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Speaker 1: Podcast starts now, just kidding, gotcha. This is George with

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Speaker 1: two very very quick announcements. First of all, there are

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Speaker 1: still some tickets available to my show on July eighth

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Speaker 1: and Brooklyn at Littlefield, where I'll be working out some

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Speaker 1: new stand up material and I would love to see

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Speaker 1: some glamour girls there. I'll be joined by Straighter Lab

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Speaker 1: favorites Britney Carney and Marybeth Barone. So it's going to

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Speaker 1: be truly a blast. And you can find tickets at

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Speaker 1: LITTLEFIELDNYC dot com or in my Instagram or Twitter bio.

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Speaker 1: And second, in case you haven't heard, Straighter Lab is

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Speaker 1: going on to our baby, So if you live in Montreal, Boston, Philly, DC, Minneapolis, Chicago, Seattle, Portland,

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Speaker 1: San Francisco, or even Los Angeles, then head over to

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Speaker 1: linktree dot com slash Stradio Lab for tickets. So we

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Speaker 1: will see you out there. Stay safe and enjoy the episode.

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Speaker 2: Okay, podcast starts now, what's up everybody, and welcome to

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Speaker 2: a special edition Stralia Lab called Gadio Lab. That's right.

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Speaker 2: Today we are uplifting the LGBTQ plus and talking about

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Speaker 2: gay culture. Stradio Lab presents Gadia Lab presented by Big

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Speaker 2: Money Players, presented by iHeartMedia.

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Speaker 3: Wow.

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Speaker 1: When we were approached to do Gadio Lab by iHeartMedia, Yeah,

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Speaker 1: at first we were insure because we were sort of like,

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Speaker 1: our whole brand is straight.

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Speaker 3: Straight culture, straight culture.

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Speaker 1: Yeah, and unpacking it I don't even know, and we've

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Speaker 1: spent years researching it in libraries.

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Speaker 3: Yeah, private institutions.

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Speaker 2: Of course, they cost a lot of money to join.

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Speaker 3: Yeah, like you know the.

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Speaker 1: Sort of military funded conservative research institutions that you hear

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Speaker 1: about that are primarily like for the military, but they

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Speaker 1: do fund some humanity these and social sciences research, and

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Speaker 1: that's sort of.

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Speaker 3: Where we come in.

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Speaker 1: Yeah, yeah, Yeah, And whenever we would go to those places,

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Speaker 1: there would never be a gay section. So we were like, well,

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Speaker 1: where do we even begin.

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Speaker 2: Yeah, and you know, people started to get mad at us.

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Speaker 3: Yeah, you know, because we.

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Speaker 2: Just shone the spotlights so brightly on.

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Speaker 3: Straight culture and it was blinding.

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Speaker 2: It was blinding, and it was you know, people started

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Speaker 2: to say, hey, like, you know, there's other culture out there.

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Speaker 1: Right, Like you can shine an overhead spotlight on straight culture,

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Speaker 1: but maybe once in a while, just a little vintage lamp,

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Speaker 1: just a little a little scance that's just for gay culture.

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Speaker 1: Maybe once every few years.

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Speaker 2: It could be tasteful.

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Speaker 1: Yeah, and we said, you know what, sure, why the

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Speaker 1: fuck not throwing a bone? They're gonna through a lot

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Speaker 1: this year, you know what with multiple companies not doing

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Speaker 1: pride campaigns at all. Wait, yeah, well here's the thing. Yeah, okay,

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Speaker 1: so this is actually like really important. Basically in the

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Speaker 1: past everyone has in a pride campaign, so it's been hacked. Yeah,

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Speaker 1: this year it's actually indeed to do a pride campaign

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Speaker 1: because the big companies are not doing them.

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Speaker 2: It's it's become indie to do produd.

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Speaker 4: Yeah.

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Speaker 1: And actually it's like I'm like, you know, we both

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Speaker 1: have so much old material, old jokes that are like

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Speaker 1: making fun of corporate pride, and it's like you can't

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Speaker 1: say that anymore because now it's like make that's like

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Speaker 1: making fun of you know, Sky Ferra, Like that's like

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Speaker 1: you're making fun of indie artists when you're making fun

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Speaker 1: of corporate pride.

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Speaker 2: Now pride going indie, it's sort of it is Skypierra.

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Speaker 2: It is how pop has.

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Speaker 3: Gone indie exactly now.

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Speaker 2: Now pop girls are indie girls and therefore they are pride.

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Speaker 1: Right, So Pride used to be Katie Perry, yeah, and

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Speaker 1: now it's Caroline pola.

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Speaker 2: Check exactly exactly.

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Speaker 1: And so you see, you know, you'll see a parade

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Speaker 1: and it'll be like, oh, I don't know. A float

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Speaker 1: that's ECU Slata, a float that's you know, an independent

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Speaker 1: record label, a float that is a mom and pop

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Speaker 1: pottery story. Even all the floats are indie things rather

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Speaker 1: than a Target star Bucks. And so we thought, well,

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Speaker 1: now's the better the other time than ever to catch it.

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Speaker 2: And we thought, well we're indie.

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Speaker 1: Yeah, we're indy and yeah, well yeah we're indy.

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Speaker 2: Coming from the iHeart station in Midtown Manhattan that's still indy.

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Speaker 1: Yeah, which is owned by Lockheed Martin.

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Speaker 2: Literally the CBGB's up today.

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Speaker 1: But we're sort of like when a big company has

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Speaker 1: like a small team and they're like, well that's a

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Speaker 1: that's more of a startup environment. Like you guys, just

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Speaker 1: like we want you to play like you have our own.

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Speaker 1: There's like a little everyone sits on a ball rather

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Speaker 1: than an office chair, and there's ping pong and kombucha.

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Speaker 2: Yeah that's what we are.

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Speaker 1: And yeah, there's taco Tuesdays, and there are vegan options.

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Speaker 2: Who whatever, whatever, We're still indy.

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Speaker 1: So I guess I guess that's sort of a good

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Speaker 1: context for today. I don't want to put you on

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Speaker 1: the spot, but this was you immediately jumped on. This

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Speaker 1: was your passion project.

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Speaker 2: To be fair, I've been pushing this idea for years.

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Speaker 1: Yeah, you've been pushing this idea for years. Honestly, from

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Speaker 1: like when we started, you were like, you know, it

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Speaker 1: would be funny. We have a quarter single episode. You

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Speaker 1: know it would be funny if like a year four

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Speaker 1: we did Gatio lab where we do a gay topic.

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Speaker 2: I actually do think it will be funny, and I

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Speaker 2: stand by it. Yeah, I you know, anytime there's sort

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Speaker 2: of a flip where it's like, you know, the sitcom,

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Speaker 2: suddenly it's about the secondary character.

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Speaker 1: A bottle episode, this is sort of a bottle episode

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Speaker 1: even Yeah, and I love that.

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Speaker 2: So I think that's sort of what I was hoping for.

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Speaker 2: And if it flops, I want to say, it's not

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Speaker 2: my fault.

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Speaker 1: No, it's my heart's fault because they asked for it.

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Speaker 2: And I pushed for it. So yeah, So basically that's

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Speaker 2: the fantasy.

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Speaker 3: I think that's the fantasy. You know.

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Speaker 1: I also want to say I'm in a sort of

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Speaker 1: place right now where I am pounding the Jon Didian

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Speaker 1: alarm in the sense that I am needing to tell

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Speaker 1: myself stories in order to live. Huh, because you know

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Speaker 1: when you have nothing in your own life that is

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Speaker 1: interesting enough to really lead with, and you're like, well,

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Speaker 1: this is where fiction comes in. So I am in

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Speaker 1: the mood to be in a heightened reality. I'm in

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Speaker 1: the mood to be in full costume on a stage,

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Speaker 1: and I'm in the mood to get a little crazy.

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Speaker 2: I'm glad. I'm trying to think if I'm in the

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Speaker 2: same mood or yeah, I think I'm in.

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Speaker 1: Like a mood that's like you're more grounded.

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Speaker 2: I'm a little more grounded, okay, but also have nothing

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Speaker 2: to show for it, Like if it were like like

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Speaker 2: I don't have like a fun story to tell or mumblecore,

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Speaker 2: I'm slice of life.

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Speaker 1: You're a slice of life mumblecore, you know what I am.

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Speaker 1: I'm sort of like the musical episode of Buffy, Like.

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Speaker 2: Oh, they're like, we don't have anything to say, so

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Speaker 2: let's pay exactly That's exactly how I am.

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Speaker 1: I'm like, I if only I could break into song, damn,

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Speaker 1: But I can't.

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Speaker 2: But you can't. So should we bring in our guests?

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Speaker 3: You know what I think?

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Speaker 1: Well, you know, when we decided to do Gato Lab I,

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Speaker 1: there are very few guests that we could have asked

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Speaker 1: to do. Yes, I mean, we were honestly struggling locating

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Speaker 1: one that would be perfect for it. But the thing

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Speaker 1: with our guests is that, like I would say, she

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Speaker 1: is the perfect vent diagram between Stradio Lab and Gaetio Lab,

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Speaker 1: and that on the one hand, she is a straight woman.

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Speaker 1: On the other hand, she is yas queen.

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Speaker 2: I think it's safe to say that she is perfectly

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Speaker 2: in the middle of the ven exactly. So, without further ado,

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Speaker 2: please welcome the perfect guest.

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Speaker 3: Hi, I love this vent diagram.

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Speaker 1: Yeah, it's sort of like it's like Kylie Minogue.

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Speaker 2: No, And we did ask her first, we did, well,

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Speaker 2: we spoke earlier.

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Speaker 3: She couldn't do it.

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Speaker 2: Yeah, she said that was faggots. Wow, accident work comes back.

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Speaker 3: Yeah, yeah, that was We're to.

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Speaker 2: Wow.

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Speaker 3: Yeah, I'm excited about Pride this year.

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Speaker 2: Yeah, thank you.

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Speaker 4: I'm trying to decide whether I'll be on the Lucy

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Speaker 4: Dakas Float, the Noah Bomba.

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Speaker 3: The no bomback float is really good. It's gonna be great.

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Speaker 3: It's gonna be great.

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Speaker 1: Yeah, I heard Maggie Jillenhole might be honest.

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Speaker 4: Parker Posey Yeah yeah, yeah, blood orange.

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Speaker 2: Everyone's just smoking little cigarette.

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Speaker 3: Yeah, it'll be great.

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Speaker 1: Harry enough, Rachel Sennetchel.

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Speaker 3: Huge on the Pride circuit. Yeah, circuit.

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Speaker 1: No, the no bombback float is actually, if anything, he's

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Speaker 1: clear baiting a little too much.

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Speaker 4: I would say, yeah, well, Greta can't be there corporate

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Speaker 4: that's the thing.

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Speaker 2: Oh my god, that's that's she's not doing Pride anymore.

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Speaker 1: Who would have thought that would ever happen. I know,

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Speaker 1: Greta is Barbie. Greta's like Barbie is straight. I don't

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Speaker 1: want to be part of the game exactly exactly.

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Speaker 4: She's like ever heard of bumping them together?

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Speaker 2: Yeah?

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Speaker 4: Okay, So the Noah bombback float, I'm trying to think what.

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Speaker 3: What floats were we asked to be on this year Pride.

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Speaker 2: I'm like, oh my god, you're making me riff.

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Speaker 3: No, oh no, he's making me riff. No.

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Speaker 2: I'm like, George, I'm gonna be honest. In the cinema,

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Speaker 2: that's not where I riffed the best.

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Speaker 1: We were asked to be in the BAM Brooklyn Academy

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Speaker 1: of Music.

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Speaker 3: Oh, that's an honor. That's an honor.

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Speaker 1: So it's us and the cast of women talking, the

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Speaker 1: only film that has been playing at BAM for the

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Speaker 1: past sixteen months. Yes, it's just a constant stream of

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Speaker 1: women talking, women talking, women talking.

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Speaker 4: Well, that's right behind the a Doll's House exactly. So

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Speaker 4: the Doll's House float is just Jessica Chastan going around

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Speaker 4: and round in a circle. Yeah, she walks out of

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Speaker 4: the theater and then just walks through Pride, just.

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Speaker 3: Stone face and character inside of her face. That'll be fun.

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Speaker 2: Yeah, I do think it's weird that, like the community

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Speaker 2: is backlashinggains Phoebe Breecher's float, like yeah, I know, they're

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Speaker 2: like she's too big, she's too bid. Yeah, it's like

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Speaker 2: she was there, yeah, not long ago, long ago, and

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Speaker 2: without her there couldn't be a BAM float or I

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Speaker 2: mean if she's to march in the parade like look

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Speaker 2: around like.

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Speaker 1: Yeah, yeah, you know, you get invited to two Gucci

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Speaker 1: events and suddenly you're not Indy, suddenly your target.

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Speaker 3: That's why we say I R S.

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Speaker 1: V P NO no, no, but take a venetta every

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Speaker 1: every corporate, every sponsored event that I'm invited to, and honey,

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Speaker 1: there are many yes, I.

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Speaker 2: Say, because you get on those mailing lists.

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Speaker 1: Excuse me, I just I just want to say. If

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Speaker 1: there are people that haven't updated their mailing list since

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Speaker 1: the website that I worked for were shut down, that

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Speaker 1: is not my phone. If I get those emails and

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Speaker 1: I R s C P yes, without asking how do

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Speaker 1: I get on this list? That is not something anyone

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Speaker 1: needs to look into. That is not because I'm an

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Speaker 1: LGBTQ Plus creator, And whether or not I'm employed currently

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Speaker 1: by Buscle Digital Group doesn't mean I can't attend the

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Speaker 1: J Crew Pride activation.

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Speaker 2: Well.

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Speaker 4: The thing about companies is that much like people are relative,

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Speaker 4: they live on forever, exactly. And so even though Coker

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Speaker 4: went under, Vessel went under Jezebel, all these things you know,

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Speaker 4: they are They're like a ghost in your They're a

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Speaker 4: family brand, forever.

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Speaker 2: Beautiful.

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Speaker 1: I mean, it's like when people romanticize magazines are like,

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Speaker 1: who would I be without Sassy Magazine.

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Speaker 2: Or Mizor or George or George.

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Speaker 3: I mean, those live on.

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Speaker 2: I have a question, how has Jezebel survived.

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Speaker 3: Oh is that one still? That one is still still?

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Speaker 2: So you always has been And I'm like, but wait,

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Speaker 2: how everything.

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Speaker 4: Has been a blog since before computers even?

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Speaker 1: Yeah, well they created the internet from biblical times.

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Speaker 4: So someone Jabel is the ghost in the michiy exactly.

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Speaker 1: So someone started Jezebel and they were like, it's a

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Speaker 1: blog and everyone's like, what is it, Like.

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Speaker 3: We don't know computers.

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Speaker 1: And then and then Steve Jobs and everyone like created

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Speaker 1: computers around they were like, we have to have something

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Speaker 1: to host Jezebel.

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Speaker 3: Yeah, yeah, she was a great prophet.

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Speaker 2: Yeah yeah, wow, that is just the question.

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Speaker 3: Interesting.

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Speaker 4: Wow.

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Speaker 3: End of episode Blackout, Gunshot. I want to know me.

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Speaker 2: It's cloudy outside.

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Speaker 4: Let's be honest.

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Speaker 3: Let's be honest. Let's be honest.

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Speaker 4: Clouds not in the.

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Speaker 1: Cloud, but like apocalypseic in a way where we are,

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Speaker 1: of course, in our famous Midtown studio, the Red Room,

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Speaker 1: and we are looking out and and as we walked in,

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Speaker 1: the rain was starting. And now we're looking outside and

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Speaker 1: it is becoming you know Darren Aronofsky's Noah, yeah, yeah,

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Speaker 1: the storm is starting, and you better get two little

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Speaker 1: skunks of different genders on.

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Speaker 4: That slash kind of like the game or something when

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Speaker 4: like one of those nineties like ye, Wall Street thrillers,

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Speaker 4: you know, yeah, or Wall Street.

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Speaker 3: Or Yeah it's actually, yeah, it's funny.

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Speaker 1: It's not sci fi, but it is like, Okay, you're

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Speaker 1: in this like really modern contemporary apartment and two people

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Speaker 1: are plotting something. Yes, so the weather outside is foreshadowing

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Speaker 1: that something bad is gonna happen. Yeah, it's damn. It's

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Speaker 1: Glenn close in damages planning how she's gonna murder?

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Speaker 3: Oh my god.

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Speaker 1: Yeah, and she says something and then there's thunder.

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Speaker 2: But it's also not not sci fi where you're like

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Speaker 2: sort of the only person who realizes you're a person.

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Speaker 2: It's almost matrixy, where you're like everyone else is walking

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Speaker 2: around the clouds and you're like, oh, it's suddenly something.

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Speaker 3: Don't they notice the ring? Yeah, suddenly I see.

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Speaker 1: Actually the soundtrack really doesn't go with really doesn't go

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Speaker 1: with a material, because it's this really dark, really dark

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Speaker 1: like Zack Snyder's Just This League.

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Speaker 3: And then it's like suddenly as suddenly Assy.

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Speaker 4: Or it's one of those trailer remixes of it.

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Speaker 3: Suddenly it's a children's choir doing Suddenly. I said, Yeah.

