1
00:00:10,600 --> 00:00:14,280
Speaker 1: Hey, everybody, welcome to another episode of I Saw What

2
00:00:14,320 --> 00:00:17,680
Speaker 1: You Did. My name is Millie de Cheriko. I'm Danielle Henderson,

3
00:00:18,239 --> 00:00:20,200
Speaker 1: and we're the film podcast That Cares?

4
00:00:20,800 --> 00:00:22,440
Speaker 2: Are we not?

5
00:00:22,480 --> 00:00:22,800
Speaker 1: Really?

6
00:00:23,520 --> 00:00:26,520
Speaker 2: Sometimes I'm like, speak for yourself, bitch.

7
00:00:27,800 --> 00:00:32,159
Speaker 1: We know that, we know, we know.

8
00:00:33,360 --> 00:00:33,880
Speaker 2: I'm kidding.

9
00:00:33,920 --> 00:00:38,720
Speaker 1: You're having rage workouts these days, so I really, I

10
00:00:38,800 --> 00:00:40,040
Speaker 1: really am.

11
00:00:40,400 --> 00:00:43,040
Speaker 3: I posted about this on Instagram a few weeks ago.

12
00:00:43,080 --> 00:00:47,360
Speaker 3: But I hate working out in general, even though I

13
00:00:47,440 --> 00:00:49,800
Speaker 3: keep buying things like maybe this will be the reason

14
00:00:49,800 --> 00:00:52,000
Speaker 3: I work out, maybe this will help me, and so

15
00:00:52,080 --> 00:00:54,960
Speaker 3: I have stuff, but I hate using it. So I

16
00:00:55,040 --> 00:00:57,360
Speaker 3: decided because my you know, I went to my doctor

17
00:00:57,680 --> 00:01:01,960
Speaker 3: did all my appointments early this year just to cross

18
00:01:02,000 --> 00:01:05,560
Speaker 3: them off the old Luber list, and my doctor's like,

19
00:01:05,560 --> 00:01:07,760
Speaker 3: you're doing great, like keep going and you know, I

20
00:01:07,800 --> 00:01:10,240
Speaker 3: know you hate exercise, but you know, just do like

21
00:01:10,240 --> 00:01:12,480
Speaker 3: fifteen minutes a day and start there.

22
00:01:12,400 --> 00:01:14,399
Speaker 2: And just do that for a while. And I was like, okay.

23
00:01:15,280 --> 00:01:18,240
Speaker 3: And so that kind of gave me the idea, and

24
00:01:18,280 --> 00:01:21,679
Speaker 3: of course I morphed it into something negative and awful,

25
00:01:23,520 --> 00:01:25,640
Speaker 3: but I thought, all right, fifteen minutes, I can do that.

26
00:01:25,800 --> 00:01:27,880
Speaker 3: And then every time I would like read something in

27
00:01:27,920 --> 00:01:30,640
Speaker 3: the news, because you know, we live in America, so

28
00:01:30,680 --> 00:01:34,840
Speaker 3: I'm reading about how they want to make gender studies

29
00:01:34,920 --> 00:01:40,759
Speaker 3: illegal in certain states to major in in college for adults.

30
00:01:40,800 --> 00:01:45,400
Speaker 3: You know, they're constantly attacking trans rights and trans people,

31
00:01:45,680 --> 00:01:49,880
Speaker 3: and I just really I get so angry all the time.

32
00:01:50,440 --> 00:01:53,400
Speaker 3: But I also can't not listen to the news. I

33
00:01:53,480 --> 00:01:55,320
Speaker 3: kind of have to engage a little bit because I

34
00:01:55,400 --> 00:01:58,440
Speaker 3: enjoy knowing what's going on in the world. So what

35
00:01:58,520 --> 00:02:01,760
Speaker 3: I decided to do was turn that frown upside down.

36
00:02:03,400 --> 00:02:05,360
Speaker 3: And actually that's not even true. I'm turning that frown

37
00:02:05,400 --> 00:02:07,080
Speaker 3: into a much deeper frown.

38
00:02:10,440 --> 00:02:10,720
Speaker 1: Up.

39
00:02:11,280 --> 00:02:14,360
Speaker 2: Turn that turn up for.

40
00:02:14,320 --> 00:02:15,560
Speaker 1: What I.

41
00:02:17,280 --> 00:02:20,240
Speaker 3: So what I've decided to do is every time I

42
00:02:20,280 --> 00:02:22,440
Speaker 3: read something that makes me mad, or I see something

43
00:02:22,480 --> 00:02:24,840
Speaker 3: that makes me mad, which could be like a Kardashian

44
00:02:24,960 --> 00:02:26,680
Speaker 3: that comes across my Instagram.

45
00:02:26,240 --> 00:02:28,280
Speaker 2: Feed like and he like just like raises the old

46
00:02:28,280 --> 00:02:28,920
Speaker 2: blood pressure.

47
00:02:30,200 --> 00:02:32,639
Speaker 3: I just work out for fifteen minutes, So I either

48
00:02:32,680 --> 00:02:36,480
Speaker 3: hop on my treadmill, I jump by my little trampoline,

49
00:02:36,800 --> 00:02:39,760
Speaker 3: or I pick up my kettle mill for fifteen minutes,

50
00:02:39,960 --> 00:02:43,000
Speaker 3: I have to choose one of the three, and if

51
00:02:43,000 --> 00:02:45,320
Speaker 3: I hit an hour and a half for the day

52
00:02:45,360 --> 00:02:47,560
Speaker 3: because I can't be the person who goes from zero

53
00:02:47,600 --> 00:02:49,760
Speaker 3: to like working out seven hours a day, which I

54
00:02:49,800 --> 00:02:52,320
Speaker 3: easily could do living in America looking at the news.

55
00:02:52,560 --> 00:02:53,639
Speaker 2: So then I have to meditate.

56
00:02:54,840 --> 00:02:56,600
Speaker 3: So I kind of I joked when I posted the

57
00:02:56,639 --> 00:02:58,240
Speaker 3: video that like, oh, I meditate for like two hours

58
00:02:58,240 --> 00:03:00,400
Speaker 3: a day, just to indicate that I'm like fear all

59
00:03:00,440 --> 00:03:02,960
Speaker 3: the time. But I probably meditate like a half hour

60
00:03:03,080 --> 00:03:06,000
Speaker 3: a day, Okay, But it's been making me work out,

61
00:03:06,320 --> 00:03:08,880
Speaker 3: and I've been doing this for a couple of months

62
00:03:09,160 --> 00:03:11,760
Speaker 3: and I've lost thirty pounds since November.

63
00:03:12,160 --> 00:03:14,000
Speaker 1: Whoa, that's incredible.

64
00:03:15,120 --> 00:03:16,800
Speaker 3: And I just kind of feel like I'm not going

65
00:03:16,840 --> 00:03:19,639
Speaker 3: to let America kill me or ruin my health anymore

66
00:03:20,120 --> 00:03:24,120
Speaker 3: because I've been living in this state of such anger

67
00:03:24,280 --> 00:03:26,640
Speaker 3: and stress for the past few years or really you know,

68
00:03:26,720 --> 00:03:29,640
Speaker 3: forever for most of my life, but it's been exacerbated

69
00:03:29,680 --> 00:03:32,120
Speaker 3: but for the past few years, and I just can't

70
00:03:32,160 --> 00:03:34,800
Speaker 3: keep letting this country ruin me personally.

71
00:03:35,400 --> 00:03:40,560
Speaker 1: Yeah. Yeah, well, look, they always say, like, you know,

72
00:03:40,600 --> 00:03:44,280
Speaker 1: if you want to do something, attach it to some

73
00:03:44,480 --> 00:03:48,920
Speaker 1: other external reason, right, So like most people are like, well,

74
00:03:48,960 --> 00:03:51,600
Speaker 1: if I work out, then I get to watch another

75
00:03:51,640 --> 00:03:54,200
Speaker 1: episode of vander Pump rules or something on my iPad

76
00:03:54,240 --> 00:03:56,640
Speaker 1: while I'm on the treadmill. But I like this angle

77
00:03:56,720 --> 00:04:00,720
Speaker 1: of being like, well, I hate the fucking world right now,

78
00:04:00,800 --> 00:04:05,480
Speaker 1: so let me channel that into rage on my kettlebell

79
00:04:05,640 --> 00:04:08,200
Speaker 1: or whatever, trampoline, let.

80
00:04:08,040 --> 00:04:09,000
Speaker 2: Me go for a little walk.

81
00:04:09,440 --> 00:04:11,800
Speaker 3: I mean sometimes some days it's all treadmills. Some days

82
00:04:11,800 --> 00:04:14,200
Speaker 3: it's a mixture of three. You know. I kind of

83
00:04:14,560 --> 00:04:17,000
Speaker 3: gave myself some options because I also know that, like,

84
00:04:17,040 --> 00:04:18,120
Speaker 3: I don't want to do any of it.

85
00:04:18,240 --> 00:04:20,160
Speaker 2: The thing I like the most is walking. But I

86
00:04:20,200 --> 00:04:21,120
Speaker 2: don't want to do any of it.

87
00:04:21,480 --> 00:04:23,600
Speaker 3: But jumping on a trampoline for fifteen minutes, we'll get

88
00:04:23,640 --> 00:04:24,320
Speaker 3: your heart going.

89
00:04:25,720 --> 00:04:29,200
Speaker 1: Yeah, that is it. So I am very curious about

90
00:04:29,240 --> 00:04:36,280
Speaker 1: your trampoline exercise experience because that, to me, I feel

91
00:04:36,320 --> 00:04:39,800
Speaker 1: like there are definite like workout trends that kind of

92
00:04:39,839 --> 00:04:44,360
Speaker 1: come back. And the trampoline has a jump rope. But

93
00:04:45,080 --> 00:04:47,159
Speaker 1: these are things that I remember from being a child

94
00:04:47,160 --> 00:04:50,880
Speaker 1: that now are like being used by like NBA basketball

95
00:04:50,920 --> 00:04:53,679
Speaker 1: players during the off season type of shit. And I'm like, Okay,

96
00:04:53,720 --> 00:04:56,360
Speaker 1: so now we're all jumping on trampolines, which is great.

97
00:04:56,440 --> 00:04:59,440
Speaker 1: I'm totally into that. But I'm like, is it a

98
00:04:59,440 --> 00:05:04,000
Speaker 1: good workout? Do you feel like you've performed cardio exercise?

99
00:05:04,279 --> 00:05:06,080
Speaker 1: Because I would just be jumping around trying to do

100
00:05:06,120 --> 00:05:09,120
Speaker 1: flips and be an idiot, but you know, no.

101
00:05:09,160 --> 00:05:11,040
Speaker 2: You cannot try to do flips. It is.

102
00:05:11,120 --> 00:05:15,080
Speaker 3: There are so many of you, Like google YouTube or YouTube,

103
00:05:15,480 --> 00:05:18,200
Speaker 3: look up on YouTube trampoline workouts. There are so many

104
00:05:18,200 --> 00:05:20,880
Speaker 3: people who have put so much effort into crafting a

105
00:05:20,920 --> 00:05:24,479
Speaker 3: workout that let you feel it's really intense cardio, but

106
00:05:24,560 --> 00:05:27,120
Speaker 3: it's low impact intense cardio, so it's like not hurting

107
00:05:27,240 --> 00:05:29,320
Speaker 3: the joints. It's not hurt, Like I don't hurt when

108
00:05:29,320 --> 00:05:33,040
Speaker 3: I'm done with it. Yeah, And there's this one. The

109
00:05:33,279 --> 00:05:35,479
Speaker 3: reason I even started doing trampoline because I follow this

110
00:05:35,520 --> 00:05:39,120
Speaker 3: woman on Instagram who was posting about her own routine

111
00:05:39,560 --> 00:05:41,200
Speaker 3: and she was really into it and she's like, you know,

112
00:05:41,240 --> 00:05:43,560
Speaker 3: I hate working out, but this is what got me going,

113
00:05:43,720 --> 00:05:44,800
Speaker 3: and so I'm like, all right, I'll try it.

114
00:05:44,800 --> 00:05:47,320
Speaker 2: So I got this little trampoline. I ordered one and

115
00:05:47,400 --> 00:05:48,040
Speaker 2: put it together.

116
00:05:48,680 --> 00:05:52,800
Speaker 3: And she was the one who turned me onto this

117
00:05:53,040 --> 00:05:57,719
Speaker 3: business called the Ness and SS okay, and they have

118
00:05:58,040 --> 00:06:02,560
Speaker 3: like really intense but I shouldn't say intense like they

119
00:06:02,560 --> 00:06:06,480
Speaker 3: have a variety of trampoline classes and you can sign

120
00:06:06,560 --> 00:06:08,960
Speaker 3: up for like a monthly pass and or you can

121
00:06:09,040 --> 00:06:11,919
Speaker 3: just do like a one off class. So I tried

122
00:06:11,960 --> 00:06:14,320
Speaker 3: it and I am not coordinated enough to do the

123
00:06:14,400 --> 00:06:19,000
Speaker 3: nests yet. Yes, So there are like much more low

124
00:06:19,080 --> 00:06:22,760
Speaker 3: key workouts that I have found that are workouts. I

125
00:06:22,760 --> 00:06:25,240
Speaker 3: mean it's working, Like I'm losing weight and feeling good

126
00:06:25,240 --> 00:06:27,039
Speaker 3: and my numbers are all down and my cholesters are

127
00:06:27,080 --> 00:06:32,080
Speaker 3: all down. Yeah, well it's working, dude.

128
00:06:32,120 --> 00:06:36,880
Speaker 1: Okay, So this is this is interesting because I there's

129
00:06:36,920 --> 00:06:40,280
Speaker 1: a woman who used to be in my dance class, right,

130
00:06:41,240 --> 00:06:44,560
Speaker 1: she has an Instagram. I don't think she's a fitness

131
00:06:45,200 --> 00:06:47,839
Speaker 1: influencer in the traditional sense. I just think that she

132
00:06:48,000 --> 00:06:50,120
Speaker 1: likes to film her workouts, which I have a lot

133
00:06:50,120 --> 00:06:53,600
Speaker 1: of friends that film workouts. I have been on the

134
00:06:53,600 --> 00:06:55,960
Speaker 1: border of filming one, but then I'm like no, I

135
00:06:56,000 --> 00:06:59,160
Speaker 1: look like shit, I am not. There's no example from this.

136
00:06:59,240 --> 00:07:02,039
Speaker 3: I'm like, pep, like film it just to check their

137
00:07:02,120 --> 00:07:05,240
Speaker 3: form or like yeah, I think that that is.

138
00:07:06,240 --> 00:07:09,000
Speaker 1: I think that that is what the original intention of

139
00:07:09,080 --> 00:07:12,320
Speaker 1: people who film themselves are trying to do is, especially

140
00:07:12,360 --> 00:07:14,240
Speaker 1: if you're doing like weightlifting, you know, you want if

141
00:07:14,240 --> 00:07:15,680
Speaker 1: you're doing a deadlift, you want to make sure that

142
00:07:15,720 --> 00:07:18,960
Speaker 1: you're not like having in proper form. But sometimes I

143
00:07:19,000 --> 00:07:21,080
Speaker 1: think people, I think now people just like to film

144
00:07:21,120 --> 00:07:27,480
Speaker 1: themselves working out because it's maybe inspirational, or they look good.

145
00:07:27,840 --> 00:07:32,760
Speaker 1: They they've purchased a four hundred dollars sportspra and matching

146
00:07:33,400 --> 00:07:34,960
Speaker 1: legging set. They just want to show it off. I

147
00:07:34,960 --> 00:07:37,600
Speaker 1: don't know, like or or they're trying to get sponsorships.

148
00:07:37,640 --> 00:07:39,680
Speaker 1: I don't know. It's kind of a dark world. I

149
00:07:39,720 --> 00:07:43,720
Speaker 1: gotta be honest, but I but she films, She films herself,

150
00:07:43,800 --> 00:07:47,200
Speaker 1: and she so she was taking the class because as

151
00:07:47,240 --> 00:07:49,080
Speaker 1: you know, as I've talked about this dance class that

152
00:07:49,080 --> 00:07:50,760
Speaker 1: I've been taking for years and years and years has

153
00:07:50,800 --> 00:07:53,320
Speaker 1: been going on for like twenty years. It's it's like

154
00:07:53,360 --> 00:07:57,920
Speaker 1: a long term dance class that you know, people have

155
00:07:58,000 --> 00:08:01,400
Speaker 1: been taking at various locations throughout Atlanta for like decades. Okay,

156
00:08:01,480 --> 00:08:04,000
Speaker 1: at a certain point, she stopped coming to our class,

157
00:08:04,360 --> 00:08:07,680
Speaker 1: and everyone was like, oh, she's starting to take new

158
00:08:07,760 --> 00:08:10,760
Speaker 1: classes at these all these different places. And so, you know,

159
00:08:10,760 --> 00:08:15,440
Speaker 1: I was following her on Instagram and she takes the

160
00:08:15,640 --> 00:08:18,960
Speaker 1: wildest classes, like things where I feel like it might

161
00:08:19,000 --> 00:08:21,520
Speaker 1: be just an Atlanta thing. I'm not sure, but like,

162
00:08:21,520 --> 00:08:24,480
Speaker 1: like she takes us one class where it's literally like

163
00:08:24,560 --> 00:08:29,080
Speaker 1: it it feels like you know those like step class.

164
00:08:29,120 --> 00:08:30,920
Speaker 1: You know, like how they used to do aerobics in

165
00:08:30,960 --> 00:08:32,640
Speaker 1: like the nineties on it was like a step and

166
00:08:32,679 --> 00:08:35,720
Speaker 1: people would be like stepping up and down. It's that

167
00:08:35,920 --> 00:08:42,080
Speaker 1: except with like concrete blocks, and it's an entire of

168
00:08:42,120 --> 00:08:45,640
Speaker 1: people doing a step routine on top of concrete blocks,

169
00:08:45,679 --> 00:08:49,320
Speaker 1: like building blocks for like buildings, And then there's a

170
00:08:49,320 --> 00:08:53,720
Speaker 1: guy with a microphone who's like screaming at people, and

171
00:08:53,800 --> 00:08:57,840
Speaker 1: like they're playing like twenty one Savage or like ASoP

172
00:08:57,960 --> 00:09:00,439
Speaker 1: FORERG or something like behind them. So it's like really

173
00:09:00,480 --> 00:09:04,840
Speaker 1: loud like trap music with somebody yelling and people jumping

174
00:09:04,920 --> 00:09:05,800
Speaker 1: up and out on bricks.

175
00:09:05,800 --> 00:09:08,679
Speaker 3: So I'm like, Okay, sure she hasn't been kidnapped, like

176
00:09:09,320 --> 00:09:10,320
Speaker 3: I know it's like.

177
00:09:10,559 --> 00:09:13,280
Speaker 1: But essentially she takes that class, which I thought, man,

178
00:09:13,320 --> 00:09:14,960
Speaker 1: I want to take that class. That seems so fun.

179
00:09:15,160 --> 00:09:18,520
Speaker 1: But then she takes a trampoline class and it's kind

180
00:09:18,520 --> 00:09:21,800
Speaker 1: of the same thing where it's like a room full

181
00:09:21,840 --> 00:09:25,439
Speaker 1: of people on these little mini trampolines and they're playing

182
00:09:25,480 --> 00:09:29,400
Speaker 1: trap music and people are like yelling and it looks

183
00:09:29,480 --> 00:09:34,000
Speaker 1: so intense, and I'm like, I kind of want to

184
00:09:34,040 --> 00:09:36,800
Speaker 1: take that class. I know it seems crazy, but I'm like,

185
00:09:37,559 --> 00:09:40,760
Speaker 1: and everyone's sweating, like it looks like such an intense workout.

186
00:09:40,840 --> 00:09:43,520
Speaker 1: So ever since I've seen that, I'm like, I gotta

187
00:09:44,040 --> 00:09:47,080
Speaker 1: check out this trampoline class. But like, if you have

188
00:09:47,160 --> 00:09:49,400
Speaker 1: a home trampoline and you're just doing the exercises, maybe

189
00:09:49,400 --> 00:09:52,040
Speaker 1: I can like start with that and then attend the class,

190
00:09:52,120 --> 00:09:52,680
Speaker 1: you know what I mean.

191
00:09:52,720 --> 00:09:55,480
Speaker 3: I would never do a trampoline class, especially if trap

192
00:09:55,559 --> 00:09:58,079
Speaker 3: music is like the core of that class.

193
00:09:58,120 --> 00:10:01,160
Speaker 2: Like I can't move it that piece yet.

194
00:10:02,640 --> 00:10:05,240
Speaker 3: I'm happy with where I am. I'm challenging myself, but

195
00:10:05,280 --> 00:10:09,640
Speaker 3: I can't. I'm not at trap music workout yet. Maybe

196
00:10:09,679 --> 00:10:14,120
Speaker 3: I should aspire to that. But Atlanta has some of

197
00:10:14,160 --> 00:10:18,440
Speaker 3: the wildest workout classes I think in the country. And

198
00:10:18,480 --> 00:10:22,439
Speaker 3: I say that because I keep seeing every once in

199
00:10:22,520 --> 00:10:25,320
Speaker 3: a while on my Instagram, like reels, it'll pop up

200
00:10:25,360 --> 00:10:27,920
Speaker 3: that there's like look at this seventy year old woman

201
00:10:27,960 --> 00:10:30,480
Speaker 3: in this class like ripping it up, and it's always

202
00:10:30,480 --> 00:10:33,080
Speaker 3: in Atlanta, or like, look at this person who's got

203
00:10:33,200 --> 00:10:35,760
Speaker 3: you know. I it's just always like a person who

204
00:10:35,800 --> 00:10:37,640
Speaker 3: you never expect to be working out at.

205
00:10:37,520 --> 00:10:39,600
Speaker 2: That level going so hard.

206
00:10:40,240 --> 00:10:41,800
Speaker 1: I hope it's not me. I hope I'm not the

207
00:10:41,840 --> 00:10:44,440
Speaker 1: seventy year old somebody's like filming me secretly and being like,

208
00:10:44,559 --> 00:10:48,280
Speaker 1: look at this seventy year old woman who pushes beyond

209
00:10:48,360 --> 00:10:52,480
Speaker 1: her physical limitations. She should be an inspiration to us all.

210
00:10:54,120 --> 00:10:58,400
Speaker 2: Look at her. Go she came back. I can't believe

211
00:10:58,440 --> 00:11:03,400
Speaker 2: she came back. She's no.

212
00:11:03,520 --> 00:11:06,480
Speaker 3: It's like and it's wild, but it is always in Atlanta.

