1 00:00:00,760 --> 00:00:18,040 Speaker 1: I am all in that I am all in with 2 00:00:18,120 --> 00:00:22,440 Speaker 1: Scott Patterson and I Heart Radio podcast. Okay, everybody, here 3 00:00:22,480 --> 00:00:25,240 Speaker 1: we are. I'm Scott Patterson and this is the I 4 00:00:25,280 --> 00:00:28,040 Speaker 1: Am All In Podcast with our Heart Radio and one 5 00:00:28,080 --> 00:00:32,720 Speaker 1: eleven productions. I am joined by the crew, Amy Sugarman, 6 00:00:32,760 --> 00:00:38,680 Speaker 1: Danielle Romo, Riley Pellucis. Hello, Welcome back, everybody. I cannot 7 00:00:38,680 --> 00:00:40,239 Speaker 1: wait to hear what you think of a tiske get 8 00:00:40,240 --> 00:00:43,160 Speaker 1: a Tasket. I can't wait either, because I'm it's still 9 00:00:43,560 --> 00:00:47,000 Speaker 1: you know, the thoughts are bouncing back and forth, back 10 00:00:47,040 --> 00:00:52,160 Speaker 1: and forth. Uh, I I enjoyed. Is this the first 11 00:00:52,159 --> 00:00:54,960 Speaker 1: time you've actually seen a get a task? Yes, it 12 00:00:55,080 --> 00:00:59,800 Speaker 1: is the first time, and it's it's it's quite shocking 13 00:01:00,160 --> 00:01:02,920 Speaker 1: to see the work it really is and how it 14 00:01:03,000 --> 00:01:05,200 Speaker 1: comes out. And I just I was, you know, I 15 00:01:05,240 --> 00:01:08,119 Speaker 1: don't want to go into it again because I've belabored 16 00:01:08,160 --> 00:01:14,919 Speaker 1: this point. Um, but it is quite um a light show. 17 00:01:15,040 --> 00:01:18,840 Speaker 1: It's very light and airy, and I didn't find that 18 00:01:18,920 --> 00:01:22,560 Speaker 1: it was I think it really captured the essence of 19 00:01:22,560 --> 00:01:26,080 Speaker 1: what Gilmore Girls is and why people like it so much. 20 00:01:26,160 --> 00:01:30,479 Speaker 1: I love it. I think that show and embodies all 21 00:01:30,560 --> 00:01:33,360 Speaker 1: of the qualities all the best qualities of the show 22 00:01:33,440 --> 00:01:36,080 Speaker 1: and what what what it can bring to bear on 23 00:01:36,160 --> 00:01:38,800 Speaker 1: a viewing public. And it's just this sort of lightness 24 00:01:38,800 --> 00:01:42,520 Speaker 1: and this, this joyfulness and this and it was I 25 00:01:42,560 --> 00:01:45,240 Speaker 1: love these episodes where the all that the entire town's 26 00:01:45,280 --> 00:01:49,760 Speaker 1: involved and you've got and you're tolerating Taylor, but Taylor's 27 00:01:49,760 --> 00:01:51,840 Speaker 1: in his element as a game show host and he's 28 00:01:51,880 --> 00:01:54,000 Speaker 1: up there with a gavel and just he's in his 29 00:01:54,120 --> 00:01:57,040 Speaker 1: element and everybody's loving it. And it's just a good 30 00:01:57,080 --> 00:01:59,360 Speaker 1: time and it's a great thing to bring a community together. 31 00:01:59,760 --> 00:02:04,080 Speaker 1: And I think that's just such a positive um you know. 32 00:02:04,240 --> 00:02:06,080 Speaker 1: And we'll get into it, but I just, I just 33 00:02:06,240 --> 00:02:10,520 Speaker 1: I was quite delighted by uh, pretty much the entire thing. 34 00:02:10,600 --> 00:02:14,560 Speaker 1: I didn't really have any uh bad moments. I mean, 35 00:02:15,040 --> 00:02:17,760 Speaker 1: you know, Dean got a little they're destroying Dean's character 36 00:02:17,880 --> 00:02:21,480 Speaker 1: for a reason. Yes, yes, I see that quite clearly. 37 00:02:21,520 --> 00:02:23,239 Speaker 1: In the writer's room, it's like, listen, what are we 38 00:02:23,280 --> 00:02:25,160 Speaker 1: gonna do to make this kid look like a real schmuck. 