1 00:00:01,080 --> 00:00:07,800 Speaker 1: Real people, real celebrity real joined the Breakfast Morning. Everybody 2 00:00:07,920 --> 00:00:10,799 Speaker 1: is DJ m Vy, Angeline, Charlomagne, the guy. We are 3 00:00:10,880 --> 00:00:13,399 Speaker 1: the Breakfast Club. We got a special guest in the 4 00:00:13,440 --> 00:00:15,600 Speaker 1: building with us this morning. Family to the room. Seven 5 00:00:15,640 --> 00:00:19,480 Speaker 1: squatters here. I hate you them just starting me this early, Charlomagne, 6 00:00:20,600 --> 00:00:22,760 Speaker 1: Stop the fun, don't kill the fun? What up, y'all? 7 00:00:23,120 --> 00:00:27,560 Speaker 1: Stop the don't stop the fun together already? Don't stop 8 00:00:27,600 --> 00:00:29,840 Speaker 1: and don't kill exactly. I mean, at least he put 9 00:00:29,840 --> 00:00:32,400 Speaker 1: both of my songs my issue. And you know what. 10 00:00:32,560 --> 00:00:34,279 Speaker 1: I saw you dancing at the show the other night. 11 00:00:34,560 --> 00:00:36,880 Speaker 1: He didn't see me. I want to see me dance. 12 00:00:37,000 --> 00:00:39,440 Speaker 1: No no, And then busy he had you. He recorded 13 00:00:39,440 --> 00:00:42,080 Speaker 1: you Ye don't know anybody dancing, and then he got 14 00:00:42,120 --> 00:00:45,319 Speaker 1: scared because of your dances, did a flipping kicked him 15 00:00:45,320 --> 00:00:47,680 Speaker 1: in the head. You should have just came on stage. 16 00:00:47,680 --> 00:00:49,960 Speaker 1: Why didn't you just come? Gonna tap me? And I 17 00:00:50,000 --> 00:00:53,400 Speaker 1: don't want you to fire your dancing and nobody no, 18 00:00:53,760 --> 00:00:55,560 Speaker 1: and then all your dances are so well choreograph. I 19 00:00:55,600 --> 00:00:59,120 Speaker 1: don't want aybody coming in. But none of that would 20 00:00:59,120 --> 00:01:00,760 Speaker 1: have added to the fun. And I would have loved that. 21 00:01:00,800 --> 00:01:03,000 Speaker 1: You should have just came on stage every time seven performance. 22 00:01:03,040 --> 00:01:05,480 Speaker 1: We all always stand behind her dance. I know, you know. 23 00:01:05,520 --> 00:01:07,160 Speaker 1: The funny thing is so awkward because I'll be like 24 00:01:07,160 --> 00:01:10,080 Speaker 1: feeling y'all like right here, so it's I'm performing like 25 00:01:10,120 --> 00:01:11,679 Speaker 1: I'm just like okay. When I do all of this, 26 00:01:11,800 --> 00:01:14,920 Speaker 1: I'm just like, oh okay, right there. You love springtime, 27 00:01:14,959 --> 00:01:17,960 Speaker 1: don't you? I love springtime. I do because I don't 28 00:01:18,000 --> 00:01:19,840 Speaker 1: have to wear a lot of clothes, thank you. Oh 29 00:01:19,880 --> 00:01:23,720 Speaker 1: my god, that's why you could get naked. I don't 30 00:01:23,720 --> 00:01:26,319 Speaker 1: already naked. Yeah. He did said it to me backstage. 31 00:01:26,319 --> 00:01:28,679 Speaker 1: He was like, I mean, can you can you? Can 32 00:01:28,720 --> 00:01:30,080 Speaker 1: you wear some short short? What do you say? Can 33 00:01:30,120 --> 00:01:34,880 Speaker 1: you get naked? You have more naked? Can I get? Man? 34 00:01:34,920 --> 00:01:36,880 Speaker 1: I'm like in a skirt and a crop top and 35 00:01:37,000 --> 00:01:38,840 Speaker 1: you know, but people can't talk to you crazy like 36 00:01:38,880 --> 00:01:43,360 Speaker 1: that anymore now, I mean, you know, try this is true. 37 00:01:43,520 --> 00:01:47,040 Speaker 1: She got a boat. I have a boat. Bob lot 38 00:01:47,120 --> 00:01:55,840 Speaker 1: them dollars over there like that? Yea, yeah, let's take it. 39 00:01:55,920 --> 00:02:01,400 Speaker 1: This is a sipping to kill the guys and eyes. Whoa, 40 00:02:01,480 --> 00:02:03,320 Speaker 1: and you do know what that means? Right? Yeah? You 41 00:02:03,360 --> 00:02:08,040 Speaker 1: don't have a good sex if you people try to 42 00:02:08,080 --> 00:02:09,840 Speaker 1: poison people back in the day. So that's why you 43 00:02:09,840 --> 00:02:12,480 Speaker 1: gotta look in the eye a word. Yeah, do that 44 00:02:12,520 --> 00:02:15,000 Speaker 1: now to seven years best sex. Can't have that, m 45 00:02:16,120 --> 00:02:26,680 Speaker 1: that's what that sevens for. Damn. Oh my god. Switched 46 00:02:26,680 --> 00:02:31,320 Speaker 1: the seventeen thirty eight too, Oh my god. But that's crazy, right, 47 00:02:33,280 --> 00:02:36,720 Speaker 1: it is gonna be a good day, no, okay, because 48 00:02:36,720 --> 00:02:37,960 Speaker 1: you don't want to be drinking and you're not. You're 49 00:02:38,040 --> 00:02:39,400 Speaker 1: drinking and you get tipsy. Then you gotta go to 50 00:02:39,440 --> 00:02:43,520 Speaker 1: the hotel by yourself. That's the worst. Yeah. Yeah, you 51 00:02:43,520 --> 00:02:46,080 Speaker 1: have toys for that and your FaceTime. I'm sure this 52 00:02:46,120 --> 00:02:49,720 Speaker 1: is well, you know what. I'm so mad. So I 53 00:02:49,760 --> 00:02:52,600 Speaker 1: bought a really good one in Houston right my last run, 54 00:02:52,720 --> 00:02:54,919 Speaker 1: and then I left it at the hotel on my 55 00:02:55,000 --> 00:02:57,919 Speaker 1: last run. That's embarrassing. It's the worst I feel bad for. 56 00:03:01,680 --> 00:03:04,520 Speaker 1: Are you feeling bad airport security with it? No, you 57 00:03:04,520 --> 00:03:06,440 Speaker 1: put that in there? Um luck at you check it well. 58 00:03:06,440 --> 00:03:07,960 Speaker 1: And we actually tried to sent me up one day 59 00:03:07,960 --> 00:03:10,400 Speaker 1: and he put a vibrator in my carry on. Shut up, 60 00:03:10,440 --> 00:03:13,080 Speaker 1: I don't tell just dropped in. You're lying. No, No, 61 00:03:13,120 --> 00:03:14,799 Speaker 1: it's so funny. I went all the ways to where 62 00:03:14,800 --> 00:03:16,440 Speaker 1: I was going came back and didn't even realize it 63 00:03:16,480 --> 00:03:17,919 Speaker 1: was in there. She got back in and I was like, 64 00:03:17,960 --> 00:03:19,160 Speaker 1: you didn't see it when I put your backs like 65 00:03:19,160 --> 00:03:21,840 Speaker 1: what you put my back right At the same time, 66 00:03:21,840 --> 00:03:23,680 Speaker 1: I fell asleep on the plane. When I woke up 67 00:03:24,360 --> 00:03:26,639 Speaker 1: as a little somebody put the deal door on my Yeah, 68 00:03:26,639 --> 00:03:31,160 Speaker 1: I put it vibrator. You are lying and y'all too much. 69 00:03:31,440 --> 00:03:36,480 Speaker 1: Everybody was walking past and it was a big yeah 70 00:03:36,560 --> 00:03:38,880 Speaker 1: it was pink. That's hilarious. I like this approach you're 71 00:03:38,880 --> 00:03:40,600 Speaker 1: taking with your fans too, like going with him to 72 00:03:40,760 --> 00:03:43,520 Speaker 1: like spot days and stuff. I love doing stuff like 73 00:03:43,560 --> 00:03:46,320 Speaker 1: that though. That's me all day. Did you make any 74 00:03:46,360 --> 00:03:48,520 Speaker 1: real friends when you did that, like people that you 75 00:03:48,560 --> 00:03:50,640 Speaker 1: still stay in touch with? Well, I mean my fans 76 00:03:50,680 --> 00:03:52,720 Speaker 1: they hit me on Twitter and Instagram all the time, 77 00:03:52,760 --> 00:03:55,880 Speaker 1: and um yeah. The thing is when you go to 78 00:03:55,920 --> 00:03:57,760 Speaker 1: things like that, you do make connections with your fans 79 00:03:57,800 --> 00:03:59,640 Speaker 1: in that way. When you go back into those markers, 80 00:03:59,640 --> 00:04:02,440 Speaker 1: into those cities, the same fans come out of show support. 