213
00:11:06,679 --> 00:11:08,480
Speaker 3: So I don't know what is happening in Atlanta, but

214
00:11:08,520 --> 00:11:12,680
Speaker 3: it's or like you know those those those spin classes

215
00:11:12,720 --> 00:11:15,560
Speaker 3: where people are like really like bounce in and always

216
00:11:15,559 --> 00:11:16,120
Speaker 3: in Atlanta.

217
00:11:16,440 --> 00:11:19,120
Speaker 1: Yeah, I mean, we just do things a little differently

218
00:11:19,160 --> 00:11:22,760
Speaker 1: around here. But I think you're I think there's something

219
00:11:22,800 --> 00:11:30,160
Speaker 1: to that though, because there there is this a so oh.

220
00:11:30,240 --> 00:11:32,120
Speaker 1: I used to have a personal trainer many years ago

221
00:11:32,360 --> 00:11:35,559
Speaker 1: before I moved to LA right, and I'm not saying

222
00:11:35,559 --> 00:11:38,040
Speaker 1: that to be fancy. He was just literally a dude

223
00:11:38,160 --> 00:11:42,040
Speaker 1: that was assigned to me at La Fitness. Okay. It

224
00:11:42,080 --> 00:11:46,120
Speaker 1: was not like I'm not like a Kardashian, Okay, I don't.

225
00:11:45,920 --> 00:11:48,520
Speaker 2: Think you have to be a Kardashian have a personal trainer.

226
00:11:50,240 --> 00:11:54,480
Speaker 1: Like this. People people seem to think that a personal

227
00:11:54,480 --> 00:11:57,800
Speaker 1: trainer is like some fanciful like not all these are

228
00:11:58,200 --> 00:11:59,840
Speaker 1: a lot of times it's normal people who are just

229
00:11:59,840 --> 00:12:01,280
Speaker 1: like need somebody to teach me how to do sit

230
00:12:01,360 --> 00:12:05,080
Speaker 1: ups or whatever. That's what I was doing. But I

231
00:12:05,080 --> 00:12:07,600
Speaker 1: think I've talked about him before, but he he was

232
00:12:07,600 --> 00:12:10,160
Speaker 1: like a firefighter and he was like the cutest dude ever.

233
00:12:10,240 --> 00:12:12,760
Speaker 1: And he had two brothers and they were also firefighters,

234
00:12:12,760 --> 00:12:16,360
Speaker 1: and they were all like total muscle bound Jim guys.

235
00:12:16,440 --> 00:12:20,280
Speaker 1: They were just goofy. They loved Marvel movies, like they're

236
00:12:20,320 --> 00:12:26,679
Speaker 1: just like goodnatured bros. And so I still follow him

237
00:12:26,720 --> 00:12:31,440
Speaker 1: on Instagram and he has a personal trainer. I didn't

238
00:12:31,480 --> 00:12:32,920
Speaker 1: know you could be a personal trainer.

239
00:12:33,960 --> 00:12:36,800
Speaker 3: Well, look, doctors have to have doctors, Therapists have to

240
00:12:36,840 --> 00:12:39,040
Speaker 3: have therapists. Maybe a trainer has to have a trainer

241
00:12:39,080 --> 00:12:41,480
Speaker 3: and find out what's new and what's shaken.

242
00:12:41,960 --> 00:12:46,640
Speaker 1: Yeah, well so, and I think it's because Gerald, who's

243
00:12:46,679 --> 00:12:51,720
Speaker 1: my old trainer, he is now moving into like professional bodybuilding, right,

244
00:12:51,800 --> 00:12:53,800
Speaker 1: so I think he's got like a coach or a

245
00:12:53,840 --> 00:12:58,080
Speaker 1: trainer who's helping him at the competitive level. So I

246
00:12:58,440 --> 00:13:03,000
Speaker 1: wandered onto this guys Instagram and this is an Atlantic guy,

247
00:13:03,760 --> 00:13:07,600
Speaker 1: and it is the most intense shit I have ever

248
00:13:07,640 --> 00:13:10,240
Speaker 1: seen in my life, to the point where I it

249
00:13:10,360 --> 00:13:14,480
Speaker 1: is comical. It is comical how intense this guy is

250
00:13:15,520 --> 00:13:17,559
Speaker 1: when he goes to workout. There are videos of him

251
00:13:17,559 --> 00:13:20,679
Speaker 1: working out and he's like at the free weight section

252
00:13:20,880 --> 00:13:26,560
Speaker 1: of the gym and he's lifting the heaviest weights that

253
00:13:26,600 --> 00:13:31,800
Speaker 1: they can find and is screaming bloody murder and cussing,

254
00:13:32,160 --> 00:13:36,679
Speaker 1: like cussing. He sounds like Linda Blair from The Exorcist,

255
00:13:36,840 --> 00:13:41,440
Speaker 1: Like he's screaming and like the eyeballs are about to

256
00:13:41,480 --> 00:13:46,760
Speaker 1: like fall out of the sockets and he's barefoot. Oh,

257
00:13:46,760 --> 00:13:51,200
Speaker 1: he's like God, and he's just like he's like he

258
00:13:51,320 --> 00:13:54,560
Speaker 1: kind of reminds me, maybe in a small way, of

259
00:13:54,600 --> 00:13:57,840
Speaker 1: what you're trying to do, which is channeling pure rage

260
00:13:58,080 --> 00:14:02,480
Speaker 1: into a workout scenario. And he's at.

261
00:14:02,400 --> 00:14:05,000
Speaker 3: Another level man, like he is like I'm trying to

262
00:14:05,080 --> 00:14:07,280
Speaker 3: channel it just to get on the machine or lift

263
00:14:07,280 --> 00:14:09,600
Speaker 3: the weight. He's like, I will channel this so that

264
00:14:09,640 --> 00:14:11,559
Speaker 3: I it all comes out of me like a demon.

265
00:14:11,920 --> 00:14:12,079
Speaker 2: Yeah.

266
00:14:12,160 --> 00:14:16,120
Speaker 1: Yeah, Oh, it is very like like demons being exercised,

267
00:14:16,600 --> 00:14:19,280
Speaker 1: and I swear I think he's like very close to

268
00:14:19,360 --> 00:14:21,920
Speaker 1: like lifting up a building or a car, like he's

269
00:14:22,160 --> 00:14:25,200
Speaker 1: he's trying to do that at a level. I mean,

270
00:14:25,240 --> 00:14:28,720
Speaker 1: it's just so you just count the weights on his

271
00:14:28,920 --> 00:14:32,760
Speaker 1: bar and you're like, is this like seven hundred pounds.

272
00:14:32,360 --> 00:14:33,120
Speaker 2: Like what is he doing?

273
00:14:33,320 --> 00:14:37,320
Speaker 1: And he's like probably tearing his anus or something like

274
00:14:37,360 --> 00:14:39,280
Speaker 1: there's just no way that he's not.

275
00:14:39,480 --> 00:14:41,200
Speaker 2: Oh, he's got a prolapse.

276
00:14:41,240 --> 00:14:45,280
Speaker 3: If you're at that level of you gotta something has prolapsed.

277
00:14:45,720 --> 00:14:45,920
Speaker 2: Well.

278
00:14:45,960 --> 00:14:49,640
Speaker 1: And then the best part is that, Okay, so he's

279
00:14:49,680 --> 00:14:55,400
Speaker 1: filming himself screaming and saying like you know, he's saying

280
00:14:55,400 --> 00:14:58,480
Speaker 1: these like very satanic things. But then there's also this

281
00:14:58,600 --> 00:15:02,680
Speaker 1: like music bed that's playing and it's like, I don't

282
00:15:02,680 --> 00:15:05,160
Speaker 1: know what this is. It's basically it sounds like the

283
00:15:05,200 --> 00:15:07,800
Speaker 1: beginning of a rap song where somebody says like some

284
00:15:07,960 --> 00:15:12,240
Speaker 1: inspirational quote. It's like the beginning of like Regulator, like

285
00:15:12,440 --> 00:15:15,480
Speaker 1: the Regulators from Warren g where it's like the quote

286
00:15:15,520 --> 00:15:19,680
Speaker 1: from whatever it was, Young Guns, where it's like it

287
00:15:19,880 --> 00:15:25,800
Speaker 1: just sounds like inspirational good people saying words to trap music. Songs,

288
00:15:25,840 --> 00:15:29,280
Speaker 1: and that's the background of a video where a guy

289
00:15:29,360 --> 00:15:32,600
Speaker 1: is screaming bloody mold like hell.

290
00:15:32,680 --> 00:15:35,720
Speaker 3: It's like Karra Brock is like radical acceptance in the

291
00:15:35,760 --> 00:15:39,160
Speaker 3: background and he's like, fucking fuck this shit.

292
00:15:39,880 --> 00:15:44,120
Speaker 1: It's it is like layers upon layers of like it

293
00:15:44,200 --> 00:15:45,800
Speaker 1: is the funniest.

294
00:15:45,360 --> 00:15:48,680
Speaker 4: Shit to me, Like, I'm what this guy does this

295
00:15:48,840 --> 00:15:51,800
Speaker 4: like five times a week where he is at this

296
00:15:51,920 --> 00:15:55,760
Speaker 4: level of like exertion and intensity.

297
00:15:57,160 --> 00:15:59,280
Speaker 1: It's so puzzling to me.

298
00:15:59,320 --> 00:16:01,160
Speaker 2: But I I can't get to her barefoot.

299
00:16:01,200 --> 00:16:04,320
Speaker 3: I still get in in public barefoot and in public,

300
00:16:04,600 --> 00:16:06,480
Speaker 3: like I work out at home for a reason, and

301
00:16:06,520 --> 00:16:08,280
Speaker 3: the reason is I don't want to look like I

302
00:16:08,320 --> 00:16:09,760
Speaker 3: don't want to be on somebody's.

303
00:16:09,400 --> 00:16:11,240
Speaker 2: Instagram, like look at this motherfucker.

304
00:16:13,200 --> 00:16:18,000
Speaker 1: And I also love to when like you go to

305
00:16:18,040 --> 00:16:19,960
Speaker 1: the gym and you see guys that are doing that

306
00:16:20,440 --> 00:16:25,040
Speaker 1: and they just have jugs of water, like and there

307
00:16:25,080 --> 00:16:30,520
Speaker 1: there's powders. There's like powder shit everywhere, like it's all

308
00:16:30,520 --> 00:16:35,280
Speaker 1: this like pre workout, fucking lines of pre workout just

309
00:16:35,320 --> 00:16:39,240
Speaker 1: like spread everywhere to like what in the world is this?

310
00:16:39,240 --> 00:16:41,640
Speaker 2: This is like it's so intense.

311
00:16:41,880 --> 00:16:45,120
Speaker 3: I would not be at all surprised if one day

312
00:16:45,600 --> 00:16:47,720
Speaker 3: we see a video of somebody walking into a gym

313
00:16:47,760 --> 00:16:50,400
Speaker 3: with one of those like Saint Bernard whiskey barrels around

314
00:16:50,400 --> 00:16:52,000
Speaker 3: their neck, except it's filled with like.

315
00:16:51,920 --> 00:16:53,680
Speaker 2: Fucking muscle milk or something.

316
00:16:55,360 --> 00:16:57,320
Speaker 3: Like. It's like a camel back. It's got a straw

317
00:16:57,360 --> 00:16:59,160
Speaker 3: coming out of it, but it's just like a little

318
00:16:59,160 --> 00:17:00,119
Speaker 3: whiskey barrel.

319
00:17:00,080 --> 00:17:00,720
Speaker 2: Out their neck.

320
00:17:03,000 --> 00:17:06,800
Speaker 1: Yeah, it's like it's like the camelback straw going into

321
00:17:06,800 --> 00:17:12,560
Speaker 1: a whiskey barrel filled with like cocaine water. People just

322
00:17:12,640 --> 00:17:17,600
Speaker 1: like screaming, like blowing like out blood vessels in their

323
00:17:17,760 --> 00:17:18,240
Speaker 1: heads and.

324
00:17:18,200 --> 00:17:20,560
Speaker 2: Ship having aneurysms.

325
00:17:20,880 --> 00:17:22,960
Speaker 1: So are you are you thinking you're going to get

326
00:17:23,000 --> 00:17:26,920
Speaker 1: to that point? I would I would love to see you.

327
00:17:27,359 --> 00:17:30,240
Speaker 2: If I do. I need you to come fly here.

328
00:17:31,760 --> 00:17:37,320
Speaker 3: And genuinely commit me somewhere like I cannot. I cannot

329
00:17:37,440 --> 00:17:39,919
Speaker 3: ever imagine getting to that level because my goal is

330
00:17:40,000 --> 00:17:42,040
Speaker 3: just to like bring the bring the blood pressure down

331
00:17:42,760 --> 00:17:46,560
Speaker 3: and like you know, feel the strength in my body

332
00:17:46,560 --> 00:17:49,240
Speaker 3: instead of in my instead of feeling the horror in

333
00:17:49,320 --> 00:17:52,840
Speaker 3: my soul. So I can't I can't get to that level.

334
00:17:52,880 --> 00:17:54,560
Speaker 3: I don't want to get to that level. I know

335
00:17:54,560 --> 00:17:56,439
Speaker 3: a lot of people who go real hard, but like

336
00:17:56,600 --> 00:18:00,679
Speaker 3: I cannot imagine my goals ever shifting to that.

337
00:18:01,240 --> 00:18:05,320
Speaker 1: Yeah. Well, and like I mean speaking of like I

338
00:18:05,320 --> 00:18:10,360
Speaker 1: didn't just read atomic habits or anything, I promise, but like,

339
00:18:10,680 --> 00:18:14,080
Speaker 1: in order for me to continue to do something that's

340
00:18:14,119 --> 00:18:17,040
Speaker 1: good for me, I have to like envision myself as

341
00:18:17,080 --> 00:18:20,000
Speaker 1: the type of person who would do that kind of thing, right,

342
00:18:20,080 --> 00:18:23,320
Speaker 1: because so much of like my own brain is that

343
00:18:23,600 --> 00:18:27,800
Speaker 1: it is always like trying to tell myself like, oh,

344
00:18:27,800 --> 00:18:29,520
Speaker 1: you would never do that because you're not that type

345
00:18:29,560 --> 00:18:31,960
Speaker 1: of person. You would never do X, Y and Z

346
00:18:32,080 --> 00:18:35,800
Speaker 1: because that's not your vibe or whatever. And I think

347
00:18:35,840 --> 00:18:39,760
Speaker 1: that like a lot of my head about working out

348
00:18:39,840 --> 00:18:44,400
Speaker 1: is me going like, Okay, I'm not like collapsing my butthole,

349
00:18:45,560 --> 00:18:50,280
Speaker 1: but I could definitely like go in there. I'd wear socks.

350
00:18:50,320 --> 00:18:52,720
Speaker 1: I wouldn't go completely barefoot, but I could lift weights

351
00:18:52,720 --> 00:18:53,680
Speaker 1: and socks.

352
00:18:53,560 --> 00:18:55,879
Speaker 3: You know, go all the way, wear the whole shoe,

353
00:18:56,160 --> 00:18:59,160
Speaker 3: go all the way. Envision yourself as a person who

354
00:18:59,160 --> 00:19:01,400
Speaker 3: would wear socks and sneakers in a public gin.

355
00:19:01,960 --> 00:19:04,639
Speaker 1: Yeah, I mean, I carry around a giant water bottle,

356
00:19:04,760 --> 00:19:06,840
Speaker 1: not gonna lie, but there's no pre workout in it.

357
00:19:06,720 --> 00:19:08,760
Speaker 1: It's just water and it's because I just want to

358
00:19:08,800 --> 00:19:10,840
Speaker 1: drink more water. It's like I have to like I

359
00:19:10,880 --> 00:19:13,240
Speaker 1: can do a little bit of it but not go

360
00:19:13,400 --> 00:19:16,600
Speaker 1: full on. I guess like you can walk up, run in,

361
00:19:16,720 --> 00:19:19,000
Speaker 1: but you can't wear the predator.

362
00:19:18,600 --> 00:19:20,280
Speaker 2: Mask like it's exactly thing.

363
00:19:20,800 --> 00:19:24,640
Speaker 1: So hopefully that's enough, Like you can find a balance

364
00:19:24,680 --> 00:19:27,920
Speaker 1: of like, oh, well I can I can do this,

365
00:19:28,280 --> 00:19:30,199
Speaker 1: but it's in my own way and I don't have

366
00:19:30,280 --> 00:19:32,080
Speaker 1: to do that right And yeah, like.

367
00:19:32,320 --> 00:19:35,880
Speaker 3: I've definitely had to work to change my own narrative

368
00:19:35,920 --> 00:19:37,679
Speaker 3: and my own story about like, well, you're just a

369
00:19:37,720 --> 00:19:40,960
Speaker 3: nerd who does not have any strength and you're not

370
00:19:40,960 --> 00:19:43,560
Speaker 3: a workout person. So I've definitely had to change that

371
00:19:43,640 --> 00:19:45,200
Speaker 3: a little bit, even just to get to these little

372
00:19:45,240 --> 00:19:50,600
Speaker 3: fifteen minute increment workouts. But also it's it's helped me.

373
00:19:51,600 --> 00:19:53,880
Speaker 3: The other part of working out for me that's helpful

374
00:19:54,480 --> 00:19:57,280
Speaker 3: is that I'm genuinely using it to help my brain.

375
00:19:57,359 --> 00:20:00,560
Speaker 3: It's like the last thing I haven't tried for my depression,

376
00:20:01,119 --> 00:20:04,560
Speaker 3: and so I'm trying to become that person who's like, oh,

377
00:20:04,720 --> 00:20:08,720
Speaker 3: instead of just being sad and taking your pills, maybe

378
00:20:08,760 --> 00:20:12,159
Speaker 3: do something with your body to help your brain. And

379
00:20:12,200 --> 00:20:15,080
Speaker 3: that's what comes from going to therapy twice a week,

380
00:20:15,520 --> 00:20:18,040
Speaker 3: which I am now doing, and yeah, I'm just kind

381
00:20:18,040 --> 00:20:20,399
Speaker 3: of trying, like it's the last ditch effort. It's the

382
00:20:20,400 --> 00:20:23,760
Speaker 3: one thing I haven't tried to help with, you know,

383
00:20:23,920 --> 00:20:26,840
Speaker 3: keep myself stable in terms of my depression and my

384
00:20:26,880 --> 00:20:27,600
Speaker 3: emotional life.

385
00:20:27,640 --> 00:20:30,760
Speaker 1: So do you feel a difference though, if you do

386
00:20:31,480 --> 00:20:34,679
Speaker 1: swing a kettlebell for you know, yeah, fifteen minutes, do

387
00:20:34,680 --> 00:20:37,200
Speaker 1: you feel like a rush of endorphins or anything.

388
00:20:37,720 --> 00:20:38,800
Speaker 2: It's not even like a rush.

389
00:20:38,840 --> 00:20:41,280
Speaker 3: I just kind of feel like, oh, accomplished, like I

390
00:20:41,320 --> 00:20:44,000
Speaker 3: accomplish something, or like, oh, yeah, that does feel like

391
00:20:44,040 --> 00:20:47,320
Speaker 3: I feel less angry now about all these bills that

392
00:20:47,359 --> 00:20:51,000
Speaker 3: people are trying to pass to prevent humans from being

393
00:20:51,080 --> 00:20:54,840
Speaker 3: humans in our country. So yeah, I feel like I

394
00:20:54,840 --> 00:20:57,640
Speaker 3: haven't gotten to like a runner's high endorphins space yet,

395
00:20:57,640 --> 00:21:01,960
Speaker 3: but I do feel better. And that's surprising to me

396
00:21:02,119 --> 00:21:03,840
Speaker 3: because I hate working out so much.

397
00:21:04,520 --> 00:21:07,000
Speaker 1: Yeah, I know, and like that. That's why I'm a

398
00:21:07,240 --> 00:21:09,880
Speaker 1: I take classes, to be honest, because it's the thing

399
00:21:09,920 --> 00:21:14,040
Speaker 1: where I think I get a lot of value out

400
00:21:14,040 --> 00:21:20,240
Speaker 1: of the community aspect of working out, and I think

401
00:21:20,240 --> 00:21:23,560
Speaker 1: I feed off the energy of other people a lot too,

402
00:21:24,560 --> 00:21:27,040
Speaker 1: because I have tried to you know, I think we've

403
00:21:27,040 --> 00:21:28,840
Speaker 1: talked about this in a previous episode. I've tried to

404
00:21:28,880 --> 00:21:32,440
Speaker 1: do a home workout thing. Like I bought fucking bands

405
00:21:32,480 --> 00:21:36,760
Speaker 1: and you know, like bells and bands and things like that,

406
00:21:37,080 --> 00:21:38,560
Speaker 1: and I just end up like putting them in a

407
00:21:38,560 --> 00:21:41,480
Speaker 1: closet because I'm like, I just can't get motivated to

408
00:21:41,720 --> 00:21:45,119
Speaker 1: like get out of bed and do a thing in

409
00:21:45,160 --> 00:21:47,920
Speaker 1: my own house. And I also like to be around

410
00:21:47,960 --> 00:21:50,199
Speaker 1: other people, and so that's that's kind of like I

411
00:21:50,200 --> 00:21:53,159
Speaker 1: guess the way that my brain works, I guess, but

412
00:21:53,280 --> 00:21:57,480
Speaker 1: like you know, to me, I I definitely I've talked

413
00:21:57,480 --> 00:22:00,720
Speaker 1: about this before. It completely changes my mood, like and

414
00:22:00,800 --> 00:22:03,040
Speaker 1: I think it's just that is like your results may

415
00:22:03,160 --> 00:22:06,400
Speaker 1: very type of thing, but like, you know, like I've been,

416
00:22:06,440 --> 00:22:09,920
Speaker 1: you know, like dealing with a lot of stress over

417
00:22:09,920 --> 00:22:13,800
Speaker 1: the past couple months, and like I will be like

418
00:22:13,880 --> 00:22:16,000
Speaker 1: completely down in the fucking dumps, and then I'll drive

419
00:22:16,000 --> 00:22:18,000
Speaker 1: to my dance class, take the dance class for an hour,

420
00:22:18,040 --> 00:22:21,600
Speaker 1: and then I come home and have kind of forgotten

421
00:22:22,000 --> 00:22:24,480
Speaker 1: like what I'm upset about, right which I'm like, wow,

422
00:22:24,520 --> 00:22:26,119
Speaker 1: that's the best thing I can hope for. But I

423
00:22:26,160 --> 00:22:29,359
Speaker 1: will say the effort to get there sucks, like to

424
00:22:29,400 --> 00:22:32,840
Speaker 1: have tolize your knees and shit just to be able to, like,

425
00:22:33,480 --> 00:22:34,400
Speaker 1: you know, feel.

