to be in a

0:16:40.360 --> 0:16:44.280
<v Speaker 1>situation now with in the group, yes, as the brown

0:16:44.320 --> 0:16:47.400
<v Speaker 1>skin growing group, it was that is a whole other story.

0:16:47.560 --> 0:16:50.760
<v Speaker 1>We need the whole other But for me, but it's

0:16:50.800 --> 0:16:54.840
<v Speaker 1>not about beage girls, brown girls, blue girls, green, it's

0:16:54.840 --> 0:16:57.560
<v Speaker 1>not about that. It's about you know, if you work

0:16:57.640 --> 0:16:59.760
<v Speaker 1>hard and you have talent, I think that that should

0:16:59.760 --> 0:17:03.040
<v Speaker 1>be showcase and that's always been important to me. But um,

0:17:03.120 --> 0:17:05.480
<v Speaker 1>it feels great now to be in a situation where,

0:17:05.960 --> 0:17:08.119
<v Speaker 1>you know, with Chris and with my management Tina and

0:17:08.200 --> 0:17:11.760
<v Speaker 1>Brittany and my label Atlantic and Chris Brown. They encouraged

0:17:11.840 --> 0:17:13.720
<v Speaker 1>me to be the best version of me and to

0:17:13.840 --> 0:17:16.879
<v Speaker 1>get all of my ideas out. And I appreciate it

0:17:16.920 --> 0:17:20.600
<v Speaker 1>because I've been through through two situations who did not encourage.

0:17:20.800 --> 0:17:23.520
<v Speaker 1>They feel like Christ because after all everything I mean,

0:17:24.040 --> 0:17:25.840
<v Speaker 1>at the time, Chris was going through his problems and

0:17:26.280 --> 0:17:28.080
<v Speaker 1>a lot of people wouldn't see per se Chris as

0:17:28.080 --> 0:17:33.639
<v Speaker 1>a businessman or a label owner. You listen, but no,

0:17:34.000 --> 0:17:37.240
<v Speaker 1>yes and yes, and you put listen here. When I

0:17:37.440 --> 0:17:41.159
<v Speaker 1>first met Chris, I was still Enrich Girl. I was

0:17:41.160 --> 0:17:44.359
<v Speaker 1>selling Rich Girl, and I was advised to not be

0:17:44.480 --> 0:17:48.440
<v Speaker 1>around Chris. And I looked at them and said, you're stupid.

0:17:48.640 --> 0:17:50.159
<v Speaker 1>I'm glad you did that. You know what I mean,

0:17:50.480 --> 0:17:52.919
<v Speaker 1>because I don't. I can't. You can't judge people by

0:17:53.080 --> 0:17:54.800
<v Speaker 1>things you know. If you don't know them, or you

0:17:54.800 --> 0:17:56.879
<v Speaker 1>don't know their lives, who are you to say who

0:17:56.960 --> 0:17:58.720
<v Speaker 1>they are, how they are. It's just I just didn't

0:17:58.720 --> 0:18:00.280
<v Speaker 1>agree with that. That's not how I was brought up.

0:18:00.320 --> 0:18:03.159
<v Speaker 1>I don't get down like that. And so all I

0:18:03.280 --> 0:18:06.719
<v Speaker 1>saw was a guy who was talented and amazing, who

0:18:07.240 --> 0:18:09.600
<v Speaker 1>who had my experience with him he had always been

0:18:09.640 --> 0:18:11.879
<v Speaker 1>great to me, and he gave me an opportunity and

0:18:11.960 --> 0:18:14.480
<v Speaker 1>I appreciated that more than I could ever express. So

0:18:14.960 --> 0:18:18.159
<v Speaker 1>I started, you know, writing and working with him, and

0:18:18.560 --> 0:18:20.359
<v Speaker 1>I you know, I asked him when I'm when the

0:18:20.400 --> 0:18:22.840
<v Speaker 1>first I ever wrote with Chris. I said to him,

0:18:22.880 --> 0:18:24.680
<v Speaker 1>I said, hey, I heard you about to start a session.

0:18:25.000 --> 0:18:27.160
<v Speaker 1>I'm across the hall. You know, me and my group

0:18:27.200 --> 0:18:29.000
<v Speaker 1>we're finishing our session. Cannot come and write with you?