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Speaker 1: Wow, So Macie, I want to know, like, you know,

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Speaker 1: obviously this is our Pride episode. How like at this

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Speaker 1: moment in time, it's twenty twenty three. Yeah, we're in

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Speaker 1: New York City, a city that never sleeps.

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Speaker 3: How where are you in terms of pride as a

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Speaker 3: concept these days?

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Speaker 4: Well, you know, gotta love it, right, I love it

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Speaker 4: with all these damn drag Queen t shirts being ripped

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Speaker 4: from the shells, and at Goodyear Tires, the Rainbow tire

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Speaker 4: collection ripped from car you know.

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Speaker 3: Yeah, they're ripping out wheels. They're ripping out wheels.

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Speaker 2: Out rainbow and cars can't die without the wheels.

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Speaker 4: They have those those spike things on the road, they're

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Speaker 4: throwing them across. They're making these cars crash into deep ravines.

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Speaker 4: So you know, whether or not pride has become tiresome

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Speaker 4: over the years, I've heard.

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Speaker 3: Talk of that.

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Speaker 4: I don't necessarily subscribe to that idea, but I understand that's.

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Speaker 3: A popular sentiment.

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Speaker 4: We I think we have to just support it and

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Speaker 4: we all have to be on sixth Avenue on June twenty.

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Speaker 2: Oh, we're busy that day. Actually, that sucks, And it's

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Speaker 2: that day you.

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Speaker 3: Have the j group Pride activation.

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Speaker 1: Okay, yeah, yeah, well sponsored by the Westbroo Baptist Church.

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Speaker 3: Excellent.

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Speaker 1: Yeah, it's really aggressive. Now they hired a new head

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Speaker 1: of diversity and inclusion.

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Speaker 3: Things are top seed turvy these days.

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Speaker 1: If someone approached you and they were like, do you

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Speaker 1: want to be the head of diversity and inclusion at

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Speaker 1: the Westboro Baptist Church?

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Speaker 4: Yeah, would you say, here's twenty five million dollars, I'm

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Speaker 4: like sure, yeah.

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Speaker 1: I'll have a conversation. I'll get in that room.

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Speaker 2: We have like a lot of time off you guys.

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Speaker 4: We have to address these people. We have to be

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Speaker 4: in the room to make change. We have to be

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Speaker 4: in the room, in the room at Westbroo Baptist Church

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Speaker 4: of Alex Jones's personal office.

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Speaker 2: Yeah yeah, I mean that's these are the rooms now

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Speaker 2: more than ever news.

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Speaker 3: We got to storm it after this, I.

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Speaker 2: Mean right there, especially in the building.

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Speaker 1: All right, okay, well should we do her for a segment?

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Speaker 1: Is that crazy? I don't think it's crazy?

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Speaker 3: Okay?

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Speaker 1: And then I feel like I want to really get

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Speaker 1: into the topic because we're only going to do Gato

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Speaker 1: lab Ones.

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Speaker 2: That's true, Okay, it could be a yearly a smash success.

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Speaker 4: I love this sort of queer argument gay argument that

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Speaker 4: you've manufactured before the show.

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Speaker 3: Disagreements very gay, yeah.

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Speaker 1: Very disagreements, consensus straight, super straight, super straight, manufacturing consent

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Speaker 1: even straight yes, wow.

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Speaker 2: Yeah. So you know, for our special edition, we're doing

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Speaker 2: a very brand new segments called It's called Gay Shooter

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Speaker 2: Gay Shooters and is to gauge your familiarity with incomplicity

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Speaker 2: in gay culture, asking series of rapid fire questions basically

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Speaker 2: this thing or this other thing, and the only rule

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Speaker 2: is you can't ask any followup questions, or maybe you

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Speaker 2: can because it's gay this time.

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Speaker 1: You can ask follow up questions, but only if you

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Speaker 1: do it in like a really LGBTQ.

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Speaker 4: Plus way, if you're like, like, hold on a second, there, girl, Yeah, okay,

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Speaker 4: so I'm not I just for everyone watching, I'm not

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Speaker 4: looking at my text.

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Speaker 1: I'm looking at a text I sent myself with my

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Speaker 1: Gay Shooters.

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Speaker 3: Very you know what I mean. I'm impressed.

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Speaker 1: I could see people being like, why is he texting?

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Speaker 3: I'm not.

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Speaker 4: Even if you were, it would be consistent with.

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Speaker 1: The Okay, now I'm like, is everything Texting is part

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Speaker 1: of the theme, which.

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Speaker 4: Is we're just like, yeah, wait, okay, wait, wait, okay, literally,

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Speaker 4: we're restarting the episode.

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Speaker 3: Okay, okay, okay, So welcome to Gatio Lab. Did you

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Speaker 3: see this? I'm busy okay and I hate her?

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Speaker 2: Okay.

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Speaker 1: So so yeah, we're doing our segment Gaze Shooters.

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Speaker 2: Wait, guys, seriously, government's crazy right now?

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Speaker 3: I know, did you hear?

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00:18:35,280 --> 00:18:37,439
Speaker 1: I just got the New York Times notification. They're shutting

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Speaker 1: the whole thing down. They're shutting the whole government down.

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Speaker 2: Honestly, work for good, honestly, work.

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Speaker 3: Honestly work.

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Speaker 2: Okay.

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Speaker 1: Finally, yeah, let's do gay shooting. Okay, so gay shooter.

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Speaker 1: So Macy, you know, go with God of course?

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00:18:52,160 --> 00:18:54,360
Speaker 3: Yes, yes, okay.

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Speaker 1: Macy having an apparel sprits or having anonymous.

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Speaker 4: Sex at the Ritz. I think the sprits, Yeah.

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Speaker 3: The sts.

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Speaker 2: Okay, may see? Could baby Gronk be the next viz King?

383
00:19:07,400 --> 00:19:12,080
Speaker 2: Or Zendia is Michi and Lebron James is Guanghi Zindaia?

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Speaker 3: Yeah?

385
00:19:13,920 --> 00:19:16,600
Speaker 4: Yeah, may see Demi Levado or I'll have a Cartado,

386
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Speaker 4: I'll have a cartatah.

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Speaker 3: Yeah.

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00:19:21,600 --> 00:19:24,960
Speaker 2: Okay, this girl is on fire or the boy's a liar.

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00:19:26,440 --> 00:19:31,080
Speaker 1: Girl's on fire freaking out because you spotted Kirsten dunst

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00:19:31,280 --> 00:19:33,640
Speaker 1: Or tweaking out while listening to music that goes.

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Speaker 2: Wow, we'll go kiki, not safe for work or too

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Speaker 2: cool for school.

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Speaker 4: N s f W being lgbt Q or I don't

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Speaker 4: have a problem with age people, I have a problem

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Speaker 4: with you.

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00:19:50,800 --> 00:19:52,040
Speaker 3: Yeah, yeah, okay.

397
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Speaker 2: Lady Gaga doing an ad for ner Tech, or Sam

398
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Speaker 2: and George doing an ad for Durex.

399
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Speaker 4: Sam and George, Yeah, so gladly that that had to

400
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Speaker 4: celebrate pride.

401
00:20:03,560 --> 00:20:07,040
Speaker 2: That was I, you know, I hit play on our episode.

402
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Speaker 2: I said, let's see how this sounds, and it starts

403
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Speaker 2: with an AD and I was like, when the hell

404
00:20:10,600 --> 00:20:11,160
Speaker 2: did we do this?

405
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Speaker 4: We're yeah, it's all yeah GBT yeah, And they made

406
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Speaker 4: me sound.

407
00:20:17,800 --> 00:20:19,680
Speaker 3: They made us both sound really mask.

408
00:20:20,560 --> 00:20:22,840
Speaker 2: Which was like people, hey.

409
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Speaker 4: Cowboy, ramping up before you shoot babies in near your ground.

410
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Speaker 2: I wish they would do that.

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Speaker 4: Those nuts, of course, and the fellows would rather go wrong.

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00:20:42,119 --> 00:20:45,160
Speaker 4: Inside of a pussy feels real good, but you'll feel

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00:20:45,200 --> 00:20:46,879
Speaker 4: it just as well with an X.

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Speaker 2: Oh my god, put on a rain coat and make

415
00:20:51,920 --> 00:20:56,879
Speaker 2: it right. That's a much better ad you can use that.

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00:20:57,000 --> 00:21:03,359
Speaker 3: Let's replace that. If any producers listening well, should we

417
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Speaker 3: get into our topic.

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Speaker 2: Yeah, so basically, since this is my passion project. Yeah,

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Speaker 2: I thought gratulations by the way, Yeah, I think it's

420
00:21:10,560 --> 00:21:13,800
Speaker 2: going really well. You know, if anyone out there it

421
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Speaker 2: doesn't feel that people believe in them, and they have

422
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Speaker 2: a really good idea for an alternative version of their

423
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Speaker 2: mildly successful podcast, just keep fighting because one day you're

424
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Speaker 2: going to be at the top of the tower in

425
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Speaker 2: Midtown and you will be doing your alternative podcast.

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Speaker 1: Yeah, and God will be punishing you with a big

427
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Speaker 1: rain you.

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Speaker 4: Yeah, but you're kind of an example for all those

429
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Speaker 4: like freaks out there. Anyone who was ever picked on

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Speaker 4: in school, maybe high.

431
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Speaker 2: School, yeah, the losers, yeah alone yeah.

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Speaker 3: Yeah.

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Speaker 1: If you were ever told that what you are is wrong,

434
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Speaker 1: that what you are is not fucking perfect to quote pink,

435
00:21:52,440 --> 00:21:53,600
Speaker 1: then guess.

436
00:21:53,320 --> 00:21:57,040
Speaker 3: What can This episode's for you.

437
00:21:57,400 --> 00:22:00,520
Speaker 2: If a teacher ever told you, hey, this is wrong,

438
00:22:00,600 --> 00:22:01,560
Speaker 2: then this episode's for you.

439
00:22:01,640 --> 00:22:03,960
Speaker 4: If a teacher ever told you you can't read and

440
00:22:04,160 --> 00:22:06,199
Speaker 4: in fifth grade, this episode is for you.

441
00:22:06,760 --> 00:22:10,840
Speaker 2: If someone if if if you're a coach said stop

442
00:22:10,880 --> 00:22:12,880
Speaker 2: screaming now, then this episode's for you.

443
00:22:12,920 --> 00:22:14,880
Speaker 1: And if you were ever put in an after school program,

444
00:22:15,040 --> 00:22:19,080
Speaker 1: for kids that had like specific learning needs, but they

445
00:22:19,119 --> 00:22:20,840
Speaker 1: made it clear that you don't have a learning disability

446
00:22:20,880 --> 00:22:22,919
Speaker 1: and you're not meant to Oh, you're just kind of dumb.

447
00:22:23,200 --> 00:22:24,359
Speaker 2: This episode is for you.

448
00:22:25,000 --> 00:22:27,920
Speaker 3: That's amazing, Yeah, amazing. Yeah.

449
00:22:28,720 --> 00:22:32,439
Speaker 2: So since it's my passion project, I thought of some

450
00:22:32,480 --> 00:22:39,679
Speaker 2: topics today and can I read of course, So you

451
00:22:39,760 --> 00:22:44,080
Speaker 2: know it's this is such a tough do you.

452
00:22:44,080 --> 00:22:44,639
Speaker 3: Need a moment?

453
00:22:45,160 --> 00:22:46,600
Speaker 1: I know this is really personal for you.

454
00:22:47,240 --> 00:22:50,719
Speaker 2: This is so tough because so often we aren't looking inward. Yeah,

455
00:22:50,800 --> 00:22:53,399
Speaker 2: and to sort of examine my own life and be like,

456
00:22:53,480 --> 00:22:55,120
Speaker 2: what is my culture?

457
00:22:55,520 --> 00:22:55,800
Speaker 3: You know what?

458
00:22:55,840 --> 00:22:57,919
Speaker 1: This is giving And I'm sorry to interrupt you, please,

459
00:22:58,320 --> 00:22:59,000
Speaker 1: this is giving.

460
00:22:59,280 --> 00:22:59,720
Speaker 3: Okay.

461
00:23:00,040 --> 00:23:03,720
Speaker 1: This is like when an actress directs a film. It's

462
00:23:03,760 --> 00:23:05,000
Speaker 1: like her entire life.

463
00:23:05,080 --> 00:23:08,040
Speaker 3: She's been told what to do. She's been told like.

464
00:23:08,440 --> 00:23:13,680
Speaker 4: Tits ad and luck pretty man, tuts, mistoot, mistuts, tits

465
00:23:13,720 --> 00:23:17,600
Speaker 4: ad and look pretty mistuts. Okay, that's what that's what

466
00:23:17,640 --> 00:23:23,840
Speaker 4: they told. That's that's what they told Sarah Paul, And

467
00:23:23,840 --> 00:23:25,840
Speaker 4: that's why they told Kristen Stewart before she directed that

468
00:23:25,880 --> 00:23:29,120
Speaker 4: Boy Genius video and they woke up one day and that's,

469
00:23:29,160 --> 00:23:31,080
Speaker 4: by the way, what they told Reesweatherston because before she

470
00:23:31,119 --> 00:23:33,040
Speaker 4: became a mega producer on the series Big.

471
00:23:33,160 --> 00:23:33,680
Speaker 3: Oh my god.

472
00:23:33,760 --> 00:23:35,480
Speaker 1: Yea true and they and they said, you know what,

473
00:23:35,760 --> 00:23:37,800
Speaker 1: I know how the industry works. By this point, I

474
00:23:37,880 --> 00:23:41,400
Speaker 1: have money, and I have ideas, and yeah, I've read

475
00:23:41,640 --> 00:23:44,600
Speaker 1: every single best seller targeting women this year and I'm

476
00:23:44,600 --> 00:23:46,280
Speaker 1: going to adapt all of them.

477
00:23:48,119 --> 00:23:49,760
Speaker 3: Yeah. Yeah, yeah.

478
00:23:49,840 --> 00:23:57,359
Speaker 2: So with that being said, these were my topics, I said, tickets, travel, threesomes, women,

479
00:23:57,960 --> 00:24:02,520
Speaker 2: weird underwear, and the stage. You know, I was really

480
00:24:02,520 --> 00:24:06,720
Speaker 2: hoping that we would pick weird underwear. But respect.

481
00:24:08,160 --> 00:24:10,640
Speaker 3: I am always I can touch on it for sure.

482
00:24:10,800 --> 00:24:12,760
Speaker 2: I have been trying to make weird underwear as a joke,

483
00:24:13,119 --> 00:24:15,040
Speaker 2: like I used to do this. I tried to do

484
00:24:15,080 --> 00:24:17,159
Speaker 2: his joke on time that obviously it was like one

485
00:24:17,200 --> 00:24:19,120
Speaker 2: of like right after like being able to do shows

486
00:24:19,119 --> 00:24:21,000
Speaker 2: again in the Pandemic, where I was like, okay, like

487
00:24:21,200 --> 00:24:23,440
Speaker 2: let's all new stuff, and I'd be like the best

488
00:24:23,480 --> 00:24:26,680
Speaker 2: part about being gay gotta be the weird underwear.

489
00:24:27,680 --> 00:24:32,200
Speaker 4: Like to exist or like Christians, h there's so many

490
00:24:32,320 --> 00:24:35,480
Speaker 4: like it's weird, weird. Yeah, it's like more or less

491
00:24:35,600 --> 00:24:37,880
Speaker 4: like it would be recognizable as a pair of underwear.

492
00:24:38,560 --> 00:24:40,800
Speaker 2: It's like too big in some places, too small in others.

493
00:24:40,800 --> 00:24:42,440
Speaker 2: There's cutouts in random.

494
00:24:42,280 --> 00:24:45,800
Speaker 4: There's weird engineering. It's like they kind of stand alone,

495
00:24:45,920 --> 00:24:47,399
Speaker 4: like without being on a body.

496
00:24:47,560 --> 00:24:50,119
Speaker 2: Like colors, Oh so bizarre.

497
00:24:50,200 --> 00:24:52,879
Speaker 4: It's like a deep purple and a bright orange or something,

498
00:24:52,960 --> 00:24:54,640
Speaker 4: or like a coral and a neon green.

499
00:24:54,800 --> 00:24:56,679
Speaker 2: It's almost like a child picked the colors.

500
00:24:56,760 --> 00:25:01,320
Speaker 3: Yeah, yeah, and a child did. And his name is Andrew.

501
00:25:01,359 --> 00:25:04,600
Speaker 1: And Andrew Christian is twelve years old Christian, and he's

502
00:25:04,680 --> 00:25:06,119
Speaker 1: being groomed.

503
00:25:06,920 --> 00:25:07,720
Speaker 2: By big underwear.

504
00:25:07,760 --> 00:25:08,600
Speaker 3: By Big underwear.

505
00:25:08,760 --> 00:25:11,120
Speaker 1: You know, this is a very few thing to say

506
00:25:11,160 --> 00:25:15,320
Speaker 1: because okay, I feel like to catch you up. May see,

507
00:25:15,359 --> 00:25:17,280
Speaker 1: a thing with Sam is sort of like sometimes something

508
00:25:17,320 --> 00:25:19,879
Speaker 1: will be sort of straight, but because Sam is so

509
00:25:20,040 --> 00:25:22,720
Speaker 1: deeply entrenched in gay life, he only knows of it

510
00:25:22,760 --> 00:25:25,359
Speaker 1: as a gay thing. Yeah, so it'll be like, you know,

511
00:25:25,520 --> 00:25:28,639
Speaker 1: going on trips, Well, Sam is like travel. It's like

512
00:25:28,640 --> 00:25:32,000
Speaker 1: Sam's like, oh, that's like something gay guys do. And well, yeah,

513
00:25:32,119 --> 00:25:34,399
Speaker 1: like definitely the gay guys we know do that. But

514
00:25:34,480 --> 00:25:36,880
Speaker 1: when I think of trips, I think like a family, yeah,

515
00:25:36,960 --> 00:25:38,280
Speaker 1: or like an office retreat or whatever.