81 00:04:02,680 --> 00:04:05,120 Speaker 1: So I have certain fans that I know I'm seeing 82 00:04:05,200 --> 00:04:08,920 Speaker 1: every single market, which is dope, and you're doing a 83 00:04:08,960 --> 00:04:10,880 Speaker 1: little bit. I did have I had one fan to 84 00:04:11,000 --> 00:04:13,600 Speaker 1: just scare me. I'm not even gonna lie because she 85 00:04:13,600 --> 00:04:16,440 Speaker 1: couldn't get into a concert, and so she went on 86 00:04:16,440 --> 00:04:19,480 Speaker 1: this Twitter rant and she was like cussing me out 87 00:04:19,520 --> 00:04:22,160 Speaker 1: and cussing Chris out on Twitter and talking about how 88 00:04:22,440 --> 00:04:25,080 Speaker 1: you know, she had to be escorted by security off 89 00:04:25,080 --> 00:04:27,360 Speaker 1: the she who It scared me a little bit. I'm 90 00:04:27,400 --> 00:04:30,479 Speaker 1: not even gonna lie one of your dance classes that 91 00:04:30,560 --> 00:04:33,080 Speaker 1: you do. I mean. But the thing is, they my team. 92 00:04:33,120 --> 00:04:35,200 Speaker 1: They get mad at me because I still love her, 93 00:04:35,160 --> 00:04:36,960 Speaker 1: right and they're like, okay, all right, dude, Like all right, 94 00:04:36,960 --> 00:04:38,240 Speaker 1: that's the one going. That's gonna get you with a 95 00:04:38,279 --> 00:04:40,560 Speaker 1: tranquilizer and have you tied it with your hands behind 96 00:04:40,560 --> 00:04:42,839 Speaker 1: your back in the hotel. I'm like, but she don't 97 00:04:43,200 --> 00:04:47,680 Speaker 1: cut it out. You cut it out. You don't mean 98 00:04:47,760 --> 00:04:50,240 Speaker 1: no harm. I'll not forgive me to My voice is gone. 99 00:04:50,240 --> 00:04:52,960 Speaker 1: I've been talking so much and working because you've been 100 00:04:52,960 --> 00:04:54,880 Speaker 1: going non stop. I was telling them the other day 101 00:04:54,880 --> 00:04:56,800 Speaker 1: were in Detroit. We did our one year anniversary. You 102 00:04:56,839 --> 00:04:59,359 Speaker 1: performed at that I did and I was a seven. 103 00:04:59,440 --> 00:05:01,119 Speaker 1: Has been going all right because I know you flew 104 00:05:01,200 --> 00:05:03,880 Speaker 1: in and then you had to go do radio that night, 105 00:05:03,920 --> 00:05:05,400 Speaker 1: and then you were out at the club that night 106 00:05:05,400 --> 00:05:07,200 Speaker 1: than the next day you did a spy day. Then yeah, 107 00:05:07,240 --> 00:05:10,320 Speaker 1: I would say she's going hard. It's NonStop. But I 108 00:05:10,400 --> 00:05:12,320 Speaker 1: love it. I'm really having a good time this run, 109 00:05:12,400 --> 00:05:15,160 Speaker 1: like I really am, because they're giving me like multiple 110 00:05:15,240 --> 00:05:17,400 Speaker 1: days in the in the cities and I get to 111 00:05:17,440 --> 00:05:19,080 Speaker 1: do like all different types of things with my fans. 112 00:05:19,120 --> 00:05:21,080 Speaker 1: That's dope. So when you do these things with your fans, 113 00:05:21,120 --> 00:05:24,200 Speaker 1: are you playing the music at least a yell personality? Nah? 114 00:05:24,400 --> 00:05:25,880 Speaker 1: I get to I get to play them like the 115 00:05:26,000 --> 00:05:28,800 Speaker 1: album and like get their opinions, see what they like, 116 00:05:28,920 --> 00:05:31,120 Speaker 1: what they rock with, what they don't. And so that's 117 00:05:31,120 --> 00:05:32,520 Speaker 1: really dope for me because I get to find out 118 00:05:32,560 --> 00:05:34,480 Speaker 1: what's fune of y'all think should come next, And that's 119 00:05:34,520 --> 00:05:36,159 Speaker 1: really dope for me. Do you think that would translate 120 00:05:36,240 --> 00:05:39,640 Speaker 1: the record sales? Um? You know what. I would hope 121 00:05:39,680 --> 00:05:41,120 Speaker 1: that it would. But at the end of the day, 122 00:05:41,600 --> 00:05:43,840 Speaker 1: I think that it more so helps them get a 123 00:05:43,920 --> 00:05:45,880 Speaker 1: better feeling and a better vibe of who I am. 124 00:05:46,200 --> 00:05:49,880 Speaker 1: That's definitely because that's important to the Definitely worked for 125 00:05:52,040 --> 00:05:53,720 Speaker 1: it seemed like it worked. I just think that it's 126 00:05:53,760 --> 00:05:56,640 Speaker 1: important regardless of any anything else. I think that it's 127 00:05:56,680 --> 00:06:00,240 Speaker 1: important to establish a relationship. I don't. I hate being 128 00:06:00,279 --> 00:06:02,440 Speaker 1: in a city or for one day and be like, hey, 129 00:06:02,520 --> 00:06:05,000 Speaker 1: I'm here, you know, play my stuff, support my record 130 00:06:05,040 --> 00:06:06,400 Speaker 1: and all this type of stuff, and then you leave. 131 00:06:06,520 --> 00:06:09,400 Speaker 1: So this run you know the label, they know me. 132 00:06:09,560 --> 00:06:11,599 Speaker 1: I like to talk to them. I like to go skating. 133 00:06:11,680 --> 00:06:13,600 Speaker 1: I like to go to Papa. I like to do 134 00:06:13,720 --> 00:06:16,760 Speaker 1: that called super serving, superserving your your audience, something like that. 135 00:06:16,800 --> 00:06:18,520 Speaker 1: Can I say that I'm really feeling that shot? And 136 00:06:18,600 --> 00:06:21,440 Speaker 1: I hate all three of y'all. Right now, I hate 137 00:06:21,600 --> 00:06:23,960 Speaker 1: all of y'all. Were concerned about you seven? Now I 138 00:06:24,000 --> 00:06:26,240 Speaker 1: gotta I gotta ask you about this. Well, why were 139 00:06:26,320 --> 00:06:28,840 Speaker 1: you concer because apparently I get the feeling that you 140 00:06:28,920 --> 00:06:33,000 Speaker 1: get choked out a lot. Is that right? I mean, 141 00:06:33,520 --> 00:06:36,840 Speaker 1: listen here, Okay, I don't. I don't kill the fun. 142 00:06:36,960 --> 00:06:40,080 Speaker 1: And I think that that is important. Okay, so you 143 00:06:40,120 --> 00:06:42,640 Speaker 1: admit that you do like choking. I think it's sexy. 144 00:06:43,080 --> 00:06:45,719 Speaker 1: I think that when you know, when you're with somebody 145 00:06:45,760 --> 00:06:47,720 Speaker 1: that you love and you trust or whatever, I think 146 00:06:47,760 --> 00:06:50,400 Speaker 1: that it's important that you know you don't kill the fun. 147 00:06:50,640 --> 00:06:53,400 Speaker 1: You know. My motto is, I feel like I'm gonna 148 00:06:53,480 --> 00:07:00,160 Speaker 1: kick your I think that did you see if you 149 00:07:00,200 --> 00:07:03,640 Speaker 1: watch him for that? No, I'm on camera, ye, but 150 00:07:03,800 --> 00:07:06,160 Speaker 1: you got my back though, right, I watched him for you. No, 151 00:07:06,240 --> 00:07:07,800 Speaker 1: But I think that it's important. I always say that, 152 00:07:07,960 --> 00:07:09,680 Speaker 1: me and my friends had this conversation all the time. 153 00:07:10,000 --> 00:07:12,680 Speaker 1: I think that when you, you know, commit to somebody, 154 00:07:12,800 --> 00:07:15,280 