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Speaker 1: Yes, Brandon, Bang and Irom Reports Stereo podcast is here. Higgy,

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Speaker 1: have no Fear on today's Iron Rapports Stereo podcast. Back

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Speaker 1: Boom back in the New York Group. Feeling real good,

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Speaker 1: feeling real strong, feeling really really healthy. On today's Iron

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Speaker 1: Reports Stereo podcast. The Young Shooter is here to break

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Speaker 1: all things down. Been out of the hospital for five days?

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Speaker 1: What's going on with the Young Shooters? Skeet skeet, skeet,

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Speaker 1: game and so much more on fifty three minutes of

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Speaker 1: fire on the brand new Bang and Iron Rapports Stereo podcast.

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Speaker 1: Coming up right now, Myles Jordan AK, the Bleached Brothers, AK,

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Speaker 1: the Dust Brothers. Start to puppy off with something real nice,

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Speaker 1: start to puppy off with something real proper, but most

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Speaker 1: of portly start to puppy off with something real loud

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Speaker 1: and real funky. I am Wrap Reports Stereo Podcasts, Museum

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Speaker 1: quality podcasting, Professor Podcasting coming at you right now. Let's

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Speaker 1: freaking go boom. Yes, have no fear of The Iron

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Speaker 1: rapp Report Stereo podcast is here. Welcome to the Iron

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Speaker 1: Dome of Destruction. Welcome to the Zigny, the Zigny, the

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Speaker 1: Zignity Zone. Of Disruption. My name is Michael Rapp Report

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Speaker 1: a k A. The Gringo man Dingo a k a.

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Speaker 1: The Sultan of Sniff a k. The inflamed Oshka Nazi

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Speaker 1: a k The Raging Bullshitter a k a. The Disruptive Warrior.

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Speaker 1: Hope everybody's feeling good. Hope everybody's feeling safe. Hope everybody

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Speaker 1: is feeling saying the I Am Rapp Report Stereo podcast

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Speaker 1: coming live and direct from New York in l a

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Speaker 1: cross country podcast. Uh. This is the second podcast of

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Speaker 1: the week, and as we declared two weeks ago, the

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Speaker 1: part time halftime sometime co host of the Iron Wrap

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Speaker 1: Reports Stereo podcast, officially as now, Dean Collins, Deuced Pacino

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Speaker 1: a k a. The Young Shooter is Intucasa, all the

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Speaker 1: way from Los Angeles, California, wearing his brand new Los

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Speaker 1: Angeles Dodgers hat, which you can't see but you can

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Speaker 1: imagine looks as dumb as you might think. Anyway, Dean

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Speaker 1: Collins a k. The Deuce, deucee Peccino, How are you,

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Speaker 1: my friend? And I'm doing good man, I'm doing good,

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Speaker 1: I mean better. Question is how are you doing? How

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Speaker 1: are you doing? I am doing really well. This week. Uh,

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Speaker 1: if you guys didn't listen to last podcast, you definitely should.

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Speaker 1: I was in the hospital for five days with a pneumonia,

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Speaker 1: but that was now when almost five days ago. So

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Speaker 1: I've been out, feeling good. Still on antibiotics, one more

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Speaker 1: day of antibiotics, been off the oxygen for the most part,

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Speaker 1: been out and about started doing some workouts. Worked out

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Speaker 1: this morning, broke a sweat. Appetite is good. Haven't had

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Speaker 1: any setbacks, only had steps forward in the right direction. Um,

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Speaker 1: feeling really good. Been a lot of controversy over my

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Speaker 1: potentially toxic fecal matter, which I broke down in very

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Speaker 1: great detail in the Last Night and Rapp Reports Stereo podcast. Um,

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Speaker 1: but to answer your question, I am feeling really good,

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Speaker 1: feeling really optimistic, and you know, as shitty as the

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Speaker 1: experience was in the hospital, I did learn a lot

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Speaker 1: and compared to a lot of the things a lot

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Speaker 1: of people have dealt with a lot of things that

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Speaker 1: people are dealing with family members, friends. UM, I can't complain,

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Speaker 1: but I do. Yep, I can't complain but I do.

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Speaker 1: But I'm feeling really good. Thanks for asking. How do

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Speaker 1: I sound? How do I look? Well? I have to say, man,

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Speaker 1: like just being totally honest with you. You know, before

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Speaker 1: we knew that you had pneumonia, before you were diagnosed

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Speaker 1: with that. I'd say about a couple of weeks ago,

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Speaker 1: maybe a week and a half ago, when we were

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Speaker 1: doing the podcast and I didn't want to say anything

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Speaker 1: to you, but I could tell something was off, something

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Speaker 1: looked off about you. Your face. Um. You know, like

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Speaker 1: Robert Durst from The Jinks how he had those black eyes,

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Speaker 1: He's kind of like we call them dead eyes. It

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Speaker 1: wasn't really anything behind those eyes. You kind of had

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Speaker 1: a similar thing where I don't know what it was

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Speaker 1: about your eyes. It just it looked lifeless. It didn't

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Speaker 1: look like anyone was home. Uh, you looked a little gaunt,

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Speaker 1: very skinny. But I'm I'm happy to say, why are

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Speaker 1: you saying that now? Well, because now I'm looking at

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Speaker 1: you and the life is back, the eyes are back,

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Speaker 1: you have color in your face again. You look so good.

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Speaker 1: You've you've gained a little bit of your weight back,

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Speaker 1: which is good. But uh, you know, I know you

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Speaker 1: could take that as a complimentary It's not an insult.

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Speaker 1: I'm just saying. But but why wouldn't you say something

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Speaker 1: then like, yo, you don't look good, because he didn't

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Speaker 1: mention that. I didn't want to say, Yo, you know

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Speaker 1: you got dead eyes, you don't look right. Um, everything good, anybody,

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Speaker 1: Why would you not say that I actually been walking

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Speaker 1: around spooking people out, looking like ship on the streets.

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Speaker 1: It was just something that you You couldn't do anything

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Speaker 1: about it, you know what I mean, Like I could

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Speaker 1: give you that critique, that constructive criticism, but you wouldn't

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Speaker 1: be able to do anything about that. It's just a

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Speaker 1: look that you had. But that's in the past. We're

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Speaker 1: happy that you you look you had pneumonia. That's the

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Speaker 1: That's the other thing. When we were doing the podcast,

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Speaker 1: you know, you didn't look quite right. There was something

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Speaker 1: a little off, and you even told me. I'd say

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Speaker 1: every day, how are you feeling? How are you feeling?

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Speaker 1: You to go? You know fifty fifty? I gotta be honest,

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Speaker 1: not great. And you never you don't complain about health stuff.

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Speaker 1: I've noticed that about you. You're you're not one to

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Speaker 1: be super vocal about if you're not feeling that great.

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Speaker 1: And um, anyway, you really made on your your bitch man.

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Speaker 1: You went to the hospital. You got diagnosed with pneumonia

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Speaker 1: and it didn't get you down. It's totally treatable. My

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Speaker 1: dad has had it before. It was horrible. Everyone talks

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Speaker 1: about how horrible it is. But you made pneumonia your bitch,

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Speaker 1: You're out of there, And I have to say, you're

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Speaker 1: in a similar situation. Is my cat man. I don't

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Speaker 1: want to compare a human being to a cat. But

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Speaker 1: as you remember, Pablo had a very scary circumstance where

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Speaker 1: he had to go to the hospital. He was on oxygen.

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Speaker 1: They had to, uh, what does it call what when

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Speaker 1: you're dismissed from the hospital. What's that word? Um? Discharge? Discharge.

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Speaker 1: They had to discharge him because he was he was

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Speaker 1: being an asshole to the staff. And I feel like

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Speaker 1: you had a similar kind of a thing where it

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Speaker 1: was like the staff that had enough you I had.

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Speaker 1: I had enough of just one staff person, the nurse Kara,

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Speaker 1: who thanks for all the support, everybody who said team

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Speaker 1: rapp report over nurse cart because Nurse Carrot was a

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Speaker 1: fucking asshole. Um, I had one one person goes, you

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Speaker 1: shouldn't call a nurse an asshole or a bitch, and

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Speaker 1: I was like, I called this person an asshole on

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Speaker 1: a bitch, Like as far as I'm concerned, Like I said,

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Speaker 1: she shouldn't be working at a fucking bodega. Like when

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Speaker 1: you go into bodega, they don't say what's up. When

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Speaker 1: you walk into bodega, they might not say anything to you.

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Speaker 1: I'd rather you say nothing when you come in the room.

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Speaker 1: Then come in my room at five in the morning

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Speaker 1: and say what's up. You don't throw a blanket on

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Speaker 1: a sick patient. You tuck the fucking patient in the

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Speaker 1: fucking bed. What what are you looking for? What did

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Speaker 1: you want her to say? Mr? Rabbitfoor, Is there anything

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Speaker 1: that I can help you with this morning? Do you

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Speaker 1: need something? Michael? Yeah? What are you okay? You don't

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Speaker 1: come in at five in the morning or five PM

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Speaker 1: or ten to five or quarter to five or fifteen

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Speaker 1: after five. You never say what's up. You're a nurse.

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Speaker 1: We're not in fucking This isn't the fucking cafeteria, bitch,

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Speaker 1: you're not serving me fucking I mean, you don't even

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Speaker 1: say that. Like on the lunch line in the seventh

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Speaker 1: grade public school, you don't say what's up? Those are

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Speaker 1: like fighting words. What's up? That's like, what are we

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Speaker 1: gonna do. What are you trying to do now? I

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Speaker 1: The only thing I regret is that when she said that,

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Speaker 1: I didn't pull my pants down and ship the bed

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Speaker 1: because she would have had to been the one cleaning it,

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Speaker 1: and that would have been a lesson learned, Like okay,

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Speaker 1: you want you want to talk to a patient this way,

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Speaker 1: a sickly patient. Okay, Now now I shipped the bed.

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Speaker 1: Now we got to go through the whole thing and

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Speaker 1: check to see do I have toxic fecal matter? You

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Speaker 1: have to clean the bed. You know, God only knows

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Speaker 1: what kind of procedures you have to go through when

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Speaker 1: a patient ships the bed. And I don't mind like

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Speaker 1: some people like, well, you wouldn't want people say, oh,

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Speaker 1: Michael Reports. I'd be like eight the first time, right,

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Speaker 1: this ain't this. I ain't knew to this. I'm true

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Speaker 1: to this. Like people would be like, oh, you didn't

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Speaker 1: ship the bed. People will be more surprised with that.

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Speaker 1: But as soon as she said what's up, I should

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Speaker 1: have said, this pile of ship in the bed at

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Speaker 1: five in the morning, that's what's cracking. That's what's pop Alpin.

