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Speaker 1: And his Drink Chaps motherfucking podcast. He's a legendary Queen's rapper.

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Speaker 1: He's se that's your boy in O R. He's a

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Speaker 1: Miami hip hop and pioneer up his DJ e FN.

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Speaker 1: Together they drinking up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast. And yet number one

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Speaker 1: sorts were drunk back drinks. Motherfucks. New Year'sease. Let's time

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Speaker 1: for Drink Champs, trick up for the mother. What a

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Speaker 1: good beat? Hopefully what this should be? This is your

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Speaker 1: boy and O R? What up is d J e

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Speaker 1: F And this is Drink Champs Happy Hour, mid TAM

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Speaker 1: Crazy World Radio? And then what's your other ship? Put together?

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Speaker 1: This is hip hop? Make some motherfucking out now. Right now,

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Speaker 1: we have a real combination. We have hip hop royalty

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Speaker 1: and comedy royalty. On one hand, we have a man

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Speaker 1: who's broke barriers. I've been watching them all day today.

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Speaker 1: He has jokes, Irish jokes, he has Indian jokes, he

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Speaker 1: has Arab jokes, he has black jokes, he has white jokes,

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Speaker 1: and all of them actually come out to see him.

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Speaker 1: His most amazing thing when I went through all his

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Speaker 1: catalog today, I said, he has the United Nations a

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Speaker 1: fan and ship is hard. Then on the other hand,

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Speaker 1: you have a brother who is hip hop royalty, I

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Speaker 1: mean with littleist has been there. I was watching his

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Speaker 1: interviews today and it was crazy because when he actually spit,

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Speaker 1: like when he spits during like you can tell that's

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Speaker 1: where he's more comfortable at, like instead of talking like

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Speaker 1: he loves the Smith. So I was just watching. I'm like,

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Speaker 1: after all these years, all this time for a man

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Speaker 1: is still you know. I loved the game like this,

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Speaker 1: he writes. He he engineers, produces herself. So these are

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Speaker 1: two legends and two different worlds, and I'm so glad

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Speaker 1: that they came together. If you don't know who we

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Speaker 1: talked about, we talking my a comedian, Russell Peters. We

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Speaker 1: also took a model. It's royalty dog king ship right here,

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Speaker 1: you know, Freddy Fox bumping up first of its big

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Speaker 1: I'm the best, Mada linquers because we finally got the

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Speaker 1: water on us a rock here hating best. But how

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Speaker 1: were out here making this money with a revolt and

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Speaker 1: don't have none? You know, I think it's the first

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Speaker 1: time we just set set it off with a shot.

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Speaker 1: Can we do that? Tiger to let you. You run

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Speaker 1: in the camera like, come on, my brother, you you

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Speaker 1: don't even look like you should. Let me. Let's start

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Speaker 1: it over four step because you know, typing away and

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Speaker 1: we do water watermelon, watermelon, I hear for a tiger

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Speaker 1: bone that no, no, no disrespect to the no. No.

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Speaker 1: I say, I'm gonna get watermelon, get watermelons and not

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Speaker 1: doing Colombian white. Okay, that's that's that's fair enough. So um,

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Speaker 1: I want to tell it because I said today I

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Speaker 1: wanted to go through because I knew. I knew you

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Speaker 1: as a person. I knew you as a hip hop

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Speaker 1: I don't want to say ambassador, but like a hip

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Speaker 1: hop friend, like a person that's hip. No, no exactly.

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Speaker 1: But what I'm saying is embraces the culture. He has

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Speaker 1: a whole another job. I've seen you with a party

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Speaker 1: of cool Hurricuane was there, Mellie mel And. So the

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Speaker 1: thing is I was going through everything that you know

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Speaker 1: I could I can go through. And one of the

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Speaker 1: things is you have the most diverse audience, like ever,

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Speaker 1: that's the goal. How the fun do you do? I

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Speaker 1: have no clue how I did it, but I got it.

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Speaker 1: I'm trying to keep you. It isn't that hip hop,

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Speaker 1: that's hip Well, that's what it starts, you know, it

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Speaker 1: starts as one group and then it spreads because obviously

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Speaker 1: the majority of the people who come to see you

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Speaker 1: are Indian, not not only not not necessarily the majority,

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Speaker 1: because there's different people like yeah, like you have the

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Speaker 1: a rap. I'm not saying that. I don't know, maybe

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Speaker 1: because because you kept saying what kind of what kind

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Speaker 1: of Arabia? Yeah? Everything, because you know, I mean, yeah, fan,

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Speaker 1: look I do not love it. Before that, I recon

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Speaker 1: you go swimmer, where's this shot? You don't want water moment?

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Speaker 1: I'm drinking one time Earth. That's a great story. But

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Speaker 1: now I don't think he'll get mad at that solid

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Speaker 1: little listen. I don't know if y'all know, but this

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Speaker 1: is about saluting people because we are giving him the floe.

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Speaker 1: They treat where they get hell them, they thoughts where

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Speaker 1: they can think them, and they drinks where they can

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Speaker 1: drink them. Freddy went on to you, you have one

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Speaker 1: of the most illest careers as well, meaning you actually

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Speaker 1: produce your all ship, you actually right engineer, you you

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Speaker 1: you every part of the aspect of the game. How

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Speaker 1: How did you How did you develop that mentality of

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Speaker 1: being so hands on with your stuff? Um? I think

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Speaker 1: I think it happened because and I started to notice that,

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Speaker 1: you know, you start seeing people do things that just

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Speaker 1: don't are not consistent with how you move. I started

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Speaker 1: trying to teach myself twenty years before I needed to

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Speaker 1: know it how to do it, so that in twenty

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Speaker 1: years when I want to still be making music, I

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Speaker 1: didn't have to depend on somebody to book studio time

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Speaker 1: for me. I would wait, you know, people got other projects.

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Speaker 1: I didn't want to wait for be I just I

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Speaker 1: figured if I start teaching myself how to be uh

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Speaker 1: self contained, then I wouldn't have to wait around for

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Speaker 1: people to you know. So I started investing myself studio

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Speaker 1: should I had a studio when CAST was still trying

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Speaker 1: to figure out how to get But how long into

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Speaker 1: your career with did you start doing right away? Like

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Speaker 1: right away like power play days, like power play days

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Speaker 1: for men? After Eric b Power Play Day, you know

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Speaker 1: you know power play when you know like that's like

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Speaker 1: I immediately felt like my arms got big because you

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Speaker 1: have to carry the rails. These motherfucker's were this internet ship. Yeah,

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Speaker 1: I'm so lucky, like, yeah, we just have to carry

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Speaker 1: the little dolfs to the studio. But yeah, you know,

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Speaker 1: pay a couple of fifteen hundred forty fifteen hundred fort

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Speaker 1: yards for a two inch tape. And I started realizing,

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Speaker 1: you know what, there's gonna be a time that's gonna

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Speaker 1: come when you know this is we're not gonna have

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Speaker 1: labels that's gonna give us budgets or whatever the case

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Speaker 1: like that, And and I just started just saying, you

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Speaker 1: know what, let me just start learning that. So Herbie

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Speaker 1: love Bug lent me MPC three three mpc uh sixty

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Speaker 1: or three thousand and I and I practiced on it,

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Speaker 1: and I learned how to make beats, and then I

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Speaker 1: made a couple of beats soleom. Then I made enough

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Speaker 1: money to buy my own and then you know, I

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Speaker 1: wrote the Salt and Pepper album. You I wrote what

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Speaker 1: a man? Oh, I was fine, none of your business,

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Speaker 1: big shot groove me all of those songs and stuff

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Speaker 1: like that. So I started making money and buying my

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Speaker 1: own stuff, you know what I'm saying. And I just

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Speaker 1: wanted to know how to do it on my own.

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Speaker 1: Because when you really love what you do you teach

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Speaker 1: yourself how to be the best at it? You know,

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Speaker 1: I'm still I'm still learning because because you know so,

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Speaker 1: I always constantly a process. You know. Now, how was

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Speaker 1: it the relationship with Flavor Unit, because I know at

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Speaker 1: some point you guys was there, but then you like

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Speaker 1: separated and started to do your own thing. Well, in

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Speaker 1: the beginning, you know, I was really really comfortable there,

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Speaker 1: you know, and then um, you know, the business happens.

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Speaker 1: Things happen, and then it just went went crazy because

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Speaker 1: I think they got overwhelmed with all of these artists,

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Speaker 1: you know, and I had in ninety three when I

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Speaker 1: did nineteen three, I did Hot Potato with Naughty by Nature.

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Speaker 1: That one was yeah, that was actually I recorded actually

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Speaker 1: in ninety two, but it was nineteen Naughty three album

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Speaker 1: and when they they put it out, that's what got

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Speaker 1: me to look. I came to the signing because they

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Speaker 1: saw they asked me to come to a show. I performed.

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Speaker 1: It was a very commanding performance. I don't think they

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Speaker 1: were really used to seeing mcs just step to a

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Speaker 1: spot on the stage and give it to the audience.

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Speaker 1: You know, nowadays you watch cats perform, they turning the

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Speaker 1: back they're looking at their phone, they even looking into

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Speaker 1: their confidence. Yeah, you know you're from the so you

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Speaker 1: know you have to get out there and give the audience.

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Speaker 1: You know, give the audience what you what you came

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Speaker 1: to give them. And the first off you had the

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Speaker 1: kind of like an audience, not that you wasn't scared

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Speaker 1: of them, because everybody was just tough at that time.

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Speaker 1: You came out like a sucker. A treat you like

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Speaker 1: a suck. Is that like that iname? I mean it

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Speaker 1: depends on the rooms you're doing. I remember doing the

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Speaker 1: bron did the Bronx BBQ and in like ninety six

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Speaker 1: did you have a Ball Funk? Yeah? It was like

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Speaker 1: one third in the morning at the Bronx on a

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Speaker 1: Saturday night, and I was like the first two cats

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Speaker 1: got booed off and then I was just the third

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Speaker 1: guy about to get booed off. It didn't really matter

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Speaker 1: if I was good or nothing. Fuck you, pretty motherfucker

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Speaker 1: I was. At the same time, I feel pretty much

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Speaker 1: trying to feel like it was a compliment. I'm not

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Speaker 1: gonna fetch you. I feel quite pretty right how that means,

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Speaker 1: I mean, like how old they have to do this.

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Speaker 1: I'm pretty so it was it was ill put for

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Speaker 1: me for you because when I was looking at your

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Speaker 1: child history, you had a Jamaican friend, you had an

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Speaker 1: old ship. That's one of the okay, okay guys. So

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Speaker 1: so the think about it is, what is that that's

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Speaker 1: in Canada? You guys it She reminded me of Queen

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Speaker 1: so much because I don't know, like that's exactly how

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Speaker 1: it is saying queens every fucking nationality, like you get

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Speaker 1: my kind. So how was that growing up? Because like me,

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Speaker 1: it was crazy because I'm half black, I'm half Puerto Weekend,

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Speaker 1: so I would always hear all the bad black jokes

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Speaker 1: when I hang about my Puarto Weacan friends, and then

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Speaker 1: I would hear all the bad Puerto Weacan joints. But

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Speaker 1: I hang around my black friend's right, and I always

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Speaker 1: had like a medium both you know what I'm saying.

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Speaker 1: So how about to let's just say see the white

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Speaker 1: kids in real bullish when I was growing up, especially

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Speaker 1: in the seventies so and in Canada, in being Indian

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Speaker 1: was the lowest form of human you could be. Yeah, yeah,

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Speaker 1: we were treated like shit, like oh yeah, yes, not

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Speaker 1: below you motherfucker's Yeah. I was like you know what

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Speaker 1: it's like. I know you don't know what it's like,

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Speaker 1: because at least y'all had physical recourse. I was built

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Speaker 1: like a fucking third world kid. I was. I was skinny,

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Speaker 1: my knees looked like I was smuggling walnuts into the country.

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Speaker 1: And I didn't know how to fight, and I just

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Speaker 1: I'll just get spit on and kicked and punched and

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Speaker 1: call names. And then the only time it never happened

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Speaker 1: was when I hung on the black kids. I was like, well,

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Speaker 1: I see where the safe zone is and I would

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Speaker 1: be there. And then Marlon and I have been friends

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Speaker 1: since we were seven years old. I'm forty nine now,

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Speaker 1: so so, and he was so strong as ship when

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Speaker 1: he came to Canada from Jamaica. I was like the

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Speaker 1: first person he met. And we lived in the same

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Speaker 1: townhouse project type thing actually, one of the things that

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Speaker 1: came from Jamaica. Oh yeah, Jamaica's Canada and really down

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Speaker 1: the block. Yeah. He came to fun him life because

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Speaker 1: his stepdad market to Jamaica when he was fourteen, and

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Speaker 1: then he he had me go and find the money

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Speaker 1: to get him back to Canada. Money's fifteen and he

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Speaker 1: came back extra Jamaican wearing belt bottoms and ship He

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Speaker 1: even I literally wanted the airport to pick him up

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Speaker 1: when we were fifteen and he showed up with a

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Speaker 1: bucket with like fish in it, like live fish. I go, yeah,

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Speaker 1: it was fun. He goes, I go, what's that? He goes,

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Speaker 1: he bring back two fish. I was like, why are

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Speaker 1: you talking like that? So there for the whole year,

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Speaker 1: I'm like, what's going on? What happened to? What happened

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Speaker 1: to stackle that? Now funny, it was a rumor that

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Speaker 1: if you went to go see Eric B this one day,

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Speaker 1: that they might have not been a rock kid. I'm

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Speaker 1: sure the still would have been a Eric B. And

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Speaker 1: it could have been that could have been there because

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Speaker 1: because you didn't want to leave. Yeah, what happened was

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Speaker 1: um um the kid. There was a cat in our neighbor,

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Speaker 1: Avant Tony who was uh he was cool with Eric.

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Speaker 1: Eric now him and he's and he stopped me waiting

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Speaker 1: me down on the street. He said, Yo, man, there's

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Speaker 1: a cat I want to introduce you to who's looking

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Speaker 1: to do a project. And Eric, we're going to BLS.

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Speaker 1: At the time, Eric was working at BLS JO and

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Speaker 1: and and hever they're doing at BLS. He was a

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Speaker 1: he was a mobile jock, mobile disch jockey. I didn't

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Speaker 1: know this part. Yeah he was a mobile Yeah, he

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Speaker 1: was a mobile disc jockey. And he was and he

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Speaker 1: was going around doing a lot of these different projects.

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Speaker 1: He wanted to put together a rap project and he

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Speaker 1: came out. He was he had people in Long Island.

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Speaker 1: He knew I would want to try or something something

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Speaker 1: like Yeah, So he came he came out and he

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Speaker 1: was looking for they who who's the nicest wrappers out here?

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Speaker 1: So the kid was like, yeah, there's two guys that

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Speaker 1: you should really talk to. I was just I just

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Speaker 1: happened to be driving by at the time, and they

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Speaker 1: flagged me down and he asked me, say, yo, man,

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Speaker 1: I got this project that I wanted to know. You

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Speaker 1: don't know if if you can get down and hurt

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Speaker 1: your karam And I said yeah. He was like, well,

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Speaker 1: you know, you know, when can I get When can

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Speaker 1: we meet up? I said, yeah, Well I'm I was

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Speaker 1: on my way to a rehearsal actually with my crew.

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Speaker 1: So he was like, I said, so we'll be there.

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Speaker 1: He said no, I just need one person. So I

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Speaker 1: kind of felt sucked up, like I can't, you know,

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Speaker 1: can't beat my boys funked up and then do that.

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Speaker 1: So I just decided, you know, after thinking about it,

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Speaker 1: not to show up because I just went to the

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Speaker 1: rehearsal and I said, yeah, I'm not gonna do that,

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Speaker 1: because why would I take them to the meeting. He's

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Speaker 1: not gonna want them anyway? And if I go, you know,

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Speaker 1: but you ever imagine life, what would have happened? Like,

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Speaker 1: I don't know, I don't know, man. I I kind

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Speaker 1: of think rock Him is a better fit with Eric

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Speaker 1: than I was. And and as you see it happened,

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Speaker 1: you know, me and Eric ended up working together. But

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Speaker 1: I think Him and rock Him was destiny, you know,

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Speaker 1: like a real hip hop answer for someone who cares.

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Speaker 1: I'm being honest because most people can say what they

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Speaker 1: could have, would have, should have done. But even to

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Speaker 1: this day, I just want to wrap. I just want

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Speaker 1: to rock the mic and make music. A lot of

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Speaker 1: dudes get caught up in trying to fit in with

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Speaker 1: everybody else's movement and what they're doing, and when ship switches,

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Speaker 1: they switched. I don't. I'm not really good at all

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Speaker 1: that ship. I just want to get on the mic,

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Speaker 1: going the studio and come out with what I want

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Speaker 1: to leave here for when I'm dead and gone. I

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Speaker 1: got a legacy of music that I mean, I haven't

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Speaker 1: even begin to tap into my catalog. And then Russia.

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Speaker 1: I harassed this motherfucker all the time to release ship

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Speaker 1: like he just sits on albums completed. So let me

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Speaker 1: ask you something that was both of you, guys, is

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Speaker 1: not a question for on this. I was like again,

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Speaker 1: I was teaching interviews and I came across Daddy Yell

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Speaker 1: interview right after Uh, it was something about you talked

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Speaker 1: about rock him something, and then Daddy Yoe came on

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Speaker 1: and Daddyo said that rock Kim committed the worst lie

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Speaker 1: in hip hop history. And I had to click on

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Speaker 1: it because I'm like, what then is he talking about?

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Speaker 1: Do you know what he's talking about? He said that

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Speaker 1: he felt that rock Kim didn't want to want people

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Speaker 1: to know that he was from Long Island at the time,

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Speaker 1: like Long Roland was cool to certain people, but it

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Speaker 1: wasn't cool to everybody. So that's what he said. It

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Speaker 1: ain't where you from, it's where you at. I didn't

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Speaker 1: agree with that at all, but the fact is this

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Speaker 1: is Daddy yo. This is also another legend he has.

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Speaker 1: I guess he has a certain problem with rocket, but

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Speaker 1: it's not the first time after I looked, but but

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Speaker 1: that do you did you agree with him at all?

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Speaker 1: That I think Danny All speaks out of pocket but

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Speaker 1: more good attention. Oh yeah, that's all I feel like,

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Speaker 1: do you think he's do you think old on? Let's

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Speaker 1: just be clear because it's still Daddy was still then listen,

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Speaker 1: it's still Daddy O. I love Signic lugeon, but but

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Speaker 1: nobody wants to go buy Daddy Oh album. I don't.

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Speaker 1: I can't say that. I gotta I gotta represent this.

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Speaker 1: I would buy it, but I'm saying there's people in

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Speaker 1: the masses. I mean, you would have to be a

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Speaker 1: Daddy over from steps to Signic unless you're a real

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Speaker 1: hip hop nerd like us. And he was like, who ship,

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Speaker 1: Daddy All got some ship coming out. But I always

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Speaker 1: feel like Daddy okay, uh is like uh kind of

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Speaker 1: borderline seeing when he says some of the stuff. It

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Speaker 1: kind of because you can see it in his eye

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Speaker 1: when he says it. It kind of like has that

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Speaker 1: look of no, he certain things he has points what

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Speaker 1: he's He's still credits Rock Kimp for being like one

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Speaker 1: of the greatest things that ever happened when he took

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Speaker 1: seven of the seasons or seven. So one of this

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Speaker 1: is do you do you think that statement? Do you

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Speaker 1: think at that time? Because I mean, obviously I was

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Speaker 1: a younger at that time, so I wouldn't know. Um,

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Speaker 1: I always came up Hempstead was a cool place to go.

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Speaker 1: That was a dope place like it was able to

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Speaker 1: claim Hempstead when I came. But was it ever like

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Speaker 1: that was Long Island that were like look down up

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Speaker 1: on you know what? I think people slept on Long

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Speaker 1: Island because well, first of all, to be back up

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Speaker 1: Rock Khim statement rough enough to break New York from

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Speaker 1: Long Island was a very powerful statement. He represents Long

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Speaker 1: He always represented Long Island. I've never not seen Rock

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Speaker 1: him represent Long Island, even with a Brooklyn crew. He

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Speaker 1: had a Long Island crew. He's always had you know,

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Speaker 1: Long Island on his back as long as long as

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Speaker 1: I've known him. Um, I think I think that because

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Speaker 1: they felt like dudes in Long Island half front yards,

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Speaker 1: backyards and ship that that that dudes in South Jamaica

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Speaker 1: had the same thing you I mean exactly, and it's

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Speaker 1: not it's not a place and and you know a

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Speaker 1: lot of my boys, you know it's not it's not

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Speaker 1: a place to be slept on. But you know, I

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Speaker 1: guess if you look at the history of Long Island

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Speaker 1: public endemy dayl I sould Rock Kim, uh case so

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Speaker 1: E p M D Granddaddy, I U, there's a lot.

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Speaker 1: I mean, there's a biz Markey, There's a bunch. There's

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Speaker 1: a bunch of Long Island legends that just just just

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Speaker 1: have been so such, such such and so instrumental in

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Speaker 1: hip hop. You know what I mean. And if you

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Speaker 1: think about it, I mean, Daddy I was running around

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Speaker 1: with in Amityville bro in the interview of a guy

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Speaker 1: who when he said that he said everything you said,

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Speaker 1: he named all of those. And there's a bunch of them.

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Speaker 1: You know, it's Rob's new generation. You know, there's cats

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Speaker 1: who there's cats who represented Long Island. Heavy Rock Kim

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Speaker 1: has always been at the pinnacle of that's like party

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Speaker 1: for change the subject a little bit like it's for instance,

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Speaker 1: when I came out, it was cool to be from

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Speaker 1: Queen's Bridge and I used to have to differentiate and

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Speaker 1: tell people I'm not from queensbrig. I thought you was

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Speaker 1: from Queens. I didn't find out I have left Frack

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Speaker 1: three thousand himes and to say that I was proud

361
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Speaker 1: of it because it was so much we were overshadow,

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Speaker 1: you know what I'm saying, Like you got to think

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Speaker 1: about it. You had a component noriega and trash. All right,

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Speaker 1: the common nominator is we don't trash is got put

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Speaker 1: on my mally mall and Molly Mall is Queen's Bridge,

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Speaker 1: um uh maul deep Queen's Bridge. Even the protest, and

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Speaker 1: he said for a lot of times that he wasn't

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Speaker 1: phone Queen's Bridge. But what happened once he was just

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Speaker 1: over maulled. You know what I'm saying, I was different

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Speaker 1: because I was saying not only I'm not from queens Bridge,

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Speaker 1: but I'm telling you where I'm from. But what I'm

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Speaker 1: trying to say is it was so cool. I could

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Speaker 1: have easily took that route Queen's Bridges. Let it ride.

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Speaker 1: I know I couldn't have come back home and would

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Speaker 1: be wrapping from Left Rock, I think, right well, I

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Speaker 1: can only nothing from the track on the low lived

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Speaker 1: in Left Fright. I can't say he's from left right,

378
00:19:37,240 --> 00:19:41,840
Speaker 1: but he lived in left fright Left, I sold sisters,

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00:19:42,359 --> 00:19:48,560
Speaker 1: sold sisters, So you know, I know everybody from left it.

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Speaker 1: But what I'm trying to say is so somewhat saw

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Speaker 1: where Daddy I was coming from to a certain e step.

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Speaker 1: But again I didn't live in that era, so I

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Speaker 1: couldn't identify with it. But I just didn't see I

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Speaker 1: never see another legend critique Rock Him at all, you

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Speaker 1: know what, Yeah, but you know what it is. I

386
00:20:06,440 --> 00:20:11,600
Speaker 1: think actually with Long Island, that's daddyo statement would probably

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00:20:11,960 --> 00:20:14,480
Speaker 1: be more valid if it came from somebody that was

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Speaker 1: from Long Island, from Brooklyn. So so in Long Island,

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Speaker 1: Rock Him is revered as as the gal that's the

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Speaker 1: you know in the game period. But you know, I

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00:20:25,280 --> 00:20:28,720
Speaker 1: never do Yeah, I've never not seen him representing Long Island.

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Speaker 1: I disagree with that part of you know what I mean.

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Speaker 1: That's especially when it comes to, like, you know, some

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Speaker 1: of the lines in his rerecords, like you know, he's

395
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Speaker 1: always been a Long Island Like I'm still scared every

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Speaker 1: time I see rock Him. But rock was probably one

397
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Speaker 1: of the most easier I used to go. I used

398
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Speaker 1: to go, we sang out at the carib man easy going, quiet, easy,

399
00:20:51,160 --> 00:20:53,879
Speaker 1: gonna do like you. You know, I've never seen him.

400
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Speaker 1: I've never seen him right around. Though I'm not saying

401
00:20:57,320 --> 00:20:59,040
Speaker 1: he don't write, but it's like, you know, never see

402
00:20:59,119 --> 00:21:01,080
Speaker 1: him in the right right, so mysterious. I want him

403
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Speaker 1: to be. Man. We had massive hill right and now

404
00:21:06,520 --> 00:21:09,040
Speaker 1: as we had a little great meeting and I was like, yo,

405
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Speaker 1: every being about chemists performing for the first time in

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Speaker 1: twenty years, you want to go seal And I was like,

407
00:21:16,520 --> 00:21:17,840
Speaker 1: and I said, A hold on, I don't know if

408
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Speaker 1: you're asking me right now, because if you're asking me

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Speaker 1: the night up to meet, let's go. Ever we went.

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00:21:25,240 --> 00:21:27,440
Speaker 1: This was the first night when they came into long

411
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Speaker 1: when they got back together, I don't know. It wasn't

412
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Speaker 1: a problem. This was this was the first and being

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Speaker 1: nas when we went there and we went backstage, that

414
00:21:39,960 --> 00:21:42,440
Speaker 1: what's up? But that wasn't the part that was amazing.

415
00:21:42,480 --> 00:21:44,680
Speaker 1: The part it was amazing that's when they was performing

416
00:21:45,119 --> 00:21:49,320
Speaker 1: album cuts, the customers out of my league, na, every

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Speaker 1: fucking world. And I was just watching, you know why,

418
00:21:52,280 --> 00:21:54,840
Speaker 1: because he was always in the studio when we was there,

419
00:21:55,359 --> 00:21:58,600
Speaker 1: like we'll be in the studio man just sitting around

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00:21:58,760 --> 00:22:01,120
Speaker 1: guns everywhere and stuff. Mother, I could be sitting in there,

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00:22:01,200 --> 00:22:04,360
Speaker 1: bro just soaking all that. Shut up. He was also

422
00:22:04,440 --> 00:22:06,840
Speaker 1: a kid. He was a kid. He was all and mean.

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00:22:06,960 --> 00:22:09,800
Speaker 1: Listened power Play was a few blocks from the Tropics,

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00:22:09,880 --> 00:22:13,920
Speaker 1: It's true, so he was always around him running. He

425
00:22:14,080 --> 00:22:16,680
Speaker 1: actually walked. He could have asked, he's walking this for

426
00:22:16,760 --> 00:22:22,000
Speaker 1: twenty first three he's walking to walking. Yeah, it's really

427
00:22:23,359 --> 00:22:25,600
Speaker 1: for him to be in those sessions makes sense to

428
00:22:25,920 --> 00:22:28,119
Speaker 1: who he became. Yeah, he was a young man and

429
00:22:28,560 --> 00:22:31,560
Speaker 1: I think, you know, legend has it like you know,

430
00:22:31,720 --> 00:22:34,880
Speaker 1: Eric was interested in working with him with Nas Yeah,

431
00:22:34,920 --> 00:22:37,640
Speaker 1: whatever reason didn't happen. Eric was very interested in working

432
00:22:37,680 --> 00:22:40,360
Speaker 1: with him early on, you know. And then I think

433
00:22:40,720 --> 00:22:43,040
Speaker 1: rock him and him just started to get more more

434
00:22:43,240 --> 00:22:46,360
Speaker 1: movement after the album came out. So Eric and Nas

435
00:22:46,400 --> 00:22:48,800
Speaker 1: is still close to this day though, Yeah, yeah, very close.

436
00:22:49,400 --> 00:22:53,000
Speaker 1: I just also watched the Christmas special over y'all, sorry

437
00:22:53,000 --> 00:22:57,280
Speaker 1: about that. I couldn't believe you wrapped it. There was

438
00:22:57,359 --> 00:23:01,840
Speaker 1: no curses, there was not. Yeah, I hate that Christmas.

439
00:23:01,920 --> 00:23:04,719
Speaker 1: I was like, what you can do? Yeah, I had.

440
00:23:04,880 --> 00:23:06,440
Speaker 1: I had my ten month old daughter on it. That

441
00:23:07,440 --> 00:23:09,680
Speaker 1: occurs to my daughter. You reminded me of college so

442
00:23:09,840 --> 00:23:13,520
Speaker 1: much like college got shot everywhere. Like I was like, Yo,

443
00:23:13,720 --> 00:23:15,320
Speaker 1: you know what funny is you just had a blue boy.

444
00:23:15,359 --> 00:23:23,320
Speaker 1: I just had a boy. Utters Okay, let me tell

445
00:23:23,359 --> 00:23:26,000
Speaker 1: you the ill shi about my son. Okay. So no

446
00:23:26,359 --> 00:23:29,359
Speaker 1: I first met Nori last year. We went and had

447
00:23:29,400 --> 00:23:32,160
Speaker 1: drinks at his spot. That's why I got that let's

448
00:23:32,160 --> 00:23:37,119
Speaker 1: make some most right. And I've been a big Noory

449
00:23:37,200 --> 00:23:42,760
Speaker 1: fan since CNN, since Top of New York and all

450
00:23:42,840 --> 00:23:46,119
Speaker 1: that ship and and when I met him, I was like,

451
00:23:46,200 --> 00:23:48,560
Speaker 1: this is a cool motherfucker right here. And then I

452
00:23:48,600 --> 00:23:52,920
Speaker 1: found out his name is Victor Santiago And I walked

453
00:23:52,960 --> 00:23:55,600
Speaker 1: away from that meeting going that is a cool fucking

454
00:23:55,760 --> 00:24:00,159
Speaker 1: name that It's a fucking dopemass name. Then and I

455
00:24:00,240 --> 00:24:02,840
Speaker 1: had my son two weeks ago. I named him Russell

456
00:24:02,920 --> 00:24:11,639
Speaker 1: Santiago Peters like the black Spanish godfather. That's like that.

457
00:24:12,359 --> 00:24:14,880
Speaker 1: I mean, he's very Spanish. Like you got this color

458
00:24:15,280 --> 00:24:19,240
Speaker 1: from the same mother, No, no different one. You're gonna

459
00:24:19,240 --> 00:24:24,960
Speaker 1: have the same moment you are into that. She was

460
00:24:25,040 --> 00:24:30,000
Speaker 1: missing Honduras and miss Universe, same know, the same one.

461
00:24:30,440 --> 00:24:33,360
Speaker 1: You know my ex wife is honduring an Ecuadorian. Apparently

462
00:24:33,440 --> 00:24:37,439
Speaker 1: my jazz reacts well to Honduras. I got Central Americans. Momay,

463
00:24:44,840 --> 00:24:51,879
Speaker 1: he's a joe in my mind, he's always fours. I

464
00:24:51,920 --> 00:24:53,760
Speaker 1: don't know why. He's been telling me that she has

465
00:24:53,840 --> 00:24:56,640
Speaker 1: Peru but I don't know why. But um so wow.

466
00:24:57,080 --> 00:24:59,040
Speaker 1: So let's look. Look he goes the crazy ship is

467
00:24:59,320 --> 00:25:01,639
Speaker 1: when that box like a new father. I love the

468
00:25:01,680 --> 00:25:05,240
Speaker 1: way they break down, like being older fathers, Like how

469
00:25:05,320 --> 00:25:07,000
Speaker 1: you is like you know how you'd be like, it's

470
00:25:07,960 --> 00:25:10,159
Speaker 1: like I just found out the ship was worth one

471
00:25:10,240 --> 00:25:12,000
Speaker 1: year a lot. We just found out your ship was

472
00:25:12,080 --> 00:25:15,720
Speaker 1: working for years. Even he've been busting that ship? How

473
00:25:15,720 --> 00:25:24,880
Speaker 1: over you? Okay, obviously it's just so, And it wasn't

474
00:25:24,920 --> 00:25:27,119
Speaker 1: hoping it was I thought I had a started pistol

475
00:25:27,160 --> 00:25:31,240
Speaker 1: by now you're me up right now? So nothing I

476
00:25:31,359 --> 00:25:35,080
Speaker 1: was saying. I love hearing like when the father is

477
00:25:35,160 --> 00:25:37,480
Speaker 1: new because it's like you have a hit somebody like

478
00:25:37,640 --> 00:25:40,359
Speaker 1: from Europe that came to America one time and they

479
00:25:40,400 --> 00:25:42,320
Speaker 1: try to break America down to you. They're like because

480
00:25:42,359 --> 00:25:44,920
Speaker 1: in the States, She's like, come on, buddy, he was

481
00:25:44,960 --> 00:25:48,040
Speaker 1: in Nebraska for two days. Don't tell me about any states.

482
00:25:48,400 --> 00:25:51,280
Speaker 1: You know what I'm saying, like, like, so that's how

483
00:25:51,320 --> 00:25:53,119
Speaker 1: I feel like when you see a new father, Like

484
00:25:53,160 --> 00:25:55,720
Speaker 1: when they got the baby and it's like, alright, cool,

485
00:25:55,760 --> 00:25:59,480
Speaker 1: they're only a year old. Wait till that terrible too comes.

486
00:26:01,080 --> 00:26:04,399
Speaker 1: That's when you got a daughter, bro, You're lucky. Daughters

487
00:26:04,400 --> 00:26:06,480
Speaker 1: are the bell. I know boys are worse. I actually

488
00:26:11,480 --> 00:26:17,919
Speaker 1: they started that bullshit and my daughter's day. She's all

489
00:26:18,040 --> 00:26:20,480
Speaker 1: daddy right now. But I'm sure that's gonna ship and

490
00:26:20,640 --> 00:26:25,040
Speaker 1: she's gonna be Yeah, what's wrong with you? I'm rich?

491
00:26:27,040 --> 00:26:36,200
Speaker 1: What does that mean? She was, see what will? She

492
00:26:36,400 --> 00:26:38,960
Speaker 1: still hasn't slept in it. That's what you're saying, that

493
00:26:39,920 --> 00:26:43,440
Speaker 1: she hasn't something that yet and they pissed you. Well,

494
00:26:43,480 --> 00:26:45,359
Speaker 1: the good news is she understands that the costs a

495
00:26:45,440 --> 00:26:47,639
Speaker 1: lot of money now, because I want we had to

496
00:26:47,800 --> 00:26:50,080
Speaker 1: make with I had her. She had two bedrooms in

497
00:26:50,119 --> 00:26:51,760
Speaker 1: my house and I told the baby, you got to

498
00:26:51,800 --> 00:26:53,639
Speaker 1: give up one room for your brother. Which one do

499
00:26:53,640 --> 00:26:55,080
Speaker 1: you want to give up? She said, I'll give him

500
00:26:55,119 --> 00:26:58,520
Speaker 1: my pink room. It was the really girly room. I said,

501
00:26:58,560 --> 00:27:00,560
Speaker 1: what about, so you're gonna keep the cat the bed room?

502
00:27:00,640 --> 00:27:03,159
Speaker 1: She goes, yeah, do you want a new bed she goes, No, Daddy,

503
00:27:03,240 --> 00:27:06,119
Speaker 1: that bed cost you a lot of money. I was like, who,

504
00:27:07,200 --> 00:27:10,520
Speaker 1: thank guys, you realize that that's a good kid, not funny.

505
00:27:10,880 --> 00:27:13,040
Speaker 1: You ever thought hip hop would be this this level?

506
00:27:13,720 --> 00:27:17,080
Speaker 1: What is this level though? Um, it's it's it's it's

507
00:27:17,119 --> 00:27:21,080
Speaker 1: a level where he must be business business, I mean, like,

508
00:27:21,160 --> 00:27:24,520
Speaker 1: you know, lucrative, like you know, because because at the

509
00:27:24,640 --> 00:27:26,399
Speaker 1: end of the day, a lot of people who did

510
00:27:26,440 --> 00:27:28,600
Speaker 1: it before me, a lot of people did it after me.

511
00:27:29,040 --> 00:27:32,760
Speaker 1: It wasn't as lucrative for everyone. And now it seems

512
00:27:32,760 --> 00:27:35,560
Speaker 1: like anybody can you know, shot out the best bot

513
00:27:35,600 --> 00:27:38,320
Speaker 1: liquers by the way, by the liquors dot com, your

514
00:27:38,359 --> 00:27:40,160
Speaker 1: best look at dotor probably don't give you this ship

515
00:27:40,200 --> 00:27:47,600
Speaker 1: for free. No, this is this is that water that's

516
00:27:47,640 --> 00:27:50,399
Speaker 1: the watermelon? Alright, d that's a real shot if that

517
00:27:50,600 --> 00:27:53,879
Speaker 1: is if that is real? So, um, what I was

518
00:27:53,920 --> 00:27:56,840
Speaker 1: saying it was yeah, because you know what I'm saying

519
00:27:56,920 --> 00:27:59,159
Speaker 1: to see how how easy it is, Like like like

520
00:27:59,280 --> 00:28:01,480
Speaker 1: you said, um, back in the days, you have to

521
00:28:01,520 --> 00:28:04,040
Speaker 1: go to power Play, Unique Studios, Chump King and ship

522
00:28:04,160 --> 00:28:06,479
Speaker 1: like that. Nowadays, the person could literally sit in there

523
00:28:06,560 --> 00:28:09,919
Speaker 1: mother's living room with a computer, Mike, you know, put

524
00:28:10,000 --> 00:28:12,400
Speaker 1: some reverg on their ship, throw it out and get

525
00:28:13,000 --> 00:28:17,200
Speaker 1: fifty viewers on South Cloud and actually changed their life.

526
00:28:17,560 --> 00:28:20,359
Speaker 1: In one aspect, I'd love to see anybody from the

527
00:28:20,400 --> 00:28:23,280
Speaker 1: hood get out make it. But then on another aspect,

528
00:28:23,320 --> 00:28:26,320
Speaker 1: they don't. They don't learn the the tools of the game.

529
00:28:26,600 --> 00:28:28,720
Speaker 1: They don't learn the battles, they don't know the the

530
00:28:29,000 --> 00:28:32,440
Speaker 1: uh this outspit all. They say to say, how I

531
00:28:32,520 --> 00:28:34,840
Speaker 1: was arounding two months ago and they got a record deal.

532
00:28:34,920 --> 00:28:38,080
Speaker 1: Well what is what is that? Feels up to you? Listen? Well,

533
00:28:38,200 --> 00:28:40,400
Speaker 1: you know what the funny thing is that the learning

534
00:28:40,480 --> 00:28:43,080
Speaker 1: curve was different. Like I was in the studio with

535
00:28:43,160 --> 00:28:47,160
Speaker 1: Patrick Adams who did Push Pushing the Bush, and he

536
00:28:47,520 --> 00:28:50,280
Speaker 1: taught me how He taught me how to use keyboards,

537
00:28:50,320 --> 00:28:52,680
Speaker 1: program keyboards. He didn't actually say, hey, come here and

538
00:28:52,800 --> 00:28:55,120
Speaker 1: learn this. When he was doing it, I was paying attention.

539
00:28:55,200 --> 00:28:58,080
Speaker 1: I was asking questions, what's this, what's this overhind thing?

540
00:28:58,160 --> 00:29:00,479
Speaker 1: What does that do? What's this compression do? What does

541
00:29:00,520 --> 00:29:04,280
Speaker 1: that do? Dr Rodriguez, Chris Conway, you know a lot

542
00:29:04,360 --> 00:29:07,400
Speaker 1: of legendary engineers and her powers. I used to go

543
00:29:07,520 --> 00:29:09,520
Speaker 1: to master on her powers. I would pay the extra

544
00:29:09,600 --> 00:29:12,640
Speaker 1: money to sit in there to to watch him master

545
00:29:12,800 --> 00:29:15,680
Speaker 1: my album so that I could learn the difference. You know,

546
00:29:16,000 --> 00:29:19,560
Speaker 1: I'm not really feeling the whole how to bookshit that's

547
00:29:19,560 --> 00:29:24,800
Speaker 1: out now, how to wrap this, how you hold the mike? Yeah,

548
00:29:24,840 --> 00:29:26,560
Speaker 1: that's to me, that's bullshit. There's a lot of how

549
00:29:26,720 --> 00:29:28,760
Speaker 1: to And I think that's it's damaging to the fan

550
00:29:28,880 --> 00:29:32,240
Speaker 1: base because they're saying cats that you see in the

551
00:29:32,320 --> 00:29:35,240
Speaker 1: audience that used to be ones like excited to see

552
00:29:35,440 --> 00:29:38,600
Speaker 1: want stage. Everybody's looking, they want to be with, they

553
00:29:38,640 --> 00:29:40,120
Speaker 1: want to be on stage. There's nothing wrong with wanting

554
00:29:40,160 --> 00:29:44,200
Speaker 1: to be on stage, but the celebration of mediocrity is

555
00:29:44,240 --> 00:29:46,920
Speaker 1: a problem to I think, you know, it's it's almost

556
00:29:47,000 --> 00:29:49,800
Speaker 1: like we can sit around here and crack jokes all day,

557
00:29:50,080 --> 00:29:52,000
Speaker 1: but if somebody step on that stage with a mike

558
00:29:52,080 --> 00:29:54,280
Speaker 1: and it's just you and the audience, it's a whole

559
00:29:54,440 --> 00:29:56,600
Speaker 1: another ball game. It's the same in the comedy game

560
00:29:56,640 --> 00:29:58,040
Speaker 1: as it is in the hip hop game. You got

561
00:29:58,200 --> 00:30:00,800
Speaker 1: like these these kids that were like good on vine.

