1 00:00:03,160 --> 00:00:05,960 Speaker 1: Welcome to episode one thirty seven of the Bobby Cast. 2 00:00:06,600 --> 00:00:10,959 Speaker 1: What are we talking about our favorite movies with music? 3 00:00:11,320 --> 00:00:13,920 Speaker 1: And there really weren't any of the rules except that 4 00:00:13,960 --> 00:00:16,440 Speaker 1: the movie had to have music. It could be about music, 5 00:00:16,520 --> 00:00:19,640 Speaker 1: could be a documentary, could be just anything. And I 6 00:00:19,720 --> 00:00:23,680 Speaker 1: brought in my fellow music sort of expert, like we're 7 00:00:23,720 --> 00:00:26,239 Speaker 1: the same now that one of us are really experts. 8 00:00:26,480 --> 00:00:30,600 Speaker 1: But were about the music nerds eddies here, So before 9 00:00:30,640 --> 00:00:32,640 Speaker 1: we get started, let's talking about my sleep number bed 10 00:00:32,720 --> 00:00:36,560 Speaker 1: and oh my goodness, if you have a sleep number? 11 00:00:36,600 --> 00:00:37,800 Speaker 1: Do you even have something number? Ready? Now? What am 12 00:00:37,840 --> 00:00:40,920 Speaker 1: I gonna get one of those? I don't know. We'll 13 00:00:40,960 --> 00:00:43,120 Speaker 1: talk about that. I don't know you should demand one. 14 00:00:44,320 --> 00:00:46,199 Speaker 1: Maybe you've considered a sleep number but you thought you 15 00:00:46,200 --> 00:00:49,279 Speaker 1: couldn't afford one. But I don't know. Right now, it's 16 00:00:49,280 --> 00:00:50,960 Speaker 1: a good time. There's never been a better time to 17 00:00:51,320 --> 00:00:52,879 Speaker 1: go into a sleep number store where all the beds 18 00:00:52,880 --> 00:00:54,480 Speaker 1: are on sale during the biggest sale of the year. 19 00:00:54,520 --> 00:00:57,320 Speaker 1: My sleep number setting US thirty and my partners is 20 00:00:58,080 --> 00:01:00,600 Speaker 1: I don't have one yet, not yet. Gosh, I can 21 00:01:00,640 --> 00:01:03,400 Speaker 1: really use one though a partner or a bestep. No, 22 00:01:03,480 --> 00:01:05,920 Speaker 1: I got a partner just the bed you can actually feel, 23 00:01:05,920 --> 00:01:07,920 Speaker 1: how contrast to your next shoulders, back and hips for 24 00:01:07,959 --> 00:01:10,720 Speaker 1: more proper spinal alignment. In the new Sleep Number three 25 00:01:10,760 --> 00:01:14,520 Speaker 1: sixties smart bed, It's effortlessly comfortable and right now biggest 26 00:01:14,560 --> 00:01:16,040 Speaker 1: cell of the year or all the beds are on 27 00:01:16,080 --> 00:01:19,800 Speaker 1: sale plus on new Sleep number three sixty Limited editions 28 00:01:19,800 --> 00:01:23,440 Speaker 1: smart bed Now through Labor Day. You'll only find Sleep 29 00:01:23,520 --> 00:01:27,039 Speaker 1: number into the five fifties Sleep number stores nationwide. Find 30 00:01:27,040 --> 00:01:30,679 Speaker 1: one nearest you sleep number dot com slash bones sleep 31 00:01:30,720 --> 00:01:32,560 Speaker 1: number dot com slash bones to find one year you 32 00:01:33,000 --> 00:01:34,840 Speaker 1: And so here we right now. What I did is 33 00:01:34,840 --> 00:01:38,000 Speaker 1: I made a top five list of my favorite musical movies. 34 00:01:38,000 --> 00:01:39,800 Speaker 1: What did you do? I did the same, And I 35 00:01:40,000 --> 00:01:43,000 Speaker 1: didn't really know the rules. I know, but when you 36 00:01:43,040 --> 00:01:44,319 Speaker 1: told me we're gonna do this, I was like, oh, 37 00:01:44,360 --> 00:01:46,679 Speaker 1: what do I do? Documentaries or what? I even considered 38 00:01:46,760 --> 00:01:49,000 Speaker 1: some that were just like not even really about music, 39 00:01:49,040 --> 00:01:51,600 Speaker 1: but music goal would have been fine. So what I 40 00:01:51,640 --> 00:01:54,240 Speaker 1: did was I ended up just finding movies that kind 41 00:01:54,240 --> 00:01:57,280 Speaker 1: of I grew up with and shape my musical life. 42 00:01:57,360 --> 00:01:59,240 Speaker 1: I'll tell you where this all started from. Is Eddie 43 00:01:59,320 --> 00:02:02,800 Speaker 1: text me, I guess um, I don't know the first 44 00:02:02,800 --> 00:02:04,640 Speaker 1: time you did, but you reminded me last week. You said, Hey, 45 00:02:04,680 --> 00:02:07,720 Speaker 1: I saw this documentary called Anvil, Yeah, the Story of Anvil, 46 00:02:07,800 --> 00:02:10,880 Speaker 1: The Story of Anvil. Yeah, And and I just I 47 00:02:10,919 --> 00:02:12,320 Speaker 1: was sitting at home, I guess some Sunday night, and 48 00:02:12,320 --> 00:02:14,000 Speaker 1: I had a little time. I got back into town 49 00:02:14,480 --> 00:02:15,640 Speaker 1: and I was like, I want to watch that that 50 00:02:15,800 --> 00:02:19,680 Speaker 1: musical documentary. And it's about a metal band from the eighties. 51 00:02:19,720 --> 00:02:21,000 Speaker 1: And here's some of their music right here. This is 52 00:02:21,000 --> 00:02:29,320 Speaker 1: called Metal on Metal from Anvil. Here's like, so it's 53 00:02:29,400 --> 00:02:31,840 Speaker 1: not something that I would listen to, but I'm always 54 00:02:31,880 --> 00:02:34,840 Speaker 1: curious about stories of bands. And I watched on Netflix. 55 00:02:34,880 --> 00:02:36,959 Speaker 1: It's free if you have net made Netflix and a free. 56 00:02:37,000 --> 00:02:39,280 Speaker 1: But it feels Netflix feels free, right, Like you pay 57 00:02:39,360 --> 00:02:41,760 Speaker 1: for everything, but it still feels free. Someone's like, it's 58 00:02:41,760 --> 00:02:43,640 Speaker 1: on I won't watch about the Netflix only watch things 59 00:02:43,680 --> 00:02:45,560 Speaker 1: out to pay for. But yeah, we're paying for How 60 00:02:45,600 --> 00:02:46,880 Speaker 1: stupid are we? I just thought this is the first 61 00:02:46,880 --> 00:02:48,519 Speaker 1: time ever thought about that. I'm like, for good. Yeah, 62 00:02:48,560 --> 00:02:49,880 Speaker 1: Like I'm like, I'm like, now, I'm not gonna pay 63 00:02:50,000 --> 00:02:51,519 Speaker 1: two nine in that right a movie on iTunes? I 64 00:02:51,600 --> 00:02:55,400 Speaker 1: watch it for free on Netflix nowe Yeah, I've got 65 00:02:55,440 --> 00:02:57,400 Speaker 1: an idiot. Yeah, now we all are, we all fall, 66 00:02:57,520 --> 00:02:59,880 Speaker 1: we fall for it, all of this. So it's the 67 00:03:00,040 --> 00:03:02,400 Speaker 1: story of this band who had a ton of promise 68 00:03:02,440 --> 00:03:05,320 Speaker 1: in the eighties and it shows them with bon Jovi 69 00:03:05,480 --> 00:03:09,079 Speaker 1: and Twisted Sister and they're a Canadian metal band and 70 00:03:09,120 --> 00:03:11,760 Speaker 1: it's them trying to make it back years later. They 71 00:03:11,840 --> 00:03:14,760 Speaker 1: had one huge successful show and I think it was 72 00:03:14,800 --> 00:03:16,840 Speaker 1: a festival, and I mean, I mean they rocked it. 73 00:03:16,960 --> 00:03:20,720 Speaker 1: Everyone remembers that performance and people like I guess the 74 00:03:20,800 --> 00:03:24,680 Speaker 1: guys from it and just like prominent eighties metal guys 75 00:03:25,080 --> 00:03:28,160 Speaker 1: that we all know are talking about man Anvil rocked. 76 00:03:28,200 --> 00:03:31,480 Speaker 1: They were amazing, so much talent, the energy they had, 77 00:03:31,800 --> 00:03:34,880 Speaker 1: but then they disappeared and they never broke up. They 78 00:03:34,960 --> 00:03:39,280 Speaker 1: just kept trying and they just kept sucking. So do 79 00:03:39,400 --> 00:03:41,200 Speaker 1: they I forget because I saw it a while back. 80 00:03:41,240 --> 00:03:44,440 Speaker 1: But do they ever go into why they didn't make it? 81 00:03:44,520 --> 00:03:47,320 Speaker 1: Was it like failed like record deals or yeah, they 82 00:03:47,320 --> 00:03:50,440 Speaker 1: had they made like twelve twelve records. They kept making records, 83 00:03:50,880 --> 00:03:52,520 Speaker 1: but the only record they had that was good was 84 00:03:52,560 --> 00:03:54,280 Speaker 1: what that one producer that you made? And Andy, we're 85 00:03:54,280 --> 00:03:57,360 Speaker 1: not spoiling anything, and yes, but just watch it. It's 86 00:03:57,400 --> 00:03:59,280 Speaker 1: it's fun if you like music, you don't have to 87 00:03:59,320 --> 00:04:01,000 Speaker 1: like metal, because I all like metal. I don't really 88 00:04:01,000 --> 00:04:02,960 Speaker 1: care what either. But how long are did you watch it? 89 00:04:02,960 --> 00:04:04,600 Speaker 1: And why did you remind me of it? If it 90 00:04:04,640 --> 00:04:06,360 Speaker 1: was that long ago? Because I was watching our free 91 00:04:06,400 --> 00:04:08,520 Speaker 1: service Netflix and I was just going through the movies 92 00:04:08,560 --> 00:04:09,960 Speaker 1: and I saw that it was on there. I'm like, dude, 93 00:04:09,960 --> 00:04:12,120 Speaker 1: I remember that. It was such a good documentary that 94 00:04:12,160 --> 00:04:15,440 Speaker 1: I saw I don't know, six seven years ago. We 95 00:04:15,480 --> 00:04:17,000 Speaker 1: could break this in and we could do our top 96 00:04:17,040 --> 00:04:19,039 Speaker 1: five list and we could actually break it into just 97 00:04:19,160 --> 00:04:20,360 Speaker 1: off the top of our head, we're going to the 98 00:04:20,400 --> 00:04:24,680 Speaker 1: documentary category. Yeah, but um, that's Anvil again. If you 99 00:04:24,760 --> 00:04:26,320 Speaker 1: like metal. I don't know if there's any good or not, 100 00:04:26,400 --> 00:04:30,560 Speaker 1: but watch Anvil the Story of Anvils on Netflix. Yeah, 101 00:04:30,600 --> 00:04:32,800 Speaker 1: for public Channel Netflix. Here it is. Here's metal on 102 00:04:32,839 --> 00:04:36,839 Speaker 1: metal again. Just theyka, Yeah, but that's what That's what 103 00:04:37,000 --> 00:04:39,840 Speaker 1: stirred this idea for this actual podcast, just so I 104 00:04:39,880 --> 00:04:41,440 Speaker 1: was like, hey, let me call Eddie and we'll talk 105 00:04:41,440 --> 00:04:42,880 Speaker 1: about it. So I'll tell you what we'll do. We'll 106 00:04:42,880 --> 00:04:44,640 Speaker 1: go each go five, then four and three and two 107 00:04:44,640 --> 00:04:46,279 Speaker 1: than one perfect and who knows, we may have some 108 00:04:46,320 --> 00:04:48,159 Speaker 1: of the same movies, but don't reveal that it's on 109 00:04:48,200 --> 00:04:50,720 Speaker 1: your list. I won't like if I hit it. Okay, 110 00:04:50,720 --> 00:04:52,760 Speaker 1: so why don't you start us off at your number 111 00:04:52,800 --> 00:04:55,120 Speaker 1: five musical movie and my number five that shaped my 112 00:04:55,360 --> 00:04:59,840 Speaker 1: career in music. My love for music is la bamba, 113 00:05:00,120 --> 00:05:01,799 Speaker 1: like this is one that is just in the family. 