1 00:00:03,120 --> 00:00:03,760 Speaker 1: What's up? 2 00:00:03,800 --> 00:00:06,160 Speaker 2: It is way up for Angela Yee. I'm Angela Yee, 3 00:00:06,160 --> 00:00:10,239 Speaker 2: and Jasmine brand is here and Victoria Monette is here. 4 00:00:10,280 --> 00:00:12,200 Speaker 2: I'm so excited. Well, first of all, we have. 5 00:00:12,280 --> 00:00:12,760 Speaker 1: Something for you. 6 00:00:12,960 --> 00:00:14,520 Speaker 3: Yes we do. Of course we do. 7 00:00:14,920 --> 00:00:15,800 Speaker 1: We got some dom P. 8 00:00:16,840 --> 00:00:20,760 Speaker 2: We want to celebrate a sold out tour in one minute. 9 00:00:21,000 --> 00:00:22,680 Speaker 1: Also, all the success. 10 00:00:22,280 --> 00:00:25,160 Speaker 3: That you've been having, Angela, she reacted how you thought 11 00:00:25,160 --> 00:00:28,560 Speaker 3: she would, Angela, and this morning Angel's like, she's gonna 12 00:00:28,560 --> 00:00:28,840 Speaker 3: love this. 13 00:00:28,960 --> 00:00:32,200 Speaker 1: I know. All right, So we're gonna pop some don Kelly, 14 00:00:32,720 --> 00:00:33,519 Speaker 1: can we can? 15 00:00:33,560 --> 00:00:33,640 Speaker 4: We? 16 00:00:33,840 --> 00:00:35,640 Speaker 3: Dan? You're gonna say you do the honors? 17 00:00:36,120 --> 00:00:37,960 Speaker 4: You know they have the man. 18 00:00:38,440 --> 00:00:41,680 Speaker 2: No, but just honestly, it's been almost ten years since 19 00:00:41,680 --> 00:00:45,320 Speaker 2: your first album for Reul twenty fourteen, right was the 20 00:00:45,360 --> 00:00:46,680 Speaker 2: first album you know what I had? 21 00:00:46,720 --> 00:00:49,040 Speaker 4: Forgot what year it was like. I feel like the 22 00:00:49,120 --> 00:00:51,800 Speaker 4: years kind of meshed together at this point, but good 23 00:00:51,840 --> 00:00:52,360 Speaker 4: to know it was. 24 00:00:53,280 --> 00:00:55,280 Speaker 3: Thanks for telling me. Does it feel like a blurt? 25 00:00:55,320 --> 00:00:57,280 Speaker 3: Does it feel like yes? 26 00:00:58,040 --> 00:01:05,920 Speaker 4: Yeah, I feel like since twenty ten, like things are 27 00:01:05,959 --> 00:01:08,680 Speaker 4: just I couldn't tell you what year certain things were. 28 00:01:09,040 --> 00:01:12,399 Speaker 4: I do know that you've been supportive, supportive from the beginning, though, 29 00:01:12,440 --> 00:01:15,200 Speaker 4: I feel like, I feel like the year was twenty 30 00:01:15,640 --> 00:01:17,360 Speaker 4: eleven or twelve actually. 31 00:01:17,120 --> 00:01:18,360 Speaker 1: And then the album came out. 32 00:01:18,440 --> 00:01:21,440 Speaker 2: But honestly, here's the thing about Victoria Money. Everybody's always 33 00:01:21,520 --> 00:01:25,280 Speaker 2: known how talented she is. But then I think, like 34 00:01:25,400 --> 00:01:27,520 Speaker 2: even for you, and I love the confidence on a 35 00:01:27,520 --> 00:01:30,040 Speaker 2: song like oh my Mama, sometimes you just have to 36 00:01:30,080 --> 00:01:32,560 Speaker 2: figure out, like, Okay, you listen to so many different 37 00:01:32,560 --> 00:01:35,480 Speaker 2: people telling you how you should sound or you know 38 00:01:35,920 --> 00:01:38,440 Speaker 2: what you should come out like, and then it takes 39 00:01:38,440 --> 00:01:40,480 Speaker 2: a little while to like figure out for yourself. 40 00:01:40,600 --> 00:01:45,720 Speaker 4: Yeah, that's true. I definitely went through some I mean 41 00:01:45,840 --> 00:01:51,120 Speaker 4: just writing for other people and people hearing the different 42 00:01:51,160 --> 00:01:53,680 Speaker 4: types of styles that I could do. It's hard for 43 00:01:53,720 --> 00:01:56,800 Speaker 4: people to understand my It was hard for people to 44 00:01:56,880 --> 00:02:00,640 Speaker 4: understand my vision for myself because I'd be demoing like 45 00:02:00,640 --> 00:02:03,040 Speaker 4: like a country song at one point, and sometimes like 46 00:02:03,040 --> 00:02:05,160 Speaker 4: a pop song. So we're like, well, you saying it, 47 00:02:05,200 --> 00:02:06,920 Speaker 4: you're demoing it, so why don't you just do that? 48 00:02:07,200 --> 00:02:09,560 Speaker 4: And I'm like, but I have such a specific the 49 00:02:09,800 --> 00:02:11,360 Speaker 4: vision and narrative for what I want to do. 50 00:02:11,480 --> 00:02:15,040 Speaker 1: Yes, yes, champagne. 51 00:02:15,200 --> 00:02:17,400 Speaker 4: Champagne is meant to be spilled a little bit, you know, you. 52 00:02:17,360 --> 00:02:20,000 Speaker 1: Know what, But sorry, we don't have real glasses. 53 00:02:20,160 --> 00:02:25,560 Speaker 2: It's okay, I prefer it, you know, but we do 54 00:02:25,639 --> 00:02:27,520 Speaker 2: want to toast to you because honestly, like I've been 55 00:02:27,520 --> 00:02:29,400 Speaker 2: such a fan of years for so long, so I 56 00:02:29,440 --> 00:02:32,320 Speaker 2: am really excited just for everything in the way that 57 00:02:32,320 --> 00:02:33,240 Speaker 2: it's been happening for you. 58 00:02:33,320 --> 00:02:34,840 Speaker 1: I feel like the timing is perfect. 59 00:02:34,960 --> 00:02:37,640 Speaker 4: Thank you so much? Shall we cheer? 60 00:02:37,919 --> 00:02:38,440 Speaker 3: Cheers? 61 00:02:40,160 --> 00:02:40,840 Speaker 4: I love this? 62 00:02:41,360 --> 00:02:44,040 Speaker 2: Yes, all right, good, this is how we get it 63 00:02:44,080 --> 00:02:46,800 Speaker 2: started now. But I mean, let's get into it though, 64 00:02:46,840 --> 00:02:52,480 Speaker 2: because you're doing headlining tour and that's what we really 65 00:02:52,520 --> 00:02:54,320 Speaker 2: are toasting too. And it's so that in like a 66 00:02:54,400 --> 00:02:56,720 Speaker 2: minute for real, like how did you feel when that happened? 67 00:02:56,720 --> 00:02:58,160 Speaker 1: And did you know that was going to happen? 68 00:02:58,400 --> 00:03:00,960 Speaker 4: I did not know that was going to happen. I 69 00:03:01,000 --> 00:03:03,200 Speaker 4: thought maybe by the time I got on stage the 70 00:03:03,240 --> 00:03:06,640 Speaker 4: first show, the shows would be sold out. But so 71 00:03:06,680 --> 00:03:10,800 Speaker 4: what we did was every show went on sale locally 72 00:03:10,840 --> 00:03:13,320 Speaker 4: at ten am. So as they were selling out, my 73 00:03:13,360 --> 00:03:16,359 Speaker 4: manager was calling me from like so it's like Atlanta 74 00:03:16,520 --> 00:03:18,600 Speaker 4: show all the way to the West coast, like okay, 75 00:03:18,639 --> 00:03:20,480 Speaker 4: this sold out, this sold out, the tickets are gone, 76 00:03:20,600 --> 00:03:23,960 Speaker 4: and it was just surreal but very affirming to know 77 00:03:24,000 --> 00:03:26,960 Speaker 4: that people really, if you give them the opportunity, they'll 78 00:03:27,000 --> 00:03:30,000 Speaker 4: support you, because I see on Twitter people are always 79 00:03:30,040 --> 00:03:33,040 Speaker 4: like you're underrated, and it's like different when people are 80 00:03:33,040 --> 00:03:36,080 Speaker 4: just tweeting and talking right versus when they actually. 