1 00:00:00,760 --> 00:00:18,440 Speaker 1: I am all in. I am all in with Scott 2 00:00:18,440 --> 00:00:22,360 Speaker 1: Patterson and I heart radio podcast. All Right, everybody, we're back. 3 00:00:22,720 --> 00:00:27,840 Speaker 1: We are joined by Amy Sugarman, Daniel Romo, Riley pelusis welcome, Welcome, 4 00:00:27,880 --> 00:00:31,800 Speaker 1: Hello everybody. How are you guys? I mean awesome? After 5 00:00:31,840 --> 00:00:38,440 Speaker 1: that episode, We're ready. Season two episode was fifteen Lost 6 00:00:38,440 --> 00:00:42,400 Speaker 1: and Found. Oh boy, oh boy, what a what a 7 00:00:42,920 --> 00:00:46,800 Speaker 1: what a rollicking ride this was. I tell you that, Lucy, 8 00:00:47,440 --> 00:00:49,199 Speaker 1: I don't even know if this is an expression that 9 00:00:49,240 --> 00:00:52,080 Speaker 1: makes any sense, but he's wrapped tighter than a country ham. 10 00:00:52,280 --> 00:00:57,680 Speaker 1: I'll tell you. Did you know going into it that 11 00:00:57,800 --> 00:01:01,200 Speaker 1: it had what I consider your second most iconic scene, 12 00:01:01,680 --> 00:01:05,200 Speaker 1: which is the second most iconic scene, the rant that 13 00:01:07,360 --> 00:01:11,759 Speaker 1: my favorite scene ever. Yeah, your first is pushing the lake, 14 00:01:12,480 --> 00:01:16,920 Speaker 1: and then this has number two. Yeah. Um, you know 15 00:01:17,480 --> 00:01:19,559 Speaker 1: a lot of luke this week, A lot of luke. 16 00:01:19,600 --> 00:01:23,240 Speaker 1: You couldn't get away from luke. Uh yeah, I look, 17 00:01:23,319 --> 00:01:25,880 Speaker 1: I really enjoyed this episode. I thought it again, it 18 00:01:25,920 --> 00:01:28,679 Speaker 1: was really tight, It was taught, it was filled with tension, 19 00:01:28,720 --> 00:01:31,320 Speaker 1: it was filled with humor. It was it was just 20 00:01:31,640 --> 00:01:36,960 Speaker 1: beautifully written and directed, and I thought the acting was 21 00:01:36,959 --> 00:01:39,679 Speaker 1: was spot on. And uh, you know, I have to 22 00:01:39,720 --> 00:01:43,040 Speaker 1: take back that I, you know, don't really enjoy watching 23 00:01:43,080 --> 00:01:45,720 Speaker 1: the kids stuff, because I enjoyed watching the kids stuff. 24 00:01:46,520 --> 00:01:49,040 Speaker 1: You know. I liked watching Milo and Alexis go at it, 25 00:01:49,120 --> 00:01:52,280 Speaker 1: you know, I like I liked Laurela and Milo going 26 00:01:52,320 --> 00:01:54,800 Speaker 1: at it. I thought it was terrific. And I got 27 00:01:54,800 --> 00:01:57,480 Speaker 1: to know him a little better as a character, and 28 00:01:57,520 --> 00:02:00,760 Speaker 1: I got to see some vulnerability, and I really liked 29 00:02:00,800 --> 00:02:02,480 Speaker 1: him in this even though he was being a pain 30 00:02:02,520 --> 00:02:05,720 Speaker 1: in the butt. You know, there's just something about how 31 00:02:05,760 --> 00:02:11,040 Speaker 1: he approaches that character that draws you in so literally 32 00:02:11,080 --> 00:02:15,920 Speaker 1: when he gives the little subtle smirks and you know what, 33 00:02:16,160 --> 00:02:18,079 Speaker 1: you know, what really captive for me is seeing those 34 00:02:18,120 --> 00:02:21,000 Speaker 1: piles and piles of clothes that his mother sent him 35 00:02:21,040 --> 00:02:24,280 Speaker 1: in Luke's apartment. It's like, we're done, You're not my son, 36 00:02:24,320 --> 00:02:27,400 Speaker 1: I'm disowning you. Let Luke raise you. And it's just 37 00:02:27,720 --> 00:02:32,000 Speaker 1: I felt so bad for him, Um, and I just 38 00:02:32,120 --> 00:02:33,880 Speaker 1: I don't know, I just felt a little deeper in 39 00:02:33,919 --> 00:02:36,400 Speaker 1: love with him, you know. So anything he was doing 40 00:02:36,400 --> 00:02:40,280 Speaker 1: in the episode, um, and he wasn't being like, you know, 41 00:02:40,360 --> 00:02:43,520 Speaker 1: jerky to Dean anymore. Within this episode. It was just 42 00:02:43,520 --> 00:02:45,120 Speaker 1: sort of he was just going back and forth. He 43 00:02:45,560 --> 00:02:49,040 Speaker 1: wants this girl, and and I really see that he's 44 00:02:49,160 --> 00:02:52,600 Speaker 1: unable to. He he just doesn't trust people. And he's 45 00:02:52,639 --> 00:02:56,240 Speaker 1: so wounded by his the rejection of his mother that 46 00:02:56,320 --> 00:02:58,079 Speaker 1: he's not going to open up to anybody. And he's 47 00:02:58,280 --> 00:03:00,440 Speaker 1: especially he's not going to open up to Laurela. I 48 00:03:00,480 --> 00:03:03,240 Speaker 1: mean he tried. Yeah, he's doing the best he can. 49 00:03:03,360 --> 00:03:05,240 Speaker 1: He's doing the best he can. And he put an 50 00:03:05,280 --> 00:03:07,800 Speaker 1: effort in right when she was because you see him, 51 00:03:08,240 --> 00:03:11,760 Speaker 1: you see him say no, I'm good. And then he 52 00:03:11,800 --> 00:03:16,280 Speaker 1: remembers what Rory said and he's like, no, actually, food 53 00:03:16,360 --> 00:03:19,240 Speaker 1: sounds good, right, And he tries the small talk. And 54 00:03:19,320 --> 00:03:21,400 Speaker 1: Rory is such a ray of sunshine and she's so 55 00:03:21,440 --> 00:03:25,400 Speaker 1: honest and she's so righteous that she opens his eyes 56 00:03:25,440 --> 00:03:27,520 Speaker 1: to a whole new world, like, hey, you're safe, you 57 00:03:27,560 --> 00:03:32,680 Speaker 1: can be safe with me. Uh. But I like how 58 00:03:32,720 --> 00:03:35,080 Speaker 1: she had that conversation with both of them. Yeah, she 59 00:03:35,280 --> 00:03:38,080 Speaker 1: really tells Laurela, you need to try. And then she 60 00:03:38,200 --> 00:03:41,080 Speaker 1: does the same to Jet, very mature, and then she 61 00:03:41,120 --> 00:03:43,080 Speaker 1: goes and stands up for her mother. But that's my mother. 62 00:03:43,160 --> 00:03:45,320 Speaker 1: She's my best friend in the world, and you're not 63 00:03:45,320 --> 00:03:47,320 Speaker 1: going to treat her this way and give her a chance. 64 00:03:47,360 --> 00:03:50,080 Speaker 1: She's a wonderful human being. You know, you can't just 65 00:03:50,120 --> 00:03:52,520 Speaker 1: reject her and have me, you know, be interested in you. 66 00:03:52,600 --> 00:03:55,040 Speaker 1: And he goes, oh, you're interested in you know. It's 67 00:03:55,040 --> 00:03:58,360 Speaker 1: the one thing he hears, Right, I didn't know, and well, 68 00:03:58,400 --> 00:04:00,760 Speaker 1: not in that word. I care about I care about 69 00:04:01,800 --> 00:04:05,440 Speaker 1: something about I care about you, or you care about me? Right, 70 00:04:05,560 --> 00:04:11,360 Speaker 1: and very charming stuff, you know, very very heartfelt, very charming. Um, 71 00:04:11,560 --> 00:04:15,040 Speaker 1: high stakes, just just wonderful episode all the way around. 72 00:04:15,080 --> 00:04:18,320 Speaker 1: I got my unique fix. So as long as I 73 00:04:18,360 --> 00:04:21,440 Speaker 1: get my unique fix, my Michelle fix, I'm good. Right. 74 00:04:22,720 --> 00:04:25,680 Speaker 1: I missed Richard and Emily a little bit in this episode. 75 00:04:25,880 --> 00:04:27,960 Speaker 1: I kind of wanted to see them come into the fold, 76 00:04:28,040 --> 00:04:30,479 Speaker 1: but I don't know. I guess you didn't. Really, you 77 00:04:30,480 --> 00:04:32,679 Speaker 1: don't really need him in every single episode. There doesn't 78 00:04:32,680 --> 00:04:34,520 Speaker 1: have to always be a Friday night dinner, but it 79 00:04:34,520 --> 00:04:37,680 Speaker 1: would be nice if there was. But there is top 80 00:04:37,760 --> 00:04:40,560 Speaker 1: notch episode. It's one of the best, I think, So. 81 00:04:40,680 --> 00:04:44,200 Speaker 1: I think it's really because it lays you know, it's 82 00:04:44,200 --> 00:04:46,360 Speaker 1: looking forward. It lays a lot of ground where where 83 00:04:46,360 --> 00:04:51,000 Speaker 1: we're going. Um, and it moves Luke and Lowrela a 84 00:04:51,040 --> 00:04:54,200 Speaker 1: little bit more forward, not like not so in our face, 85 00:04:54,200 --> 00:04:56,200 Speaker 1: but just the scene where they pretend to be married 86 00:04:56,240 --> 00:04:59,240 Speaker 1: and looks like, oh god, what are you crazy? You know, 87 00:05:00,000 --> 00:05:04,360 Speaker 1: I'm really trying to reconcile with you know, with the 88 00:05:04,400 --> 00:05:08,280 Speaker 1: fact that he is. He just really blew up in 89 00:05:08,320 --> 00:05:14,080 Speaker 1: her kitchen. But I would say that that guy has 90 00:05:14,120 --> 00:05:16,320 Speaker 1: a lot dumped on him. There's a lot of stress 91 00:05:16,320 --> 00:05:19,039 Speaker 1: in his life right now. He can't even you know, 92 00:05:19,120 --> 00:05:20,960 Speaker 1: he's he's got to sit in his diner at night 93 00:05:21,000 --> 00:05:23,240 Speaker 1: and watch a tiny little television set with a with 94 00:05:23,279 --> 00:05:26,400 Speaker 1: an aluminum foil and a and a hanger as an antenna, 95 00:05:27,200 --> 00:05:28,760 Speaker 1: just to get some peace because he's got to get 96 00:05:28,800 --> 00:05:31,200 Speaker 1: away from jazz. Who listens to the rock music or 97 00:05:31,200 --> 00:05:34,400 Speaker 1: the punk music? In the apartment is way too small, Yeah, 98 00:05:34,440 --> 00:05:36,440 Speaker 1: but it's just I mean, it's full of his stuff. 