114 00:05:02,160 --> 00:05:05,480 Speaker 1: Like everyone knew Richie Valen's love Bamba. By the way, 115 00:05:05,960 --> 00:05:08,440 Speaker 1: all right, can we pause up the podcast and you 116 00:05:08,440 --> 00:05:10,479 Speaker 1: go watch? It? Will start over? How have you not 117 00:05:10,560 --> 00:05:14,520 Speaker 1: seen them? Hold? Hold and listen. I know the song, 118 00:05:15,360 --> 00:05:18,080 Speaker 1: but I think YouTube growing up in a Mexican household, 119 00:05:18,320 --> 00:05:19,840 Speaker 1: I think it was different for you that you had 120 00:05:19,839 --> 00:05:23,839 Speaker 1: to watch it. This was Arkansas. It mean not watching 121 00:05:23,920 --> 00:05:26,360 Speaker 1: Johnny cash or or just a document about a big 122 00:05:26,440 --> 00:05:28,520 Speaker 1: Arkansas person. I would watch it because I feel closer 123 00:05:28,520 --> 00:05:31,640 Speaker 1: to him because of their culture I grew up in. Yeah, 124 00:05:31,960 --> 00:05:34,280 Speaker 1: so don't judge me. I don't think. I think it's 125 00:05:34,279 --> 00:05:36,240 Speaker 1: a big movie, but I don't think any of people 126 00:05:36,560 --> 00:05:39,200 Speaker 1: get out. Everyone knows the scene. Oh, I know the 127 00:05:39,200 --> 00:05:41,960 Speaker 1: scene was running through in the clothes lines. He's run Johnny. 128 00:05:43,080 --> 00:05:46,520 Speaker 1: His name is Ritchie Chie and it's his brother Bob. 129 00:05:46,720 --> 00:05:51,600 Speaker 1: I've never been more offended Johnny that part I'm kidding 130 00:05:51,600 --> 00:05:53,880 Speaker 1: about because I have seen but I know I haven't. 131 00:05:54,279 --> 00:05:57,320 Speaker 1: And the guys in it, the famous guy yea lud 132 00:05:57,360 --> 00:06:00,200 Speaker 1: Diamond Phillips, Ludamon Phillips, he's the lead character or in 133 00:06:00,240 --> 00:06:02,560 Speaker 1: it and um which he by the way, is not 134 00:06:02,680 --> 00:06:07,200 Speaker 1: Mexican American. He is Filipino, that's correct, which is a 135 00:06:07,320 --> 00:06:10,280 Speaker 1: mind blowing for like all us Latinos because we thought 136 00:06:10,320 --> 00:06:13,599 Speaker 1: watching it's like, oh he's he's one of us. Yeah, 137 00:06:13,640 --> 00:06:17,320 Speaker 1: he pulls it up right day. No, he plays a 138 00:06:17,440 --> 00:06:20,760 Speaker 1: perfect Ritchie Vallens, you know, like it was what we 139 00:06:20,800 --> 00:06:22,640 Speaker 1: assume was Richie Vollans. And and just so you know, 140 00:06:22,760 --> 00:06:25,800 Speaker 1: I grew up. I'm a Texan Mexican, which is different 141 00:06:25,800 --> 00:06:28,640 Speaker 1: from a California Mexican. Different cultures. The way we grew 142 00:06:28,720 --> 00:06:32,240 Speaker 1: up is different than the California um Latino culture, which 143 00:06:32,279 --> 00:06:35,200 Speaker 1: is just a little more I don't know, man, you 144 00:06:35,200 --> 00:06:40,440 Speaker 1: watch LaBamba and that's that's them, that's California Latinos and so, 145 00:06:40,680 --> 00:06:43,320 Speaker 1: and we didn't really know that, you know, watching it, 146 00:06:43,360 --> 00:06:46,720 Speaker 1: But I learned a lot about a Mexican guy going 147 00:06:46,760 --> 00:06:51,520 Speaker 1: into an American industry, which is you know, rock and roll, man, 148 00:06:51,560 --> 00:06:54,480 Speaker 1: which is crazy and how accepted he was for me 149 00:06:54,640 --> 00:06:57,320 Speaker 1: was huge because I grew up in a town where 150 00:06:57,320 --> 00:07:00,200 Speaker 1: it was all Mexicans. We were all Mexican American is 151 00:07:00,240 --> 00:07:02,720 Speaker 1: maybe have a few white people moved in the neighborhood. 152 00:07:02,760 --> 00:07:05,200 Speaker 1: We we've noticed them. Everyone noticed, Oh yeah, those are 153 00:07:05,200 --> 00:07:07,960 Speaker 1: the Fowlers, and you know, and that's how it was. 154 00:07:08,320 --> 00:07:11,320 Speaker 1: And so Labama to me was eye opening that, oh 155 00:07:11,480 --> 00:07:14,640 Speaker 1: you can make it in a white America. Rock and 156 00:07:14,720 --> 00:07:17,560 Speaker 1: roll was pure, you know, this kind of America that 157 00:07:17,600 --> 00:07:20,600 Speaker 1: we weren't used to being in. Did that inspire you 158 00:07:20,720 --> 00:07:24,120 Speaker 1: as a musician, It did big time. I remember going 159 00:07:24,160 --> 00:07:25,680 Speaker 1: to the store and I wanted for all I wanted 160 00:07:25,720 --> 00:07:28,440 Speaker 1: for Christmas was an electric guitar like Richie Vallens, and 161 00:07:28,480 --> 00:07:32,080 Speaker 1: I wanted the poster of Richie Vallens Labama movie. I 162 00:07:32,120 --> 00:07:34,480 Speaker 1: really affected you, yeah, real big time. And I got 163 00:07:34,480 --> 00:07:36,960 Speaker 1: the poster, not the guitar for Christmas. Number five on 164 00:07:37,040 --> 00:07:40,880 Speaker 1: Eddie's list is LaBamba. Yeah, okay. Number five for me 165 00:07:41,040 --> 00:07:45,240 Speaker 1: is a movie. It's definitely not a documentary, but it 166 00:07:45,280 --> 00:07:47,120 Speaker 1: was so musical and it was a comedy at the 167 00:07:47,160 --> 00:07:51,280 Speaker 1: same time, and it was a bit about before me Okay, 168 00:07:51,680 --> 00:07:54,040 Speaker 1: trying to think of what you're going for And I 169 00:07:54,120 --> 00:07:56,800 Speaker 1: watched it and the music was so and by the way, 170 00:07:57,400 --> 00:07:58,720 Speaker 1: it may have been before I was born. I wa 171 00:07:58,800 --> 00:08:01,400 Speaker 1: to look at the gear. One of the actors in 172 00:08:01,640 --> 00:08:04,960 Speaker 1: this movie, it's had a number one record, a number 173 00:08:05,000 --> 00:08:06,800 Speaker 1: one movie, and a number one TV show all the 174 00:08:06,880 --> 00:08:08,680 Speaker 1: exact same time, the first person to ever do that. 175 00:08:08,960 --> 00:08:11,200 Speaker 1: And he's one of the main people in this movie. 176 00:08:12,880 --> 00:08:15,440 Speaker 1: And I mean, I'm thinking Elvis, but it's not. It's not. 177 00:08:15,920 --> 00:08:18,600 Speaker 1: It's bordering on the year that I was born, is it? 178 00:08:18,640 --> 00:08:22,800 Speaker 1: Is it? Frankie Valley? No, no, no, no, it's not real. 179 00:08:23,040 --> 00:08:28,720 Speaker 1: But it did turn into something afterward, meaning it turned 180 00:08:28,760 --> 00:08:31,560 Speaker 1: into a kind of an entity because of the movie 181 00:08:31,880 --> 00:08:34,360 Speaker 1: when it came out. The Blues Brothers and the Blues Brothers, 182 00:08:35,840 --> 00:08:42,320 Speaker 1: Yeah needs somebody, alright, confession, I've seen part of Blues Brothers. 183 00:08:43,000 --> 00:08:45,800 Speaker 1: I've never seen the whole movie. Brothers such a white 184 00:08:45,840 --> 00:08:52,000 Speaker 1: guy thing. Yeah, Cultures Colors, it's such a white guy 185 00:08:52,080 --> 00:08:58,000 Speaker 1: movie too. It's yeah, it's uh yeah, I don't even 186 00:08:58,000 --> 00:08:59,480 Speaker 1: want to tell you. I don't want to spoil. The 187 00:08:59,559 --> 00:09:02,640 Speaker 1: part I remember watching is where they pull up to uh, 188 00:09:03,679 --> 00:09:06,000 Speaker 1: there's a bar and they're about to play but the 189 00:09:06,360 --> 00:09:08,600 Speaker 1: band that's supposed to be playing is late and they're 190 00:09:08,600 --> 00:09:11,200 Speaker 1: in the bus. Do you remember that? Yeah, so listen, 191 00:09:11,360 --> 00:09:13,680 Speaker 1: I'm gonna tell you about it. It's Dan Akroy and 192 00:09:13,760 --> 00:09:17,079 Speaker 1: John Belushi, um, and John Belushi was the guy who 193 00:09:17,120 --> 00:09:19,240 Speaker 1: had Saturday Night Live was the number one show. This 194 00:09:19,320 --> 00:09:22,360 Speaker 1: record was number one, and the movie was I think 195 00:09:22,400 --> 00:09:26,600 Speaker 1: the movie was Animal House or maybe even this movie. 196 00:09:26,640 --> 00:09:28,160 Speaker 1: But he had all three numbre in the same same way. 197 00:09:28,200 --> 00:09:30,240 Speaker 1: So was this their biggest hit? I don't remember. I 198 00:09:30,280 --> 00:09:34,240 Speaker 1: mean soul Man because which wasn't their song, but they 199 00:09:34,240 --> 00:09:36,120 Speaker 1: put it out and it was a big hit for them. Yeah. 200 00:09:36,160 --> 00:09:42,200 Speaker 1: So here's a soul Man from the Blues Brothers. N Yeah, alright, 201 00:09:42,240 --> 00:09:45,040 Speaker 1: well soul Man was there was the biggest nub there. 202 00:09:45,720 --> 00:09:48,320 Speaker 1: Uh yeah, there you go. The Blues Brothers at number 203 00:09:48,360 --> 00:09:50,760 Speaker 1: five for me? All right, number four Number four for 204 00:09:50,880 --> 00:09:54,880 Speaker 1: me is Pure Country. George Straight became an actor. This 205 00:09:54,960 --> 00:09:57,680 Speaker 1: was big, Like we were all fans of George Straight 206 00:09:57,760 --> 00:10:00,320 Speaker 1: of course growing up. But the fact that he was 207 00:10:00,600 --> 00:10:03,680 Speaker 1: acting and he was in a movie about being George Straight, 208 00:10:03,720 --> 00:10:06,320 Speaker 1: but his name wasn't George Straight. Was Dusty in the 209 00:10:06,360 --> 00:10:09,240 Speaker 1: movie he played Have you ever seen Pure Country? Yeah? 210 00:10:09,640 --> 00:10:12,720 Speaker 1: A long time ago, didn't. He's such a bad actor, 211 00:10:13,000 --> 00:10:15,640 Speaker 1: Like you know George Is. He's a great singer, but 212 00:10:15,679 --> 00:10:18,040 Speaker 1: he can't act really, And and he plays this you 213 00:10:18,080 --> 00:10:21,080 Speaker 1: know this guy Dusty who's just a worn out country 214 00:10:21,120 --> 00:10:24,120 Speaker 1: singer man, he's tired of the smoke. The lats just 215 00:10:24,240 --> 00:10:27,200 Speaker 1: ain't him. Yeah, I've seen it a long time ago. 216 00:10:27,240 --> 00:10:30,599 Speaker 1: Amy loves it. And oh dude, my brother and I 217 00:10:30,600 --> 00:10:32,439 Speaker 1: would just quote everything from that movie. And he's a 218 00:10:32,480 --> 00:10:35,320 Speaker 1: bad actor. Oh, he's terrible. He's terrible. But his co 219 00:10:35,480 --> 00:10:38,439 Speaker 1: star in it. I think in the movies his brother 220 00:10:38,920 --> 00:10:40,679 Speaker 1: is John Doe. Do you know John Doe Is? He's 221 00:10:40,720 --> 00:10:43,000 Speaker 1: a he's like a punk band. Mike de probably knows him. 222 00:10:43,000 --> 00:10:45,280 Speaker 1: But he's a legendary punk guy. I think his band 223 00:10:45,360 --> 00:10:48,280 Speaker 1: was called Generation X maybe or something. Yeah, And so 224 00:10:48,360 --> 00:10:50,880 Speaker 1: John Doe he's an actor. So two musicians who just 225 00:10:51,040 --> 00:10:54,280 Speaker 1: do nothing but music are acting to this movie pretty mediocrely, 226 00:10:55,040 --> 00:10:57,040 Speaker 1: not good at all. But is the movie good? Yeah, 227 00:10:57,080 --> 00:10:59,560 Speaker 1: the movie is great. How do you have two main actors? Again, 228 00:10:59,840 --> 00:11:01,640 Speaker 1: I watched I was a kid. Had to be that old, right, 229 00:11:01,640 --> 00:11:03,240 Speaker 1: had to be like nineties. Let's see, I have it 230 00:11:03,320 --> 00:11:06,360 Speaker 1: right here, it's ninety two. That seems about right. I 231 00:11:06,360 --> 00:11:08,000 Speaker 1: think I saw one it was