WEBVTT - #343 - BLK ODYSSY

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<v Speaker 1>What's going on is Juwan Alejandra, We're Black Odyssey catches

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<v Speaker 1>on the Bootleg keV podcast Appreciation.

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<v Speaker 2>That's not the plan Bootleg camp podcast special guests here

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<v Speaker 2>Black I see it's good man, welcome. You know what,

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<v Speaker 2>I gotta admit something to you guys. I didn't realize

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<v Speaker 2>you guys were like a group. I just thought you

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<v Speaker 2>were Black Odyssey. It's kind of like an atmosphere type thing.

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<v Speaker 3>Get that.

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<v Speaker 2>Yeah, Like there's slug and ant and there's so Black

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<v Speaker 2>Odyssey is a.

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<v Speaker 3>Yeah, it's a duo.

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<v Speaker 2>It's a Tucson Yeah. I heard they call you guys

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<v Speaker 2>the gruesome Toosome. Why I've never heard that.

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<v Speaker 3>In my life.

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<v Speaker 2>So how long has Black odyesstly been a thing?

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<v Speaker 3>Since twenty fifteen?

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<v Speaker 2>So twenty fifteen, you guys, did you guys meet in Austin?

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<v Speaker 3>Yeah?

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<v Speaker 1>Yeah, yeah, I started as a rock band together. I

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<v Speaker 1>was working in the village. He was working in the

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<v Speaker 1>pizza shop.

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<v Speaker 2>Nice and I was going in there getting which pizza

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<v Speaker 2>spot was. It was it like on sixth somewhere? Nah,

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<v Speaker 2>it was.

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<v Speaker 4>It's kind of out like in the bougie part of Austin.

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<v Speaker 2>Like, you guys, would you consider I know you guys

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<v Speaker 2>aren't from Austin, You're from Florida, You're from Jersey. Yeah,

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<v Speaker 2>you guys have been there for almost a decade, right,

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<v Speaker 2>you guys have probably seen the like crazy growth facts

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<v Speaker 2>twenty fifteen was like peak good south By years, well

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<v Speaker 2>towards the end of the great the Great south By years.

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<v Speaker 2>But is it kind of crazy to see the growth

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<v Speaker 2>of tech like Austin is wild? Like I just think

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<v Speaker 2>like we're fader for it is. There's like a whole

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<v Speaker 2>foods and a target now, It's like it's kind of wild.

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<v Speaker 2>Like what do you how do you guys feel about

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<v Speaker 2>like seeing that growth in the city that you know,

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<v Speaker 2>you guys call home because it is like, especially during

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<v Speaker 2>the pandemic, I feel like everybody moved there.

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<v Speaker 1>I mean shit to me, it's been interesting because we've

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<v Speaker 1>seen like the economic development in the city blow up crazy.

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<v Speaker 1>But as for musicians, the infrastructure for industry there has

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<v Speaker 1>been stagnant the whole time through So it's been interesting

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<v Speaker 1>to see a growth side by side and how much

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<v Speaker 1>like the music industry has got pushed out of Austin

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<v Speaker 1>since you know, the economic development went crazy, So that

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<v Speaker 1>has just been a super interesting perspective in general, because we.

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<v Speaker 2>Think like Austin's like a live city or a live

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<v Speaker 2>music city, right right, right right, But now it's like

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<v Speaker 2>comedy's there. There's all this text shit going on, like yeah, yeah,

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<v Speaker 2>Rent's probably going up, is it that?

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<v Speaker 3>Yeah?

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<v Speaker 2>How many times have you guys ate a barbecue and

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<v Speaker 2>an alley off of a trash pail?

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<v Speaker 3>I ho fuck with that?

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<v Speaker 2>Salty as shit, bro, Really you don't like barbecue.

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<v Speaker 3>I liked it the first year I moved there.

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<v Speaker 2>I feel like I've been in an alley eating off

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<v Speaker 2>of a trash candlid like seventeen times. And I don't

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<v Speaker 2>even live there.

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<v Speaker 1>It's a gain like thirty pounds when I moved to Texas.

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<v Speaker 3>I used to be fit.

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<v Speaker 2>Well, you're not like fat. Yeah, I'm getting there though,

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<v Speaker 2>me and you are both getting there. I like the

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<v Speaker 2>jacket it hides the getting there.

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<v Speaker 3>Yeah, I wear xls now.

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<v Speaker 2>So break down your guys's roles when it comes to

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<v Speaker 2>Black Odyssey.

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<v Speaker 1>So I approached Alejandro, who's a guitar player. Like I mentioned,

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<v Speaker 1>we started as a.

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<v Speaker 2>Rock band and that was the name. Was the name

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<v Speaker 2>Black Oysty. When you guys were in the band or

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<v Speaker 2>you didn't.

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<v Speaker 3>Have a name.

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<v Speaker 1>I was going by Sam Houston at the time. Its

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<v Speaker 1>fucked up, but I was going by Sam.

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<v Speaker 2>Houston with the band behind you.

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<v Speaker 3>Yeah, okay, So I had these tracks.

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<v Speaker 1>I'm a producer and a songwriter, but it lacked in

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<v Speaker 1>live instrumentation. So I was trying to tap in with

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<v Speaker 1>some people in town that that could bring that element.

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<v Speaker 1>And his his the way he plays guitar adds a

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<v Speaker 1>different live element to the records that goes further than

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<v Speaker 1>just guitar playing. So almost like using your instrument to create,

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<v Speaker 1>you know, achieve different production things that you can't really

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<v Speaker 1>do in the box.

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<v Speaker 3>Yeah.

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<v Speaker 5>Yeah, you shred shred, but like soulful shred and just

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<v Speaker 5>like like you said, atmospheric and like kind of making

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<v Speaker 5>the guitar just like a production tool.

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<v Speaker 4>And that's definitely evolved as we've evolved.

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<v Speaker 3>You know.

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<v Speaker 2>You guys like had some big legends on records like

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<v Speaker 2>George Clinton, Booty Collins. Obviously that's pretty crazy. How do

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<v Speaker 2>you end up making something like that happen?

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<v Speaker 1>Man, The commonality between all the hearts because we came

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<v Speaker 1>from two totally different worlds. I'm from Plainfield, New Jersey, Right,

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<v Speaker 1>That's what Parliament Funkadelics started, and he came from like

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<v Speaker 1>a rock background, so I didn't know anything about Rage

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<v Speaker 1>against the Machine or I thought led Zeppelin was one

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<v Speaker 1>person type.

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<v Speaker 2>Shit shit shot the Black Odyssey.

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<v Speaker 1>So like, yeah, man, like I learned about that, you know,

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<v Speaker 1>world of music, and in turn, I was showing him

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<v Speaker 1>D'Angel and I was showing him all that kind of shit.

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<v Speaker 1>So we always had a common appreciation for like funk

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<v Speaker 1>and like psychedelic music, and that was George Clinton and

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<v Speaker 1>Booty College.

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<v Speaker 2>What do you guys like, no a cousin who knows him,

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<v Speaker 2>or like, how do you get that? I feel like

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<v Speaker 2>those are the easiest guys to get ahold.

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<v Speaker 1>Of yo that asked we were on We were here

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<v Speaker 1>on the trip. This is George Clinton, right, and I've

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<v Speaker 1>seen We had been like talking to our label on

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<v Speaker 1>our team for a while about trying to type in

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<v Speaker 1>with him, and everybody's like, bro's fucking George Clinton, Like

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<v Speaker 1>you can't just call him right and it works, right facts.