426
00:22:34,200 --> 00:22:36,040
Speaker 2: Good about feel better. Yeah.

427
00:22:36,400 --> 00:22:39,320
Speaker 3: Absolutely, And I will say and this is coming from

428
00:22:39,320 --> 00:22:43,439
Speaker 3: a place of one hundred percent privilege in my life

429
00:22:43,480 --> 00:22:46,520
Speaker 3: where I work from home, so I can hop on

430
00:22:46,600 --> 00:22:49,320
Speaker 3: a machine or do that every you know, whenever I

431
00:22:49,359 --> 00:22:52,560
Speaker 3: want for fifteen minutes because I'm here. Also, I have

432
00:22:52,640 --> 00:22:55,680
Speaker 3: a dedicated space for this shit now. So it's not

433
00:22:55,760 --> 00:22:57,439
Speaker 3: just like like if you can find space in your

434
00:22:57,480 --> 00:22:58,960
Speaker 3: house where it's even just like a corner of a

435
00:22:59,040 --> 00:23:00,720
Speaker 3: room or whatever. But it's it's nice that I have

436
00:23:00,800 --> 00:23:03,280
Speaker 3: a I have a gym. Let me, I'm not gonna

437
00:23:03,280 --> 00:23:05,080
Speaker 3: mince words, like I have a room that is a gym,

438
00:23:05,680 --> 00:23:09,720
Speaker 3: and it's nice because the stuff is already out and there,

439
00:23:10,640 --> 00:23:14,240
Speaker 3: so I don't have to like psych myself up too much.

440
00:23:14,280 --> 00:23:16,840
Speaker 3: I just genuinely have to put on pants in my sneakers,

441
00:23:17,080 --> 00:23:19,639
Speaker 3: which is a good feeling for me because getting ready

442
00:23:19,640 --> 00:23:21,520
Speaker 3: to go somewhere to work out has always been a

443
00:23:21,520 --> 00:23:25,200
Speaker 3: fucking problem for me. Yeah, So having like my treadmill

444
00:23:25,560 --> 00:23:27,800
Speaker 3: and my kettlebell and my trampoline is just like in

445
00:23:27,880 --> 00:23:31,120
Speaker 3: a room that I can just like walk in and

446
00:23:31,600 --> 00:23:34,440
Speaker 3: do it's it's great, and it is again a total privilege.

447
00:23:35,560 --> 00:23:37,639
Speaker 3: Don't if you're if you're gonna get angry at me

448
00:23:37,760 --> 00:23:40,679
Speaker 3: for the luxury of being able to have that, just

449
00:23:40,760 --> 00:23:43,600
Speaker 3: also remember that I have squirrels falling through my ceiling

450
00:23:43,640 --> 00:23:45,600
Speaker 3: tiles that my cat is actively killing.

451
00:23:47,320 --> 00:23:49,840
Speaker 1: But also, you earn that shit? Why are we doing?

452
00:23:49,880 --> 00:23:53,359
Speaker 1: You know, like listen, like I know you and I

453
00:23:53,440 --> 00:23:56,840
Speaker 1: know your story. You earn that shit, Go ahead, girl

454
00:23:56,840 --> 00:23:59,080
Speaker 1: with your gym, Like what the fuck? Like you should

455
00:23:59,119 --> 00:24:01,000
Speaker 1: be happy to have a fucky period.

456
00:24:01,320 --> 00:24:03,400
Speaker 2: I am. And it's just a room. It's just a bedroom.

457
00:24:03,480 --> 00:24:05,320
Speaker 3: I bought a house with a lot of rooms, and

458
00:24:05,359 --> 00:24:06,760
Speaker 3: so I just turned one of them into a gym.

459
00:24:07,280 --> 00:24:10,439
Speaker 1: Yeah. Well, and honestly that to that, I think, you know,

460
00:24:11,880 --> 00:24:14,400
Speaker 1: if I had an extra room, I mean, I guess

461
00:24:14,440 --> 00:24:18,280
Speaker 1: I could technically, I could technically turn one of these rooms.

462
00:24:18,280 --> 00:24:19,760
Speaker 1: Why don't I just get rid of the office that

463
00:24:19,760 --> 00:24:21,320
Speaker 1: I'm sitting in right now and making a gym and

464
00:24:21,359 --> 00:24:23,720
Speaker 1: I'll just quit the podcast. And I'm kidding, but you

465
00:24:23,720 --> 00:24:26,040
Speaker 1: know what I mean, Like, I think that that is

466
00:24:26,160 --> 00:24:28,360
Speaker 1: like a better step. It's kind of like when they

467
00:24:28,400 --> 00:24:31,720
Speaker 1: say build a home office. Don't just work at the

468
00:24:31,760 --> 00:24:33,680
Speaker 1: dinner table because you're just that. I need to have

469
00:24:33,760 --> 00:24:36,479
Speaker 1: the mind break of like I am moving into another

470
00:24:36,560 --> 00:24:39,560
Speaker 1: dimension where I'm doing a thing, and then once that

471
00:24:39,600 --> 00:24:41,400
Speaker 1: thing goes over, I leave the thing.

472
00:24:41,800 --> 00:24:44,359
Speaker 3: You know that is it exactly like I have I

473
00:24:44,359 --> 00:24:46,520
Speaker 3: have an office and I have a gym, and because

474
00:24:46,520 --> 00:24:48,600
Speaker 3: I'm gen, there are days where I do not leave

475
00:24:48,640 --> 00:24:51,600
Speaker 3: the house. So because I'm here all the time, it

476
00:24:51,760 --> 00:24:54,720
Speaker 3: is nice to have that mental shift of like I'm

477
00:24:54,760 --> 00:24:57,400
Speaker 3: going to work now and I'm going to work out now.

478
00:24:57,440 --> 00:25:00,119
Speaker 3: Like it's nice to have the shift because I think

479
00:25:00,160 --> 00:25:01,959
Speaker 3: that when I tried it, when I was living in

480
00:25:01,960 --> 00:25:05,160
Speaker 3: like a one bedroom apartment, it was not as motivational

481
00:25:05,240 --> 00:25:08,159
Speaker 3: for me. And I'm like, well, I'm sitting here, I

482
00:25:08,200 --> 00:25:10,359
Speaker 3: eat in the same place, I work in the same place.

483
00:25:10,840 --> 00:25:14,679
Speaker 3: Like this is just not motive. It's I can do it,

484
00:25:14,680 --> 00:25:15,960
Speaker 3: but it's not motivational for me.

485
00:25:16,400 --> 00:25:19,600
Speaker 1: Yeah. I remember, like early on in the pandemic, I

486
00:25:19,640 --> 00:25:21,840
Speaker 1: was trying to do some kettlebell swings in the apartment

487
00:25:22,440 --> 00:25:24,600
Speaker 1: and I was like when I was living in West Hollywood,

488
00:25:24,600 --> 00:25:27,160
Speaker 1: and I was like, if I slip and this thing

489
00:25:27,280 --> 00:25:31,280
Speaker 1: is flying, it's going to crash into my all of

490
00:25:31,320 --> 00:25:36,080
Speaker 1: my shit, all of my dog figurines, my precious ceramic

491
00:25:36,280 --> 00:25:39,840
Speaker 1: dog figurines, and my television.

492
00:25:41,119 --> 00:25:45,600
Speaker 3: My precious moments, my Faberge eggs, and my television will

493
00:25:45,640 --> 00:25:46,680
Speaker 3: be demolished.

494
00:25:48,240 --> 00:25:49,960
Speaker 1: Do you love a kettlebell swing? Though?

495
00:25:50,000 --> 00:25:53,240
Speaker 3: Come on, I kind of do, and I like a swing,

496
00:25:53,440 --> 00:25:55,359
Speaker 3: but I also the one that I like the most

497
00:25:55,520 --> 00:25:57,440
Speaker 3: is where it's kind of like you're a farmer doing

498
00:25:57,480 --> 00:25:59,639
Speaker 3: like a hoedown, oh yea, where I'm just like lifting

499
00:25:59,680 --> 00:26:06,160
Speaker 3: it up, like ding ding ding, just lifting my elbows.

500
00:26:06,520 --> 00:26:11,320
Speaker 1: They're doing a Chimney sweep dance and like, yeah, no.

501
00:26:10,960 --> 00:26:14,720
Speaker 2: I'm doing a Dick Van Dyke Chimney sweet dance.

502
00:26:16,480 --> 00:26:19,400
Speaker 1: Holy shit, No, yeah, I love those two. I don't

503
00:26:19,440 --> 00:26:22,080
Speaker 1: know why. I feel like a kettlebell is very close

504
00:26:22,119 --> 00:26:25,000
Speaker 1: to like a shot put and I just always thought

505
00:26:25,080 --> 00:26:28,119
Speaker 1: I'd be good at shot putt in the Olympics. I

506
00:26:28,119 --> 00:26:33,360
Speaker 1: don't know why you love. You just love a heavy, lead, substantial,

507
00:26:33,440 --> 00:26:34,760
Speaker 1: little ball thing. Right.

508
00:26:34,920 --> 00:26:38,719
Speaker 2: Well, the thing that is great, I do. I completely agree.

509
00:26:38,760 --> 00:26:41,479
Speaker 3: And what's weird is that it doesn't take much for

510
00:26:41,520 --> 00:26:43,800
Speaker 3: me to feel like I'm really doing it. Like a

511
00:26:43,840 --> 00:26:47,359
Speaker 3: ten pound kettlebell feels and it also feels like something

512
00:26:47,359 --> 00:26:51,439
Speaker 3: you should be throwing. Yes, it's it's kind of like

513
00:26:51,440 --> 00:26:53,040
Speaker 3: when you stand on the edge of a tall building

514
00:26:53,040 --> 00:26:54,760
Speaker 3: and you're like, maybe i'll jump, Like you just have

515
00:26:54,880 --> 00:26:57,160
Speaker 3: that thought for a second, even.

516
00:26:57,000 --> 00:26:59,160
Speaker 2: If you don't actually want to jump, but you.

517
00:26:59,200 --> 00:27:01,440
Speaker 3: Just have those little basic thoughts. Every time I left

518
00:27:01,440 --> 00:27:02,760
Speaker 3: the kettlebell, I'm like, I should throw it.

519
00:27:03,800 --> 00:27:06,720
Speaker 1: Oh yeah, oh, and like, make no mistake, you fucking

520
00:27:06,760 --> 00:27:08,760
Speaker 1: do that enough. Like you're you're like, oh, here's this

521
00:27:08,840 --> 00:27:12,200
Speaker 1: like a metal ten pound thing. Your sore is shit.

522
00:27:12,440 --> 00:27:15,040
Speaker 1: After it's over, like you're like, I'm shredded, Like how

523
00:27:15,040 --> 00:27:18,800
Speaker 1: did this happen? This is exactly just a little metal thing,

524
00:27:19,400 --> 00:27:24,119
Speaker 1: but it's powerful. I look, I'm stoked. I love this

525
00:27:24,280 --> 00:27:28,040
Speaker 1: for you, you know. I think it's anytime you can, like,

526
00:27:29,240 --> 00:27:31,439
Speaker 1: you know, take a thing that sucks and make it

527
00:27:31,440 --> 00:27:36,000
Speaker 1: into something positive. We love it completely. I'm excited for

528
00:27:36,119 --> 00:27:38,119
Speaker 1: your workout journey. I mean, I hate it. It's at

529
00:27:38,160 --> 00:27:40,520
Speaker 1: the cost of America and our rights and that kind

530
00:27:40,520 --> 00:27:43,520
Speaker 1: of stuff, But I'm just saying I like the workout journey,

531
00:27:44,160 --> 00:27:44,560
Speaker 1: thank you.

532
00:27:44,560 --> 00:27:46,600
Speaker 3: Cause that's gonna be happening regardless, so I figure I

533
00:27:46,680 --> 00:27:49,280
Speaker 3: might as well get strength for the oncoming revolution.

534
00:27:50,560 --> 00:27:54,520
Speaker 1: Look and anytime you want to put some plates on

535
00:27:54,520 --> 00:27:58,080
Speaker 1: the end of a barbelle and fucking throw that shit

536
00:27:58,119 --> 00:28:01,359
Speaker 1: across the room and let me know I'm here, Like,

537
00:28:01,440 --> 00:28:04,199
Speaker 1: I'll come up there. We'll just go find like a

538
00:28:04,200 --> 00:28:07,800
Speaker 1: little CrossFit gym. We'll put on some you know, footies,

539
00:28:07,880 --> 00:28:11,800
Speaker 1: We'll put on some socks and get our giant gallon

540
00:28:11,920 --> 00:28:17,280
Speaker 1: jugs of water with our like blue Hawaiian pre workout

541
00:28:17,280 --> 00:28:19,040
Speaker 1: shit and just go roll hard.

542
00:28:19,720 --> 00:28:21,680
Speaker 3: We're gonna put on some tow shoes and just start

543
00:28:21,720 --> 00:28:25,439
Speaker 3: throwing weights like discus, like just chucking them across the

544
00:28:25,520 --> 00:28:29,440
Speaker 3: fucking room and be like, you actually can't come back

545
00:28:29,440 --> 00:28:30,280
Speaker 3: even if you want to.

546
00:28:31,080 --> 00:28:32,439
Speaker 2: You and your friend have to.

547
00:28:32,560 --> 00:28:36,520
Speaker 1: Ly, they are ruining the vibe of this very classy

548
00:28:36,600 --> 00:28:41,680
Speaker 1: chim oh.

549
00:28:41,760 --> 00:28:43,560
Speaker 2: I will come on up, We'll do it. We'll do it.

550
00:28:49,400 --> 00:28:56,600
Speaker 1: So we have a theme this week that I politics

551
00:28:56,760 --> 00:29:02,720
Speaker 1: very hard for and I don't know why, because you

552
00:29:02,720 --> 00:29:08,360
Speaker 1: were totally like, yeah, it's fine, what's your problem?

553
00:29:08,520 --> 00:29:10,520
Speaker 3: And I'm like, I don't remember putting up any struggle

554
00:29:10,680 --> 00:29:12,720
Speaker 3: at all.

555
00:29:11,840 --> 00:29:13,320
Speaker 2: But we would have to.

556
00:29:15,600 --> 00:29:19,560
Speaker 1: I'm like, why, She's totally nice and is allowing it,

557
00:29:19,720 --> 00:29:23,720
Speaker 1: So what are you fighting? For but I think it

558
00:29:24,360 --> 00:29:27,120
Speaker 1: is kind of related to a recurring theme that we do.

559
00:29:27,680 --> 00:29:30,040
Speaker 1: So do you want to tell them what the theme

560
00:29:30,080 --> 00:29:30,600
Speaker 1: is this week?

561
00:29:30,880 --> 00:29:32,520
Speaker 2: No, I want you to tell them it's your theme?

562
00:29:32,800 --> 00:29:35,200
Speaker 1: Oh it is, okay, fine, I'll just do it. So

563
00:29:35,600 --> 00:29:39,560
Speaker 1: the theme this week is the sequel is better than

564
00:29:39,600 --> 00:29:44,160
Speaker 1: the original? Is that what we're calling it? It feels

565
00:29:44,160 --> 00:29:46,760
Speaker 1: like it should be funnier. I just don't think it

566
00:29:46,800 --> 00:29:49,000
Speaker 1: has your had your touch this week is This is

567
00:29:49,040 --> 00:29:54,120
Speaker 1: exactly a pure example of how shitty the name the

568
00:29:54,120 --> 00:29:57,840
Speaker 1: theme names are. When that left up to me, it

569
00:29:57,920 --> 00:30:04,400
Speaker 1: grows better than the original. I'll own that I have

570
00:30:04,480 --> 00:30:05,800
Speaker 1: no creative bone in my body.

571
00:30:05,880 --> 00:30:08,920
Speaker 2: It gets the job done. People know what's coming, very

572
00:30:09,040 --> 00:30:09,680
Speaker 2: very simple.

573
00:30:10,240 --> 00:30:16,680
Speaker 1: It's essentially a reworking of just because you can doesn't

574
00:30:16,680 --> 00:30:20,800
Speaker 1: mean you should. Essentially, just because you can sometimes means

575
00:30:20,840 --> 00:30:21,160
Speaker 1: you should.

576
00:30:21,680 --> 00:30:23,480
Speaker 2: Right the other side of the coin, Yeah.

577
00:30:23,320 --> 00:30:28,040
Speaker 1: Yeah, So these are movies where we feel that the

578
00:30:28,080 --> 00:30:31,560
Speaker 1: sequel is better than the original.

579
00:30:31,480 --> 00:30:33,560
Speaker 3: Right, which which doesn't mean the original sucks. It just

580
00:30:33,560 --> 00:30:34,960
Speaker 3: means that the sequel is better.

581
00:30:35,080 --> 00:30:37,880
Speaker 1: Yeah, or that we enjoy the sequel more than the original.

582
00:30:38,000 --> 00:30:41,240
Speaker 1: Let's just say that, because you know how people are,

583
00:30:41,520 --> 00:30:43,600
Speaker 1: you know, how they are. They get very sensitive about

584
00:30:43,640 --> 00:30:47,000
Speaker 1: remakes and sequels and whatnot. And I don't want to suggest, yes,

585
00:30:47,160 --> 00:30:49,880
Speaker 1: I'm not saying that are the originals are trash, but

586
00:30:49,920 --> 00:30:52,120
Speaker 1: maybe we just there's something about the sequel that we

587
00:30:52,240 --> 00:30:56,880
Speaker 1: like better. Completely that's not new information. I mean, there's

588
00:30:56,880 --> 00:30:59,160
Speaker 1: a lot of people that believe that The Godfather Too

589
00:30:59,200 --> 00:31:02,080
Speaker 1: is better than the Godfather. You know, it's like there

590
00:31:02,120 --> 00:31:06,760
Speaker 1: are stories of this in film history, but it's rare.

591
00:31:07,160 --> 00:31:07,640
Speaker 2: It's rare.

592
00:31:08,000 --> 00:31:09,760
Speaker 1: Yeah, yeah, yeah, But I thought that it would be

593
00:31:09,800 --> 00:31:13,080
Speaker 1: a cool way to kind of talk about these films

594
00:31:13,120 --> 00:31:17,080
Speaker 1: and just the concept of, you know, a sequel being

595
00:31:17,120 --> 00:31:18,280
Speaker 1: better than the.

596
00:31:18,200 --> 00:31:21,160
Speaker 3: Acational joyce And I'm I'm so glad you're going first,

597
00:31:21,200 --> 00:31:27,040
Speaker 3: because your choice is divisive.

598
00:31:29,160 --> 00:31:31,040
Speaker 2: Look not for me personally.

599
00:31:31,080 --> 00:31:33,240
Speaker 3: I agree with you and your choice that the sequel

600
00:31:33,240 --> 00:31:36,400
Speaker 3: is better than original, but I can already envision the

601
00:31:36,480 --> 00:31:38,040
Speaker 3: divisiveness that's coming for us.

602
00:31:38,520 --> 00:31:44,240
Speaker 1: Oh listen, I have to say that for my film

603
00:31:44,240 --> 00:31:48,640
Speaker 1: this week. I've actually talked about this movie publicly before

604
00:31:48,880 --> 00:31:52,280
Speaker 1: because I programmed this movie for one of our film

605
00:31:52,320 --> 00:31:55,160
Speaker 1: festivals at TCM like a couple of years ago, and

606
00:31:55,200 --> 00:31:57,640
Speaker 1: we actually did an episode of tcm' Slummer ground about

607
00:31:57,640 --> 00:32:01,320
Speaker 1: it where half of us liked it and the other

608
00:32:01,360 --> 00:32:05,560
Speaker 1: half hated it. Really Yes, and there's a YouTube video

609
00:32:06,000 --> 00:32:06,960
Speaker 1: up right now about it.

610
00:32:07,720 --> 00:32:09,520
Speaker 2: Let me guess your younger ones hated it.

611
00:32:09,920 --> 00:32:16,120
Speaker 1: Yes, that's a loud clap. That's a loud clap. Yes.

612
00:32:17,160 --> 00:32:19,719
Speaker 1: And and I want to I want to talk about that,

613
00:32:20,040 --> 00:32:24,600
Speaker 1: maybe provide a little bit of a theory as to

614
00:32:24,640 --> 00:32:29,000
Speaker 1: why that is. We'll see. But when people are like

615
00:32:29,960 --> 00:32:33,600
Speaker 1: when when the first Grease film is being threatened in

616
00:32:33,680 --> 00:32:37,400
Speaker 1: any way, there's like a clarion call that goes out

617
00:32:37,440 --> 00:32:41,120
Speaker 1: amongst pretty much every citizen of the United States to

618
00:32:41,160 --> 00:32:43,840
Speaker 1: be like, somebody is attacking the first Grease, like, we

619
00:32:43,960 --> 00:32:44,880
Speaker 1: have to shut them down.

620
00:32:45,440 --> 00:32:49,560
Speaker 3: So somebody doesn't love it, and they also don't like Sublime, Let's.

621
00:32:49,320 --> 00:32:53,320
Speaker 1: Get them, let's get them. These bitches hate cor nuts,

622
00:32:53,600 --> 00:32:59,000
Speaker 1: these hate Empire records. No, I look, I totally get it.

623
00:32:59,040 --> 00:33:00,560
Speaker 1: I totally get it. And we're all talk about it

624
00:33:00,600 --> 00:33:01,600
Speaker 1: for sure, we'll.

625
00:33:01,440 --> 00:33:03,320
Speaker 2: Get into it. Get into your movie. Let's let's break

626
00:33:03,320 --> 00:33:05,120
Speaker 2: it down. I'm psyched to your thoughts.

627
00:33:05,320 --> 00:33:11,640
Speaker 1: Okay, cool. So for the theme, the sequel is better

628
00:33:11,920 --> 00:33:15,880
Speaker 1: than the original. I have a movie that was made

629
00:33:15,880 --> 00:33:19,320
Speaker 1: in nineteen eighty two. It was written by Ken Finkleman.

630
00:33:19,600 --> 00:33:23,640
Speaker 1: It was directed by Patricia Birch, and it's called Grease two.

631
00:33:24,000 --> 00:33:24,800
Speaker 1: What are you gonna be.

632
00:33:24,800 --> 00:33:25,560
Speaker 3: When you grow up?

633
00:33:26,520 --> 00:33:27,960
Speaker 2: A burden on society?

