WEBVTT - It’s a very good TV (S2, E15 "Lost and Found")

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<v Speaker 1>I am all in. I am all in with Scott

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<v Speaker 1>Patterson and I heart radio podcast. All Right, everybody, we're back.

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<v Speaker 1>We are joined by Amy Sugarman, Daniel Romo, Riley pelusis welcome, Welcome,

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<v Speaker 1>Hello everybody. How are you guys? I mean awesome? After

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<v Speaker 1>that episode, We're ready. Season two episode was fifteen Lost

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<v Speaker 1>and Found. Oh boy, oh boy, what a what a

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<v Speaker 1>what a rollicking ride this was. I tell you that, Lucy,

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<v Speaker 1>I don't even know if this is an expression that

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<v Speaker 1>makes any sense, but he's wrapped tighter than a country ham.

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<v Speaker 1>I'll tell you. Did you know going into it that

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<v Speaker 1>it had what I consider your second most iconic scene,

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<v Speaker 1>which is the second most iconic scene, the rant that

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<v Speaker 1>my favorite scene ever. Yeah, your first is pushing the lake,

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<v Speaker 1>and then this has number two. Yeah. Um, you know

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<v Speaker 1>a lot of luke this week, A lot of luke.

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<v Speaker 1>You couldn't get away from luke. Uh yeah, I look,

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<v Speaker 1>I really enjoyed this episode. I thought it again, it

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<v Speaker 1>was really tight, It was taught, it was filled with tension,

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<v Speaker 1>it was filled with humor. It was it was just

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<v Speaker 1>beautifully written and directed, and I thought the acting was

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<v Speaker 1>was spot on. And uh, you know, I have to

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<v Speaker 1>take back that I, you know, don't really enjoy watching

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<v Speaker 1>the kids stuff, because I enjoyed watching the kids stuff.

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<v Speaker 1>You know. I liked watching Milo and Alexis go at it,

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<v Speaker 1>you know, I like I liked Laurela and Milo going

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<v Speaker 1>at it. I thought it was terrific. And I got

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<v Speaker 1>to know him a little better as a character, and

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<v Speaker 1>I got to see some vulnerability, and I really liked

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<v Speaker 1>him in this even though he was being a pain

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<v Speaker 1>in the butt. You know, there's just something about how

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<v Speaker 1>he approaches that character that draws you in so literally

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<v Speaker 1>when he gives the little subtle smirks and you know what,

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<v Speaker 1>you know, what really captive for me is seeing those

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<v Speaker 1>piles and piles of clothes that his mother sent him

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<v Speaker 1>in Luke's apartment. It's like, we're done, You're not my son,

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<v Speaker 1>I'm disowning you. Let Luke raise you. And it's just

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<v Speaker 1>I felt so bad for him, Um, and I just

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<v Speaker 1>I don't know, I just felt a little deeper in

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<v Speaker 1>love with him, you know. So anything he was doing

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<v Speaker 1>in the episode, um, and he wasn't being like, you know,

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<v Speaker 1>jerky to Dean anymore. Within this episode. It was just

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<v Speaker 1>sort of he was just going back and forth. He

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<v Speaker 1>wants this girl, and and I really see that he's

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<v Speaker 1>unable to. He he just doesn't trust people. And he's

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<v Speaker 1>so wounded by his the rejection of his mother that

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<v Speaker 1>he's not going to open up to anybody. And he's

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<v Speaker 1>especially he's not going to open up to Laurela. I

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<v Speaker 1>mean he tried. Yeah, he's doing the best he can.

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<v Speaker 1>He's doing the best he can. And he put an

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<v Speaker 1>effort in right when she was because you see him,

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<v Speaker 1>you see him say no, I'm good. And then he

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<v Speaker 1>remembers what Rory said and he's like, no, actually, food

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<v Speaker 1>sounds good, right, And he tries the small talk. And

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<v Speaker 1>Rory is such a ray of sunshine and she's so

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<v Speaker 1>honest and she's so righteous that she opens his eyes

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<v Speaker 1>to a whole new world, like, hey, you're safe, you

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<v Speaker 1>can be safe with me. Uh. But I like how

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<v Speaker 1>she had that conversation with both of them. Yeah, she

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<v Speaker 1>really tells Laurela, you need to try. And then she

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<v Speaker 1>does the same to Jet, very mature, and then she

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<v Speaker 1>goes and stands up for her mother. But that's my mother.

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<v Speaker 1>She's my best friend in the world, and you're not

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<v Speaker 1>going to treat her this way and give her a chance.

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<v Speaker 1>She's a wonderful human being. You know, you can't just

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<v Speaker 1>reject her and have me, you know, be interested in you.

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<v Speaker 1>And he goes, oh, you're interested in you know. It's

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<v Speaker 1>the one thing he hears, Right, I didn't know, and well,

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<v Speaker 1>not in that word. I care about I care about

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<v Speaker 1>something about I care about you, or you care about me? Right,

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<v Speaker 1>and very charming stuff, you know, very very heartfelt, very charming. Um,

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<v Speaker 1>high stakes, just just wonderful episode all the way around.

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<v Speaker 1>I got my unique fix. So as long as I

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<v Speaker 1>get my unique fix, my Michelle fix, I'm good. Right.

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<v Speaker 1>I missed Richard and Emily a little bit in this episode.

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<v Speaker 1>I kind of wanted to see them come into the fold,

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<v Speaker 1>but I don't know. I guess you didn't. Really, you

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<v Speaker 1>don't really need him in every single episode. There doesn't

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<v Speaker 1>have to always be a Friday night dinner, but it

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<v Speaker 1>would be nice if there was. But there is top

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<v Speaker 1>notch episode. It's one of the best, I think, So.

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<v Speaker 1>I think it's really because it lays you know, it's

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<v Speaker 1>looking forward. It lays a lot of ground where where

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<v Speaker 1>we're going. Um, and it moves Luke and Lowrela a

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<v Speaker 1>little bit more forward, not like not so in our face,

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<v Speaker 1>but just the scene where they pretend to be married

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<v Speaker 1>and looks like, oh god, what are you crazy? You know,

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<v Speaker 1>I'm really trying to reconcile with you know, with the

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<v Speaker 1>fact that he is. He just really blew up in

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<v Speaker 1>her kitchen. But I would say that that guy has

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<v Speaker 1>a lot dumped on him. There's a lot of stress

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<v Speaker 1>in his life right now. He can't even you know,

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<v Speaker 1>he's he's got to sit in his diner at night

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<v Speaker 1>and watch a tiny little television set with a with

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<v Speaker 1>an aluminum foil and a and a hanger as an antenna,

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<v Speaker 1>just to get some peace because he's got to get

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<v Speaker 1>away from jazz. Who listens to the rock music or

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<v Speaker 1>the punk music? In the apartment is way too small, Yeah,

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<v Speaker 1>but it's just I mean, it's full of his stuff.

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<v Speaker 1>You know, he had to get out. That was a stressful,

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<v Speaker 1>hot mess in there, and we're forgetting the fact that

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<v Speaker 1>he's suddenly raising a kid, so not only like squishtion

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<v Speaker 1>to this mess, like suddenly he's raising a teenager. Yeah,

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<v Speaker 1>he lost it, He really lost it, didn't he. I

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<v Speaker 1>felt bad for the guy. I don't know, what do

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<v Speaker 1>you Danielle Riley, what thing? What do you think of

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<v Speaker 1>this episode? I loved it. I think it's a very

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<v Speaker 1>pivotal episode. We start to see the shift between Rory

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<v Speaker 1>and Dean, and just like with that little um the

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<v Speaker 1>city yards, say, would you consider that yard? The charity fair?

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<v Speaker 1>Charity books? And how like Rory just kept wanting to,

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<v Speaker 1>you know, look at books, and she was like stopping

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<v Speaker 1>herself because Dean wanted to watch Lord of the Rings

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<v Speaker 1>and like all that kind of stuff, and you start

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<v Speaker 1>to see like, Okay, they aren't actually meant to be together,

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<v Speaker 1>you know, and then they're not. They're just so different.

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<v Speaker 1>She rolled her eyes like again with the Lord of

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<v Speaker 1>the Rings for god, seging, how dumb are you? And

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<v Speaker 1>then him with the books, you know, like he was

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<v Speaker 1>kind of like, oh my god, how many more books

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<v Speaker 1>are you going to get? But that's so authentically she

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<v Speaker 1>acknowledges to Jeff like we're not at our best. Yeah,

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<v Speaker 1>Like so she even knows it too. She said that

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<v Speaker 1>about Dean to Jess our best in this episode, I paraphrase,

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<v Speaker 1>but something to the gist of that we're struggling or

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<v Speaker 1>whatever it is, because but she was putting that on

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<v Speaker 1>on Jess is right. It's like you've been such a

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<v Speaker 1>you're being such a disruptive force in this town that

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<v Speaker 1>you know, it's causing problems with my relationship. And I

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<v Speaker 1>really loved Dean. But then yeah, exactly, Daniel. You see

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<v Speaker 1>him at the book fair and he's like, oh, lit

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<v Speaker 1>a little board, you know, he's looking at his watch

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<v Speaker 1>like I'm along, we've been you know, do you want

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<v Speaker 1>to go to the astronomy section? Go ahead, you know, yeah,

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<v Speaker 1>isn't be looking at books? What's wrong with you know?

