WEBVTT - S05 Episode 5: When Love Breaks Down (Pt. 1 of 2)

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<v Speaker 1>Sharon couldn't sleep. It was Jay, her boyfriend, who suggested

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<v Speaker 1>she stayed at his house while he was out of town,

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<v Speaker 1>and since she was currently between apartments, it made perfect sense.

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<v Speaker 1>But Sharon had been reticent. It wasn't that she didn't

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<v Speaker 1>like the house. It was positively charming in its Bavarian

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<v Speaker 1>timber framed style, nestled high among the hills and trees

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<v Speaker 1>of LA's Benedict Canyon. In fact, the couple, who'd been

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<v Speaker 1>seeing each other for almost a year, had spent many

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<v Speaker 1>happy hours there together, often in the company of their

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<v Speaker 1>many glamorous friends, spending long lazy days by the pool,

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<v Speaker 1>drinking and getting high. But being there alone and at

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<v Speaker 1>night was an entirely different proposition. The place, located at

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<v Speaker 1>ninety eight sixty Eastern Drive, was built sometime in the

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<v Speaker 1>Prohibition era and once belonged to Hollywood film producer and

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<v Speaker 1>writer Paul Byrne. In nineteen thirty two, Burne's marriage to

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<v Speaker 1>Jean Harlowe, one of the major film stars of the

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<v Speaker 1>day and twenty years his junior, brought him to public prominence. However,

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<v Speaker 1>it was the events that occurred in their home two

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<v Speaker 1>months later that would seal his place in Hollywood infamy.

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<v Speaker 1>Burne's butler, John Carmichael, was inspecting the house early one

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<v Speaker 1>morning when he found Burne lying naked in the dressing

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<v Speaker 1>room adjacent to Jean Harlowe's bedroom. Assuming he'd collapsed, Carmichael

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<v Speaker 1>rushed to his help, only to find to his horror

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<v Speaker 1>that Burne was lying dead in a large pool of blood.

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<v Speaker 1>Carmichael saw the single bullet wound in his head, then

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<v Speaker 1>looking up the large splattering of blood and soft tissue,

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<v Speaker 1>still wet and clinging to the ceiling, Sharon host and

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<v Speaker 1>turned in bed, opening her eyes. She couldn't help but

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<v Speaker 1>stare at the entrance to that small adjacent room, just

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<v Speaker 1>visible in the dark, where Burne's blood soaked body had

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<v Speaker 1>once lain. There had long been rumors that the house

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<v Speaker 1>was haunted, that her mystery surrounding Burne's death had caused

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<v Speaker 1>his restless soul to wander and had become trapped in

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<v Speaker 1>that big, eccentric house of his. It was partly what

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<v Speaker 1>had drawn Jay to the house in the first place

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<v Speaker 1>when he bought it two years back in nineteen sixty three.

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<v Speaker 1>Sharon had never let it bother her until now, that is,

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<v Speaker 1>She tried to push it all from her mind and

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<v Speaker 1>get back to sleep. But couldn't escape that creeping sensation

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<v Speaker 1>that those creeks outside the door weren't just creaks but footsteps,

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<v Speaker 1>and they were getting nearer. You're listening to unexplained, and

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<v Speaker 1>I'm Richard McClean smith. Paul Burne's death was determined to

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<v Speaker 1>be a suicide after investigators found not only a gun

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<v Speaker 1>in his hand, but an apparent suicide note left at

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<v Speaker 1>the scene for his wife. It read, dearest dear, Unfortunately,

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<v Speaker 1>this is the only way to make good the frightful

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<v Speaker 1>wrong I've done you and wipe out my abject humiliation.

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<v Speaker 1>I love you, Paul. You understand that last night was

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<v Speaker 1>only a comedy. Only something didn't quite fit that misspelling

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<v Speaker 1>of unfortunately from a successful writer perhaps, or was it

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<v Speaker 1>something more. The day after Paul Burne's body was discovered,

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<v Speaker 1>a woman boarded the Delta King riverboat in San Francisco,

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<v Speaker 1>heading for Sacramento. In the early hours of the following day,

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<v Speaker 1>the woman, Dorothee Millet, Paul Burne's first wife, was seen

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<v Speaker 1>standing alone on the top deck, staring out to see

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<v Speaker 1>and clearly in some distress. A few hours later, a

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<v Speaker 1>night watchman found a pair of shoes and a woman's

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<v Speaker 1>coat on deck, close to where Dorothee had been seen.