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Speaker 1: You would have been on that amber, heard, bro, you

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Speaker 1: would you and Amber Heard would have been on that

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Speaker 1: same page problem I would have say, and I would

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Speaker 1: have went right in front of the court, and I

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Speaker 1: would in front of the I said, she made me

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Speaker 1: feel so uncomfortable and so less than and so uh

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Speaker 1: not taking care of that. I was scared and that's

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Speaker 1: why I shot the bed, your honor. And I would

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Speaker 1: have looked her in the face. I would have gayl King.

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Speaker 1: I would have on the GAYL King interview all that,

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Speaker 1: Anderson Cooper, whoever wanted to talk to me, Mario Lopez,

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Speaker 1: I would have stuck to my guns and be like,

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Speaker 1: she made me feel unsafe, and when I'm unsafe, I

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Speaker 1: shipped the bed. That's how I gets down. So this

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Speaker 1: is just not a pleasant woman who happens to be

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Speaker 1: a nurse. This is has nothing to do with being

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Speaker 1: a nurse. She's just and somebody was like it was

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Speaker 1: she hot? Know you, When you have that kind of attitude,

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Speaker 1: you better look like Cindy Crawford and her fucking prime

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Speaker 1: to be hot. Like this bitch was not hot, She

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Speaker 1: wasn't cool, she wasn't warm. I think she had like

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Speaker 1: dyed hair. Fuck that lady. All right, well look you're

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Speaker 1: here and can I ask you about that toxic fecal matter,

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Speaker 1: because in my eyes, I feel like all fecal matter

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Speaker 1: is toxic. And that's what I'm saying. That's what I'm saying.

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Speaker 1: When I take a ship and and I've had like

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Speaker 1: big chill frozen yogurt and gummy bears and gummy worms

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Speaker 1: in the next day, I take that ship. That's toxic,

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Speaker 1: my friend, And those are horrible fumes coming out of there. Yeah,

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Speaker 1: why are you putting labels on my fecal matter? I'm

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Speaker 1: already down, I already feel bad, I already feel you know,

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Speaker 1: I'm already upset, already feel demoralized. That I mean, and

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Speaker 1: now you're telling me that at fifty two I may

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Speaker 1: or may not have toxic fecal manner. It's like, I

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Speaker 1: don't add insult to injury. I to you sit. Do

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Speaker 1: you have diarrhea? Full disclosure? Yeah, I had diarrhea. I

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Speaker 1: was fucked up in there, had pneumonia. What do you

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Speaker 1: want a beautiful stool? Do you expect a nice, gorgeous,

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Speaker 1: you know, pick tresque stool? So what are you giving them?

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Speaker 1: You given him give him a snake? Are you give

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Speaker 1: him a boulder? What what are we dropping in there

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Speaker 1: when when you got diarrhea, you've got diarrhea. You're on

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Speaker 1: that diarrhea now. But you talking about now that is

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Speaker 1: emasculating for them to have to and they make a

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Speaker 1: big deal about it. Then everybody's got to come in

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Speaker 1: the in the hazmat suits. And you know they had

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Speaker 1: a sign outside my door you must wear a hass Yeah. Man,

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Speaker 1: it was a whole fucking thing. Jesus joke joke over here.

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Speaker 1: I fucking hear you. Man. Well, I'm just glad you're

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Speaker 1: out of there. Like I said, you look a lot better.

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Speaker 1: I think it's I think if the oxygen is helping,

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Speaker 1: there's nothing wrong with you know, using that. But your

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Speaker 1: doctors are looking after you, and we're all just happy

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Speaker 1: you're fucking here. We should be asking you. I hope

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Speaker 1: everybody's feeling safe saying you got you gotta stop asking

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Speaker 1: those questions. We need the people to start asking you

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Speaker 1: these things. No one's asking Michael, how is he feeling?

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Speaker 1: Big loss? In the the Hollywood community. Actor giant Jimmy

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Speaker 1: Cohn James Cohn, who's most famous obviously for playing Sonny

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Speaker 1: cor Leone Santino cor Leone in the Godfather. Of course,

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Speaker 1: he was in Thief, great movie, Misery, Elf. So many

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Speaker 1: great performances throughout the years. Iconic actor, um, iconic personality,

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Speaker 1: magical stick man, A fantastic stick man who I think dealt.

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Speaker 1: I think I think dealt with some personal demons. He

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Speaker 1: was living at the at the Playboy Man. Know I

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Speaker 1: spoke to I didn't talk to him today, but I

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Speaker 1: know he was a very very close family friend of

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Speaker 1: the Heffner's. The Heffner family was always at the Playboy mansion,

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Speaker 1: and he was there during the Evani's in the eighties.

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Speaker 1: A great underrated, underappreciated stickman, A fantastic Coxman and a

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Speaker 1: jew That is what a package. A great Coxman, a

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Speaker 1: great stigment he had, of course that beautiful curly here

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Speaker 1: he had those great shoulders which were on displaying the Godfather.

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Speaker 1: And you know, obviously, um, you know, I feel like

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Speaker 1: he's a little bit you know, we we sort of

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Speaker 1: forget about James Comban. I'll tell you something. When I

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Speaker 1: was a young actor twe twenty two, you know, exploring

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Speaker 1: all the actors, Gene Hackman, Robert de Niro, Jack Nicholson,

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Speaker 1: Dustin Hoffman, al Pacino, Robert Daval, Paul Newman, Marlon Brando,

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Speaker 1: and I was deep into my my godfather, Godfather three

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Speaker 1: was getting ready to come out, and I must have

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Speaker 1: been about twenty two. But when I didn't know James

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Speaker 1: Conn was Jewish. When I found out James Conn was Jewish,

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Speaker 1: I was so inspired. I was so excited because I

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Speaker 1: knew Dustin Hoffman was Jewish, but he played and he

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Speaker 1: he felt Jewish, but all these other guys were non Jews,

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Speaker 1: Jimmy Cohn with that machismo, that Harry Chance, that tough

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Speaker 1: guy persona that he had in displaying and all his

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Speaker 1: roles roller Ball. When I found out he was Jewish,

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Speaker 1: it was such an inspiration to me because I was

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Speaker 1: trying to find my mark and and find my someone

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Speaker 1: I could relate to, and uh, you know, just Jimmy

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Speaker 1: con was just you know, he wasn't an actor with

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Speaker 1: a lot of bells and whistles like a Pacino, like

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Speaker 1: a DeNiro, even like a Dustin Hoffman. It was him.

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Speaker 1: It was his emotions. He didn't do heavy character work.

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Speaker 1: It was him. It was his vulnerability, it was his toughness,

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Speaker 1: it was his machismo, it was his charisma and and

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Speaker 1: all those performances. Obviously, the last really great performance he

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Speaker 1: gave was Elf iconic film. Uh that will live on

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Speaker 1: forever and a big loss, a big loss for a

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Speaker 1: star and an actor who is from a generation that's

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Speaker 1: you know, they're going. These guys are going. Jimmy con

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Speaker 1: was eighty two. You know those people that I just mentioned,

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Speaker 1: you know, these are all older gentlemen. These are all guys,

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Speaker 1: older guys. And you know, he came from a time

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Speaker 1: when Hollywood was different. Um and like I said, you know,

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Speaker 1: the kind of actor that he was, it wasn't you know,

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Speaker 1: it wasn't accents, it wasn't you know, displays, it wasn't

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Speaker 1: you know, walks. It was him. He was the instrument

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Speaker 1: and he used his instrument everything Misery, great fucking film,

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Speaker 1: excellent fucking film. I mean, great fucking film. And and

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Speaker 1: you know he did a lot of films that weren't great,

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Speaker 1: but he did so many things that were excellent. And

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Speaker 1: he always resonated, you know, and like I said, had

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Speaker 1: that great look, dark haired, jew a look, and you know,

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Speaker 1: he was a tough guy. It was a character. You know,

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Speaker 1: from everything everybody says he was a character. Who's you know,

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Speaker 1: a funny guy. You know, he sort of was what

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Speaker 1: he was. There wasn't any mystery. He wasn't a mumbler.

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Speaker 1: He wasn't shy, like the great Patino, like the great

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Speaker 1: Robert you know, like he would talk, he would talk

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Speaker 1: sh it, he would break balls. And Jimmy Cohn, you know,

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Speaker 1: one of a kind, one of the great movie stars

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Speaker 1: from the seventies, eighties and on, and like I said,

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Speaker 1: you know, one of the original last uh you know,

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Speaker 1: Jewish tough guy actors that ever did it so a big, big,

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Speaker 1: big loss for Hollywood and for fans, for Godfather fans,

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Speaker 1: for movie fans. The great Jimmy con James Con passed away. Man.

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Speaker 1: Did you ever work with him anything? Never worked with him?

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Speaker 1: Did you remember him? I ran into him a couple

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Speaker 1: of times. I saw him, but I never really had

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Speaker 1: any exchanges with him. You know, I saw him out

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Speaker 1: a couple of times throughout the years. You know, obviously

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Speaker 1: his son, Scott Con. Everybody knows Scott Con, uh you know,

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Speaker 1: from Entourage and a bunch of other stuff. I know

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Speaker 1: his son a little bit, but you know, I always

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Speaker 1: always just appreciated him and fucking you know, his fucking

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Speaker 1: Sonny Corleone, and we were just talking about him in

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Speaker 1: the offer, you know, the timing of that with like

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Speaker 1: the offer and the guy because you know, but now

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Speaker 1: my parents actually met him years back and at a

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Speaker 1: family friend's house and all that, and everyone who's met

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Speaker 1: that guy, James conn they all said the same thing

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Speaker 1: was that he was the nicest person. I mean, my

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Speaker 1: parents said he was such a nice guy. The Hefner

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Speaker 1: family have had the nicest things to say about him.

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Speaker 1: But I mean, he was a real fucking man's man.

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Speaker 1: But like you said, he was really cut from that

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Speaker 1: cloth of that older generation of those Roberts, like Robert Duvall,

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Speaker 1: Marlon Brando and all those guys. But I was looking

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Speaker 1: at a photo of of The Godfather and just seeing

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Speaker 1: al Pacino, Marlon Brando, Scott con and who was the

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Speaker 1: who plays Fredo, Um, John Carrava, Jozell, John Gazelle. I

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Speaker 1: was looking at him, and I didn't know about his

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Speaker 1: whole thing either, and how young he died, and that

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Speaker 1: he was only in five movies, but all five of

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Speaker 1: those movies were nominated for Best Picture, Like he was

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Speaker 1: on in The Deer Hunter, Dog Day Afternoon Godfather, Godfather

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Speaker 1: Part two, whatever, but revered vere al Pacino said he

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Speaker 1: was considered one of the greatest. He just he just

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Speaker 1: didn't live long. But I was seeing a photo of

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Speaker 1: all those guys. It's like Marlon Brando, that guy, James Cohn,

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Speaker 1: like they really are all kind of dropping, you know,

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Speaker 1: they're older guys. And but Misery and The Godfather and Elf.