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<v Speaker 1>Come on, like find a Lord of the ringbook like,

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<v Speaker 1>you know, like find a way to connect. Come on, buddy. No,

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<v Speaker 1>you could you could argue that he is like the

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<v Speaker 1>good boyfriend because he's he's almost like the purse holder.

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<v Speaker 1>He's just there because she wants to be there. So

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<v Speaker 1>it's like there is an element like he doesn't care

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<v Speaker 1>about these books. He went for her, so there is

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<v Speaker 1>um you could you could play both sides of that,

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<v Speaker 1>her whole her whole world as books. Books mean more

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<v Speaker 1>to her than anything else in the world, any possession

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<v Speaker 1>in the world. World is the verbal sparring. No, well,

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<v Speaker 1>that's how she grew up, man. She's very you know,

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<v Speaker 1>she's a she's a black Belding and banter, um, right,

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<v Speaker 1>and and and she gets that from her mom, and

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<v Speaker 1>she gets that from book. Ultimately, it's all from books.

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<v Speaker 1>It's from reading. We have to totally remember black belding banter.

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<v Speaker 1>Such the perfect explanation of the Gilmore's because is a

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<v Speaker 1>black belt and banter too. Yeah, they're quick, they're fast

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<v Speaker 1>and funny and they're cutting and they're nasty, all right,

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<v Speaker 1>and that is you know, that's the Northeast for you.

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<v Speaker 1>That's that's that's the elite Northeast, right, that's all that

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<v Speaker 1>all that stuff. So um, But anyway, Riley, what did

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<v Speaker 1>you think of the episode? I totally agree on everything

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<v Speaker 1>that has been said. And then I love how we

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<v Speaker 1>talked about the books. And then you see the shift

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<v Speaker 1>of focusing on Jess because then Dean was an interest

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<v Speaker 1>in the books. But you see Jess in Rory's room

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<v Speaker 1>just to look at her books, like you see the books,

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<v Speaker 1>the books books. He was looking at the books, all right.

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<v Speaker 1>There is a through line that he they have that

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<v Speaker 1>major common interest and that they really can talk about literature.

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<v Speaker 1>I will say I was gonna how many episodes ago?

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<v Speaker 1>Was that three episodes ago where she lost her bracelet

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<v Speaker 1>and Jess picked it up. Um, I was like, I

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<v Speaker 1>wonder when that's going to come back. And finally this

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<v Speaker 1>episode was like oh ding ding ding, and Jes said

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<v Speaker 1>it perfectly, like she hasn't had it for two weeks

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<v Speaker 1>and she's just noticing. Now. Yeah, Scott, my question for you,

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<v Speaker 1>and I really want you to break this down. He

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<v Speaker 1>didn't steal the bracelet. No, Lorlie says that right, but

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<v Speaker 1>he didn't. He didn't give it back right away. But

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<v Speaker 1>do we know and forgive me because I know people

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<v Speaker 1>will say I should know this. I don't know that

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<v Speaker 1>Jess knows that bracelet was from Dean. No. I think he, Yeah,

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<v Speaker 1>he found out, so he didn't take the bracelet like

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<v Speaker 1>I'm like like some criminal mind that's like I'm going

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<v Speaker 1>to steal her bracelet that Dean gave her. I think

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<v Speaker 1>he kept it because it was hers and he wanted

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<v Speaker 1>to like hold it, because we see that when he's

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<v Speaker 1>talking on the phone with her, he's holding it, he's

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<v Speaker 1>looking at it. It's like a little keepsake to keep

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<v Speaker 1>him close, keep her close to him. So I don't

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<v Speaker 1>think he's the criminal that everyone makes him out to

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<v Speaker 1>me right. But then once he found out, he did,

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<v Speaker 1>you know, use it to his advantage, which you know,

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<v Speaker 1>he's a clever, clever boy. Well, I feel like, okay,

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<v Speaker 1>and you guys debate this because this is I'm giving

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<v Speaker 1>my opinion, but I feel once he found out that

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<v Speaker 1>she was so upset about it, he quickly figured out, Okay,

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<v Speaker 1>I can't just give it back to her because then

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<v Speaker 1>I'm like the creepy guy that took her bracelet and

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<v Speaker 1>held it in my bed at night. But like he

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<v Speaker 1>figured out a way to put it back in there

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<v Speaker 1>and make it seem like she found it. So I

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<v Speaker 1>I feel like he's a good guy with this bracelet.

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<v Speaker 1>But I don't know if I misinterpreted that. And we're

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<v Speaker 1>already seeing the green shoots of his relationship or his

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<v Speaker 1>feelings for Rory. Rory saving his life, books are saving

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<v Speaker 1>his life without Rory. Without books, this kid's in trouble.

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<v Speaker 1>This kid's going into jail, This kid's you know, committing

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<v Speaker 1>violent acts. I mean, we saw an earlier episode that

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<v Speaker 1>he is prone to violence, that he is, you know,

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<v Speaker 1>a beat away, a heartbeat away from from punching somebody. Um,

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<v Speaker 1>But now he's softening he's getting deeper into his feelings

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<v Speaker 1>with Rory. Her feelings are deepening. He's reading more, he's

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<v Speaker 1>spending more time with you know, in his Luke's now

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<v Speaker 1>garbage apartment filled with his boxes and stuff. But he

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<v Speaker 1>is making an attempt. You wanted him to clean the

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<v Speaker 1>gutters and he said okay, And Lorelai wanted him to

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<v Speaker 1>chat over the Chinese food because she was making her

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<v Speaker 1>like gesture to him. So he is trying. I don't

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<v Speaker 1>even though Lorelai confronts him and they have that sort

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<v Speaker 1>of exchange. Like he stole the bracelet, That's not how

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<v Speaker 1>I read it. I think he wanted it because she

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<v Speaker 1>dropped in was hers and then as soon as he

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<v Speaker 1>knew she was upset, he returned it because she doesn't

0:12:56.400 --> 0:13:00.959
<v Speaker 1>want her to be upset. Yeah, that's exactly what I Yeah,

0:13:01.000 --> 0:13:03.720
<v Speaker 1>and you know he's not gonna he's not gonna admit

0:13:04.040 --> 0:13:07.679
<v Speaker 1>that to laurel I. You know. Um, but I liked

0:13:07.679 --> 0:13:10.560
<v Speaker 1>how I liked how he you know, attempted to have

0:13:10.679 --> 0:13:16.040
<v Speaker 1>a little Chinese lunch with with Laurel I. He tried

0:13:16.080 --> 0:13:19.360
<v Speaker 1>his best. You know, I was rooting for the kid, um,

0:13:19.400 --> 0:13:21.640
<v Speaker 1>I mean, what else can he do? Poor guy. You know,

0:13:21.760 --> 0:13:25.040
<v Speaker 1>he's in a gosh. Man, when you're that young and

0:13:25.200 --> 0:13:27.920
<v Speaker 1>you're rejected that hard by a parent and you have

0:13:28.000 --> 0:13:31.680
<v Speaker 1>nobody except your uncle, which is fine, Right, that's a

0:13:31.800 --> 0:13:33.960
<v Speaker 1>that's a hard place to be. That's a very very

0:13:33.960 --> 0:13:37.760
<v Speaker 1>difficult place to be. But if that's gonna happen to you,

0:13:38.080 --> 0:13:40.439
<v Speaker 1>thank god it happened in a place like stars Hollowood.

0:13:40.480 --> 0:13:42.760
<v Speaker 1>Then he's involved with Luke and he's involved with Rory.

0:13:42.800 --> 0:13:45.680
<v Speaker 1>I mean, he got saved. Other kids that find themselves

0:13:45.679 --> 0:13:48.720
<v Speaker 1>in that situation aren't so lucky, but he he got lucky. Yeah,

0:13:48.800 --> 0:13:51.280
<v Speaker 1>that's really accurate. You know, he ended up in stars

0:13:51.320 --> 0:13:55.520
<v Speaker 1>Hollow surrounded by some pretty solid people and now he's

0:13:55.679 --> 0:13:59.440
<v Speaker 1>you know, the bright light that is that is Rory

0:14:00.320 --> 0:14:03.079
<v Speaker 1>um with with what the future holds for her, what

0:14:03.120 --> 0:14:06.839
<v Speaker 1>we think and hope and the future holds for her.

