WEBVTT - Singing Waiters (with Chanse McCrary)

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<v Speaker 1>Welcome back to artists on artists on artists.

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<v Speaker 2>Oh, here's your food.

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<v Speaker 1>That's right. Today we're talking to singing waiters.

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<v Speaker 3>Singing waiters are a very specific group of people. They

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<v Speaker 3>are people that are incredible at singing, whether they be

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<v Speaker 3>musical theater stars or pop artists in their own right.

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<v Speaker 3>And they also work in places where they, at the

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<v Speaker 3>same time have to serve food. This is a real

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<v Speaker 3>thing in many places, including Times Square. We sat down

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<v Speaker 3>with five singing waiters from the restaurant Wish Chapon a burger.

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<v Speaker 4>Let's listen in.

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<v Speaker 5>And then I was like, we only carry that gluten free.

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<v Speaker 5>And then she goes, yeah, she goes, I want a

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<v Speaker 5>gluten filed And I had never heard of that phrase before.

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<v Speaker 4>The gluten filed gluten film.

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<v Speaker 6>Oh, some of these stars are on this diet, this

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<v Speaker 6>gluten filled diet.

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<v Speaker 7>It's gone back around again now because.

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<v Speaker 2>It's actually good for you. Literally, gluten is actually good

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<v Speaker 2>for you.

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<v Speaker 8>Wait, how it circles back your intestines like your track. Yes,

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<v Speaker 8>it clears things outreak, it clears things out.

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<v Speaker 9>Yes, breakchack, break check for your body?

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<v Speaker 10>Wait? What no way, break check. I'm literally florid. I'm

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<v Speaker 10>literally Florid.

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<v Speaker 9>Right now, you have Floriad closing tonight.

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<v Speaker 10>I'm closing tonight. Oh my god, I'm floor tonight.

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<v Speaker 1>I am closing.

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<v Speaker 11>So it's so crazy. We're sitting next together. We're sitting

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<v Speaker 11>next together. I'm I'm your closer. Literally, that's Have you

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<v Speaker 11>guys seen all those tiktoks about how the openers never

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<v Speaker 11>talked to the closers.

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<v Speaker 4>Openers do everything, closers do nothing.

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<v Speaker 1>Oh my god, that's a lie.

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<v Speaker 2>We have to deal with all the musical theater people.

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<v Speaker 9>Meanwhile, the bunch.

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<v Speaker 6>Army, brunch army, we open and close the shift in

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<v Speaker 6>the it's one act, it's long. It's people are the

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<v Speaker 6>meanest at brunch then they will ever be in their lives.

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<v Speaker 2>Well, they're hung over, their tired, and they want their.

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<v Speaker 7>Food and they want it now.

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<v Speaker 8>We don't have a gluten free menu at brunch, no way,

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<v Speaker 8>it's all gluten.

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<v Speaker 9>What yeah, just at night?

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<v Speaker 10>Well yeah, we introduced the gluten free menu at Wow

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<v Speaker 10>because like that's when a lot of people, like the

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<v Speaker 10>tourists kind of come in and they are usually the

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<v Speaker 10>ones that have the allergies or the sensitivity.

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<v Speaker 2>Yes, so are we're going to talk about our set

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<v Speaker 2>ye the next season.

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<v Speaker 10>Yes, okay, yes, they have to know who we are.

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<v Speaker 4>I mean, this is.

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<v Speaker 2>Oh my god, I literally forgot this. I literally forgot

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<v Speaker 2>it's fun.

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<v Speaker 3>They're going to be clipping this when we hit it big,

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<v Speaker 3>They're going to be clipping these.

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<v Speaker 1>They're gonna literally be clipping us.

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<v Speaker 4>This is the first time you see me, but it's

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<v Speaker 4>not gonna be the last time.

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<v Speaker 5>I also think there's a lot of wishmona Burger, like

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<v Speaker 5>fans you wish I think there's so many fans of

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<v Speaker 5>our restaurant that are gonna want to Like they asked

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<v Speaker 5>me questions like what's it like back there?

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<v Speaker 9>Do you guys party or guys friends?

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<v Speaker 5>And now we we finally get to dish what's it

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<v Speaker 5>like to work at the most famous singing restaurant?

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<v Speaker 8>Can I just say it is like this cast of

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<v Speaker 8>When You Wish upon a Burger is like the best

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<v Speaker 8>cast in a while.

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<v Speaker 1>I think, so it's like the best while.

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<v Speaker 10>Calling it like the newer casts the renaissance, it's like

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<v Speaker 10>the renaissance at Burger.

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<v Speaker 7>I can speak to this.

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<v Speaker 6>I've been at this restaurant forever, and I can say

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<v Speaker 6>this cast is really really solid. There are dug years.

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<v Speaker 6>There are rebuilding years. There are years where it is

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<v Speaker 6>not there. This year we are there.

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<v Speaker 1>Introduce yourself to your name.

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<v Speaker 2>You're like literally a living legend.

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<v Speaker 7>Oh hello, well, thank you so much.

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<v Speaker 6>My name is Dina Fry and I have been working

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<v Speaker 6>at make a Wish upon a Burger.

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<v Speaker 7>Sorry, that's just a.

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<v Speaker 1>Song, properly make Burger.

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<v Speaker 2>We get sickets to come and we sing to them.

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<v Speaker 9>Believe the name first, the nonprofit game Sack.

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<v Speaker 3>You get about twenty kids a year who there make

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<v Speaker 3>a wish was is to come to our restaurant. And

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<v Speaker 3>I'm like, no judging, that's we could you could get more,

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<v Speaker 3>but you're more than welcome. You're more than welcome to

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<v Speaker 3>your wish.

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<v Speaker 4>You're more than welcome for this to be your wish.

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<v Speaker 10>And they usually just have the flu and it's the worst.

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<v Speaker 10>It's like they're not really like they're not that sick. Yeah,

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<v Speaker 10>we're not like they take.

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<v Speaker 2>A like your make a.

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<v Speaker 1>Wish because getting us sick is what I keep saying about.

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<v Speaker 11>And how are you singing Book of Mormon sick? You're

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<v Speaker 11>not so and we're not judging. Make a witch you guys?

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<v Speaker 11>Do you it's weird you guys are now including the flu.

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<v Speaker 11>It's weird and exema.

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<v Speaker 5>I don't get it anyway, It's you went destined to

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<v Speaker 5>work in this industry.

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<v Speaker 7>Oh, thank you so much. And you know I've had

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<v Speaker 7>my my skirts with Broadway.

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<v Speaker 6>But I really really wanted to be here, and I

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<v Speaker 6>have been in this kitchen for fifty five years. I

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<v Speaker 6>come out once a night, I sing my song and

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<v Speaker 6>I go back. I have a bowl of chicken noodle soup,

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<v Speaker 6>and I have the happiest life.

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<v Speaker 7>In the world.

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<v Speaker 3>And can I mention by the way Dinah, I mean,

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<v Speaker 3>I love you so much. When you sing your big

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<v Speaker 3>song Shy from What's upon a Mattress, you bring the

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<v Speaker 3>house down.

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<v Speaker 4>You love that.

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<v Speaker 3>And I want to mention skirts with Broadway, your Etsy

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<v Speaker 3>store where you make skirts that are inspired by Broadway.

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<v Speaker 4>I love your Phantom of the Opera skirt.

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<v Speaker 6>Yes, yes, you go to etsy dot com backsplash shop,

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<v Speaker 6>backsplash results for make a wish.

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<v Speaker 7>But Broadway skirts.

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<v Speaker 6>Now you're gonna wanna scroll down, scroll down, scroll down,

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<v Speaker 6>scroll down. You're gonna get to the Phantom of the

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<v Speaker 6>Opera skirt, which is it kind of looks like a

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<v Speaker 6>sort of yin Yang sing symbol, because that is to

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<v Speaker 6>symbolize the.

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<v Speaker 7>Masma as.

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<v Speaker 10>Sing it s design.

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<v Speaker 6>Okay, the Phantom of the Opper skirt is for the

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<v Speaker 6>famous mask, and there.

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<v Speaker 7>Are many others, of course.

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<v Speaker 6>And I have to get your orders for Christmas this

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<v Speaker 6>year so that I can send them so that I

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<v Speaker 6>can get started.

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<v Speaker 2>Yes, okay, my skirt.

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<v Speaker 6>Something rotten skirt? Okay, I want to know Mary skirt.

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<v Speaker 1>Oh, that's so good.

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<v Speaker 8>I'll take a chess skirt, but not the revival the original.

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<v Speaker 2>No, you know what.

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<v Speaker 10>Aunt Juliette for me.

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<v Speaker 6>Okay, okay, Anguliette for me, Anguliette. Okay, okay, everyone air

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<v Speaker 6>drop me your measurements.

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<v Speaker 7>I'll get it in time for Christmas.

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<v Speaker 8>Twenty seven thirty two whoa wow?

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<v Speaker 2>Size you shut up?

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<v Speaker 4>Thirty two inch long score?

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<v Speaker 2>Yeah?

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<v Speaker 9>Wait, say your name, say your name and what you do.

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<v Speaker 2>I'm dragging. Hey, I'm Teagan. I'm the ten or two

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<v Speaker 2>of the group.

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<v Speaker 11>Uh we we also answered a tone, So that's his

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<v Speaker 11>that's that's it's like my ring.

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<v Speaker 4>You hear that on you have to come run.

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<v Speaker 10>Yeah.

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<v Speaker 6>Sometimes the chef gives orders and you know you have to.

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<v Speaker 10>Go or getting yelled at by a person.

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<v Speaker 2>Oh, my god, our boss is the worst.

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<v Speaker 4>We talk about it.

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<v Speaker 10>Yeah, now we can finally talk about we can You

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<v Speaker 10>can talk about yourself first.

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<v Speaker 8>I give you your I went to U of M.

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<v Speaker 8>I've been in New York for I've been in New

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<v Speaker 8>York for five years. I have been on tour, but

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<v Speaker 8>I have never booked anything on actual Broadway yet.

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<v Speaker 11>Yes, yeah, wait, you're being shy about your tour. It

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<v Speaker 11>was the military. I never I never saw battle. But

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<v Speaker 11>I think it's like, I think it's really cool. You

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<v Speaker 11>keep saying that you've done tour, like you've done tour.

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<v Speaker 8>Musical theater tour, but like serving I'm serving Broadway, not musicals. Yes,

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<v Speaker 8>I think I am probably the most well versed in

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<v Speaker 8>our menu. I helped U the chef, create it. He

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<v Speaker 8>takes suggestions from other musicals.

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<v Speaker 10>These parodies that you have come up with in the names,

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<v Speaker 10>these silly things.

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<v Speaker 2>This gene, yes, literally Gene.

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<v Speaker 9>I will never forget the days again. I'm gonna get

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<v Speaker 9>a little motion. I will never forget the.

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<v Speaker 5>Day that you walked in and w we're serving a

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<v Speaker 5>smash burger and we're not calling it smash burger exactly.

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<v Speaker 5>Featuring Megan Hilty and Catherine McPhee. So now I have

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<v Speaker 5>pride when I go. Would you like the smash Burger

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<v Speaker 5>featuring Megan Hilty and Meghan Hilty And it's so good

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<v Speaker 5>and we.

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<v Speaker 6>Have to talk about deer eggs and Hamson, Green Witches,

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<v Speaker 6>the Green Witches salad chicken.

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<v Speaker 8>And we had a bowl and on the menu and

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<v Speaker 8>we're not calling it spelling, rolls out the money.

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<v Speaker 2>It's right there.

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<v Speaker 5>Soups the musical, and it's Soupsicle the musical of the day,

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<v Speaker 5>So the soup is different every single time.

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<v Speaker 2>So yeah, an operation mince meat Pie.

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<v Speaker 4>That was just yeah, I mean it was just.

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<v Speaker 9>Literally just like right there anyway.

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<v Speaker 5>But I remember that when you first walked in, you

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<v Speaker 5>were like, there are so many things that we can

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<v Speaker 5>up here.

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<v Speaker 2>Money on the table, money on the table.

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<v Speaker 5>I'm not tips literally literally we're in the money in Hi, guys,

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<v Speaker 5>what's up? My name is Sierra Hoofton, And what's your tone?

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<v Speaker 9>I'm an alto.

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<v Speaker 5>When you hear that you know that she has done

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<v Speaker 5>something wrong, I'm an alto.

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<v Speaker 9>I'll say I'm a mover, not a dancer. I'd say

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<v Speaker 9>a mover.

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<v Speaker 5>Went to Pace University top of my class, meaning I

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<v Speaker 5>ran it from the top.

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<v Speaker 9>I always say, can we do it from the top over? Literally,

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<v Speaker 9>what was your g p A? I think.

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<v Speaker 1>I was an alto okay great, yeah.

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<v Speaker 5>Mezzo soprano anyway, So sorry, I'm so like, I was

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<v Speaker 5>up all night last night because I am doing the

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<v Speaker 5>open call tomorrow for La La Land too. They're doing

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<v Speaker 5>the Wow they're doing this, So sorry, I'm like a

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<v Speaker 5>little like and I had to open this literally like

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<v Speaker 5>like I was like, you know, when you're like working

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<v Speaker 5>in an audition and you had to open it's kind of

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<v Speaker 5>my brain's just like all over.

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<v Speaker 10>You're like literally always auditioning, like you go out more

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<v Speaker 10>than anyone.