516
00:25:38,320 --> 00:25:40,800
Speaker 3: Like you can argue that it's straight. This is funny because.

517
00:25:40,600 --> 00:25:45,760
Speaker 4: To me, men going down on women so gay.

518
00:25:44,920 --> 00:25:50,720
Speaker 1: Like complicated underwear is so pioneered by like women wearing

519
00:25:50,840 --> 00:25:54,280
Speaker 1: like sexy lauingr. It's like and then also the like

520
00:25:54,520 --> 00:25:57,800
Speaker 1: very nineties premise of like a man buying a woman's

521
00:25:57,800 --> 00:25:58,600
Speaker 1: sexy laundry.

522
00:25:58,720 --> 00:26:01,919
Speaker 4: Yeah, I feel like that is very straight, which is

523
00:26:01,960 --> 00:26:04,640
Speaker 4: so weird because like, how do you know her size?

524
00:26:04,720 --> 00:26:10,720
Speaker 4: It's like like that's like the bra alone. It's like

525
00:26:10,800 --> 00:26:13,200
Speaker 4: it's like you need the cup size and the like

526
00:26:13,400 --> 00:26:16,399
Speaker 4: the wit right right, I mean not in the nipple

527
00:26:16,520 --> 00:26:20,199
Speaker 4: size and the aerial I mean you can sort of

528
00:26:20,720 --> 00:26:22,960
Speaker 4: when you go to buy women's underwear.

529
00:26:22,960 --> 00:26:26,159
Speaker 3: When I go to the bra, how bigger nipples are?

530
00:26:26,240 --> 00:26:28,159
Speaker 3: Is that correct? Yeah?

531
00:26:28,200 --> 00:26:32,040
Speaker 1: They touch them, they take got a magnifying glass. They're like,

532
00:26:32,040 --> 00:26:35,040
Speaker 1: we're gonna need a bigger bra for this, for this

533
00:26:35,160 --> 00:26:38,480
Speaker 1: a lass. Nipples looking like salami.

534
00:26:39,800 --> 00:26:40,560
Speaker 2: Unbelievable.

535
00:26:41,520 --> 00:26:43,760
Speaker 4: It's like a bunch of old smoking women.

536
00:26:45,240 --> 00:26:47,760
Speaker 2: Calling everybody laughs, Like everyone laughs.

537
00:26:48,680 --> 00:26:50,560
Speaker 1: Okay, so you wanted to do weird underwear.

538
00:26:50,720 --> 00:26:53,879
Speaker 2: Yeah, well, I was hoping it would speak most to all,

539
00:26:54,000 --> 00:26:57,200
Speaker 2: but what actually spoke to all was women.

540
00:26:58,200 --> 00:27:00,920
Speaker 4: I will say I women's stories matter.

541
00:27:01,040 --> 00:27:06,440
Speaker 1: Women's stories matter, period. We're actually all going to the

542
00:27:06,440 --> 00:27:07,879
Speaker 1: Women's Stories Matter Float after this.

543
00:27:08,080 --> 00:27:12,360
Speaker 4: Yes, yes, and it's not affiliated with Reese at all.

544
00:27:13,119 --> 00:27:15,400
Speaker 4: It's some gay guy on Twitter. It's just a jiff

545
00:27:15,560 --> 00:27:16,320
Speaker 4: on a big TV.

546
00:27:18,280 --> 00:27:20,879
Speaker 3: It's actually sponsored by the first person to make that a.

547
00:27:21,320 --> 00:27:25,960
Speaker 4: Yes, yes, yes, who's now kind of a national and

548
00:27:26,000 --> 00:27:29,680
Speaker 4: has just been promoted to CEO of iHeartMedia.

549
00:27:30,280 --> 00:27:32,480
Speaker 3: I do also like the stage. I want to compliment you.

550
00:27:32,520 --> 00:27:35,119
Speaker 3: Oh yeah, the stage topics are really good. Thank you.

551
00:27:35,200 --> 00:27:37,040
Speaker 1: I'm sorry I led with negativity.

552
00:27:37,840 --> 00:27:39,040
Speaker 3: What tickets is about.

553
00:27:39,400 --> 00:27:43,760
Speaker 2: Tickets is about like like events and people love to

554
00:27:43,800 --> 00:27:46,560
Speaker 2: go to like ticketed events. Like to me, that's like

555
00:27:46,920 --> 00:27:50,119
Speaker 2: people yeah at Pride are like, I'm sorry.

556
00:27:50,160 --> 00:27:53,560
Speaker 1: I think this is another one of your being too

557
00:27:53,720 --> 00:27:55,280
Speaker 1: entrenched in LGBTQ life.

558
00:27:55,920 --> 00:27:57,600
Speaker 2: No, everyone's always like did you get tickets to that?

559
00:27:57,720 --> 00:27:59,359
Speaker 2: Or like I'm selling my tickets to this, and like

560
00:27:59,720 --> 00:28:02,160
Speaker 2: do you think straight people don't do that? I think

561
00:28:02,160 --> 00:28:04,239
Speaker 2: they do it way less. Okay, okay, I think they

562
00:28:04,280 --> 00:28:06,000
Speaker 2: do it like once a year for like the Big

563
00:28:06,240 --> 00:28:08,159
Speaker 2: Game or the Big You think gay.

564
00:28:08,040 --> 00:28:10,840
Speaker 4: Guys are like, are like, oh, I just got to

565
00:28:10,840 --> 00:28:13,280
Speaker 4: snatch up the tickets otherwise, oh my god, And then

566
00:28:13,280 --> 00:28:16,720
Speaker 4: they don't think about literally they do that. I think

567
00:28:16,760 --> 00:28:18,840
Speaker 4: that they're like, oh, might as well have Caroline.

568
00:28:18,880 --> 00:28:22,000
Speaker 2: I don't know when you know, the tickets around sale

569
00:28:22,000 --> 00:28:23,440
Speaker 2: takes every single day.

570
00:28:23,480 --> 00:28:25,840
Speaker 4: They have like color Swatch, like a color Swatches book,

571
00:28:25,840 --> 00:28:28,120
Speaker 4: but it's all just tickets to see Caroline Palichick.

572
00:28:28,160 --> 00:28:30,720
Speaker 3: And they're like, I don't know, February, March, September.

573
00:28:30,880 --> 00:28:34,160
Speaker 4: Dusting in at night while watching like selling Sunset.

574
00:28:35,280 --> 00:28:37,160
Speaker 2: No, tickets are huge in the gay community.

575
00:28:37,240 --> 00:28:40,560
Speaker 4: Yeah, okay, I'll give you tickets to the Fire Island Ferry.

576
00:28:40,800 --> 00:28:43,600
Speaker 2: Oh my god, even that can't do anything without ticket

577
00:28:43,680 --> 00:28:51,000
Speaker 2: these days. Too good in you so and not to

578
00:28:51,000 --> 00:28:53,040
Speaker 2: mention the golden ticket will I Wonka.

579
00:28:53,240 --> 00:28:56,560
Speaker 4: Timmy v Shall and may Dick Vane hat gay guys

580
00:28:56,560 --> 00:28:57,480
Speaker 4: will know what I'm talking about.

581
00:28:57,560 --> 00:28:59,920
Speaker 2: You guys know, gay guys know you guys know it's

582
00:29:00,160 --> 00:29:09,960
Speaker 2: sound bored. We need guys guys. So okay, So, so

583
00:29:10,040 --> 00:29:12,080
Speaker 2: tickets is valid? Is valid?

584
00:29:12,160 --> 00:29:17,320
Speaker 1: Yeah, we're validating the tickets the stage I mean the

585
00:29:17,360 --> 00:29:18,440
Speaker 1: stage I obviously love.

586
00:29:18,640 --> 00:29:21,800
Speaker 2: Yes, Yeah, well that one's I thought that would be

587
00:29:21,800 --> 00:29:24,920
Speaker 2: interesting because it is complicated, as we all know, when

588
00:29:24,960 --> 00:29:27,680
Speaker 2: there's when you are performing on stage and there's gay

589
00:29:27,680 --> 00:29:30,080
Speaker 2: people that also want to be performing on stage.

590
00:29:30,160 --> 00:29:31,320
Speaker 3: Yeah yeah, yeah, and.

591
00:29:31,240 --> 00:29:36,920
Speaker 2: So it's like yeah, era, then the audience is the stage.

592
00:29:36,960 --> 00:29:40,120
Speaker 2: It's too much performance. There's performance in every direction.

593
00:29:40,280 --> 00:29:43,840
Speaker 4: Yes, any Lana show where it's just they're singing the

594
00:29:43,920 --> 00:29:47,040
Speaker 4: all the lyrics louder than her.

595
00:29:47,200 --> 00:29:51,240
Speaker 1: Yeah yeah, shut up, shut up.

596
00:29:51,760 --> 00:29:52,040
Speaker 2: Wow.

597
00:29:52,360 --> 00:29:55,960
Speaker 4: Which, my my sibling bought me tickets to Patty Smith

598
00:29:56,080 --> 00:30:00,800
Speaker 4: show on New Yek's and uh, and we she's decidedly

599
00:30:00,840 --> 00:30:01,280
Speaker 4: not gay.

600
00:30:01,320 --> 00:30:04,480
Speaker 3: I think in a way we could talk about that

601
00:30:04,520 --> 00:30:08,720
Speaker 3: for hours. Yeah, we'll just leave. I could write books

602
00:30:08,760 --> 00:30:10,120
Speaker 3: and they'd be better than just kids.

603
00:30:10,400 --> 00:30:12,040
Speaker 2: Oh my god, you bid.

604
00:30:12,240 --> 00:30:14,920
Speaker 4: But it was like such a straight audience and it

605
00:30:15,000 --> 00:30:16,440
Speaker 4: was literally people just being like.

606
00:30:20,120 --> 00:30:21,480
Speaker 3: Love it isn't she great?

607
00:30:21,720 --> 00:30:25,640
Speaker 4: Like it was like because the night there was nobody

608
00:30:25,680 --> 00:30:26,040
Speaker 4: doing that.

609
00:30:27,120 --> 00:30:29,240
Speaker 1: Yeah, well it's a very Patty Smith. I thing does

610
00:30:29,320 --> 00:30:30,719
Speaker 1: draw a sort of NPR crowd.

611
00:30:31,280 --> 00:30:33,440
Speaker 4: Yeah, well it was half MPR and half kind of

612
00:30:33,480 --> 00:30:38,280
Speaker 4: like like Booze Cruise, like Jimmy Buffalo. People that are

613
00:30:38,360 --> 00:30:40,560
Speaker 4: just like I heard a rock, you know.

614
00:30:41,080 --> 00:30:42,400
Speaker 2: Like yeah, punks that are now.

615
00:30:42,280 --> 00:30:46,800
Speaker 3: Like sixty yeah yeah yeah yeah. Wow. Okay, so now

616
00:30:46,800 --> 00:30:48,240
Speaker 3: we're at women, and.

617
00:30:48,240 --> 00:30:53,560
Speaker 2: So now we're at women, which okay, is obvious.

618
00:30:53,760 --> 00:30:54,280
Speaker 3: Obvious.

619
00:30:54,800 --> 00:30:57,160
Speaker 2: It's like sort of like this is where it's difficult

620
00:30:57,240 --> 00:30:59,120
Speaker 2: to do gatio lab because for us, we're like, well,

621
00:30:59,160 --> 00:31:00,160
Speaker 2: what's there to explore?

622
00:31:00,760 --> 00:31:05,040
Speaker 4: Well, it's enough said, it's already genius that it's like

623
00:31:05,120 --> 00:31:07,600
Speaker 4: word two gay guys and we invited a woman and we're.

624
00:31:07,440 --> 00:31:14,920
Speaker 3: Like, yes, but I guess Macie.

625
00:31:14,600 --> 00:31:17,920
Speaker 1: You picked women. You said that's a topic. Yeah, and

626
00:31:18,000 --> 00:31:21,400
Speaker 1: so you know, what do you think, like, what do

627
00:31:21,400 --> 00:31:22,640
Speaker 1: you think is gay about women?

628
00:31:25,000 --> 00:31:30,160
Speaker 4: Well, aside from gay women, right, of course, gay women, right,

629
00:31:30,360 --> 00:31:31,560
Speaker 4: women can just be gay.

630
00:31:31,640 --> 00:31:33,840
Speaker 3: They can a lot of people don't know this. Yeah,

631
00:31:33,960 --> 00:31:34,560
Speaker 3: I don't know this.

632
00:31:34,600 --> 00:31:37,920
Speaker 4: It's not very widespread knowledge. But they can. And it's

633
00:31:37,920 --> 00:31:39,000
Speaker 4: actually legal too.

634
00:31:39,720 --> 00:31:41,200
Speaker 3: It was legal before men were allowed.

635
00:31:41,360 --> 00:31:47,120
Speaker 4: Yes, yeah, which is cool. But yeah, I mean it's

636
00:31:47,160 --> 00:31:49,080
Speaker 4: kind of like what you're talking about with the tickets thing.

637
00:31:49,520 --> 00:31:53,520
Speaker 4: It's like whenever there's any kind of women, gay guys

638
00:31:53,560 --> 00:31:58,760
Speaker 4: will find a way to like pathologically idolized her.

639
00:31:59,480 --> 00:32:02,840
Speaker 3: Or hate her. Yeah yeah, yeah, yeah, yeah.

640
00:32:02,280 --> 00:32:05,280
Speaker 4: So like whether or not it's like a businesswoman with

641
00:32:05,320 --> 00:32:10,640
Speaker 4: a briefcase, or like your mom or like somebody else's mom,

642
00:32:10,880 --> 00:32:16,800
Speaker 4: or Beyonce or Lady Gaga. It's like there's like there

643
00:32:16,880 --> 00:32:21,360
Speaker 4: is a very gay thing that is like it's kind

644
00:32:21,400 --> 00:32:25,400
Speaker 4: of related to trans but it like took a different hallway,

645
00:32:25,840 --> 00:32:28,880
Speaker 4: you know where it's like you it's like gay guys

646
00:32:28,960 --> 00:32:30,840
Speaker 4: like are women in a way?

647
00:32:31,200 --> 00:32:31,880
Speaker 3: Right, in like a.

648
00:32:31,880 --> 00:32:34,480
Speaker 4: Very sixties way, Like why are you're talking about skirt?

649
00:32:34,600 --> 00:32:38,280
Speaker 4: You know, like like in like kind of a a

650
00:32:40,280 --> 00:32:43,080
Speaker 4: I shouldn't have said that way, like degrading way.

651
00:32:43,400 --> 00:32:46,000
Speaker 1: No, No, I think you're pointing. I mean basically the

652
00:32:46,040 --> 00:32:47,800
Speaker 1: pathology of being a gay man. And by the way,

653
00:32:47,800 --> 00:32:49,480
Speaker 1: this podcast is not just about gay man. I want

654
00:32:49,480 --> 00:32:51,360
Speaker 1: to make I feel like we're being very gay guy central.

655
00:32:51,480 --> 00:32:54,240
Speaker 2: Well, this is from what's perspective of a gay guy.

656
00:32:54,400 --> 00:32:57,640
Speaker 4: Yeah, right, and gay guys are women, then you're silencing boys.

657
00:32:57,680 --> 00:33:00,520
Speaker 2: That's true, that's tea.

658
00:33:04,160 --> 00:33:04,840
Speaker 3: And women's voices.

659
00:33:04,880 --> 00:33:09,400
Speaker 1: Okay, Yeah, but I do think that like the entire

660
00:33:11,440 --> 00:33:14,480
Speaker 1: dilemma of being a gay man is basically figuring out

661
00:33:14,560 --> 00:33:19,560
Speaker 1: psychoanalytically your relationship to women. Yeah, like to the woman within,

662
00:33:19,760 --> 00:33:21,960
Speaker 1: to the woman that raised you, to the woman that

663
00:33:22,120 --> 00:33:24,560
Speaker 1: is with you at any given moments.

664
00:33:24,600 --> 00:33:31,080
Speaker 2: This is sounding very like a monologue from Wild Did

665
00:33:31,120 --> 00:33:31,600
Speaker 2: I tell.

666
00:33:31,440 --> 00:33:33,000
Speaker 3: You my big idea? That would be amazing.

667
00:33:33,040 --> 00:33:35,200
Speaker 4: If you just snuck you in the monologue for a while.

668
00:33:35,480 --> 00:33:37,200
Speaker 3: Well I've been known to do that before.