39 00:02:25,440 --> 00:02:29,840 Speaker 1: And it's like, I mean, talk about not playing it cool. 40 00:02:30,560 --> 00:02:32,919 Speaker 1: And as a cautionary tale to all you young guys 41 00:02:32,960 --> 00:02:35,280 Speaker 1: out there that are involved in some sort of a 42 00:02:35,280 --> 00:02:39,080 Speaker 1: love triangle, don't act like Dean, don't go to the 43 00:02:39,160 --> 00:02:42,760 Speaker 1: mother and wine. Do not do that because then it'll 44 00:02:42,800 --> 00:02:46,720 Speaker 1: set you up to be ridiculous and mother daughter conversations later. 45 00:02:46,919 --> 00:02:50,160 Speaker 1: But it is intentional, yes, that the writers are doing 46 00:02:50,280 --> 00:02:54,000 Speaker 1: something because they're sure making us like Jess and I 47 00:02:54,000 --> 00:02:57,920 Speaker 1: still love Dean, but he is getting a tad I 48 00:02:57,919 --> 00:02:59,800 Speaker 1: don't want to say annoying. He's just sort of not 49 00:03:00,520 --> 00:03:04,040 Speaker 1: the mayn right now. No, he's six ft five or 50 00:03:04,080 --> 00:03:08,800 Speaker 1: six ft four, right, and what is he He's going crazy? 51 00:03:09,040 --> 00:03:12,200 Speaker 1: I mean over this guy who's you know, half he's 52 00:03:12,360 --> 00:03:16,080 Speaker 1: an entire head shorter. There's nothing to fear. Why is 53 00:03:16,120 --> 00:03:19,960 Speaker 1: he so becoming so unhinged? Well, because he's seventeen, and 54 00:03:20,760 --> 00:03:24,800 Speaker 1: that's what seventeen year olds do, I guess, But you 55 00:03:24,840 --> 00:03:28,799 Speaker 1: know it's it's it's not it's not what playing cool 56 00:03:29,360 --> 00:03:31,880 Speaker 1: is all about. So Jess is the one that's playing cool. 57 00:03:31,919 --> 00:03:34,440 Speaker 1: Although I thought when Jess came back the second time 58 00:03:34,480 --> 00:03:37,440 Speaker 1: in the grocery store said he two for one sale 59 00:03:37,480 --> 00:03:39,560 Speaker 1: to get another? What was he getting? What was he 60 00:03:39,600 --> 00:03:42,440 Speaker 1: buying in the store super super clue to buy two 61 00:03:42,480 --> 00:03:44,600 Speaker 1: super close? I thought that was I don't think they 62 00:03:44,680 --> 00:03:48,040 Speaker 1: needed that that's one. That's the only scene I would 63 00:03:48,040 --> 00:03:51,560 Speaker 1: have cut interesting takes. So you thought, like they did it, 64 00:03:51,640 --> 00:03:54,880 Speaker 1: they did it enough. And Jess is so cool, he's 65 00:03:54,880 --> 00:03:56,600 Speaker 1: not going to go back for more, doesn't have to 66 00:03:56,600 --> 00:03:58,760 Speaker 1: go back for more. I thought it weakened him and 67 00:03:59,480 --> 00:04:01,440 Speaker 1: he was so cool and he stood there and he goes, 68 00:04:01,760 --> 00:04:06,240 Speaker 1: I hope I'm not interrupting anything. You guys. It was 69 00:04:06,280 --> 00:04:08,400 Speaker 1: like Humphrey Bogard. I mean, he was super cool. He 70 00:04:08,400 --> 00:04:10,400 Speaker 1: should have had a cigarette dangling out of his mouth. 71 00:04:10,440 --> 00:04:14,960 Speaker 1: And you know, I think the costumer nails it with 72 00:04:15,000 --> 00:04:18,760 Speaker 1: you there they that really is such an important aspect 73 00:04:18,800 --> 00:04:22,719 Speaker 1: to him. For me, that makes him even that much 74 00:04:22,760 --> 00:04:28,160 Speaker 1: more cool. He just looks and acts like a complete stud. 75 00:04:28,240 --> 00:04:32,280 Speaker 1: And I'm just falling in love with him, Like Rory, Yeah, 76 00:04:32,320 --> 00:04:35,719 Speaker 1: I mean it's inevitable. It's just it's just inevitable. He's 