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Speaker 1: I mean, I'll probably watch Misery tonight. I mean that

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Speaker 1: movie is so fucking good and so good, and like

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Speaker 1: you said, like he didn't he didn't really have to

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Speaker 1: do much, like you know, he there wasn't bells and whistles,

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Speaker 1: even an Elf like he's just he's so great, but

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Speaker 1: he's just like he's just himself. He was great, But

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Speaker 1: he was great. It's a sad time, you know, because

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Speaker 1: those movies are never gonna make movies like that. Again.

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Speaker 1: There's never gonna be movie stars that have a sort

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Speaker 1: of mystery around them. Um, there's never gonna be that

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Speaker 1: sort of mystique and freshness. And even the way those

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Speaker 1: guys that you just mentioned look, it's like you don't

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Speaker 1: have big time funt center movie stars that look like

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Speaker 1: those guys. You know, they're all look like the guy

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Speaker 1: from Thor or Ryan Gosling or you know who's masculine.

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Speaker 1: But you know they all you know, fucking Timothy Shamalay

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Speaker 1: and you know Miles Teller has that look. You know,

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Speaker 1: he has that vibe about him. But it's just it's

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Speaker 1: it's just a different time and you know, a different

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Speaker 1: kind of actor and a different way to become a star.

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Speaker 1: And um, you know, not that these guys aren't talented,

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Speaker 1: because all those guys I just mentioned, the young guys

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Speaker 1: through all talent. It's just sad that uh you know

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Speaker 1: that that's going you know, and you know the other

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Speaker 1: ones are gonna go at some point too, and that

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Speaker 1: those are gonna thos gonna be devastating men. Like you know,

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Speaker 1: those guys are like they're older, man, I mean they're

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Speaker 1: and they mean a lot to a lot of people.

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Speaker 1: I mean auckers like they're like they mean like just

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Speaker 1: to me, Like those motherfucker's mean a lot to me.

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Speaker 1: Like I got a lot from those guys. I still

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Speaker 1: get a lot from those guys that gets they're all

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Speaker 1: in their eighties. I know, I know, I'm man, time

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Speaker 1: is flying. It's fucking crazy. But that was a big

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Speaker 1: loss today. Um, have you watched anything? What what's going

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Speaker 1: on over there? Well? I watched this documentary I mentioned

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Speaker 1: the other day on the podcast, which I did fifty

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Speaker 1: five minutes alone. Uh. Some people have said, Mike Grab,

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Speaker 1: some of the podcasts are too short, and I said

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Speaker 1: it once. I've said it many times. Listen, We're not

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Speaker 1: here to to long dick you. We're not here to

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Speaker 1: Olympic fuck you. I'm here to give you the best

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Speaker 1: of the best and keep it moving and keep it bouncing.

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Speaker 1: In my opinion, the perfect podcast length is somewhere between

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Speaker 1: like thirty eight and forty five minutes. If it's fifty

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Speaker 1: five minutes, great, If it's an hour and ten minutes, great,

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Speaker 1: But we're we're not here to power dicky. I'm not

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Speaker 1: here to keep you for three hours. I don't have

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Speaker 1: three hours to podcast. I don't have three hours to

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Speaker 1: listen to the next man's podcast. I don't care if

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Speaker 1: it's Kanye West, Okay, who the funk it is. I

376
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Speaker 1: don't have that much time to give. I don't have

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Speaker 1: that much time to podcast, and I'd rather it be

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Speaker 1: you know, the best, the forty five minutes or like

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Speaker 1: the other day, fantastic fifty five minutes solo out of

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Speaker 1: the hospital with the antibiotics. And it's impressive that that's

381
00:21:09,880 --> 00:21:13,600
Speaker 1: can't stop, won't stop mentality. That's a mombash it. Yeah,

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Speaker 1: you know, it's like, I know you guys are teasing

383
00:21:15,240 --> 00:21:17,000
Speaker 1: and stuff like that, but it's like, I'm never here

384
00:21:17,000 --> 00:21:20,240
Speaker 1: to fucking con you. I'm not here to a longate.

385
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Speaker 1: I'm not here to stretch for the sense of stretch

386
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Speaker 1: and be like yo, I did it for an hour

387
00:21:24,359 --> 00:21:27,760
Speaker 1: to funk all that. I respect your time, I respect

388
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Speaker 1: my time. I'm a professional podcaster. And like I said,

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Speaker 1: if it's I hate it and quit it. I hate

390
00:21:33,880 --> 00:21:35,600
Speaker 1: it and quit it. If you know, if it's a

391
00:21:35,680 --> 00:21:38,679
Speaker 1: nice you know, afternoon delay, it's an afternoon delay. But

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Speaker 1: I'm not here to play games with you. The young

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00:21:40,800 --> 00:21:44,080
Speaker 1: shooters not here to play games. And he's got a hat,

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00:21:44,080 --> 00:21:46,520
Speaker 1: but they can I ask you about that. Sorry to

395
00:21:46,520 --> 00:21:48,119
Speaker 1: bring that up, but like you were mentioning about my

396
00:21:48,160 --> 00:21:49,879
Speaker 1: hat and how you can't see it, and then you

397
00:21:49,880 --> 00:21:53,199
Speaker 1: said it looks like ship. I'm just wondering, like what

398
00:21:53,280 --> 00:21:56,920
Speaker 1: about it that it's not really fitting? Right? I mean,

399
00:21:57,200 --> 00:21:59,399
Speaker 1: what about your hat? Yeah? What what are you not

400
00:21:59,440 --> 00:22:01,520
Speaker 1: crazy about it? Does. It's like the hat. The hat

401
00:22:01,560 --> 00:22:05,320
Speaker 1: looks like shit because number one, it's too big. Okay,

402
00:22:06,000 --> 00:22:08,840
Speaker 1: the hat's too big. Number Two, the hat looks like

403
00:22:08,880 --> 00:22:12,720
Speaker 1: ship because it's too clean. Okay, I can throw it

404
00:22:12,760 --> 00:22:14,600
Speaker 1: around in some dirt or put it on my mattress.

405
00:22:15,240 --> 00:22:17,160
Speaker 1: The hat looks like ship too, because it's not bent

406
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Speaker 1: enough like it it doesn't. I tried to bend it.

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Speaker 1: I tried. I tried to, you know how, like how

408
00:22:21,000 --> 00:22:23,720
Speaker 1: like baseball players wrap their glove in the middle of

409
00:22:23,720 --> 00:22:25,320
Speaker 1: that night put it into the mattress. I tried to

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Speaker 1: do that. And and just the hat looks like ship

411
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Speaker 1: just because it's like it just looks like ship. You

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00:22:30,760 --> 00:22:33,359
Speaker 1: look like Cobby Brady or something like. It kind of

413
00:22:33,440 --> 00:22:37,760
Speaker 1: look goodby it just doesn't look like it doesn't look bad.

414
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Speaker 1: But it's like, also, like, are you trying to look fourteen?

415
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Speaker 1: I would agree with that. And I'm going to tell

416
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Speaker 1: you something kind of funked up about this happen because

417
00:22:45,240 --> 00:22:46,720
Speaker 1: for people who can't see it, it's kind of like

418
00:22:46,760 --> 00:22:49,160
Speaker 1: a vintage throwback hat. I got this hat on Etsy

419
00:22:49,480 --> 00:22:51,920
Speaker 1: and it's got like a vintage Dodgers logo, so it's

420
00:22:51,960 --> 00:22:53,600
Speaker 1: kind of like, oh, is it from the seventies. Is

421
00:22:53,640 --> 00:22:55,440
Speaker 1: it from a couple of weeks? You know, it doesn't

422
00:22:55,440 --> 00:22:58,320
Speaker 1: look from the seventies because it looks like brit No,

423
00:22:58,520 --> 00:22:59,959
Speaker 1: it doesn't look if it looks like if it's from

424
00:23:00,000 --> 00:23:02,680
Speaker 1: the seventies and it wouldn't have that clean. Hey, I

425
00:23:02,800 --> 00:23:04,520
Speaker 1: just got my new you know what it looks like. Hey,

426
00:23:04,600 --> 00:23:06,520
Speaker 1: I just got my new cap. Guys, you want to

427
00:23:06,560 --> 00:23:08,720
Speaker 1: go play catch? I'm taking the hat off. I'm not.

428
00:23:08,840 --> 00:23:11,920
Speaker 1: I'm keeping on because that's what it looks like. It's like, hey,

429
00:23:12,000 --> 00:23:14,520
Speaker 1: guys from the sand lot, Like, hey, guys, you want

430
00:23:14,520 --> 00:23:18,880
Speaker 1: to go play catch? Yeah, I don't need that's hey,

431
00:23:18,920 --> 00:23:21,280
Speaker 1: bring you back guys. No, that's not the vibe I'm

432
00:23:21,280 --> 00:23:22,840
Speaker 1: going for. I thought I was going for, like, oh,

433
00:23:23,160 --> 00:23:25,960
Speaker 1: look at this hipster, handsome kind of guy with the hat,

434
00:23:26,080 --> 00:23:27,600
Speaker 1: and like, oh he doesn't. I mean, I think one

435
00:23:27,680 --> 00:23:29,920
Speaker 1: of your best assets, if you really need me to

436
00:23:30,200 --> 00:23:33,280
Speaker 1: like indulges your hair, thank you, And then when you

437
00:23:33,359 --> 00:23:36,840
Speaker 1: put that big, oversized, stupid looking hat on, it covers

438
00:23:36,920 --> 00:23:39,320
Speaker 1: up one of your best assets. I'm gonna I actually

439
00:23:39,359 --> 00:23:42,080
Speaker 1: really appreciate you you saying that, So I'm gonna turn

440
00:23:42,160 --> 00:23:47,800
Speaker 1: it backwards. Let's see how it looks backwards. I think

441
00:23:47,840 --> 00:23:53,320
Speaker 1: that looks better than forwards. Well, I do appreciate you

442
00:23:53,440 --> 00:23:55,400
Speaker 1: saying that, let's not we don't have to dive into

443
00:23:55,440 --> 00:23:59,400
Speaker 1: the whole hat thing, but um well we dove into it. Okay.

444
00:23:59,440 --> 00:24:01,200
Speaker 1: Well it's and a Dodgers hat, And like the worst

445
00:24:01,240 --> 00:24:03,040
Speaker 1: part about it was before I got here, I had

446
00:24:03,080 --> 00:24:06,520
Speaker 1: to research who's on the team, because you can't just

447
00:24:06,600 --> 00:24:08,680
Speaker 1: get a hat like as because I'm not a sports guy.