new, but I haven't 232 00:11:08,000 --> 00:11:10,560 Speaker 1: seen it since. But I canna tell you I was 233 00:11:10,640 --> 00:11:13,240 Speaker 1: never much of a like a huge George Straight as 234 00:11:13,240 --> 00:11:16,360 Speaker 1: a kid. You're from Texas, Texas, he was king. I 235 00:11:16,360 --> 00:11:18,319 Speaker 1: mean I was Garth Brooks, and there was almost this 236 00:11:18,480 --> 00:11:22,520 Speaker 1: rivalry between the two, not between the two, but between 237 00:11:22,520 --> 00:11:24,839 Speaker 1: the two and people's minds, especially where I grew up, 238 00:11:25,200 --> 00:11:29,360 Speaker 1: you were kind of you know, uh Arthur George Straight 239 00:11:29,679 --> 00:11:32,840 Speaker 1: or you know Metallica or C d C or you 240 00:11:32,880 --> 00:11:35,000 Speaker 1: had to kind of pick everything kind of had their 241 00:11:35,120 --> 00:11:39,199 Speaker 1: rival and so, uh yeah, I guess I didn't watch 242 00:11:39,280 --> 00:11:41,280 Speaker 1: I guess it was like ninety two that time. I 243 00:11:41,320 --> 00:11:43,840 Speaker 1: guess when I did go through my country kick because 244 00:11:44,240 --> 00:11:45,920 Speaker 1: I'm a really good friend that we grew up to 245 00:11:45,960 --> 00:11:49,000 Speaker 1: who we grew up together. Um, we were you know, rockers, 246 00:11:49,080 --> 00:11:51,000 Speaker 1: like we loved rock. We loved eighties rock. And then 247 00:11:51,040 --> 00:11:53,280 Speaker 1: he moved away to another town and he came back 248 00:11:53,320 --> 00:11:55,920 Speaker 1: to visit like three years later, and I was wearing wranglers, 249 00:11:56,400 --> 00:11:58,920 Speaker 1: you know, and and justin ropers, and he was like, 250 00:11:59,200 --> 00:12:02,199 Speaker 1: you know, hard horror in his like grunge flannel, and 251 00:12:02,240 --> 00:12:04,440 Speaker 1: he's like, what is wrong with you like, what are 252 00:12:04,480 --> 00:12:08,000 Speaker 1: you wearing, dude? It's my wranglers, man, my brush popper shirt. 253 00:12:08,000 --> 00:12:10,160 Speaker 1: Garth wore this and roping the wind. You know, you 254 00:12:10,160 --> 00:12:12,520 Speaker 1: were a hybrid of George and Garths big time and 255 00:12:12,600 --> 00:12:14,839 Speaker 1: so yeah, that was I guess. I guess pure country 256 00:12:14,880 --> 00:12:17,839 Speaker 1: is important to me because that was in my country phase. 257 00:12:18,520 --> 00:12:22,720 Speaker 1: M okay, Buddy Jackson. Number four, I know that you've 258 00:12:22,760 --> 00:12:25,199 Speaker 1: seen and it may be on your list. I don't know, 259 00:12:25,600 --> 00:12:27,920 Speaker 1: but Tom Hanks wrote it and directed it. One of 260 00:12:27,960 --> 00:12:30,120 Speaker 1: the best movies ever. That thing you do at number 261 00:12:30,160 --> 00:12:41,439 Speaker 1: four not a true story, No, it feels like one. Yeah. 262 00:12:41,640 --> 00:12:46,040 Speaker 1: The Wonders man, Yeah, because they wanted to spell it. 263 00:12:46,120 --> 00:12:47,920 Speaker 1: You know how the Beatles spelled their name a bit different, 264 00:12:47,920 --> 00:12:49,800 Speaker 1: like the Beatles, like a beat and they wanted to 265 00:12:49,840 --> 00:12:54,520 Speaker 1: spell the Wonders with O and E the Nesters and 266 00:12:54,760 --> 00:12:58,120 Speaker 1: we have to change. It's not gonna work. That's and 267 00:12:58,160 --> 00:13:00,280 Speaker 1: I don't know that I've seen that movie more than 268 00:13:00,320 --> 00:13:02,920 Speaker 1: maybe maybe twice at the most. But it's one of 269 00:13:02,920 --> 00:13:04,959 Speaker 1: those that I enjoyed so much I didn't want to 270 00:13:04,960 --> 00:13:07,200 Speaker 1: watch again because I felt like I watched it again. 271 00:13:07,200 --> 00:13:08,440 Speaker 1: It may not enjoy it as much. It may not 272 00:13:08,480 --> 00:13:10,280 Speaker 1: have held up and that's just a fun memory of it. 273 00:13:10,400 --> 00:13:12,280 Speaker 1: I feel that way a bit about five Dreds of Summer, 274 00:13:12,280 --> 00:13:14,040 Speaker 1: which is not on the list, even though it has 275 00:13:14,120 --> 00:13:17,200 Speaker 1: such a strong sound, such a good sound, one of 276 00:13:17,200 --> 00:13:21,240 Speaker 1: the best. And you know, whenever the hall and notes um, 277 00:13:21,280 --> 00:13:26,679 Speaker 1: you know my dreams on Founding Summer, like I remember 278 00:13:26,880 --> 00:13:29,840 Speaker 1: having sto good almost like euphoric feeling that little birds 279 00:13:29,840 --> 00:13:32,520 Speaker 1: flying around be like, oh, this movie is unsuspect to 280 00:13:32,520 --> 00:13:34,520 Speaker 1: time I feel about watching that thing, you do. There 281 00:13:34,559 --> 00:13:37,400 Speaker 1: was no build up. I watched it and it's it 282 00:13:37,440 --> 00:13:39,280 Speaker 1: feels like the story of the Beatles, but like an 283 00:13:39,280 --> 00:13:42,439 Speaker 1: American version, a bunch of idiot kids hearing themselves in 284 00:13:42,440 --> 00:13:45,559 Speaker 1: the radio. And that's sad that that that their story, 285 00:13:45,600 --> 00:13:48,400 Speaker 1: their fictional story. It was pretty much the story of 286 00:13:48,440 --> 00:13:51,200 Speaker 1: that generation for a lot of bands. Yeah, I mean, 287 00:13:51,679 --> 00:13:55,720 Speaker 1: even the Monkeys tried to recreate because the Monkeys weren't 288 00:13:55,760 --> 00:13:59,040 Speaker 1: real their TV show, right, they well, they were cast 289 00:13:59,240 --> 00:14:02,200 Speaker 1: and then they became real, much like The Blues Brothers 290 00:14:02,240 --> 00:14:04,840 Speaker 1: where it was a movie and then it became a thing. 291 00:14:05,240 --> 00:14:07,480 Speaker 1: Well that's crazy because the Monkeys have just great music. 292 00:14:07,559 --> 00:14:10,400 Speaker 1: The Monkeys were cast, you know, David Jones is British 293 00:14:10,480 --> 00:14:12,880 Speaker 1: Mickey adults. Some other guys are't British America. I didn't 294 00:14:12,880 --> 00:14:14,960 Speaker 1: know that. Yeah, they're not all Wow, I didn't know that. 295 00:14:15,320 --> 00:14:17,840 Speaker 1: So you know, he speak of what accident and some 296 00:14:17,920 --> 00:14:21,520 Speaker 1: of them aren't. But but yeah, I love I love 297 00:14:21,520 --> 00:14:24,520 Speaker 1: the monkeys. There's from the sixties and maybe even the seventies. 298 00:14:24,600 --> 00:14:29,680 Speaker 1: But here we go walking down the street, we get 299 00:14:29,720 --> 00:14:34,360 Speaker 1: the funniest looks from the every won we meet. Hey, 300 00:14:34,640 --> 00:14:37,560 Speaker 1: we're the monkey and I love that show. Number four 301 00:14:37,600 --> 00:14:39,800 Speaker 1: on my list is that thing you do with the 302 00:14:40,520 --> 00:14:42,840 Speaker 1: Wonders and and that song, I mean, how about that 303 00:14:42,920 --> 00:14:45,800 Speaker 1: song that we still know all the words too? How 304 00:14:45,840 --> 00:14:49,280 Speaker 1: many years later? Well what the movie wasn't I'm not 305 00:14:49,280 --> 00:14:52,600 Speaker 1: just stuck monkeys? Yeah, from that thing you do the Wonders. 306 00:14:53,120 --> 00:14:55,120 Speaker 1: But that song was a kind of a hit song 307 00:14:55,160 --> 00:14:59,360 Speaker 1: that came from the movie. Really, I do remember that. 308 00:14:59,440 --> 00:15:01,240 Speaker 1: I don't know what but so much so. But we 309 00:15:01,320 --> 00:15:07,040 Speaker 1: know the words, yeah, like you even known the drum beat. Yeah, 310 00:15:07,320 --> 00:15:10,640 Speaker 1: and think about other movies, you know, fictional what what music? 311 00:15:11,160 --> 00:15:14,960 Speaker 1: What do you remember from from pure country music? Heartland? Okay? 312 00:15:15,000 --> 00:15:18,680 Speaker 1: But you know, remember here twin fiddles in a steel guitar. 313 00:15:18,960 --> 00:15:21,720 Speaker 1: But was that only from that movie, yes, because that 314 00:15:21,920 --> 00:15:25,359 Speaker 1: the pure country soundtrack were just as George Straight tracks 315 00:15:25,400 --> 00:15:28,520 Speaker 1: all for that movie only where the Sidewalk Because I 316 00:15:28,600 --> 00:15:31,080 Speaker 1: know this song. Yeah, this was a pure country song, 317 00:15:31,400 --> 00:15:35,200 Speaker 1: but I remember on the radio because it's George Straight, Okay, 318 00:15:35,240 --> 00:15:37,480 Speaker 1: So he put it out as George Straight, not as No, 319 00:15:37,640 --> 00:15:39,560 Speaker 1: the album's pure country. You can only find it on 320 00:15:39,600 --> 00:15:42,360 Speaker 1: the pure country album, but as he listed as George Straight. 321 00:15:42,600 --> 00:15:45,360 Speaker 1: Yeah okay. His character is not George Straight Dusty, so 322 00:15:45,400 --> 00:15:47,720 Speaker 1: he's not listened as Dusty. So so I guess in 323 00:15:47,760 --> 00:15:51,960 Speaker 1: the movie he sings these as Dusty Heartland. But if 324 00:15:52,000 --> 00:15:53,600 Speaker 1: you buy it at the store or back then when 325 00:15:53,640 --> 00:15:56,200 Speaker 1: you buy to the store, the CD was pure country 326 00:15:56,320 --> 00:16:02,600 Speaker 1: by George Straight as Dusty. Yeah. We're doing our top 327 00:16:02,600 --> 00:16:05,680 Speaker 1: five movies and we are now Eddie's number three musical movie. 328 00:16:06,040 --> 00:16:08,000 Speaker 1: This is one of my favorite biopicks. I'm gonna have 329 00:16:08,040 --> 00:16:10,720 Speaker 1: to go with this, even though Joaquin Phoenix makes me 330 00:16:11,000 --> 00:16:13,560 Speaker 1: feel awkward when I watch him act. Is that because 331 00:16:13,640 --> 00:16:15,520 Speaker 1: later on he had awkward things or is it because 332 00:16:15,760 --> 00:16:17,640 Speaker 1: just the way he acts, He's just weird to me. 333 00:16:18,080 --> 00:16:20,360 Speaker 1: He just acts weird, even when he played Johnny Cash 334 00:16:20,360 --> 00:16:22,480 Speaker 1: and Walk the line, which is my number three pick. 335 00:16:22,680 --> 00:16:23,920 Speaker 1: You thought he was weird in it because it's my 336 00:16:24,000 --> 00:16:29,120 Speaker 1: number three picks, so we can talk about it together. Yes, man, 337 00:16:29,160 --> 00:16:31,280 Speaker 1: I don't know what it is. Just watching him acts 338 00:16:31,360 --> 00:16:36,360 Speaker 1: makes makes me feel uneasy, like peculiar movements. Yes, you know, 339 00:16:36,480 --> 00:16:40,280 Speaker 1: I just don't watch acting, like I don't know a 340 00:16:40,280 --> 00:16:42,160 Speaker 1: good actor or a bad actor. People give Ben Affleck 341 00:16:42,200 --> 00:16:44,520 Speaker 1: crap for sucking how to give him all the oscars 342 00:16:44,560 --> 00:16:46,880 Speaker 1: for Armageddon. You never watch a movie and then in 343 00:16:46,920 --> 00:16:48,480 Speaker 1: the middle of it you just kind of, oh, I 344 00:16:48,520 --> 00:16:50,640 Speaker 1: forget that he's a character. I'm looking at Ben Affleck. 