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<v Speaker 1>By the time the boat docked the following morning, Dorothee

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<v Speaker 1>had completely vanished. Milette's disappearance soon hit the news, with

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<v Speaker 1>many speculating she had in fact killed Paul Byrne and

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<v Speaker 1>faked her own death to get away. This speculation was

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<v Speaker 1>given greater credence when rumors emerged that Byrne had been

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<v Speaker 1>entertaining a mystery woman at his home the day before

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<v Speaker 1>his body was found. Years later, producer Samuel Marks, Burne's

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<v Speaker 1>friend and colleague at MGM Studios, who employed both Jean

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<v Speaker 1>Harlowe and Paul Byrne, made the stunning revelation that when

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<v Speaker 1>Burne's butler first found the body, he called the studio

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<v Speaker 1>before the police. Their response, according to Mars, was to

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<v Speaker 1>dispatch Marks into another the colleague, Irving Thalburk, to the

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<v Speaker 1>house to assess the situation before the police arrived. Their aim,

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<v Speaker 1>allegedly was to protect the reputation of Jean Harlowe, their

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<v Speaker 1>newest and brightest young star. Harlowe was said to have

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<v Speaker 1>been staying at her mother's house the night Burne died.

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<v Speaker 1>Mars claimed to have witnessed Thalburk tampering with the scene.

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<v Speaker 1>It isn't known to what extent it was tampered with,

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<v Speaker 1>if it was at all, though it's been suggested that

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<v Speaker 1>the gun found in Burne's hand by police had not

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<v Speaker 1>been there when the butler first found his body. A

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<v Speaker 1>week after Millet disappeared, two fishermen working on the Sacramento

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<v Speaker 1>River found her body floating face down in the water.

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<v Speaker 1>Over the next few days, a number of stories were spun,

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<v Speaker 1>some alleging that Dorothy had murdered her husband. After discovery,

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<v Speaker 1>he changed his will so that Harlowe would be the

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<v Speaker 1>sole beneficiary. At that time in her life, Millet, who

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<v Speaker 1>had been plagued by ill health and recently spent time

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<v Speaker 1>in a sanatorium, had become entirely dependent on Burne's financial support.

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<v Speaker 1>Friends of Burne's, however, spoke of his struggles with depression

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<v Speaker 1>due to the publicity surrounding his marriage to Harlowe, and

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<v Speaker 1>how he previously contemplated suicide, while at the same time

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<v Speaker 1>MGM Studios apparently worried by the fallout to Harlowe. Should

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<v Speaker 1>it be proved that Burne had been cheating on her,

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<v Speaker 1>supposedly made their own attempts to muddy the waters, allegedly

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<v Speaker 1>implying that Burne's failure to satisfy his wife sexually had

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<v Speaker 1>driven him to suicide. Burne's death was said by some

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<v Speaker 1>to have put a curse on the house, with at

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<v Speaker 1>least one other person rumored to have committed suicide there

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<v Speaker 1>and another drowning in the pool since it had happened.

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<v Speaker 1>Perhaps it was this that was racing through Sharon's mind

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<v Speaker 1>as she heard yet another creak coming from out in

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<v Speaker 1>the hallway. Powerless to resist the thought of Burne's bloodstained

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<v Speaker 1>body lying naked only yards away, the blood splattered ceiling,

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<v Speaker 1>and his vacant, dead eyes. Enough was enough. Sharon switched

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<v Speaker 1>on the light and sat up in bed. Just then,

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<v Speaker 1>a sudden movement outside the bedroom caught her eye. As

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<v Speaker 1>she peered out into the darkness beyond, she saw, to

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<v Speaker 1>her horror that something was out there hovering in the doorway.

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<v Speaker 1>It was a man, Shortisian stature, with a small mustache

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<v Speaker 1>and a strange look on his face. He looked exactly

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<v Speaker 1>like Paul Byrne. Sharon could only watch in terror as

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<v Speaker 1>the man burst suddenly into the room, moving wildly about

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<v Speaker 1>the place at double speed. Sharon leapt from the bed,

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<v Speaker 1>grabbed her robe, and ran shrieking into the hallway, Fleeing

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<v Speaker 1>to the stairs. Sharon raced down the steps, only to

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<v Speaker 1>be confronted by an even more hideous sight, a body

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<v Speaker 1>tied up with rope at the bottom of the stairs,

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<v Speaker 1>just visible in the darkness, with its throat slit wide

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<v Speaker 1>open and blood gushing out of it. Sharon screamed as

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<v Speaker 1>she hurried through into the living room, slamming the door

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<v Speaker 1>shut behind her as she struggled to come to terms

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<v Speaker 1>with what was happening. Surely it was a dream, she thought,