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<v Speaker 5>I know, No, thank you, and I think like I

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<v Speaker 5>think there the job is getting the job, and I

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<v Speaker 5>love that part of the job.

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<v Speaker 2>I think it's one of my favorite process.

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<v Speaker 5>Yes, it's process, it's process, it's rehearsal, it's process.

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<v Speaker 8>And you know it's not processed our food. No, see

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<v Speaker 8>look at that.

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<v Speaker 9>Look the brand integration is like Tigan's like butter.

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<v Speaker 3>I'd be careful because you really might have a future

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<v Speaker 3>and restaurant business.

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<v Speaker 8>Yes, stop, I mean the only restaurant I want to

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<v Speaker 8>be in is waitress.

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<v Speaker 11>Yes, opening up sugar butter flower.

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<v Speaker 9>But I love this place. I loved Hegan, I love

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<v Speaker 9>all by the way.

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<v Speaker 10>Why don't people order that?

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<v Speaker 1>I just don't get. I don't think people want to

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<v Speaker 1>eat flour.

0:11:41.160 --> 0:11:41.760
<v Speaker 2>I don't know that.

0:11:44.760 --> 0:11:49.319
<v Speaker 5>Preservatives literally literally it is. I guess like less per preservatives.

0:11:50.160 --> 0:11:51.840
<v Speaker 5>But I just want to say I love this place.

0:11:51.880 --> 0:11:53.920
<v Speaker 5>I think my favorite part about working here is just

0:11:53.960 --> 0:11:55.679
<v Speaker 5>your smiley faces every single freaking day.

0:11:55.760 --> 0:11:56.400
<v Speaker 10>You are too.

0:11:56.559 --> 0:11:57.920
<v Speaker 9>I love you guys a lot. I really do, from

0:11:57.920 --> 0:11:58.559
<v Speaker 9>the bottom of my heart.

0:11:58.600 --> 0:12:00.720
<v Speaker 5>You make it easy and I I am happy that

0:12:00.800 --> 0:12:04.520
<v Speaker 5>my survival job is something that gets me, like contact

0:12:04.520 --> 0:12:06.800
<v Speaker 5>with the ball, I get to practice, I get to sing.

0:12:06.840 --> 0:12:09.320
<v Speaker 5>I always am like, I want to be a better dancer, right,

0:12:09.400 --> 0:12:11.440
<v Speaker 5>I say that to everybody every morning I go. I

0:12:11.440 --> 0:12:12.600
<v Speaker 5>want to be a better I want to be better

0:12:12.600 --> 0:12:15.559
<v Speaker 5>at these dance calls. So I try to integrate that, right,

0:12:15.600 --> 0:12:18.400
<v Speaker 5>I try to. I'm doing across the floors almost constantly.

0:12:18.400 --> 0:12:21.400
<v Speaker 6>And you've been dancing on tables, You've been tangling on

0:12:21.520 --> 0:12:23.080
<v Speaker 6>these on these floor tops.

0:12:23.320 --> 0:12:26.440
<v Speaker 2>I are you play? You do the you can't stop

0:12:26.520 --> 0:12:26.800
<v Speaker 2>the beat?

0:12:27.040 --> 0:12:28.559
<v Speaker 1>Yes, and do it?

0:12:28.800 --> 0:12:31.199
<v Speaker 2>Do it just a little bit, a little bit, Come on.

0:12:31.840 --> 0:12:37.720
<v Speaker 9>The dance solow or whatever motion now that you should

0:12:37.760 --> 0:12:39.839
<v Speaker 9>know the rain. This guy, you can wonder if you

0:12:39.880 --> 0:12:42.439
<v Speaker 9>want to. But that's why if you try to hold me.

0:12:42.400 --> 0:12:49.079
<v Speaker 11>Down, I'm gonna and say you can't stop the bigger God?

0:12:49.520 --> 0:12:50.000
<v Speaker 2>Well done?

0:12:50.640 --> 0:12:51.480
<v Speaker 4>Can I just say?

0:12:51.559 --> 0:12:52.840
<v Speaker 3>And I don't know if I should say.

0:12:52.640 --> 0:12:54.920
<v Speaker 2>This, but sometimes we talked about this.

0:12:55.040 --> 0:12:56.839
<v Speaker 4>When you're around the camera, the camera makes you tell

0:12:56.840 --> 0:12:57.199
<v Speaker 4>the truth.

0:12:57.320 --> 0:12:59.640
<v Speaker 2>Okay, okay, talk about this.

0:12:59.679 --> 0:13:00.520
<v Speaker 10>The talk about this.

0:13:00.559 --> 0:13:03.440
<v Speaker 3>When you guys start singing, there is such a sexual

0:13:03.480 --> 0:13:04.679
<v Speaker 3>attention between you two.

0:13:04.720 --> 0:13:09.240
<v Speaker 10>Literally, it's like when you're not singing, it's like you

0:13:09.280 --> 0:13:12.760
<v Speaker 10>guys could not stand. It's like brother and sister. But

0:13:12.880 --> 0:13:14.600
<v Speaker 10>when you guys are singing, it's like I'm watching one

0:13:14.640 --> 0:13:16.960
<v Speaker 10>of those weird videos where it's like brother and sister hooky.

0:13:17.200 --> 0:13:20.800
<v Speaker 2>We talked about boundaries at staff meal. Yeah, we tried

0:13:20.840 --> 0:13:21.080
<v Speaker 2>to day.

0:13:23.040 --> 0:13:25.240
<v Speaker 7>It didn't work down there like that, you have to

0:13:25.320 --> 0:13:30.160
<v Speaker 7>try again. You don't try again.

0:13:31.480 --> 0:13:36.200
<v Speaker 6>I've seen so many relationships come through these walls. I've

0:13:36.240 --> 0:13:41.079
<v Speaker 6>seen so many ill advised hookups between Alto's and tenors.

0:13:40.679 --> 0:13:42.840
<v Speaker 7>That they never speak of it again. The next day.

0:13:43.720 --> 0:13:45.280
<v Speaker 7>You guys have to try again.

0:13:46.800 --> 0:13:48.680
<v Speaker 1>You got to listen to diner diner.

0:13:48.720 --> 0:13:52.959
<v Speaker 5>Okay, please, enough on me, Enough on you, girly, step

0:13:53.040 --> 0:13:54.079
<v Speaker 5>into your shine rate.

0:13:54.120 --> 0:13:55.960
<v Speaker 2>It is my turn step into it.

0:13:56.120 --> 0:14:00.319
<v Speaker 1>Okay. Hi, my name is Sam Ellie.

0:14:00.720 --> 0:14:06.480
<v Speaker 10>I am a bastone, one of the some of the

0:14:06.520 --> 0:14:09.559
<v Speaker 10>deepest voices you could ever hear. There's not a lot

0:14:09.559 --> 0:14:12.160
<v Speaker 10>of parts for me, and not a lot of songs

0:14:12.160 --> 0:14:15.440
<v Speaker 10>built for my vocal range. So but this is the

0:14:15.480 --> 0:14:18.480
<v Speaker 10>noise you hear over the PA system when they're looking

0:14:18.480 --> 0:14:22.960
<v Speaker 10>for me. I'm kind of the punk vibe. I do

0:14:23.000 --> 0:14:25.840
<v Speaker 10>a lot of the punk pop, punk rock songs. Green

0:14:25.920 --> 0:14:29.680
<v Speaker 10>Day the musical when it came out was Mike Eucharist.

0:14:29.960 --> 0:14:32.680
<v Speaker 10>That was My Body of Christ, if you will.

0:14:33.160 --> 0:14:35.400
<v Speaker 9>Or that really really low song in Hadestown.

0:14:35.520 --> 0:14:40.480
<v Speaker 10>Yes, why do they build too?

0:14:41.160 --> 0:14:43.320
<v Speaker 3>You're so vile to me because I do all the

0:14:43.480 --> 0:14:46.360
<v Speaker 3>you know, four seasons. I do the Frankie Valleys.

0:14:46.200 --> 0:14:47.720
<v Speaker 4>You do the why don't you.

0:14:51.120 --> 0:14:52.280
<v Speaker 9>Wow? That's honestly.

0:14:54.320 --> 0:14:55.960
<v Speaker 4>Durb hop bird about.

0:14:57.200 --> 0:15:05.560
<v Speaker 10>I don't want to be an American idiot by the media.

0:15:06.840 --> 0:15:08.880
<v Speaker 1>Can't stop it down. So yeah, that's a little bit

0:15:08.920 --> 0:15:09.560
<v Speaker 1>of Sam Kelly.

0:15:10.040 --> 0:15:10.680
<v Speaker 4>That's awesome.

0:15:11.240 --> 0:15:13.800
<v Speaker 8>And you you're working on your own piece right, Oh

0:15:13.840 --> 0:15:15.320
<v Speaker 8>my god, thank you Yeah, you're welcome.

0:15:15.920 --> 0:15:17.040
<v Speaker 10>I kea in.

0:15:17.400 --> 0:15:19.640
<v Speaker 2>I mean, what better time to give it the people

0:15:19.680 --> 0:15:20.120
<v Speaker 2>what they want?

0:15:20.160 --> 0:15:20.440
<v Speaker 10>Thank you.

0:15:20.480 --> 0:15:21.880
<v Speaker 1>This is actually such a good opportunity.

0:15:21.920 --> 0:15:27.800
<v Speaker 10>I'm working on my own musical. It's an original, original musical.

0:15:27.960 --> 0:15:28.800
<v Speaker 4>I didn't know that.

0:15:29.320 --> 0:15:31.120
<v Speaker 1>No, like we talk about it a lot.

0:15:31.320 --> 0:15:33.080
<v Speaker 10>We talk about a lot like this is literally a

0:15:33.080 --> 0:15:35.560
<v Speaker 10>podcasts like this, Like literally, I.

0:15:35.520 --> 0:15:37.560
<v Speaker 4>Didn't know you were working on something on your own.

0:15:37.600 --> 0:15:37.640
<v Speaker 10>No.

0:15:37.760 --> 0:15:39.200
<v Speaker 1>Yeah, and all of you guys have parks.

0:15:39.240 --> 0:15:39.840
<v Speaker 9>Wait, you didn't know.

0:15:40.000 --> 0:15:40.800
<v Speaker 4>I didn't know that.

0:15:40.920 --> 0:15:41.720
<v Speaker 1>Did you not know that?

0:15:41.760 --> 0:15:44.600
<v Speaker 10>I feel like I'm always told, well, the restaurant just

0:15:44.760 --> 0:15:45.400
<v Speaker 10>makes me idy.

0:15:45.520 --> 0:15:46.760
<v Speaker 2>It was in the text. It was in the text,

0:15:46.840 --> 0:15:48.400
<v Speaker 2>literally the text.

0:15:48.600 --> 0:15:51.880
<v Speaker 9>Are you on? Are you on? Molana Lives Forever?

0:15:53.360 --> 0:16:08.880
<v Speaker 12>I'm on how far out Googurt other one forever.

0:16:08.960 --> 0:16:10.320
<v Speaker 10>That was when we were going to go see Lion

0:16:10.440 --> 0:16:12.080
<v Speaker 10>King and you said you you were busy or you

0:16:12.080 --> 0:16:13.920
<v Speaker 10>were sick or something, and so we just created that threat.

0:16:13.960 --> 0:16:15.200
<v Speaker 1>I think we didn't even realize you were.

0:16:15.400 --> 0:16:20.000
<v Speaker 5>Oh I'm so pissed our manager didn't take that. By

0:16:20.000 --> 0:16:20.840
<v Speaker 5>the way, that was a great.

0:16:20.720 --> 0:16:26.160
<v Speaker 2>That I don't care item that was on there. Just

0:16:26.200 --> 0:16:27.040
<v Speaker 2>make it yogurt that.

0:16:26.960 --> 0:16:31.720
<v Speaker 10>You make it so Yes, I'm working on an original musical.

0:16:31.840 --> 0:16:35.360
<v Speaker 10>I'm very excited about each of you have a part.

0:16:35.440 --> 0:16:38.280
<v Speaker 10>And I don't want to say too much right now,

0:16:38.960 --> 0:16:41.720
<v Speaker 10>but it's going to change music forever. It's going to

0:16:41.800 --> 0:16:45.760
<v Speaker 10>change musicals and how we look at them forever.

0:16:45.960 --> 0:16:47.640
<v Speaker 4>In what way?

0:16:47.960 --> 0:16:51.360
<v Speaker 10>And I don't want to say too much, but what

0:16:51.440 --> 0:16:52.720
<v Speaker 10>if a musical never.

0:16:52.640 --> 0:16:55.600
<v Speaker 7>Stopped you forever?

0:16:56.280 --> 0:16:57.400
<v Speaker 9>That sounded like a threat.

0:16:57.800 --> 0:17:01.800
<v Speaker 10>And what if when the music ends, you can start

0:17:01.840 --> 0:17:03.720
<v Speaker 10>it again and it feels like you're picking up in

0:17:03.760 --> 0:17:04.560
<v Speaker 10>the middle.

0:17:05.680 --> 0:17:07.960
<v Speaker 9>So like a circle, so like songs for a new world.

0:17:09.320 --> 0:17:12.800
<v Speaker 10>So no, it's different, and it's going to change musicals forever.

0:17:14.200 --> 0:17:16.399
<v Speaker 10>I can tell you guys a little bit more about it,

0:17:16.440 --> 0:17:20.159
<v Speaker 10>but I don't want to take over this whole podcast,

0:17:21.119 --> 0:17:27.160
<v Speaker 10>just the lead taking.