81 00:03:35,840 --> 00:03:38,480 Speaker 2: Show up for you, And like, you know, and I 82 00:03:38,520 --> 00:03:41,120 Speaker 2: think that even just everything you've done before this, because 83 00:03:41,360 --> 00:03:43,440 Speaker 2: you know, obviously I've been following your career for all 84 00:03:43,560 --> 00:03:46,119 Speaker 2: time and I've been seeing and here's a fun fact 85 00:03:46,120 --> 00:03:47,920 Speaker 2: that people may not know. At one point t I 86 00:03:48,000 --> 00:03:50,520 Speaker 2: tried to sign her and I remember that he wanted 87 00:03:50,560 --> 00:03:52,200 Speaker 2: to like put her underneath his label. 88 00:03:52,400 --> 00:03:53,920 Speaker 1: Yeah, you know, and can you tell us about that? 89 00:03:53,960 --> 00:03:54,960 Speaker 3: Because I didn't. I didn't know that. 90 00:03:55,320 --> 00:03:58,040 Speaker 4: Yeah, so I was I used to be signed to 91 00:03:58,040 --> 00:04:00,320 Speaker 4: Atlantic Records, and I feel like maybe that's how we Yeah, 92 00:04:00,320 --> 00:04:05,200 Speaker 4: that's And I was doing a lot of demos, like 93 00:04:05,360 --> 00:04:09,400 Speaker 4: hook demos, because I had looked at Bruno Mars and 94 00:04:09,480 --> 00:04:12,440 Speaker 4: Bob and how that song did so well and then 95 00:04:12,440 --> 00:04:14,920 Speaker 4: Bruno was able to take that record and make his 96 00:04:14,960 --> 00:04:16,760 Speaker 4: own career. So I was like, I'm gonna spend a 97 00:04:16,760 --> 00:04:19,120 Speaker 4: bunch of time just doing hooks. So I was just 98 00:04:19,279 --> 00:04:21,720 Speaker 4: writing hooks only I would just not waste any time 99 00:04:21,760 --> 00:04:23,800 Speaker 4: with the verse just hooks, and Atlantic had a lot 100 00:04:23,800 --> 00:04:26,040 Speaker 4: of rappers. So I was submitting a bunch of hooks 101 00:04:26,080 --> 00:04:27,680 Speaker 4: and I would try to sing them well enough that 102 00:04:27,800 --> 00:04:29,800 Speaker 4: maybe some rappers will keep me on the hook. So 103 00:04:29,839 --> 00:04:32,560 Speaker 4: this is why what started like the hook era for me. 104 00:04:32,680 --> 00:04:34,839 Speaker 4: So I ended up being with NAS on a song 105 00:04:34,880 --> 00:04:38,279 Speaker 4: with Nas and Ti and I so wrote a song 106 00:04:38,360 --> 00:04:40,040 Speaker 4: for Meek Mill and Mary J just like a hook 107 00:04:40,080 --> 00:04:44,200 Speaker 4: era for me MGK as well. So TI and I 108 00:04:44,240 --> 00:04:46,400 Speaker 4: were collaborating a lot with Tommy Brown at the time, 109 00:04:46,480 --> 00:04:48,560 Speaker 4: and so he was kind of showing me the ropes. 110 00:04:49,080 --> 00:04:50,680 Speaker 4: He let me do a couple of shows with him 111 00:04:50,720 --> 00:04:53,280 Speaker 4: singing the hooks that I was a part of, and 112 00:04:53,320 --> 00:04:57,400 Speaker 4: he offered to sign me, and I just I always 113 00:04:57,480 --> 00:05:00,560 Speaker 4: felt like it just wasn't the right time for me 114 00:05:00,600 --> 00:05:03,960 Speaker 4: to be signed to anybody. And I also thought of myself, like, 115 00:05:04,040 --> 00:05:05,919 Speaker 4: if I'm going to be signed right now, I'd like 116 00:05:05,960 --> 00:05:08,000 Speaker 4: to do it myself and like have my own little 117 00:05:08,200 --> 00:05:12,279 Speaker 4: imprint or something. So I just wanted to just wait 118 00:05:12,320 --> 00:05:13,280 Speaker 4: it out a little bit more. 119 00:05:13,360 --> 00:05:15,640 Speaker 3: But He's really confident to wait it out and know 120 00:05:15,880 --> 00:05:17,320 Speaker 3: and be really sure of yourself. 121 00:05:17,520 --> 00:05:20,039 Speaker 4: Definitely, definitely, But there were some times it was just 122 00:05:20,080 --> 00:05:24,200 Speaker 4: really hard, but I just had a vision. 123 00:05:24,520 --> 00:05:26,360 Speaker 2: And you know what's interesting you talk about the hook 124 00:05:26,400 --> 00:05:31,000 Speaker 2: era because then for some people, some people feel like 125 00:05:31,160 --> 00:05:34,520 Speaker 2: trying to do those big songs can also be detrimental later. 126 00:05:35,360 --> 00:05:37,719 Speaker 2: I've heard people say that, like when people have had 127 00:05:37,760 --> 00:05:39,920 Speaker 2: a big song and it's had a big hook and 128 00:05:39,960 --> 00:05:42,800 Speaker 2: maybe they cross over into like the pop space, that 129 00:05:42,960 --> 00:05:45,280 Speaker 2: it's hard to come back from that, you know. And 130 00:05:45,320 --> 00:05:47,480 Speaker 2: I've seen other artists like struggle with that, like do 131 00:05:47,560 --> 00:05:49,680 Speaker 2: I want to do this big song that's going to 132 00:05:49,720 --> 00:05:52,400 Speaker 2: cross over into pop or should I you know, not 133 00:05:52,560 --> 00:05:55,159 Speaker 2: do that right now because I haven't established who I 134 00:05:55,200 --> 00:05:56,000 Speaker 2: am to people. 135 00:05:56,320 --> 00:05:59,680 Speaker 4: Yeah, I feel like, well, the way I look at 136 00:05:59,720 --> 00:06:03,320 Speaker 4: it is like, if that's how you're meant to be seen, 137 00:06:03,880 --> 00:06:07,360 Speaker 4: you know, is that your entryway to more people, then 138 00:06:07,760 --> 00:06:09,920 Speaker 4: if it feels authentic to you, then do it. If 139 00:06:09,920 --> 00:06:12,960 Speaker 4: you're doing it to just you know, get it across, 140 00:06:12,960 --> 00:06:15,400 Speaker 4: and you're not truly into pop music and you don't 141 00:06:15,880 --> 00:06:18,680 Speaker 4: and tend to maintain that space, then maybe it would 142 00:06:18,720 --> 00:06:21,280 Speaker 4: be difficult. But I feel like if it's authentic to you, 143 00:06:21,440 --> 00:06:23,840 Speaker 4: and like you can't really deny what God has planned 144 00:06:23,880 --> 00:06:26,120 Speaker 4: for you, like be like no, just because you're trying 145 00:06:26,120 --> 00:06:29,400 Speaker 4: to predict what might happen afterwards. I feel like if 146 00:06:29,440 --> 00:06:32,880 Speaker 4: that's your way to success, then maybe that that's your 147 00:06:32,920 --> 00:06:33,440 Speaker 4: open door. 148 00:06:33,920 --> 00:06:35,520 Speaker 2: And I can't imagine that there weren't a lot of 149 00:06:35,520 --> 00:06:37,159 Speaker 2: other artists who try to reach out to you during 150 00:06:37,160 --> 00:06:40,040 Speaker 2: that time. I mean, you did write for Dirty Money. 