Speaker 1: you take them off the market, right. I think that 155 00:07:15,480 --> 00:07:18,480 Speaker 1: it is your job as a woman or as you know, 156 00:07:18,600 --> 00:07:21,560 Speaker 1: a man too, you know, like, I don't think you 157 00:07:21,600 --> 00:07:23,840 Speaker 1: should ever say no. You know what I mean, Like 158 00:07:24,280 --> 00:07:27,960 Speaker 1: I don't want to hear no. I'm talking about no 159 00:07:28,480 --> 00:07:30,760 Speaker 1: anal sex. I'm not into no. But I mean, like 160 00:07:30,880 --> 00:07:33,760 Speaker 1: if you're tired, I mean, if somebody's tired there like, 161 00:07:33,760 --> 00:07:35,760 Speaker 1: oh I'm tired. I'm feel like it. No, because at 162 00:07:35,760 --> 00:07:37,680 Speaker 1: the end of the day, you took that person off 163 00:07:37,720 --> 00:07:40,640 Speaker 1: the market. They can't go and be with somebody else 164 00:07:40,720 --> 00:07:44,840 Speaker 1: because they're with you. So they would ever say no, 165 00:07:45,040 --> 00:07:47,680 Speaker 1: You don't until he's shooting out air and everything's gone 166 00:07:47,920 --> 00:07:52,200 Speaker 1: pretty much. I mean, you know, if they like that, 167 00:07:52,400 --> 00:07:55,000 Speaker 1: you know, day's day. I'm just saying, if that's what 168 00:07:55,120 --> 00:07:57,000 Speaker 1: you're do, like, then that's what you do. You're actually 169 00:07:57,040 --> 00:07:58,760 Speaker 1: opening in the door for him. To go out there 170 00:07:58,800 --> 00:08:01,600 Speaker 1: and cheat. How if if he says you y'all want 171 00:08:01,600 --> 00:08:04,840 Speaker 1: to I want to get in, You're like, oh, I'm tired. Yeah, No, seriously, 172 00:08:05,000 --> 00:08:06,520 Speaker 1: I agree with that. And I don't say how she 173 00:08:06,600 --> 00:08:08,320 Speaker 1: switched that. You said you're actually opening to do it 174 00:08:08,360 --> 00:08:12,480 Speaker 1: for him to teach she said, how said something real too. 175 00:08:12,520 --> 00:08:14,840 Speaker 1: She says she's never claimed anybody publicly because nobody's ever 176 00:08:14,880 --> 00:08:16,440 Speaker 1: put a ring on her finger. You worry about that 177 00:08:16,480 --> 00:08:18,960 Speaker 1: because you and out here on Instagram and kissing. I mean, 178 00:08:19,040 --> 00:08:21,040 Speaker 1: my thing is I take my life a day at 179 00:08:21,040 --> 00:08:22,520 Speaker 1: a time, you know what I mean A day. I 180 00:08:22,600 --> 00:08:24,400 Speaker 1: don't I think that that's all that you can do. 181 00:08:24,960 --> 00:08:27,160 Speaker 1: And um, you know, for me, like with you know, 182 00:08:27,280 --> 00:08:29,200 Speaker 1: with me and Bob, we started out as friends. We 183 00:08:29,280 --> 00:08:31,920 Speaker 1: were friends for a very long time. And I say 184 00:08:31,960 --> 00:08:33,360 Speaker 1: this all the time, and I mean it from the 185 00:08:33,360 --> 00:08:36,240 Speaker 1: bottom of my heart. If it ended tomorrow, you know 186 00:08:36,280 --> 00:08:38,920 Speaker 1: what I mean, He's still my friend. And I've never 187 00:08:39,120 --> 00:08:41,800 Speaker 1: had anything start out that way before, you know, in 188 00:08:41,880 --> 00:08:45,920 Speaker 1: the past, I've you know, had relationships, I've I've had 189 00:08:46,000 --> 00:08:49,760 Speaker 1: bands for real on some real life A bitch bitch 190 00:08:49,800 --> 00:08:52,720 Speaker 1: as oh yeah, like that's one of my record show 191 00:08:52,880 --> 00:08:54,040 Speaker 1: me what are you doing? You don't have my EP? 192 00:08:54,160 --> 00:08:55,800 Speaker 1: What are you doing with your life? I know I 193 00:08:55,840 --> 00:08:59,719 Speaker 1: remember it, just it just hit me. Okay, he said, 194 00:08:59,720 --> 00:09:02,800 Speaker 1: a kid, It's okay, you get but no, um, but yes, 195 00:09:02,960 --> 00:09:06,240 Speaker 1: I have ran across bands before, and honestly, like my 196 00:09:06,440 --> 00:09:10,199 Speaker 1: ex and my last situation, I felt like, you know, 197 00:09:10,320 --> 00:09:12,679 Speaker 1: like he didn't you know, I had to dim my light, 198 00:09:12,800 --> 00:09:13,880 Speaker 1: you know what I mean? Like I feel like he 199 00:09:13,960 --> 00:09:17,240 Speaker 1: didn't want me to shine. And so it feels really 200 00:09:17,480 --> 00:09:20,079 Speaker 1: good to, you know, be dating somebody who he got 201 00:09:20,160 --> 00:09:23,280 Speaker 1: his own light. He is comfortable in his own skin 202 00:09:23,679 --> 00:09:26,319 Speaker 1: and supports me. It's like, all right, bull, they go 203 00:09:26,480 --> 00:09:28,120 Speaker 1: shine like and I think that that's the dope and 204 00:09:28,160 --> 00:09:32,839 Speaker 1: that's important industry. Then no, he was then you take 205 00:09:32,920 --> 00:09:37,120 Speaker 1: him back though, no he thought about it. No, my 206 00:09:37,320 --> 00:09:39,000 Speaker 1: ex when I was like twenty two, that was the 207 00:09:39,040 --> 00:09:40,920 Speaker 1: one who I wrote next about and that was the 208 00:09:41,000 --> 00:09:42,960 Speaker 1: one that we went back and forth. But my one, 209 00:09:43,200 --> 00:09:44,920 Speaker 1: you know that I dated before Bob, that I was 210 00:09:45,080 --> 00:09:47,360 Speaker 1: with for a little minute. I know, you gotta watch 211 00:09:47,480 --> 00:09:50,800 Speaker 1: publicly bashing these guys. It's but it's not a bash. 212 00:09:51,040 --> 00:09:53,160 Speaker 1: The thing is, it's not a bash. It's just it's 213 00:09:53,200 --> 00:09:55,959 Speaker 1: the truth. I feel like you know with with my ex, Like, 214 00:09:56,679 --> 00:09:59,440 Speaker 1: you know, I'm not gonna be embarrassed to feel crazy 215 00:09:59,520 --> 00:10:02,760 Speaker 1: because I I actually loved you and you excuse my 216 00:10:02,840 --> 00:10:05,040 Speaker 1: friends book up. You know, I'm not gonna feel bad 217 00:10:05,040 --> 00:10:07,520 Speaker 1: about that. I think that anytime you're in a relationship 218 00:10:07,559 --> 00:10:09,400 Speaker 1: you should give it. You're one hundred and twenty percent 219 00:10:09,840 --> 00:10:11,199 Speaker 1: you know what I mean, and if it works out, 220 00:10:11,280 --> 00:10:13,640 Speaker 1: you don't feel bad about it. If you tried your 221 00:10:13,720 --> 00:10:17,840 Speaker 1: best and they because you no, okay, good, No, guys 222 00:10:17,880 --> 00:10:20,599 Speaker 1: always get angry and you start hearing any name in 223 00:10:20,679 --> 00:10:24,040 Speaker 1: music are here, that's all about me? Watch this. He knows, 224 00:10:24,120 --> 00:10:25,840 Speaker 1: he knows that a lot of the records are about him. 225 00:10:25,880 --> 00:10:28,280 Speaker 1: Man is about him. He knows you for you and 226 00:10:28,400 --> 00:10:30,000 Speaker 1: Bob did you Guys have to sit down and like 227 00:10:30,120 --> 00:10:31,920 Speaker 1: go through everything like okay, if you hear about this, 228 00:10:32,559 --> 00:10:34,640 Speaker 1: I did go out with this girl briefly, and then 229 00:10:34,760 --> 00:10:36,319 Speaker 1: you have to say, okay, well just so you know. 230 00:10:36,559 --> 00:10:39,360 Speaker 1: But the thing, the thing um with Bob and I 231 00:10:39,559 --> 00:10:43,079 Speaker 1: I just I'm really big on just don't do anything 232 00:10:43,120 --> 00:10:44,559 Speaker 1: that you wouldn't want me to do. And he's the 233 00:10:44,640 --> 00:10:47,840 Speaker 1: same way. And in terms of um, you know, seeing 234 00:10:47,960 --> 00:10:49,800 Speaker 1: him in a picture with somebody or seeing me in 235 00:10:49,840 --> 00:10:52,959 Speaker 1: a picture. That comes along with the job. Like I'm 236 00:10:53,000 --> 00:10:55,120 Speaker 1: a singer, I'm a performer, I'm entertainer. I'm gonna meet 237 00:10:55,440 --> 00:10:58,280 Speaker 1: plenty of actors, athletes. It just that comes along with 238 00:10:58,360 --> 00:11:00,640 Speaker 1: the territory and the same thing with him, you know. 239 00:11:00,760 --> 00:11:02,600 Speaker 1: And half the time, if we're chilling and I see 240 00:11:02,640 --> 00:11:04,040 Speaker 1: a girl with a big old booty and be like, oh, 241 00:11:04,120 --> 00:11:08,360 Speaker 1: look at how booty is crazy? Why like a preemptive thing, 242 00:11:08,400 --> 00:11:10,040 Speaker 1: like I know he gonna looks so let me go ahead. 243 00:11:10,080 --> 00:11:12,960 Speaker 1: And no, it's not even that like to each other too, 244 00:11:13,000 --> 00:11:16,160 Speaker 1: though you'd be like, damn you see that. Girls said 245 00:11:16,200 --> 00:11:23,079 Speaker 1: that to my girlfriend, right, Yeah, No, guys aren't as 246 00:11:23,080 --> 00:11:26,000 Speaker 1: comfortable doing that, and you know you're not. Ain't thinking 247 00:11:26,000 --> 00:11:28,520 Speaker 1: about it. I'm secure women because we got to strip 248 00:11:28,600 --> 00:11:35,160 Speaker 1: clubs and see other women naked clubs. I don't know 249 00:11:35,800 --> 00:11:39,240 Speaker 1: there are men Vegas, Vegas, in Vegas. Now, you write 250 00:11:39,280 --> 00:11:40,959 Speaker 1: for so many artists, do you do you continue to 251 00:11:41,000 --> 00:11:42,240 Speaker 1: write or as one of those things where I'm not 252 00:11:42,240 --> 00:11:44,679 Speaker 1: giving up a hit anymore. No, I do. Actually, I 253 00:11:44,760 --> 00:11:46,599 Speaker 1: just I took some time off to write, you know, 254 00:11:46,600 --> 00:11:48,840 Speaker 1: I work on my album like eight months, just focus 255 00:11:48,960 --> 00:11:51,079 Speaker 1: on my album. I didn't really listen to the radio. 256 00:11:51,240 --> 00:11:53,600 Speaker 1: I couldn't tell you, you know, they would they would 257 00:11:53,600 --> 00:11:55,240 Speaker 1: ask me, you know, if I was like, what's you 258 00:11:55,320 --> 00:11:57,840 Speaker 1: like right now? I don't know because I really wanted 259 00:11:57,880 --> 00:12:00,719 Speaker 1: to focus on my album and I didn't want to 260 00:12:00,720 --> 00:12:02,439 Speaker 1: be influenced by the artists. I didn't want to be 261 00:12:02,480 --> 00:12:06,079 Speaker 1: influenced by anything. So I'm about to get back into 262 00:12:06,760 --> 00:12:08,959 Speaker 1: writing records for other artists. And now that my album 263 00:12:09,120 --> 00:12:11,600 Speaker 1: is closed, I have a lot of songs, like forty records, 264 00:12:11,600 --> 00:12:13,040 Speaker 1: so I'm an artist. I want to wreck. I'm gonna say, 265 00:12:13,040 --> 00:12:15,559 Speaker 1: I want to record like don't stop the fun you do, Like, 266 00:12:15,640 --> 00:12:18,880 Speaker 1: don't kill the fun you're doing, Like Charlemagne, you've been drinking. 267 00:12:19,040 --> 00:12:25,720 Speaker 1: He's been drinking right, Yeah, thank you, he said, queen out. 268 00:12:25,960 --> 00:12:28,600 Speaker 1: Oh my god, are you serious? He really does? Where 269 00:12:28,600 --> 00:12:30,480 Speaker 1: does the infiration come from from music? Then if you're 270 00:12:30,480 --> 00:12:34,439 Speaker 1: not listening to other people? Um, life, life and the 271 00:12:34,600 --> 00:12:37,400 Speaker 1: things I go through. I say all the time, my 272 00:12:37,600 --> 00:12:39,800 Speaker 1: ex needs publishing, but I'm not gonna give it to 273 00:12:39,920 --> 00:12:43,959 Speaker 1: him because I wrote so many records about be careful 274 00:12:44,000 --> 00:12:45,600 Speaker 1: what you say, because then he'll be like right here, 275 00:12:45,679 --> 00:12:50,280 Speaker 1: she said, I need public keep playing with it can't 276 00:12:50,320 --> 00:12:51,760 Speaker 1: be if I never seen him a picture of it, 277 00:12:52,160 --> 00:12:54,439 Speaker 1: you know what I mean? But um, well, he doesn't 278 00:12:54,440 --> 00:12:56,120 Speaker 1: wish you well. Now, he's not like, I'm sorry for 279 00:12:56,160 --> 00:12:58,160 Speaker 1: everything I did. I wish you well. I messed up. 280 00:12:58,280 --> 00:13:00,319 Speaker 1: I mean, I'm happy you're happy. I don't know what 281 00:13:00,480 --> 00:13:02,719 Speaker 1: he feels because I don't talk to him. That was 282 00:13:02,760 --> 00:13:05,839 Speaker 1: that bad? What did he talk about? What I talk 283 00:13:05,880 --> 00:13:08,520 Speaker 1: about my music and I talk about my truth. That's 284 00:13:08,520 --> 00:13:10,800 Speaker 1: a difference, you know what I mean? Inspired some music. 285 00:13:10,920 --> 00:13:14,160 Speaker 1: So what exactly happened that? You know what? I just 286 00:13:14,280 --> 00:13:17,040 Speaker 1: felt like? Honestly, he went hard for everything else in 287 00:13:17,120 --> 00:13:22,240 Speaker 1: his life except for me, and no, First of all, 288 00:13:22,240 --> 00:13:26,200 Speaker 1: I got a daddy named Tim Street or hello, I did, 289 00:13:26,360 --> 00:13:33,000 Speaker 1: I didn't try me listen here, listening here and y'all, 290 00:13:33,000 --> 00:13:34,439 Speaker 1: and you met my mama, You met my mom and 291 00:13:34,600 --> 00:13:37,920 Speaker 1: my dad. They don't play the radio men. Yeah, you 292 00:13:37,960 --> 00:13:39,880 Speaker 1: hit him my mom in front of me. You did. 293 00:13:44,600 --> 00:13:47,160 Speaker 1: But no, I write about I write about my truth, 294 00:13:47,320 --> 00:13:51,200 Speaker 1: and I write about it's not about bashing anybody. It's not. Literally. 295 00:13:51,320 --> 00:13:55,000 Speaker 1: If if I never had to mention um, you know, 296 00:13:55,480 --> 00:13:57,920 Speaker 1: if I never had to mention him at all, I wouldn't. 297 00:13:58,280 --> 00:14:00,240 Speaker 1: But it's just a part of my story. It's a 298 00:14:00,280 --> 00:14:02,400 Speaker 1: part of music comes out of great music. And you 299 00:14:02,520 --> 00:14:05,360 Speaker 1: listen here they there's a saying that you know if 300 00:14:05,480 --> 00:14:07,480 Speaker 1: sometimes if it's bad for your art, it's good. I 301 00:14:07,559 --> 00:14:09,719 Speaker 1: meant bad for your heart, it's good for your art. 302 00:14:10,040 --> 00:14:12,839 Speaker 1: And I really believe that. And um, I've written some 303 00:14:13,000 --> 00:14:16,959 Speaker 1: of the best records from you know, heartache, heartbreak and 304 00:14:17,000 --> 00:14:20,920 Speaker 1: all that good stuff. And you're gonna be whacked. No, no, no, 305 00:14:21,000 --> 00:14:23,640 Speaker 1: no no no, because I wrote you know, no, it's 306 00:14:23,680 --> 00:14:27,040 Speaker 1: not gonna be I just have different things to speak about, 307 00:14:27,320 --> 00:14:31,040 Speaker 1: you know what I mean. But I I write from 308 00:14:31,120 --> 00:14:32,840 Speaker 1: all of my life. You know what I mean, Like 309 00:14:32,960 --> 00:14:35,280 Speaker 1: from the good, the bad, the ugly and all of it. 310 00:14:35,480 --> 00:14:38,120 Speaker 1: That's actually a song. If it's bad for your heart, yeah, 311 00:14:38,240 --> 00:14:40,800 Speaker 1: what's what's bad for your heart, it's good for your art. 312 00:14:40,880 --> 00:14:42,840 Speaker 1: That works with faults too. If it's bad for your heart, 313 00:14:42,880 --> 00:14:44,400 Speaker 1: it's good for your faults because the things they give 314 00:14:44,400 --> 00:14:46,280 Speaker 1: you heartburn give you the best gas. You was the 315 00:14:46,560 --> 00:14:53,640 Speaker 1: dumbest chaman who says that, Like, seriously, nobody Brown, How, 316 00:14:53,960 --> 00:14:57,720 Speaker 1: oh my god, we talk about farts to Chris Brown? Right? 