77 00:04:35,839 --> 00:04:40,279 Speaker 1: so easy on the eyes, he's so cool. You know, 78 00:04:40,360 --> 00:04:44,000 Speaker 1: he's such a good actor, and he was so young, 79 00:04:44,360 --> 00:04:47,719 Speaker 1: and it just and even you know, look, I think 80 00:04:47,720 --> 00:04:51,960 Speaker 1: the hard the difficult acting assignment was with Jared and 81 00:04:52,240 --> 00:04:55,080 Speaker 1: you know, how unhinged do I become and how dependent 82 00:04:55,160 --> 00:04:58,440 Speaker 1: do I become? And he committed to it, he really did, 83 00:04:58,480 --> 00:05:00,400 Speaker 1: so hats off to him for that. And I just 84 00:05:00,440 --> 00:05:04,719 Speaker 1: think I think Alexis a lot of her reactions, and 85 00:05:05,920 --> 00:05:11,680 Speaker 1: I love how Alexis approaches the character in her utter 86 00:05:11,839 --> 00:05:17,240 Speaker 1: softness with everything her relaxation and the softness in her face, 87 00:05:17,320 --> 00:05:21,120 Speaker 1: and and there's never any overacting or any overcommitting. It's 88 00:05:21,200 --> 00:05:24,479 Speaker 1: just sort of, you know, it's almost very cerebral, but 89 00:05:24,680 --> 00:05:27,120 Speaker 1: you know that there's an emotional component to it because 90 00:05:27,160 --> 00:05:30,000 Speaker 1: you feel everything that she's saying. What a great point 91 00:05:30,040 --> 00:05:33,360 Speaker 1: you just made about Jared too, because I didn't think 92 00:05:33,360 --> 00:05:36,240 Speaker 1: about that until you said it, that like, Jared should 93 00:05:36,279 --> 00:05:41,719 Speaker 1: get credit for playing it so well because he's intentionally 94 00:05:41,880 --> 00:05:44,320 Speaker 1: has to play this guy that's sort of unhandered, like 95 00:05:44,400 --> 00:05:47,520 Speaker 1: you're saying, and Alexis shines so much because you just 96 00:05:47,560 --> 00:05:50,520 Speaker 1: love Rory and Jess. You're just like, this guy's just 97 00:05:52,200 --> 00:05:55,839 Speaker 1: so elf and cool. But then, right, Jared doesn't really 98 00:05:55,839 --> 00:05:58,640 Speaker 1: get credit for playing it so well because you're like, 99 00:05:59,440 --> 00:06:01,919 Speaker 1: he just gets the criticism, you know, from me and 100 00:06:01,960 --> 00:06:05,000 Speaker 1: you whatever, and like, oh, he's the characters we get, 101 00:06:05,200 --> 00:06:08,880 Speaker 1: but you know he's okay. So the question becomes, as 102 00:06:08,920 --> 00:06:12,000 Speaker 1: an actor, is there a way to play that without 103 00:06:12,040 --> 00:06:15,640 Speaker 1: weakening your character, but yet still becoming unhinged. Because he's 104 00:06:15,680 --> 00:06:19,839 Speaker 1: directed to become unhinged. It's like you have to be 105 00:06:20,000 --> 00:06:23,799 Speaker 1: the complete opposite of the cool, common collected, very confident chess. 106 00:06:24,880 --> 00:06:27,599 Speaker 1: So is there a world? You know? And I think 107 00:06:27,640 --> 00:06:30,840 Speaker 1: that's maybe some discussions he had with the director, very 108 00:06:30,880 --> 00:06:34,040 Speaker 1: gifted director. I think it was Robert Berlinger. Wasn't it uh? 109 00:06:35,040 --> 00:06:39,520 Speaker 1: A terrific job? And and you know, can I pull 110 00:06:39,600 --> 00:06:43,479 Speaker 1: back on this? Can I can I retain some dignity somehow? 