151 00:06:40,360 --> 00:06:42,360 Speaker 4: Yeah, that was my first placement ever. 152 00:06:42,640 --> 00:06:43,440 Speaker 3: That was what song? 153 00:06:43,560 --> 00:06:43,800 Speaker 1: Was it? 154 00:06:43,880 --> 00:06:44,960 Speaker 4: I Hate that you Loved Me? 155 00:06:45,200 --> 00:06:46,240 Speaker 3: I like that song. 156 00:06:51,200 --> 00:06:52,000 Speaker 1: Like that. 157 00:06:52,000 --> 00:06:53,680 Speaker 3: That was your first placement, first one ever. 158 00:06:53,960 --> 00:06:54,960 Speaker 1: That's a good first place. 159 00:06:55,520 --> 00:06:59,480 Speaker 4: Crazy and he like sent everyone who was a part 160 00:06:59,520 --> 00:07:02,320 Speaker 4: of the album these like really cool varsity jackets. I 161 00:07:02,360 --> 00:07:04,080 Speaker 4: was like, this is so cool. 162 00:07:04,680 --> 00:07:06,200 Speaker 1: Isn't that nice? A touch like that? 163 00:07:06,240 --> 00:07:08,280 Speaker 2: Like we were just talking about Taylor Swift on tour, 164 00:07:08,760 --> 00:07:13,320 Speaker 2: how she gave everybody bonuses after the tour and yeah, 165 00:07:13,560 --> 00:07:16,000 Speaker 2: she didn't get the Chuck drivers because she had fifty 166 00:07:16,000 --> 00:07:19,760 Speaker 2: projection Chucks one hundred thousand dollars bonus each. 167 00:07:20,400 --> 00:07:22,040 Speaker 3: And let's talk about how much she made on the tour. 168 00:07:22,480 --> 00:07:28,720 Speaker 2: Yeah, yeah, you know, but honestly, but think about that 169 00:07:28,760 --> 00:07:30,720 Speaker 2: as your first placement and then you get a jacket 170 00:07:30,760 --> 00:07:32,440 Speaker 2: like that, and I do you know where the jacket 171 00:07:32,520 --> 00:07:32,840 Speaker 2: is still? 172 00:07:33,320 --> 00:07:34,760 Speaker 4: Yes, somebody close it yees see. 173 00:07:34,840 --> 00:07:37,200 Speaker 2: Yeah, that's an iconic thing and one day your daughter 174 00:07:37,280 --> 00:07:39,720 Speaker 2: is gonna wear that jacket, right exactly. 175 00:07:39,920 --> 00:07:40,720 Speaker 4: It's so cool. 176 00:07:40,920 --> 00:07:43,680 Speaker 3: Did you work directly with Diddy on that particular so 177 00:07:43,760 --> 00:07:46,160 Speaker 3: are you no just submitted it or what was that 178 00:07:46,200 --> 00:07:46,840 Speaker 3: process like that? 179 00:07:47,160 --> 00:07:49,440 Speaker 4: It was actually he was working with Rodney a lot 180 00:07:49,440 --> 00:07:52,440 Speaker 4: on the album, and so I actually got to work 181 00:07:52,480 --> 00:07:57,440 Speaker 4: with the Shawan Daniels on the record. But it was 182 00:07:57,480 --> 00:07:59,480 Speaker 4: like kind of like he was visiting Rodney's camp to 183 00:07:59,480 --> 00:08:01,280 Speaker 4: get a collect records and that was one of the 184 00:08:01,280 --> 00:08:03,440 Speaker 4: ones he kept for the album. So I saw him 185 00:08:03,480 --> 00:08:06,920 Speaker 4: in passing. We didn't get to work. I don't know 186 00:08:06,920 --> 00:08:08,760 Speaker 4: that I would be able to, like at that moment 187 00:08:08,800 --> 00:08:10,560 Speaker 4: in my career, like stand in a room with Diddy 188 00:08:10,600 --> 00:08:13,360 Speaker 4: and be confident enough to sing to sing any idea 189 00:08:13,520 --> 00:08:16,600 Speaker 4: that I had, So I'm glad that a little bit separate. 190 00:08:17,000 --> 00:08:19,440 Speaker 2: But yeah, and then you also went on tour, and 191 00:08:19,480 --> 00:08:21,880 Speaker 2: I feel like this is part of what made you 192 00:08:21,920 --> 00:08:23,800 Speaker 2: such a great performer that you are today, because you're 193 00:08:23,800 --> 00:08:26,400 Speaker 2: known for that too. I see people post clips all 194 00:08:26,440 --> 00:08:29,040 Speaker 2: the time of your performances, but you've been on the 195 00:08:29,120 --> 00:08:31,640 Speaker 2: road and opened for a lot of people too, yes, 196 00:08:31,920 --> 00:08:33,280 Speaker 2: and so who are some of the people that you 197 00:08:33,360 --> 00:08:34,240 Speaker 2: worked with on the road. 198 00:08:34,559 --> 00:08:37,600 Speaker 4: Okay, my very first tour ever, I opened for Eric Bellinger. 199 00:08:37,679 --> 00:08:38,559 Speaker 3: Oh, we like him. 200 00:08:38,559 --> 00:08:40,040 Speaker 1: We've heard a lot of Eric Bellinger. 201 00:08:41,679 --> 00:08:41,800 Speaker 2: Him. 202 00:08:41,920 --> 00:08:45,120 Speaker 4: He's so talented. I just saw this video of him 203 00:08:45,600 --> 00:08:49,280 Speaker 4: just like freestyling and like based on a topic and 204 00:08:49,320 --> 00:08:52,120 Speaker 4: it's just he's like he's rapper fast, like quick and 205 00:08:52,360 --> 00:08:55,959 Speaker 4: just so talented. So shout out to Eric Bellinger. I 206 00:08:56,000 --> 00:08:58,200 Speaker 4: opened for him. I think it was like seven shows, 207 00:08:58,840 --> 00:09:01,360 Speaker 4: and then my next so I opened for Fifth Harmony, 208 00:09:02,360 --> 00:09:04,480 Speaker 4: and after that I opened for Ariana grand I mean 209 00:09:05,960 --> 00:09:07,400 Speaker 4: y yeah, And. 210 00:09:07,480 --> 00:09:10,200 Speaker 2: People also know you and they affiliate you with Ariana 211 00:09:10,200 --> 00:09:12,640 Speaker 2: Grande because you've written, you know, with her a lot 212 00:09:12,679 --> 00:09:14,800 Speaker 2: and obviously been on tour, and you guys are such 213 00:09:14,840 --> 00:09:15,280 Speaker 2: good friends. 214 00:09:15,320 --> 00:09:17,160 Speaker 1: How did you all get so tight? For real? 215 00:09:18,120 --> 00:09:19,880 Speaker 4: A lot? We spent a lot of time together. I 216 00:09:19,920 --> 00:09:23,480 Speaker 4: think the first time I remember being becoming close and 217 00:09:23,520 --> 00:09:26,720 Speaker 4: having deeper conversations than just you know, in a song 218 00:09:26,800 --> 00:09:30,880 Speaker 4: space was on a tour the tour before I opened 219 00:09:30,880 --> 00:09:33,520 Speaker 4: for her. I came to a show I think it 220 00:09:33,600 --> 00:09:36,320 Speaker 4: was in Pittsburgh and she was like, she's just very 221 00:09:36,320 --> 00:09:38,320 Speaker 4: friendly and she's like, why don't you guys just come 222 00:09:38,360 --> 00:09:40,240 Speaker 4: to the next show or just hop on the bus 223 00:09:40,240 --> 00:09:42,719 Speaker 4: and stay. And so we just started talking more and 224 00:09:42,800 --> 00:09:46,480 Speaker 4: just about other things outside of music, and we were like, yeah, 225 00:09:46,559 --> 00:09:48,800 Speaker 4: I really love that. Yeah, this is my girl. So 226 00:09:49,240 --> 00:09:51,120 Speaker 4: it just grew and grew, and the more that we 227 00:09:51,200 --> 00:09:53,840 Speaker 4: hung out, like the less times it would be just 228 00:09:53,880 --> 00:09:56,640 Speaker 4: for music and more friendship stuff. And so just