345 00:16:52,320 --> 00:16:56,760 Speaker 1: Only if it's someone who's fame supersedes the movie, so 346 00:16:57,160 --> 00:16:59,600 Speaker 1: then you notice they're acting. Yeah, I don't though I 347 00:16:59,600 --> 00:17:01,400 Speaker 1: don't know I've ever done that. You know who I 348 00:17:01,400 --> 00:17:02,760 Speaker 1: do it with all the time. Or hold on, let 349 00:17:02,800 --> 00:17:04,280 Speaker 1: me let me rephrase that. Or if it's someone who's 350 00:17:04,280 --> 00:17:06,639 Speaker 1: fame as a non actor super like if I were 351 00:17:06,680 --> 00:17:09,959 Speaker 1: watching the movie the hair Styles was in, you recommend 352 00:17:09,960 --> 00:17:12,920 Speaker 1: I didn't watch it the war movie? Oh yeah, dun Kirk, 353 00:17:13,000 --> 00:17:15,440 Speaker 1: when you watch watch UK, Yes I did. And Harry 354 00:17:15,440 --> 00:17:17,720 Speaker 1: Styles in that? Are you like that's one direction? Yes, 355 00:17:17,800 --> 00:17:20,320 Speaker 1: that's Harry Style. Would be and he's a war right, 356 00:17:20,359 --> 00:17:22,119 Speaker 1: that would be just why I can't. I can't do 357 00:17:22,160 --> 00:17:24,720 Speaker 1: this because Harry style. Yeah, I guess that would happen 358 00:17:24,720 --> 00:17:26,920 Speaker 1: if any of the Friends casts were in that movie 359 00:17:26,960 --> 00:17:29,360 Speaker 1: trouble was getting type cast or having something so big 360 00:17:29,400 --> 00:17:32,000 Speaker 1: yelling that's like Arkle, no, he can't do any Then 361 00:17:32,040 --> 00:17:33,680 Speaker 1: if Arkle was trying to do a race car movie, 362 00:17:33,800 --> 00:17:40,639 Speaker 1: oh look, it's like so so no no, But I 363 00:17:40,680 --> 00:17:42,639 Speaker 1: wouldn't notice acting unless it was someone who was a 364 00:17:42,640 --> 00:17:45,520 Speaker 1: non actress. I just I don't. I guess I'm not well, 365 00:17:45,880 --> 00:17:47,679 Speaker 1: I guess as hard as it is for me to 366 00:17:47,720 --> 00:17:51,600 Speaker 1: watch Joaquin Phoenix, dude, he nailed Johnny Cash, like nailed it. 367 00:17:51,640 --> 00:17:53,400 Speaker 1: And that's kind of the thing with going back to LaBamba. 368 00:17:54,080 --> 00:17:58,119 Speaker 1: Richie Vallen's nailed Joacan Phoenix nailed Johnny Cash to me, like, 369 00:17:58,240 --> 00:18:00,000 Speaker 1: I never saw him, but I watched a lot of 370 00:18:00,119 --> 00:18:03,720 Speaker 1: videos of him, and to sing like that, it's pretty 371 00:18:03,760 --> 00:18:05,919 Speaker 1: amazing when you're doing a biopic and you have to 372 00:18:05,920 --> 00:18:08,560 Speaker 1: sing just like Johnny Cash. That's true to the singing 373 00:18:08,560 --> 00:18:11,800 Speaker 1: part of it. When you're singing and not as a 374 00:18:11,920 --> 00:18:14,440 Speaker 1: fictional character, but you're having to sing as a real 375 00:18:14,560 --> 00:18:17,440 Speaker 1: life person who is like, yeah, as a legend, Yeah, 376 00:18:17,680 --> 00:18:19,760 Speaker 1: you're right about that. What was your What did you 377 00:18:19,800 --> 00:18:23,159 Speaker 1: like about going back and looking at a lot of 378 00:18:23,160 --> 00:18:26,000 Speaker 1: the accuracy of a major motion picture. It didn't get 379 00:18:26,000 --> 00:18:28,639 Speaker 1: everything exactly right, and it glossed over some of the 380 00:18:28,640 --> 00:18:31,719 Speaker 1: really dark stuff. But I felt for one of those 381 00:18:31,880 --> 00:18:35,760 Speaker 1: big time Hollywood movies where they just wanted to be 382 00:18:36,359 --> 00:18:39,080 Speaker 1: a story and kind of feel good. I thought it 383 00:18:39,080 --> 00:18:43,400 Speaker 1: did a pretty good job in the two hours at 384 00:18:43,440 --> 00:18:45,800 Speaker 1: one entertaining people to give no crap about country music, 385 00:18:46,080 --> 00:18:49,320 Speaker 1: and also the people that do like country music, letting 386 00:18:49,320 --> 00:18:51,920 Speaker 1: them feel a bit fulfilled as well. So I thought 387 00:18:52,000 --> 00:18:54,040 Speaker 1: that was cool because I'm a Johnny Cash cas some 388 00:18:54,080 --> 00:18:57,200 Speaker 1: marketsas maybe be a Johnny Cash fan, you know. That 389 00:18:57,320 --> 00:18:59,240 Speaker 1: was one of the one of the records she had 390 00:18:59,240 --> 00:19:01,520 Speaker 1: of like eleven record and she had a few Johnny 391 00:19:01,520 --> 00:19:05,000 Speaker 1: Cash records, and he was He wasn't the legend to us. 392 00:19:05,040 --> 00:19:09,640 Speaker 1: He was one of us, so pretty amazing. That's gotta 393 00:19:09,640 --> 00:19:13,880 Speaker 1: be interesting feeling. But he was never the country music legend. 394 00:19:14,119 --> 00:19:17,200 Speaker 1: It's weird to go where everyone's like, oh, Johnny Cash Cash, 395 00:19:17,280 --> 00:19:18,720 Speaker 1: like he's the king of all country. He was just 396 00:19:18,840 --> 00:19:22,080 Speaker 1: one of the Arkansas people. That made Arkansas people proud 397 00:19:22,280 --> 00:19:25,159 Speaker 1: interested and my grandmother would talking about going to disconcerts. 398 00:19:25,160 --> 00:19:27,240 Speaker 1: People would hate hate him because he was playing rock 399 00:19:27,280 --> 00:19:30,000 Speaker 1: and roll music because that wasn't country. And I guess 400 00:19:30,000 --> 00:19:33,720 Speaker 1: that's probably where all of my kind of disdain for 401 00:19:33,760 --> 00:19:36,160 Speaker 1: people who go, well, that's not country comes from, because 402 00:19:36,160 --> 00:19:37,600 Speaker 1: she would tell me the stories how people would just 403 00:19:37,640 --> 00:19:39,680 Speaker 1: react so negatively to him because what he was doing 404 00:19:39,800 --> 00:19:42,200 Speaker 1: was not country at that time. When he started it, 405 00:19:42,320 --> 00:19:44,320 Speaker 1: it wasn't country, and he kind of turned it over 406 00:19:44,400 --> 00:19:46,680 Speaker 1: to making that country. What was your grandma's take on that, 407 00:19:46,880 --> 00:19:50,439 Speaker 1: She loved him whatever he did. Yeah, he was one 408 00:19:50,480 --> 00:19:52,880 Speaker 1: of us. He's one of us that that that made 409 00:19:52,880 --> 00:19:58,159 Speaker 1: it out of living in the sixty mile radius that 410 00:19:58,200 --> 00:19:59,720 Speaker 1: we all are forced to do. And it's not about 411 00:20:00,040 --> 00:20:02,919 Speaker 1: were money, but we all are. We are we are 412 00:20:02,960 --> 00:20:05,200 Speaker 1: in our roots, are in that little town and usually 413 00:20:05,200 --> 00:20:07,399 Speaker 1: don't leave. And you're kind of proud of him because 414 00:20:07,640 --> 00:20:11,240 Speaker 1: he left and came back and that's that was cool 415 00:20:11,320 --> 00:20:14,080 Speaker 1: and always represented it. Always always yes, that was a 416 00:20:14,080 --> 00:20:16,560 Speaker 1: cool thing. So but yeah, I think about that like 417 00:20:16,640 --> 00:20:19,480 Speaker 1: Johnny Cash was. And you don't like to compare anyone 418 00:20:19,960 --> 00:20:23,600 Speaker 1: to a legend because nobody current is legend status yet, 419 00:20:24,320 --> 00:20:28,560 Speaker 1: but Johnny Cash, Garth Brooks went through it, um and 420 00:20:28,600 --> 00:20:30,600 Speaker 1: you know, you see people now And I'm gonna get 421 00:20:30,600 --> 00:20:32,440 Speaker 1: crushed for saying this, but it could be people like 422 00:20:33,040 --> 00:20:35,640 Speaker 1: Sam in ten Ure. If we look at Sam Hunt 423 00:20:35,680 --> 00:20:38,200 Speaker 1: and go when people were blowing Sam blowing up sand 424 00:20:38,440 --> 00:20:43,399 Speaker 1: not blowing like blowing up or Florida Georgia line and 425 00:20:43,440 --> 00:20:45,320 Speaker 1: people who maybe people are like that Florida lats like 426 00:20:45,440 --> 00:20:47,760 Speaker 1: and you're like, weren't they nuts? And it could be 427 00:20:48,440 --> 00:20:49,960 Speaker 1: they may not be the people, could be somebody else. 428 00:20:50,040 --> 00:20:53,080 Speaker 1: We don't know yet. It does it, but it's that's 429 00:20:53,119 --> 00:20:57,040 Speaker 1: the one common thing is that it's there's always been 430 00:20:57,080 --> 00:20:59,360 Speaker 1: something that isn't country that ends up turning everything else 431 00:20:59,359 --> 00:21:02,000 Speaker 1: to country. So always get irritated that's not country people. 432 00:21:02,280 --> 00:21:05,240 Speaker 1: I don't mind that, that's for sure country people. But 433 00:21:05,280 --> 00:21:07,760 Speaker 1: I don't like that that's not country people. Yeah, it's weird. 434 00:21:07,800 --> 00:21:12,080 Speaker 1: I don't ever associate Johnny Cash with just country. Oh 435 00:21:12,160 --> 00:21:15,200 Speaker 1: you don't, I do, only do I don't. And he's 436 00:21:15,240 --> 00:21:16,600 Speaker 1: the only him and Elvis the only two in the 437 00:21:16,640 --> 00:21:18,159 Speaker 1: rock and roll and country music call of fames. I 438 00:21:18,200 --> 00:21:20,400 Speaker 1: love that they're the only two, and I don't associate 439 00:21:20,440 --> 00:21:22,240 Speaker 1: all of us the country. Yeah, he's the rocky. He's 440 00:21:22,240 --> 00:21:24,000 Speaker 1: the king of rock and roll. So that's so funny 441 00:21:24,040 --> 00:21:27,359 Speaker 1: because I only associate Johnny Cash with hard country. Maybe 442 00:21:27,359 --> 00:21:29,480 Speaker 1: the hipsters changed that for me or something, because you 443 00:21:29,560 --> 00:21:33,639 Speaker 1: don't know, he's not super super, he's just he's just music. 444 00:21:33,800 --> 00:21:36,920 Speaker 1: He's possibly the most country thing. Hank Senior. I don't 445 00:21:36,920 --> 00:21:39,240 Speaker 1: call Hank Senior come like cool Hank Woer because he 446 00:21:39,280 --> 00:21:41,359 Speaker 1: was one my ground would listen to. But him and 447 00:21:41,440 --> 00:21:44,560 Speaker 1: Johnny Cash are the super super country guys. Like I'll 448 00:21:44,560 --> 00:21:46,399 Speaker 1: never think Whalen is a rock and roll guy. I 449 00:21:46,440 --> 00:21:48,240 Speaker 1: won't think will he's a rock and roll guy. Yeah, 450 00:21:48,280 --> 00:21:50,680 Speaker 1: me either. But Johnny, for some reason, it's just like 451 00:21:50,840 --> 00:21:53,760 Speaker 1: that's why because he was, he's in the rock and 452 00:21:53,800 --> 00:21:55,399 Speaker 1: Roll Hall of Fame. Yeah, that's the number three on 453 00:21:55,480 --> 00:21:57,680 Speaker 1: both of our left. Let me talk about quit for 454 00:21:57,720 --> 00:22:00,200 Speaker 1: a second. It's the the toothbrush that I in my 455 00:22:00,240 --> 00:22:01,960 Speaker 1: baths room. And the thing is most of us is 456 00:22:01,960 --> 00:22:04,919 Speaker 1: brushing our teeth wrong and not for long enough, and 457 00:22:04,920 --> 00:22:07,040 Speaker 1: we forget to change our brush on time. That's because 458 00:22:07,080 --> 00:22:10,439 Speaker 1: most brands will sell these flashy gimmicks rather than better brushing, 459 00:22:10,440 --> 00:22:12,560 Speaker 1: but not Quip and equips a very different for starters. 