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<v Speaker 1>So I've seen a video of him here for uh yeah,

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<v Speaker 1>their star, their star, and I showed him and I

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<v Speaker 1>was like, Yo, let's go down there and just go

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<v Speaker 1>cold up it to him and talk and we laughed

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<v Speaker 1>at all because we wasn't serious. But we was shopping

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<v Speaker 1>on Melrose that same day and his nigga just walked

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<v Speaker 1>by us and it's fucking like silver trench, Like, yeah,

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<v Speaker 1>I didn't even notice who it was at first. I'm like,

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<v Speaker 1>that's a funky ass outfit. And I looked and he's

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<v Speaker 1>walked by me and I'm like, yo, that's that was

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<v Speaker 1>George Joran just walking down Melrose bro It was nuts,

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<v Speaker 1>like and that's what I'm saying that it has to

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<v Speaker 1>be got, you know what I'm saying. So he's walking

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<v Speaker 1>past and I look at all halls and I'm like,

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<v Speaker 1>I'm not really kind of nigga that that was like

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<v Speaker 1>wait for a celebrity to talk to him. But I'm like,

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<v Speaker 1>I have to do this, you feel me. So he

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<v Speaker 1>went into the store and was shopping, and I just

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<v Speaker 1>waited outside like I was on the phone calls capin.

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<v Speaker 3>I wasn't on the phone. I just wanted to see normal.

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<v Speaker 1>So I was waiting on the phone, and as soon

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<v Speaker 1>as he walked out, I acted like I saw him

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<v Speaker 1>by mistake, and then I went up to him and

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<v Speaker 1>I started, you know, talking, and he didn't. He wasn't

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<v Speaker 1>very responsive. Like I told him I was from Plainfield

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<v Speaker 1>and I told him like I knew some people in

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<v Speaker 1>his family and shit, and he just kind of was

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<v Speaker 1>like yeah, and he just he just I told him

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<v Speaker 1>I wanted to work on the record with him, and

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<v Speaker 1>I didn't like. I was like that, that's not how

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<v Speaker 1>I thought that was gonna turn out.

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<v Speaker 2>It didn't go well in your opinion at the time, No,

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<v Speaker 2>not at all.

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<v Speaker 3>It didn't.

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<v Speaker 1>It didn't seem to do anything. Two weeks later, I

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<v Speaker 1>told him who we were. I told him the name,

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<v Speaker 1>and his daughter was with him too, so I said,

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<v Speaker 1>you know the name to his daughter. Two weeks later,

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<v Speaker 1>she dms me on Instagram out of nowhere. She's like, yo, George,

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<v Speaker 1>George is down to do a record, which played with Ship.

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<v Speaker 1>He hears the similarities, like that's what you're doing. George

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<v Speaker 1>is down and do a record. So we sent him

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<v Speaker 1>the record that day, hopped on FaceTime and.

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<v Speaker 2>Pretty much cooler on FaceTime. Yeah, it was.

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<v Speaker 1>My dad used to follow him back in the seventies.

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<v Speaker 1>So I told him all that and.

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<v Speaker 2>Yeah, it was nuts, bro, your dad would go to

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<v Speaker 2>like shows and Ship.

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<v Speaker 3>He was just follow them. On the road with my mom.

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<v Speaker 2>Really, your parents must have been raging high as fuck,

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<v Speaker 2>doing all the good drugs.

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<v Speaker 3>All of them, bro, all of them. It was nuts.

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<v Speaker 2>Paoti shrooms Payot Paoti is like a you know, it's

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<v Speaker 2>like a I think it's a cactus, right, Yeah, it's

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<v Speaker 2>crazy you eat it and your trip balls. That's what

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<v Speaker 2>they like. That's what they used to do, yot. The

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<v Speaker 2>mothership connection, the mothership connection? What about Booty Collins?

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<v Speaker 3>We just we DM George and we were like, Yo.

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<v Speaker 2>Do you know Booty? I mean, do you do you

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<v Speaker 2>know his number? Or can you connect me?

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<v Speaker 3>Connect you for sure?

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<v Speaker 2>No, I'm saying like, hey, thanks for doing the song.

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<v Speaker 2>By the way, can you connect it with Booty?

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<v Speaker 3>Literally?

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<v Speaker 1>Yeah, I was like, yo, can you connect me with Boosy?

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<v Speaker 1>He was like yeah, got you just give me a

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<v Speaker 1>few days. He did a DM connection and shout, George,

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<v Speaker 1>bro huge, I'm telling you, like, this is so much love.

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<v Speaker 1>So he connected us and he hit us right. He

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<v Speaker 1>hit his back right away, relatively, and he was like, yeah,

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<v Speaker 1>I'm down. I think six months went by between responses

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<v Speaker 1>and we pretty much figured like that he wasn't going

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<v Speaker 1>to do it right, do it? Meaning narrate the whole

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<v Speaker 1>record and ship like that. And I as we were

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<v Speaker 1>wrapping up the record, we had already tapped him with

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<v Speaker 1>Keisha Pump from Grizelda to to to be the narrator

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<v Speaker 1>of our of our concept album, and we have figured

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<v Speaker 1>that that Bouchi wasn't gonna do it because they had

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<v Speaker 1>they hadn't responded in six months. But as we're getting

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<v Speaker 1>ready to go into mixing for the record, he hits

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<v Speaker 1>us and he's like, Yo, y'all still want me to

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<v Speaker 1>do this? Can I can do it like tonight? So yeah,

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<v Speaker 1>that she just fell in our laps. He just sent

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<v Speaker 1>it right back.

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<v Speaker 2>Uh are you are you, buddy? Are you like pretty

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<v Speaker 2>hip to all the rap ship because you guys getting

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<v Speaker 2>Benny the Butcher on records and like you know that.

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<v Speaker 4>Man. I mean obviously I just evolved as a person,

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<v Speaker 4>especially since moving to Austin, right, you know, because Panama City,

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<v Speaker 4>as you know, Southern Alabama just uh, you know, not

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<v Speaker 4>as exposed over there.

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<v Speaker 2>Fucking get her duns out there. Absolutely, there's some getter

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<v Speaker 2>dons in Austin, though I think people forget Austin's to Texas.

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<v Speaker 2>Sometimes you're in Austin you're like, oh, this is this

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<v Speaker 2>is a vibe and then you're like eve and you're like, oh,

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<v Speaker 2>there's some other ship going here.

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<v Speaker 1>That's why I think it's cool about him though he

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<v Speaker 1>doesn't give a fuck. We could be in a room

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<v Speaker 1>with Freddy. He was in a room with Freddy. I

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<v Speaker 1>didn't even think he really knew who he was. It's

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<v Speaker 1>just like, what's up exactly what do you do? Yeah?

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<v Speaker 3>Yeah, I think that's school as fun.

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<v Speaker 2>Who's in charge of the artwork, Because your guys' artwork

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<v Speaker 2>is super dope. It's very consistent in terms of like

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<v Speaker 2>colors and I feel like vibe, Like I think that's

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<v Speaker 2>like what caught me initially was just like, oh ship

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<v Speaker 2>like because I feel like that's kind of like your

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<v Speaker 2>first impression for anybody you know, is that? Is that?

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<v Speaker 2>Do you handle that? Do you guys handle that together?

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<v Speaker 1>It's collectively my manager over there, Like it's something that

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<v Speaker 1>we all sit down as a team and look at,

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<v Speaker 1>like we we discussed what we want to capture in

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<v Speaker 1>a still, and like we brained him different ways to

0:10:53.320 --> 0:10:53.520
<v Speaker 1>do it.

0:10:53.640 --> 0:10:55.400
<v Speaker 2>You guys said up photo shoots for that and then

0:10:55.440 --> 0:10:57.480
<v Speaker 2>just go through a bunch of options.

0:10:56.960 --> 0:11:00.760
<v Speaker 3>And yeah, for sure. This particul the album cover.

0:11:01.640 --> 0:11:04.360
<v Speaker 1>It's like an erotic novel, so we wanted to like

0:11:04.800 --> 0:11:09.760
<v Speaker 1>capture the the the picture of like lusting and like

0:11:09.920 --> 0:11:13.160
<v Speaker 1>not being able to escape your addictions and it's still so.

0:11:13.160 --> 0:11:16.160
<v Speaker 2>So that's the theme of this new album. Yeah, erotic.

0:11:16.320 --> 0:11:18.280
<v Speaker 2>Have you guys ever read any erotic novels as a

0:11:18.320 --> 0:11:19.000
<v Speaker 2>point of reference?

0:11:19.200 --> 0:11:19.440
<v Speaker 3>Never?

