1 00:00:00,200 --> 00:00:04,720 Speaker 1: Sizza Saturn one two point seven Kiss FM in Los Angeles. 2 00:00:04,760 --> 00:00:08,320 Speaker 1: So much happened during that song. Sistney complimented Tape mcray 3 00:00:08,320 --> 00:00:10,600 Speaker 1: on her scent. Now she's here with us in studio 4 00:00:10,680 --> 00:00:11,000 Speaker 1: right now. 5 00:00:11,039 --> 00:00:11,680 Speaker 2: It's a nice scent. 6 00:00:12,160 --> 00:00:13,000 Speaker 3: Thank you so much. 7 00:00:15,320 --> 00:00:17,479 Speaker 1: And and also Sydney said, thank you for making this 8 00:00:17,520 --> 00:00:19,279 Speaker 1: work and we do appreciate that. I do want to 9 00:00:19,320 --> 00:00:22,400 Speaker 1: say that when an artist comes in at this hour 10 00:00:22,440 --> 00:00:25,000 Speaker 1: of the morning, it's not unnoticed. 11 00:00:25,320 --> 00:00:26,159 Speaker 3: Yeah, thank you. 12 00:00:27,520 --> 00:00:31,800 Speaker 1: Artist hours, like artist hours are not the same hours 13 00:00:31,840 --> 00:00:34,680 Speaker 1: as we keep, and I think that's fair to say so, 14 00:00:34,840 --> 00:00:37,839 Speaker 1: just in terms of artist hours, like the Tate mcray hours. 15 00:00:38,800 --> 00:00:42,800 Speaker 1: Do you generally function better when the sun goes down? 16 00:00:42,960 --> 00:00:46,920 Speaker 4: Yeah, for sure, Like morning generally takes a sec for 17 00:00:46,920 --> 00:00:52,080 Speaker 4: the brain to turn only it takes. 18 00:00:50,560 --> 00:00:52,120 Speaker 2: Do you caffeinate? Do you drink coffee? 19 00:00:52,240 --> 00:00:53,920 Speaker 3: Right? Yeah? Of course, lots of coffee. 20 00:00:54,440 --> 00:00:55,360 Speaker 2: Yeah. 21 00:00:55,400 --> 00:00:58,200 Speaker 1: And what is the average time that you wind down 22 00:00:58,280 --> 00:00:59,120 Speaker 1: in the evening if you have a show. 23 00:00:59,160 --> 00:01:01,080 Speaker 2: I'm sure it's pretty late, right, yeah, I. 24 00:01:01,000 --> 00:01:03,720 Speaker 4: Mean our shows end at like ten thirty or something, 25 00:01:03,800 --> 00:01:05,880 Speaker 4: so I mean after you do a show, I'm. 26 00:01:05,760 --> 00:01:07,039 Speaker 3: Up till like four yeah? 27 00:01:07,600 --> 00:01:07,880 Speaker 5: Really? 28 00:01:08,040 --> 00:01:10,800 Speaker 4: Yeah, My like your body's so physically exhausted, but you're 29 00:01:10,840 --> 00:01:12,839 Speaker 4: like mentally like awake for so long. 30 00:01:13,000 --> 00:01:16,560 Speaker 1: So Lenny Kravitz, he does a show and then he 31 00:01:16,680 --> 00:01:20,040 Speaker 1: facetimes his trainer like one or two in the morning, 32 00:01:20,080 --> 00:01:21,800 Speaker 1: and he works out before he goes to bed. 33 00:01:21,959 --> 00:01:24,280 Speaker 3: WHOA could never be me? 34 00:01:27,760 --> 00:01:29,800 Speaker 1: What about Postmates? Like do you ever do you ever 35 00:01:29,959 --> 00:01:32,000 Speaker 1: order food in those hours? 36 00:01:32,880 --> 00:01:36,280 Speaker 4: I mean sometimes, like we've like after show food it 37 00:01:36,440 --> 00:01:38,959 Speaker 4: like it really really depends, but I usually just like 38 00:01:39,000 --> 00:01:41,520 Speaker 4: straight to the bus, like shower and try to force yourself. 