so 229 00:09:56,679 --> 00:09:59,080 Speaker 4: thankful to have a friend that had has so much 230 00:09:59,200 --> 00:10:02,719 Speaker 4: experience that I was just able to see a lot 231 00:10:02,720 --> 00:10:04,600 Speaker 4: of up close and behind the scenes of how things 232 00:10:04,640 --> 00:10:06,360 Speaker 4: work and just learn a lot. 233 00:10:06,520 --> 00:10:08,360 Speaker 3: What's the biggest thing you learned or those important things 234 00:10:08,360 --> 00:10:10,360 Speaker 3: you learned by working with her or being friends with her? 235 00:10:10,400 --> 00:10:15,160 Speaker 4: In I think she has a really great ability to 236 00:10:15,240 --> 00:10:19,000 Speaker 4: be a boss but also just be kind. So I 237 00:10:19,120 --> 00:10:21,720 Speaker 4: like that, Like I don't know that I was able 238 00:10:21,720 --> 00:10:23,560 Speaker 4: to see that before, because when you think of a boss, 239 00:10:23,640 --> 00:10:28,120 Speaker 4: I think before I saw Arianna and her element was 240 00:10:28,200 --> 00:10:30,800 Speaker 4: like it's maybe caddy or mean, or like you have 241 00:10:30,840 --> 00:10:32,640 Speaker 4: to talk a certain way. Not that I could ever, 242 00:10:32,679 --> 00:10:35,320 Speaker 4: I wouldn't, but just to see it in real time 243 00:10:35,440 --> 00:10:37,120 Speaker 4: was really cool. Just for her to be able to 244 00:10:37,160 --> 00:10:39,080 Speaker 4: be like, no, I don't like this. I don't want this, 245 00:10:39,160 --> 00:10:42,079 Speaker 4: but it was like in a nice, sweet angelic way. 246 00:10:42,080 --> 00:10:45,359 Speaker 3: It feel firm, yeah, firm, and people. 247 00:10:45,440 --> 00:10:46,400 Speaker 4: Respond, you know. 248 00:10:46,600 --> 00:10:48,719 Speaker 2: So it was really cool, and I think that's good 249 00:10:48,720 --> 00:10:50,839 Speaker 2: because there's a lot of trust that somebody like her. 250 00:10:51,080 --> 00:10:54,760 Speaker 2: You know, she's a big superstar. You can't just have 251 00:10:54,840 --> 00:10:57,120 Speaker 2: anybody around you either, right, because you want to make 252 00:10:57,120 --> 00:10:59,560 Speaker 2: sure as we're writing these songs, I get to know 253 00:10:59,600 --> 00:11:01,240 Speaker 2: who you are or what to going through in your life. 254 00:11:01,240 --> 00:11:03,000 Speaker 2: And you already know those things about her, but to 255 00:11:03,040 --> 00:11:05,520 Speaker 2: also know people run to the press all the time, 256 00:11:05,679 --> 00:11:08,840 Speaker 2: you know about things, and so even for yourself, you know, 257 00:11:08,880 --> 00:11:11,560 Speaker 2: you have a lot going on in your personal life too, y, 258 00:11:11,720 --> 00:11:13,640 Speaker 2: So it's good to have somebody that I trust you, 259 00:11:13,640 --> 00:11:14,199 Speaker 2: you trust me. 260 00:11:14,280 --> 00:11:15,880 Speaker 1: We can tell each other certain things. I know. It's 261 00:11:15,920 --> 00:11:16,720 Speaker 1: not leaving this room. 262 00:11:17,080 --> 00:11:19,160 Speaker 4: Yeah, I mean, I think another thing I learned from 263 00:11:19,160 --> 00:11:21,320 Speaker 4: her was just like the people that she has, a 264 00:11:21,320 --> 00:11:23,160 Speaker 4: lot of people that she has around her are from 265 00:11:23,160 --> 00:11:26,360 Speaker 4: her childhood too, so it's like she got the same yeah, 266 00:11:26,400 --> 00:11:28,920 Speaker 4: the same friends, and now of course there's new people 267 00:11:29,240 --> 00:11:31,760 Speaker 4: because you know, she's meeting so many people. But I 268 00:11:31,760 --> 00:11:34,319 Speaker 4: think that's awesome just just to have a foundation. I 269 00:11:34,840 --> 00:11:37,640 Speaker 4: feel like I have that same thing brewing with my 270 00:11:37,760 --> 00:11:40,680 Speaker 4: family and friends and just people that i'm with I've 271 00:11:40,720 --> 00:11:41,800 Speaker 4: known for a really long time. 272 00:11:41,840 --> 00:11:43,079 Speaker 1: And you're an only child. 273 00:11:42,880 --> 00:11:45,160 Speaker 4: Right, Yeah, I was born an only child, but I've 274 00:11:45,160 --> 00:11:49,440 Speaker 4: discovered I've met my dad in my twenties, and i 275 00:11:49,480 --> 00:11:51,880 Speaker 4: discovered that I have a sister, so I'm not an 276 00:11:51,880 --> 00:11:52,320 Speaker 4: only child. 277 00:11:52,440 --> 00:11:53,079 Speaker 3: Have you met her? 278 00:11:53,400 --> 00:11:58,520 Speaker 4: Yes, beautiful, really hard at first because it's new information, 279 00:11:58,600 --> 00:12:00,920 Speaker 4: where Like she was surprised and it was just a 280 00:12:00,960 --> 00:12:01,360 Speaker 4: whole thing. 281 00:12:03,720 --> 00:12:07,600 Speaker 1: Y'all know my sister, You know what, when we. 282 00:12:07,520 --> 00:12:09,800 Speaker 4: Met, no one was checking. So it's kind of like 283 00:12:09,800 --> 00:12:13,400 Speaker 4: we've grown together, and so she's super supportive and it's 284 00:12:13,440 --> 00:12:16,440 Speaker 4: a lovely sisterhood. Even though she lives in Atlanta. 285 00:12:16,400 --> 00:12:18,920 Speaker 3: It's not too far. Do you feel like being only 286 00:12:19,120 --> 00:12:22,360 Speaker 3: child influenced you in terms of your career at all? 287 00:12:22,880 --> 00:12:26,440 Speaker 4: Yeah? I think I think I was doing a lot 288 00:12:26,480 --> 00:12:29,440 Speaker 4: of creating in my room, you know, just since I 289 00:12:29,440 --> 00:12:32,440 Speaker 4: didn't have someone to just like talk to. I feel 290 00:12:32,480 --> 00:12:34,560 Speaker 4: like maybe that's why I lean towards writing or like 291 00:12:34,640 --> 00:12:38,120 Speaker 4: being creative, to have an outlet to let some of 292 00:12:38,160 --> 00:12:43,800 Speaker 4: my feelings out or maybe even some some of my 293 00:12:43,880 --> 00:12:46,400 Speaker 4: own tastes too, Because maybe if my sister was into 294 00:12:46,480 --> 00:12:47,280 Speaker 4: like punk. 295 00:12:47,080 --> 00:12:50,240 Speaker 1: Rock, what if you got behind her, I'd be listening. 296 00:12:49,880 --> 00:12:52,360 Speaker 4: To what she likes. So I kind of was able 297 00:12:52,400 --> 00:12:55,400 Speaker 4: to just gravitate towards what I actually liked and then 298 00:12:55,480 --> 00:12:57,839 Speaker 4: put it together and do my own thing because I 299 00:12:57,880 --> 00:12:58,840 Speaker 4: had no one to follow. 300 00:12:59,320 --> 00:13:02,320 Speaker 2: How would you cat arise which music was like before 301 00:13:02,600 --> 00:13:05,080 Speaker 2: versus to how it transformed and morphed into what it 302 00:13:05,160 --> 00:13:05,520 Speaker 2: is now. 303 00:13:06,480 --> 00:13:10,200 Speaker 4: You know, my music, the early albums are EPs are 304 00:13:10,400 --> 00:13:14,479 Speaker 4: very like, uh, experience experiential. 