0:11:19.720 --> 0:11:22.400
<v Speaker 1>Never, I've seen Fifty Shades Are Great? Now, Yeah, that's

0:11:22.440 --> 0:11:26.000
<v Speaker 1>all I need. Terrible movie, really bad, like all time bad.

0:11:26.240 --> 0:11:28.360
<v Speaker 3>So many bitsches in there though, so I was like, I'm.

0:11:28.200 --> 0:11:32.679
<v Speaker 2>Gone, Yeah, definitely for the theater. The theater is definitely.

0:11:33.040 --> 0:11:34.600
<v Speaker 2>I just I can't speak to the movie it was.

0:11:34.720 --> 0:11:37.120
<v Speaker 2>I was expecting a lot because the book was so popping.

0:11:38.080 --> 0:11:39.480
<v Speaker 2>Now that ship was cheeks bro.

0:11:39.520 --> 0:11:40.000
<v Speaker 3>It was weird.

0:11:40.559 --> 0:11:43.440
<v Speaker 2>Weird. What's worse, Fifty Shades Are Great? Or The Weekend's

0:11:43.440 --> 0:11:43.800
<v Speaker 2>new show?

0:11:44.559 --> 0:11:46.520
<v Speaker 3>I didn't see that. I saw this clip of him

0:11:46.559 --> 0:11:47.640
<v Speaker 3>being tough earlier.

0:11:47.840 --> 0:11:51.640
<v Speaker 2>Yeah, I just watched the first episode a couple days ago,

0:11:51.679 --> 0:11:53.560
<v Speaker 2>and I loved the Weekend and I hope it gets better.

0:11:53.600 --> 0:11:56.200
<v Speaker 2>But the first episode was crazy. What is it called

0:11:56.640 --> 0:11:58.960
<v Speaker 2>thee Yeah, I'm gonna watch it.

0:11:58.960 --> 0:12:00.000
<v Speaker 3>I've been I've been a fit.

0:12:00.480 --> 0:12:02.440
<v Speaker 2>I'm gonna stick with it. I'm in.

0:12:02.880 --> 0:12:07.920
<v Speaker 4>But early episode was fifty shades and great, right, wow,

0:12:08.160 --> 0:12:11.720
<v Speaker 4>that's right, Yeah, that's that's what. It really got me

0:12:11.720 --> 0:12:16.040
<v Speaker 4>into the weekend for sure. Really, but then Chos just yeah,

0:12:16.080 --> 0:12:19.959
<v Speaker 4>we went look at you. That's what I'm saying. Man,

0:12:20.400 --> 0:12:22.200
<v Speaker 4>it's all exciting, all right.

0:12:22.240 --> 0:12:24.000
<v Speaker 2>You already know. Man, we got to stop the interview.

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<v Speaker 2>Let's get back to the interview now. If you guys

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<v Speaker 2>let's get back to the interview. What's it like not

0:14:55.120 --> 0:14:56.960
<v Speaker 2>being black and being in a group called black?

0:14:56.960 --> 0:14:57.320
<v Speaker 3>Honestly?

0:14:58.880 --> 0:15:01.600
<v Speaker 2>I mean, I'm Cubans are like, right, but not black.

0:15:03.040 --> 0:15:07.440
<v Speaker 2>You're not Afro Cuban deep deep in the spirit, Okay.

0:15:07.440 --> 0:15:10.760
<v Speaker 4>I'm just kidding, Like I approach life with like soul

0:15:10.880 --> 0:15:11.880
<v Speaker 4>and like you know, I.

0:15:11.920 --> 0:15:14.480
<v Speaker 3>Mean, I feel like you black on the inside too, bro.

0:15:14.800 --> 0:15:17.800
<v Speaker 2>I mean, I I don't know. I bought an ancestry kid.

0:15:17.880 --> 0:15:19.280
<v Speaker 2>I got to spin in the tube and send it

0:15:19.280 --> 0:15:26.040
<v Speaker 2>out I'm definitely a lot of Europe or Ireland. I

0:15:26.080 --> 0:15:27.920
<v Speaker 2>think I'm Irish.

0:15:28.600 --> 0:15:29.920
<v Speaker 3>I thought Italian for some reason.

0:15:30.560 --> 0:15:35.280
<v Speaker 2>I mean, I could be wrong. I have no idea Polish.

0:15:35.720 --> 0:15:37.520
<v Speaker 1>I dated a Polish girl in high school. Her day

0:15:37.640 --> 0:15:40.840
<v Speaker 1>was so fucking racist. That sounds about right, Yeah, yeah,

0:15:41.160 --> 0:15:44.080
<v Speaker 1>sounds crazy. What's your manager over there? He looks like

0:15:44.120 --> 0:15:47.560
<v Speaker 1>he could be from fucking Scandinavia.

0:15:48.000 --> 0:15:51.400
<v Speaker 2>That motherfucker looks like he's related to Nicole Jokic. Bro,

0:15:51.520 --> 0:15:53.400
<v Speaker 2>he looks like he looks like he just want a

0:15:53.440 --> 0:15:54.040
<v Speaker 2>chip over there.

0:15:55.960 --> 0:15:57.560
<v Speaker 3>Me and him grew up together. We were in music

0:15:57.560 --> 0:15:58.560
<v Speaker 3>school in sixth grade.

0:15:58.840 --> 0:16:02.000
<v Speaker 2>Shout out to Jersey. Yea, how far is uh? What

0:16:02.120 --> 0:16:05.160
<v Speaker 2>part of Jersey plans plan? Where's that in terms of

0:16:05.200 --> 0:16:08.520
<v Speaker 2>like where the Sopranos took place? And then New York City?

0:16:08.840 --> 0:16:12.120
<v Speaker 1>Uh, that's about forty minutes from Bergen County where the

0:16:12.120 --> 0:16:13.080
<v Speaker 1>Sopranos took place.

0:16:13.440 --> 0:16:15.520
<v Speaker 2>And then there's like, because I've only been I just

0:16:15.680 --> 0:16:18.560
<v Speaker 2>was in where did we go to shoot with the

0:16:19.080 --> 0:16:20.600
<v Speaker 2>what's that kid's name? Just got out of prison that

0:16:20.680 --> 0:16:24.920
<v Speaker 2>we shot a shot with in Jersey? Fuck i'lb he's

0:16:24.960 --> 0:16:29.680
<v Speaker 2>on Empire. I'll be al. Yeah, yeah, we were in

0:16:29.720 --> 0:16:31.440
<v Speaker 2>some some neighborhood in Jersey.

0:16:33.360 --> 0:16:36.600
<v Speaker 3>Jersey City or Newark or some ship. I lived in

0:16:36.640 --> 0:16:37.800
<v Speaker 3>Nork for a long time.

0:16:38.120 --> 0:16:39.920
<v Speaker 2>I definitely texted Drew Ski when I was there, and

0:16:39.920 --> 0:16:41.480
<v Speaker 2>I'll tell you right now because I was like, Drew Sky,

0:16:41.600 --> 0:16:42.280
<v Speaker 2>I'm in Jersey.

0:16:42.400 --> 0:16:45.200
<v Speaker 3>Is he is he from Jersey too?

0:16:45.280 --> 0:16:47.400
<v Speaker 2>Drew Sky? Yeah? Which Drew Sky we talking about?

0:16:48.040 --> 0:16:50.080
<v Speaker 3>There's some the funny one.

0:16:50.200 --> 0:16:56.000
<v Speaker 2>No no, no, no, no, I was in Jersey Jersey City.

0:16:56.400 --> 0:16:57.120
<v Speaker 2>Is that where we were?

0:16:58.160 --> 0:17:00.360
<v Speaker 3>Yeah, Jersey City out there.

0:17:01.400 --> 0:17:03.280
<v Speaker 2>It was like a small it was a different area.

0:17:03.280 --> 0:17:07.320
<v Speaker 2>We're in there. Oh yeah, he took, He took well,

0:17:07.320 --> 0:17:09.160
<v Speaker 2>and he took He bought a honey pack. Right, Did

0:17:09.160 --> 0:17:11.960
<v Speaker 2>you put the honey pack in the honey button? You

0:17:12.000 --> 0:17:13.000
<v Speaker 2>guys ever have a honeypack?