448
00:24:08,840 --> 00:24:10,840
Speaker 1: I like the Dodgers. I'm from l A. But I

449
00:24:10,960 --> 00:24:13,639
Speaker 1: had to fucking look up online, like who's the starting

450
00:24:13,680 --> 00:24:15,920
Speaker 1: lineup for the Dodgers right now? Whose second base? Who

451
00:24:15,960 --> 00:24:17,720
Speaker 1: shorts up? Because every time I wear a fucking hat,

452
00:24:18,080 --> 00:24:21,920
Speaker 1: it gives people It's an invitation. It's an invitation to start. No,

453
00:24:22,000 --> 00:24:23,680
Speaker 1: I'm not. That's to tell you why I got the

454
00:24:23,760 --> 00:24:26,639
Speaker 1: fucking hat me neither. You know, I wear my Yankee

455
00:24:26,680 --> 00:24:30,640
Speaker 1: hat all the time for sun protection and to keep

456
00:24:31,480 --> 00:24:36,159
Speaker 1: people out of my face, and it does neither. What

457
00:24:36,560 --> 00:24:39,920
Speaker 1: it does is it's an invitation. Hey do they win

458
00:24:40,000 --> 00:24:42,560
Speaker 1: the game? Listen? Or hey, how do you think Aaron

459
00:24:42,640 --> 00:24:45,359
Speaker 1: Judge is hitting? And I'm I tell him, I know nothing.

460
00:24:46,000 --> 00:24:47,520
Speaker 1: I I know who that is. I don't know how

461
00:24:47,600 --> 00:24:49,760
Speaker 1: he's hitting. I don't watch the games. I'm not a

462
00:24:49,800 --> 00:24:51,680
Speaker 1: baseball guy. And then of course you say I'm not

463
00:24:51,720 --> 00:24:54,040
Speaker 1: a Basically, they go, why are you wearing the hat?

464
00:24:54,520 --> 00:24:56,720
Speaker 1: Now we're in a conversation that I don't want to

465
00:24:56,760 --> 00:24:59,040
Speaker 1: be in. I hate people like that. Man, leave me

466
00:24:59,160 --> 00:25:01,880
Speaker 1: the fuck a own. I hate those kinds of people

467
00:25:01,920 --> 00:25:03,920
Speaker 1: who stop you and ask you about your fucking hat.

468
00:25:04,720 --> 00:25:06,479
Speaker 1: I just I ordered the hat. I like the hat,

469
00:25:06,840 --> 00:25:09,560
Speaker 1: don't It's not an invitation to talk to me about it.

470
00:25:10,040 --> 00:25:12,119
Speaker 1: Should I put a piece of duct tape over the logo?

471
00:25:13,080 --> 00:25:15,159
Speaker 1: That could be good to like a black blasking, just

472
00:25:15,320 --> 00:25:18,080
Speaker 1: black duct tape. And because you know, then I got

473
00:25:18,160 --> 00:25:20,880
Speaker 1: hats from like I had a Chicago White Sox hat,

474
00:25:21,480 --> 00:25:23,480
Speaker 1: and then everybody like, yo, you're from New York, while

475
00:25:23,480 --> 00:25:25,720
Speaker 1: you got Chicagogo pacats. And then I always like the

476
00:25:25,800 --> 00:25:29,440
Speaker 1: Pittsburgh Pirates logo because of me too. But if you

477
00:25:29,520 --> 00:25:35,080
Speaker 1: put that on, you're gonna be tortured. You're gonna be tortured.

478
00:25:35,320 --> 00:25:37,280
Speaker 1: I could be like, oh, I love Public Enemy. Oh

479
00:25:37,359 --> 00:25:41,200
Speaker 1: I thought you liked the part. No, I actually no,

480
00:25:42,119 --> 00:25:44,280
Speaker 1: I like Chuck D. I like fucking Chuck D. I

481
00:25:44,359 --> 00:25:45,960
Speaker 1: like public enemy. That's why I have the hat on.

482
00:25:46,160 --> 00:25:49,080
Speaker 1: Is that enough? Can I go? I just got out

483
00:25:49,119 --> 00:25:53,520
Speaker 1: of the hospital. The best picture of you is with

484
00:25:53,640 --> 00:25:55,639
Speaker 1: all the ship that you talk about, the nets and everything,

485
00:25:55,720 --> 00:25:58,880
Speaker 1: the best picture is you in the stands, not looking

486
00:25:58,920 --> 00:26:03,920
Speaker 1: at the camera, just head to toe and next gear hat,

487
00:26:04,119 --> 00:26:06,720
Speaker 1: the nets, shirt, the jersey and people always say this,

488
00:26:06,800 --> 00:26:09,600
Speaker 1: you question mark. I love it, love it. And you know,

489
00:26:09,720 --> 00:26:14,879
Speaker 1: the nets are so down in the ship hole right now,

490
00:26:15,920 --> 00:26:20,320
Speaker 1: and it's so great to see that people aren't bending

491
00:26:20,400 --> 00:26:24,359
Speaker 1: over backwards to trade Kyrie Irving and Kevin Durant, and

492
00:26:25,600 --> 00:26:29,040
Speaker 1: I just love that this might go on for a while.

493
00:26:29,240 --> 00:26:32,480
Speaker 1: Last time I made a prediction, I was wrong, But

494
00:26:32,640 --> 00:26:36,040
Speaker 1: I just I hope that Kevin Durant winds up in Toronto.

495
00:26:36,920 --> 00:26:38,879
Speaker 1: I was gonna ask you about that, like, what's your

496
00:26:38,920 --> 00:26:40,840
Speaker 1: whole take on this? Like he wants to be traded.

497
00:26:41,480 --> 00:26:43,760
Speaker 1: He wants to be traded, and this is my take. Now.

498
00:26:46,640 --> 00:26:49,760
Speaker 1: A lot of people thought Kevin Durant was sick and

499
00:26:49,840 --> 00:26:54,879
Speaker 1: tired of Kyrie Irving's bullshit. So Kevin Durant was like,

500
00:26:55,000 --> 00:26:57,560
Speaker 1: I want to leave the nets. That's not the case.

501
00:26:59,600 --> 00:27:05,200
Speaker 1: Kevin Ran and Kyrie Irving are offended that the Nets

502
00:27:05,320 --> 00:27:09,440
Speaker 1: didn't give Kyrie Irving the contract that he wanted. So

503
00:27:09,600 --> 00:27:12,919
Speaker 1: now they're both leaving the Nets to spite the Nets,

504
00:27:13,400 --> 00:27:17,000
Speaker 1: to spite the borough of Brooklyn. They are so dumb,

505
00:27:17,400 --> 00:27:20,159
Speaker 1: and you've got guys like Draymond Green monologueing on his

506
00:27:20,280 --> 00:27:24,520
Speaker 1: podcast about, Oh, people don't accept it's a business and

507
00:27:24,680 --> 00:27:27,800
Speaker 1: people make business decisions. I accept that it's a business

508
00:27:27,840 --> 00:27:30,639
Speaker 1: and it's a business decision, and you have to accept,

509
00:27:30,760 --> 00:27:33,840
Speaker 1: Draymond Green that a lot of people make terrible business

510
00:27:33,880 --> 00:27:39,159
Speaker 1: decisions day after day. So yeah, it's a business, but

511
00:27:39,480 --> 00:27:42,560
Speaker 1: you could also make fucked up bad business decisions, even

512
00:27:42,680 --> 00:27:46,520
Speaker 1: for yourself. So these two were like the Nuts didn't

513
00:27:46,520 --> 00:27:49,359
Speaker 1: give him a boy the contract he wanted, funk the Nets.

514
00:27:49,520 --> 00:27:51,960
Speaker 1: So now you're gonna both not play with each other,

515
00:27:52,680 --> 00:27:57,640
Speaker 1: go to separate teams, start from scratch, continue to astric

516
00:27:57,720 --> 00:28:02,600
Speaker 1: your legacy, have more fans, not like you spread yourself.

517
00:28:02,680 --> 00:28:05,680
Speaker 1: Then let the next man hit it because basically, each

518
00:28:05,760 --> 00:28:08,480
Speaker 1: time you go to a new team, it's new dick.

519
00:28:09,840 --> 00:28:13,359
Speaker 1: That whole team is fucking you, right, It's like prison.

520
00:28:14,240 --> 00:28:16,360
Speaker 1: So yeah, so you're going to wherever you're going, Phoenix,

521
00:28:16,520 --> 00:28:18,560
Speaker 1: l A. So the next man is hitting that ass

522
00:28:18,760 --> 00:28:20,760
Speaker 1: they're gonna wear that puts the out real nice or

523
00:28:20,840 --> 00:28:23,800
Speaker 1: real tight. And even if you win a championship, that

524
00:28:23,920 --> 00:28:27,719
Speaker 1: pussy's worn out real nice and real proper. But how

525
00:28:27,760 --> 00:28:30,520
Speaker 1: do you know for a fact that Durant is leaving

526
00:28:30,600 --> 00:28:34,280
Speaker 1: because so Durant is leaving because of Kyrie. That's why

527
00:28:34,320 --> 00:28:36,960
Speaker 1: I think they're they're both leaving because of the Nets.

528
00:28:37,080 --> 00:28:41,280
Speaker 1: In their mind, the Nets disrespected them, but them okay,

529
00:28:41,360 --> 00:28:43,480
Speaker 1: got you. But now that like New York is probably

530
00:28:43,520 --> 00:28:46,400
Speaker 1: like funck both of these guys, right, I hope to

531
00:28:46,480 --> 00:28:50,160
Speaker 1: god that New York doesn't give either one of them

532
00:28:50,200 --> 00:28:53,280
Speaker 1: to benefit of doubt, because I am telling you, if

533
00:28:53,320 --> 00:28:55,200
Speaker 1: you look at their track record, they don't give a

534
00:28:55,320 --> 00:28:58,120
Speaker 1: funk about where they're playing. They don't give a funk

535
00:28:58,160 --> 00:28:59,920
Speaker 1: about where they're playing. And again it is a bit.

536
00:29:00,280 --> 00:29:02,480
Speaker 1: It's not like they're fans. They're not walking around with

537
00:29:02,600 --> 00:29:05,720
Speaker 1: stupid you know hats like you have on there there.

538
00:29:05,840 --> 00:29:08,320
Speaker 1: It is a business decision, but at the end of

539
00:29:08,360 --> 00:29:11,080
Speaker 1: the day, I think they're making an improper business decision.

540
00:29:11,680 --> 00:29:13,720
Speaker 1: But so what are they just ring chasing? Are they

541
00:29:13,800 --> 00:29:20,640
Speaker 1: just like ringing chasing little sensitive little babies? And you know, inevitably.

542
00:29:20,640 --> 00:29:22,200
Speaker 1: I don't think it's gonna work out, because I don't

543
00:29:22,240 --> 00:29:25,080
Speaker 1: think if if Kyrie goes to the Lakers or if

544
00:29:25,160 --> 00:29:27,920
Speaker 1: Kevin Durant goes anywhere, neither one of them were winning

545
00:29:27,920 --> 00:29:32,320
Speaker 1: a championship next year. And that's Karma, that's Moses Malone,

546
00:29:32,840 --> 00:29:37,200
Speaker 1: that's Bill Walton, that's Larry Bird, that's Alan Iverson, that's

547
00:29:37,240 --> 00:29:40,560
Speaker 1: Patrick Ewing, that's fucking the ghost of every single NBA

548
00:29:40,600 --> 00:29:43,160
Speaker 1: player alive and dead, saying it doesn't work like that.