0:18:29.560 --> 0:18:32.200
<v Speaker 1>And he was like, yeah, cool, I'm gonna come get you.

0:18:32.440 --> 0:18:34.440
<v Speaker 1>And I went. I told the wrest of the girls

0:18:34.440 --> 0:18:36.400
<v Speaker 1>and said, hey, Chris said, we can write. Like Chris said,

0:18:36.400 --> 0:18:41.720
<v Speaker 1>we can come and write. No, no, no correction. He said, yeah,

0:18:42.000 --> 0:18:45.640
<v Speaker 1>y'all can come, right. I asked, because I'm not that girl,

0:18:47.040 --> 0:18:49.560
<v Speaker 1>I'm not a shady girl. Off nah, and I went.

0:18:49.640 --> 0:18:51.960
<v Speaker 1>I told all of them. I said, hey, Chris said

0:18:51.960 --> 0:18:53.879
<v Speaker 1>the weekend write. One of the girls said she was

0:18:53.920 --> 0:18:55.600
<v Speaker 1>tired and she was going to the hotel and going

0:18:55.640 --> 0:18:59.080
<v Speaker 1>to sleep. The other two said, okay, cool dope. We

0:18:59.200 --> 0:19:01.320
<v Speaker 1>went in start to work with Chris. And I remember

0:19:01.480 --> 0:19:03.920
<v Speaker 1>Um Tank was in that session. Lonnie Barell was in

0:19:04.000 --> 0:19:07.280
<v Speaker 1>that session. Kevin McCall was in that session and um,

0:19:07.720 --> 0:19:10.000
<v Speaker 1>after a minute, I was throwing out lines and none

0:19:10.040 --> 0:19:11.680
<v Speaker 1>of my lines got picked up. I was like, yeah,

0:19:11.720 --> 0:19:14.080
<v Speaker 1>what about s S session? They were just like yeah,

0:19:14.160 --> 0:19:16.040
<v Speaker 1>so don what you thinking about sets us up? None

0:19:16.080 --> 0:19:18.760
<v Speaker 1>of my lines got picked up at all. And I

0:19:18.800 --> 0:19:21.080
<v Speaker 1>remember after a minute, the other two girls they came

0:19:21.160 --> 0:19:23.080
<v Speaker 1>up to me and they were like, Oh, we're going

0:19:23.200 --> 0:19:25.320
<v Speaker 1>to um go have some drinks at the SLS down

0:19:25.359 --> 0:19:27.320
<v Speaker 1>the street. You want to come now. I looked at

0:19:27.400 --> 0:19:30.760
<v Speaker 1>him and I was like, nah, I'm straight, y'all. I

0:19:30.840 --> 0:19:32.800
<v Speaker 1>do love that. But I was like, nah, y'all gonna

0:19:32.800 --> 0:19:35.119
<v Speaker 1>have y'all drinks. I'm straight, Like I'm gonna stay here

0:19:35.119 --> 0:19:38.000
<v Speaker 1>and right with Chris Brow. I stayed and here we

0:19:38.119 --> 0:19:41.080
<v Speaker 1>are five years later and just from being around him,

0:19:41.160 --> 0:19:43.639
<v Speaker 1>and I tried to get a placement on graffiti. I

0:19:43.680 --> 0:19:45.600
<v Speaker 1>didn't get no placements on graffiti, but I was at

0:19:45.640 --> 0:19:47.680
<v Speaker 1>that studio every day, you know what I mean. And

0:19:47.920 --> 0:19:49.520
<v Speaker 1>when it came down for a Fame and Fortune, and

0:19:49.560 --> 0:19:51.520
<v Speaker 1>Chris gave me the opportunity to write on fame, to

0:19:51.640 --> 0:19:53.920
<v Speaker 1>ride on fortune, and I had seven placements on Fame

0:19:54.000 --> 0:19:57.800
<v Speaker 1>with him, seven placements on Fortune with magic number. It

0:19:57.920 --> 0:20:00.360
<v Speaker 1>really is like it's a it's a blessed. The girls

0:20:00.359 --> 0:20:04.159
<v Speaker 1>are sick right now. Chris don't rep his label the

0:20:04.200 --> 0:20:05.919
<v Speaker 1>way he needs to, because I wouldn't know Chris had

0:20:06.040 --> 0:20:08.880
<v Speaker 1>artists if I didn't hear from you really Ken when

0:20:08.880 --> 0:20:10.159
<v Speaker 1>he come up here. But it might be us to

0:20:10.240 --> 0:20:12.240
<v Speaker 1>him wanting them to shine on their own. He does.