0:17:13.119 --> 0:17:14.119
<v Speaker 3>No? I don't even know what that is?

0:17:15.560 --> 0:17:17.320
<v Speaker 2>From the gas station. It makes your dick card?

0:17:17.800 --> 0:17:21.439
<v Speaker 3>He put any on the honey buon magic honey.

0:17:21.800 --> 0:17:23.280
<v Speaker 2>You know what else makes your dick card? Blue Choo.

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<v Speaker 2>Go to bluetoo dot com and use the promo code

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0:17:37.600 --> 0:17:41.200
<v Speaker 3>That's amazing. That was crazy. That was like the Truman Show.

0:17:41.280 --> 0:17:44.800
<v Speaker 2>Yeah, well, you know, if you go to the gas station,

0:17:44.880 --> 0:17:47.440
<v Speaker 2>they have like the magic packs of honey and then

0:17:47.440 --> 0:17:51.080
<v Speaker 2>they also have like the Rhino pills, the Blue Rhino.

0:17:51.280 --> 0:17:52.280
<v Speaker 3>I don't be in that section.

0:17:53.040 --> 0:17:54.640
<v Speaker 2>It's it's it's where you check.

0:17:54.480 --> 0:17:56.680
<v Speaker 3>Out, Yeah, like the Horny Goat we and all that

0:17:56.800 --> 0:17:57.359
<v Speaker 3>all that shit.

0:17:57.920 --> 0:18:02.440
<v Speaker 2>No, it's the magic honey. Really I should have you. Look,

0:18:02.480 --> 0:18:04.359
<v Speaker 2>if you're like drinking and you're like, look, you know,

0:18:04.359 --> 0:18:06.160
<v Speaker 2>I'm a little drunk, I might have a whiskey deck.

0:18:08.560 --> 0:18:11.000
<v Speaker 2>Or you go to bluetoo dot com keep a bluetooth

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0:18:15.000 --> 0:18:20.520
<v Speaker 3>Is that yo? That is crazy.

0:18:20.800 --> 0:18:22.600
<v Speaker 2>I was gonna say for you, like, uh, you know,

0:18:22.840 --> 0:18:24.800
<v Speaker 2>because because the Benny record came out last year, right

0:18:24.880 --> 0:18:28.159
<v Speaker 2>the last hour, what's it like getting on you know,

0:18:28.560 --> 0:18:30.560
<v Speaker 2>kind of getting one of the elite mcs and this

0:18:30.640 --> 0:18:33.600
<v Speaker 2>ship too to bless because that's the record George was

0:18:33.600 --> 0:18:36.760
<v Speaker 2>on too, right m M yeah, what was that process?

0:18:36.880 --> 0:18:39.360
<v Speaker 2>Like you guys are both obviously, I guess well he's

0:18:39.359 --> 0:18:42.920
<v Speaker 2>on deaf Jam now, but you know, label made issues shit.

0:18:43.160 --> 0:18:45.600
<v Speaker 1>I mean, the common thread is definitely NeiMa, Like he's

0:18:45.600 --> 0:18:49.720
<v Speaker 1>he's fucking damn there, Steve Nash at this point.

0:18:49.600 --> 0:18:51.680
<v Speaker 2>Bro, Like, definitely a Steve Nash type of guy.

0:18:51.800 --> 0:18:52.960
<v Speaker 3>Yeah, he's crazy.

0:18:53.160 --> 0:18:56.760
<v Speaker 1>Like I linked up with Benny and we had just

0:18:56.760 --> 0:19:01.360
<v Speaker 1>followed each other on Instagram and we spoke both East

0:19:01.400 --> 0:19:04.920
<v Speaker 1>Coast niggas saw. I feel like the synergy was already there,

0:19:05.800 --> 0:19:08.879
<v Speaker 1>but once Nima got involved in and just made it happen,

0:19:08.880 --> 0:19:09.600
<v Speaker 1>it was pretty easy.

0:19:09.640 --> 0:19:11.040
<v Speaker 3>He did it real quick. He killed it.

0:19:11.080 --> 0:19:12.720
<v Speaker 2>You're pretty big on a lot of the Griselda shit,

0:19:13.080 --> 0:19:13.399
<v Speaker 2>all of it.

0:19:13.520 --> 0:19:16.320
<v Speaker 3>Yeah. Yeah, Conway is probably my favorite there. Benny.

0:19:16.960 --> 0:19:19.600
<v Speaker 2>Conway's my face everybody. I mean, I love all those guys,

0:19:19.600 --> 0:19:20.560
<v Speaker 2>but Conway's.

0:19:20.800 --> 0:19:22.720
<v Speaker 3>Nigga wrap his ass off, bro, and.

0:19:22.640 --> 0:19:25.680
<v Speaker 2>He like makes you feel like you're like, damn, I.

0:19:25.640 --> 0:19:28.000
<v Speaker 1>Want to produce for him. That's that's probably the main person.

0:19:28.040 --> 0:19:31.439
<v Speaker 1>I want to What do you produce on logic? Prox logic?

0:19:31.640 --> 0:19:34.359
<v Speaker 2>Yeah, so you've been doing that for a minute, because

0:19:34.359 --> 0:19:36.240
<v Speaker 2>I feel like anybody who does sh it on logic,

0:19:36.359 --> 0:19:38.440
<v Speaker 2>like that's what they learned on and that's just what they're.

0:19:38.280 --> 0:19:39.560
<v Speaker 3>On, Like I can't move.

0:19:39.840 --> 0:19:42.359
<v Speaker 1>I started in twenty fifteen and I looked at Ableton

0:19:42.440 --> 0:19:45.520
<v Speaker 1>and that shit looked like fucking airplane.

0:19:46.080 --> 0:19:48.760
<v Speaker 2>Yeah, able to able To, Like I feel like when

0:19:48.800 --> 0:19:51.000
<v Speaker 2>you look at Ableton, it looks very intimidating.

0:19:51.440 --> 0:19:51.680
<v Speaker 3>Yeah.

0:19:51.840 --> 0:19:53.840
<v Speaker 1>It just doesn't make sense the interface to me, like

0:19:54.119 --> 0:19:58.639
<v Speaker 1>you know, yeah, exactly, it doesn't make sense to me

0:19:58.680 --> 0:19:58.919
<v Speaker 1>at all.

0:19:59.000 --> 0:20:02.880
<v Speaker 2>Yeah, Like logic makes sense. Facts, yeah, pro tools make sense.

0:20:03.600 --> 0:20:05.720
<v Speaker 2>Even even fruit loops. You'll look at it and you'll

0:20:05.720 --> 0:20:09.440
<v Speaker 2>be like, oh, I see what they did there.

0:20:09.520 --> 0:20:09.760
<v Speaker 3>Yeah.

0:20:09.840 --> 0:20:12.560
<v Speaker 2>No, in facts, she'll see pro tools or you'll see

0:20:12.600 --> 0:20:15.239
<v Speaker 2>fruit loops and you'll be like, I see it. I

0:20:15.280 --> 0:20:17.800
<v Speaker 2>get it. No, but Ableton is the one where.

0:20:17.680 --> 0:20:20.800
<v Speaker 3>You're just like, this ship looks like, yeah, it doesn't

0:20:20.800 --> 0:20:21.240
<v Speaker 3>make sense.

0:20:21.400 --> 0:20:23.280
<v Speaker 2>Trigonometry, bro, Yeah you know what I mean.

0:20:23.320 --> 0:20:27.399
<v Speaker 1>Like physics, you do so much on it, Like I

0:20:27.400 --> 0:20:28.840
<v Speaker 1>feel like if I learned how to use it, I

0:20:28.880 --> 0:20:30.080
<v Speaker 1>would be such And.

0:20:30.000 --> 0:20:32.359
<v Speaker 2>Then I don't understand the touch thing, Like there's like

0:20:32.400 --> 0:20:34.240
<v Speaker 2>the big thing they sell and it's just got eight

0:20:34.320 --> 0:20:37.760
<v Speaker 2>hundred buttons. What do I do with this? Yeah, it's

0:20:37.760 --> 0:20:40.680
<v Speaker 2>not practical, and I'll be seeing like shots of the

0:20:40.720 --> 0:20:45.040
<v Speaker 2>people on TikTok shooting fake producer videos. You're fucking NPC

0:20:45.119 --> 0:20:48.600
<v Speaker 2>ain't hooked up full of shit, You're just pressing buttons.