0:14:06.880 --> 0:14:09.440
<v Speaker 1>I mean, he's he's in a good he's in a

0:14:09.480 --> 0:14:12.240
<v Speaker 1>good spot. Well, speaking of that, what do you think

0:14:12.240 --> 0:14:16.839
<v Speaker 1>of the scene in the kitchen when Luke and Laura

0:14:16.920 --> 0:14:19.640
<v Speaker 1>I talk about, hey, do you think there's something going on?

0:14:20.440 --> 0:14:22.880
<v Speaker 1>And looks like I really don't know, but I sure

0:14:22.960 --> 0:14:25.640
<v Speaker 1>hope so, and like that sort of exchange they had

0:14:25.680 --> 0:14:30.000
<v Speaker 1>in the kitchen. Well, that's just a contrast to you know,

0:14:30.600 --> 0:14:36.080
<v Speaker 1>they're divergent views on Jess. And I don't blame Laura

0:14:36.200 --> 0:14:39.000
<v Speaker 1>Life for feeling the way she does. She's operating with

0:14:39.120 --> 0:14:42.560
<v Speaker 1>not a full slate of information on the kid, right,

0:14:42.640 --> 0:14:44.680
<v Speaker 1>She's not. She doesn't have all the details. She just

0:14:44.800 --> 0:14:48.400
<v Speaker 1>sees what she sees. And these are very negative impressions,

0:14:48.440 --> 0:14:51.920
<v Speaker 1>all all three or four of them. And it just

0:14:51.960 --> 0:14:54.920
<v Speaker 1>seems like every encounter with Jess is a negative encounter,

0:14:55.160 --> 0:14:57.080
<v Speaker 1>and she always ends up kind of barking at him

0:14:57.120 --> 0:14:59.560
<v Speaker 1>a little bit, you know, let's like, get off my property,

0:14:59.600 --> 0:15:02.120
<v Speaker 1>get out of right. I mean, he sort of earned

0:15:02.160 --> 0:15:05.720
<v Speaker 1>as a reputation, like Taylor said, held them in the back.

0:15:06.520 --> 0:15:10.400
<v Speaker 1>You know, it's like he has done some things that

0:15:10.440 --> 0:15:13.960
<v Speaker 1>are a little he's sort of the town bad boy

0:15:14.080 --> 0:15:16.760
<v Speaker 1>with chalk outline and the whole thing. So I get

0:15:16.760 --> 0:15:20.440
<v Speaker 1>why she's you know, yeah, I don't don't blame her

0:15:20.440 --> 0:15:23.280
<v Speaker 1>at all. And and and sure there's that disconnect between

0:15:23.320 --> 0:15:26.000
<v Speaker 1>those two and I just you know, getting back to

0:15:26.080 --> 0:15:33.120
<v Speaker 1>that rant. Um interesting he goes to her and really

0:15:33.200 --> 0:15:36.240
<v Speaker 1>let's loose like that. Um, And I was, you know,

0:15:36.280 --> 0:15:39.160
<v Speaker 1>I was sitting there actually just trying to you know,

0:15:39.200 --> 0:15:41.560
<v Speaker 1>I was getting judge e with my acting and judging

0:15:41.600 --> 0:15:44.200
<v Speaker 1>with the choices I was making. And but you know,

0:15:44.280 --> 0:15:46.160
<v Speaker 1>and the thing that was amazing me, and we'll we'll

0:15:46.200 --> 0:15:49.960
<v Speaker 1>get a little wonky here on acting technique a little bit.

0:15:51.440 --> 0:15:54.320
<v Speaker 1>I was amazed at how with such you know, it's

0:15:54.320 --> 0:15:58.800
<v Speaker 1>a very difficult assignment for Lauren because she can't throw

0:15:58.800 --> 0:16:01.800
<v Speaker 1>off my timing because I'm just going like a million

0:16:01.800 --> 0:16:04.920
<v Speaker 1>miles an hour, um um, you know, every every movement

0:16:05.000 --> 0:16:07.320
<v Speaker 1>is connected to something. Uh. You know, I've got to

0:16:07.360 --> 0:16:10.800
<v Speaker 1>hit all those beats through that speech and she can't

0:16:11.160 --> 0:16:13.560
<v Speaker 1>mess me up, right, She's got to keep the balls

0:16:13.600 --> 0:16:16.280
<v Speaker 1>in the air the same way I am. And if

0:16:16.320 --> 0:16:18.480
<v Speaker 1>she hesitates a little bit on one line because she

0:16:18.480 --> 0:16:20.400
<v Speaker 1>had these like uh huh, well what did you say?

0:16:20.440 --> 0:16:23.320
<v Speaker 1>And you know this kind of thing that's hard. It's

0:16:23.360 --> 0:16:26.600
<v Speaker 1>really hard to do. And I hadn't thought go watch

0:16:26.680 --> 0:16:30.360
<v Speaker 1>that scene again and look how relaxed she is and

0:16:30.400 --> 0:16:33.800
<v Speaker 1>how with what such ease she gets through that scene.

0:16:33.840 --> 0:16:36.880
<v Speaker 1>It's wonderful. And is that because of her and she's

0:16:36.920 --> 0:16:39.680
<v Speaker 1>just got so naturally talented or does she also just

0:16:39.800 --> 0:16:44.640
<v Speaker 1>know the scene so perfectly? Both? And it's just like

0:16:44.760 --> 0:16:47.400
<v Speaker 1>she's really there for you as a partner, as a

0:16:47.400 --> 0:16:50.440
<v Speaker 1>scene partner, and she's like she's saying to you, I'm

0:16:50.440 --> 0:16:53.160
<v Speaker 1>not gonna let you fall. I'm gonna I'm gonna you know,

0:16:53.200 --> 0:16:56.360
<v Speaker 1>I'm gonna I'm gonna hit my cues. Your timing is

0:16:56.360 --> 0:17:00.240
<v Speaker 1>gonna be perfect. Don't worry, just go. And I remember

0:17:00.400 --> 0:17:03.040
<v Speaker 1>every single take it was like it was it was magic.

0:17:03.360 --> 0:17:07.760
<v Speaker 1>I mean, it's really hard to do really hard to

0:17:07.800 --> 0:17:10.760
<v Speaker 1>do that and usually takes a long time, but with her,

0:17:11.480 --> 0:17:14.360
<v Speaker 1>it was just it's just easy, you know. And I'd

0:17:14.400 --> 0:17:17.600
<v Speaker 1>love that you talk about that, because as a person

0:17:17.840 --> 0:17:20.840
<v Speaker 1>sitting and watching it, I don't even think about it

0:17:20.840 --> 0:17:25.200
<v Speaker 1>because it's just so real. It's like it's still their cadence.

0:17:25.440 --> 0:17:28.160
<v Speaker 1>But it's just so real that nothing takes me out

0:17:28.200 --> 0:17:32.000
<v Speaker 1>of that scene. And I get as you. I mean, look,

0:17:32.040 --> 0:17:33.800
<v Speaker 1>I'm like looking at myself in this zoom right now,

0:17:33.880 --> 0:17:38.080
<v Speaker 1>and I'm like, I'm gross. Like how you can watch

0:17:38.119 --> 0:17:43.600
<v Speaker 1>it without judging yourself is almost impossible. Well, look, you're

0:17:43.600 --> 0:17:46.160
<v Speaker 1>supported by the dialogue, you're supported by the scene, you're

0:17:46.160 --> 0:17:48.520
<v Speaker 1>supported by the lighting, you're supported by all that great

0:17:48.560 --> 0:17:53.439
<v Speaker 1>stuff that technical crew brings to bear Um. But you know,

0:17:53.880 --> 0:17:58.280
<v Speaker 1>the miracle of that scene was just watching Lauren in it,

0:17:58.680 --> 0:18:02.840
<v Speaker 1>you know, and watching how how easily and comfortably and

0:18:03.080 --> 0:18:06.080
<v Speaker 1>how relaxed she was through the whole thing, and how

0:18:06.160 --> 0:18:09.320
<v Speaker 1>comedic she was, and her just the timing of everything

0:18:09.400 --> 0:18:12.960
<v Speaker 1>she was doing because she's got a watch it again.

0:18:13.040 --> 0:18:14.800
<v Speaker 1>Doesn't that make you guys want to watch against? Like,

0:18:15.480 --> 0:18:17.720
<v Speaker 1>I don't know that I even noticed her so much.

0:18:17.720 --> 0:18:20.240
<v Speaker 1>I mean I did. That's her job is just sort

0:18:20.240 --> 0:18:24.280
<v Speaker 1>of like let me go and like let me shine

0:18:24.320 --> 0:18:26.480
<v Speaker 1>and let that, and she's just so good at it,

0:18:26.880 --> 0:18:29.400
<v Speaker 1>you know. It's just it's and they all are. I mean,

0:18:29.440 --> 0:18:32.560
<v Speaker 1>it's wondering even with Jess, those scenes with Jess, those

0:18:32.640 --> 0:18:34.760
<v Speaker 1>quick back and forth scenes with Jess, I mean it

0:18:34.840 --> 0:18:38.399
<v Speaker 1>was also right. I mean at the end, he has

0:18:38.920 --> 0:18:43.160
<v Speaker 1>very minimal blines. Let's say that he has to just

0:18:43.280 --> 0:18:46.200
<v Speaker 1>really be with you as you're coming in and open

0:18:46.240 --> 0:18:53.040
<v Speaker 1>the fledge, you know, and he just has to be

0:18:53.119 --> 0:18:56.920
<v Speaker 1>so on his game, and only one could you only

0:18:56.960 --> 0:19:01.240
<v Speaker 1>do that? One could only could And do you feel stressed?