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<v Speaker 1>as she paced manically about the room. It was just

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<v Speaker 1>one of those all two real, lucid dreams that emerge

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<v Speaker 1>when the mind flutters about in that liminal space between

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<v Speaker 1>sleep and wakefulness. But what was that figure tied up

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<v Speaker 1>to the stairs. It looked so familiar, she thought, Was

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<v Speaker 1>it Ja or had it in fact been a vision

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<v Speaker 1>of herself? Deciding she wanted a d she heard a

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<v Speaker 1>voice echoing from a distant place, telling her to look

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<v Speaker 1>at the bookshelf and convincing her further that it was

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<v Speaker 1>just a dream. Moving to the shelves, she found herself

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<v Speaker 1>frantically searching for something, despite having no idea what she

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<v Speaker 1>was looking for. But as she ran her fingers along

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<v Speaker 1>the books, she found a button and pressed it. With

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<v Speaker 1>a click, the bookshelf popped open to reveal a secret

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<v Speaker 1>bar space behind. Grabbing a bottle from within, she quickly

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<v Speaker 1>poured herself a drink. As she gulped it down, she

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<v Speaker 1>became transfixed by the wallpaper lining the bar inside. Reaching

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<v Speaker 1>out to touch it, she couldn't help but tear a

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<v Speaker 1>piece of it away, revealing a copper panel behind it.

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<v Speaker 1>She pulled another strip, and then another. Finishing her drink,

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<v Speaker 1>Sharon made her way back to the hall. Peering out

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<v Speaker 1>toward the bottom of the stairs, she caught sight of

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<v Speaker 1>the horrifying figure once more, still tied up to the banister,

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<v Speaker 1>its neck still gushing with blood. Then a movement upstairs

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<v Speaker 1>drew her attention to the peculiar man again, who was

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<v Speaker 1>now moving about on the landing. It's only a dream,

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<v Speaker 1>she reminded herself, closing her eyes. Sharon jumped onto the

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<v Speaker 1>stairs and sprinted back to the bedroom, closing the door

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<v Speaker 1>quickly behind her. Then the sound of another voice calling

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<v Speaker 1>her name from somewhere getting louder and louder, a voice

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<v Speaker 1>she recognized immediately as Jay's, and then she opened her eyes.

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<v Speaker 1>Sharon awoke to find herself back in bed, hearing the

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<v Speaker 1>sound of Jay's voice calling from downstairs. Moments later, he

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<v Speaker 1>was at the door, greeting her with a smile. Sharon

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<v Speaker 1>laughed with relief as she tried to explain the peculiar

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<v Speaker 1>nightmare she'd been having. She was still explaining it to

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<v Speaker 1>him as the couple made their way downstairs for breakfast,

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<v Speaker 1>when Sharon caught sight of the mess in the living room.

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<v Speaker 1>The bookcase bar was open and at the base of

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<v Speaker 1>it was a small pile of wall paper ribbed out

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<v Speaker 1>from the inside. It was certainly a compelling story, thought Dick,

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<v Speaker 1>But what does it mean? Asked Sharon. It was August

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<v Speaker 1>nineteen sixty eight, and with Sharon now a rising star

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<v Speaker 1>herself in Hollywood, the pair was sat in a trailer

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<v Speaker 1>on the set of her latest movie, The Wrecking Crew,

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<v Speaker 1>a spoofed spy comedy that Sharon was starring in alongside

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<v Speaker 1>Dean Martin. Dick, a Hollywood correspondent working for the newspaper

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<v Speaker 1>Enterprise Association at the time, had come to interview her

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<v Speaker 1>for an article he was writing about the production of

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<v Speaker 1>the film. Her story had been a response to Dick's

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<v Speaker 1>final question, something he liked to ask all his interviewees.

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<v Speaker 1>Had she ever had any psychic experiences? Sharon sat back

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<v Speaker 1>in her chair and took another drag of her cigarette

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<v Speaker 1>as Dick racked his brains for an answer. I mean,

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<v Speaker 1>was it a dream? Was it ghosts? She asked, adamant

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<v Speaker 1>it was the only experience of that kind she'd ever had.