99 00:05:36,920 --> 00:05:39,640 Speaker 1: You know, he had to get out. That was a stressful, 100 00:05:39,680 --> 00:05:42,720 Speaker 1: hot mess in there, and we're forgetting the fact that 101 00:05:42,760 --> 00:05:45,760 Speaker 1: he's suddenly raising a kid, so not only like squishtion 102 00:05:45,839 --> 00:05:50,600 Speaker 1: to this mess, like suddenly he's raising a teenager. Yeah, 103 00:05:50,680 --> 00:05:53,479 Speaker 1: he lost it, He really lost it, didn't he. I 104 00:05:53,560 --> 00:05:57,760 Speaker 1: felt bad for the guy. I don't know, what do 105 00:05:57,839 --> 00:06:01,000 Speaker 1: you Danielle Riley, what thing? What do you think of 106 00:06:01,000 --> 00:06:05,120 Speaker 1: this episode? I loved it. I think it's a very 107 00:06:05,160 --> 00:06:08,480 Speaker 1: pivotal episode. We start to see the shift between Rory 108 00:06:08,520 --> 00:06:13,440 Speaker 1: and Dean, and just like with that little um the 109 00:06:13,480 --> 00:06:17,560 Speaker 1: city yards, say, would you consider that yard? The charity fair? 110 00:06:18,640 --> 00:06:22,280 Speaker 1: Charity books? And how like Rory just kept wanting to, 111 00:06:22,560 --> 00:06:25,960 Speaker 1: you know, look at books, and she was like stopping 112 00:06:25,960 --> 00:06:28,800 Speaker 1: herself because Dean wanted to watch Lord of the Rings 113 00:06:28,839 --> 00:06:30,359 Speaker 1: and like all that kind of stuff, and you start 114 00:06:30,400 --> 00:06:34,280 Speaker 1: to see like, Okay, they aren't actually meant to be together, 115 00:06:34,800 --> 00:06:38,679 Speaker 1: you know, and then they're not. They're just so different. 116 00:06:39,000 --> 00:06:42,040 Speaker 1: She rolled her eyes like again with the Lord of 117 00:06:42,080 --> 00:06:45,440 Speaker 1: the Rings for god, seging, how dumb are you? And 118 00:06:45,480 --> 00:06:47,560 Speaker 1: then him with the books, you know, like he was 119 00:06:47,600 --> 00:06:49,960 Speaker 1: kind of like, oh my god, how many more books 120 00:06:49,960 --> 00:06:52,640 Speaker 1: are you going to get? But that's so authentically she 121 00:06:53,080 --> 00:06:57,120 Speaker 1: acknowledges to Jeff like we're not at our best. Yeah, 122 00:06:57,440 --> 00:07:00,960 Speaker 1: Like so she even knows it too. She said that 123 00:07:01,000 --> 00:07:07,080 Speaker 1: about Dean to Jess our best in this episode, I paraphrase, 124 00:07:07,160 --> 00:07:10,640 Speaker 1: but something to the gist of that we're struggling or 125 00:07:10,680 --> 00:07:13,600 Speaker 1: whatever it is, because but she was putting that on 126 00:07:13,600 --> 00:07:19,000 Speaker 1: on Jess is right. It's like you've been such a 127 00:07:19,280 --> 00:07:21,920 Speaker 1: you're being such a disruptive force in this town that 128 00:07:22,000 --> 00:07:24,200 Speaker 1: you know, it's causing problems with my relationship. And I 129 00:07:24,240 --> 00:07:28,560 Speaker 1: really loved Dean. But then yeah, exactly, Daniel. You see 130 00:07:28,600 --> 00:07:31,200 Speaker 1: him at the book fair and he's like, oh, lit 131 00:07:31,280 --> 00:07:33,280 Speaker 1: a little board, you know, he's looking at his watch 132 00:07:33,320 --> 00:07:35,840 Speaker 1: like I'm along, we've been you know, do you want 133 00:07:35,840 --> 00:07:39,000 Speaker 1: to go to the astronomy section? Go ahead, you know, yeah, 134 00:07:39,320 --> 00:07:41,680 Speaker 1: isn't be looking at books? What's wrong with you know? 135 00:07:41,760 --> 00:07:44,720 Speaker 1: Come on, like find a Lord of the ringbook like, 136 00:07:45,480 --> 00:07:49,680 Speaker 1: you know, like find a way to connect. Come on, buddy. No, 137 00:07:49,880 --> 00:07:51,960 Speaker 1: you could you could argue that he is like the 138 00:07:52,000 --> 00:07:55,120 Speaker 1: good boyfriend because he's he's almost like the purse holder. 139 00:07:55,400 --> 00:07:58,160 Speaker 1: He's just there because she wants to be there. So 140 00:07:58,200 --> 00:08:00,120 Speaker 1: it's like there is an element like he doesn't care 141 00:08:00,160 --> 00:08:03,280 Speaker 1: about these books. He went for her, so there is 142 00:08:03,480 --> 00:08:05,760 Speaker 1: um you could you could play both sides of that, 143 00:08:05,880 --> 00:08:09,520 Speaker 1: her whole her whole world as books. Books mean more 144 00:08:09,560 --> 00:08:13,200 Speaker 1: to her than anything else in the world, any possession 145 00:08:14,080 --> 00:08:20,800 Speaker 1: in the world. World is the verbal sparring. No, well, 146 00:08:20,800 --> 00:08:23,080 Speaker 1: that's how she grew up, man. She's very you know, 147 00:08:23,160 --> 00:08:28,320 Speaker 1: she's a she's a black Belding and banter, um, right, 148 00:08:28,480 --> 00:08:30,720 Speaker 1: and and and she gets that from her mom, and 149 00:08:30,760 --> 00:08:32,959 Speaker 1: she gets that from book. Ultimately, it's all from books. 150 00:08:32,960 --> 00:08:40,640 Speaker 1: It's from reading. We have to totally remember black belding banter. 151 00:08:41,400 --> 00:08:47,360 Speaker 1: Such the perfect explanation of the Gilmore's because is a 152 00:08:47,400 --> 00:08:50,839 Speaker 1: black belt and banter too. Yeah, they're quick, they're fast 153 00:08:50,880 --> 00:08:55,920 Speaker 1: and funny and they're cutting and they're nasty, all right, 154 00:08:56,960 --> 00:08:59,600 Speaker 1: and that is you know, that's the Northeast for you. 155 00:09:00,080 --> 00:09:02,840 Speaker 1: That's that's that's the elite Northeast, right, that's all that 156 00:09:03,080 --> 00:09:07,160 Speaker 1: all that stuff. So um, But anyway, Riley, what did 157 00:09:07,200 --> 00:09:11,120 Speaker 1: you think of the episode? I totally agree on everything 158 00:09:11,160 --> 00:09:13,120 Speaker 1: that has been said. And then I love how we 159 00:09:13,160 --> 00:09:15,840 Speaker 1: talked about the books. And then you see the shift 160 00:09:16,120 --> 00:09:19,520 Speaker 1: of focusing on Jess because then Dean was an interest 161 00:09:19,559 --> 00:09:22,479 Speaker 1: in the books. But you see Jess in Rory's room 162 00:09:22,520 --> 00:09:26,000 Speaker 1: just to look at her books, like you see the books, 163 00:09:26,320 --> 00:09:34,800 Speaker 1: the books books. He was looking at the books, all right. 164 00:09:34,840 --> 00:09:37,520 Speaker 1: There is a through line that he they have that 165 00:09:37,800 --> 00:09:45,160 Speaker 1: major common interest and that they really can talk about literature. 166 00:09:45,200 --> 00:09:48,720 Speaker 1: I will say I was gonna how many episodes ago? 167 00:09:48,800 --> 00:09:51,880 Speaker 1: Was that three episodes ago where she lost her bracelet 168 00:09:51,960 --> 00:09:55,600 Speaker 1: and Jess picked it up. Um, I was like, I 169 00:09:55,640 --> 00:09:58,240 Speaker 1: wonder when that's going to come back. And finally this 170 00:09:58,280 --> 00:10:01,200 Speaker 1: episode was like oh ding ding ding, and Jes said 171 00:10:01,200 --> 00:10:04,160 Speaker 1: it perfectly, like she hasn't had it for two weeks 172 00:10:04,280 --> 00:10:09,000 Speaker 1: and she's just noticing. Now. Yeah, Scott, my question for you, 173 00:10:09,120 --> 00:10:11,600 Speaker 1: and I really want you to break this down. He 174 00:10:11,640 --> 00:10:16,960 Speaker 1: didn't steal the bracelet. No, Lorlie says that right, but 175 00:10:17,000 --> 00:10:21,440 Speaker 1: he didn't. He didn't give it back right away. But 176 00:10:22,040 --> 00:10:24,920 Speaker 1: do we know and forgive me because I know people 177 00:10:24,920 --> 00:10:28,240 Speaker 1: will say I should know this. I don't know that 178 00:10:28,440 --> 00:10:32,480 Speaker 1: Jess knows that bracelet was from Dean. No. I think he, Yeah, 179 00:10:32,480 --> 00:10:37,600 Speaker 1: he found out, so he didn't