0:17:27.240 --> 0:17:27.560
<v Speaker 1>It's you.

0:17:29.440 --> 0:17:32.720
<v Speaker 10>Taking you literally saw active combat. I have to put

0:17:32.760 --> 0:17:33.840
<v Speaker 10>you in it.

0:17:33.880 --> 0:17:36.600
<v Speaker 8>Is it about octave combat? No, but I just feel

0:17:36.640 --> 0:17:42.280
<v Speaker 8>so bad. Okay, So I actually had a really fun

0:17:42.359 --> 0:17:42.960
<v Speaker 8>question to get.

0:17:42.800 --> 0:17:45.040
<v Speaker 4>Out O yours are burning. I guess I'll introduce myself.

0:17:45.160 --> 0:17:52.040
<v Speaker 11>Okay, my name's Buzzy Baldwin. I love Broadway, but I'm

0:17:52.400 --> 0:17:54.880
<v Speaker 11>kind of a little bit more of a gossip than

0:17:54.920 --> 0:17:58.120
<v Speaker 11>I am when it comes to musicals.

0:17:58.600 --> 0:18:01.600
<v Speaker 3>You might know me as the Broadway babbler on TikTok.

0:18:01.720 --> 0:18:04.119
<v Speaker 3>I have lots of secrets that I divuloge.

0:18:04.160 --> 0:18:06.920
<v Speaker 11>The gossire dropping all the time, and I would say

0:18:06.920 --> 0:18:08.639
<v Speaker 11>that I worked in this diner to kind of be

0:18:08.720 --> 0:18:10.280
<v Speaker 11>in the middle of Times Square and.

0:18:10.440 --> 0:18:14.560
<v Speaker 4>Over here the things that are happening here in there.

0:18:14.960 --> 0:18:19.160
<v Speaker 3>I bust in from New Hampshire every morning just to

0:18:19.200 --> 0:18:20.880
<v Speaker 3>be amongst.

0:18:20.320 --> 0:18:26.560
<v Speaker 4>You wonderful guys and gals and guys and gals.

0:18:26.840 --> 0:18:30.240
<v Speaker 5>Who was the one that first reported that Lia Michelle's

0:18:30.359 --> 0:18:32.800
<v Speaker 5>cover in Funny Girl was doing a good job.

0:18:33.960 --> 0:18:34.600
<v Speaker 4>I did.

0:18:35.000 --> 0:18:38.600
<v Speaker 11>I said this just in Lia Michelle's cover doing good

0:18:38.920 --> 0:18:42.679
<v Speaker 11>because I was standing outside after the show and I

0:18:42.720 --> 0:18:45.520
<v Speaker 11>saw one person walk out and go she did pretty good.

0:18:45.760 --> 0:18:48.720
<v Speaker 8>Who was the one to report that Jack Black would

0:18:48.760 --> 0:18:51.160
<v Speaker 8>be taking over the role of Beetlejuice's dog.

0:18:51.680 --> 0:18:55.439
<v Speaker 4>I did that. Beetlejuice's dog is now being played by

0:18:55.560 --> 0:18:56.280
<v Speaker 4>Jack Black.

0:18:56.600 --> 0:19:01.679
<v Speaker 6>He reported that one of the supporting characters of The

0:19:01.760 --> 0:19:04.680
<v Speaker 6>Notebook was a little pitchy last week.

0:19:05.200 --> 0:19:05.880
<v Speaker 4>I did that.

0:19:06.440 --> 0:19:10.399
<v Speaker 3>Actually, I made that up, and someone said it's actually true,

0:19:10.600 --> 0:19:13.560
<v Speaker 3>and so I guess I'm a bit of a Fortunetella.

0:19:14.080 --> 0:19:17.040
<v Speaker 10>Who was the one that reported Lion King's gazelle who

0:19:17.240 --> 0:19:19.560
<v Speaker 10>was out for the count due to a gonneriea outbreak.

0:19:19.640 --> 0:19:21.080
<v Speaker 10>That was me and I did do that.

0:19:21.200 --> 0:19:24.240
<v Speaker 4>I'm so sorry to you, Jessica. I didn't know.

0:19:24.440 --> 0:19:27.719
<v Speaker 6>Oh, this is inside of trading. You gave the gonerriea.

0:19:27.440 --> 0:19:30.240
<v Speaker 3>Gosh something roun. This camera makes me tell the truth.

0:19:30.680 --> 0:19:35.320
<v Speaker 3>I gave Jessica the gazelle GONERIEA who hasn't.

0:19:35.040 --> 0:19:42.280
<v Speaker 8>Given someone gonnerieas are literally gone riea.

0:19:42.440 --> 0:19:50.040
<v Speaker 4>That's Broadway. Hani did no. But but I love working here.

0:19:50.200 --> 0:19:51.960
<v Speaker 11>This is my favorite place to be because you guys

0:19:51.960 --> 0:19:53.960
<v Speaker 11>are so much fun to hang out with and I

0:19:54.000 --> 0:19:56.200
<v Speaker 11>get to sing all the songs that you can basically speak,

0:19:56.640 --> 0:19:57.440
<v Speaker 11>so that's really fun.

0:19:57.640 --> 0:20:00.200
<v Speaker 10>Let's talk about our songs that we like to say.

0:20:00.320 --> 0:20:03.680
<v Speaker 5>Yeah, coverage night, Wish upon a burger. You're coming in.

0:20:03.800 --> 0:20:06.840
<v Speaker 5>It's what six o'clock? What are we starting with? You're

0:20:06.840 --> 0:20:08.760
<v Speaker 5>hearing it's a hard not life for me and Dinah.

0:20:08.960 --> 0:20:12.159
<v Speaker 7>You're hearing us. It's a hard knock life. It's a

0:20:12.200 --> 0:20:17.640
<v Speaker 7>hard not life for us. It's a hard knock for us.

0:20:18.840 --> 0:20:20.359
<v Speaker 1>Beauty treat.

0:20:22.240 --> 0:20:24.000
<v Speaker 4>Do you want me to fight for you? By the way,

0:20:24.280 --> 0:20:25.240
<v Speaker 4>because I'll fight for you.

0:20:25.520 --> 0:20:27.639
<v Speaker 2>Someone needs to want me to fight for you.

0:20:27.760 --> 0:20:28.720
<v Speaker 4>Let me tell you something.

0:20:28.800 --> 0:20:30.680
<v Speaker 9>What do you mean somebody.

0:20:30.320 --> 0:20:33.120
<v Speaker 10>Needs to be thinking about We've all been thinking about.

0:20:33.160 --> 0:20:33.200
<v Speaker 6>You.

0:20:33.200 --> 0:20:35.239
<v Speaker 4>Shouldn't have to get down on your knees anymore too.

0:20:36.480 --> 0:20:41.680
<v Speaker 11>The orphan us so hard on your knees.

0:20:41.760 --> 0:20:42.000
<v Speaker 6>You know.

0:20:42.200 --> 0:20:44.640
<v Speaker 7>I don't want you to treat me any different.

0:20:45.080 --> 0:20:45.679
<v Speaker 10>I have.

0:20:46.080 --> 0:20:49.159
<v Speaker 7>Yes, I'm older, that doesn't mean I have to stop.

0:20:49.320 --> 0:20:51.760
<v Speaker 2>Her knees are fine. Pull up your long skirt.

0:20:52.200 --> 0:20:54.359
<v Speaker 6>Let me pull up my long skirt and show you

0:20:54.440 --> 0:21:08.680
<v Speaker 6>my damnamelower.

0:21:02.080 --> 0:21:07.600
<v Speaker 2>Look like cover help? Here's for Christmas?

0:21:07.640 --> 0:21:11.359
<v Speaker 7>With what sally wrong with my knees?

0:21:11.480 --> 0:21:11.720
<v Speaker 11>Wait?

0:21:11.880 --> 0:21:12.960
<v Speaker 7>Look at it up clothes.

0:21:16.920 --> 0:21:22.479
<v Speaker 6>I'm gonna need everyone to grow up.

0:21:24.119 --> 0:21:26.320
<v Speaker 7>I'm gonna need everyone to grow up.

0:21:26.400 --> 0:21:26.520
<v Speaker 10>Dan.

0:21:26.720 --> 0:21:29.159
<v Speaker 9>We just keep saying, play miss Handagan, play miss handing you.

0:21:29.480 --> 0:21:31.560
<v Speaker 2>I want to play the word is Andy and I

0:21:31.600 --> 0:21:32.320
<v Speaker 2>will fight for her.

0:21:33.280 --> 0:21:38.119
<v Speaker 1>Is Annie. That is so Andy Andy coated.

0:21:38.840 --> 0:21:57.120
<v Speaker 13>Is Andy is Andy.

0:21:51.359 --> 0:21:52.639
<v Speaker 4>And I'm gonna fight for you again.

0:21:53.080 --> 0:21:55.520
<v Speaker 9>I'm gonna Okay, I checked dinas Andy.

0:21:55.640 --> 0:21:58.920
<v Speaker 3>We need to clean that chicken Alfredo off that any wig?

0:21:59.160 --> 0:22:04.000
<v Speaker 6>Yes, no, no, no, no, no.

0:22:03.720 --> 0:22:09.480
<v Speaker 9>No, hold on for it.

0:22:09.560 --> 0:22:11.040
<v Speaker 7>That is my lucky wig.

0:22:12.240 --> 0:22:18.719
<v Speaker 8>The wig stays you guys, If I wash it, I

0:22:18.800 --> 0:22:20.639
<v Speaker 8>won't remember how to sing the notes.

0:22:21.320 --> 0:22:25.359
<v Speaker 6>So far, every time I've sang, I've hit the notes

0:22:25.720 --> 0:22:28.160
<v Speaker 6>and there's ben Alfredo in the hair, and you.

0:22:28.119 --> 0:22:30.840
<v Speaker 7>Know what it is, remove one variable. I don't know

0:22:30.880 --> 0:22:31.760
<v Speaker 7>what's gonna happen.

0:22:32.160 --> 0:22:41.680
<v Speaker 2>It's tradition, girl.

0:22:42.400 --> 0:22:46.240
<v Speaker 4>I will say what my favorite things with the ensemble bell.

0:22:46.320 --> 0:22:48.119
<v Speaker 3>When the ensemble bell goes off and we all have

0:22:48.200 --> 0:22:49.520
<v Speaker 3>to sing a song about all we're doing.

0:22:50.320 --> 0:22:52.680
<v Speaker 5>Don't tell you it's tricky because every single table needs

0:22:52.720 --> 0:22:54.600
<v Speaker 5>to tip at the same time to get the ensemble.

0:22:55.920 --> 0:22:58.760
<v Speaker 6>We all have to close out your entire section at once,

0:22:58.800 --> 0:23:01.760
<v Speaker 6>and if someone hasn't ordered you, you need to very

0:23:02.000 --> 0:23:04.280
<v Speaker 6>very quickly shout out.

0:23:04.320 --> 0:23:05.880
<v Speaker 3>I want to shout out the eleven year old super

0:23:05.920 --> 0:23:07.920
<v Speaker 3>fans of our diner who run around to the other

0:23:07.960 --> 0:23:10.440
<v Speaker 3>tables tip at the same time, like trying.

0:23:10.240 --> 0:23:13.480
<v Speaker 4>To organize the wave in a baseball game. It's honestly incredible.

0:23:13.720 --> 0:23:15.680
<v Speaker 2>Those kids are the work that they put in.

0:23:15.840 --> 0:23:17.280
<v Speaker 4>Yeah, yeah, okay.

0:23:17.280 --> 0:23:18.679
<v Speaker 9>So it usually starts at six o'clock.

0:23:18.720 --> 0:23:20.639
<v Speaker 5>We do like a little bit of Annie if we're

0:23:20.680 --> 0:23:22.880
<v Speaker 5>talking the night shift, and then then we get into

0:23:22.920 --> 0:23:23.880
<v Speaker 5>solo solo time.

0:23:23.960 --> 0:23:28.000
<v Speaker 10>Yes. Usually what happens is it's this is the big misunderstanding.

0:23:28.160 --> 0:23:31.800
<v Speaker 10>It's not always singing. There's breaks for you to eat.

0:23:32.040 --> 0:23:34.320
<v Speaker 10>They're short, but there's breaks for you to eat.

0:23:34.359 --> 0:23:35.600
<v Speaker 9>And we have to run the restaurant.

0:23:36.000 --> 0:23:38.920
<v Speaker 10>We have to do our job. Our managers barely do anything.

0:23:39.080 --> 0:23:42.080
<v Speaker 10>But God, will we get that mic. It's game over

0:23:42.240 --> 0:23:42.920
<v Speaker 10>for you, hose.

0:23:43.200 --> 0:23:45.240
<v Speaker 3>Let's talk about the mic. We have a lot of

0:23:45.320 --> 0:23:47.280
<v Speaker 3>names for the mic. We call him the big One,

0:23:47.520 --> 0:23:50.240
<v Speaker 3>we call him, we call him King, King Loudy, We

0:23:50.280 --> 0:23:53.520
<v Speaker 3>have loud games for him because it's this very ornate,

0:23:53.600 --> 0:23:55.960
<v Speaker 3>beautiful It has led lights in it, and it shoots

0:23:56.000 --> 0:23:57.560
<v Speaker 3>bubbles out of the bottom every time you say.

0:23:57.600 --> 0:23:59.479
<v Speaker 7>In my generation, we called him the Nickson.