634
00:33:28,200 --> 00:33:29,800
Speaker 1: Okay, so let me ask you right off the bat.

635
00:33:30,920 --> 00:33:33,440
Speaker 1: Do you remember how old you were when you saw

636
00:33:33,440 --> 00:33:34,200
Speaker 1: the first Grease?

637
00:33:35,200 --> 00:33:39,280
Speaker 2: Oh? Yeah, I was like six five or six, like,

638
00:33:39,480 --> 00:33:40,080
Speaker 2: very very young.

639
00:33:40,120 --> 00:33:43,880
Speaker 3: It's very family friendly, or purported to be a family

640
00:33:43,920 --> 00:33:46,440
Speaker 3: fit friendly film, which you know. I like singing the

641
00:33:46,440 --> 00:33:48,280
Speaker 3: song and seeing it, and then as I got older,

642
00:33:48,320 --> 00:33:53,880
Speaker 3: I realized this is about fucking and this guy is

643
00:33:53,880 --> 00:33:58,680
Speaker 3: trying to get this girl to fuck him and she won't,

644
00:33:58,920 --> 00:34:03,760
Speaker 3: and then she gets set and completely changes their personality

645
00:34:03,880 --> 00:34:06,240
Speaker 3: to fuck him, and then they drive away in a

646
00:34:06,280 --> 00:34:09,720
Speaker 3: car in the sky, and I'm like, oh, as an adult,

647
00:34:09,760 --> 00:34:11,640
Speaker 3: this movie means something else. But as a kid, I

648
00:34:11,680 --> 00:34:13,080
Speaker 3: love singing the songs and jumping around.

649
00:34:13,080 --> 00:34:13,520
Speaker 2: It was great.

650
00:34:14,680 --> 00:34:18,840
Speaker 1: Yeah, I was pretty young when I first saw it too. Now,

651
00:34:19,520 --> 00:34:23,239
Speaker 1: had you seen the sequel as a child or had

652
00:34:23,320 --> 00:34:24,640
Speaker 1: you seen it like later in life?

653
00:34:24,880 --> 00:34:25,960
Speaker 2: Absolutely as a child.

654
00:34:26,120 --> 00:34:28,480
Speaker 3: I actually saw it a couple of times as a child,

655
00:34:29,239 --> 00:34:31,680
Speaker 3: And this is the first time I've ever watched it

656
00:34:31,680 --> 00:34:32,280
Speaker 3: as an adult.

657
00:34:32,840 --> 00:34:37,600
Speaker 1: Yeah, I remember seeing it as a child too, because

658
00:34:37,719 --> 00:34:39,760
Speaker 1: they used to plan it on like HBO and stuff

659
00:34:39,760 --> 00:34:42,319
Speaker 1: all the time. Yeah, but actually I didn't realize it

660
00:34:42,360 --> 00:34:44,680
Speaker 1: was related to the First Grease when I was a kid.

661
00:34:44,719 --> 00:34:47,000
Speaker 1: I was like, Oh, this is existing in its own universe,

662
00:34:47,080 --> 00:34:50,040
Speaker 1: which I still think to this day. It exists in

663
00:34:50,080 --> 00:34:54,600
Speaker 1: its own universe, and you can't to me, Okay, sure

664
00:34:54,640 --> 00:34:57,080
Speaker 1: you've got a lot of like spillover from the first film,

665
00:34:57,120 --> 00:35:00,560
Speaker 1: but I think it's Oh, it's its own thing, especially

666
00:35:01,239 --> 00:35:03,200
Speaker 1: when it comes towards the end of the film where

667
00:35:03,200 --> 00:35:06,919
Speaker 1: you're like, this is a new dimension people, We're we're

668
00:35:06,960 --> 00:35:08,360
Speaker 1: not dealing with the first Grease.

669
00:35:08,680 --> 00:35:12,319
Speaker 3: So oh, I was actually upset to see some of

670
00:35:12,360 --> 00:35:15,440
Speaker 3: the old characters come back to this Grease because it's

671
00:35:15,440 --> 00:35:16,719
Speaker 3: such a different film.

672
00:35:17,160 --> 00:35:21,319
Speaker 1: Yes, yes, we will talk about that good in just

673
00:35:21,400 --> 00:35:24,120
Speaker 1: a moment, because I think it's wild. I'm going to

674
00:35:24,200 --> 00:35:27,799
Speaker 1: be floating a lot of personal theories out here this week,

675
00:35:27,840 --> 00:35:30,520
Speaker 1: so I just need you guys to like take the

676
00:35:30,560 --> 00:35:36,200
Speaker 1: fucking ride with me. So, like Danielle said, I am

677
00:35:36,239 --> 00:35:40,359
Speaker 1: not saying that I don't like the original Grease. How

678
00:35:40,400 --> 00:35:43,680
Speaker 1: could I I would lose my license in my Social

679
00:35:43,680 --> 00:35:46,640
Speaker 1: Security card. They would, they would take it away from me.

680
00:35:46,680 --> 00:35:49,360
Speaker 1: I'm no longer a citizen of the United States. Okay,

681
00:35:49,800 --> 00:35:54,840
Speaker 1: we get it. It's a classique, right, Rip the Queen,

682
00:35:54,840 --> 00:36:00,600
Speaker 1: Olivia Newton, John, rip the HATTI kinicky likeme on, like

683
00:36:00,640 --> 00:36:04,120
Speaker 1: we get it. Forget it's like I know, I know,

684
00:36:05,160 --> 00:36:08,440
Speaker 1: like it's this movie is like woven tightly into the

685
00:36:08,480 --> 00:36:12,600
Speaker 1: fabric of our nation. In fact, so okay, completely, But

686
00:36:13,640 --> 00:36:19,919
Speaker 1: I am going to suggest gently perhaps that Greece Too

687
00:36:19,960 --> 00:36:22,480
Speaker 1: is better than Greece one. Okay, I'm just gonna say it,

688
00:36:23,000 --> 00:36:26,080
Speaker 1: and I'm going to float a potentially radical idea out

689
00:36:26,120 --> 00:36:29,080
Speaker 1: to you, Daniel, Okay, which is that I think that

690
00:36:29,120 --> 00:36:32,760
Speaker 1: there's actually a specific type of person who thinks Greece

691
00:36:32,840 --> 00:36:37,920
Speaker 1: two is better than the original Greece. Go on. I

692
00:36:37,960 --> 00:36:41,799
Speaker 1: think that by and large, people who like Greece Too

693
00:36:41,880 --> 00:36:52,719
Speaker 1: better are cooler, funnier, and more attractive that I mean,

694
00:36:52,840 --> 00:36:57,719
Speaker 1: I kid, but do I I mean, I think Greece Too,

695
00:36:59,440 --> 00:37:01,040
Speaker 1: like I said, it's had its own thing going on.

696
00:37:01,120 --> 00:37:03,200
Speaker 1: I feel like the people who really like Greece Too

697
00:37:03,239 --> 00:37:05,120
Speaker 1: are a specific type of person. I feel like it's

698
00:37:05,160 --> 00:37:09,400
Speaker 1: not for the gen pope.

699
00:37:09,520 --> 00:37:12,920
Speaker 3: I think Greece too, is like you don't see if

700
00:37:12,960 --> 00:37:15,840
Speaker 3: you see someone singing cool writer at karaoke, You're like,

701
00:37:15,920 --> 00:37:19,280
Speaker 3: that is a weirdo. That's my kind of weirdo exactly,

702
00:37:19,280 --> 00:37:23,080
Speaker 3: Whereas every time you go to karaoke and there's a

703
00:37:23,160 --> 00:37:27,560
Speaker 3: bridal party and they're singing hopelessly devoted and then tell

704
00:37:27,600 --> 00:37:29,080
Speaker 3: me more, tell me more a song, You're like, I

705
00:37:29,080 --> 00:37:30,160
Speaker 3: gotta get the fuck out of here.

706
00:37:30,560 --> 00:37:34,640
Speaker 1: Okay, one hundo percent because that's exactly what I'm about

707
00:37:34,680 --> 00:37:40,040
Speaker 1: to say in the next sentence, because I'm in min Yes,

708
00:37:41,120 --> 00:37:44,239
Speaker 1: I have never felt more seen and validated by another

709
00:37:44,239 --> 00:37:48,600
Speaker 1: person in my entire life. Thank you, because you are

710
00:37:48,600 --> 00:37:53,279
Speaker 1: welcome as people our age. I feel like we grew

711
00:37:53,360 --> 00:37:56,479
Speaker 1: up with the original Greece as kids. It was such

712
00:37:56,480 --> 00:38:00,800
Speaker 1: an ubiquitous thing, right, like yep, every fucking high school

713
00:38:00,920 --> 00:38:04,920
Speaker 1: is doing the musical right now, Like there's invariably somebody

714
00:38:04,920 --> 00:38:08,480
Speaker 1: at a karaoke night who was doing Summer Loving. Is

715
00:38:08,480 --> 00:38:10,319
Speaker 1: that what the name of the movie the song is?

716
00:38:10,800 --> 00:38:12,719
Speaker 3: Yes, Yes, I'm like, tell me more and something more

717
00:38:12,719 --> 00:38:13,840
Speaker 3: whatever the fucking pong is.

718
00:38:14,239 --> 00:38:18,040
Speaker 1: Yeah. It was always like a haughty blonde at your

719
00:38:18,080 --> 00:38:21,640
Speaker 1: high school that would dress as Sandy for Halloween, Like

720
00:38:21,880 --> 00:38:27,319
Speaker 1: it's fucking like everybody loves Grease, me included. Okay, but

721
00:38:27,360 --> 00:38:32,480
Speaker 1: I'm just saying that if Greece won is like the

722
00:38:32,520 --> 00:38:36,080
Speaker 1: popular cheerleader, Greece two is like the punk rock kids

723
00:38:36,080 --> 00:38:40,879
Speaker 1: smoking cigarettes behind the wall outside because it's it wasn't

724
00:38:40,920 --> 00:38:44,840
Speaker 1: as successful as the first Grease duh. Even though it

725
00:38:44,920 --> 00:38:47,480
Speaker 1: had double the budget of the first movie, it obviously

726
00:38:47,640 --> 00:38:52,400
Speaker 1: wasn't as financially as successful. And I read at some

727
00:38:52,480 --> 00:38:56,160
Speaker 1: point that they were planning on making many Grease sequels

728
00:38:56,200 --> 00:38:59,399
Speaker 1: and also like a TV show, but that Grease Too

729
00:38:59,480 --> 00:39:02,239
Speaker 1: bombs so badly, they were like, let's just pull up

730
00:39:02,239 --> 00:39:04,680
Speaker 1: all the steaks. Let's let's not do any of this stuff.

731
00:39:05,080 --> 00:39:08,040
Speaker 3: America doesn't want, Nobody wants it, nobody wants nobody wants it.

732
00:39:08,120 --> 00:39:13,280
Speaker 1: Right, But I personally believe that Greece Too is more interesting,

733
00:39:14,280 --> 00:39:17,480
Speaker 1: it's weirder, and it's more cult movie adjacent than the

734
00:39:17,520 --> 00:39:18,320
Speaker 1: original Grease.

735
00:39:18,719 --> 00:39:20,960
Speaker 2: Completely agree, right, completely agree.

736
00:39:21,680 --> 00:39:25,680
Speaker 3: And Greece one being so firmly set in the fifties

737
00:39:25,719 --> 00:39:28,480
Speaker 3: with like no black people and no people of color in.

738
00:39:28,440 --> 00:39:29,240
Speaker 2: It at all.

739
00:39:30,000 --> 00:39:32,279
Speaker 3: Yeah, I mean, maybe I don't love it, And I'm

740
00:39:32,320 --> 00:39:34,360
Speaker 3: just gonna say that maybe I don't love the original

741
00:39:34,400 --> 00:39:38,080
Speaker 3: Greease because it's like so tied to a point of

742
00:39:38,160 --> 00:39:42,560
Speaker 3: nostalgia that I can't stand, which is like the fucking

743
00:39:42,640 --> 00:39:44,520
Speaker 3: boomer fifties.

744
00:39:45,239 --> 00:39:49,160
Speaker 1: Listen, I love a Daniel takedown in a classic I loved.

745
00:39:49,239 --> 00:39:51,560
Speaker 1: I love the killing of a sacred cow. Let's go,

746
00:39:52,080 --> 00:39:53,279
Speaker 1: Let's fucking go.

747
00:39:53,440 --> 00:39:55,680
Speaker 3: I'm just saying, maybe I don't love it, Like, instead

748
00:39:55,680 --> 00:39:59,520
Speaker 3: of mincing words, I like Greece too more because I

749
00:39:59,560 --> 00:40:00,799
Speaker 3: think Green One is leam.

750
00:40:01,560 --> 00:40:04,279
Speaker 1: Yeah. Well, and I also think too that. Okay, think

751
00:40:04,280 --> 00:40:07,120
Speaker 1: about the timeframe of what we're speaking of, right, The

752
00:40:07,200 --> 00:40:10,320
Speaker 1: original Grease starred John Travolta, right, who was a huge

753
00:40:10,320 --> 00:40:12,480
Speaker 1: fucking movie star because the movie he did right before

754
00:40:12,560 --> 00:40:17,840
Speaker 1: this was Saturday Night Fever. Okay, So to me, the

755
00:40:17,880 --> 00:40:22,120
Speaker 1: first Grease is operating in that like seventies happy days,

756
00:40:22,200 --> 00:40:26,040
Speaker 1: like fifties nostalgia, you know that. And it's sort of

757
00:40:26,080 --> 00:40:29,560
Speaker 1: like more disco adjacent than Christ two, which to me

758
00:40:29,920 --> 00:40:32,920
Speaker 1: feels a lot more contemporary and almost kind of like

759
00:40:33,000 --> 00:40:37,000
Speaker 1: a new wave movie than Grease. The original Grease does

760
00:40:37,120 --> 00:40:42,560
Speaker 1: completely right, and honestly, the fact that Travolta was as

761
00:40:42,640 --> 00:40:44,399
Speaker 1: huge a a star as he was in the first one,

762
00:40:44,719 --> 00:40:47,239
Speaker 1: and the fact that they went the opposite direction and

763
00:40:47,320 --> 00:40:51,000
Speaker 1: cast Michelle Pfeiffer as the lead in Greece two, whom

764
00:40:51,080 --> 00:40:53,479
Speaker 1: she this is her first like leading role. She had

765
00:40:53,600 --> 00:40:56,480
Speaker 1: made pretty much nothing before this movie, I think is

766
00:40:56,760 --> 00:40:57,879
Speaker 1: fucking cool as shit.

767
00:40:58,640 --> 00:41:02,080
Speaker 3: Yep, the whole movie is like a gender agender swat movie.

768
00:41:01,960 --> 00:41:03,640
Speaker 1: One hundred percent. Because that's the other part I like

769
00:41:03,680 --> 00:41:05,520
Speaker 1: about it, which we will definitely get into, is this

770
00:41:06,120 --> 00:41:08,680
Speaker 1: her character is a feminist character when he when you

771
00:41:08,719 --> 00:41:11,440
Speaker 1: get down to fucking brass tacks, which I of course

772
00:41:11,480 --> 00:41:16,319
Speaker 1: appreciate right, but also too the movie itself is just

773
00:41:16,480 --> 00:41:20,600
Speaker 1: weirder and funner. Like It's like the ending of this film,

774
00:41:21,239 --> 00:41:25,320
Speaker 1: which I will talk about at a certain point. It's

775
00:41:25,360 --> 00:41:27,359
Speaker 1: like I won't give it away because I don't even

776
00:41:27,360 --> 00:41:32,120
Speaker 1: think I can give it away, but it's it's so

777
00:41:32,200 --> 00:41:35,040
Speaker 1: insane and it goes so hard, Like you think of

778
00:41:35,080 --> 00:41:39,160
Speaker 1: a car flying into the sky is fucking fantastical. Wait

779
00:41:39,200 --> 00:41:40,839
Speaker 1: till you see the ship at the end of Grease too.

780
00:41:43,160 --> 00:41:46,759
Speaker 1: So there are many points that I will make in

781
00:41:47,320 --> 00:41:50,439
Speaker 1: defense of my theories, but I would just say this, okay,

782
00:41:50,440 --> 00:41:53,240
Speaker 1: So I'm not gonna give like a true one sentence

783
00:41:53,280 --> 00:41:56,160
Speaker 1: synopsis of Greece two. But here's the general gist of

784
00:41:56,160 --> 00:42:01,120
Speaker 1: the film. Okay, Sandy from the first film, Olivia Newton

785
00:42:01,120 --> 00:42:05,880
Speaker 1: Shohn's character has a cousin from England. His name is

786
00:42:05,920 --> 00:42:10,680
Speaker 1: Michael Carrington. He's played by Maxwell Cawfield. He starts attending

787
00:42:10,719 --> 00:42:14,080
Speaker 1: Righte ol High and he falls for a pink lady

788
00:42:14,440 --> 00:42:19,239
Speaker 1: named Stephanie Zanoni, who is played by Michelle Vieffer. The

789
00:42:19,280 --> 00:42:23,440
Speaker 1: only issue in this scenario is that the pink ladies

790
00:42:24,080 --> 00:42:31,080
Speaker 1: clearly obviously only date t birds, right, So Michael has

791
00:42:31,120 --> 00:42:36,080
Speaker 1: to create an alluring, mysterious biker character so that he

792
00:42:36,120 --> 00:42:38,760
Speaker 1: can impress Stephanie and win over the entire school.

793
00:42:41,239 --> 00:42:41,799
Speaker 2: Wonderful.

794
00:42:42,280 --> 00:42:47,080
Speaker 3: Okay, and you wonder why they didn't make Grease three,

795
00:42:46,160 --> 00:42:47,440
Speaker 3: four five.

796
00:42:48,680 --> 00:42:51,319
Speaker 1: Listen, it would be like, if it were up to me,

797
00:42:51,760 --> 00:42:56,120
Speaker 1: it'd be like Jason versus Freddy versus Ride ol High,

798
00:42:56,160 --> 00:42:59,440
Speaker 1: Like we would be doing ten twelve of these motherfuckers,

799
00:42:59,480 --> 00:43:04,520
Speaker 1: like we would be the sequeled out. That's just how

800
00:43:04,920 --> 00:43:12,560
Speaker 1: my brain works, right. So there are some returning people

801
00:43:12,719 --> 00:43:15,400
Speaker 1: to the second film, right, So you have like Robert Stigwood.

802
00:43:15,440 --> 00:43:17,880
Speaker 1: Obviously we talked about him during Times Square when we

803
00:43:17,920 --> 00:43:21,920
Speaker 1: did the episode about Time Square the movie. He produced it.

804
00:43:22,040 --> 00:43:25,080
Speaker 1: Remember he produced the first Grease, okay, and then it

805
00:43:25,120 --> 00:43:28,680
Speaker 1: was also choreographed by Patricia Birch, who did the original

806
00:43:28,760 --> 00:43:31,640
Speaker 1: musical and the first film, but she also directed this film,

807
00:43:31,680 --> 00:43:34,200
Speaker 1: which I think is kind of cool. You have Eve

808
00:43:34,360 --> 00:43:37,600
Speaker 1: Arden back as the principal, you have Sid Caesar back

809
00:43:37,680 --> 00:43:40,239
Speaker 1: as the coach. You've got like, you know, these kind

810
00:43:40,239 --> 00:43:45,080
Speaker 1: of side characters like Eddie Deson and Dodie Goodman, and

811
00:43:45,160 --> 00:43:48,960
Speaker 1: like crater Face. Dennis Stewart is back. But pretty much

812
00:43:49,719 --> 00:43:52,040
Speaker 1: the only main cast member from the original who did

813
00:43:52,040 --> 00:43:55,080
Speaker 1: the sequel is d D. Kahn as Friendy, and I

814
00:43:55,160 --> 00:43:58,520
Speaker 1: have to say it is very bizarre. Her role in

815
00:43:58,600 --> 00:44:00,520
Speaker 1: the second film is very bizarre to me.

816
00:44:00,920 --> 00:44:04,680
Speaker 3: I hate how they shoe horned her in in the

817
00:44:04,800 --> 00:44:07,200
Speaker 3: weirdest fucking way. They're like, here's this thirty year old

818
00:44:07,239 --> 00:44:11,160
Speaker 3: woman who actively dropped out of high school in the

819
00:44:11,160 --> 00:44:15,000
Speaker 3: first one, purposefully got kicked out of beauty school, dropped

820
00:44:15,040 --> 00:44:17,399
Speaker 3: out of beauty school in the first one, and now

821
00:44:17,440 --> 00:44:21,520
Speaker 3: she's coming back to school because she's finally decided what

822
00:44:21,680 --> 00:44:22,320
Speaker 3: she wants.

823
00:44:22,120 --> 00:44:26,520
Speaker 2: To be, which is a fragrance person. So she's coming back.

824
00:44:26,360 --> 00:44:30,319
Speaker 3: To learn chemistry and I'm like, you could not. And

825
00:44:30,360 --> 00:44:35,840
Speaker 3: she's also the full setup and exposition for the Michael character.

826
00:44:35,960 --> 00:44:43,920
Speaker 1: Exactly because essentially Frenchie only really interacts with Michael, and

827
00:44:43,960 --> 00:44:46,040
Speaker 1: she's really only there to set up the rules of

828
00:44:46,080 --> 00:44:47,839
Speaker 1: like who the pink Ladies are and the tea birds

829
00:44:47,840 --> 00:44:50,840
Speaker 1: and whatnot, even though she herself is a pink lady

830
00:44:50,920 --> 00:44:53,759
Speaker 1: and she is quote one of Stephanie's best friends, which

831
00:44:53,800 --> 00:44:58,000
Speaker 1: is what she says in the film, and she's not

832
00:44:58,040 --> 00:45:00,320
Speaker 1: in it very much, but she only seems to interact

833
00:45:00,360 --> 00:45:03,200
Speaker 1: with Michael, okay, And there's probably like some kind of

834
00:45:03,200 --> 00:45:08,560
Speaker 1: functional reason for that. But personally, my theory is that

835
00:45:08,560 --> 00:45:09,760
Speaker 1: she's a fucking ghost.

836
00:45:10,120 --> 00:45:10,640
Speaker 2: I knew it.

837
00:45:14,000 --> 00:45:17,040
Speaker 1: Who doesn't think this at this point? Frenchie is a

838
00:45:17,120 --> 00:45:20,160
Speaker 1: ghost that only Michael can see. Let's get serious.

839
00:45:21,920 --> 00:45:22,920
Speaker 2: I fucking knew it.