39 00:01:42,120 --> 00:01:45,160 Speaker 1: We lived your life tape essentially at our Ihear Radio 40 00:01:45,240 --> 00:01:48,720 Speaker 1: music festival the other day, we didn't finish work till midnight, 41 00:01:48,960 --> 00:01:51,560 Speaker 1: and I found myself so hungry. 42 00:01:51,520 --> 00:01:53,320 Speaker 2: Yes, all I could do, all I wanted to do 43 00:01:53,360 --> 00:01:54,840 Speaker 2: is order food. Bad for me. 44 00:01:55,040 --> 00:01:55,400 Speaker 1: I know. 45 00:01:55,640 --> 00:01:57,400 Speaker 4: That's the problem is when you finish something and you 46 00:01:57,440 --> 00:01:58,560 Speaker 4: also just feel like you're like I just. 47 00:01:58,400 --> 00:01:59,000 Speaker 3: Just a show. 48 00:01:59,240 --> 00:02:04,720 Speaker 4: Yeah, problem is like you do that nine times, so yeah, 49 00:02:04,760 --> 00:02:06,920 Speaker 4: it'll offset the workout of the show. 50 00:02:08,440 --> 00:02:11,080 Speaker 1: So Sysney, you're exposed to a lot of the music 51 00:02:11,240 --> 00:02:13,799 Speaker 1: before it hits and you have a chance to meet 52 00:02:13,840 --> 00:02:15,680 Speaker 1: a lot of the artists, as we all do. But 53 00:02:15,720 --> 00:02:18,520 Speaker 1: you know, you worked in the music division of the company. Yes, 54 00:02:18,560 --> 00:02:22,280 Speaker 1: Sate McGray broke out years ago, and she continues to evolve. 55 00:02:22,360 --> 00:02:23,800 Speaker 2: What do you like? What do you see? 56 00:02:24,000 --> 00:02:26,600 Speaker 1: As as the secret sauce here because something special is 57 00:02:26,600 --> 00:02:27,960 Speaker 1: happening and I want to ask you tape because its 58 00:02:27,960 --> 00:02:28,760 Speaker 1: awkward for you to answer. 59 00:02:28,960 --> 00:02:30,359 Speaker 2: No, what do you see? 60 00:02:30,480 --> 00:02:33,200 Speaker 6: And something special is happening? And this song right now, 61 00:02:33,360 --> 00:02:35,359 Speaker 6: I mean the first listen, I was like, oh, yeah, 62 00:02:35,919 --> 00:02:37,840 Speaker 6: it's okay. I'm okay, Yeah, it's okay, I'm okay. You 63 00:02:37,880 --> 00:02:39,240 Speaker 6: feel it, you know it's gonna be a hit. But 64 00:02:39,760 --> 00:02:43,000 Speaker 6: I saw you at very small club. Was it earlier 65 00:02:43,040 --> 00:02:47,480 Speaker 6: this year? Was it Peppermint Club? I believe, yes, for 66 00:02:47,560 --> 00:02:51,600 Speaker 6: your album release party? Okay and her performing that night, 67 00:02:51,680 --> 00:02:54,040 Speaker 6: and I told her because I talked to her backstage afterwards. 68 00:02:54,040 --> 00:02:59,440 Speaker 6: I was like, this is your year, like I I've felt. 69 00:02:59,120 --> 00:03:01,520 Speaker 3: It right really, yeah you remember that? 70 00:03:01,600 --> 00:03:01,799 Speaker 2: Yeah? 71 00:03:01,800 --> 00:03:02,000 Speaker 6: I do. 72 00:03:02,120 --> 00:03:02,720 Speaker 2: I give me chill. 73 00:03:02,880 --> 00:03:06,359 Speaker 6: It's your stage presence, it's your just you're you continue 74 00:03:06,360 --> 00:03:09,360 Speaker 6: to evolve like Ryan said, and and you're the triple threat. 75 00:03:09,400 --> 00:03:11,880 Speaker 6: I mean, you can dance, sing, you do it all 76 00:03:11,919 --> 00:03:12,359 Speaker 6: on stage. 