take the bracelet like 180 00:10:37,800 --> 00:10:41,640 Speaker 1: I'm like like some criminal mind that's like I'm going 181 00:10:41,679 --> 00:10:45,680 Speaker 1: to steal her bracelet that Dean gave her. I think 182 00:10:45,679 --> 00:10:48,840 Speaker 1: he kept it because it was hers and he wanted 183 00:10:48,840 --> 00:10:51,199 Speaker 1: to like hold it, because we see that when he's 184 00:10:51,200 --> 00:10:52,800 Speaker 1: talking on the phone with her, he's holding it, he's 185 00:10:52,800 --> 00:10:56,360 Speaker 1: looking at it. It's like a little keepsake to keep 186 00:10:56,440 --> 00:11:01,320 Speaker 1: him close, keep her close to him. So I don't 187 00:11:01,360 --> 00:11:03,680 Speaker 1: think he's the criminal that everyone makes him out to 188 00:11:03,679 --> 00:11:05,839 Speaker 1: me right. But then once he found out, he did, 189 00:11:06,160 --> 00:11:08,760 Speaker 1: you know, use it to his advantage, which you know, 190 00:11:09,679 --> 00:11:13,240 Speaker 1: he's a clever, clever boy. Well, I feel like, okay, 191 00:11:13,400 --> 00:11:15,200 Speaker 1: and you guys debate this because this is I'm giving 192 00:11:15,200 --> 00:11:18,040 Speaker 1: my opinion, but I feel once he found out that 193 00:11:18,120 --> 00:11:22,280 Speaker 1: she was so upset about it, he quickly figured out, Okay, 194 00:11:22,280 --> 00:11:24,480 Speaker 1: I can't just give it back to her because then 195 00:11:24,520 --> 00:11:26,760 Speaker 1: I'm like the creepy guy that took her bracelet and 196 00:11:27,760 --> 00:11:30,840 Speaker 1: held it in my bed at night. But like he 197 00:11:30,880 --> 00:11:32,400 Speaker 1: figured out a way to put it back in there 198 00:11:32,400 --> 00:11:35,080 Speaker 1: and make it seem like she found it. So I 199 00:11:35,080 --> 00:11:38,000 Speaker 1: I feel like he's a good guy with this bracelet. 200 00:11:38,320 --> 00:11:40,640 Speaker 1: But I don't know if I misinterpreted that. And we're 201 00:11:40,679 --> 00:11:44,920 Speaker 1: already seeing the green shoots of his relationship or his 202 00:11:44,960 --> 00:11:48,000 Speaker 1: feelings for Rory. Rory saving his life, books are saving 203 00:11:48,000 --> 00:11:52,720 Speaker 1: his life without Rory. Without books, this kid's in trouble. 204 00:11:52,960 --> 00:11:57,360 Speaker 1: This kid's going into jail, This kid's you know, committing 205 00:11:57,840 --> 00:12:00,680 Speaker 1: violent acts. I mean, we saw an earlier episode that 206 00:12:00,800 --> 00:12:04,600 Speaker 1: he is prone to violence, that he is, you know, 207 00:12:04,960 --> 00:12:10,079 Speaker 1: a beat away, a heartbeat away from from punching somebody. Um, 208 00:12:10,120 --> 00:12:13,640 Speaker 1: But now he's softening he's getting deeper into his feelings 209 00:12:14,040 --> 00:12:18,160 Speaker 1: with Rory. Her feelings are deepening. He's reading more, he's 210 00:12:18,200 --> 00:12:21,520 Speaker 1: spending more time with you know, in his Luke's now 211 00:12:21,640 --> 00:12:25,760 Speaker 1: garbage apartment filled with his boxes and stuff. But he 212 00:12:25,880 --> 00:12:28,959 Speaker 1: is making an attempt. You wanted him to clean the 213 00:12:29,000 --> 00:12:33,040 Speaker 1: gutters and he said okay, And Lorelai wanted him to 214 00:12:33,120 --> 00:12:35,400 Speaker 1: chat over the Chinese food because she was making her 215 00:12:36,160 --> 00:12:40,080 Speaker 1: like gesture to him. So he is trying. I don't 216 00:12:41,040 --> 00:12:43,520 Speaker 1: even though Lorelai confronts him and they have that sort 217 00:12:43,520 --> 00:12:46,520 Speaker 1: of exchange. Like he stole the bracelet, That's not how 218 00:12:46,559 --> 00:12:49,920 Speaker 1: I read it. I think he wanted it because she 219 00:12:50,000 --> 00:12:53,040 Speaker 1: dropped in was hers and then as soon as he 220 00:12:53,160 --> 00:12:56,360 Speaker 1: knew she was upset, he returned it because she doesn't 221 00:12:56,400 --> 00:13:00,959 Speaker 1: want her to be upset. Yeah, that's exactly what I Yeah, 222 00:13:01,000 --> 00:13:03,720 Speaker 1: and you know he's not gonna he's not gonna admit 223 00:13:04,040 --> 00:13:07,679 Speaker 1: that to laurel I. You know. Um, but I liked 224 00:13:07,679 --> 00:13:10,560 Speaker 1: how I liked how he you know, attempted to have 225 00:13:10,679 --> 00:13:16,040 Speaker 1: a little Chinese lunch with with Laurel I. He tried 226 00:13:16,080 --> 00:13:19,360 Speaker 1: his best. You know, I was rooting for the kid, um, 227 00:13:19,400 --> 00:13:21,640 Speaker 1: I mean, what else can he do? Poor guy. You know, 228 00:13:21,760 --> 00:13:25,040 Speaker 1: he's in a gosh. Man, when you're that young and 229 00:13:25,200 --> 00:13:27,920 Speaker 1: you're rejected that hard by a parent and you have 230 00:13:28,000 --> 00:13:31,680 Speaker 1: nobody except your uncle, which is fine, Right, that's a 231 00:13:31,800 --> 00:13:33,960 Speaker 1: that's a hard place to be. That's a very very 232 00:13:33,960 --> 00:13:37,760 Speaker 1: difficult place to be. But if that's gonna happen to you, 233 00:13:38,080 --> 00:13:40,439 Speaker 1: thank god it happened in a place like stars Hollowood. 234 00:13:40,480 --> 00:13:42,760 Speaker 1: Then he's involved with Luke and he's involved with Rory. 235 00:13:42,800 --> 00:13:45,680 Speaker 1: I mean, he got saved. Other kids that find themselves 236 00:13:45,679 --> 00:13:48,720 Speaker 1: in that situation aren't so lucky, but he he got lucky. Yeah, 237 00:13:48,800 --> 00:13:51,280 Speaker 1: that's really accurate. You know, he ended up in stars 238 00:13:51,320 --> 00:13:55,520 Speaker 1: Hollow surrounded by some pretty solid people and now he's 239 00:13:55,679 --> 00:13:59,440 Speaker 1: you know, the bright light that is that is Rory 240 00:14:00,320 --> 00:14:03,079 Speaker 1: um with with what the future holds for her, what 241 00:14:03,120 --> 00:14:06,839 Speaker 1: we think and hope and the future holds for her. 242 00:14:06,880 --> 00:14:09,440 Speaker 1: I mean, he's he's in a good he's in a 243 00:14:09,480 --> 00:14:12,240 Speaker 1: good spot. Well, speaking of that, what do you think 244 00:14:12,240 --> 00:14:16,839 Speaker 1: of the scene in the kitchen when Luke and Laura 245 00:14:16,920 --> 00:14:19,640 Speaker 1: I talk about, hey, do you think there's something going on? 246 00:14:20,440 --> 00:14:22,880 Speaker 1: And looks like I really don't know, but I sure 247 00:14:22,960 --> 00:14:25,640 Speaker 1: hope so, and like that sort of exchange they had 248 00:14:25,680 --> 00:14:30,000 Speaker 1: in the kitchen. Well, that's just a contrast to you know, 249 00:14:30,600 --> 00:14:36,080 Speaker 1: they're divergent views on Jess. And I don't blame Laura 250 00:14:36,200 --> 00:14:39,000 Speaker 1: Life for feeling the way she does. She's operating with 251 00:14:39,120 --> 00:14:42,560 Speaker 1: not a full slate of information on the kid, right, 252 00:14:42,640 --> 00:14:44,680 Speaker 1: She's not. She doesn't have all the details. She just 253 00:14:44,800 --> 00:14:48,400 Speaker 1: sees what she sees. And these are very negative impressions, 254 00:14:48,440 --> 00:14:51,920 Speaker 1: all all three or four of them. And it just 255 00:14:51,960 --> 00:14:54,920 Speaker 1: seems like every encounter with Jess is a negative encounter, 256 00:14:55,160 --> 00:14:57,080 Speaker 1: and she always ends up kind of barking at him 257 00:14:57,120 --> 00:14:59,560 Speaker 1: a little bit, you know, let's like, get off my property, 258 00:14:59,600 --> 00:15:02,120 Speaker 1: get out of right. I mean, he sort of earned 259 00:15:02,160 --> 00:15:05,720 Speaker 1: as a reputation, like Taylor said, held them in the back. 260 00:15:06,520 --> 00:15:10,400 Speaker 1: You know, it's like he has done some things that 261 00:15:10,440 --> 00:15:13,960 Speaker 1: are a little he's sort of the town bad boy 262 00:15:14,080 --> 00:15:16,760 Speaker 1: with chalk outline and the whole thing. So I get 263 00:15:16,760 --> 00:15:20,440 Speaker 1: why she's you know, yeah, I don't don't blame her 264 00:15:20,440 --> 00:15:23,280 Speaker 1: at all. And and and sure there's that disconnect between 265 00:15:23,320 --> 00:15:26,000 Speaker 1: those two and I just you know, getting back to 266 00:15:26,080 --> 00:15:33,120 Speaker 1: that rant. Um interesting he goes to her and really 267 00:15:33,200 --> 00:15:36,240 Speaker 1: let's loose like that. Um, And I was, you know, 268 00:15:36,280 --> 00:15:39,160 Speaker 1: I was sitting there actually just trying to you know, 269 