0:24:01.359 --> 0:24:02.320
<v Speaker 8>He is.

0:24:03.160 --> 0:24:06.560
<v Speaker 6>The mic is someone who you don't want to mess

0:24:06.600 --> 0:24:09.399
<v Speaker 6>with because he has the power to break or break

0:24:09.520 --> 0:24:10.040
<v Speaker 6>your night.

0:24:10.200 --> 0:24:13.080
<v Speaker 9>Thank you, Dinah.

0:24:13.560 --> 0:24:21.159
<v Speaker 10>That's when I'm trying to start hashtime. Dinah is andy.

0:24:20.440 --> 0:24:22.920
<v Speaker 4>And I'm saying you're trying to start that you've never

0:24:23.000 --> 0:24:23.840
<v Speaker 4>been started.

0:24:23.600 --> 0:24:24.800
<v Speaker 1>Guys like I'm trying to get.

0:24:24.640 --> 0:24:26.639
<v Speaker 5>That, and we have to talk about if we're talking

0:24:26.680 --> 0:24:28.360
<v Speaker 5>about the mic, then we also have to talk about

0:24:28.400 --> 0:24:29.520
<v Speaker 5>what goes with that mic.

0:24:30.040 --> 0:24:33.400
<v Speaker 9>The bread this out the song, but also sorry, we're

0:24:33.440 --> 0:24:36.639
<v Speaker 9>not like connecting right now sing a song together? Is

0:24:36.680 --> 0:24:37.600
<v Speaker 9>our accompany? Missed?

0:24:37.840 --> 0:24:42.640
<v Speaker 5>Who's there every single night and he's been there Floyd, Floyd.

0:24:43.800 --> 0:24:45.320
<v Speaker 1>Floyd is bad news.

0:24:45.400 --> 0:24:48.000
<v Speaker 5>Sometimes Floyd has a smile where you're like you can

0:24:48.040 --> 0:24:48.680
<v Speaker 5>grab me there.

0:24:48.920 --> 0:24:51.359
<v Speaker 2>Yeah, Yes, he's hilarious.

0:24:52.920 --> 0:24:56.439
<v Speaker 11>One time fld to a party after a shift and

0:24:56.480 --> 0:24:58.640
<v Speaker 11>I went through his house and nobody.

0:24:58.359 --> 0:24:59.000
<v Speaker 4>Else was there.

0:24:59.400 --> 0:25:01.239
<v Speaker 1>Floyd is so funny like that.

0:25:02.680 --> 0:25:07.679
<v Speaker 5>Yes, Boyd's funny, right, And I think like it's funny

0:25:07.680 --> 0:25:10.120
<v Speaker 5>that when sometimes Hill he's the one that, like, believe

0:25:10.119 --> 0:25:11.200
<v Speaker 5>it or not, He's the one that'll be like, I

0:25:11.240 --> 0:25:13.520
<v Speaker 5>don't want to play that song anymore, like you used

0:25:13.520 --> 0:25:16.480
<v Speaker 5>to sing such a good I believe from Book of Foreman,

0:25:16.880 --> 0:25:18.560
<v Speaker 5>And when Floyd was just like I don't want to

0:25:18.640 --> 0:25:21.879
<v Speaker 5>do it right like I remember it, and he was,

0:25:21.880 --> 0:25:25.520
<v Speaker 5>and we're like, great Floyd copy that, Yes, stood, Yes, understood.

0:25:25.640 --> 0:25:29.600
<v Speaker 8>Floyd is so loving. He is he has so much

0:25:29.640 --> 0:25:33.000
<v Speaker 8>care for us, Like I just know, I feel so comforted.

0:25:33.320 --> 0:25:33.919
<v Speaker 10>Are you crying?

0:25:34.119 --> 0:25:37.720
<v Speaker 8>I'm not crying, I'm just he just reminds me of

0:25:37.960 --> 0:25:38.920
<v Speaker 8>my time in the military.

0:25:39.200 --> 0:25:40.800
<v Speaker 1>Oh my god, oh you.

0:25:42.400 --> 0:25:44.120
<v Speaker 2>National tour, My national tour.

0:25:44.200 --> 0:25:47.760
<v Speaker 8>He international love Floyd, and I can tell that he

0:25:47.800 --> 0:25:51.400
<v Speaker 8>loves me too. It's the way he grabs me when

0:25:51.400 --> 0:25:54.479
<v Speaker 8>I walk by, and it's the way he embraces me

0:25:54.720 --> 0:25:57.880
<v Speaker 8>when I'm near the piano really tight for long. It's

0:25:57.920 --> 0:25:59.760
<v Speaker 8>like it's not like just like a it's not a

0:25:59.800 --> 0:26:02.159
<v Speaker 8>quick cock is like quite so different.

0:26:02.200 --> 0:26:04.399
<v Speaker 10>He's so different to me. He's mean to me. I

0:26:04.560 --> 0:26:07.959
<v Speaker 10>never Oh, he's like ugh in a way, Yeah, that's

0:26:08.320 --> 0:26:10.159
<v Speaker 10>I mean, it's offended. Every time I sing Here's to

0:26:10.200 --> 0:26:15.840
<v Speaker 10>the Ladies who lunch. I sing that song from a company, Yeah, yeah,

0:26:15.840 --> 0:26:18.399
<v Speaker 10>that's Fay, and he just goes He's kind of like

0:26:18.440 --> 0:26:19.000
<v Speaker 10>this the whole time.

0:26:19.720 --> 0:26:20.639
<v Speaker 4>You know what's funny about that.

0:26:20.840 --> 0:26:23.000
<v Speaker 11>I've seen it that you sing that song to stop

0:26:23.040 --> 0:26:25.520
<v Speaker 11>people from eating, Like it's too literal, like they want

0:26:25.560 --> 0:26:28.239
<v Speaker 11>to distraction from Yes, oh, I don't want to hear

0:26:28.240 --> 0:26:30.199
<v Speaker 11>a song about lunch while I'm eating to.

0:26:30.560 --> 0:26:33.800
<v Speaker 2>The ladies who lunch.

0:26:34.760 --> 0:26:35.919
<v Speaker 9>Oh, I love that.

0:26:36.240 --> 0:26:38.480
<v Speaker 5>I think I think Floyd doesn't like it because you're

0:26:38.520 --> 0:26:40.520
<v Speaker 5>You're one of those performers that only wants to stand

0:26:40.520 --> 0:26:41.280
<v Speaker 5>on top of the piano.

0:26:41.400 --> 0:26:43.560
<v Speaker 10>Yes, I want to be on that piano, giving it

0:26:43.640 --> 0:26:44.280
<v Speaker 10>my all.

0:26:44.359 --> 0:26:46.280
<v Speaker 7>And you want to be on the keys too.

0:26:46.280 --> 0:26:47.960
<v Speaker 1>Yes, and I want to be on the keys, giving

0:26:48.000 --> 0:26:48.679
<v Speaker 1>it my feet.

0:26:50.080 --> 0:26:52.000
<v Speaker 5>We use all parts of the restaurant. If you've never

0:26:52.080 --> 0:26:54.200
<v Speaker 5>come to Wishboneburger, like sometimes.

0:26:53.920 --> 0:26:55.840
<v Speaker 10>Hanging from the balcony.

0:26:55.960 --> 0:27:00.439
<v Speaker 5>Literally like you girl, you are always singing from the kitchen.

0:27:00.640 --> 0:27:01.440
<v Speaker 4>Yes, I sing.

0:27:01.480 --> 0:27:04.040
<v Speaker 3>I've grown accustomed to her smile from my fair lady

0:27:04.040 --> 0:27:04.760
<v Speaker 3>from the kitchen.

0:27:06.880 --> 0:27:09.440
<v Speaker 4>So if you started hearing me going, I've grown accustomed

0:27:09.440 --> 0:27:12.240
<v Speaker 4>to her face or whatever that song is.

0:27:13.320 --> 0:27:15.400
<v Speaker 6>I remember the first time you died to do that.

0:27:15.400 --> 0:27:17.879
<v Speaker 6>The chef was so angry, was.

0:27:18.119 --> 0:27:20.280
<v Speaker 10>So mad you didn't clear. That's so, but that's like

0:27:20.320 --> 0:27:21.320
<v Speaker 10>why we're punk Rocks.

0:27:21.359 --> 0:27:23.960
<v Speaker 11>And absolutely honestly, Rodrigo needs to come to terms of

0:27:23.960 --> 0:27:24.679
<v Speaker 11>where he works.

0:27:25.000 --> 0:27:26.879
<v Speaker 4>Okay, he works of singing.

0:27:26.920 --> 0:27:30.320
<v Speaker 8>The dear plugs are a little much.

0:27:31.040 --> 0:27:34.359
<v Speaker 7>My favorite is heard aloud to clear.

0:27:34.200 --> 0:27:35.800
<v Speaker 9>Rodri We have to tell it.

0:27:36.000 --> 0:27:41.120
<v Speaker 8>We have to talk about my signature song, feed me Seymour. Yes,

0:27:41.240 --> 0:27:43.480
<v Speaker 8>I said at one of the tables, I pretend to

0:27:43.560 --> 0:27:45.359
<v Speaker 8>be at one of the tables, and I love.

0:27:45.280 --> 0:27:47.440
<v Speaker 9>The tables as reserved and no one knows why.

0:27:47.560 --> 0:27:49.879
<v Speaker 2>And I'm away and I'm like, I have a fork

0:27:49.960 --> 0:27:50.880
<v Speaker 2>and knife and I'm like.

0:27:55.520 --> 0:27:58.080
<v Speaker 11>Well, and here's what's crazy watching Tristan did you have

0:27:58.160 --> 0:28:00.000
<v Speaker 11>to go? There's so many videos of this on TikTok.

0:28:00.480 --> 0:28:04.520
<v Speaker 3>He sings the song and then someone will shove food

0:28:04.520 --> 0:28:05.680
<v Speaker 3>in your mouth and you never miss it.

0:28:05.760 --> 0:28:06.840
<v Speaker 2>Note I don't stop singing.

0:28:06.920 --> 0:28:08.119
<v Speaker 9>It's literally crazy.

0:28:08.200 --> 0:28:14.320
<v Speaker 2>You put it in your cheek. Secret, A little secret.

0:28:14.359 --> 0:28:14.760
<v Speaker 10>Tell you.

0:28:17.720 --> 0:28:18.040
<v Speaker 1>Honestly.

0:28:18.119 --> 0:28:19.800
<v Speaker 9>Okay, we're talking about our favorite times.

0:28:20.080 --> 0:28:22.520
<v Speaker 5>I love going in where the hostess stand is, where

0:28:22.520 --> 0:28:24.639
<v Speaker 5>all the people are waiting for tables and doing.

0:28:24.520 --> 0:28:26.840
<v Speaker 9>God, I hope I get it. I hope I get it.

0:28:27.200 --> 0:28:28.679
<v Speaker 9>How many people are they seated?

0:28:29.640 --> 0:28:31.399
<v Speaker 1>How many boys, how many moms.

0:28:31.560 --> 0:28:32.960
<v Speaker 9>How many how many moms?

0:28:33.160 --> 0:28:34.639
<v Speaker 7>How many moms?

0:28:35.160 --> 0:28:37.080
<v Speaker 3>There was a three month window where punch Drunk was

0:28:37.080 --> 0:28:40.000
<v Speaker 3>in charge of the of our diner. And they're really

0:28:40.040 --> 0:28:42.400
<v Speaker 3>known for sleep no more immersive stuff, So that has

0:28:42.400 --> 0:28:44.160
<v Speaker 3>some really cool, interesting immersive stuff.

0:28:44.360 --> 0:28:46.120
<v Speaker 5>Oh Dinah, when you did the Wizard and I from

0:28:46.160 --> 0:28:49.800
<v Speaker 5>the Hostess stand, amazing And that was like, first of all,

0:28:50.000 --> 0:28:50.920
<v Speaker 5>never heard it in that key?

0:28:51.280 --> 0:28:54.840
<v Speaker 6>Crazy, No, it's a key that no one's ever done it.

0:28:54.840 --> 0:29:00.320
<v Speaker 6>It's yes, that's it and musical note no one's done.

0:29:00.960 --> 0:29:03.080
<v Speaker 1>Give us a little taste of it. You can't set

0:29:03.160 --> 0:29:04.959
<v Speaker 1>up that and not give us a little taste.

0:29:05.160 --> 0:29:08.880
<v Speaker 7>It's the wizard and I there is.

0:29:10.760 --> 0:29:15.080
<v Speaker 8>This and the song is kind of and the melody

0:29:15.120 --> 0:29:15.720
<v Speaker 8>is also different.

0:29:16.760 --> 0:29:17.680
<v Speaker 7>I love when we immerse.

0:29:17.800 --> 0:29:20.760
<v Speaker 6>I love when when when we put when we put

0:29:20.800 --> 0:29:24.320
<v Speaker 6>people on the you know the catering trays, the trays

0:29:24.360 --> 0:29:26.720
<v Speaker 6>that hold not to drinks, but all of the plates,

0:29:27.000 --> 0:29:28.520
<v Speaker 6>and we put them on them, and then they do

0:29:28.680 --> 0:29:32.400
<v Speaker 6>define gravity on the trays. And we always we know

0:29:32.480 --> 0:29:35.000
<v Speaker 6>when we call for hands, it means we need a

0:29:35.040 --> 0:29:37.640
<v Speaker 6>lot of hands to lift a lady up there.