840
00:45:23,840 --> 00:45:27,680
Speaker 3: Oh god, I'm fully on board with this this take.

841
00:45:28,120 --> 00:45:30,239
Speaker 1: But here's the thing. So you got you basically only

842
00:45:30,239 --> 00:45:35,960
Speaker 1: have Frenchie right from the original film. But I say,

843
00:45:36,800 --> 00:45:40,200
Speaker 1: dare I say that this fucking cast in Greece too

844
00:45:40,239 --> 00:45:46,080
Speaker 1: is awesome? Like, yeah, you've got Adrian Samed as Johnny Nagarelli,

845
00:45:46,080 --> 00:45:48,799
Speaker 1: who is essentially he's like the head of the TA Birds, right,

846
00:45:49,560 --> 00:45:53,120
Speaker 1: and he was actually Danny in the touring production of Greece,

847
00:45:53,280 --> 00:45:59,160
Speaker 1: so he has chaps. Clearly, this guy wears four buttons

848
00:45:59,160 --> 00:46:02,000
Speaker 1: down on a shirt. You know how we feel about that,

849
00:46:03,280 --> 00:46:06,120
Speaker 1: Like why wear a shirt at a certain point?

850
00:46:06,120 --> 00:46:13,560
Speaker 3: You're just like he also says Paskette, like he cannot

851
00:46:13,560 --> 00:46:15,520
Speaker 3: pronounce anything properly.

852
00:46:15,840 --> 00:46:19,320
Speaker 1: Despite the fact that he is Italian. He says Pasketti,

853
00:46:19,520 --> 00:46:19,879
Speaker 1: I mean.

854
00:46:19,760 --> 00:46:21,680
Speaker 3: And it's intentional, like I'm not making fun of someone

855
00:46:21,680 --> 00:46:23,920
Speaker 3: with a speech impediment. He intentionally says it in the

856
00:46:23,960 --> 00:46:25,200
Speaker 3: script and it's hilarious.

857
00:46:25,480 --> 00:46:29,200
Speaker 1: Yeah, so he's got shops, Okay. You also have the

858
00:46:29,320 --> 00:46:33,600
Speaker 1: King Christopher McDonald as Goose, another T Bird.

859
00:46:34,400 --> 00:46:36,800
Speaker 2: We are a Christopher McDonald fan club here at the PA.

860
00:46:37,000 --> 00:46:39,680
Speaker 1: Yes, we are pro Christopher McDonald. We've talked about him

861
00:46:39,680 --> 00:46:42,600
Speaker 1: at length in our Thelma and Louise episode. He's so

862
00:46:42,719 --> 00:46:49,440
Speaker 1: fucking funny. You have the dreamy Peter Forschett as Demucci

863
00:46:50,400 --> 00:46:56,360
Speaker 1: and hilarious role like nothing but hits on this T

864
00:46:56,520 --> 00:46:59,000
Speaker 1: Bird squad. Let me just tell you. Listen, I'm gonna

865
00:46:59,000 --> 00:47:01,640
Speaker 1: tell you right now, Dumucci's my favorite male character in

866
00:47:01,680 --> 00:47:05,640
Speaker 1: the film. If they made Dumucci merch in eighty two.

867
00:47:06,239 --> 00:47:08,080
Speaker 1: I would have collected it all. I'd be buying that

868
00:47:08,080 --> 00:47:13,440
Speaker 1: shit on eBay right now. Like we love Damucci, we

869
00:47:13,480 --> 00:47:13,960
Speaker 1: love them.

870
00:47:14,040 --> 00:47:15,720
Speaker 2: Someone can make you a Dmuci T shirt.

871
00:47:15,840 --> 00:47:18,319
Speaker 1: I'm sure that there is a Damucci shirt. Like there's

872
00:47:18,320 --> 00:47:22,600
Speaker 1: so many like novelty T shirt lines now that I'm

873
00:47:22,640 --> 00:47:25,720
Speaker 1: like if anybody has a line of Dalmuci shirt, especially

874
00:47:25,719 --> 00:47:29,839
Speaker 1: if he's wearing that like pink then down shirt.

875
00:47:29,960 --> 00:47:32,480
Speaker 2: Yes, the one that they stole from those guys.

876
00:47:32,840 --> 00:47:35,840
Speaker 1: But you have like Marine Teefe as one of the

877
00:47:35,880 --> 00:47:40,480
Speaker 1: Pink Ladies Hello Fame. We've talked about her before. My

878
00:47:40,719 --> 00:47:44,839
Speaker 1: favorite of the Pink Ladies, Lorda Luft, who plays Paulette,

879
00:47:45,600 --> 00:47:50,960
Speaker 1: Judy Garland's daughter. Hello. She's Eliza Minellie's half sister. She's incredible.

880
00:47:50,960 --> 00:47:54,960
Speaker 1: She kind of plays the like blonde bombshell like you know,

881
00:47:56,040 --> 00:47:59,680
Speaker 1: Marilyn Monroe type, but also has her own story, which

882
00:47:59,680 --> 00:48:02,880
Speaker 1: is in two You're gonna your minds are gonna be

883
00:48:02,920 --> 00:48:05,600
Speaker 1: blown by this non Greece two fans who don't know,

884
00:48:05,719 --> 00:48:08,640
Speaker 1: but Pamela Adlon is in this film. She plays Paulette's

885
00:48:08,640 --> 00:48:11,360
Speaker 1: little sister, Dolores. Are you fucking kidding me.

886
00:48:12,600 --> 00:48:13,760
Speaker 2: Oh god, it's awesome.

887
00:48:13,800 --> 00:48:18,040
Speaker 1: It's so fucking Lucinda Dickey is in this film, I mean, hello,

888
00:48:18,360 --> 00:48:21,279
Speaker 1: like the queen. She made every great Cannon film in

889
00:48:21,280 --> 00:48:26,120
Speaker 1: the nineteen eighties, including Breakin' Like let's get serious. Connie

890
00:48:26,120 --> 00:48:29,920
Speaker 1: Stevens is one of the teachers Freakin' tab Hunter is

891
00:48:30,320 --> 00:48:34,160
Speaker 1: like one of the teachers at Ryde High School. He's

892
00:48:34,200 --> 00:48:37,319
Speaker 1: maybe like one of the most attractive men to have

893
00:48:37,360 --> 00:48:40,480
Speaker 1: ever walked the earth, and he stayed hot until like

894
00:48:40,560 --> 00:48:44,680
Speaker 1: he died. I think he's like the East a like

895
00:48:46,040 --> 00:48:51,879
Speaker 1: impossibly attractive man. Okay, and so you like look at

896
00:48:51,880 --> 00:48:54,440
Speaker 1: this roster and you're like, okay. That to me alone

897
00:48:54,560 --> 00:48:57,279
Speaker 1: is why I like Greece two better than one, absolutely.

898
00:48:57,320 --> 00:48:59,279
Speaker 1: But I also think that there's just generally a more

899
00:48:59,280 --> 00:49:02,839
Speaker 1: interesting story are going on in Greece two, especially when

900
00:49:02,840 --> 00:49:06,000
Speaker 1: it involves Stephanie, who's like, you know, the Michelle Pfifer character.

901
00:49:07,040 --> 00:49:10,600
Speaker 1: I have to say, speaking of Italians, I've always appreciated

902
00:49:10,920 --> 00:49:17,960
Speaker 1: generally how Italian the Greece franchises in what way, like

903
00:49:18,560 --> 00:49:24,680
Speaker 1: there's just a lot of Italian representation. Zononi, Domucci, Naugarelli,

904
00:49:25,600 --> 00:49:29,640
Speaker 1: like come on, like as a half Italian person. I'm like,

905
00:49:29,680 --> 00:49:33,560
Speaker 1: this is my representation. I mean, you got a blonde

906
00:49:33,600 --> 00:49:36,960
Speaker 1: Italian anytime that happens, I'm like, yo. Stephanie Zanoni is

907
00:49:37,000 --> 00:49:39,279
Speaker 1: like the Monica Viti of ride o'heim. Like she is

908
00:49:39,280 --> 00:49:44,400
Speaker 1: like she's an unbelievable blonde Italian and we stand, okay

909
00:49:44,640 --> 00:49:47,439
Speaker 1: and listen. I actually think here's another theory. I'm gonna

910
00:49:47,440 --> 00:49:50,759
Speaker 1: float to you, Danielle. I feel like Stephanie is Zanoni

911
00:49:50,880 --> 00:49:53,560
Speaker 1: is like the origin story for Michelle Pfeiffer's character and

912
00:49:53,600 --> 00:49:54,319
Speaker 1: married to the mob.

913
00:49:54,480 --> 00:49:58,920
Speaker 3: Oh, completely, okay, she went to high school here. You

914
00:49:58,960 --> 00:50:00,919
Speaker 3: don't even have to You didn't even have to sell

915
00:50:00,960 --> 00:50:03,200
Speaker 3: me on that one.

916
00:50:03,719 --> 00:50:08,440
Speaker 1: Well, and like, Stephanie is an interesting character for me because, okay,

917
00:50:08,480 --> 00:50:10,640
Speaker 1: so she's a pink lady, but she's also not trying

918
00:50:10,680 --> 00:50:12,759
Speaker 1: to follow the pink lady party line, which is that

919
00:50:12,760 --> 00:50:14,440
Speaker 1: she's only allowed to be a chick of a tea

920
00:50:14,520 --> 00:50:18,160
Speaker 1: bird right, Like she doesn't want to be tied down.

921
00:50:18,440 --> 00:50:21,799
Speaker 1: She says, I'm not anybody's trophy. I'm not a trophy chick.

922
00:50:22,239 --> 00:50:26,920
Speaker 1: And the movie starts with her basically like saying, I'm

923
00:50:26,960 --> 00:50:29,320
Speaker 1: not dating Johnny. I'm my own woman, Like I dumped

924
00:50:29,320 --> 00:50:33,560
Speaker 1: that guy. I'm doing my own thing, which of course love.

925
00:50:34,360 --> 00:50:37,000
Speaker 1: And she's the only woman in her school wearing pants

926
00:50:37,080 --> 00:50:40,800
Speaker 1: on the rigs. She works at a freaking gas station,

927
00:50:40,960 --> 00:50:44,120
Speaker 1: which is super cool, and she is not afraid to

928
00:50:44,200 --> 00:50:47,440
Speaker 1: like house an entire giant cheeseburger in front of a

929
00:50:47,440 --> 00:50:50,960
Speaker 1: hot guy at her school. I mean she's a legend.

930
00:50:50,800 --> 00:50:54,640
Speaker 3: Right, a lot of agency, a lot of forcefulness. To me,

931
00:50:54,719 --> 00:50:57,440
Speaker 3: she's already ahead of a Sandy. And she's also like

932
00:50:57,640 --> 00:50:58,920
Speaker 3: not secretly smart.

933
00:50:59,320 --> 00:51:00,600
Speaker 2: She's just like like.

934
00:51:00,600 --> 00:51:02,520
Speaker 3: There's no secrets to her that are waiting to be

935
00:51:02,600 --> 00:51:05,480
Speaker 3: uncovered by a guy. Like she's just like, this is

936
00:51:05,480 --> 00:51:07,000
Speaker 3: who I am, this is what I like, this is

937
00:51:07,000 --> 00:51:09,000
Speaker 3: what I want. Goodbye.

938
00:51:09,280 --> 00:51:14,160
Speaker 1: Yeah, Iconic looks the entire film. And so here's the

939
00:51:14,200 --> 00:51:16,200
Speaker 1: thing about Grease Too that's very different from Greece.

940
00:51:16,280 --> 00:51:16,440
Speaker 3: One.

941
00:51:17,160 --> 00:51:19,960
Speaker 1: It has a plot that moves forward, obviously, but it

942
00:51:20,000 --> 00:51:23,360
Speaker 1: also sort of feels like this, Like it feels like

943
00:51:23,400 --> 00:51:26,879
Speaker 1: it's a collection of like musical sequences too, almost kind

944
00:51:26,880 --> 00:51:29,160
Speaker 1: of like music videos, which you know, early eighties, you

945
00:51:29,200 --> 00:51:31,799
Speaker 1: know you got to think like mtvs around like, so

946
00:51:31,840 --> 00:51:34,160
Speaker 1: it's like it does it definitely feels more modern in

947
00:51:34,200 --> 00:51:37,920
Speaker 1: that way, right, And the two sequences that I remember

948
00:51:38,040 --> 00:51:43,840
Speaker 1: the most from childhood. Okay, obviously involves sex. Uh, the

949
00:51:43,920 --> 00:51:46,520
Speaker 1: reproduction sequence, which is where the kids are singing in

950
00:51:46,520 --> 00:51:50,560
Speaker 1: the sex ad class. And Let's do It for Our Country,

951
00:51:50,640 --> 00:51:54,440
Speaker 1: which is when Demuci and Sherid are that bomb shelter. Right,

952
00:51:55,040 --> 00:51:58,480
Speaker 1: But those are the two sequences that I only remembered

953
00:51:58,520 --> 00:51:59,320
Speaker 1: from childhood.

954
00:52:00,320 --> 00:52:01,120
Speaker 2: Of course you do.

955
00:52:01,440 --> 00:52:03,920
Speaker 3: And let's let's do it for our country, Like I

956
00:52:04,000 --> 00:52:07,359
Speaker 3: actually forgot because my two songs that I remember are

957
00:52:07,640 --> 00:52:13,839
Speaker 3: cool Writer and Girl for All Seasons. Yes, but Let's

958
00:52:13,880 --> 00:52:16,400
Speaker 3: do It for Our Country is so funny and it

959
00:52:16,480 --> 00:52:19,279
Speaker 3: starts out like him trying to convince her to have sex.

960
00:52:19,400 --> 00:52:21,520
Speaker 3: By the end, she's like, yeah, I actually do want

961
00:52:21,520 --> 00:52:23,320
Speaker 3: to do it, but I just needed a reason.

962
00:52:23,840 --> 00:52:25,759
Speaker 1: Like you said, the first movie is about fucking. The

963
00:52:25,800 --> 00:52:27,240
Speaker 1: second movie is about fucking.

964
00:52:27,320 --> 00:52:30,680
Speaker 2: Too Grease like the Grease franchise is about fucking.

965
00:52:32,960 --> 00:52:35,640
Speaker 1: I mean, we could definitely unpack that a little bit more,

966
00:52:35,880 --> 00:52:38,160
Speaker 1: if you know what I'm saying, but we won't. We

967
00:52:38,200 --> 00:52:39,439
Speaker 1: won't get disgusting.

968
00:52:39,800 --> 00:52:41,920
Speaker 2: Grease two is definitely more about fucking.

969
00:52:43,560 --> 00:52:47,960
Speaker 1: Their entire songs about fucking and Greece two. But like

970
00:52:48,040 --> 00:52:52,520
Speaker 1: you said, I feel like the songs are, they're they're

971
00:52:52,560 --> 00:52:55,719
Speaker 1: almost kind of like new wave adjacent. Like to me,

972
00:52:56,440 --> 00:52:59,360
Speaker 1: cool Writer sounds like a Josie Cotton song, Like it

973
00:52:59,480 --> 00:53:03,080
Speaker 1: just sounds like a really cool, like, you know, eighties

974
00:53:03,160 --> 00:53:08,239
Speaker 1: new wave, like Josie Cotton meets Pat Benatar, you know,

975
00:53:08,480 --> 00:53:10,359
Speaker 1: type of thing. And I actually had heard that Pat

976
00:53:10,360 --> 00:53:16,480
Speaker 1: Benatar was considered for the Stephanie role at one point. Fascinating.

977
00:53:16,560 --> 00:53:17,680
Speaker 2: That would have been so cool.

978
00:53:17,760 --> 00:53:21,680
Speaker 3: And again, since we're on this tip of things we

979
00:53:21,719 --> 00:53:24,759
Speaker 3: can't do as American citizens, we cannot mention Pat ben

980
00:53:25,200 --> 00:53:28,640
Speaker 3: Pat Benatar without also mentioning that she's a classically trained singer.

981
00:53:29,160 --> 00:53:31,560
Speaker 3: Every time somebody mentions Pat ben like, she's classically trained,

982
00:53:31,560 --> 00:53:31,960
Speaker 3: and I'm.

983
00:53:31,840 --> 00:53:37,759
Speaker 1: Like, I know, we all know it's wikipedia. Okay, So

984
00:53:37,800 --> 00:53:40,480
Speaker 1: we got to talk now about this Michael character who

985
00:53:40,560 --> 00:53:43,680
Speaker 1: is played by Maxwell Coffield. Okay, because a lot of

986
00:53:43,719 --> 00:53:48,320
Speaker 1: people are Asian younger will know him as Rex Manning

987
00:53:48,840 --> 00:53:54,840
Speaker 1: from that movie y'all love so much Empire Records. Okay,

988
00:53:55,520 --> 00:54:00,239
Speaker 1: now in Greece too. Maxwell was a total hottie to

989
00:54:00,239 --> 00:54:03,360
Speaker 1: say it, like when he finally becomes the cool Rider

990
00:54:04,000 --> 00:54:07,520
Speaker 1: because let's just say this, apparently he learned how to

991
00:54:07,760 --> 00:54:10,759
Speaker 1: literally be evil canieval in a very short period of time.

992
00:54:10,960 --> 00:54:13,080
Speaker 1: Like he's he's got to teach himself how to ride

993
00:54:13,080 --> 00:54:16,359
Speaker 1: a motorcycle because he wants to impress Stephanie so much.

994
00:54:16,400 --> 00:54:18,640
Speaker 1: And I'm like, it took him no time to go

995
00:54:18,760 --> 00:54:23,279
Speaker 1: from a bumbling, fumbling like motorcycle falling over on its

996
00:54:23,280 --> 00:54:26,120
Speaker 1: side guy to jumping cop cars.

997
00:54:26,200 --> 00:54:29,279
Speaker 3: Oh yeah, Like he's absolutely going from like I'm gonna

998
00:54:29,360 --> 00:54:31,399
Speaker 3: drop this bike while I try to get on it.

999
00:54:32,480 --> 00:54:35,279
Speaker 3: I can't even get on it in the park to

1000
00:54:35,680 --> 00:54:38,600
Speaker 3: watch me spin in the air while glitter shoots out

1001
00:54:38,600 --> 00:54:39,560
Speaker 3: of my ass and.

1002
00:54:41,960 --> 00:54:44,719
Speaker 2: I fucking jump over this group of villains.

1003
00:54:47,840 --> 00:54:50,359
Speaker 1: And he like he found himself an outfit that makes

1004
00:54:50,440 --> 00:54:52,880
Speaker 1: him look like he's in the movie Psychomania. It's like

1005
00:54:53,040 --> 00:54:56,759
Speaker 1: he's got like this giant head, like pair of goggles

1006
00:54:56,760 --> 00:54:58,840
Speaker 1: and like you know, and then he at one point

1007
00:54:58,880 --> 00:55:01,960
Speaker 1: he actually, oh, pops open about four buttons on his

1008
00:55:02,080 --> 00:55:06,479
Speaker 1: like leather vest or whatever. And I'm like, the male

1009
00:55:06,680 --> 00:55:11,200
Speaker 1: chest hair in this movie is outstanding. But when he

1010
00:55:11,239 --> 00:55:13,200
Speaker 1: turns into a cool writer, I mean, how the hell

1011
00:55:13,239 --> 00:55:15,600
Speaker 1: can you deny that? I mean, like he pulls up

1012
00:55:15,640 --> 00:55:18,200
Speaker 1: to the gas station where Stephanie's working and he's like,

1013
00:55:19,400 --> 00:55:23,879
Speaker 1: get on, you know, and it's like American voice because

1014
00:55:23,880 --> 00:55:25,719
Speaker 1: he's trying not to be a British guy.

1015
00:55:26,000 --> 00:55:27,719
Speaker 2: Although that was a weird choice to me.

1016
00:55:27,760 --> 00:55:29,440
Speaker 3: I mean I get why he did it, but like

1017
00:55:29,520 --> 00:55:32,360
Speaker 3: because he's trying to be mysterious and not let anyone

1018
00:55:32,400 --> 00:55:34,279
Speaker 3: know who he is, and you know, she falls in

1019
00:55:34,320 --> 00:55:35,920
Speaker 3: love with him without knowing who he is.

1020
00:55:35,960 --> 00:55:38,640
Speaker 2: But I'm like, he's like, I was trying to tell you,

1021
00:55:38,680 --> 00:55:39,000
Speaker 2: and I'm.

1022
00:55:38,880 --> 00:55:40,040
Speaker 3: Like, all you had to do is speak with your

1023
00:55:40,040 --> 00:55:44,920
Speaker 3: regular accent, say two words with your regular accent.

1024
00:55:44,640 --> 00:55:45,919
Speaker 2: And she would have known it was you. How many

1025
00:55:45,920 --> 00:55:48,000
Speaker 2: British people you think are rolling through this fucking town.

1026
00:55:48,760 --> 00:55:51,120
Speaker 1: I know, it's like, just say where's the queue for

1027
00:55:51,200 --> 00:55:53,799
Speaker 1: the loo and she would definitely know it's you. Like

1028
00:55:54,400 --> 00:55:58,680
Speaker 1: it would be very easy. But like when it happens

1029
00:55:58,680 --> 00:56:00,560
Speaker 1: when he pulls up to her job and she quits

1030
00:56:00,560 --> 00:56:03,520
Speaker 1: her damn job, I'm like, yo, go with this hotey absolutely.

1031
00:56:04,320 --> 00:56:08,040
Speaker 1: Let alone the ending where he essentially turns into someone

1032
00:56:08,120 --> 00:56:10,919
Speaker 1: from like this Brian de Palma Phantom of the Paradise shit.

1033
00:56:11,080 --> 00:56:13,799
Speaker 1: Like he's like, like I said, I can't really give

1034
00:56:13,840 --> 00:56:15,960
Speaker 1: away the ending because it's so insane, but I'm like

1035
00:56:16,520 --> 00:56:23,680
Speaker 1: it he turns into essentially like some kind of glitter dome,

1036
00:56:25,080 --> 00:56:31,080
Speaker 1: like sparkly being in the sky. It's like crazy. And

1037
00:56:31,160 --> 00:56:33,560
Speaker 1: that's the thing I think about Greece two that is

1038
00:56:33,840 --> 00:56:37,120
Speaker 1: super enjoyable versus Grease one is that it is in

1039
00:56:37,160 --> 00:56:40,600
Speaker 1: its own dimension, especially the end. It is a full

1040
00:56:40,680 --> 00:56:47,560
Speaker 1: on Xanadu fantasy sequence. Yes, like you really can't compare them,

1041
00:56:47,640 --> 00:56:49,200
Speaker 1: I think at the end of the day. I mean,

1042
00:56:49,520 --> 00:56:53,200
Speaker 1: it shares common similarities in certain ways, but it's its

1043
00:56:53,200 --> 00:56:56,239
Speaker 1: own thing. And I feel like for people who are like,

1044
00:56:56,880 --> 00:57:00,960
Speaker 1: you know, claiming it sucks because because it's not as

1045
00:57:01,080 --> 00:57:03,680
Speaker 1: good as a first one, I'm like, Okay, yes, I

1046
00:57:03,719 --> 00:57:07,440
Speaker 1: guess that's technically true, but like it's also so good

1047
00:57:07,560 --> 00:57:14,280
Speaker 1: in its own thing, and it's wonderful and fun and Affyvessa, come.