562
00:30:01,360 --> 00:30:03,280
Speaker 1: I had one kid one night I was hosting at

563
00:30:03,320 --> 00:30:05,040
Speaker 1: the improv. I like to host because I can get

564
00:30:05,120 --> 00:30:07,520
Speaker 1: up and freestyle and around. I heard you saying that

565
00:30:07,760 --> 00:30:09,760
Speaker 1: you're just saying that on camera. You know, I don't

566
00:30:09,800 --> 00:30:11,520
Speaker 1: like you do that. It's like, so I was hosting

567
00:30:12,480 --> 00:30:14,800
Speaker 1: the way he said that Tod just like to go

568
00:30:15,040 --> 00:30:17,000
Speaker 1: and he'll do it free. It's just fun to work around.

569
00:30:17,080 --> 00:30:18,960
Speaker 1: So I was hosting this one night and it was

570
00:30:19,040 --> 00:30:21,320
Speaker 1: this kid I never knew. I said, and then, what

571
00:30:21,360 --> 00:30:22,760
Speaker 1: do you want me to say about it? Goes, You

572
00:30:22,800 --> 00:30:24,600
Speaker 1: can tell him I have about I have five d

573
00:30:24,640 --> 00:30:26,840
Speaker 1: thousand followers on vine. I go, I'm seriously, what do

574
00:30:26,840 --> 00:30:28,240
Speaker 1: you want me to say about you? He goes, that's

575
00:30:28,240 --> 00:30:35,880
Speaker 1: a big deal, man. So so I introduced this guy, goes, uh,

576
00:30:36,760 --> 00:30:39,640
Speaker 1: he's he's on, he's just on. He's doing seven minutes

577
00:30:39,680 --> 00:30:45,200
Speaker 1: to go them on. He eats a fat dick on stage. Yeah,

578
00:30:46,320 --> 00:30:55,280
Speaker 1: I come back, Yeah, what do you mean? Of course

579
00:30:55,360 --> 00:31:00,160
Speaker 1: it's great. So he comes off. I go back. I'm

580
00:31:00,960 --> 00:31:02,440
Speaker 1: give it up. Whatever is na I said, whatever is

581
00:31:03,200 --> 00:31:05,480
Speaker 1: get up for him. Apparently he's good for seven seconds

582
00:31:05,520 --> 00:31:12,960
Speaker 1: at a time. But like these kids don't get it. Like, yeah,

583
00:31:13,280 --> 00:31:15,560
Speaker 1: because a lot of people like can shoot online, doesn't

584
00:31:15,600 --> 00:31:18,800
Speaker 1: mean it translates being live. But you need to still

585
00:31:18,920 --> 00:31:21,320
Speaker 1: be able to get in the trenches. That's like being

586
00:31:21,400 --> 00:31:24,080
Speaker 1: good at fucking Mike Tyson punch out and then you think,

587
00:31:24,120 --> 00:31:25,360
Speaker 1: you know what, I think, I'm ready for a fight.

588
00:31:26,560 --> 00:31:29,200
Speaker 1: You got to ring with somebody you're like, you know,

589
00:31:29,480 --> 00:31:32,720
Speaker 1: you felling them to death. I think, honestly, one of

590
00:31:32,760 --> 00:31:35,800
Speaker 1: these things that quotes I ever heard was charrass Fan

591
00:31:35,840 --> 00:31:38,120
Speaker 1: when he said wrapping something you do, hip hop is

592
00:31:38,200 --> 00:31:40,280
Speaker 1: something you live. It's true, and I think that goes

593
00:31:40,320 --> 00:31:41,800
Speaker 1: with hip hop. I think that could even be in

594
00:31:41,840 --> 00:31:44,000
Speaker 1: the comedy world, like it's a culture that you've got

595
00:31:44,040 --> 00:31:45,920
Speaker 1: to experience it, you got to live through it to

596
00:31:46,760 --> 00:31:48,960
Speaker 1: it's my thirtieth year. But I put I put, I

597
00:31:49,040 --> 00:31:52,800
Speaker 1: personally put myself through a grueling training thing. I would

598
00:31:52,840 --> 00:31:54,920
Speaker 1: never do records with anybody that I didn't think was

599
00:31:54,960 --> 00:31:57,320
Speaker 1: better than me, and I'm still that way now. I'm

600
00:31:57,360 --> 00:32:00,760
Speaker 1: really really like I want mcs that make me say,

601
00:32:00,800 --> 00:32:02,840
Speaker 1: oh shout, I really gotta write this. You know what

602
00:32:02,840 --> 00:32:06,920
Speaker 1: I'm saying, Like like caress one, Tretch g rap you

603
00:32:07,000 --> 00:32:10,040
Speaker 1: know yourself, guys that I've done songs with, you know,

604
00:32:10,240 --> 00:32:14,480
Speaker 1: even even even to this day, man, I'm very particular

605
00:32:14,520 --> 00:32:16,480
Speaker 1: about who I put my voice because I mean, you know,

606
00:32:16,560 --> 00:32:20,360
Speaker 1: like I'm always thinking about when it's over, Like for me,

607
00:32:20,560 --> 00:32:24,520
Speaker 1: less An, I'm thinking about when people go back years

608
00:32:25,520 --> 00:32:28,480
Speaker 1: fifty years now and say, yo, I found this record

609
00:32:28,520 --> 00:32:30,680
Speaker 1: with this guy named Bumpy Knuckles on it and him

610
00:32:30,920 --> 00:32:33,840
Speaker 1: Cougie Rap a little fame or m op or who

611
00:32:33,920 --> 00:32:36,640
Speaker 1: about this songs with they going back bar to But

612
00:32:36,800 --> 00:32:39,080
Speaker 1: like caress one is pressure when you rock with him,

613
00:32:39,120 --> 00:32:41,560
Speaker 1: this pressure, if you go on stage with him, it's pressure.

614
00:32:41,600 --> 00:32:44,200
Speaker 1: He can at any given moment just pass you. He

615
00:32:44,240 --> 00:32:46,560
Speaker 1: could just any given moment just start rocking off the

616
00:32:46,760 --> 00:32:50,600
Speaker 1: top and just say so verdi because you want to

617
00:32:50,600 --> 00:32:56,000
Speaker 1: look at and then you gotta get up just in

618
00:32:56,040 --> 00:32:57,800
Speaker 1: the and then you gotta be ready for that ship.

619
00:32:58,040 --> 00:32:59,840
Speaker 1: What time I had to show care or songs that

620
00:33:00,240 --> 00:33:02,880
Speaker 1: l this This was like all a few days and

621
00:33:02,960 --> 00:33:04,960
Speaker 1: they had me going last, and I was like this

622
00:33:05,120 --> 00:33:07,920
Speaker 1: ain't right, Like he was just like literally all right.

623
00:33:08,440 --> 00:33:11,960
Speaker 1: Luckily he showed up later. I had to go first,

624
00:33:12,200 --> 00:33:14,280
Speaker 1: and he came on. He rocked for two hours. I

625
00:33:14,360 --> 00:33:16,000
Speaker 1: looked at the promoter, I said, what the fund was

626
00:33:16,000 --> 00:33:18,480
Speaker 1: I supposed to do? After that? Who was ipposed to do?

627
00:33:19,680 --> 00:33:24,320
Speaker 1: That's only thing and the only thing he had to

628
00:33:24,360 --> 00:33:27,080
Speaker 1: show Miami like two and then he y'all don't know

629
00:33:27,080 --> 00:33:29,160
Speaker 1: if you're gonna see this. When he doesn't, he stops

630
00:33:29,200 --> 00:33:31,200
Speaker 1: it at from some point he just has a speech.

631
00:33:31,640 --> 00:33:34,320
Speaker 1: He just talks to him. He's talking about absolutely nothing,

632
00:33:34,800 --> 00:33:37,360
Speaker 1: but it's the most ship in the world. I'm sitting

633
00:33:37,400 --> 00:33:39,040
Speaker 1: there like this. I'm like, in the colt, he would

634
00:33:39,080 --> 00:33:40,960
Speaker 1: have told me to drink some cool leg and let's

635
00:33:41,440 --> 00:33:46,040
Speaker 1: I'm gonna say, let's like, that's all crazy. He conversation

636
00:33:46,320 --> 00:33:49,120
Speaker 1: because he because he pops up. He doesn't he comes

637
00:33:49,160 --> 00:33:52,280
Speaker 1: into your city and he pops up. He shows he

638
00:33:52,360 --> 00:33:54,880
Speaker 1: doesn't hang out in the dressing room prior. He shows up.

639
00:33:54,920 --> 00:33:56,800
Speaker 1: When it's time to get out of the car to

640
00:33:56,880 --> 00:33:59,400
Speaker 1: the stage. He has his he has his whole fleet

641
00:33:59,480 --> 00:34:01,440
Speaker 1: with him. And I mean, I've done some things with

642
00:34:01,520 --> 00:34:03,640
Speaker 1: them and it's always been And what I was trying

643
00:34:03,680 --> 00:34:05,800
Speaker 1: to say is that that kind of pressure to me,

644
00:34:06,760 --> 00:34:08,360
Speaker 1: it was a training it was a training thing. You

645
00:34:08,400 --> 00:34:09,719
Speaker 1: know what I'm saying. It's like when you when you

646
00:34:09,920 --> 00:34:11,600
Speaker 1: when you boxing or you know you you know boxing

647
00:34:11,600 --> 00:34:13,480
Speaker 1: because your dad was a fight and you know when

648
00:34:13,520 --> 00:34:15,319
Speaker 1: you when you when you go into the fight game,

649
00:34:15,360 --> 00:34:16,840
Speaker 1: you you don't want to work out with guys that

650
00:34:17,000 --> 00:34:19,719
Speaker 1: just teach you how to get fighting bumps. You want

651
00:34:19,719 --> 00:34:22,920
Speaker 1: to fight people better so you can get old people better.

652
00:34:23,239 --> 00:34:24,719
Speaker 1: Like that's what I always looked at it. That was

653
00:34:24,800 --> 00:34:26,840
Speaker 1: that you know, that's real ship. That's real ship. So

654
00:34:27,000 --> 00:34:29,239
Speaker 1: let me ask you. Have you ever been like, um,

655
00:34:30,320 --> 00:34:37,160
Speaker 1: I used the Indian privilege? What is't you mean? I

656
00:34:37,239 --> 00:34:43,520
Speaker 1: mean like I'm above getting malarious, like like like I

657
00:34:43,640 --> 00:34:47,719
Speaker 1: get better service, and I have to like you know, look,

658
00:34:47,800 --> 00:34:53,040
Speaker 1: I got research and sometimes exist say like like, we'll

659
00:34:53,080 --> 00:34:55,600
Speaker 1: see your audiences, the Indian audience, so they come out

660
00:34:56,000 --> 00:34:59,319
Speaker 1: and they support you, and then that's your phone. They're

661
00:34:59,320 --> 00:35:02,280
Speaker 1: not you the same way I looked at your positive

662
00:35:02,880 --> 00:35:04,480
Speaker 1: So I had to and that was something that they

663
00:35:04,520 --> 00:35:07,920
Speaker 1: accused you. Yeah, like you have. I had never. I

664
00:35:07,960 --> 00:35:11,239
Speaker 1: didn't even know what that is. I never heard what's

665
00:35:11,239 --> 00:35:15,640
Speaker 1: white privilege, let's say privileges. That thing that you're getting

666
00:35:15,640 --> 00:35:17,360
Speaker 1: pulled over, you're not on your shot. Well there's that,

667
00:35:17,520 --> 00:35:19,359
Speaker 1: and then you don't even know that you have white coach.

668
00:35:19,440 --> 00:35:21,719
Speaker 1: And I see it all the time because you see

669
00:35:21,760 --> 00:35:25,560
Speaker 1: the way they act. They act like just real, they're

670
00:35:25,560 --> 00:35:29,239
Speaker 1: just they're just very comfortable wherever they are because they

671
00:35:29,719 --> 00:35:35,239
Speaker 1: can't hold me put it on the job. But you've

672
00:35:35,280 --> 00:35:39,239
Speaker 1: never heard of that, Like no, because in Canada the

673
00:35:39,360 --> 00:35:43,160
Speaker 1: poor communities are black. In India, we're in America, they

674
00:35:43,400 --> 00:35:46,759
Speaker 1: into black and Hispanic and thrown. There's a lot of

675
00:35:46,960 --> 00:35:54,040
Speaker 1: artists who sometimes they all sell like thirty thousand units

676
00:35:54,360 --> 00:35:57,600
Speaker 1: on thirty thousand seats, but when the album comes out,

677
00:35:58,280 --> 00:36:02,880
Speaker 1: they won't sell ship. It's because they feel like Latino

678
00:36:03,040 --> 00:36:05,400
Speaker 1: people come out to see you more than they actually

679
00:36:05,600 --> 00:36:08,279
Speaker 1: support you. Yeah, So have you ever been accused or

680
00:36:08,280 --> 00:36:12,239
Speaker 1: something like that? Because my audience is real diverse. I

681
00:36:12,280 --> 00:36:14,520
Speaker 1: mean in the beginning when I'm like, when I first

682
00:36:14,560 --> 00:36:17,680
Speaker 1: started getting popular, it was it was heavy ending and

683
00:36:18,440 --> 00:36:21,400
Speaker 1: Chinese Asian type thing. Yeah, you got the Chinese accent

684
00:36:21,440 --> 00:36:24,480
Speaker 1: downpath right, and then over time now it's been spreading.

685
00:36:24,560 --> 00:36:27,600
Speaker 1: So and and Bumpy actually just DJ one of my

686
00:36:27,640 --> 00:36:30,880
Speaker 1: shows for me recently, and uh, he saw the audience

687
00:36:30,960 --> 00:36:33,800
Speaker 1: is completely mixed. Now you got white, you got you

688
00:36:33,920 --> 00:36:36,040
Speaker 1: got every guy. Yeah. I mean if there's white people

689
00:36:36,040 --> 00:36:38,440
Speaker 1: there and use because they have an Indian friend or

690
00:36:38,480 --> 00:36:45,839
Speaker 1: they're sucking in Indian person, but the Latinos come out

691
00:36:45,880 --> 00:36:47,560
Speaker 1: because they're like, well he kind of looks like us.

692
00:36:48,280 --> 00:36:53,040
Speaker 1: We can relate to that mentality, and the black people

693
00:36:53,080 --> 00:36:55,680
Speaker 1: will come out. Usually if it's like immigrant black people,

694
00:36:56,520 --> 00:37:02,719
Speaker 1: I mean Jamaica, West Indian And when I get like

695
00:37:02,840 --> 00:37:05,279
Speaker 1: black Americans come out, I'm more excited than anything because

696
00:37:05,320 --> 00:37:06,680
Speaker 1: I'm like that to me is like that to me

697
00:37:06,800 --> 00:37:09,200
Speaker 1: is crossing over White Americans only nothing to me, I mean,

698
00:37:09,280 --> 00:37:11,839
Speaker 1: I'm happy that they're there. But when Black American show,

699
00:37:11,840 --> 00:37:13,560
Speaker 1: it means like, oh ship they get this. How did

700
00:37:13,600 --> 00:37:16,360
Speaker 1: you identify your audience? Like for us, like you know,

701
00:37:16,480 --> 00:37:20,640
Speaker 1: hip hop, we had to literally go and give in

702
00:37:20,760 --> 00:37:23,359
Speaker 1: finish out to you give me the shot glass before

703
00:37:23,480 --> 00:37:26,080
Speaker 1: my shot because we had to literally go out, Like

704
00:37:26,160 --> 00:37:28,759
Speaker 1: how did you start to identify that? And then now

705
00:37:28,840 --> 00:37:31,759
Speaker 1: you could use social media to help you identify. Back

706
00:37:31,800 --> 00:37:33,800
Speaker 1: in the day, it was just your comics. So you

707
00:37:33,920 --> 00:37:36,560
Speaker 1: just go where the comedy spots were. And because I

708
00:37:36,719 --> 00:37:38,399
Speaker 1: wasn't a white comic, when I would go to New York,

709
00:37:38,400 --> 00:37:40,520
Speaker 1: I couldn't get on in the white clubs. I could

710
00:37:40,560 --> 00:37:42,879
Speaker 1: only get on in the black rooms. So I would

711
00:37:42,920 --> 00:37:45,640
Speaker 1: go do the Bronx BBQ, I would go do Nagasaki's

712
00:37:45,680 --> 00:37:49,680
Speaker 1: in Long Islands stuff uh and and depending on or

713
00:37:49,719 --> 00:37:51,960
Speaker 1: I would do something and as on Park. So depending

714
00:37:52,000 --> 00:37:53,680
Speaker 1: on what part of the city I was in, I

715
00:37:53,719 --> 00:37:57,400
Speaker 1: would either kill or fucking bomb So the Bronx I

716
00:37:57,440 --> 00:38:00,560
Speaker 1: would eat it. I would go to Nagasaki's I would kill.

717
00:38:00,640 --> 00:38:03,680
Speaker 1: I would go to Queens, I would count. But it

718
00:38:03,800 --> 00:38:06,560
Speaker 1: depends on what the demographic of that area was. But

719
00:38:06,640 --> 00:38:08,239
Speaker 1: now when I go to New York, Nowork feels like

720
00:38:08,280 --> 00:38:10,120
Speaker 1: home to me. So it does a matter where I go.

721
00:38:10,200 --> 00:38:12,719
Speaker 1: I feel I feel great where the man was because

722
00:38:12,760 --> 00:38:15,359
Speaker 1: like Toronto is like a calm down New York. Well

723
00:38:15,520 --> 00:38:17,520
Speaker 1: it's trying to it's trying to act up blakely. Yeah,

724
00:38:17,520 --> 00:38:20,680
Speaker 1: I ain't. People shoot a lot of people I have been. Damn.

725
00:38:20,840 --> 00:38:24,960
Speaker 1: I'm like they got coming out, yeah, shooting, I just

726
00:38:25,040 --> 00:38:27,239
Speaker 1: shooting each other. It's not even like this shooting like

727
00:38:27,360 --> 00:38:29,759
Speaker 1: it's just it's like these little corny beef. She's like,

728
00:38:29,840 --> 00:38:32,960
Speaker 1: what are you doing? Like learn how to fight out there? Wait?

729
00:38:33,040 --> 00:38:35,360
Speaker 1: Kuan had a barbershop and pulled up, was like man

730
00:38:35,840 --> 00:38:38,320
Speaker 1: went down off the block was like that just opened

731
00:38:38,320 --> 00:38:41,960
Speaker 1: and yeah, I don't even remember. I was like nig

732
00:38:42,200 --> 00:38:44,560
Speaker 1: come and they talked to each other. I'm like, I

733
00:38:44,760 --> 00:38:48,080
Speaker 1: thought Toronto is the sixth same borrow, don't think it's

734
00:38:48,080 --> 00:38:53,759
Speaker 1: out there like he shot at break your career. Now, baby,

735
00:38:53,800 --> 00:39:00,680
Speaker 1: this is the watermelon throt that sho ages because that's

736
00:39:00,680 --> 00:39:02,759
Speaker 1: just the tastes like cool aid. To me, it's good

737
00:39:03,040 --> 00:39:12,359
Speaker 1: and that's good on that. Yeah, nay, goddamn it. That's

738
00:39:12,400 --> 00:39:14,359
Speaker 1: what I told you to get out Classic cup space

739
00:39:14,400 --> 00:39:17,840
Speaker 1: to lead we all here the fancy classic cups. So

740
00:39:18,680 --> 00:39:22,320
Speaker 1: what is your favorite part over? What is your favorite

741
00:39:22,440 --> 00:39:26,680
Speaker 1: error in hip hop nineties? Ever? Course, right now, I'll

742
00:39:26,680 --> 00:39:29,479
Speaker 1: give you ten years, though I'm gonna say. I'm gonna

743
00:39:29,480 --> 00:39:35,680
Speaker 1: say from ninety three, I thought, because for me, it's

744
00:39:35,760 --> 00:39:39,359
Speaker 1: late eighties, mid nineties ninety To me, my favorite error

745
00:39:39,480 --> 00:39:43,960
Speaker 1: was from ninety three to ninety eight. You know, you

746
00:39:44,040 --> 00:39:46,680
Speaker 1: only take it, that's when they take us because I started.

747
00:39:46,920 --> 00:39:49,960
Speaker 1: I started the way, because I started to get more

748
00:39:50,000 --> 00:39:53,600
Speaker 1: because in that error, I was really active in an

749
00:39:53,680 --> 00:39:58,240
Speaker 1: underground and like like right before like eighty nine ninety,

750
00:39:58,320 --> 00:40:00,759
Speaker 1: I was just kind of just finding my way, you

751
00:40:00,800 --> 00:40:02,239
Speaker 1: know what I mean. I was just finding my way,

752
00:40:02,280 --> 00:40:04,200
Speaker 1: and I was kind of, you know, doing a bunch

753
00:40:04,280 --> 00:40:07,480
Speaker 1: of ships. That was like going to clubs, popping up dudes.

754
00:40:07,600 --> 00:40:08,960
Speaker 1: Used to jo I used to sitting and I used

755
00:40:08,960 --> 00:40:11,320
Speaker 1: to have I used to go to a club. I

756
00:40:11,360 --> 00:40:13,920
Speaker 1: would have like a backpack on me. Whatever it was in,

757
00:40:14,000 --> 00:40:15,400
Speaker 1: it was in it, and I was going in. I

758
00:40:15,440 --> 00:40:17,920
Speaker 1: would watch rappers wrap man and I would jump on

759
00:40:18,000 --> 00:40:22,399
Speaker 1: stage and say, y'all like that white motherfucker th same

760
00:40:22,560 --> 00:40:27,440
Speaker 1: be back on and then I was yeah, then I

761
00:40:27,520 --> 00:40:28,960
Speaker 1: had them, Like you know, there was times when I

762
00:40:29,040 --> 00:40:31,399
Speaker 1: was just jumping on stage me g Rap, scar Face.

763
00:40:31,920 --> 00:40:33,879
Speaker 1: I would just I would just you know, just jump

764
00:40:33,960 --> 00:40:43,160
Speaker 1: on stage just the guys that I was. Those are

765
00:40:43,160 --> 00:40:44,680
Speaker 1: the kind of guys I was. I was kind of

766
00:40:44,760 --> 00:40:47,320
Speaker 1: trying to like g Rap to me when he was

767
00:40:47,400 --> 00:40:50,560
Speaker 1: the first person to put me on Gira. You know

768
00:40:50,600 --> 00:40:52,399
Speaker 1: when when gi Rap put me on Money in the Bank.

769
00:40:52,480 --> 00:40:55,040
Speaker 1: That was my first collaboration. You know what I'm saying.

770
00:40:55,120 --> 00:40:57,960
Speaker 1: Large Professor produced it. Very V's brother Hand lives some

771
00:40:58,000 --> 00:41:01,600
Speaker 1: piece and lives that Nori did a Large Profession about

772
00:41:01,640 --> 00:41:07,000
Speaker 1: four years ago. Five. Large Pro has always been to

773
00:41:07,120 --> 00:41:09,000
Speaker 1: me somebody I always wanted to work with him, you know,

774
00:41:10,800 --> 00:41:14,040
Speaker 1: very famous like like like producers like that, like large

775
00:41:14,080 --> 00:41:17,000
Speaker 1: pro guys like that, you know, Primos, the Pete Roxs

776
00:41:17,080 --> 00:41:20,160
Speaker 1: always select he could get it. Any of of these

777
00:41:20,160 --> 00:41:22,560
Speaker 1: guys are scientists with their production. It's like it was

778
00:41:22,600 --> 00:41:24,800
Speaker 1: an error of that. Yeah, that that kind of stuff

779
00:41:24,880 --> 00:41:28,960
Speaker 1: was was really bubbling underground, and it's like the still

780
00:41:29,080 --> 00:41:32,040
Speaker 1: to me to this day, even to me, is their

781
00:41:32,160 --> 00:41:36,160
Speaker 1: underground right now, I called him over a chipling circuit.

782
00:41:36,280 --> 00:41:42,120
Speaker 1: I don't know if it's underground, because to me, underground, underground,

783
00:41:42,239 --> 00:41:45,640
Speaker 1: underground was like when you when you was in the

784
00:41:45,719 --> 00:41:47,640
Speaker 1: club and it was a five. It was an energy

785
00:41:47,719 --> 00:41:52,200
Speaker 1: member that Red Parrott, remember Red, Like dudes like Schoolboy

786
00:41:52,360 --> 00:41:55,239
Speaker 1: Q might have an under no no, but I think

787
00:41:55,280 --> 00:41:57,560
Speaker 1: what he's saying that the type of underground, it just

788
00:41:57,719 --> 00:42:02,279
Speaker 1: can't even curry. It's just a different time because the

789
00:42:02,360 --> 00:42:06,880
Speaker 1: digital e just just imagine this was underground. Buster rhymes

790
00:42:07,120 --> 00:42:12,520
Speaker 1: and didn't go, didn't go No, got me underground they

791
00:42:12,640 --> 00:42:14,759
Speaker 1: was coming. And to see a lot of those guys

792
00:42:14,880 --> 00:42:18,200
Speaker 1: now stream mainstream and really bubbling and getting in and

793
00:42:18,320 --> 00:42:19,880
Speaker 1: doing it, it's a great thing for me. I love

794
00:42:19,920 --> 00:42:22,600
Speaker 1: to see that because a lot of them guys they

795
00:42:23,080 --> 00:42:25,600
Speaker 1: they they've been, they would they were after I was

796
00:42:25,680 --> 00:42:27,920
Speaker 1: before them. But I've watched the growth, you know what

797
00:42:28,000 --> 00:42:30,200
Speaker 1: I mean, And I watched it, and I watched you know,

798
00:42:30,239 --> 00:42:32,360
Speaker 1: I see Buster Bust have been tearing clubs down for

799
00:42:32,520 --> 00:42:35,839
Speaker 1: years and always had energy, always had this scene after

800
00:42:35,880 --> 00:42:41,879
Speaker 1: that motherfucker. Yeah, he's another on like, yeah, I'm going first.

801
00:42:41,960 --> 00:42:46,520
Speaker 1: I told him he's definitely definitely closed. And he was

802
00:42:46,560 --> 00:42:48,279
Speaker 1: on the road with us and smoking groups. He had

803
00:42:48,440 --> 00:42:52,000
Speaker 1: three busses. He had a bus for all the clubs,

804
00:42:56,600 --> 00:42:59,240
Speaker 1: got a bus force close, he had a bus fors close,

805
00:43:00,120 --> 00:43:01,800
Speaker 1: and then he had a bus force crew. So he

806
00:43:01,880 --> 00:43:04,040
Speaker 1: had he had he had Jamaican chefs on the road. Man.

807
00:43:04,880 --> 00:43:08,120
Speaker 1: You know, so he's come from He's come a long way.

808
00:43:08,200 --> 00:43:10,439
Speaker 1: And not to me that that traveled that that whole

809
00:43:10,560 --> 00:43:15,040
Speaker 1: journey from underground to the to the pinnacle. Yeah, that's

810
00:43:15,080 --> 00:43:18,200
Speaker 1: when you get a chance to see that three tone

811
00:43:18,239 --> 00:43:20,000
Speaker 1: that was. That was fine. Let me put the question

812
00:43:20,040 --> 00:43:22,359
Speaker 1: on you, because I'm gonna give him the same question. Well,

813
00:43:22,400 --> 00:43:24,840
Speaker 1: it was the best error in comedy. To you, to me,

814
00:43:25,000 --> 00:43:27,920
Speaker 1: are you a comedy? I love comedy fan, I loved um.

815
00:43:28,160 --> 00:43:32,040
Speaker 1: I loved that. The Eddie Murphy era was big for me.

816
00:43:32,360 --> 00:43:34,480
Speaker 1: You know what I'm saying. Robin Harris, that Robin Harris

817
00:43:34,560 --> 00:43:38,279
Speaker 1: era was a fly. George George Corlin was somebody who

818
00:43:38,320 --> 00:43:40,319
Speaker 1: I thought we got to talk about. George is one

819
00:43:40,320 --> 00:43:49,960
Speaker 1: of my favorite favorite George Carlin and he George guy,

820
00:43:51,600 --> 00:43:58,520
Speaker 1: he's right politics. He talked about everything, literally every subject

821
00:43:58,600 --> 00:44:02,320
Speaker 1: before anybody did everything. Okay, the one more shot to

822
00:44:02,400 --> 00:44:04,799
Speaker 1: leave before we crossed over. The type of ball whoa

823
00:44:05,080 --> 00:44:07,800
Speaker 1: so like you? So that that era? Yeah? That that

824
00:44:07,960 --> 00:44:09,920
Speaker 1: that do like. I grew up on Richard Pride. We

825
00:44:09,960 --> 00:44:11,799
Speaker 1: should be my friend and friend of mine. His father

826
00:44:11,920 --> 00:44:14,080
Speaker 1: had all these Richard Pride albums in his basement. Man,

827
00:44:14,080 --> 00:44:16,279
Speaker 1: we still sneak and listen to them ships like you

828
00:44:16,320 --> 00:44:17,960
Speaker 1: know what I mean, and that kind of stuff. Even

829
00:44:18,000 --> 00:44:22,919
Speaker 1: the jerky boys boys, you know, stopping us making print

830
00:44:23,000 --> 00:44:28,200
Speaker 1: phone calls. I was a big trying of early comedian.

831
00:44:28,360 --> 00:44:30,960
Speaker 1: I mean comic any comedy anyway is dope, you know

832
00:44:31,000 --> 00:44:33,360
Speaker 1: what I mean? Like, but I like to see stand

833
00:44:33,440 --> 00:44:35,480
Speaker 1: up stand up. You know, I don't know if I'm bigger,

834
00:44:35,640 --> 00:44:37,560
Speaker 1: the largest, What is it the largest or the biggest?

835
00:44:37,600 --> 00:44:40,040
Speaker 1: There's some cats that don't in the world. Is that?

836
00:44:40,239 --> 00:44:46,319
Speaker 1: Is that? How the contro go people? I spilled more

837
00:44:46,360 --> 00:44:55,759
Speaker 1: than that. Come on, let's turn up and stand up

838
00:44:55,960 --> 00:44:58,319
Speaker 1: just where I like to see. I like to see

839
00:44:58,320 --> 00:45:00,320
Speaker 1: stand up comedians that you know you' to do this

840
00:45:00,360 --> 00:45:02,960
Speaker 1: one if you want? You just skipping one. Yeah, from

841
00:45:02,960 --> 00:45:05,040
Speaker 1: being a drinkard. I know that when we trying to

842
00:45:05,080 --> 00:45:07,799
Speaker 1: get you do the whole ind not I'm gonna fall

843
00:45:07,840 --> 00:45:13,640
Speaker 1: out of you. Saying that Eddie Murphy and Eddie Murphy,

844
00:45:13,719 --> 00:45:16,560
Speaker 1: Robin Harris, I like that. I would say eighty two

845
00:45:16,680 --> 00:45:19,880
Speaker 1: the eighties eighty nine was a great When you say that,

846
00:45:19,960 --> 00:45:23,239
Speaker 1: you gotta describe what is happening. You would go from delirious,

847
00:45:23,880 --> 00:45:28,319
Speaker 1: just just Eddie and Eddie and Leather delirious to eighty nine.

848
00:45:28,400 --> 00:45:30,600
Speaker 1: It was like and when I said comedy, me no

849
00:45:30,800 --> 00:45:36,239
Speaker 1: Martin Lawrence at all. Uh. Well, here's the thing. In

850
00:45:36,360 --> 00:45:40,320
Speaker 1: the comedy world, the eighties was considered the boom like

851
00:45:40,800 --> 00:45:43,080
Speaker 1: classic raw that one. No, that was just when comedy

852
00:45:43,120 --> 00:45:46,239
Speaker 1: went fucking huge, and he n just when it ended.

853
00:45:46,280 --> 00:45:49,080
Speaker 1: That's when that's when Andrew Dice Clay came out and

854
00:45:49,080 --> 00:45:51,040
Speaker 1: he sold out the Garden all that ship, and then

855
00:45:51,160 --> 00:45:53,120
Speaker 1: he was at the end of the book ended it

856
00:45:53,280 --> 00:45:56,359
Speaker 1: and he started it. Dice book ended it, and then

857
00:45:56,400 --> 00:45:58,920
Speaker 1: in the nineties it was dead. And I started in

858
00:45:59,040 --> 00:46:01,520
Speaker 1: eighty nine. So when I started, I would hear all

859
00:46:01,560 --> 00:46:04,239
Speaker 1: the older comics cause I was nineteen. There was an

860
00:46:04,320 --> 00:46:06,279
Speaker 1: end of an era. The older comics be like you

861
00:46:06,280 --> 00:46:08,520
Speaker 1: don't even know. It was like kids, I'm trying to

862
00:46:08,600 --> 00:46:11,800
Speaker 1: chet do blow up sucker's asses and I'm like, I

863
00:46:11,840 --> 00:46:15,719
Speaker 1: don't know, yeah yeah, and I'm like I don't I'm

864
00:46:15,760 --> 00:46:18,040
Speaker 1: just trying to get bucks to get through the nine,

865
00:46:18,120 --> 00:46:29,799
Speaker 1: you know what I mean? What about your let's watermelon guys? Yeah? Um?

866
00:46:35,600 --> 00:46:43,440
Speaker 1: Your audience? How how how easy is it to identify

867
00:46:43,880 --> 00:46:46,320
Speaker 1: your audience now? Because I remember back in the days

868
00:46:46,360 --> 00:46:51,279
Speaker 1: like well, like I physically you just have to bring

869
00:46:51,320 --> 00:46:53,759
Speaker 1: a record to London for London. That happened, like I

870
00:46:53,840 --> 00:46:56,200
Speaker 1: physically had to go to I don't know, I don't

871
00:46:56,200 --> 00:46:57,800
Speaker 1: know that. I mean I was in London in the

872
00:46:57,880 --> 00:47:00,799
Speaker 1: mid nineties. I was there from two thousand and two,

873
00:47:02,000 --> 00:47:04,080
Speaker 1: and your ship was always banging out. But what I'm

874
00:47:04,080 --> 00:47:06,759
Speaker 1: saying is, at first I had to bring it like

875
00:47:06,920 --> 00:47:10,560
Speaker 1: like they like Violator wasn't sending a ship. I don't know.

876
00:47:10,719 --> 00:47:12,759
Speaker 1: For you to break it another time, you have to

877
00:47:12,800 --> 00:47:18,640
Speaker 1: Actually it's been a little time. Do Yeah. You gotta

878
00:47:18,640 --> 00:47:23,960
Speaker 1: go see Tim Westwood. Yeah, yeah, girl down, it's about

879
00:47:24,000 --> 00:47:38,520
Speaker 1: the knee pick up that that that's how how different

880
00:47:38,600 --> 00:47:41,600
Speaker 1: is it is it? Um? Because we can just press

881
00:47:41,640 --> 00:47:47,080
Speaker 1: a button right now? Yeah? Yeah, if you look at

882
00:47:47,120 --> 00:47:49,200
Speaker 1: as a plus or as a minus. I mean, there's

883
00:47:49,200 --> 00:47:50,960
Speaker 1: a plus that you can get the records over there now.

884
00:47:51,120 --> 00:47:53,560
Speaker 1: But but then I'm gonna tell you what the downfall

885
00:47:53,920 --> 00:47:57,160
Speaker 1: to Europe is that they don't they don't really have

886
00:47:57,360 --> 00:48:00,360
Speaker 1: the solid promoters like they used They predict them. Promotion

887
00:48:00,400 --> 00:48:02,280
Speaker 1: game is different. Now you get a bunch of DJs

888
00:48:02,320 --> 00:48:04,480
Speaker 1: that get a few dollars. They bring you over there

889
00:48:04,520 --> 00:48:06,760
Speaker 1: in the luggage compartment and you're sleep in the basement

890
00:48:06,800 --> 00:48:08,759
Speaker 1: and let you humpt their sister and you rock the mic.

891
00:48:12,120 --> 00:48:14,840
Speaker 1: And this guy's over there doing that Hamburg and and

892
00:48:15,080 --> 00:48:17,040
Speaker 1: and Cheese said, you know what i mean. Now that's

893
00:48:17,040 --> 00:48:19,960
Speaker 1: the chipless circus. I'm talking about when you when you

894
00:48:20,120 --> 00:48:21,719
Speaker 1: stand on your principles and you say, you know, some

895
00:48:21,760 --> 00:48:23,359
Speaker 1: people say, you know, you gotta take all the money,

896
00:48:23,400 --> 00:48:25,719
Speaker 1: don't leave no money on the table. You become work

897
00:48:25,840 --> 00:48:27,840
Speaker 1: that ship that they've given you. And it's like, and

898
00:48:27,920 --> 00:48:30,239
Speaker 1: it's not just Europe, it's it's it's it's everybody, it says.

899
00:48:30,239 --> 00:48:32,880
Speaker 1: And then now back in the days we used to

900
00:48:32,920 --> 00:48:34,400
Speaker 1: go over there, I mean, I mean, we're over there

901
00:48:34,480 --> 00:48:36,640
Speaker 1: the gang star with a tour bus. You know what

902
00:48:36,680 --> 00:48:38,920
Speaker 1: I'm saying like we were touring that motherfucker going from

903
00:48:39,040 --> 00:48:43,600
Speaker 1: one country across the Europe like one consom going going

904
00:48:43,640 --> 00:48:47,120
Speaker 1: across across the globe, and it was it was interesting

905
00:48:47,200 --> 00:48:49,520
Speaker 1: to be able to just make so much money. People say, oh, man,

906
00:48:49,520 --> 00:48:50,759
Speaker 1: I got a record. I want you to come to

907
00:48:50,800 --> 00:48:53,479
Speaker 1: my student. You're making cash, you know, hand over fist,

908
00:48:53,760 --> 00:48:55,719
Speaker 1: just boom, you know like that. But now it's a

909
00:48:55,800 --> 00:48:58,360
Speaker 1: different ball games, you know, And how about you because um,

910
00:48:59,000 --> 00:49:00,879
Speaker 1: right now you could do that act if someone can

911
00:49:01,040 --> 00:49:04,719
Speaker 1: film your whole ship. Got That's why Pick travels with

912
00:49:04,800 --> 00:49:07,080
Speaker 1: me when I do shows, to make sure nobody's in

913
00:49:07,080 --> 00:49:09,880
Speaker 1: the audience with their camera with laser them We're like, yo,

914
00:49:10,480 --> 00:49:12,480
Speaker 1: you see that laser on you turn that ship with

915
00:49:12,800 --> 00:49:15,439
Speaker 1: any texting camera and deletes all the ship they got.

916
00:49:16,239 --> 00:49:18,560
Speaker 1: They probably already uploaded it somewhere. But at least we

917
00:49:18,640 --> 00:49:21,160
Speaker 1: do what we can. And you know, you know, knock

918
00:49:21,239 --> 00:49:23,120
Speaker 1: on wood, so far, so good. I went to a

919
00:49:24,480 --> 00:49:26,520
Speaker 1: Chris Rock show and he put the green bags right

920
00:49:26,640 --> 00:49:29,279
Speaker 1: green bag. I felt like that was a great idea

921
00:49:29,360 --> 00:49:31,560
Speaker 1: because the Christ does that, Dave does that, but I

922
00:49:31,600 --> 00:49:35,399
Speaker 1: don't know it. So what it is is you can

923
00:49:35,480 --> 00:49:37,600
Speaker 1: have I think you can have your ship, but they

924
00:49:37,640 --> 00:49:39,680
Speaker 1: put it in a green bag where you can't open it,

925
00:49:39,760 --> 00:49:41,480
Speaker 1: and then at the end you can walk back out

926
00:49:41,719 --> 00:49:43,959
Speaker 1: and they give you the key and opens you can wow.