111 00:06:43,520 --> 00:06:45,159 Speaker 1: And but how do you do that when you go 112 00:06:45,279 --> 00:06:49,320 Speaker 1: up to somebody's mother and and and you know, that's 113 00:06:49,400 --> 00:06:51,919 Speaker 1: just a tough Because Jared got the script, he read it, 114 00:06:51,920 --> 00:06:54,800 Speaker 1: he goes, oh jeez. You know, he didn't want to 115 00:06:54,800 --> 00:06:57,640 Speaker 1: play that. That's not his choice. He didn't want to 116 00:06:57,640 --> 00:06:59,600 Speaker 1: look like the weak one and the one that was 117 00:06:59,680 --> 00:07:03,440 Speaker 1: losing and the whole thing. But his job as an 118 00:07:03,440 --> 00:07:07,719 Speaker 1: actor to tell that story is to become unhinged and 119 00:07:08,040 --> 00:07:12,120 Speaker 1: somewhat unlikable and somewhat What a great point you're making, 120 00:07:12,160 --> 00:07:15,920 Speaker 1: because it has to happen for us the audience fall 121 00:07:15,960 --> 00:07:19,600 Speaker 1: in love with Jess and so I never thought of 122 00:07:19,640 --> 00:07:24,200 Speaker 1: it that way. But yeah, that's such a great perspective 123 00:07:24,320 --> 00:07:26,440 Speaker 1: you have to do because right it, Dean played it 124 00:07:26,480 --> 00:07:29,800 Speaker 1: too cool and was too likable. I'm going to think 125 00:07:29,880 --> 00:07:32,320 Speaker 1: Jess as a jerk for stealing her away. But because 126 00:07:32,320 --> 00:07:34,920 Speaker 1: of how it's going, I'm like, yeah, go eat with Jess, 127 00:07:35,120 --> 00:07:38,720 Speaker 1: go eat with him. But what Wait a minute, wait 128 00:07:38,720 --> 00:07:41,360 Speaker 1: a minute? Is it better? Is it more powerful? Does 129 00:07:41,400 --> 00:07:46,480 Speaker 1: it make the audience participate more? If Jared is cool, common, 130 00:07:46,600 --> 00:07:52,000 Speaker 1: collected as and as much as Jesse's, how would you know? 131 00:07:52,080 --> 00:07:54,800 Speaker 1: How could he have pulled that off with that dialogue 132 00:07:55,240 --> 00:07:58,720 Speaker 1: and yet still been cool, calm and collected. Could he 133 00:07:58,760 --> 00:08:00,880 Speaker 1: have done it? I don't know that it was possible 134 00:08:00,920 --> 00:08:04,760 Speaker 1: to do that with the given the dialogue, especially when 135 00:08:04,800 --> 00:08:06,640 Speaker 1: he went to the mother and said, you know, he 136 00:08:06,680 --> 00:08:09,080 Speaker 1: had to be all freaked out. Yeah, I don't, I don't. 137 00:08:09,120 --> 00:08:12,640 Speaker 1: I don't think it's but it's it's a choice you make. 138 00:08:12,720 --> 00:08:15,240 Speaker 1: It said, what temperature do you come in? And man, 139 00:08:15,280 --> 00:08:17,640 Speaker 1: I'm getting hot. Gosh, I told you my motor is 140 00:08:17,720 --> 00:08:21,000 Speaker 1: running hot. Jesus, I'm getting hot again. Um it's the lights. 141 00:08:21,520 --> 00:08:24,880 Speaker 1: It's the lights in my studio. You you've got a 142 00:08:24,960 --> 00:08:28,880 Speaker 1: different look on right now, but you got a denim 143 00:08:28,880 --> 00:08:31,600 Speaker 1: you're doing denim on denim, like like Luke, it's a 144 00:08:31,640 --> 00:08:35,679 Speaker 1: little no, no, I'm not like it. I don't have 145 00:08:36,800 --> 00:08:41,720 Speaker 1: you know, you know what whatever. But but I think 146 00:08:41,800 --> 00:08:45,520 Speaker 1: Jared really had um a tough job to do there. 