305 00:13:15,920 --> 00:13:17,240 Speaker 1: It was very theatrical sound. 306 00:13:17,400 --> 00:13:20,600 Speaker 4: Yeah, it's like it's it's kind of like just trying 307 00:13:20,600 --> 00:13:22,680 Speaker 4: to find my way and experiment with things. I wasn't 308 00:13:22,679 --> 00:13:25,600 Speaker 4: really afraid because I didn't have anything to lose, So 309 00:13:25,760 --> 00:13:27,559 Speaker 4: I kind of think that the music was a bit 310 00:13:27,600 --> 00:13:31,080 Speaker 4: more genrealist then than it is now. But just growing 311 00:13:31,160 --> 00:13:33,600 Speaker 4: up and just really honing in on what it is 312 00:13:33,640 --> 00:13:36,320 Speaker 4: that I actually love about music, and what sounds and 313 00:13:36,400 --> 00:13:38,640 Speaker 4: instruments that I want to use, Who are my favorite 314 00:13:38,640 --> 00:13:42,840 Speaker 4: producers and just keeping that tight and just keeping the 315 00:13:42,880 --> 00:13:46,080 Speaker 4: sonic more similar than I was before had been really 316 00:13:46,120 --> 00:13:49,040 Speaker 4: helpful to just develop and hone in on what my 317 00:13:49,040 --> 00:13:49,800 Speaker 4: my sound is. 318 00:13:50,040 --> 00:13:51,920 Speaker 1: And you also went to a performing arts school. 319 00:13:52,000 --> 00:13:54,840 Speaker 4: Right, Yes, I begged my mom to go. I literally 320 00:13:54,960 --> 00:13:58,200 Speaker 4: we didn't live in the district. She bought property, like five, 321 00:13:58,600 --> 00:14:01,679 Speaker 4: she bought property five eight five acres of property. So 322 00:14:01,720 --> 00:14:04,240 Speaker 4: he lived on like a little modular home, but on 323 00:14:04,320 --> 00:14:06,600 Speaker 4: this big land. But it was far away from my school. 324 00:14:06,840 --> 00:14:08,880 Speaker 4: So I had to beg my mom to use someone 325 00:14:08,880 --> 00:14:10,480 Speaker 4: else's address in order to go to my. 326 00:14:10,360 --> 00:14:13,360 Speaker 1: Performing yeah school, go to jail for you. 327 00:14:14,120 --> 00:14:20,160 Speaker 4: She was down. She rode for me. So yes, everything 328 00:14:20,200 --> 00:14:23,240 Speaker 4: worked out it did you know? But also I gotta 329 00:14:23,280 --> 00:14:25,640 Speaker 4: say my mom. I went to performing art school, but 330 00:14:25,680 --> 00:14:29,320 Speaker 4: she made me play golf my freshman year. She thought 331 00:14:29,320 --> 00:14:30,920 Speaker 4: I could get a scholarship because I was black and 332 00:14:30,920 --> 00:14:33,240 Speaker 4: nobody was playing golf. I was like, so freshman year, 333 00:14:33,280 --> 00:14:35,640 Speaker 4: I was like, they're holding a golf course golf bag. 334 00:14:35,840 --> 00:14:38,760 Speaker 4: People were like look attacker was I was like, no, please, 335 00:14:38,840 --> 00:14:41,360 Speaker 4: let me just dance it literally. 336 00:14:41,480 --> 00:14:44,320 Speaker 1: But she was listen. She was thinking that was very 337 00:14:44,360 --> 00:14:45,200 Speaker 1: tactical of her. 338 00:14:45,560 --> 00:14:47,200 Speaker 2: It's funny because you know, Eric Bellinger was on the 339 00:14:47,200 --> 00:14:49,920 Speaker 2: golf team in school. Yeah, he talked about that. When 340 00:14:49,920 --> 00:14:52,200 Speaker 2: we spoke to him. He said, he's like a great, 341 00:14:52,280 --> 00:14:54,640 Speaker 2: amazing golf player and everybody's into golf. 342 00:14:54,680 --> 00:14:55,640 Speaker 1: Now it's a thing. 343 00:14:55,760 --> 00:14:58,760 Speaker 3: Can you still you did you continue or you. 344 00:14:58,960 --> 00:15:01,080 Speaker 4: I did not continue? But I like to pretend, like 345 00:15:01,120 --> 00:15:03,320 Speaker 4: if anyone wants to go to you know, top golf, 346 00:15:03,320 --> 00:15:05,200 Speaker 4: I'm like, I know a hold thing. Y'all know. 347 00:15:05,240 --> 00:15:06,960 Speaker 1: I played in performing arts school. 348 00:15:07,320 --> 00:15:09,680 Speaker 4: Yes, I played golf performing arts. 349 00:15:09,720 --> 00:15:11,520 Speaker 2: Now, what are some things that you feel like performing 350 00:15:11,640 --> 00:15:13,040 Speaker 2: art school helped do it? A lot of people would 351 00:15:13,040 --> 00:15:14,800 Speaker 2: be like, oh, when I went to school, it didn't 352 00:15:14,840 --> 00:15:16,720 Speaker 2: really do anything for what I was doing later on 353 00:15:16,760 --> 00:15:19,400 Speaker 2: in life. But for you, I can imagine that because 354 00:15:19,400 --> 00:15:20,920 Speaker 2: you went to a performing art school and you knew 355 00:15:20,960 --> 00:15:22,560 Speaker 2: what you wanted to do, that you were able to 356 00:15:22,640 --> 00:15:23,640 Speaker 2: really be focused. 357 00:15:24,120 --> 00:15:28,400 Speaker 4: It was actually the best, best, best time for me. 358 00:15:29,520 --> 00:15:33,640 Speaker 4: I had a dance teacher that was really spiritual, so 359 00:15:33,680 --> 00:15:36,800 Speaker 4: we were already like meditating into na yoga, like just 360 00:15:36,960 --> 00:15:39,800 Speaker 4: zending out. And then I learned a lot about the stage, 361 00:15:39,800 --> 00:15:42,960 Speaker 4: so it's like downstage, stage lift, backstage and like you know, 362 00:15:43,200 --> 00:15:45,720 Speaker 4: the wings of a show and lighting and different ideas 363 00:15:45,720 --> 00:15:47,880 Speaker 4: about the production of a show. Because we had to 364 00:15:47,960 --> 00:15:51,480 Speaker 4: do a show each year, and this senior year, my 365 00:15:51,520 --> 00:15:54,840 Speaker 4: project was to put on my own show and then 366 00:15:55,440 --> 00:15:59,040 Speaker 4: artist development right there, literally if I think about it, 367 00:15:59,040 --> 00:16:01,440 Speaker 4: it was pretty scary, but it was like the payoff 368 00:16:01,520 --> 00:16:04,400 Speaker 4: was really cool. I also met That's how I ended 369 00:16:04,480 --> 00:16:08,200 Speaker 4: up dancing with Jabwaks because one of the Jabawaks would 370 00:16:08,240 --> 00:16:12,680 Speaker 4: come to Sheldon High School to teach like the students, 371 00:16:12,720 --> 00:16:15,680 Speaker 4: and so I ended up really connecting with a style 372 00:16:15,720 --> 00:16:15,920 Speaker 4: of dan. 373 00:16:16,000 --> 00:16:16,680 Speaker 1: This is crazy. 374 00:16:17,440 --> 00:16:19,680 Speaker 4: So many things happened, and like I ended up making 375 00:16:19,680 --> 00:16:21,240 Speaker 4: a dance teacher, Like. 376 00:16:21,960 --> 00:16:22,880 Speaker 1: What was your project? 377 00:16:23,280 --> 00:16:26,280 Speaker 2: Like, what did you end up doing for your project? 