0:20:12.359 --> 0:20:18.479
<v Speaker 1>He's really big on that and directing the videos. That's

0:20:18.520 --> 0:20:21.800
<v Speaker 1>a big co sign. CO signs are important. But the

0:20:21.920 --> 0:20:26.960
<v Speaker 1>thing is I I think that it's it's really important.

0:20:27.040 --> 0:20:29.520
<v Speaker 1>It's just for me and I can't speak on Kevin,

0:20:29.520 --> 0:20:31.200
<v Speaker 1>I can't speak on any of the other artists. But

0:20:31.400 --> 0:20:35.520
<v Speaker 1>for me, by myself, I think that the best thing

0:20:35.640 --> 0:20:37.919
<v Speaker 1>that my my label, on my team and Chris can

0:20:37.960 --> 0:20:41.040
<v Speaker 1>do for me is allow me to find myself because

0:20:41.119 --> 0:20:43.520
<v Speaker 1>for so many years I didn't have the opportunity to

0:20:43.640 --> 0:20:45.119
<v Speaker 1>do that. Do you feel like when you first got

0:20:45.160 --> 0:20:48.840
<v Speaker 1>signed as a solo artist you were very shy and

0:20:48.880 --> 0:20:50.639
<v Speaker 1>timid and not sure like what you wanted to do?

0:20:50.680 --> 0:20:54.600
<v Speaker 1>Because if absolutely a whole lot more. Yeah, absolutely, I mean,

0:20:54.720 --> 0:20:57.399
<v Speaker 1>but groups do that to you. Groups do that to you,

0:20:57.560 --> 0:20:59.960
<v Speaker 1>and and when you don't have three other girls or

0:21:00.000 --> 0:21:01.840
<v Speaker 1>around you to pick up the slack in areas that

0:21:01.920 --> 0:21:06.480
<v Speaker 1>you're a week is I I hate you. But people

0:21:06.560 --> 0:21:08.600
<v Speaker 1>would say, like, you know, Seven's really talented, but I

0:21:08.640 --> 0:21:10.560
<v Speaker 1>don't feel like I know her. She doesn't seem like

0:21:10.600 --> 0:21:12.880
<v Speaker 1>she opens up and it seems like you just all

0:21:12.880 --> 0:21:14.879
<v Speaker 1>of a sudden, Okay, this is who I am. I

0:21:14.960 --> 0:21:16.840
<v Speaker 1>mean when when you have friends call you live on

0:21:16.960 --> 0:21:19.000
<v Speaker 1>air and be like, girl, are you dating such and

0:21:19.080 --> 0:21:21.359
<v Speaker 1>such a text? By the way, people were mad about

0:21:21.400 --> 0:21:22.680
<v Speaker 1>that that we did that, but I don't know what

0:21:22.760 --> 0:21:24.960
<v Speaker 1>they were mad, like, y'all don't understand, Like I wouldn't

0:21:24.960 --> 0:21:26.439
<v Speaker 1>have done it if I thought Seven would be mad.

0:21:26.600 --> 0:21:28.840
<v Speaker 1>He is my friend in real life, so and I

0:21:28.960 --> 0:21:30.680
<v Speaker 1>love coming up here with y'all. So I wasn't. Yeah,

0:21:30.760 --> 0:21:32.280
<v Speaker 1>it was in Detroit. He was like, seven got a

0:21:32.359 --> 0:21:34.560
<v Speaker 1>listening session in the studio in the hood. I'm going

0:21:34.600 --> 0:21:36.360
<v Speaker 1>I'm like, all right, well I see them all you happy? Yeah,

0:21:37.160 --> 0:21:41.040
<v Speaker 1>and you fell asleep. But it's okay. But he played

0:21:41.040 --> 0:21:43.040
<v Speaker 1>the song on his Instagram. He said, you was gonna