669
00:33:37,600 --> 00:33:40,560
Speaker 1: But my big idea is okay, okay, this is actually

670
00:33:40,560 --> 00:33:42,800
Speaker 1: there's not that much time left in Pride. So if

671
00:33:42,840 --> 00:33:45,280
Speaker 1: there are any drag queens listening, please take this idea

672
00:33:45,320 --> 00:33:47,360
Speaker 1: and do it. You don't have to credit me. It's

673
00:33:47,360 --> 00:33:51,000
Speaker 1: a drag queen named Cheryl Slade and she is dressed

674
00:33:51,120 --> 00:33:55,040
Speaker 1: asspoon and wild. Oh okay, and because it's Cheryl Strade

675
00:33:55,040 --> 00:33:58,400
Speaker 1: and Wild, got I got it. So she's dressed as

676
00:33:58,440 --> 00:34:01,920
Speaker 1: Cheryl Strade with the pack with the big backpack, and

677
00:34:02,000 --> 00:34:06,040
Speaker 1: the number is the Climb by Miley Cyrus and you

678
00:34:06,120 --> 00:34:10,640
Speaker 1: just walk slowly across and it's like she's hiking, she's climbing,

679
00:34:10,680 --> 00:34:11,680
Speaker 1: and she's doing the climb.

680
00:34:12,080 --> 00:34:14,480
Speaker 3: That's actually really good, thank you.

681
00:34:14,920 --> 00:34:17,000
Speaker 2: It could be cool also if there were like dancers

682
00:34:17,000 --> 00:34:20,120
Speaker 2: that sort of like God on all fours and they're

683
00:34:20,160 --> 00:34:22,359
Speaker 2: the animals and you know you would like climb up

684
00:34:22,400 --> 00:34:23,120
Speaker 2: them like they do.

685
00:34:23,800 --> 00:34:27,480
Speaker 4: Oh it becomes like a moving kind of that.

686
00:34:27,880 --> 00:34:33,840
Speaker 3: Yeah, from the idol, which I mean speaking of which

687
00:34:34,480 --> 00:34:37,239
Speaker 3: I haven't seen it. Okay, wait, oh wait, we're not

688
00:34:37,239 --> 00:34:38,120
Speaker 3: seeing on any topic.

689
00:34:38,239 --> 00:34:42,279
Speaker 1: Wait Okay, so that was my contribution gay men's relation

690
00:34:42,440 --> 00:34:42,800
Speaker 1: to women.

691
00:34:43,080 --> 00:34:45,800
Speaker 3: Yes, yes, yes, yes, yes, it's like, yeah, it's.

692
00:34:47,600 --> 00:34:54,200
Speaker 4: Weird, like feminization that is maybe more like not intentional,

693
00:34:54,280 --> 00:34:58,280
Speaker 4: but like happened. I don't know, I'm not a fucking doctor.

694
00:34:58,480 --> 00:35:03,320
Speaker 3: Well, first of all, you are, and get into surgery

695
00:35:03,400 --> 00:35:03,759
Speaker 3: right now.

696
00:35:05,320 --> 00:35:14,440
Speaker 2: Wash those hands, mama, right there, he's flatlining, sweetheart.

697
00:35:16,680 --> 00:35:17,720
Speaker 3: Scalp, Mama, scalp.

698
00:35:19,880 --> 00:35:21,680
Speaker 1: So wait, I want to actually say one more thing

699
00:35:21,680 --> 00:35:25,880
Speaker 1: about queer women, which is that like, Okay, it's funny

700
00:35:25,880 --> 00:35:28,120
Speaker 1: because and I'm speaking in binaries right now, but like

701
00:35:28,320 --> 00:35:30,800
Speaker 1: let's say, okay, gay men are defined by the women

702
00:35:31,040 --> 00:35:33,239
Speaker 1: they idolized, the women they tear down. Fine, then you

703
00:35:33,280 --> 00:35:36,959
Speaker 1: would think that gay women were like obsessed with men,

704
00:35:37,239 --> 00:35:42,359
Speaker 1: not the case the case with women. So in fact,

705
00:35:42,360 --> 00:35:46,680
Speaker 1: that's what makes the concept of women lgbt Q is

706
00:35:46,719 --> 00:35:50,200
Speaker 1: that no matter where you found the spectrum of webs

707
00:35:50,400 --> 00:35:53,240
Speaker 1: with women, yes, like there, and I think that applies

708
00:35:53,280 --> 00:35:56,760
Speaker 1: to pretty much. I mean it's like literally like anyone

709
00:35:56,800 --> 00:36:00,920
Speaker 1: on the spectrum, like there's no one, there is no

710
00:36:00,960 --> 00:36:04,160
Speaker 1: one on the spectrum who is like yes, men.

711
00:36:05,680 --> 00:36:12,040
Speaker 4: Maybe like a conservative trans man totally like angel yes, angels,

712
00:36:12,080 --> 00:36:22,279
Speaker 4: like yes, men, angel Is like, yeah he did, but

713
00:36:23,120 --> 00:36:26,239
Speaker 4: yeah you're yeah, no, you're right. But like I like

714
00:36:26,280 --> 00:36:28,479
Speaker 4: that point about gay women because it's like they really

715
00:36:28,480 --> 00:36:32,920
Speaker 4: could be like on an island, don't need men for anything.

716
00:36:32,600 --> 00:36:35,200
Speaker 2: Right, yeah, Whereas like if gay men were on an island,

717
00:36:35,239 --> 00:36:37,000
Speaker 2: they would need a woman there to stand.

718
00:36:37,120 --> 00:36:40,760
Speaker 3: Exactly, they would drop one, like yeah.

719
00:36:40,960 --> 00:36:41,640
Speaker 2: It's also sort of.

720
00:36:41,640 --> 00:36:45,720
Speaker 1: Why queer women are a stronger community, because they actually

721
00:36:45,800 --> 00:36:48,560
Speaker 1: uplift their own where's gay men?

722
00:36:48,600 --> 00:36:50,080
Speaker 3: Don't? Sure? Yeah?

723
00:36:50,200 --> 00:36:52,120
Speaker 1: You know there could never be a game less gay man.

724
00:36:52,160 --> 00:36:52,880
Speaker 3: Melliss Ethridge.

725
00:36:52,880 --> 00:36:56,760
Speaker 4: I don't think no, And every time there's been an attempt,

726
00:36:56,800 --> 00:36:58,560
Speaker 4: it's been same, gone horribly wrong.

727
00:36:58,600 --> 00:37:00,279
Speaker 1: Same a stand up comedy. I mean, there's so many

728
00:37:00,280 --> 00:37:12,440
Speaker 1: famous lesbian comedians. Name one game male comedian. Literally, can't.

729
00:37:09,920 --> 00:37:10,560
Speaker 2: I love that?

730
00:37:11,000 --> 00:37:11,799
Speaker 3: I can't, I can't.

731
00:37:11,880 --> 00:37:16,280
Speaker 1: I can't think of a women Wanda Sykes, Margaret Choe, Ellen,

732
00:37:16,840 --> 00:37:18,840
Speaker 1: Paula Poundstone, Rosie O'Donnell.

733
00:37:19,000 --> 00:37:21,280
Speaker 3: Literally multiple gay women have had talk shows.

734
00:37:21,360 --> 00:37:23,840
Speaker 1: Yes, yes, yes, men can't think of they have a

735
00:37:23,840 --> 00:37:24,440
Speaker 1: single one?

736
00:37:24,800 --> 00:37:26,960
Speaker 2: No, Wow, well.

737
00:37:28,800 --> 00:37:33,920
Speaker 3: I love that, Macie. Who's your favorite woman? I think

738
00:37:33,960 --> 00:37:36,560
Speaker 3: it changes a lot. Marisa Tomey.

739
00:37:37,400 --> 00:37:41,080
Speaker 4: Sure, I guess she's been there. She's been there maybe

740
00:37:41,120 --> 00:37:43,200
Speaker 4: during the wrestler era, Yeah, totally.

741
00:37:43,360 --> 00:37:53,360
Speaker 3: Yeah. What do you look for the woman complexity? Yeah?

742
00:37:54,160 --> 00:38:02,719
Speaker 4: Power, power, yeah yeah, strength strength actually butvulnerability but yes, yes,

743
00:38:03,040 --> 00:38:10,399
Speaker 4: which is a strength. Yeah right, say it says right now,

744
00:38:10,400 --> 00:38:12,640
Speaker 4: I'm loving I hate to say it.

745
00:38:12,880 --> 00:38:17,600
Speaker 1: Lily Rose Up she is, you know, I gotta say.

746
00:38:17,920 --> 00:38:21,160
Speaker 1: I watched the first half of the first episode. She's

747
00:38:21,280 --> 00:38:21,759
Speaker 1: killing it.

748
00:38:22,680 --> 00:38:26,640
Speaker 4: I love the show really show Yeah, it's like everything

749
00:38:26,680 --> 00:38:30,320
Speaker 4: it's speaking of women. It reminds me all have show girls.

750
00:38:31,280 --> 00:38:34,600
Speaker 4: It's very like stupid.

751
00:38:34,760 --> 00:38:38,000
Speaker 1: You know, it's I mean, not whatever, but it's camp.

752
00:38:39,040 --> 00:38:42,279
Speaker 3: Well it is, it's Gadi. I think we're allowed to

753
00:38:42,320 --> 00:38:43,080
Speaker 3: bring camp back for.

754
00:38:44,920 --> 00:38:45,040
Speaker 2: Right.

755
00:38:46,120 --> 00:38:48,680
Speaker 4: I've always struggled with euphoria because I hate you for

756
00:38:48,800 --> 00:38:50,640
Speaker 4: you exactly, hate you for Sam.

757
00:38:50,640 --> 00:38:53,920
Speaker 2: Like, so I can't watch Off your rocker.

758
00:38:54,120 --> 00:38:57,879
Speaker 1: Guess what euphoria straight the idol gay exactly?

759
00:38:57,960 --> 00:39:00,880
Speaker 3: Oh my god, yes, I don't even think about that.

760
00:39:01,719 --> 00:39:05,360
Speaker 2: Wow. So Sam Levinson bisexual confirmed.

761
00:39:05,600 --> 00:39:07,359
Speaker 1: I actually think it's the weekend that make I think

762
00:39:07,360 --> 00:39:12,080
Speaker 1: the yeah queer code, don't you think?

763
00:39:12,400 --> 00:39:16,520
Speaker 4: Well you I'm sure you've seen the like little monologue

764
00:39:16,520 --> 00:39:18,839
Speaker 4: from the second episode where he's like, I'm gonna stretch your.

765
00:39:18,719 --> 00:39:19,480
Speaker 3: Tight little pussy.

766
00:39:20,360 --> 00:39:20,800
Speaker 2: I saw that.

767
00:39:21,320 --> 00:39:24,200
Speaker 4: That is the gayest thing I've ever seen. Right, It's

768
00:39:24,200 --> 00:39:26,759
Speaker 4: like straight pulled straight from a grinder, you know.

769
00:39:27,120 --> 00:39:27,920
Speaker 2: Wow. True.

770
00:39:28,160 --> 00:39:29,160
Speaker 3: I mean even though.

771
00:39:29,080 --> 00:39:32,120
Speaker 4: He's saying I'm going to stretcher little pussy out.

772
00:39:32,360 --> 00:39:33,759
Speaker 3: Yeah, so it's fine.

773
00:39:33,800 --> 00:39:36,840
Speaker 1: I mean John Early has a joke about this in

774
00:39:36,880 --> 00:39:39,760
Speaker 1: his new special, which is that in retrospect, the Trump

775
00:39:39,840 --> 00:39:42,000
Speaker 1: tapes are kind of gay. When he's like, grab me

776
00:39:42,040 --> 00:39:46,360
Speaker 1: by the pussies, I care like a game man's impression

777
00:39:46,400 --> 00:39:48,680
Speaker 1: of what a straight man would say. And I feel

778
00:39:48,680 --> 00:39:51,040
Speaker 1: like that's like so extreme, Like I feel like that

779
00:39:51,160 --> 00:39:53,680
Speaker 1: very much. Is It's like a man that is comfortable

780
00:39:53,680 --> 00:39:55,719
Speaker 1: in his masculinity is not going to no.

781
00:39:55,800 --> 00:39:59,120
Speaker 4: He's like, yes, honey, he stretched that for me. I'm

782
00:39:59,160 --> 00:40:03,080
Speaker 4: gonna put my big, huge cock in your little tight pussy.

783
00:40:04,000 --> 00:40:06,120
Speaker 4: I got my big fat tongue. It's gonna go right

784
00:40:06,160 --> 00:40:11,440
Speaker 4: on that pussy. Well, and then she's like she's like

785
00:40:11,480 --> 00:40:14,720
Speaker 4: a beautiful pop star. I'm like a disgrace to actors.

786
00:40:14,880 --> 00:40:15,600
Speaker 2: Child Like.

787
00:40:17,560 --> 00:40:18,759
Speaker 4: It's the most insane thing to.

788
00:40:18,680 --> 00:40:19,920
Speaker 2: Ever be released.

789
00:40:19,960 --> 00:40:25,080
Speaker 3: I think, huh yeah, yeah, one of them. Well, the

790
00:40:25,080 --> 00:40:29,200
Speaker 3: whale was up there do you know what that I saw?

791
00:40:29,200 --> 00:40:31,480
Speaker 1: I watched The Whale finally on a plane, and I

792
00:40:31,480 --> 00:40:33,800
Speaker 1: think because of the altitude, I cry.

793
00:40:33,920 --> 00:40:35,200
Speaker 3: Oh, I cried, for sure.

794
00:40:35,400 --> 00:40:40,239
Speaker 1: It's very You're crying while being like this is incorrect,

795
00:40:39,520 --> 00:40:42,960
Speaker 1: Like I am for the sake of this scene, I

796
00:40:43,040 --> 00:40:45,640
Speaker 1: have to go by their rules, and based on those rules,

797
00:40:45,640 --> 00:40:46,120
Speaker 1: I'm crying.

798
00:40:46,239 --> 00:40:48,520
Speaker 4: Yes, yeah, those are If I don't cry, I'm not

799
00:40:48,560 --> 00:40:51,239
Speaker 4: fulfilling the cock exactly of going into this movie.

800
00:40:51,400 --> 00:40:53,040
Speaker 2: The way that you two are on the same page

801
00:40:53,280 --> 00:40:58,040
Speaker 2: about very controversial media is shocking to me. It's very

802
00:40:58,040 --> 00:40:59,360
Speaker 2: like we found the only.

803
00:40:59,160 --> 00:41:02,239
Speaker 1: Two people that like that that stands the idol in

804
00:41:02,280 --> 00:41:04,040
Speaker 1: the Whale.

805
00:41:03,920 --> 00:41:08,040
Speaker 2: Like I didn't know this was possible in today's culture,

806
00:41:09,440 --> 00:41:11,239
Speaker 2: which just goes to show you that Gatio lab is

807
00:41:11,239 --> 00:41:11,960
Speaker 2: bringing people together.

808
00:41:12,160 --> 00:41:16,280
Speaker 4: True, and when we're complex, women are so compecially.

809
00:41:15,840 --> 00:41:16,880
Speaker 3: They can like the idol.

810
00:41:17,120 --> 00:41:19,920
Speaker 1: Yeah, women are complex, and so it is. Brendan Fraser.

811
00:41:22,040 --> 00:41:23,800
Speaker 2: I started standing a woman on the train today.

812
00:41:23,800 --> 00:41:25,520
Speaker 3: Oh my god, who do I know her?

813
00:41:27,040 --> 00:41:30,160
Speaker 2: She was like reading, she was reading one of the

814
00:41:30,200 --> 00:41:31,799
Speaker 2: rings on the train and like it performed and I

815
00:41:31,840 --> 00:41:32,839
Speaker 2: was like, I'm in a movie.

816
00:41:32,840 --> 00:41:33,800
Speaker 3: I'm already buying tickets.

817
00:41:33,880 --> 00:41:35,920
Speaker 2: Yeah, I was like, this is amazing. This is like

818
00:41:36,200 --> 00:41:39,440
Speaker 2: it's like a two thousand and seven like totally that.

819
00:41:39,480 --> 00:41:42,600
Speaker 4: There's like there are women walking around New York City

820
00:41:42,760 --> 00:41:45,040
Speaker 4: constantly and you see them go by, and you go,

821
00:41:45,239 --> 00:41:46,000
Speaker 4: that's a movie.

822
00:41:46,360 --> 00:41:48,400
Speaker 3: She's in her own movie. Yeah, what's happened. She's in

823
00:41:48,400 --> 00:41:49,360
Speaker 3: an HBO series.

824
00:41:49,400 --> 00:41:51,200
Speaker 1: I think you're pointing to the exact I think this

825
00:41:51,400 --> 00:41:54,040
Speaker 1: is the right sort of way into this topic. It's

826
00:41:54,040 --> 00:41:56,600
Speaker 1: not it's we're not talking about diva worship. Yeah, talking

827
00:41:56,600 --> 00:42:00,200
Speaker 1: about like iszah. It's literally that like as you're a walk,

828
00:42:01,840 --> 00:42:03,919
Speaker 1: it's like it's like in the same way that someone

829
00:42:03,920 --> 00:42:06,480
Speaker 1: has a sex addiction and they like can't be around

830
00:42:06,480 --> 00:42:08,880
Speaker 1: like women with a decolletage because they're like two turned on.

831
00:42:09,280 --> 00:42:11,120
Speaker 1: The gay equivalent of that is like you can't. There's

832
00:42:11,160 --> 00:42:13,440
Speaker 1: too many strong, independent women all around me, and I'm

833
00:42:13,440 --> 00:42:15,279
Speaker 1: distracted because they all deserve their own show.