927
00:49:44,280 --> 00:49:47,080
Speaker 1: So they're not physically taking your phone. You actually still

928
00:49:47,120 --> 00:49:49,400
Speaker 1: actually have your phone. I know. It's kind of sucking

929
00:49:49,440 --> 00:49:52,200
Speaker 1: funked ups. Every five minutes you're like, oh, ship, you

930
00:49:52,280 --> 00:49:54,640
Speaker 1: can't open the bag. But when when I was sitting

931
00:49:54,640 --> 00:49:56,960
Speaker 1: there and I was like, you know what, At first

932
00:49:57,000 --> 00:49:59,320
Speaker 1: I felt come because I'm sitting here next sucking jay Z.

933
00:49:59,480 --> 00:50:02,040
Speaker 1: Jay Z invites me to the ship. So I'm sitting

934
00:50:02,080 --> 00:50:03,600
Speaker 1: there and I'm like, all right, cool. But he did

935
00:50:03,640 --> 00:50:05,920
Speaker 1: the same ship, so I was like all right. And

936
00:50:06,040 --> 00:50:08,400
Speaker 1: then when I thought about it the very next day,

937
00:50:08,440 --> 00:50:11,160
Speaker 1: I had a hosting gig or something, and everybody in

938
00:50:11,239 --> 00:50:14,200
Speaker 1: front my hosting giggles like this yeah, and I felt

939
00:50:14,239 --> 00:50:17,480
Speaker 1: so uncomfortable. I was like, fucker's enjoying me? Or you

940
00:50:17,560 --> 00:50:22,000
Speaker 1: just want to see me later phone din't see that.

941
00:50:23,800 --> 00:50:26,320
Speaker 1: Definitely annoying, Definitely annoying that it is annoying to me,

942
00:50:26,440 --> 00:50:29,719
Speaker 1: like I hadn't do that, It's wrong. When he was

943
00:50:29,760 --> 00:50:31,919
Speaker 1: just as a car I see, you'll listen. I rocked

944
00:50:31,960 --> 00:50:33,880
Speaker 1: this ship. I didn't say nothing the whole It's like

945
00:50:33,920 --> 00:50:35,680
Speaker 1: halfway through the show, I said, I ain't saying nothing,

946
00:50:35,920 --> 00:50:37,560
Speaker 1: but for the rest of the show, can you just

947
00:50:37,719 --> 00:50:40,040
Speaker 1: enjoy what the funk I'm doing? Like I'm here, y'all

948
00:50:40,120 --> 00:50:42,319
Speaker 1: like this, and I don't even looking at me when

949
00:50:42,360 --> 00:50:45,000
Speaker 1: it robs them of the experience, Like that's why somebody

950
00:50:45,080 --> 00:50:48,400
Speaker 1: from the eighties can't explain hip hop different than somebody

951
00:50:48,520 --> 00:50:51,680
Speaker 1: from right now, because when you really seeing something and

952
00:50:51,760 --> 00:50:53,959
Speaker 1: you watching, when you when I watched the Cold Frush

953
00:50:54,000 --> 00:50:56,879
Speaker 1: for rock, when I used to watch the Furious Five,

954
00:50:56,960 --> 00:50:58,600
Speaker 1: What am I when you got to open for them?

955
00:51:00,000 --> 00:51:03,120
Speaker 1: I was, yeah, that was? That was That was an

956
00:51:03,160 --> 00:51:07,200
Speaker 1: Amityville at the A Center and and Grandmaster cast said,

957
00:51:08,960 --> 00:51:11,439
Speaker 1: who's that group right there? Oh, they're supposed to open

958
00:51:11,480 --> 00:51:15,120
Speaker 1: for you? Those motherfucker's can't stand on my stage. We wasn't.

959
00:51:15,120 --> 00:51:16,799
Speaker 1: They have to earn that, so we had we had

960
00:51:16,840 --> 00:51:21,200
Speaker 1: to stand behind the DJ booth and rock. Because of

961
00:51:21,280 --> 00:51:23,000
Speaker 1: the way the DJ was set up, we couldn't stand

962
00:51:23,000 --> 00:51:25,200
Speaker 1: in front because I had a barricade, so we had

963
00:51:25,239 --> 00:51:27,440
Speaker 1: to rock on the floor. So while everybody else was

964
00:51:27,480 --> 00:51:29,440
Speaker 1: angry about that ship, I was like, fuck it, That's

965
00:51:29,480 --> 00:51:31,560
Speaker 1: where I learned to get my back on because I said,

966
00:51:31,640 --> 00:51:34,520
Speaker 1: they can't see me, they're gonna hear here, So I

967
00:51:34,640 --> 00:51:36,080
Speaker 1: was allowed on them, you know what I mean. And

968
00:51:36,160 --> 00:51:38,320
Speaker 1: then that's when the bumpy you started creeping out of me.

969
00:51:38,360 --> 00:51:40,239
Speaker 1: And look, you know, I was getting my back on.

970
00:51:40,400 --> 00:51:43,840
Speaker 1: But I always looked at those lessons. Some lessons you

971
00:51:43,960 --> 00:51:47,440
Speaker 1: can't be intentionally taught. You have to grab for it.

972
00:51:47,520 --> 00:51:49,839
Speaker 1: You have to say, you know what, man, I'm gonna

973
00:51:49,840 --> 00:51:52,040
Speaker 1: I'm gonna take this lemon and make lemonade. And when

974
00:51:52,040 --> 00:51:54,719
Speaker 1: I would watch those guys performed, I was studying the

975
00:51:54,719 --> 00:51:57,560
Speaker 1: first time I've seen Dougie Fresh Rock live, man, I

976
00:51:57,719 --> 00:51:59,840
Speaker 1: was I was baffled. I was like, what the fuck

977
00:52:00,080 --> 00:52:07,520
Speaker 1: is that like? Perform one record for yo? Now? Who can?

978
00:52:07,760 --> 00:52:10,319
Speaker 1: Now you think you could explain that through watching him

979
00:52:10,360 --> 00:52:13,000
Speaker 1: through a cell phone? Bro, You're saying, like, exactly, you

980
00:52:13,080 --> 00:52:16,160
Speaker 1: had you had to actually see that. Actually. Remember I

981
00:52:16,280 --> 00:52:17,920
Speaker 1: was a little kid man going to these Mike and

982
00:52:18,000 --> 00:52:22,200
Speaker 1: Dave shows, and Michael Dave were like the legendary promoters

983
00:52:22,520 --> 00:52:24,799
Speaker 1: DJs back in the days that through these jams, BIS

984
00:52:24,880 --> 00:52:26,759
Speaker 1: market tell you about them, all these guys to tell

985
00:52:26,760 --> 00:52:28,840
Speaker 1: you about them. Theodore all of them. And they was

986
00:52:28,920 --> 00:52:32,680
Speaker 1: doing stony Brook College and all these places, and Baby

987
00:52:32,719 --> 00:52:36,560
Speaker 1: was putting stages up. Coke Crush was pulling into these

988
00:52:36,600 --> 00:52:39,799
Speaker 1: places and limousines. They pull the limousine into the gymnasium

989
00:52:39,920 --> 00:52:42,520
Speaker 1: through a garage door, ship and get out with all

990
00:52:42,600 --> 00:52:45,759
Speaker 1: this Rick James looking ship on and they jump on

991
00:52:45,920 --> 00:52:48,759
Speaker 1: stage and they were do these routines and everybody was

992
00:52:48,840 --> 00:52:51,239
Speaker 1: just blown. And nobody's seen nothing like that before, you

993
00:52:51,280 --> 00:52:54,560
Speaker 1: know what I'm saying. But now I think the character

994
00:52:54,960 --> 00:52:57,360
Speaker 1: is different. You know, the character of the artist is different.

995
00:52:57,440 --> 00:52:59,680
Speaker 1: I think sometimes I listen to songs and I believe

996
00:53:00,120 --> 00:53:02,440
Speaker 1: everybody got the same writer. You know. Yeah, I say

997
00:53:02,800 --> 00:53:04,680
Speaker 1: about to ask you that, because what do you think

998
00:53:04,680 --> 00:53:08,600
Speaker 1: about people critique and Drake happened a ghostwriter, but people

999
00:53:08,800 --> 00:53:11,600
Speaker 1: also praised Bis Markey for the same exact thing. Can

1000
00:53:11,640 --> 00:53:15,719
Speaker 1: I step in for a sea? Drake got on by

1001
00:53:15,800 --> 00:53:19,320
Speaker 1: being a ghostwriter. You're talking about this? Yeah, Drake was

1002
00:53:19,440 --> 00:53:21,759
Speaker 1: Little Wayne's ghostwriter. That's why Wayne signed him and got

1003
00:53:21,840 --> 00:53:24,399
Speaker 1: him on. I definitely don't believe that, but I'm telling

1004
00:53:24,440 --> 00:53:28,719
Speaker 1: you that I always good. It's always heard it. Excuse me,

1005
00:53:28,760 --> 00:53:30,840
Speaker 1: I always heard it the other way around. I always

1006
00:53:30,880 --> 00:53:34,120
Speaker 1: heard it. It was way doing that would Wayne right

1007
00:53:34,160 --> 00:53:36,600
Speaker 1: for Drake when Drake was just little Jimmy from fucking

1008
00:53:37,200 --> 00:53:39,719
Speaker 1: We don't cheer Jimmy guy. I don't know. Here's what

1009
00:53:39,760 --> 00:53:43,160
Speaker 1: I'm saying. So Drake, Drake got on. He wrote a

1010
00:53:43,239 --> 00:53:46,360
Speaker 1: couple of verses for for Wayne. Wayne liked him, Wayne

1011
00:53:46,360 --> 00:53:49,000
Speaker 1: signed him young money, and then that's how Drake got on.

1012
00:53:49,719 --> 00:53:52,879
Speaker 1: I'm not saying Drake consistently wrote for Wayne, but that's

1013
00:53:52,880 --> 00:53:55,959
Speaker 1: how Drake got his shine at first, and then Drake

1014
00:53:56,040 --> 00:53:58,520
Speaker 1: took the power and ran with it. Now Drake spits

1015
00:53:58,600 --> 00:54:01,200
Speaker 1: hit after hit after hit. Have to hit. Drake's the

1016
00:54:01,320 --> 00:54:03,399
Speaker 1: only one from this generation is still gonna be around

1017
00:54:03,400 --> 00:54:05,800
Speaker 1: in twenty years and kids going to go see definitely

1018
00:54:05,840 --> 00:54:08,359
Speaker 1: tell what you like him my hatum, it's it's it's,

1019
00:54:08,480 --> 00:54:10,320
Speaker 1: it's it's a it's a fact that he's going to

1020
00:54:10,400 --> 00:54:13,279
Speaker 1: be there. And I don't like this era of music

1021
00:54:13,400 --> 00:54:15,560
Speaker 1: at all, But Drake is the one kid. Not because

1022
00:54:15,560 --> 00:54:17,719
Speaker 1: I'm from Toronto, but Drake is the one kid. When

1023
00:54:17,719 --> 00:54:20,160
Speaker 1: I hear him, I go, hey, I recognize his voice.

1024
00:54:20,880 --> 00:54:23,239
Speaker 1: Be he's saying some ship other than the ODI A

1025
00:54:23,360 --> 00:54:27,120
Speaker 1: five words repeated. He says he spits like an MC,

1026
00:54:27,280 --> 00:54:30,480
Speaker 1: but he spits it to this era's too. So I

1027
00:54:30,560 --> 00:54:33,680
Speaker 1: respect the kid a lot. And if he has a ghostwriter,

1028
00:54:34,040 --> 00:54:36,840
Speaker 1: he needs one right now. It's like he's got so

1029
00:54:37,000 --> 00:54:39,520
Speaker 1: much ship happening, but you can't take that time off.

1030
00:54:39,880 --> 00:54:41,920
Speaker 1: What you're saying is great, it's it's it's facts too

1031
00:54:42,440 --> 00:54:45,160
Speaker 1: as well. No, one's not anything you're saying, But what

1032
00:54:45,239 --> 00:54:49,360
Speaker 1: I'm saying is the actual act. He was critiqued in

1033
00:54:49,440 --> 00:54:51,880
Speaker 1: a very wrong manner. Yeah, well they went out and

1034
00:54:51,880 --> 00:54:53,319
Speaker 1: they just wanted to go out. And but you've got

1035
00:54:53,360 --> 00:54:56,280
Speaker 1: people like Easy who said ice Cube writes the rhymes

1036
00:54:56,480 --> 00:55:00,080
Speaker 1: that literally really wasn't MC. Yeah, it doesn't mean he

1037
00:55:00,800 --> 00:55:02,640
Speaker 1: wasn't that when he got on the mic. Don't you

1038
00:55:02,640 --> 00:55:04,480
Speaker 1: know at that time he did. He didn't know at

1039
00:55:04,560 --> 00:55:06,440
Speaker 1: the time, but he was the hut He didn't I'm

1040
00:55:06,480 --> 00:55:09,239
Speaker 1: not see. He didn't say I've got a whelm m

1041
00:55:09,280 --> 00:55:12,120
Speaker 1: see until after you know the ice Cube ship at

1042
00:55:12,320 --> 00:55:15,359
Speaker 1: Anybody really paying attention couldn't know him. Well, I think

1043
00:55:15,400 --> 00:55:17,359
Speaker 1: it was two earlier. It's like when Drake was fine, man,

1044
00:55:17,520 --> 00:55:19,440
Speaker 1: he wasn't right. We all knew that. I didn't know that.

1045
00:55:19,840 --> 00:55:21,759
Speaker 1: I didn't know that. I do when when I first

1046
00:55:22,719 --> 00:55:26,520
Speaker 1: ice Cube, that's what you know, I I I didn't know.

1047
00:55:26,680 --> 00:55:28,600
Speaker 1: I didn't know. I thought as a fan when I

1048
00:55:28,680 --> 00:55:30,840
Speaker 1: first heard in w A. Wren was the guy that

1049
00:55:30,880 --> 00:55:33,160
Speaker 1: I was like, Yo, that was my favorite. See I

1050
00:55:33,239 --> 00:55:35,399
Speaker 1: have been done Cube. When he went solo, I was like, yo,

1051
00:55:35,600 --> 00:55:38,279
Speaker 1: let's just make it one of the best. But his

1052
00:55:38,400 --> 00:55:42,160
Speaker 1: boards is one of my favorite. I love who went

1053
00:55:42,360 --> 00:55:44,880
Speaker 1: to Bis used to run for Bis, right, you know

1054
00:55:45,480 --> 00:55:47,520
Speaker 1: damn that everything? But you know what and he didn't

1055
00:55:47,560 --> 00:55:49,160
Speaker 1: take it away? But Chaine roll for everybody in the

1056
00:55:49,239 --> 00:55:56,640
Speaker 1: Juice crew, right, not not grap but like Sean think neither, yeah, Craige.

1057
00:55:57,440 --> 00:56:00,279
Speaker 1: But see, see the thing is when you when you

1058
00:56:00,360 --> 00:56:04,239
Speaker 1: got how many people you know? So how many people

1059
00:56:04,320 --> 00:56:06,520
Speaker 1: you know write their own movies, write their own books?

1060
00:56:06,920 --> 00:56:09,360
Speaker 1: You know, I mean you got this is your story,

1061
00:56:09,480 --> 00:56:11,120
Speaker 1: This is what you're telling this, it's your star. You

1062
00:56:11,120 --> 00:56:12,839
Speaker 1: know what I'm saying this, I don't. I don't think

1063
00:56:12,920 --> 00:56:14,520
Speaker 1: like I got a line of collection where I say

1064
00:56:14,520 --> 00:56:16,399
Speaker 1: I don't got time to hate on Drake. I'm trying

1065
00:56:16,440 --> 00:56:18,719
Speaker 1: to make my own motherfucking kick. And I think a

1066
00:56:18,760 --> 00:56:21,320
Speaker 1: lot of times people get too caught up in watching

1067
00:56:21,360 --> 00:56:26,160
Speaker 1: another man's pockets looking at another man's relationships, we become

1068
00:56:26,280 --> 00:56:29,680
Speaker 1: so fucking like fucking bitches, always in the middle of

1069
00:56:29,760 --> 00:56:32,960
Speaker 1: somebody else's ship. What I'm saying, you started charging your

1070
00:56:33,000 --> 00:56:35,960
Speaker 1: failures by that successful and then when you fail, you

1071
00:56:36,040 --> 00:56:38,520
Speaker 1: blame them, and when you win, you take credit for

1072
00:56:38,640 --> 00:56:41,080
Speaker 1: this like that that. Man do that. Man gotta god

1073
00:56:41,080 --> 00:56:44,279
Speaker 1: fend this motherfucking business. If Drake walked into anybody, if

1074
00:56:44,320 --> 00:56:46,520
Speaker 1: you walked on any of these rappers right now, say yo,

1075
00:56:46,600 --> 00:56:48,880
Speaker 1: They're going Twitter say Drake that they're gonna write this

1076
00:56:48,960 --> 00:56:51,080
Speaker 1: rounds and Drake, Yo, man, you want to I want

1077
00:56:51,120 --> 00:56:55,480
Speaker 1: to sign you. I like you because switch just like that,

1078
00:56:55,840 --> 00:56:57,880
Speaker 1: I can't tell me. And here's the other thing that

1079
00:56:58,080 --> 00:57:00,279
Speaker 1: isn't like kind of comedy though, Like did you guys

1080
00:57:00,320 --> 00:57:03,080
Speaker 1: get frowned up all like for once? For once, for one,

1081
00:57:03,360 --> 00:57:05,759
Speaker 1: I've seen Kevin Hard say some ship, and then I've

1082
00:57:05,760 --> 00:57:08,520
Speaker 1: seen a bunch of commedias like, oh man, you don't

1083
00:57:08,520 --> 00:57:11,520
Speaker 1: write your ship, and it almost felt great. Here here's

1084
00:57:11,520 --> 00:57:14,719
Speaker 1: the thing for Kevin. Kevin is the hardest working motherfucker

1085
00:57:14,800 --> 00:57:17,440
Speaker 1: in this game. But I will never outwork him. No

1086
00:57:17,800 --> 00:57:21,720
Speaker 1: comic in this game will outwork Kevin Hard. Ever, so

1087
00:57:22,000 --> 00:57:24,800
Speaker 1: if Kevin does even in fact having a ghostwriter or

1088
00:57:24,880 --> 00:57:27,200
Speaker 1: two or three or four, which I cannot say he

1089
00:57:27,280 --> 00:57:29,240
Speaker 1: does or not. I think he admitted to it, I think,

1090
00:57:29,840 --> 00:57:31,600
Speaker 1: but I think what he had don't. Here's the thing,

1091
00:57:31,760 --> 00:57:35,080
Speaker 1: and people say ghostwriter. People think this person writes every

1092
00:57:35,120 --> 00:57:37,520
Speaker 1: word coming out your mouth. What they do is give

1093
00:57:37,560 --> 00:57:41,280
Speaker 1: you uh an idea and then you take a co producer.

1094
00:57:41,520 --> 00:57:43,840
Speaker 1: It's basically what it is like. If Kevin doesn't have

1095
00:57:43,920 --> 00:57:46,040
Speaker 1: somebody doing that, it's somebody going, hey, Kevin, have you

1096
00:57:46,120 --> 00:57:49,880
Speaker 1: thought about maybe blah blah blah? And then he spits it.

1097
00:57:50,520 --> 00:57:52,600
Speaker 1: And that's how it is. Somebody. All it is is

1098
00:57:52,640 --> 00:57:56,800
Speaker 1: people who inspire you and Kevin No never. I got

1099
00:57:56,880 --> 00:57:59,920
Speaker 1: one guy named Ruben Paul who's he'll be out here

1100
00:57:59,920 --> 00:58:01,640
Speaker 1: in Miami. Improp with me on weekend if you want

1101
00:58:01,640 --> 00:58:08,280
Speaker 1: to come through. Yeah, from tomorrow till Monday. Um. But

1102
00:58:08,640 --> 00:58:10,560
Speaker 1: Ruben is the only guy I trust in this game

1103
00:58:10,600 --> 00:58:13,560
Speaker 1: who can watch my set because I sp Spanish. Guy

1104
00:58:13,600 --> 00:58:17,680
Speaker 1: with the long hand. No, No, he's a patient with Okay.

1105
00:58:17,800 --> 00:58:20,600
Speaker 1: I told him he talk about his mother, I'll roughed

1106
00:58:20,640 --> 00:58:23,360
Speaker 1: his mother and talking about how his mother puts race

1107
00:58:23,440 --> 00:58:25,680
Speaker 1: on the pizza. He said he said, his mother goes

1108
00:58:25,720 --> 00:58:27,320
Speaker 1: to any hood and be like, this is nice. It

1109
00:58:27,400 --> 00:58:32,000
Speaker 1: comes to food. Yeah, because you know he's gonna he's Haitian.

1110
00:58:32,040 --> 00:58:42,560
Speaker 1: That's my Haitian friend. Another one, right, there's something America.

1111
00:58:42,800 --> 00:58:46,400
Speaker 1: Listen and Canada or North America and everybody, everybody that

1112
00:58:46,520 --> 00:58:48,920
Speaker 1: had at least one Haitian friend. Yeah, at least one.

1113
00:58:50,080 --> 00:58:54,840
Speaker 1: A lot of Miami seventeen were in the Miami Brooklyn

1114
00:58:55,080 --> 00:58:59,040
Speaker 1: got a bunch of Haitian friends. Yeah, he said, yeah, yeah, yeah,

1115
00:58:59,400 --> 00:59:01,520
Speaker 1: he's got it. You're gonna cry when I tell him,

1116
00:59:01,560 --> 00:59:04,680
Speaker 1: Nori knows your acts. Yes, yes, I did. I actually

1117
00:59:05,040 --> 00:59:07,000
Speaker 1: see your chemistry. I see you in the back of

1118
00:59:07,040 --> 00:59:09,919
Speaker 1: the car. I see your chemistry. So he can watch

1119
00:59:10,040 --> 00:59:12,640
Speaker 1: me and organize my ship because I'm mad scrambled. Tell

1120
00:59:12,680 --> 00:59:15,400
Speaker 1: you you'll know he'll be like, yeah, you have to

1121
00:59:15,440 --> 00:59:17,560
Speaker 1: see that bit, put that over there, and put this

1122
00:59:17,720 --> 00:59:21,000
Speaker 1: over there. Good and and I My sets flow seamlessly

1123
00:59:21,120 --> 00:59:23,000
Speaker 1: when he doesn't. So let me ask you something. When

1124
00:59:23,040 --> 00:59:26,160
Speaker 1: you film a special, because you've got like fifteen shooting

1125
00:59:26,160 --> 00:59:31,000
Speaker 1: the new one in India, in India, in the motherland,

1126
00:59:31,160 --> 00:59:35,600
Speaker 1: I'm thinking about going you want I'm taking about let's

1127
00:59:35,640 --> 00:59:44,160
Speaker 1: do it I've never been. I'm thinking about going coming

1128
00:59:44,200 --> 00:59:47,760
Speaker 1: to Chainment. So you got fifteen million specialist, right. So

1129
00:59:47,880 --> 00:59:50,640
Speaker 1: what I'm saying is, how do when when you feel

1130
00:59:50,680 --> 00:59:53,560
Speaker 1: my special you're feeling in different places and you're taking

1131
00:59:53,600 --> 00:59:56,680
Speaker 1: the best parts of shoot it. I NEI to shoot

1132
00:59:56,680 --> 00:59:59,720
Speaker 1: it over one night or two nights, but very rarely

1133
00:59:59,760 --> 01:00:02,280
Speaker 1: do I splice them together to make one show. I

1134
01:00:02,360 --> 01:00:05,440
Speaker 1: did that once, I think on my Green Card tour, um,

1135
01:00:05,800 --> 01:00:08,720
Speaker 1: I spliced two nights into one night. And that's why

1136
01:00:08,720 --> 01:00:11,360
Speaker 1: if you watch it, you'll see I'm talking the audience

1137
01:00:11,400 --> 01:00:14,480
Speaker 1: and the audience looks different at two different times. Where's

1138
01:00:14,520 --> 01:00:17,640
Speaker 1: that black so a minute ago, he's gone. But I

1139
01:00:17,760 --> 01:00:19,680
Speaker 1: try to get to it in one take, just because

1140
01:00:20,080 --> 01:00:21,920
Speaker 1: I like the seamlessness of it all. I like it

1141
01:00:22,000 --> 01:00:24,520
Speaker 1: to be real. And I'll call myself out if I'll

1142
01:00:24,560 --> 01:00:27,120
Speaker 1: tell people, yoh, that's two nights. I did that joke

1143
01:00:27,240 --> 01:00:29,080
Speaker 1: better the second night, so I took that one, you

1144
01:00:29,120 --> 01:00:30,680
Speaker 1: know what I mean? But I try not to do

1145
01:00:30,760 --> 01:00:33,240
Speaker 1: it like that. Why is it a downfall to do

1146
01:00:33,320 --> 01:00:34,960
Speaker 1: it that? It just says a personal thing. It's a

1147
01:00:35,000 --> 01:00:37,400
Speaker 1: personal thing for me because I remember, like I forget

1148
01:00:37,480 --> 01:00:41,040
Speaker 1: who they did a tour and you can tell there

1149
01:00:41,120 --> 01:00:43,840
Speaker 1: was Chris Rock. Chris did it over but he he

1150
01:00:44,240 --> 01:00:46,760
Speaker 1: intentionally did that. It's like over three cities or three continents,

1151
01:00:46,800 --> 01:00:48,919
Speaker 1: so what it was, and it was like the same

1152
01:00:49,040 --> 01:00:52,680
Speaker 1: act in three different cities. I don't think it flowed

1153
01:00:52,760 --> 01:00:55,280
Speaker 1: the same way he hoped it would, because because you

1154
01:00:56,360 --> 01:00:58,040
Speaker 1: right now, I feel me no, no, it's other thing.

1155
01:00:58,120 --> 01:00:59,800
Speaker 1: You would have needed to know what the act was

1156
01:01:00,200 --> 01:01:03,080
Speaker 1: in one city in order to watch it happen over three.

1157
01:01:03,120 --> 01:01:05,280
Speaker 1: It's kind of like somebody performed the song that you know,

1158
01:01:06,240 --> 01:01:08,080
Speaker 1: and then you know, you see it happening in three

1159
01:01:08,120 --> 01:01:09,720
Speaker 1: in parts, you can piece it together and it makes

1160
01:01:09,720 --> 01:01:12,360
Speaker 1: sense to you. But with comedy, you don't know, uh

1161
01:01:12,640 --> 01:01:15,400
Speaker 1: that it's it's gonna go like that. Well, we're just

1162
01:01:15,440 --> 01:01:19,400
Speaker 1: starting promoting right now. Let the people know that. September six,

1163
01:01:19,960 --> 01:01:23,800
Speaker 1: I'm trying to do the quadruple play, which means we're

1164
01:01:23,800 --> 01:01:26,920
Speaker 1: doing a podcast in New York in the daytime. Then

1165
01:01:26,960 --> 01:01:31,680
Speaker 1: we're doing a show maybe component Noriega, maybe justin Oriega component,

1166
01:01:31,760 --> 01:01:34,560
Speaker 1: and then we're flying to l A. We're doing a

1167
01:01:34,680 --> 01:01:37,680
Speaker 1: podcast and the show there. I want to be the

1168
01:01:37,920 --> 01:01:39,439
Speaker 1: want to be there. I want to be the first

1169
01:01:39,560 --> 01:01:44,320
Speaker 1: Dion standers type to do this. Uh so we're announced

1170
01:01:44,440 --> 01:01:50,880
Speaker 1: this right here. I I'm inspired because I really looked

1171
01:01:50,920 --> 01:01:54,840
Speaker 1: at it today when when first off, when they say, yo,

1172
01:01:55,360 --> 01:01:58,400
Speaker 1: first of all, you're you're probably the coolest comedian right

1173
01:01:58,440 --> 01:02:06,160
Speaker 1: now because you're bronck be knuckles, Freddie fucking We've had

1174
01:02:06,240 --> 01:02:09,160
Speaker 1: mys on here, We've had Marlon Wayne's on the head,

1175
01:02:09,280 --> 01:02:13,800
Speaker 1: We've had no comedi comedia porters like this is this

1176
01:02:14,000 --> 01:02:16,000
Speaker 1: is just so you just got because those guys to

1177
01:02:16,080 --> 01:02:17,640
Speaker 1: stand on their own, I needed somebody to give me you.

1178
01:02:18,680 --> 01:02:23,000
Speaker 1: I needed to bring everybody the factors that comedians have

1179
01:02:23,120 --> 01:02:26,120
Speaker 1: been one of my favorite episodes. Yeah, I watched the

1180
01:02:26,200 --> 01:02:29,120
Speaker 1: Jazzy Jeff one, so you know, you know, you know

1181
01:02:29,320 --> 01:02:33,000
Speaker 1: one of the things that I a maya about you,

1182
01:02:33,600 --> 01:02:38,040
Speaker 1: you're you're always a comedian and that's that's what was

1183
01:02:39,000 --> 01:02:41,960
Speaker 1: great to me. Like, one thing is that struck me

1184
01:02:42,000 --> 01:02:44,280
Speaker 1: about Marlon Wayne's was I cracked a joke on Marl

1185
01:02:44,320 --> 01:02:47,160
Speaker 1: and Waynes. This is bad, which is bad on my behalf.

1186
01:02:47,280 --> 01:02:49,000
Speaker 1: Like I've seen him, he hadn't spanding. I was like,

1187
01:02:49,040 --> 01:02:52,360
Speaker 1: come on, brother, he was like what And I seen

1188
01:02:52,480 --> 01:02:57,880
Speaker 1: him literally stable fifteen million jokes in his mind. He

1189
01:02:58,000 --> 01:03:00,840
Speaker 1: was like, what he's like, I never remember I had

1190
01:03:00,920 --> 01:03:03,560
Speaker 1: like this was like I had like every chain out, Hey,

1191
01:03:03,760 --> 01:03:05,600
Speaker 1: we did the show. No, this is how we got.

1192
01:03:05,760 --> 01:03:08,400
Speaker 1: We got the show because I had like every chain

1193
01:03:08,480 --> 01:03:11,080
Speaker 1: on in mind. He just he could tell. He made

1194
01:03:11,240 --> 01:03:14,000
Speaker 1: every joke about the fifty million chains I had on

1195
01:03:14,240 --> 01:03:16,080
Speaker 1: in a bit one and I was just like, before

1196
01:03:16,120 --> 01:03:18,320
Speaker 1: he even says some I was like, yo, yo, my back,

1197
01:03:21,120 --> 01:03:24,760
Speaker 1: I said, I've really seen a comedian work. It's the

1198
01:03:24,800 --> 01:03:27,280
Speaker 1: same thing like when we connected. It was like we

1199
01:03:27,400 --> 01:03:29,240
Speaker 1: were sitting down and we were talking regular, but it

1200
01:03:29,360 --> 01:03:31,400
Speaker 1: was just like it's so much in you, and like

1201
01:03:31,480 --> 01:03:34,200
Speaker 1: when you look at your act like you can't help it,

1202
01:03:34,320 --> 01:03:37,880
Speaker 1: Like you can't help with your improv. You always always

1203
01:03:37,920 --> 01:03:45,440
Speaker 1: be like, hey, but with your name, every er, you

1204
01:03:45,440 --> 01:03:48,120
Speaker 1: know what you can get. You know, thirty minutes into

1205
01:03:48,160 --> 01:03:50,840
Speaker 1: the show, he'll go back at that same person, his name,

1206
01:03:51,000 --> 01:03:54,800
Speaker 1: remember his name. That ship is amazing. I was some

1207
01:03:54,920 --> 01:03:57,280
Speaker 1: old lacist white guys, you know, the English guy that

1208
01:03:57,400 --> 01:03:59,840
Speaker 1: was very hairy, and then you and you came back.

1209
01:04:00,080 --> 01:04:02,320
Speaker 1: You remember all that ship. You don't spoke to marijuana

1210
01:04:02,360 --> 01:04:04,080
Speaker 1: at all, No, but I don't mind. I like I

1211
01:04:04,160 --> 01:04:05,680
Speaker 1: like when it's smoked in front of me because I

1212
01:04:06,080 --> 01:04:12,400
Speaker 1: kind of like, I love when I love him, don't

1213
01:04:12,480 --> 01:04:16,520
Speaker 1: him when he was in that Steven Seagal movie. I

1214
01:04:16,600 --> 01:04:27,760
Speaker 1: tell you, oh, I'm not. Are you even we standing there?

1215
01:04:28,800 --> 01:04:35,520
Speaker 1: What are you? The hair works, so those two you

1216
01:04:35,560 --> 01:04:38,800
Speaker 1: shouldn't have a word with the happy more than cheese.

1217
01:04:39,760 --> 01:04:43,800
Speaker 1: You look the crazy shout your actor is right, it's

1218
01:04:44,000 --> 01:04:47,160
Speaker 1: very like borderline. Like you know, race, I try to

1219
01:04:47,280 --> 01:04:49,720
Speaker 1: basically always try to be, but here's a crazy thing.

1220
01:04:49,840 --> 01:04:51,720
Speaker 1: So I thought at first I was like, yo, man,

1221
01:04:52,160 --> 01:04:54,880
Speaker 1: he got to be careful. But then when I looked

1222
01:04:54,920 --> 01:04:58,000
Speaker 1: at everything, I was like, that's exactly what you should

1223
01:04:58,080 --> 01:05:02,280
Speaker 1: not be. The thing is, every race is funny. Every

1224
01:05:02,400 --> 01:05:05,880
Speaker 1: race is prejudiced people people. People get it because I

1225
01:05:06,000 --> 01:05:07,800
Speaker 1: go in when I talk about their national out of

1226
01:05:07,800 --> 01:05:10,000
Speaker 1: the culture of the race whatever I talked about it

1227
01:05:10,080 --> 01:05:13,160
Speaker 1: from ship that they think only they know about themselves,

1228
01:05:13,800 --> 01:05:16,560
Speaker 1: and that's when they go, okay, hold on, it's true

1229
01:05:16,760 --> 01:05:20,000
Speaker 1: that he knows us. We can't be offended right now.

1230
01:05:21,000 --> 01:05:25,520
Speaker 1: Like Cubans, you know what I mean? Like, you know

1231
01:05:25,560 --> 01:05:27,320
Speaker 1: what happens when the Cuban gets a flat tire, right,

1232
01:05:27,360 --> 01:05:36,240
Speaker 1: they drown? Like my, my girl, just real, My girls

1233
01:05:36,320 --> 01:05:38,959
Speaker 1: Mexican and Honduran. Right, and when she was in labor

1234
01:05:39,040 --> 01:05:41,160
Speaker 1: and they broke her water, Candy's fell out of her.

1235
01:05:41,400 --> 01:05:51,400
Speaker 1: That's how Mexican is. Huh, don't listen. I'm gonna be honest.

1236
01:05:53,000 --> 01:05:55,120
Speaker 1: By the way, I don't want to take tyga phone.

1237
01:05:55,440 --> 01:05:59,120
Speaker 1: But I could see the fans right now, this is

1238
01:05:59,400 --> 01:06:03,680
Speaker 1: it's coming here and that we have. But you guys

1239
01:06:03,720 --> 01:06:08,440
Speaker 1: are legends. We can't we can't come here and you know, pause,

1240
01:06:08,800 --> 01:06:12,360
Speaker 1: we don't have a Mr. Lee Do you want to

1241
01:06:12,480 --> 01:06:19,720
Speaker 1: beat demnicate? Right? I mean it's a bit us. We

1242
01:06:19,800 --> 01:06:23,720
Speaker 1: got a Hispanic red bone. It's a medicant. Stand about

1243
01:06:23,720 --> 01:06:26,919
Speaker 1: the medicates? Should the manicets been carefully? You're shanky? Yeah,

1244
01:06:29,560 --> 01:06:35,040
Speaker 1: there a five figure Let's see how you calling active shot.

1245
01:06:35,720 --> 01:06:40,560
Speaker 1: It's just sucking, mama, wana mama. You just like me,

1246
01:06:40,680 --> 01:06:45,440
Speaker 1: a little little You can do this one got its

1247
01:06:45,560 --> 01:06:50,439
Speaker 1: health shot. Yeah, he healthy. If somebody plays some chapter

1248
01:06:50,440 --> 01:06:59,080
Speaker 1: while he's poring by, all right, come on, you better

1249
01:06:59,120 --> 01:07:09,560
Speaker 1: finish two ships. Chat y'all, y y'all to one of

1250
01:07:09,640 --> 01:07:22,200
Speaker 1: fucking Russell Painters. Freddy fucking fucking five numbers, Eric Babyball.

1251
01:07:23,160 --> 01:07:28,400
Speaker 1: My money was like dog piss. Yeah. I never said

1252
01:07:28,440 --> 01:07:33,280
Speaker 1: it was good. Should take Roman. Let me ask agent

1253
01:07:33,360 --> 01:07:35,400
Speaker 1: say secret we just gave you and when I just

1254
01:07:35,440 --> 01:07:38,160
Speaker 1: drink what I was going about you is I understand

1255
01:07:38,320 --> 01:07:40,280
Speaker 1: and it won't take you to see that you understand

1256
01:07:40,320 --> 01:07:44,480
Speaker 1: the Internet. You understanding in real time. One of our brothers,

1257
01:07:45,320 --> 01:07:49,240
Speaker 1: Caress one, Yeah, I had him on here and I

1258
01:07:49,320 --> 01:07:52,040
Speaker 1: don't think he understood the Internet at the time, because

1259
01:07:52,040 --> 01:07:55,400
Speaker 1: what happened was this is when avacam about a story

1260
01:07:55,520 --> 01:07:59,080
Speaker 1: first broke right? Which one the first one? The first

1261
01:07:59,120 --> 01:08:02,160
Speaker 1: one right, the one so we were all hurt in

1262
01:08:02,240 --> 01:08:04,840
Speaker 1: hip hop or the one that you know it did

1263
01:08:04,920 --> 01:08:08,200
Speaker 1: you really virally because you know everyone had heard obviously

1264
01:08:08,320 --> 01:08:10,840
Speaker 1: things before, but this is the first time. We try

1265
01:08:10,880 --> 01:08:13,400
Speaker 1: to keep it that for us, just first time we

1266
01:08:13,520 --> 01:08:17,800
Speaker 1: had seen it virally right. So Cares came here and

1267
01:08:17,920 --> 01:08:19,960
Speaker 1: we asked them. So he was like, yo, you know,

1268
01:08:20,040 --> 01:08:23,160
Speaker 1: what do you think about the bambottle ship. So I

1269
01:08:23,240 --> 01:08:25,160
Speaker 1: don't think he had heard of it, taking that we

1270
01:08:25,200 --> 01:08:28,559
Speaker 1: already was. He knew, so you know because sometimes well

1271
01:08:28,920 --> 01:08:32,000
Speaker 1: hold us episode of dropping two weeks later, you know,

1272
01:08:32,600 --> 01:08:38,519
Speaker 1: you know sometimes, So what happened was, um, we asked

1273
01:08:38,600 --> 01:08:41,680
Speaker 1: him about the bam bottleship and his response was, well,

1274
01:08:41,800 --> 01:08:45,280
Speaker 1: I don't care. I got Bam bottles back um, but

1275
01:08:45,400 --> 01:08:47,800
Speaker 1: he didn't no, no, no, no no, But yeah he didn't.

1276
01:08:47,840 --> 01:08:52,519
Speaker 1: We just he he didn't know about it yet, he

1277
01:08:52,600 --> 01:08:55,120
Speaker 1: didn't hear about it. But so basically on him not

1278
01:08:55,240 --> 01:08:57,400
Speaker 1: knowing any of the facts, he's not going to comment

1279
01:08:57,520 --> 01:09:00,680
Speaker 1: and he's gonna have his back until he knows more

1280
01:09:00,720 --> 01:09:03,479
Speaker 1: of the facts. So what happens is the episode comes out.

1281
01:09:03,720 --> 01:09:07,040
Speaker 1: When the episode comes out, so many people couldique him. Yeah,

1282
01:09:07,479 --> 01:09:10,920
Speaker 1: it was we had no contact with with Careres, but

1283
01:09:11,080 --> 01:09:12,840
Speaker 1: we wanted him to just say because he don't know

1284
01:09:12,960 --> 01:09:20,760
Speaker 1: he went to do a show, hen so he needs

1285
01:09:22,720 --> 01:09:27,240
Speaker 1: for one line, I didn't know Africa ran Model's allegations.

1286
01:09:27,320 --> 01:09:30,000
Speaker 1: That was it was very simple because at the time

1287
01:09:30,080 --> 01:09:31,760
Speaker 1: he would have got it fully away from them. Like

1288
01:09:31,840 --> 01:09:34,920
Speaker 1: I said, we couldn't get in contact with him. But

1289
01:09:35,000 --> 01:09:38,040
Speaker 1: you seem like somebody that's very abbreast of what's going on.

1290
01:09:40,960 --> 01:09:43,120
Speaker 1: How do you think he could have handled that situation?