0:21:43.040 --> 0:21:45.119
<v Speaker 1>be on it? What's that? Yeah, it's for my album

0:21:45.320 --> 0:21:47.280
<v Speaker 1>on the Verge. It's a song called Been a Minute

0:21:47.600 --> 0:21:50.200
<v Speaker 1>And I wrote the song. Okay, y'all tell me this

0:21:50.480 --> 0:21:54.120
<v Speaker 1>have you ever received or sent a text like after

0:21:54.240 --> 0:21:56.440
<v Speaker 1>you know, you weren't dealing with somebody for a minute

0:21:56.720 --> 0:21:58.560
<v Speaker 1>and then you sent them a text like hey stranger,

0:21:58.680 --> 0:22:00.520
<v Speaker 1>Oh yeah, it ain't no screen. Do you see him

0:22:00.520 --> 0:22:03.280
<v Speaker 1>on Instagram or something? Right? But you look good? He

0:22:03.359 --> 0:22:05.159
<v Speaker 1>looked good. They actually looked good, and you get that

0:22:05.240 --> 0:22:08.359
<v Speaker 1>text like hash stranger, how you've been? What up? So

0:22:08.680 --> 0:22:11.359
<v Speaker 1>that's what the record is about. And I love it.

0:22:11.560 --> 0:22:14.800
<v Speaker 1>And he just murdered that record. I'm really excited about it.

0:22:14.880 --> 0:22:17.320
<v Speaker 1>And he did his um his part on his Instagram

0:22:17.400 --> 0:22:19.560
<v Speaker 1>and he put it out and I didn't mind in

0:22:19.640 --> 0:22:21.080
<v Speaker 1>the fans. You know, I can't wait him to hear it.

0:22:21.200 --> 0:22:23.399
<v Speaker 1>Speaking of murder, you killed Bob last time he was

0:22:23.440 --> 0:22:26.840
<v Speaker 1>here when we played Mary Kill. Oh my god, why

0:22:26.880 --> 0:22:31.040
<v Speaker 1>are you being don't be messing? Okay, so yeah, you

0:22:31.080 --> 0:22:33.000
<v Speaker 1>can figure me out a little bit. But still it's

0:22:33.040 --> 0:22:35.399
<v Speaker 1>just like, don't be messing. But artist, I seen that

0:22:35.440 --> 0:22:37.480
<v Speaker 1>fans can't stand you too. They was going in on you.

0:22:37.720 --> 0:22:40.119
<v Speaker 1>You know what, I love them regardless, I really do.

0:22:40.240 --> 0:22:42.200
<v Speaker 1>I love I'm about any fan that goes hard for

0:22:42.280 --> 0:22:44.119
<v Speaker 1>the artists that they go hard for, you know what

0:22:44.160 --> 0:22:46.400
<v Speaker 1>I mean. So I can't do number, respect and love them.

0:22:46.440 --> 0:22:47.960
<v Speaker 1>Do you n Bob have like a name? You know

0:22:47.960 --> 0:22:50.480
<v Speaker 1>how people have like the name together? Like, I don't know,

0:22:50.560 --> 0:22:52.639
<v Speaker 1>maybe y'all should create one. I have no idea. I

0:22:52.720 --> 0:22:55.840
<v Speaker 1>don't know nothing that really works. Nothing. I'm like, what

0:22:56.080 --> 0:23:04.359
<v Speaker 1>caned BEV be seven? Oh? B it does sound like

0:23:04.400 --> 0:23:07.239
<v Speaker 1>a failed R. It really does. I can't even lie.

0:23:07.320 --> 0:23:10.159
<v Speaker 1>It sounds like for really, we appreciate you, Julian when

0:23:10.240 --> 0:23:12.560
<v Speaker 1>we get in this album man, this summer, this summer,

0:23:12.720 --> 0:23:17.040
<v Speaker 1>this summer, we put some pressure on Atlantic Na Na.