460 00:22:12,560 --> 00:22:15,520 Speaker 1: Equips on electric toothbrush that's a fraction of the cost 461 00:22:15,600 --> 00:22:18,160 Speaker 1: of bulkyer brushes while still packing just the right amount 462 00:22:18,160 --> 00:22:21,480 Speaker 1: of vibrations to help clean those teeth. Equips built in 463 00:22:21,520 --> 00:22:24,760 Speaker 1: timer helps you clean for the dentist recommended two minutes 464 00:22:25,240 --> 00:22:27,639 Speaker 1: and I said, I love it, and everybody loves Quip. 465 00:22:28,000 --> 00:22:30,560 Speaker 1: They were on Oprah's Oh List name one of Time 466 00:22:30,600 --> 00:22:35,800 Speaker 1: Magazine's best inventions. Equip starts at Bucks. Gonna get equip 467 00:22:35,960 --> 00:22:39,880 Speaker 1: dot com slash bones and you're the first refuel pack 468 00:22:39,920 --> 00:22:41,760 Speaker 1: for free. I do have a QUIP. I love it. 469 00:22:42,000 --> 00:22:44,800 Speaker 1: You get the equip electrac toothbrush, Get equip dot com 470 00:22:45,119 --> 00:22:47,479 Speaker 1: slash bones. You get into the slash bones. There's your 471 00:22:47,480 --> 00:22:50,040 Speaker 1: refil pack for free. Get equip dot com slash bones, 472 00:22:50,200 --> 00:22:53,840 Speaker 1: g E T q U I P dot com slash bones. 473 00:22:54,240 --> 00:22:56,520 Speaker 1: Get equip dot com and you walk down the toothbrush ill. 474 00:22:56,520 --> 00:22:58,520 Speaker 1: You look around all the options there and you're like, 475 00:22:58,600 --> 00:23:01,280 Speaker 1: what is happening all the gimmicks. Let me just suggest 476 00:23:01,320 --> 00:23:04,239 Speaker 1: quip get quip dot com slash bones. All right, we're 477 00:23:04,280 --> 00:23:06,760 Speaker 1: now to number two on our movies list. We had 478 00:23:06,800 --> 00:23:09,719 Speaker 1: one similar there and at the same time that made it. 479 00:23:09,880 --> 00:23:12,600 Speaker 1: That's pretty cool. That was your number three. Yeah, like, 480 00:23:12,720 --> 00:23:16,200 Speaker 1: I like it. If we're both get a hit it there. Um, hey, Mike, 481 00:23:16,320 --> 00:23:18,119 Speaker 1: you know you've seen both of our lists. Do we 482 00:23:18,160 --> 00:23:23,840 Speaker 1: have any comments left? Uh? I bet we don't know? Okay, good, 483 00:23:23,920 --> 00:23:26,280 Speaker 1: I bet we don't. So we only had one movie 484 00:23:26,280 --> 00:23:28,400 Speaker 1: that crossed it was the same spot. Alright, we're number 485 00:23:28,440 --> 00:23:30,520 Speaker 1: two on the music movie Daddie I went. I went 486 00:23:30,600 --> 00:23:33,840 Speaker 1: a little different on this one because this movie again 487 00:23:33,960 --> 00:23:36,440 Speaker 1: just changed my look on this band. I never really 488 00:23:36,480 --> 00:23:39,440 Speaker 1: even looked at this band before. Oh I like this game, 489 00:23:39,520 --> 00:23:42,520 Speaker 1: but when I saw the movie, I learned so much 490 00:23:42,520 --> 00:23:44,840 Speaker 1: about him, not even knowing how true any of it was, 491 00:23:45,640 --> 00:23:50,480 Speaker 1: but how crazy this guy in his mand lived their 492 00:23:50,520 --> 00:23:55,040 Speaker 1: life and how they could actually how this guy could 493 00:23:55,080 --> 00:23:59,600 Speaker 1: even function now it's a movie, it's a biopic. How 494 00:23:59,680 --> 00:24:04,520 Speaker 1: this I could even function day today the way he lived. 495 00:24:05,280 --> 00:24:10,280 Speaker 1: Huh I don't know the doors Oh yeah, Val Kilmer. 496 00:24:10,400 --> 00:24:14,440 Speaker 1: Val Kilmer played Jim Morrison. Dude, blew my mind like 497 00:24:14,920 --> 00:24:16,800 Speaker 1: it was so. I think Oliver Stone made the movie. 498 00:24:17,400 --> 00:24:19,600 Speaker 1: Did I know I watched it. I haven't seen it 499 00:24:19,640 --> 00:24:20,879 Speaker 1: in so long, I don't remember. It is it that 500 00:24:20,920 --> 00:24:22,879 Speaker 1: good to go back and watch. Oh yeah, it's what 501 00:24:22,920 --> 00:24:25,240 Speaker 1: I like it now. I think you would, I think 502 00:24:25,240 --> 00:24:27,040 Speaker 1: you would. And and here's the thing you watch about 503 00:24:27,040 --> 00:24:28,960 Speaker 1: the stuff like you don't know how true any of 504 00:24:29,000 --> 00:24:31,880 Speaker 1: it is. You don't know what counts, or who told 505 00:24:31,880 --> 00:24:34,000 Speaker 1: the stories, or why they decided to go with those stories, 506 00:24:34,080 --> 00:24:36,480 Speaker 1: or how they told or how they're telling them. But 507 00:24:36,520 --> 00:24:38,119 Speaker 1: what I liked about this one is there was just 508 00:24:38,200 --> 00:24:42,280 Speaker 1: so many There were so many things they took from 509 00:24:42,359 --> 00:24:45,439 Speaker 1: lyrics and his poetry and just turn it into whatever 510 00:24:45,960 --> 00:24:48,440 Speaker 1: they wanted to. They don't really know how he lived 511 00:24:48,440 --> 00:24:50,520 Speaker 1: his life, but it's such a haze, and you can 512 00:24:50,560 --> 00:24:52,840 Speaker 1: tell that he was high all the time and not 513 00:24:52,920 --> 00:24:55,880 Speaker 1: knowing what anyone looked like when he was talking to them. 514 00:24:55,920 --> 00:24:59,640 Speaker 1: It's trippy, dude, so trippy, and it makes you listen 515 00:24:59,680 --> 00:25:02,840 Speaker 1: to the door music, like, wow, how did these guys 516 00:25:02,880 --> 00:25:07,119 Speaker 1: even function? I watched the interview with Jim Morrison, probably 517 00:25:07,119 --> 00:25:10,960 Speaker 1: from the late seventies, and he was talking about how 518 00:25:11,560 --> 00:25:14,120 Speaker 1: he could see the future. And I'm like, all right, dude, 519 00:25:14,200 --> 00:25:16,840 Speaker 1: is mess up And he's like, no, man, I see 520 00:25:16,840 --> 00:25:18,479 Speaker 1: the future. I can tell you right now what music is. 521 00:25:19,160 --> 00:25:21,000 Speaker 1: Then watching and he goes, what's gonna happen is people 522 00:25:21,040 --> 00:25:23,119 Speaker 1: can use computers to make music. Do you have to 523 00:25:23,160 --> 00:25:26,199 Speaker 1: think this is the seventies, nobody had a personal computer. Especially, 524 00:25:26,280 --> 00:25:28,920 Speaker 1: no one's djaying like we're using computers and he's like music, 525 00:25:29,080 --> 00:25:31,080 Speaker 1: he's gonna make beats. Man, is I can't believe you 526 00:25:31,119 --> 00:25:32,879 Speaker 1: don't see it. He's doing a television talk show. So 527 00:25:33,000 --> 00:25:35,520 Speaker 1: watch it now you go, Oh my god, Like, how 528 00:25:35,640 --> 00:25:37,359 Speaker 1: was he predicting this before he was even able to 529 00:25:37,400 --> 00:25:39,439 Speaker 1: be predicted? They're gonna have this thing called Facebook. Man, 530 00:25:40,400 --> 00:25:42,840 Speaker 1: everyone's gonna hate each other and left and you'll find 531 00:25:42,880 --> 00:25:47,719 Speaker 1: you it's like touch called tumble, or people aren't even 532 00:25:47,720 --> 00:25:49,920 Speaker 1: gonna go on dates anymore. Man. But now he was 533 00:25:49,960 --> 00:25:52,360 Speaker 1: predicting that computers would make music, And my mind was blow. 534 00:25:52,400 --> 00:25:55,080 Speaker 1: I watched like a year ago. Mind blown because the 535 00:25:55,160 --> 00:25:57,760 Speaker 1: dude like he saw it. I think if you ask 536 00:25:57,880 --> 00:26:00,160 Speaker 1: half the people that are Doors fans or whatever, where 537 00:26:00,160 --> 00:26:02,880 Speaker 1: do you think Jim Morrison was like, you know, poetic 538 00:26:03,040 --> 00:26:04,879 Speaker 1: and smart and like or the other half are just 539 00:26:04,960 --> 00:26:08,479 Speaker 1: like he's just full of crap and probably a bit 540 00:26:08,560 --> 00:26:11,760 Speaker 1: of both, because I don't think anyone's all smart, and 541 00:26:11,760 --> 00:26:16,480 Speaker 1: I don't think anyone like that good and full and 542 00:26:17,359 --> 00:26:19,159 Speaker 1: a message they present themselves. Don't think that that full 543 00:26:19,200 --> 00:26:21,280 Speaker 1: of crap either. It's hard to it's hard to stay 544 00:26:21,359 --> 00:26:28,160 Speaker 1: consistently full of crap. So all consistently full of crap. 545 00:26:28,320 --> 00:26:32,760 Speaker 1: But everyone just saw it, like you said, he's just weird. Yes, yes, 546 00:26:33,080 --> 00:26:37,160 Speaker 1: but I think we'd you and like, well, no, it's 547 00:26:37,240 --> 00:26:40,480 Speaker 1: just you don't create weird things unless you're weird weird. 548 00:26:40,640 --> 00:26:43,359 Speaker 1: You don't create special things these the word special, because 549 00:26:43,400 --> 00:26:45,399 Speaker 1: weird can be looked at in a negative way. You 550 00:26:45,560 --> 00:26:48,600 Speaker 1: don't create special things unless you have some sort of 551 00:26:48,680 --> 00:26:51,080 Speaker 1: special mind to able to do that. And that means 552 00:26:51,080 --> 00:26:52,960 Speaker 1: you're not like other people, because if you were, you 553 00:26:53,000 --> 00:26:54,760 Speaker 1: wouldna be able to create things other people couldn't create. 554 00:26:55,280 --> 00:26:58,480 Speaker 1: And so yeah, he's probably odd and nuts, but that's 555 00:26:58,560 --> 00:27:00,680 Speaker 1: the beauty of being able to create is odd nutty 556 00:27:00,720 --> 00:27:03,240 Speaker 1: stuff that no one else can and you have to 557 00:27:03,280 --> 00:27:04,720 Speaker 1: deal with the both. I think Keith, everyone's in today 558 00:27:04,760 --> 00:27:06,280 Speaker 1: and I mentioned it to him and I was like, hey, 559 00:27:06,320 --> 00:27:08,200 Speaker 1: what's the deal, Like, you can't just create nutty stuff 560 00:27:08,240 --> 00:27:10,000 Speaker 1: and not be and only be nutty when you create music, 561 00:27:10,040 --> 00:27:12,240 Speaker 1: but not anywhere else. But I liked his answer. Some 562 00:27:12,400 --> 00:27:16,760 Speaker 1: people not all. I think. The only reason I agree 563 00:27:16,800 --> 00:27:18,960 Speaker 1: with what he said and what I've always thought is 564 00:27:19,080 --> 00:27:22,920 Speaker 1: some artists are just actors, you know, really really good 565 00:27:22,960 --> 00:27:25,680 Speaker 1: act But isn't that an art in itself to be 566 00:27:25,840 --> 00:27:28,840 Speaker 1: able to act and to to portray yourself as something else? 567 00:27:28,920 --> 00:27:30,760 Speaker 1: Meaning you're probably doing that your personal life too, Like 568 00:27:30,840 --> 00:27:34,119 Speaker 1: it's all you're just not able to be superbly nutty 569 00:27:34,200 --> 00:27:36,880 Speaker 1: somewhere and not be superbly nutty somewhere else. You can't 570 00:27:36,880 --> 00:27:39,159 Speaker 1: just have one arm that is a credible whole arm 571 00:27:39,200 --> 00:27:42,399 Speaker 1: and the rest of your body's me, you know, you can't. 572 00:27:43,359 --> 00:27:46,440 Speaker 1: There's something there, It's like, So that's my and Eddie 573 00:27:46,440 --> 00:27:48,000 Speaker 1: and I've had this competition for you a long a 574 00:27:48,040 --> 00:27:52,520 Speaker 1: long time on an offering, and I think we end 575 00:27:52,600 --> 00:27:56,480 Speaker 1: up the same spot. Not everyone bones, but everyone, really, 576 00:27:56,880 --> 00:27:59,480 Speaker 1: I do. I think there's there's a bit if you're 577 00:27:59,520 --> 00:28:02,680 Speaker 1: creating something special, I E. Nutty, I E weird, I 578 00:28:02,760 --> 00:28:05,720 Speaker 1: E amazing part of you and it's different part of you? 579 00:28:05,840 --> 00:28:08,680 Speaker 1: Is that nutty different all the time? All right? You 580 00:28:08,680 --> 00:28:10,080 Speaker 1: don't just get to do it? That's what you think? 