1291
01:09:43,880 --> 01:09:49,479
Speaker 1: Chris y Chris, Chris, yes or both. Chris is a

1292
01:09:49,520 --> 01:09:52,679
Speaker 1: super intelligent dude. I think I think had he didn't

1293
01:09:52,680 --> 01:09:55,880
Speaker 1: given the facts, probably at the time we didn't even

1294
01:09:55,920 --> 01:09:58,599
Speaker 1: I think it was just answer and just an allegat.

1295
01:09:58,640 --> 01:10:01,519
Speaker 1: I also think it's unfair for everybody to want you

1296
01:10:01,680 --> 01:10:04,160
Speaker 1: to fucking hang somebody because they want to hang, right

1297
01:10:04,280 --> 01:10:06,040
Speaker 1: exactly what I'm saying, I'm not. I'm not want to

1298
01:10:06,560 --> 01:10:10,479
Speaker 1: never hanging. Not a big fan of interest, being interested

1299
01:10:10,520 --> 01:10:12,479
Speaker 1: in what other dudes do, what they swipe, and all that.

1300
01:10:13,200 --> 01:10:17,600
Speaker 1: But I'm also not a fan of violating people's you know, sexuality.

1301
01:10:17,680 --> 01:10:19,160
Speaker 1: You know, I don't get into none of that ship

1302
01:10:19,600 --> 01:10:21,960
Speaker 1: because I feel like that's out of bounds. You know,

1303
01:10:22,160 --> 01:10:25,280
Speaker 1: for once you speak on somebody else's personal ship, now

1304
01:10:25,360 --> 01:10:27,880
Speaker 1: you got to own the ramifications of your critiquing it.

1305
01:10:28,439 --> 01:10:30,120
Speaker 1: You say something about the motherfucking and you don't know

1306
01:10:30,160 --> 01:10:31,679
Speaker 1: what it is, and you funk around, get your front

1307
01:10:31,800 --> 01:10:40,080
Speaker 1: knocked out. Now you gotta own that. You've got to

1308
01:10:40,120 --> 01:10:41,640
Speaker 1: really be ready to know what you're talking about. A

1309
01:10:41,680 --> 01:10:43,600
Speaker 1: lot of times people be so busy worrying about what

1310
01:10:43,680 --> 01:10:46,200
Speaker 1: other motherfucker's is doing. Like I said before, you're always

1311
01:10:46,200 --> 01:10:49,280
Speaker 1: in another man's business or another person's business. You know,

1312
01:10:49,320 --> 01:10:51,240
Speaker 1: it's different than somebody jump on the internet, and do

1313
01:10:51,400 --> 01:10:52,920
Speaker 1: you know when the girl jump on the internet and

1314
01:10:52,960 --> 01:10:54,560
Speaker 1: getting neck in and do all kind of ship and

1315
01:10:54,640 --> 01:10:57,479
Speaker 1: dudes come at a certain way. She kind of owns

1316
01:10:57,560 --> 01:10:59,800
Speaker 1: that because the way she's carrying herselves. But when you

1317
01:10:59,880 --> 01:11:02,160
Speaker 1: just ass and random motherfucker, you know what you think

1318
01:11:02,160 --> 01:11:04,200
Speaker 1: about this guy, and you start saying it about them

1319
01:11:04,240 --> 01:11:06,080
Speaker 1: and you don't leave them to it, you don't really

1320
01:11:06,160 --> 01:11:08,000
Speaker 1: know what the fucking ship is and you get your

1321
01:11:08,040 --> 01:11:11,000
Speaker 1: ass beat, That's a whole another ball game, man. So

1322
01:11:11,120 --> 01:11:15,000
Speaker 1: I'm very cautious about that kind of input for myself

1323
01:11:15,000 --> 01:11:16,519
Speaker 1: because you was kind of caught up with a little

1324
01:11:16,760 --> 01:11:20,040
Speaker 1: in that controversy where you did a DJ Black and

1325
01:11:20,080 --> 01:11:23,520
Speaker 1: of you right, you said that you had a conversation

1326
01:11:23,600 --> 01:11:26,920
Speaker 1: with bird Man, but there's an actual audio of Windy

1327
01:11:27,080 --> 01:11:30,639
Speaker 1: Day saying that Nah bumpy Knuckles put on a gun

1328
01:11:30,840 --> 01:11:32,800
Speaker 1: on it. But it's kind of famous. Man, I don't

1329
01:11:32,800 --> 01:11:36,720
Speaker 1: like I like you. That fucking bron sold you out.

1330
01:11:37,800 --> 01:11:41,559
Speaker 1: I'm drunk now. I was about to happen. She didn't.

1331
01:11:41,560 --> 01:11:43,080
Speaker 1: She definitely didn't sell with a friend of mine. She

1332
01:11:43,160 --> 01:11:45,519
Speaker 1: did tell me up sheet. She felt like it was

1333
01:11:45,600 --> 01:11:50,800
Speaker 1: out there was actually like big yeah. She she when

1334
01:11:50,880 --> 01:11:53,080
Speaker 1: he's always been solid with me, Bro, She's always been

1335
01:11:53,120 --> 01:11:56,000
Speaker 1: cool people. She you know, I've never done any business

1336
01:11:56,080 --> 01:11:59,640
Speaker 1: with her. You know because she she was she she

1337
01:11:59,800 --> 01:12:02,080
Speaker 1: was was just out of just friends, bro, like Wendy

1338
01:12:02,160 --> 01:12:03,840
Speaker 1: Day is the real deal, like when I tell you

1339
01:12:03,920 --> 01:12:06,160
Speaker 1: the real deal, like that was just my homegirl, just in.

1340
01:12:06,520 --> 01:12:08,759
Speaker 1: She always used to put me into like these panels

1341
01:12:08,840 --> 01:12:12,040
Speaker 1: speaking panels and stuff like that. But I never did

1342
01:12:12,160 --> 01:12:14,320
Speaker 1: like she's a dealmaker, she knows how to make deals.

1343
01:12:14,400 --> 01:12:16,360
Speaker 1: I think she got beat on the deal something like that.

1344
01:12:16,600 --> 01:12:18,920
Speaker 1: But then if that's what she said to you, and

1345
01:12:20,160 --> 01:12:22,200
Speaker 1: and I met with bird Man, we had a conversation

1346
01:12:22,240 --> 01:12:24,040
Speaker 1: about it. She said, Bump, this is what's going on.

1347
01:12:24,240 --> 01:12:27,040
Speaker 1: And you know, so I said, let me talk to him.

1348
01:12:27,040 --> 01:12:29,920
Speaker 1: And you don't see what it is. So the exact

1349
01:12:30,040 --> 01:12:32,160
Speaker 1: exactly what happened is just what I'm about to tell you.

1350
01:12:32,240 --> 01:12:35,080
Speaker 1: That happen went to Hot nineties seven, me and to

1351
01:12:35,320 --> 01:12:38,600
Speaker 1: my guys. We went upstairs. Flexes, Me and Fletcher was

1352
01:12:38,640 --> 01:12:41,000
Speaker 1: cool at the time, so flex would let you up

1353
01:12:41,040 --> 01:12:42,760
Speaker 1: stairs when he was cool with you back on the days.

1354
01:12:42,760 --> 01:12:45,680
Speaker 1: And now you can't do that ship, but I want to.

1355
01:12:46,200 --> 01:12:47,800
Speaker 1: I went up still, dudes had to shoot out of

1356
01:12:47,840 --> 01:12:51,680
Speaker 1: the front of that. I don't know this, ye what

1357
01:12:52,000 --> 01:12:55,560
Speaker 1: I'm staying And I told I told the bird I

1358
01:12:55,560 --> 01:12:57,080
Speaker 1: see you man. You know, they would get ready and

1359
01:12:57,120 --> 01:12:59,519
Speaker 1: they would finishing I think finishing anyone way was this

1360
01:13:00,120 --> 01:13:05,000
Speaker 1: I don't even remember. I don't remember bro Okay so

1361
01:13:09,600 --> 01:13:14,200
Speaker 1: telling us the date. So I went upstairs. Wayne was there,

1362
01:13:14,320 --> 01:13:16,000
Speaker 1: you know, he you know, I set it up to

1363
01:13:16,080 --> 01:13:18,320
Speaker 1: him whatever, and he was. He had a couple of

1364
01:13:18,360 --> 01:13:20,840
Speaker 1: security guys with him. So Burn burn man, you know,

1365
01:13:21,000 --> 01:13:23,920
Speaker 1: he on his own, you know, he said, Yo, let's go,

1366
01:13:24,040 --> 01:13:26,360
Speaker 1: let's take a walk. So we walked down you know,

1367
01:13:26,439 --> 01:13:29,439
Speaker 1: we walked he knew, Yeah, we w downstairs and ship

1368
01:13:30,400 --> 01:13:33,320
Speaker 1: and I told him, I said, hey, man, um, this

1369
01:13:33,479 --> 01:13:37,639
Speaker 1: situation with Wendy Day, you know, is bubbling, and it's

1370
01:13:37,720 --> 01:13:39,080
Speaker 1: kind of a situation I want to I want to

1371
01:13:39,120 --> 01:13:41,040
Speaker 1: help her fix. So is any way I could get

1372
01:13:41,080 --> 01:13:43,439
Speaker 1: you and her to kind of hash this out. She's

1373
01:13:43,439 --> 01:13:45,559
Speaker 1: a good friend of mine x y Z. He said, yeah,

1374
01:13:45,760 --> 01:13:47,160
Speaker 1: we could do it, man, you know whatever. So I

1375
01:13:47,320 --> 01:13:50,200
Speaker 1: put him on the phone with her and I left

1376
01:13:50,280 --> 01:13:52,360
Speaker 1: the man with my phone talking to her, and I

1377
01:13:52,479 --> 01:13:56,680
Speaker 1: walked away. The gun incident came because there was a

1378
01:13:56,760 --> 01:14:01,479
Speaker 1: kid across the street that was lurking around and Birdman

1379
01:14:01,600 --> 01:14:03,680
Speaker 1: had a guy with him who kept noticing the guy

1380
01:14:03,800 --> 01:14:05,960
Speaker 1: and I was like it, I said, what's he was

1381
01:14:06,000 --> 01:14:07,760
Speaker 1: with you? Yeah, he thought the guy was with me,

1382
01:14:08,040 --> 01:14:10,080
Speaker 1: but the guy wasn't with me. So I told a

1383
01:14:10,120 --> 01:14:12,880
Speaker 1: guy to come in and I said, heyo, dog, come

1384
01:14:12,920 --> 01:14:15,120
Speaker 1: in for a second. And the kid came over there.

1385
01:14:15,160 --> 01:14:16,920
Speaker 1: And when he came over, I grabbed him and then

1386
01:14:17,000 --> 01:14:19,439
Speaker 1: I put the gun on him and I said, what

1387
01:14:19,520 --> 01:14:21,080
Speaker 1: you're doing over there? And he said, yo, I just

1388
01:14:21,160 --> 01:14:24,920
Speaker 1: want an autograph, And then I felt bad. I was like, oh, ship,

1389
01:14:25,000 --> 01:14:27,160
Speaker 1: you know, I put my ham over and I get

1390
01:14:27,240 --> 01:14:36,360
Speaker 1: you know, waiting for burn Man. So that's what that was,

1391
01:14:36,439 --> 01:14:39,320
Speaker 1: you know what I'm saying. So at that time, the kid,

1392
01:14:40,080 --> 01:14:42,360
Speaker 1: the kid, you know, Burman was talking to her and phone.

1393
01:14:42,360 --> 01:14:44,280
Speaker 1: The kid went back and went on his way, and

1394
01:14:44,400 --> 01:14:47,479
Speaker 1: I wanted to make sure Birdman's guy wasn't uncomfortable, you

1395
01:14:47,520 --> 01:14:50,160
Speaker 1: know what I'm saying. And then after him and Wendy

1396
01:14:50,240 --> 01:14:54,559
Speaker 1: talked York hcause you know, there's a cop coming around

1397
01:14:54,560 --> 01:14:58,160
Speaker 1: the corner every ten minutes. So that turned into me

1398
01:14:58,439 --> 01:15:01,200
Speaker 1: putting this man on the ground doing all this so bullshit,

1399
01:15:01,479 --> 01:15:03,360
Speaker 1: and it never happened that way, you know what I'm saying.

1400
01:15:03,640 --> 01:15:05,479
Speaker 1: I think I think there was a gun, but it

1401
01:15:05,560 --> 01:15:07,040
Speaker 1: had nothing to do with burn. Yeah I didn't. I

1402
01:15:07,200 --> 01:15:11,120
Speaker 1: wouldn't think you have reputation um proceeded itself at the time.

1403
01:15:11,200 --> 01:15:14,760
Speaker 1: But I think that, um, that's probably the reason why,

1404
01:15:14,880 --> 01:15:17,560
Speaker 1: because I'll look at you as an honorable man, like

1405
01:15:17,880 --> 01:15:19,439
Speaker 1: people put the two on the team, you know, gave

1406
01:15:19,479 --> 01:15:22,960
Speaker 1: you enough tag of bones and if you you would

1407
01:15:23,000 --> 01:15:25,320
Speaker 1: have just you know, you know what I mean, like, yeah, yeah,

1408
01:15:25,400 --> 01:15:27,920
Speaker 1: you would have been But but I think that's honorable.

1409
01:15:27,920 --> 01:15:30,320
Speaker 1: I think even you stepping up saying that you even

1410
01:15:30,560 --> 01:15:33,120
Speaker 1: never even did business for Wendy Day, you wanted to

1411
01:15:33,200 --> 01:15:34,960
Speaker 1: do that. I think that's just honorable. I think that

1412
01:15:35,080 --> 01:15:36,800
Speaker 1: hip hop that's the reason why we started the show.

1413
01:15:36,840 --> 01:15:40,040
Speaker 1: It's just we want to keep honoring you know, you

1414
01:15:40,160 --> 01:15:42,560
Speaker 1: want to do another shot t bones me and like,

1415
01:15:42,880 --> 01:15:47,280
Speaker 1: come on, let's leave me still us because you because

1416
01:15:47,320 --> 01:15:49,280
Speaker 1: I don't want another one of them tiging ones. I'm

1417
01:15:49,320 --> 01:15:52,880
Speaker 1: pushing him out of his chair and I'm taking a lot.

1418
01:15:52,960 --> 01:15:56,559
Speaker 1: That's the one thing I've seen about jokes. Everybody getting

1419
01:15:57,240 --> 01:16:00,360
Speaker 1: any cat he's like when they got it. Actually, listen,

1420
01:16:00,439 --> 01:16:04,680
Speaker 1: listen to some beach talking literally rolled up. Yeah, some

1421
01:16:04,800 --> 01:16:06,760
Speaker 1: guy came to the shill with the wheel said and

1422
01:16:06,840 --> 01:16:09,200
Speaker 1: he was like, yo, I never see somebody with poor roles.

1423
01:16:09,280 --> 01:16:16,080
Speaker 1: Air waves they got no waves? Got he said, he

1424
01:16:16,400 --> 01:16:18,360
Speaker 1: get a bitch. He said, yeah, come on, stand up.

1425
01:16:18,600 --> 01:16:22,560
Speaker 1: And it was like listen because, like you know, his

1426
01:16:22,680 --> 01:16:25,400
Speaker 1: heart is in a good play, like I expect. I

1427
01:16:25,560 --> 01:16:28,600
Speaker 1: respect that style comedy when everyone knows that you're not

1428
01:16:28,760 --> 01:16:33,680
Speaker 1: being offensive. Never but I'm a happy place and you

1429
01:16:33,760 --> 01:16:35,920
Speaker 1: can see in my eyes he'd be like, funk that guy.

1430
01:16:36,000 --> 01:16:38,320
Speaker 1: If if I was being a dick, right, guy, you

1431
01:16:38,400 --> 01:16:40,479
Speaker 1: don't got to be open. That's a man. Yeah, that's

1432
01:16:41,240 --> 01:16:49,400
Speaker 1: talking about saying give me your while with motherfucker for

1433
01:16:49,640 --> 01:16:54,040
Speaker 1: my ship right there? Should he? He ain't the skip

1434
01:16:54,600 --> 01:16:56,880
Speaker 1: the time this girl I was, I was probably not.

1435
01:16:58,720 --> 01:17:01,680
Speaker 1: Don't do it. He would always hafen when I was

1436
01:17:01,720 --> 01:17:05,320
Speaker 1: growing an excuse me, you used to do mix tapes, right,

1437
01:17:05,720 --> 01:17:07,439
Speaker 1: I bought some of your mixtapes back in the day.

1438
01:17:07,840 --> 01:17:11,160
Speaker 1: You really hit am I'm an ear? So now no,

1439
01:17:11,360 --> 01:17:14,679
Speaker 1: you know how what's up with Socrates from Toronto's busy

1440
01:17:14,720 --> 01:17:16,920
Speaker 1: from draw? Yeah it is in money. I'm gonna see

1441
01:17:16,960 --> 01:17:31,800
Speaker 1: his alright myself one morning you're walking yo. So they

1442
01:17:31,920 --> 01:17:36,120
Speaker 1: definitely sell us the Mombi. Now what that's a flashlight.

1443
01:17:36,240 --> 01:17:42,880
Speaker 1: Mumby ask is there any like UM's round on Brown

1444
01:17:43,160 --> 01:17:49,320
Speaker 1: comedy crime? Like, here's the problem. I'll get along with everybody.

1445
01:17:50,520 --> 01:17:53,160
Speaker 1: I'm basically the bumpy knuckles of the of the Indian

1446
01:17:53,200 --> 01:17:55,160
Speaker 1: comedy world, where they kind of look at me and

1447
01:17:55,200 --> 01:17:57,240
Speaker 1: go all right. He knows what he's tell him. I mean,

1448
01:17:57,240 --> 01:18:00,880
Speaker 1: I used to box, I do jiu jitsu and I'm

1449
01:18:00,880 --> 01:18:02,720
Speaker 1: an older guy. So you're saying you will beat uz.

1450
01:18:02,720 --> 01:18:07,400
Speaker 1: He's asked became. He was a little dude. Man. He's

1451
01:18:07,439 --> 01:18:10,479
Speaker 1: a little rude, dazing. He never had it like that.

1452
01:18:11,080 --> 01:18:13,799
Speaker 1: He never got junk. He never been in fucking fights.

1453
01:18:14,040 --> 01:18:17,800
Speaker 1: He never been around shootouts. It's not his thing. I've

1454
01:18:17,800 --> 01:18:19,800
Speaker 1: been around that ship. It's not like I was doing it,

1455
01:18:19,920 --> 01:18:22,240
Speaker 1: but I was there running from it the same way.

1456
01:18:23,320 --> 01:18:25,680
Speaker 1: It's not like I was a fucking gangster shooting me

1457
01:18:26,479 --> 01:18:29,760
Speaker 1: like I remember hiding in the DJ blood with the

1458
01:18:29,800 --> 01:18:36,519
Speaker 1: metal crate on my head, that shooting stopping stop there

1459
01:18:36,800 --> 01:18:38,640
Speaker 1: when there was a chicken second, I pushed away and

1460
01:18:40,240 --> 01:18:50,240
Speaker 1: stop here, didn't you? Follered? Joe Robin recently rolled with him.

1461
01:18:50,320 --> 01:18:52,240
Speaker 1: I did us. I'm a bloot, He's a he's a

1462
01:18:52,280 --> 01:18:59,080
Speaker 1: black out. Hold on time, So was the ever with

1463
01:18:59,240 --> 01:19:01,640
Speaker 1: you and a Z Like it was like more of

1464
01:19:01,760 --> 01:19:04,519
Speaker 1: a disrespect kind of thing, which we pretty much shorted up.

1465
01:19:04,680 --> 01:19:09,000
Speaker 1: I feel like like like you're like the old GA. Now, well,

1466
01:19:09,040 --> 01:19:14,479
Speaker 1: Indians can't have beef um and he's a so he

1467
01:19:14,560 --> 01:19:19,759
Speaker 1: can't have pork. Okay, no, no, he's Indian, but he's

1468
01:19:20,280 --> 01:19:23,120
Speaker 1: whenever he know. The thing is, I you know, when

1469
01:19:23,120 --> 01:19:24,759
Speaker 1: I first met him, I took it at a certain

1470
01:19:24,800 --> 01:19:28,600
Speaker 1: way that I felt like he was disrespectful. Yeah, and

1471
01:19:28,680 --> 01:19:30,880
Speaker 1: then and then and then I let's talk about that.

1472
01:19:31,320 --> 01:19:32,599
Speaker 1: I thought he was a dick when I'm at him.

1473
01:19:32,960 --> 01:19:35,080
Speaker 1: And then when I after talking to people, they were like, no,

1474
01:19:35,200 --> 01:19:37,240
Speaker 1: that's just how he is. And I go, so he's

1475
01:19:37,280 --> 01:19:43,080
Speaker 1: a dick, Like, yeah, he's not. They were like, he's

1476
01:19:43,120 --> 01:19:50,200
Speaker 1: a dick, but it's not specific to you. Yeah, yeah,

1477
01:19:50,280 --> 01:19:52,400
Speaker 1: he's not a dick to you. It's just a dick,

1478
01:19:52,560 --> 01:19:54,640
Speaker 1: you know what I mean? Like because like, okay, so

1479
01:19:54,760 --> 01:19:56,640
Speaker 1: when I met him and he wanted to fix and

1480
01:19:56,760 --> 01:19:58,880
Speaker 1: I was like cool. And then when all that ship

1481
01:19:59,000 --> 01:20:01,880
Speaker 1: happened with him when he was me too, yeah it

1482
01:20:01,960 --> 01:20:07,680
Speaker 1: was it wasn't bullshiting. Got the bulls out and she

1483
01:20:07,760 --> 01:20:11,200
Speaker 1: didn't like it. No, here's the thing. He was back

1484
01:20:11,320 --> 01:20:13,519
Speaker 1: because it's like it was like it's to all. It

1485
01:20:13,560 --> 01:20:15,280
Speaker 1: is like you had no game, and that's all it is.

1486
01:20:15,439 --> 01:20:17,800
Speaker 1: It was he had no game. That's what his name was.

1487
01:20:17,880 --> 01:20:19,400
Speaker 1: Well I thought his beat too, because he ate the

1488
01:20:19,400 --> 01:20:22,680
Speaker 1: best pussy whatever it was, it was. She felt uncomfortable

1489
01:20:22,720 --> 01:20:25,280
Speaker 1: after that, right, No, she felt uncomfortable with She thought

1490
01:20:25,320 --> 01:20:28,360
Speaker 1: it was the right time to feel uncomfortable. And that's

1491
01:20:28,360 --> 01:20:30,680
Speaker 1: what I'm talking about. And you know, you may not

1492
01:20:30,760 --> 01:20:32,280
Speaker 1: be the best of friends, and we may not be

1493
01:20:32,320 --> 01:20:34,360
Speaker 1: the best of friends. But when that ship happened, I

1494
01:20:34,400 --> 01:20:35,920
Speaker 1: shot him an email and I was like, yeah, I

1495
01:20:36,000 --> 01:20:39,200
Speaker 1: want you to know I'm riding with you. The real

1496
01:20:39,280 --> 01:20:41,519
Speaker 1: ship is email bounced back because he gave me the

1497
01:20:41,600 --> 01:20:47,840
Speaker 1: wrong fucking email. He just da know email. You know

1498
01:20:47,920 --> 01:20:52,040
Speaker 1: what that's in mind? With the behavior, I'm not what

1499
01:20:52,160 --> 01:20:54,280
Speaker 1: I'm taking personal more. I'm like, that's just who he

1500
01:20:54,479 --> 01:20:58,479
Speaker 1: is and I ain't personal. So the guys, I mean,

1501
01:20:58,680 --> 01:21:00,320
Speaker 1: I love to say it like that. I really don't

1502
01:21:00,360 --> 01:21:03,200
Speaker 1: hate nobody, but I mean, but doesn't say it like that.

1503
01:21:03,520 --> 01:21:05,479
Speaker 1: But like you guys can't come up in like the

1504
01:21:05,560 --> 01:21:07,840
Speaker 1: same comedy. No, I've been doing it thirty years though

1505
01:21:08,360 --> 01:21:10,200
Speaker 1: when I was kind of started eighty nine. He started

1506
01:21:10,200 --> 01:21:14,000
Speaker 1: maybe two thousand and something. That's like, you know, you know,

1507
01:21:14,640 --> 01:21:17,200
Speaker 1: you know, I know a girl named Superhead. She gave

1508
01:21:17,320 --> 01:21:19,560
Speaker 1: super Head. She lived in my building. She needed to

1509
01:21:19,600 --> 01:21:29,040
Speaker 1: get a Superhead. Trying to figure out that makes you

1510
01:21:29,280 --> 01:21:32,760
Speaker 1: jay Z? Right, I don't if I released you the

1511
01:21:32,920 --> 01:21:37,280
Speaker 1: song you're hearing you, you, you and young Zes. I'm

1512
01:21:37,320 --> 01:21:39,720
Speaker 1: trying to here's the thing. If you did you you

1513
01:21:39,840 --> 01:21:42,360
Speaker 1: say like you're jay Z or like you're like nas.

1514
01:21:43,200 --> 01:21:45,560
Speaker 1: You want to be like I want to be ca

1515
01:21:45,720 --> 01:21:51,320
Speaker 1: Arress Okay, because he don't have the mainstream success, but

1516
01:21:51,400 --> 01:21:54,719
Speaker 1: he got the respect in the game and he's gonna

1517
01:21:54,800 --> 01:21:57,960
Speaker 1: work forever. That's what I want to be. Disease is

1518
01:21:58,600 --> 01:22:03,719
Speaker 1: Disease is um. He's like one of them new cats.

1519
01:22:04,880 --> 01:22:06,680
Speaker 1: I need the new rappers. You know, I need to hear.

1520
01:22:06,760 --> 01:22:09,000
Speaker 1: I need to hear. But because I know you knows

1521
01:22:09,080 --> 01:22:11,360
Speaker 1: I need to eat. I need who would be listen

1522
01:22:11,439 --> 01:22:15,800
Speaker 1: listen Michael Rapperport recently could teach um meat male and

1523
01:22:15,880 --> 01:22:22,439
Speaker 1: people like that's creditors. I need you to be very camp. Okay,

1524
01:22:22,520 --> 01:22:25,160
Speaker 1: let me see. Yes, I'm not really concerned about the

1525
01:22:25,200 --> 01:22:31,400
Speaker 1: way Um, who woul does these be? No, No, I'm

1526
01:22:31,439 --> 01:22:33,840
Speaker 1: gonna be care rest what care rest bank account? Or

1527
01:22:33,880 --> 01:22:38,000
Speaker 1: what care rest would jay Z's banker? I am? I'm

1528
01:22:38,040 --> 01:22:42,000
Speaker 1: just I don't ever carerest with jay Z's bank account already.

1529
01:22:42,720 --> 01:22:44,920
Speaker 1: That's why I want to stay. Yeah, I don't know.

1530
01:22:45,000 --> 01:22:49,240
Speaker 1: I'm just saying jay Z is the riches in the party,

1531
01:22:49,600 --> 01:22:51,840
Speaker 1: the public guys. I've been doing the public guy right now,

1532
01:22:52,680 --> 01:22:56,320
Speaker 1: I gotta deal with how I'm looking. I'm as ease,

1533
01:22:57,240 --> 01:22:59,400
Speaker 1: So who will he be? As these are rapper jag

1534
01:22:59,520 --> 01:23:02,800
Speaker 1: zines to I like both of y'all brown niggas. Let's

1535
01:23:02,800 --> 01:23:04,439
Speaker 1: be honest. I really got a problem with disease and

1536
01:23:05,120 --> 01:23:09,360
Speaker 1: I felt bad when that ship. It ain't worth it,

1537
01:23:09,439 --> 01:23:12,600
Speaker 1: you know what I mean, it ain't even worth it?

1538
01:23:12,800 --> 01:23:18,000
Speaker 1: So I mean I hope. Yeah, one of them, he said,

1539
01:23:18,680 --> 01:23:23,400
Speaker 1: how about a sap which one? Yeah, you know, like

1540
01:23:23,520 --> 01:23:26,240
Speaker 1: one of them a sad dudes. How about Bobby now,

1541
01:23:26,439 --> 01:23:36,360
Speaker 1: Bobby smart of respect? Um? Uh yeah, he's a designer. Damn. Okay,

1542
01:23:36,680 --> 01:23:47,240
Speaker 1: let's beg But designer is known for sounding like somebody

1543
01:23:47,280 --> 01:23:49,120
Speaker 1: else I know. But they all sound like each other,

1544
01:23:49,200 --> 01:23:52,360
Speaker 1: so it ain't specific to designer. They all sound like

1545
01:23:52,439 --> 01:23:54,920
Speaker 1: the same dude whoever they're trying to sound like. So

1546
01:23:55,000 --> 01:23:57,439
Speaker 1: you're saying, I want to ask you and bump your question.

1547
01:23:57,520 --> 01:24:00,080
Speaker 1: Do you say every community add to you is to

1548
01:24:00,200 --> 01:24:03,200
Speaker 1: you know, don't that they're not under me? But but

1549
01:24:03,320 --> 01:24:06,840
Speaker 1: the thing is, I'm first. I came first, and it

1550
01:24:06,920 --> 01:24:10,360
Speaker 1: doesn't matter who comes after me. You're the cools who

1551
01:24:10,479 --> 01:24:13,519
Speaker 1: comes bigger than me, who comes as more successful than me?

1552
01:24:13,800 --> 01:24:16,519
Speaker 1: The bottom line is kiss the motherfucking ready. You're a

1553
01:24:16,560 --> 01:24:23,760
Speaker 1: cool h you like me, like you front of goods,

1554
01:24:23,800 --> 01:24:26,120
Speaker 1: so I front like a motherfucker same. So we spoke

1555
01:24:26,160 --> 01:24:39,240
Speaker 1: Spanish like yeah, yeah, see motherfucker motherfucker. You're the guy

1556
01:24:39,280 --> 01:24:41,360
Speaker 1: that's gonna say you're the guy that will say lu

1557
01:24:41,479 --> 01:24:44,760
Speaker 1: baton sneakers with the spikes, I don't wear. That's the weirdos.

1558
01:24:45,120 --> 01:24:49,560
Speaker 1: I'm a hoo. I don't wear thought. Let me ask you.

1559
01:24:49,680 --> 01:24:51,519
Speaker 1: There's both of us as were both in the same room.

1560
01:24:52,600 --> 01:24:55,040
Speaker 1: A lot of people don't know this. Y'all had a

1561
01:24:55,120 --> 01:24:58,160
Speaker 1: problem behind the scenes a long time ago. Yeah, you

1562
01:24:58,160 --> 01:25:02,560
Speaker 1: can't bring that out and the guy it got squashed

1563
01:25:02,680 --> 01:25:05,240
Speaker 1: behind the scenes, and it got squashed real nicks, No,

1564
01:25:05,400 --> 01:25:08,759
Speaker 1: because you know why what I felt, I felt similar

1565
01:25:08,920 --> 01:25:11,200
Speaker 1: to like how you said rather alert. He said, ratter

1566
01:25:11,200 --> 01:25:13,160
Speaker 1: Alert wouldn't play your record, but he told you to

1567
01:25:13,240 --> 01:25:15,360
Speaker 1: your face. I felt like that's what you was telling me.

1568
01:25:15,800 --> 01:25:17,680
Speaker 1: I felt like you was like, Yo, don't get no

1569
01:25:17,840 --> 01:25:20,840
Speaker 1: money and start snacking. I felt like that's what I was.

1570
01:25:21,160 --> 01:25:23,559
Speaker 1: That's what you were saying to me on the joint.

1571
01:25:23,880 --> 01:25:26,360
Speaker 1: So when you said that, I was just like, fucking,

1572
01:25:26,439 --> 01:25:28,400
Speaker 1: I just gotta go back. And we went back and

1573
01:25:28,680 --> 01:25:34,840
Speaker 1: we've seen each other the Bits Dealer, right BMW. That's

1574
01:25:34,840 --> 01:25:39,519
Speaker 1: how WI then getting in between the Ato uncle was no. No,

1575
01:25:40,520 --> 01:25:44,000
Speaker 1: I thought that was the story here way it came from. Okay,

1576
01:25:44,360 --> 01:25:47,519
Speaker 1: when I was doing Industry shake Down, I was in

1577
01:25:47,600 --> 01:25:51,280
Speaker 1: a place where I was looking at the entire industry, right,

1578
01:25:52,040 --> 01:25:54,280
Speaker 1: so I mean a barbershop, if I'm not mistaken. It

1579
01:25:54,360 --> 01:25:57,599
Speaker 1: was a barbershop, which someone is and you know, when

1580
01:25:57,600 --> 01:25:59,639
Speaker 1: you're the barbershop, people said, I said, oh, this pluming

1581
01:26:00,040 --> 01:26:04,719
Speaker 1: wrapped that, and this motherfucker said so. Somebody said, Norris

1582
01:26:04,800 --> 01:26:07,840
Speaker 1: my nigger. I love Nori everything that Nigga Nori show,

1583
01:26:08,880 --> 01:26:11,840
Speaker 1: and I was like, so one kid said fuck that,

1584
01:26:12,439 --> 01:26:15,240
Speaker 1: Norris is better than that. But now he's got this

1585
01:26:15,360 --> 01:26:17,400
Speaker 1: record out where he was just what was on it,

1586
01:26:17,840 --> 01:26:21,960
Speaker 1: and I think he's he's staying like he's the industry

1587
01:26:22,040 --> 01:26:24,920
Speaker 1: got him stuck there, so that you know, this guy

1588
01:26:25,120 --> 01:26:28,080
Speaker 1: said that, and it struck a nerve in me, like, Dan,

1589
01:26:28,160 --> 01:26:33,360
Speaker 1: it's crazy how how much people really critique us as artists.

1590
01:26:34,040 --> 01:26:36,320
Speaker 1: So I started writing inside your head and I'm sitting

1591
01:26:36,320 --> 01:26:39,519
Speaker 1: there and this ship was inside my head. So I said,

1592
01:26:39,560 --> 01:26:42,160
Speaker 1: I'm sick and tired of Norri saying what what what right?

1593
01:26:42,280 --> 01:26:44,280
Speaker 1: Some rhymes Monday gonna give this ship up up up,

1594
01:26:44,280 --> 01:26:47,240
Speaker 1: because I know he's nicer than that. But I never

1595
01:26:47,360 --> 01:26:49,920
Speaker 1: said I should have said the nights apart. But when

1596
01:26:50,000 --> 01:26:52,120
Speaker 1: he heard it, I felt like what I said to

1597
01:26:52,200 --> 01:26:54,200
Speaker 1: you was take that ball to the ball bullshit on

1598
01:26:55,479 --> 01:26:58,240
Speaker 1: and he took a Freddie Fox. He took the gun

1599
01:26:58,280 --> 01:27:01,920
Speaker 1: and put me in the box. So I said, he

1600
01:27:02,040 --> 01:27:04,400
Speaker 1: really took this ship like he was eating with me

1601
01:27:04,560 --> 01:27:11,479
Speaker 1: like that. You said to this, you know why because

1602
01:27:11,520 --> 01:27:14,200
Speaker 1: you had a record before industry shakedown that was like

1603
01:27:14,320 --> 01:27:17,640
Speaker 1: a pre and I was to dude campaigning, so I

1604
01:27:17,720 --> 01:27:19,439
Speaker 1: was like, I found the same raging with nas. Did

1605
01:27:19,479 --> 01:27:22,800
Speaker 1: that to me? I was campaigning at sometimes, But when

1606
01:27:22,840 --> 01:27:25,439
Speaker 1: you when I later realized it like you said to me.

1607
01:27:26,160 --> 01:27:27,920
Speaker 1: You say it to me directly, like you said with

1608
01:27:28,040 --> 01:27:30,600
Speaker 1: right alert when you when you said that story, I

1609
01:27:30,680 --> 01:27:33,200
Speaker 1: was like, that's the same exact story. But the funny

1610
01:27:33,240 --> 01:27:35,560
Speaker 1: ship it was one time may See from Daylight called me.

1611
01:27:35,600 --> 01:27:38,120
Speaker 1: He said, Yo, Man, I was on the fucking Porto

1612
01:27:38,200 --> 01:27:43,519
Speaker 1: Rican day phone. I'm playing almost killed med be so

1613
01:27:43,640 --> 01:27:49,479
Speaker 1: little wels out yea that ship right there? I said, Okay, wait,

1614
01:27:49,520 --> 01:27:51,920
Speaker 1: and then I'm gonna tell you the beautiful thing about

1615
01:27:51,960 --> 01:27:55,040
Speaker 1: the whole ship was man. Was was was when we

1616
01:27:55,120 --> 01:27:57,120
Speaker 1: were able to when I was able to to to

1617
01:27:57,560 --> 01:28:00,400
Speaker 1: send your kids to Monday Night row Man normal, I

1618
01:28:00,439 --> 01:28:02,240
Speaker 1: was gonna get to that. My listen, let me tell

1619
01:28:02,240 --> 01:28:05,760
Speaker 1: you something. Crazy ship was me And you know, I'm like,

1620
01:28:05,840 --> 01:28:08,200
Speaker 1: like I said, were spawled. We did what I knew

1621
01:28:08,200 --> 01:28:10,719
Speaker 1: it was coming from an older brother perspective. So after

1622
01:28:10,880 --> 01:28:15,240
Speaker 1: I knew that, I chilled. What happened was. I knew

1623
01:28:15,320 --> 01:28:18,240
Speaker 1: that you had to connect with John. I don't know

1624
01:28:18,280 --> 01:28:20,800
Speaker 1: if he was writing this round. He was just making

1625
01:28:20,840 --> 01:28:26,080
Speaker 1: music together. So my kids Bezino kids, and I forget

1626
01:28:26,120 --> 01:28:30,560
Speaker 1: who those kids and your your kids right, so we

1627
01:28:30,760 --> 01:28:34,800
Speaker 1: all I'm like, damn WrestleMania. So I hear. I said,

1628
01:28:34,960 --> 01:28:40,120
Speaker 1: I know this is crazy because me asking for this

1629
01:28:40,439 --> 01:28:44,600
Speaker 1: is kind of like what, like, yo, you think you

1630
01:28:44,640 --> 01:28:48,080
Speaker 1: will get wrestled Mania tickets from? And he was like

1631
01:28:48,600 --> 01:28:51,360
Speaker 1: I got you and like it was like fourteen minutes later,

1632
01:28:51,479 --> 01:28:54,400
Speaker 1: like flat line home, and I remember like looking to

1633
01:28:54,479 --> 01:28:57,680
Speaker 1: the kids. They was like, so we're gonna go and

1634
01:28:57,840 --> 01:29:01,240
Speaker 1: I was like, I think what fourteen minutes. Lady's like

1635
01:29:01,280 --> 01:29:03,360
Speaker 1: you're good. Your name is at world Core and I

1636
01:29:03,400 --> 01:29:04,720
Speaker 1: was like, you don't even know my name. He said,

1637
01:29:04,720 --> 01:29:06,880
Speaker 1: come on, you know your government names. And I was

1638
01:29:06,920 --> 01:29:08,600
Speaker 1: like it was just so gayst and I was like

1639
01:29:08,720 --> 01:29:10,640
Speaker 1: that and I never really I think you over the

1640
01:29:11,360 --> 01:29:18,160
Speaker 1: want to think you made me falling up the year

1641
01:29:18,320 --> 01:29:20,679
Speaker 1: for that year because no one busine over he didn't

1642
01:29:20,720 --> 01:29:23,000
Speaker 1: get tickets. I hope it was. It was chasm was

1643
01:29:23,080 --> 01:29:25,640
Speaker 1: one other person that was built out on us. I

1644
01:29:25,720 --> 01:29:28,200
Speaker 1: still in the chair, my friers. And that was also

1645
01:29:28,320 --> 01:29:30,000
Speaker 1: thank you so much telling you something, bro. It was

1646
01:29:30,080 --> 01:29:31,880
Speaker 1: not only was it an honor to do it for you, bro,

1647
01:29:32,080 --> 01:29:36,679
Speaker 1: but it was you're the only motherfucker that said thank you. Well, Wowzino,

1648
01:29:36,760 --> 01:29:43,040
Speaker 1: your motherfucker. I didn't even know your kids win, Like, man,

1649
01:29:43,320 --> 01:29:46,559
Speaker 1: that's right. I was honored to do it for you guys, man,

1650
01:29:46,680 --> 01:29:49,960
Speaker 1: and then make sure that I felt like I made

1651
01:29:50,000 --> 01:29:52,200
Speaker 1: it lifted a burden off me, man, because I'm gonna

1652
01:29:52,200 --> 01:29:54,200
Speaker 1: be honest with you, I always that was to do. It.

1653
01:29:54,280 --> 01:29:57,680
Speaker 1: Was two things about industry shakedown that I that I

1654
01:29:57,840 --> 01:30:01,280
Speaker 1: wish I could have really had a better way of explain.