0:23:17.240 --> 0:23:19.600
<v Speaker 1>Atlantic is great, and you guys are on the same

0:23:19.720 --> 0:23:21.480
<v Speaker 1>label when they found out un you want to know

0:23:21.600 --> 0:23:25.200
<v Speaker 1>some real, some real real my label reps. We have

0:23:25.240 --> 0:23:27.280
<v Speaker 1>a label rep in every market that we go in,

0:23:27.560 --> 0:23:31.480
<v Speaker 1>and I'm gonna put Kenny on blast. Kenny is my

0:23:31.640 --> 0:23:35.320
<v Speaker 1>rep for like New Orleans and that or whatever. Yes,

0:23:35.920 --> 0:23:38.280
<v Speaker 1>Kenny um because me and Bob we went to the

0:23:38.840 --> 0:23:44.080
<v Speaker 1>Chris's concert in Houston and literally Kenny was so uncomfortable

0:23:44.160 --> 0:23:46.399
<v Speaker 1>in the car because me and Bob were in the

0:23:46.480 --> 0:23:48.680
<v Speaker 1>back seat, like just you know, being me and Bob.

0:23:50.640 --> 0:23:53.320
<v Speaker 1>No I went to dinner with them. They don't keep

0:23:53.320 --> 0:23:56.359
<v Speaker 1>their hands off each other, fingering y they fingered each

0:23:56.400 --> 0:24:01.440
<v Speaker 1>other in the rest of No. No, he thinks so

0:24:01.600 --> 0:24:06.160
<v Speaker 1>much this is not true. No, but um, I mean

0:24:06.520 --> 0:24:08.479
<v Speaker 1>I can't help it. I can't keep my hands off.

0:24:10.040 --> 0:24:13.680
<v Speaker 1>But oh, listen here, one day at a time, don't

0:24:13.720 --> 0:24:17.320
<v Speaker 1>kill the fun um. Yes. So No, Kenny is so

0:24:17.520 --> 0:24:20.920
<v Speaker 1>he was so uncomfortable, like it was like he didn't

0:24:20.960 --> 0:24:24.080
<v Speaker 1>know how they talked to either one of us. He's like, Kenny,

0:24:24.160 --> 0:24:25.920
<v Speaker 1>are you okay? He was like he couldn't even look

0:24:26.000 --> 0:24:29.159
<v Speaker 1>us at the eyes. Well, that's the first time that

0:24:29.359 --> 0:24:31.600
<v Speaker 1>he had been around the two of us together. And

0:24:32.200 --> 0:24:35.119
<v Speaker 1>I'm like, very you know, I'm a I'm touchy Philly,

0:24:35.280 --> 0:24:38.240
<v Speaker 1>Like that's just how I What about those seven Teddy

0:24:38.240 --> 0:24:42.840
<v Speaker 1>bearries that bob bleught you for Valentine's They are still

0:24:43.000 --> 0:24:45.520
<v Speaker 1>in my house, so how can you even move around?

0:24:45.640 --> 0:24:47.720
<v Speaker 1>He's listening here. I don't know, like they're still in

0:24:47.800 --> 0:24:50.040
<v Speaker 1>my house. And I sent him a patrol. I was like, Bay,

0:24:50.119 --> 0:24:51.800
<v Speaker 1>all these house guests. You see these house guests I

0:24:51.840 --> 0:24:54.400
<v Speaker 1>still got He's like, well, they look real comfortable listen

0:24:54.400 --> 0:24:56.680
<v Speaker 1>to here. No, but I think what I want to do.

0:24:56.800 --> 0:24:59.560
<v Speaker 1>I want to donate them to a children's hospital. I

0:24:59.640 --> 0:25:00.840
<v Speaker 1>think that that's what I want to do with it.

0:25:00.920 --> 0:25:06.200
<v Speaker 1>I'm gonna keep one well, either he can come with

0:25:06.280 --> 0:25:07.960
<v Speaker 1>me to donate them or he can keep them in

0:25:08.040 --> 0:25:10.760
<v Speaker 1>his house in Atlanta. But you know, are you gonna

0:25:10.760 --> 0:25:12.920
<v Speaker 1>go on tour to promote the new album on the verge?

0:25:13.040 --> 0:25:14.639
<v Speaker 1>I definitely am gonna be on the Okay. I think

0:25:14.680 --> 0:25:16.200
<v Speaker 1>Chris Brown needs to bring you out on tour with

0:25:16.280 --> 0:25:18.720
<v Speaker 1>him because I would love tour and I always wonder

0:25:18.800 --> 0:25:21.040
<v Speaker 1>why don't he bring seven out? I would love it.