0:19:01.320 --> 0:19:03.879
<v Speaker 1>And Amy Amy told us to said, listen, you can

0:19:03.920 --> 0:19:05.879
<v Speaker 1>only do one take because if we have to do

0:19:05.920 --> 0:19:08.560
<v Speaker 1>another take, if you flub the line or you flubbed

0:19:08.600 --> 0:19:10.960
<v Speaker 1>the hit. Then it's going to take a couple of

0:19:11.000 --> 0:19:16.199
<v Speaker 1>hours to to reset, reset this whole this set. Yeah,

0:19:16.400 --> 0:19:18.280
<v Speaker 1>so does that? What does that make you feel? Like?

0:19:18.640 --> 0:19:21.800
<v Speaker 1>Just hey, it's time, it's it's time to Tom Brady

0:19:21.840 --> 0:19:25.919
<v Speaker 1>and rise to the occasion in honor of his retirement.

0:19:27.320 --> 0:19:30.399
<v Speaker 1>I want to know it. Like after you banging a

0:19:30.400 --> 0:19:32.520
<v Speaker 1>hole in the wall, there's like all this dust and

0:19:32.560 --> 0:19:35.760
<v Speaker 1>debris coming down. Is somebody back there is throwing things

0:19:35.840 --> 0:19:38.240
<v Speaker 1>down the wall. I think it was either somebody throwing

0:19:38.280 --> 0:19:43.040
<v Speaker 1>things down or was was rigged for stuff to fall? Yes, indeed,

0:19:43.440 --> 0:19:46.840
<v Speaker 1>and it was perfect. The whole thing was perfect. But yes,

0:19:46.920 --> 0:19:49.280
<v Speaker 1>you're and you're right. Notice how when I come in

0:19:49.920 --> 0:19:52.879
<v Speaker 1>Jess doesn't pay attention to me. But then when I

0:19:52.920 --> 0:19:55.280
<v Speaker 1>go in the closet, get the sledgehammer and start passing him,

0:19:55.320 --> 0:19:57.840
<v Speaker 1>and he turns and notices a sledgehammer. So it's like

0:19:58.000 --> 0:20:02.119
<v Speaker 1>all his he has no dialogue, but communicating his confusion,

0:20:02.400 --> 0:20:06.600
<v Speaker 1>his amazement, his fear, his excitement, all in in his

0:20:06.640 --> 0:20:09.120
<v Speaker 1>body movements. And then he gets up very quickly, very

0:20:09.200 --> 0:20:11.800
<v Speaker 1>energetically to follow me to see what the hell he's doing,

0:20:12.240 --> 0:20:14.480
<v Speaker 1>Like it's Luke gonna go beat somebody's head in what's

0:20:14.480 --> 0:20:16.919
<v Speaker 1>he doing? He doesn't know. And then when I go

0:20:17.000 --> 0:20:19.760
<v Speaker 1>to the wall and smash it, he just his body

0:20:19.840 --> 0:20:22.320
<v Speaker 1>tightens up and he's like amazed by it and like,

0:20:22.400 --> 0:20:26.480
<v Speaker 1>what the hell is going on? So these people are

0:20:26.560 --> 0:20:30.600
<v Speaker 1>so wonderful at what they do. Their craft is so

0:20:30.800 --> 0:20:34.879
<v Speaker 1>finely honed. Um and especially in that that walk and

0:20:34.920 --> 0:20:37.120
<v Speaker 1>talk we were doing I was doing with the with

0:20:37.160 --> 0:20:45.240
<v Speaker 1>Milo Um looking at apartments, so that was all and

0:20:45.280 --> 0:20:48.119
<v Speaker 1>it was just like, I just I don't know, I

0:20:48.200 --> 0:20:50.719
<v Speaker 1>just I thought all the apartment stuff was really like

0:20:51.760 --> 0:20:55.160
<v Speaker 1>entertaining clever, and I didn't remember it. And I've seen

0:20:55.160 --> 0:20:57.359
<v Speaker 1>this episode many times because I think it's more subtle,

0:20:57.359 --> 0:21:01.240
<v Speaker 1>whereas you remember the scenes the more dramatic and the

0:21:02.400 --> 0:21:05.320
<v Speaker 1>Luke and lor Lye and the jest stuff that was

0:21:05.400 --> 0:21:10.520
<v Speaker 1>so clever and funny, like you guys walking around town,

0:21:10.560 --> 0:21:14.520
<v Speaker 1>and then this in the apartment with lor Lye, and

0:21:14.560 --> 0:21:17.720
<v Speaker 1>then just the fact that Taylor owns half the town.

0:21:19.280 --> 0:21:24.880
<v Speaker 1>It's like, of course, so good and that just makes

0:21:24.880 --> 0:21:27.840
<v Speaker 1>you more mad. How great is Michael Winners. I mean,

0:21:27.920 --> 0:21:31.520
<v Speaker 1>that's scene on the street of the sidewalk was just magic.

0:21:31.800 --> 0:21:36.119
<v Speaker 1>He's mad at your applications why why are you looking

0:21:36.160 --> 0:21:39.000
<v Speaker 1>at my applicate? It's so genius And I didn't see

0:21:39.000 --> 0:21:42.360
<v Speaker 1>it coming and was just like, mo, he owns half

0:21:42.440 --> 0:21:45.240
<v Speaker 1>the buildings in town. And then you've got a good

0:21:45.240 --> 0:21:47.119
<v Speaker 1>deal on that building if you bought the building for

0:21:47.160 --> 0:21:49.040
<v Speaker 1>a hundred thousand dollars. But maybe that was your down

0:21:49.040 --> 0:21:54.840
<v Speaker 1>payment down payment. No, the whole building and Stars Hollow

0:21:54.840 --> 0:21:58.760
<v Speaker 1>in two thousand was a Graham of course, yes, a

0:21:58.840 --> 0:22:02.520
<v Speaker 1>large building. Now yeah, underground. I thought the same thing, Amy,

0:22:02.640 --> 0:22:05.480
<v Speaker 1>I'm like, what a bargain? And he paid cash too?

0:22:05.560 --> 0:22:08.879
<v Speaker 1>How much cash? Just Luke just having some bank account somewhere.

0:22:08.880 --> 0:22:11.560
<v Speaker 1>It's like, whoa, Yeah, I started, you know, I started

0:22:11.560 --> 0:22:13.280
<v Speaker 1>feeling bad for the guy. You know, what I really

0:22:13.320 --> 0:22:16.199
<v Speaker 1>saw in Luke this episode was that he's just he

0:22:16.320 --> 0:22:19.560
<v Speaker 1>really is this small town guy. He's not leaving, he

0:22:19.600 --> 0:22:22.879
<v Speaker 1>doesn't need much. Why is he living up there? You know,

0:22:22.880 --> 0:22:25.719
<v Speaker 1>why doesn't he have an apartment? He just I just

0:22:25.840 --> 0:22:27.800
<v Speaker 1>think he misses his dad. He wants to be near

0:22:27.880 --> 0:22:30.520
<v Speaker 1>his dad. I think he's really Yes, I agree that

0:22:30.840 --> 0:22:33.760
<v Speaker 1>a lot of pain. That doesn't No, he's in a

0:22:33.800 --> 0:22:36.560
<v Speaker 1>lot of pain. He's kind of frozen in the past

0:22:36.600 --> 0:22:40.520
<v Speaker 1>a little bit or you know it's I just felt

0:22:40.520 --> 0:22:43.520
<v Speaker 1>bad for him. It's like, get out of you, get

0:22:43.520 --> 0:22:45.959
<v Speaker 1>out of your own way, guy. I mean it's just

0:22:46.040 --> 0:22:48.119
<v Speaker 1>like evolve a little bit. Get you know. That's so

0:22:48.200 --> 0:22:50.600
<v Speaker 1>interesting because you you more have sympathy where I'm like,

0:22:51.160 --> 0:22:54.040
<v Speaker 1>this is how this guy isn't he's happy this way.

0:22:54.359 --> 0:22:56.679
<v Speaker 1>I didn't even find him to be that unhappy watching

0:22:56.720 --> 0:23:00.199
<v Speaker 1>the game and the diner on the tiny, little crappy TV.