317 00:14:57,840 --> 00:15:00,120 Speaker 1: How hands on this Chris Brown? With with your with 318 00:15:00,240 --> 00:15:06,760 Speaker 1: your project. You know what with Chris Chris Um he did, 319 00:15:07,120 --> 00:15:09,440 Speaker 1: he directed you know, don't kill the Fun and obviously 320 00:15:09,480 --> 00:15:11,000 Speaker 1: he's in the video and on the song, and the 321 00:15:11,080 --> 00:15:13,880 Speaker 1: same thing with they Won't Stop. But I love the 322 00:15:13,960 --> 00:15:17,480 Speaker 1: fact that when when I first signed to him, he 323 00:15:18,040 --> 00:15:19,880 Speaker 1: you know, he helped me figure out. He taught me 324 00:15:19,960 --> 00:15:21,880 Speaker 1: so much about writing, and taught me so much about 325 00:15:22,360 --> 00:15:25,080 Speaker 1: videos and all these things. And then once you know, 326 00:15:25,320 --> 00:15:28,640 Speaker 1: it came time for my album, he'll say his two 327 00:15:28,760 --> 00:15:32,120 Speaker 1: cents and then he encourages me to find myself. And 328 00:15:32,280 --> 00:15:34,600 Speaker 1: I think that that is the healthiest thing that you 329 00:15:34,640 --> 00:15:37,280 Speaker 1: could ever do for any of your artists. And you know, 330 00:15:37,560 --> 00:15:39,640 Speaker 1: after I you know, I wrote my records and I 331 00:15:39,680 --> 00:15:41,280 Speaker 1: wrote things, and I came back, I would come back 332 00:15:41,280 --> 00:15:42,720 Speaker 1: to him and play it. And I would go away 333 00:15:42,760 --> 00:15:43,880 Speaker 1: and I would write and I would come back to 334 00:15:43,960 --> 00:15:46,080 Speaker 1: him and play it, and you know, he would give 335 00:15:46,120 --> 00:15:47,480 Speaker 1: me his opinion, and he still that he gives me 336 00:15:47,560 --> 00:15:49,960 Speaker 1: his opinions and things like that, but he allows me 337 00:15:50,080 --> 00:15:52,800 Speaker 1: to be my own artist. And I think that that's 338 00:15:52,800 --> 00:15:55,560 Speaker 1: amazing because you know, I've been in two groups before 339 00:15:55,600 --> 00:15:59,120 Speaker 1: the situation where people wouldn't care about what I thought, 340 00:15:59,320 --> 00:16:01,600 Speaker 1: They didn't care about you know what I wrote. They 341 00:16:01,640 --> 00:16:03,880 Speaker 1: didn't even encourage me to write, you know what I mean? 342 00:16:04,000 --> 00:16:07,880 Speaker 1: So literally it I mean, I'm not gonna get all 343 00:16:07,920 --> 00:16:11,640 Speaker 1: way into it, but like I mean, it wasn't abusive, 344 00:16:11,960 --> 00:16:15,080 Speaker 1: but it was stifling, you know what I mean. They 345 00:16:15,160 --> 00:16:18,720 Speaker 1: didn't encourage me. Remember one time, for example, I went 346 00:16:18,800 --> 00:16:20,440 Speaker 1: up to you know, the person who was over my 347 00:16:20,520 --> 00:16:22,160 Speaker 1: last group, and I was like, hey, I have an 348 00:16:22,200 --> 00:16:24,040 Speaker 1: idea for a line, like what do you think about this? 349 00:16:24,440 --> 00:16:26,880 Speaker 1: And they tapped me on my should just said no, baby, no, 350 00:16:29,960 --> 00:16:34,280 Speaker 1: like seriously, And people don't realize how the things like 351 00:16:34,440 --> 00:16:37,880 Speaker 1: that can really they can damage somebody. Like it made 352 00:16:37,920 --> 00:16:40,280 Speaker 1: me feel like, okay, whoa So to be in a 353 00:16:40,360 --> 00:16:44,280 Speaker 1: situation now with in the group, yes, as the brown 354 00:16:44,320 --> 00:16:47,400 Speaker 1: skin growing group, it was that is a whole other story. 355 00:16:47,560 --> 00:16:50,760 Speaker 1: We need the whole other But for me, but it's 356 00:16:50,800 --> 00:16:54,840 Speaker 1: not about beage girls, brown girls, blue girls, green, it's 357 00:16:54,840 --> 00:16:57,560 Speaker 1: not about that. It's about you know, if you work 358 00:16:57,640 --> 00:16:59,760 Speaker 1: hard and you have talent, I think that that should 359 00:16:59,760 --> 00:17:03,040 Speaker 1: be showcase and that's always been important to me. But um, 360 00:17:03,120 --> 00:17:05,480 Speaker 1: it feels great now to be in a situation where, 361 00:17:05,960 --> 00:17:08,119 Speaker 1: you know, with Chris and with my management Tina and 362 00:17:08,200 --> 00:17:11,760 Speaker 1: Brittany and my label Atlantic and Chris Brown. They encouraged 363 00:17:11,840 --> 00:17:13,720 Speaker 1: me to be the best version of me and to 364 00:17:13,840 --> 00:17:16,879 Speaker 1: get all of my ideas out. And I appreciate it 365 00:17:16,920 --> 00:17:20,600 Speaker 1: because I've been through through two situations who did not encourage. 366 00:17:20,800 --> 00:17:23,520 Speaker 1: They feel like Christ because after all everything I mean, 367 00:17:24,040 --> 00:17:25,840 Speaker 1: at the time, Chris was going through his problems and 368 00:17:26,280 --> 00:17:28,080 Speaker 1: a lot of people wouldn't see per se Chris as 369 00:17:28,080 --> 00:17:33,639 Speaker 1: a businessman or a label owner. You listen, but no, 370 00:17:34,000 --> 00:17:37,240 Speaker 1: yes and yes, and you put listen here. When I 371 00:17:37,440 --> 00:17:41,159 Speaker 1: first met Chris, I was still Enrich Girl. I was 372 00:17:41,160 --> 00:17:44,359 Speaker 1: selling Rich Girl, and I was advised to not be 373 00:17:44,480 --> 00:17:48,440 Speaker 1: around Chris. And I looked at them and said, you're stupid. 374 00:17:48,640 --> 00:17:50,159 Speaker 1: I'm glad you did that. You know what I mean, 375 00:17:50,480 --> 00:17:52,919 Speaker 1: because I don't. I can't. You can't judge people by 376 00:17:53,080 --> 00:17:54,800 Speaker 1: things you know. If you don't know them, or you 377 00:17:54,800 --> 00:17:56,879 Speaker 1: don't know their lives, who are you to say who 378 00:17:56,960 --> 00:17:58,720 Speaker 1: they are, how they are. It's just I just didn't 379 00:17:58,720 --> 00:18:00,280 Speaker 1: agree with that. That's not how I was brought up. 380 00:18:00,320 --> 00:18:03,159 Speaker 1: I don't get down like that. And so all I 381 00:18:03,280 --> 00:18:06,719 Speaker 1: saw was a guy who was talented and amazing, who 382 00:18:07,240 --> 00:18:09,600 Speaker 1: who had my experience with him he had always been 383 00:18:09,640 --> 00:18:11,879 Speaker 1: great to me, and he gave me an opportunity and 384 00:18:11,960 --> 00:18:14,480 Speaker 1: I appreciated that more than I could ever express. So 385 00:18:14,960 --> 00:18:18,159 Speaker 1: I started, you know, writing and working with him, and 386 00:18:18,560 --> 00:18:20,359 Speaker 1: I you know, I asked him when I'm when the 387 00:18:20,400 --> 00:18:22,840 Speaker 1: first I ever wrote with Chris. I said to him, 388 00:18:22,880 --> 00:18:24,680 Speaker 1: I said, hey, I heard you about to start a session. 