147 00:08:45,520 --> 00:08:48,200 Speaker 1: He did diversion and and those are the kinds of 148 00:08:48,240 --> 00:08:51,760 Speaker 1: discussions that an actor has with a director, like, Hey, 149 00:08:52,080 --> 00:08:54,880 Speaker 1: I don't really want to give in too much here. 150 00:08:55,080 --> 00:08:57,160 Speaker 1: I think it's hurting the character. I don't want to 151 00:08:57,160 --> 00:08:59,719 Speaker 1: take my character down this much. I don't want him 152 00:08:59,760 --> 00:09:02,640 Speaker 1: to have here this ridiculous. But if he doesn't and 153 00:09:02,720 --> 00:09:07,120 Speaker 1: he's cool, he like Jazz, then what happens to Rory's 154 00:09:07,160 --> 00:09:11,360 Speaker 1: lines to the jokes with Laura lyone Roy later it's like, well, 155 00:09:11,440 --> 00:09:14,240 Speaker 1: I guess you can just talk to my mother that 156 00:09:13,920 --> 00:09:17,960 Speaker 1: let that falls if he doesn't commit and be kind 157 00:09:18,000 --> 00:09:22,360 Speaker 1: of wimpy. They all did it perfectly. It's just poor 158 00:09:22,800 --> 00:09:27,720 Speaker 1: poor Dean is kind of like sacrificial punishment. The exact 159 00:09:27,760 --> 00:09:31,400 Speaker 1: official lamp exactly because making me love Jazz. I love 160 00:09:31,440 --> 00:09:33,280 Speaker 1: this episode. Wait, I want to I want to hear 161 00:09:33,280 --> 00:09:35,280 Speaker 1: what everybody thinks, But to me, this is the best 162 00:09:35,320 --> 00:09:38,880 Speaker 1: episode so far. Yeah you think so, Yeah, this is 163 00:09:38,920 --> 00:09:42,120 Speaker 1: my favorite so far. I think it's up there with 164 00:09:42,120 --> 00:09:45,520 Speaker 1: with the other two before the bad one and the 165 00:09:45,520 --> 00:09:49,480 Speaker 1: one that like so much. Yeah, yeah, I think it's 166 00:09:49,480 --> 00:09:51,400 Speaker 1: it's kind of up there with that because it was 167 00:09:51,520 --> 00:09:56,439 Speaker 1: so spirited community wise, you know, with Taylor running the 168 00:09:56,480 --> 00:10:00,680 Speaker 1: show and being his over the top self and really 169 00:10:00,800 --> 00:10:04,000 Speaker 1: enjoying it and really enjoying his character. And you know, 170 00:10:04,360 --> 00:10:07,760 Speaker 1: the one thing you got to give to Taylor, he's yeah, 171 00:10:07,880 --> 00:10:11,120 Speaker 1: you know, that guy's committed and he loves that town 172 00:10:11,200 --> 00:10:14,840 Speaker 1: and he loves being in that position. And I guess 173 00:10:14,840 --> 00:10:17,560 Speaker 1: he said he's just a natural born leader, Old Taylor dozy, 174 00:10:17,640 --> 00:10:21,280 Speaker 1: isn't he. I love everything about this episode, and I'm 175 00:10:21,400 --> 00:10:24,560 Speaker 1: so glad that we had Rose on because Rose talked 176 00:10:24,600 --> 00:10:30,240 Speaker 1: about the food being a character, and it's like that 177 00:10:30,320 --> 00:10:32,760 Speaker 1: we need to start a new segment talking about the food, 178 00:10:32,800 --> 00:10:35,319 Speaker 1: and it's like, WHOA did this episode hand us that 179 00:10:35,440 --> 00:10:39,720 Speaker 1: on a silver platter? Like the food is epic from 180 00:10:39,840 --> 00:10:42,920 Speaker 1: from Suki's amazing basket all the way down to like 181 00:10:43,240 --> 00:10:45,600 Speaker 1: the crappy basket you have to share with Lorelai, with 182 00:10:45,679 --> 00:10:49,800 Speaker 1: like her like beef jerky or whatever? Right? And is 183 00:10:49,880 --> 00:10:55,840 Speaker 1: that as a is? That is is tisket a task? 184 00:10:56,320 --> 00:11:00,480 Speaker 1: That is that defines what Stars Hollow is. It's it's 185 00:11:00,480 --> 00:11:04,840 Speaker 1: almost you know, it's it's it's something that any small 186 00:11:04,880 --> 00:11:07,640 Speaker 1: town would want to participate in. I'm sure a lot 187 00:11:07,640 --> 00:11:10,120 Speaker 1: of small towns have adopted this, and they do this 188 00:11:10,400 --> 00:11:13,440 Speaker 1: annually in honor of the show or just because it's 189 