0:20:48.640 --> 0:20:51.359
<v Speaker 2>The beats already been made, you know what I'm talking about.

0:20:51.359 --> 0:20:54.400
<v Speaker 2>Oh yeah, And then there's the DJs who like there's

0:20:54.440 --> 0:20:56.120
<v Speaker 2>nothing plugged in, like what are we doing here?

0:20:56.160 --> 0:20:57.800
<v Speaker 3>Like, bro, I ain't gonna lie. I've done that a

0:20:57.800 --> 0:20:59.480
<v Speaker 3>couple of times with the beats.

0:20:59.520 --> 0:21:01.520
<v Speaker 1>I did a J set where the whole ship was

0:21:01.520 --> 0:21:04.640
<v Speaker 1>done in logic already. You just press play, just press play,

0:21:04.680 --> 0:21:05.440
<v Speaker 1>And I was up there on.

0:21:06.960 --> 0:21:08.679
<v Speaker 2>But you know what, that's at least I respect that

0:21:08.680 --> 0:21:10.000
<v Speaker 2>because you at least put the set together.

0:21:10.359 --> 0:21:12.400
<v Speaker 3>Yeah. Oh, this transition was crazy.

0:21:12.119 --> 0:21:14.960
<v Speaker 2>And a lot of a lot of the bigger EDM

0:21:15.040 --> 0:21:16.600
<v Speaker 2>DJs that's what they do, but they do it.

0:21:17.400 --> 0:21:18.480
<v Speaker 3>Oh yeah, Yeah.

0:21:18.520 --> 0:21:20.600
<v Speaker 2>I've watched like I won't say their names, but like

0:21:20.640 --> 0:21:23.880
<v Speaker 2>in Vegas, I've watched like some of the biggest DJs

0:21:23.920 --> 0:21:27.560
<v Speaker 2>in the world just their computer is an Ableton session yep,

0:21:27.800 --> 0:21:34.560
<v Speaker 2>and they just press play. Yeah. Hey look, yeah, uh,

0:21:34.760 --> 0:21:36.240
<v Speaker 2>you guys got any tour stuff on the way?

0:21:36.480 --> 0:21:41.000
<v Speaker 3>Yep? We start in September during US and Europe Canada, Are.

0:21:40.920 --> 0:21:44.360
<v Speaker 2>You guys excited to go out. Yeah. Sure, that's where

0:21:44.400 --> 0:21:46.800
<v Speaker 2>we thrive for sure. So is it just YouTube? Do

0:21:46.840 --> 0:21:48.840
<v Speaker 2>you guys bring a full, full, full band?

0:21:49.000 --> 0:21:49.520
<v Speaker 3>Yeah?

0:21:49.640 --> 0:21:52.120
<v Speaker 2>I feel like the full band is definitely like especially

0:21:52.200 --> 0:21:53.760
<v Speaker 2>it's got to be the key man because I feel

0:21:53.760 --> 0:21:56.240
<v Speaker 2>like when I first saw the Roots, I was twelve, wow,

0:21:56.359 --> 0:21:58.359
<v Speaker 2>and I was like, this is the crazy shit I've

0:21:58.400 --> 0:22:02.000
<v Speaker 2>ever seen like hip hop band, Like you know. I mean,

0:22:02.040 --> 0:22:05.159
<v Speaker 2>obviously there's been more incarnations of that since I was twelve,

0:22:05.600 --> 0:22:07.600
<v Speaker 2>but at the time when I was twelve, it was

0:22:07.680 --> 0:22:08.880
<v Speaker 2>kind of crazy to see, right.

0:22:08.960 --> 0:22:12.879
<v Speaker 1>Yeah, I love to see the younger like kids feel

0:22:12.920 --> 0:22:14.720
<v Speaker 1>that for the first time. When we dropped Black Vinces,

0:22:14.760 --> 0:22:16.360
<v Speaker 1>a lot of those kids fucked with it a lot.

0:22:16.760 --> 0:22:19.719
<v Speaker 1>It's reminiscent of Outcasts and Kendrick. So they came to

0:22:19.760 --> 0:22:21.679
<v Speaker 1>the show, but they hadn't they had been going to

0:22:21.720 --> 0:22:24.800
<v Speaker 1>other shows, so they hadn't seen like off of ups

0:22:24.800 --> 0:22:27.960
<v Speaker 1>come out and they're doing full orchestrated you know, run

0:22:28.040 --> 0:22:28.960
<v Speaker 1>through the whole show.

0:22:29.160 --> 0:22:30.720
<v Speaker 2>So I was gonna say, for the type of music

0:22:30.760 --> 0:22:32.879
<v Speaker 2>you guys are making, I feel like there's definitely like

0:22:32.960 --> 0:22:35.840
<v Speaker 2>a huge lane now as to where maybe when you

0:22:35.880 --> 0:22:37.800
<v Speaker 2>first started or even like three or four or five

0:22:37.880 --> 0:22:40.640
<v Speaker 2>years ago, it was kind of like an underground niche

0:22:40.720 --> 0:22:44.160
<v Speaker 2>lane as to where now like guys like the sole

0:22:44.200 --> 0:22:47.600
<v Speaker 2>election radio guys and kind of there's like this lane

0:22:47.640 --> 0:22:52.360
<v Speaker 2>of just like great soulful music that is finally kind

0:22:52.359 --> 0:22:54.360
<v Speaker 2>of coming to the forefront, you know what I mean.

0:22:54.520 --> 0:22:56.639
<v Speaker 1>We're still trying to find our tribe too, bro Like,

0:22:56.920 --> 0:22:59.439
<v Speaker 1>it's difficult with this kind of music because it's not

0:22:59.480 --> 0:23:02.160
<v Speaker 1>applicable to like the quick shit like TikTok is. It's

0:23:02.200 --> 0:23:06.760
<v Speaker 1>not gonna work there, man Like, it's not necessarily like

0:23:06.840 --> 0:23:09.080
<v Speaker 1>prone to go viral. It's definitely something that people have

0:23:09.160 --> 0:23:11.919
<v Speaker 1>to you know ingest that's why the live show is important,

0:23:11.960 --> 0:23:14.159
<v Speaker 1>right exactly. But the the question is like how do

0:23:14.200 --> 0:23:16.359
<v Speaker 1>you get more people to get to the live show.

0:23:16.960 --> 0:23:18.399
<v Speaker 3>So we're still trying to find our tribe.

0:23:18.400 --> 0:23:21.439
<v Speaker 1>I mean, our fan base has grown tremendously, you know,

0:23:21.480 --> 0:23:25.760
<v Speaker 1>on a global level in the last two years at

0:23:25.800 --> 0:23:30.200
<v Speaker 1>Blackoutis has existed to the world, but we're still trying

0:23:30.240 --> 0:23:31.480
<v Speaker 1>to like crack that code.

0:23:31.520 --> 0:23:31.879
<v Speaker 3>You feel me?

0:23:32.160 --> 0:23:35.840
<v Speaker 2>All right, Listen, I'm on vacation. We're cutting commercials live

0:23:36.200 --> 0:23:40.200
<v Speaker 2>from Mexico. We're on the beach, dammit to check this out, man,

0:23:40.440 --> 0:23:43.640
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0:24:02.119 --> 0:24:05.440
<v Speaker 2>to do to I don't know whatever is going on mentally,

0:24:05.480 --> 0:24:08.919
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0:24:15.760 --> 0:24:18.960
<v Speaker 2>Also want to shout out to the family at odd Socks, Baby,

0:24:19.000 --> 0:24:21.480
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0:24:21.560 --> 0:24:25.919
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0:24:25.920 --> 0:24:29.720
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<v Speaker 2>save twenty percent off odd Socksofficial dot com. What has

0:24:41.760 --> 0:24:44.360
<v Speaker 2>been the biggest like uphill battle? You think that you've

0:24:44.359 --> 0:24:45.800
<v Speaker 2>had to deal with in terms of that because the

0:24:45.840 --> 0:24:46.400
<v Speaker 2>music is so.