389 00:18:25,000 --> 00:18:27,160 Speaker 1: I'm across the hall. You know, me and my group 390 00:18:27,200 --> 00:18:29,000 Speaker 1: we're finishing our session. Cannot come and write with you? 391 00:18:29,560 --> 00:18:32,200 Speaker 1: And he was like, yeah, cool, I'm gonna come get you. 392 00:18:32,440 --> 00:18:34,440 Speaker 1: And I went. I told the wrest of the girls 393 00:18:34,440 --> 00:18:36,400 Speaker 1: and said, hey, Chris said, we can write. Like Chris said, 394 00:18:36,400 --> 00:18:41,720 Speaker 1: we can come and write. No, no, no correction. He said, yeah, 395 00:18:42,000 --> 00:18:45,640 Speaker 1: y'all can come, right. I asked, because I'm not that girl, 396 00:18:47,040 --> 00:18:49,560 Speaker 1: I'm not a shady girl. Off nah, and I went. 397 00:18:49,640 --> 00:18:51,960 Speaker 1: I told all of them. I said, hey, Chris said 398 00:18:51,960 --> 00:18:53,879 Speaker 1: the weekend write. One of the girls said she was 399 00:18:53,920 --> 00:18:55,600 Speaker 1: tired and she was going to the hotel and going 400 00:18:55,640 --> 00:18:59,080 Speaker 1: to sleep. The other two said, okay, cool dope. We 401 00:18:59,200 --> 00:19:01,320 Speaker 1: went in start to work with Chris. And I remember 402 00:19:01,480 --> 00:19:03,920 Speaker 1: Um Tank was in that session. Lonnie Barell was in 403 00:19:04,000 --> 00:19:07,280 Speaker 1: that session. Kevin McCall was in that session and um, 404 00:19:07,720 --> 00:19:10,000 Speaker 1: after a minute, I was throwing out lines and none 405 00:19:10,040 --> 00:19:11,680 Speaker 1: of my lines got picked up. I was like, yeah, 406 00:19:11,720 --> 00:19:14,080 Speaker 1: what about s S session? They were just like yeah, 407 00:19:14,160 --> 00:19:16,040 Speaker 1: so don what you thinking about sets us up? None 408 00:19:16,080 --> 00:19:18,760 Speaker 1: of my lines got picked up at all. And I 409 00:19:18,800 --> 00:19:21,080 Speaker 1: remember after a minute, the other two girls they came 410 00:19:21,160 --> 00:19:23,080 Speaker 1: up to me and they were like, Oh, we're going 411 00:19:23,200 --> 00:19:25,320 Speaker 1: to um go have some drinks at the SLS down 412 00:19:25,359 --> 00:19:27,320 Speaker 1: the street. You want to come now. I looked at 413 00:19:27,400 --> 00:19:30,760 Speaker 1: him and I was like, nah, I'm straight, y'all. I 414 00:19:30,840 --> 00:19:32,800 Speaker 1: do love that. But I was like, nah, y'all gonna 415 00:19:32,800 --> 00:19:35,119 Speaker 1: have y'all drinks. I'm straight, Like I'm gonna stay here 416 00:19:35,119 --> 00:19:38,000 Speaker 1: and right with Chris Brow. I stayed and here we 417 00:19:38,119 --> 00:19:41,080 Speaker 1: are five years later and just from being around him, 418 00:19:41,160 --> 00:19:43,639 Speaker 1: and I tried to get a placement on graffiti. I 419 00:19:43,680 --> 00:19:45,600 Speaker 1: didn't get no placements on graffiti, but I was at 420 00:19:45,640 --> 00:19:47,680 Speaker 1: that studio every day, you know what I mean. And 421 00:19:47,920 --> 00:19:49,520 Speaker 1: when it came down for a Fame and Fortune, and 422 00:19:49,560 --> 00:19:51,520 Speaker 1: Chris gave me the opportunity to write on fame, to 423 00:19:51,640 --> 00:19:53,920 Speaker 1: ride on fortune, and I had seven placements on Fame 424 00:19:54,000 --> 00:19:57,800 Speaker 1: with him, seven placements on Fortune with magic number. It 425 00:19:57,920 --> 00:20:00,360 Speaker 1: really is like it's a it's a blessed. The girls 426 00:20:00,359 --> 00:20:04,159 Speaker 1: are sick right now. Chris don't rep his label the 427 00:20:04,200 --> 00:20:05,919 Speaker 1: way he needs to, because I wouldn't know Chris had 428 00:20:06,040 --> 00:20:08,880 Speaker 1: artists if I didn't hear from you really Ken when 429 00:20:08,880 --> 00:20:10,159 Speaker 1: he come up here. But it might be us to 430 00:20:10,240 --> 00:20:12,240 Speaker 1: him wanting them to shine on their own. He does. 431 00:20:12,359 --> 00:20:18,479 Speaker 1: He's really big on that and directing the videos. That's 432 00:20:18,520 --> 00:20:21,800 Speaker 1: a big co sign. CO signs are important. But the 433 00:20:21,920 --> 00:20:26,960 Speaker 1: thing is I I think that it's it's really important. 434 00:20:27,040 --> 00:20:29,520 Speaker 1: It's just for me and I can't speak on Kevin, 435 00:20:29,520 --> 00:20:31,200 Speaker 1: I can't speak on any of the other artists. But 436 00:20:31,400 --> 00:20:35,520 Speaker 1: for me, by myself, I think that the best thing 437 00:20:35,640 --> 00:20:37,919 Speaker 1: that my my label, on my team and Chris can 438 00:20:37,960 --> 00:20:41,040 Speaker 1: do for me is allow me to find myself because 439 00:20:41,119 --> 00:20:43,520 Speaker 1: for so many years I didn't have the opportunity to 440 00:20:43,640 --> 00:20:45,119 Speaker 1: do that. Do you feel like when you first got 441 00:20:45,160 --> 00:20:48,840 Speaker 1: signed as a solo artist you were very shy and 442 00:20:48,880 --> 00:20:50,639 Speaker 1: timid and not sure like what you wanted to do? 443 00:20:50,680 --> 00:20:54,600 Speaker 1: Because if absolutely a whole lot more. Yeah, absolutely, I mean, 444 00:20:54,720 --> 00:20:57,399 Speaker 1: but groups do that to you. Groups do that to you, 445 00:20:57,560 --> 00:20:59,960 Speaker 1: and and when you don't have three other girls or 446 00:21:00,000 --> 00:21:01,840 Speaker 1: around you to pick up the slack in areas that 447 00:21:01,920 --> 00:21:06,480 Speaker 1: you're a week is I I hate you. But people 448 00:21:06,560 --> 00:21:08,600 Speaker 1: would say, like, you know, Seven's really talented, but I 449 00:21:08,640 --> 00:21:10,560 Speaker 1: don't feel like I know her. She doesn't seem like 450 00:21:10,600 --> 00:21:12,880 Speaker 1: she opens up and it seems like you just all 451 00:21:12,880 --> 00:21:14,879 Speaker 1: of a sudden, Okay, this is who I am. I 452 00:21:14,960 --> 00:21:16,840 Speaker 1: mean when when you have friends call you live on 453 00:21:16,960 --> 00:21:19,000 Speaker 1: air and be like, girl, are you dating such and 454 00:21:19,080 --> 00:21:21,359 Speaker 1: such a text? By the way, people were mad about 455 00:21:21,400 --> 00:21:22,680 Speaker 1: that that we did that, but I don't know what 456 00:21:22,760 --> 00:21:24,960 Speaker 1: they were mad, like, y'all don't understand, Like I wouldn't 457 00:21:24,960 --> 00:21:26,439 Speaker 1: have done it if I thought Seven would be mad. 458 00:21:26,600 --> 00:21:28,840 Speaker 1: He is my friend in real life, so and I 459 00:21:28,960 --> 00:21:30,680 Speaker 1: love coming up here with y'all. So I wasn't. Yeah, 460 00:21:30,760 --> 00:21:32,280 Speaker 1: it was in