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<v Speaker 1>Dick was stumped. Maybe the peculiar man she'd seem was

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<v Speaker 1>a ghost, he thought, the troubled spirit of Paul Byrne perhaps,

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<v Speaker 1>But the horrific vision of the mutilated figure on the

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<v Speaker 1>stairs that she recognized as either herself or her boyfriend Jay,

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<v Speaker 1>that he couldn't explain. Rosemary Kent, a woman who lives

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<v Speaker 1>on the edge of the infamous Black Hill's Forest, needs

0:12:50.960 --> 0:12:54.120
<v Speaker 1>your help to find her missing son. But to find him,

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<v Speaker 1>you must investigate the mysterious forest yourself. Will you face

0:12:57.960 --> 0:13:00.840
<v Speaker 1>down the horror of the blair Witch and those who

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<v Speaker 1>Curse of the blair Witch By nineteen sixty eight, Sharon

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<v Speaker 1>and Jay were no longer together. In nineteen sixty five,

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<v Speaker 1>not long after that horrifying experience in Jay's house. Sharon

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<v Speaker 1>had traveled to Europe to shoot the occult horror mystery

0:14:25.760 --> 0:14:29.640
<v Speaker 1>Eye of the Devil. Having fallen in love with London

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<v Speaker 1>in the process, she decided to stay awhile once filming

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<v Speaker 1>had ended. It was there that she was first introduced

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<v Speaker 1>to Roman, an up and coming film director from Poland.

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<v Speaker 1>Having established himself in nineteen sixty two with his breakout

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<v Speaker 1>film Knife in the Water. Roman was looking to cast

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<v Speaker 1>his latest film, The Fearless Vampire Killers, when it was

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<v Speaker 1>suggested to him that he considers Sharon for a part.

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<v Speaker 1>The Fearless Vampire Killers was to be a power of

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<v Speaker 1>the British horror films of the day, epitomized by the

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<v Speaker 1>famous Hammer Film Productions. The role of Sarah Schargle, the

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<v Speaker 1>daughter of an innkeeper who would eventually turn into a

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<v Speaker 1>vampire herself, was to provide the romantic interest of the

0:15:13.880 --> 0:15:17.480
<v Speaker 1>film's lead character, which, as it happened, would be played

0:15:17.480 --> 0:15:22.760
<v Speaker 1>by Roman. After much persuasion by the film's executive producer,

0:15:23.040 --> 0:15:26.600
<v Speaker 1>Marin Ransohoff, who also had a stake in Sharon's career,

0:15:27.320 --> 0:15:30.720
<v Speaker 1>Roman finally agreed to offer her the role. Though they

0:15:30.760 --> 0:15:33.840
<v Speaker 1>clashed at first, through the course of filming in nineteen

0:15:33.920 --> 0:15:38.400
<v Speaker 1>sixty six, the pair embarked on an affair. Before long

0:15:38.800 --> 0:15:42.080
<v Speaker 1>they were immersed in the thick of swinging sixties London together,

0:15:42.600 --> 0:15:45.440
<v Speaker 1>bouncing from one party to the next, hanging with all

0:15:45.480 --> 0:15:48.720
<v Speaker 1>the bright young stars in Soho or along the King's Road,

0:15:48.800 --> 0:15:53.040
<v Speaker 1>at all the most fashionable clubs and bars. Roman made

0:15:53.080 --> 0:15:56.359
<v Speaker 1>it clear early on that he was not the monogamous type,

0:15:56.400 --> 0:15:59.160
<v Speaker 1>but Sharon, who would have preferred him to be, could

0:15:59.320 --> 0:16:02.480
<v Speaker 1>resist way she felt about him. Though he was a

0:16:02.480 --> 0:16:05.080
<v Speaker 1>little on the short side, she had been seduced by

0:16:05.080 --> 0:16:09.000
<v Speaker 1>his sheer sense of inner conviction and confidence. He seemed

0:16:09.040 --> 0:16:13.760
<v Speaker 1>beyond manipulation in a way, utterly self assured and resistant

0:16:13.800 --> 0:16:18.280
<v Speaker 1>to external forces. That he was unwilling to even countenance

0:16:18.320 --> 0:16:22.400
<v Speaker 1>dedicating himself to her alone, she reasoned, was merely further

0:16:22.480 --> 0:16:27.480
<v Speaker 1>evidence of his beguiling free spiritedness, and London for her,

0:16:28.200 --> 0:16:31.240
<v Speaker 1>in the increasingly rare social circles that she was beginning

0:16:31.280 --> 0:16:35.560
<v Speaker 1>to find herself in, was intoxicating, populated, as she said,

0:16:36.080 --> 0:16:39.600
<v Speaker 1>with free thinkers feeling their way through life and leaving

0:16:39.600 --> 0:16:43.520
<v Speaker 1>an impression on the times. Being the daughter of a

0:16:43.640 --> 0:16:47.600
<v Speaker 1>United States army officer. Sharon, who was by then twenty four,

0:16:48.280 --> 0:16:51.320
<v Speaker 1>reveled in the youthful rebellion and urgency of the day.