00:11:13,480 --> 00:11:15,160 Speaker 1: a good idea. I think a lot of people around 190 00:11:15,160 --> 00:11:17,880 Speaker 1: the country. Hey, you know, and I don't know, so 191 00:11:17,920 --> 00:11:20,840 Speaker 1: many people adopted the pajama thing, you know, the gag 192 00:11:20,920 --> 00:11:24,720 Speaker 1: with the you know where Jackson came out with the 193 00:11:24,760 --> 00:11:30,320 Speaker 1: pictures of himself. People did that. I don't know, do 194 00:11:30,360 --> 00:11:33,280 Speaker 1: you did you really like that? I mean, not that 195 00:11:33,440 --> 00:11:35,800 Speaker 1: we're going off track here, but that that was supposed 196 00:11:35,840 --> 00:11:38,760 Speaker 1: to be a funny I love all the quirky things 197 00:11:38,800 --> 00:11:42,640 Speaker 1: of the town. That's the quirkiest of the quirky d 198 00:11:43,000 --> 00:11:46,600 Speaker 1: I mean, it's just it's it's just an innocent, funny thing. 199 00:11:47,320 --> 00:11:52,800 Speaker 1: Pajamas with their own bottle on. Silly, I know, but yeah, 200 00:11:52,840 --> 00:11:55,360 Speaker 1: it's funny, I guess. I mean, I wouldn't be caught 201 00:11:55,360 --> 00:11:58,400 Speaker 1: dead and something like that. But you know, I don't know. 202 00:11:58,600 --> 00:12:01,600 Speaker 1: Miracles can happen. Jesus, it's hot in here. Yeah you 203 00:12:01,640 --> 00:12:04,240 Speaker 1: should just yeah, you know what I'm gonna strip. I'm 204 00:12:04,240 --> 00:12:07,880 Speaker 1: gonna take off. Sorry, first time you want to? You 205 00:12:07,880 --> 00:12:10,280 Speaker 1: want to see me strip? Everybody? Here we go, I'm 206 00:12:10,320 --> 00:12:19,560 Speaker 1: gonna strip. There go getting it off. It's just too hot, guys. 207 00:12:21,400 --> 00:12:25,040 Speaker 1: Obviously Scott was hinting to something I don't even want 208 00:12:25,080 --> 00:12:33,000 Speaker 1: to tell you. Guys, thank you even believe what st 209 00:12:33,240 --> 00:12:43,240 Speaker 1: just did. Wait a minute, I'm not finished. That is iconic, you, guys, 210 00:12:43,240 --> 00:12:46,280 Speaker 1: Scott is literally changing his whole outfit and you need 211 00:12:46,320 --> 00:12:48,600 Speaker 1: to go on our instagram to see what has happened. 212 00:12:48,720 --> 00:12:50,440 Speaker 1: And if you thought he was acting a little odd, 213 00:12:50,840 --> 00:12:54,800 Speaker 1: you will understand why because you need an excuse to 214 00:12:54,920 --> 00:12:57,520 Speaker 1: show us what he just did. These are the most 215 00:12:57,559 --> 00:13:04,280 Speaker 1: comfortable pajamas I have ever. How those are amazing. This 216 00:13:04,360 --> 00:13:08,520 Speaker 1: is a wonderful addition to mind. Is definitely where, oh 217 00:13:08,559 --> 00:13:11,480 Speaker 1: my God put Johama wardrobe. Look at that are just 218 00:13:11,520 --> 00:13:14,880 Speaker 1: so good. If you guys want to see this visual, 219 00:13:15,080 --> 00:13:19,000 Speaker 1: please go to our instagram. I am all in podcast. 220 00:13:19,600 --> 00:13:25,960 Speaker 1: This is a sight to see. Really, let me randomly 221 00:13:26,040 --> 00:13:29,400 Speaker 1: bring up that last episode. I just got a test 222 00:13:29,440 --> 00:13:32,760 Speaker 1: from John Senna. John Senna just texted me he goes 223 00:13:33,040 --> 00:13:38,160 Speaker 1: nice one. Now you get it right? Showing up in 224 00:13:38,240 --> 00:13:41,960 Speaker 1: his superhero custom. Now this is how you do it. Huh. 225 00:13:42,559 --> 00:13:44,640 Speaker 1: All right, everybody, we're gonna take a break. Everybody's got 226 00:13:44,640 --> 