1 00:00:00,120 --> 00:00:02,599 Speaker 1: This is the fread Show. Kelly Clark City is returning 2 00:00:02,640 --> 00:00:04,960 Speaker 1: to Las Vegas in twenty twenty six for her Studio 3 00:00:05,120 --> 00:00:09,079 Speaker 1: Sessions Las Vegas Residency. You can enter now for a 4 00:00:09,200 --> 00:00:11,080 Speaker 1: chance to win a trip for two to the July 5 00:00:11,200 --> 00:00:14,560 Speaker 1: twenty fourth show, a two night hotel state at Flamingo 6 00:00:14,600 --> 00:00:16,960 Speaker 1: Hotel and Casino in Las Vegas July twenty third through 7 00:00:16,960 --> 00:00:20,799 Speaker 1: the twenty fifth, and round trip airfare. Text Kelly to 8 00:00:21,120 --> 00:00:24,160 Speaker 1: five seven, seven three nine right now for a chance 9 00:00:24,160 --> 00:00:26,880 Speaker 1: to win. A confirmation text will be sent. Standard message 10 00:00:26,920 --> 00:00:29,280 Speaker 1: and data rates may apply. All thanks to the Live 11 00:00:29,360 --> 00:00:33,680 Speaker 1: Nation Spread show is on YEA Friend's fun fact. Freds 12 00:00:33,800 --> 00:00:44,360 Speaker 1: Fund wants so much right now. I hope Clinger likes 13 00:00:44,360 --> 00:00:45,839 Speaker 1: this one. Claire is the guy who works at the 14 00:00:45,880 --> 00:00:50,800 Speaker 1: rock station. You know, yeah, Clinger, Yeah Rock. I do too, 15 00:00:50,800 --> 00:00:53,159 Speaker 1: And he likes our show and I get little memos 16 00:00:53,200 --> 00:00:54,720 Speaker 1: from him, you know what he likes about it. I say, 17 00:00:54,800 --> 00:00:56,120 Speaker 1: you can tell us what you don't like too, and 18 00:00:56,280 --> 00:00:58,360 Speaker 1: it never says that. But you know, the guy's on 19 00:00:58,400 --> 00:01:01,160 Speaker 1: the rock station. You've heard me before. You just got 20 00:01:01,160 --> 00:01:02,720 Speaker 1: to act like he doesn't do this. But you got 21 00:01:02,840 --> 00:01:05,760 Speaker 1: to act like you're totally inconvenienced by your job. You know, 22 00:01:05,800 --> 00:01:07,880 Speaker 1: the song's got to end. Here's got to be like 23 00:01:07,880 --> 00:01:09,560 Speaker 1: three or four seconds of dead air, like you know 24 00:01:09,600 --> 00:01:11,600 Speaker 1: you were smoking a cigarette, like, oh damn, hold lot 25 00:01:11,600 --> 00:01:13,000 Speaker 1: of seconds, and then you got to come up on 26 00:01:13,040 --> 00:01:18,399 Speaker 1: the mic from like okay, rock station. God, here we are, 27 00:01:19,400 --> 00:01:21,520 Speaker 1: so you gotta do. I think I could do it 28 00:01:21,560 --> 00:01:23,160 Speaker 1: if I ever, if I ever get fired here, maybe 29 00:01:23,200 --> 00:01:27,080 Speaker 1: I'll go do that in my in my whatever pink 30 00:01:27,160 --> 00:01:30,720 Speaker 1: sweatshirt and uh the wardrobe. No, I don't think. I 31 00:01:30,959 --> 00:01:33,520 Speaker 1: don't think I fit the image. And for a lot 32 00:01:33,520 --> 00:01:36,640 Speaker 1: of reasons. However, I want to apologize for anybody who 33 00:01:36,720 --> 00:01:40,800 Speaker 1: has anxiety, because this one's this one's not gonna be great. 34 00:01:41,959 --> 00:01:50,960 Speaker 1: You can hear your own eyeballs move if it's quiet enough, right. 35 00:01:51,160 --> 00:01:53,240 Speaker 1: It's like, if do you ever think, I know I've 36 00:01:53,320 --> 00:01:55,360 Speaker 1: done this one before, But have you ever thought about 37 00:01:55,400 --> 00:01:59,920 Speaker 1: breathing like you were blinking? Yes, Like you know, you 38 00:02:00,480 --> 00:02:02,880 Speaker 1: blink and you breathe, right, and it just happens. But 39 00:02:02,880 --> 00:02:05,080 Speaker 1: then for some reason, you in your brain you're like 40 00:02:06,000 --> 00:02:09,320 Speaker 1: you think about blinking. Ye, it takes over everything. Anyway, Sorry, 41 00:02:09,320 --> 00:02:11,639 Speaker 1: if I just did that to you, it's a phenomenon 42 00:02:11,720 --> 00:02:15,799 Speaker 1: associated with condition called ScDs. It's a rare disorder that 43 00:02:15,880 --> 00:02:18,480 Speaker 1: occurs when there's a small hole in the bone covering 44 00:02:18,520 --> 00:02:22,239 Speaker 1: one of the inner ear balanced canals, leading to amplified 45 00:02:22,280 --> 00:02:25,840 Speaker 1: internal sounds, including the movement of your eyeballs. I also 46 00:02:25,880 --> 00:02:28,480 Speaker 1: heard a rumor that there's a room like in the Apple. 47 00:02:29,000 --> 00:02:31,320 Speaker 1: I think it's in the Apple or Microsoft or something. 48 00:02:31,320 --> 00:02:35,880 Speaker 1: There's also another really extraordinarily quiet room in like Minnesota 49 00:02:36,000 --> 00:02:39,200 Speaker 1: or something, and people can't last more than like there's 50 00:02:39,240 --> 00:02:42,400 Speaker 1: a record it's like seven minutes. The room is so 51 00:02:42,600 --> 00:02:45,240 Speaker 1: quiet that you can hear your body doing things that 52 00:02:45,280 --> 00:02:47,600 Speaker 1: you wouldn't you can't hear in any other setting, and 53 00:02:47,680 --> 00:02:50,120 Speaker 1: it drives people truly mad, like I got to get 54 00:02:50,120 --> 00:02:52,840 Speaker 1: out of here. Yep. Like you would hear your eyeballs moving, 55 00:02:52,960 --> 00:02:54,799 Speaker 1: or you would hear, like, you know, your heart beating 56 00:02:54,800 --> 00:02:56,200 Speaker 1: in a way that you've never heard it before, and 57 00:02:56,280 --> 00:02:59,600 Speaker 1: then you'd become like crazy because it's so quiet. Yep. 58 00:03:00,800 --> 00:03:03,800 Speaker 1: I feel I felt this before. I'm just just validating 59 00:03:03,919 --> 00:03:06,240 Speaker 1: which thing, the eyeballs. You can hear eyeballs when I 60 00:03:06,320 --> 00:03:11,000 Speaker 1: use noise cancelation AirPods. Cancelation AirPods, it's too quiet for you, 61 00:03:11,160 --> 00:03:14,840 Speaker 1: Oh bro, I couldn't do that me alone, in that 62 00:03:14,919 --> 00:03:16,760 Speaker 1: kind of quiet, with my own thoughts. We don't need 63 00:03:17,440 --> 00:03:18,680 Speaker 1: more press. Show next