0:23:00.359 --> 0:23:02.399
<v Speaker 1>It's like he's sort of just that guy that's like,

0:23:02.760 --> 0:23:06.080
<v Speaker 1>I'm gonna be good with however it is. I just

0:23:06.160 --> 0:23:09.800
<v Speaker 1>think he misses his dad. I think he's sitting down there.

0:23:10.920 --> 0:23:13.520
<v Speaker 1>It was very moving that scene for me, definitely true

0:23:13.520 --> 0:23:15.720
<v Speaker 1>because of the sign. I mean that is definitely true

0:23:15.720 --> 0:23:18.560
<v Speaker 1>because when Taylor mentions the sign. And when I loved

0:23:18.760 --> 0:23:21.679
<v Speaker 1>the most about that scene was the fact that Laurel

0:23:21.720 --> 0:23:26.120
<v Speaker 1>I went in to comfort him. That was her going

0:23:26.160 --> 0:23:30.280
<v Speaker 1>in to comfort him because she saw that pathetic scene, like,

0:23:30.480 --> 0:23:33.160
<v Speaker 1>look at this poor guy, he's alone watching this crappy

0:23:33.160 --> 0:23:36.199
<v Speaker 1>little TV and he's drinking a beer. I'm gonna go

0:23:36.240 --> 0:23:39.040
<v Speaker 1>on his best friend. Well. She also drops everything when

0:23:39.080 --> 0:23:41.520
<v Speaker 1>you call from the pay phone, which I thought was

0:23:41.560 --> 0:23:44.399
<v Speaker 1>hilarious to payphone to go look at the apartment. She

0:23:44.560 --> 0:23:49.960
<v Speaker 1>drops everything immediately and was like, okay, I'll be right there, right,

0:23:51.040 --> 0:23:53.359
<v Speaker 1>But you see, but you see what happens if there's

0:23:53.480 --> 0:23:56.960
<v Speaker 1>if there's too much Jess. There can't be too much

0:23:57.040 --> 0:23:59.400
<v Speaker 1>Jess every week, and there can't be too much Luke

0:23:59.440 --> 0:24:01.680
<v Speaker 1>every week because there was a lot of Luke this week.

0:24:01.840 --> 0:24:06.720
<v Speaker 1>Can you imagine all that Luke every single week? Well, yeah,

0:24:06.760 --> 0:24:08.840
<v Speaker 1>I mean I like Luke, so I don't mind it. Okay,

0:24:08.880 --> 0:24:11.920
<v Speaker 1>but it's but it's a different show. It's a different show.

0:24:13.080 --> 0:24:15.280
<v Speaker 1>It's a completely different show. I mean it has to

0:24:15.280 --> 0:24:18.840
<v Speaker 1>be balanced. Back to the girls. You know, it's got

0:24:18.840 --> 0:24:21.520
<v Speaker 1>to be. It's it's got the Luke and Jes show.

0:24:21.600 --> 0:24:25.000
<v Speaker 1>Only No, it's Gilmore girls. It's it's it's mother and daughter.

0:24:25.880 --> 0:24:29.560
<v Speaker 1>You know. Interesting sidebar. They tried that. They tried to

0:24:29.560 --> 0:24:32.400
<v Speaker 1>spin off Jazz and it didn't work. But we won't

0:24:32.440 --> 0:24:39.960
<v Speaker 1>get into that. I would like the Danes, dudes, he's

0:24:40.040 --> 0:24:43.720
<v Speaker 1>not a Danes. I did sit I did sit down

0:24:43.800 --> 0:24:48.840
<v Speaker 1>with the president of Warnerbroog Brothers Television back in the

0:24:48.960 --> 0:24:55.480
<v Speaker 1>day for lunch at the executive dining room. Oh yes, yeah,

0:24:55.920 --> 0:24:58.000
<v Speaker 1>And we had full access to it and nobody even

0:24:58.080 --> 0:25:00.480
<v Speaker 1>knew it. You could you could either go to the commissary,

0:25:00.520 --> 0:25:02.159
<v Speaker 1>which is very nice, and then next door they had

0:25:02.160 --> 0:25:05.160
<v Speaker 1>the executive dining room, which is very cheesy, right how

0:25:05.200 --> 0:25:07.520
<v Speaker 1>a matri did and you know, the white table claws

0:25:07.560 --> 0:25:10.840
<v Speaker 1>the whole time. Um, so I had so I had

0:25:10.920 --> 0:25:13.280
<v Speaker 1>lunch with him and I pitched him, you know, not

0:25:13.400 --> 0:25:16.160
<v Speaker 1>Duke Danes, but I said, let's let's let's spin off Luke,

0:25:16.240 --> 0:25:18.800
<v Speaker 1>you know, let's call you know, Carol O'Connor did it

0:25:18.840 --> 0:25:21.880
<v Speaker 1>with you know, on the Family. Why can't I do it?

0:25:22.600 --> 0:25:25.719
<v Speaker 1>And he said, you know, Scott, uh, we thought about it,

0:25:25.760 --> 0:25:30.680
<v Speaker 1>but it's just you know, people will really long for

0:25:31.160 --> 0:25:37.399
<v Speaker 1>the characters that aren't there. Yeah, so perfect example, Joey,

0:25:37.840 --> 0:25:40.880
<v Speaker 1>What's what's Joey? What's that? It was the Friends spin

0:25:40.920 --> 0:25:44.800
<v Speaker 1>off and it did not work. Oh right with Matt,

0:25:45.080 --> 0:25:48.679
<v Speaker 1>with Matt le Blanc and I love Maliblanc, but you

0:25:48.840 --> 0:25:51.880
<v Speaker 1>missed the other friends too much. But he was he

0:25:51.960 --> 0:25:54.600
<v Speaker 1>was the same character and friends as he wasn't Joe

0:25:55.600 --> 0:25:57.760
<v Speaker 1>maybe moved to l A or something, got some new

0:25:57.800 --> 0:25:59.600
<v Speaker 1>friends and none of them were that cool, and it

0:25:59.680 --> 0:26:02.119
<v Speaker 1>was like and it didn't and it didn't last at all.

0:26:02.200 --> 0:26:04.800
<v Speaker 1>Didn't even they maybe gave it a second season just

0:26:04.840 --> 0:26:09.960
<v Speaker 1>because it was Matt LeBlanc, right. Wow. Yeah, I don't know.

0:26:10.040 --> 0:26:11.240
<v Speaker 1>I just I don't know. I think we could have

0:26:11.280 --> 0:26:16.400
<v Speaker 1>pulled it off. There were enough auxiliary characters in that

0:26:16.440 --> 0:26:20.119
<v Speaker 1>show where you could have filled that diner with a

0:26:20.200 --> 0:26:22.560
<v Speaker 1>lot of those characters who Yeah, I guess if they

0:26:22.640 --> 0:26:26.400
<v Speaker 1>stayed right, if they stayed in Stars all off. But

0:26:26.800 --> 0:26:28.479
<v Speaker 1>a lot of times when they spin them off, they

0:26:28.520 --> 0:26:32.800
<v Speaker 1>moved somewhere away, and it's like starting fresh. I can

0:26:32.800 --> 0:26:35.400
<v Speaker 1>see their point. It's hard to sustain something like that

0:26:35.520 --> 0:26:38.600
<v Speaker 1>without Lauren and Alexis. I mean it, it's just gonna

0:26:38.640 --> 0:26:42.960
<v Speaker 1>be my show right in a in a diner. That's

0:26:43.080 --> 0:26:46.800
<v Speaker 1>that's gonna be tough. That's gonna be Remember remember Alice,

0:26:46.920 --> 0:26:50.840
<v Speaker 1>that show Alice kind of sort of they were just

0:26:50.920 --> 0:26:53.000
<v Speaker 1>in the diner, like, I don't know that they ever

0:26:53.080 --> 0:26:55.639
<v Speaker 1>left the diner. It was like Alice, remember that. You

0:26:55.680 --> 0:26:58.680
<v Speaker 1>don't remember kiss my Grants that old show. Was it

0:26:58.760 --> 0:27:03.640
<v Speaker 1>a spin off from another show? No, you would know it.