0:25:22.200 --> 0:25:24.080
<v Speaker 1>I mean, you know, I don't know what you think

0:25:24.119 --> 0:25:25.800
<v Speaker 1>You're going on tour to promote because I'm free. If

0:25:25.840 --> 0:25:28.159
<v Speaker 1>you need you better, you better him. Tell him right

0:25:28.200 --> 0:25:30.919
<v Speaker 1>now that you need to be on tourt. This bro

0:25:31.119 --> 0:25:33.240
<v Speaker 1>bright he knows, but I would love to be on

0:25:33.359 --> 0:25:36.200
<v Speaker 1>the road with him. Aside from just learning and watching

0:25:36.240 --> 0:25:38.720
<v Speaker 1>his shows every night, which I love, I would just

0:25:38.880 --> 0:25:41.639
<v Speaker 1>love to be onto him. I think he and have

0:25:41.680 --> 0:25:44.680
<v Speaker 1>you done any music with Bilb? Yeah? We work really

0:25:44.720 --> 0:25:49.760
<v Speaker 1>well together. I bet we do. No, we um We

0:25:49.920 --> 0:25:54.280
<v Speaker 1>work really like honestly, like aside from everything else, we

0:25:54.440 --> 0:25:57.200
<v Speaker 1>work so well together. It's it's scary, and I think

0:25:57.240 --> 0:26:03.520
<v Speaker 1>that's what started everything we do. We have, Like I mean,

0:26:04.200 --> 0:26:07.280
<v Speaker 1>he's just dope, like he plays like ten trillion million instruments,

0:26:07.400 --> 0:26:11.119
<v Speaker 1>and we write well together and it's just it's just

0:26:11.400 --> 0:26:13.800
<v Speaker 1>I love working with him, and we do have record

0:26:13.880 --> 0:26:15.679
<v Speaker 1>started everything. So he turned you on in the studio.

0:26:16.000 --> 0:26:18.320
<v Speaker 1>I think you're sexy. One A man is talented and

0:26:18.440 --> 0:26:21.880
<v Speaker 1>driven and um, it's something about you know. That type

0:26:21.880 --> 0:26:25.320
<v Speaker 1>of connection I think is really sexy. We appreciate that.

0:26:26.560 --> 0:26:29.800
<v Speaker 1>You guys, what's another one? Where's your second one? Where's

0:26:29.840 --> 0:26:33.280
<v Speaker 1>your second one? And where's your second one? I'm listening. No,

0:26:33.440 --> 0:26:37.280
<v Speaker 1>that's the first one. I'm not stupid. Maybe, but I'm

0:26:37.320 --> 0:26:45.760
<v Speaker 1>not stupid. We appreciate you joining. I'm not scared. Let's go.

0:26:46.040 --> 0:26:48.359
<v Speaker 1>I have one last question while you're tipsy? Um, what

0:26:48.440 --> 0:26:51.040
<v Speaker 1>do you think about doing this interview with Ian levin

0:26:51.160 --> 0:26:57.320
<v Speaker 1>Zne and talking about um, well, we see how it

0:26:57.359 --> 0:27:08.359
<v Speaker 1>goes down. UM, I mean not inappropriate? No, what was

0:27:08.400 --> 0:27:10.480
<v Speaker 1>the question? What do you think about doing this interview?

0:27:10.920 --> 0:27:16.119
<v Speaker 1>Why you call her Carucha? Her name is Caruci? What

0:27:16.200 --> 0:27:18.600
<v Speaker 1>do you get her doing an interview with um? Yeah, Levan,

0:27:19.200 --> 0:27:21.280
<v Speaker 1>I can't speak on Karuchi's life. I'm not Are you

0:27:21.320 --> 0:27:23.880
<v Speaker 1>gonna watch it? Are you interested? I mean, of course

0:27:23.920 --> 0:27:27.320
<v Speaker 1>everybody's gonna watch. But I mean, I'm I can't speak

0:27:27.359 --> 0:27:29.000
<v Speaker 1>on her life. You know, when she gets in there,

0:27:29.080 --> 0:27:32.520
<v Speaker 1>she's like seven, messed up my relationship. Oh god, that's that.