549
00:29:43,800 --> 00:29:45,920
Speaker 1: It doesn't work like that. When the going gets tough,

550
00:29:46,000 --> 00:29:51,320
Speaker 1: you don't leave your little bitch ass ho you period, Well,

551
00:29:51,680 --> 00:29:53,680
Speaker 1: is it a thing where you can request to be

552
00:29:53,800 --> 00:29:56,960
Speaker 1: traded and be public like that? And then the team

553
00:29:57,120 --> 00:30:00,360
Speaker 1: is like, no, we're not fucking stand right here. Yeah,

554
00:30:00,400 --> 00:30:02,280
Speaker 1: And then if they decide not to play, because they

555
00:30:02,320 --> 00:30:03,880
Speaker 1: could say, well, we're not playing, and then they could

556
00:30:03,880 --> 00:30:07,480
Speaker 1: start finding then it gets real ugly. But teams are like, yeah,

557
00:30:07,520 --> 00:30:12,520
Speaker 1: we're not We're not gonna trade for Kevin Durant and

558
00:30:12,640 --> 00:30:14,160
Speaker 1: not like the nets are like, first of all, you

559
00:30:14,240 --> 00:30:17,240
Speaker 1: want to get traded, fine, you're Kevin Durant, we need

560
00:30:17,280 --> 00:30:21,200
Speaker 1: a lot for you. You're valuable, and other teams are like, well,

561
00:30:21,240 --> 00:30:23,480
Speaker 1: we're not gonna fucking decimate our team. It's great to

562
00:30:23,520 --> 00:30:25,360
Speaker 1: have Kevin Durant, but what good is it having Kevin

563
00:30:25,440 --> 00:30:29,080
Speaker 1: Durant if we have no other good players? So let's say,

564
00:30:29,240 --> 00:30:31,440
Speaker 1: you know, we give you our three best players and

565
00:30:31,560 --> 00:30:34,280
Speaker 1: you come to let's just say, I'm just throwing it

566
00:30:34,320 --> 00:30:36,240
Speaker 1: out there. Let's just say they go to the Toronto Raptors,

567
00:30:36,280 --> 00:30:39,200
Speaker 1: they give the three best players and you have Kevin Durant.

568
00:30:39,240 --> 00:30:43,200
Speaker 1: You can't win a championship just with Kevin Durant. So

569
00:30:43,320 --> 00:30:45,000
Speaker 1: and the nets are like, you know, we're not giving

570
00:30:45,040 --> 00:30:49,560
Speaker 1: away Kevin Durant for nothing. We know his value, So

571
00:30:50,040 --> 00:30:52,240
Speaker 1: funk them. I hope it's long. I hope it's arduous.

572
00:30:52,640 --> 00:30:55,719
Speaker 1: I hope it's frustrating. I hope they realized that, uh,

573
00:30:55,840 --> 00:30:59,880
Speaker 1: you know that their commodities. You're not ownership your commod

574
00:31:00,080 --> 00:31:03,280
Speaker 1: these just like everybody else. You're a working man. You're

575
00:31:03,280 --> 00:31:06,440
Speaker 1: a working stiff for thirty seven million and forty four

576
00:31:06,480 --> 00:31:09,680
Speaker 1: million dollars, just like everybody else. You don't run the teams,

577
00:31:09,960 --> 00:31:12,200
Speaker 1: you don't own the teams, you don't manage the teams,

578
00:31:12,240 --> 00:31:14,600
Speaker 1: you don't coach the teams. You're a fucking your player.

579
00:31:14,600 --> 00:31:17,080
Speaker 1: You're a great piece of property on the monopoly board,

580
00:31:17,640 --> 00:31:20,880
Speaker 1: A great piece, a great piece. But you're a fucking

581
00:31:20,920 --> 00:31:23,320
Speaker 1: piece of property on a monopoly board, just like I'm

582
00:31:23,360 --> 00:31:26,160
Speaker 1: a piece of property. So oh you call a black man. Listen,

583
00:31:26,600 --> 00:31:28,200
Speaker 1: I'm a piece of property. I go to work as

584
00:31:28,240 --> 00:31:31,200
Speaker 1: an actor. I'm a piece of property. So what is

585
00:31:31,240 --> 00:31:33,720
Speaker 1: it would you consider? Like Durant and Kyrie are like

586
00:31:33,800 --> 00:31:36,520
Speaker 1: Boardwalk and park Place on the monopoly board? Are are they?

587
00:31:36,560 --> 00:31:39,000
Speaker 1: On the blue? I would say Durant this park Place?

588
00:31:39,960 --> 00:31:43,560
Speaker 1: Guy rees boardwalk? Boardwalk. Kyrie is not. Kyrie is a

589
00:31:43,640 --> 00:31:47,000
Speaker 1: boardwalk talent. But I don't have the monopoly board in

590
00:31:47,080 --> 00:31:49,719
Speaker 1: front of me. He ate park Place, right, You're more

591
00:31:49,800 --> 00:31:53,120
Speaker 1: like North Carolina Kyrie. Let's leave Durant for Boardwalk. But

592
00:31:53,240 --> 00:31:57,920
Speaker 1: I saw you go in on Durant on Twitter, and

593
00:31:58,120 --> 00:32:00,280
Speaker 1: you know, I know that you guys haven't spoke since

594
00:32:00,360 --> 00:32:03,719
Speaker 1: the infamous beef over the d M s and everything,

595
00:32:03,760 --> 00:32:05,880
Speaker 1: And I know the last that he left it was like,

596
00:32:06,040 --> 00:32:08,240
Speaker 1: I'm not speaking to you anymore. You do you, I'll

597
00:32:08,320 --> 00:32:10,600
Speaker 1: do me kind of a thing. With all this stuff

598
00:32:10,640 --> 00:32:13,560
Speaker 1: you're going in on him. You're talking. I love it too,

599
00:32:13,680 --> 00:32:15,600
Speaker 1: don't get me wrong. I love it too. I do

600
00:32:16,160 --> 00:32:17,680
Speaker 1: you know. I'm not gonna lie. I wish we were

601
00:32:17,720 --> 00:32:19,360
Speaker 1: still friends with the guy, but if this is what

602
00:32:19,440 --> 00:32:21,720
Speaker 1: we gotta do, I'll be there and I got your back.

603
00:32:22,120 --> 00:32:25,040
Speaker 1: Are you a wartime concilia or not? Am I a

604
00:32:25,080 --> 00:32:29,520
Speaker 1: wartime consililiair? What is that? Am I a wartime counts

605
00:32:29,840 --> 00:32:33,760
Speaker 1: canceling air? Do you are counselor or not? And my

606
00:32:33,840 --> 00:32:38,080
Speaker 1: wartime counselor? Are you Tom Hagan or not? Who's Tom Hagen?

607
00:32:38,160 --> 00:32:40,360
Speaker 1: Are you? Are you gonna get yourself in trouble here, buddy?

608
00:32:40,560 --> 00:32:42,440
Speaker 1: I think what you're trying, You're gonna get yourself. You're

609
00:32:42,480 --> 00:32:46,000
Speaker 1: gonna get yourself in trouble here, Tom Hagen, You're gonna

610
00:32:46,040 --> 00:32:49,400
Speaker 1: get yourself in trouble here. Once again? Listen, man, I mean,

611
00:32:49,600 --> 00:32:51,800
Speaker 1: but you have to realize, like I'm twenty years you're

612
00:32:52,200 --> 00:32:56,960
Speaker 1: Are you a wartime conciliaire or not? Yes or no?

613
00:32:57,240 --> 00:32:59,000
Speaker 1: I would have to say yes if you're thinking like

614
00:32:59,120 --> 00:33:00,960
Speaker 1: I will be in those inches with you, brother. I'll

615
00:33:01,000 --> 00:33:04,400
Speaker 1: have the fucking the machine guns ready. We're fighting that fight.

616
00:33:04,520 --> 00:33:09,000
Speaker 1: But if something goes awry, you better But this fun himself.

617
00:33:09,800 --> 00:33:12,160
Speaker 1: He did this to his fucking self. But what do

618
00:33:12,240 --> 00:33:14,240
Speaker 1: you think the reason is now? I know that he

619
00:33:14,400 --> 00:33:18,920
Speaker 1: was fine is weak. I think he's fucking weak minded.

620
00:33:19,560 --> 00:33:22,240
Speaker 1: I think he's sensitive. I don't think he's the leader.

621
00:33:22,280 --> 00:33:24,240
Speaker 1: I think he's a basketball player that just wants to

622
00:33:24,280 --> 00:33:27,040
Speaker 1: play basketball. I think he wants the easy road to

623
00:33:27,120 --> 00:33:32,880
Speaker 1: the championship. And I think his mind is clouded. And

624
00:33:32,960 --> 00:33:35,600
Speaker 1: I think he's got bad people helping him make bad

625
00:33:35,720 --> 00:33:39,680
Speaker 1: decisions around him. I think he needs a new wartime concilia.

626
00:33:39,840 --> 00:33:42,480
Speaker 1: I agree with you. I think the goons that he

627
00:33:42,560 --> 00:33:45,760
Speaker 1: has around him or fucking bozos. And I just want

628
00:33:45,800 --> 00:33:49,960
Speaker 1: to know, why do you think that he's not answering you,

629
00:33:50,560 --> 00:33:53,680
Speaker 1: fucking with you and he's so sensitive about it. We

630
00:33:53,720 --> 00:33:55,480
Speaker 1: don't want any fucking problem. Is that what it is?

631
00:33:55,640 --> 00:33:58,080
Speaker 1: He doesn't want to mean I wouldn't want any problems

632
00:33:58,240 --> 00:34:00,760
Speaker 1: after that whole fucking thing. That thing was a fucking mess.

633
00:34:00,960 --> 00:34:03,200
Speaker 1: He's probably just like this guy's nuts. I like I

634
00:34:03,240 --> 00:34:06,560
Speaker 1: could go out. I think that's what it is. Good

635
00:34:06,720 --> 00:34:27,000
Speaker 1: fuck them, fuck them, fuck them podcast. Yeah, I haven't

636
00:34:27,000 --> 00:34:29,080
Speaker 1: been watching too much ship. I have been swiping a

637
00:34:29,120 --> 00:34:31,400
Speaker 1: lot on Tinder. I am sucking with some people on

638
00:34:31,480 --> 00:34:34,560
Speaker 1: Instagram and Tinder, but I'm not gonna lie. My social

639
00:34:34,600 --> 00:34:38,400
Speaker 1: anxiety has been kind of through the roof. And what

640
00:34:38,480 --> 00:34:41,440
Speaker 1: does that mean? I don't know. It's just like when

641
00:34:41,480 --> 00:34:44,520
Speaker 1: you're cooped up for for this long with the pandemic

642
00:34:44,760 --> 00:34:47,640
Speaker 1: and not really you know, nothing's really back to normal.