378 00:16:27,240 --> 00:16:33,160 Speaker 4: It was called nine one six with it and it 379 00:16:33,200 --> 00:16:36,200 Speaker 4: was a show, this whole show where all of these 380 00:16:37,680 --> 00:16:41,480 Speaker 4: dancers from Sacramento, Like there's a studio downtown called Step 381 00:16:41,520 --> 00:16:44,280 Speaker 4: one and we just put on a whole show where 382 00:16:44,320 --> 00:16:46,880 Speaker 4: all different groups of them would come and perform. It 383 00:16:46,920 --> 00:16:49,640 Speaker 4: was just basically like the end of the Years show. 384 00:16:49,680 --> 00:16:51,160 Speaker 4: And I used it as my senior project. 385 00:16:54,320 --> 00:16:56,840 Speaker 3: But it makes sense how you are an overall performer 386 00:16:56,880 --> 00:17:00,680 Speaker 3: when you look at you know that you were a Honeyeah. 387 00:17:00,880 --> 00:17:04,199 Speaker 4: Yes. I feel like it happened in sections because like 388 00:17:04,280 --> 00:17:06,719 Speaker 4: the first part of my life, I really was like 389 00:17:06,760 --> 00:17:10,919 Speaker 4: in the dance development, so like that class of training 390 00:17:10,960 --> 00:17:13,840 Speaker 4: and then when I got to LA artistry happened. But 391 00:17:13,880 --> 00:17:16,280 Speaker 4: then I kind of derailed to songwriting. So I was 392 00:17:16,280 --> 00:17:19,320 Speaker 4: in songwriting camp and now I'm like an artists, full 393 00:17:19,359 --> 00:17:20,480 Speaker 4: on artists camp. 394 00:17:20,400 --> 00:17:21,440 Speaker 1: And shout out to Sacramento. 395 00:17:21,480 --> 00:17:23,399 Speaker 2: We were telling you Kevin Johnson, who used to be 396 00:17:23,440 --> 00:17:25,919 Speaker 2: the mayor there, who played in the NBA. We're actually 397 00:17:26,119 --> 00:17:29,280 Speaker 2: going to his opening for his restaurant Fixin's in Detroit. 398 00:17:29,320 --> 00:17:32,000 Speaker 4: It's so crazy there's one in Sacramento. To shout out 399 00:17:32,000 --> 00:17:34,080 Speaker 4: to Saint Paul Baptist Church. He went to my church, 400 00:17:35,359 --> 00:17:38,640 Speaker 4: Baptist Church. Yes, it's really cool just to see the 401 00:17:38,640 --> 00:17:40,720 Speaker 4: things that people from sac are doing. 402 00:17:41,240 --> 00:17:43,439 Speaker 3: My friend, one of my close girlfriends, Nina Parker, is 403 00:17:43,440 --> 00:17:44,200 Speaker 3: from Sacramento. 404 00:17:44,400 --> 00:17:44,520 Speaker 2: Oh. 405 00:17:44,680 --> 00:17:47,160 Speaker 3: She's a teeny personality. She also has a clothing line. 406 00:17:47,200 --> 00:17:48,639 Speaker 3: She was on TMZ and E and all that kind 407 00:17:48,640 --> 00:17:48,960 Speaker 3: of stuff. 408 00:17:49,000 --> 00:17:49,400 Speaker 1: Bosses. 409 00:17:49,520 --> 00:17:51,440 Speaker 3: She reps Sacramento hard. 410 00:17:51,600 --> 00:17:53,480 Speaker 4: I thought, we know what we have to because there's 411 00:17:53,520 --> 00:17:57,880 Speaker 4: really not like that many people. It's not like a 412 00:17:57,920 --> 00:18:00,719 Speaker 4: thick community of people who stayed in l A and like, 413 00:18:00,760 --> 00:18:03,200 Speaker 4: you know, found success. It's so close to la that 414 00:18:03,280 --> 00:18:04,879 Speaker 4: I feel like often it's very easy to be like 415 00:18:05,000 --> 00:18:08,160 Speaker 4: I'm out, I'm going back to Sacramento. So shout out 416 00:18:08,200 --> 00:18:11,959 Speaker 4: to her. That's really awesome. And Keith Powers and just 417 00:18:11,960 --> 00:18:12,399 Speaker 4: so many. 418 00:18:12,280 --> 00:18:13,760 Speaker 3: People keep powers from Sacramento. 419 00:18:14,440 --> 00:18:18,040 Speaker 2: Yeah, Jack, she's from almost no connection to know what 420 00:18:18,119 --> 00:18:20,320 Speaker 2: I was gonna say. We were just talking about it's 421 00:18:20,359 --> 00:18:23,520 Speaker 2: nice when you can wrap your city. Yeah, yes, and 422 00:18:23,520 --> 00:18:26,200 Speaker 2: then people there like, you know, Victoria, I'm Sacramento. 423 00:18:26,280 --> 00:18:28,680 Speaker 3: Yeah, literally, like all the famous people from Sacramento. You 424 00:18:28,680 --> 00:18:29,520 Speaker 3: get the name, you know. 425 00:18:29,600 --> 00:18:32,000 Speaker 2: My song of yours is one of my favorite songs 426 00:18:32,000 --> 00:18:34,760 Speaker 2: that I feel is so inspirational, and I feel like 427 00:18:34,800 --> 00:18:36,919 Speaker 2: it sums up like everything you have going on. 428 00:18:37,080 --> 00:18:37,439 Speaker 1: Moment. 429 00:18:38,160 --> 00:18:41,000 Speaker 2: Oh yeah, you know that is my song, but this 430 00:18:41,080 --> 00:18:45,200 Speaker 2: feels like is your motherfucking moment. Tell me about writing 431 00:18:45,240 --> 00:18:46,879 Speaker 2: that song and what space you were in when you 432 00:18:46,920 --> 00:18:49,960 Speaker 2: wrote that, because I feel like that is such an amazing, 433 00:18:50,119 --> 00:18:53,359 Speaker 2: like really inspirational, uplifting confidence song. 434 00:18:53,600 --> 00:18:59,720 Speaker 4: Yes. Well, I was high little weed and I was 435 00:18:59,720 --> 00:19:01,760 Speaker 4: in this you deal with DML and another producer named 436 00:19:01,800 --> 00:19:06,399 Speaker 4: Tim Subie, and Tim had just played this sample a 437 00:19:06,440 --> 00:19:09,320 Speaker 4: little bit of what you hear in the beginning, and 438 00:19:09,359 --> 00:19:11,600 Speaker 4: I just zoned out. It just felt like the right 439 00:19:11,800 --> 00:19:14,320 Speaker 4: things to say, and I feel like I had never 440 00:19:14,440 --> 00:19:17,120 Speaker 4: used my voice that way in that tone as well, 441 00:19:17,200 --> 00:19:19,960 Speaker 4: So I feel like it unlocked another aspect of Victoria. 442 00:19:20,920 --> 00:19:23,960 Speaker 4: The video was really really awesome to film. We went 443 00:19:24,000 --> 00:19:26,840 Speaker 4: to South Africa to film that. It was a three 444 00:19:26,920 --> 00:19:30,320 Speaker 4: day shoot, crazy, really really awesome. 445 00:19:31,240 --> 00:19:33,720 Speaker 1: And you work with d Mail a lot, right, Yes. 446 00:19:33,440 --> 00:19:37,240 Speaker 4: He's my favorite. He's my favorite. Really hard to book 447 00:19:37,680 --> 00:19:40,760 Speaker 4: at this time, producer, but yeah, he's the best. 448 00:19:41,240 --> 00:19:43,159 Speaker 2: And for you, what would you say what song that 449 00:19:43,160 --> 00:19:46,199 Speaker 2: you've done so far is most representative of If you 450 00:19:46,240 --> 00:19:48,280 Speaker 2: had to say, this is a song that is totally like, 451 00:19:48,400 --> 00:19:50,199 Speaker 2: explains who I am and what I got going on? 452 00:19:50,200 --> 00:19:53,000 Speaker 2: Would it be on my Mama or something else? 453 00:19:54,119 --> 00:19:58,720 Speaker 4: You know what I feel like all my Mama could be. 454 00:19:59,080 --> 00:20:02,000 Speaker 4: I guess it has the song that I love. It 455 00:20:02,040 --> 00:20:05,960 Speaker 4: combines like atal weight with all the horns instrumentations that 456 00:20:06,000 --> 00:20:08,800 Speaker 4: I love to use, but also like fun and and 457 00:20:08,880 --> 00:20:13,119 Speaker 4: like confident and like double entendres. So I guess it 458 00:20:13,160 --> 00:20:15,480 Speaker 4: does encompass a lot of what I what I enjoyed. 