0:24:46.440 --> 0:24:51.719
<v Speaker 1>Great, Bro's it's like we spend you know, an insane

0:24:51.760 --> 0:24:53.920
<v Speaker 1>amount of time on the music and the details in

0:24:54.000 --> 0:24:59.320
<v Speaker 1>it storytelling, and I guess the biggest uphill battle has

0:24:59.359 --> 0:25:02.879
<v Speaker 1>been like the people that it does come across the

0:25:04.000 --> 0:25:06.200
<v Speaker 1>language is pretty consistently saying this is the best shit

0:25:06.200 --> 0:25:09.720
<v Speaker 1>I've heard in decades. This is like this, this reminds

0:25:09.760 --> 0:25:13.680
<v Speaker 1>me it's the best album. But it's it's trying to

0:25:13.720 --> 0:25:15.320
<v Speaker 1>get it in front of more people and trying to

0:25:15.359 --> 0:25:18.760
<v Speaker 1>figure out the ways because I'm so appreciative of you

0:25:18.840 --> 0:25:20.560
<v Speaker 1>like tapping in with us, because it's tough to get

0:25:20.560 --> 0:25:21.280
<v Speaker 1>people to like.

0:25:21.440 --> 0:25:22.760
<v Speaker 2>I thought I was just tapping in with you. I

0:25:22.760 --> 0:25:25.560
<v Speaker 2>didn't know there wasn't US, So I'm glad that there's

0:25:25.600 --> 0:25:25.879
<v Speaker 2>an US.

0:25:25.960 --> 0:25:26.120
<v Speaker 3>Yeah.

0:25:26.840 --> 0:25:31.440
<v Speaker 2>Yeah, do you guys get that a lot? By the way, yeah,

0:25:31.800 --> 0:25:33.960
<v Speaker 2>every day. I was like, we try to keep the

0:25:33.960 --> 0:25:36.840
<v Speaker 2>project serious though, that's what I say, you guys like,

0:25:36.840 --> 0:25:40.439
<v Speaker 2>it's definitely like you guys have a very mysterious brand.

0:25:40.760 --> 0:25:43.160
<v Speaker 2>So I guess you can't be surprised if people don't

0:25:43.200 --> 0:25:45.600
<v Speaker 2>understand kind of the full dynamics, because if they're just

0:25:45.600 --> 0:25:47.920
<v Speaker 2>passive fans and they're like, yo, I came up because

0:25:47.960 --> 0:25:50.280
<v Speaker 2>I mean, you guys have some records that have done

0:25:50.320 --> 0:25:53.320
<v Speaker 2>well on the streaming side. You know, for sure, who

0:25:53.320 --> 0:25:56.400
<v Speaker 2>would for you, like, would there be any sort of

0:25:56.440 --> 0:26:01.040
<v Speaker 2>like dream collaboration that you are working on or want

0:26:01.080 --> 0:26:04.560
<v Speaker 2>to see happen soon within within reason? You know, everybody

0:26:04.600 --> 0:26:06.359
<v Speaker 2>wants to work with Andre three thousands and you know

0:26:06.760 --> 0:26:11.200
<v Speaker 2>I knew, by the way, he's got a new album

0:26:11.200 --> 0:26:12.560
<v Speaker 2>on the way, Killer Mike said that.

0:26:12.640 --> 0:26:14.360
<v Speaker 3>I was just saying that on the way here.

0:26:14.440 --> 0:26:18.600
<v Speaker 2>Yeah, Killer Mike's new albums fired too, by the way, Crazy, Yeah, incredible.

0:26:18.600 --> 0:26:20.360
<v Speaker 3>I got to listen to the whole thing, but yeah,

0:26:20.400 --> 0:26:21.160
<v Speaker 3>he's incredible.

0:26:21.600 --> 0:26:26.080
<v Speaker 1>Dream collaboration, Andre, Yeah, I mean I see it happening

0:26:26.160 --> 0:26:28.800
<v Speaker 1>for sure, and Kendrick as well. I see that for

0:26:28.880 --> 0:26:32.800
<v Speaker 1>sure coming through. Uh. As far as like production though,

0:26:32.800 --> 0:26:36.080
<v Speaker 1>because we're a production dude. We just finished executive producing

0:26:36.160 --> 0:26:37.080
<v Speaker 1>Rahap City's new album.

0:26:37.200 --> 0:26:40.680
<v Speaker 2>Oh yeah, and she's on she on this album for

0:26:40.720 --> 0:26:42.280
<v Speaker 2>the last album. She's on this album.

0:26:42.560 --> 0:26:43.560
<v Speaker 3>Two features to.

0:26:43.600 --> 0:26:47.400
<v Speaker 2>Rhaps she's one of them. Once Crazy and you guys

0:26:47.400 --> 0:26:50.000
<v Speaker 2>work with the Alchemist. Yeah, so what was that? Did

0:26:50.160 --> 0:26:52.000
<v Speaker 2>he handled the full production on that one, and you

0:26:52.119 --> 0:26:53.640
<v Speaker 2>just kind of did your thing out.

0:26:53.880 --> 0:26:55.399
<v Speaker 3>He sent he sent the record.

0:26:55.840 --> 0:26:59.000
<v Speaker 1>I had sent him a joint and I was like, yo,

0:26:59.400 --> 0:27:01.200
<v Speaker 1>like I want to do a switch up right here,

0:27:01.320 --> 0:27:03.640
<v Speaker 1>and I want you to beat to come in. And

0:27:03.720 --> 0:27:04.879
<v Speaker 1>I sent to him and he was like, Yo, the

0:27:04.880 --> 0:27:06.520
<v Speaker 1>ship that you have there is crazy? Are you sure

0:27:06.560 --> 0:27:08.879
<v Speaker 1>you want to? I was like, bro, to work with

0:27:08.920 --> 0:27:12.640
<v Speaker 1>you would be what we need, right. So he sent

0:27:12.720 --> 0:27:15.679
<v Speaker 1>a bunch of stuff back, and he's very hard to

0:27:15.680 --> 0:27:18.639
<v Speaker 1>get in touch with it, so I know then I

0:27:18.680 --> 0:27:19.240
<v Speaker 1>didn't hear.

0:27:19.119 --> 0:27:19.920
<v Speaker 3>From him for a while.

0:27:19.960 --> 0:27:23.280
<v Speaker 1>So we just threw some stuff over it and sent

0:27:23.320 --> 0:27:24.720
<v Speaker 1>it back to him and he was working with it.

0:27:24.800 --> 0:27:26.160
<v Speaker 1>He threw a couple more things.

0:27:25.920 --> 0:27:28.440
<v Speaker 2>In it, and did you shred over? It's some Alchemists?

0:27:29.119 --> 0:27:30.639
<v Speaker 3>That was actually the song that I got to shred

0:27:30.680 --> 0:27:33.560
<v Speaker 3>over crazy. Yeah it's him.

0:27:34.040 --> 0:27:38.840
<v Speaker 1>Yeah, it's them talking like having this like psychedelic sexual conversation.

0:27:38.400 --> 0:27:39.520
<v Speaker 2>And you're shredding in the background.

0:27:39.680 --> 0:27:41.160
<v Speaker 3>Yeah, it's discussing.

0:27:41.480 --> 0:27:43.639
<v Speaker 2>Would you consider it? I feel like your music is

0:27:43.920 --> 0:27:46.600
<v Speaker 2>very solid music to shroom too.

0:27:47.080 --> 0:27:47.400
<v Speaker 3>For sure?

0:27:47.480 --> 0:27:47.960
<v Speaker 2>Is that fair?

0:27:48.280 --> 0:27:49.600
<v Speaker 3>Absolutely? Or fun?

0:27:51.520 --> 0:27:51.600
<v Speaker 4>Like?