643
00:34:47,920 --> 00:34:50,000
Speaker 1: I mean it is in a way, but like I

644
00:34:50,040 --> 00:34:51,920
Speaker 1: don't know the cool bars in l A. I don't

645
00:34:51,960 --> 00:34:53,919
Speaker 1: know like where to go these days. I'm not really

646
00:34:54,000 --> 00:34:56,320
Speaker 1: like fucking partying and ship and so once you lose that,

647
00:34:56,440 --> 00:34:58,880
Speaker 1: it's like I'm kind of got this anxiety a little bit,

648
00:34:59,000 --> 00:35:01,360
Speaker 1: but I am talking to certain people and this and that.

649
00:35:01,640 --> 00:35:03,239
Speaker 1: What does that mean? What does that mean? Well, I'm

650
00:35:03,239 --> 00:35:07,160
Speaker 1: talking to this girl on Tinder and totally my type

651
00:35:07,320 --> 00:35:10,640
Speaker 1: really cute? Great? Does that mean my type? My type?

652
00:35:10,719 --> 00:35:13,560
Speaker 1: Just like my type is like I would your type.

653
00:35:13,600 --> 00:35:18,720
Speaker 1: We would say my type is like shorter girls, blue eyes,

654
00:35:19,400 --> 00:35:23,719
Speaker 1: black or dark brown hair, and like I loved I

655
00:35:23,920 --> 00:35:26,719
Speaker 1: just I like Burnett's with blue eyes, like I love that. Um,

656
00:35:26,840 --> 00:35:28,560
Speaker 1: So I am talking to some girl. But the only

657
00:35:28,600 --> 00:35:30,960
Speaker 1: thing is where she lives. I don't know. I think

658
00:35:31,000 --> 00:35:33,080
Speaker 1: she's in l A. I'm not sure where she's from.

659
00:35:33,120 --> 00:35:34,440
Speaker 1: I haven't really talked to her too much. But the

660
00:35:34,520 --> 00:35:37,120
Speaker 1: only thing is or not. No, I haven't. I haven't

661
00:35:37,120 --> 00:35:38,960
Speaker 1: gone down the dick pick. I haven't been asked for

662
00:35:38,960 --> 00:35:41,960
Speaker 1: a lot of dick picks lately. Um, But the girl's

663
00:35:42,000 --> 00:35:44,839
Speaker 1: occupation is a stripper. Now, I don't know if that's

664
00:35:44,840 --> 00:35:48,520
Speaker 1: a joke or if that's her real occupation. I'm not judging.

665
00:35:48,600 --> 00:35:50,200
Speaker 1: I know the world that we live in today, it's like,

666
00:35:51,400 --> 00:35:53,239
Speaker 1: you know, that's totally accepted, and I don't have a

667
00:35:53,320 --> 00:35:55,560
Speaker 1: problem with it. I just don't know if it's real

668
00:35:55,760 --> 00:35:57,600
Speaker 1: or if it's fake. But I'm pretty sure I saw

669
00:35:57,600 --> 00:36:00,879
Speaker 1: a stripper pole in the room, but it doesn't look

670
00:36:00,960 --> 00:36:02,960
Speaker 1: she doesn't really like have the vibe of a stripper.

671
00:36:03,080 --> 00:36:04,560
Speaker 1: So I'm kind of just like, I don't really know

672
00:36:04,680 --> 00:36:08,200
Speaker 1: where to go with it. I'd right now red flag this.

673
00:36:09,239 --> 00:36:10,920
Speaker 1: I'm not saying if you can't hook up with her,

674
00:36:10,960 --> 00:36:13,879
Speaker 1: don't hook up with her, but I'd immediately make sure

675
00:36:13,960 --> 00:36:17,800
Speaker 1: that you don't catch feelings off the top. That's like

676
00:36:17,840 --> 00:36:19,640
Speaker 1: a thing for me, like I catch feelings on like

677
00:36:20,000 --> 00:36:22,240
Speaker 1: like I'll fall in love with a stripper like no problem.

678
00:36:23,480 --> 00:36:26,560
Speaker 1: I would love for you to fall deeply head over heels.

679
00:36:27,000 --> 00:36:29,560
Speaker 1: Why why so I can get my fucking heartbroken and

680
00:36:29,840 --> 00:36:32,319
Speaker 1: being a fucking world of shambles. I mean, why why

681
00:36:32,360 --> 00:36:33,960
Speaker 1: do you why do you say that you would love

682
00:36:34,040 --> 00:36:37,239
Speaker 1: for that to happen, because I would love to you

683
00:36:37,360 --> 00:36:40,479
Speaker 1: fall in love with a five ft ten, dark haired,

684
00:36:40,600 --> 00:36:43,920
Speaker 1: blue eyed stripper and you know she's a stripper. You

685
00:36:44,000 --> 00:36:46,400
Speaker 1: see the stripper pole in the background of whatever fucking

686
00:36:46,600 --> 00:36:49,520
Speaker 1: whatever you're doing. I don't want anything bad to happen

687
00:36:49,560 --> 00:36:53,480
Speaker 1: to you. I just because you have no business dealing

688
00:36:53,560 --> 00:36:58,560
Speaker 1: with a stripper. You have that fucking hat on I yeah, right, okay,

689
00:36:58,640 --> 00:37:00,239
Speaker 1: Well what does the hat have to do with me

690
00:37:00,440 --> 00:37:03,880
Speaker 1: dealing with a stripper? Okay, but it says stripper on

691
00:37:04,000 --> 00:37:07,879
Speaker 1: her thing. It says stripper as an occupation, and I'm

692
00:37:07,920 --> 00:37:10,400
Speaker 1: pretty sure it's like usually people put that as like

693
00:37:10,440 --> 00:37:13,160
Speaker 1: a joke sometimes make conversation, but I think it's legit.

694
00:37:13,520 --> 00:37:15,399
Speaker 1: I don't have a problem with it. It's just it's

695
00:37:15,440 --> 00:37:20,920
Speaker 1: not my first choice. It's not ideal. So, so, how

696
00:37:21,040 --> 00:37:23,239
Speaker 1: far in the conversation have you gone with her? I

697
00:37:23,320 --> 00:37:26,160
Speaker 1: haven't gone far. It's just have you been, like, yo,

698
00:37:27,160 --> 00:37:29,920
Speaker 1: have you gotten to? Have you gotten to you want

699
00:37:29,920 --> 00:37:33,440
Speaker 1: to hang out? Yeah? She's asked me to hang out

700
00:37:33,520 --> 00:37:36,800
Speaker 1: giving me her number, and I'm like, you know, I

701
00:37:36,960 --> 00:37:40,600
Speaker 1: told him, you know, once things just once, things kind

702
00:37:40,600 --> 00:37:44,000
Speaker 1: of slow down. I'm more free with work. Slow down

703
00:37:44,360 --> 00:37:47,440
Speaker 1: to see, this is what I'm saying. We're coming to

704
00:37:47,560 --> 00:37:50,239
Speaker 1: the end of the week, the funk you're talking about.

705
00:37:50,280 --> 00:37:53,320
Speaker 1: Slow down. Listen, you're thirty two years old. I was

706
00:37:53,360 --> 00:37:57,400
Speaker 1: thinking this earlier. You've spent enough time doubting yourself. You

707
00:37:57,560 --> 00:38:01,040
Speaker 1: spent enough time being you know, self doubting. You need

708
00:38:01,120 --> 00:38:04,319
Speaker 1: to spend the next thirty two years trying to push

709
00:38:04,400 --> 00:38:07,719
Speaker 1: that away. Jump off the fucking cliff. Everybody loves a

710
00:38:07,800 --> 00:38:12,120
Speaker 1: young shooter. Everybody, uh, you know, enjoys the young shoot.

711
00:38:12,239 --> 00:38:13,600
Speaker 1: We know the young shoot is a good guy. We

712
00:38:13,680 --> 00:38:16,120
Speaker 1: know the young shoot is a sweet guy, a genuine guy.

713
00:38:16,480 --> 00:38:19,640
Speaker 1: Fuck this self doubt. No, you're right. We don't have

714
00:38:19,800 --> 00:38:22,960
Speaker 1: time for self doubt. When you have too much self doubt,

715
00:38:22,960 --> 00:38:27,279
Speaker 1: you're in there buying bad fucking hats. Okay, we don't

716
00:38:27,360 --> 00:38:29,520
Speaker 1: have time for that. What we need you to do

717
00:38:29,680 --> 00:38:32,719
Speaker 1: is push that self doubt to the side and get

718
00:38:32,800 --> 00:38:36,080
Speaker 1: out there and fucking enjoy your fucking life. Man, you

719
00:38:36,239 --> 00:38:40,160
Speaker 1: only live fucking once. You're right now, You're right, man,

720
00:38:40,400 --> 00:38:44,319
Speaker 1: You're fucking right. Well, it's I hear you. I mean,

721
00:38:44,560 --> 00:38:48,320
Speaker 1: funk man. You're talking about when things slow down. So

722
00:38:48,400 --> 00:38:50,160
Speaker 1: you're saying trying to fool you're talking out of the

723
00:38:50,200 --> 00:38:52,640
Speaker 1: worldwide wrap a pack here. We know things don't need

724
00:38:52,680 --> 00:38:55,160
Speaker 1: to slow down for you. We want to see you

725
00:38:55,239 --> 00:38:59,400
Speaker 1: out there enjoying your fucking life. So you approve this,

726
00:38:59,560 --> 00:39:01,360
Speaker 1: I mean, would you approve this? Like? Do you think this?

727
00:39:01,600 --> 00:39:04,360
Speaker 1: I say, at this point, with you all and everything,

728
00:39:04,840 --> 00:39:06,920
Speaker 1: the more the merrier, and then we zero in on

729
00:39:07,000 --> 00:39:09,839
Speaker 1: the right one. We gotta get you. You know, if

730
00:39:09,920 --> 00:39:13,319
Speaker 1: you had a girlfriend, a great girlfriend, you know how

731
00:39:13,360 --> 00:39:17,160
Speaker 1: it would jump start your your life, your self esteem, thinks, manhood,

732
00:39:17,200 --> 00:39:21,480
Speaker 1: you need it. Yeah, no, I hear you, bro, I

733
00:39:21,680 --> 00:39:23,680
Speaker 1: I know I do fucking need a girlfriend or something.