77 00:03:12,360 --> 00:03:13,880 Speaker 3: Girl, Oh thank you. I appreciate that. 78 00:03:14,000 --> 00:03:17,280 Speaker 4: Now the dancing is so wild that hits on a 79 00:03:17,320 --> 00:03:18,519 Speaker 4: whole nother level. 80 00:03:18,480 --> 00:03:21,519 Speaker 2: Like I saw the music video. I saw the music video. 81 00:03:21,560 --> 00:03:22,360 Speaker 2: It's okay, I'm okay. 82 00:03:22,520 --> 00:03:26,000 Speaker 1: Yeah, I mean it's it's it's choreographed, definitely choreographed. But 83 00:03:26,320 --> 00:03:29,919 Speaker 1: I actually think that I'm curious to know, like it's okay, 84 00:03:29,960 --> 00:03:32,080 Speaker 1: I'm okay, what other titles that could have been, like 85 00:03:32,160 --> 00:03:34,840 Speaker 1: I've been there, go ahead, good luck to survive? You know, 86 00:03:34,880 --> 00:03:37,240 Speaker 1: like what what other titles that song could have been? 87 00:03:37,840 --> 00:03:42,119 Speaker 1: So many things, things we can't say on the Airtha, Yeah, 88 00:03:42,120 --> 00:03:43,080 Speaker 1: I mean so many things. 89 00:03:43,120 --> 00:03:45,600 Speaker 3: I don't know. That felt like the most like obvious. 90 00:03:46,040 --> 00:03:46,920 Speaker 2: When did you write it? 91 00:03:47,320 --> 00:03:47,680 Speaker 3: Honestly? 92 00:03:47,720 --> 00:03:50,000 Speaker 4: Okay, I started this, started that song last year in 93 00:03:50,040 --> 00:03:52,720 Speaker 4: Sweden and we just had like the chorus and then 94 00:03:52,760 --> 00:03:54,760 Speaker 4: it wasn't until like a year later that I felt 95 00:03:54,800 --> 00:03:57,080 Speaker 4: like it like related to me at this Like at 96 00:03:57,080 --> 00:03:58,760 Speaker 4: that point in time, I was just like, now now 97 00:03:58,800 --> 00:04:02,600 Speaker 4: I can finish this, and then interesting, Yeah, Honestly, music 98 00:04:02,640 --> 00:04:05,720 Speaker 4: comes around like that, like sometimes like beats or things 99 00:04:05,720 --> 00:04:08,280 Speaker 4: that you hear sonically like don't hit you at one 100 00:04:08,320 --> 00:04:09,920 Speaker 4: point and then like a year later it can be like, 101 00:04:09,920 --> 00:04:11,200 Speaker 4: oh wow, I'm obsessed with this. 102 00:04:11,240 --> 00:04:15,760 Speaker 2: Now do you write the chorus first? Generally, it depends. 103 00:04:15,760 --> 00:04:17,800 Speaker 4: Like sometimes I do try to get the chorus out 104 00:04:17,839 --> 00:04:20,760 Speaker 4: first to just like figure out what the song's about, 105 00:04:21,040 --> 00:04:22,839 Speaker 4: and then you can kind of like grow from there. 106 00:04:23,000 --> 00:04:25,640 Speaker 1: I remember Ryan Teter was telling me that he always 107 00:04:25,680 --> 00:04:27,480 Speaker 1: he's learned to always go to the chorus first because 108 00:04:27,480 --> 00:04:28,880 Speaker 1: if he writes verses and he can' get the course, 109 00:04:28,880 --> 00:04:29,599 Speaker 1: it's a waste of time. 110 00:04:29,720 --> 00:04:31,400 Speaker 4: Well exactly, I mean that's what he taught me because 111 00:04:31,400 --> 00:04:34,200 Speaker 4: I used to write songs on my piano from the 112 00:04:34,240 --> 00:04:37,440 Speaker 4: beginning to the end, and like, if I had a chorus, 113 00:04:37,440 --> 00:04:40,000 Speaker 