0:16:52.400 --> 0:16:55.920
<v Speaker 1>It was a mind expanding revolution of color and thought,

0:16:56.360 --> 0:16:59.840
<v Speaker 1>catalyzed by a ubiquity of pot and other mind altering

0:17:00.000 --> 0:17:04.400
<v Speaker 1>substances that only served to further expose the rigid status quo,

0:17:05.520 --> 0:17:10.480
<v Speaker 1>and she was at the epicenter of it all five

0:17:10.560 --> 0:17:14.320
<v Speaker 1>thousand miles away, another young woman had also just secured

0:17:14.359 --> 0:17:18.560
<v Speaker 1>the part of a vampire in a somewhat less auspicious production.

0:17:25.240 --> 0:17:28.400
<v Speaker 1>By nineteen sixty seven, Susan had been living in San

0:17:28.440 --> 0:17:31.280
<v Speaker 1>Francisco for just over a year when she took a

0:17:31.400 --> 0:17:34.040
<v Speaker 1>job as a go go dancer, working at a number

0:17:34.040 --> 0:17:37.639
<v Speaker 1>of clubs on the North Beach Strip. Nights were long,

0:17:38.320 --> 0:17:41.080
<v Speaker 1>usually running from four pm till two in the morning,

0:17:41.600 --> 0:17:43.960
<v Speaker 1>before moving on to the next club to dance until

0:17:44.040 --> 0:17:46.960
<v Speaker 1>dawn in the hope of maybe being spotted by a

0:17:47.000 --> 0:17:51.320
<v Speaker 1>talent agent. It was while dancing one night that Susan,

0:17:51.680 --> 0:17:55.040
<v Speaker 1>only eighteen years old at the time, was introduced to

0:17:55.080 --> 0:17:59.520
<v Speaker 1>Anton LeVay. Levy and his followers had been causing a

0:17:59.560 --> 0:18:02.720
<v Speaker 1>stir with the recent establishing of his Church of Satan.

0:18:03.760 --> 0:18:07.040
<v Speaker 1>Though many found the group alarming. In truth, it was

0:18:07.119 --> 0:18:10.760
<v Speaker 1>little more than an individualist occult movement that practiced magic,

0:18:11.440 --> 0:18:14.920
<v Speaker 1>more opposed to the orthodoxes of Christianity than in thraw

0:18:15.119 --> 0:18:20.280
<v Speaker 1>to any actual Satan. Lavay was developing a production based

0:18:20.320 --> 0:18:23.280
<v Speaker 1>around the idea of a witch's Sabbath and was looking

0:18:23.280 --> 0:18:26.359
<v Speaker 1>for women to play the part of alluring scantily clad

0:18:26.440 --> 0:18:32.720
<v Speaker 1>vampires who would terrorize the audience as the sabbath was conducted. Susan,

0:18:32.800 --> 0:18:37.399
<v Speaker 1>needing the money, had reluctantly taken the job, often relying

0:18:37.400 --> 0:18:39.960
<v Speaker 1>on acid in order to find the courage to perform.

0:18:41.280 --> 0:18:43.280
<v Speaker 1>Though the show was a hit, it had come at

0:18:43.280 --> 0:18:47.600
<v Speaker 1>a moment of crisis for Susan. Having become heavily immersed

0:18:47.640 --> 0:18:51.480
<v Speaker 1>in the San Francisco scene, her drug use had steadily intensified,

0:18:51.800 --> 0:18:56.760
<v Speaker 1>and her health, both mental and physical, was shot. Four

0:18:56.800 --> 0:18:59.959
<v Speaker 1>months later, she had a breakdown and was admitted to hospital.

0:19:01.680 --> 0:19:04.240
<v Speaker 1>As someone who felt she'd spent her whole life looking

0:19:04.280 --> 0:19:06.919
<v Speaker 1>for somewhere to belong, it was clear that where she

0:19:07.080 --> 0:19:11.120
<v Speaker 1>was then wasn't it. Her collapse was a wake up

0:19:11.160 --> 0:19:14.000
<v Speaker 1>call that brought her to the more mellow confines of

0:19:14.080 --> 0:19:18.240
<v Speaker 1>hate Ashbury, a counterculture mecca and the center of what

0:19:18.320 --> 0:19:28.720
<v Speaker 1>would later become known as the Summer of Love. It

0:19:28.760 --> 0:19:31.320
<v Speaker 1>was while walking along the streets of hate Ashbury one

0:19:31.359 --> 0:19:35.840
<v Speaker 1>afternoon that Susan bumped into Barbara, an old friend from