0:27:51.720 --> 0:27:54.240
<v Speaker 2>I feel like I'm like a like I do enjoy

0:27:54.320 --> 0:27:56.800
<v Speaker 2>mushrooms heavily, and I feel like when I hear your

0:27:56.840 --> 0:27:58.520
<v Speaker 2>guys are ship, I'm like, man, there's some shit I

0:27:58.520 --> 0:28:00.359
<v Speaker 2>can listen to. Like looking at the Star, it's just

0:28:00.400 --> 0:28:02.080
<v Speaker 2>fucking yeah, tripping.

0:28:01.760 --> 0:28:03.360
<v Speaker 3>Ball to make it take you out there.

0:28:03.560 --> 0:28:05.360
<v Speaker 4>It's like cinematic as possible.

0:28:05.440 --> 0:28:08.040
<v Speaker 2>So it's like, you guys are like the fucking soulful

0:28:08.080 --> 0:28:10.040
<v Speaker 2>tam and Paula. Because I didn't know Tame and Paula

0:28:10.160 --> 0:28:11.919
<v Speaker 2>was one dude, So it's kind of the opposite, right,

0:28:11.960 --> 0:28:14.199
<v Speaker 2>It's kind of like I always thought Taming Pola was

0:28:14.200 --> 0:28:16.760
<v Speaker 2>like thirty motherfuckers, So when I found out it was

0:28:16.840 --> 0:28:18.800
<v Speaker 2>one guy, my whole world melted.

0:28:19.040 --> 0:28:20.919
<v Speaker 3>Yeah, that was nuts. When I found out.

0:28:20.800 --> 0:28:22.960
<v Speaker 2>Too, I was like, this guy's a maniac.

0:28:23.840 --> 0:28:24.800
<v Speaker 3>It's crazy to him.

0:28:24.840 --> 0:28:28.119
<v Speaker 2>Man. So you said, Andre, well, you know what's crazy

0:28:28.160 --> 0:28:30.280
<v Speaker 2>is like, has anybody from Dreamville reached out to you guys,

0:28:30.280 --> 0:28:32.600
<v Speaker 2>because I feel like you guys are definitely like, yeah,

0:28:32.680 --> 0:28:34.439
<v Speaker 2>you guys should do dream Bill fast or something.

0:28:35.160 --> 0:28:37.680
<v Speaker 1>I think we yeah, yeah, I don't know what happened.

0:28:37.720 --> 0:28:39.240
<v Speaker 1>I wanted to do that. They hit us up for

0:28:39.280 --> 0:28:41.400
<v Speaker 1>some shit. I don't think I went through. Somebody from

0:28:41.440 --> 0:28:45.000
<v Speaker 1>Dreamville did reach out. I got this weird superstition about

0:28:45.000 --> 0:28:46.720
<v Speaker 1>signing to artists.

0:28:47.080 --> 0:28:48.600
<v Speaker 2>I'm not even talking about that. I just mean like

0:28:48.640 --> 0:28:50.040
<v Speaker 2>to work or to collaborate.

0:28:50.160 --> 0:28:52.240
<v Speaker 1>I would love to and those are That's what I'm saying, Like,

0:28:52.280 --> 0:28:54.320
<v Speaker 1>those are the kind of top ends like that we

0:28:54.360 --> 0:28:56.720
<v Speaker 1>would fucking like we would love to have.

0:28:56.840 --> 0:29:00.080
<v Speaker 3>We just I don't know. It just feels like at

0:29:00.080 --> 0:29:01.120
<v Speaker 3>this point, I mean Earthkake.

0:29:01.200 --> 0:29:05.520
<v Speaker 1>Yeah, yeah, they talked in with us, but I've been

0:29:05.520 --> 0:29:07.080
<v Speaker 1>wanting Cold to see us for a minute.

0:29:07.120 --> 0:29:07.520
<v Speaker 3>I don't know.

0:29:08.080 --> 0:29:10.800
<v Speaker 2>Jid is incredible. You guys work with Mariva, right, Yeah,

0:29:11.040 --> 0:29:13.680
<v Speaker 2>Mariva is a part of a spillage village with Jid

0:29:13.880 --> 0:29:17.400
<v Speaker 2>and Black and everybody. So yeah, Mariva's incredible.

0:29:17.400 --> 0:29:18.880
<v Speaker 3>Fu bro, She's such a good writer.

0:29:19.680 --> 0:29:20.680
<v Speaker 2>Yeah she's crazy.

0:29:21.400 --> 0:29:23.120
<v Speaker 3>Yeahs On that.

0:29:23.280 --> 0:29:27.320
<v Speaker 2>Shout out to Mariva, I was gonna say, uh, there

0:29:27.400 --> 0:29:30.560
<v Speaker 2>is I agree with you on your point about not

0:29:30.600 --> 0:29:32.160
<v Speaker 2>signing to an artist, but if there was an artist

0:29:32.160 --> 0:29:34.520
<v Speaker 2>assigned too, I feel like it it would be Cold. Yeah,

0:29:34.560 --> 0:29:36.160
<v Speaker 2>because I feel like Cole has done such a good

0:29:36.240 --> 0:29:41.680
<v Speaker 2>job of like high art integrity artists, and like he's

0:29:41.720 --> 0:29:44.680
<v Speaker 2>so out the way that like when you think of Dreamville,

0:29:44.680 --> 0:29:47.480
<v Speaker 2>like you think of Cold, but like now I mean, dude,

0:29:47.920 --> 0:29:52.000
<v Speaker 2>Jid is fucking massive. Ari Lennox is fucking massive, like

0:29:52.480 --> 0:29:53.960
<v Speaker 2>you know, like, and I just feel like he's done

0:29:53.960 --> 0:29:56.080
<v Speaker 2>such a good job of like him and Eve over there,

0:29:56.080 --> 0:29:58.240
<v Speaker 2>I've done such a good job of building like just

0:29:58.280 --> 0:30:01.640
<v Speaker 2>a high high have a roster of talent that isn't

0:30:01.640 --> 0:30:05.080
<v Speaker 2>necessarily I'm signing you because you got a fucking hot record.

0:30:05.120 --> 0:30:06.760
<v Speaker 2>You know, I'm signing you because I think I believe

0:30:06.800 --> 0:30:06.960
<v Speaker 2>in you.

0:30:07.600 --> 0:30:11.120
<v Speaker 1>He's so different though, j Cole, like I, he's a

0:30:11.280 --> 0:30:12.680
<v Speaker 1>he's an anomaly.

0:30:12.320 --> 0:30:15.200
<v Speaker 2>Like for sure. I mean he's part owner of the

0:30:15.200 --> 0:30:21.240
<v Speaker 2>sharl Hornets. Now, yeah, Jordan's sold the Hornets to a

0:30:21.280 --> 0:30:22.560
<v Speaker 2>group that includes j Cole.

0:30:22.960 --> 0:30:24.040
<v Speaker 3>That's fucking incredible.

0:30:24.120 --> 0:30:29.680
<v Speaker 1>Three billion or something crazy that cru coreat upward mobility.

0:30:29.760 --> 0:30:32.280
<v Speaker 3>Man, that's a generational that he's building.

0:30:32.440 --> 0:30:35.959
<v Speaker 2>When you guys are recording with all the attention to detail,

0:30:36.000 --> 0:30:41.440
<v Speaker 2>you take, what is the turnaround process? Like, like you guys,

0:30:42.400 --> 0:30:44.320
<v Speaker 2>does it take a week to finish the song? Does

0:30:44.320 --> 0:30:46.120
<v Speaker 2>it take two weeks to finish it on take a night?

0:30:46.240 --> 0:30:46.320
<v Speaker 3>Like?

0:30:46.360 --> 0:30:47.120
<v Speaker 2>How does it usually go?

0:30:49.400 --> 0:30:49.640
<v Speaker 3>Man?

0:30:49.760 --> 0:30:51.720
<v Speaker 4>I don't know, I feel like it happens pretty quick.

0:30:51.960 --> 0:30:53.600
<v Speaker 3>It does. But at the same time, we'll work on

0:30:53.640 --> 0:30:55.520
<v Speaker 3>the same group of songs, like he'll bang them.