0:27:04.200 --> 0:27:07.520
<v Speaker 1>Keep talking, Oh, it's Bonnie Franklin, right, or that's one

0:27:07.560 --> 0:27:11.720
<v Speaker 1>day at a time for Laurie, Laura something it was, Yes,

0:27:11.840 --> 0:27:16.240
<v Speaker 1>Linda yes, I do remember it was there just in

0:27:16.240 --> 0:27:18.120
<v Speaker 1>the diner, like I don't know they ever went outside

0:27:18.160 --> 0:27:20.919
<v Speaker 1>the diner, like I sort of got every scene was

0:27:21.080 --> 0:27:28.240
<v Speaker 1>in the diner. Yeah that hair, But I mean, are

0:27:28.240 --> 0:27:32.600
<v Speaker 1>you gonna be able to anyway? So it's a lot

0:27:32.600 --> 0:27:37.360
<v Speaker 1>of luke um. I mean, I listen. I really liked

0:27:37.400 --> 0:27:40.920
<v Speaker 1>the episode. I I really think it was a top

0:27:40.960 --> 0:27:46.879
<v Speaker 1>notch writing, um, beautifully structured again, not never a dull moment,

0:27:46.960 --> 0:27:50.679
<v Speaker 1>completely engaged in the whole thing, and uh, you know,

0:27:50.840 --> 0:27:55.320
<v Speaker 1>funny as all get out, a Patty's a walking. It

0:27:55.400 --> 0:28:01.240
<v Speaker 1>was hysterical. It was hysterical. But it is it is

0:28:01.359 --> 0:28:05.280
<v Speaker 1>seeing It is seeing Laurela dealing with a lot of tension,

0:28:05.800 --> 0:28:08.560
<v Speaker 1>a lot of situations, right, I mean, there's all this

0:28:08.840 --> 0:28:11.639
<v Speaker 1>going back and forth, this Jess tension point. It really

0:28:11.680 --> 0:28:14.520
<v Speaker 1>winds her up, doesn't it? As a mother? I mean,

0:28:14.760 --> 0:28:18.919
<v Speaker 1>and it has to it should um, and her daughter

0:28:19.000 --> 0:28:20.760
<v Speaker 1>is going to get thrown off track by a bad

0:28:20.760 --> 0:28:23.960
<v Speaker 1>boy who's super good looking and you know, clever and

0:28:24.640 --> 0:28:27.760
<v Speaker 1>bad intentions and you know he's like out maneuvering us somehow.

0:28:27.800 --> 0:28:30.000
<v Speaker 1>And I caught him in the bedroom planting that you know,

0:28:30.000 --> 0:28:32.160
<v Speaker 1>what are you doing in right? Right. Did you see

0:28:32.160 --> 0:28:35.440
<v Speaker 1>your eyes? Did you see her fix her eyes on

0:28:35.520 --> 0:28:39.760
<v Speaker 1>him going down? Yeah? Man, she isn't like getting in

0:28:39.840 --> 0:28:42.680
<v Speaker 1>fighting mode, like she's just ready to throw down right there.

0:28:42.920 --> 0:28:45.800
<v Speaker 1>It felt a little Emily, like a little nod to Emily,

0:28:49.000 --> 0:28:54.000
<v Speaker 1>what are you doing? Yeah. Episode was clever right from

0:28:54.000 --> 0:28:56.800
<v Speaker 1>the start though, because they come into the diner and

0:28:56.840 --> 0:29:00.760
<v Speaker 1>you're not there. She wants her pancakes, which brings her

0:29:01.040 --> 0:29:03.920
<v Speaker 1>back behind that curtain and up those stairs, and then

0:29:03.960 --> 0:29:08.800
<v Speaker 1>we see the apartment Like it's so well crafted because

0:29:09.600 --> 0:29:11.400
<v Speaker 1>it's not like we had to have a scene where

0:29:11.400 --> 0:29:14.680
<v Speaker 1>you're like, hey, guys, I'm in a bad mood because

0:29:14.720 --> 0:29:18.480
<v Speaker 1>my apartment's a messonet's too small. Like they don't they

0:29:18.520 --> 0:29:22.320
<v Speaker 1>don't shove it our face. They show us, Oh she

0:29:22.400 --> 0:29:25.520
<v Speaker 1>needs the pancakes. Oh funny old we go. Oh my,

0:29:25.760 --> 0:29:28.520
<v Speaker 1>you know, it's like that's one of the things I love.

0:29:28.560 --> 0:29:31.560
<v Speaker 1>And it's so brilliant, like they don't dump us over

0:29:31.600 --> 0:29:38.600
<v Speaker 1>the head whatever the saying is. But I never loved

0:29:38.680 --> 0:29:40.840
<v Speaker 1>Luke and Laurela more than I have in that episode.

0:29:41.640 --> 0:29:44.280
<v Speaker 1>I really love them together. I love them from the

0:29:44.280 --> 0:29:47.200
<v Speaker 1>first scene up in his apartment, you know, And it's

0:29:47.240 --> 0:29:49.560
<v Speaker 1>just the way they banter, and it's the way they

0:29:49.600 --> 0:29:51.600
<v Speaker 1>are with one another. And you know what, I had

0:29:51.640 --> 0:29:54.720
<v Speaker 1>a stunning and I was gonna call you and pre

0:29:54.880 --> 0:29:59.640
<v Speaker 1>plan this, but I had a stunning revelation. Tell wait,

0:29:59.720 --> 0:30:02.320
<v Speaker 1>tell us, tell us, tell us. After the break. It's

0:30:02.360 --> 0:30:05.240
<v Speaker 1>hard for me to blow my own mind, but it happened.

0:30:05.920 --> 0:30:11.720
<v Speaker 1>Nobody moved, nobody will be back. All right, We're gonna

0:30:11.720 --> 0:30:14.800
<v Speaker 1>be back after these words, and we're going to have

0:30:14.920 --> 0:30:20.000
<v Speaker 1>a big revelation coming up. All right, we'll be right back. Yeah,

0:30:23.680 --> 0:30:27.400
<v Speaker 1>all right, everybody, we're back. We are about to reveal

0:30:27.480 --> 0:30:35.080
<v Speaker 1>a stunning, stunning revelation. I had an aha moment yesterday.

0:30:35.240 --> 0:30:37.560
<v Speaker 1>I literally have no idea. I have no idea, no okay,

0:30:37.600 --> 0:30:39.680
<v Speaker 1>but you know I was I was going back and

0:30:39.720 --> 0:30:42.280
<v Speaker 1>forth about whether to tell you and everybody so we

0:30:42.320 --> 0:30:44.480
<v Speaker 1>could do some funny thing or whatever. But I just

0:30:44.520 --> 0:30:47.600
<v Speaker 1>I'm just gonna tell you because it was absolutely stunning,

0:30:47.600 --> 0:30:51.040
<v Speaker 1>and I just had no idea, and I gosh, how

0:30:51.080 --> 0:30:59.120
<v Speaker 1>do I I hope I'm not let down by this now. Um,

0:30:59.160 --> 0:31:05.240
<v Speaker 1>you know, I I'm reading okay, so so um, you

0:31:05.280 --> 0:31:07.200
<v Speaker 1>know a lot of people ask me what's the inspiration

0:31:07.240 --> 0:31:09.960
<v Speaker 1>for Luke Okay and I'm not trying to make this

0:31:10.040 --> 0:31:12.880
<v Speaker 1>about me, but you know I was Luke was It

0:31:12.920 --> 0:31:16.040
<v Speaker 1>was Luke heavy episode for sure? About you? Just let

0:31:16.040 --> 0:31:17.880
<v Speaker 1>me take a moment. Okay, I know the emails are

0:31:17.880 --> 0:31:20.440
<v Speaker 1>gonna fly in. I'm I'm I'm ready. I've got the

0:31:20.480 --> 0:31:27.120
<v Speaker 1>keV Lauren, I'm ready. Um uh. Look So anyway, so

0:31:27.440 --> 0:31:29.440
<v Speaker 1>everybody asked me that question when I do interviews over

0:31:29.440 --> 0:31:31.840
<v Speaker 1>the years, like where's the inspiration for Luke? You know what,

0:31:32.040 --> 0:31:37.800
<v Speaker 1>I never knew. I really didn't know until yesterday, and

0:31:37.880 --> 0:31:41.840
<v Speaker 1>now I know, and I'm not and you're going to

0:31:41.960 --> 0:31:48.240
<v Speaker 1>be shocked, but there isn't a character that I thought

0:31:48.320 --> 0:31:54.680
<v Speaker 1>was cooler and more impactful on me as a consumer

0:31:55.320 --> 0:32:05.720
<v Speaker 1>of entertainment right of film. Yeah, then ready Luke, go ahead.

0:32:05.800 --> 0:32:17.360
<v Speaker 1>Guess it's aid even though iconic Winklers did an unbelievably

0:32:17.400 --> 0:32:20.680
<v Speaker 1>great job with that. H could it be? Girls? Do

0:32:20.720 --> 0:32:27.320
<v Speaker 1>you have any gasses? Huh? Can you give me an era?

0:32:27.680 --> 0:32:33.520
<v Speaker 1>Is he from the eighties? Is he from nineties? Frank Poncerello?

0:32:34.880 --> 0:32:42.520
<v Speaker 1>No chips? Even though super cool cat for sure? Let

0:32:42.520 --> 0:32:46.120
<v Speaker 1>me have one more guest before you tell an iconic

0:32:46.400 --> 0:32:51.280
<v Speaker 1>TV character or movie. I'm not saying I'm not gonna say,

0:32:51.280 --> 0:32:56.400
<v Speaker 1>all right, contra Volta's Danny from from what Saturday Night

0:32:56.440 --> 0:33:01.200
<v Speaker 1>Favorites from Greece? No, No, okay, one more give me

0:33:01.240 --> 0:33:03.200
<v Speaker 1>that hint you were going to give me what hint?