834
00:42:18,360 --> 00:42:21,440
Speaker 3: Yes, all you need. You need nothing to set the scene.

835
00:42:21,440 --> 00:42:24,919
Speaker 4: You need a purse, Yeah, and like looking out into

836
00:42:24,960 --> 00:42:27,959
Speaker 4: the distance or like someone like jotting down a note,

837
00:42:28,520 --> 00:42:32,319
Speaker 4: looking at your phone and then being like, oh my god,

838
00:42:32,440 --> 00:42:34,560
Speaker 4: a sigh of any kind.

839
00:42:35,160 --> 00:42:37,279
Speaker 3: I hate series where I ate.

840
00:42:37,600 --> 00:42:39,480
Speaker 2: Starbucks when I got this very iced coffee. There were

841
00:42:39,520 --> 00:42:41,760
Speaker 2: two teens making out, and I was like, this girl

842
00:42:41,840 --> 00:42:44,320
Speaker 2: is having a coming to Mage moment in the Starbucks.

843
00:42:43,840 --> 00:42:45,760
Speaker 1: In mid She's being Ladybird in public.

844
00:42:45,880 --> 00:42:49,719
Speaker 2: Right now, She's literally Ladybird. She's about to dive into

845
00:42:49,719 --> 00:42:51,840
Speaker 2: a pool and perfume genius is gonna play this is

846
00:42:53,520 --> 00:42:54,560
Speaker 2: happy Summer to all?

847
00:42:55,400 --> 00:43:00,359
Speaker 3: Yes, what's that? What's have you seen? To Leslie? No?

848
00:43:00,719 --> 00:43:02,800
Speaker 1: Oh, no, we flew too close to the sun about

849
00:43:02,840 --> 00:43:05,200
Speaker 1: something we don't have a common No, I haven't seen it.

850
00:43:05,280 --> 00:43:06,680
Speaker 3: Okay, but guess but to Leslie.

851
00:43:06,719 --> 00:43:09,000
Speaker 1: And I feel like the way Too Leslie got made

852
00:43:09,080 --> 00:43:11,480
Speaker 1: is like someone looked at a woman that was Leslie

853
00:43:11,520 --> 00:43:12,719
Speaker 1: on the street and they were like, I have to

854
00:43:12,719 --> 00:43:13,479
Speaker 1: make a movie better.

855
00:43:13,840 --> 00:43:14,840
Speaker 2: That's what I think.

856
00:43:14,960 --> 00:43:16,839
Speaker 4: Yeah, I'm like, I feel like a lot of that

857
00:43:17,560 --> 00:43:23,359
Speaker 4: has been coming out recently. To Leslie's jersey, Gloria Belle, Yes, yeah,

858
00:43:23,360 --> 00:43:26,440
Speaker 4: I love Gloria bell That's definitely someone who somebody was

859
00:43:26,520 --> 00:43:29,080
Speaker 4: just like, oh my god, she's standing in that parking

860
00:43:29,120 --> 00:43:30,080
Speaker 4: structure just staring.

861
00:43:30,719 --> 00:43:33,080
Speaker 3: She's on her lunch bike. What maybe she's going through divorce?

862
00:43:35,480 --> 00:43:39,080
Speaker 2: Yeah, wow, it seems like I gotta watch some more movies.

863
00:43:39,200 --> 00:43:41,200
Speaker 3: Huh, well, you know what, or reads? I think it.

864
00:43:41,320 --> 00:43:42,840
Speaker 1: I think it stretches to any kind of media. I

865
00:43:42,880 --> 00:43:45,520
Speaker 1: mean basically, I only read books that are narrated by

866
00:43:45,520 --> 00:43:47,960
Speaker 1: women going through divorces. Yeah, I highly recommended.

867
00:43:48,239 --> 00:43:53,920
Speaker 2: Yes, Okay. We had something about like, how do like

868
00:43:54,239 --> 00:43:57,120
Speaker 2: straight men see a woman on the train reading the book? Oh?

869
00:43:57,239 --> 00:44:08,040
Speaker 3: God, yeah, which a it's literally no, it's literally too.

870
00:44:08,080 --> 00:44:10,520
Speaker 1: Leslie is on the subway and she's like struggling with addiction,

871
00:44:10,719 --> 00:44:13,120
Speaker 1: and meanwhile a man is like, nice tits on that one.

872
00:44:15,760 --> 00:44:19,560
Speaker 3: It's like, try to like drinking. I got something for

873
00:44:19,600 --> 00:44:24,960
Speaker 3: you to drink. No, She's like, I'm trying to reconnect

874
00:44:24,960 --> 00:44:25,439
Speaker 3: with my son.

875
00:44:25,640 --> 00:44:29,279
Speaker 4: I'm like, I'll give you something to reconnect.

876
00:44:30,400 --> 00:44:31,520
Speaker 3: Trying to connect to their son?

877
00:44:31,600 --> 00:44:32,359
Speaker 2: You need a dad.

878
00:44:35,920 --> 00:44:39,279
Speaker 3: God, no, never understand women like we do.

879
00:44:39,800 --> 00:44:42,600
Speaker 2: No, no, no, no.

880
00:44:42,719 --> 00:44:44,800
Speaker 1: I have a question for you, Mayon. As a woman,

881
00:44:45,080 --> 00:44:47,240
Speaker 1: do you feel like sometimes when you're on the subway,

882
00:44:47,320 --> 00:44:51,960
Speaker 1: someone is thinking you're too Leslie? Someone is like she

883
00:44:52,280 --> 00:44:53,080
Speaker 1: isn't a movie?

884
00:44:53,360 --> 00:44:54,120
Speaker 3: Yeah?

885
00:44:54,200 --> 00:44:56,000
Speaker 2: Yeah, is that a lot of pressure?

886
00:44:56,160 --> 00:45:02,040
Speaker 3: Yeah? No, you know, do you like it sometimes? Yeah? Yeah,

887
00:45:02,600 --> 00:45:03,239
Speaker 3: I mean that's it.

888
00:45:03,360 --> 00:45:06,080
Speaker 4: That's a trans Women I feel like are often like

889
00:45:06,520 --> 00:45:11,640
Speaker 4: get uh, some guy that's just like, oh my god,

890
00:45:12,840 --> 00:45:13,399
Speaker 4: wait in what.

891
00:45:13,440 --> 00:45:16,239
Speaker 1: Way, Like in a guy that is like in an

892
00:45:16,280 --> 00:45:18,880
Speaker 1: emotional way, your emotional way, sexual way, or like a

893
00:45:18,920 --> 00:45:22,480
Speaker 1: gay guy, gay guy, oh gay gay guy? Oh who

894
00:45:22,520 --> 00:45:23,919
Speaker 1: is like standing you in real time?

895
00:45:24,000 --> 00:45:27,319
Speaker 4: Standing you and it's like, I love the way you

896
00:45:27,400 --> 00:45:31,080
Speaker 4: just started that dre Oh my god, you smoked cigarettes

897
00:45:31,280 --> 00:45:35,560
Speaker 4: so crazy? Oh my god, eat a salad so great?

898
00:45:35,800 --> 00:45:43,279
Speaker 4: Like And I think because it's within the community, it's

899
00:45:43,360 --> 00:45:48,280
Speaker 4: like there's a there, it's there. It's fine to say

900
00:45:48,320 --> 00:45:51,439
Speaker 4: something totally, which it is. Yeah, you know, but it's

901
00:45:51,480 --> 00:45:54,520
Speaker 4: I don't think you would go up to your coworker

902
00:45:54,560 --> 00:46:00,960
Speaker 4: Melissa and say, oh my god, that salad you ate sis?

903
00:46:00,600 --> 00:46:01,319
Speaker 3: Right right?

904
00:46:02,239 --> 00:46:03,640
Speaker 1: That is very complicated.

905
00:46:03,719 --> 00:46:09,040
Speaker 3: Yeah, complicated. You choose a very complex Yeah.

906
00:46:09,040 --> 00:46:14,000
Speaker 2: I guess I'm really complex. I guess there's maybe maybe

907
00:46:14,000 --> 00:46:14,680
Speaker 2: i'm too. Leslie.

908
00:46:14,719 --> 00:46:18,280
Speaker 1: Ing to Leslie is when you're being complex.

909
00:46:19,680 --> 00:46:25,800
Speaker 2: In a feminine type of way. Yeah, yes, okay. Also,

910
00:46:26,200 --> 00:46:28,080
Speaker 2: I want to talk about like I feel like in

911
00:46:28,080 --> 00:46:32,440
Speaker 2: the past, straight men had muses a lot, and it

912
00:46:32,560 --> 00:46:34,640
Speaker 2: was always like a woman that they would be like, no,

913
00:46:34,680 --> 00:46:36,840
Speaker 2: I need to make you a star, Like you're inspiring

914
00:46:36,840 --> 00:46:40,680
Speaker 2: me to make a film, and it's like, how do

915
00:46:40,760 --> 00:46:45,040
Speaker 2: we square that in the gadio lag.

916
00:46:45,360 --> 00:46:48,000
Speaker 1: Well, you know, you know who would have a lot

917
00:46:48,040 --> 00:46:51,759
Speaker 1: to say about that, Hannah Gatsby and the topic of

918
00:46:52,960 --> 00:46:56,440
Speaker 1: their brand new exhibition it's problematic right now at the

919
00:46:56,440 --> 00:46:57,400
Speaker 1: Brooklyn Museum.

920
00:46:58,040 --> 00:47:03,760
Speaker 4: Well go see it.

921
00:47:01,840 --> 00:47:05,480
Speaker 3: That's all you have You ever been amused?

922
00:47:06,760 --> 00:47:09,720
Speaker 4: Yes to Hannah Gatsby?

923
00:47:10,560 --> 00:47:15,360
Speaker 1: H Well, great work, Yeah, you inspired some really brilliant.

924
00:47:15,120 --> 00:47:22,120
Speaker 3: Yeah, your net like she changed your name for legal reasons.

925
00:47:22,320 --> 00:47:24,760
Speaker 4: Yes, yes, I was like, it's not about bad stuff,

926
00:47:24,800 --> 00:47:26,440
Speaker 4: but the Nenette is no.

927
00:47:26,520 --> 00:47:27,560
Speaker 3: But the way.

928
00:47:28,920 --> 00:47:33,479
Speaker 1: Hannah Gatsby, I think Hannah Gatsby was like, this show

929
00:47:33,520 --> 00:47:35,000
Speaker 1: is going to be about someone named the Nette. Then

930
00:47:35,000 --> 00:47:38,239
Speaker 1: I changed my mind, but I okay, okay, so we

931
00:47:38,280 --> 00:47:40,360
Speaker 1: literally still don't it is okay, okay, I.

932
00:47:40,360 --> 00:47:44,560
Speaker 3: Mean talk about complicated. Have I ever been amused?

933
00:47:44,680 --> 00:47:44,879
Speaker 5: Yeah?

934
00:47:44,960 --> 00:47:45,560
Speaker 3: I think so.

935
00:47:47,200 --> 00:47:53,719
Speaker 4: To different gay guys in my life totally, but I'm

936
00:47:53,719 --> 00:47:56,760
Speaker 4: still friends with them, so I don't love their spot. Yeah,

937
00:47:56,800 --> 00:48:00,280
Speaker 4: but uh yeah, I mean it's it's good.

938
00:48:00,400 --> 00:48:02,000
Speaker 2: Do you have to check? Like when they're like, hey,

939
00:48:02,000 --> 00:48:03,520
Speaker 2: makeson do you want to get drinks? And you're like,

940
00:48:03,960 --> 00:48:04,919
Speaker 2: is it because I'm your muse?

941
00:48:05,520 --> 00:48:09,480
Speaker 3: Are you Are you just like mining this for your feature?

942
00:48:11,280 --> 00:48:12,920
Speaker 3: Am I your music? Or you're just happy to see me?

943
00:48:15,200 --> 00:48:15,680
Speaker 2: Yeah they are.

944
00:48:15,680 --> 00:48:23,799
Speaker 4: They always have big erect yeah, and they're painting furiously

945
00:48:24,600 --> 00:48:29,799
Speaker 4: huge directions. Yeah wow, No, I mean yeah, I mean

946
00:48:29,880 --> 00:48:32,000
Speaker 4: I I I love it.

947
00:48:32,480 --> 00:48:37,600
Speaker 3: I love it. Can a gay guy be amused?

948
00:48:39,560 --> 00:48:47,879
Speaker 4: Well, Sean Hayes, is my muse?

949
00:48:48,080 --> 00:48:48,239
Speaker 2: Yeah?

950
00:48:48,840 --> 00:48:49,920
Speaker 3: Is my muse? Next question?

951
00:48:53,480 --> 00:48:57,279
Speaker 4: I think like a like a beautiful young twink could

952
00:48:57,320 --> 00:48:58,000
Speaker 4: maybe be a muse.

953
00:48:58,120 --> 00:49:00,879
Speaker 1: Oh sure, sure yeah, but then what kind of art

954
00:49:00,920 --> 00:49:01,640
Speaker 1: is being created?

955
00:49:02,000 --> 00:49:07,440
Speaker 2: Black and white photography on Fire Island? Yeah, maybe a

956
00:49:07,560 --> 00:49:08,719
Speaker 2: Gean brand.

957
00:49:08,520 --> 00:49:09,799
Speaker 3: Maybe a gene brand.

958
00:49:09,680 --> 00:49:13,320
Speaker 2: But unbuttoned unbuttoned button Yeah, I mean, if you're buttoning

959
00:49:13,320 --> 00:49:15,840
Speaker 2: your jeans, you're not amused. So I'll say that.

960
00:49:16,760 --> 00:49:18,399
Speaker 3: Number one sign your amused. Your jeans are.

961
00:49:21,480 --> 00:49:23,799
Speaker 2: Like a like a you might be a redneck, but.

962
00:49:28,120 --> 00:49:29,920
Speaker 4: It sounds like that sounds like something that would.

963
00:49:29,760 --> 00:49:33,040
Speaker 3: Be on like a magnet or a coffee cup, like you.

964
00:49:33,040 --> 00:49:36,800
Speaker 4: Might be amused if you drank that last bottle of

965
00:49:37,719 --> 00:49:39,600
Speaker 4: like and it's like a fifties housewife.

966
00:49:39,800 --> 00:49:44,040
Speaker 3: Yeah.

967
00:49:44,640 --> 00:49:49,799
Speaker 1: Wow wow, I mean, okay, so we've talked about like, I.

968
00:49:49,719 --> 00:49:52,000
Speaker 2: Mean, we do need to talk about like deva worship.

969
00:49:52,000 --> 00:49:55,040
Speaker 2: If we're gonna talk about women, we're like getting there.

970
00:49:55,800 --> 00:49:58,640
Speaker 4: Maybe we should talk about that aesthetic that was so

971
00:49:58,760 --> 00:50:01,040
Speaker 4: popular for a while and kind of is the like

972
00:50:01,120 --> 00:50:07,560
Speaker 4: fifties housewife drawing with like, uh, just give me a reasoning.

973
00:50:08,320 --> 00:50:09,360
Speaker 2: Oh you know I.

974
00:50:11,160 --> 00:50:14,399
Speaker 3: Only drink and days that end in day. Yeah.

975
00:50:14,480 --> 00:50:20,880
Speaker 2: Yeah, this is like like I feel like drag queens

976
00:50:20,920 --> 00:50:23,520
Speaker 2: got obsessed with that in a way where I'm always

977
00:50:23,560 --> 00:50:28,000
Speaker 2: like I don't want it anymore. Like they can be

978
00:50:28,040 --> 00:50:30,239
Speaker 2: like so talented and they're like doing the housewife thing,

979
00:50:30,239 --> 00:50:31,560
Speaker 2: and again.

980
00:50:32,239 --> 00:50:36,959
Speaker 3: Oh the housewife aesthetic. It's same with the pin up aesthetic. Yeah,

981
00:50:37,000 --> 00:50:38,000
Speaker 3: well this okay.

982
00:50:38,400 --> 00:50:40,640
Speaker 1: This sort of points to one of the main issues

983
00:50:40,640 --> 00:50:42,120
Speaker 1: with a lot of things we're talking about, which is like,

984
00:50:42,960 --> 00:50:45,759
Speaker 1: guess what, as much as we can, as much as

985
00:50:45,960 --> 00:50:49,040
Speaker 1: gay people can say they love complex women, they want

986
00:50:49,080 --> 00:50:53,480
Speaker 1: them to be complex in a very specific way. Yeah,

987
00:50:53,480 --> 00:50:56,640
Speaker 1: and that way is essentially Lana del Ray like they

988
00:50:56,640 --> 00:51:04,160
Speaker 1: don't because it's to Leslie and I do think that.

989
00:51:05,000 --> 00:51:07,440
Speaker 1: I mean, this is where the obvious critique of like

990
00:51:07,600 --> 00:51:10,480
Speaker 1: is it all rooted and misogyny comes in, where it's like,

991
00:51:11,880 --> 00:51:16,399
Speaker 1: can gay people can queer LGBTQ plus people actually ever

992
00:51:16,520 --> 00:51:18,800
Speaker 1: stand a real complex woman?

993
00:51:20,360 --> 00:51:24,799
Speaker 4: Like like, what is the listing of the most complex

994
00:51:24,840 --> 00:51:26,960
Speaker 4: woman that we've been as?