459 00:20:15,600 --> 00:20:21,880 Speaker 2: Or maybe Smoke Yeah, yeah, she's like, actually, yeah, truly, yes, 460 00:20:22,400 --> 00:20:23,080 Speaker 2: I would agree. 461 00:20:23,280 --> 00:20:27,119 Speaker 4: Smoke is another good one. Yeah, most of my favorite 462 00:20:27,119 --> 00:20:30,800 Speaker 4: songs are production. You produced that as well. 463 00:20:31,080 --> 00:20:33,440 Speaker 2: And I also remember you had done an interview a 464 00:20:33,480 --> 00:20:35,560 Speaker 2: while ago where you said that you couldn't wait to. 465 00:20:35,520 --> 00:20:38,159 Speaker 1: Have a kid. You were like, however it happens, was 466 00:20:38,200 --> 00:20:38,800 Speaker 1: this genius. 467 00:20:39,800 --> 00:20:42,400 Speaker 2: I can't even remember what interview, but I remember you 468 00:20:42,480 --> 00:20:44,679 Speaker 2: saying like, I just want to have a kid, like 469 00:20:44,920 --> 00:20:48,520 Speaker 2: it was on your big Sure. So when you found 470 00:20:48,600 --> 00:20:50,520 Speaker 2: out you were pregnant, what was that like? Because that 471 00:20:50,600 --> 00:20:51,399 Speaker 2: was something you wanted? 472 00:20:51,840 --> 00:20:56,480 Speaker 4: Really crazy because it was unexpected. But the first thing 473 00:20:56,480 --> 00:20:59,600 Speaker 4: I started feeling was my breast. I was like something tender, 474 00:21:00,119 --> 00:21:02,879 Speaker 4: knew and different. So I decided to take a test. 475 00:21:03,119 --> 00:21:04,800 Speaker 3: So your breast indicated that my brea. 476 00:21:04,800 --> 00:21:10,920 Speaker 4: Told me first. And when I when it first said positive, 477 00:21:12,200 --> 00:21:15,800 Speaker 4: I was like and like laughing. I was like no, 478 00:21:16,160 --> 00:21:20,919 Speaker 4: So I took another one and it was in a pandemic. Yeah. 479 00:21:20,960 --> 00:21:24,480 Speaker 4: So I was trying to find a nice way to 480 00:21:24,480 --> 00:21:27,000 Speaker 4: tell my boyfriend because he had literally just asked me 481 00:21:27,000 --> 00:21:28,359 Speaker 4: to be his girlfriend the day before. 482 00:21:28,480 --> 00:21:30,680 Speaker 1: Oh, she was like, whoa perfect timing, right. 483 00:21:30,760 --> 00:21:32,560 Speaker 4: I was like, you must have felt something because you 484 00:21:32,600 --> 00:21:34,600 Speaker 4: asked me the right time. So I wrote him a 485 00:21:34,640 --> 00:21:36,159 Speaker 4: card that I just had in the house. You know, 486 00:21:36,200 --> 00:21:37,439 Speaker 4: we couldn't go to the store at the time to 487 00:21:37,480 --> 00:21:39,000 Speaker 4: get anything, so I was like, I'm just gonna righte 488 00:21:39,000 --> 00:21:41,040 Speaker 4: in here. I was like, June third, you made me 489 00:21:41,040 --> 00:21:41,680 Speaker 4: your girlfriend. 490 00:21:41,840 --> 00:21:46,600 Speaker 1: June fourth, I made you waste no time literally one day. 491 00:21:47,119 --> 00:21:51,640 Speaker 4: So but it was really cool. I guess the really 492 00:21:51,680 --> 00:21:56,119 Speaker 4: cool thing about being in the pandemic while pregnant is 493 00:21:56,160 --> 00:21:58,800 Speaker 4: really just being able to sit down a little bit. 494 00:21:59,000 --> 00:22:00,920 Speaker 1: I feel like you were missing it anything like this. 495 00:22:00,880 --> 00:22:03,000 Speaker 4: Is everyone's in the Yeah, yeah, you're. 496 00:22:02,880 --> 00:22:04,639 Speaker 1: All in the house. So he asked you to be 497 00:22:04,720 --> 00:22:05,640 Speaker 1: his girlfriend. 498 00:22:06,359 --> 00:22:10,720 Speaker 4: He so, I don't remember what he exactly he wrote, 499 00:22:10,800 --> 00:22:15,760 Speaker 4: but he wrote something on the on a mirror. Oh. 500 00:22:15,840 --> 00:22:21,280 Speaker 4: I think he said he was asking me something about 501 00:22:21,320 --> 00:22:25,159 Speaker 4: what I like to be called, and then he something 502 00:22:25,240 --> 00:22:26,959 Speaker 4: like would you like if I called you my girlfriend? 503 00:22:27,000 --> 00:22:29,919 Speaker 4: And he wrote like a heart, and then our initials 504 00:22:29,640 --> 00:22:32,840 Speaker 4: on a mirror was really cute and innocent. 505 00:22:33,280 --> 00:22:35,560 Speaker 1: That is so sweet because I feel like people don't 506 00:22:35,600 --> 00:22:36,440 Speaker 1: ask that anymore. 507 00:22:36,760 --> 00:22:38,720 Speaker 4: You know, people are like, we just go together. Yeah? 508 00:22:40,359 --> 00:22:40,880 Speaker 1: Did your mom? 509 00:22:41,280 --> 00:22:41,399 Speaker 3: Did? 510 00:22:41,440 --> 00:22:42,200 Speaker 1: She always like him? 511 00:22:42,800 --> 00:22:46,080 Speaker 4: She met him pretty early on in our dating and 512 00:22:46,080 --> 00:22:46,879 Speaker 4: she liked him. 513 00:22:47,040 --> 00:22:51,360 Speaker 3: Yeah, she was like, yeah, he's for How do you 514 00:22:51,440 --> 00:22:54,159 Speaker 3: manage being busy and being a mom. How do you 515 00:22:54,200 --> 00:22:56,440 Speaker 3: manage not feeling guilty? Or do you feel guilty? 516 00:22:56,560 --> 00:22:59,280 Speaker 4: I sure do feel guilty. I feel guilty all the time, 517 00:23:01,160 --> 00:23:04,760 Speaker 4: but I think my family reassures me that what I'm 518 00:23:04,800 --> 00:23:08,640 Speaker 4: doing is it is you know, it's for her, it's 519 00:23:08,680 --> 00:23:10,680 Speaker 4: for the family, it's for the long one, for her futures. 520 00:23:10,800 --> 00:23:13,800 Speaker 4: So I try to snap out of that really quick, 521 00:23:14,400 --> 00:23:16,520 Speaker 4: and I also try to bring her most places that 522 00:23:16,600 --> 00:23:19,760 Speaker 4: I can so I can combine my work and family life. 523 00:23:20,200 --> 00:23:21,640 Speaker 4: So I do plan to bring her on tour. 524 00:23:21,760 --> 00:23:23,880 Speaker 1: She's on the album right, She's on the album. 