1655
01:30:01,400 --> 01:30:03,080
Speaker 1: But when you're writing off in motion, it was your

1656
01:30:03,160 --> 01:30:07,479
Speaker 1: line and the silvera own thing, you know what I'm saying. Yeah,

1657
01:30:07,520 --> 01:30:09,519
Speaker 1: that's that's cool, you know. And I'm and I'm not.

1658
01:30:09,760 --> 01:30:12,160
Speaker 1: I'm not an industry. I don't chase deals. I don't

1659
01:30:12,160 --> 01:30:14,320
Speaker 1: go to labels. I just feel like there's a there's

1660
01:30:14,320 --> 01:30:17,679
Speaker 1: a there's I don't really fit into the mold of industry.

1661
01:30:17,760 --> 01:30:19,880
Speaker 1: I never did well at major labels. I had a

1662
01:30:19,920 --> 01:30:21,840
Speaker 1: few major deals. I just don't do well a big

1663
01:30:21,920 --> 01:30:25,960
Speaker 1: part of your career. People say that you're a black ball, right, Yeah, yeah,

1664
01:30:26,120 --> 01:30:32,280
Speaker 1: I was going that way anyway. So yeah. But one

1665
01:30:32,320 --> 01:30:35,120
Speaker 1: of the things is for these new kids coming up,

1666
01:30:35,720 --> 01:30:41,320
Speaker 1: um because even when I uh even Google, one of

1667
01:30:41,400 --> 01:30:46,559
Speaker 1: the first things that popped up was blackballed from such

1668
01:30:46,560 --> 01:30:50,840
Speaker 1: a actually timeline I didn't screenshot, but they actually had

1669
01:30:50,880 --> 01:30:53,840
Speaker 1: a timeline I'm not good at Google. So but after

1670
01:30:53,960 --> 01:30:59,240
Speaker 1: the timeline where you thought like from yeah eight to

1671
01:30:59,520 --> 01:31:03,200
Speaker 1: something with actually pittpointed where you thought he was a

1672
01:31:03,240 --> 01:31:06,200
Speaker 1: black ball, it was. I mean, there was a lot

1673
01:31:06,280 --> 01:31:08,160
Speaker 1: of times that there was a lot of people that

1674
01:31:08,280 --> 01:31:10,400
Speaker 1: even today, man shake my hand and were part of

1675
01:31:10,479 --> 01:31:13,200
Speaker 1: the part of the process of saying, yo, don't funk

1676
01:31:13,280 --> 01:31:16,040
Speaker 1: with him if you because if you don't sell start

1677
01:31:17,760 --> 01:31:19,800
Speaker 1: if that, if that kid might have it, might have

1678
01:31:21,160 --> 01:31:26,040
Speaker 1: it back then right, and you felt like was up well,

1679
01:31:26,439 --> 01:31:29,040
Speaker 1: like like they looked out for I think I don't

1680
01:31:29,080 --> 01:31:30,800
Speaker 1: know if it was actually it wasn't. I don't think

1681
01:31:30,800 --> 01:31:32,479
Speaker 1: it was Queen Latifa or I don't think it was

1682
01:31:32,520 --> 01:31:34,519
Speaker 1: shot Kim. I think it's people that were in the

1683
01:31:34,640 --> 01:31:39,479
Speaker 1: office then around him that felt like you know, you know,

1684
01:31:39,920 --> 01:31:42,240
Speaker 1: if you listen, if you dropped the ball, you're not

1685
01:31:42,320 --> 01:31:45,200
Speaker 1: gonna say I dropped the ball, You're gonna say the

1686
01:31:45,360 --> 01:31:49,400
Speaker 1: niggers through the ship so fucked up that I couldn't

1687
01:31:49,439 --> 01:31:51,240
Speaker 1: catch it because it was way over there and my

1688
01:31:51,400 --> 01:31:54,080
Speaker 1: arms ain't that long, you know what I mean. So listen,

1689
01:31:54,280 --> 01:31:55,720
Speaker 1: I got caught up in the middle of a lot

1690
01:31:55,800 --> 01:31:58,479
Speaker 1: of politics at Flavor Unit. You know what I'm saying,

1691
01:31:58,479 --> 01:32:01,360
Speaker 1: and I never got a chance to really say that.

1692
01:32:01,560 --> 01:32:05,040
Speaker 1: I appreciated that shot came in Latifa and and Naughty

1693
01:32:05,120 --> 01:32:09,200
Speaker 1: by Nature Camp gave me an opportunity to really rock out,

1694
01:32:09,360 --> 01:32:12,439
Speaker 1: you know. But business is business. He was on toime board.

1695
01:32:12,479 --> 01:32:14,200
Speaker 1: No I was not. I wasn't going to think it

1696
01:32:14,320 --> 01:32:18,160
Speaker 1: was time. He was just saying the rest the flavor

1697
01:32:18,200 --> 01:32:23,360
Speaker 1: you not on. No only Tommy Boy was Apache was

1698
01:32:23,479 --> 01:32:27,400
Speaker 1: Queen was the management. Yeah, Flag Flavy was my management.

1699
01:32:27,400 --> 01:32:29,000
Speaker 1: And then they did flavoring the record. So it was

1700
01:32:29,000 --> 01:32:30,600
Speaker 1: a big because I don't know later the relation. It

1701
01:32:30,720 --> 01:32:33,000
Speaker 1: was a compilation and it was remember that post got

1702
01:32:33,080 --> 01:32:36,200
Speaker 1: it out everybody politics, would you know what was then? Yeah,

1703
01:32:36,479 --> 01:32:41,680
Speaker 1: we had made men it was that was after all

1704
01:32:41,760 --> 01:32:44,760
Speaker 1: my art. So no, no, all r SO was a

1705
01:32:44,840 --> 01:32:48,160
Speaker 1: part of that. That was I was on tour together.

1706
01:32:49,360 --> 01:32:59,760
Speaker 1: I remember allegedly puns, you know, right, alleged alleged you

1707
01:32:59,800 --> 01:33:08,600
Speaker 1: know listen, Nah, yeah, yeah, you definitely did. That's what

1708
01:33:08,720 --> 01:33:10,280
Speaker 1: we knew when he said when you said my name

1709
01:33:10,320 --> 01:33:15,680
Speaker 1: was like strap up, I bring up you. No, No,

1710
01:33:18,640 --> 01:33:21,840
Speaker 1: he's handless. Don't let me tell you something as as

1711
01:33:21,920 --> 01:33:23,920
Speaker 1: an old g like when he said, yo, I got

1712
01:33:23,960 --> 01:33:26,280
Speaker 1: older and I realized what Red Alert said to me

1713
01:33:26,439 --> 01:33:28,200
Speaker 1: was just he just didn't like my record. It wasn't

1714
01:33:28,320 --> 01:33:30,519
Speaker 1: like he didn't like me. He didn't like my movement.

1715
01:33:30,920 --> 01:33:33,880
Speaker 1: That's what he's saying that he said, Red Alert told him.

1716
01:33:34,200 --> 01:33:35,880
Speaker 1: So as I watched that to that's like, that's the

1717
01:33:35,960 --> 01:33:38,519
Speaker 1: same exact thing. The thing was. That's how I took it.

1718
01:33:38,600 --> 01:33:40,519
Speaker 1: As I got older, it was like, yo, you were

1719
01:33:40,560 --> 01:33:42,760
Speaker 1: saying because you know, to a certain sting, that's what

1720
01:33:42,800 --> 01:33:44,920
Speaker 1: the team Stole said. Steve Stop came on here and said,

1721
01:33:45,040 --> 01:33:47,240
Speaker 1: at a certain point of your career, you got money

1722
01:33:47,280 --> 01:33:49,960
Speaker 1: and you slack. I didn't look at it like that,

1723
01:33:50,080 --> 01:33:52,439
Speaker 1: but certain people did. And I can't be the person

1724
01:33:52,520 --> 01:33:56,439
Speaker 1: that sit around and be like, nigga, you didn't slap.

1725
01:33:56,600 --> 01:33:59,439
Speaker 1: If this is what you know, you're being accuser. Sometimes

1726
01:33:59,479 --> 01:34:01,479
Speaker 1: you gotta go. And it made me step by shut up.

1727
01:34:01,680 --> 01:34:04,519
Speaker 1: So I always appreciated that. As I got older. As

1728
01:34:04,600 --> 01:34:07,040
Speaker 1: a young nigger, I was mad at you know what

1729
01:34:07,040 --> 01:34:08,960
Speaker 1: I'm saying. But as I got older, that's why I was.

1730
01:34:09,160 --> 01:34:12,760
Speaker 1: I was loving to bring that up right now, Yeah

1731
01:34:13,000 --> 01:34:15,920
Speaker 1: I wasn't. I wasn't really like, like, honestly, I'm glad

1732
01:34:16,160 --> 01:34:17,920
Speaker 1: that it came out because I was gonna bring it

1733
01:34:17,960 --> 01:34:20,560
Speaker 1: up anyway. But at the end of the day, you

1734
01:34:20,680 --> 01:34:23,479
Speaker 1: gotta you gotta face these type of things with people

1735
01:34:23,520 --> 01:34:27,840
Speaker 1: man as men. You know we mcs you men first

1736
01:34:27,920 --> 01:34:31,120
Speaker 1: C second, you know mcs. You better be tested. Yeah,

1737
01:34:31,160 --> 01:34:33,439
Speaker 1: you gotta you better test. And I always said this,

1738
01:34:33,479 --> 01:34:35,479
Speaker 1: I said, I noticed after I said that, you never

1739
01:34:35,600 --> 01:34:39,479
Speaker 1: said what what? No more? But but I didn't you records,

1740
01:34:39,640 --> 01:34:42,240
Speaker 1: you and you body both of themselves, and I don't

1741
01:34:42,280 --> 01:34:45,000
Speaker 1: keep my body, and I mean we didn't want to

1742
01:34:45,040 --> 01:34:51,519
Speaker 1: work out. I haven't worked out in a minute that

1743
01:34:51,640 --> 01:34:54,439
Speaker 1: You've always been a respected lyricists. I've always respected the

1744
01:34:54,479 --> 01:34:57,360
Speaker 1: lyricists I've alwa respected. And I remember going back on

1745
01:34:57,439 --> 01:34:58,920
Speaker 1: the fourth on the phone with you like we got

1746
01:34:59,000 --> 01:35:01,120
Speaker 1: the beach, like you know what I mean, and going

1747
01:35:01,200 --> 01:35:04,120
Speaker 1: to the song that I did on I think back

1748
01:35:04,920 --> 01:35:06,960
Speaker 1: the one back on my collection album which it was

1749
01:35:07,000 --> 01:35:09,439
Speaker 1: supposed to be a min Noori song and it ended

1750
01:35:09,479 --> 01:35:11,400
Speaker 1: up being something else. And you know, all these great

1751
01:35:11,600 --> 01:35:14,880
Speaker 1: m c s out here now, you definitely in my book,

1752
01:35:15,760 --> 01:35:19,759
Speaker 1: are in in my top fifteen because you can remember.

1753
01:35:19,920 --> 01:35:21,479
Speaker 1: Let me just tell yourself a lot of people don't

1754
01:35:21,560 --> 01:35:24,599
Speaker 1: credit me. Man, I don't think that made again. Man.

1755
01:35:25,120 --> 01:35:28,280
Speaker 1: You know what I'm saying. He got his own language, yea, yeah,

1756
01:35:28,680 --> 01:35:33,800
Speaker 1: you know, I literally got you on language something you

1757
01:35:33,840 --> 01:35:35,320
Speaker 1: know when you when it, when it boils down to

1758
01:35:35,640 --> 01:35:39,360
Speaker 1: to what hip hop is really about. You know, I

1759
01:35:39,439 --> 01:35:41,680
Speaker 1: don't really have regrets like that, you know what I mean?

1760
01:35:42,040 --> 01:35:44,240
Speaker 1: Because I feel like when you regret YAVN is doing

1761
01:35:44,240 --> 01:35:46,240
Speaker 1: in the first place I was. I was when I

1762
01:35:46,360 --> 01:35:48,760
Speaker 1: wrote from a place of passion and what was going

1763
01:35:48,800 --> 01:35:50,200
Speaker 1: on in my head. How many things you know, look

1764
01:35:50,240 --> 01:35:53,080
Speaker 1: at you something earlier about who really writes. Let me

1765
01:35:53,120 --> 01:35:55,200
Speaker 1: just dude, a look at the motherfucking their crew that's

1766
01:35:55,240 --> 01:35:57,960
Speaker 1: busting his gunning going to jail and it's dead story

1767
01:35:58,800 --> 01:36:00,680
Speaker 1: on records. They're not saying that about him. They saying

1768
01:36:00,680 --> 01:36:03,760
Speaker 1: it about themselves. So and another thing about you. You

1769
01:36:04,080 --> 01:36:08,519
Speaker 1: never glorified selling drugs, not never, I never. You said

1770
01:36:08,560 --> 01:36:10,880
Speaker 1: it on the interview, And I literally went through all

1771
01:36:10,920 --> 01:36:15,320
Speaker 1: your music trying to catch literally because he didn't do it.

1772
01:36:16,040 --> 01:36:18,680
Speaker 1: I don't see I've seen another interview you and I

1773
01:36:18,760 --> 01:36:22,280
Speaker 1: think that's Cream brother, um what's his name? Real rap

1774
01:36:22,760 --> 01:36:26,840
Speaker 1: rap rap rap rap, that's and Rap rap Supreme, that

1775
01:36:29,040 --> 01:36:32,519
Speaker 1: rap actually raped and supreme kind of kind of caught

1776
01:36:32,600 --> 01:36:35,360
Speaker 1: them circle down because I heard that. And then when

1777
01:36:35,400 --> 01:36:38,519
Speaker 1: I heard that, a caller call then and you I

1778
01:36:38,600 --> 01:36:40,600
Speaker 1: stopped the caller. You say, listen, I want to be

1779
01:36:40,720 --> 01:36:43,720
Speaker 1: clarified because there's two people up here, and one of

1780
01:36:43,760 --> 01:36:47,639
Speaker 1: them is not glarified and selling drugs, but he's saying

1781
01:36:47,800 --> 01:36:51,040
Speaker 1: his past life. And I'm telling you that I never

1782
01:36:51,120 --> 01:36:53,120
Speaker 1: said that. Check all my rhymes. So I had to

1783
01:36:53,240 --> 01:36:55,160
Speaker 1: the childe bro, let me tell you something, and I

1784
01:36:55,240 --> 01:36:57,600
Speaker 1: went through your whole cats a funny story, like a

1785
01:36:57,800 --> 01:37:00,920
Speaker 1: funny story about trying to sell DRUP. This is the

1786
01:37:01,000 --> 01:37:04,479
Speaker 1: most probably most really ship you're ever here. I'm in Boston,

1787
01:37:05,400 --> 01:37:10,080
Speaker 1: Big Chuck, right, legendary mom, big big Big Chucks, the

1788
01:37:10,120 --> 01:37:14,719
Speaker 1: legend of bosson California and Boston legend. And I'm hustling

1789
01:37:14,760 --> 01:37:19,240
Speaker 1: in Boston. But I'm not selling drugs. I'm pimping shut okay,

1790
01:37:19,680 --> 01:37:23,559
Speaker 1: and uh I'm I'm running around and I'm I got

1791
01:37:23,680 --> 01:37:25,720
Speaker 1: a I got a mean stable, big stable. I'm down

1792
01:37:25,760 --> 01:37:28,840
Speaker 1: in the combat zone. And Chuck said, yo, man, you

1793
01:37:28,960 --> 01:37:31,240
Speaker 1: know I got some work. I'm gonna put some workout.

1794
01:37:31,280 --> 01:37:32,680
Speaker 1: So I said, you give me that ship. I got this.

1795
01:37:32,800 --> 01:37:34,800
Speaker 1: I ain't never sold drugs. I never, It's never been

1796
01:37:34,840 --> 01:37:37,760
Speaker 1: my forte. So he said, you know you gotta hide

1797
01:37:37,800 --> 01:37:40,720
Speaker 1: this ship. So I go behind the bushes and I

1798
01:37:40,800 --> 01:37:44,639
Speaker 1: start digging a hold and ship the fun you're doing,

1799
01:37:45,320 --> 01:37:47,360
Speaker 1: it's trimly drugs. I said, what the freest, how the

1800
01:37:47,400 --> 01:37:50,080
Speaker 1: funk are you doing? Get ther big ass out of

1801
01:37:50,080 --> 01:37:53,400
Speaker 1: the bushes. So I'm crawling out of the bushes and ship.

1802
01:37:53,640 --> 01:37:56,840
Speaker 1: The motherfucker said, yo, man, give me my ship. Man ship,

1803
01:37:57,280 --> 01:37:59,840
Speaker 1: and he picked he opened the condom. He put the

1804
01:38:00,000 --> 01:38:01,759
Speaker 1: packed to the comment through the ship on the ground.

1805
01:38:01,960 --> 01:38:03,639
Speaker 1: He said, who do you know about pick up a condom?

1806
01:38:06,000 --> 01:38:08,479
Speaker 1: I'm like, oh, ship, I said, let me get back

1807
01:38:08,479 --> 01:38:12,000
Speaker 1: to these pitches. Man doesn't sound like me when I

1808
01:38:12,040 --> 01:38:14,040
Speaker 1: found I was gonna sell drugs. I'm not calling that.

1809
01:38:14,280 --> 01:38:17,840
Speaker 1: I'm not a drug A question you have trying to sell?

1810
01:38:19,560 --> 01:38:22,400
Speaker 1: This is Toronto, Toronto. Here's what happened to me. I

1811
01:38:22,520 --> 01:38:24,599
Speaker 1: was like, I needed money. It must have been late

1812
01:38:24,680 --> 01:38:26,320
Speaker 1: eight these early nineties, and I was like, yo, I

1813
01:38:26,360 --> 01:38:30,240
Speaker 1: need money. Epidemic. But this was just weed I was selling,

1814
01:38:31,120 --> 01:38:34,360
Speaker 1: saying is I wanted to say, here's the thing, here's

1815
01:38:34,520 --> 01:38:36,040
Speaker 1: how you did in school, you here's the thing I

1816
01:38:36,080 --> 01:38:39,439
Speaker 1: did terribly. I knew least I knew these Asian cancer

1817
01:38:39,600 --> 01:38:41,920
Speaker 1: was selling drugs, that was selling coke. There was something weed,

1818
01:38:41,960 --> 01:38:53,040
Speaker 1: there was something Asians are Haitians. Asians Asian Haitian. He

1819
01:38:53,320 --> 01:39:05,599
Speaker 1: must no, definitely not so. So these cats I knew,

1820
01:39:05,720 --> 01:39:08,200
Speaker 1: was selling all kinds of pushing all kinds away. And

1821
01:39:08,280 --> 01:39:10,040
Speaker 1: I was like, yeah, I stopped. It was like these

1822
01:39:10,040 --> 01:39:15,720
Speaker 1: are Asian Asian cats selling. They were selling down with

1823
01:39:15,760 --> 01:39:20,200
Speaker 1: the white dragons. Definitely what they were. They were Chinese

1824
01:39:20,240 --> 01:39:22,880
Speaker 1: and they were vietnames with two of them. And then

1825
01:39:22,920 --> 01:39:25,240
Speaker 1: of course and they knew me, and they knew me,

1826
01:39:25,479 --> 01:39:27,160
Speaker 1: and they knew I didn't do anything. So they were

1827
01:39:27,200 --> 01:39:31,720
Speaker 1: like they fronted me a bunch of hash black hashish

1828
01:39:32,400 --> 01:39:35,080
Speaker 1: to give him brick like this bit. And I was like,

1829
01:39:35,160 --> 01:39:37,320
Speaker 1: oh good, they go, you could sell it. Here's what

1830
01:39:37,320 --> 01:39:39,519
Speaker 1: we want our two hundred dollars and you can make

1831
01:39:39,560 --> 01:39:42,519
Speaker 1: whatever you make. After that, I was like done. I

1832
01:39:42,680 --> 01:39:48,519
Speaker 1: think where the stacko Bill? He's so stackle. When I pulled,

1833
01:39:48,680 --> 01:39:50,960
Speaker 1: I pulled a lid from a fucking steel pot my

1834
01:39:51,000 --> 01:39:53,559
Speaker 1: mom's kitchen, brought a town to my bedroom. I put

1835
01:39:53,640 --> 01:39:56,599
Speaker 1: the brick cut cut cut cut, cut cut cut, cut, cut,

1836
01:39:56,960 --> 01:39:59,560
Speaker 1: I said, stacked, passed me ten four pieces wrapping on

1837
01:39:59,640 --> 01:40:03,759
Speaker 1: my ship the tifoil, banging it all up my first sailors.

1838
01:40:03,880 --> 01:40:06,760
Speaker 1: To my friend's older brother. I'm like, Yo, Miguel, I

1839
01:40:06,840 --> 01:40:19,000
Speaker 1: ask your brother Jamaican. Wait, he just say Miguel. I

1840
01:40:19,080 --> 01:40:25,439
Speaker 1: was like, Yo, Miguel, does every want any win? Every Yo? Yo?

1841
01:40:27,520 --> 01:40:30,800
Speaker 1: Every Jamaican Miguel Miguel just every want any has to

1842
01:40:30,880 --> 01:40:33,840
Speaker 1: them calling yo. He goes yeah, he wants ten dollars worth.

1843
01:40:33,960 --> 01:40:37,759
Speaker 1: I'm like, word, I got this at a nice little piece.

1844
01:40:38,120 --> 01:40:39,600
Speaker 1: I must have cut it like this, you must have

1845
01:40:40,240 --> 01:40:42,120
Speaker 1: I give it to effort. I go Everett here. He

1846
01:40:42,160 --> 01:40:44,360
Speaker 1: gives me my ten bucks. I'm like, my first sale,

1847
01:40:44,720 --> 01:40:48,680
Speaker 1: proudest fuck. Half an hour later, Ever comes back to me.

1848
01:40:48,840 --> 01:40:50,880
Speaker 1: I'm hanging out with Miguel every It's like, yo, I

1849
01:40:50,920 --> 01:40:54,360
Speaker 1: don't want this no more. I'm like, what, you don't

1850
01:40:54,360 --> 01:40:58,040
Speaker 1: want this? No? I don't give my money back. Yeah,

1851
01:40:58,080 --> 01:40:59,880
Speaker 1: I'm the only truck to look at the return about

1852
01:41:00,040 --> 01:41:02,519
Speaker 1: say so, I know this is not my life. So

1853
01:41:02,640 --> 01:41:04,360
Speaker 1: I give me ten dollar. I go wait, wait, let

1854
01:41:04,400 --> 01:41:06,640
Speaker 1: me see it. I take it. You know, when you

1855
01:41:06,760 --> 01:41:09,720
Speaker 1: break black hash, it goes brown in the middle. I

1856
01:41:09,840 --> 01:41:14,760
Speaker 1: was like, okay, and I'm like it smells sort of

1857
01:41:14,840 --> 01:41:16,720
Speaker 1: like hash, but that's because I've been cutting the hash

1858
01:41:16,760 --> 01:41:19,320
Speaker 1: all day. It's all my fingers, and I'm like, all

1859
01:41:19,400 --> 01:41:22,599
Speaker 1: right here, I give me his money back. I take

1860
01:41:22,600 --> 01:41:26,519
Speaker 1: the hashback, and I'm like, some don't seem right. I

1861
01:41:26,640 --> 01:41:30,400
Speaker 1: like it. This motherfucker gave me back. You know, nibs

1862
01:41:31,080 --> 01:41:34,200
Speaker 1: the black liquors. He took the fucking hash and put

1863
01:41:34,240 --> 01:41:36,360
Speaker 1: a piece of black liquors and gave it back to

1864
01:41:36,400 --> 01:41:39,599
Speaker 1: me because we need black break black liquors. It's brown inside.

1865
01:41:40,160 --> 01:41:42,120
Speaker 1: But because the wheat the hasher was one of my

1866
01:41:42,160 --> 01:41:44,640
Speaker 1: fingers so strong, I'm like, it must be. But when

1867
01:41:44,680 --> 01:41:50,080
Speaker 1: I take it, I saw my first deal. I got fucked. Yah.

1868
01:41:50,080 --> 01:41:51,720
Speaker 1: I never was a big drug dealer thing because I

1869
01:41:51,800 --> 01:41:56,240
Speaker 1: felt like number one drug dealers are good at math.

1870
01:41:57,040 --> 01:41:59,360
Speaker 1: I gotta be good at math. M two stack is

1871
01:41:59,360 --> 01:42:01,840
Speaker 1: good at man. Let me too. It's one of the

1872
01:42:01,920 --> 01:42:06,880
Speaker 1: most cutthroat things. Like it's if it's a really cutthroat game, bro,

1873
01:42:07,080 --> 01:42:09,280
Speaker 1: And it's just like I used to watch cats that

1874
01:42:09,320 --> 01:42:11,080
Speaker 1: I knew grow up Man, growing Up Man and that

1875
01:42:11,160 --> 01:42:15,439
Speaker 1: ship and same guys. You know your mama, know your

1876
01:42:15,479 --> 01:42:17,360
Speaker 1: brothers and sisters will blow your brains out. You know

1877
01:42:17,400 --> 01:42:20,040
Speaker 1: what I'm saying. Just I just never was interested in

1878
01:42:20,120 --> 01:42:21,760
Speaker 1: that ship. I never was good at it. I never,

1879
01:42:21,840 --> 01:42:24,320
Speaker 1: I never. I never lied about being good at it.

1880
01:42:24,320 --> 01:42:26,040
Speaker 1: Is a lot of mothercker's who say they didn't who

1881
01:42:26,120 --> 01:42:28,320
Speaker 1: never did it. Now, you know, you want to talk

1882
01:42:28,320 --> 01:42:30,160
Speaker 1: about busting a gun or you want to talk about

1883
01:42:30,200 --> 01:42:32,120
Speaker 1: was sticking up somebody or some dumb ship like that,

1884
01:42:32,240 --> 01:42:34,080
Speaker 1: I've done those dumb ships that was don't think those

1885
01:42:34,120 --> 01:42:37,000
Speaker 1: things before. But all that drug dealers ship, I sucked

1886
01:42:37,040 --> 01:42:39,320
Speaker 1: at that ship. Bro. I was gonna English, which is

1887
01:42:39,400 --> 01:42:42,439
Speaker 1: why I had a quick rap game, you know, and

1888
01:42:43,000 --> 01:42:44,360
Speaker 1: you know that's my thing. I like that was my

1889
01:42:44,479 --> 01:42:47,280
Speaker 1: favorite thing. English was always my favorite thing. Reading and

1890
01:42:47,320 --> 01:42:49,479
Speaker 1: ship like that, you know what I mean? I got

1891
01:42:49,560 --> 01:42:54,360
Speaker 1: Sway notes notes from Sweat did I seem very long?

1892
01:42:57,000 --> 01:43:01,560
Speaker 1: My brother there now that's our family. My man is

1893
01:43:01,560 --> 01:43:03,639
Speaker 1: the other hip hop the story from the West Coast,

1894
01:43:04,320 --> 01:43:08,679
Speaker 1: the West Coast. I used to buy fucking h swaying tech,

1895
01:43:09,800 --> 01:43:12,560
Speaker 1: fucking they used to release, buying them something to the

1896
01:43:12,680 --> 01:43:15,120
Speaker 1: radio show yeh from the wake Up Show, the Freestyles.

1897
01:43:15,120 --> 01:43:16,599
Speaker 1: I used to buy all of them. Today, I think

1898
01:43:17,439 --> 01:43:19,679
Speaker 1: I think it went up the thirteen and fourteen, every

1899
01:43:19,760 --> 01:43:21,920
Speaker 1: fucking one of them. How well it was it when

1900
01:43:21,960 --> 01:43:23,840
Speaker 1: you made it? You made it to the forms list.

1901
01:43:25,640 --> 01:43:28,200
Speaker 1: I didn't know I was doing that. I'm just hit

1902
01:43:28,240 --> 01:43:29,680
Speaker 1: me out. You made it to the former this. You

1903
01:43:29,720 --> 01:43:33,040
Speaker 1: get a chance to do a party and your publicists

1904
01:43:33,360 --> 01:43:35,920
Speaker 1: tell your publicists, ain't got no publicist. You had a

1905
01:43:35,960 --> 01:43:38,680
Speaker 1: white girl and the hey Man. At one point, this

1906
01:43:38,720 --> 01:43:41,880
Speaker 1: is in my mind, this public let me rib in this,

1907
01:43:43,720 --> 01:43:45,680
Speaker 1: and you just tell them I want to party with

1908
01:43:45,800 --> 01:43:50,360
Speaker 1: cool hurricans the dot X. They're like, why not hire

1909
01:43:50,520 --> 01:43:56,800
Speaker 1: Leonardo DiCaprio. No, no, here, didn't have like that at all.

1910
01:43:57,200 --> 01:43:59,839
Speaker 1: I had a post that she was there from my show. Okay,

1911
01:44:00,160 --> 01:44:02,200
Speaker 1: the white I want to get the white girl. And

1912
01:44:02,320 --> 01:44:05,599
Speaker 1: then Vic Black primost guy hit me. It's like, yo, Russ,

1913
01:44:05,680 --> 01:44:07,400
Speaker 1: you want to do a party after the show. And

1914
01:44:07,479 --> 01:44:11,120
Speaker 1: I'm like, fuck yeah, Vic. When I want rappers and

1915
01:44:11,240 --> 01:44:14,960
Speaker 1: he's like, I got you. So we had different original rappers.

1916
01:44:16,040 --> 01:44:19,599
Speaker 1: I want real rappers and you know Melle mellon Grandmaster cards.

1917
01:44:19,640 --> 01:44:22,200
Speaker 1: With my people, they're like it's like family to me,

1918
01:44:22,320 --> 01:44:25,479
Speaker 1: Like they come spend Thanksgiving, it, come spend Christmas, New

1919
01:44:25,560 --> 01:44:27,639
Speaker 1: Years whatever it is. They they're they're with me there.

1920
01:44:27,720 --> 01:44:30,320
Speaker 1: It's the same as Bumpy. It's like family. I know

1921
01:44:30,520 --> 01:44:32,679
Speaker 1: his kids and what I mean, it's not like we're

1922
01:44:32,760 --> 01:44:36,760
Speaker 1: like some on some friendship. Yeah, it's like I don't

1923
01:44:36,800 --> 01:44:38,679
Speaker 1: believe in that industry ship. You don't think I thought

1924
01:44:38,720 --> 01:44:41,160
Speaker 1: it was gonna change, like once you blew up that No, no, no,

1925
01:44:41,320 --> 01:44:44,840
Speaker 1: that's when I got real money. Money money. The money

1926
01:44:44,920 --> 01:44:47,439
Speaker 1: shows you who you really are. I like that, Like

1927
01:44:47,560 --> 01:44:49,320
Speaker 1: if you won't ask, so you're gonna be a big

1928
01:44:50,960 --> 01:44:56,880
Speaker 1: it's like steroids. Yeah, and how does that look like?

1929
01:44:56,960 --> 01:45:02,439
Speaker 1: You're standing there? He should just get hit on the

1930
01:45:02,520 --> 01:45:07,120
Speaker 1: right to run the chicken photos. I went to joelt Speed,

1931
01:45:07,160 --> 01:45:10,920
Speaker 1: look at me, big twin. We call him normal twin.

1932
01:45:11,040 --> 01:45:17,800
Speaker 1: We close they twitters. Yeah, he's on. That's some don't

1933
01:45:17,840 --> 01:45:20,120
Speaker 1: like fucking they're pulling you on the twist your spine.

1934
01:45:20,160 --> 01:45:28,040
Speaker 1: How is the bullshit? He looked just like you. Goddamn.

1935
01:45:28,240 --> 01:45:30,080
Speaker 1: I can't believe saying your love it was your brother?

1936
01:45:33,560 --> 01:45:36,680
Speaker 1: What do you? What's your names? On the straight? I

1937
01:45:36,760 --> 01:45:43,000
Speaker 1: gotta go, guys. Yeah, I don't know Rea's from. Yeah,

1938
01:45:43,280 --> 01:45:55,960
Speaker 1: I don't smell, but it that is the highest. Yeah,

1939
01:46:04,360 --> 01:46:09,000
Speaker 1: it's a vomit night tonight. So what what is what

1940
01:46:09,200 --> 01:46:15,840
Speaker 1: is your favorite part of being that Condia. Obviously you

1941
01:46:15,880 --> 01:46:18,960
Speaker 1: know making people laugh is one for them, But what

1942
01:46:19,320 --> 01:46:21,640
Speaker 1: made you fall of love? What we're saying it was,

1943
01:46:23,560 --> 01:46:27,920
Speaker 1: I've always liked seeing people smile. I like seeing people

1944
01:46:27,960 --> 01:46:31,280
Speaker 1: that are sucked up find something to laugh at, like

1945
01:46:31,680 --> 01:46:36,280
Speaker 1: this dude, his ship, his life sucks. But but I

1946
01:46:36,360 --> 01:46:39,880
Speaker 1: can see his face, you know, I can see that

1947
01:46:40,000 --> 01:46:42,599
Speaker 1: he's like, I don't give a funk about this. I'm

1948
01:46:42,680 --> 01:46:45,599
Speaker 1: still here. And that's what I recognize. When I see

1949
01:46:45,680 --> 01:46:48,439
Speaker 1: people I go, I see in their eyes when I go,

1950
01:46:48,880 --> 01:46:50,840
Speaker 1: I see what makes them happy, and I'm gonna trying

1951
01:46:50,840 --> 01:46:53,799
Speaker 1: to find that connection so I can continue your happiness.

1952
01:46:53,880 --> 01:46:58,400
Speaker 1: Like so, so, no matter what it is, Like Bump,

1953
01:46:58,439 --> 01:47:00,960
Speaker 1: he introduced me to rap when he first got out

1954
01:47:00,960 --> 01:47:03,519
Speaker 1: of jail and rapping out connected like that. Okay, when

1955
01:47:03,560 --> 01:47:08,080
Speaker 1: you say rapping clear O, g rap O, g rap Supreme,

1956
01:47:08,439 --> 01:47:12,320
Speaker 1: Magnetic's older brother. And the whole time I'm talking to

1957
01:47:12,400 --> 01:47:14,280
Speaker 1: you side note, the whole time I'm talking to you,

1958
01:47:14,360 --> 01:47:16,960
Speaker 1: there's a straight hair hanging off your head. I gotta

1959
01:47:17,000 --> 01:47:23,320
Speaker 1: have a great hand. No, it's it's I don't know

1960
01:47:23,479 --> 01:47:26,080
Speaker 1: what that is. But that ain't you see me walking

1961
01:47:26,120 --> 01:47:29,240
Speaker 1: my territory. I met your wife. She don't hear you

1962
01:47:29,320 --> 01:47:34,679
Speaker 1: talking around stee around here. I don't know what you're saying.

1963
01:47:34,720 --> 01:47:37,600
Speaker 1: Come out the water is think you with in Motoregas

1964
01:47:37,640 --> 01:47:44,160
Speaker 1: de day? But um, what you favor part of being

1965
01:47:44,160 --> 01:47:47,599
Speaker 1: a commedia like just just seeing people there? I don't

1966
01:47:47,640 --> 01:47:50,040
Speaker 1: like that people stop and go, oh, I feel so

1967
01:47:50,160 --> 01:47:52,599
Speaker 1: bad for you. I'm like, funk that at the end

1968
01:47:52,640 --> 01:47:54,360
Speaker 1: of the day. He don't want me to feel bad.

1969
01:47:54,520 --> 01:47:56,599
Speaker 1: He's like, just talk to me like you're talking to them.

1970
01:47:56,680 --> 01:47:59,120
Speaker 1: Otherwise you're gonna make me feel bad. It's the same

1971
01:47:59,160 --> 01:48:01,240
Speaker 1: way I'm snapping on him. You you you, you are

1972
01:48:01,360 --> 01:48:03,599
Speaker 1: gonna get it the same way because to me, there

1973
01:48:03,720 --> 01:48:06,080
Speaker 1: is no like, there's no line above men of this,

1974
01:48:06,280 --> 01:48:08,360
Speaker 1: women are that, this person is that, this is not.

1975
01:48:08,760 --> 01:48:11,720
Speaker 1: It's a straight line. And that's probably my problem in

1976
01:48:11,760 --> 01:48:14,360
Speaker 1: the game because when I meet CEOs, I don't talk

1977
01:48:14,439 --> 01:48:16,200
Speaker 1: to them any different than I spoke to the valet

1978
01:48:16,280 --> 01:48:18,960
Speaker 1: guy just now. So the valet, I'm like, what's up

1979
01:48:19,000 --> 01:48:21,240
Speaker 1: man that I got to see? How much money did

1980
01:48:21,360 --> 01:48:25,320
Speaker 1: get mad? I honestly have on on my word, how

1981
01:48:25,520 --> 01:48:28,040
Speaker 1: fucking sat in these meetings and like with like fucking

1982
01:48:28,080 --> 01:48:31,120
Speaker 1: heads of heads of networks, and I'm like, how much

1983
01:48:31,160 --> 01:48:34,080
Speaker 1: money you make? Like what I go? You heard me?

1984
01:48:34,760 --> 01:48:36,680
Speaker 1: I mean, you know how much money I make? And

1985
01:48:36,840 --> 01:48:39,600
Speaker 1: you're paying me? So im sucking money? Do you make that? This?

1986
01:48:39,800 --> 01:48:43,360
Speaker 1: My ship ain't bothering you seek it all fun up

1987
01:48:43,360 --> 01:48:45,640
Speaker 1: because you're not used to people being real. So so

1988
01:48:45,800 --> 01:48:50,280
Speaker 1: one of the jokes that you did, um, you speaking

1989
01:48:50,320 --> 01:48:56,640
Speaker 1: to an Asian guy said something and then you said me,

1990
01:48:57,200 --> 01:49:00,320
Speaker 1: who said me? Me doing that? It's like watching you

1991
01:49:00,520 --> 01:49:05,880
Speaker 1: drive everyone laugh right, and he leafed and he laughed

1992
01:49:06,360 --> 01:49:10,040
Speaker 1: because he knew. But this is a day time. Is

1993
01:49:10,120 --> 01:49:15,840
Speaker 1: those jokes actually dangerous because it's only dangerous to the

1994
01:49:15,880 --> 01:49:19,639
Speaker 1: people that don't get them if you're not in that zone.

1995
01:49:20,560 --> 01:49:23,160
Speaker 1: Don't fucking judge your his zone. Like I laughed at

1996
01:49:23,200 --> 01:49:25,919
Speaker 1: the same joken. I can see what someone could be offended,

1997
01:49:26,080 --> 01:49:27,320
Speaker 1: you know what I'm saying. Yeah, of course, but ever

1998
01:49:27,360 --> 01:49:29,360
Speaker 1: it could be offended by everything. You don't think you're

1999
01:49:29,360 --> 01:49:31,040
Speaker 1: gonna get complaint about me talking to him like this

2000
01:49:31,760 --> 01:49:34,120
Speaker 1: ship you out of your mind? Do you feel like

2001
01:49:34,680 --> 01:49:38,000
Speaker 1: it seems? And I've heard where does it come? Comedy?

2002
01:49:38,040 --> 01:49:40,360
Speaker 1: I've seen like like Seinfeld has talked about this, like

2003
01:49:40,479 --> 01:49:46,040
Speaker 1: the political correctness has been disturbing comedy recently. It's getting

2004
01:49:46,080 --> 01:49:47,840
Speaker 1: I mean, sein folks, the one guy in the world

2005
01:49:47,880 --> 01:49:50,679
Speaker 1: who's never gonna have to worry about that. He won't

2006
01:49:50,720 --> 01:49:54,880
Speaker 1: know what I mean. So why is he outspoken? Because

2007
01:49:55,000 --> 01:49:59,720
Speaker 1: he's worth three It's like he can be what are

2008
01:49:59,720 --> 01:50:02,080
Speaker 1: you gonna do? Take his money? With the white privilege,

2009
01:50:02,520 --> 01:50:07,719
Speaker 1: and that's about that privilege that's even higher, that's even yeah.