0:33:03.760 --> 0:33:05.760
<v Speaker 1>I thought you were gonna give me one little clue

0:33:05.760 --> 0:33:09.320
<v Speaker 1>because I said, is it a TV or movie character? Movie?

0:33:09.360 --> 0:33:13.680
<v Speaker 1>It's a movie character from the seventies? Yes, from the seventies.

0:33:14.120 --> 0:33:16.760
<v Speaker 1>What hint? I thought You're gonna give me one little

0:33:16.920 --> 0:33:20.800
<v Speaker 1>clue because I said, is it a TV or movie character? Movie?

0:33:20.800 --> 0:33:25.120
<v Speaker 1>It's a movie character from the seventies. Yes, from the seventies.

0:33:25.640 --> 0:33:30.400
<v Speaker 1>And I think you got it. That's it, That's exactly

0:33:30.440 --> 0:33:34.560
<v Speaker 1>what you nailed it. It's Hans Solo. It's Harrison's Ford

0:33:34.720 --> 0:33:40.440
<v Speaker 1>interpretation of Hans Solo because he was, you know, world weary,

0:33:40.640 --> 0:33:43.440
<v Speaker 1>he was a little bit funny. He just didn't care

0:33:43.480 --> 0:33:48.040
<v Speaker 1>about Princess Leah, and he did right, checked all the boxes.

0:33:48.440 --> 0:33:52.840
<v Speaker 1>That character left an indelible impression on me. And that's

0:33:53.080 --> 0:33:56.000
<v Speaker 1>who I called forth in the audition. And I didn't

0:33:56.080 --> 0:33:59.160
<v Speaker 1>even know it isn't that interesting? Yes, I but I

0:33:59.240 --> 0:34:03.680
<v Speaker 1>but I get it. Yes, he's Hans Solo. I'm doing

0:34:03.760 --> 0:34:07.760
<v Speaker 1>my version of Hans Solo because I thought that character

0:34:07.800 --> 0:34:11.279
<v Speaker 1>that was the oh do you know why? Because because

0:34:11.360 --> 0:34:15.000
<v Speaker 1>I was I was watching the the uh it was

0:34:15.080 --> 0:34:18.359
<v Speaker 1>on last night. I was watching a little you know,

0:34:18.400 --> 0:34:22.040
<v Speaker 1>the modern version with Adam Driver and Daisy Ridley, and

0:34:22.320 --> 0:34:24.480
<v Speaker 1>then Harrison Ford made an appearance in a scene with

0:34:24.520 --> 0:34:27.520
<v Speaker 1>Adam Driver and the whole thing was just so serious

0:34:28.760 --> 0:34:30.279
<v Speaker 1>and I was just I was, you know, and it

0:34:30.360 --> 0:34:32.640
<v Speaker 1>was great, don't get me wrong. And I don't know

0:34:32.680 --> 0:34:34.480
<v Speaker 1>what years from I don't know how old that is,

0:34:34.960 --> 0:34:36.520
<v Speaker 1>the Daisy Ridley one, and I don't know how many

0:34:36.560 --> 0:34:41.000
<v Speaker 1>she's been in It's it's like with like within ten

0:34:41.080 --> 0:34:42.920
<v Speaker 1>years or five years or something like that. But it

0:34:42.960 --> 0:34:45.240
<v Speaker 1>was so serious, and I was looking. I kept looking

0:34:45.239 --> 0:34:47.600
<v Speaker 1>for the humor, and I thought these set pieces in that,

0:34:47.960 --> 0:34:50.480
<v Speaker 1>these massive tidal waves and all this stuff going on,

0:34:50.600 --> 0:34:54.320
<v Speaker 1>and and these very serious people on camera. Everything serious, serious, serious,

0:34:54.680 --> 0:34:56.960
<v Speaker 1>And then I just I started thinking about the original

0:34:57.000 --> 0:35:00.239
<v Speaker 1>Star Wars and how funny it was. Yes and us

0:35:00.239 --> 0:35:02.600
<v Speaker 1>I agree. I agree with the lightness of it, and

0:35:02.640 --> 0:35:05.080
<v Speaker 1>how Harrison Ford kept it kind of light, and he

0:35:05.200 --> 0:35:08.320
<v Speaker 1>kept it like he just threw it away, right. He

0:35:08.400 --> 0:35:11.719
<v Speaker 1>threw scares all the time, all the time with with

0:35:11.800 --> 0:35:16.800
<v Speaker 1>Princess Leiah, right, Luke and everybody. Yes, he was throwing

0:35:17.080 --> 0:35:19.240
<v Speaker 1>lines all the time. It was all these one liners

0:35:19.239 --> 0:35:21.080
<v Speaker 1>and it would make you laugh. So you just you

0:35:21.200 --> 0:35:23.120
<v Speaker 1>just wanted to be in that world. And that's when

0:35:23.160 --> 0:35:26.320
<v Speaker 1>it hit me because Harrison Ford was on screen having

0:35:26.360 --> 0:35:29.160
<v Speaker 1>a scene with Adam Driver and the ocean is raging

0:35:29.160 --> 0:35:32.719
<v Speaker 1>around them, and I thought, that doesn't seem like Han

0:35:32.840 --> 0:35:36.360
<v Speaker 1>Solo at all. And then I went back and watched

0:35:36.360 --> 0:35:38.400
<v Speaker 1>a couple of clips from the original Star Wars and

0:35:38.440 --> 0:35:42.799
<v Speaker 1>I thought, good God, that's Luke. I am not mad

0:35:42.840 --> 0:35:47.400
<v Speaker 1>about it, and I get it. And also, I know

0:35:47.480 --> 0:35:51.480
<v Speaker 1>this sounds weird because what Han Solo war was different

0:35:51.560 --> 0:35:54.600
<v Speaker 1>than what Luke wears, but in my mind right now,

0:35:54.719 --> 0:35:58.000
<v Speaker 1>kind of the same, even though like Han Solo did

0:35:58.080 --> 0:35:59.520
<v Speaker 1>change his outfits, but it was always sort of that

0:35:59.640 --> 0:36:02.839
<v Speaker 1>same vibe. And I know you don't use the word

0:36:02.920 --> 0:36:07.080
<v Speaker 1>vibe from this episode, and Luke has that same sort

0:36:07.120 --> 0:36:16.000
<v Speaker 1>of rugged uniform I in And you know, I had

0:36:16.040 --> 0:36:19.000
<v Speaker 1>an encounter. Look, I should write a book about my

0:36:19.000 --> 0:36:22.520
<v Speaker 1>my New York City elevator encounters with celebrities. Celebrities that

0:36:22.560 --> 0:36:25.360
<v Speaker 1>ignore you when you bump into them. Yes, yes, exactly.

0:36:25.640 --> 0:36:30.320
<v Speaker 1>And I went into an elevator right around the Russian

0:36:30.320 --> 0:36:33.560
<v Speaker 1>Tea room. Uh I was in a building right around

0:36:33.600 --> 0:36:35.959
<v Speaker 1>the Russian and Metropolitan towers, that kind of thing. And

0:36:36.120 --> 0:36:38.640
<v Speaker 1>uh I got into an elevator and Harrison Ford was

0:36:38.680 --> 0:36:41.759
<v Speaker 1>there with an assistant or something and or and and

0:36:41.800 --> 0:36:43.640
<v Speaker 1>I came in and we just looked at each other,

0:36:44.280 --> 0:36:46.000
<v Speaker 1>and I just I didn't say anything till him. I

0:36:46.040 --> 0:36:47.920
<v Speaker 1>just said it was stunned. Was like, that's Harrison Ford.

0:36:47.960 --> 0:36:51.080
<v Speaker 1>And I said, another New York elevator situation and there

0:36:51.160 --> 0:36:54.200
<v Speaker 1>was just this this there was a vibe in the elevator,

0:36:54.200 --> 0:36:56.239
<v Speaker 1>there was this energy happening, and I was just like,

0:36:56.680 --> 0:37:03.600
<v Speaker 1>that's Harrison Ford, you know. Um anyway, Han Solo, Luke

0:37:04.160 --> 0:37:07.319
<v Speaker 1>is Han Solo. Ladies in Jil more Han Solo than

0:37:07.400 --> 0:37:13.160
<v Speaker 1>Indie Indiana Jones, but there's little Indiana John's but mostly solo, Yes,

0:37:13.239 --> 0:37:17.920
<v Speaker 1>but there is some of that too. I agree, get it.

0:37:18.080 --> 0:37:21.359
<v Speaker 1>Because of all of the of the big movie stars

0:37:21.400 --> 0:37:23.839
<v Speaker 1>that you can you know that you can think of

0:37:24.840 --> 0:37:28.280
<v Speaker 1>one of my favorites, and maybe my favorite is Harrison

0:37:28.320 --> 0:37:31.600
<v Speaker 1>Ford because of just what he brings to the table.