4: I'm like, whoa, you know what I mean, Like, but 114 00:04:40,200 --> 00:04:42,240 Speaker 4: he eats a waste, right, Yeah, I mean he really 115 00:04:42,279 --> 00:04:44,360 Speaker 4: pushes me to make sure you get the chorus first 116 00:04:44,360 --> 00:04:46,159 Speaker 4: because he's like, that's the most important part of the song. 117 00:04:47,480 --> 00:04:50,080 Speaker 1: Tate McRae, right here, the new song. It's okay, I'm okay, 118 00:04:50,279 --> 00:04:52,040 Speaker 1: let's play it. Let's come back to take a quick break, 119 00:04:52,040 --> 00:04:53,560 Speaker 1: we'll come back. We'll play that next one or two 120 00:04:53,560 --> 00:05:03,680 Speaker 1: point seven Kiss FM. Hang on, just click him away 121 00:05:03,720 --> 00:05:07,840 Speaker 1: from him, click him away, so you gotta do Tate 122 00:05:07,920 --> 00:05:09,880 Speaker 1: mcray there, it's okay, I'm okay, one of two point 123 00:05:09,920 --> 00:05:12,640 Speaker 1: seven Kiss FM. But at the base to the start 124 00:05:12,640 --> 00:05:15,560 Speaker 1: of that song. I know, it's so my neighbor. It's 125 00:05:15,760 --> 00:05:19,360 Speaker 1: so good. Sometimes I like to over base my system anyway, 126 00:05:19,680 --> 00:05:20,520 Speaker 1: but that's really. 127 00:05:20,360 --> 00:05:21,800 Speaker 3: Gonna you know my dad does that too. 128 00:05:22,880 --> 00:05:30,000 Speaker 2: Yeah, well I appreciate that a lot of talent. That 129 00:05:30,839 --> 00:05:33,120 Speaker 2: was no, it's fine. He went to the high school 130 00:05:33,120 --> 00:05:37,240 Speaker 2: the same. Yeah, you really got to kick. 131 00:05:38,160 --> 00:05:40,080 Speaker 4: Honestly, it was just so innocent. 132 00:05:43,000 --> 00:05:44,800 Speaker 3: You get here, he's not here. 133 00:05:45,440 --> 00:05:47,719 Speaker 4: My dad does this thing where like he'll get into 134 00:05:47,760 --> 00:05:50,240 Speaker 4: like every car I own and he'll just like turn 135 00:05:50,360 --> 00:05:52,800 Speaker 4: the basic plus seven and then minus and I'm just like, 136 00:05:52,880 --> 00:05:53,919 Speaker 4: I can't hear the song. 137 00:05:54,360 --> 00:05:57,360 Speaker 2: Travel down based up that that was our generation tape 138 00:05:57,400 --> 00:05:59,479 Speaker 2: that did the generational move. 139 00:05:59,800 --> 00:06:02,000 Speaker 1: And we'd have to carry our stereos out of the car. 140 00:06:02,040 --> 00:06:04,760 Speaker 1: We pull our Alpine stereo out of the dashboard and 141 00:06:04,800 --> 00:06:06,159 Speaker 1: carry it with us like a little person. 142 00:06:06,279 --> 00:06:08,200 Speaker 6: Yeah, Like it was cool when I was in high school. 143 00:06:08,200 --> 00:06:10,680 Speaker 6: It's cool to have subwarfers in your trunk right like 144 00:06:10,839 --> 00:06:12,680 Speaker 6: and have that extra. 145 00:06:12,440 --> 00:06:17,120 Speaker 1: Base just annoy the intersection. But so tate, It's okay, 146 00:06:17,120 --> 00:06:19,719 Speaker 1: I'm okay, love. I mean, it's just so catchy. It's 147 00:06:19,800 --> 00:06:22,000 Speaker 1: it's such a it's lyrically, it's so fun. It's so 148 00:06:22,440 --> 00:06:24,200 Speaker 1: we we get you get it the second you hear 149 00:06:24,200 --> 00:06:28,159 Speaker 1: it at first. But now, what if you are the 150 00:06:28,440 --> 00:06:32,040 Speaker 1: other girl and you hear that song? What does that 151 00:06:32,240 --> 00:06:32,560 Speaker 1: do to you? 152 00:06:33,520 --> 00:06:33,680 Speaker 4: Um? 153 00:06:34,240 --> 00:06:35,320 Speaker 3: I mean I haven't really. 