2010
01:50:07,960 --> 01:50:12,280
Speaker 1: Do you think that's like helping is a destroying comedy

2011
01:50:12,320 --> 01:50:15,160
Speaker 1: to a certain it's only destroying the young, weak minded

2012
01:50:15,200 --> 01:50:18,559
Speaker 1: people that may be influenced by that. But the true

2013
01:50:18,600 --> 01:50:20,760
Speaker 1: comics are never gonna be like, oh my god, that

2014
01:50:21,439 --> 01:50:23,559
Speaker 1: I only think that when I'm commenting on people's pictures,

2015
01:50:23,560 --> 01:50:25,400
Speaker 1: and so many times I want to say ship because

2016
01:50:25,439 --> 01:50:27,000
Speaker 1: I know the person and they know how I'm gonna

2017
01:50:27,040 --> 01:50:29,280
Speaker 1: take it. But then some other fun face is gonna

2018
01:50:29,320 --> 01:50:32,200
Speaker 1: read it reading in his tone. Here's the problem. People

2019
01:50:32,280 --> 01:50:34,960
Speaker 1: read ship in their voice. So if you're happy, you're

2020
01:50:34,960 --> 01:50:37,040
Speaker 1: gonna read it a happy voice. We're gonna read it

2021
01:50:37,040 --> 01:50:40,040
Speaker 1: in the miserable voice. Kevin Hart, he had this controversy

2022
01:50:40,080 --> 01:50:41,840
Speaker 1: would he got And that was some bullshit too, you

2023
01:50:41,880 --> 01:50:48,000
Speaker 1: know why. And then that was Michael Blacksmith. Blacksmith, Blacksman

2024
01:50:48,040 --> 01:50:50,479
Speaker 1: sounds like somebody's trying to be a black man. You know,

2025
01:50:50,680 --> 01:50:54,200
Speaker 1: it starts with black Smith. I'm a blackman, he said.

2026
01:50:54,280 --> 01:50:59,160
Speaker 1: He said, comedians are not off littiment, so he wouldn't. Yeah,

2027
01:50:59,240 --> 01:51:02,000
Speaker 1: he's in their own Yeah, I know he's like, he's

2028
01:51:02,040 --> 01:51:04,800
Speaker 1: not like he's like other comedians not offer them like

2029
01:51:04,880 --> 01:51:08,080
Speaker 1: you know, that's a real controversy that. Um, I thought

2030
01:51:08,080 --> 01:51:12,680
Speaker 1: that was the thing that hosting no no, no, no

2031
01:51:12,800 --> 01:51:16,559
Speaker 1: no no, when you know they got accused of cheating

2032
01:51:16,760 --> 01:51:19,160
Speaker 1: or some ship in Vegas caught with a girl. So

2033
01:51:19,280 --> 01:51:24,599
Speaker 1: Michael Blackman, how did you say his name? Um? Kept

2034
01:51:25,200 --> 01:51:27,560
Speaker 1: you know, making jokes or the ship, so you know,

2035
01:51:27,720 --> 01:51:30,400
Speaker 1: Charlemagne and different people were saying, you know, is this

2036
01:51:30,560 --> 01:51:32,840
Speaker 1: the point where you're going too far? Is there? At

2037
01:51:32,840 --> 01:51:35,439
Speaker 1: the time with comedians. The only time it's bad is

2038
01:51:35,479 --> 01:51:38,320
Speaker 1: if comedians started trying to police comedians. That's when it

2039
01:51:38,360 --> 01:51:41,040
Speaker 1: gets into the like what happened that means have been

2040
01:51:41,080 --> 01:51:46,520
Speaker 1: infiltrated by people thro our comedians and comedians we are automatic,

2041
01:51:46,640 --> 01:51:49,920
Speaker 1: like I tell us the audien. Sometimes that when when

2042
01:51:49,960 --> 01:51:52,200
Speaker 1: you see a comedian and they're getting dark you see

2043
01:51:52,880 --> 01:51:56,360
Speaker 1: of the darkness because we got some dark ship like comics.

2044
01:51:56,840 --> 01:52:00,240
Speaker 1: Comics to comedic like artists, you got some did to

2045
01:52:00,320 --> 01:52:04,040
Speaker 1: rate something like Comma texted each other like he kind

2046
01:52:04,040 --> 01:52:08,560
Speaker 1: of Steve Harvey critique Monique, Like I felt like he

2047
01:52:09,640 --> 01:52:14,280
Speaker 1: Steve was a lot of that at least but but

2048
01:52:14,439 --> 01:52:16,439
Speaker 1: but but but at least he could teach it to

2049
01:52:16,479 --> 01:52:19,360
Speaker 1: her face, like the blast was going on other people's

2050
01:52:19,840 --> 01:52:25,800
Speaker 1: people's platforms. He said to her, Yeah, yeah, on the shirt.

2051
01:52:26,560 --> 01:52:28,280
Speaker 1: That was a little different. Even though it was I

2052
01:52:28,280 --> 01:52:30,679
Speaker 1: don't block it, which I believe he was out of pocket.

2053
01:52:30,760 --> 01:52:32,320
Speaker 1: At least he did it in the in the way

2054
01:52:32,400 --> 01:52:37,360
Speaker 1: where it's the most to him. And I related to

2055
01:52:38,080 --> 01:52:41,200
Speaker 1: Monique in a sense because one thing is tip was

2056
01:52:41,360 --> 01:52:43,200
Speaker 1: very difficult to do. Like a lot of people don't

2057
01:52:43,200 --> 01:52:46,280
Speaker 1: notice that. When I did industry shake down, Bro, I

2058
01:52:46,520 --> 01:52:49,960
Speaker 1: was getting like phone calls from dudes like, yo, man,

2059
01:52:50,000 --> 01:52:53,160
Speaker 1: what the funk you doing? Man? You you know I

2060
01:52:53,280 --> 01:52:55,160
Speaker 1: was hearing this on the phone. They were saying this

2061
01:52:55,280 --> 01:52:57,599
Speaker 1: on the phone, Yo, bro, Like what's good man? Why

2062
01:52:57,640 --> 01:53:00,799
Speaker 1: would but I was hearing you were so Mr Charlotte,

2063
01:53:01,600 --> 01:53:05,920
Speaker 1: Oh no, you don't do that the Mr Charlotte weez

2064
01:53:06,040 --> 01:53:09,200
Speaker 1: can't be dudes, and after Mr Charlott, you can't talk

2065
01:53:09,320 --> 01:53:12,000
Speaker 1: bad about Mr Charlotte. That's what I was hearing. But

2066
01:53:12,560 --> 01:53:15,000
Speaker 1: I felt like, Yo, what the funk, motherfucker, I'm kicking

2067
01:53:15,040 --> 01:53:17,320
Speaker 1: out the door. Everybody's gonna running behind me and get

2068
01:53:17,439 --> 01:53:19,960
Speaker 1: the money. Whether y'all look back at me or not

2069
01:53:20,120 --> 01:53:22,840
Speaker 1: don't matter. But that's what I felt like. I felt

2070
01:53:22,880 --> 01:53:24,880
Speaker 1: like it was dudes that was saying, like, Yo, man

2071
01:53:25,800 --> 01:53:27,880
Speaker 1: that you I'll funk with you if you don't funk

2072
01:53:27,920 --> 01:53:30,160
Speaker 1: with that guy Freddy Fox, if you don't sunk with him,

2073
01:53:30,320 --> 01:53:32,400
Speaker 1: I'll funk with you. You know, you believe that that

2074
01:53:32,840 --> 01:53:37,280
Speaker 1: that phrase black ball is a real thing because it's

2075
01:53:37,400 --> 01:53:42,880
Speaker 1: really I know because because listen, I can't say it's

2076
01:53:42,920 --> 01:53:45,760
Speaker 1: real or not. But so many people that hold on,

2077
01:53:46,640 --> 01:53:50,240
Speaker 1: hold on the people that I've seen being accused of it,

2078
01:53:50,760 --> 01:53:54,800
Speaker 1: we're dead lives, the people here's the doing it. Kid.

2079
01:53:54,920 --> 01:53:58,240
Speaker 1: Didn't happened to saying that they are, even saying that

2080
01:53:58,280 --> 01:54:03,519
Speaker 1: they were black balling black It's the real thing. When

2081
01:54:03,560 --> 01:54:05,800
Speaker 1: you're a black ball in Hollywood, you don't get an

2082
01:54:05,880 --> 01:54:08,920
Speaker 1: email or texting. By the way, you're a black Yeah,

2083
01:54:09,080 --> 01:54:12,400
Speaker 1: you just feel it. It's literally like this. Have you

2084
01:54:12,439 --> 01:54:14,800
Speaker 1: ever read the BT bank? Just turned it back home?

2085
01:54:16,000 --> 01:54:24,479
Speaker 1: Google a BT band artist list we should get and

2086
01:54:24,600 --> 01:54:30,120
Speaker 1: nobody's is normous. Let people know like they start to

2087
01:54:30,200 --> 01:54:35,000
Speaker 1: tell each other like executives. And despite all of that,

2088
01:54:35,080 --> 01:54:38,640
Speaker 1: ship bro, My my passion and my love for making

2089
01:54:38,760 --> 01:54:41,400
Speaker 1: music has been my only force and drive is that

2090
01:54:42,200 --> 01:54:45,000
Speaker 1: nobody can tell Nobody can tell me. I I've never

2091
01:54:45,080 --> 01:54:48,000
Speaker 1: been homeless, thank God, I've never had to be. I've

2092
01:54:48,040 --> 01:54:49,840
Speaker 1: never worried about being kicked out of No Boy, and

2093
01:54:50,080 --> 01:54:52,240
Speaker 1: I haven't had those issues because I've been able to

2094
01:54:52,320 --> 01:54:56,120
Speaker 1: still persevere and keep it moving. I may not make

2095
01:54:56,200 --> 01:54:58,680
Speaker 1: the millions everybody's making, but I'm alright man. You know

2096
01:54:58,800 --> 01:55:01,240
Speaker 1: what did I see about you when I did that?

2097
01:55:01,360 --> 01:55:04,040
Speaker 1: You know, I like to do study like before when

2098
01:55:04,040 --> 01:55:07,160
Speaker 1: I started this, I just want to be all organic

2099
01:55:07,320 --> 01:55:10,160
Speaker 1: and what it's better for me to do studies and

2100
01:55:10,280 --> 01:55:13,680
Speaker 1: be organic with it. So when I did about when

2101
01:55:13,680 --> 01:55:18,000
Speaker 1: I just search about about you, Um, you can just

2102
01:55:18,120 --> 01:55:20,800
Speaker 1: see it. Man, every time you rhyme like you really

2103
01:55:20,960 --> 01:55:24,480
Speaker 1: still enjoy it, like and that's something that I might

2104
01:55:25,480 --> 01:55:28,640
Speaker 1: There's been times in my life where I just lost

2105
01:55:29,160 --> 01:55:32,640
Speaker 1: love for hip hop it's hard. It's like you lost

2106
01:55:33,960 --> 01:55:38,280
Speaker 1: never ever ever because I have like but I mean

2107
01:55:38,400 --> 01:55:42,160
Speaker 1: obviously I don't know about love. I've been managed fun,

2108
01:55:42,680 --> 01:55:45,600
Speaker 1: but I think that's what kep me going. You know

2109
01:55:45,800 --> 01:55:51,800
Speaker 1: the bad list, Okay, let's be the bad list back list,

2110
01:55:52,160 --> 01:56:01,360
Speaker 1: Cougie Rap, It's be Cougie ra. Who's the badless whoever

2111
01:56:01,440 --> 01:56:07,280
Speaker 1: they gave me some? Let me let me Coolgi Rap,

2112
01:56:07,440 --> 01:56:12,720
Speaker 1: Craig g mc like Buckshot, that's his bad list A

2113
01:56:12,840 --> 01:56:23,280
Speaker 1: trum Cole Chris A plus Nobody eight plus plus. I

2114
01:56:23,440 --> 01:56:31,800
Speaker 1: know the lix list free let Garter facts as bad Seed,

2115
01:56:32,080 --> 01:56:38,800
Speaker 1: Bahama Dia Xaxohama, at the Time Rap, Goody Mob Bones

2116
01:56:38,840 --> 01:56:45,880
Speaker 1: Dogs and Harmardy Black Eat forty Cannabis, Stick Method Man,

2117
01:56:46,320 --> 01:56:53,160
Speaker 1: My Bad better Man Too a fool, Rob Kappadonna, Channel Live,

2118
01:56:53,440 --> 01:56:59,400
Speaker 1: Koko Brothers, Freddie Fox with three exes, Z at least

2119
01:56:59,480 --> 01:57:04,800
Speaker 1: spelled my name. Jeez Just I'm about to say Jeezer

2120
01:57:08,320 --> 01:57:12,440
Speaker 1: easy help, no, no help, excuse me. Lpie that's the

2121
01:57:12,480 --> 01:57:18,840
Speaker 1: white guy, remember him, d Oc Diamond, d Dead pres Day, Lass,

2122
01:57:19,760 --> 01:57:25,440
Speaker 1: m F Camp, Blow Ghetto Boys, Brand, Nubian boot Camp,

2123
01:57:25,520 --> 01:57:31,720
Speaker 1: Click Caress one, Black Sheet, rakuon Fourth Avenue, Jones Heather

2124
01:57:31,880 --> 01:57:45,120
Speaker 1: b j O, Felony Killer Priests, Little Csu McGruff, most

2125
01:57:45,120 --> 01:57:52,640
Speaker 1: of the bricks, the Black n dog O c and

2126
01:57:52,800 --> 01:57:56,000
Speaker 1: Olex the reason why their music is not relevant to

2127
01:57:56,080 --> 01:58:00,919
Speaker 1: the BT audience twelve to nineteen year old black females.

2128
01:58:01,400 --> 01:58:07,320
Speaker 1: But shot spins out and that not. Now, this is

2129
01:58:07,400 --> 01:58:09,080
Speaker 1: my point for that right when I heard about that,

2130
01:58:12,000 --> 01:58:14,600
Speaker 1: because you know fans say, yo, man, you know my

2131
01:58:14,840 --> 01:58:16,720
Speaker 1: fans were like bugging off that ship. But I didn't

2132
01:58:16,760 --> 01:58:18,280
Speaker 1: pay that ship no mind. So when you asked me

2133
01:58:18,360 --> 01:58:21,960
Speaker 1: about losing love, it's the love for what I do

2134
01:58:22,480 --> 01:58:25,880
Speaker 1: that keeps me abovest stupid ship like that. You understand

2135
01:58:25,880 --> 01:58:28,520
Speaker 1: what I'm saying. It's the love for what I do

2136
01:58:29,480 --> 01:58:33,200
Speaker 1: that keeps me above the ignorant motherfucker's who feel like

2137
01:58:33,320 --> 01:58:36,360
Speaker 1: that word relevant that I hate that fucking word relevant. Bro.

2138
01:58:36,600 --> 01:58:40,360
Speaker 1: I always say that because relevant soldier boy fans is

2139
01:58:40,400 --> 01:58:45,560
Speaker 1: irrelevant to soldier. But see, the thing is, you gotta

2140
01:58:45,600 --> 01:58:48,480
Speaker 1: keep remembering in the listening business, bro. So if somebody

2141
01:58:48,600 --> 01:58:52,280
Speaker 1: play you something and what you're listening to don't excite

2142
01:58:52,320 --> 01:58:55,360
Speaker 1: your dolphins, then that's not for you. Whether it's it

2143
01:58:55,400 --> 01:58:58,200
Speaker 1: don't mean it's not relevant. It's just not for you.

2144
01:58:58,360 --> 01:59:01,520
Speaker 1: When you people have over critique in music so much, Bro,

2145
01:59:01,680 --> 01:59:04,200
Speaker 1: that is to the point where it's like, come on, like,

2146
01:59:05,840 --> 01:59:07,520
Speaker 1: I don't let nobody judge me and don't know how

2147
01:59:07,560 --> 01:59:09,320
Speaker 1: to do what I do, So if you don't like it,

2148
01:59:09,480 --> 01:59:12,640
Speaker 1: fuck you. That's what that means when you let tut

2149
01:59:12,680 --> 01:59:17,000
Speaker 1: of me like I say, what say? You got people

2150
01:59:17,080 --> 01:59:19,320
Speaker 1: in the game that don't They don't know how, they

2151
01:59:19,400 --> 01:59:21,280
Speaker 1: don't know how to make music. They don't they just

2152
01:59:21,480 --> 01:59:24,160
Speaker 1: like listening to it. So don't judge me. You don't

2153
01:59:24,160 --> 01:59:25,680
Speaker 1: know how to do what I do. Bro, you walk

2154
01:59:25,720 --> 01:59:27,920
Speaker 1: into a fucking stude any studio on this planet. I

2155
01:59:27,960 --> 01:59:31,120
Speaker 1: can walk into it. There your bounce. I'm good. I

2156
01:59:31,120 --> 01:59:34,040
Speaker 1: don't need you, Bro, I need you, and that's my accolte.

2157
01:59:34,040 --> 01:59:36,480
Speaker 1: I'm happy that I can do that. Ship, just like

2158
01:59:36,560 --> 01:59:39,040
Speaker 1: Russ can say, Yo, I'm driving past the comedy club.

2159
01:59:39,080 --> 01:59:41,080
Speaker 1: You know, let me stop and gonna work out. Motherfucker said,

2160
01:59:41,120 --> 01:59:43,280
Speaker 1: Oh Ship, Russell Peters, isn't it they throw you on

2161
01:59:43,400 --> 01:59:47,400
Speaker 1: stage for a minute. You can handle that, but is

2162
01:59:47,440 --> 01:59:51,520
Speaker 1: it was going through it with Jay z Um. You

2163
01:59:52,320 --> 01:59:55,240
Speaker 1: roll with him hard body only because no No I

2164
01:59:55,320 --> 01:59:57,680
Speaker 1: wrote with Nas and my boy Chuck was riding with

2165
01:59:57,800 --> 02:00:00,480
Speaker 1: Jay and and and the goal was the keep that

2166
02:00:00,680 --> 02:00:04,960
Speaker 1: situation for getting physical. We wanted to make sure the buffer. No,

2167
02:00:05,240 --> 02:00:07,760
Speaker 1: we would they Jay never knew I was with NAS

2168
02:00:07,840 --> 02:00:13,320
Speaker 1: and it was it was, it was, it was, it was.

2169
02:00:13,520 --> 02:00:21,720
Speaker 1: It was the reason why I did that because you know,

2170
02:00:21,800 --> 02:00:23,440
Speaker 1: Nows is like a little brother to me. But and

2171
02:00:23,520 --> 02:00:25,800
Speaker 1: and I fought with jay Z hard body. But but

2172
02:00:25,960 --> 02:00:28,440
Speaker 1: my boy Chuck is really close to jay Z, and

2173
02:00:29,240 --> 02:00:32,120
Speaker 1: you know, I felt like I didn't want to see

2174
02:00:32,200 --> 02:00:35,400
Speaker 1: that turn into tupop ping, know what I'm saying. So

2175
02:00:35,560 --> 02:00:38,400
Speaker 1: I tried to make sure that if NAS didn't really

2176
02:00:38,440 --> 02:00:41,640
Speaker 1: have any problems with the Brooklyn Cats, so with cats

2177
02:00:41,720 --> 02:00:43,400
Speaker 1: that was with Jay Like that was just we was

2178
02:00:43,480 --> 02:00:46,680
Speaker 1: hoping that as long as it stayed right, we can

2179
02:00:46,720 --> 02:00:48,480
Speaker 1: stay in the background, you know what I mean. And

2180
02:00:48,680 --> 02:00:52,240
Speaker 1: and sometimes just your presence, a certain person's presence can

2181
02:00:52,320 --> 02:00:55,600
Speaker 1: show people that people got certain strengths, and we don't

2182
02:00:55,600 --> 02:00:57,120
Speaker 1: want to go that way. We want let's let's not.

2183
02:00:58,320 --> 02:01:00,560
Speaker 1: Because I swear to you, man, one of my one

2184
02:01:00,600 --> 02:01:03,200
Speaker 1: of the biggest regretful memories in hip hop is knowing

2185
02:01:03,240 --> 02:01:05,480
Speaker 1: that Biggie and park A in no more like just

2186
02:01:05,600 --> 02:01:09,000
Speaker 1: imagine how big that would have been. Yeah, I knew

2187
02:01:09,040 --> 02:01:11,640
Speaker 1: both of them, but I knew Park better. But Biggie

2188
02:01:11,760 --> 02:01:14,760
Speaker 1: was very very clear man, that was my man. But

2189
02:01:14,920 --> 02:01:17,000
Speaker 1: you know the thing about that is it sucks, man

2190
02:01:17,080 --> 02:01:20,200
Speaker 1: to see all these media platforms and you know, these

2191
02:01:20,240 --> 02:01:23,480
Speaker 1: beefs man and gassing up these motherfucker's and pushing, pushing,

2192
02:01:23,520 --> 02:01:29,760
Speaker 1: pushing soon died. We were sad about the media is

2193
02:01:29,800 --> 02:01:32,120
Speaker 1: posting up this shouldn't be this way, and then you

2194
02:01:32,200 --> 02:01:34,320
Speaker 1: know we're all fucked up. But you guys are selling

2195
02:01:34,400 --> 02:01:37,200
Speaker 1: this beef, selling this beef, and who benefited from that?

2196
02:01:37,320 --> 02:01:39,880
Speaker 1: You know, who actually can say that they've benefited from

2197
02:01:39,920 --> 02:01:43,320
Speaker 1: Biggie and Pop dying? Is this is this true? I'm

2198
02:01:43,360 --> 02:01:46,720
Speaker 1: not sure if you could answer this question. Maybe you can.

2199
02:01:47,840 --> 02:01:54,560
Speaker 1: There was a more disrespectful version of ether. Yeah actually existed. Yeah,

2200
02:01:55,600 --> 02:01:59,400
Speaker 1: that existed. Let me tell you something just for the recording. Yeah,

2201
02:02:00,120 --> 02:02:05,640
Speaker 1: from the first time I ever heard nas rhyme to

2202
02:02:05,800 --> 02:02:10,600
Speaker 1: this very day, that motherfuck a bit nice, nice, nice nice.

2203
02:02:11,000 --> 02:02:15,480
Speaker 1: And I remember telling this motherfucker, I said, dog jay

2204
02:02:15,560 --> 02:02:18,240
Speaker 1: Z is a different kind of animal, you know, And

2205
02:02:18,360 --> 02:02:19,920
Speaker 1: I said, I know, you know what you gotta do,

2206
02:02:20,040 --> 02:02:22,480
Speaker 1: I know how you deal with but just whatever you do, Bro,

2207
02:02:24,080 --> 02:02:26,720
Speaker 1: you gotta be You're gonna have to be real witty

2208
02:02:27,440 --> 02:02:30,640
Speaker 1: because jay Z is not the average rapper, and Nas

2209
02:02:30,760 --> 02:02:33,640
Speaker 1: is already he's already in his own head about a

2210
02:02:33,720 --> 02:02:35,080
Speaker 1: lot of things, you know what I'm saying, Like he

2211
02:02:35,280 --> 02:02:38,160
Speaker 1: he pays more attention than you think he's paying. So

2212
02:02:38,320 --> 02:02:44,600
Speaker 1: he picks up, he picks up my first trap. I

2213
02:02:44,680 --> 02:02:54,280
Speaker 1: got Indian friends real way more. It was no reason

2214
02:02:54,360 --> 02:03:04,760
Speaker 1: to do that. Wow looking to you, but that was

2215
02:03:05,160 --> 02:03:06,840
Speaker 1: to me one of the top battles in the game.

2216
02:03:07,640 --> 02:03:12,360
Speaker 1: That was because he's such a doping scene. Because jay

2217
02:03:12,480 --> 02:03:14,800
Speaker 1: Z is so incredible as an m C. You know

2218
02:03:14,920 --> 02:03:17,880
Speaker 1: the fact that they were able to take over drops, right, Yeah,

2219
02:03:18,640 --> 02:03:21,160
Speaker 1: that's when you you because at the time, I believe

2220
02:03:21,440 --> 02:03:26,000
Speaker 1: nas moms also passed away. I believe, right. So take

2221
02:03:26,040 --> 02:03:27,920
Speaker 1: o is this is around the same time take over

2222
02:03:28,000 --> 02:03:30,840
Speaker 1: Drops and this was before because I remember Nas was

2223
02:03:30,880 --> 02:03:33,840
Speaker 1: in Long Island, big gass mansion in Long Liland ship

2224
02:03:35,200 --> 02:03:37,280
Speaker 1: and uh you so you've seen this bed room and

2225
02:03:37,360 --> 02:03:39,320
Speaker 1: it had all full of books, all books, just a

2226
02:03:39,400 --> 02:03:42,760
Speaker 1: bunch of books and you know the funny sh yeah

2227
02:03:42,920 --> 02:03:45,080
Speaker 1: you shock on it. A lot a lot of books.

2228
02:03:45,120 --> 02:03:47,360
Speaker 1: He got a room full of books I've never seen.

2229
02:03:47,400 --> 02:03:49,040
Speaker 1: It was like he's sleeping in the library and ship

2230
02:03:49,760 --> 02:03:52,680
Speaker 1: and you know he was. He's definitely deeper than a

2231
02:03:52,760 --> 02:03:54,880
Speaker 1: lot of cats even can imagine. You know, I think

2232
02:03:54,920 --> 02:03:58,960
Speaker 1: that quiet ship works to me. He's a study. He studies. Man.

2233
02:03:59,000 --> 02:04:00,480
Speaker 1: You know what I'm saying, I don't. I don't see

2234
02:04:00,520 --> 02:04:05,080
Speaker 1: nothing bad that came out of that because they kept

2235
02:04:05,120 --> 02:04:07,000
Speaker 1: it wrapped. They kept a hip hop, you know what saying.

2236
02:04:07,040 --> 02:04:08,800
Speaker 1: That was my premise. That was my whole premise for

2237
02:04:09,240 --> 02:04:11,440
Speaker 1: let's break it down, because you felt like as an

2238
02:04:11,480 --> 02:04:14,720
Speaker 1: older brother that you had to so so was it

2239
02:04:14,880 --> 02:04:18,360
Speaker 1: as you heard take over? Nah, I've never heard the

2240
02:04:18,440 --> 02:04:20,880
Speaker 1: take over. I just this was before he wrote it.

2241
02:04:21,680 --> 02:04:24,280
Speaker 1: Before this was This was before he actually wrote the

2242
02:04:24,360 --> 02:04:28,440
Speaker 1: run Um, was before Robin, before Nas actually wrote ether.

2243
02:04:29,440 --> 02:04:31,320
Speaker 1: I was. I was really like he was around me

2244
02:04:31,360 --> 02:04:34,320
Speaker 1: a lot. We was ribbing. Yeah, take it. I think

2245
02:04:35,120 --> 02:04:38,360
Speaker 1: Jay drop first, right, yeah, Ja first. And Nas was

2246
02:04:38,520 --> 02:04:40,000
Speaker 1: to study and I remember me and I was being

2247
02:04:40,040 --> 02:04:41,920
Speaker 1: in the city one day and they had a big

2248
02:04:42,040 --> 02:04:45,000
Speaker 1: post at him in times of I'll tell you something.

2249
02:04:46,200 --> 02:04:48,920
Speaker 1: Maybe I'm gonna google me if I'm wrong, has but

2250
02:04:49,120 --> 02:04:51,760
Speaker 1: take over. This was the first time take over dropped,

2251
02:04:52,400 --> 02:04:56,280
Speaker 1: and everyone being the fact that NAS didn't respond immediately,

2252
02:04:56,960 --> 02:04:59,440
Speaker 1: the world was saying, NAS was over. I don't know

2253
02:04:59,480 --> 02:05:03,200
Speaker 1: if you know, Oh yeah, that's right, I don't. I

2254
02:05:03,280 --> 02:05:07,280
Speaker 1: remember when he's hurt. Along every man was saying, yeah,

2255
02:05:07,280 --> 02:05:09,560
Speaker 1: I knew he wasn't. No, I don't know what took

2256
02:05:10,200 --> 02:05:12,720
Speaker 1: what I couldn't face it. It's like one month pass

2257
02:05:13,040 --> 02:05:15,480
Speaker 1: a line of them back. Everybody's like, man, I knew

2258
02:05:15,480 --> 02:05:18,720
Speaker 1: you all. I knew because I think it was like

2259
02:05:18,840 --> 02:05:22,600
Speaker 1: four or six months. It was a long time. Remember,

2260
02:05:22,720 --> 02:05:25,960
Speaker 1: I'm not sure. Yeah, I'm not sure it wasn't. I'm

2261
02:05:26,000 --> 02:05:28,880
Speaker 1: not sure it wasn't. Last it was two thousand two, right,

2262
02:05:31,520 --> 02:05:34,520
Speaker 1: drops to one. Yeah, I wanted to eat the drop

2263
02:05:34,760 --> 02:05:37,840
Speaker 1: two thousand two seven four doesn't one of Jay was

2264
02:05:39,240 --> 02:05:42,160
Speaker 1: two months. It took three months. It took They're wrong, Damn.

2265
02:05:42,240 --> 02:05:45,200
Speaker 1: That ship felt like nine months to me. But he was.

2266
02:05:45,760 --> 02:05:47,520
Speaker 1: And that's a that's a smart that one. But in

2267
02:05:47,640 --> 02:05:57,400
Speaker 1: that time periods be come on fo Okay, I was close,

2268
02:05:57,880 --> 02:06:00,720
Speaker 1: I said, do not joke. Yeah, I said three to

2269
02:06:00,840 --> 02:06:03,240
Speaker 1: listen to he started here studying some of these dudes

2270
02:06:03,280 --> 02:06:10,240
Speaker 1: now rush rush rush, they rush rush nowadays they rushed rush,

2271
02:06:10,320 --> 02:06:12,600
Speaker 1: rush to respond because you've got a bunch of dudes

2272
02:06:12,600 --> 02:06:14,640
Speaker 1: around you that don't wrap gas in you what you

2273
02:06:14,720 --> 02:06:17,160
Speaker 1: got to do it now because he did. Now it's

2274
02:06:17,200 --> 02:06:20,440
Speaker 1: just much more constan you know, he's much more complex

2275
02:06:20,520 --> 02:06:24,160
Speaker 1: than that. He he's like a chess player, like he's

2276
02:06:24,200 --> 02:06:28,160
Speaker 1: a virgo. He's a chess player. Yes, so did you

2277
02:06:28,560 --> 02:06:31,640
Speaker 1: did you have doll at any time? Like because like

2278
02:06:31,880 --> 02:06:33,640
Speaker 1: the world had doubt, Like you know what I'm saying,

2279
02:06:33,640 --> 02:06:36,600
Speaker 1: that's my brother too, But the world had doubt because

2280
02:06:37,000 --> 02:06:39,200
Speaker 1: that record to take over, Like I didn't think it

2281
02:06:39,360 --> 02:06:44,520
Speaker 1: was big until Jay did it at Summer Jam. Remember

2282
02:06:44,560 --> 02:06:47,440
Speaker 1: that one year he did it and then he put

2283
02:06:48,560 --> 02:06:52,480
Speaker 1: Prodigy And that's when that's when did the Valerie to

2284
02:06:52,600 --> 02:06:55,440
Speaker 1: joint And I just felt like I went and spoke

2285
02:06:55,520 --> 02:06:58,120
Speaker 1: to my mom's I said, you need to tell me

2286
02:06:58,360 --> 02:07:05,360
Speaker 1: right now, dude to I got crazy over that, Like,

2287
02:07:06,040 --> 02:07:09,360
Speaker 1: was I ever like you know, I ever staying my

2288
02:07:09,520 --> 02:07:13,600
Speaker 1: sister's class too long? Is there anything somebody can pool?

2289
02:07:14,520 --> 02:07:18,280
Speaker 1: My mom said, you gotta relox Ballerie to school over

2290
02:07:18,680 --> 02:07:23,360
Speaker 1: y'all there. But that's when like that was real to

2291
02:07:23,520 --> 02:07:27,240
Speaker 1: like like like you was seeing that you did like

2292
02:07:27,720 --> 02:07:30,080
Speaker 1: it wasn't that nervous, and that was a different type

2293
02:07:30,080 --> 02:07:32,080
Speaker 1: of don't look at it like he was like Floyd

2294
02:07:32,200 --> 02:07:34,240
Speaker 1: me whether it was like the guy holding the mitch,

2295
02:07:34,960 --> 02:07:36,920
Speaker 1: how I look at it, And I wasn't. I wasn't

2296
02:07:36,960 --> 02:07:40,120
Speaker 1: nervous because we never talked about that when I was

2297
02:07:40,200 --> 02:07:44,040
Speaker 1: around nos. We never talked about Jay z He maybe

2298
02:07:44,160 --> 02:07:48,040
Speaker 1: once he would mention, yeah, homeboy said this, but homes

2299
02:07:48,160 --> 02:07:51,440
Speaker 1: he said, Homes said this, but he never went like.

2300
02:07:51,600 --> 02:07:55,400
Speaker 1: It was never no drawing out conversations because we were

2301
02:07:55,440 --> 02:07:57,680
Speaker 1: just moving about our day and moving about you know

2302
02:07:57,680 --> 02:07:59,360
Speaker 1: what I'm saying. And I was. And then I think

2303
02:07:59,400 --> 02:08:01,600
Speaker 1: that was the time when Chuck, Chuck was the one

2304
02:08:01,640 --> 02:08:05,680
Speaker 1: who put the Michael Jackson situation together for Jay and

2305
02:08:05,800 --> 02:08:08,400
Speaker 1: when Hero when he brought Michael Jackson something that was

2306
02:08:08,560 --> 02:08:10,920
Speaker 1: that was big Chuck who did that? Yeah, that was

2307
02:08:10,960 --> 02:08:13,080
Speaker 1: my man, Chuck. So Chuck and I were both in

2308
02:08:13,160 --> 02:08:15,840
Speaker 1: the background every day talking on the phone. I was

2309
02:08:15,920 --> 02:08:18,920
Speaker 1: calling Chuck, Chuck calling me, and we all really see

2310
02:08:19,000 --> 02:08:21,640
Speaker 1: the thing is as there's a connection with all everybody's cool.

2311
02:08:22,120 --> 02:08:24,880
Speaker 1: Chuck is cool with with Jay, I'm cool with nas

2312
02:08:25,040 --> 02:08:26,640
Speaker 1: me and Chuck is cool. You know what. Me and

2313
02:08:26,720 --> 02:08:28,280
Speaker 1: Jay I got a lot of respect for jay Z,

2314
02:08:28,800 --> 02:08:30,440
Speaker 1: and every time he's ever seen me, he's always been

2315
02:08:30,480 --> 02:08:33,000
Speaker 1: respecting me, and Nas is good like, so it's always

2316
02:08:33,080 --> 02:08:35,560
Speaker 1: been that. It ain't like we don't know each other,

2317
02:08:35,640 --> 02:08:39,080
Speaker 1: you know what I'm saying. So he never talked about

2318
02:08:39,160 --> 02:08:40,960
Speaker 1: jay Z though, Bro, you know I'm saying. So maybe

2319
02:08:40,960 --> 02:08:42,320
Speaker 1: he didn't talk about it, but you had to hear

2320
02:08:42,360 --> 02:08:46,440
Speaker 1: about what Jam because I think he just proded you

2321
02:08:46,520 --> 02:08:48,680
Speaker 1: the same year as he brought out back with Jass.

2322
02:08:49,480 --> 02:08:52,280
Speaker 1: So all right here it is, he has this summer

2323
02:08:52,400 --> 02:08:58,600
Speaker 1: jam moment. You hear either? Did you hear either before

2324
02:08:58,640 --> 02:09:03,840
Speaker 1: he came out? First off? Okay, dad? Thing? You know

2325
02:09:05,680 --> 02:09:07,720
Speaker 1: it's like you know why, I know Coach from my

2326
02:09:07,840 --> 02:09:10,320
Speaker 1: Coat from the Battle era and I just I just

2327
02:09:10,720 --> 02:09:15,840
Speaker 1: I just was happy. I just was happy happen because

2328
02:09:15,920 --> 02:09:18,320
Speaker 1: I know you know what it is. It's like when

2329
02:09:18,320 --> 02:09:20,840
Speaker 1: you see young proud of a little young protege of

2330
02:09:20,920 --> 02:09:22,720
Speaker 1: a cat that you know, like I like to meet.

2331
02:09:23,120 --> 02:09:25,000
Speaker 1: Nas has always been a baby rock him to me,

2332
02:09:25,760 --> 02:09:27,640
Speaker 1: what I'm saying, you see rock him when I'm again,

2333
02:09:27,720 --> 02:09:29,800
Speaker 1: and I know rock him from Kid Wizzard when he

2334
02:09:29,920 --> 02:09:32,080
Speaker 1: was famous in the hood. You know what I'm saying.

2335
02:09:32,160 --> 02:09:34,080
Speaker 1: You know in your mind and your mind deep in

2336
02:09:34,120 --> 02:09:36,200
Speaker 1: your mind, you know this kid can't go out because

2337
02:09:36,240 --> 02:09:38,080
Speaker 1: if this kid goes out, it kind of kills you.

2338
02:09:38,280 --> 02:09:42,160
Speaker 1: Like what you're represented pretty much. So alright, so that

2339
02:09:42,360 --> 02:09:45,360
Speaker 1: was Listen, your face just lit up like it was

2340
02:09:45,400 --> 02:09:49,560
Speaker 1: like Christmas, just like a bad exact said when you

2341
02:09:49,600 --> 02:09:53,920
Speaker 1: first heard you just answer to me without saying ship.

2342
02:09:54,320 --> 02:09:57,800
Speaker 1: Because I was on my phone and I was there

2343
02:09:58,200 --> 02:10:00,560
Speaker 1: listen to that shop. I was like, wow, Now, so

2344
02:10:00,680 --> 02:10:03,840
Speaker 1: now he calls into the student, how does this situation happened?

2345
02:10:03,880 --> 02:10:06,800
Speaker 1: I was like, if I'm not mistaken, if I can

2346
02:10:06,840 --> 02:10:09,400
Speaker 1: remember correctly, I think he was in a car that

2347
02:10:09,440 --> 02:10:12,920
Speaker 1: I still about. He pulled. No, he don't n didn't

2348
02:10:12,920 --> 02:10:15,400
Speaker 1: even dry still out drive. I don't know if he's

2349
02:10:15,400 --> 02:10:17,720
Speaker 1: way with you to me so I can't look. Yeah,

2350
02:10:18,880 --> 02:10:20,560
Speaker 1: I think he was. I think he was in a UM.

2351
02:10:21,360 --> 02:10:22,960
Speaker 1: I think he was in the car and he played

2352
02:10:23,000 --> 02:10:25,440
Speaker 1: the ship. I think, if I'm not mistaken, look every

2353
02:10:25,480 --> 02:10:27,680
Speaker 1: time something good, having a drain chairs the fucking train

2354
02:10:27,840 --> 02:10:30,560
Speaker 1: come through because I don't worry about it. So he

2355
02:10:31,520 --> 02:10:35,040
Speaker 1: training is a metaphor for our lives. Life is running

2356
02:10:35,520 --> 02:10:41,960
Speaker 1: train on train. So so he calls you think you're

2357
02:10:41,960 --> 02:10:44,800
Speaker 1: in the car shot right, thinking, yeah, if I'm not mistaken,

2358
02:10:44,800 --> 02:10:48,080
Speaker 1: I remember him playing him and is it you him

2359
02:10:48,200 --> 02:10:51,200
Speaker 1: jungle him? You don't. Most of the time it was

2360
02:10:51,320 --> 02:10:53,680
Speaker 1: me and the drive. I would imagine in the driving

2361
02:10:53,720 --> 02:10:59,200
Speaker 1: drunk friends, and it was like it was like I

2362
02:10:59,320 --> 02:11:03,320
Speaker 1: just was quiet it man, oh look you know, and

2363
02:11:03,400 --> 02:11:05,440
Speaker 1: then I smiled and I was like I just was

2364
02:11:05,760 --> 02:11:08,160
Speaker 1: I wasn't. I already knew the record was gonna be dope,

2365
02:11:08,680 --> 02:11:11,480
Speaker 1: but I was just happy that it was. That was

2366
02:11:11,600 --> 02:11:14,720
Speaker 1: quality ship and it was like his lines was righting

2367
02:11:14,800 --> 02:11:16,800
Speaker 1: and you know, everything was perfect, and I was like, Yo,

2368
02:11:16,920 --> 02:11:19,400
Speaker 1: this motherfucking kid. Man. I was so proud of man.

2369
02:11:19,560 --> 02:11:22,400
Speaker 1: Just you know what. I love that that that record

2370
02:11:22,560 --> 02:11:26,440
Speaker 1: is because when he started to rank on him, that's

2371
02:11:26,520 --> 02:11:30,880
Speaker 1: that reminded me of lunch room battles. To me, lunch

2372
02:11:30,960 --> 02:11:34,000
Speaker 1: room battles, it was like this, and if I had

2373
02:11:34,080 --> 02:11:36,600
Speaker 1: to say something against you, I would just rank on you.