0:29:38.360 --> 0:29:40.560
<v Speaker 9>Hands speaking of we should talk.

0:29:40.480 --> 0:29:44.360
<v Speaker 5>About whoa we lost it for a second their hands,

0:29:44.400 --> 0:29:46.160
<v Speaker 5>hands hand corner.

0:29:46.240 --> 0:29:50.880
<v Speaker 10>Actually, I wanted to bring up I just wanted to

0:29:50.920 --> 0:29:56.640
<v Speaker 10>say genuinely because because I'm not leaving, Sam, I'm not leaving,

0:29:57.080 --> 0:30:02.280
<v Speaker 10>don't I'm not. It's only for a day or two.

0:30:03.280 --> 0:30:04.160
<v Speaker 10>It's only for a day.

0:30:04.680 --> 0:30:05.320
<v Speaker 2>What is it?

0:30:06.360 --> 0:30:11.200
<v Speaker 10>I am the new face of Peloton Underwear and.

0:30:11.160 --> 0:30:14.920
<v Speaker 6>It's only for it's only for a day.

0:30:15.320 --> 0:30:16.720
<v Speaker 7>You're a spokesperson for a day.

0:30:16.920 --> 0:30:18.200
<v Speaker 10>I'm a spokes version for a day.

0:30:18.440 --> 0:30:21.440
<v Speaker 2>I'm really proud. It's a non union photo shoot.

0:30:21.520 --> 0:30:23.040
<v Speaker 9>Peloton has closed.

0:30:22.720 --> 0:30:24.840
<v Speaker 10>Yes, And so I put on the underwear and it

0:30:24.840 --> 0:30:28.560
<v Speaker 10>says Peloton underwear. And I'm kind of spreading my cheeks

0:30:29.760 --> 0:30:32.120
<v Speaker 10>and it says and it's gonna are.

0:30:32.000 --> 0:30:33.040
<v Speaker 7>You spreading.

0:30:34.120 --> 0:30:39.480
<v Speaker 1>To show show the rage of the underwear?

0:30:39.960 --> 0:30:42.360
<v Speaker 10>Yeah, and you say, imagine these on your bike seat?

0:30:42.560 --> 0:30:48.440
<v Speaker 6>What that's what we say.

0:30:50.000 --> 0:30:50.720
<v Speaker 7>The bike seat.

0:30:52.080 --> 0:30:54.760
<v Speaker 10>The idea is like it's like it's like a photo, right,

0:30:54.760 --> 0:30:56.280
<v Speaker 10>but the idea is like people are gonna be looking

0:30:56.320 --> 0:30:59.080
<v Speaker 10>at and like, dang, I'm always so uncomfortable on my

0:30:59.120 --> 0:31:00.840
<v Speaker 10>bike seat on my Pellot time. And you see this

0:31:00.920 --> 0:31:03.360
<v Speaker 10>and you go, dang, imagine you on your bike seat.

0:31:03.600 --> 0:31:05.720
<v Speaker 6>Is just weird that they're centering the bike seat and

0:31:05.800 --> 0:31:08.320
<v Speaker 6>not your own butt, Like, do you like imagine these

0:31:08.360 --> 0:31:08.840
<v Speaker 6>on your butt?

0:31:09.080 --> 0:31:10.400
<v Speaker 7>Did you anyway.

0:31:11.000 --> 0:31:13.440
<v Speaker 4>Where the email came from? Was it a Gmail? Was

0:31:13.440 --> 0:31:14.560
<v Speaker 4>it a corporate email?

0:31:14.760 --> 0:31:16.280
<v Speaker 1>It was a dot net email.

0:31:17.080 --> 0:31:22.080
<v Speaker 10>It was Peloton, dot e EU, dot Mongolia dot net.

0:31:22.320 --> 0:31:25.440
<v Speaker 2>Oh wow, a European and Asian tune.

0:31:26.640 --> 0:31:30.000
<v Speaker 6>I'm so glad Mongolia finally got in the euro.

0:31:31.760 --> 0:31:33.800
<v Speaker 1>It's been they've been telling you what I'm around the.

0:31:35.920 --> 0:31:39.360
<v Speaker 5>Big sounds to cover your shift because you know, on

0:31:39.400 --> 0:31:40.520
<v Speaker 5>Tuesdays I have book club.

0:31:40.680 --> 0:31:42.600
<v Speaker 10>Well this is and I didn't want to bring it

0:31:42.680 --> 0:31:43.800
<v Speaker 10>up because it's hard for me to talk.

0:31:43.720 --> 0:31:44.920
<v Speaker 9>About But let's stop burying the lead.

0:31:45.000 --> 0:31:47.840
<v Speaker 10>Just say it what and I can say, I can

0:31:47.880 --> 0:31:50.040
<v Speaker 10>say no, I can turn it down. But will somebody

0:31:50.080 --> 0:31:51.959
<v Speaker 10>cover my shift on Tuesday night?

0:31:52.280 --> 0:31:53.120
<v Speaker 2>This is ridiculous.

0:31:53.200 --> 0:31:56.320
<v Speaker 9>It's fine, you know the deal.

0:31:56.440 --> 0:31:58.240
<v Speaker 11>If I cover your shift, you have to do harmonies

0:31:58.280 --> 0:32:00.880
<v Speaker 11>on my song. You have to do harmonies on it.

0:32:00.920 --> 0:32:03.640
<v Speaker 2>They're so hard. You ask for so many rehearsals to

0:32:03.640 --> 0:32:04.120
<v Speaker 2>get it right.

0:32:04.440 --> 0:32:06.960
<v Speaker 4>I'm sorry, we need twelve rehearsals.

0:32:07.280 --> 0:32:09.240
<v Speaker 5>I can cover your ship from four to four thirty,

0:32:09.360 --> 0:32:11.720
<v Speaker 5>and then at four point thirty I'm doing a dance

0:32:11.800 --> 0:32:13.880
<v Speaker 5>class that's based on.

0:32:13.840 --> 0:32:14.240
<v Speaker 10>You, Gil.

0:32:14.480 --> 0:32:17.920
<v Speaker 2>I can't do Tuesday. Jeremy Jordan is teaching a master class.

0:32:18.040 --> 0:32:18.640
<v Speaker 1>Are you going?

0:32:18.920 --> 0:32:20.840
<v Speaker 2>Yes, it's the whole day, the whole day. It's a

0:32:20.840 --> 0:32:21.840
<v Speaker 2>twelve hour master.

0:32:21.640 --> 0:32:22.520
<v Speaker 1>What's up about it?

0:32:22.640 --> 0:32:23.200
<v Speaker 7>In person?

0:32:23.720 --> 0:32:25.200
<v Speaker 2>It's on No, it's on zoom.

0:32:25.200 --> 0:32:26.600
<v Speaker 10>But I have to be there with all twelve hour

0:32:26.720 --> 0:32:28.880
<v Speaker 10>masterclass camera on masterclass.

0:32:29.400 --> 0:32:30.680
<v Speaker 4>Your schedules watching?

0:32:32.240 --> 0:32:34.880
<v Speaker 5>You are watching Jeremy Jordan's mask's scheduled.

0:32:34.920 --> 0:32:38.560
<v Speaker 8>I have to watch him twelve hours class. Okay, don't

0:32:38.880 --> 0:32:40.200
<v Speaker 8>on Tuesday. I won't get it done.

0:32:40.520 --> 0:32:41.640
<v Speaker 9>Dinah, what are you doing Tuesday?

0:32:41.880 --> 0:32:43.400
<v Speaker 7>I have to go to the doctor.

0:32:43.720 --> 0:32:45.160
<v Speaker 9>Okay, we can't fuck with that.

0:32:45.320 --> 0:32:46.760
<v Speaker 2>I have to go to the doctor.

0:32:50.000 --> 0:32:50.360
<v Speaker 10>Doctor.

0:32:52.320 --> 0:32:55.760
<v Speaker 7>No, but I think I can wait wait wait wait,

0:32:55.800 --> 0:32:58.200
<v Speaker 7>there's something that's been happening with my arms that's different,

0:32:58.280 --> 0:33:01.920
<v Speaker 7>and can we see her almost zero? Yeah, yeah, so

0:33:02.000 --> 0:33:02.480
<v Speaker 7>there's something.

0:33:02.520 --> 0:33:04.480
<v Speaker 6>There's something I've been noticing, like a twitch, and I

0:33:04.520 --> 0:33:12.840
<v Speaker 6>don't know if maybe you can see it? That's your

0:33:13.080 --> 0:33:15.360
<v Speaker 6>what are you talking about?

0:33:16.640 --> 0:33:20.080
<v Speaker 9>Christmas Tree a week soon? This is okay?

0:33:20.280 --> 0:33:22.800
<v Speaker 7>Well, well Jesus Christ, Okay, we go.

0:33:22.800 --> 0:33:25.640
<v Speaker 10>To the doctor. You're not covering my ship, you know what.

0:33:25.760 --> 0:33:26.480
<v Speaker 1>I'm just gonna say no.

0:33:27.000 --> 0:33:31.520
<v Speaker 10>I'm just gonna say no because honestly, like not every opportunity,

0:33:31.760 --> 0:33:34.440
<v Speaker 10>like I'm waiting for that big one I'm waiting for

0:33:34.680 --> 0:33:35.640
<v Speaker 10>to get funding for.

0:33:35.640 --> 0:33:36.720
<v Speaker 2>Me, bigger than Peloton.

0:33:37.040 --> 0:33:39.760
<v Speaker 1>Yea, I think we're good.

0:33:42.120 --> 0:33:44.360
<v Speaker 3>From two to four, I'm sitting in Grand Central Terminal

0:33:44.360 --> 0:33:47.400
<v Speaker 3>to see I'm Sharry Scott Is to get with her husband.

0:33:48.480 --> 0:33:51.480
<v Speaker 4>Other than that, I.

0:33:51.440 --> 0:33:54.120
<v Speaker 10>Remember, you're you're actually going to the Stranger Things New

0:33:54.200 --> 0:33:55.280
<v Speaker 10>Music Musical.

0:33:55.880 --> 0:33:58.040
<v Speaker 4>I'm going to Stranger Things.

0:33:58.080 --> 0:34:01.680
<v Speaker 3>The first shadow, the first music note that's literally amazing

0:34:01.880 --> 0:34:03.080
<v Speaker 3>of the prequel.

0:34:03.360 --> 0:34:05.960
<v Speaker 4>I'm so excited and I'm going to be there.

0:34:06.160 --> 0:34:06.640
<v Speaker 10>That's great.

0:34:06.800 --> 0:34:07.480
<v Speaker 1>Rumor has it?

0:34:07.880 --> 0:34:10.640
<v Speaker 4>No Jimmy Campbell power.

0:34:10.760 --> 0:34:12.920
<v Speaker 10>Is coming to it.

0:34:13.080 --> 0:34:16.839
<v Speaker 7>No, he might be bringing his.

0:34:16.960 --> 0:34:22.320
<v Speaker 8>O pair Wow, oh he still has He's like thirty.

0:34:23.320 --> 0:34:26.200
<v Speaker 4>There it is for him. Here's a rumor the Jimmy

0:34:26.280 --> 0:34:30.360
<v Speaker 4>Campbell Bauer is a nine month old baby.

0:34:30.520 --> 0:34:31.520
<v Speaker 1>He's such a good actor.

0:34:31.560 --> 0:34:32.040
<v Speaker 10>If he is.

0:34:32.239 --> 0:34:33.200
<v Speaker 9>Who told you that?

0:34:33.560 --> 0:34:35.640
<v Speaker 4>I read it on the dark Web.

0:34:36.040 --> 0:34:37.720
<v Speaker 2>That's why his skin is so smooth.

0:34:38.239 --> 0:34:38.520
<v Speaker 10>Read it?

0:34:39.520 --> 0:34:42.840
<v Speaker 6>Yeah, read it the dark web, Reddit read it or

0:34:42.920 --> 0:34:44.640
<v Speaker 6>slash Broadway News.

0:34:44.840 --> 0:34:47.040
<v Speaker 5>Okay, I'm glad you're bringing this up because maybe we

0:34:47.040 --> 0:34:48.360
<v Speaker 5>can do a little bit of a trade. Because I

0:34:48.360 --> 0:34:50.200
<v Speaker 5>wanted to see if someone could take my shift at

0:34:50.200 --> 0:34:51.239
<v Speaker 5>our hand for ham Show.

0:34:51.320 --> 0:34:52.239
<v Speaker 1>What did you where?

0:34:52.280 --> 0:34:53.960
<v Speaker 9>We passed out ham Sandwich is on the street and.

0:34:53.960 --> 0:34:57.480
<v Speaker 4>Saying Hamton, saying Hamilton had Hambilton.

0:34:57.920 --> 0:35:01.280
<v Speaker 5>It's all saying Hamilton if you cack a sandwich. I

0:35:01.360 --> 0:35:04.680
<v Speaker 5>actually wanted to go see. My friend is doing a

0:35:04.760 --> 0:35:07.279
<v Speaker 5>my friend is doing a read through of a new

0:35:07.360 --> 0:35:10.320
<v Speaker 5>musical that's supposed to be a play in New Hampshire.

0:35:11.040 --> 0:35:13.280
<v Speaker 1>What how do they get funding? How did that happen?

0:35:14.239 --> 0:35:14.439
<v Speaker 4>Yeah?

0:35:14.440 --> 0:35:16.120
<v Speaker 9>Maybe I can like we could link up.

0:35:16.320 --> 0:35:17.520
<v Speaker 4>Yeah, you could stay at my place.