734
00:39:23,800 --> 00:39:26,480
Speaker 1: Do you and your wife like to ever mix things

735
00:39:26,600 --> 00:39:29,360
Speaker 1: up and have fun? Have either of you ever introduced

736
00:39:29,400 --> 00:39:34,960
Speaker 1: a threesome possibility or swinging parties? What I'm saying, just

737
00:39:35,080 --> 00:39:36,920
Speaker 1: like you've been married to your wife for a very

738
00:39:36,960 --> 00:39:40,040
Speaker 1: long time. Two spice things up, mix things up? Do

739
00:39:40,160 --> 00:39:42,760
Speaker 1: you ever you or your wife ever say hey, honey,

740
00:39:42,880 --> 00:39:45,640
Speaker 1: let's throw another person into the mix. Let's go to

741
00:39:47,920 --> 00:39:50,200
Speaker 1: talking about That's where it gets tricky. It's she could

742
00:39:50,200 --> 00:39:51,920
Speaker 1: either want to throw one of your friends into the mix,

743
00:39:52,040 --> 00:39:53,960
Speaker 1: or you could want to throw a girl into the mix.

744
00:39:54,800 --> 00:39:56,799
Speaker 1: I just wonder a friend, like, who, what the funk

745
00:39:56,840 --> 00:39:59,320
Speaker 1: are you saying? No, I'm not not about me, obviously,

746
00:39:59,440 --> 00:40:01,520
Speaker 1: I'm not saying need to be thrown into the necks

747
00:40:01,560 --> 00:40:04,080
Speaker 1: of your sex life with your wife? Why would I

748
00:40:04,440 --> 00:40:06,799
Speaker 1: why would you say friends? Like? What are you talking about?

749
00:40:07,000 --> 00:40:09,920
Speaker 1: I'm just wondering. Just no, No, we ain't with that.

750
00:40:10,640 --> 00:40:13,640
Speaker 1: She certainly ain't with that. She's really not with that.

751
00:40:14,400 --> 00:40:16,920
Speaker 1: And I don't know why the funk you're bringing it up, Duke.

752
00:40:17,120 --> 00:40:18,800
Speaker 1: I just wanted to know. I just I know a

753
00:40:18,840 --> 00:40:21,480
Speaker 1: lot of older people who like to spice other people.

754
00:40:22,320 --> 00:40:25,000
Speaker 1: They're talking about Man, Man, I just got out of

755
00:40:25,080 --> 00:40:29,320
Speaker 1: the hospital. I don't need my oxygen levels raised. I'm sorry,

756
00:40:30,200 --> 00:40:32,680
Speaker 1: You're sorry I brought that up. And I gotta check

757
00:40:32,760 --> 00:40:37,360
Speaker 1: my oxymeter full right, You've got check my motherfucking oxymeter.

758
00:40:37,480 --> 00:40:54,760
Speaker 1: Talking this ship to you, it's a strong number, is ideal,

759
00:40:54,920 --> 00:40:58,640
Speaker 1: but is fine anywhere over ninety. How do how do

760
00:40:58,719 --> 00:41:04,120
Speaker 1: we get those three extra po You know, it varies

761
00:41:04,200 --> 00:41:08,960
Speaker 1: on person to person and is just fine, especially considering

762
00:41:09,000 --> 00:41:11,239
Speaker 1: where I'm at and where I came from. Even if

763
00:41:11,239 --> 00:41:14,080
Speaker 1: I didn't have that, ninety five is fine. Um, the

764
00:41:14,160 --> 00:41:16,759
Speaker 1: more you talk, the more you exert yourself. Like I said,

765
00:41:16,800 --> 00:41:19,160
Speaker 1: it did a nice light workout this morning with some weights.

766
00:41:19,280 --> 00:41:22,919
Speaker 1: Broke a sweat, didn't stop. I felt good about freaking

767
00:41:23,040 --> 00:41:26,480
Speaker 1: the health. Okay, don't talk to me about trying to

768
00:41:26,560 --> 00:41:29,640
Speaker 1: suck my wife. Wasn't trying to I wasn't asking to

769
00:41:29,719 --> 00:41:32,320
Speaker 1: funk your That's the fucking. That's where we're gonna end it.

770
00:41:32,600 --> 00:41:34,440
Speaker 1: I would never ask to funk your wife. I'm not

771
00:41:34,560 --> 00:41:37,359
Speaker 1: interested in fucking your wife. I just wondered, if anyone else, why,

772
00:41:37,560 --> 00:41:40,360
Speaker 1: why aren't you not interested in funking my wife. I

773
00:41:40,560 --> 00:41:42,640
Speaker 1: just your wife is like a like a second like

774
00:41:42,760 --> 00:41:44,640
Speaker 1: a mother to me, like an aunt to me while

775
00:41:45,000 --> 00:41:50,160
Speaker 1: he's old. No, we just first like auntie. You're offended

776
00:41:50,200 --> 00:41:52,000
Speaker 1: that I am sucking your wife. Now you're offended at

777
00:41:52,000 --> 00:41:54,120
Speaker 1: that idea, you know, not fucking my wife. I don't

778
00:41:54,160 --> 00:41:56,160
Speaker 1: want to funk your wife. I'm not interested in fucking

779
00:41:56,200 --> 00:41:58,680
Speaker 1: your wife. That's that's the whole point. I don't. I

780
00:41:58,719 --> 00:42:01,080
Speaker 1: don't want anything to put my oxygen on the fucking

781
00:42:01,120 --> 00:42:03,279
Speaker 1: talk to you, all right. I just wanted to know

782
00:42:03,360 --> 00:42:05,840
Speaker 1: if she was interested in maybe adding another man or

783
00:42:05,920 --> 00:42:08,560
Speaker 1: woman to the mix to spice things up. I don't

784
00:42:08,560 --> 00:42:10,960
Speaker 1: know what the funk you're talking about, but I don't

785
00:42:11,080 --> 00:42:16,880
Speaker 1: like it. Okay, it's just a question, man, it's just

786
00:42:16,960 --> 00:42:19,960
Speaker 1: a question. But any lets you know how the stripper

787
00:42:20,080 --> 00:42:22,680
Speaker 1: date goes. Stop playing games and reel it out there.

788
00:42:22,719 --> 00:42:25,640
Speaker 1: You need to be socially active. Man, all right, I

789
00:42:25,920 --> 00:42:28,480
Speaker 1: hear you, bro, I stopped doubting yourself. You're the young

790
00:42:28,560 --> 00:42:33,560
Speaker 1: fucking shooter Collins Deuce Pacino as fucking Lily Man. Woll

791
00:42:34,560 --> 00:42:52,520
Speaker 1: It's been good as far as what I've been watching.

792
00:42:52,600 --> 00:42:58,440
Speaker 1: I watched this four part docuseries on Netflix called Be

793
00:42:58,719 --> 00:43:05,160
Speaker 1: Sweet Pray, keeps It, Keep Sweet Pray and what I

794
00:43:05,200 --> 00:43:08,279
Speaker 1: don't Fight. It's like an eat, sleep, pray, laugh love.

795
00:43:08,480 --> 00:43:11,000
Speaker 1: I don't know what the funk is it. It's about

796
00:43:11,120 --> 00:43:16,880
Speaker 1: these polygamists in Utah. And you could put all the

797
00:43:16,960 --> 00:43:20,280
Speaker 1: polygamy and the Mormon all you want. It's another cult,

798
00:43:20,840 --> 00:43:27,800
Speaker 1: m rapist, child rapist. Who's you know, selling off kids?

799
00:43:28,239 --> 00:43:31,320
Speaker 1: You know? These fucking guys got twenty three four wives,

800
00:43:31,760 --> 00:43:36,320
Speaker 1: literally fifties sixty children, ten with one person tend with

801
00:43:36,440 --> 00:43:39,720
Speaker 1: another person. Wives ranging from the same age to fucking

802
00:43:39,800 --> 00:43:43,239
Speaker 1: nineteen years old. They're on the lamb. It's all under

803
00:43:43,239 --> 00:43:45,719
Speaker 1: the guys of I'm the profit, I'm the profit of

804
00:43:45,840 --> 00:43:48,880
Speaker 1: Mormonism and this, you know, Holy church, and this is

805
00:43:48,920 --> 00:43:51,440
Speaker 1: going on now. They're like living in the eighteen hundreds

806
00:43:51,520 --> 00:43:55,040
Speaker 1: out there. And this creep cock sucker, just like fucking

807
00:43:55,080 --> 00:43:59,880
Speaker 1: Teal Swan, just like all these fake cult leader, psycho narcissist,

808
00:44:00,040 --> 00:44:03,000
Speaker 1: the ego driven freaks that think they're gonna change the world.

809
00:44:03,480 --> 00:44:05,960
Speaker 1: And they're like the fucking horse whisper, and they hear

810
00:44:06,040 --> 00:44:08,759
Speaker 1: things that no one else hears, and animals hear them

811
00:44:09,160 --> 00:44:12,680
Speaker 1: because they're special. They're all scumbags. They all wind up

812
00:44:12,680 --> 00:44:15,640
Speaker 1: getting caught. This cocksuckers on the lamb, he's in jail.

813
00:44:15,680 --> 00:44:19,240
Speaker 1: They arrested this piece of shit. Uh you know, underaged kids,

814
00:44:19,600 --> 00:44:26,080
Speaker 1: sex with underaged kids, polygamy, married sister wives, compelling, great, disturbing,

815
00:44:26,600 --> 00:44:29,799
Speaker 1: another one. I don't know where they uncover these motherfucker's from.

816
00:44:30,040 --> 00:44:32,120
Speaker 1: But what is it called beast? What is it? I

817
00:44:32,200 --> 00:44:38,040
Speaker 1: think it's keep sweet, prey and obey, keep sweet, which

818
00:44:38,120 --> 00:44:40,160
Speaker 1: is what they tell all the people to keep sweet.

819
00:44:40,800 --> 00:44:43,560
Speaker 1: You can just say how fucking creepy that is to

820
00:44:43,719 --> 00:44:50,120
Speaker 1: keep sweet pray and then of course obey it's on Netflix,

821
00:44:50,800 --> 00:44:54,160
Speaker 1: and uh, you know it's if you want another cult,

822
00:44:54,280 --> 00:44:57,399
Speaker 1: dock and chill and that's all it is. Like I said,

823
00:44:57,480 --> 00:44:59,360
Speaker 1: you could, you could veil it with the polygamy and

824
00:44:59,400 --> 00:45:02,640
Speaker 1: the Mormon him in the church. And you know these

825
00:45:02,719 --> 00:45:06,120
Speaker 1: guys are like the prophet, right we just start calling

826
00:45:06,160 --> 00:45:09,160
Speaker 1: you profit Dean. I like profit Dean. I think that's

827
00:45:09,160 --> 00:45:14,680
Speaker 1: got a nice ring to it. Profit Collins, Bishop Collins. Um, well, yeah,

828
00:45:14,680 --> 00:45:18,520
Speaker 1: I like all that, Bishop Rappaport, Profit Dean, Prophet Dean

829
00:45:18,640 --> 00:45:21,760
Speaker 1: and Bishop Rappaport. That could be a nice Netflix series

830
00:45:21,840 --> 00:45:24,279
Speaker 1: right there, Prophet Dean and Bishop Rappaport. I mean that

831
00:45:24,480 --> 00:45:27,680
Speaker 1: that's got a nice ring to it. Um, have you

832
00:45:27,760 --> 00:45:31,440
Speaker 1: seen anything else? I saw something that's really good. It's

833
00:45:31,480 --> 00:45:33,080
Speaker 1: not I have to be totally honest. I was really

834
00:45:33,120 --> 00:45:36,240
Speaker 1: looking forward to it. It's not great, but it's worth watching.