2374
02:11:36,720 --> 02:11:43,160
Speaker 1: Battle rap. That's what battle rap like. It's exactly like

2375
02:11:43,240 --> 02:11:46,320
Speaker 1: if I'm more funnier than you with my rack, and

2376
02:11:46,400 --> 02:11:48,160
Speaker 1: you might have better balls, but if you don't have

2377
02:11:48,240 --> 02:11:53,800
Speaker 1: to cry, you would be as lyricals. And that's what

2378
02:11:53,920 --> 02:11:55,560
Speaker 1: And that's basically what I'm saying when I tell you,

2379
02:11:55,840 --> 02:11:57,520
Speaker 1: I was like, Jay is not the type of rapper

2380
02:11:57,560 --> 02:12:00,040
Speaker 1: you could just try to. You gotta, you gotta. So

2381
02:12:00,160 --> 02:12:02,160
Speaker 1: you think he adjusted based on what you said. I

2382
02:12:02,200 --> 02:12:04,320
Speaker 1: don't know if he adjusted based on what I said,

2383
02:12:04,400 --> 02:12:08,240
Speaker 1: But I know he heard my becase more like like

2384
02:12:08,480 --> 02:12:11,360
Speaker 1: lyrically like, yeah, he got my perspective because he got

2385
02:12:11,440 --> 02:12:14,520
Speaker 1: he got some perspective from Rock Kim. He got a

2386
02:12:14,560 --> 02:12:16,960
Speaker 1: little bit of perspective from where he's been with him.

2387
02:12:17,640 --> 02:12:20,040
Speaker 1: It was never hurt. You didn't know that. Yeah, he

2388
02:12:20,120 --> 02:12:22,800
Speaker 1: spoke to Rock Him, so he spoke before he was

2389
02:12:22,840 --> 02:12:25,600
Speaker 1: spawning to the jail. He spoke to Rock Him, had

2390
02:12:25,640 --> 02:12:27,240
Speaker 1: a meeting. I don't know if it was a meeting.

2391
02:12:27,280 --> 02:12:29,240
Speaker 1: I know they had a conversation and Rock Him gave

2392
02:12:29,320 --> 02:12:32,320
Speaker 1: him some advice. You know what I'm saying. And I've

2393
02:12:32,360 --> 02:12:37,360
Speaker 1: never heard this hip hop Mason's but I said to him.

2394
02:12:37,360 --> 02:12:40,240
Speaker 1: But I don't even I thinks had one thing about him.

2395
02:12:40,240 --> 02:12:43,080
Speaker 1: I don't believe he does what other people tell him.

2396
02:12:43,120 --> 02:12:46,240
Speaker 1: I think he listened. He listens. I don't drink that.

2397
02:12:46,560 --> 02:12:48,920
Speaker 1: I think he listens to what people say and then

2398
02:12:49,000 --> 02:12:51,960
Speaker 1: he makes his own decision based on what people say.

2399
02:12:52,080 --> 02:12:53,680
Speaker 1: You know what I'm saying. I think that's what he

2400
02:12:53,760 --> 02:12:58,120
Speaker 1: does say. But you know, I ain't gonna lie. I was,

2401
02:12:58,360 --> 02:13:00,960
Speaker 1: I was. I was concerned when I said because jay

2402
02:13:01,040 --> 02:13:03,240
Speaker 1: Z don't. Jay Z is just that dope of an

2403
02:13:03,400 --> 02:13:06,360
Speaker 1: MC like he's he just you know, he got a

2404
02:13:06,440 --> 02:13:08,720
Speaker 1: lot of fans who love him. They're loyal. He got loyal,

2405
02:13:08,880 --> 02:13:13,280
Speaker 1: loyal loyal loyals fans. And he got bars. You know,

2406
02:13:13,680 --> 02:13:17,360
Speaker 1: he got bars like bars like bars, top tea and

2407
02:13:17,400 --> 02:13:20,680
Speaker 1: bars z. We don't always know whose bars they are.

2408
02:13:20,840 --> 02:13:24,640
Speaker 1: But actually, if you're yeah, I do know. It was

2409
02:13:24,720 --> 02:13:26,320
Speaker 1: bars and another one of you want to talk about

2410
02:13:26,320 --> 02:13:30,760
Speaker 1: because rappers, but as a fan, it was bars. He bars, biggs, bars,

2411
02:13:30,920 --> 02:13:34,000
Speaker 1: he borrows bars. I like that. No, I don't. He

2412
02:13:34,160 --> 02:13:38,960
Speaker 1: bars like bars. Everybody's mostly big and big anybody who's

2413
02:13:38,960 --> 02:13:42,880
Speaker 1: dead basically was one of my favorites. Seven in the

2414
02:13:42,920 --> 02:13:45,440
Speaker 1: freestyle with Big and then and then big els and

2415
02:13:45,480 --> 02:13:48,320
Speaker 1: I heard jay Z put the same round Wait, hold

2416
02:13:48,360 --> 02:13:51,400
Speaker 1: on a manute, I can't I care. This was one

2417
02:13:51,400 --> 02:13:53,560
Speaker 1: of my favorite. I'll take his balls all the time.

2418
02:13:53,800 --> 02:14:00,320
Speaker 1: How many bars get Listen up to Grandmix, that's start

2419
02:14:00,520 --> 02:14:07,680
Speaker 1: right minded you It's different. It's very different kind of

2420
02:14:07,880 --> 02:14:11,440
Speaker 1: identifies where I'm getting it from. No, but I don't

2421
02:14:11,440 --> 02:14:14,760
Speaker 1: have that's what you're funny too, And that wasn't funny.

2422
02:14:15,880 --> 02:14:22,240
Speaker 1: Who I hate myself. What I'm saying is no rhyme

2423
02:14:22,360 --> 02:14:27,240
Speaker 1: is different stain unders like hete homage FETs right here

2424
02:14:27,320 --> 02:14:31,200
Speaker 1: and but but that's what I think he's doing. I mean,

2425
02:14:31,560 --> 02:14:34,440
Speaker 1: I think now it's even worse because nowadays you go

2426
02:14:34,560 --> 02:14:37,000
Speaker 1: to wrap the shows and you will see some of

2427
02:14:37,040 --> 02:14:39,960
Speaker 1: these motherfucker's do a whole set of the motherfucker's records

2428
02:14:40,000 --> 02:14:42,280
Speaker 1: and ship when they call it paying homage. But you

2429
02:14:42,320 --> 02:14:45,080
Speaker 1: don't think starting a rhyme on some like I'm used

2430
02:14:45,080 --> 02:14:49,880
Speaker 1: all the similar to something that great homed just a

2431
02:14:50,000 --> 02:14:53,040
Speaker 1: rhyme flip. You can use other words like like listen.

2432
02:14:53,080 --> 02:14:54,920
Speaker 1: I'll give you a good example. I took a Curtis

2433
02:14:55,040 --> 02:14:58,320
Speaker 1: Mayfield line and use it in hell. You know when

2434
02:14:58,400 --> 02:15:01,200
Speaker 1: he said we people who are talking in blue, you

2435
02:15:01,280 --> 02:15:03,480
Speaker 1: know that I said, And I said, my sisters, the

2436
02:15:03,560 --> 02:15:06,560
Speaker 1: black sisters who are I don't remember the rhymes ship

2437
02:15:06,720 --> 02:15:09,000
Speaker 1: um and you wrote the flag yeah, my black sisters.

2438
02:15:09,280 --> 02:15:12,800
Speaker 1: Uh of a light skinning something? You know? He said

2439
02:15:12,840 --> 02:15:14,200
Speaker 1: something in the record, And I took it and I

2440
02:15:14,320 --> 02:15:17,120
Speaker 1: flipped it. But you know that's just that's just studying.

2441
02:15:17,160 --> 02:15:18,800
Speaker 1: You know what I'm saying, you study. I don't want

2442
02:15:18,840 --> 02:15:23,920
Speaker 1: to call it homage because that's bullshit. Motherfucker's ain't paying homage,

2443
02:15:23,960 --> 02:15:28,919
Speaker 1: you know, motherfucker bull ship. It's no, it's he that's bullshit.

2444
02:15:30,880 --> 02:15:33,360
Speaker 1: It's a run flip. This is not I mean, you

2445
02:15:33,560 --> 02:15:37,920
Speaker 1: use ship's homage. Pay the motherfucker for the ship. You

2446
02:15:39,800 --> 02:15:46,800
Speaker 1: know what. He's right, He's right, He's right. I don't right,

2447
02:15:47,120 --> 02:15:49,680
Speaker 1: he's right. He last your sister. Can't you tell? He's

2448
02:15:49,720 --> 02:15:55,280
Speaker 1: just a service of adopteep. Well, that's Curtis Mayfield. He's right. Ship.

2449
02:15:55,680 --> 02:15:58,840
Speaker 1: What did I say? I said, I said, Nori know this,

2450
02:15:59,440 --> 02:16:02,640
Speaker 1: Nori do that. But Noory, no gaps nor buck that

2451
02:16:02,800 --> 02:16:05,840
Speaker 1: What then is that from bote on this vote on

2452
02:16:06,000 --> 02:16:10,080
Speaker 1: that boat on Jack? And what is flip pay homage?

2453
02:16:10,120 --> 02:16:13,600
Speaker 1: Just a round flip? For me? It was because how

2454
02:16:13,640 --> 02:16:15,560
Speaker 1: would you to say I got that part from so

2455
02:16:15,720 --> 02:16:26,200
Speaker 1: and so big up the hip? That's a man, that's homage.

2456
02:16:26,240 --> 02:16:30,360
Speaker 1: That's not It's just a round flip and rolling round flip. Bro.

2457
02:16:31,200 --> 02:16:34,240
Speaker 1: Don't you got as a as an artist? You're saying

2458
02:16:34,240 --> 02:16:35,720
Speaker 1: one thing. But as a fan, I can tell you this.

2459
02:16:36,320 --> 02:16:38,960
Speaker 1: When you say something like noy know this and never

2460
02:16:39,040 --> 02:16:41,480
Speaker 1: go okay. As far as a hip hop fan, I

2461
02:16:41,520 --> 02:16:44,880
Speaker 1: go okay. He pays attention to hip hop quote something

2462
02:16:45,000 --> 02:16:46,920
Speaker 1: back in the day. How about so he comes here

2463
02:16:47,000 --> 02:16:49,000
Speaker 1: like it's a jumps of times and make you want

2464
02:16:49,000 --> 02:16:50,600
Speaker 1: to keep it going under And then they go to

2465
02:16:50,680 --> 02:16:53,800
Speaker 1: another verse like that's them paying homage. But when you

2466
02:16:53,879 --> 02:16:57,720
Speaker 1: take a fucking verse versus like when you say, when

2467
02:16:57,760 --> 02:17:00,680
Speaker 1: the remy's in the system, ain't no telling all the

2468
02:17:00,720 --> 02:17:02,600
Speaker 1: fucking want of dis them. That's what these holes van

2469
02:17:02,680 --> 02:17:06,040
Speaker 1: yellow the same thing. No, I can give you like

2470
02:17:06,160 --> 02:17:08,480
Speaker 1: the little key, But once you go past that, you

2471
02:17:08,600 --> 02:17:14,080
Speaker 1: fucking you know you went from rhyme. It's gonna remind

2472
02:17:14,160 --> 02:17:17,440
Speaker 1: you of something else that's paying homage. But maybe not you.

2473
02:17:18,400 --> 02:17:21,240
Speaker 1: When you take a rhyme, I like example, let me

2474
02:17:21,280 --> 02:17:26,240
Speaker 1: give you example. As a DJ, all right, but you'd

2475
02:17:26,360 --> 02:17:30,280
Speaker 1: but four years what do you say something you you

2476
02:17:30,560 --> 02:17:33,520
Speaker 1: you quota a pm D line, I mean not even

2477
02:17:33,520 --> 02:17:36,280
Speaker 1: giving me a lie public enemy line. And you know

2478
02:17:36,440 --> 02:17:39,680
Speaker 1: some people who came before you. That's just you know,

2479
02:17:40,000 --> 02:17:42,039
Speaker 1: I wasn't doing it to pay homage. I was using

2480
02:17:42,080 --> 02:17:44,640
Speaker 1: the rhynd flip I was flipping around. If somebody do

2481
02:17:44,720 --> 02:17:48,120
Speaker 1: a DJ routine from let's say, let's say Grandmaster Flash

2482
02:17:48,160 --> 02:17:52,280
Speaker 1: do DJ routine right, and somebody knows he plays the

2483
02:17:52,400 --> 02:17:54,959
Speaker 1: same exact records in the same form he played them,

2484
02:17:55,440 --> 02:17:59,000
Speaker 1: and they don't acknowledge that it's homage. This is not homage. Well,

2485
02:17:59,080 --> 02:18:02,280
Speaker 1: that said, they don't knowledge. That's my point. That's my

2486
02:18:02,360 --> 02:18:05,680
Speaker 1: point to me, that's my point. But to me, usually

2487
02:18:05,840 --> 02:18:08,640
Speaker 1: the MC that uses lines that we all kind of

2488
02:18:09,080 --> 02:18:13,320
Speaker 1: universally know, they know that we know. But the homage line,

2489
02:18:13,520 --> 02:18:16,160
Speaker 1: the homage line is bullshit to make them big too,

2490
02:18:16,280 --> 02:18:19,120
Speaker 1: so people don't critique them for buying somebody's ship if

2491
02:18:19,200 --> 02:18:21,400
Speaker 1: they're not. But you're calling it a flips. But if

2492
02:18:21,440 --> 02:18:24,240
Speaker 1: they're flipping it in the lyric, so it's like, it's different.

2493
02:18:24,280 --> 02:18:26,320
Speaker 1: If it's a line, it's a different. If it's a verse,

2494
02:18:26,520 --> 02:18:29,320
Speaker 1: it's biting. No, no, I'm not saying verse. I like

2495
02:18:29,480 --> 02:18:32,120
Speaker 1: that when they start the rhyme, that's a flip. It's

2496
02:18:32,160 --> 02:18:34,520
Speaker 1: just a rund flip, that's all. And that's okay. It's

2497
02:18:34,560 --> 02:18:36,840
Speaker 1: just it's okay if you're nice and you flip it

2498
02:18:36,920 --> 02:18:39,680
Speaker 1: and it and it works but saying that it's homage

2499
02:18:39,720 --> 02:18:41,840
Speaker 1: to me as an execuse, I don't think that's homage.

2500
02:18:42,000 --> 02:18:44,360
Speaker 1: I think how much it's the common line. And once

2501
02:18:44,400 --> 02:18:48,560
Speaker 1: you go past with you it's subjective if you think

2502
02:18:48,600 --> 02:18:52,560
Speaker 1: it's yeah, it's subjective to who's doing it and how.

2503
02:18:52,800 --> 02:18:55,000
Speaker 1: Like I hear a lot of young cats try to

2504
02:18:55,200 --> 02:18:58,800
Speaker 1: see busting rhymes post a picture what what me goes?

2505
02:18:59,720 --> 02:19:04,560
Speaker 1: Off sat on his handstyle hairstyle, and I think Buster

2506
02:19:04,640 --> 02:19:07,600
Speaker 1: put his picture right next to off sit. That's that,

2507
02:19:08,120 --> 02:19:13,840
Speaker 1: thank you, but it's in your opinion. Do you do that?

2508
02:19:14,040 --> 02:19:21,800
Speaker 1: That's called hair foot right? No, but it's the same,

2509
02:19:23,040 --> 02:19:26,800
Speaker 1: like I'm saying, because hand goes one guy, who say

2510
02:19:27,120 --> 02:19:34,000
Speaker 1: the same exact say, hair goes one guy? Hair goes Hey, guys,

2511
02:19:34,120 --> 02:19:38,800
Speaker 1: I knew a girl with super hair, she had superhero

2512
02:19:42,560 --> 02:19:45,360
Speaker 1: break me goos. I don't think megos. What's my man?

2513
02:19:47,320 --> 02:19:49,560
Speaker 1: Off set? Right off set? So I don't think set

2514
02:19:49,840 --> 02:19:52,039
Speaker 1: then that pan homad so, but I think Buster took

2515
02:19:52,080 --> 02:19:55,320
Speaker 1: her as suck, maybe because he didn't want to say, yo,

2516
02:19:55,440 --> 02:19:57,600
Speaker 1: motherfucker while you trying to look like me. You we'm

2517
02:19:57,600 --> 02:20:00,680
Speaker 1: saying that's keep it real, okay. Still wanted to say

2518
02:20:00,760 --> 02:20:04,000
Speaker 1: your motherfucker. That's good. How would he looks saying your

2519
02:20:04,040 --> 02:20:06,320
Speaker 1: ass that you wear your hair like me? Like, bro

2520
02:20:06,520 --> 02:20:09,080
Speaker 1: Us ain't gonna playing stuff like that, but so so

2521
02:20:09,400 --> 02:20:11,400
Speaker 1: so cool. She just just say let me have to

2522
02:20:11,440 --> 02:20:15,960
Speaker 1: snatch this rebound real quick. Thank you said, thank you.

2523
02:20:16,120 --> 02:20:20,960
Speaker 1: Look that's all people use that? How much word so

2524
02:20:21,280 --> 02:20:24,440
Speaker 1: fucking loosely? Bro that she is crazy? You know what

2525
02:20:24,560 --> 02:20:26,520
Speaker 1: you do? You should make Anybody ever took me your

2526
02:20:26,600 --> 02:20:33,640
Speaker 1: jokes repeated them. Yeah, I've had him, but it's comed

2527
02:20:33,879 --> 02:20:38,280
Speaker 1: like did you just put on my fucking underway? Fuck

2528
02:20:38,400 --> 02:20:42,640
Speaker 1: is wrong with you? There's no Holedge's taking a joke

2529
02:20:42,760 --> 02:20:47,200
Speaker 1: that they they take this. It's more son and you

2530
02:20:47,240 --> 02:20:49,080
Speaker 1: know everybody is guilty of it at some point, at

2531
02:20:49,120 --> 02:20:53,320
Speaker 1: some level. So was it Joe Wogan accuses taking the jokes?

2532
02:20:55,120 --> 02:21:00,240
Speaker 1: Joe accused on me, Carls Fan, It wasn't accused. He

2533
02:21:00,360 --> 02:21:03,360
Speaker 1: called him out there, there was an accusation then they

2534
02:21:03,440 --> 02:21:08,040
Speaker 1: was just calling you out. The fucking fucking Honduran guy.

2535
02:21:08,760 --> 02:21:13,040
Speaker 1: But even he was German, German Hondor he was not German,

2536
02:21:13,040 --> 02:21:16,760
Speaker 1: but he was was Mexicans playing on acts Mexican. Yeah,

2537
02:21:17,080 --> 02:21:20,440
Speaker 1: because you can't say that man. But Kanas lashing it.

2538
02:21:20,520 --> 02:21:22,680
Speaker 1: You can't see why is he blastom because he was

2539
02:21:22,760 --> 02:21:27,600
Speaker 1: Mexican man, I don't know. He's German and Honduran, which

2540
02:21:27,879 --> 02:21:30,840
Speaker 1: not uncommon to be actually honest, what I mean to

2541
02:21:30,920 --> 02:21:34,440
Speaker 1: be German any South or Central American is pretty common.

2542
02:21:34,760 --> 02:21:38,680
Speaker 1: He's all flits, just stuck to fucking fed Wana over there.

2543
02:21:41,360 --> 02:21:45,600
Speaker 1: So there's a lot of forces, you know. I like

2544
02:21:46,160 --> 02:21:48,720
Speaker 1: you think it was called Lake titty Coaka because they

2545
02:21:48,760 --> 02:21:55,080
Speaker 1: were shipping on the chess Mechican he got off. I

2546
02:21:55,080 --> 02:21:59,480
Speaker 1: don't know. Here's the best part. There's a twice in

2547
02:21:59,520 --> 02:22:10,320
Speaker 1: Peruke like titty cock. That's what you saying, Like we

2548
02:22:10,360 --> 02:22:13,000
Speaker 1: supposed to know it was. It was supposed to be

2549
02:22:13,120 --> 02:22:22,000
Speaker 1: cheach May changed the name that so I see. I

2550
02:22:22,120 --> 02:22:26,320
Speaker 1: see one part of your show where you brought these

2551
02:22:26,360 --> 02:22:29,800
Speaker 1: other comedians out and at the end of the night

2552
02:22:29,800 --> 02:22:34,400
Speaker 1: you actually cutting them out of your own chu, like

2553
02:22:34,520 --> 02:22:36,960
Speaker 1: you like I paid them, You paid them out of

2554
02:22:37,080 --> 02:22:41,440
Speaker 1: your year, Like like why do you do that? Because

2555
02:22:44,240 --> 02:22:48,000
Speaker 1: they're good and the comedy game is like mad you

2556
02:22:48,240 --> 02:22:51,360
Speaker 1: mad fucking broke until you make it well, like you know,

2557
02:22:51,560 --> 02:22:53,400
Speaker 1: like people go on, Man, I really struggle. Let me

2558
02:22:53,480 --> 02:22:54,920
Speaker 1: know you didn't you don't really know what it's like.

2559
02:22:57,040 --> 02:23:00,320
Speaker 1: I'm give an example. I started in nine nine and

2560
02:23:00,360 --> 02:23:02,760
Speaker 1: it's twenty nineteen right now, and I take comics on

2561
02:23:02,840 --> 02:23:04,680
Speaker 1: the road with me and want to play a comedy club.

2562
02:23:05,400 --> 02:23:07,200
Speaker 1: I'm like, how much do you guys pay for the weekend?

2563
02:23:07,800 --> 02:23:10,920
Speaker 1: I go, okay, whatever you pay, and on whatever amount

2564
02:23:10,920 --> 02:23:13,400
Speaker 1: of mind, it will equal to this, so that whatever

2565
02:23:13,440 --> 02:23:15,560
Speaker 1: you take out of mind equaling on it there so

2566
02:23:15,640 --> 02:23:18,880
Speaker 1: that they feel like they just did something this weekend. So,

2567
02:23:19,200 --> 02:23:22,360
Speaker 1: but here's the thing. The comedy rates from eight nine

2568
02:23:22,480 --> 02:23:26,160
Speaker 1: to nineteen, thirty years later, it is the exact same pay.

2569
02:23:27,520 --> 02:23:30,360
Speaker 1: You will get fifty dollars to m C per show,

2570
02:23:31,400 --> 02:23:34,040
Speaker 1: or you will get a hundred dollars to middle there's

2571
02:23:34,040 --> 02:23:36,920
Speaker 1: the comedy clubs any from nights from from when I

2572
02:23:37,000 --> 02:23:40,520
Speaker 1: started to now, it's exact same Pacecain fifty to a hundred.

2573
02:23:40,680 --> 02:23:42,360
Speaker 1: So I have no idea what you're doing about the

2574
02:23:42,360 --> 02:23:44,200
Speaker 1: way I would let me do this. If I do

2575
02:23:44,280 --> 02:23:47,200
Speaker 1: a comedy club for a weekend and there's eight shows,

2576
02:23:48,800 --> 02:23:50,880
Speaker 1: the m C will only make fifty dollars per show,

2577
02:23:51,959 --> 02:23:54,800
Speaker 1: the host fifty dollars per show, and the guy who

2578
02:23:54,840 --> 02:23:57,440
Speaker 1: goes on before me after the m C will make

2579
02:23:57,440 --> 02:24:00,600
Speaker 1: a hundred lofer show, so he'll make headline. No, I'm

2580
02:24:00,680 --> 02:24:05,280
Speaker 1: the headliner, headliner. No, I'm the I'm the headliner. The

2581
02:24:05,480 --> 02:24:09,240
Speaker 1: MC is the guy hosting the middle guy. No, No,

2582
02:24:09,400 --> 02:24:11,480
Speaker 1: then there's a guy after he's called the middle He

2583
02:24:12,360 --> 02:24:15,840
Speaker 1: he goes on the middle and then I close. But

2584
02:24:15,959 --> 02:24:19,160
Speaker 1: the club will pay fifties of the MC and ad

2585
02:24:19,200 --> 02:24:23,000
Speaker 1: to the middle guy. So the MC will make four

2586
02:24:23,360 --> 02:24:25,560
Speaker 1: bucks for the weekend and the middle guy will make

2587
02:24:25,600 --> 02:24:28,200
Speaker 1: eight hundred. And I'll take whatever I'm out out of

2588
02:24:28,240 --> 02:24:31,640
Speaker 1: my money because I'm making a nice amount. I'll say,

2589
02:24:31,640 --> 02:24:33,440
Speaker 1: I'll cut this set of mind, put it in there

2590
02:24:34,520 --> 02:24:36,760
Speaker 1: so so that that fucking I mean, they're gonna get

2591
02:24:36,760 --> 02:24:39,280
Speaker 1: a struggle weekend anyway. It's not like I just want

2592
02:24:39,320 --> 02:24:41,560
Speaker 1: to break the cycle for them to know. You do

2593
02:24:41,720 --> 02:24:43,560
Speaker 1: that with the club or that directly with that with

2594
02:24:43,640 --> 02:24:45,160
Speaker 1: the club. Why I tell the club, I'm gonna look,

2595
02:24:45,360 --> 02:24:47,760
Speaker 1: you're gonna write a check for salt. So I wantly

2596
02:24:47,800 --> 02:24:49,640
Speaker 1: to take whatever it takes out of mind to make

2597
02:24:49,720 --> 02:24:54,240
Speaker 1: theirs equal this I'm both of them, and then they'll

2598
02:24:54,240 --> 02:24:59,800
Speaker 1: walk away at least feeling like you know, they don

2599
02:25:00,000 --> 02:25:03,520
Speaker 1: everyway Februwey thing. It's like I've been in the game

2600
02:25:03,600 --> 02:25:06,400
Speaker 1: wong enough to see how shitty it can be. Remember

2601
02:25:06,520 --> 02:25:09,920
Speaker 1: driving four hundred miles to fucking go make sixty dollars

2602
02:25:10,000 --> 02:25:12,880
Speaker 1: for the weekend, for the night because I and the

2603
02:25:12,959 --> 02:25:18,240
Speaker 1: only upside was sixty dollars. It's gonna be a little light,

2604
02:25:18,360 --> 02:25:20,560
Speaker 1: is it different? A little like you're still gonna dollars?

2605
02:25:26,120 --> 02:25:32,840
Speaker 1: I know that ship a nice right good comedy expenses. Fuck.

2606
02:25:32,879 --> 02:25:34,440
Speaker 1: He used to drive me back the gigs back in

2607
02:25:34,480 --> 02:25:37,800
Speaker 1: the days. I didn't have a car back then. Even

2608
02:25:37,840 --> 02:25:41,400
Speaker 1: be like, let's go, so we go anyway. Sixty dollars

2609
02:25:42,440 --> 02:25:45,360
Speaker 1: to go four miles to do a show you gotta

2610
02:25:45,840 --> 02:25:47,880
Speaker 1: and you've got free Fountain drinks all night so I

2611
02:25:47,920 --> 02:25:49,960
Speaker 1: could drink all the Coca cola at one but I

2612
02:25:50,000 --> 02:25:51,840
Speaker 1: didn't drink at the time, so I was like, it's perfect,

2613
02:25:52,680 --> 02:25:55,240
Speaker 1: and at dinner, I'm good, I'll drive right back home.

2614
02:25:55,760 --> 02:25:57,640
Speaker 1: But that's what it was. It was like thirty bucks

2615
02:25:57,680 --> 02:26:00,280
Speaker 1: to get there, thirty bucks to get back, and then

2616
02:26:00,280 --> 02:26:02,959
Speaker 1: you get paid. You get paid, and you felt great.

2617
02:26:03,320 --> 02:26:04,800
Speaker 1: That wouldn't it be nice to be having to do

2618
02:26:04,959 --> 02:26:07,280
Speaker 1: some shitty gig and you know they're gonna get ship paid,

2619
02:26:07,320 --> 02:26:09,400
Speaker 1: and then the guy the headline is surprises you with like,

2620
02:26:09,840 --> 02:26:13,199
Speaker 1: hey man, here's what you're worth right at this point?

2621
02:26:13,400 --> 02:26:16,440
Speaker 1: That's dope. That's why I do it to still because

2622
02:26:16,440 --> 02:26:19,480
Speaker 1: I feel like the disparity between a lot of money

2623
02:26:19,520 --> 02:26:22,280
Speaker 1: and ship. Got to invite them on toll anyway. I

2624
02:26:22,360 --> 02:26:27,400
Speaker 1: don't want to do it most come on, but I

2625
02:26:27,720 --> 02:26:30,040
Speaker 1: think I'm almost but I could do it one more

2626
02:26:30,120 --> 02:26:37,280
Speaker 1: bottle bottle, like I say, they thought, no see me

2627
02:26:37,440 --> 02:26:40,120
Speaker 1: how That's why I drink this this this this ship,

2628
02:26:40,879 --> 02:26:43,560
Speaker 1: that's up. I'm a wet. That's how I leave it.

2629
02:26:43,720 --> 02:26:53,160
Speaker 1: Just this my wet. That was all. Okay, I get it.

2630
02:26:54,080 --> 02:26:56,040
Speaker 1: I want to hear that song. I want to know

2631
02:26:56,080 --> 02:26:58,320
Speaker 1: what when I hear that's, I go, yeah, so I

2632
02:26:58,360 --> 02:26:59,880
Speaker 1: gotta say you said it, and then I'm paying her

2633
02:27:00,200 --> 02:27:03,119
Speaker 1: good right, And I didn't even just say my name. Goddamnit.

2634
02:27:04,360 --> 02:27:09,760
Speaker 1: The wrestles don't do credits, no more, no no run.

2635
02:27:10,160 --> 02:27:13,360
Speaker 1: Do you do? Do you think? Um? Do you think

2636
02:27:14,160 --> 02:27:17,560
Speaker 1: this generation is doomed? Now? You know? Here's the thing.

2637
02:27:17,800 --> 02:27:20,280
Speaker 1: People can only be stupid for so long and then

2638
02:27:20,320 --> 02:27:24,120
Speaker 1: their logic kicks and goes, what the funk enough life

2639
02:27:24,200 --> 02:27:27,320
Speaker 1: is like to like indiocracy. You haven't seen not who

2640
02:27:27,360 --> 02:27:30,160
Speaker 1: we indiocracy? Yeah, yeah, I know. But people hit the

2641
02:27:30,200 --> 02:27:32,800
Speaker 1: wall with it and they go, Okay, now that's it,

2642
02:27:32,840 --> 02:27:35,000
Speaker 1: that's enough. That's too stupid. Don't know the wall. Something

2643
02:27:35,120 --> 02:27:39,000
Speaker 1: happens that the wall has them either way, they stop,

2644
02:27:39,240 --> 02:27:42,800
Speaker 1: they go, and the idiots will stay there and the

2645
02:27:42,840 --> 02:27:44,760
Speaker 1: smart people will move around. It's like a tang and

2646
02:27:45,000 --> 02:27:47,120
Speaker 1: keep going to the next level while the others keep

2647
02:27:47,160 --> 02:27:50,800
Speaker 1: walking into the wall, back and forth. I forgot what

2648
02:27:50,879 --> 02:27:54,360
Speaker 1: the question was you think? You answered very well, my

2649
02:27:54,440 --> 02:28:09,080
Speaker 1: friend genus this generation. Yeah, people, So I was doing

2650
02:28:09,160 --> 02:28:13,520
Speaker 1: that chap. I don't have any instrument in front of me.

2651
02:28:14,440 --> 02:28:16,920
Speaker 1: He has a heart. I played the fucking hair there

2652
02:28:17,160 --> 02:28:20,440
Speaker 1: a good public the heart just your heart. But I

2653
02:28:20,520 --> 02:28:24,760
Speaker 1: never do I was playing on patch my phone and

2654
02:28:24,840 --> 02:28:28,720
Speaker 1: puck it's it's all right now. Here's what you don't

2655
02:28:28,760 --> 02:28:33,440
Speaker 1: know about me. I'm a bunch of fanetic. Don't put

2656
02:28:33,480 --> 02:28:37,520
Speaker 1: that and you're that a whole also get all the

2657
02:28:37,600 --> 02:28:43,560
Speaker 1: rest of it. I know. Good luck of motherfuckers from Public.

2658
02:28:44,160 --> 02:28:51,840
Speaker 1: Here's my favorite song. I'm thinking twenty years ago, right home,

2659
02:28:52,040 --> 02:28:54,560
Speaker 1: the broken heart clad in the song. And here's the

2660
02:28:54,600 --> 02:28:57,080
Speaker 1: best part. I didn't understand Spanish A day in my life.

2661
02:28:57,959 --> 02:29:01,040
Speaker 1: Well twenty years later, fucking but it right now. He

2662
02:29:01,160 --> 02:29:21,640
Speaker 1: produced that record You're a job US Europe and hold on,

2663
02:29:21,760 --> 02:29:29,680
Speaker 1: let guys connect finally because I would connect because this

2664
02:29:29,760 --> 02:29:33,040
Speaker 1: is US. I got a call from from both guys.

2665
02:29:33,080 --> 02:29:34,959
Speaker 1: A drink chance worth, but the fact that we could

2666
02:29:35,000 --> 02:29:37,440
Speaker 1: have you guys. I'm gonna tell you what happened. Russ

2667
02:29:37,560 --> 02:29:42,320
Speaker 1: was playing. Russ was playing Radio City and and I wondered,

2668
02:29:42,959 --> 02:29:46,000
Speaker 1: was it matthe Radio See Music Hall, and w it

2669
02:29:46,120 --> 02:29:49,480
Speaker 1: was mad. It was a mass tad, you know. Marco

2670
02:29:49,640 --> 02:29:52,840
Speaker 1: Polo called me and say, yo, man, Russell Peters want

2671
02:29:52,879 --> 02:29:56,120
Speaker 1: to know if you could you rasp Marco Polo like

2672
02:29:57,680 --> 02:30:00,880
Speaker 1: his brother Hugi rap Polo was Polo. Marco Polo is

2673
02:30:00,920 --> 02:30:03,680
Speaker 1: a producer. No, but he doesn't work a lot that stage.

2674
02:30:03,760 --> 02:30:09,280
Speaker 1: He does Manco Rusty jug. Yeah. So he said, yo, man,

2675
02:30:09,400 --> 02:30:11,880
Speaker 1: Russell Peters want to meet you. You got a couple

2676
02:30:11,879 --> 02:30:13,600
Speaker 1: of tickets for you to come to his comedy show.

2677
02:30:14,160 --> 02:30:15,600
Speaker 1: So I was like, all right, dope. So I went

2678
02:30:16,000 --> 02:30:18,680
Speaker 1: and when he said after after, after the show's over,

2679
02:30:18,720 --> 02:30:20,760
Speaker 1: they got like a backstage thing or whatever, man, and

2680
02:30:21,160 --> 02:30:23,240
Speaker 1: I just went back there. I've seen all these fucking

2681
02:30:23,760 --> 02:30:26,840
Speaker 1: all my hip hop icon. It was like Mount Rushmore

2682
02:30:26,920 --> 02:30:30,240
Speaker 1: back there, man, I see mel and herc and all

2683
02:30:30,320 --> 02:30:33,640
Speaker 1: these my saying only fuck man. I felt like he

2684
02:30:33,680 --> 02:30:35,640
Speaker 1: didn't know who he was at first. Now I knew

2685
02:30:35,720 --> 02:30:37,680
Speaker 1: of him as a comedian, but I never met him personally,

2686
02:30:37,720 --> 02:30:39,840
Speaker 1: and I was like, oh, ship, I wanted to. I

2687
02:30:39,879 --> 02:30:41,280
Speaker 1: didn't know he was a hip hop head like that.

2688
02:30:42,280 --> 02:30:47,160
Speaker 1: He's a d thirty four years so he was scratching too.

2689
02:30:47,200 --> 02:30:48,840
Speaker 1: I thought you was gonna sunk up. I was watching.

2690
02:30:49,480 --> 02:30:51,200
Speaker 1: I was watching, gonna show you a clip of yourself

2691
02:30:51,240 --> 02:30:54,400
Speaker 1: sucking up. I couldn't find one, so you know I tried.

2692
02:30:55,280 --> 02:30:56,960
Speaker 1: I told you when I first met him, I told

2693
02:30:57,000 --> 02:30:58,840
Speaker 1: him my favorite ship used to juggle when I make

2694
02:30:58,920 --> 02:31:02,039
Speaker 1: mixtape is that Indian style and he's bad josh Hiki

2695
02:31:02,200 --> 02:31:04,600
Speaker 1: Indian style. And then I would just still getting fast

2696
02:31:04,600 --> 02:31:08,280
Speaker 1: in Indian style, Indian style, India stist. I used to

2697
02:31:08,640 --> 02:31:14,640
Speaker 1: make connection for me, But you mannected Chris Stap the

2698
02:31:14,760 --> 02:31:22,280
Speaker 1: gag Chris style. See like stab, I know why I

2699
02:31:22,440 --> 02:31:28,040
Speaker 1: made it. At least mad dope. Now that's cool. Yeah, Sect,

2700
02:31:28,840 --> 02:31:32,960
Speaker 1: I gonna flush that Flush is my guy. He's your

2701
02:31:33,080 --> 02:31:39,440
Speaker 1: people let's talking. That's cool. Flush right now, right, sound

2702
02:31:39,520 --> 02:31:46,800
Speaker 1: cocaine and flush it right now. I just made the

2703
02:31:46,840 --> 02:31:50,440
Speaker 1: same ship with twenty years us is being defeated by

2704
02:31:50,560 --> 02:31:55,240
Speaker 1: his wife. Oh god, that's what pop acts around the

2705
02:31:55,280 --> 02:31:57,480
Speaker 1: corner from that. Wasn't bury for that. Boy. I'm not

2706
02:31:57,520 --> 02:32:01,120
Speaker 1: gonna die loosing cheeseburger baby after this. Yeah, I've been

2707
02:32:01,160 --> 02:32:10,800
Speaker 1: going two weeks cooling the worst. Okay, Okay, I was

2708
02:32:11,840 --> 02:32:19,400
Speaker 1: shout the man Joe Fredo connecting with the oral flush somehow. Okay,

2709
02:32:19,440 --> 02:32:22,280
Speaker 1: So well, literally, y'all let's continue y'all relationships. So so

2710
02:32:22,680 --> 02:32:27,360
Speaker 1: I was. I was surprised because he knew my music.

2711
02:32:27,440 --> 02:32:29,280
Speaker 1: And I was like, you know, usually with somebody knows

2712
02:32:29,360 --> 02:32:33,480
Speaker 1: my music, it's like some real real head like you

2713
02:32:33,560 --> 02:32:35,400
Speaker 1: got you got hip hop head, like you know what

2714
02:32:35,440 --> 02:32:37,840
Speaker 1: I'm saying. And he was like, yoh to shakedown. He

2715
02:32:37,920 --> 02:32:39,880
Speaker 1: was he was going into other ship. And I was like,

2716
02:32:39,959 --> 02:32:43,160
Speaker 1: oh ship, Wow. I was impressed, you know. And then

2717
02:32:43,280 --> 02:32:44,879
Speaker 1: you know, then one day he called me said, yo, man,

2718
02:32:45,840 --> 02:32:47,440
Speaker 1: she come out to Cali for a couple of days.

2719
02:32:47,480 --> 02:32:49,960
Speaker 1: Man kicking with me. Hang out ship. So you knew

2720
02:32:50,000 --> 02:32:53,560
Speaker 1: he was raad. I wasn't. No, I didn't I wasn't

2721
02:32:53,600 --> 02:32:58,920
Speaker 1: doing ship when I got that. I found out ship.

2722
02:33:00,040 --> 02:33:03,080
Speaker 1: We were racing around it on your fancy colors. Yeah,

2723
02:33:04,959 --> 02:33:06,760
Speaker 1: just a roll keys. It was a road keys on

2724
02:33:06,800 --> 02:33:08,240
Speaker 1: the county. He's like, Yo, whatever you want to drop,

2725
02:33:08,320 --> 02:33:10,560
Speaker 1: just take one the same ship. He didn't believe me.

2726
02:33:11,480 --> 02:33:16,880
Speaker 1: I definitely believed you Google, I shouldn't know that in

2727
02:33:16,959 --> 02:33:21,000
Speaker 1: the crib Man cards you can get around at fun.

2728
02:33:22,040 --> 02:33:23,800
Speaker 1: It was like it was like going on the keys,

2729
02:33:23,840 --> 02:33:26,200
Speaker 1: like going to camp. I'm saying. I went out there

2730
02:33:26,240 --> 02:33:27,520
Speaker 1: for like it was like a week. I think I

2731
02:33:27,560 --> 02:33:28,880
Speaker 1: was out there and I was like, Yo, this ship

2732
02:33:29,000 --> 02:33:31,800
Speaker 1: is crazy. We just he said, y'all gotta go to

2733
02:33:31,840 --> 02:33:34,280
Speaker 1: another part of California's like you drive that. He's gonna

2734
02:33:34,360 --> 02:33:39,000
Speaker 1: drive that. We're racing all these cars across just fun.

2735
02:33:39,280 --> 02:33:41,560
Speaker 1: Remember came to the I'm trunk. I was in the

2736
02:33:41,640 --> 02:33:43,520
Speaker 1: first the first on the first trip I was in

2737
02:33:44,560 --> 02:33:47,840
Speaker 1: the first trip was in uh. It was before mounting.