00:15:39,200 --> 00:15:41,560 Speaker 1: I was getting judge e with my acting and judging 270 00:15:41,600 --> 00:15:44,200 Speaker 1: with the choices I was making. And but you know, 271 00:15:44,280 --> 00:15:46,160 Speaker 1: and the thing that was amazing me, and we'll we'll 272 00:15:46,200 --> 00:15:49,960 Speaker 1: get a little wonky here on acting technique a little bit. 273 00:15:51,440 --> 00:15:54,320 Speaker 1: I was amazed at how with such you know, it's 274 00:15:54,320 --> 00:15:58,800 Speaker 1: a very difficult assignment for Lauren because she can't throw 275 00:15:58,800 --> 00:16:01,800 Speaker 1: off my timing because I'm just going like a million 276 00:16:01,800 --> 00:16:04,920 Speaker 1: miles an hour, um um, you know, every every movement 277 00:16:05,000 --> 00:16:07,320 Speaker 1: is connected to something. Uh. You know, I've got to 278 00:16:07,360 --> 00:16:10,800 Speaker 1: hit all those beats through that speech and she can't 279 00:16:11,160 --> 00:16:13,560 Speaker 1: mess me up, right, She's got to keep the balls 280 00:16:13,600 --> 00:16:16,280 Speaker 1: in the air the same way I am. And if 281 00:16:16,320 --> 00:16:18,480 Speaker 1: she hesitates a little bit on one line because she 282 00:16:18,480 --> 00:16:20,400 Speaker 1: had these like uh huh, well what did you say? 283 00:16:20,440 --> 00:16:23,320 Speaker 1: And you know this kind of thing that's hard. It's 284 00:16:23,360 --> 00:16:26,600 Speaker 1: really hard to do. And I hadn't thought go watch 285 00:16:26,680 --> 00:16:30,360 Speaker 1: that scene again and look how relaxed she is and 286 00:16:30,400 --> 00:16:33,800 Speaker 1: how with what such ease she gets through that scene. 287 00:16:33,840 --> 00:16:36,880 Speaker 1: It's wonderful. And is that because of her and she's 288 00:16:36,920 --> 00:16:39,680 Speaker 1: just got so naturally talented or does she also just 289 00:16:39,800 --> 00:16:44,640 Speaker 1: know the scene so perfectly? Both? And it's just like 290 00:16:44,760 --> 00:16:47,400 Speaker 1: she's really there for you as a partner, as a 291 00:16:47,400 --> 00:16:50,440 Speaker 1: scene partner, and she's like she's saying to you, I'm 292 00:16:50,440 --> 00:16:53,160 Speaker 1: not gonna let you fall. I'm gonna I'm gonna you know, 293 00:16:53,200 --> 00:16:56,360 Speaker 1: I'm gonna I'm gonna hit my cues. Your timing is 294 00:16:56,360 --> 00:17:00,240 Speaker 1: gonna be perfect. Don't worry, just go. And I remember 295 00:17:00,400 --> 00:17:03,040 Speaker 1: every single take it was like it was it was magic. 296 00:17:03,360 --> 00:17:07,760 Speaker 1: I mean, it's really hard to do really hard to 297 00:17:07,800 --> 00:17:10,760 Speaker 1: do that and usually takes a long time, but with her, 298 00:17:11,480 --> 00:17:14,360 Speaker 1: it was just it's just easy, you know. And I'd 299 00:17:14,400 --> 00:17:17,600 Speaker 1: love that you talk about that, because as a person 300 00:17:17,840 --> 00:17:20,840 Speaker 1: sitting and watching it, I don't even think about it 301 00:17:20,840 --> 00:17:25,200 Speaker 1: because it's just so real. It's like it's still their cadence. 302 00:17:25,440 --> 00:17:28,160 Speaker 1: But it's just so real that nothing takes me out 303 00:17:28,200 --> 00:17:32,000 Speaker 1: of that scene. And I get as you. I mean, look, 304 00:17:32,040 --> 00:17:33,800 Speaker 1: I'm like looking at myself in this zoom right now, 305 00:17:33,880 --> 00:17:38,080 Speaker 1: and I'm like, I'm gross. Like how you can watch 306 00:17:38,119 --> 00:17:43,600 Speaker 1: it without judging yourself is almost impossible. Well, look, you're 307 00:17:43,600 --> 00:17:46,160 Speaker 1: supported by the dialogue, you're supported by the scene, you're 308 00:17:46,160 --> 00:17:48,520 Speaker 1: supported by the lighting, you're supported by all that great 309 00:17:48,560 --> 00:17:53,439 Speaker 1: stuff that technical crew brings to bear Um. But you know, 310 00:17:53,880 --> 00:17:58,280 Speaker 1: the miracle of that scene was just watching Lauren in it, 311 00:17:58,680 --> 00:18:02,840 Speaker 1: you know, and watching how how easily and comfortably and 312 00:18:03,080 --> 00:18:06,080 Speaker 1: how relaxed she was through the whole thing, and how 313 00:18:06,160 --> 00:18:09,320 Speaker 1: comedic she was, and her just the timing of everything 314 00:18:09,400 --> 00:18:12,960 Speaker 1: she was doing because she's got a watch it again. 315 00:18:13,040 --> 00:18:14,800 Speaker 1: Doesn't that make you guys want to watch against? Like, 316 00:18:15,480 --> 00:18:17,720 Speaker 1: I don't know that I even noticed her so much. 317 00:18:17,720 --> 00:18:20,240 Speaker 1: I mean I did. That's her job is just sort 318 00:18:20,240 --> 00:18:24,280 Speaker 1: of like let me go and like let me shine 319 00:18:24,320 --> 00:18:26,480 Speaker 1: and let that, and she's just so good at it, 320 00:18:26,880 --> 00:18:29,400 Speaker 1: you know. It's just it's and they all are. I mean, 321 00:18:29,440 --> 00:18:32,560 Speaker 1: it's wondering even with Jess, those scenes with Jess, those 322 00:18:32,640 --> 00:18:34,760 Speaker 1: quick back and forth scenes with Jess, I mean it 323 00:18:34,840 --> 00:18:38,399 Speaker 1: was also right. I mean at the end, he has 324 00:18:38,920 --> 00:18:43,160 Speaker 1: very minimal blines. Let's say that he has to just 325 00:18:43,280 --> 00:18:46,200 Speaker 1: really be with you as you're coming in and open 326 00:18:46,240 --> 00:18:53,040 Speaker 1: the fledge, you know, and he just has to be 327 00:18:53,119 --> 00:18:56,920 Speaker 1: so on his game, and only one could you only 328 00:18:56,960 --> 00:19:01,240 Speaker 1: do that? One could only could And do you feel stressed? 329 00:19:01,320 --> 00:19:03,879 Speaker 1: And Amy Amy told us to said, listen, you can 330 00:19:03,920 --> 00:19:05,879 Speaker 1: only do one take because if we have to do 331 00:19:05,920 --> 00:19:08,560 Speaker 1: another take, if you flub the line or you flubbed 332 00:19:08,600 --> 00:19:10,960 Speaker 1: the hit. Then it's going to take a couple of 333 00:19:11,000 --> 00:19:16,199 Speaker 1: hours to to reset, reset this whole this set. Yeah, 334 00:19:16,400 --> 00:19:18,280 Speaker 1: so does that? What does that make you feel? Like? 335 00:19:18,640 --> 00:19:21,800 Speaker 1: Just hey, it's time, it's it's time to Tom Brady 336 00:19:21,840 --> 00:19:25,919 Speaker 1: and rise to the occasion in honor of his retirement. 337 00:19:27,320 --> 00:19:30,399 Speaker 1: I want to know it. Like after you banging a 338 00:19:30,400 --> 00:19:32,520 Speaker 1: hole in the wall, there's like all this dust and 339 00:19:32,560 --> 00:19:35,760 Speaker 1: debris coming down. Is somebody back there is throwing things 340 00:19:35,840 --> 00:19:38,240 Speaker 1: down the wall. I think it was either somebody throwing 341 00:19:38,280 --> 00:19:43,040 Speaker 1: things down or was was rigged for stuff to fall? Yes, indeed, 342 00:19:43,440 --> 00:19:46,840 Speaker 1: and it was perfect. The whole thing was perfect. But yes, 343 00:19:46,920 --> 00:19:49,280 Speaker 1: you're and you're right. Notice how when I come in 344 00:19:49,920 --> 00:19:52,879 Speaker 1: Jess doesn't pay attention to me. But then when I 345 00:19:52,920 --> 00:19:55,280 Speaker 1: go in the closet, get the sledgehammer and start passing him, 346 00:19:55,320 --> 00:19:57,840 Speaker 1: and he turns and notices a sledgehammer. So it's like 347 00:19:58,000 --> 00:20:02,119 Speaker 1: all his he has no dialogue, but communicating his confusion, 348 00:20:02,400 --> 00:20:06,600 Speaker 1: his amazement, his fear, his excitement, all in in his 349 00:20:06,640 --> 00:20:09,120 Speaker 1: body movements. And then he gets up very quickly, very 350 00:20:09,200 --> 00:20:11,800 Speaker 1: energetically to follow me to see what the hell he's doing, 351 00:20:12,240 --> 00:20:14,480 Speaker 1: Like it's Luke gonna go beat somebody's head in what's 352 00:20:14,480 --> 00:20:16,919 Speaker 1: he doing? He doesn't know. And then when I go 353 00:20:17,000 --> 00:20:19,760 Speaker 1: to the wall and smash it, he just his body 354 00:20:19,840 --> 00:20:22,320 Speaker 1: tightens up and he's like amazed by it and like, 355 00:20:22,400 --> 00:20:26,480 Speaker 1: what the hell is going on? So these people are 356 00:20:26,560 --> 00:20:30,600 Speaker 1: so wonderful at what they do. Their craft is so 357 00:20:30,800 --> 00:20:34,879 Speaker 1: finely honed. Um and especially in that that walk and 358 00:20:34,920 --> 00:20:37,120 Speaker 1: talk we were doing I was doing with the with 359 00:20:37,160 --> 00:20:45,240 Speaker 1: Milo Um looking at apartments, so that was all and 360 00:20:45,280 --> 00:20:48,119 Speaker 1: it was just like, I just I don't know, I 361 00:20:48,200 --> 00:20:50,719 Speaker 1: just I thought all the apartment stuff was really like 362 00:20:51,760 --> 00:20:55,160 Speaker 1: entertaining clever, and I didn't remember it. And I've seen 363 00:20:55,160 --> 00:20:57,359 Speaker 1: this episode many times because I think it's more subtle, 364 00:20:57,359 --> 00:21:01,240 Speaker 1: whereas you remember the scenes the more dramatic and the 365 00:21:02,400 --> 00:21:05,320 Speaker 1: Luke and lor Lye and the jest stuff that was 366 00:21:05,400 --> 00:21:10,520 Speaker 1: so clever and funny, like you guys walking around town, 367 00:21:10,560 --> 00:21:14,520 Speaker 1: and then this in the apartment with lor Lye, and 368 00:21:14,560 --> 00:21:17,720 Speaker 1: then just the fact that Taylor owns half the town. 369 00:21:19,280 --> 00:21:24,880 Speaker 1: It's like, of course, so good and that just makes 370 00:21:24,880 --> 00:21:27,840 Speaker 1: you more mad. How great is Michael Winners. I mean, 371 00:21:27,920 --> 00:21:31,520 Speaker 1: that's scene on the street of the sidewalk was just magic. 372 00:21:31,800 --> 00:21:36,119 Speaker 1: He's mad at your applications why why are you looking 373 00:21:36,160 --> 00:21:39,000 Speaker 1: at my applicate? It's so genius And I didn't see 374 00:21:39,000 --> 00:21:42,360 Speaker 1: it coming and was just like, mo, he owns half 375 00:21:42,440 --> 00:21:45,240 Speaker 1: the buildings in town. And then you've got a good 376 00:21:45,240 --> 00:21:47,119 Speaker 1: deal on that building if you bought the building for 377 00:21:47,160 --> 00:21:49,040 Speaker 1: a hundred thousand dollars. But maybe that was your down 378 00:21:49,040 --> 00:21:54,840 Speaker 1: payment down payment. No, the whole building and Stars Hollow 379 00:21:54,840 --> 00:21:58,760 Speaker 1: in two thousand was a Graham of course, yes, a 380 00:21:58,840 --> 00:22:02,520 Speaker 1: large building. Now yeah, underground. I thought the same thing, Amy, 381 00:22:02,640 --> 00:22:05,480 Speaker 1: I'm like, what a bargain? And he paid cash too? 382 00:22:05,560 --> 00:22:08,879 Speaker 1: How much cash? Just Luke just having some bank account somewhere. 383 00:22:08,880 --> 00:22:11,560 Speaker 1: It's like, whoa, Yeah, I started, you know, I started 384 00:22:11,560 --> 00:22:13,280 Speaker 1: feeling bad for the guy. You know, what I really 385 00:22:13,320 --> 00:22:16,199 Speaker 1: saw in Luke this episode was that he's just he 386 00:22:16,320 --> 00:22:19,560 Speaker 1: really is this small town guy. He's not leaving, he 387 00:22:19,600 --> 00:22:22,879 Speaker 1: doesn't need much. Why is he living up there? You know, 388 00:22:22,880 --> 00:22:25,719 Speaker 1: why doesn't he have an apartment? He just I just 389 00:22:25,840 --> 00:22:27,800 Speaker 1: think he misses his dad. He wants to be near 390 00:22:27,880 --> 00:22:30,520 Speaker 1: his dad. I think he's really Yes, I agree that 391 00:22:30,840 --> 00:22:33,760 Speaker 1: a lot of pain. That doesn't No, he's in a 392 00:22:33,800 --> 00:22:36,560 Speaker 1: lot of pain. He's kind of frozen in the past 393 00:22:36,600 --> 00:22:40,520 Speaker 1: a little bit or you know it's I just felt 394 00:22:40,520 --> 00:22:43,520 Speaker 1: bad for him. It's like, get out of you, get 395 00:22:43,520 --> 00:22:45,959 Speaker 1: out of your own way, guy. I mean it's just 396 00:22:46,040 --> 00:22:48,119 Speaker 1: like evolve a little bit. Get you know. That's so 397 00:22:48,200 --> 00:22:50,600 Speaker 1: interesting because you you more have sympathy where I'm like, 398 00:22:51,160 --> 00:22:54,040 Speaker 1: this is how this guy isn't he's happy this way. 399 00:22:54,359 --> 00:22:56,679 Speaker 1: I didn't even find him to be that unhappy watching 400 00:22:56,720 --> 00:23:00,199 Speaker 1: the game and the diner on the tiny, little crappy TV. 401 00:23:00,359 --> 00:23:02,399 Speaker 1: It's like he's sort of just that guy that's like, 402 00:23:02,760 --> 00:23:06,080 Speaker 1: I'm gonna be good with however it is. I just 403 00:23:06,160 --> 00:23:09,800 Speaker 1: think he misses his dad. I think he's sitting down there. 404 00:23:10,920 --> 00:23:13,520 Speaker 1: It was very moving that scene for me, definitely true 405 00:23:13,520 --> 00:23:15,720 Speaker 1: because of the sign. I mean that is definitely true 406 00:23:15,720 --> 00:23:18,560 Speaker 1: because when Taylor mentions the sign. And when I loved 407 00:23:18,760 --> 00:23:21,679 Speaker 1: the most about that scene was the fact that Laurel 408 00:23:21,720 --> 00:23:26,120 Speaker 1: I went in to comfort him. That was her going 409 00:23:26,160 --> 00:23:30,280 Speaker 1: in to comfort him because she saw that pathetic scene, like, 410 00:23:30,480 --> 00:23:33,160 Speaker 1: look at this poor guy, he's alone watching this crappy 411 00:23:33,160 --> 00:23:36,199 Speaker 1: little TV and he's drinking a beer. I'm gonna go 412 00:23:36,240 --> 00:23:39,040 Speaker 1: on his best friend. Well. She also drops everything when 413 00:23:39,080 --> 00:23:41,520 Speaker 1: you call from the pay phone, which I thought was 414 00:23:41,560 --> 00:23:44,399 Speaker 1: hilarious to payphone to go look at the apartment. She 415 00:23:44,560 --> 00:23:49,960 Speaker 1: drops everything immediately and was like, okay, I'll be right there, right, 416 00:23:51,040 --> 00:23:53,359 Speaker 1: But you see, but you see what happens if there's 417 00:23:53,480 --> 00:23:56,960 Speaker 1: if there's too much Jess. There can't be too much 418 00:23:57,040 --> 00:23:59,400 Speaker 1: Jess every week, and there can't be too much Luke 419 00:23:59,440 --> 00:24:01,680 Speaker 1: every week because there was a lot of Luke this week. 420 00:24:01,840 --> 00:24:06,720 Speaker 1: Can you imagine all that Luke every single week? Well, yeah, 421 00:24:06,760 --> 00:24:08,840 Speaker 1: I mean I like Luke, so I don't mind it. Okay, 422 00:24:08,880 --> 00:24:11,920 Speaker 1: but it's but it's a different show. It's a different show. 423 00:24:13,080 --> 00:24:15,280 Speaker 1: It's a completely different show. I mean it has to 424 00:24:15,280 --> 00:24:18,840 Speaker 1: be balanced. Back to the girls. You know, it's got 425 00:24:18,840 --> 00:24:21,520 Speaker 1: to be. It's it's got the Luke and Jes show. 426 00:24:21,600 --> 00:24:25,000 Speaker 1: Only No, it's Gilmore girls. It's it's it's mother and daughter. 427 00:24:25,880 --> 00:24:29,560 Speaker 1: You know. Interesting sidebar. They tried that. They tried to 428 00:24:29,560 --> 00:24:32,400 Speaker 1: spin off Jazz and it didn't work. But we won't 429 00:24:32,440 --> 00:24:39,960 Speaker 1: get into that. I would like the Danes, dudes, he's 430 00:24:40,040 --> 00:24:43,720 Speaker 1: not a Danes. I did sit I did sit down 431 00:24:43,800 --> 00:24:48,840 Speaker 1: with the president of Warnerbroog Brothers Television back in the 432 00:24:48,960 --> 00:24:55,480 Speaker 1: day for lunch at the executive dining room. Oh yes, yeah, 433 00:24:55,920 --> 00:24:58,000 Speaker 1: And we had full access to it and nobody even 434 00:24:58,080 --> 00:25:00,480 Speaker 1: knew it. You could you could either go to the commissary, 435 00:25:00,520 --> 00:25:02,159 Speaker 1: which is very nice, and then next door they had 436 00:25:02,160 --> 00:25:05,160 Speaker 1: the executive dining room, which is very cheesy, right how 437 00:25:05,200 --> 00:25:07,520 Speaker 1: a matri did and you know, the white table claws 438 00:25:07,560 --> 00:25:10,840 Speaker 1: the whole time. Um, so I had so I had 439 00:25:10,920 --> 00:25:13,280 Speaker 1: lunch with him and I pitched him, you know, not 440 00:25:13,400 --> 00:25:16,160 Speaker 1: Duke Danes, but I said, let's let's let's spin off Luke, 441 00:25:16,240 --> 00:25:18,800 Speaker 1: you know, let's call you know, Carol O'Connor did it 442 00:25:18,840 --> 00:25:21,880 Speaker 1: with you know, on the Family. Why can't I do it? 443 00:25:22,600 --> 00:25:25,719 Speaker 1: And he said, you know, Scott, uh, we thought about it, 444 00:25:25,760 --> 00:25:30,680 Speaker 1: but it's just you know, people will really long for 445 00:25:31,160 --> 00:25:37,399 Speaker 1: the characters that aren't there. Yeah, so perfect example, Joey, 446 00:25:37,840 --> 00:25:40,880 Speaker 1: What's what's Joey? What's that? It was the Friends spin 447 00:25:40,920 --> 00:25:44,800 Speaker 1: off and it did not work. Oh right with Matt, 448 00:25:45,080 --> 00:25:48,679 Speaker 1: with Matt le Blanc and I love Maliblanc, but you 449 00:25:48,840 --> 00:25:51,880 Speaker 1: missed the other friends too much. But he was he 450 00:25:51,960 --> 00:25:54,600 Speaker 1: was the same character and friends as he wasn't Joe 451 00:25:55,600 --> 00:25:57,760 Speaker 1: maybe moved to l A or something, got some new 452 00:25:57,800 --> 00:25:59,600 Speaker 1: friends and none of them were that cool, and it 453 00:25:59,680 --> 00:26:02,119 Speaker 1: was like and it didn't and it didn't last at all. 454 00:26:02,200 --> 00:26:04,800 Speaker 1: Didn't even they maybe gave it a second season just 455 00:26:04,840 --> 00:26:09,960 Speaker 1: because it was Matt LeBlanc, right. Wow. Yeah, I don't know. 456 00:26:10,040 --> 00:26:11,240 Speaker 1: I just I don't know. I think we could have 457 00:26:11,280 --> 00:26:16,400 Speaker 1: pulled it off. There were enough auxiliary characters in that 458 00:26:16,440 --> 00:26:20,119 Speaker 1: show where you could have filled that diner with a 459 00:26:20,200 --> 00:26:22,560 Speaker 1: lot of those characters who Yeah, I guess if they 460 00:26:22,640 --> 00:26:26,400 Speaker 1: stayed right, if they stayed in Stars all off. But 461 00:26:26,800 --> 00:26:28,479 Speaker 1: a lot of times when they spin them off, they 462 00:26:28,520 --> 00:26:32,800 Speaker 1: moved somewhere away, and it's like starting fresh. I can 463 00:26:32,800 --> 00:26:35,400 Speaker 1: see their point. It's hard to sustain something like that 464 00:26:35,520 --> 00:26:38,600 Speaker 1: without Lauren and Alexis. I mean it, it's just gonna 465 00:26:38,640 --> 00:26:42,960 Speaker 1: be my show right in a in a diner. That's 466 00:26:43,080 --> 00:26:46,800 Speaker 1: that's gonna be tough. That's gonna be Remember remember Alice, 467 00:26:46,920 --> 00:26:50,840 Speaker 1: that show Alice kind of sort of they were just 468 00:26:50,920 --> 00:26:53,000 Speaker 1: in the diner, like, I don't know that they ever 469 00:26:53,080 --> 00:26:55,639 Speaker 1: left the diner. It was like Alice, remember that. You 470 00:26:55,680 --> 00:26:58,680 Speaker 1: don't remember kiss my Grants that old show. Was it 471 00:26:58,760 --> 00:27:03,640 Speaker 1: a spin off from another show? No, you would know it. 472 00:27:04,200 --> 00:27:07,520 Speaker 1: Keep talking, Oh, it's Bonnie Franklin, right, or that's one 473 00:27:07,560 --> 00:27:11,720 Speaker 1: day at a time for Laurie, Laura something it was, Yes, 474 00:27:11,840 --> 00:27:16,240 Speaker 1: Linda yes, I do remember it was there just in 475 00:27:16,240 --> 00:27:18,120 Speaker 1: the diner, like I don't know they ever went outside 476 00:27:18,160 --> 00:27:20,919 Speaker 1: the diner, like I sort of got every scene was 477 00:27:21,080 --> 00:27:28,240 Speaker 1: in the diner. Yeah that hair, But I mean, are 478 00:27:28,240 --> 00:27:32,600 Speaker 1: you gonna be able to anyway? So it's a lot 479 00:27:32,600 --> 00:27:37,360 Speaker 1: of luke um. I mean, I listen. I really liked 480 00:27:37,400 --> 00:27:40,920 Speaker 1: the episode. I I really think it was a top 481 00:27:40,960 --> 00:27:46,879 Speaker 1: notch writing, um, beautifully structured again, not never a dull moment, 482 00:27:46,960 --> 00:27:50,679 Speaker 1: completely engaged in the whole thing, and uh, you know, 483 00:27:50,840 --> 00:27:55,320 Speaker 1: funny as all get out, a Patty's a walking. It 484 00:27:55,400 --> 00:28:01,240 Speaker 1: was hysterical. It was hysterical. But it is it is 485 00:28:01,359 --> 00:28:05,280 Speaker 1: seeing It is seeing Laurela dealing with a lot of tension, 486 00:28:05,800 --> 00:28:08,560 Speaker 1: a lot of situations, right, I mean, there's all this 487 00:28:08,840 --> 00:28:11,639 Speaker 1: going back and forth, this Jess tension point. It really 488 00:28:11,680 --> 00:28:14,520 Speaker 1: winds her up, doesn't it? As a mother? I mean, 489 00:28:14,760 --> 00:28:18,919 Speaker 1: and it has to it should um, and her daughter 490 00:28:19,000 --> 00:28:20,760 Speaker 1: is going to get thrown off track by a bad 491 00:28:20,760 --> 00:28:23,960 Speaker 1: boy who's super good looking and you know, clever and 492 00:28:24,640 --> 00:28:27,760 Speaker 1: bad intentions and you know he's like out maneuvering us somehow. 493 00:28:27,800 --> 00:28:30,000 Speaker 1: And I caught him in the bedroom planting that you know, 494 00:28:30,000 --> 00:28:32,160 Speaker 1: what are you doing in right? Right. Did you see 495 00:28:32,160 --> 00:28:35,440 Speaker 1: your eyes? Did you see her fix her eyes on 496 00:28:35,520 --> 00:28:39,760 Speaker 1: him going down? Yeah? Man, she isn't like getting in 497 00:28:39,840 --> 00:28:42,680 Speaker 1: fighting mode, like she's just ready to throw down right there. 498 00:28:42,920 --> 00:28:45,800 Speaker 1: It felt a little Emily, like a little nod to Emily, 499 00:28:49,000 --> 00:28:54,000 Speaker 1: what are you doing? Yeah. Episode was clever right from 500 00:28:54,000 --> 00:28:56,800 Speaker 1: the start though, because they come into the diner and 501 00:28:56,840 --> 00:29:00,760 Speaker 1: you're not there. She wants her pancakes, which brings her 502 00:29:01,040 --> 00:29:03,920 Speaker 1: back behind that curtain and up those stairs, and then 503 00:29:03,960 --> 00:29:08,800 Speaker 1: we see the apartment Like it's so well crafted because 504 00:29:09,600 --> 00:29:11,400 Speaker 1: it's not like we had to have a scene where 505 00:29:11,400 --> 00:29:14,680 Speaker 1: you're like, hey, guys, I'm in a bad mood because 506 00:29:14,720 --> 00:29:18,480 Speaker 1: my apartment's a messonet's too small. Like they don't they 507 00:29:18,520 --> 00:29:22,320 Speaker 1: don't shove it our face. They show us, Oh she 508 00:29:22,400 --> 00:29:25,520 Speaker 1: needs the pancakes. Oh funny old we go. Oh my, 509 00:29:25,760 --> 00:29:28,520 Speaker 1: you know, it's like that's one of the things I love. 510 00:29:28,560 --> 00:29:31,560 Speaker 1: And it's so brilliant, like they don't dump us over 511 00:29:31,600 --> 00:29:38,600 Speaker 1: the head whatever the saying is. But I never loved 512 00:29:38,680 --> 00:29:40,840 Speaker 1: Luke and Laurela more than I have in that episode. 513 00:29:41,640 --> 00:29:44,280 Speaker 1: I really love them together. I love them from the 514 00:29:44,280 --> 00:29:47,200 Speaker 1: first scene up in his apartment, you know, And it's 515 00:29:47,240 --> 00:29:49,560 Speaker 1: just the way they banter, and it's the way they 516 00:29:49,600 --> 00:29:51,600 Speaker 1: are with one another. And you know what, I had 517 00:29:51,640 --> 00:29:54,720 Speaker 1: a stunning and I was gonna call you and pre 518 00:29:54,880 --> 00:29:59,640 Speaker 1: plan this, but I had a stunning revelation. Tell wait, 519 00:29:59,720 --> 00:30:02,320 Speaker 1: tell us, tell us, tell us. After the break. It's 520 00:30:02,360 --> 00:30:05,240 Speaker 1: hard for me to blow my own mind, but it happened. 521 00:30:05,920 --> 00:30:11,720 Speaker 1: Nobody moved, nobody will be back. All right, We're gonna 522 00:30:11,720 --> 00:30:14,800 Speaker 1: be back after these words, and we're going to have 523 00:30:14,920 --> 00:30:20,000 Speaker 1: a big revelation coming up. All right, we'll be right back. Yeah, 524 00:30:23,680 --> 00:30:27,400 Speaker 1: all right, everybody, we're back. We are about to reveal 525 00:30:27,480 --> 00:30:35,080 Speaker 1: a stunning, stunning revelation. I had an aha moment yesterday. 