835
00:45:36,880 --> 00:45:39,400
Speaker 1: It's called It's It's on the cover of Netflix right now.

836
00:45:39,480 --> 00:45:42,160
Speaker 1: I'm pretty sure it's called Girl in the Picture. It

837
00:45:42,320 --> 00:45:44,720
Speaker 1: just came out yesterday. It's called Girl in the Picture.

838
00:45:45,040 --> 00:45:48,440
Speaker 1: It's not a docuseries. It's a documentary our forty minutes.

839
00:45:48,960 --> 00:45:53,880
Speaker 1: It's about a young mother's mysterious death and her son's uh,

840
00:45:54,160 --> 00:45:59,280
Speaker 1: subsequent kidnapping. When you when you don't use your own words,

841
00:45:59,880 --> 00:46:03,120
Speaker 1: are my girls? Those are my words? Okay, say it again?

842
00:46:03,200 --> 00:46:05,640
Speaker 1: What's it about? Basically, the whole thing is just about

843
00:46:05,640 --> 00:46:08,560
Speaker 1: a young mother's mysterious death and her son's son and

844
00:46:08,719 --> 00:46:14,680
Speaker 1: her son's subsequent kidnapping. Open. Oh, I use subsequent like

845
00:46:15,160 --> 00:46:16,719
Speaker 1: you just. This is something I don't use with you,

846
00:46:16,880 --> 00:46:19,120
Speaker 1: but I don't think about it. I just I say subsequent.

847
00:46:19,200 --> 00:46:22,400
Speaker 1: This is part of my vernacular. So it's just a

848
00:46:22,440 --> 00:46:27,640
Speaker 1: subsequent kidnapping, which I've never I've never heard you use

849
00:46:27,680 --> 00:46:30,800
Speaker 1: the words sub subsequent. I've said it. Maybe you're just

850
00:46:30,840 --> 00:46:33,960
Speaker 1: not listening, but I've said it. Definitely definitely said it.

851
00:46:35,360 --> 00:46:38,600
Speaker 1: So anyway, it's a good Netflix doc is good. It's

852
00:46:38,640 --> 00:46:43,400
Speaker 1: basically it's like you read the fucking description. What is it?

853
00:46:43,800 --> 00:46:48,839
Speaker 1: It's like you've did you watch it? If you didn't

854
00:46:48,840 --> 00:46:50,600
Speaker 1: watch it, it's fine. It's not like it's homeword. No,

855
00:46:50,760 --> 00:46:53,200
Speaker 1: I watched it. I watched it. It's this fucking it's

856
00:46:53,239 --> 00:46:57,399
Speaker 1: so creepy. This this mother, she she's worth watching it's

857
00:46:57,440 --> 00:46:59,319
Speaker 1: worth watching. She gets killed in a hit and run.

858
00:47:00,000 --> 00:47:03,399
Speaker 1: They're all this subsequently, is it watching? Absolutely? I would

859
00:47:03,440 --> 00:47:05,920
Speaker 1: say watch it the girl in the picture, Girl in

860
00:47:05,960 --> 00:47:09,759
Speaker 1: the picture on Netflix, watch that it's worth it. Um,

861
00:47:10,560 --> 00:47:12,640
Speaker 1: that's something. And like I said, I you know, I

862
00:47:12,760 --> 00:47:15,760
Speaker 1: loved the offer, and now with all this James con stuff,

863
00:47:15,800 --> 00:47:19,120
Speaker 1: it's all it's kind of crazy, but um yeah, not

864
00:47:19,320 --> 00:47:22,759
Speaker 1: nothing much else really all right, well, my final thing

865
00:47:22,840 --> 00:47:27,840
Speaker 1: on everybody's health is the Dust Brothers. Both Jordan and Miles.

866
00:47:29,239 --> 00:47:32,120
Speaker 1: Both of them went down with COVID, so we're wishing

867
00:47:32,200 --> 00:47:35,439
Speaker 1: the Dust Brothers. Of course. Jordan Winter of the Dust

868
00:47:35,480 --> 00:47:41,200
Speaker 1: Brothers extraordinary Bleach Brothers productions. Um got married last weekend

869
00:47:41,280 --> 00:47:48,040
Speaker 1: and unfortunately the Jordan Winter wedding event, the Summer Wedding extravaganza,

870
00:47:48,120 --> 00:47:52,600
Speaker 1: turned into a slight minor super spreader event. But everybody

871
00:47:52,719 --> 00:47:55,440
Speaker 1: is safe. You know. In l A, apparently a lot

872
00:47:55,520 --> 00:47:58,479
Speaker 1: of motherfucker's got that ship. It's popping off. My sister

873
00:47:58,600 --> 00:48:01,600
Speaker 1: who has dodged it like me for three years, just

874
00:48:01,760 --> 00:48:06,200
Speaker 1: got it this weekend. It's definitely popping off. This week sucks.

875
00:48:07,080 --> 00:48:10,880
Speaker 1: Um sucks, so speedy recovery to the Dust Brothers and

876
00:48:10,960 --> 00:48:17,239
Speaker 1: everybody congratulate, huge congratulations Jordan Winter who's now married him

877
00:48:17,280 --> 00:48:19,919
Speaker 1: and Mrs Winter, and we want everybody to get back

878
00:48:20,160 --> 00:48:23,800
Speaker 1: feeling safe, sane and fully recovered. And I mean, listen,

879
00:48:25,160 --> 00:48:28,719
Speaker 1: this was a magical podcast. And I know people like, oh,

880
00:48:28,880 --> 00:48:31,640
Speaker 1: you're ending, like I said, Like I said, go to

881
00:48:31,719 --> 00:48:35,960
Speaker 1: the beach, get a sun tan, do some calisthenics, do

882
00:48:36,120 --> 00:48:40,000
Speaker 1: some burpies, drink a fucking my tie. Okay, drink of

883
00:48:40,080 --> 00:48:42,840
Speaker 1: jack and coke, A drink some tito's, have a juice

884
00:48:43,040 --> 00:48:45,040
Speaker 1: to whatever the funk you want to do. I'm not

885
00:48:45,080 --> 00:48:47,439
Speaker 1: gonna keep you here just to fucking keep you here,

886
00:48:48,040 --> 00:48:51,600
Speaker 1: all right. We'll be back next week. Two episodes, okay,

887
00:48:52,239 --> 00:48:55,520
Speaker 1: part time sometime. Co host Dean Collins will be there.

888
00:48:55,840 --> 00:48:58,080
Speaker 1: Maybe he'll show up for two episodes, maybe he won't.

889
00:48:58,120 --> 00:49:01,600
Speaker 1: He'll definitely be there for one. The thing is, it's summertime,

890
00:49:02,200 --> 00:49:06,280
Speaker 1: it's banana hammock season, it's swamp past season. The moral

891
00:49:06,320 --> 00:49:10,040
Speaker 1: of stories to stay safe, stay sane, stay disruptive. I'm

892
00:49:10,080 --> 00:49:14,680
Speaker 1: rapp Ports Stereo podcast. We're done, great episode, Dean Collins,

893
00:49:14,719 --> 00:49:16,680
Speaker 1: Douce Collins, we want to see you out there, fucking

894
00:49:17,320 --> 00:49:20,000
Speaker 1: I'll definitely man I want to see you out there

895
00:49:20,040 --> 00:49:24,279
Speaker 1: fucking or holding hands or making ways into something real

896
00:49:24,360 --> 00:49:26,239
Speaker 1: nice and real proper. At least be in the game.

897
00:49:26,719 --> 00:49:29,080
Speaker 1: You gotta be in it to win it. You're so right,

898
00:49:29,640 --> 00:49:31,840
Speaker 1: it's been really fucking nice, man. I'm always I like

899
00:49:31,960 --> 00:49:34,279
Speaker 1: I said, I'm so honored to be the half part

900
00:49:34,360 --> 00:49:36,600
Speaker 1: time co host once out of the week and I

901
00:49:36,719 --> 00:49:38,440
Speaker 1: and I do want to just give a shout out

902
00:49:38,480 --> 00:49:41,320
Speaker 1: to somebody. I went on an audition today in person

903
00:49:41,440 --> 00:49:45,359
Speaker 1: audition and a guy named George pie Is. I think

904
00:49:45,400 --> 00:49:48,240
Speaker 1: that's his name, George pie Is. He is a huge

905
00:49:48,320 --> 00:49:50,799
Speaker 1: fan of the Iron Wrap Ports stereo podcast. He came

906
00:49:50,960 --> 00:49:53,359
Speaker 1: right over to me at the audition with my mask

907
00:49:53,480 --> 00:49:56,160
Speaker 1: on and said, young Shooter, the new half co host.

908
00:49:56,320 --> 00:49:59,520
Speaker 1: I've always wanted to meet George. George is the fucking

909
00:49:59,600 --> 00:50:02,839
Speaker 1: man with Georgie, I'm with you on these long podcast man.

910
00:50:02,920 --> 00:50:04,720
Speaker 1: Like I listened to Red Out Chili Peppers on Howard

911
00:50:04,760 --> 00:50:06,840
Speaker 1: Stern for two hours. They're one of my favorite bands.

912
00:50:06,920 --> 00:50:09,640
Speaker 1: But even then, it's like, that's a long fucking time

913
00:50:09,719 --> 00:50:11,480
Speaker 1: to be listening to something A long time. I mean,

914
00:50:11,520 --> 00:50:13,600
Speaker 1: if you guys want to sing for two hours, cool,

915
00:50:14,360 --> 00:50:16,640
Speaker 1: But believe we heard the story of Under the Bridge

916
00:50:17,160 --> 00:50:20,279
Speaker 1: and for Scotty leaving the band. Two hours is a lot.

917
00:50:21,120 --> 00:50:24,000
Speaker 1: Came saw disruptive, came saw it disrupted. Miles Jordan, a K.

918
00:50:24,160 --> 00:50:27,400
Speaker 1: The Bleached Brothers a K. The Dust Brothers a K.

919
00:50:27,640 --> 00:50:32,000
Speaker 1: The COVID fucking crashers. Take us at every something real nice,

920
00:50:32,120 --> 00:50:33,879
Speaker 1: Take us at it with something real proper, but most

921
00:50:33,920 --> 00:50:37,279
Speaker 1: importantly end this. Iron Wrappers stereo podcasts Something Real, Loud,

922
00:50:37,800 --> 00:50:41,200
Speaker 1: real fun, and real proper. Iron Wrappers stereo podcasts of

923
00:50:41,320 --> 00:50:41,520
Speaker 1: out