Detroit. He was like, seven got a 461 00:21:32,359 --> 00:21:34,560 Speaker 1: listening session in the studio in the hood. I'm going 462 00:21:34,600 --> 00:21:36,360 Speaker 1: I'm like, all right, well I see them all you happy? Yeah, 463 00:21:37,160 --> 00:21:41,040 Speaker 1: and you fell asleep. But it's okay. But he played 464 00:21:41,040 --> 00:21:43,040 Speaker 1: the song on his Instagram. He said, you was gonna 465 00:21:43,040 --> 00:21:45,119 Speaker 1: be on it? What's that? Yeah, it's for my album 466 00:21:45,320 --> 00:21:47,280 Speaker 1: on the Verge. It's a song called Been a Minute 467 00:21:47,600 --> 00:21:50,200 Speaker 1: And I wrote the song. Okay, y'all tell me this 468 00:21:50,480 --> 00:21:54,120 Speaker 1: have you ever received or sent a text like after 469 00:21:54,240 --> 00:21:56,440 Speaker 1: you know, you weren't dealing with somebody for a minute 470 00:21:56,720 --> 00:21:58,560 Speaker 1: and then you sent them a text like hey stranger, 471 00:21:58,680 --> 00:22:00,520 Speaker 1: Oh yeah, it ain't no screen. Do you see him 472 00:22:00,520 --> 00:22:03,280 Speaker 1: on Instagram or something? Right? But you look good? He 473 00:22:03,359 --> 00:22:05,159 Speaker 1: looked good. They actually looked good, and you get that 474 00:22:05,240 --> 00:22:08,359 Speaker 1: text like hash stranger, how you've been? What up? So 475 00:22:08,680 --> 00:22:11,359 Speaker 1: that's what the record is about. And I love it. 476 00:22:11,560 --> 00:22:14,800 Speaker 1: And he just murdered that record. I'm really excited about it. 477 00:22:14,880 --> 00:22:17,320 Speaker 1: And he did his um his part on his Instagram 478 00:22:17,400 --> 00:22:19,560 Speaker 1: and he put it out and I didn't mind in 479 00:22:19,640 --> 00:22:21,080 Speaker 1: the fans. You know, I can't wait him to hear it. 480 00:22:21,200 --> 00:22:23,399 Speaker 1: Speaking of murder, you killed Bob last time he was 481 00:22:23,440 --> 00:22:26,840 Speaker 1: here when we played Mary Kill. Oh my god, why 482 00:22:26,880 --> 00:22:31,040 Speaker 1: are you being don't be messing? Okay, so yeah, you 483 00:22:31,080 --> 00:22:33,000 Speaker 1: can figure me out a little bit. But still it's 484 00:22:33,040 --> 00:22:35,399 Speaker 1: just like, don't be messing. But artist, I seen that 485 00:22:35,440 --> 00:22:37,480 Speaker 1: fans can't stand you too. They was going in on you. 486 00:22:37,720 --> 00:22:40,119 Speaker 1: You know what, I love them regardless, I really do. 487 00:22:40,240 --> 00:22:42,200 Speaker 1: I love I'm about any fan that goes hard for 488 00:22:42,280 --> 00:22:44,119 Speaker 1: the artists that they go hard for, you know what 489 00:22:44,160 --> 00:22:46,400 Speaker 1: I mean. So I can't do number, respect and love them. 490 00:22:46,440 --> 00:22:47,960 Speaker 1: Do you n Bob have like a name? You know 491 00:22:47,960 --> 00:22:50,480 Speaker 1: how people have like the name together? Like, I don't know, 492 00:22:50,560 --> 00:22:52,639 Speaker 1: maybe y'all should create one. I have no idea. I 493 00:22:52,720 --> 00:22:55,840 Speaker 1: don't know nothing that really works. Nothing. I'm like, what 494 00:22:56,080 --> 00:23:04,359 Speaker 1: caned BEV be seven? Oh? B it does sound like 495 00:23:04,400 --> 00:23:07,239 Speaker 1: a failed R. It really does. I can't even lie. 496 00:23:07,320 --> 00:23:10,159 Speaker 1: It sounds like for really, we appreciate you, Julian when 497 00:23:10,240 --> 00:23:12,560 Speaker 1: we get in this album man, this summer, this summer, 498 00:23:12,720 --> 00:23:17,040 Speaker 1: this summer, we put some pressure on Atlantic Na Na. 499 00:23:17,240 --> 00:23:19,600 Speaker 1: Atlantic is great, and you guys are on the same 500 00:23:19,720 --> 00:23:21,480 Speaker 1: label when they found out un you want to know 501 00:23:21,600 --> 00:23:25,200 Speaker 1: some real, some real real my label reps. We have 502 00:23:25,240 --> 00:23:27,280 Speaker 1: a label rep in every market that we go in, 503 00:23:27,560 --> 00:23:31,480 Speaker 1: and I'm gonna put Kenny on blast. Kenny is my 504 00:23:31,640 --> 00:23:35,320 Speaker 1: rep for like New Orleans and that or whatever. Yes, 505 00:23:35,920 --> 00:23:38,280 Speaker 1: Kenny um because me and Bob we went to the 506 00:23:38,840 --> 00:23:44,080 Speaker 1: Chris's concert in Houston and literally Kenny was so uncomfortable 507 00:23:44,160 --> 00:23:46,399 Speaker 1: in the car because me and Bob were in the 508 00:23:46,480 --> 00:23:48,680 Speaker 1: back seat, like just you know, being me and Bob. 509 00:23:50,640 --> 00:23:53,320 Speaker 1: No I went to dinner with them. They don't keep 510 00:23:53,320 --> 00:23:56,359 Speaker 1: their hands off each other, fingering y they fingered each 511 00:23:56,400 --> 00:24:01,440 Speaker 1: other in the rest of No. No, he thinks so 512 00:24:01,600 --> 00:24:06,160 Speaker 1: much this is not true. No, but um, I mean 513 00:24:06,520 --> 00:24:08,479 Speaker 1: I can't help it. I can't keep my hands off. 514 00:24:10,040 --> 00:24:13,680 Speaker 1: But oh, listen here, one day at a time, don't 515 00:24:13,720 --> 00:24:17,320 Speaker 1: kill the fun um. Yes. So No, Kenny is so 516 00:24:17,520 --> 00:24:20,920 Speaker 1: he was so uncomfortable, like it was like he didn't 517 00:24:20,960 --> 00:24:24,080 Speaker 1: know how they talked to either one of us. He's like, Kenny, 518 00:24:24,160 --> 00:24:25,920 Speaker 1: are you okay? He was like he couldn't even look 519 00:24:26,000 --> 00:24:29,159 Speaker 1: us at the eyes. Well, that's the first time that 520 00:24:29,359 --> 00:24:31,600 Speaker 1: he had been around the two of us together. And 521 00:24:32,200 --> 00:24:35,119 Speaker 1: I'm like, very you know, I'm a I'm touchy Philly, 522 00:24:35,280 --> 00:24:38,240 Speaker 1: Like that's just how I What about those seven Teddy 523 00:24:38,240 --> 00:24:42,840 Speaker 1: bearries that bob bleught you for Valentine's They are still 524 00:24:43,000 --> 00:24:45,520 Speaker 1: in my house, so how can you even move around? 525 00:24:45,640 --> 00:24:47,720 Speaker 1: He's listening here. I don't know, like they're still in 526 00:24:47,800 --> 00:24:50,040 Speaker 1: my house. And I sent him a patrol. I was like, Bay, 527 00:24:50,119 --> 00:24:51,800 Speaker 1: all these house guests. You see these house guests I 528 00:24:51,840 --> 00:24:54,400 Speaker 1: still got He's like, well, they look real comfortable listen 529 00:24:54,400 --> 00:24:56,680 Speaker 1: to here. No, but I think what I want to do. 530 00:24:56,800 --> 00:24:59,560 Speaker 1: I want to donate them to a children's hospital. I 531 00:24:59,640 --> 00:25:00,840 Speaker 1: think that that's what I want to do with it. 532 00:25:00,920 --> 00:25:06,200 Speaker 1: I'm gonna keep one well, either he can come with 533 00:25:06,280 --> 00:25:07,960 Speaker 1: me to donate them or he can keep them in 534 00:25:08,040 --> 00:25:10,760 Speaker 1: his house in Atlanta. But you know, are you gonna 535 00:25:10,760 --> 00:25:12,920 Speaker 1: go on tour to promote the new album on the verge? 