0:30:55.440 --> 0:30:58.200
<v Speaker 2>Out, and so you kind of have like eighty seventy

0:30:58.200 --> 0:31:00.680
<v Speaker 2>percent of a song done and then well let's work

0:31:00.680 --> 0:31:04.640
<v Speaker 2>on the you know, the guitar part, cleaning up there.

0:31:05.880 --> 0:31:09.480
<v Speaker 3>Just beautifying it, you know, like strings. Yeah, exactly know

0:31:10.040 --> 0:31:10.360
<v Speaker 3>for sure.

0:31:10.400 --> 0:31:12.440
<v Speaker 2>Is this your guys' first tour since last year's albums?

0:31:12.440 --> 0:31:14.000
<v Speaker 2>There's been two albums you guys are torn on right

0:31:14.000 --> 0:31:14.320
<v Speaker 2>here right?

0:31:14.800 --> 0:31:15.000
<v Speaker 3>Yeah?

0:31:15.040 --> 0:31:17.760
<v Speaker 2>This is our second yea, yeah, the new album is

0:31:17.800 --> 0:31:21.080
<v Speaker 2>out you how many projects altogether did you guys have?

0:31:21.160 --> 0:31:24.320
<v Speaker 2>Now this is our second album, second album, okay, and

0:31:24.360 --> 0:31:30.000
<v Speaker 2>then you guys are starting toward September. Yeah, so go

0:31:30.080 --> 0:31:32.880
<v Speaker 2>support everything. How do you guys spell your I mean

0:31:32.920 --> 0:31:34.720
<v Speaker 2>for people who don't know to spell it out for

0:31:34.960 --> 0:31:35.720
<v Speaker 2>people are stupid?

0:31:36.160 --> 0:31:40.360
<v Speaker 1>B okay O d y s s y okay.

0:31:41.080 --> 0:31:44.200
<v Speaker 2>Cuban Odyssey coming soon. I'm with it. I'm with it.

0:31:44.840 --> 0:31:46.200
<v Speaker 2>Oh yeah, did you guys got biped?

0:31:46.200 --> 0:31:47.560
<v Speaker 3>I heard?

0:31:47.680 --> 0:31:50.080
<v Speaker 2>Yeah, what happened? You guys got robbed in the bay?

0:31:50.160 --> 0:31:51.200
<v Speaker 3>Huh?

0:31:51.240 --> 0:31:53.840
<v Speaker 2>So they hit the window of the sprinter bro My.

0:31:53.720 --> 0:31:54.760
<v Speaker 3>Mom had just flew in.

0:31:55.080 --> 0:32:00.880
<v Speaker 1>Yeah, yeah, we had just come from the start before that.

0:32:02.560 --> 0:32:06.280
<v Speaker 2>I was probably Portland, Yeah, or Sack or something like that.

0:32:06.360 --> 0:32:08.360
<v Speaker 3>Yeah, Sacramento is what it was.

0:32:08.400 --> 0:32:11.000
<v Speaker 1>Actually, we have My mom is just wing to watch

0:32:11.080 --> 0:32:15.480
<v Speaker 1>us play on Shorty Too, and we uh we went

0:32:15.520 --> 0:32:19.080
<v Speaker 1>into a restaurant for about five minutes. Didn't like the

0:32:19.120 --> 0:32:21.560
<v Speaker 1>way the food and the service looks, so we left

0:32:21.560 --> 0:32:24.560
<v Speaker 1>out and it was already five minutes.

0:32:24.640 --> 0:32:30.000
<v Speaker 2>I went clean up the quickest quickest ship ever underwear

0:32:30.920 --> 0:32:31.360
<v Speaker 2>take it all.

0:32:31.840 --> 0:32:34.560
<v Speaker 3>Yeah, suitcase hard drives with our whole album that we

0:32:34.560 --> 0:32:34.920
<v Speaker 3>have to reach.

0:32:35.040 --> 0:32:36.000
<v Speaker 2>Did you guys have backups?

0:32:36.560 --> 0:32:39.040
<v Speaker 3>We had ship. I was wearing the same underwear for

0:32:39.080 --> 0:32:41.600
<v Speaker 3>the rest of the tour. We didn't have no breath.

0:32:42.240 --> 0:32:43.960
<v Speaker 2>You can't go to the store and buy some new draws.

0:32:44.080 --> 0:32:45.160
<v Speaker 3>We didn't have no breath.

0:32:46.480 --> 0:32:48.440
<v Speaker 2>Maybe that's why the sound guy wasn't helping you out

0:32:48.440 --> 0:32:48.800
<v Speaker 2>on tour.

0:32:50.560 --> 0:32:55.600
<v Speaker 1>Smells like steak just before we got with Empire though, Okay,

0:32:56.960 --> 0:32:59.080
<v Speaker 1>have you guys ran into Joe Rogan around town yet?

0:32:59.120 --> 0:32:59.520
<v Speaker 2>Out there?

0:33:00.080 --> 0:33:04.320
<v Speaker 1>Nah? I ran into Dave Chappelle on the trails jogging though.

0:33:04.480 --> 0:33:07.280
<v Speaker 2>Oh that's fucking great. Did you talk?

0:33:07.520 --> 0:33:07.920
<v Speaker 3>No?

0:33:07.920 --> 0:33:11.080
<v Speaker 2>No, So it wasn't like George Clinton, You're like hey, no,

0:33:11.160 --> 0:33:12.840
<v Speaker 2>I'm on the phone, Like hey, I got I got

0:33:12.880 --> 0:33:16.360
<v Speaker 2>an idea for an album you should do, you know,

0:33:16.520 --> 0:33:22.520
<v Speaker 2>maybe narrating, he'd be crazy. We'll go get the new album.

0:33:22.520 --> 0:33:24.520
<v Speaker 2>Appreciate you, guys. Go check these guys out on tour,

0:33:24.880 --> 0:33:26.720
<v Speaker 2>Go follow them online. Black Odyssey.

0:33:26.760 --> 0:33:29.360
<v Speaker 3>Thanks guys, Appreciate you so thank you.

0:33:30.400 --> 0:33:33.320
<v Speaker 2>Hey. Appreciate y'all watching that. Another interview brought to you

0:33:33.360 --> 0:33:36.120
<v Speaker 2>by our good folks at Hard Dean. Now listen, y'all,

0:33:36.160 --> 0:33:38.400
<v Speaker 2>when you're in Las Vegas, you get in that fucking uber,

0:33:38.680 --> 0:33:41.880
<v Speaker 2>you land at the airport, hit that taxi, tell them

0:33:41.920 --> 0:33:45.680
<v Speaker 2>to take you to Hard Dean, the number one premium

0:33:45.680 --> 0:33:48.840
<v Speaker 2>cannabis dispensary in the fucking world.

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<v Speaker 3>Y'all.

0:33:49.560 --> 0:33:51.280
<v Speaker 2>I'm telling you. You walk in, they treat you like

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<v Speaker 2>a king or a queen or whatever you're into, all right.

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0:34:11.360 --> 0:34:13.279
<v Speaker 2>you get into my car. I got a bottle of it.

0:34:13.960 --> 0:34:15.759
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0:34:15.800 --> 0:34:21.640
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<v Speaker 2>dot com. All right, when you go, you're in Vegas,

0:34:30.480 --> 0:34:33.000
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0:34:33.040 --> 0:34:35.879
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0:34:36.280 --> 0:34:38.399
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0:34:39.239 --> 0:34:42.280
<v Speaker 2>pre rolls that I just had that just absolutely melted

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0:34:44.920 --> 0:34:48.120
<v Speaker 2>you gotta go fuck with Hardan man. Hardean Underscore Los Vegas.

0:34:48.600 --> 0:34:50.840
<v Speaker 2>Thank y'all, man, I love these guys. They're like family

0:34:50.880 --> 0:34:53.359
<v Speaker 2>to us. And hey, we're gonna drop another interview soon.

0:34:53.600 --> 0:34:55.240
<v Speaker 2>If you're watching this, you're at the end of the interview.

0:34:55.239 --> 0:34:55.359
<v Speaker 3>Though.

0:34:55.440 --> 0:34:55.919
<v Speaker 2>Much love,