581 00:28:10,160 --> 00:28:11,919 Speaker 1: I like it? Right, Thank you very much. That's special 582 00:28:13,480 --> 00:28:15,200 Speaker 1: number two on my list. It's one, really one of 583 00:28:15,240 --> 00:28:19,639 Speaker 1: the best biopics that I think I've ever seen, and 584 00:28:19,760 --> 00:28:22,520 Speaker 1: I learned a lot about this guy. And the music 585 00:28:22,640 --> 00:28:24,240 Speaker 1: was fantastic, And it's one of those like walk the 586 00:28:24,280 --> 00:28:26,440 Speaker 1: Line where you go always got to live up to 587 00:28:26,480 --> 00:28:30,600 Speaker 1: the music, and this guy crushed the music. Dude, I 588 00:28:30,680 --> 00:28:32,200 Speaker 1: think I know what you're talking about, you know what 589 00:28:32,760 --> 00:28:34,800 Speaker 1: as I think I know who you're talking about, but 590 00:28:34,840 --> 00:28:36,959 Speaker 1: I don't know who played him. What movie you think 591 00:28:36,960 --> 00:28:38,840 Speaker 1: I'm talking about? I think you're talking about the one 592 00:28:38,920 --> 00:28:44,760 Speaker 1: about um uh, the King of Soul. What's his name? Oh, 593 00:28:44,880 --> 00:28:47,240 Speaker 1: James Brown was great. It was great. It was not him, 594 00:28:47,280 --> 00:28:49,000 Speaker 1: but that was a great one that that almost made 595 00:28:49,080 --> 00:28:52,080 Speaker 1: my list. But I didn't think that the James Brown 596 00:28:52,240 --> 00:28:56,800 Speaker 1: music in that movie was as good as this one. Yeah, 597 00:28:57,440 --> 00:29:02,040 Speaker 1: oh got it? What is it? Jamie Foxx was awesome. 598 00:29:02,200 --> 00:29:05,960 Speaker 1: Have you seen Ray Ray? The heroine in it? Went 599 00:29:06,760 --> 00:29:09,040 Speaker 1: blew my mind that he was a heroin addict like that? 600 00:29:09,520 --> 00:29:12,560 Speaker 1: What kind of I mean? Or just even just to 601 00:29:12,680 --> 00:29:17,280 Speaker 1: even know someone with that many that many faults in jail. 602 00:29:18,840 --> 00:29:21,280 Speaker 1: He was kind of a bad dude. Yeah, you know, 603 00:29:21,640 --> 00:29:24,440 Speaker 1: And and I never thought that. I don't think anyone 604 00:29:24,600 --> 00:29:26,640 Speaker 1: just by listening to his music or watching him perform, 605 00:29:27,080 --> 00:29:29,040 Speaker 1: you think that could be a bad dude. And it's 606 00:29:29,120 --> 00:29:33,960 Speaker 1: because then we didn't know who was good or bad 607 00:29:34,240 --> 00:29:37,360 Speaker 1: based on the information being there was no information pipeline 608 00:29:37,440 --> 00:29:40,440 Speaker 1: coming out. You just had. The pipeline was the records. 609 00:29:40,960 --> 00:29:44,880 Speaker 1: That's it. And the TV appearances where now Instagram, t 610 00:29:45,040 --> 00:29:49,440 Speaker 1: MZ everywhere people just tweeting a run in with someone. 611 00:29:50,400 --> 00:29:53,680 Speaker 1: There was there was no way he was banging chicks everywhere, 612 00:29:55,400 --> 00:29:57,520 Speaker 1: and I say that all the artists were for the 613 00:29:57,600 --> 00:30:00,560 Speaker 1: most part. You know, there's but but it's just different life. 614 00:30:00,680 --> 00:30:02,080 Speaker 1: So why do you think, let me ask this, why 615 00:30:02,120 --> 00:30:05,760 Speaker 1: do you think it's okay in these biopics to just 616 00:30:06,120 --> 00:30:08,440 Speaker 1: let it all out once they die? Like who makes 617 00:30:08,480 --> 00:30:11,240 Speaker 1: that decision? And like do you think their kids are 618 00:30:11,320 --> 00:30:13,720 Speaker 1: kind of like I don't want them my dad being 619 00:30:13,800 --> 00:30:16,040 Speaker 1: portrayed like that, even though he kind of was that 620 00:30:16,160 --> 00:30:20,240 Speaker 1: way there. I think sometimes there are issues where that happened. 621 00:30:20,240 --> 00:30:21,360 Speaker 1: If there was one recently in front of think of 622 00:30:21,400 --> 00:30:23,200 Speaker 1: the movie where the family was like, we don't sign 623 00:30:23,240 --> 00:30:25,920 Speaker 1: off on this, but you don't have to sign because 624 00:30:26,000 --> 00:30:29,320 Speaker 1: that was like what I felt like, it was full exposure. 625 00:30:29,560 --> 00:30:31,080 Speaker 1: But it also you have to think that it makes 626 00:30:31,080 --> 00:30:33,520 Speaker 1: a better movie. So the people that are making the 627 00:30:33,560 --> 00:30:35,640 Speaker 1: movie want to put and they want to make the 628 00:30:35,760 --> 00:30:37,840 Speaker 1: best movie. They're not out to win an award for 629 00:30:37,880 --> 00:30:43,280 Speaker 1: the most accurate bio picks. As a consumer, we have 630 00:30:43,360 --> 00:30:45,640 Speaker 1: to realize that they wanted to be accurate because they 631 00:30:45,640 --> 00:30:47,240 Speaker 1: want people to say, wow, like how real life this 632 00:30:47,320 --> 00:30:49,640 Speaker 1: movie was, But they don't get an award for that. 633 00:30:49,800 --> 00:30:51,800 Speaker 1: They wanted to be a great movie, right, And the 634 00:30:51,840 --> 00:30:53,880 Speaker 1: way to make a great movie is through the story. 635 00:30:53,920 --> 00:30:55,680 Speaker 1: And if you can really share some things that you're 636 00:30:55,840 --> 00:30:59,600 Speaker 1: fascinated by through this story that also happened to be real, 637 00:31:00,400 --> 00:31:01,920 Speaker 1: that makes the better movie. It's all about the best 638 00:31:01,920 --> 00:31:03,360 Speaker 1: movie and making the money. All goes back to money, 639 00:31:03,840 --> 00:31:06,360 Speaker 1: So you don't have that permission to tell someone's story. 640 00:31:06,520 --> 00:31:11,480 Speaker 1: There are a lot of un authorized even biographies of people. 641 00:31:12,080 --> 00:31:13,840 Speaker 1: Was Marvin Gayla when you were thinking of they didn't 642 00:31:13,840 --> 00:31:18,280 Speaker 1: sign off on Yeah, it's it's still being made pretty recently. Yeah, 643 00:31:18,320 --> 00:31:20,520 Speaker 1: and his family, Yeah it was, That's exactly who it was. 644 00:31:20,680 --> 00:31:22,680 Speaker 1: And his family was like, no, we're not signing off 645 00:31:22,720 --> 00:31:25,520 Speaker 1: on this, or maybe they haven't signed off yet, but 646 00:31:25,560 --> 00:31:27,800 Speaker 1: it doesn't matter fully, right, I'd love to hear that 647 00:31:27,880 --> 00:31:30,960 Speaker 1: real story too. Anyway, just just the dad and their 648 00:31:31,000 --> 00:31:34,880 Speaker 1: whole relationship, and she just seems like a tough, tough, 649 00:31:34,960 --> 00:31:36,320 Speaker 1: tough life and a lot of stuff they had to 650 00:31:36,400 --> 00:31:39,360 Speaker 1: deal with, you know, outside of his music. Fascinating to 651 00:31:39,440 --> 00:31:41,440 Speaker 1: me with that that the bios. It will go to 652 00:31:41,480 --> 00:31:42,840 Speaker 1: the book for a second. It's not music, but the 653 00:31:42,840 --> 00:31:47,040 Speaker 1: Steve Jobs biography. Have you read it? It's like a 654 00:31:47,120 --> 00:31:50,320 Speaker 1: million pages read, but it's it's really it's great, right 655 00:31:50,920 --> 00:31:52,720 Speaker 1: and it takes a minute and it's boring at times. 656 00:31:52,800 --> 00:31:56,080 Speaker 1: But Steve Jobs had this guy write this book about him, 657 00:31:56,400 --> 00:32:00,520 Speaker 1: and he said, Uh, find it all out, write at all. 658 00:32:00,520 --> 00:32:02,240 Speaker 1: I don't even want to look at it until you 659 00:32:02,400 --> 00:32:05,080 Speaker 1: finish it. And it's about to be it's published. Like 660 00:32:06,080 --> 00:32:09,040 Speaker 1: everything you find put in the book. Talk to my daughter, 661 00:32:09,080 --> 00:32:10,720 Speaker 1: who I abandoned forever. She's about to come up with 662 00:32:10,880 --> 00:32:15,760 Speaker 1: with a book too, all of it the bad, the worst, 663 00:32:16,200 --> 00:32:18,600 Speaker 1: some of the good. And I wanted all to exist. 664 00:32:18,920 --> 00:32:21,120 Speaker 1: And he was sick at the time too, and so 665 00:32:21,640 --> 00:32:25,520 Speaker 1: he went and had someone right an unauthorized biography that 666 00:32:25,560 --> 00:32:28,040 Speaker 1: he authorized, meaning he didn't have to authorize that it 667 00:32:28,120 --> 00:32:30,000 Speaker 1: was going. He wanted it all out there, and it 668 00:32:30,120 --> 00:32:32,040 Speaker 1: was like, once it's done, then I will go back 669 00:32:32,040 --> 00:32:34,240 Speaker 1: over and read I believe that's what is it? That 670 00:32:34,280 --> 00:32:36,680 Speaker 1: a little different when you know you're dying. Yeah, I'm 671 00:32:36,680 --> 00:32:38,840 Speaker 1: not absolutely, I'm just saying like, hey, if I know, 672 00:32:39,280 --> 00:32:43,200 Speaker 1: that's even different than being alive, Like that's the that's 673 00:32:43,240 --> 00:32:46,600 Speaker 1: like the middle ground with us, that's the weird. But 674 00:32:47,240 --> 00:32:48,800 Speaker 1: I think they want to make good movies. Just going 675 00:32:48,800 --> 00:32:50,480 Speaker 1: back to Ray, I think you put all that stuff in. 676 00:32:50,560 --> 00:32:52,320 Speaker 1: It makes for a better it makes a better redemption 677 00:32:52,360 --> 00:32:54,240 Speaker 1: story because at the end of Ray, you're ex playing 678 00:32:54,240 --> 00:32:56,200 Speaker 1: the super Bowl and you feel for him. Yeah, you 679 00:32:56,320 --> 00:32:59,760 Speaker 1: understand what makes them human. That's a great point, and 680 00:32:59,800 --> 00:33:02,440 Speaker 1: it makes it because we all, we all have humongous 681 00:33:02,600 --> 00:33:04,560 Speaker 1: faults and flaws and we all are awesome. We all 682 00:33:04,640 --> 00:33:07,000 Speaker 1: suck and we see someone else that we look at 683 00:33:07,080 --> 00:33:12,120 Speaker 1: as being amazing also having really touch troubles. You go, oh, well, 684 00:33:12,760 --> 00:33:14,840 Speaker 1: it felt so bad. Like even to the great ones, 685 00:33:15,240 --> 00:33:18,320 Speaker 1: they have troubles too. So number two for me, it's Ray. Uh, 686 00:33:18,440 --> 00:33:20,400 Speaker 1: you're probably gonna hate my number one. Oh no, what 687 00:33:20,600 --> 00:33:25,560 Speaker 1: is it? What gets so stupid? What is your number 688 00:33:25,600 --> 00:33:28,040 Speaker 1: one musical movie of all time? My number one all time? 689 00:33:28,200 --> 00:33:32,040 Speaker 1: This is this is just the anthem of my life, 690 00:33:32,240 --> 00:33:37,600 Speaker 1: everything I've loved about music, like everything. So Cameron Crow, like, okay, 691 00:33:37,600 --> 00:33:39,640 Speaker 1: I got it. This is this is a funny story. 