1048
00:57:14,160 --> 00:57:16,080
Speaker 2: On, it's this owin thing entirely.

1049
00:57:16,920 --> 00:57:19,880
Speaker 3: I actually, even though I just made a comparison between

1050
00:57:20,080 --> 00:57:22,120
Speaker 3: Stephanie and Sandy, I don't think there is a comparison

1051
00:57:22,160 --> 00:57:22,640
Speaker 3: to be made.

1052
00:57:23,240 --> 00:57:25,960
Speaker 2: I think they're very different characters. They're very different people.

1053
00:57:26,600 --> 00:57:29,240
Speaker 3: The one thing that I do want to bring up

1054
00:57:29,720 --> 00:57:33,400
Speaker 3: because I'm curious about your how you feel about this,

1055
00:57:34,200 --> 00:57:40,960
Speaker 3: the Connie Stevens character Miss Mason. Did she read to

1056
00:57:41,000 --> 00:57:44,360
Speaker 3: you as a little white supremacy ish?

1057
00:57:44,680 --> 00:57:48,880
Speaker 5: Oh shit, Because they're doing this talent show, right, and

1058
00:57:49,200 --> 00:57:51,800
Speaker 5: she's sitting in the audience, and she keeps saying every

1059
00:57:51,840 --> 00:57:54,720
Speaker 5: time there's people on stage that are like her people,

1060
00:57:54,880 --> 00:57:56,680
Speaker 5: she keeps saying, oh, those are my girls, those are

1061
00:57:56,680 --> 00:57:57,120
Speaker 5: my guys.

1062
00:57:58,440 --> 00:57:58,680
Speaker 1: Two.

1063
00:57:58,880 --> 00:58:01,240
Speaker 3: When the twins got on days, she was like, that's

1064
00:58:01,320 --> 00:58:04,800
Speaker 3: pure breeding up there, like that's.

1065
00:58:04,560 --> 00:58:06,400
Speaker 2: And then when the guys got on stage, She's like,

1066
00:58:06,440 --> 00:58:08,000
Speaker 2: those are true American boys.

1067
00:58:08,840 --> 00:58:13,560
Speaker 3: And I think I'm just being influenced by modern day America.

1068
00:58:13,960 --> 00:58:16,520
Speaker 1: Oh a blonde lady with her tits out. Yeah, you're

1069
00:58:16,560 --> 00:58:19,280
Speaker 1: telling me that Miss Mason is Marjorie Taylor Green and

1070
00:58:19,320 --> 00:58:19,760
Speaker 1: you know it.

1071
00:58:21,840 --> 00:58:25,640
Speaker 2: I was just I heard that and I was like, no, like,

1072
00:58:25,800 --> 00:58:27,000
Speaker 2: what is happening.

1073
00:58:28,480 --> 00:58:30,640
Speaker 1: I mean, obviously that seems like a callback to the

1074
00:58:30,680 --> 00:58:33,720
Speaker 1: fifties where there were fucking white supremacists in high schools

1075
00:58:33,800 --> 00:58:34,640
Speaker 1: thanking that.

1076
00:58:36,120 --> 00:58:36,520
Speaker 2: Children.

1077
00:58:39,040 --> 00:58:43,800
Speaker 1: Absolutely do I think she's full Nazi. I don't know.

1078
00:58:44,600 --> 00:58:47,040
Speaker 3: I just I just think that it read is a

1079
00:58:47,040 --> 00:58:49,880
Speaker 3: little bit too to me. It just read is a

1080
00:58:49,920 --> 00:58:53,920
Speaker 3: little bit too like on the news, like, hmm, those

1081
00:58:53,960 --> 00:58:57,080
Speaker 3: are my white children. I love them, yes, yes, And

1082
00:58:57,160 --> 00:59:03,040
Speaker 3: also like she us suggest that she might sleep with students,

1083
00:59:03,120 --> 00:59:06,640
Speaker 3: which is strange. This character is problematic. I'm just saying

1084
00:59:06,800 --> 00:59:09,800
Speaker 3: Miss Mason is problematic in general.

1085
00:59:10,400 --> 00:59:14,840
Speaker 1: Also, I need to say that I have been recently

1086
00:59:14,920 --> 00:59:19,600
Speaker 1: made aware of the dick pop out in Grease too.

1087
00:59:19,920 --> 00:59:21,000
Speaker 2: I did not know about this.

1088
00:59:22,280 --> 00:59:26,640
Speaker 1: I am fucking shocked beyond all belief. And it is

1089
00:59:26,680 --> 00:59:30,920
Speaker 1: our producer, Casey's fault for sending over the Zapruder film

1090
00:59:31,240 --> 00:59:32,040
Speaker 1: of this happening.

1091
00:59:32,480 --> 00:59:36,000
Speaker 2: And it's it's less dick and it's more like long balls.

1092
00:59:37,480 --> 00:59:41,720
Speaker 1: Ted Yelle's an expert on the ball situation, like pesticles

1093
00:59:41,720 --> 00:59:46,640
Speaker 1: are out. I actually I have the video up right

1094
00:59:46,640 --> 00:59:48,360
Speaker 1: now and I haven't paused on it, so I need

1095
00:59:48,400 --> 00:59:50,360
Speaker 1: to remove I need to fast forward it a little

1096
00:59:50,360 --> 00:59:53,800
Speaker 1: bit because that is so crazy. So we know about it.

1097
00:59:53,880 --> 00:59:56,040
Speaker 1: You don't have to tell us that there's a dick

1098
00:59:56,120 --> 01:00:00,400
Speaker 1: pop out in Grease too. But I'm just saying I'm shocked.

1099
01:00:00,560 --> 01:00:04,600
Speaker 2: Absolutely can't. I can't gather myself after this.

1100
01:00:05,760 --> 01:00:07,640
Speaker 1: I truly can't believe they left it in the film.

1101
01:00:07,680 --> 01:00:09,200
Speaker 2: For all these years, they've.

1102
01:00:09,040 --> 01:00:12,760
Speaker 3: Never cut it as they've never cut it out of

1103
01:00:12,800 --> 01:00:15,360
Speaker 3: the film. It was released in nineteen eighty two. It

1104
01:00:15,400 --> 01:00:19,960
Speaker 3: was released fucking forty years ago, and they're like, we're

1105
01:00:20,000 --> 01:00:20,840
Speaker 3: leaving the balls in.

1106
01:00:22,120 --> 01:00:24,680
Speaker 1: I guarantee you that's not on the Wikipedia page.

1107
01:00:24,800 --> 01:00:30,880
Speaker 3: I guarantee it has its own Wikipedia page.

1108
01:00:31,200 --> 01:00:34,440
Speaker 1: I would love it if somebody created a Wikipedia page

1109
01:00:34,480 --> 01:00:38,520
Speaker 1: for the balls pop out and Grease too, get get

1110
01:00:38,920 --> 01:00:41,919
Speaker 1: down into it. Well, look, at the end of the day,

1111
01:00:42,920 --> 01:00:45,840
Speaker 1: you obviously can feel my passion for Grace too. If

1112
01:00:45,880 --> 01:00:49,080
Speaker 1: you're the type of person who literally only loves the

1113
01:00:49,360 --> 01:00:54,600
Speaker 1: first Grease cannot accept any substitutions or any reworkings, I

1114
01:00:54,640 --> 01:00:58,120
Speaker 1: get it. I've done nothing for you, and I just

1115
01:00:58,120 --> 01:01:01,760
Speaker 1: hope that you can accept the fact that people who

1116
01:01:01,920 --> 01:01:07,120
Speaker 1: like Grice Too are funnier, cooler, and more attractive. And

1117
01:01:07,160 --> 01:01:08,120
Speaker 1: that's just the way it goes.

1118
01:01:09,760 --> 01:01:10,640
Speaker 2: You bottom lined it.

1119
01:01:11,600 --> 01:01:15,000
Speaker 1: So, speaking of horniness, I truly cannot wait to talk

1120
01:01:15,040 --> 01:01:18,840
Speaker 1: about your film and the franchise and the everything.

1121
01:01:19,240 --> 01:01:22,120
Speaker 3: I mean, our all, our all theme this week could

1122
01:01:22,160 --> 01:01:24,760
Speaker 3: have been we did not know this movie was about fucking.

1123
01:01:28,000 --> 01:01:33,680
Speaker 1: You should have renamed it instead of sequels better than

1124
01:01:33,680 --> 01:01:34,280
Speaker 1: the original.

1125
01:01:34,880 --> 01:01:36,439
Speaker 2: Oops, it's about fucking.

1126
01:01:39,080 --> 01:01:39,280
Speaker 1: Well.

1127
01:01:39,320 --> 01:01:43,920
Speaker 3: My movie was released in nineteen eighty The screenplay is

1128
01:01:43,920 --> 01:01:48,400
Speaker 3: by Mario Puzo, David Newman, and Leslie Newman, and it

1129
01:01:48,480 --> 01:01:50,080
Speaker 3: was directed by Richard Lester.

1130
01:01:50,560 --> 01:01:55,360
Speaker 2: And my film is Superman two Superman in general. Would

1131
01:01:55,400 --> 01:01:57,400
Speaker 2: you care to step outside? Now?

1132
01:01:57,640 --> 01:02:01,160
Speaker 3: Right off the bet, I have to say I one

1133
01:02:01,240 --> 01:02:08,840
Speaker 3: hundred percent missed that Mario the Godfather Pozzo wrote Superman two.

1134
01:02:10,000 --> 01:02:11,480
Speaker 2: So I'm just gonna lead with that.

1135
01:02:11,600 --> 01:02:15,080
Speaker 3: I had no fucking idea until I started researching for

1136
01:02:15,160 --> 01:02:16,880
Speaker 3: this podcast that he wrote Superman two.

1137
01:02:17,640 --> 01:02:18,320
Speaker 1: Yeah, me, neither.

1138
01:02:19,080 --> 01:02:21,480
Speaker 3: I need that to be a stronger credit when people

1139
01:02:21,520 --> 01:02:23,080
Speaker 3: are talking about the Godfather.

1140
01:02:26,000 --> 01:02:26,880
Speaker 2: But this movie.

1141
01:02:26,960 --> 01:02:32,400
Speaker 3: I chose this film because it is It's an indelible

1142
01:02:32,440 --> 01:02:35,760
Speaker 3: part of my childhood. Yeah, and I'm gonna give you

1143
01:02:35,800 --> 01:02:37,920
Speaker 3: a one sentence synopsis and then we can hop right

1144
01:02:37,960 --> 01:02:43,120
Speaker 3: in Superman two. My one sentence synopsis is this bitch

1145
01:02:43,200 --> 01:02:46,840
Speaker 3: is back and has two villains, Lex Luthor and a

1146
01:02:46,880 --> 01:02:55,640
Speaker 3: trio of glittered alien outlaws and thigh high boots. Okay, Now,

1147
01:02:55,800 --> 01:02:59,680
Speaker 3: one thing that I absolutely love about the movie, and

1148
01:02:59,680 --> 01:03:01,720
Speaker 3: I'm just I'm gonna instead of, you know, breaking down

1149
01:03:01,720 --> 01:03:05,320
Speaker 3: the whole narrative of the movie, I'm just gonna tell

1150
01:03:05,320 --> 01:03:07,920
Speaker 3: you what I think makes it the better sequel, and

1151
01:03:08,040 --> 01:03:09,920
Speaker 3: the first thing I think makes it a better sequel

1152
01:03:10,040 --> 01:03:13,120
Speaker 3: is they show the highlights from the first movie over

1153
01:03:13,160 --> 01:03:15,360
Speaker 3: the opening credits, so you don't even have to have

1154
01:03:15,400 --> 01:03:18,280
Speaker 3: seen the first one, which is so smart.

1155
01:03:18,640 --> 01:03:20,040
Speaker 2: We love it, and they're like.

1156
01:03:20,000 --> 01:03:23,040
Speaker 3: Hey, here's what's up. Superman did some shit. Lois Lane

1157
01:03:23,080 --> 01:03:25,080
Speaker 3: fell in love with him. We found out that he

1158
01:03:25,160 --> 01:03:28,760
Speaker 3: dropped into a farm, his fucking uncle died. Like, they

1159
01:03:28,800 --> 01:03:30,360
Speaker 3: just give it to you straight, like, here is what

1160
01:03:30,760 --> 01:03:32,280
Speaker 3: we did. Don't forget.

1161
01:03:32,520 --> 01:03:38,040
Speaker 1: They even show that hilarious shot of the baby lifting

1162
01:03:38,120 --> 01:03:44,040
Speaker 1: up the car again makes me laugh so hard every

1163
01:03:44,120 --> 01:03:45,960
Speaker 1: time I see it.

1164
01:03:45,960 --> 01:03:50,520
Speaker 3: It is truly wonderful, truly wonderful piece of film, because

1165
01:03:50,520 --> 01:03:54,320
Speaker 3: he's in this like red long diaper and they're just like, hey,

1166
01:03:54,360 --> 01:03:55,320
Speaker 3: what's up, let's have this.

1167
01:03:55,320 --> 01:03:58,800
Speaker 1: Car, and he's like, look what I did. It's like

1168
01:03:58,880 --> 01:04:02,080
Speaker 1: when Carrott brings you a squirrel to your bedside. He's

1169
01:04:02,200 --> 01:04:04,640
Speaker 1: just like, look what I did? I lift in a car? Guys.

1170
01:04:05,400 --> 01:04:07,400
Speaker 2: Meanwhile, his uncle's like, shitting bricks.

1171
01:04:09,960 --> 01:04:12,000
Speaker 1: We just found you in a hole and now you're

1172
01:04:12,040 --> 01:04:13,520
Speaker 1: lifting my car. What the fuck?

1173
01:04:13,600 --> 01:04:15,800
Speaker 3: Also, I would have told that little motherfucker then in

1174
01:04:15,840 --> 01:04:19,959
Speaker 3: there you are an alien they waited a real long

1175
01:04:20,000 --> 01:04:22,840
Speaker 3: time to tell him after he lifted a car that

1176
01:04:22,960 --> 01:04:28,400
Speaker 3: he was not a planet Earth. He could have been

1177
01:04:28,480 --> 01:04:31,600
Speaker 3: chucking kids around at fucking recess. He could have been

1178
01:04:31,600 --> 01:04:34,400
Speaker 3: breaking heads accidentally, Like, tell him he's not from Earth

1179
01:04:35,520 --> 01:04:37,320
Speaker 3: right away, as soon as he lifts a car.

1180
01:04:37,640 --> 01:04:38,800
Speaker 2: Tell him.

1181
01:04:38,920 --> 01:04:39,240
Speaker 1: Yeah.

1182
01:04:39,280 --> 01:04:40,919
Speaker 3: But I love it, and I also I'm just gonna

1183
01:04:40,960 --> 01:04:42,720
Speaker 3: this is a side note that I'm going to mention

1184
01:04:42,760 --> 01:04:45,000
Speaker 3: because just like with Millie and the balls pop out,

1185
01:04:45,320 --> 01:04:47,840
Speaker 3: I know that if I don't, someone's gonna mention it

1186
01:04:47,880 --> 01:04:50,040
Speaker 3: in the comments or send us an email as if

1187
01:04:50,080 --> 01:04:50,640
Speaker 3: we didn't know.

1188
01:04:51,080 --> 01:04:51,960
Speaker 2: Yes, it's true.

1189
01:04:52,280 --> 01:04:55,360
Speaker 3: One of the terrorists in the opening scene at the

1190
01:04:55,400 --> 01:04:59,520
Speaker 3: Eiffel Tower was the horrible Uncle from Harry Potter Movies.

1191
01:05:00,360 --> 01:05:01,680
Speaker 2: Hmm, okay, we know.

1192
01:05:02,840 --> 01:05:07,120
Speaker 3: Here's the main reason I think Superman two is better

1193
01:05:07,160 --> 01:05:11,720
Speaker 3: than Superman one. It has better villains. Okay, yeah, so

1194
01:05:11,800 --> 01:05:15,880
Speaker 3: we have again murderers row of actors in this movie.

1195
01:05:15,960 --> 01:05:20,240
Speaker 3: The three aliens that I'm calling them aliens, but you know,

1196
01:05:20,280 --> 01:05:24,720
Speaker 3: the three outlaws that were kicked off of Superman's planet

1197
01:05:24,840 --> 01:05:29,000
Speaker 3: by his father are played by Jack O'Halleran, who plays non.

1198
01:05:29,040 --> 01:05:31,000
Speaker 3: He doesn't really speak, but he has a lot of

1199
01:05:31,400 --> 01:05:34,840
Speaker 3: incredible facial expressions and moves in this movie. We have

1200
01:05:35,360 --> 01:05:39,320
Speaker 3: Sarah Douglas who plays Ursa, who is the baddest motherfucker

1201
01:05:39,880 --> 01:05:42,040
Speaker 3: on in the Superman franchise.

1202
01:05:42,080 --> 01:05:45,760
Speaker 2: If you ask me, yo, get her her own. She's

1203
01:05:45,800 --> 01:05:47,439
Speaker 2: a spin off. Like she's a spin off.

1204
01:05:47,880 --> 01:05:52,760
Speaker 3: Then you have Terrence Stamp playing the iconic General Zod. Right,

1205
01:05:53,200 --> 01:05:55,960
Speaker 3: so these are already better villains. Like they've got a

1206
01:05:56,000 --> 01:05:59,120
Speaker 3: fucking vendetta against his father that they're willing to take

1207
01:05:59,160 --> 01:06:01,800
Speaker 3: out on the Sun. They were put into like a

1208
01:06:01,800 --> 01:06:05,200
Speaker 3: piece of glass and shot into space. So when they

1209
01:06:05,280 --> 01:06:08,040
Speaker 3: get free and they realize, oh, the closer we get

1210
01:06:08,040 --> 01:06:12,120
Speaker 3: to Earth, the stronger our powers are. They start punting

1211
01:06:12,200 --> 01:06:17,560
Speaker 3: astronauts fucking into space. They're hot, Like Lex Luthor is

1212
01:06:17,560 --> 01:06:20,000
Speaker 3: a better fucking villain in this movie. He's hot, air

1213
01:06:20,040 --> 01:06:24,240
Speaker 3: ballooning out of prison and like kicking Ned Beatty down.

1214
01:06:24,280 --> 01:06:28,600
Speaker 3: He's like, you're not coming with me. The three aliens

1215
01:06:28,600 --> 01:06:30,200
Speaker 3: are like are the trio?

1216
01:06:30,520 --> 01:06:32,520
Speaker 2: As I will call them. The Trio is like shooting

1217
01:06:32,520 --> 01:06:35,720
Speaker 2: hot lasers out of their eyes. They have fucking hurricane breath.

1218
01:06:38,600 --> 01:06:41,240
Speaker 2: They put their own faces on Mount Rushmore.

1219
01:06:42,920 --> 01:06:46,240
Speaker 1: That's the best. What a flex what a fucking flex.

1220
01:06:46,240 --> 01:06:48,400
Speaker 1: I'm like, yo, I just showed up, get rid of

1221
01:06:48,400 --> 01:06:52,640
Speaker 1: these old folks, come put on that rock.

1222
01:06:52,760 --> 01:06:55,160
Speaker 2: And they're like, here we are, We're your new fucking leaders.

1223
01:06:55,160 --> 01:06:57,520
Speaker 3: Oh what, Let's get take over the White House and

1224
01:06:57,560 --> 01:07:00,360
Speaker 3: get rid of about Rushmore right away, which a lot

1225
01:07:00,400 --> 01:07:02,880
Speaker 3: of people of South Dakota are like, thank fucking God,

1226
01:07:02,880 --> 01:07:07,320
Speaker 3: We've been waiting for that forever. The condigenous population of

1227
01:07:07,440 --> 01:07:11,280
Speaker 3: South Dakota is like, fuck yeah. And then they put

1228
01:07:11,320 --> 01:07:13,600
Speaker 3: their three faces on, and then they just like destroy

1229
01:07:13,680 --> 01:07:16,360
Speaker 3: Lincoln's face. So like, let's just fucking laser this laser

1230
01:07:16,360 --> 01:07:19,560
Speaker 3: eye of all this up. We don't have a room

1231
01:07:19,600 --> 01:07:22,880
Speaker 3: for another one, and the reason and again, so the

1232
01:07:23,400 --> 01:07:25,439
Speaker 3: villains are better in their own right. And then they

1233
01:07:25,480 --> 01:07:28,000
Speaker 3: team up because Lex Luthor is like, oh, I need

1234
01:07:28,040 --> 01:07:30,520
Speaker 3: to be part of this fucking team because Superman's my

1235
01:07:30,840 --> 01:07:35,480
Speaker 3: number one enemy. Oh and then naturally, naturally, I can't.

1236
01:07:35,600 --> 01:07:39,160
Speaker 3: I'll be remissive. I don't mention this. We have Terence

1237
01:07:39,280 --> 01:07:46,680
Speaker 3: Stamp saying the iconic line kneel before Zodd, which never

1238
01:07:46,680 --> 01:07:50,880
Speaker 3: stops being very hot. Yes, just gotta say he's I

1239
01:07:50,920 --> 01:07:54,520
Speaker 3: cannot explain these outfits enough. They're like parachute pant jumpsuits

1240
01:07:54,520 --> 01:07:57,480
Speaker 3: with a deep V glitter like a deep glitter V.

1241
01:07:58,240 --> 01:08:01,240
Speaker 2: Thigh high fucking boots. It's on all of this.

1242
01:08:02,920 --> 01:08:07,760
Speaker 1: Yes, I listen, I to me when they come to

1243
01:08:07,800 --> 01:08:10,520
Speaker 1: Earth and then they just show up in Texas or

1244
01:08:10,560 --> 01:08:13,560
Speaker 1: wherever they they show up. It is truly like if

1245
01:08:13,680 --> 01:08:19,679
Speaker 1: Zardas landed in Smoking the Bandit the best combination of shit.