0:19:35.880 --> 0:19:40.720
<v Speaker 1>her hometown of Los Banos. Susan had always thought Barbara

0:19:40.800 --> 0:19:43.840
<v Speaker 1>a little square, so was surprised to find her there,

0:19:43.920 --> 0:19:48.280
<v Speaker 1>of all places. But Barbara had evolved somewhat from the innocent,

0:19:48.359 --> 0:19:52.840
<v Speaker 1>seeming farm girl Susan had thought her to be. With

0:19:52.880 --> 0:19:56.639
<v Speaker 1>the political turmoil of nineteen sixties America, lurching from the

0:19:56.720 --> 0:20:00.040
<v Speaker 1>successful Civil Rights movement one moment to being my I

0:20:00.080 --> 0:20:03.240
<v Speaker 1>had in an increasingly messy war in Vietnam the next,

0:20:03.960 --> 0:20:07.440
<v Speaker 1>many Americans were beginning to question just what a free

0:20:07.440 --> 0:20:12.919
<v Speaker 1>world was. Exactly what was happening in hate Ashbury offered

0:20:12.920 --> 0:20:15.679
<v Speaker 1>a glimpse of a different world, a world that was

0:20:15.720 --> 0:20:19.160
<v Speaker 1>no longer bound by the restrictive social conventions of the day,

0:20:19.800 --> 0:20:22.560
<v Speaker 1>a place in which, often with the aid of LSD

0:20:22.680 --> 0:20:27.520
<v Speaker 1>and marijuana, you could shed every label, tag, and assumption

0:20:27.960 --> 0:20:32.880
<v Speaker 1>that had ever weighed you down. Like Susan, Barbara had

0:20:32.880 --> 0:20:36.160
<v Speaker 1>also been drawn there by its alluring promise of new

0:20:36.200 --> 0:20:40.200
<v Speaker 1>ways to exist. She invited Susan back to the house

0:20:40.240 --> 0:20:42.680
<v Speaker 1>she was living in to meet her new family, as

0:20:42.720 --> 0:20:46.320
<v Speaker 1>she called it. The house was a large, two story

0:20:46.400 --> 0:20:49.880
<v Speaker 1>townhouse on the corner of Oak and Lyon Street, right

0:20:49.960 --> 0:20:55.280
<v Speaker 1>next door to Janis Joplin's home. Once there, Barbara showed

0:20:55.320 --> 0:20:58.440
<v Speaker 1>Susan around the property and introduced her to the ten

0:20:58.560 --> 0:21:01.160
<v Speaker 1>other people that were living there as part of the commune,

0:21:01.640 --> 0:21:05.120
<v Speaker 1>one woman for each man, but Susan noticed there were

0:21:05.160 --> 0:21:10.399
<v Speaker 1>presently six men to only five women. Susan sat and

0:21:10.440 --> 0:21:12.960
<v Speaker 1>smoked part with them as they explained to her how

0:21:13.000 --> 0:21:17.280
<v Speaker 1>it worked. They all shared everything in common except each other,

0:21:17.800 --> 0:21:22.320
<v Speaker 1>with the man to woman pairings being strictly monogamous. They

0:21:22.359 --> 0:21:25.400
<v Speaker 1>made money by selling dope on the street, with each

0:21:25.400 --> 0:21:28.600
<v Speaker 1>man being a dealer and the women tasked with finding

0:21:28.640 --> 0:21:32.800
<v Speaker 1>people to sell it to. When Barbara suggested Susan move

0:21:32.840 --> 0:21:35.879
<v Speaker 1>in with them to make up the numbers, she jumped

0:21:35.880 --> 0:21:45.720
<v Speaker 1>at the charts. Having wrapped up production on The Fearless

0:21:45.800 --> 0:21:49.879
<v Speaker 1>Vampire Killers, Roman and Sharon had returned together to Los Angeles,

0:21:50.960 --> 0:21:53.840
<v Speaker 1>unable to find somewhere to settle down, due in part

0:21:53.880 --> 0:21:57.240
<v Speaker 1>to Roman's reluctance to become too rooted anywhere, but also

0:21:57.359 --> 0:22:00.720
<v Speaker 1>their naturally transient work life. The couple rented a room

0:22:00.720 --> 0:22:03.560
<v Speaker 1>at the Chateau Marmont before moving into a house in

0:22:03.640 --> 0:22:08.000
<v Speaker 1>Benedict Canyon in the Hollywood Hills. The house, which they

0:22:08.000 --> 0:22:11.600
<v Speaker 1>rented from Oscar winning actor Patty Duke, quickly became a