00:13:48,880 Speaker 1: a towel off. We'll get back after these messages and 227 00:13:48,920 --> 00:13:51,160 Speaker 1: give you a chance to change into your own put 228 00:13:51,240 --> 00:13:59,120 Speaker 1: John yea, all right, everybody, we're back. We're discussing just 229 00:13:59,160 --> 00:14:01,520 Speaker 1: get a test, get a just get a task. It 230 00:14:02,040 --> 00:14:07,000 Speaker 1: quite a delightful episode in the Gilmore repertoire. And let's 231 00:14:07,040 --> 00:14:10,640 Speaker 1: get Riley and Danielle's opinion on this show. What you 232 00:14:10,720 --> 00:14:14,680 Speaker 1: girls think? Um? This was everything I wanted in more 233 00:14:15,240 --> 00:14:17,720 Speaker 1: exactly what I needed after that downer of an episode 234 00:14:17,800 --> 00:14:21,600 Speaker 1: last week. But one thing I will say obviously, like 235 00:14:21,640 --> 00:14:24,920 Speaker 1: the just thing was great. I lived for that moment. 236 00:14:25,400 --> 00:14:28,720 Speaker 1: But the one storyline of this episode that I just 237 00:14:28,760 --> 00:14:34,280 Speaker 1: could not stop laughing was Suki and Jackson. I oh 238 00:14:34,280 --> 00:14:37,400 Speaker 1: my god, it was so amazing and I love seeing 239 00:14:37,440 --> 00:14:41,760 Speaker 1: that next thing in their relationship, and like the miscommunication 240 00:14:42,120 --> 00:14:45,920 Speaker 1: and Suki wasn't picking up the hints of Jackson. Was 241 00:14:46,000 --> 00:14:48,880 Speaker 1: there intentional? I hate to interrupt you, but was she 242 00:14:49,080 --> 00:14:53,720 Speaker 1: playing dumb just a toy with him? I think I 243 00:14:53,760 --> 00:14:56,200 Speaker 1: think Luke was doing the same thing with Laurela with 244 00:14:56,280 --> 00:15:00,320 Speaker 1: that attitude. It was their little picnic lunch because his 245 00:15:00,360 --> 00:15:07,320 Speaker 1: attitude really changed. I think Suki was clueless, really really, 246 00:15:07,400 --> 00:15:10,600 Speaker 1: because he was very down at the end of their 247 00:15:10,640 --> 00:15:13,360 Speaker 1: initial conversation about you know, should I or shouldn't I 248 00:15:14,400 --> 00:15:17,280 Speaker 1: up the lease? And then he kind of slunk sculpt 249 00:15:17,400 --> 00:15:21,000 Speaker 1: the way he was and she didn't notice it. And 250 00:15:21,040 --> 00:15:25,560 Speaker 1: Suki notices everything, you know what I mean. I think 251 00:15:25,640 --> 00:15:29,400 Speaker 1: she wasn't get it. I don't know I for me, 252 00:15:29,480 --> 00:15:32,280 Speaker 1: because I was asking myself, how is she playing this? 253 00:15:32,840 --> 00:15:35,560 Speaker 1: How is how is Melissa playing this? And I think 254 00:15:35,560 --> 00:15:38,880 Speaker 1: she was playing it like, Okay, I know what he's 255 00:15:38,960 --> 00:15:42,360 Speaker 1: up to. How could you not? And I'm going to 256 00:15:42,440 --> 00:15:46,800 Speaker 1: milk this for a wedding proposal. And when she got 257 00:15:46,800 --> 00:15:48,760 Speaker 1: it because she ain't that girl that's going to move 258 00:15:48,840 --> 00:15:53,640 Speaker 1: in with somebody and not your marriage. She's a traditional girl. 259 00:15:53,960 --> 00:15:57,480 Speaker 1: I think she's a traditional girl. I'm with you, Amy. 260 00:15:57,680 --> 00:15:59,360 Speaker 1: I feel like it was just yeah, she I just 261 00:15:59,400 --> 00:16:02,520 Speaker 1: took it as we saw it that she wasn't getting 262 00:16:02,520 --> 00:16:05,280 Speaker 1: the hands. And then all of a sudden, they he 263 00:16:05,320 --> 00:16:08,920 Speaker 1: doesn't buy the