1246
01:08:19,840 --> 01:08:22,240
Speaker 1: Like you're like, here are the people from Zardas who

1247
01:08:22,280 --> 01:08:25,599
Speaker 1: are now talking to like boss Hog and his son.

1248
01:08:25,760 --> 01:08:26,639
Speaker 1: It is awesome.

1249
01:08:26,800 --> 01:08:29,519
Speaker 2: Absolutely, it is so good. It's so good.

1250
01:08:29,520 --> 01:08:34,120
Speaker 3: And they're like, what, we're fucking hurricane breath, motherfuckers from

1251
01:08:34,160 --> 01:08:37,400
Speaker 3: another planet. They have no time for That's the other thing.

1252
01:08:37,439 --> 01:08:39,439
Speaker 3: They have no time for America. They're like, we do

1253
01:08:39,520 --> 01:08:42,599
Speaker 3: not care. We're just here to take over. Our powers

1254
01:08:42,600 --> 01:08:44,559
Speaker 3: are strong and that's why we're staying here. And then

1255
01:08:44,560 --> 01:08:47,840
Speaker 3: they find out that Superman's there, They're like, oh, we'll kick.

1256
01:08:47,760 --> 01:08:50,439
Speaker 2: His ass too, yeah, like, no problem.

1257
01:08:51,000 --> 01:08:53,600
Speaker 3: I also think this is a better sequel because Lois

1258
01:08:53,840 --> 01:08:57,920
Speaker 3: Lane finds out who Superman is, so she's trying to

1259
01:08:57,920 --> 01:08:59,839
Speaker 3: figure it out because she sees him take his glasses

1260
01:08:59,880 --> 01:09:01,519
Speaker 3: off and she's like, let me throw myself into the

1261
01:09:01,520 --> 01:09:04,880
Speaker 3: fucking rapids at Niagara Falls and he doesn't bite, he

1262
01:09:04,880 --> 01:09:06,760
Speaker 3: doesn't take the bait, but he saves her anyway, as

1263
01:09:06,880 --> 01:09:07,519
Speaker 3: Clark Kent.

1264
01:09:08,160 --> 01:09:10,400
Speaker 2: Also, Lois is so gross in this movie and I

1265
01:09:10,400 --> 01:09:10,720
Speaker 2: love her.

1266
01:09:10,760 --> 01:09:13,240
Speaker 3: She's like, get me a fucking hot dog with orange juice,

1267
01:09:13,240 --> 01:09:14,960
Speaker 3: Like she's just drink orange juice.

1268
01:09:14,840 --> 01:09:16,040
Speaker 2: Is her only healthcare plan.

1269
01:09:16,120 --> 01:09:18,400
Speaker 3: Like who knew this movie would be so prophetic about

1270
01:09:18,400 --> 01:09:21,000
Speaker 3: American life, where she's like, I drink orange juice to

1271
01:09:21,000 --> 01:09:23,200
Speaker 3: stay healthy, and I will drink it with everything, including

1272
01:09:23,280 --> 01:09:23,960
Speaker 3: hot dogs.

1273
01:09:25,200 --> 01:09:31,439
Speaker 1: Also, like she is one of the most like she

1274
01:09:31,680 --> 01:09:37,160
Speaker 1: smokes constantly in Superman films, and I'm like, she definitely smokes,

1275
01:09:37,320 --> 01:09:39,960
Speaker 1: Like she's actually lighting cigarettes on the set and is

1276
01:09:40,000 --> 01:09:42,680
Speaker 1: smoking and it's in her contract that she gets to

1277
01:09:42,720 --> 01:09:47,479
Speaker 1: smoke real cigarettes and not the faky prop cigarettes. And

1278
01:09:47,600 --> 01:09:50,240
Speaker 1: I'm like, yo, she is a smoker, Like for sure.

1279
01:09:50,439 --> 01:09:54,320
Speaker 3: Absolutely Lois Lane is no holds barred in this fucking movie.

1280
01:09:54,360 --> 01:09:56,360
Speaker 3: And I love that she finds out who Superman is

1281
01:09:56,360 --> 01:09:58,759
Speaker 3: because then we don't have to keep the ruse going

1282
01:09:58,800 --> 01:10:02,240
Speaker 3: for too long of the Clark kentoness of it. And

1283
01:10:02,400 --> 01:10:04,920
Speaker 3: she's also very excited because now they can fuck, Like

1284
01:10:04,960 --> 01:10:05,680
Speaker 3: she knows who he is.

1285
01:10:05,680 --> 01:10:06,559
Speaker 2: She's already in love.

1286
01:10:06,400 --> 01:10:10,160
Speaker 3: With Superman, and he's like, I will give up my

1287
01:10:10,200 --> 01:10:11,439
Speaker 3: fucking powers for you.

1288
01:10:12,720 --> 01:10:16,680
Speaker 1: Well, I want to ask you. Okay, look, this episode

1289
01:10:17,080 --> 01:10:19,320
Speaker 1: is already as horny as can be, so I'm not

1290
01:10:19,479 --> 01:10:27,200
Speaker 1: stopping obviously, and I know that horniness is anthetical to

1291
01:10:27,360 --> 01:10:30,320
Speaker 1: true film criticism, but guess what we're doing it this

1292
01:10:30,400 --> 01:10:32,920
Speaker 1: is horror podcast. Is we could do both.

1293
01:10:32,960 --> 01:10:33,320
Speaker 2: We could do.

1294
01:10:34,720 --> 01:10:38,680
Speaker 1: My question to you is, were you in love with

1295
01:10:38,840 --> 01:10:41,679
Speaker 1: Christopher Reeve a Superman as a child or beyond?

1296
01:10:42,080 --> 01:10:45,080
Speaker 2: Of course I was, okay.

1297
01:10:45,360 --> 01:10:49,160
Speaker 1: Because that was the chief feeling that I had when

1298
01:10:49,200 --> 01:10:54,880
Speaker 1: I rewatched your film, was the primal feeling of being

1299
01:10:54,960 --> 01:10:57,639
Speaker 1: in love with Christopher Reeve a Superman that I felt

1300
01:10:57,680 --> 01:11:00,920
Speaker 1: as a child, Like yes, it all came back to me,

1301
01:11:01,200 --> 01:11:03,960
Speaker 1: like and I just and I was watching. So basically

1302
01:11:04,040 --> 01:11:06,080
Speaker 1: what happened was that I watched Superman too, and I'm like, well,

1303
01:11:06,080 --> 01:11:08,559
Speaker 1: fuck now I gotta watch one, three and four, like

1304
01:11:08,600 --> 01:11:10,800
Speaker 1: I'm just gonna go back and watch, and I watched

1305
01:11:10,880 --> 01:11:13,639
Speaker 1: him on the wrong week. I think that's the thing

1306
01:11:13,640 --> 01:11:15,840
Speaker 1: is that I thought we were recording this episode last week,

1307
01:11:15,960 --> 01:11:18,400
Speaker 1: so I watched all the Superman's like many weeks ago,

1308
01:11:20,760 --> 01:11:27,040
Speaker 1: but I was like, I only want to see Superman

1309
01:11:27,080 --> 01:11:29,720
Speaker 1: floriter with Lois Lane, Like that's all I want in

1310
01:11:29,760 --> 01:11:33,400
Speaker 1: life is to see them flirting with each other. It

1311
01:11:33,439 --> 01:11:36,400
Speaker 1: makes my heart flutter. I love him so much.

1312
01:11:36,600 --> 01:11:40,960
Speaker 3: I super this might actually solve a lot of questions

1313
01:11:41,000 --> 01:11:44,040
Speaker 3: that we have about my level of taste in men.

1314
01:11:45,400 --> 01:11:50,120
Speaker 3: I loved him more as Clark Kent. Well definitely have

1315
01:11:50,240 --> 01:11:53,400
Speaker 3: the hots for Superman. But when Clark Kent was around him,

1316
01:11:53,400 --> 01:11:54,560
Speaker 3: like that dude.

1317
01:11:54,800 --> 01:11:58,240
Speaker 1: Is hot, yeah, I mean, and it's like, I think

1318
01:11:58,280 --> 01:12:03,240
Speaker 1: this is obviously a very very common sentiment about the

1319
01:12:03,280 --> 01:12:06,040
Speaker 1: Superman films, which is that like, there's no way she

1320
01:12:06,080 --> 01:12:08,120
Speaker 1: would be like this is a totally different person because

1321
01:12:08,160 --> 01:12:11,439
Speaker 1: exactly Clark Kent looks like Superman except he's got those

1322
01:12:11,439 --> 01:12:14,000
Speaker 1: corny glasses on. That's it. The rest of him looks

1323
01:12:14,040 --> 01:12:17,240
Speaker 1: exactly the same. And I'm like, he's still hot as

1324
01:12:17,280 --> 01:12:19,240
Speaker 1: fuck in those glasses, So how are you?

1325
01:12:19,520 --> 01:12:21,439
Speaker 2: And She's like, what are you thinking? She like hates

1326
01:12:21,479 --> 01:12:21,960
Speaker 2: Clark Kent.

1327
01:12:22,040 --> 01:12:24,160
Speaker 3: She's like, get out of my fucking face, Clark, And

1328
01:12:24,200 --> 01:12:26,920
Speaker 3: I'm like, he's not that even as Clark Kent.

1329
01:12:26,880 --> 01:12:28,800
Speaker 2: He's still hot, Like, get with it.

1330
01:12:28,920 --> 01:12:31,800
Speaker 1: Lois, Oh yeah, I mean Clark Kent is like a

1331
01:12:31,920 --> 01:12:35,720
Speaker 1: fifteen out of ten. It's like, but then like Superman

1332
01:12:35,840 --> 01:12:38,080
Speaker 1: comes around, and I guess he just has a little

1333
01:12:38,240 --> 01:12:41,000
Speaker 1: less of the bumbly fumbly right vibe, I guess, And

1334
01:12:41,040 --> 01:12:44,720
Speaker 1: maybe that's attractive. I guess it's attractive. But it was like,

1335
01:12:44,800 --> 01:12:49,639
Speaker 1: as a child, I just like he was the model

1336
01:12:49,800 --> 01:12:52,320
Speaker 1: of hotness to me. Like I was just like and

1337
01:12:52,360 --> 01:12:54,400
Speaker 1: it just all came back, like rewatching your film, I

1338
01:12:54,439 --> 01:12:56,120
Speaker 1: was like, oh my god, I'm in love with Superman.

1339
01:12:56,800 --> 01:12:57,519
Speaker 2: Oh my god.

1340
01:12:58,120 --> 01:13:00,200
Speaker 1: I mean I just want to see them. It's like

1341
01:13:00,280 --> 01:13:02,800
Speaker 1: falling in love. I don't want this other stuff.

1342
01:13:03,000 --> 01:13:04,599
Speaker 2: Well, that's what's great about this movie.

1343
01:13:04,600 --> 01:13:07,200
Speaker 3: They give it to you, and right the next movie

1344
01:13:07,200 --> 01:13:08,600
Speaker 3: they're like, all right, we'll give it to you in

1345
01:13:08,640 --> 01:13:11,200
Speaker 3: Superman two. We're not gonna carry this on for eight movies.

1346
01:13:11,240 --> 01:13:14,000
Speaker 3: We're gonna let them fall in love right away. And

1347
01:13:14,040 --> 01:13:16,640
Speaker 3: even though for me this wasn't the sexual awakening at

1348
01:13:16,680 --> 01:13:20,479
Speaker 3: a Kevin Klein level, I fucking love Superman. I fucking

1349
01:13:20,520 --> 01:13:23,240
Speaker 3: love Superman. I had the hotsp Clark Ken. I thought

1350
01:13:23,280 --> 01:13:26,880
Speaker 3: he was a nice, cool guy and this movie. At

1351
01:13:26,880 --> 01:13:28,960
Speaker 3: one point, somebody asked if he watched something on TV

1352
01:13:29,040 --> 01:13:30,680
Speaker 3: and he was like, I don't really watch TV. I

1353
01:13:30,720 --> 01:13:32,200
Speaker 3: went home and read Dickens and I'm like, that's my

1354
01:13:32,320 --> 01:13:33,960
Speaker 3: fucking boy, dude.

1355
01:13:34,320 --> 01:13:37,160
Speaker 1: Okay, Like we all love the thought experiment of a

1356
01:13:37,280 --> 01:13:41,759
Speaker 1: superhero who was willing to trade his powers in to fuck. Okay,

1357
01:13:42,200 --> 01:13:43,280
Speaker 1: Like we love that, right.

1358
01:13:43,600 --> 01:13:45,320
Speaker 3: This is also part of what I think makes this

1359
01:13:45,400 --> 01:13:48,679
Speaker 3: movie better is that he gives up his powers because

1360
01:13:48,720 --> 01:13:49,800
Speaker 3: he loves Lois Lane.

1361
01:13:50,240 --> 01:13:52,200
Speaker 2: So he goes into this little crystal cave.

1362
01:13:52,160 --> 01:13:57,080
Speaker 3: And he essentially abandons the world to fucking ruin to

1363
01:13:57,160 --> 01:14:03,360
Speaker 3: get some ass like non Ursa and Zod are ruining

1364
01:14:03,400 --> 01:14:05,680
Speaker 3: the fucking planet, and everyone's like, where the fuck is

1365
01:14:05,760 --> 01:14:08,400
Speaker 3: Superman And he's like, I am getting down. I'm in

1366
01:14:08,479 --> 01:14:14,600
Speaker 3: my fucking my fortress of solitude, breaking it down with

1367
01:14:14,760 --> 01:14:18,800
Speaker 3: Lois forever he's there. They do so much damage, they

1368
01:14:18,840 --> 01:14:22,160
Speaker 3: fuck forever, And I'm sure this is exciting for Lois

1369
01:14:22,880 --> 01:14:26,479
Speaker 3: because she is like, all right, I'm not gonna stop him.

1370
01:14:27,520 --> 01:14:30,000
Speaker 3: She watched him give up his powers essentially, and she

1371
01:14:30,040 --> 01:14:33,559
Speaker 3: didn't stop him, and I think it's because she probably thought,

1372
01:14:34,800 --> 01:14:37,800
Speaker 3: if I have Superman's baby, it's gonna burst out of

1373
01:14:37,800 --> 01:14:40,000
Speaker 3: my fucking body like alien and wear me like a

1374
01:14:40,040 --> 01:14:44,200
Speaker 3: skin suit, Like he's got to give up these powers

1375
01:14:44,200 --> 01:14:45,160
Speaker 3: so I can get that dick.

1376
01:14:46,960 --> 01:14:51,160
Speaker 1: That baby comes shooting out and then like lifts her

1377
01:14:51,360 --> 01:14:54,320
Speaker 1: butt in the air much like the baby, like like

1378
01:14:54,720 --> 01:14:57,519
Speaker 1: in the car scene where he's like, look what I did.

1379
01:14:57,720 --> 01:15:00,400
Speaker 1: I just shot out of a woman's body and I

1380
01:15:00,439 --> 01:15:04,000
Speaker 1: could pick her up. He's I'm like thirty minutes old.

1381
01:15:04,160 --> 01:15:07,920
Speaker 3: He's wearing a cape, her vagina is cracked open like

1382
01:15:07,920 --> 01:15:12,040
Speaker 3: a fucking Easter egg, and then he just lifts her

1383
01:15:12,120 --> 01:15:15,720
Speaker 3: limb body to the sky and it's like thanks. And

1384
01:15:15,760 --> 01:15:18,559
Speaker 3: he also is born like fully formed at like two

1385
01:15:18,640 --> 01:15:23,280
Speaker 3: months old. She's got two months to live if she

1386
01:15:23,320 --> 01:15:27,280
Speaker 3: gets pregnant with Superman's baby, so she's excited.

1387
01:15:27,640 --> 01:15:31,640
Speaker 1: I'm gonna tell you right now, we're talking about anal prolapsing.

1388
01:15:33,840 --> 01:15:37,519
Speaker 1: I would take one for the team in order to

1389
01:15:37,560 --> 01:15:42,680
Speaker 1: get that epic session with Superman in that like Madonna

1390
01:15:42,760 --> 01:15:48,960
Speaker 1: in esque bed that like clouds and shit a cocoon

1391
01:15:49,080 --> 01:15:52,240
Speaker 1: crystal candy dish and with clouds in it.

1392
01:15:53,080 --> 01:15:57,759
Speaker 3: They're in your grandma's candy dish, cocooning in a fucking

1393
01:15:57,920 --> 01:16:02,439
Speaker 3: silk blanket, and you know he was probably tossing her

1394
01:16:02,520 --> 01:16:04,320
Speaker 3: up in the air and like letting her land on

1395
01:16:04,360 --> 01:16:12,920
Speaker 3: his dick like they were having unbelievable acrobatic thing. He

1396
01:16:13,040 --> 01:16:17,120
Speaker 3: spins her around like a fucking pizza, Like, yeah, he's

1397
01:16:17,160 --> 01:16:20,200
Speaker 3: not Superman anymore, but he's still fucking strong. He's still

1398
01:16:20,360 --> 01:16:22,559
Speaker 3: like they're in a fucking ice game.

1399
01:16:24,000 --> 01:16:25,000
Speaker 2: This guy's the limit.

1400
01:16:25,960 --> 01:16:29,920
Speaker 1: I would take all the vaginal tearing for that moment,

1401
01:16:29,960 --> 01:16:33,040
Speaker 1: Like I'd be like whatever, Like, just cut the bottom

1402
01:16:33,040 --> 01:16:35,320
Speaker 1: half of my body out. I've given birth to the

1403
01:16:35,360 --> 01:16:38,080
Speaker 1: Superman baby. He's ruined my body, and I don't give

1404
01:16:38,120 --> 01:16:40,280
Speaker 1: a shit because I had that one night.

1405
01:16:41,280 --> 01:16:45,280
Speaker 3: I'm telling you this, when she watched him give up

1406
01:16:45,280 --> 01:16:47,240
Speaker 3: his powers. I was like, oh, she wants to fucking

1407
01:16:47,280 --> 01:16:50,240
Speaker 3: bone because she's not saying a goddamn word.

1408
01:16:51,880 --> 01:16:54,000
Speaker 2: She's like, man, yeah, go ahead, give him up, girl,

1409
01:16:54,040 --> 01:16:54,800
Speaker 2: go ahead and give up this.

1410
01:16:55,400 --> 01:16:57,479
Speaker 3: Knock yourself out. I just found out you were Superman

1411
01:16:57,600 --> 01:17:02,720
Speaker 3: five minutes ago. Destroy your entire purpose for being.

1412
01:17:04,520 --> 01:17:05,400
Speaker 2: So I can give that d.

1413
01:17:05,920 --> 01:17:09,680
Speaker 3: And I love so he just abandons the world to

1414
01:17:09,680 --> 01:17:11,680
Speaker 3: get some ass, And I love that about Superman in

1415
01:17:11,720 --> 01:17:15,519
Speaker 3: this movie. He's like, yeah, fuck all, y'all, Yeah, you

1416
01:17:15,520 --> 01:17:19,080
Speaker 3: don't know me anyway, I just looked at the fucking

1417
01:17:19,240 --> 01:17:19,920
Speaker 3: Eiffel Tower.

1418
01:17:20,080 --> 01:17:22,519
Speaker 2: I just like save I fucking shot an elevator through

1419
01:17:22,560 --> 01:17:27,960
Speaker 2: the Eiffel Tower to minimal applause. Y'all take me for granted.

1420
01:17:28,560 --> 01:17:32,400
Speaker 3: This movie Superman Too is about Superman getting his yes,

1421
01:17:33,439 --> 01:17:35,880
Speaker 3: and I love it because he gets his ass kicked

1422
01:17:35,920 --> 01:17:37,080
Speaker 3: almost immediately.

1423
01:17:37,920 --> 01:17:40,639
Speaker 1: Oh my god. I mean when I saw that part again,

1424
01:17:41,040 --> 01:17:42,640
Speaker 1: knowing what I know about you and the types of

1425
01:17:42,720 --> 01:17:45,280
Speaker 1: dudes you fuck with, I was like Clark Kent in

1426
01:17:45,360 --> 01:17:48,760
Speaker 1: the diner in that like little eyes od jacket is

1427
01:17:48,880 --> 01:17:52,000
Speaker 1: dad yell boner material to a T.

1428
01:17:52,240 --> 01:17:56,639
Speaker 2: Move over me welcome.

1429
01:17:56,680 --> 01:18:00,240
Speaker 1: He stressed like an Italian grandpa in the diner is

1430
01:18:00,360 --> 01:18:03,040
Speaker 1: ass kicked. But I'm like, that's Danielle's man right there.

1431
01:18:05,920 --> 01:18:08,160
Speaker 3: Could not have said it better, could not like again,

1432
01:18:08,240 --> 01:18:11,479
Speaker 3: you feel no, I feel seen and validated in.

1433
01:18:11,400 --> 01:18:13,599
Speaker 2: Ways I've never felt before.

1434
01:18:16,520 --> 01:18:20,040
Speaker 3: Number one weirdo is in my heart is Clark kept

1435
01:18:20,080 --> 01:18:25,120
Speaker 3: getting his ass kicked in a fuck designer. But I

1436
01:18:25,120 --> 01:18:27,360
Speaker 3: think that's also part of what makes Superman two better

1437
01:18:27,360 --> 01:18:30,160
Speaker 3: than Superman one. Is it teaches us the incredibly valuable

1438
01:18:30,240 --> 01:18:33,280
Speaker 3: lesson to never give up your own strength for love.

1439
01:18:34,080 --> 01:18:36,479
Speaker 3: Because he goes and gets his power powers back. Once

1440
01:18:36,479 --> 01:18:39,520
Speaker 3: he realizes what's going on with the world, He's like, Oh,

1441
01:18:39,640 --> 01:18:41,760
Speaker 3: I do love you, but I can't just leave these

1442
01:18:41,800 --> 01:18:42,840
Speaker 3: people to fucking.

1443
01:18:42,720 --> 01:18:46,160
Speaker 2: Rot, right, Don't give up your power, y'all?

1444
01:18:46,920 --> 01:18:48,120
Speaker 1: Yeah, don't do lesson.

1445
01:18:48,760 --> 01:18:52,240
Speaker 2: I think this movie is funnier. I mean, the Lex

1446
01:18:52,360 --> 01:18:53,559
Speaker 2: Luthor character Gene.