995
00:51:27,120 --> 00:51:30,560
Speaker 2: Okay, what is the most We're hosting the Complex Woman Awards, okay,

996
00:51:31,280 --> 00:51:33,200
Speaker 2: and they're and they're judged by all gay guys.

997
00:51:35,760 --> 00:51:36,719
Speaker 3: You guys are literally.

998
00:51:36,520 --> 00:51:39,719
Speaker 4: Trans like the end of bo Is Afraid, where it's

999
00:51:39,840 --> 00:51:44,640
Speaker 4: just like a weird like auditorium, but it's all gay guys.

1000
00:51:44,840 --> 00:51:47,600
Speaker 3: Yeah, it's a weird auditorium. Was afraid kind of was

1001
00:51:47,680 --> 00:51:48,680
Speaker 3: this in a way.

1002
00:51:49,000 --> 00:51:49,920
Speaker 2: So I haven't seen it.

1003
00:51:50,160 --> 00:51:52,480
Speaker 1: Well, I did read the Wikipedia because I wanted to

1004
00:51:52,520 --> 00:51:53,440
Speaker 1: make sure I could handle it.

1005
00:51:53,480 --> 00:51:55,960
Speaker 4: I love them referencing this as if everyone has seen it.

1006
00:51:55,960 --> 00:52:00,160
Speaker 4: It's like no one, yeah, literally, but I need if

1007
00:52:00,160 --> 00:52:00,959
Speaker 4: I need to see it for Patty.

1008
00:52:01,000 --> 00:52:02,000
Speaker 3: Oh my god, Deva worship.

1009
00:52:03,880 --> 00:52:04,600
Speaker 2: Here we go again.

1010
00:52:04,640 --> 00:52:07,640
Speaker 4: But it's a saber Parker.

1011
00:52:09,640 --> 00:52:12,760
Speaker 1: It's literally gay guys trying to atone for their sins

1012
00:52:12,800 --> 00:52:17,640
Speaker 1: of being sexist by hosting the Complex Woman Awards. We're

1013
00:52:17,640 --> 00:52:19,360
Speaker 1: gonna get to the bottom of this. We're going to

1014
00:52:19,440 --> 00:52:20,800
Speaker 1: host the Complex Woman Awards.

1015
00:52:20,960 --> 00:52:24,360
Speaker 2: Okay, So what is a complex The complex is the

1016
00:52:24,440 --> 00:52:29,560
Speaker 2: intro Webster's defines complex woman.

1017
00:52:29,480 --> 00:52:31,640
Speaker 3: As well, you know, iconically.

1018
00:52:31,640 --> 00:52:35,080
Speaker 1: In our episodictionary read we defined a glamour girl as

1019
00:52:35,280 --> 00:52:40,799
Speaker 1: someone who is glamorous, wounded and seeking truth. Yeah, and

1020
00:52:40,880 --> 00:52:43,759
Speaker 1: so that's certainly I think that is the kind of

1021
00:52:43,840 --> 00:52:47,319
Speaker 1: complex woman that gay people are attracted to. Yeah, I mean,

1022
00:52:47,360 --> 00:52:52,600
Speaker 1: this is the reporter with her notebook trying to solve

1023
00:52:52,640 --> 00:52:54,960
Speaker 1: the case. It's basically Julia Roberts and Aaron Brock.

1024
00:52:55,520 --> 00:53:00,439
Speaker 3: It's it's Julianne Moore in anything a Thing.

1025
00:53:01,520 --> 00:53:05,200
Speaker 4: And also, but like the reverse is also true. A

1026
00:53:05,280 --> 00:53:11,280
Speaker 4: performative dressing down Destroyer, Destroyer, Monster, Monster.

1027
00:53:11,920 --> 00:53:16,120
Speaker 1: Oh yeah, Destroyer, I mean a beautiful movie.

1028
00:53:16,000 --> 00:53:25,600
Speaker 4: Caked in mud, yeah, cake didn't and dirt this episode,

1029
00:53:25,600 --> 00:53:27,799
Speaker 4: Holly Hunter in that in the Top of the Lake

1030
00:53:27,920 --> 00:53:28,440
Speaker 4: and top.

1031
00:53:28,360 --> 00:53:31,239
Speaker 2: And thirteen all the time, yeah, all the time, this

1032
00:53:31,320 --> 00:53:33,640
Speaker 2: episode there will be you will be able to make

1033
00:53:33,640 --> 00:53:35,279
Speaker 2: a super cut of you guys. How about movies and

1034
00:53:35,360 --> 00:53:42,920
Speaker 2: be going simply okay, wait, I have one for you.

1035
00:53:43,000 --> 00:53:46,520
Speaker 2: I've seen what five percent of the movie.

1036
00:53:46,880 --> 00:53:49,560
Speaker 1: You've seen Monster? No, I have one for you because

1037
00:53:49,560 --> 00:53:51,840
Speaker 1: I know you just watched this movie. The mom and

1038
00:53:51,960 --> 00:53:59,040
Speaker 1: Rachel getting married, so true and getting married and also

1039
00:53:59,040 --> 00:54:02,880
Speaker 1: an Hathaway Rachel get Yeah, and the sister.

1040
00:54:03,239 --> 00:54:03,439
Speaker 4: Yeah.

1041
00:54:04,400 --> 00:54:06,799
Speaker 3: Yeah. Originally getting married was great for dressing down.

1042
00:54:06,960 --> 00:54:10,680
Speaker 1: Yeah. You know Audre McDonald in The Good Fight.

1043
00:54:11,560 --> 00:54:17,279
Speaker 4: Halle Berry, Monsters, Yeah, Merrill does it a lot.

1044
00:54:17,520 --> 00:54:21,239
Speaker 2: Yeah yeah, okay, So Complex Woman Awards. So we have

1045
00:54:21,280 --> 00:54:22,040
Speaker 2: to make a decision.

1046
00:54:22,080 --> 00:54:22,880
Speaker 3: That's a category.

1047
00:54:22,960 --> 00:54:26,640
Speaker 1: Okay, dress dressed down, Maybe there's one, yes, Is it

1048
00:54:26,760 --> 00:54:27,600
Speaker 1: all actresses?

1049
00:54:27,680 --> 00:54:30,000
Speaker 3: Well no, no, no, no, women on the subway?

1050
00:54:30,080 --> 00:54:32,880
Speaker 1: Yeah yeah, yeah, women in New York. And we have

1051
00:54:32,920 --> 00:54:36,440
Speaker 1: to find the most complex woman. It's a Complex Woman pageant. Yeah,

1052
00:54:36,760 --> 00:54:39,440
Speaker 1: we're basically so yeah, to battle sexism in the gay community.

1053
00:54:39,440 --> 00:54:42,840
Speaker 1: We're holding a pageant for women. And we're holding a

1054
00:54:42,840 --> 00:54:45,560
Speaker 1: pageant for women. And the most complex woman, as judged

1055
00:54:45,600 --> 00:54:47,720
Speaker 1: by a panel of gay men, wins, gets.

1056
00:54:47,520 --> 00:54:54,839
Speaker 3: A boob job, swan filler filler in botogs. We give

1057
00:54:54,840 --> 00:54:55,799
Speaker 3: her a full make of her.

1058
00:54:55,840 --> 00:55:01,000
Speaker 4: Mabe, wow you got metalo facials or got all your

1059
00:55:01,040 --> 00:55:07,399
Speaker 4: teeth ripped out and new ones. But wow, okay, so

1060
00:55:07,640 --> 00:55:12,640
Speaker 4: we've got so mother I think mothers should be.

1061
00:55:12,800 --> 00:55:15,879
Speaker 3: Mother is a category. Mother is, by the way, not the.

1062
00:55:17,680 --> 00:55:22,080
Speaker 4: Biologically but my mammy, Mammy.

1063
00:55:22,200 --> 00:55:25,520
Speaker 1: The Mommy Award, the Mammy Award, Okay, mom of the Year,

1064
00:55:25,719 --> 00:55:30,880
Speaker 1: business woman, business, business, we're literally doing Paris is burning

1065
00:55:30,960 --> 00:55:34,640
Speaker 1: right now. And just like category is executive realms, but

1066
00:55:34,880 --> 00:55:38,560
Speaker 1: for but for straight women on the subway, I do

1067
00:55:38,600 --> 00:55:40,680
Speaker 1: want one that's conservative woman.

1068
00:55:41,960 --> 00:55:45,520
Speaker 2: Conservative woman. I mean you have they're complex. I mean

1069
00:55:45,560 --> 00:55:48,120
Speaker 2: she's gonna win. I mean, that's complex.

1070
00:55:48,120 --> 00:55:49,440
Speaker 3: There are some of the most complex.

1071
00:55:49,520 --> 00:55:52,520
Speaker 4: Did you see what's the Shirley starre in Fox News

1072
00:55:52,520 --> 00:55:53,960
Speaker 4: movie Bombshell?

1073
00:55:55,280 --> 00:55:57,120
Speaker 3: All of them win, all of them.

1074
00:55:56,960 --> 00:55:59,520
Speaker 4: Win, all of them when I'm so sorry they went.

1075
00:55:59,560 --> 00:56:01,840
Speaker 2: Every year they always sweep the awards.

1076
00:56:02,000 --> 00:56:04,239
Speaker 1: I'm always fascinated by. You know who is fascinating to

1077
00:56:04,280 --> 00:56:05,400
Speaker 1: me A Laura Bush?

1078
00:56:05,880 --> 00:56:09,160
Speaker 4: Yeah, because you really are like any quiet wife of

1079
00:56:09,160 --> 00:56:10,440
Speaker 4: a war crim anything could.

1080
00:56:10,320 --> 00:56:10,839
Speaker 2: Be going on.

1081
00:56:11,040 --> 00:56:14,000
Speaker 1: Yes, And I actually do think she has moments of

1082
00:56:14,400 --> 00:56:18,920
Speaker 1: real progressivism and she has to, like you know, I think,

1083
00:56:19,040 --> 00:56:20,720
Speaker 1: for instance, she has a lot of gay friends.

1084
00:56:21,600 --> 00:56:24,319
Speaker 3: Okay, is that true? I think, oh you think? Okay? Yeah?

1085
00:56:24,360 --> 00:56:26,920
Speaker 3: And I think she like sort of came out pro game.

1086
00:56:26,880 --> 00:56:27,680
Speaker 2: Eric came out.

1087
00:56:29,000 --> 00:56:30,840
Speaker 3: She came out as questions.

1088
00:56:32,800 --> 00:56:36,080
Speaker 2: She was like the cue is valid, Laura Bush, She's like.

1089
00:56:36,480 --> 00:56:39,640
Speaker 3: Out of nowhere twenty twenty one coming outs questions.

1090
00:56:40,640 --> 00:56:44,760
Speaker 4: Well, I thought about it, I will admit I thought

1091
00:56:44,760 --> 00:56:45,400
Speaker 4: about it.

1092
00:56:47,120 --> 00:56:48,080
Speaker 2: I missed you.

1093
00:56:50,040 --> 00:56:51,479
Speaker 3: I don't have an answer yet, but.

1094
00:56:53,680 --> 00:56:58,399
Speaker 4: Considers question who among us I met Laura Bush coming

1095
00:56:58,440 --> 00:57:01,160
Speaker 4: out a questioning would be a great character for your cab.

1096
00:57:01,520 --> 00:57:05,240
Speaker 4: She's like you've seen Sama hike pretty hard.

1097
00:57:05,880 --> 00:57:09,480
Speaker 3: It's a beautiful woman, looks like she s masked. I

1098
00:57:09,480 --> 00:57:10,640
Speaker 3: don't know what to say.

1099
00:57:11,800 --> 00:57:16,600
Speaker 2: Wow, Okay. Also Laura Bush has like this like permanent

1100
00:57:16,800 --> 00:57:19,720
Speaker 2: smile on where it's like Mona Lisa found in the ditch.

1101
00:57:20,280 --> 00:57:25,880
Speaker 1: It's like I wish she was Laura Bush.

1102
00:57:26,080 --> 00:57:32,000
Speaker 4: Actually they do kind of look similar style Lisa like

1103
00:57:32,080 --> 00:57:33,720
Speaker 4: LoVa Laura does.

1104
00:57:33,600 --> 00:57:34,880
Speaker 2: Mona Lisa for the snatchcase.

1105
00:57:36,600 --> 00:57:39,080
Speaker 4: Guess what for Interview mel Ottenburg. If you're listening for

1106
00:57:39,120 --> 00:57:40,760
Speaker 4: Interview magazine, I want to photo shoot.

1107
00:57:40,720 --> 00:57:44,880
Speaker 1: Know Laura Bush styled the Mona Lisa mel Ottenburg.

1108
00:57:44,920 --> 00:57:50,480
Speaker 2: If you're listening by Latimir Food Platinum Mountain, I want

1109
00:57:50,520 --> 00:57:55,600
Speaker 2: a big spread, A big spread. My god, the icons

1110
00:57:55,640 --> 00:57:59,080
Speaker 2: issue love hate him, It's still an obsession.

1111
00:58:00,120 --> 00:58:00,360
Speaker 4: Ah.

1112
00:58:01,120 --> 00:58:03,520
Speaker 1: And then Laura Bush is posting like a thrill to

1113
00:58:03,600 --> 00:58:07,240
Speaker 1: work with photographer at bottom slot bottom and.

1114
00:58:07,200 --> 00:58:09,360
Speaker 2: You click on their profile and it's only the black

1115
00:58:09,360 --> 00:58:14,760
Speaker 2: and white twings with the jeans on Laura Bush. Oh,

1116
00:58:14,840 --> 00:58:15,320
Speaker 2: my god.

1117
00:58:16,000 --> 00:58:21,080
Speaker 4: Hair byes Dipa Curl wigs number five, make up by

1118
00:58:21,120 --> 00:58:21,840
Speaker 4: Mayhem Miller.

1119
00:58:27,120 --> 00:58:28,720
Speaker 1: I mean you laugh. But at some point she will

1120
00:58:28,720 --> 00:58:30,000
Speaker 1: be a guest judge on Drag Race.

1121
00:58:30,200 --> 00:58:32,560
Speaker 3: Oh my god, I mean Nancy.

1122
00:58:32,440 --> 00:58:36,480
Speaker 2: Was yeah, oh I thought you. I was like, Nancy Reagan,

1123
00:58:37,960 --> 00:58:39,480
Speaker 2: I was like, I missed that episode.

1124
00:58:40,360 --> 00:58:44,280
Speaker 3: They brought her. They brought her corpse and blopped it

1125
00:58:44,360 --> 00:58:47,760
Speaker 3: on one of those chairs. They were like, Nancy, how's

1126
00:58:47,760 --> 00:58:48,200
Speaker 3: your head?

1127
00:58:49,160 --> 00:58:56,120
Speaker 2: It falls off. She's like, oh my, oh my god.

1128
00:59:02,080 --> 00:59:11,560
Speaker 3: She's like, how that. How's that for trickle down? My god?

1129
00:59:11,960 --> 00:59:13,160
Speaker 2: Wow?

1130
00:59:13,440 --> 00:59:19,080
Speaker 3: We have a mommy business woman stripped category.

1131
00:59:19,320 --> 00:59:24,640
Speaker 4: I think we also need like divorced, well divorced, just

1132
00:59:24,680 --> 00:59:26,160
Speaker 4: general divorce category.

1133
00:59:26,280 --> 00:59:27,720
Speaker 3: We need like slut.

1134
00:59:27,880 --> 00:59:30,360
Speaker 1: Oh yeah, oh my god, that's right. We have not

1135
00:59:30,440 --> 00:59:33,800
Speaker 1: been celebrating sex. Sex and it's pride.

1136
00:59:34,320 --> 00:59:39,080
Speaker 4: Yeah, well, can't get pride. It's a big it's a

1137
00:59:39,080 --> 00:59:41,680
Speaker 4: big top. It's a big topic, especially now that we

1138
00:59:41,720 --> 00:59:44,840
Speaker 4: have indie pride. Right, we just don't know, we don't

1139
00:59:44,840 --> 00:59:47,640
Speaker 4: know how far. That's a good question, is kinkle out

1140
00:59:47,640 --> 00:59:50,280
Speaker 4: an indie pride? Well that's when you get into like

1141
00:59:50,520 --> 00:59:53,000
Speaker 4: sounding and and like, uh.

1142
00:59:53,480 --> 00:59:54,920
Speaker 2: I don't want to see kink Indie prod.

1143
00:59:55,360 --> 01:00:01,440
Speaker 1: You don't want to cank get indie proven Sarah.

1144
00:59:59,720 --> 01:00:10,600
Speaker 4: Sarah probably sounding station. Yeah, you get, you get lots.

1145
01:00:10,440 --> 01:00:13,000
Speaker 1: Of stuff over there, you get lots of stuff, a

1146
01:00:13,040 --> 01:00:15,400
Speaker 1: lot of sounding station.

1147
01:00:15,600 --> 01:00:16,800
Speaker 3: Yeah.

1148
01:00:16,840 --> 01:00:26,880
Speaker 4: So no, can't get into harmony care in Human Tampa,

1149
01:00:27,400 --> 01:00:28,480
Speaker 4: it gets really gnarly.

1150
01:00:28,880 --> 01:00:29,880
Speaker 3: It's really gnarly.

1151
01:00:29,960 --> 01:00:34,280
Speaker 2: And so yeah, that's important now what I rememver.