0:22:11.640 --> 0:22:15.360
<v Speaker 1>regular hangout for the couple's burgeoning and increasingly high profile

0:22:15.440 --> 0:22:19.320
<v Speaker 1>group of friends, everyone from Steve McQueen and Dennis Hopper

0:22:19.560 --> 0:22:23.080
<v Speaker 1>to Candice Bergen and Mia Farrow, from the Mummers and

0:22:23.080 --> 0:22:27.399
<v Speaker 1>the Pappas to Jim Morrison. The house was so often

0:22:27.480 --> 0:22:32.040
<v Speaker 1>visited people soon became accustomed to Sharon and Roman's relaxed nature,

0:22:32.520 --> 0:22:36.080
<v Speaker 1>where the door seemed permanently open, so that almost anyone

0:22:36.440 --> 0:22:40.600
<v Speaker 1>could come and go as they pleased. As part of

0:22:40.600 --> 0:22:43.520
<v Speaker 1>the agreement to rent the house, the couple had agreed

0:22:43.680 --> 0:22:47.280
<v Speaker 1>to look after Patty's English sheep dock. When one morning

0:22:47.520 --> 0:22:52.320
<v Speaker 1>it bolted out of the property, giving chase, Roman tracked

0:22:52.320 --> 0:22:54.560
<v Speaker 1>it to a house a little further down the road.

0:22:55.840 --> 0:22:58.720
<v Speaker 1>The house was being used by members of the Process

0:22:58.760 --> 0:23:03.080
<v Speaker 1>of the Final Judgment, otherwise known simply as the Process.

0:23:04.560 --> 0:23:08.040
<v Speaker 1>The group was a religious movement of sorts established in

0:23:08.119 --> 0:23:12.359
<v Speaker 1>London in nineteen sixty six, inspired in part by scientology

0:23:12.680 --> 0:23:18.040
<v Speaker 1>Alister Crowley and the work of psychologist Alfred Adler. There

0:23:18.080 --> 0:23:21.600
<v Speaker 1>were rumors that they participated in the farious rituals, but

0:23:21.720 --> 0:23:24.480
<v Speaker 1>Roman knew little of that, only that they were well

0:23:24.520 --> 0:23:28.720
<v Speaker 1>known for keeping large Alsatian dogs as pets, a fact

0:23:28.720 --> 0:23:31.720
<v Speaker 1>he became plainly aware of that day when, on seeing

0:23:31.760 --> 0:23:34.520
<v Speaker 1>him draw near to the property, two of them chased

0:23:34.600 --> 0:23:39.280
<v Speaker 1>him into a nearby garage in desperation, as the dogs

0:23:39.280 --> 0:23:43.560
<v Speaker 1>barked manically outside, the traumatized Roman was forced to break

0:23:43.600 --> 0:23:46.440
<v Speaker 1>a window before leaping out the back of the building

0:23:46.760 --> 0:23:57.360
<v Speaker 1>and hurriedly making his escape. Back in San Francisco, Susan's

0:23:57.400 --> 0:24:01.720
<v Speaker 1>commune was attracting the attention of the FBI. One day,

0:24:02.160 --> 0:24:05.479
<v Speaker 1>while out with two of the men, Susan realized they

0:24:05.480 --> 0:24:09.159
<v Speaker 1>were being followed by a couple of plainclothed officers. The

0:24:09.200 --> 0:24:12.479
<v Speaker 1>group decided to split up, with Susan high tailing it

0:24:12.520 --> 0:24:15.480
<v Speaker 1>in one direction and the others heading off in another.

0:24:17.240 --> 0:24:20.719
<v Speaker 1>When Susan returned to the house later that afternoon, a

0:24:20.720 --> 0:24:23.920
<v Speaker 1>little stone from a joint she just smoked, she heard

0:24:23.920 --> 0:24:26.880
<v Speaker 1>the sound of a guitar and some one singing coming

0:24:26.960 --> 0:24:31.560
<v Speaker 1>from one of the rooms above. Following the sound. She

0:24:31.680 --> 0:24:34.920
<v Speaker 1>drifted softly up the stairs in her bare feet toward

0:24:35.000 --> 0:24:38.159
<v Speaker 1>the doorway of the living room. There, sat on the

0:24:38.200 --> 0:24:42.800
<v Speaker 1>sofa was a Shortish man, clean shaven, with long dark hair,

0:24:43.560 --> 0:24:47.240
<v Speaker 1>playing the guitar. He was dressed in a white T shirt,

0:24:47.520 --> 0:24:51.159
<v Speaker 1>blue jeans, and sandals, and had multi colored beads draped