692 00:33:39,680 --> 00:33:41,960 Speaker 1: When I was in college, I knew I wanted to 693 00:33:42,040 --> 00:33:45,200 Speaker 1: do something, you know, in in movie making or something. 694 00:33:45,400 --> 00:33:47,840 Speaker 1: Ended up being a video guy, but something you know 695 00:33:47,920 --> 00:33:50,720 Speaker 1: along those lines. And I wanted to contact Cameron Crow 696 00:33:50,840 --> 00:33:52,760 Speaker 1: because of this movie. You can say what it is 697 00:33:52,800 --> 00:33:55,000 Speaker 1: if you said, camera Crows, we know what do you? 698 00:33:55,840 --> 00:33:59,920 Speaker 1: Almost Famous? I mean? So I did email Cameron Crow 699 00:34:00,560 --> 00:34:02,880 Speaker 1: and I reached out and I told him I wanted 700 00:34:02,920 --> 00:34:05,720 Speaker 1: to work for him and all that and long letter 701 00:34:05,840 --> 00:34:08,040 Speaker 1: of it, and I never heard anything back. So I 702 00:34:08,080 --> 00:34:10,359 Speaker 1: gotta tell you I liked it. I didn't love it, dude, 703 00:34:10,360 --> 00:34:13,160 Speaker 1: Almost Famous, And I probably because of that reaction. If 704 00:34:13,200 --> 00:34:15,320 Speaker 1: you hear the movies awesome before you see it, you 705 00:34:15,400 --> 00:34:19,080 Speaker 1: have awesome expectations. It's very much the hangover for me. 706 00:34:19,680 --> 00:34:21,200 Speaker 1: I'd really like to hangover a lot. But people told 707 00:34:21,200 --> 00:34:22,640 Speaker 1: me it was the greatest movie ever. There's no way 708 00:34:22,640 --> 00:34:25,239 Speaker 1: it could meet the expectations set and mid you watch 709 00:34:25,239 --> 00:34:30,279 Speaker 1: Almost Famous, I didn't. Yeah. Yeah, there's a lot of 710 00:34:30,280 --> 00:34:33,560 Speaker 1: people's favorite movie. I I love that it was his 711 00:34:33,760 --> 00:34:37,279 Speaker 1: story of when he was a kid, except the band 712 00:34:37,360 --> 00:34:40,160 Speaker 1: was fictional, so he was, you know, the writer of 713 00:34:40,239 --> 00:34:42,080 Speaker 1: the script and the director of the movie. But he 714 00:34:42,480 --> 00:34:45,160 Speaker 1: his life was that little boy who was hired by 715 00:34:45,280 --> 00:34:48,080 Speaker 1: Rolling Stone magazine. And Rolling Stone thought that he was 716 00:34:48,520 --> 00:34:50,960 Speaker 1: of age at least legally to write an article, and 717 00:34:51,040 --> 00:34:52,879 Speaker 1: he wasn't. I think he was like thirteen years old. 718 00:34:53,120 --> 00:34:55,239 Speaker 1: And he got to tour with his the heart of 719 00:34:55,280 --> 00:34:58,720 Speaker 1: the nineteen seventies rock and roll. Dude, these guys doing drugs, 720 00:34:58,880 --> 00:35:02,960 Speaker 1: chicks everywhere city, different girls, and this little thirteen year 721 00:35:02,960 --> 00:35:06,279 Speaker 1: old was living it. And uh, and he understood it 722 00:35:06,520 --> 00:35:09,040 Speaker 1: as a thirteen year old, you know, like what they 723 00:35:09,120 --> 00:35:11,600 Speaker 1: did and some of them had wives at home, but 724 00:35:11,960 --> 00:35:13,239 Speaker 1: this is what they do on the road, and this 725 00:35:13,400 --> 00:35:16,799 Speaker 1: is a lifestyle. And and the fact that this really 726 00:35:16,880 --> 00:35:18,640 Speaker 1: happened to him and he could make a movie on 727 00:35:18,760 --> 00:35:23,120 Speaker 1: its amazing, so amazing. I think the real band was 728 00:35:23,239 --> 00:35:27,600 Speaker 1: led Zeppelin that he toured with. Yeah, but and and 729 00:35:27,800 --> 00:35:30,359 Speaker 1: it led me down a whole wormhole of finding old 730 00:35:30,520 --> 00:35:32,520 Speaker 1: you know, Rolling Stone articles that he used to write 731 00:35:33,120 --> 00:35:35,279 Speaker 1: and back in the day, and he was yeah, when 732 00:35:35,280 --> 00:35:38,279 Speaker 1: he's a kid again. It was so over hyped. I 733 00:35:38,320 --> 00:35:39,799 Speaker 1: didn't get a fair shot at it. Can you try 734 00:35:39,800 --> 00:35:43,359 Speaker 1: it again? Well, I gotta watch. I got about three 735 00:35:43,400 --> 00:35:46,000 Speaker 1: other ones. First, you have that George Harrison when you 736 00:35:46,040 --> 00:35:47,960 Speaker 1: want to watch two. Oh, that's a three hour documentary. 737 00:35:48,000 --> 00:35:51,080 Speaker 1: I'll probably I'll dip my toe into that one. The investment, 738 00:35:51,160 --> 00:35:53,040 Speaker 1: I know. But I did watch the full Eagles documentary, 739 00:35:53,120 --> 00:35:55,319 Speaker 1: which was fantastic. I think that was three days long 740 00:35:56,080 --> 00:35:57,960 Speaker 1: and it was great. I think CNN ran it over 741 00:35:58,120 --> 00:36:00,440 Speaker 1: four weeks because it was that long. It was like 742 00:36:00,719 --> 00:36:02,640 Speaker 1: two hours tonight, two hours to more. Was it really 743 00:36:02,719 --> 00:36:04,919 Speaker 1: that long? It was a big day. Yeah, I feel 744 00:36:04,960 --> 00:36:07,440 Speaker 1: like I did it in two days. But yeah, all right, 745 00:36:07,440 --> 00:36:09,799 Speaker 1: you're number one. Let's go. Let's go my number one. 746 00:36:09,920 --> 00:36:12,880 Speaker 1: I still like when when the final scene of this 747 00:36:12,960 --> 00:36:18,400 Speaker 1: movie's on, I go, dude, I'm ready now, la vampa. 748 00:36:21,200 --> 00:36:26,400 Speaker 1: And it's also given me a bit of perspective, and 749 00:36:26,480 --> 00:36:29,040 Speaker 1: I think when I saw it, I went, oh, that's 750 00:36:29,040 --> 00:36:31,480 Speaker 1: how to that's how to win. That's how to win. 751 00:36:32,680 --> 00:36:35,239 Speaker 1: You don't have to it's how you win. Yeah, not 752 00:36:35,320 --> 00:36:37,000 Speaker 1: to go on attack mode. You don't have to go 753 00:36:37,040 --> 00:36:38,600 Speaker 1: out and beat the other person up. That's not how 754 00:36:38,640 --> 00:36:41,640 Speaker 1: to win. How do you win? Then you attack yourself first, 755 00:36:41,760 --> 00:36:45,799 Speaker 1: so they can't if I if I'm knocking to be down, 756 00:36:46,600 --> 00:36:48,160 Speaker 1: no one else can knock me down. I'm gonna ahead 757 00:36:48,160 --> 00:36:49,920 Speaker 1: and put all my stuff out there, put it all 758 00:36:49,920 --> 00:36:52,040 Speaker 1: out for everybody to see. They can get you know, 759 00:36:52,120 --> 00:36:53,560 Speaker 1: it's hard for you to punch me in the face 760 00:36:54,000 --> 00:37:02,200 Speaker 1: if I'm already down. Such a movie, freaking Eminem was 761 00:37:02,280 --> 00:37:07,560 Speaker 1: in it. Go ahead. I've never seen it. Really, I've 762 00:37:07,600 --> 00:37:09,920 Speaker 1: seen some of the rap battle scenes. The final the 763 00:37:10,040 --> 00:37:12,239 Speaker 1: final scene would be Rabbit and he's like, I know 764 00:37:12,280 --> 00:37:13,719 Speaker 1: you gotta talk about a mom. I know you're gonna 765 00:37:13,760 --> 00:37:16,880 Speaker 1: do this, and I was like, oh, holy crap, like 766 00:37:17,000 --> 00:37:19,080 Speaker 1: that that's how he got it, like because the other 767 00:37:19,080 --> 00:37:20,719 Speaker 1: guys about to throw all on him, make face like 768 00:37:20,760 --> 00:37:22,640 Speaker 1: I got him. I gotta be Rabbit. I'm gonna say this, 769 00:37:22,719 --> 00:37:25,440 Speaker 1: And then Eminem be Rabbit goes down and goes, I 770 00:37:25,520 --> 00:37:26,799 Speaker 1: know you're about to say this, but let me say 771 00:37:26,840 --> 00:37:28,480 Speaker 1: it first. Here's the thing I'm gonna do. I know 772 00:37:28,520 --> 00:37:31,359 Speaker 1: I'm the worst, and he's just and you're going, oh, 773 00:37:31,480 --> 00:37:34,440 Speaker 1: that's life. Let me take your power that you think 774 00:37:34,480 --> 00:37:36,440 Speaker 1: you have from you and let me use that as 775 00:37:36,480 --> 00:37:38,600 Speaker 1: my strength because I know I suck. I know I 776 00:37:38,680 --> 00:37:40,000 Speaker 1: have things about me either a week, let me go 777 00:37:40,080 --> 00:37:42,000 Speaker 1: and put them out there and show you that I'm 778 00:37:42,000 --> 00:37:43,560 Speaker 1: still okay with that, and then I'm gonna go late 779 00:37:43,680 --> 00:37:49,040 Speaker 1: later down. This one's personal to you. Maybe maybe I 780 00:37:49,120 --> 00:37:52,839 Speaker 1: feel like it sounds like you're talking to people right now. Yeah, 781 00:37:52,920 --> 00:37:55,680 Speaker 1: that was the thing, man, What do you think Mike about? 782 00:37:58,520 --> 00:38:01,000 Speaker 1: And it hurt me to not put a knowledge movie 783 00:38:01,040 --> 00:38:04,360 Speaker 1: at number one, But I just wasn't shaken by anything 784 00:38:04,400 --> 00:38:06,960 Speaker 1: as much as I was eight miles that's held up. 785 00:38:07,000 --> 00:38:09,040 Speaker 1: I've had I've retained knowledge from things. I told you. 786 00:38:09,080 --> 00:38:12,880 Speaker 1: I'll watched the the documentary with Jannis Choplin and I 787 00:38:12,960 --> 00:38:15,920 Speaker 1: had seen that one. By the way, Yeah, what's crazy 788 00:38:16,040 --> 00:38:21,160 Speaker 1: is whenever she put out Oh I mean me and 789 00:38:21,200 --> 00:38:25,239 Speaker 1: Bobby McGee, she was already dead. She was dead, her 790 00:38:25,320 --> 00:38:30,600 Speaker 1: biggest song she was Dead, which wasn't even her right, 791 00:38:31,160 --> 00:38:33,560 Speaker 1: and he didn't hear it until it was out. Crazy man. 792 00:38:34,560 --> 00:38:37,160 Speaker 1: But no one knows Chris Christoperson for it. I say, 793 00:38:37,239 --> 00:38:39,600 Speaker 1: no one, And I'm a big music fan, and I 794 00:38:39,719 --> 00:38:42,200 Speaker 1: really no, no, no. I think the majority of the 795 00:38:42,239 --> 00:38:43,839 Speaker 1: people that like that song or even know that song 796 00:38:43,920 --> 00:38:46,120 Speaker 1: and don't even know that it was Chris Chris Stopperson's yeah, 797 00:38:46,440 --> 00:38:48,400 Speaker 1: because I don't know that I did. Oh man, that 798 00:38:48,480 --> 00:38:51,239 Speaker 1: documentary was heavy. I think it's so heavy because I 799 00:38:51,360 --> 00:38:52,960 Speaker 1: just didn't know what she went through as a kid, 800 00:38:53,280 --> 00:38:55,640 Speaker 1: and you know, the way that she was bullied and 801 00:38:55,719 --> 00:38:59,200 Speaker 1: made fun of and but but dude, she came back 802 00:38:59,360 --> 00:39:02,480 Speaker 1: and she was a are and everyone loved her. She just, 803 00:39:02,719 --> 00:39:04,120 Speaker 1: you know, I felt bad for because she wanted to 804 00:39:04,160 --> 00:39:06,600 Speaker 1: prove everybody wrong instead of proving And I feel like 805 00:39:06,640 --> 00:39:08,279 Speaker 1: in my life now trying to