1152
01:00:34,560 --> 01:00:37,080
Speaker 4: Yeah, you kind of do want it behind closed doors?

1153
01:00:37,160 --> 01:00:46,760
Speaker 2: Yeah, yeah, yeah, the Fox Searchlight human sentiment. All right,

1154
01:00:47,640 --> 01:00:54,920
Speaker 2: we're being bad. Where do we go from here? I

1155
01:00:54,960 --> 01:00:57,480
Speaker 2: have literally no idea. I've never been more lost in

1156
01:00:57,520 --> 01:00:59,840
Speaker 2: my life. I feel like we've This has been such

1157
01:00:59,840 --> 01:01:01,880
Speaker 2: a roundbreaking episode of Gatio Lab.

1158
01:01:02,040 --> 01:01:04,640
Speaker 1: It's insane and I and just to be I just

1159
01:01:04,640 --> 01:01:07,800
Speaker 1: want to say this now while we're still recording, Sam,

1160
01:01:08,080 --> 01:01:12,120
Speaker 1: you had an idea and you fucking did it.

1161
01:01:13,760 --> 01:01:14,920
Speaker 3: You're basically Lydia Tar.

1162
01:01:15,160 --> 01:01:16,680
Speaker 2: I'm being so Lydiatar right now.

1163
01:01:18,880 --> 01:01:22,120
Speaker 1: Lydia Tar would definitely slay at the Awards.

1164
01:01:22,160 --> 01:01:25,080
Speaker 2: Oh my god, she would sweep a lot of the category. Yeah.

1165
01:01:26,440 --> 01:01:28,400
Speaker 3: Conservative woman, conservative.

1166
01:01:27,920 --> 01:01:30,240
Speaker 1: Women, queer woman, business woman, I.

1167
01:01:30,240 --> 01:01:32,520
Speaker 2: Mean canceled woman, even canceled.

1168
01:01:33,840 --> 01:01:39,320
Speaker 3: Yeah, I'm rooting for Barry wise, Wait, who is that?

1169
01:01:39,360 --> 01:01:39,840
Speaker 2: She's like?

1170
01:01:40,720 --> 01:01:43,600
Speaker 1: Was wrote for the New York Times opinion section, and then,

1171
01:01:44,120 --> 01:01:46,600
Speaker 1: rather than being fire, just quit and wrote about how

1172
01:01:46,640 --> 01:01:50,440
Speaker 1: she was pushed out. Oh she's one of these like

1173
01:01:50,480 --> 01:01:52,080
Speaker 1: anti canceled culture.

1174
01:01:52,080 --> 01:01:59,400
Speaker 3: Like sure put yeah, oh short shor.

1175
01:01:59,840 --> 01:02:02,320
Speaker 4: But yeah, but your selt category needs to be present.

1176
01:02:04,600 --> 01:02:08,800
Speaker 2: This is starting to feel less like parents is Burning

1177
01:02:08,840 --> 01:02:11,120
Speaker 2: and more like the like Westminster Dog Show.

1178
01:02:11,600 --> 01:02:17,360
Speaker 3: Right, well, it's degrading. Let's let's be honest with ourselves.

1179
01:02:17,760 --> 01:02:19,080
Speaker 3: It's basically best in show.

1180
01:02:20,040 --> 01:02:22,880
Speaker 1: It is the one of the most degrading things one

1181
01:02:22,880 --> 01:02:24,040
Speaker 1: could possibly imagine.

1182
01:02:24,160 --> 01:02:26,720
Speaker 2: I think I think the complex have been canceled.

1183
01:02:26,840 --> 01:02:30,480
Speaker 4: I think, I mean the thing is and it's it's

1184
01:02:30,560 --> 01:02:32,400
Speaker 4: ran by Huffpa.

1185
01:02:35,120 --> 01:02:37,360
Speaker 1: I think the only way to make this work is

1186
01:02:37,400 --> 01:02:38,880
Speaker 1: if it is.

1187
01:02:39,520 --> 01:02:40,360
Speaker 3: I mean, then you just go.

1188
01:02:40,480 --> 01:02:42,960
Speaker 1: Basically, it should be just little fair. It should be

1189
01:02:43,000 --> 01:02:44,800
Speaker 1: like queer women judging other queer women.

1190
01:02:45,240 --> 01:02:48,680
Speaker 4: Yeah, yeah, which is really the best way to judge.

1191
01:02:49,440 --> 01:02:50,280
Speaker 3: They should do that.

1192
01:02:50,480 --> 01:02:52,880
Speaker 1: They should do a rouphou drag race that is just

1193
01:02:53,040 --> 01:02:59,480
Speaker 1: like queer women owned and operated. Yes, it's like she owns.

1194
01:02:59,560 --> 01:03:00,520
Speaker 3: A tire store.

1195
01:03:01,040 --> 01:03:03,600
Speaker 1: And then everyone's like, I loved what you did with

1196
01:03:03,680 --> 01:03:05,880
Speaker 1: those socks like they're really original.

1197
01:03:07,360 --> 01:03:12,880
Speaker 4: Yeah, those hiking boots look very comfortable. Guess, Judge Rachel Maddow.

1198
01:03:13,480 --> 01:03:15,560
Speaker 2: It's like the temperature and you're perfect. Who did that?

1199
01:03:17,000 --> 01:03:17,520
Speaker 3: Yeah?

1200
01:03:17,600 --> 01:03:20,440
Speaker 4: I also love these stereotypes of queer women that were

1201
01:03:20,480 --> 01:03:24,000
Speaker 4: pretty totally I think it's really brave.

1202
01:03:24,840 --> 01:03:30,439
Speaker 2: No one does that anymore, don't you think no one's

1203
01:03:30,440 --> 01:03:33,160
Speaker 2: allowed to No one's allowed to make generalizations or queer

1204
01:03:33,160 --> 01:03:33,680
Speaker 2: women anymore.

1205
01:03:33,800 --> 01:03:35,840
Speaker 4: Well, like, yeah, it's like how the idol is bringing

1206
01:03:35,840 --> 01:03:38,920
Speaker 4: back like kind of the nineties thriller Fatal Attraction remake,

1207
01:03:39,120 --> 01:03:43,960
Speaker 4: Like we're bringing back like SUPERU jokes, super jokes, yes,

1208
01:03:44,160 --> 01:03:48,640
Speaker 4: jokes about women. Yeah, and lesbians. I'll just say lesbians.

1209
01:03:48,680 --> 01:03:50,920
Speaker 1: You can say queer women don't have to be lesbians.

1210
01:03:51,400 --> 01:03:59,280
Speaker 1: Thank you, Macie, Jesus, that's true.

1211
01:03:59,520 --> 01:04:04,520
Speaker 3: Is this that so defensive? I think so? Yeah? I agree.

1212
01:04:04,880 --> 01:04:08,720
Speaker 2: Yeah, I think this episode is one of our more offensive.

1213
01:04:09,960 --> 01:04:10,160
Speaker 3: Yeah.

1214
01:04:10,200 --> 01:04:11,920
Speaker 4: I feel bad every time I come here. I'm like,

1215
01:04:12,000 --> 01:04:18,800
Speaker 4: no calling Meil Patrick Harris the sag word. I'm creating

1216
01:04:18,840 --> 01:04:19,960
Speaker 4: a pageant for women.

1217
01:04:20,480 --> 01:04:21,120
Speaker 2: Do you feel like.

1218
01:04:21,040 --> 01:04:25,280
Speaker 1: You're being almost like by being part of this conversation,

1219
01:04:25,840 --> 01:04:29,360
Speaker 1: sort of joining us in degrading women. Do you feel

1220
01:04:29,400 --> 01:04:31,280
Speaker 1: like you're being complicit in a sort of oh I'm

1221
01:04:31,320 --> 01:04:32,919
Speaker 1: just a guy's gal type of way.

1222
01:04:33,120 --> 01:04:36,920
Speaker 4: Yeah, I'm like the Jenny McCarthy exactly netword, because you

1223
01:04:36,920 --> 01:04:38,880
Speaker 4: could have at any point put your foot down and

1224
01:04:38,920 --> 01:04:42,280
Speaker 4: be like stop saying that about too, leslie, and that

1225
01:04:42,400 --> 01:04:45,280
Speaker 4: you joined in made jokes like yes, yeah.

1226
01:04:45,680 --> 01:04:49,480
Speaker 3: Yeah, yeah, yeah, women tearing down women. I love it.

1227
01:04:49,600 --> 01:04:55,480
Speaker 2: If you can't call women the sea word complex, then

1228
01:04:56,680 --> 01:04:58,400
Speaker 2: we're making merch complexes.

1229
01:04:58,440 --> 01:05:03,040
Speaker 1: Then you see words, you know how they were like, oh,

1230
01:05:03,080 --> 01:05:04,160
Speaker 1: the B word is bossy.

1231
01:05:04,640 --> 01:05:05,880
Speaker 3: Oh I love that.

1232
01:05:06,160 --> 01:05:09,560
Speaker 4: Okay too, because even mentioning the word, it's kind of

1233
01:05:10,080 --> 01:05:10,680
Speaker 4: kind of risky.

1234
01:05:10,720 --> 01:05:13,320
Speaker 2: Oh people got mad at me. Yeah, people in this room.

1235
01:05:13,280 --> 01:05:13,920
Speaker 3: Yeah, exactly.

1236
01:05:14,960 --> 01:05:15,320
Speaker 2: Wow.

1237
01:05:15,440 --> 01:05:18,840
Speaker 4: There's about fifty people behind the cameras, behind the mics,

1238
01:05:18,840 --> 01:05:19,720
Speaker 4: and they're all glarious.

1239
01:05:19,720 --> 01:05:21,680
Speaker 3: It's literally and it's actually an all women crew.

1240
01:05:21,720 --> 01:05:24,400
Speaker 1: And they're all like horrified and they're like their arms crossed,

1241
01:05:24,440 --> 01:05:27,840
Speaker 1: like I thought these were just they're all gay guys.

1242
01:05:27,920 --> 01:05:29,360
Speaker 3: They're all whispering to each other.

1243
01:05:31,040 --> 01:05:33,480
Speaker 2: Wow. I mean, but I think it brings up.

1244
01:05:33,480 --> 01:05:38,440
Speaker 4: If it brings we're not we're not asking any questions,

1245
01:05:38,440 --> 01:05:42,680
Speaker 4: but we're gesturing towards problems of misogyny of.

1246
01:05:45,040 --> 01:05:48,240
Speaker 3: Other stuff. I'm sure a little warming, yeah.

1247
01:05:48,360 --> 01:05:53,400
Speaker 1: Warming, yeah, yeah, well the constitution, the dead ceiling, yeah,

1248
01:05:53,600 --> 01:05:55,440
Speaker 1: the dead, the becoming elections.

1249
01:05:55,520 --> 01:05:57,040
Speaker 2: Yeah, yeah, of course they're always just.

1250
01:05:58,520 --> 01:05:59,200
Speaker 3: Yeah.

1251
01:06:00,160 --> 01:06:04,400
Speaker 1: So may see, like, as a woman, what do you think?

1252
01:06:04,760 --> 01:06:06,880
Speaker 1: And because I feel like, you know, you've been sort

1253
01:06:06,880 --> 01:06:08,240
Speaker 1: of out a remove you're like, oh, this is what

1254
01:06:08,240 --> 01:06:09,680
Speaker 1: we're going to do with these women that we're going

1255
01:06:09,760 --> 01:06:12,480
Speaker 1: to put in this room. But I want to put

1256
01:06:12,480 --> 01:06:15,200
Speaker 1: the spotlight on you as a woman. What do you

1257
01:06:15,200 --> 01:06:17,920
Speaker 1: think for anyone listening that wants to be an ally

1258
01:06:17,960 --> 01:06:20,720
Speaker 1: to women? What are the issues currently facing women? And

1259
01:06:20,800 --> 01:06:23,560
Speaker 1: what can we do to be better allies to women.

1260
01:06:24,400 --> 01:06:28,320
Speaker 4: Currently facing women issues.

1261
01:06:28,000 --> 01:06:31,640
Speaker 2: Specifically and maybe even specifically address the gay guy community.

1262
01:06:31,960 --> 01:06:38,000
Speaker 4: Yeah, okay, I think that women's stories just need to

1263
01:06:38,040 --> 01:06:40,640
Speaker 4: be told. Yeah, I was gonna say that. Yeah, it's

1264
01:06:40,680 --> 01:06:43,840
Speaker 4: a huge problem. It's just like there's not enough stories

1265
01:06:43,880 --> 01:06:47,840
Speaker 4: being told totally, so in general, in general, mainly for women.

1266
01:06:47,680 --> 01:06:50,439
Speaker 1: Mainly for women. Women's stories matter.

1267
01:06:52,000 --> 01:06:54,360
Speaker 3: And what was the other behalf of the question, how.

1268
01:06:54,200 --> 01:06:56,240
Speaker 1: Can we be better allies to women?

1269
01:06:56,600 --> 01:06:57,520
Speaker 3: Oh?

1270
01:06:57,920 --> 01:07:00,560
Speaker 4: If you see it to Leslie on the street, huh,

1271
01:07:00,760 --> 01:07:04,040
Speaker 4: write that movie, you know, write that movie about that

1272
01:07:04,120 --> 01:07:05,160
Speaker 4: woman with a briefcase.

1273
01:07:05,200 --> 01:07:08,400
Speaker 1: So the movie should be written by gay man only.

1274
01:07:08,560 --> 01:07:09,240
Speaker 3: Yeah, only.

1275
01:07:09,520 --> 01:07:15,440
Speaker 4: That's your way to give back women, you know, by

1276
01:07:15,480 --> 01:07:18,160
Speaker 4: making them iconoclastic, by making.

1277
01:07:17,880 --> 01:07:22,520
Speaker 3: Them these you know, these figures. And you know, I

1278
01:07:22,560 --> 01:07:22,960
Speaker 3: think that.

1279
01:07:24,800 --> 01:07:27,680
Speaker 4: Because we were talking about men, straight men don't see

1280
01:07:27,720 --> 01:07:30,240
Speaker 4: women the same way. I think maybe you should amp

1281
01:07:30,360 --> 01:07:33,560
Speaker 4: up some of the like features of their personality, their bodies.

1282
01:07:33,880 --> 01:07:36,840
Speaker 4: Maybe have them in like corsets and big bras, big

1283
01:07:36,880 --> 01:07:40,880
Speaker 4: wigs they if they even get a little bit sad,

1284
01:07:41,240 --> 01:07:44,040
Speaker 4: make them cry hysterically, just to really drive.

1285
01:07:43,840 --> 01:07:46,160
Speaker 3: The point home. I think this is like a really

1286
01:07:47,040 --> 01:07:47,960
Speaker 3: fair way forward.

1287
01:07:48,360 --> 01:07:50,800
Speaker 1: Yeah, you know, all right, So any gig guys out

1288
01:07:50,800 --> 01:07:54,320
Speaker 1: there listening, if you see a woman, write a movie

1289
01:07:54,320 --> 01:07:54,800
Speaker 1: about her.

1290
01:07:55,920 --> 01:08:01,080
Speaker 3: I think that or a stage or stage or mini series.

1291
01:08:01,880 --> 01:08:02,240
Speaker 4: Serious.

1292
01:08:03,000 --> 01:08:05,480
Speaker 1: Maybe maybe a one woman show where it's the gig

1293
01:08:05,520 --> 01:08:07,280
Speaker 1: guy in dragon the story of that woman.

1294
01:08:07,560 --> 01:08:14,080
Speaker 3: It could be fine. That could be really fair. Maybe

1295
01:08:14,120 --> 01:08:14,600
Speaker 3: a novel.

1296
01:08:15,960 --> 01:08:17,919
Speaker 2: No, who's reading anymore?

1297
01:08:18,240 --> 01:08:18,600
Speaker 3: Say that?

1298
01:08:20,920 --> 01:08:21,160
Speaker 5: Yeah?

1299
01:08:21,240 --> 01:08:26,400
Speaker 2: Okay, perfect, Well that sounds amazing. Thanks for that advice. Yeah,

1300
01:08:26,840 --> 01:08:29,519
Speaker 2: do we have anything else you want to say about women?

1301
01:08:29,840 --> 01:08:37,519
Speaker 1: Mac the Yeah, because guess what, all rights.

1302
01:08:37,320 --> 01:08:38,360
Speaker 3: Start depending on it.

1303
01:08:38,360 --> 01:08:42,960
Speaker 1: It's true, not just women's rights.

1304
01:08:43,000 --> 01:08:46,599
Speaker 4: Although women's rights are wrapped into men's rights.

1305
01:08:46,840 --> 01:08:48,759
Speaker 3: Women's rights are human rights, and so.

1306
01:08:48,760 --> 01:08:52,280
Speaker 4: If you want to keep your men's rights, you should

1307
01:08:52,320 --> 01:08:54,360
Speaker 4: start caring about women's rights exactly.

1308
01:08:54,640 --> 01:08:56,160
Speaker 3: That's that's the only reason.

1309
01:08:56,360 --> 01:09:00,760
Speaker 1: Yeah, that's on democracy howny.

1310
01:09:01,920 --> 01:09:03,240
Speaker 2: Mauma.

1311
01:09:04,320 --> 01:09:07,040
Speaker 4: Well no one has ever said, am.

1312
01:09:09,920 --> 01:09:11,040
Speaker 3: We need to start doing that again.