2738
02:33:47,840 --> 02:33:53,760
Speaker 1: It was because listen Russell Peters Studio City. I was

2739
02:33:54,959 --> 02:33:57,120
Speaker 1: come to trying. I'm trying to fall on him, right,

2740
02:33:57,200 --> 02:34:00,520
Speaker 1: I'm like, yo, you know Valuable Soul House. He's like, hey, guy,

2741
02:34:00,560 --> 02:34:03,480
Speaker 1: I'm not a member. I said, exactly. That's why you

2742
02:34:03,560 --> 02:34:10,119
Speaker 1: got your black boy got your black up that day.

2743
02:34:10,240 --> 02:34:16,520
Speaker 1: Oh yeah, yeah, I got drunk. Really so I'm saying

2744
02:34:16,600 --> 02:34:22,400
Speaker 1: there and I'm like, okay. Then I realized real fast,

2745
02:34:23,560 --> 02:34:25,200
Speaker 1: he kept saying, because you know, I got to call

2746
02:34:25,320 --> 02:34:27,440
Speaker 1: people to come and get me. I was like, you

2747
02:34:27,480 --> 02:34:34,320
Speaker 1: don't call like uber. He's like nah, And I just realized.

2748
02:34:34,400 --> 02:34:36,560
Speaker 1: I said, oh, ship, And this is the first time

2749
02:34:36,600 --> 02:34:38,280
Speaker 1: I invited him. I trying to flow us on him

2750
02:34:38,280 --> 02:34:41,039
Speaker 1: because I write them and then you know, I try

2751
02:34:41,080 --> 02:34:42,280
Speaker 1: to take care of the bill. But let's the type

2752
02:34:42,280 --> 02:34:44,240
Speaker 1: of person I am. I like to take care of bill.

2753
02:34:44,680 --> 02:34:51,959
Speaker 1: And he went to the guy. He's like, lasting down,

2754
02:34:52,400 --> 02:34:54,600
Speaker 1: I'm looking at what it was an amex big boy.

2755
02:34:54,640 --> 02:34:58,720
Speaker 1: I don't remember what it was black alright. I wanted

2756
02:34:58,760 --> 02:35:05,600
Speaker 1: you to say it. It was like take care of

2757
02:35:05,920 --> 02:35:12,080
Speaker 1: the old hens cars something something. Because I was like, cool,

2758
02:35:12,160 --> 02:35:13,520
Speaker 1: he took care of this bill. But then I had

2759
02:35:13,560 --> 02:35:15,960
Speaker 1: my wife's bill downstairs. I was like, a cool, you

2760
02:35:16,040 --> 02:35:17,600
Speaker 1: took care of this is this is us because you

2761
02:35:17,600 --> 02:35:20,400
Speaker 1: know we went upstairs. But it's said, you'll let me

2762
02:35:20,440 --> 02:35:23,280
Speaker 1: just I just take care of this right now, give

2763
02:35:23,360 --> 02:35:28,000
Speaker 1: me that one too. I ship. This guy's kidding Daolina

2764
02:35:31,120 --> 02:35:33,920
Speaker 1: also the gentleman. I knew that I had his wife

2765
02:35:34,000 --> 02:35:35,840
Speaker 1: for him, and she was bored. I can see her

2766
02:35:35,920 --> 02:35:40,360
Speaker 1: face was definitely And then he left and he one

2767
02:35:40,400 --> 02:35:43,400
Speaker 1: head did it with fat shoe at Craig's. Yes, it's

2768
02:35:43,440 --> 02:35:46,120
Speaker 1: a fact that it wasn't the same thing. I think, yes,

2769
02:35:46,200 --> 02:35:49,000
Speaker 1: yes it was. It was the same day the next day.

2770
02:35:49,840 --> 02:35:52,520
Speaker 1: That's probably why I don't remember rate. I just was

2771
02:35:52,560 --> 02:35:57,840
Speaker 1: like that, Dad really was me, Like, but hip hop man,

2772
02:35:58,040 --> 02:36:01,480
Speaker 1: Holy moly, okay, we got we got three hours already.

2773
02:36:01,480 --> 02:36:03,920
Speaker 1: That's hard, all right. Thank you could have probably said

2774
02:36:03,959 --> 02:36:06,600
Speaker 1: that to my face. Mike doesn't say that the same

2775
02:36:06,680 --> 02:36:10,520
Speaker 1: dext Let you know and let you know. We're talking

2776
02:36:10,600 --> 02:36:17,400
Speaker 1: somewhere that you have White Clasford, you do that. That's

2777
02:36:17,440 --> 02:36:23,640
Speaker 1: where I love where your show. I love talking. Have

2778
02:36:23,760 --> 02:36:28,440
Speaker 1: you want to step Evolution? I have not watched one

2779
02:36:28,520 --> 02:36:30,040
Speaker 1: end that you had because I want to focus on

2780
02:36:30,120 --> 02:36:34,080
Speaker 1: you today. Have Did you like it? Yes? That was me? Yeah? No,

2781
02:36:34,240 --> 02:36:37,840
Speaker 1: I know the next thing. People, I feel like I

2782
02:36:38,440 --> 02:36:41,080
Speaker 1: haven't been on it yet. Yeah, I listen, I got

2783
02:36:41,160 --> 02:36:42,920
Speaker 1: you on the bedom. I don't wanna tell you a

2784
02:36:42,959 --> 02:36:45,640
Speaker 1: straight up everything. When you're hip hop, you want to

2785
02:36:45,680 --> 02:36:49,680
Speaker 1: be a part of all these documentaries and documseries. I'm

2786
02:36:49,680 --> 02:36:51,880
Speaker 1: not for me. It's hard, but do something else? You

2787
02:36:52,000 --> 02:36:57,879
Speaker 1: have like twelve hundred perpsos on Netflix, h twelve hundred

2788
02:36:58,440 --> 02:37:02,320
Speaker 1: you know you listen, you go to the movie. The

2789
02:37:02,400 --> 02:37:04,480
Speaker 1: person that got more people than you is it was

2790
02:37:04,560 --> 02:37:06,840
Speaker 1: just killing you is Russell Crowe. Like when you google

2791
02:37:06,959 --> 02:37:12,760
Speaker 1: you Netflix the first guy on Netflix that started it

2792
02:37:13,040 --> 02:37:18,440
Speaker 1: in the first comedian comes out first, the only gay,

2793
02:37:18,640 --> 02:37:23,320
Speaker 1: I don't mind, there was a white man. See. So

2794
02:37:23,800 --> 02:37:28,199
Speaker 1: did you sell these um specials to the Netflix? Told

2795
02:37:28,240 --> 02:37:30,160
Speaker 1: a bunch of them and then they I started the

2796
02:37:30,200 --> 02:37:33,959
Speaker 1: whole straight and Netflix deal. So you was you did

2797
02:37:34,000 --> 02:37:38,760
Speaker 1: that formal maque? You didn't have no moque. Listen here,

2798
02:37:38,840 --> 02:37:41,480
Speaker 1: here's what my problem was. They gave me whatever they

2799
02:37:41,520 --> 02:37:43,800
Speaker 1: gave me and then were like, Dave Chappelle, you're sixty

2800
02:37:43,840 --> 02:37:47,000
Speaker 1: million dollars Chris Rocket supporting that. Man. I'm not saying

2801
02:37:47,000 --> 02:37:50,120
Speaker 1: I'm Dave or Chris, but at least give me a

2802
02:37:50,160 --> 02:37:52,800
Speaker 1: little bit extra since you when this motherfucking do it

2803
02:37:52,920 --> 02:37:54,520
Speaker 1: for you. That's how I felt when I think that,

2804
02:37:57,200 --> 02:38:00,680
Speaker 1: you know, probably kicked the fucking door that the motherfuckers

2805
02:38:00,720 --> 02:38:03,680
Speaker 1: came behind me. It was like, you know, I was

2806
02:38:03,720 --> 02:38:06,199
Speaker 1: setting dudes and listen, bro. I was literally calling dudes

2807
02:38:06,240 --> 02:38:08,120
Speaker 1: and saying, oh man, you should sign this kid. This

2808
02:38:08,240 --> 02:38:10,880
Speaker 1: kid is good in the independent world, you know what

2809
02:38:10,879 --> 02:38:12,480
Speaker 1: I mean, in the in the world, And it was

2810
02:38:12,560 --> 02:38:15,720
Speaker 1: cats was turning around like they I would fall out

2811
02:38:15,760 --> 02:38:17,520
Speaker 1: with the person that I introduced them to and then

2812
02:38:17,600 --> 02:38:19,400
Speaker 1: turned around. Don't worry about Bump. That's my man. He

2813
02:38:19,440 --> 02:38:23,920
Speaker 1: ain't gonna do nothing too long as I'm with you. Guys,

2814
02:38:23,959 --> 02:38:30,200
Speaker 1: got shot. But then you know what it is you

2815
02:38:30,720 --> 02:38:33,120
Speaker 1: when you're a pioneer, you gotta take some of that

2816
02:38:33,200 --> 02:38:34,920
Speaker 1: on the chick, you know, I mean, just you know

2817
02:38:35,040 --> 02:38:37,240
Speaker 1: your pioneer bro. So you just you know, we're keeping

2818
02:38:37,440 --> 02:38:40,000
Speaker 1: when you know what it is? What? What's what's uh

2819
02:38:41,120 --> 02:38:45,400
Speaker 1: something that if you go back in time, you would

2820
02:38:45,440 --> 02:38:48,800
Speaker 1: make better for yourself. Um. I probably would have tried

2821
02:38:48,840 --> 02:38:51,400
Speaker 1: to be a little bit more approachable, and I probably

2822
02:38:51,400 --> 02:38:54,160
Speaker 1: would have did less gun gun work in the music business.

2823
02:38:54,160 --> 02:38:56,000
Speaker 1: I would have kept it more music. I probably would

2824
02:38:56,040 --> 02:38:59,000
Speaker 1: have because I realized I wasn't dealing with the streets.

2825
02:38:59,200 --> 02:39:01,760
Speaker 1: I was dealing with people that were in the industry,

2826
02:39:01,800 --> 02:39:04,120
Speaker 1: and I think I'd have been wave. I would have

2827
02:39:04,160 --> 02:39:06,360
Speaker 1: I would have toned down my attitude, have been a

2828
02:39:06,400 --> 02:39:09,680
Speaker 1: little bit more approachable, letting people, you know, shaking hands

2829
02:39:09,760 --> 02:39:14,560
Speaker 1: and being more into that and just not yeah, not political, No,

2830
02:39:14,959 --> 02:39:18,280
Speaker 1: I mean shaking hands because that's not political. I mean

2831
02:39:18,360 --> 02:39:21,160
Speaker 1: shaking hands in the context of you know, some of

2832
02:39:21,200 --> 02:39:22,720
Speaker 1: the people that I should have went to go sit

2833
02:39:22,760 --> 02:39:26,040
Speaker 1: down with and me I just like fucked them, you know.

2834
02:39:26,280 --> 02:39:28,040
Speaker 1: And I would have changed that. I would have I

2835
02:39:28,040 --> 02:39:29,840
Speaker 1: would have really wanted to do you think the bubby

2836
02:39:29,959 --> 02:39:33,560
Speaker 1: knuckle image because it was like Freddie Fox was like first,

2837
02:39:33,920 --> 02:39:37,040
Speaker 1: you know, the big but he was cool like and

2838
02:39:37,120 --> 02:39:40,760
Speaker 1: then it was like an image like when you turned

2839
02:39:40,800 --> 02:39:43,840
Speaker 1: into Buffy Nuck Who's that I felt like it was

2840
02:39:44,320 --> 02:39:48,280
Speaker 1: situations and consequences that came with it that it hurt

2841
02:39:48,360 --> 02:39:50,640
Speaker 1: you in a certain news I think they then the

2842
02:39:50,760 --> 02:39:54,720
Speaker 1: monica behind the attitude and behind the monica was definitely

2843
02:39:55,160 --> 02:39:57,520
Speaker 1: a problem for me. It was just but I don't

2844
02:39:57,560 --> 02:39:59,600
Speaker 1: regret it. I just took it. Listen. I still was

2845
02:39:59,640 --> 02:40:01,680
Speaker 1: able to keep it moving, but I definitely would have

2846
02:40:02,440 --> 02:40:05,240
Speaker 1: been more approachable and trying to be more approachable and

2847
02:40:05,360 --> 02:40:07,880
Speaker 1: casts because that cast could read me, you know what

2848
02:40:07,959 --> 02:40:10,720
Speaker 1: I mean, I remember doing it. I remember doing a

2849
02:40:10,879 --> 02:40:13,520
Speaker 1: horrible joke on Steve Stout one time, and I think

2850
02:40:13,600 --> 02:40:16,760
Speaker 1: I paid daily with my career for him and hurt

2851
02:40:16,800 --> 02:40:20,039
Speaker 1: we love Blug was in a pizza spot in the hood.

2852
02:40:21,560 --> 02:40:25,240
Speaker 1: This sieve pieces right now and then, and I walked up.

2853
02:40:25,760 --> 02:40:28,039
Speaker 1: I walked up behind him. He was at the counter

2854
02:40:28,080 --> 02:40:29,440
Speaker 1: and it was at the counter, so me and one

2855
02:40:29,480 --> 02:40:31,480
Speaker 1: of my guys walked in the back and I creeped

2856
02:40:31,560 --> 02:40:34,039
Speaker 1: up behind him and I said, give me a change.

2857
02:40:35,040 --> 02:40:36,680
Speaker 1: And it was an old bus driver sitting in there

2858
02:40:36,720 --> 02:40:38,320
Speaker 1: eating piece. I said, you stay right there, don't you

2859
02:40:38,360 --> 02:40:40,200
Speaker 1: say nothing. I said, can be more fucking change. He

2860
02:40:40,320 --> 02:40:43,440
Speaker 1: was like, you came it back like, oh, ship took

2861
02:40:43,480 --> 02:40:46,320
Speaker 1: his jewelry off, kicked if catn't rob here did? I

2862
02:40:46,320 --> 02:40:50,120
Speaker 1: said that our only kidding and I laughed, giving me ship.

2863
02:40:50,160 --> 02:40:53,640
Speaker 1: I said, you only jumping though. But but to this day, man,

2864
02:40:53,720 --> 02:40:56,040
Speaker 1: that motherfucker like who does this? He's like, you know

2865
02:40:56,080 --> 02:40:58,720
Speaker 1: how Steve is He's like, who does this? Ship? Boo

2866
02:40:59,400 --> 02:41:01,760
Speaker 1: plaz and was like this, who does this? He was

2867
02:41:01,879 --> 02:41:05,080
Speaker 1: furious with me about that ship. And it's just every

2868
02:41:05,120 --> 02:41:07,000
Speaker 1: time I tried to do something in the game, man,

2869
02:41:07,040 --> 02:41:10,000
Speaker 1: that ship came up. It always came up like, Yo,

2870
02:41:10,080 --> 02:41:13,440
Speaker 1: this motherfucker is not he can wrap, but he ain't

2871
02:41:13,480 --> 02:41:17,080
Speaker 1: the normal dude. He's using troublemaker or he's dangerous, so

2872
02:41:17,240 --> 02:41:19,920
Speaker 1: he's he's he's a bully or whatever the funk they

2873
02:41:19,959 --> 02:41:22,360
Speaker 1: wanted to say, you know what I'm saying. So that

2874
02:41:22,480 --> 02:41:24,480
Speaker 1: kind of ship, you know, you know when you're young

2875
02:41:25,000 --> 02:41:27,960
Speaker 1: making silly mistakes and ship like that. You know, it

2876
02:41:28,080 --> 02:41:29,560
Speaker 1: is what it is. Yeah, I don't have Like I said,

2877
02:41:29,560 --> 02:41:31,280
Speaker 1: I don't regret it because I was still able to

2878
02:41:31,480 --> 02:41:33,920
Speaker 1: focus on music, you know what I mean. But I

2879
02:41:34,520 --> 02:41:36,320
Speaker 1: think I hurt myself for a lot of times by

2880
02:41:36,360 --> 02:41:38,840
Speaker 1: not being so approachable. What do you think about this

2881
02:41:38,959 --> 02:41:42,680
Speaker 1: nipsey hustle ship, Because in a lot of ways, we

2882
02:41:42,840 --> 02:41:46,320
Speaker 1: all got that rebellious attitude. We all got the you know,

2883
02:41:46,440 --> 02:41:49,360
Speaker 1: the hood, let's represent let's trying, let's trying to go

2884
02:41:49,520 --> 02:41:51,720
Speaker 1: back to the hood, and let's let's do this. And

2885
02:41:51,800 --> 02:41:55,000
Speaker 1: sometimes that one million percent works and most of the

2886
02:41:55,080 --> 02:41:57,360
Speaker 1: time and one million percent works, but then there's the

2887
02:41:57,560 --> 02:42:01,360
Speaker 1: time that that five percent of the time, Uh, that

2888
02:42:01,560 --> 02:42:04,560
Speaker 1: overlooks the ninety five percent of the time where it doesn't.

2889
02:42:05,000 --> 02:42:07,000
Speaker 1: And this is just a tragic situation. I don't know

2890
02:42:07,040 --> 02:42:09,480
Speaker 1: if ever I never did, I felt like I know him.

2891
02:42:09,480 --> 02:42:10,959
Speaker 1: I think if I don't want to think if I've

2892
02:42:11,000 --> 02:42:13,320
Speaker 1: met him, I'd probably be more sad, even more sad

2893
02:42:13,840 --> 02:42:15,600
Speaker 1: than I was to see that he passed away or

2894
02:42:15,640 --> 02:42:17,840
Speaker 1: that he was kept murdered, that he was murdered like that. Um,

2895
02:42:18,920 --> 02:42:21,840
Speaker 1: I think that guys like him, you know, they come

2896
02:42:23,240 --> 02:42:26,800
Speaker 1: every once in a while, you know, they they very

2897
02:42:27,080 --> 02:42:30,240
Speaker 1: a special individual that comes every once in a while

2898
02:42:30,440 --> 02:42:33,879
Speaker 1: that is able to every one's someone that he's able

2899
02:42:33,959 --> 02:42:36,640
Speaker 1: to impact the culture of hip hop, you know what

2900
02:42:36,640 --> 02:42:38,680
Speaker 1: I mean with with with what he does, whether it's

2901
02:42:38,760 --> 02:42:42,400
Speaker 1: good deeds or his music or whatever the case. I

2902
02:42:42,800 --> 02:42:46,640
Speaker 1: think it's sad that you know that that happened to

2903
02:42:46,720 --> 02:42:48,800
Speaker 1: him in his own neighborhood. I don't think people should

2904
02:42:48,800 --> 02:42:51,200
Speaker 1: be afraid of that. Communities though, so I don't think so.

2905
02:42:51,400 --> 02:42:53,160
Speaker 1: I don't think people should not go back to their

2906
02:42:53,200 --> 02:42:55,360
Speaker 1: communities and do things like that. I don't think that

2907
02:42:55,800 --> 02:42:57,600
Speaker 1: you should you do people should say don't don't go

2908
02:42:57,680 --> 02:42:59,760
Speaker 1: back to your community. Like, if you're gonna do good,

2909
02:42:59,840 --> 02:43:02,240
Speaker 1: you have to do good where good is needed, you know,

2910
02:43:02,400 --> 02:43:04,200
Speaker 1: so whether you're do it in your own community or

2911
02:43:04,200 --> 02:43:07,120
Speaker 1: a community that are similar to yours. It doesn't It

2912
02:43:07,200 --> 02:43:09,920
Speaker 1: doesn't mean that that can't happen to me. Something just

2913
02:43:10,040 --> 02:43:13,080
Speaker 1: as bad is when you know you're going to a

2914
02:43:13,120 --> 02:43:16,280
Speaker 1: corporate America and that's pumping you to sell records to

2915
02:43:16,360 --> 02:43:18,920
Speaker 1: be somebody or not, and you still end up getting

2916
02:43:19,000 --> 02:43:22,160
Speaker 1: robbed and shot And you know, so to me, happen.

2917
02:43:22,480 --> 02:43:24,240
Speaker 1: It could happen anywhere, bro, you know what I'm saying.

2918
02:43:24,280 --> 02:43:27,200
Speaker 1: And I just think it's it's it's unfortunate that we

2919
02:43:27,360 --> 02:43:29,400
Speaker 1: do these things to each other. So right now, the

2920
02:43:29,560 --> 02:43:32,160
Speaker 1: energy right now, like I'm always on Twitter saying, let's

2921
02:43:32,240 --> 02:43:35,320
Speaker 1: keep that Nipsey hustle energy. You know what I'm saying.

2922
02:43:35,320 --> 02:43:40,520
Speaker 1: When you can reach out flowers now, yeah, your Monday's

2923
02:43:42,440 --> 02:43:47,000
Speaker 1: next shot. Now, he's frivolous, you know what I'm saying.

2924
02:43:53,160 --> 02:43:55,800
Speaker 1: All the games are uniting, like we need that energy

2925
02:43:55,879 --> 02:43:59,680
Speaker 1: to keep going, keep going. And and it's funny because

2926
02:44:00,000 --> 02:44:01,440
Speaker 1: the people that have been hit me up and they

2927
02:44:01,600 --> 02:44:06,240
Speaker 1: just be hashtagging the marathon continues, people that I didn't

2928
02:44:06,280 --> 02:44:10,000
Speaker 1: think would hashtag that, And it shows you how much

2929
02:44:10,240 --> 02:44:14,080
Speaker 1: what Nipsey did is everything in hip hop right now,

2930
02:44:14,240 --> 02:44:16,480
Speaker 1: Like in the community, I think I think as long

2931
02:44:16,560 --> 02:44:18,959
Speaker 1: as that ship stays and sticks man, and and it's

2932
02:44:19,080 --> 02:44:20,960
Speaker 1: the long as long as the stick, because all it

2933
02:44:21,040 --> 02:44:24,119
Speaker 1: takes is one asshole to funk it up for everyone. Boy,

2934
02:44:24,160 --> 02:44:28,440
Speaker 1: it's always happen. We all need to for that. I

2935
02:44:28,520 --> 02:44:34,360
Speaker 1: want to ask, you know, with with the nipse one asso. Yeah,

2936
02:44:34,480 --> 02:44:36,640
Speaker 1: so now you got to think about it as about

2937
02:44:36,640 --> 02:44:40,920
Speaker 1: bum b he just sucking yeah to shoot Yeah, yeah,

2938
02:44:41,200 --> 02:44:43,680
Speaker 1: sets itself. You heard about that I did. Yeah, that's

2939
02:44:43,720 --> 02:44:45,760
Speaker 1: crazy that he had to do it. I'm not madding.

2940
02:44:45,920 --> 02:44:50,080
Speaker 1: I mean, yeah, you know l L be the motherfucker

2941
02:44:50,200 --> 02:44:52,680
Speaker 1: beat Danny. I wanna talk about it? I got'ta talk

2942
02:44:52,680 --> 02:44:56,320
Speaker 1: about it. Drink chips and sucked up? Is it? I

2943
02:44:56,400 --> 02:44:58,480
Speaker 1: just I mean, I don't want to put my business

2944
02:44:58,520 --> 02:44:59,920
Speaker 1: out there and what I got in my crib. But

2945
02:45:00,000 --> 02:45:02,760
Speaker 1: I just moved my joint because I have I have

2946
02:45:03,120 --> 02:45:05,640
Speaker 1: a baby that's about to be one year old. You're

2947
02:45:05,640 --> 02:45:08,040
Speaker 1: starting to move around and have my joint next to

2948
02:45:08,120 --> 02:45:11,200
Speaker 1: the bed and I'm like, I don't want to because

2949
02:45:11,240 --> 02:45:13,840
Speaker 1: she might grab it or something. So I just moved

2950
02:45:13,920 --> 02:45:16,680
Speaker 1: it to another room. But the bum beat joint made

2951
02:45:16,720 --> 02:45:18,920
Speaker 1: me feel like, no, I need it back. But you

2952
02:45:18,920 --> 02:45:20,560
Speaker 1: can put it in the killer you can put it

2953
02:45:20,680 --> 02:45:22,959
Speaker 1: in the level like I went in the crib and mallible.

2954
02:45:23,000 --> 02:45:26,400
Speaker 1: You didn't go to that male as a as a crab.

2955
02:45:26,520 --> 02:45:28,680
Speaker 1: You put it right there, and you can put you

2956
02:45:28,800 --> 02:45:33,039
Speaker 1: and your wife's fingerprint like this boom, just on the joint,

2957
02:45:33,160 --> 02:45:35,040
Speaker 1: on the joint, like you can put it on the

2958
02:45:35,080 --> 02:45:37,800
Speaker 1: wall where the baby can't reach it, like this is

2959
02:45:37,879 --> 02:45:41,400
Speaker 1: some ill Republican motherfucker crib that I've read I've been

2960
02:45:41,440 --> 02:45:46,440
Speaker 1: to that would let oils put your thumb or your

2961
02:45:46,480 --> 02:45:49,600
Speaker 1: wife thumb. It's I think it take the three fingerprints

2962
02:45:50,160 --> 02:45:52,920
Speaker 1: and then they go like this and the ship just released. Yeah, man,

2963
02:45:52,959 --> 02:45:57,240
Speaker 1: but right next it's not not if it's the child

2964
02:45:57,360 --> 02:46:00,640
Speaker 1: like like you can you can physically he grabbed the

2965
02:46:00,680 --> 02:46:03,200
Speaker 1: gun while it's on there and pull the trigger and

2966
02:46:03,240 --> 02:46:06,200
Speaker 1: they won't move because it won't do nothing unless you

2967
02:46:06,280 --> 02:46:09,920
Speaker 1: do the fingerprint matches first. There's one million percent digital.

2968
02:46:10,120 --> 02:46:13,280
Speaker 1: So I went to the house from the ship. Was

2969
02:46:13,360 --> 02:46:17,039
Speaker 1: the Wow you asked me about the premiere album? Yeah, yeah,

2970
02:46:17,080 --> 02:46:20,720
Speaker 1: please called collection. Yeah, a bunch of joints he did

2971
02:46:20,800 --> 02:46:22,960
Speaker 1: for me. He didn't do personally for me, but I do.

2972
02:46:23,400 --> 02:46:26,920
Speaker 1: The collection is a bunch of premier stuff that he's

2973
02:46:26,959 --> 02:46:29,440
Speaker 1: never done a beat before me. He's always giving me

2974
02:46:29,520 --> 02:46:31,720
Speaker 1: something somebody didn't like or he didn't want them on

2975
02:46:31,840 --> 02:46:33,280
Speaker 1: and he didn't like them on it or whatever. He

2976
02:46:33,320 --> 02:46:36,520
Speaker 1: gave me that. Then I gotta say this too before

2977
02:46:36,600 --> 02:46:44,560
Speaker 1: bouncing knots I did, I did, I would not. Yeah,

2978
02:46:44,720 --> 02:46:48,080
Speaker 1: and yo, the support that I got from from from

2979
02:46:48,320 --> 02:46:51,200
Speaker 1: lu on the Rock the Bells radio bro. The ship

2980
02:46:51,400 --> 02:46:55,680
Speaker 1: changed my whole station. That changed. And he won the

2981
02:46:55,760 --> 02:47:01,800
Speaker 1: lawsuit against dude that within the Rocket Bells. Yeah, I

2982
02:47:01,879 --> 02:47:06,879
Speaker 1: didn't know that against That's well, let me just tell

2983
02:47:06,920 --> 02:47:10,840
Speaker 1: you something, man, Freddy Fox will tell you something right up.

2984
02:47:17,000 --> 02:47:20,800
Speaker 1: Because we went, we went, we pause. I need the

2985
02:47:20,840 --> 02:47:23,520
Speaker 1: cold waters, but I need we were started all my

2986
02:47:23,600 --> 02:47:30,080
Speaker 1: ship we went Santo storms. But but let me just

2987
02:47:30,160 --> 02:47:32,920
Speaker 1: say something. I want to say it to your face.

2988
02:47:33,480 --> 02:47:36,920
Speaker 1: How much I respect you stop much? Um, you know,

2989
02:47:37,280 --> 02:47:39,680
Speaker 1: I admire you, how much I admire what you did

2990
02:47:39,760 --> 02:47:43,840
Speaker 1: for hip hop. And I just enjoyed, uh just just

2991
02:47:44,080 --> 02:47:47,480
Speaker 1: you know, going through your history today like and then,

2992
02:47:47,920 --> 02:47:50,879
Speaker 1: and I will also give you even though you're sleeping,

2993
02:47:50,959 --> 02:47:55,800
Speaker 1: come on, wake up. When I researched you, all I

2994
02:47:55,959 --> 02:47:59,680
Speaker 1: was researching was like funny ship like so as I

2995
02:47:59,840 --> 02:48:03,160
Speaker 1: was as I was like I came late. I came late.

2996
02:48:04,240 --> 02:48:09,680
Speaker 1: I came late. Pauls that that that's definitely wrong. Can

2997
02:48:09,720 --> 02:48:14,520
Speaker 1: you roll another one? Is it late? I keep because

2998
02:48:14,600 --> 02:48:18,000
Speaker 1: I really want a little coming thoroughly. I didn't want to,

2999
02:48:18,160 --> 02:48:21,640
Speaker 1: you know, do a searcher, just some some some normal

3000
02:48:21,680 --> 02:48:24,480
Speaker 1: ship and me and you are cool, real life someone

3001
02:48:24,560 --> 02:48:26,400
Speaker 1: to thoroughly do a great you know what I'm saying,

3002
02:48:26,480 --> 02:48:31,720
Speaker 1: Like I went and searched everything, and uh, you have

3003
02:48:31,840 --> 02:48:34,600
Speaker 1: a great life, man. And the fact that you you

3004
02:48:34,640 --> 02:48:37,920
Speaker 1: don't deffer from hip hop, you actually accept hip hop,

3005
02:48:38,040 --> 02:48:40,160
Speaker 1: and you know, keep that ship with you. That ship

3006
02:48:40,280 --> 02:48:44,080
Speaker 1: is honorable. You know. For me, I wouldn't have an

3007
02:48:44,080 --> 02:48:46,680
Speaker 1: identity with him without hip hop though. But I don't

3008
02:48:46,680 --> 02:48:47,760
Speaker 1: know who the f I got to be right now.

3009
02:48:48,200 --> 02:48:49,680
Speaker 1: I don't know how I would talk. I don't know

3010
02:48:49,760 --> 02:48:53,320
Speaker 1: how I walk. Everything has been influenced from hip hop

3011
02:48:53,360 --> 02:48:56,240
Speaker 1: since I was about twelve eleven, twelve years old, so

3012
02:48:56,879 --> 02:48:59,240
Speaker 1: it's always been there. But so many people got out

3013
02:48:59,280 --> 02:49:04,520
Speaker 1: your levet one, But like, fuck the motherfucker it sometimes

3014
02:49:05,959 --> 02:49:09,280
Speaker 1: the time, honorable man, I'm telling you, sometimes I think

3015
02:49:09,320 --> 02:49:11,200
Speaker 1: about it. I don't even know how to say my

3016
02:49:11,360 --> 02:49:15,000
Speaker 1: my cousins. But but you know what I'm just saying,

3017
02:49:15,120 --> 02:49:17,560
Speaker 1: and the Factor crew, hold on, there's a lot of

3018
02:49:17,720 --> 02:49:20,440
Speaker 1: non honorable dudes out there, and you you out there

3019
02:49:20,680 --> 02:49:23,880
Speaker 1: and the private planes and bringing your crewel and taking

3020
02:49:23,959 --> 02:49:27,240
Speaker 1: on the Vegas and taking on to Vegas. Dare that

3021
02:49:27,680 --> 02:49:30,640
Speaker 1: Mr Santiago? Yeah? That was that was hard and they're

3022
02:49:30,640 --> 02:49:32,760
Speaker 1: trying to complain. It was like, you know, sometimes, you know,

3023
02:49:32,879 --> 02:49:34,320
Speaker 1: we don't know what the fun was going to be

3024
02:49:34,440 --> 02:49:36,600
Speaker 1: at the next thing. And then that's the old video

3025
02:49:36,600 --> 02:49:40,360
Speaker 1: of him six years ago, and that was like listening.

3026
02:49:40,520 --> 02:49:44,400
Speaker 1: I got a four seater for the weekend. What's his name?

3027
02:49:44,600 --> 02:49:49,800
Speaker 1: Fucking one was named I gotta be man, it's sucking Eddie, Eddie,

3028
02:49:50,760 --> 02:49:55,240
Speaker 1: I don't know where my mind is. Ship nobody else

3029
02:49:55,360 --> 02:50:03,400
Speaker 1: going to three Champagne with me? Come on, ye, thank you,

3030
02:50:06,600 --> 02:50:08,360
Speaker 1: thank you brothers, because you know why, I could have

3031
02:50:08,400 --> 02:50:10,920
Speaker 1: did a three hour episode with you alone and gonna

3032
02:50:10,959 --> 02:50:12,760
Speaker 1: do a three albums said with you alone. But the

3033
02:50:12,800 --> 02:50:15,280
Speaker 1: fact that your brothers came together, I felt like that

3034
02:50:15,360 --> 02:50:17,080
Speaker 1: was the ultimate flaws. I saved you two and a

3035
02:50:17,120 --> 02:50:19,520
Speaker 1: half hours. No, no, I feel like the ultimate flaws

3036
02:50:19,760 --> 02:50:21,600
Speaker 1: And I felt like, yeah, I feel like this was

3037
02:50:21,720 --> 02:50:24,600
Speaker 1: so much appreciated I feel like, you know, with the

3038
02:50:24,680 --> 02:50:27,240
Speaker 1: audience and the platform that we got, y'all even seen

3039
02:50:27,240 --> 02:50:31,120
Speaker 1: this since when? No, man, I mean if we talked,

3040
02:50:31,120 --> 02:50:35,839
Speaker 1: we talked, We talked, and let's let's thank the professionalism

3041
02:50:35,879 --> 02:50:39,480
Speaker 1: because we just communicated on g and made this happen.

3042
02:50:39,640 --> 02:50:42,039
Speaker 1: Yeah it was you. Yeah, I thought you was going

3043
02:50:42,080 --> 02:50:46,160
Speaker 1: to communicate. My people hit your first. Then we communicated

3044
02:50:46,160 --> 02:50:47,960
Speaker 1: and we did. We do you don't have assistance and

3045
02:50:48,040 --> 02:50:55,800
Speaker 1: assistant to the system. Assistant to assistance. Yeah, and I think,

3046
02:50:56,760 --> 02:51:00,480
Speaker 1: y'all you're sign a car and uh, I'm like, na, oh, yeah,

3047
02:51:01,800 --> 02:51:07,400
Speaker 1: we don't see nobody ship like we just get that.

3048
02:51:07,640 --> 02:51:09,880
Speaker 1: That's for the second hip hop. It's just like, you

3049
02:51:09,959 --> 02:51:11,880
Speaker 1: know what you know kind of when me and E

3050
02:51:12,040 --> 02:51:13,880
Speaker 1: started this, we didn't know what we're doing. But what

3051
02:51:14,000 --> 02:51:16,240
Speaker 1: we didn't know, we knew that our harvest in the

3052
02:51:16,360 --> 02:51:19,560
Speaker 1: right place. We just if this ship works, we knew that.

3053
02:51:19,680 --> 02:51:21,880
Speaker 1: When you have ten years in this game, it's a

3054
02:51:22,000 --> 02:51:25,560
Speaker 1: fucking absolute travesty. When people say you watched up, people

3055
02:51:25,720 --> 02:51:28,600
Speaker 1: say that you you you can't do it again, or

3056
02:51:28,760 --> 02:51:32,320
Speaker 1: you ain't what you was before. The thing is wine

3057
02:51:32,760 --> 02:51:37,400
Speaker 1: ages better in life. Champagne ages better than like Brandy Kanya.

3058
02:51:37,720 --> 02:51:40,600
Speaker 1: Why the funk we can't do that as people? Why

3059
02:51:40,640 --> 02:51:43,320
Speaker 1: the fund we can't do that as our community? If

3060
02:51:43,480 --> 02:51:46,800
Speaker 1: fuck the world doesn't believe that, Why we can't believe that?

3061
02:51:47,160 --> 02:51:51,880
Speaker 1: And they enforced that every other culture you get, you know,

3062
02:51:52,120 --> 02:51:55,040
Speaker 1: your beatles and you you people look at you as

3063
02:51:55,120 --> 02:51:57,040
Speaker 1: that status. Why the funk we can't make that ship

3064
02:51:57,120 --> 02:51:58,960
Speaker 1: in our own culture in the hip hop. That's why

3065
02:51:59,000 --> 02:52:01,560
Speaker 1: I admire the fact that you know, you you got

3066
02:52:01,600 --> 02:52:04,440
Speaker 1: to the level that you're at, you're still higher. Who hurt?

3067
02:52:04,480 --> 02:52:06,840
Speaker 1: I don't know if you're hired on You know I'm saying,

3068
02:52:06,840 --> 02:52:10,160
Speaker 1: I don't know if you know what I'm just saying.

3069
02:52:10,200 --> 02:52:12,480
Speaker 1: You know what I'm saying, I don't hiring Yeah, you

3070
02:52:12,480 --> 02:52:15,720
Speaker 1: know what I'm saying. You know, that's honorable ship. You

3071
02:52:15,760 --> 02:52:17,720
Speaker 1: know what I'm saying, that's honorable ship because you could

3072
02:52:17,760 --> 02:52:19,920
Speaker 1: have had like I said at Russell Crow coming out

3073
02:52:19,959 --> 02:52:22,840
Speaker 1: there and fucking you know, had butterfucking can rule. I

3074
02:52:22,879 --> 02:52:25,560
Speaker 1: don't know, you know what I'm saying. You're not saying that.

3075
02:52:25,600 --> 02:52:27,880
Speaker 1: I just felt that in my mind. I'm just saying,

3076
02:52:28,200 --> 02:52:29,720
Speaker 1: you know what I mean. What I'm saying, you keep

3077
02:52:29,760 --> 02:52:31,680
Speaker 1: it hit hot, and that's what the fun we are

3078
02:52:32,040 --> 02:52:36,000
Speaker 1: like me personally and e FM of me. They said

3079
02:52:36,040 --> 02:52:43,440
Speaker 1: it together, a whole clue, whole drink chat met if

3080
02:52:43,520 --> 02:52:45,880
Speaker 1: you got ten years and more in this game, we

3081
02:52:45,959 --> 02:52:48,480
Speaker 1: don't want to kick you out. We want a motherfucking

3082
02:52:48,600 --> 02:52:51,280
Speaker 1: cushion your chair. You know what I'm saying. Make sure

3083
02:52:51,400 --> 02:52:53,879
Speaker 1: that you know when you sit down your ship, your

3084
02:52:54,000 --> 02:52:56,280
Speaker 1: your ship is your ship. Got a cushion. You know

3085
02:52:56,280 --> 02:52:57,960
Speaker 1: what I'm saying, this ship You ain't saying you know,

3086
02:52:58,040 --> 02:53:00,320
Speaker 1: I know that sound crazy, but but I was saying this.

3087
02:53:00,640 --> 02:53:02,880
Speaker 1: You want to take care of all people? Why shipping

3088
02:53:02,920 --> 02:53:05,080
Speaker 1: to me? You know what I'm saying, Like, why shippn't we?

3089
02:53:05,560 --> 02:53:08,000
Speaker 1: You know, the more that your season, the more that

3090
02:53:08,080 --> 02:53:09,920
Speaker 1: you put it into this game. We don't got no

3091
02:53:10,080 --> 02:53:13,000
Speaker 1: pension at hip hop, so why don't we make our

3092
02:53:13,040 --> 02:53:16,280
Speaker 1: own pension? But us praising each other, but us telling

3093
02:53:16,360 --> 02:53:18,760
Speaker 1: each other, yo, mother dude, you can. We We got

3094
02:53:18,840 --> 02:53:22,960
Speaker 1: your back. What you did. I respect that I'm holding you, Dawn,

3095
02:53:24,040 --> 02:53:26,320
Speaker 1: and we're gonna continue to do that. We're gonna do

3096
02:53:26,400 --> 02:53:28,560
Speaker 1: that as a culture, We're gonna do that as a people.

3097
02:53:28,959 --> 02:53:31,800
Speaker 1: But if we can do it easier as just being

3098
02:53:31,920 --> 02:53:36,000
Speaker 1: hip hop people and I'm with that. If we can't

3099
02:53:36,040 --> 02:53:37,760
Speaker 1: do it as black people, we can't do it aslack

3100
02:53:37,840 --> 02:53:40,400
Speaker 1: you know. And we're gonna say it. Hip hop. Hip

3101
02:53:40,440 --> 02:53:44,280
Speaker 1: hop be a fucking our new religion, our new fucking nationality.

3102
02:53:44,400 --> 02:53:51,480
Speaker 1: But I think we take a picture. Thank you for

3103
02:53:51,560 --> 02:53:53,119
Speaker 1: making me a drink chancel. You are