0:35:18.440 --> 0:35:19.600
<v Speaker 9>It's just like a two hour reading.

0:35:19.640 --> 0:35:21.720
<v Speaker 4>But I'm more than welcome to stay in my place.

0:35:21.960 --> 0:35:29.719
<v Speaker 8>Thank you you have an extra bedroom.

0:35:29.920 --> 0:35:35.320
<v Speaker 6>I oh, because this has been so wonderful.

0:35:55.360 --> 0:35:57.000
<v Speaker 5>All I meant to say is I think, like what

0:35:57.040 --> 0:35:59.120
<v Speaker 5>people don't realize, Yeah, we can switch.

0:35:59.120 --> 0:36:00.480
<v Speaker 10>Well, this is what we're trying to say. It's like

0:36:00.560 --> 0:36:02.879
<v Speaker 10>it's hard to juggle both things.

0:36:02.680 --> 0:36:03.759
<v Speaker 9>App the same time.

0:36:04.000 --> 0:36:08.919
<v Speaker 2>Literally, I love this job. I love it.

0:36:08.920 --> 0:36:09.520
<v Speaker 1>It's so fun.

0:36:09.520 --> 0:36:13.120
<v Speaker 10>I love all my best friends in the literal world

0:36:13.280 --> 0:36:17.680
<v Speaker 10>taking on this big ass applecket together. But also we

0:36:17.760 --> 0:36:20.080
<v Speaker 10>need to make sure that we're not tied to this

0:36:20.120 --> 0:36:21.960
<v Speaker 10>place so we can do bigger things. You know.

0:36:22.120 --> 0:36:24.279
<v Speaker 5>It's about like making sure the work we're doing is

0:36:24.560 --> 0:36:25.800
<v Speaker 5>tip top shape.

0:36:26.520 --> 0:36:28.440
<v Speaker 9>But also we can leave it any second.

0:36:28.680 --> 0:36:30.560
<v Speaker 8>But it's also like we have to look at the

0:36:30.560 --> 0:36:33.880
<v Speaker 8>good parts of this job too, Like we are like

0:36:34.520 --> 0:36:39.000
<v Speaker 8>kind of famous away like shows come and go, but

0:36:39.080 --> 0:36:41.160
<v Speaker 8>like this restaurant has been here for what like thirty

0:36:41.280 --> 0:36:41.680
<v Speaker 8>years ago.

0:36:42.320 --> 0:36:45.560
<v Speaker 5>This has been long been longer running show than some

0:36:45.640 --> 0:36:46.479
<v Speaker 5>of Broadway's shows.

0:36:46.640 --> 0:36:50.200
<v Speaker 7>Literally, most like most we are an institution.

0:36:50.719 --> 0:36:54.600
<v Speaker 6>This is a very important place for very important art,

0:36:54.680 --> 0:36:56.919
<v Speaker 6>and I'm glad that everyone here sees that.

0:36:56.960 --> 0:37:00.840
<v Speaker 10>Gosh Dinah is so andy right now, you're being to

0:37:04.200 --> 0:37:04.680
<v Speaker 10>be honest.

0:37:04.800 --> 0:37:06.720
<v Speaker 7>I don't know what it means.

0:37:06.320 --> 0:37:08.000
<v Speaker 4>And it doesn't mean anything. Is what's crazy?

0:37:08.120 --> 0:37:11.680
<v Speaker 6>Well, I have a limited amount of capacity that I can.

0:37:12.200 --> 0:37:15.960
<v Speaker 7>I can for new information. Sure do I have to

0:37:16.040 --> 0:37:16.359
<v Speaker 7>know this?

0:37:16.600 --> 0:37:20.200
<v Speaker 10>No, you're camp for that, You're camp for that, camp

0:37:20.239 --> 0:37:21.480
<v Speaker 10>for that, literally camp for that.

0:37:21.640 --> 0:37:25.280
<v Speaker 6>I know what that means. Then I feel good good.

0:37:26.040 --> 0:37:29.520
<v Speaker 11>I want to ask, what is a dream number you

0:37:29.560 --> 0:37:31.919
<v Speaker 11>guys all want to do if everything goes your way?

0:37:31.960 --> 0:37:34.800
<v Speaker 3>I want you to describe the performance. I want to

0:37:34.840 --> 0:37:37.600
<v Speaker 3>hear what you would do, how you would come out,

0:37:37.680 --> 0:37:40.000
<v Speaker 3>what would happen, and even what the audience would react.

0:37:40.239 --> 0:37:46.919
<v Speaker 5>Visionary, visionary. I'm always hearing this family meal, I'm saying,

0:37:46.920 --> 0:37:47.560
<v Speaker 5>I always.

0:37:47.280 --> 0:37:50.040
<v Speaker 3>Hear family I'm so sick of this food. I can't

0:37:50.040 --> 0:37:50.879
<v Speaker 3>do family meal again.

0:37:50.960 --> 0:37:51.959
<v Speaker 1>Come on, lentil soup.

0:37:53.000 --> 0:37:55.120
<v Speaker 9>It's the best thing I ever lentil soup and celsius.

0:37:55.200 --> 0:37:57.759
<v Speaker 6>I look that they always just and you know that

0:37:57.880 --> 0:38:00.560
<v Speaker 6>family meal is just whatever they have leg around that's

0:38:00.600 --> 0:38:01.560
<v Speaker 6>about to go bad.

0:38:01.600 --> 0:38:04.360
<v Speaker 7>And it's always lentil soup. It's always been that.

0:38:04.680 --> 0:38:07.960
<v Speaker 8>Okay, you guys, you're forgeting about the lentil soup caesadillas, yes.

0:38:08.239 --> 0:38:10.719
<v Speaker 5>See, and that's the visionary and every family meal we

0:38:10.760 --> 0:38:12.000
<v Speaker 5>get to hear like stuff come off with.

0:38:12.000 --> 0:38:14.960
<v Speaker 2>Tiggan's brains that I'm like fusion, baby, that's fusion.

0:38:15.400 --> 0:38:16.360
<v Speaker 10>Okay, what's your dream?

0:38:16.840 --> 0:38:20.000
<v Speaker 2>Okay, I really want to do be our guest. Like

0:38:20.040 --> 0:38:22.120
<v Speaker 2>we're already serving food. You guys, how are.

0:38:21.960 --> 0:38:22.960
<v Speaker 9>We tried this?

0:38:23.120 --> 0:38:25.440
<v Speaker 5>Remember they've tried this and it's like a food safety

0:38:25.480 --> 0:38:28.480
<v Speaker 5>thing because we can't use we can't use like plates

0:38:28.520 --> 0:38:31.960
<v Speaker 5>and stuff like as choreo and as a like a serving.

0:38:31.760 --> 0:38:34.360
<v Speaker 2>Right, but it is though that plate is a plate.

0:38:34.840 --> 0:38:36.640
<v Speaker 7>So we tried this. Nineteen eighty six.

0:38:36.800 --> 0:38:40.839
<v Speaker 6>The health inspector came in during the chorus and they

0:38:40.880 --> 0:38:43.480
<v Speaker 6>saw that these plates were used for singing, and they said,

0:38:43.520 --> 0:38:44.280
<v Speaker 6>that's not safe.

0:38:44.840 --> 0:38:47.799
<v Speaker 11>Health inspectors don't understand the concept of props. It's so

0:38:47.920 --> 0:38:52.279
<v Speaker 11>hard to teach them. This is a prop for a show. Yes,

0:38:52.400 --> 0:38:54.839
<v Speaker 11>this is a dish to be eaten from right.

0:38:54.880 --> 0:38:55.719
<v Speaker 4>There's a difference.

0:38:56.360 --> 0:39:02.279
<v Speaker 10>This chicken is plastic because it's a prop. Pah, we're

0:39:02.360 --> 0:39:05.719
<v Speaker 10>not going to serve this like I don't eat plastic.

0:39:06.200 --> 0:39:08.640
<v Speaker 10>I know the difference in real chicken and plastic chicken.

0:39:09.200 --> 0:39:11.000
<v Speaker 9>How would you cast it? If you don't mind me asking?

0:39:11.280 --> 0:39:18.600
<v Speaker 8>Okay, obviously bell uh lemire, yes, yes, perfect.

0:39:19.200 --> 0:39:23.360
<v Speaker 2>I think Dinah's Bob Bett. I think hashtag dynasty.

0:39:23.719 --> 0:39:24.880
<v Speaker 9>She doesn't have to get on her knees.

0:39:24.880 --> 0:39:27.160
<v Speaker 7>I'm in no, I can get on my knees.

0:39:27.760 --> 0:39:28.239
<v Speaker 9>You don't have to.

0:39:28.320 --> 0:39:30.040
<v Speaker 2>There's the high kicks with the other feathers and beer.

0:39:30.280 --> 0:39:37.719
<v Speaker 2>Yeah I could already, right, you can be closworth. How

0:39:37.719 --> 0:39:40.919
<v Speaker 2>about your clocksworth? Yeah, sure, cocksworth, thank you?

0:39:41.239 --> 0:39:43.560
<v Speaker 10>Yeah, I don't. I just want to be the writer.

0:39:44.440 --> 0:39:47.560
<v Speaker 10>What the idea. I'll be like pretending like I'm typing

0:39:47.600 --> 0:39:48.040
<v Speaker 10>the number.

0:39:48.960 --> 0:39:51.080
<v Speaker 7>You're the author of Beauty and the Beast as it's

0:39:51.120 --> 0:39:54.680
<v Speaker 7>happening like that.

0:39:55.280 --> 0:39:57.360
<v Speaker 1>So it's like a just cast me in whatever.

0:39:57.560 --> 0:39:59.320
<v Speaker 10>I guess. I guess. I can't make requests.

0:39:59.640 --> 0:40:01.280
<v Speaker 9>I know who Floyd's playing little priest.

0:40:01.760 --> 0:40:06.320
<v Speaker 10>Oh my god, Floyd is so bad to me and rude.

0:40:07.000 --> 0:40:08.440
<v Speaker 9>Okay, dream numbers, what about you?

0:40:08.480 --> 0:40:11.800
<v Speaker 5>What about you don't ran on my parfade and perfect

0:40:12.040 --> 0:40:14.440
<v Speaker 5>parfaid on my barfaide.

0:40:14.600 --> 0:40:16.880
<v Speaker 3>This is something we would only do at clothes and honestly,

0:40:17.200 --> 0:40:20.560
<v Speaker 3>we're open, sorry, because in the morning, everyone's coming in

0:40:20.680 --> 0:40:22.520
<v Speaker 3>ordering a parfe at a coffee.

0:40:22.480 --> 0:40:24.160
<v Speaker 4>And sometimes I'm the only one.

0:40:24.160 --> 0:40:26.200
<v Speaker 3>I'm the only one that opens up, and I have

0:40:26.239 --> 0:40:29.880
<v Speaker 3>to play piano by myself. And also, you know, I

0:40:30.000 --> 0:40:34.680
<v Speaker 3>just imagine, you know, just belting for one scraggly old

0:40:34.760 --> 0:40:38.440
<v Speaker 3>guy sitting in the corner, just munching down on his parfe,

0:40:39.000 --> 0:40:41.560
<v Speaker 3>just going crazy and just having this moment where the

0:40:41.680 --> 0:40:44.359
<v Speaker 3>song ends when a whole group of kids comes in

0:40:44.960 --> 0:40:47.319
<v Speaker 3>and they don't know that I just had this amazing moment,

0:40:47.360 --> 0:40:48.520
<v Speaker 3>but this old man he does.

0:40:48.760 --> 0:40:49.160
<v Speaker 9>Wow.

0:40:49.280 --> 0:40:50.920
<v Speaker 10>Because that's what you got to ask yourself, Like is

0:40:50.960 --> 0:40:53.680
<v Speaker 10>your big number a show stopper or is it a

0:40:53.719 --> 0:40:55.040
<v Speaker 10>tear jerker? Yeah, like that?

0:40:55.160 --> 0:40:57.120
<v Speaker 9>Or is it somewhere in the middle like mine?

0:40:57.200 --> 0:40:57.840
<v Speaker 10>What's yours?

0:40:57.920 --> 0:41:03.960
<v Speaker 5>Cell block, Mango Margarita, WHOA, that's good, cell block Mango Margarita.

0:41:04.440 --> 0:41:08.080
<v Speaker 5>And call me a team player. But just like beer Guest,

0:41:08.320 --> 0:41:10.640
<v Speaker 5>just like Tan, I want to do doing with everybody.

0:41:11.160 --> 0:41:12.480
<v Speaker 5>I want us all and I think we can think

0:41:12.480 --> 0:41:14.080
<v Speaker 5>workshop a little bit if you want. I want us

0:41:14.120 --> 0:41:18.480
<v Speaker 5>all to do monologues like under music while serving the food,

0:41:18.480 --> 0:41:20.640
<v Speaker 5>because sometimes it's like a safety issue. We can't sing

0:41:20.840 --> 0:41:23.279
<v Speaker 5>and like do table we have like either have a

0:41:23.320 --> 0:41:25.359
<v Speaker 5>singer or the waiter. You can't do both the same time.

0:41:25.640 --> 0:41:28.400
<v Speaker 5>I think with cell block Mango margarita, you could be

0:41:28.480 --> 0:41:31.200
<v Speaker 5>like and there I was, and then bringing the food

0:41:31.280 --> 0:41:34.440
<v Speaker 5>to the customer literally this, and like, I think we

0:41:34.480 --> 0:41:36.640
<v Speaker 5>could do more hands on stuff.