1313
01:09:11,080 --> 01:09:18,320
Speaker 4: I love when we say mama mama, like rather than mama, mama, mama.

1314
01:09:18,680 --> 01:09:19,759
Speaker 3: It's like I have a friend.

1315
01:09:20,160 --> 01:09:24,000
Speaker 1: John Copeland was like was on and he was like

1316
01:09:24,040 --> 01:09:25,720
Speaker 1: in a sort of New Jersey accident, was like, oh

1317
01:09:25,800 --> 01:09:26,120
Speaker 1: is this.

1318
01:09:26,080 --> 01:09:36,720
Speaker 5: Padam padam padam padam?

1319
01:09:32,080 --> 01:09:38,799
Speaker 2: Oh? I mean should we do our final segment?

1320
01:09:39,120 --> 01:09:41,720
Speaker 1: Yeah, please take the reins on this.

1321
01:09:42,800 --> 01:09:46,519
Speaker 2: So fans will know that we always end our show

1322
01:09:46,640 --> 01:09:49,840
Speaker 2: with a little little segment called shout Outs, which is

1323
01:09:49,840 --> 01:09:53,480
Speaker 2: an homos to straight culture. But this ain't Stradio Labs Sweetheart.

1324
01:09:53,560 --> 01:09:56,320
Speaker 2: This is iHeart presents Big Money, Players Presents, Stradio Lab

1325
01:09:56,360 --> 01:10:01,519
Speaker 2: presents GA and so today instead of shout Outs, we

1326
01:10:01,560 --> 01:10:04,400
Speaker 2: will be paying homage to the great gay tradition and

1327
01:10:04,479 --> 01:10:09,880
Speaker 2: doing branded content from a queer creator, which is an

1328
01:10:09,920 --> 01:10:11,839
Speaker 2: amazing new segment.

1329
01:10:12,160 --> 01:10:17,800
Speaker 1: Okay, so we are doing Yeah, we're each doing a

1330
01:10:17,960 --> 01:10:23,920
Speaker 1: branded segment where we promote a queer product or any

1331
01:10:23,920 --> 01:10:26,160
Speaker 1: product we're enjoying, any product we're enjoying.

1332
01:10:26,280 --> 01:10:28,320
Speaker 2: Doing it in a queer way, in a queer way. Okay,

1333
01:10:28,520 --> 01:10:36,599
Speaker 2: all start great, Okay, Hey everybody, Hey, my LGBTQ plus fam.

1334
01:10:36,720 --> 01:10:39,519
Speaker 2: I hope you're enjoying pride. You know, for me, pride

1335
01:10:39,600 --> 01:10:41,880
Speaker 2: is all about getting together and it's all about having fun.

1336
01:10:41,920 --> 01:10:44,559
Speaker 2: But it's also all about energy. And I get my

1337
01:10:44,760 --> 01:10:48,639
Speaker 2: energy from Starbucks drinks. I went to a Starbucks today

1338
01:10:48,640 --> 01:10:51,800
Speaker 2: in Midtown Manhattan, and I saw teens coming of age

1339
01:10:51,880 --> 01:10:55,040
Speaker 2: and I needed a cold brew because I said, honey,

1340
01:10:55,080 --> 01:10:57,479
Speaker 2: I don't have that energy anymore that you teach your

1341
01:10:57,520 --> 01:10:59,800
Speaker 2: kids have. But you know what, what does give me

1342
01:10:59,840 --> 01:11:03,360
Speaker 2: that energy? A cold brew. I am jittery, I am shaking,

1343
01:11:03,560 --> 01:11:07,479
Speaker 2: I am unable to form sentences, and I am feeling

1344
01:11:07,600 --> 01:11:12,120
Speaker 2: so LGBTQ and so me and I love Starbucks and

1345
01:11:12,200 --> 01:11:16,759
Speaker 2: I love my community aka Chosen Family all Starbucks employees

1346
01:11:17,240 --> 01:11:19,360
Speaker 2: XO XO Sam Wow.

1347
01:11:21,240 --> 01:11:23,519
Speaker 1: I thought we were sort of launching new products, but

1348
01:11:23,600 --> 01:11:25,360
Speaker 1: I think both can work. I mean, well, if you

1349
01:11:25,360 --> 01:11:27,800
Speaker 1: want to launch a product I'm launching, I'm part of

1350
01:11:27,840 --> 01:11:30,719
Speaker 1: the first round of influencers that was contacted to promote

1351
01:11:30,720 --> 01:11:31,320
Speaker 1: a new product.

1352
01:11:31,439 --> 01:11:34,800
Speaker 2: See, I was partnering with Starbucks launching I launched Starbucks

1353
01:11:34,800 --> 01:11:37,360
Speaker 2: in general. Yeah, well I'm partnering with Starbucks.

1354
01:11:38,040 --> 01:11:40,519
Speaker 1: Well, they just canceled their actual Pride campaign and now

1355
01:11:40,520 --> 01:11:43,559
Speaker 1: they're doing it only through queer podcasts, so that like

1356
01:11:43,720 --> 01:11:44,800
Speaker 1: no other people.

1357
01:11:45,080 --> 01:11:48,160
Speaker 4: Right right, we don't have anyth know, straight people don't

1358
01:11:48,160 --> 01:11:49,599
Speaker 4: have to know that sam like Starbucks.

1359
01:11:49,800 --> 01:11:57,080
Speaker 1: Yeah, ky Little Kittens. This is George, the co host

1360
01:11:57,080 --> 01:11:59,840
Speaker 1: of the podcast Radio Lab and of course the writer

1361
01:12:00,120 --> 01:12:03,400
Speaker 1: of my queer newsletter where I talk about you know,

1362
01:12:03,439 --> 01:12:05,599
Speaker 1: pop culture and other things that we all care about.

1363
01:12:05,920 --> 01:12:12,639
Speaker 1: It's called My Way Sis, and I'm here to promote

1364
01:12:12,680 --> 01:12:17,200
Speaker 1: a brand new pharmaceutical product, the C Pill. It's a

1365
01:12:17,280 --> 01:12:23,120
Speaker 1: pill for LGBTQ plus identified people that don't have a

1366
01:12:23,160 --> 01:12:25,960
Speaker 1: mental illness but something feels off. And I say, you

1367
01:12:26,000 --> 01:12:30,439
Speaker 1: wake up every day, you take fourteen pills, and then

1368
01:12:30,479 --> 01:12:32,559
Speaker 1: you feel sort of balanced for the rest of the day.

1369
01:12:32,680 --> 01:12:34,240
Speaker 3: So it's non specific.

1370
01:12:34,439 --> 01:12:39,320
Speaker 1: It can cure things like, you know, slight anxiety from

1371
01:12:39,479 --> 01:12:42,960
Speaker 1: having to meet a deadline, things like, oh, it's been

1372
01:12:43,000 --> 01:12:44,640
Speaker 1: five days since you replied to that email but you

1373
01:12:44,720 --> 01:12:47,840
Speaker 1: still are not sure what to say, things like honey,

1374
01:12:47,880 --> 01:12:51,040
Speaker 1: where did I put my phone? Things like things like

1375
01:12:51,080 --> 01:12:53,920
Speaker 1: who's that guy on Grinder? And have I hooked up

1376
01:12:53,960 --> 01:12:58,200
Speaker 1: with him before? Things like oh, there's a line at

1377
01:12:58,240 --> 01:13:01,800
Speaker 1: the big Pride party. Just pop in those fourteen Q

1378
01:13:02,040 --> 01:13:04,519
Speaker 1: pills and you are good to go. Your eyes will

1379
01:13:04,520 --> 01:13:06,840
Speaker 1: be glazed over and you'll be ready to dance the

1380
01:13:06,920 --> 01:13:10,120
Speaker 1: night away slowly and gracefully.

1381
01:13:10,160 --> 01:13:10,400
Speaker 2: Wow.

1382
01:13:10,479 --> 01:13:14,599
Speaker 1: So yeah, just to be clear, don't ask your doctor

1383
01:13:14,600 --> 01:13:17,799
Speaker 1: about it, and just go to the website qpill dot com,

1384
01:13:17,840 --> 01:13:24,240
Speaker 1: dot fizz slash Stradio lab promotion to get two percent off.

1385
01:13:25,400 --> 01:13:27,040
Speaker 1: And it's not covered by any insurance.

1386
01:13:27,120 --> 01:13:30,200
Speaker 2: No god, no, all right, all right, not that you

1387
01:13:30,200 --> 01:13:33,519
Speaker 2: have it byee, So Macie.

1388
01:13:33,600 --> 01:13:36,360
Speaker 1: You can either launch your own product or partner with

1389
01:13:36,400 --> 01:13:37,160
Speaker 1: an existing one.

1390
01:13:37,200 --> 01:13:40,720
Speaker 4: Well, I I it is a new product by some

1391
01:13:40,880 --> 01:13:44,519
Speaker 4: brands that you might be familiar with. It's a collab

1392
01:13:44,600 --> 01:13:47,040
Speaker 4: between myself, Taco Bell, and Ozembek.

1393
01:13:47,240 --> 01:13:47,760
Speaker 3: Oh my god.

1394
01:13:48,600 --> 01:13:51,680
Speaker 4: And the one of the big drawbacks of ozembic is

1395
01:13:51,720 --> 01:13:55,400
Speaker 4: that it's a shot and you don't really eat on it,

1396
01:13:55,800 --> 01:13:58,040
Speaker 4: and so that's kind of boring.

1397
01:13:58,200 --> 01:14:00,320
Speaker 3: You know, eating is fun. It's an American pas time.

1398
01:14:00,360 --> 01:14:01,200
Speaker 3: That's what I always say.

1399
01:14:01,280 --> 01:14:01,799
Speaker 2: It's culture.

1400
01:14:02,040 --> 01:14:02,600
Speaker 3: Yeah.

1401
01:14:02,880 --> 01:14:06,759
Speaker 4: And so with this, it's a butt plug. Oh yeah,

1402
01:14:07,160 --> 01:14:09,519
Speaker 4: and so you you got you can get it at

1403
01:14:09,560 --> 01:14:11,759
Speaker 4: any talk a bell if it's got tons of them.

1404
01:14:11,920 --> 01:14:14,600
Speaker 4: And basically the butt plug, you put it in, you

1405
01:14:14,680 --> 01:14:18,559
Speaker 4: press the button. It basically shoots out little needles into

1406
01:14:18,600 --> 01:14:24,280
Speaker 4: your ractum and that delivers the ozembic. And this this

1407
01:14:24,400 --> 01:14:27,160
Speaker 4: formulation kind of works in a slightly different way. You

1408
01:14:27,160 --> 01:14:30,240
Speaker 4: can shovel the food in you you have a huge

1409
01:14:30,240 --> 01:14:33,760
Speaker 4: app to you actually have a partier appetite. But it

1410
01:14:33,800 --> 01:14:35,720
Speaker 4: looks kind of like a microphone at the end, like

1411
01:14:35,760 --> 01:14:38,080
Speaker 4: it's got little holes. And what it does is when

1412
01:14:38,240 --> 01:14:41,080
Speaker 4: your the food goes in, it travels through the butt

1413
01:14:41,120 --> 01:14:45,679
Speaker 4: plug and is it comes out as like a perfume

1414
01:14:45,720 --> 01:14:48,840
Speaker 4: of your choice. It's also with cent berg.

1415
01:14:49,560 --> 01:14:50,160
Speaker 3: Wow.

1416
01:14:50,280 --> 01:14:53,240
Speaker 4: And so it's a really innovative product. We're really proud

1417
01:14:53,320 --> 01:14:56,160
Speaker 4: of it. I'm using it right now.

1418
01:14:56,640 --> 01:14:57,800
Speaker 1: It's what I'm getting sandaled with.

1419
01:14:58,360 --> 01:14:58,839
Speaker 2: Yeah.

1420
01:14:58,960 --> 01:15:02,200
Speaker 1: Yeah, every summary, yeah, very summer. Yes, yes, yes, they've

1421
01:15:02,200 --> 01:15:03,879
Speaker 1: got a whole summer campfire.

1422
01:15:03,880 --> 01:15:05,240
Speaker 3: I would say, yeah.

1423
01:15:05,400 --> 01:15:09,040
Speaker 4: Yeah, it's the Margella yes yeah, marginal, Yeah, it's woodzy

1424
01:15:09,120 --> 01:15:09,759
Speaker 4: but feminine.

1425
01:15:10,439 --> 01:15:17,200
Speaker 2: Yeah. Wow. Well that's so amazing, it's crazy. I love

1426
01:15:17,240 --> 01:15:20,640
Speaker 2: that we have the ozempic, Taco Bell sent for the

1427
01:15:20,720 --> 01:15:27,720
Speaker 2: Q pill, and of course Starbus. Yeah, well all of them.

1428
01:15:28,000 --> 01:15:30,360
Speaker 1: I do want to say, you can't do the ozembic

1429
01:15:30,439 --> 01:15:33,320
Speaker 1: butt plug while on Q pills because it will lead

1430
01:15:33,360 --> 01:15:36,720
Speaker 1: to immediate death, violent death where you will explode from

1431
01:15:36,800 --> 01:15:37,400
Speaker 1: the inside.

1432
01:15:37,520 --> 01:15:41,880
Speaker 4: Okay, first, yeah, I kind of glazed over the fine print,

1433
01:15:41,960 --> 01:15:44,599
Speaker 4: but that's totally you know, it's like whatever, and they're both,

1434
01:15:44,880 --> 01:15:47,880
Speaker 4: you know, great products, and some people will prefer one

1435
01:15:47,920 --> 01:15:48,680
Speaker 4: and some people prefer this.

1436
01:15:48,760 --> 01:15:49,320
Speaker 3: It's true.

1437
01:15:49,640 --> 01:15:51,960
Speaker 1: Luckily, you can drink Starbucks no matter what you put

1438
01:15:52,000 --> 01:15:53,200
Speaker 1: in your mouth or a butthole.

1439
01:15:53,320 --> 01:15:54,479
Speaker 3: Yeah, actually you should.

1440
01:15:54,680 --> 01:16:00,000
Speaker 4: You should the ozempic thing doesn't start working, have Starbucks

1441
01:16:00,040 --> 01:16:01,000
Speaker 4: Starbucks activated, I.

1442
01:16:01,080 --> 01:16:01,400
Speaker 2: Tell you.

1443
01:16:02,880 --> 01:16:07,200
Speaker 4: Exactly, which is weird because it's it's Taco Bell.

1444
01:16:07,479 --> 01:16:10,760
Speaker 2: Yeah, but you know they're all owned by the same

1445
01:16:10,920 --> 01:16:13,000
Speaker 2: own media. Yeah.

1446
01:16:13,520 --> 01:16:15,000
Speaker 3: Yeah. Wow.

1447
01:16:15,320 --> 01:16:16,959
Speaker 2: Well, this has been an amazing episode.

1448
01:16:17,720 --> 01:16:18,320
Speaker 3: Not agree more.

1449
01:16:18,360 --> 01:16:21,120
Speaker 1: I'm well, I'm fearful of it to come out, but

1450
01:16:21,400 --> 01:16:24,559
Speaker 1: I have I feel like this is exactly what I

1451
01:16:24,600 --> 01:16:26,160
Speaker 1: wanted today. You know, when I came in and I

1452
01:16:26,200 --> 01:16:28,519
Speaker 1: was like, I want this to be improv I wanted

1453
01:16:28,520 --> 01:16:30,920
Speaker 1: to be. We tell ourselves stories in order to live. Honey,

1454
01:16:30,960 --> 01:16:31,400
Speaker 1: I'm living.

1455
01:16:32,240 --> 01:16:35,600
Speaker 2: Yeah, yeah, you know. I think people will clock my

1456
01:16:35,800 --> 01:16:40,840
Speaker 2: big paws up top. And and I came into this

1457
01:16:40,920 --> 01:16:43,960
Speaker 2: being like, wow, I'm gonna do a podcast today.

1458
01:16:44,040 --> 01:16:49,400
Speaker 1: Yeah, we did it, and all thanks to the winner

1459
01:16:50,040 --> 01:16:52,360
Speaker 1: of the Complex Woman pageant.

1460
01:16:55,040 --> 01:17:02,479
Speaker 4: Congratulats de lear players.

1461
01:17:02,520 --> 01:17:06,760
Speaker 2: Barbara Bush is crying, stabbing herself in the eye. He's like,

1462
01:17:06,760 --> 01:17:08,200
Speaker 2: why did I do it? Why did I do it?

1463
01:17:09,439 --> 01:17:11,960
Speaker 3: Why did I do it? Oh my god?

1464
01:17:11,960 --> 01:17:14,519
Speaker 1: All right, well, see you at next year's awards.

1465
01:17:14,600 --> 01:17:15,840
Speaker 2: Yeah, get tickets to the event.

1466
01:17:16,120 --> 01:17:16,599
Speaker 3: Yeah.

1467
01:17:17,080 --> 01:17:19,040
Speaker 1: It's a really complicated process. You have to download a

1468
01:17:19,040 --> 01:17:19,360
Speaker 1: new app.

1469
01:17:19,560 --> 01:17:23,920
Speaker 2: It's a complex it's a complex process for complex women. Okay, bye,

1470
01:17:23,920 --> 01:17:24,679
Speaker 2: bye bye.

1471
01:17:24,960 --> 01:17:26,720
Speaker 3: That was so much fun.