154 00:06:38,480 --> 00:06:41,239 Speaker 2: You know, there's. 155 00:06:41,360 --> 00:06:43,320 Speaker 1: Sides to that story, like there is somebody that's going 156 00:06:43,360 --> 00:06:46,160 Speaker 1: to receive that or feel that, whether typothetical or not right. 157 00:06:46,200 --> 00:06:48,400 Speaker 1: But like if you are the other person and you 158 00:06:48,480 --> 00:06:50,080 Speaker 1: hear that, do you stay with the dude or do 159 00:06:50,120 --> 00:06:51,320 Speaker 1: you blow the guy off? 160 00:06:52,400 --> 00:06:54,839 Speaker 3: I don't know. I mean if I heard that, be 161 00:06:54,880 --> 00:06:55,599 Speaker 3: it like rough? 162 00:06:56,520 --> 00:06:58,720 Speaker 4: I don't know. I think it's it's interesting. It's such 163 00:06:58,800 --> 00:07:00,600 Speaker 4: it's so funny because when I do actually listen to 164 00:07:00,640 --> 00:07:01,160 Speaker 4: the song, like. 165 00:07:01,120 --> 00:07:03,159 Speaker 3: It is a very like sassy song. 166 00:07:04,080 --> 00:07:07,159 Speaker 4: Yeah, And honestly, all of it was like triggered by 167 00:07:07,200 --> 00:07:09,240 Speaker 4: this like alter ego that I have on stage, Like 168 00:07:09,279 --> 00:07:11,840 Speaker 4: I was touring all year long, and I like, when 169 00:07:11,880 --> 00:07:14,240 Speaker 4: I get on stage, I'm just like a completely different 170 00:07:14,240 --> 00:07:16,480 Speaker 4: person than how I am actually in real life. So 171 00:07:17,200 --> 00:07:19,120 Speaker 4: a lot of this was written on the road, like 172 00:07:19,160 --> 00:07:22,400 Speaker 4: on the tour bus. So it's like funny exactly. Yeah, 173 00:07:22,400 --> 00:07:24,080 Speaker 4: I feel like I kind of tapped into more of 174 00:07:24,120 --> 00:07:27,680 Speaker 4: like a like my alter ego was writing this a 175 00:07:27,680 --> 00:07:29,560 Speaker 4: little bit more than like Tate. So I feel like 176 00:07:29,600 --> 00:07:32,680 Speaker 4: it definitely is something that I'm like, well whenever I 177 00:07:32,720 --> 00:07:34,440 Speaker 4: hear it, even when you hear it back too, right, 178 00:07:34,480 --> 00:07:36,080 Speaker 4: Yeah of course, I mean yeah, if I was on 179 00:07:36,160 --> 00:07:41,480 Speaker 4: the grad like, well, that sucks, like but yeah, but yeah, 180 00:07:41,480 --> 00:07:42,520 Speaker 4: a lot of I feel like a lot of it 181 00:07:42,640 --> 00:07:45,160 Speaker 4: was was talked about from my from the other side 182 00:07:45,160 --> 00:07:45,600 Speaker 4: of my brain. 