0:41:36.360 --> 0:41:37.000
<v Speaker 2>That makes sense.

0:41:37.320 --> 0:41:42.160
<v Speaker 8>I love speaking of hands on. So you know how

0:41:42.200 --> 0:41:43.680
<v Speaker 8>colorblind casting is a thing?

0:41:43.920 --> 0:41:44.399
<v Speaker 10>No what.

0:41:47.600 --> 0:41:51.440
<v Speaker 6>Alert alert, emergency alert. There's a Patreon you need to

0:41:51.480 --> 0:41:52.200
<v Speaker 6>subscribe to.

0:41:52.280 --> 0:41:53.800
<v Speaker 9>Hold on pause the episode.

0:41:56.120 --> 0:41:58.200
<v Speaker 5>Oh my god, how fun would it be to just

0:41:58.239 --> 0:42:00.520
<v Speaker 5>hang out with us, like maybe a weird time the day,

0:42:00.600 --> 0:42:02.680
<v Speaker 5>like seven am or eleven thirty pm.

0:42:02.880 --> 0:42:04.160
<v Speaker 7>A little peak behind the curtain.

0:42:04.239 --> 0:42:07.040
<v Speaker 6>This episode was recorded between nine to five, but if

0:42:07.040 --> 0:42:09.120
<v Speaker 6>you want to see what we're like after hours, you

0:42:09.200 --> 0:42:10.360
<v Speaker 6>got to join the patreon.

0:42:10.600 --> 0:42:13.760
<v Speaker 5>We'll recap episodes and then also we'll do weird stuff

0:42:13.800 --> 0:42:14.720
<v Speaker 5>like bully Jeremy.

0:42:14.880 --> 0:42:15.880
<v Speaker 9>We bully Jeremy.

0:42:15.960 --> 0:42:18.080
<v Speaker 6>We make him do twelve weeks of dancing in a row.

0:42:18.280 --> 0:42:20.719
<v Speaker 6>We made Patrick write an entire screenplay in one day,

0:42:20.760 --> 0:42:22.160
<v Speaker 6>and we're doing an Oscars draft.

0:42:22.200 --> 0:42:22.879
<v Speaker 2>So come on.

0:42:22.920 --> 0:42:25.160
<v Speaker 9>Bye, it's three bucks. See you there.

0:42:25.320 --> 0:42:25.680
<v Speaker 10>Bye.

0:42:29.040 --> 0:42:30.800
<v Speaker 2>Okay, it's go there, Go there.

0:42:30.719 --> 0:42:31.200
<v Speaker 10>Go there.

0:42:31.320 --> 0:42:33.799
<v Speaker 8>Okay, It's like colorblindcasting is like, we don't care what

0:42:33.880 --> 0:42:34.560
<v Speaker 8>color you are.

0:42:34.640 --> 0:42:35.480
<v Speaker 10>You can play the role.

0:42:36.280 --> 0:42:38.840
<v Speaker 8>So under those rules, I think, but what if I

0:42:38.920 --> 0:42:41.279
<v Speaker 8>was like purple, They literally don't care.

0:42:41.560 --> 0:42:42.879
<v Speaker 2>Purple people are people too.

0:42:43.560 --> 0:42:49.840
<v Speaker 10>You're so true and Dinah is andy color bdcasting.

0:42:50.040 --> 0:42:52.840
<v Speaker 8>I think with this cast we can do run and

0:42:52.960 --> 0:42:57.680
<v Speaker 8>til black, the lat bacon, let us avocado tomatoes, run

0:42:57.760 --> 0:42:58.320
<v Speaker 8>intil black.

0:42:59.320 --> 0:43:01.799
<v Speaker 9>The song's sings, and here the song and see all.

0:43:01.719 --> 0:43:04.919
<v Speaker 8>The black people singing. Attention, color blind. We're color blind, baby.

0:43:05.080 --> 0:43:08.400
<v Speaker 8>It's not reverse. It's just colorblind.

0:43:08.480 --> 0:43:10.760
<v Speaker 2>Colors. Color is color is white.

0:43:10.560 --> 0:43:14.239
<v Speaker 9>People singing that song. Yes, and it's about BLTs.

0:43:14.040 --> 0:43:14.720
<v Speaker 2>Yes, exactly.

0:43:15.280 --> 0:43:20.520
<v Speaker 8>That is so one of bacony of the bacon, from

0:43:20.600 --> 0:43:23.360
<v Speaker 8>berry to the black of the berry to the bacon.

0:43:24.040 --> 0:43:28.320
<v Speaker 5>Baby bacon, bacon, the baby bacon, the bacon, the bacony,

0:43:28.400 --> 0:43:33.000
<v Speaker 5>the ba Bacon's.

0:43:31.280 --> 0:43:36.320
<v Speaker 10>That's so good man, come on, Okay, Well, my dream,

0:43:37.160 --> 0:43:40.520
<v Speaker 10>I guess is I don't think people really see me

0:43:41.000 --> 0:43:43.759
<v Speaker 10>as kind of the serious artist that I want to

0:43:43.800 --> 0:43:46.960
<v Speaker 10>be perceived as. Sometimes, so I would get up on

0:43:47.000 --> 0:43:50.640
<v Speaker 10>the piano, spotlight just me the restaurant kind of like

0:43:50.760 --> 0:43:55.319
<v Speaker 10>comes to an awkward, tense pause because everybody's a little

0:43:55.360 --> 0:43:58.440
<v Speaker 10>uncomfortable with me up there in my beautiful, beautiful blue ground,

0:43:59.160 --> 0:44:03.040
<v Speaker 10>glown down, your blue crown, my group, my blue crown,

0:44:03.080 --> 0:44:11.400
<v Speaker 10>and my blue I sing somewhere that's green leaves, and

0:44:11.880 --> 0:44:16.319
<v Speaker 10>people believe crying somewhere that's green leaves, somewhere that's green

0:44:16.440 --> 0:44:21.680
<v Speaker 10>leaves from Yeah, so it's like like a butterhead. Yeah, yeah,

0:44:21.800 --> 0:44:27.200
<v Speaker 10>like butter or kale or most leaves are green spanach,

0:44:27.920 --> 0:44:32.880
<v Speaker 10>but not radicio. It's necessimally not dazing. And I got

0:44:34.280 --> 0:44:38.759
<v Speaker 10>hashtags specifically not because it's too bitter for me.

0:44:43.160 --> 0:44:44.880
<v Speaker 4>Crazy. I've usually heard it called.

0:44:46.600 --> 0:44:52.360
<v Speaker 10>I've literally only read it, and I really well Italian

0:44:52.480 --> 0:44:55.840
<v Speaker 10>double c is a chest sound, so you think you

0:44:55.880 --> 0:44:58.800
<v Speaker 10>guys are wrong. Anyway, So I was standing there with

0:44:58.880 --> 0:45:01.279
<v Speaker 10>my blue ground and my no I love that and.

0:45:02.160 --> 0:45:07.560
<v Speaker 9>People and your blue crown, the same color crown. It's

0:45:07.600 --> 0:45:08.120
<v Speaker 9>called the ground.

0:45:08.280 --> 0:45:09.160
<v Speaker 1>It's called the ground.

0:45:09.840 --> 0:45:13.400
<v Speaker 10>I bought it at the store and anyway, so everybody's

0:45:13.560 --> 0:45:15.480
<v Speaker 10>just tearing up and crying right when I go, like

0:45:16.920 --> 0:45:25.400
<v Speaker 10>a house is built on a fence somewhere just for me.

0:45:26.480 --> 0:45:33.239
<v Speaker 1>No, I know the song, Yeah, so weird that green.

0:45:36.120 --> 0:45:40.640
<v Speaker 10>That's gonna cry into their spaghetti cry in the spaghetti

0:45:40.680 --> 0:45:45.120
<v Speaker 10>house built think that Wait this is that was embarrassing.

0:45:45.520 --> 0:45:48.000
<v Speaker 10>Sorry you let that out.

0:45:48.400 --> 0:45:49.600
<v Speaker 9>I'm glad you felt safe.

0:45:49.400 --> 0:45:51.399
<v Speaker 10>To do that. Thank you, guys. I love you guys

0:45:51.480 --> 0:45:54.040
<v Speaker 10>so much, and I'm really excited. I'm really excited to

0:45:54.239 --> 0:45:55.040
<v Speaker 10>put this play up.

0:45:55.320 --> 0:45:57.640
<v Speaker 5>Can we talk about when you always bring the bill

0:45:57.880 --> 0:46:02.000
<v Speaker 5>and you sing satisfied from hereton, It's so sassy, it's

0:46:02.080 --> 0:46:06.880
<v Speaker 5>so sad. Honestly, we're a little secret. If you're a

0:46:06.960 --> 0:46:09.880
<v Speaker 5>Karen at our restaurant, you're kind of annoying. We're gonna

0:46:09.920 --> 0:46:12.239
<v Speaker 5>have him come sing satisfied. When you bring the bill,

0:46:12.719 --> 0:46:14.560
<v Speaker 5>you remember this, You remember this never for the most so.

0:46:16.280 --> 0:46:19.480
<v Speaker 1>You never to never be satisfied. You start writing mc gin,

0:46:19.719 --> 0:46:20.479
<v Speaker 1>which is really fun.

0:46:20.800 --> 0:46:22.759
<v Speaker 4>And I was just like, I'm always going, they're leaving,

0:46:22.760 --> 0:46:24.800
<v Speaker 4>and I'm going I'm the one. Who's the one, and

0:46:24.880 --> 0:46:26.160
<v Speaker 4>they're like running out the door.

0:46:27.080 --> 0:46:27.760
<v Speaker 9>I'm the one who.

0:46:29.160 --> 0:46:29.640
<v Speaker 10>I'm the one.

0:46:29.800 --> 0:46:31.560
<v Speaker 2>I'm sorry, but you are the rapper of the of

0:46:31.680 --> 0:46:35.120
<v Speaker 2>the crew. You are the rapper and the colt.

0:46:35.200 --> 0:46:40.160
<v Speaker 10>And what is your dream is?

0:46:41.920 --> 0:46:44.399
<v Speaker 9>And the city is my dream song?

0:46:45.120 --> 0:46:46.600
<v Speaker 7>Well I heard it.

0:46:46.960 --> 0:46:49.800
<v Speaker 6>I heard a song the other day. I heard a

0:46:49.880 --> 0:46:52.719
<v Speaker 6>song the other day, and you know, sometimes we don't

0:46:52.760 --> 0:46:55.080
<v Speaker 6>do strictly Broadway. Sometimes it's a song, it's an old

0:46:55.239 --> 0:46:56.480
<v Speaker 6>jazz standard or something worse.

0:46:56.880 --> 0:46:59.560
<v Speaker 9>For you, lucky lady. Anytime I heard a song the

0:46:59.600 --> 0:47:00.719
<v Speaker 9>other day that made me cry.

0:47:02.160 --> 0:47:06.560
<v Speaker 7>It was called levitating by this woman by the name

0:47:06.600 --> 0:47:07.440
<v Speaker 7>of door Lipa.

0:47:09.120 --> 0:47:09.800
<v Speaker 4>I'm familiar.

0:47:10.239 --> 0:47:13.720
<v Speaker 7>And it goes a little something like this, I've got.

0:47:13.640 --> 0:47:20.759
<v Speaker 6>You oon light, You're my starlight. I need you all night,

0:47:21.640 --> 0:47:27.680
<v Speaker 6>come on, answered me. And oh, and I want to

0:47:27.800 --> 0:47:31.520
<v Speaker 6>do that. I want to do that for all the people,

0:47:32.160 --> 0:47:34.839
<v Speaker 6>for all the people who make me feel like I'm

0:47:34.960 --> 0:47:37.279
<v Speaker 6>levitating each and every night.

0:47:37.760 --> 0:47:41.719
<v Speaker 2>Honestly, you can do it like Papa is in at

0:47:42.160 --> 0:47:43.480
<v Speaker 2>Mulan Rouge.

0:47:44.600 --> 0:47:44.960
<v Speaker 6>Is in.

0:47:45.640 --> 0:47:46.320
<v Speaker 2>Papa is in.

0:47:46.840 --> 0:47:48.160
<v Speaker 7>That's incredible news.

0:47:48.440 --> 0:47:49.480
<v Speaker 10>And it made you cry.

0:47:49.760 --> 0:47:50.920
<v Speaker 2>It made me cry.

0:47:51.800 --> 0:47:55.560
<v Speaker 6>I've felt things I haven't felt in years, not since

0:47:56.080 --> 0:47:59.400
<v Speaker 6>the owner of this restaurant, he and I parted ways.

0:47:59.480 --> 0:48:03.560
<v Speaker 7>Obviously, we don't have to get into buy sad love life.

0:48:03.719 --> 0:48:04.840
<v Speaker 10>But no, let's get into it.

0:48:05.280 --> 0:48:07.839
<v Speaker 4>Let's you kind of we'd love to hear about your

0:48:07.880 --> 0:48:08.520
<v Speaker 4>sad love life.

0:48:08.640 --> 0:48:09.160
<v Speaker 2>We'd love to.

0:48:10.680 --> 0:48:11.760
<v Speaker 7>It's very sad.

0:48:12.280 --> 0:48:13.080
<v Speaker 2>Why is it sad?

0:48:13.200 --> 0:48:13.520
<v Speaker 10>Dinah.