525 00:23:24,240 --> 00:23:27,920 Speaker 4: She's on with Earth Wind and Fire. Yes, yeah, she's 526 00:23:27,920 --> 00:23:29,880 Speaker 4: on there with Earth Wind and Fire. It's really full. 527 00:23:29,880 --> 00:23:31,480 Speaker 1: So she told me that's one of her favorite groups 528 00:23:31,520 --> 00:23:32,120 Speaker 1: of all the time. 529 00:23:32,359 --> 00:23:34,800 Speaker 4: She's gonna be like you, I think she's going to 530 00:23:34,920 --> 00:23:37,119 Speaker 4: care a little bit later now she has no idea. 531 00:23:37,680 --> 00:23:40,880 Speaker 4: She actually when she hears her part, she hears her cup. 532 00:23:41,600 --> 00:23:45,320 Speaker 4: So yeah, since actually the part that she's on on 533 00:23:45,359 --> 00:23:47,080 Speaker 4: the song was from when she was four months old 534 00:23:47,400 --> 00:23:49,000 Speaker 4: and it was the first time I heard her laugh, 535 00:23:49,800 --> 00:23:52,840 Speaker 4: So she knows that it's hers to this day. 536 00:23:52,880 --> 00:23:53,400 Speaker 1: Amazing. 537 00:23:54,000 --> 00:23:57,199 Speaker 2: Yeah, to be able to really just make that like 538 00:23:57,280 --> 00:23:59,399 Speaker 2: it's a monumental thing, and she'll have that later in 539 00:23:59,440 --> 00:24:01,280 Speaker 2: life to be like, look at me, this. 540 00:24:01,320 --> 00:24:05,040 Speaker 4: Is and she gets the royalties because I gave her 541 00:24:05,040 --> 00:24:08,119 Speaker 4: a publishing so we're being paid out here. 542 00:24:10,119 --> 00:24:13,400 Speaker 2: Yes, now Jaguar too. The album comes out this month, right. 543 00:24:13,320 --> 00:24:14,440 Speaker 4: Yes, August twenty fifth. 544 00:24:14,720 --> 00:24:15,720 Speaker 1: How you feeling in the world. 545 00:24:16,200 --> 00:24:19,920 Speaker 4: It's August now. So I'm just like, we've made it. 546 00:24:20,480 --> 00:24:22,720 Speaker 4: The countdown has begun. I'm going to be doing a 547 00:24:22,720 --> 00:24:26,119 Speaker 4: lot of this when we definitely listen, trust me, that 548 00:24:26,200 --> 00:24:28,320 Speaker 4: day we're going to be having a little listening up here, 549 00:24:28,440 --> 00:24:32,240 Speaker 4: carried and everything, because as you know, we are big fans. 550 00:24:32,520 --> 00:24:33,960 Speaker 2: Tell you, I'm like, I have to go out of 551 00:24:33,960 --> 00:24:35,280 Speaker 2: town today. I was like, no, we got to make 552 00:24:35,320 --> 00:24:37,359 Speaker 2: sure we're here because I never get to have a 553 00:24:37,400 --> 00:24:38,439 Speaker 2: real sit down with you. 554 00:24:38,640 --> 00:24:40,200 Speaker 4: Yeah, that's we've been wanting to. 555 00:24:40,840 --> 00:24:41,879 Speaker 1: But the timing is great. 556 00:24:41,960 --> 00:24:43,400 Speaker 4: That's right, there's never better. 557 00:24:43,400 --> 00:24:45,920 Speaker 2: And you got Boozeu on the album. You said, that's 558 00:24:45,920 --> 00:24:47,320 Speaker 2: one of your mom's favorite artists. 559 00:24:47,480 --> 00:24:49,320 Speaker 4: She was listening to him a lot. That's where I 560 00:24:49,359 --> 00:24:52,879 Speaker 4: first heard him, and I couldn't forget his voice. It 561 00:24:53,000 --> 00:24:56,360 Speaker 4: was always like on a good Sunday or something when 562 00:24:56,359 --> 00:24:59,080 Speaker 4: she's cleaning, like when the vibes are good, you know, 563 00:24:59,240 --> 00:25:01,640 Speaker 4: energy is great around the house. And so I'm so 564 00:25:01,680 --> 00:25:03,840 Speaker 4: glad and she it was really cool for me to 565 00:25:03,880 --> 00:25:06,280 Speaker 4: play it for her too, Like I didn't tell her 566 00:25:06,480 --> 00:25:08,240 Speaker 4: that he was on the song. I just played it 567 00:25:08,480 --> 00:25:13,320 Speaker 4: and when his voice came on, she was like, yeah, mom, yeah, 568 00:25:13,359 --> 00:25:15,399 Speaker 4: it was really really awesome. We got to go to 569 00:25:15,440 --> 00:25:18,480 Speaker 4: the Jamaica to film the video. Just good times. I'm 570 00:25:18,480 --> 00:25:20,320 Speaker 4: trying to go back. You guys want. 571 00:25:20,119 --> 00:25:23,119 Speaker 2: To listen to one of our favorite places, let me 572 00:25:23,160 --> 00:25:23,880 Speaker 2: know we'll be there. 573 00:25:23,960 --> 00:25:26,639 Speaker 1: Let's have a little album listening or something. 574 00:25:27,119 --> 00:25:31,160 Speaker 4: I am so down. Smoke, champagne, Jamaica, swimming, whatever. 575 00:25:31,000 --> 00:25:33,360 Speaker 1: Food, everything, Let's not forget that. 576 00:25:33,480 --> 00:25:35,080 Speaker 4: Yeah, the most important. 577 00:25:35,119 --> 00:25:39,920 Speaker 2: Honestly, we can plan it literally, Okay, let me put 578 00:25:39,920 --> 00:25:41,720 Speaker 2: it on the calendar. Now, can you put my days in? 579 00:25:43,960 --> 00:25:46,040 Speaker 2: But honestly, thank you so much for coming to sit 580 00:25:46,080 --> 00:25:47,600 Speaker 2: with us. I know we're going to do more of this. 581 00:25:47,800 --> 00:25:52,600 Speaker 2: Congratulations as you know on the tour selling it immediately 582 00:25:53,080 --> 00:25:54,159 Speaker 2: on an amazing album. 583 00:25:54,160 --> 00:25:56,919 Speaker 1: From what we've heard so far, there's three singles. You know, 584 00:25:57,080 --> 00:25:58,920 Speaker 1: I am Oh, trust me, I am amazing. 585 00:25:59,200 --> 00:26:01,120 Speaker 4: Listen okay, but. 586 00:26:01,280 --> 00:26:03,639 Speaker 2: The three singles so far have all been bangers that 587 00:26:03,680 --> 00:26:07,200 Speaker 2: are out right now, you know, So congratulations on your 588 00:26:07,200 --> 00:26:09,560 Speaker 2: whole entire journey. I've been watching you for over ten 589 00:26:09,640 --> 00:26:12,520 Speaker 2: years now, as you know, so I'm definitely happy for 590 00:26:12,600 --> 00:26:14,600 Speaker 2: you and anything I could ever do, I'm there. 591 00:26:14,600 --> 00:26:14,919 Speaker 1: You know that. 592 00:26:15,119 --> 00:26:16,880 Speaker 4: I appreciate you so much. I just want to give 593 00:26:16,880 --> 00:26:19,600 Speaker 4: you flowers right now. I wish I had some, But 594 00:26:19,800 --> 00:26:21,960 Speaker 4: thank you so much for supporting me all this time. 595 00:26:22,000 --> 00:26:24,199 Speaker 4: It just means the world. It actually gave me a 596 00:26:24,240 --> 00:26:26,720 Speaker 4: lot of glimmers of hope. You were always mentioning my name. 597 00:26:26,720 --> 00:26:29,199 Speaker 4: You're like by Victoria Monette when you have interviews with 598 00:26:29,280 --> 00:26:31,159 Speaker 4: Tip and everything. So thank you. 599 00:26:31,400 --> 00:26:33,920 Speaker 2: Yay, we had some good times. Yes, I actually hope 600 00:26:33,920 --> 00:26:35,280 Speaker 2: to her first listening party and. 601 00:26:36,960 --> 00:26:37,320 Speaker 3: We got it. 602 00:26:37,640 --> 00:26:40,440 Speaker 4: Yes, yes, literally history. 603 00:26:40,920 --> 00:26:43,560 Speaker 2: All right, it is way up at Angela. Ye, Victoria Moneue, 604 00:26:43,560 --> 00:26:45,920 Speaker 2: thank you so much, y'all know. August twenty fifth, YEP, 605 00:26:46,040 --> 00:26:47,680 Speaker 2: Jaguar two