prove people right more 806 00:39:08,320 --> 00:39:12,440 Speaker 1: than I do people wrong doing the Marshall Mathers, No, No, 807 00:39:12,600 --> 00:39:16,759 Speaker 1: that's the whole different thing. Why you can't He's like, yeah, 808 00:39:16,760 --> 00:39:18,440 Speaker 1: you know like this, you know, like rabbit Man, I 809 00:39:18,520 --> 00:39:24,000 Speaker 1: got to be rabbits Oka. But she was angry, and 810 00:39:24,040 --> 00:39:25,640 Speaker 1: I think I related a like because I was angry 811 00:39:25,719 --> 00:39:27,239 Speaker 1: for and you know, I still have a little bits 812 00:39:27,280 --> 00:39:29,200 Speaker 1: there where I'm like, man, they can suck it. I 813 00:39:29,360 --> 00:39:31,719 Speaker 1: really don't have a nemesis right now. It bothers. You 814 00:39:31,840 --> 00:39:34,640 Speaker 1: need one, Can we find one for you? I don't. 815 00:39:34,800 --> 00:39:36,440 Speaker 1: It doesn't put me in you've seen me in that 816 00:39:36,640 --> 00:39:40,960 Speaker 1: super competitive Yes it's not good, it's not, but but 817 00:39:41,360 --> 00:39:44,439 Speaker 1: it does drive you, dude, It's driven me for so long, 818 00:39:45,480 --> 00:39:49,320 Speaker 1: I've had nemesis this everywhere I've been that have just 819 00:39:50,280 --> 00:39:52,920 Speaker 1: constantly it is. It could have been people at school, 820 00:39:53,480 --> 00:39:55,560 Speaker 1: it could have been teachers that I sucked from other 821 00:39:55,680 --> 00:39:58,200 Speaker 1: radio shows. I don't have a nemesis now, yeah, you 822 00:39:58,280 --> 00:40:01,279 Speaker 1: need one. I don't want one, because then that means 823 00:40:01,360 --> 00:40:04,600 Speaker 1: someone is doing something on the level I think that 824 00:40:04,680 --> 00:40:07,280 Speaker 1: we're at. I don'tant anybody else in the level where 825 00:40:07,280 --> 00:40:09,440 Speaker 1: we are right now. Well, whatever you're doing now is 826 00:40:09,520 --> 00:40:12,279 Speaker 1: working kind for now, I have an I love to 827 00:40:12,360 --> 00:40:14,800 Speaker 1: compete so much, but it makes it's unhealthy for me. 828 00:40:15,520 --> 00:40:17,840 Speaker 1: And it's not about winning. This is about not losing. 829 00:40:18,160 --> 00:40:20,000 Speaker 1: Oh dude, let me ask you this. So you're not 830 00:40:20,200 --> 00:40:22,359 Speaker 1: not just I mean you're on the radio, of course, 831 00:40:22,480 --> 00:40:26,759 Speaker 1: but but you also you're an author, You're a musician. No, 832 00:40:27,080 --> 00:40:28,839 Speaker 1: you have a band, you're a musician. You're an artist. 833 00:40:28,960 --> 00:40:31,480 Speaker 1: You're a musician. I just kind of dance that you're 834 00:40:31,480 --> 00:40:35,560 Speaker 1: an artist. I'll take that. Um, your TV now, you're 835 00:40:35,600 --> 00:40:38,359 Speaker 1: all these things. Dude. You can take on people from 836 00:40:38,440 --> 00:40:42,680 Speaker 1: any media now, you know. But but my actual thing 837 00:40:42,920 --> 00:40:48,920 Speaker 1: is radio. So I don't I mean, I don't or 838 00:40:48,960 --> 00:40:51,440 Speaker 1: I needs some sort of way to compete in something like, 839 00:40:51,560 --> 00:40:56,640 Speaker 1: I have this burning desire to just just I just 840 00:40:56,880 --> 00:40:59,400 Speaker 1: love the competition part of life. And maybe because I 841 00:40:59,440 --> 00:41:01,840 Speaker 1: did it for soul long and I think that's what's 842 00:41:02,840 --> 00:41:04,239 Speaker 1: it's maybe a monster a bit of time to do 843 00:41:04,360 --> 00:41:08,440 Speaker 1: there anyway you can compete without having an emesis? You thing? No, 844 00:41:08,600 --> 00:41:11,040 Speaker 1: because I don't like running. The mynlitgy will be running. 845 00:41:11,040 --> 00:41:13,680 Speaker 1: I hate running. Whom I competing against myself? Who cares? Okay, 846 00:41:13,719 --> 00:41:16,520 Speaker 1: I lost, but who want me? Who'd I lost to me? Yeah? 847 00:41:17,239 --> 00:41:19,759 Speaker 1: You play your competing to get yourself. You win, that 848 00:41:19,840 --> 00:41:21,759 Speaker 1: sounds great to me. And you lose, that sounds great 849 00:41:21,800 --> 00:41:24,040 Speaker 1: to me. Like I'm tired. I quit, and I'm like, 850 00:41:24,080 --> 00:41:27,359 Speaker 1: I'm such a loser. But I guess also one, Yeah, 851 00:41:27,600 --> 00:41:30,759 Speaker 1: there you go. Um they I liked your list. I 852 00:41:30,880 --> 00:41:33,520 Speaker 1: did like your list. Thank you man. And you gotta 853 00:41:33,520 --> 00:41:35,239 Speaker 1: go pick up his kids? I do? I do. My 854 00:41:35,360 --> 00:41:38,960 Speaker 1: wife has a friend date tonight. Oh yeah, yeah, I 855 00:41:39,080 --> 00:41:40,840 Speaker 1: just heard a couple other friends. They're gonna paint and 856 00:41:41,080 --> 00:41:43,320 Speaker 1: drink wine or something. Oh, let me say that. The 857 00:41:43,360 --> 00:41:45,920 Speaker 1: Sore Losers podcast is up and running. Yeah it did 858 00:41:45,920 --> 00:41:48,080 Speaker 1: you guys do it today? We did one today. You 859 00:41:48,160 --> 00:41:49,440 Speaker 1: may hear this a different day. So I may not 860 00:41:49,520 --> 00:41:50,640 Speaker 1: be up, but I just wonder if you guys are 861 00:41:50,680 --> 00:41:53,480 Speaker 1: doing them. But you guys, every day, you guys talk about, um, 862 00:41:53,880 --> 00:41:56,479 Speaker 1: is it all sports? No? So so it's funny because 863 00:41:56,480 --> 00:41:58,759 Speaker 1: you know lunch Box, Uh, he's the sports guy. He 864 00:41:59,000 --> 00:42:01,360 Speaker 1: is the sports guy of the show, and all he 865 00:42:01,400 --> 00:42:02,880 Speaker 1: wants to do is talk about sports. He wants to 866 00:42:03,000 --> 00:42:05,440 Speaker 1: lead the show with sports and end it with sports. 867 00:42:05,560 --> 00:42:07,560 Speaker 1: And and me and Ray we're sports fans and we 868 00:42:07,680 --> 00:42:10,000 Speaker 1: love sports, but we're more of just like, hey, let's 869 00:42:10,000 --> 00:42:11,719 Speaker 1: talk about you know, going to the game. You went 870 00:42:11,719 --> 00:42:13,719 Speaker 1: to the game this weekend, like, talk about that and 871 00:42:13,800 --> 00:42:15,319 Speaker 1: lunch Box and like, so we're having a little bit 872 00:42:15,360 --> 00:42:17,920 Speaker 1: of struggle. I think we'll get it down, but we're 873 00:42:17,920 --> 00:42:19,640 Speaker 1: having a struggle of what we want to show to 874 00:42:19,760 --> 00:42:23,200 Speaker 1: be because we want more life and lunch Box wants 875 00:42:23,239 --> 00:42:26,880 Speaker 1: all sports. You guys trying to my Nemesis maybe and 876 00:42:27,040 --> 00:42:29,680 Speaker 1: see now you're talking Nemesis podcast. But it's fun, dude. 877 00:42:29,719 --> 00:42:32,359 Speaker 1: We're learning a lot and I'm waiting for the right 878 00:42:32,400 --> 00:42:33,799 Speaker 1: time to come to you and be like, hey, man, 879 00:42:33,840 --> 00:42:35,440 Speaker 1: what do you think? But I don't want to ask 880 00:42:35,520 --> 00:42:37,080 Speaker 1: you that yet. I don't want to know why I 881 00:42:37,120 --> 00:42:40,080 Speaker 1: don't listen yet, because you guys need to figure out 882 00:42:40,440 --> 00:42:43,879 Speaker 1: what you're doing right or wrong first. Even if you're 883 00:42:43,880 --> 00:42:47,080 Speaker 1: figuring out something wrong, you're still figuring something out committing 884 00:42:47,120 --> 00:42:49,640 Speaker 1: to something. If you're bouncing all over the place, you 885 00:42:49,680 --> 00:42:51,200 Speaker 1: haven't kind of found your footing, So might you have 886 00:42:51,239 --> 00:42:53,439 Speaker 1: to find your wrong footing before you can be told 887 00:42:53,560 --> 00:42:55,120 Speaker 1: it's right. And there's some just things wrong and right. 888 00:42:55,640 --> 00:42:58,680 Speaker 1: There's just more effective ways to do it. So, uh, yeah, 889 00:42:58,680 --> 00:43:00,600 Speaker 1: I think it's gonna be a bit. Do we get there, 890 00:43:01,239 --> 00:43:06,000 Speaker 1: It's gonna be a no. The only thing that is 891 00:43:06,120 --> 00:43:09,799 Speaker 1: that is just you know, keeping everyone together. Yesterday Ray 892 00:43:09,880 --> 00:43:11,239 Speaker 1: had to leave in the middle of it, had a 893 00:43:11,960 --> 00:43:13,399 Speaker 1: I think it's fine that you guys can do it too, man. 894 00:43:13,560 --> 00:43:15,520 Speaker 1: And the great part about being three man show is 895 00:43:15,560 --> 00:43:16,799 Speaker 1: that you can even do it two man. A lot 896 00:43:16,840 --> 00:43:18,960 Speaker 1: of times, I know, I just like the three person dynamic. 897 00:43:19,640 --> 00:43:21,360 Speaker 1: Like today I had to go, but I stuck it 898 00:43:21,440 --> 00:43:24,279 Speaker 1: out and I was really late And how long? About 899 00:43:24,320 --> 00:43:26,120 Speaker 1: twenty minutes is the average that we're doing right now, 900 00:43:26,239 --> 00:43:29,440 Speaker 1: but today's was like almost forty minutes. The Sore Losers 901 00:43:29,520 --> 00:43:35,520 Speaker 1: podcast sore as in s O u A, Yeah, like 902 00:43:35,640 --> 00:43:45,920 Speaker 1: we're sore yes, a different way, the sore like an eagle. Yes, okay, uh, 903 00:43:46,120 --> 00:43:49,160 Speaker 1: that's it. Thanks for hanging with us, Thanks to Quip, 904 00:43:49,360 --> 00:43:53,600 Speaker 1: and thanks to obviously sleep number, and thanks to Eddie 905 00:43:53,640 --> 00:43:57,880 Speaker 1: for coming by being here. Man my musical semi expert, 906 00:43:58,320 --> 00:43:59,800 Speaker 1: we probably messed up a lot of things in that. 907 00:44:00,040 --> 00:44:02,759 Speaker 1: If we did, I'm sorry. You don't have to tell us. Yeah, 908 00:44:02,760 --> 00:44:05,440 Speaker 1: well we'll just we'll just apologize in advance. Mike do you? 909 00:44:05,480 --> 00:44:07,000 Speaker 1: Thank you? Mikey. Do you have a favorite musical movie? 910 00:44:07,040 --> 00:44:10,120 Speaker 1: Fit to pick one? Spinal Tap? I was going to 911 00:44:10,160 --> 00:44:14,160 Speaker 1: put that on my list too, because it's just influenced everything, 912 00:44:14,480 --> 00:44:18,560 Speaker 1: not even just music, but even that entire mockumentary The Office, 913 00:44:18,640 --> 00:44:21,399 Speaker 1: Like The Office doesn't exist without Spinal Tap, and that's 914 00:44:21,440 --> 00:44:23,880 Speaker 1: my favorite show. I feel like the Anvil movie I 915 00:44:24,000 --> 00:44:26,360 Speaker 1: think was inspired by Spinal Tap but real life. But 916 00:44:28,239 --> 00:44:30,320 Speaker 1: that's a great one. Spinal Tap one of my favorite 917 00:44:30,360 --> 00:44:32,280 Speaker 1: movies of all time. I would have felt like opposed 918 00:44:32,360 --> 00:44:34,080 Speaker 1: you're staying in that one. I feel like I should 919 00:44:34,080 --> 00:44:36,040 Speaker 1: be on everyone's list. All right, that's it, Thank you 920 00:44:36,120 --> 00:44:37,719 Speaker 1: very much. We'll see you next time. I ready