0:37:31.960 --> 0:37:34.719
<v Speaker 1>I mean, that attitude, that whole attitude. How does he

0:37:34.760 --> 0:37:37.319
<v Speaker 1>get away with it? He's so good at it and

0:37:37.400 --> 0:37:41.040
<v Speaker 1>he's so relaxed. So anyway, there you go. That's the revelation.

0:37:42.520 --> 0:37:44.200
<v Speaker 1>That's where I got it from. It was in my

0:37:44.280 --> 0:37:47.160
<v Speaker 1>subconscious all these years. What since the Star Wars came

0:37:47.200 --> 0:37:50.400
<v Speaker 1>out in something like that. Yeah, it's been in my

0:37:50.440 --> 0:37:52.680
<v Speaker 1>subconscious all of this time. It's been in my actor

0:37:52.719 --> 0:37:55.440
<v Speaker 1>brain all of this time, and I never realized it.

0:37:56.719 --> 0:37:59.759
<v Speaker 1>There it is, may the Force, May the Force be

0:37:59.840 --> 0:38:02.200
<v Speaker 1>with made the force ban the Force was with me.

0:38:04.200 --> 0:38:06.480
<v Speaker 1>Maybe that's the reason for all the Star Wars mentions

0:38:06.480 --> 0:38:11.919
<v Speaker 1>in Gum Girls. I don't know Star Trek though, don't

0:38:11.920 --> 0:38:13.960
<v Speaker 1>feel like there's heavy start track. I don't think there's

0:38:14.040 --> 0:38:18.640
<v Speaker 1>very much Shatner in what I'm doing. Not allow of

0:38:18.680 --> 0:38:27.160
<v Speaker 1>Shatner there. He used that force for the sledgehammer. We

0:38:27.200 --> 0:38:30.279
<v Speaker 1>interrupt this program to bring you a special report. They're

0:38:30.320 --> 0:38:34.080
<v Speaker 1>fun of sighting. Take it out of Los Angeles, California,

0:38:34.320 --> 0:38:40.839
<v Speaker 1>where Danielle Romo is standing by the clown pillow. Two

0:38:40.960 --> 0:38:43.160
<v Speaker 1>time mark for anybody that wants to check it out.

0:38:43.360 --> 0:38:46.760
<v Speaker 1>There was also half clown pillow at four, but full

0:38:46.840 --> 0:38:50.960
<v Speaker 1>on you are heading up that clown pillow department like

0:38:51.000 --> 0:38:57.600
<v Speaker 1>a champ time codes. I like it. She's head of CPD.

0:38:59.560 --> 0:39:02.520
<v Speaker 1>I will are that badge so proudly look at the

0:39:02.600 --> 0:39:06.320
<v Speaker 1>power behind the throne right there, and there you have it.

0:39:06.560 --> 0:39:10.720
<v Speaker 1>The clown pillow has turned up and yet another unexpected place.

0:39:11.719 --> 0:39:15.200
<v Speaker 1>And that's the way it is. This is Walter Cronkite.

0:39:16.120 --> 0:39:22.000
<v Speaker 1>Good night. Okay, So we're gonna take a little bit

0:39:22.000 --> 0:39:24.359
<v Speaker 1>of a break, everybody. We're gonna towel off with This

0:39:24.400 --> 0:39:29.680
<v Speaker 1>was a sweaty one. Oh my goodness, the energy, you know,

0:39:30.160 --> 0:39:32.719
<v Speaker 1>I remember the energy you have to expand to do

0:39:32.800 --> 0:39:35.759
<v Speaker 1>those rants. Those are those are sweaty affairs. You know,

0:39:35.800 --> 0:39:39.480
<v Speaker 1>you get a little hot under the collar. Um. Anyway,

0:39:40.280 --> 0:39:42.040
<v Speaker 1>we're gonna take a little break. We'll be right back

0:39:42.080 --> 0:39:56.800
<v Speaker 1>with best lines. Are everybody all right? Everybody? I don't yeah,

0:39:56.960 --> 0:40:01.160
<v Speaker 1>Well like that's like that's like podcast language only podcasters

0:40:01.200 --> 0:40:06.760
<v Speaker 1>and can understand it. Right. That means and we're back.

0:40:08.000 --> 0:40:12.359
<v Speaker 1>Uh listen, guys, Uh, we're back from our break and

0:40:12.400 --> 0:40:16.240
<v Speaker 1>we're going to do best lines. Okay, as if everybody

0:40:16.280 --> 0:40:22.359
<v Speaker 1>can gain their regain their composure amy best line, he's

0:40:22.400 --> 0:40:28.080
<v Speaker 1>indulged me I have to do. We ever, not don't

0:40:28.120 --> 0:40:31.080
<v Speaker 1>use the word vibe and then I love this one, Luke,

0:40:31.280 --> 0:40:33.600
<v Speaker 1>I'll meet you there in twenty and a half minutes,

0:40:34.200 --> 0:40:36.480
<v Speaker 1>because he doesn't like that they have the apartments of

0:40:36.560 --> 0:40:39.960
<v Speaker 1>the addresses and I have so laoralize this, Luke, I'll

0:40:39.960 --> 0:40:46.160
<v Speaker 1>meet Danielle. Mine was also a lower like quote. She

0:40:46.280 --> 0:40:49.080
<v Speaker 1>goes and she's talking to Luke. She goes, you'll meet

0:40:49.080 --> 0:40:55.360
<v Speaker 1>somebody someday, probably at a Timberland store. See how she

0:40:55.440 --> 0:41:02.400
<v Speaker 1>throws those. She throws those in there, uh riley minus

0:41:02.440 --> 0:41:06.080
<v Speaker 1>from Luke, and he says he's systematically buying up the town.

0:41:06.120 --> 0:41:08.960
<v Speaker 1>He's going to turn it into Taylorville, where everyone where

0:41:09.000 --> 0:41:14.440
<v Speaker 1>his cardigans and have the same cut grass height. Yeah, well, listen,

0:41:14.560 --> 0:41:18.040
<v Speaker 1>I always I always revert back to the mean, which

0:41:18.080 --> 0:41:21.319
<v Speaker 1>is Michelle. And I don't know exactly what he said,

0:41:21.320 --> 0:41:24.359
<v Speaker 1>but he had a scene with Laurel where she didn't

0:41:24.360 --> 0:41:28.480
<v Speaker 1>trust him about something and he got very and he

0:41:28.560 --> 0:41:30.920
<v Speaker 1>got very sarcastic with her, like, but how can you

0:41:30.960 --> 0:41:33.480
<v Speaker 1>trust me in the future to do anything? Answer the phone?

0:41:33.800 --> 0:41:35.400
<v Speaker 1>And what do you say? He was going to go

0:41:35.440 --> 0:41:38.120
<v Speaker 1>out and get a pineapple. Somebody's gonna put a hat

0:41:38.120 --> 0:41:39.960
<v Speaker 1>on my head. I'm gonna go join a congo line

0:41:40.960 --> 0:41:45.719
<v Speaker 1>for the bracelet and he's here. Are you sure right right?

0:41:47.120 --> 0:41:50.879
<v Speaker 1>So yeah, that's It's Michelle. It's always going to be Michelle. Alright,

0:41:50.880 --> 0:41:53.120
<v Speaker 1>everybody said, that's it. I'm Scott Patterson. This is the

0:41:53.120 --> 0:41:55.640
<v Speaker 1>I Am All In Podcast, I Hurt Radio, I want

0:41:55.640 --> 0:41:58.640
<v Speaker 1>to Live In Productions. We will see you next time

0:42:00.080 --> 0:42:03.520
<v Speaker 1>the next episode culture no I know. But for those

0:42:03.560 --> 0:42:09.800
<v Speaker 1>that maybe don't listen to Riley next episode number sixteen,

0:42:10.000 --> 0:42:13.000
<v Speaker 1>there's the rub. There's the rub. So we'll see you

0:42:13.080 --> 0:42:15.640
<v Speaker 1>next time. Everybody, best fans on the planet. Thanks for

0:42:15.640 --> 0:42:50.200
<v Speaker 1>your downloads, Thanks for listening, and stay safe everyone. Hey, everybody,

0:42:50.200 --> 0:42:53.520
<v Speaker 1>and don't forget follow us on Instagram at I Am

0:42:53.600 --> 0:42:57.600
<v Speaker 1>all In Podcast and email us at Gilmore at I

0:42:57.760 --> 0:43:01.000
<v Speaker 1>heart radio dot com. Oh you give more, fans. If

0:43:01.000 --> 0:43:02.959
<v Speaker 1>you're looking for the best cup of coffee in the world,

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<v Speaker 1>go to my website for my company scott EP dot com,

0:43:07.080 --> 0:43:09.240
<v Speaker 1>s C O T T y P dot com, scott

0:43:09.239 --> 0:43:22.240
<v Speaker 1>EP dot com Grade one Specialty Coffee. Yeah.