536 00:25:13,040 --> 00:25:14,639 Speaker 1: I definitely am gonna be on the Okay. I think 537 00:25:14,680 --> 00:25:16,200 Speaker 1: Chris Brown needs to bring you out on tour with 538 00:25:16,280 --> 00:25:18,720 Speaker 1: him because I would love tour and I always wonder 539 00:25:18,800 --> 00:25:21,040 Speaker 1: why don't he bring seven out? I would love it. 540 00:25:22,200 --> 00:25:24,080 Speaker 1: I mean, you know, I don't know what you think 541 00:25:24,119 --> 00:25:25,800 Speaker 1: You're going on tour to promote because I'm free. If 542 00:25:25,840 --> 00:25:28,159 Speaker 1: you need you better, you better him. Tell him right 543 00:25:28,200 --> 00:25:30,919 Speaker 1: now that you need to be on tourt. This bro 544 00:25:31,119 --> 00:25:33,240 Speaker 1: bright he knows, but I would love to be on 545 00:25:33,359 --> 00:25:36,200 Speaker 1: the road with him. Aside from just learning and watching 546 00:25:36,240 --> 00:25:38,720 Speaker 1: his shows every night, which I love, I would just 547 00:25:38,880 --> 00:25:41,639 Speaker 1: love to be onto him. I think he and have 548 00:25:41,680 --> 00:25:44,680 Speaker 1: you done any music with Bilb? Yeah? We work really 549 00:25:44,720 --> 00:25:49,760 Speaker 1: well together. I bet we do. No, we um We 550 00:25:49,920 --> 00:25:54,280 Speaker 1: work really like honestly, like aside from everything else, we 551 00:25:54,440 --> 00:25:57,200 Speaker 1: work so well together. It's it's scary, and I think 552 00:25:57,240 --> 00:26:03,520 Speaker 1: that's what started everything we do. We have, Like I mean, 553 00:26:04,200 --> 00:26:07,280 Speaker 1: he's just dope, like he plays like ten trillion million instruments, 554 00:26:07,400 --> 00:26:11,119 Speaker 1: and we write well together and it's just it's just 555 00:26:11,400 --> 00:26:13,800 Speaker 1: I love working with him, and we do have record 556 00:26:13,880 --> 00:26:15,679 Speaker 1: started everything. So he turned you on in the studio. 557 00:26:16,000 --> 00:26:18,320 Speaker 1: I think you're sexy. One A man is talented and 558 00:26:18,440 --> 00:26:21,880 Speaker 1: driven and um, it's something about you know. That type 559 00:26:21,880 --> 00:26:25,320 Speaker 1: of connection I think is really sexy. We appreciate that. 560 00:26:26,560 --> 00:26:29,800 Speaker 1: You guys, what's another one? Where's your second one? Where's 561 00:26:29,840 --> 00:26:33,280 Speaker 1: your second one? And where's your second one? I'm listening. No, 562 00:26:33,440 --> 00:26:37,280 Speaker 1: that's the first one. I'm not stupid. Maybe, but I'm 563 00:26:37,320 --> 00:26:45,760 Speaker 1: not stupid. We appreciate you joining. I'm not scared. Let's go. 564 00:26:46,040 --> 00:26:48,359 Speaker 1: I have one last question while you're tipsy? Um, what 565 00:26:48,440 --> 00:26:51,040 Speaker 1: do you think about doing this interview with Ian levin 566 00:26:51,160 --> 00:26:57,320 Speaker 1: Zne and talking about um, well, we see how it 567 00:26:57,359 --> 00:27:08,359 Speaker 1: goes down. UM, I mean not inappropriate? No, what was 568 00:27:08,400 --> 00:27:10,480 Speaker 1: the question? What do you think about doing this interview? 569 00:27:10,920 --> 00:27:16,119 Speaker 1: Why you call her Carucha? Her name is Caruci? What 570 00:27:16,200 --> 00:27:18,600 Speaker 1: do you get her doing an interview with um? Yeah, Levan, 571 00:27:19,200 --> 00:27:21,280 Speaker 1: I can't speak on Karuchi's life. I'm not Are you 572 00:27:21,320 --> 00:27:23,880 Speaker 1: gonna watch it? Are you interested? I mean, of course 573 00:27:23,920 --> 00:27:27,320 Speaker 1: everybody's gonna watch. But I mean, I'm I can't speak 574 00:27:27,359 --> 00:27:29,000 Speaker 1: on her life. You know, when she gets in there, 575 00:27:29,080 --> 00:27:32,520 Speaker 1: she's like seven, messed up my relationship. Oh god, that's that. 576 00:27:32,600 --> 00:27:38,520 Speaker 1: Don't never happen because it's not true. Um yeah, listen here, 577 00:27:38,880 --> 00:27:44,120 Speaker 1: I can't see my mama. Tall listen here. I ain't 578 00:27:44,160 --> 00:27:47,000 Speaker 1: seen my own mama. I can see my mamma. I 579 00:27:47,080 --> 00:27:48,879 Speaker 1: ain't seen my mama. I can get to see my 580 00:27:48,960 --> 00:27:51,480 Speaker 1: mama on Sunday. I've been on the road. You see, 581 00:27:51,520 --> 00:27:53,040 Speaker 1: I have no voice. I've been on the road for 582 00:27:53,160 --> 00:27:59,879 Speaker 1: like four weeks. You're not d that's no maybe, like 583 00:28:00,000 --> 00:28:06,680 Speaker 1: she's right there, Karen Furious soundtrack. You know that was 584 00:28:06,720 --> 00:28:09,399 Speaker 1: a blessing. That's a dream come true. You know how 585 00:28:09,520 --> 00:28:11,520 Speaker 1: long I've wanted to be a part of a soundtrack 586 00:28:11,760 --> 00:28:17,080 Speaker 1: like that meant everything to really. Yeah, And and I've 587 00:28:17,119 --> 00:28:19,000 Speaker 1: been a fan of you know, Fast and Furious for 588 00:28:19,119 --> 00:28:22,560 Speaker 1: so long. I love the franchise, and um, you know 589 00:28:22,760 --> 00:28:25,199 Speaker 1: it's a special one, you know, rest in peace, Paul Walker. 590 00:28:25,400 --> 00:28:28,040 Speaker 1: Like it's just I've always wanted to do a song 591 00:28:28,080 --> 00:28:30,560 Speaker 1: for a soundtrack, and so they approached me about writing 592 00:28:30,600 --> 00:28:32,480 Speaker 1: a song for it, and I wrote a song with 593 00:28:32,600 --> 00:28:34,320 Speaker 1: my friend Jado called how bad do you want to 594 00:28:34,320 --> 00:28:38,000 Speaker 1: shout out to Jado and UM, yeah, I love the song. 595 00:28:38,160 --> 00:28:41,400 Speaker 1: But it was different because I never you know, I'm 596 00:28:41,480 --> 00:28:44,360 Speaker 1: used to writing records as a whole and then you 597 00:28:44,440 --> 00:28:46,320 Speaker 1: know that's it. But for this, they're like, no, there's 598 00:28:46,320 --> 00:28:48,480 Speaker 1: a certain scene for it, and you know you have 599 00:28:48,680 --> 00:28:50,840 Speaker 1: to They spliced and dice and I was like, oh 600 00:28:50,920 --> 00:28:53,840 Speaker 1: my god, why happened to the song? But UM ended up, 601 00:28:54,040 --> 00:28:56,400 Speaker 1: you know, having like five sessions because I just wanted 602 00:28:56,400 --> 00:28:57,840 Speaker 1: to get it right, you know what I mean. And 603 00:28:58,160 --> 00:29:01,560 Speaker 1: it's special Fast and Furious seven and seven just seven 604 00:29:01,600 --> 00:29:05,520 Speaker 1: masense Masensell Furious seven takes over Revolte Live, featured interviews 605 00:29:05,520 --> 00:29:08,560 Speaker 1: from the entire cast, performances from Ludacris and Whiz. You 606 00:29:08,600 --> 00:29:11,400 Speaker 1: can check that out April first. And I'm performing, by 607 00:29:11,440 --> 00:29:14,040 Speaker 1: the way, and you all too, I am there you performing? 608 00:29:14,080 --> 00:29:15,760 Speaker 1: How bad do you want it? So? I'm really looking 609 00:29:15,760 --> 00:29:19,040 Speaker 1: forward to that. We appreciate you joining us. I love y'all, man, 610 00:29:19,520 --> 00:29:21,720 Speaker 1: love you Tobo, even though y'all put me through high 611 00:29:22,240 --> 00:29:24,920 Speaker 1: It's the Breakfast Club at seventh straight Er. Yeah,