183 00:07:46,400 --> 00:07:46,679 Speaker 3: Yeah. 184 00:07:46,720 --> 00:07:49,800 Speaker 1: So Tate McCray the spirited version of her on stage, 185 00:07:49,840 --> 00:07:51,880 Speaker 1: and before that, you do your sound checks, and you 186 00:07:51,920 --> 00:07:53,480 Speaker 1: also do a lot of covers. I have a couple 187 00:07:53,480 --> 00:07:55,120 Speaker 1: of the covers here from your sound checks. This is 188 00:07:55,160 --> 00:08:04,120 Speaker 1: a birds of a Feather, I said, say. 189 00:08:04,320 --> 00:08:14,760 Speaker 5: I wasn't the leather belovable? It's even. 190 00:08:18,400 --> 00:08:20,040 Speaker 1: So that's sound check before you go out, and there 191 00:08:20,080 --> 00:08:22,080 Speaker 1: you have some people watch. I guess like winners get 192 00:08:22,080 --> 00:08:22,880 Speaker 1: to come watch that. 193 00:08:23,200 --> 00:08:23,400 Speaker 4: Yeah. 194 00:08:23,400 --> 00:08:25,880 Speaker 3: I have, like there's like two hundred people that come in. 195 00:08:26,320 --> 00:08:27,680 Speaker 2: Oh yeah, I just do like this. 196 00:08:28,240 --> 00:08:30,360 Speaker 4: I do like covers, and I do like original songs, 197 00:08:30,400 --> 00:08:32,679 Speaker 4: which kind of like talk. But yeah, people always get 198 00:08:32,720 --> 00:08:34,559 Speaker 4: so mad at me because I like picked the cover 199 00:08:34,720 --> 00:08:37,119 Speaker 4: like the day of and I was reading the lyrics songs. 200 00:08:40,200 --> 00:08:47,680 Speaker 2: Performance just like season right now reading this, So. 201 00:08:48,200 --> 00:08:51,160 Speaker 3: You she forgot the exist. 202 00:08:52,360 --> 00:08:53,040 Speaker 2: That's a great song. 203 00:08:54,480 --> 00:08:55,199 Speaker 5: I just sacked. 204 00:09:02,280 --> 00:09:05,439 Speaker 1: So when you're with those two hundred people at sound check, 205 00:09:05,480 --> 00:09:06,760 Speaker 1: what did they most commonly ask you? 206 00:09:08,640 --> 00:09:10,000 Speaker 3: A lot? Like everything? 207 00:09:10,040 --> 00:09:12,439 Speaker 4: They kind of talk about, like my everyday life, what 208 00:09:12,520 --> 00:09:14,400 Speaker 4: I do on tour, like what I watch on tour. 209 00:09:14,960 --> 00:09:16,880 Speaker 4: It's very like chill, like we just talk like we're 210 00:09:17,040 --> 00:09:17,560 Speaker 4: best friends. 211 00:09:18,080 --> 00:09:19,760 Speaker 2: Are you watching anything? Were always talking about what we're 212 00:09:19,840 --> 00:09:20,959 Speaker 2: watching here? 213 00:09:21,800 --> 00:09:22,000 Speaker 4: Oh? 214 00:09:23,240 --> 00:09:26,920 Speaker 3: What did I just finished? Finished Severns? Okay, you guys 215 00:09:29,120 --> 00:09:30,000 Speaker 3: such a good show. 216 00:09:30,200 --> 00:09:35,520 Speaker 4: Yeah. My I'm trying to watch Succession, but oh I 217 00:09:35,559 --> 00:09:36,360 Speaker 4: can't get into. 218 00:09:36,240 --> 00:09:38,240 Speaker 2: I can't get into it either. I'm with you. 219 00:09:38,600 --> 00:09:40,920 Speaker 3: It's like, I don't know what it is. I really like. 220 00:09:41,480 --> 00:09:43,240 Speaker 3: My dad was like, oh, it's like somewhat close to 221 00:09:43,320 --> 00:09:44,520 Speaker 3: like suits and I love. 222 00:09:44,679 --> 00:09:47,400 Speaker 1: I love suits and I love the same stuff. Shout 223 00:09:47,440 --> 00:09:51,320 Speaker 1: out to Tom Todd mcray a little love right now. 224 00:09:51,480 --> 00:09:56,560 Speaker 2: We have the same taste and she's gonna free Todd 225 00:09:56,640 --> 00:09:58,120 Speaker 2: McGray shouting it out. My brother. 