0:24:51.160 --> 0:24:55.080
<v Speaker 1>around his neck. On either side of him sat a woman,

0:24:55.560 --> 0:24:58.240
<v Speaker 1>while on the ground other women sat at his feet

0:24:58.400 --> 0:25:02.359
<v Speaker 1>as they watched him, his eyes closed and head tilted back,

0:25:03.040 --> 0:25:07.600
<v Speaker 1>singing gently into the air. The room, thick with the

0:25:07.640 --> 0:25:11.080
<v Speaker 1>smell of pot and incense, was hazy with smoke that

0:25:11.280 --> 0:25:13.919
<v Speaker 1>curled and played with the soft light of the afternoon.

0:25:15.240 --> 0:25:19.280
<v Speaker 1>Susan couldn't take her eyes off the man. Just then,

0:25:19.400 --> 0:25:22.720
<v Speaker 1>for a moment, he opened his eyes and fixed her

0:25:22.760 --> 0:25:25.919
<v Speaker 1>with his stare, as if beckoning her to go in.

0:25:32.720 --> 0:25:36.879
<v Speaker 1>Unable to resist, Susan stepped inside and took a seat

0:25:36.880 --> 0:25:40.320
<v Speaker 1>at the singer's feet, looking up at him from below.

0:25:40.920 --> 0:25:44.480
<v Speaker 1>Lit up behind by the soft afternoon light, he looked

0:25:44.560 --> 0:25:48.400
<v Speaker 1>like an angel. She was still staring at him when

0:25:48.400 --> 0:25:51.439
<v Speaker 1>she realized he was no longer singing, but talking to

0:25:51.480 --> 0:25:55.520
<v Speaker 1>the woman next to him. Just then, a thought popped

0:25:55.560 --> 0:25:58.359
<v Speaker 1>into her head that she would like to play his guitar.

0:25:59.560 --> 0:26:02.399
<v Speaker 1>Without having said a word, the man turned to her

0:26:02.440 --> 0:26:07.200
<v Speaker 1>suddenly and said, why don't you play it. Susan was shocked.

0:26:07.920 --> 0:26:11.399
<v Speaker 1>Had he just read her mind in that moment, she

0:26:11.480 --> 0:26:14.439
<v Speaker 1>knew immediately that this was the thing she'd been looking for.

0:26:15.480 --> 0:26:19.440
<v Speaker 1>Without thinking, Susan smiled at the man and then bent

0:26:19.560 --> 0:26:24.399
<v Speaker 1>down and kissed his feet. Just then, the sounds of

0:26:24.480 --> 0:26:28.760
<v Speaker 1>Jefferson Airplane began to emanate from a record player. Lured

0:26:28.760 --> 0:26:32.960
<v Speaker 1>by the rhythm, Susan pulled herself up and began to dance.

0:26:34.040 --> 0:26:37.639
<v Speaker 1>Unbeknownst to her, the man put down his guitar and

0:26:37.800 --> 0:26:41.879
<v Speaker 1>walked over to join her. Moving in close behind, he

0:26:42.000 --> 0:26:46.000
<v Speaker 1>leant in and whispered in her ear. No two actions

0:26:46.000 --> 0:26:49.920
<v Speaker 1>are the same. Everything is new. Let it be new,

0:26:50.240 --> 0:26:54.959
<v Speaker 1>he said. Before long, they were fused, mirroring each other's moves.

0:26:55.840 --> 0:26:58.600
<v Speaker 1>At one point, it seemed to Susan that they'd even

0:26:58.720 --> 0:27:03.800
<v Speaker 1>traveled through each other's bodies. The music swelled, growing in

0:27:03.880 --> 0:27:07.800
<v Speaker 1>speed and intensity, and their movements did the same, becoming

0:27:07.800 --> 0:27:14.200
<v Speaker 1>more and more wild, until suddenly the music stopped. You're beautiful,

0:27:14.520 --> 0:27:19.080
<v Speaker 1>said the man. I'm Susan, she said in reply, who

0:27:19.119 --> 0:27:25.560
<v Speaker 1>are you me? Said the man? I'm Charlie. Charlie Manson.

0:27:30.320 --> 0:27:33.359
<v Speaker 1>You've been listening to part one of Unexplained, Season five,

0:27:33.560 --> 0:27:37.879
<v Speaker 1>Episode five, When Love Breaks Down. Part two will be

0:27:37.880 --> 0:27:44.119
<v Speaker 1>released next Friday, November thirteenth. If you enjoy Unexplained and

0:27:44.119 --> 0:27:46.280
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