1447
01:18:53,400 --> 01:18:56,600
Speaker 3: Hackman kills and is always funny and it's hilarious, But

1448
01:18:56,720 --> 01:18:59,680
Speaker 3: in this movie there's a lot of subtle humor that

1449
01:18:59,720 --> 01:19:02,760
Speaker 3: I truly appreciate. Like the guy who stays on the

1450
01:19:02,800 --> 01:19:08,000
Speaker 3: phone in the phone booth during the windstorm, like buses

1451
01:19:08,000 --> 01:19:10,880
Speaker 3: are rolling down the street and he's like, yeah, aha, yeah, yeah,

1452
01:19:11,120 --> 01:19:15,439
Speaker 3: that is a funny fucking gag. And I also love

1453
01:19:15,520 --> 01:19:18,400
Speaker 3: that as soon as they land at the Fortress of Solitude,

1454
01:19:18,840 --> 01:19:22,040
Speaker 3: when he is still Superman, he tells Lois she can

1455
01:19:22,120 --> 01:19:24,559
Speaker 3: have anything she wants for dinner, and then he flies

1456
01:19:24,640 --> 01:19:26,920
Speaker 3: to an island and immediately sees a parrot and You're like,

1457
01:19:26,920 --> 01:19:28,360
Speaker 3: are you gonna eat that fucking parrot?

1458
01:19:28,479 --> 01:19:35,040
Speaker 2: Like the transition was so funny, and then he like picks.

1459
01:19:34,800 --> 01:19:37,280
Speaker 3: Some wild flowers for her, But like, that is a funny,

1460
01:19:37,360 --> 01:19:38,320
Speaker 3: subtle fucking joke.

1461
01:19:38,720 --> 01:19:42,479
Speaker 1: I was like, where is this going? Like, are we

1462
01:19:42,520 --> 01:19:46,559
Speaker 1: about to see him put a parrot on a spit

1463
01:19:47,120 --> 01:19:49,479
Speaker 1: and cook it in that ice castle? Because I'm like,

1464
01:19:49,520 --> 01:19:50,280
Speaker 1: this is wild.

1465
01:19:50,760 --> 01:19:52,880
Speaker 3: I would just love for Lois Lane to ask him

1466
01:19:52,920 --> 01:19:54,760
Speaker 3: to get her a parrot to eat, just to see

1467
01:19:54,760 --> 01:19:57,000
Speaker 3: if he would do it. If he's like you could

1468
01:19:57,000 --> 01:19:59,040
Speaker 3: have anything, shoot anything you want to eat and she's

1469
01:19:59,080 --> 01:19:59,840
Speaker 3: like a fucking p.

1470
01:20:02,160 --> 01:20:05,160
Speaker 2: And Superman's like, fuck, what was this hard? Course? You

1471
01:20:05,200 --> 01:20:06,920
Speaker 2: only it's hot dogs and parents?

1472
01:20:07,479 --> 01:20:09,599
Speaker 1: Well I like that. That to me is I think

1473
01:20:09,680 --> 01:20:12,679
Speaker 1: what I do like about Superman two versus one as well,

1474
01:20:12,800 --> 01:20:16,439
Speaker 1: is because they're like and I'm I'm curious if you

1475
01:20:16,520 --> 01:20:20,439
Speaker 1: think that it's because I mean Richard Lester, the guy

1476
01:20:20,479 --> 01:20:22,599
Speaker 1: that directed the second film. You know, he was known

1477
01:20:22,680 --> 01:20:25,599
Speaker 1: for like the Beatles movies basically like he was doing

1478
01:20:25,640 --> 01:20:28,120
Speaker 1: for a Hard Day's Night and Help, which have very

1479
01:20:28,160 --> 01:20:31,200
Speaker 1: funny moments in that, and you know, and part of

1480
01:20:31,200 --> 01:20:33,479
Speaker 1: me was like, that's what I think is so great

1481
01:20:33,479 --> 01:20:35,519
Speaker 1: about the second one is that there are like these

1482
01:20:35,560 --> 01:20:40,000
Speaker 1: like one wonderful like comedy sight gaggy type of moments

1483
01:20:40,000 --> 01:20:43,040
Speaker 1: that make it, you know, really fun to watch because

1484
01:20:43,280 --> 01:20:45,680
Speaker 1: the first one, there's a lot going on in that

1485
01:20:45,720 --> 01:20:49,840
Speaker 1: first one, and it was very elevated information, if you will,

1486
01:20:49,920 --> 01:20:51,400
Speaker 1: And I like that this one is kind of like

1487
01:20:51,840 --> 01:20:53,600
Speaker 1: it's got a little bit of a farce to it.

1488
01:20:53,760 --> 01:20:56,000
Speaker 3: Yeah, the first one is like a lot of setup

1489
01:20:56,280 --> 01:20:57,880
Speaker 3: and you have to and you have a baby strong

1490
01:20:57,960 --> 01:20:59,599
Speaker 3: enough to lift a car, you have to set that up.

1491
01:21:00,160 --> 01:21:03,559
Speaker 3: It But it's so much set up. And then this

1492
01:21:03,600 --> 01:21:05,200
Speaker 3: one is just like, let's just get into the fun

1493
01:21:05,360 --> 01:21:08,400
Speaker 3: and immediately get rid of his powers. Now that you

1494
01:21:08,479 --> 01:21:11,280
Speaker 3: know what Superman can do, let's see what Clark Kent

1495
01:21:11,360 --> 01:21:11,640
Speaker 3: can do.

1496
01:21:11,760 --> 01:21:12,800
Speaker 2: And I fucking love it.

1497
01:21:13,280 --> 01:21:16,479
Speaker 3: I also think that the showdown in this movie is

1498
01:21:16,760 --> 01:21:21,040
Speaker 3: ethically better. You've got like good versus bad, hot, versus cold,

1499
01:21:21,560 --> 01:21:24,120
Speaker 3: tight versus loose in terms of the suits they're wear

1500
01:21:24,360 --> 01:21:27,520
Speaker 3: like it's given you everything you need. You've got Metropolis

1501
01:21:27,520 --> 01:21:28,599
Speaker 3: on its fucking knees.

1502
01:21:29,000 --> 01:21:32,080
Speaker 1: Everybody loves when an alien crash lands into like a

1503
01:21:32,120 --> 01:21:33,519
Speaker 1: redneck part of town.

1504
01:21:34,040 --> 01:21:36,240
Speaker 3: I love a movie where they're like, let's put people

1505
01:21:36,280 --> 01:21:39,840
Speaker 3: in the weirdest situations and they're just gonna wreck shop

1506
01:21:40,840 --> 01:21:43,240
Speaker 3: and they're not even gonna find out what's going on

1507
01:21:43,479 --> 01:21:48,840
Speaker 3: in Texas. They're just gonna ruin Texas, and they kind

1508
01:21:48,920 --> 01:21:50,920
Speaker 3: of like when they land, they kind of make fun

1509
01:21:50,960 --> 01:21:54,320
Speaker 3: of everybody love it, Like they're like, oh, you don't

1510
01:21:54,320 --> 01:21:57,920
Speaker 3: have a hurricane breath goodbye, Like they're just like so

1511
01:21:58,200 --> 01:22:00,719
Speaker 3: unimpressed with Earth.

1512
01:22:01,200 --> 01:22:02,320
Speaker 2: But I just I love it.

1513
01:22:02,400 --> 01:22:04,280
Speaker 3: I think this is the movie that I remember more

1514
01:22:04,360 --> 01:22:06,320
Speaker 3: when I think about watching Superman in my youth. I

1515
01:22:06,360 --> 01:22:08,160
Speaker 3: watched all of them, of course, but like this is

1516
01:22:08,160 --> 01:22:11,120
Speaker 3: the one that really stuck as like this is what

1517
01:22:11,200 --> 01:22:13,960
Speaker 3: a fucking superhero movie is before I even understood the

1518
01:22:14,000 --> 01:22:16,400
Speaker 3: context of they just want to get down.

1519
01:22:17,240 --> 01:22:22,519
Speaker 1: Yeah, oh yeah, Like I definitely think the pacing of

1520
01:22:22,560 --> 01:22:25,120
Speaker 1: it is more enjoyable than the first one. You know.

1521
01:22:25,200 --> 01:22:28,320
Speaker 1: I love that the hair the hair changes on Lois

1522
01:22:28,360 --> 01:22:33,120
Speaker 1: and freaking like Sluthor, Like I'm like, that's funny, Like

1523
01:22:33,160 --> 01:22:34,800
Speaker 1: that's just random, And then part of me is like,

1524
01:22:34,840 --> 01:22:36,280
Speaker 1: is that part of the forest. But even though I

1525
01:22:36,320 --> 01:22:39,320
Speaker 1: know that technically there was like it was like a

1526
01:22:39,360 --> 01:22:42,280
Speaker 1: shoot where they filmed both of them at the same time,

1527
01:22:42,439 --> 01:22:44,519
Speaker 1: right like one and two, and then they had to

1528
01:22:44,560 --> 01:22:47,519
Speaker 1: do pickups and everybody's hair change or something like that.

1529
01:22:47,640 --> 01:22:50,200
Speaker 1: I think that's what happened. I don't know, but I

1530
01:22:50,240 --> 01:22:50,560
Speaker 1: think so.

1531
01:22:51,080 --> 01:22:52,519
Speaker 3: And they were like, well, let's just go with it.

1532
01:22:52,560 --> 01:22:54,240
Speaker 3: She's got spit curls now whatever.

1533
01:22:54,400 --> 01:22:58,080
Speaker 1: Yeah, I and till like again, maybe that is maybe

1534
01:22:58,160 --> 01:23:01,080
Speaker 1: Lois's hair is the balls pop out out of Superman

1535
01:23:01,080 --> 01:23:03,080
Speaker 1: two where he's just like, let's just keep it in whatever,

1536
01:23:03,400 --> 01:23:04,400
Speaker 1: like we're just having fun.

1537
01:23:05,520 --> 01:23:13,320
Speaker 3: Doesn't make sense, But forty years of those balls forty years.

1538
01:23:13,439 --> 01:23:15,599
Speaker 2: I fucking love it. But yeah it is.

1539
01:23:15,760 --> 01:23:18,559
Speaker 3: And I also think again, the last thing that I

1540
01:23:18,560 --> 01:23:21,600
Speaker 3: think makes this movie better is Lex Luthor Is is

1541
01:23:21,680 --> 01:23:25,640
Speaker 3: used very sparingly and almost only for comedic effect, so

1542
01:23:25,960 --> 01:23:29,080
Speaker 3: his part in the villainy.

1543
01:23:28,920 --> 01:23:32,920
Speaker 2: Is much funnier. Yeah, but yeah, I love this movie.

1544
01:23:32,960 --> 01:23:33,680
Speaker 2: I fucking love it.

1545
01:23:33,760 --> 01:23:36,680
Speaker 1: Well, I'm so glad that you made the case for

1546
01:23:36,760 --> 01:23:40,439
Speaker 1: Superman two, honestly, because it was really fun. This is

1547
01:23:40,479 --> 01:23:44,280
Speaker 1: like a franchise that like I also remember from childhood,

1548
01:23:44,680 --> 01:23:47,360
Speaker 1: and like, I haven't seen these movies in a really

1549
01:23:47,400 --> 01:23:50,639
Speaker 1: long time, and I was it was like so fun

1550
01:23:50,840 --> 01:23:52,519
Speaker 1: to go back and watch all of them because I'm

1551
01:23:52,560 --> 01:23:55,360
Speaker 1: just like, yo, like I mean, knowing what we know

1552
01:23:55,600 --> 01:23:59,280
Speaker 1: now about like modern kind of superhero movies, it's fun

1553
01:23:59,320 --> 01:24:02,360
Speaker 1: to go back and watch cause they're like I mean,

1554
01:24:02,360 --> 01:24:04,599
Speaker 1: there's like a lot of practical effects in them.

1555
01:24:05,000 --> 01:24:05,200
Speaker 5: You know.

1556
01:24:05,439 --> 01:24:08,080
Speaker 1: I mean there's like you know, computerized type of stuff,

1557
01:24:08,080 --> 01:24:11,040
Speaker 1: but there's a lot of like people on wires and

1558
01:24:11,080 --> 01:24:13,160
Speaker 1: shit like, oh, it's amazing.

1559
01:24:13,200 --> 01:24:15,160
Speaker 3: There's one point where Superman like flies up to a

1560
01:24:15,200 --> 01:24:17,599
Speaker 3: building and then you can almost see the wires like

1561
01:24:17,800 --> 01:24:19,120
Speaker 3: turning him up.

1562
01:24:19,280 --> 01:24:24,520
Speaker 2: Because he goes so slow, like he's like and he takes.

1563
01:24:26,360 --> 01:24:30,160
Speaker 1: Yeah. I mean there's like moments where they're flying around

1564
01:24:30,240 --> 01:24:33,200
Speaker 1: him and Lowe's are flying around and she's like, legit

1565
01:24:33,360 --> 01:24:38,240
Speaker 1: nervous where she's like, don't drop me Superman. We're above

1566
01:24:38,479 --> 01:24:41,720
Speaker 1: the cloud line. And I was like, I think it's

1567
01:24:41,720 --> 01:24:44,640
Speaker 1: because they're actually on wires. And she's like, you know,

1568
01:24:44,680 --> 01:24:46,760
Speaker 1: I don't know if that's actually true. Don't come at

1569
01:24:46,760 --> 01:24:49,040
Speaker 1: me people. But I'm like, you know it, there's like

1570
01:24:49,040 --> 01:24:50,880
Speaker 1: a genuine fear because I'm like, no, there's not a

1571
01:24:50,920 --> 01:24:52,000
Speaker 1: computerized thing.

1572
01:24:52,200 --> 01:24:57,160
Speaker 3: Yeah, She's like, don't drop me, Christopher Reeve because we

1573
01:24:57,240 --> 01:24:58,480
Speaker 3: are on wires.

1574
01:24:59,000 --> 01:24:59,240
Speaker 5: Yeah.

1575
01:24:59,320 --> 01:25:01,759
Speaker 1: I have to say I went on like a little

1576
01:25:01,800 --> 01:25:05,080
Speaker 1: bit of a deep dive on Christopher Reeve obviously, like

1577
01:25:05,120 --> 01:25:07,280
Speaker 1: when I want rewatch these movies, and I was like,

1578
01:25:07,920 --> 01:25:10,240
Speaker 1: I gotta say he should have always dyed his hair black.

1579
01:25:10,360 --> 01:25:12,479
Speaker 1: He looks so good with black hair, dude.

1580
01:25:12,800 --> 01:25:15,680
Speaker 3: Not a lot of people do, but he manages it.

1581
01:25:16,000 --> 01:25:18,559
Speaker 3: He just he killed it. He killed this fucking role.

1582
01:25:19,280 --> 01:25:22,519
Speaker 3: He was great at Superman, he was great at Clark Kent.

1583
01:25:23,160 --> 01:25:27,759
Speaker 3: He did both very very fun, like, very believably in

1584
01:25:27,760 --> 01:25:29,080
Speaker 3: an either role, which.

1585
01:25:28,880 --> 01:25:29,760
Speaker 2: Is not easy to do.

1586
01:25:30,800 --> 01:25:34,599
Speaker 1: Yeah. Yeah, I just think, you know, I think where

1587
01:25:35,880 --> 01:25:41,400
Speaker 1: my sequel is kind of like a standalone thing. Maybe

1588
01:25:41,479 --> 01:25:45,599
Speaker 1: I feel like your sequel took It's almost like the

1589
01:25:45,640 --> 01:25:49,439
Speaker 1: Magic Mike Double XL, where they took the good fun

1590
01:25:49,520 --> 01:25:51,120
Speaker 1: parts of the first one and then just made an

1591
01:25:51,240 --> 01:25:52,080
Speaker 1: entire movie out of.

1592
01:25:52,000 --> 01:25:53,400
Speaker 2: It completely, you know what I mean.

1593
01:25:53,720 --> 01:25:54,440
Speaker 1: Completely.

1594
01:25:54,439 --> 01:25:56,080
Speaker 3: They had a lot of fun with it. And I again,

1595
01:25:57,120 --> 01:26:02,600
Speaker 3: Mario the godfather of musot, so you wouldn't expect that,

1596
01:26:02,680 --> 01:26:03,960
Speaker 3: but they did have a lot of fun with it.

1597
01:26:04,800 --> 01:26:05,240
Speaker 1: Yeah.

1598
01:26:05,640 --> 01:26:06,960
Speaker 2: Oh my god, I love this week.

1599
01:26:08,040 --> 01:26:11,000
Speaker 1: I did too. It was so fun. It was so filthy,

1600
01:26:11,240 --> 01:26:15,439
Speaker 1: as we've been known to do here. I saw what

1601
01:26:15,479 --> 01:26:15,840
Speaker 1: you did.

1602
01:26:16,080 --> 01:26:16,280
Speaker 3: You know.

1603
01:26:16,360 --> 01:26:18,960
Speaker 2: My great aunt listens to this show. She's ninety two.

1604
01:26:19,800 --> 01:26:20,559
Speaker 1: Oh my god.

1605
01:26:20,600 --> 01:26:21,120
Speaker 2: Really Yeah.

1606
01:26:21,160 --> 01:26:22,880
Speaker 3: The last time she visited, she was like, I found

1607
01:26:22,920 --> 01:26:25,200
Speaker 3: your podcast, and I was like, go for a girl.

1608
01:26:26,200 --> 01:26:31,559
Speaker 1: Yeah. I swear when any real adult tells me, Oh

1609
01:26:31,600 --> 01:26:34,800
Speaker 1: I found your podcast. I seese, I just seize up.

1610
01:26:34,840 --> 01:26:36,479
Speaker 1: My entire blood runs cold.

1611
01:26:36,800 --> 01:26:40,240
Speaker 3: I'm I'm like, no, go learn everything about me. It'll

1612
01:26:40,240 --> 01:26:41,759
Speaker 3: make our relationship so much deeper.

1613
01:26:44,880 --> 01:26:45,479
Speaker 2: Go from now.

1614
01:26:45,560 --> 01:26:49,280
Speaker 1: My mom will definitely know that I would be willing

1615
01:26:49,360 --> 01:26:52,960
Speaker 1: to have my asshole split apart if it meant that

1616
01:26:53,000 --> 01:27:01,240
Speaker 1: I got to bang Superman. So cool. Hi, Danielle's aunt,

1617
01:27:02,120 --> 01:27:08,479
Speaker 1: you know that about me now too? Oh good? Oh god? Wow?

1618
01:27:08,560 --> 01:27:09,519
Speaker 2: Well, why don't you tell them?

1619
01:27:09,520 --> 01:27:11,400
Speaker 3: I think the fund's gonna keep rolling next week? So

1620
01:27:11,400 --> 01:27:13,360
Speaker 3: why don't you tell them what the films are for

1621
01:27:13,520 --> 01:27:14,160
Speaker 3: next week?

1622
01:27:14,400 --> 01:27:20,920
Speaker 1: Oh my god, I will yes, awesome. So next week's

1623
01:27:20,960 --> 01:27:26,240
Speaker 1: movies are in Bruges from two thousand and eight and

1624
01:27:26,400 --> 01:27:28,439
Speaker 1: Swingers from nineteen ninety six.

1625
01:27:28,960 --> 01:27:31,400
Speaker 3: Look spring has sprung and we are just in a

1626
01:27:31,520 --> 01:27:38,480
Speaker 3: lighter place, moving away from military and fucking dark turns,

1627
01:27:39,680 --> 01:27:42,559
Speaker 3: and we're just bringing you some fun, fucking movies next week.

1628
01:27:42,720 --> 01:27:45,240
Speaker 1: Dude, I'm so excited. This was a fun episode. I

1629
01:27:45,240 --> 01:27:47,880
Speaker 1: can't wait for next week. If you want to email us,

1630
01:27:47,960 --> 01:27:49,519
Speaker 1: of course, we're at a Saw What You Did pod

1631
01:27:49,520 --> 01:27:50,800
Speaker 1: at gmail dot com.

1632
01:27:50,960 --> 01:27:53,000
Speaker 3: And you can find us on our social media at

1633
01:27:53,040 --> 01:27:55,320
Speaker 3: I Saw pod on Instagram and Twitter.

1634
01:27:56,000 --> 01:27:57,840
Speaker 1: That's right, and we have merch. Go to the I

1635
01:27:57,920 --> 01:27:59,840
Speaker 1: Saw What You Did section of the Exactly Right shop,

1636
01:27:59,840 --> 01:28:06,040
Speaker 1: Too fine are hoodie, Bargello kit pins, what have you do?

1637
01:28:06,160 --> 01:28:08,920
Speaker 3: Not forget about our bonus episodes. They are dropping on

1638
01:28:08,960 --> 01:28:11,719
Speaker 3: the main Feed now every third Thursday of the month,

1639
01:28:11,800 --> 01:28:14,120
Speaker 3: so next week you'll get a new bonus. But we're

1640
01:28:14,160 --> 01:28:17,839
Speaker 3: also trickling out main Feed into the main Feed episode

1641
01:28:17,840 --> 01:28:20,160
Speaker 3: some of our old bonuses, so you get a lot

1642
01:28:20,200 --> 01:28:21,000
Speaker 3: of us during the week.

1643
01:28:21,200 --> 01:28:23,880
Speaker 2: You get at least two times sometimes three times during

1644
01:28:23,880 --> 01:28:24,160
Speaker 2: the week.

1645
01:28:24,840 --> 01:28:28,760
Speaker 1: Wow. Well listen, Danielle. Always a fucking pleasure doing this

1646
01:28:28,800 --> 01:28:31,240
Speaker 1: podcast with you. I laughed so hard every time.

1647
01:28:31,960 --> 01:28:34,719
Speaker 2: I love you. You're the greatest, You're the greatest.

1648
01:28:35,240 --> 01:28:36,559
Speaker 1: Buzz say y'all letter.

1649
01:28:43,160 --> 01:28:46,200
Speaker 3: This has been an exactly right production produced by Casey O'Brien,

1650
01:28:46,439 --> 01:28:49,000
Speaker 3: mixed by Edson Choi. Our theme song is by Tom

1651
01:28:49,000 --> 01:28:52,760
Speaker 3: bry Fogel. Artwork by Garrett Ross. Our executive producers are

1652
01:28:52,840 --> 01:28:56,160
Speaker 3: Georgia Hartstart, karenkile Gareff and Daniel Kramer. You can follow

1653
01:28:56,240 --> 01:28:59,200
Speaker 3: us on Instagram and Twitter at I Saw Pod, and

1654
01:28:59,240 --> 01:29:00,960
Speaker 3: you can email us at I Saw What.

1655
01:29:00,960 --> 01:29:05,800
Speaker 2: You Did Pod? At gmail,