526 00:30:35,240 --> 00:30:37,560 Speaker 1: I literally have no idea. I have no idea, no okay, 527 00:30:37,600 --> 00:30:39,680 Speaker 1: but you know I was I was going back and 528 00:30:39,720 --> 00:30:42,280 Speaker 1: forth about whether to tell you and everybody so we 529 00:30:42,320 --> 00:30:44,480 Speaker 1: could do some funny thing or whatever. But I just 530 00:30:44,520 --> 00:30:47,600 Speaker 1: I'm just gonna tell you because it was absolutely stunning, 531 00:30:47,600 --> 00:30:51,040 Speaker 1: and I just had no idea, and I gosh, how 532 00:30:51,080 --> 00:30:59,120 Speaker 1: do I I hope I'm not let down by this now. Um, 533 00:30:59,160 --> 00:31:05,240 Speaker 1: you know, I I'm reading okay, so so um, you 534 00:31:05,280 --> 00:31:07,200 Speaker 1: know a lot of people ask me what's the inspiration 535 00:31:07,240 --> 00:31:09,960 Speaker 1: for Luke Okay and I'm not trying to make this 536 00:31:10,040 --> 00:31:12,880 Speaker 1: about me, but you know I was Luke was It 537 00:31:12,920 --> 00:31:16,040 Speaker 1: was Luke heavy episode for sure? About you? Just let 538 00:31:16,040 --> 00:31:17,880 Speaker 1: me take a moment. Okay, I know the emails are 539 00:31:17,880 --> 00:31:20,440 Speaker 1: gonna fly in. I'm I'm I'm ready. I've got the 540 00:31:20,480 --> 00:31:27,120 Speaker 1: keV Lauren, I'm ready. Um uh. Look So anyway, so 541 00:31:27,440 --> 00:31:29,440 Speaker 1: everybody asked me that question when I do interviews over 542 00:31:29,440 --> 00:31:31,840 Speaker 1: the years, like where's the inspiration for Luke? You know what, 543 00:31:32,040 --> 00:31:37,800 Speaker 1: I never knew. I really didn't know until yesterday, and 544 00:31:37,880 --> 00:31:41,840 Speaker 1: now I know, and I'm not and you're going to 545 00:31:41,960 --> 00:31:48,240 Speaker 1: be shocked, but there isn't a character that I thought 546 00:31:48,320 --> 00:31:54,680 Speaker 1: was cooler and more impactful on me as a consumer 547 00:31:55,320 --> 00:32:05,720 Speaker 1: of entertainment right of film. Yeah, then ready Luke, go ahead. 548 00:32:05,800 --> 00:32:17,360 Speaker 1: Guess it's aid even though iconic Winklers did an unbelievably 549 00:32:17,400 --> 00:32:20,680 Speaker 1: great job with that. H could it be? Girls? Do 550 00:32:20,720 --> 00:32:27,320 Speaker 1: you have any gasses? Huh? Can you give me an era? 551 00:32:27,680 --> 00:32:33,520 Speaker 1: Is he from the eighties? Is he from nineties? Frank Poncerello? 552 00:32:34,880 --> 00:32:42,520 Speaker 1: No chips? Even though super cool cat for sure? Let 553 00:32:42,520 --> 00:32:46,120 Speaker 1: me have one more guest before you tell an iconic 554 00:32:46,400 --> 00:32:51,280 Speaker 1: TV character or movie. I'm not saying I'm not gonna say, 555 00:32:51,280 --> 00:32:56,400 Speaker 1: all right, contra Volta's Danny from from what Saturday Night 556 00:32:56,440 --> 00:33:01,200 Speaker 1: Favorites from Greece? No, No, okay, one more give me 557 00:33:01,240 --> 00:33:03,200 Speaker 1: that hint you were going to give me what hint? 558 00:33:03,760 --> 00:33:05,760 Speaker 1: I thought you were gonna give me one little clue 559 00:33:05,760 --> 00:33:09,320 Speaker 1: because I said, is it a TV or movie character? Movie? 560 00:33:09,360 --> 00:33:13,680 Speaker 1: It's a movie character from the seventies? Yes, from the seventies. 561 00:33:14,120 --> 00:33:16,760 Speaker 1: What hint? I thought You're gonna give me one little 562 00:33:16,920 --> 00:33:20,800 Speaker 1: clue because I said, is it a TV or movie character? Movie? 563 00:33:20,800 --> 00:33:25,120 Speaker 1: It's a movie character from the seventies. Yes, from the seventies. 564 00:33:25,640 --> 00:33:30,400 Speaker 1: And I think you got it. That's it, That's exactly 565 00:33:30,440 --> 00:33:34,560 Speaker 1: what you nailed it. It's Hans Solo. It's Harrison's Ford 566 00:33:34,720 --> 00:33:40,440 Speaker 1: interpretation of Hans Solo because he was, you know, world weary, 567 00:33:40,640 --> 00:33:43,440 Speaker 1: he was a little bit funny. He just didn't care 568 00:33:43,480 --> 00:33:48,040 Speaker 1: about Princess Leah, and he did right, checked all the boxes. 569 00:33:48,440 --> 00:33:52,840 Speaker 1: That character left an indelible impression on me. And that's 570 00:33:53,080 --> 00:33:56,000 Speaker 1: who I called forth in the audition. And I didn't 571 00:33:56,080 --> 00:33:59,160 Speaker 1: even know it isn't that interesting? Yes, I but I 572 00:33:59,240 --> 00:34:03,680 Speaker 1: but I get it. Yes, he's Hans Solo. I'm doing 573 00:34:03,760 --> 00:34:07,760 Speaker 1: my version of Hans Solo because I thought that character 574 00:34:07,800 --> 00:34:11,279 Speaker 1: that was the oh do you know why? Because because 575 00:34:11,360 --> 00:34:15,000 Speaker 1: I was I was watching the the uh it was 576 00:34:15,080 --> 00:34:18,359 Speaker 1: on last night. I was watching a little you know, 577 00:34:18,400 --> 00:34:22,040 Speaker 1: the modern version with Adam Driver and Daisy Ridley, and 578 00:34:22,320 --> 00:34:24,480 Speaker 1: then Harrison Ford made an appearance in a scene with 579 00:34:24,520 --> 00:34:27,520 Speaker 1: Adam Driver and the whole thing was just so serious 580 00:34:28,760 --> 00:34:30,279 Speaker 1: and I was just I was, you know, and it 581 00:34:30,360 --> 00:34:32,640 Speaker 1: was great, don't get me wrong. And I don't know 582 00:34:32,680 --> 00:34:34,480 Speaker 1: what years from I don't know how old that is, 583 00:34:34,960 --> 00:34:36,520 Speaker 1: the Daisy Ridley one, and I don't know how many 584 00:34:36,560 --> 00:34:41,000 Speaker 1: she's been in It's it's like with like within ten 585 00:34:41,080 --> 00:34:42,920 Speaker 1: years or five years or something like that. But it 586 00:34:42,960 --> 00:34:45,240 Speaker 1: was so serious, and I was looking. I kept looking 587 00:34:45,239 --> 00:34:47,600 Speaker 1: for the humor, and I thought these set pieces in that, 588 00:34:47,960 --> 00:34:50,480 Speaker 1: these massive tidal waves and all this stuff going on, 589 00:34:50,600 --> 00:34:54,320 Speaker 1: and and these very serious people on camera. Everything serious, serious, serious, 590 00:34:54,680 --> 00:34:56,960 Speaker 1: And then I just I started thinking about the original 591 00:34:57,000 --> 00:35:00,239 Speaker 1: Star Wars and how funny it was. Yes and us 592 00:35:00,239 --> 00:35:02,600 Speaker 1: I agree. I agree with the lightness of it, and 593 00:35:02,640 --> 00:35:05,080 Speaker 1: how Harrison Ford kept it kind of light, and he 594 00:35:05,200 --> 00:35:08,320 Speaker 1: kept it like he just threw it away, right. He 595 00:35:08,400 --> 00:35:11,719 Speaker 1: threw scares all the time, all the time with with 596 00:35:11,800 --> 00:35:16,800 Speaker 1: Princess Leiah, right, Luke and everybody. Yes, he was throwing 597 00:35:17,080 --> 00:35:19,240 Speaker 1: lines all the time. It was all these one liners 598 00:35:19,239 --> 00:35:21,080 Speaker 1: and it would make you laugh. So you just you 599 00:35:21,200 --> 00:35:23,120 Speaker 1: just wanted to be in that world. And that's when 600 00:35:23,160 --> 00:35:26,320 Speaker 1: it hit me because Harrison Ford was on screen having 601 00:35:26,360 --> 00:35:29,160 Speaker 1: a scene with Adam Driver and the ocean is raging 602 00:35:29,160 --> 00:35:32,719 Speaker 1: around them, and I thought, that doesn't seem like Han 603 00:35:32,840 --> 00:35:36,360 Speaker 1: Solo at all. And then I went back and watched 604 00:35:36,360 --> 00:35:38,400 Speaker 1: a couple of clips from the original Star Wars and 605 00:35:38,440 --> 00:35:42,799 Speaker 1: I thought, good God, that's Luke. I am not mad 606 00:35:42,840 --> 00:35:47,400 Speaker 1: about it, and I get it. And also, I know 607 00:35:47,480 --> 00:35:51,480 Speaker 1: this sounds weird because what Han Solo war was different 608 00:35:51,560 --> 00:35:54,600 Speaker 1: than what Luke wears, but in my mind right now, 609 00:35:54,719 --> 00:35:58,000 Speaker 1: kind of the same, even though like Han Solo did 610 00:35:58,080 --> 00:35:59,520 Speaker 1: change his outfits, but it was always sort of that 611 00:35:59,640 --> 00:36:02,839 Speaker 1: same vibe. And I know you don't use the word 612 00:36:02,920 --> 00:36:07,080 Speaker 1: vibe from this episode, and Luke has that same sort 613 00:36:07,120 --> 00:36:16,000 Speaker 1: of rugged uniform I in And you know, I had 614 00:36:16,040 --> 00:36:19,000 Speaker 1: an encounter. Look, I should write a book about my 615 00:36:19,000 --> 00:36:22,520 Speaker 1: my New York City elevator encounters with celebrities. Celebrities that 616 00:36:22,560 --> 00:36:25,360 Speaker 1: ignore you when you bump into them. Yes, yes, exactly. 