0:48:13.960 --> 0:48:17.880
<v Speaker 6>Well, Harry and I were going to renew our vows

0:48:18.560 --> 0:48:21.880
<v Speaker 6>in the middle of the restaurant, and then he said,

0:48:23.000 --> 0:48:25.360
<v Speaker 6>let me just go out for a pack of smokes.

0:48:26.000 --> 0:48:27.440
<v Speaker 10>Oh, it's a stereotypical thing.

0:48:29.920 --> 0:48:33.840
<v Speaker 7>And he got cobbled by a Times Square Elmo.

0:48:34.800 --> 0:48:35.240
<v Speaker 1>Cobbled.

0:48:38.239 --> 0:48:40.520
<v Speaker 4>They put his feet together with hammers.

0:48:43.280 --> 0:48:43.680
<v Speaker 10>Cobbled.

0:48:44.920 --> 0:48:49.959
<v Speaker 6>They turned my husband into a big show, a big

0:48:50.080 --> 0:48:52.560
<v Speaker 6>show that stood in the middle of Tomes Square.

0:48:54.360 --> 0:48:56.720
<v Speaker 10>Was never going to leave you into his shoe.

0:48:57.560 --> 0:49:00.600
<v Speaker 6>No, he had a terrible, filthy smoking but I didn't

0:49:00.600 --> 0:49:03.160
<v Speaker 6>doubt that part of it. He got waked but outside

0:49:03.200 --> 0:49:06.520
<v Speaker 6>and turned into a shoe. But that is New York City.

0:49:07.280 --> 0:49:08.160
<v Speaker 10>That's what the city.

0:49:09.600 --> 0:49:11.600
<v Speaker 1>I love your story about New York in the eighties.

0:49:13.120 --> 0:49:16.000
<v Speaker 2>The shoe crisis ripped through New York City in the eighties.

0:49:16.239 --> 0:49:17.920
<v Speaker 4>You describe it and then say you miss it, and

0:49:17.960 --> 0:49:19.319
<v Speaker 4>I go, I don't think I would.

0:49:19.719 --> 0:49:23.080
<v Speaker 7>No, Yeah, I miss the eighties.

0:49:23.480 --> 0:49:25.840
<v Speaker 2>Yes, that was beautiful.

0:49:26.280 --> 0:49:28.880
<v Speaker 9>Hey, you can know you have a song that you

0:49:29.000 --> 0:49:30.560
<v Speaker 9>want that's not an ensemble.

0:49:30.200 --> 0:49:32.239
<v Speaker 2>Bass song like a solo song.

0:49:32.719 --> 0:49:35.560
<v Speaker 1>Auntie. It is about to spread your wings. Okay, spread

0:49:35.560 --> 0:49:35.799
<v Speaker 1>your wing?

0:49:36.200 --> 0:49:39.520
<v Speaker 2>Okay, So have you guys seen Sweeney todd.

0:49:39.880 --> 0:49:40.680
<v Speaker 10>Have I seen it?

0:49:40.800 --> 0:49:42.000
<v Speaker 1>I live, breathe and eat it.

0:49:42.640 --> 0:49:43.359
<v Speaker 9>So what's that mean?

0:49:43.760 --> 0:49:49.200
<v Speaker 2>The musical about I love it? Okay, these are my fries.

0:49:50.840 --> 0:49:55.480
<v Speaker 2>See how they listen and then instead of scissors, it's

0:49:55.520 --> 0:49:56.080
<v Speaker 2>fries that I have.

0:49:56.320 --> 0:49:56.920
<v Speaker 10>I love that.

0:49:57.280 --> 0:50:00.840
<v Speaker 2>We have another idea, Edward Fryhan. It's like a double

0:50:01.239 --> 0:50:02.000
<v Speaker 2>it's both.

0:50:02.800 --> 0:50:05.640
<v Speaker 10>Yes and so I had an idea for another sweet

0:50:05.680 --> 0:50:06.160
<v Speaker 10>tong tongue.

0:50:06.200 --> 0:50:12.360
<v Speaker 2>Okay, hot potato, pretty hot hot potato, Hot.

0:50:14.080 --> 0:50:16.840
<v Speaker 7>Potato poto.

0:50:19.560 --> 0:50:20.640
<v Speaker 3>So she doesn't.

0:50:20.880 --> 0:50:22.120
<v Speaker 1>It ends on their table.

0:50:22.440 --> 0:50:24.480
<v Speaker 10>It ends on the table. Split up a with our team,

0:50:25.680 --> 0:50:30.960
<v Speaker 10>hot potato, moving slowly. Everybody must have a sweingty tong

0:50:31.000 --> 0:50:31.960
<v Speaker 10>button that they're working on.

0:50:32.640 --> 0:50:33.520
<v Speaker 1>Of course I do.

0:50:33.840 --> 0:50:34.239
<v Speaker 4>What is it?

0:50:35.960 --> 0:50:46.960
<v Speaker 2>I feel you lingue fe lingue. There you are your.

0:50:49.880 --> 0:50:51.720
<v Speaker 1>Ship that is a little small.

0:50:53.840 --> 0:51:00.520
<v Speaker 7>There's a little small on this one. So and lay

0:51:00.880 --> 0:51:04.520
<v Speaker 7>split peace, siddly split pee.

0:51:09.440 --> 0:51:13.000
<v Speaker 4>You don't need no crack, you.

0:51:13.280 --> 0:51:23.839
<v Speaker 2>Don't need no fuck Wow who yes, fuck.

0:51:25.200 --> 0:51:34.320
<v Speaker 14>Sdly listening peep, mom, guys, hold on, you have to

0:51:34.480 --> 0:51:35.399
<v Speaker 14>give this a shot.

0:51:36.520 --> 0:51:39.160
<v Speaker 9>You have to hear a shot in the restaurant.

0:51:40.840 --> 0:51:46.319
<v Speaker 10>Man she was married to the owner of the rest

0:51:51.320 --> 0:51:52.360
<v Speaker 10>just told us that.

0:51:54.160 --> 0:52:00.600
<v Speaker 13>Cobble, you're gonna listen to Dinah got a listen to

0:52:00.680 --> 0:52:01.080
<v Speaker 13>me listening.

0:52:04.960 --> 0:52:06.440
<v Speaker 7>This is very important.

0:52:07.360 --> 0:52:11.479
<v Speaker 6>Just because you could get cobbled doesn't mean you shouldn't try.

0:52:12.160 --> 0:52:14.080
<v Speaker 7>Because the way matter before he.

0:52:14.239 --> 0:52:15.680
<v Speaker 2>Was a shoe was beautiful.

0:52:16.520 --> 0:52:18.480
<v Speaker 7>Oh we were We were fucking in the walking.

0:52:18.600 --> 0:52:19.279
<v Speaker 9>We should sing it.

0:52:20.040 --> 0:52:20.640
<v Speaker 10>In the walking.

0:52:21.880 --> 0:52:22.560
<v Speaker 1>Where are you going?

0:52:22.719 --> 0:52:23.399
<v Speaker 7>Where are you going?

0:52:23.680 --> 0:52:26.360
<v Speaker 4>I honestly, I can't believe she didn't remember that your

0:52:26.440 --> 0:52:27.120
<v Speaker 4>husband was turning.

0:52:28.680 --> 0:52:31.239
<v Speaker 10>That was like you guys.

0:52:31.320 --> 0:52:35.960
<v Speaker 2>She's auditioning a lot. She's likely she's her standards.

0:52:41.200 --> 0:52:46.160
<v Speaker 6>I'm levitating my milky way by something something.

0:52:46.760 --> 0:52:49.560
<v Speaker 10>Yeah, yeah, yeah, I got you.

0:52:51.200 --> 0:52:51.919
<v Speaker 7>Moonlight.

0:52:52.800 --> 0:52:58.600
<v Speaker 2>You are my start light. I need you light.

0:52:59.600 --> 0:53:02.880
<v Speaker 7>Come on, I'm danced with me. I'm levitating.

0:53:04.960 --> 0:53:06.640
<v Speaker 10>Oh she's croque.

0:53:06.680 --> 0:53:07.680
<v Speaker 4>Oh my god, it's croque.

0:53:08.120 --> 0:53:10.160
<v Speaker 2>I would I would touch her, but I feel like

0:53:10.160 --> 0:53:10.960
<v Speaker 2>a motibrations.

0:53:11.200 --> 0:53:11.640
<v Speaker 10>Give her a.

0:53:14.040 --> 0:53:14.440
<v Speaker 4>CPR.

0:53:14.560 --> 0:53:15.160
<v Speaker 3>What do we have to do?

0:53:15.640 --> 0:53:16.360
<v Speaker 1>Sing her alive?

0:53:16.920 --> 0:53:20.120
<v Speaker 2>Did I lose my spuggety.

0:53:21.560 --> 0:53:23.000
<v Speaker 10>Some my cake?

0:53:25.920 --> 0:53:32.080
<v Speaker 2>Will I eat tomorrow from this left?

0:53:36.280 --> 0:53:36.480
<v Speaker 13>Oh?

0:53:36.600 --> 0:53:38.320
<v Speaker 7>My god, my bones.

0:53:38.440 --> 0:53:40.560
<v Speaker 10>I feel I feel better.

0:53:40.880 --> 0:53:42.160
<v Speaker 9>Wait, let's look at your knees.

0:53:42.239 --> 0:53:45.800
<v Speaker 10>Look at my knees. Oh, there's still to smell.

0:53:47.200 --> 0:53:48.839
<v Speaker 2>It's thick in the air.

0:53:50.000 --> 0:53:50.480
<v Speaker 10>That knee.

0:53:53.360 --> 0:53:53.600
<v Speaker 13>God.

0:53:55.880 --> 0:54:00.480
<v Speaker 4>Oh tell Brenda Peters, I saw.

0:54:00.360 --> 0:54:01.160
<v Speaker 10>Her with that guy.

0:54:01.440 --> 0:54:04.880
<v Speaker 1>No, no, we know what we have to do.

0:54:06.520 --> 0:54:08.160
<v Speaker 10>Five hundred twenty.

0:54:07.960 --> 0:54:14.120
<v Speaker 5>Five thousand, six hundred, five hundred twenty five thousand.

0:54:17.320 --> 0:54:18.040
<v Speaker 2>Oh wow.

0:54:20.200 --> 0:54:24.120
<v Speaker 1>The prop bullet prop bullet prop bullet cut.

0:54:28.719 --> 0:54:30.960
<v Speaker 4>Answer the question. And that's why the college show was

0:54:31.080 --> 0:54:32.680
<v Speaker 4>just you're for gust Chance.

0:54:34.840 --> 0:54:39.480
<v Speaker 2>Oh my god, that fat Chance. P h A T

0:54:39.640 --> 0:54:42.800
<v Speaker 2>C h A N s E got some fun stuff

0:54:42.880 --> 0:54:43.279
<v Speaker 2>coming up.

0:54:43.360 --> 0:54:45.440
<v Speaker 9>He's writing musical. We'll link it you.

0:54:47.239 --> 0:54:48.840
<v Speaker 4>Usual dynasty.

0:54:50.360 --> 0:54:54.560
<v Speaker 1>Hashtagn is and it has a fake.

0:54:54.480 --> 0:54:57.239
<v Speaker 9>Bullet cut prop bullet cut.

0:54:57.640 --> 0:54:58.279
<v Speaker 10>Bye bye.

0:54:59.000 --> 0:55:01.880
<v Speaker 3>Artists on Artistana Artists on Artists is an improvised Hollywood

0:55:01.920 --> 0:55:05.960
<v Speaker 3>round table podcast created and hosted by Kylie Braakman, Jeremy Colhane,

0:55:06.080 --> 0:55:09.320
<v Speaker 3>Angeli Gerraitana, and Patrick McDonald. It is a production of

0:55:09.360 --> 0:55:14.000
<v Speaker 3>Will Ferrell's Big Money Players and iHeartMedia Podcasts. Executive produced

0:55:14.040 --> 0:55:17.320
<v Speaker 3>by Matt Appadaca and produced by Alexandra Dennis and Laser

0:55:17.400 --> 0:55:21.840
<v Speaker 3>Vision Productions. Music by Gabrielle Ponton and edited by Connor McCabe.

0:55:22.120 --> 0:55:26.160
<v Speaker 3>Thunbnail art by Josh Florey and logo designed by Lucy Tomkowitz.

0:55:26.480 --> 0:55:30.120
<v Speaker 3>Special thanks to Samuel Curtis, and the Beautiful Dynasty Typewriter Theater.

0:55:30.560 --> 0:55:32.560
<v Speaker 4>The opinions expressed on this podcast do.

0:55:32.640 --> 0:55:34.759
<v Speaker 3>Not reflect the opinions of anyone who works on it,

0:55:34.920 --> 0:55:37.960
<v Speaker 3>not even the performers, because this is an improvised podcast

0:55:38.040 --> 0:55:40.120
<v Speaker 3>and we don't know what the heck we're talking about.

0:55:40.560 --> 0:55:44.160
<v Speaker 3>Full video versions of AOAOAOA are available on YouTube, so

0:55:44.320 --> 0:55:47.400
<v Speaker 3>please like and subscribe and leave us five star reviews

0:55:47.640 --> 0:55:49.400
<v Speaker 3>wherever you get your podcasts.

0:55:49.600 --> 0:55:51.840
<v Speaker 4>That's all for now, good night, Hollywood.

0:56:00.120 --> 0:56:00.239
<v Speaker 6>Uh