226 00:09:58,400 --> 00:09:59,120 Speaker 5: I didn't know it. 227 00:10:00,920 --> 00:10:02,840 Speaker 2: Looking to go grab a beer with Todd McGray. 228 00:10:03,040 --> 00:10:07,400 Speaker 1: Honestly, what so we're we're just talking about tell me lies, 229 00:10:07,440 --> 00:10:12,079 Speaker 1: we're talking about the Monsters. Ryan Murphy did Monsters was 230 00:10:12,080 --> 00:10:13,840 Speaker 1: based on a true story which is on Netflix. 231 00:10:14,160 --> 00:10:17,960 Speaker 2: We've got our whole list, Tate mcray, What about an album? 232 00:10:18,080 --> 00:10:19,800 Speaker 1: So that's the other thing. I'm sure people are asking you. 233 00:10:20,040 --> 00:10:21,800 Speaker 1: They hear this music and they're wondering, like, what what's 234 00:10:21,840 --> 00:10:23,200 Speaker 1: happening with the collection of songs? 235 00:10:23,360 --> 00:10:26,360 Speaker 4: Right, I'm definitely I've written so many songs this year, 236 00:10:26,480 --> 00:10:32,840 Speaker 4: like in between tour. We're definitely working towards something. Yeah, 237 00:10:32,920 --> 00:10:35,920 Speaker 4: I'm excited. Lots of music I'm sitting on right now, 238 00:10:35,920 --> 00:10:37,080 Speaker 4: which I'm really pumped about. 239 00:10:37,600 --> 00:10:39,280 Speaker 2: How many tracks would you put on an album? 240 00:10:40,040 --> 00:10:40,079 Speaker 3: It? 241 00:10:40,320 --> 00:10:42,520 Speaker 4: Honestly, it really depends. I always say I want to 242 00:10:42,559 --> 00:10:44,920 Speaker 4: do like a ten track album and then it never 243 00:10:45,080 --> 00:10:47,280 Speaker 4: ends up being a track album because it's just hard 244 00:10:47,320 --> 00:10:50,800 Speaker 4: to like finish a story with ten tracks, like right, yeah, 245 00:10:50,920 --> 00:10:52,640 Speaker 4: But though that's like the ideals, I'm like, if I 246 00:10:52,679 --> 00:10:55,560 Speaker 4: could have a beautiful ten track album, that would be great. 247 00:10:56,480 --> 00:10:58,280 Speaker 1: Well, you came in early this morning, Tate McCray. We're 248 00:10:58,280 --> 00:11:00,640 Speaker 1: so grateful. We love seeing you any time. You're welcome 249 00:11:00,679 --> 00:11:03,679 Speaker 1: all the time. What sound did your alarm make to 250 00:11:04,280 --> 00:11:07,040 Speaker 1: wake you up to be here today? I don't know. 251 00:11:07,160 --> 00:11:10,160 Speaker 3: Mine's kind of like nice and calm and cute, Like. 252 00:11:11,840 --> 00:11:12,760 Speaker 2: Is it like church bells? 253 00:11:13,120 --> 00:11:17,960 Speaker 1: Probably, it's like spay church relaxing, Sisney, what woke you up? 254 00:11:18,080 --> 00:11:20,360 Speaker 6: That's very similar. Like it's like one that kind of 255 00:11:20,360 --> 00:11:21,680 Speaker 6: gets louder and louder and louder. 256 00:11:22,240 --> 00:11:23,080 Speaker 3: It's like a little piano. 257 00:11:24,600 --> 00:11:26,920 Speaker 2: Yeah, because it's not so harsh you have a harsh 258 00:11:28,679 --> 00:11:36,640 Speaker 2: Oh no, So great to see it. 259 00:11:36,720 --> 00:11:40,439 Speaker 1: Thanks for comment. Mcray here it's okay, I'm okay. It's 260 00:11:40,440 --> 00:11:43,640 Speaker 1: out now and more music coming soon. We heard chaparon 261 00:11:44,040 --> 00:11:45,679 Speaker 1: Is on Todd McCray for you