617 00:36:25,640 --> 00:36:30,320 Speaker 1: And I went into an elevator right around the Russian 618 00:36:30,320 --> 00:36:33,560 Speaker 1: Tea room. Uh I was in a building right around 619 00:36:33,600 --> 00:36:35,959 Speaker 1: the Russian and Metropolitan towers, that kind of thing. And 620 00:36:36,120 --> 00:36:38,640 Speaker 1: uh I got into an elevator and Harrison Ford was 621 00:36:38,680 --> 00:36:41,759 Speaker 1: there with an assistant or something and or and and 622 00:36:41,800 --> 00:36:43,640 Speaker 1: I came in and we just looked at each other, 623 00:36:44,280 --> 00:36:46,000 Speaker 1: and I just I didn't say anything till him. I 624 00:36:46,040 --> 00:36:47,920 Speaker 1: just said it was stunned. Was like, that's Harrison Ford. 625 00:36:47,960 --> 00:36:51,080 Speaker 1: And I said, another New York elevator situation and there 626 00:36:51,160 --> 00:36:54,200 Speaker 1: was just this this there was a vibe in the elevator, 627 00:36:54,200 --> 00:36:56,239 Speaker 1: there was this energy happening, and I was just like, 628 00:36:56,680 --> 00:37:03,600 Speaker 1: that's Harrison Ford, you know. Um anyway, Han Solo, Luke 629 00:37:04,160 --> 00:37:07,319 Speaker 1: is Han Solo. Ladies in Jil more Han Solo than 630 00:37:07,400 --> 00:37:13,160 Speaker 1: Indie Indiana Jones, but there's little Indiana John's but mostly solo, Yes, 631 00:37:13,239 --> 00:37:17,920 Speaker 1: but there is some of that too. I agree, get it. 632 00:37:18,080 --> 00:37:21,359 Speaker 1: Because of all of the of the big movie stars 633 00:37:21,400 --> 00:37:23,839 Speaker 1: that you can you know that you can think of 634 00:37:24,840 --> 00:37:28,280 Speaker 1: one of my favorites, and maybe my favorite is Harrison 635 00:37:28,320 --> 00:37:31,600 Speaker 1: Ford because of just what he brings to the table. 636 00:37:31,960 --> 00:37:34,719 Speaker 1: I mean, that attitude, that whole attitude. How does he 637 00:37:34,760 --> 00:37:37,319 Speaker 1: get away with it? He's so good at it and 638 00:37:37,400 --> 00:37:41,040 Speaker 1: he's so relaxed. So anyway, there you go. That's the revelation. 639 00:37:42,520 --> 00:37:44,200 Speaker 1: That's where I got it from. It was in my 640 00:37:44,280 --> 00:37:47,160 Speaker 1: subconscious all these years. What since the Star Wars came 641 00:37:47,200 --> 00:37:50,400 Speaker 1: out in something like that. Yeah, it's been in my 642 00:37:50,440 --> 00:37:52,680 Speaker 1: subconscious all of this time. It's been in my actor 643 00:37:52,719 --> 00:37:55,440 Speaker 1: brain all of this time, and I never realized it. 644 00:37:56,719 --> 00:37:59,759 Speaker 1: There it is, may the Force, May the Force be 645 00:37:59,840 --> 00:38:02,200 Speaker 1: with made the force ban the Force was with me. 646 00:38:04,200 --> 00:38:06,480 Speaker 1: Maybe that's the reason for all the Star Wars mentions 647 00:38:06,480 --> 00:38:11,919 Speaker 1: in Gum Girls. I don't know Star Trek though, don't 648 00:38:11,920 --> 00:38:13,960 Speaker 1: feel like there's heavy start track. I don't think there's 649 00:38:14,040 --> 00:38:18,640 Speaker 1: very much Shatner in what I'm doing. Not allow of 650 00:38:18,680 --> 00:38:27,160 Speaker 1: Shatner there. He used that force for the sledgehammer. We 651 00:38:27,200 --> 00:38:30,279 Speaker 1: interrupt this program to bring you a special report. They're 652 00:38:30,320 --> 00:38:34,080 Speaker 1: fun of sighting. Take it out of Los Angeles, California, 653 00:38:34,320 --> 00:38:40,839 Speaker 1: where Danielle Romo is standing by the clown pillow. Two 654 00:38:40,960 --> 00:38:43,160 Speaker 1: time mark for anybody that wants to check it out. 655 00:38:43,360 --> 00:38:46,760 Speaker 1: There was also half clown pillow at four, but full 656 00:38:46,840 --> 00:38:50,960 Speaker 1: on you are heading up that clown pillow department like 657 00:38:51,000 --> 00:38:57,600 Speaker 1: a champ time codes. I like it. She's head of CPD. 658 00:38:59,560 --> 00:39:02,520 Speaker 1: I will are that badge so proudly look at the 659 00:39:02,600 --> 00:39:06,320 Speaker 1: power behind the throne right there, and there you have it. 660 00:39:06,560 --> 00:39:10,720 Speaker 1: The clown pillow has turned up and yet another unexpected place. 661 00:39:11,719 --> 00:39:15,200 Speaker 1: And that's the way it is. This is Walter Cronkite. 662 00:39:16,120 --> 00:39:22,000 Speaker 1: Good night. Okay, So we're gonna take a little bit 663 00:39:22,000 --> 00:39:24,359 Speaker 1: of a break, everybody. We're gonna towel off with This 664 00:39:24,400 --> 00:39:29,680 Speaker 1: was a sweaty one. Oh my goodness, the energy, you know, 665 00:39:30,160 --> 00:39:32,719 Speaker 1: I remember the energy you have to expand to do 666 00:39:32,800 --> 00:39:35,759 Speaker 1: those rants. Those are those are sweaty affairs. You know, 667 00:39:35,800 --> 00:39:39,480 Speaker 1: you get a little hot under the collar. Um. Anyway, 668 00:39:40,280 --> 00:39:42,040 Speaker 1: we're gonna take a little break. We'll be right back 669 00:39:42,080 --> 00:39:56,800 Speaker 1: with best lines. Are everybody all right? Everybody? I don't yeah, 670 00:39:56,960 --> 00:40:01,160 Speaker 1: Well like that's like that's like podcast language only podcasters 671 00:40:01,200 --> 00:40:06,760 Speaker 1: and can understand it. Right. That means and we're back. 672 00:40:08,000 --> 00:40:12,359 Speaker 1: Uh listen, guys, Uh, we're back from our break and 673 00:40:12,400 --> 00:40:16,240 Speaker 1: we're going to do best lines. Okay, as if everybody 674 00:40:16,280 --> 00:40:22,359 Speaker 1: can gain their regain their composure amy best line, he's 675 00:40:22,400 --> 00:40:28,080 Speaker 1: indulged me I have to do. We ever, not don't 676 00:40:28,120 --> 00:40:31,080 Speaker 1: use the word vibe and then I love this one, Luke, 677 00:40:31,280 --> 00:40:33,600 Speaker 1: I'll meet you there in twenty and a half minutes, 678 00:40:34,200 --> 00:40:36,480 Speaker 1: because he doesn't like that they have the apartments of 679 00:40:36,560 --> 00:40:39,960 Speaker 1: the addresses and I have so laoralize this, Luke, I'll 680 00:40:39,960 --> 00:40:46,160 Speaker 1: meet Danielle. Mine was also a lower like quote. She 681 00:40:46,280 --> 00:40:49,080 Speaker 1: goes and she's talking to Luke. She goes, you'll meet 682 00:40:49,080 --> 00:40:55,360 Speaker 1: somebody someday, probably at a Timberland store. See how she 683 00:40:55,440 --> 00:41:02,400 Speaker 1: throws those. She throws those in there, uh riley minus 684 00:41:02,440 --> 00:41:06,080 Speaker 1: from Luke, and he says he's systematically buying up the town. 685 00:41:06,120 --> 00:41:08,960 Speaker 1: He's going to turn it into Taylorville, where everyone where 686 00:41:09,000 --> 00:41:14,440 Speaker 1: his cardigans and have the same cut grass height. Yeah, well, listen, 687 00:41:14,560 --> 00:41:18,040 Speaker 1: I always I always revert back to the mean, which 688 00:41:18,080 --> 00:41:21,319 Speaker 1: is Michelle. And I don't know exactly what he said, 689 00:41:21,320 --> 00:41:24,359 Speaker 1: but he had a scene with Laurel where she didn't 690 00:41:24,360 --> 00:41:28,480 Speaker 1: trust him about something and he got very and he 691 00:41:28,560 --> 00:41:30,920 Speaker 1: got very sarcastic with her, like, but how can you 692 00:41:30,960 --> 00:41:33,480 Speaker 1: trust me in the future to do anything? Answer the phone? 693 00:41:33,800 --> 00:41:35,400 Speaker 1: And what do you say? He was going to go 694 00:41:35,440 --> 00:41:38,120 Speaker 1: out and get a pineapple. Somebody's gonna put a hat 695 00:41:38,120 --> 00:41:39,960 Speaker 1: on my head. I'm gonna go join a congo line 696 00:41:40,960 --> 00:41:45,719 Speaker 1: for the bracelet and he's here. Are you sure right right? 697 00:41:47,120 --> 00:41:50,879 Speaker 1: So yeah, that's It's Michelle. It's always going to be Michelle. Alright, 698 00:41:50,880 --> 00:41:53,120 Speaker 1: everybody said, that's it. I'm Scott Patterson. This is the 699 00:41:53,120 --> 00:41:55,640 Speaker 1: I Am All In Podcast, I Hurt Radio, I want 700 00:41:55,640 --> 00:41:58,640 Speaker 1: to Live In Productions. We will see you next time 701 00:42:00,080 --> 00:42:03,520 Speaker 1: the next episode culture no I know. But for those 702 00:42:03,560 --> 00:42:09,800 Speaker 1: that maybe don't listen to Riley next episode number sixteen, 703 00:42:10,000 --> 00:42:13,000 Speaker 1: there's the rub. There's the rub. So we'll see you 704 00:42:13,080 --> 00:42:15,640 Speaker 1: next time. Everybody, best fans on the planet. Thanks for 705 00:42:15,640 --> 00:42:50,200 Speaker 1: your downloads, Thanks for listening, and stay safe everyone. Hey, everybody, 706 00:42:50,200 --> 00:42:53,520 Speaker 1: and don't forget follow us on Instagram at I Am 707 00:42:53,600 --> 00:42:57,600 Speaker 1: all In Podcast and email us at Gilmore at I 708 00:42:57,760 --> 00:43:01,000 Speaker 1: heart radio dot com. Oh you give more, fans. If 709 00:43:01,000 --> 00:43:02,959 Speaker 1: you're looking for the best cup of coffee in the world, 710 00:43:03,040 --> 00:43:06,960 Speaker 1: go to my website for my company scott EP dot com, 711 00:43:07,080 --> 00:43:09,240 Speaker 1: s C O T T y P dot com, scott 712 00:43:09,239 --> 00:43:22,240 Speaker 1: EP dot com Grade one Specialty Coffee. Yeah.