0:27:32.600 --> 0:27:38.520
<v Speaker 1>Don't never happen because it's not true. Um yeah, listen here,

0:27:38.880 --> 0:27:44.120
<v Speaker 1>I can't see my mama. Tall listen here. I ain't

0:27:44.160 --> 0:27:47.000
<v Speaker 1>seen my own mama. I can see my mamma. I

0:27:47.080 --> 0:27:48.879
<v Speaker 1>ain't seen my mama. I can get to see my

0:27:48.960 --> 0:27:51.480
<v Speaker 1>mama on Sunday. I've been on the road. You see,

0:27:51.520 --> 0:27:53.040
<v Speaker 1>I have no voice. I've been on the road for

0:27:53.160 --> 0:27:59.879
<v Speaker 1>like four weeks. You're not d that's no maybe, like

0:28:00.000 --> 0:28:06.680
<v Speaker 1>she's right there, Karen Furious soundtrack. You know that was

0:28:06.720 --> 0:28:09.399
<v Speaker 1>a blessing. That's a dream come true. You know how

0:28:09.520 --> 0:28:11.520
<v Speaker 1>long I've wanted to be a part of a soundtrack

0:28:11.760 --> 0:28:17.080
<v Speaker 1>like that meant everything to really. Yeah, And and I've

0:28:17.119 --> 0:28:19.000
<v Speaker 1>been a fan of you know, Fast and Furious for

0:28:19.119 --> 0:28:22.560
<v Speaker 1>so long. I love the franchise, and um, you know

0:28:22.760 --> 0:28:25.199
<v Speaker 1>it's a special one, you know, rest in peace, Paul Walker.

0:28:25.400 --> 0:28:28.040
<v Speaker 1>Like it's just I've always wanted to do a song

0:28:28.080 --> 0:28:30.560
<v Speaker 1>for a soundtrack, and so they approached me about writing

0:28:30.600 --> 0:28:32.480
<v Speaker 1>a song for it, and I wrote a song with

0:28:32.600 --> 0:28:34.320
<v Speaker 1>my friend Jado called how bad do you want to

0:28:34.320 --> 0:28:38.000
<v Speaker 1>shout out to Jado and UM, yeah, I love the song.

0:28:38.160 --> 0:28:41.400
<v Speaker 1>But it was different because I never you know, I'm

0:28:41.480 --> 0:28:44.360
<v Speaker 1>used to writing records as a whole and then you

0:28:44.440 --> 0:28:46.320
<v Speaker 1>know that's it. But for this, they're like, no, there's

0:28:46.320 --> 0:28:48.480
<v Speaker 1>a certain scene for it, and you know you have

0:28:48.680 --> 0:28:50.840
<v Speaker 1>to They spliced and dice and I was like, oh

0:28:50.920 --> 0:28:53.840
<v Speaker 1>my god, why happened to the song? But UM ended up,

0:28:54.040 --> 0:28:56.400
<v Speaker 1>you know, having like five sessions because I just wanted

0:28:56.400 --> 0:28:57.840
<v Speaker 1>to get it right, you know what I mean. And

0:28:58.160 --> 0:29:01.560
<v Speaker 1>it's special Fast and Furious seven and seven just seven

0:29:01.600 --> 0:29:05.520
<v Speaker 1>masense Masensell Furious seven takes over Revolte Live, featured interviews

0:29:05.520 --> 0:29:08.560
<v Speaker 1>from the entire cast, performances from Ludacris and Whiz. You

0:29:08.600 --> 0:29:11.400
<v Speaker 1>can check that out April first. And I'm performing, by

0:29:11.440 --> 0:29:14.040
<v Speaker 1>the way, and you all too, I am there you performing?

0:29:14.080 --> 0:29:15.760
<v Speaker 1>How bad do you want it? So? I'm really looking

0:29:15.760 --> 0:29:19.040
<v Speaker 1>forward to that. We appreciate you joining us. I love y'all, man,

0:29:19.520 --> 0:29:21.720
<v Speaker 1>love you Tobo, even though y'all put me through high

0:29:22.240 --> 0:29:24.920
<v Speaker 1>It's the Breakfast Club at seventh straight Er. Yeah,