basket, and then they come back together 264 00:16:08,960 --> 00:16:13,480 Speaker 1: and he goes and pays Kurt two basket and then 265 00:16:13,520 --> 00:16:15,240 Speaker 1: and then he realized it's like, wait, I don't want 266 00:16:15,240 --> 00:16:17,320 Speaker 1: to just move in with her, I want to marry her. 267 00:16:17,560 --> 00:16:20,080 Speaker 1: And I love the proposal, And it was so subtle 268 00:16:20,520 --> 00:16:25,160 Speaker 1: and just so perfect for them. I think it's what 269 00:16:25,280 --> 00:16:28,040 Speaker 1: she set him up for. It was still surprised when 270 00:16:28,040 --> 00:16:33,040 Speaker 1: it happened. God, she'd be a genius. I don't. I 271 00:16:33,040 --> 00:16:37,320 Speaker 1: don't think that that. I think that. Listen, y'all are 272 00:16:37,360 --> 00:16:42,040 Speaker 1: smarter than men. Let's face it, just there's so much 273 00:16:42,120 --> 00:16:46,360 Speaker 1: proof out there. You know, we are we are you know, 274 00:16:46,480 --> 00:16:50,720 Speaker 1: yo Yo's on the end of your string in romantic relationships, 275 00:16:50,720 --> 00:16:55,720 Speaker 1: and and I think that's it. I think that was 276 00:16:55,760 --> 00:16:58,840 Speaker 1: a situation where Suki just decided as soon as she 277 00:16:59,000 --> 00:17:01,520 Speaker 1: heard this, like she knew his lease was coming up. 278 00:17:01,840 --> 00:17:04,560 Speaker 1: That's what she talked about. The blue house across the 279 00:17:04,560 --> 00:17:06,640 Speaker 1: street in the daytime. Well, you don't want to look 280 00:17:06,640 --> 00:17:10,400 Speaker 1: out your window during the daytime. But she was messing 281 00:17:10,480 --> 00:17:14,400 Speaker 1: with him, she was messing with his head. I did 282 00:17:14,440 --> 00:17:18,000 Speaker 1: not see that. I'm not totally sure I'm right, But 283 00:17:18,080 --> 00:17:20,320 Speaker 1: I love when he says we should get married and 284 00:17:20,400 --> 00:17:23,080 Speaker 1: she says, are you pregnant? That was my favorite line 285 00:17:23,080 --> 00:17:29,000 Speaker 1: of the episode. My favorite line I'm telling you that 286 00:17:30,200 --> 00:17:34,480 Speaker 1: here anyway, I interrupted, Danielle, go ahead, sorry, No, that 287 00:17:34,920 --> 00:17:41,880 Speaker 1: was it, the Suki and Jackson storyline. Really, I lived 288 00:17:41,880 --> 00:17:44,399 Speaker 1: for it. That was what I wanted to happen, and 289 00:17:44,480 --> 00:17:48,280 Speaker 1: it happened just the way I wanted to. So, Riley, Yeah, 290 00:17:48,320 --> 00:17:51,160 Speaker 1: I got my eyes filled with tears did anyone else? 291 00:17:52,119 --> 00:17:55,040 Speaker 1: I absolutely love this episode two. It gave all the 292 00:17:55,040 --> 00:17:58,720 Speaker 1: oddities and the weird little visuals that Stars Hollow gives, 293 00:17:58,800 --> 00:18:02,200 Speaker 1: like the whole van a white of baskets, like did 294 00:18:02,200 --> 00:18:04,199 Speaker 1: you see how white her teeth were? And she was 295 00:18:04,280 --> 00:18:07,239 Speaker 1: just presenting the baskets like. All the visuals that you 296 00:18:07,280 --> 00:18:10,560 Speaker 1: want from Gilmore Girls was in this episode. And I 297 00:18:10,640 --> 00:18:13,680 Speaker 1: have to say I agree with Scott on the Suki thing. 298 00:18:14,040 --> 00:18:15,879 Speaker 1: I think she was trying, but I think she was 299 00:18:15,920 --> 00:18:19,000 Speaker 1: playing dumb so that she could be the chill, cool girl, 300 00:18:19,359 --> 00:18:21,600 Speaker 1: like she didn't want to seem like she wanted to 301 00:18:21,600 --> 00:18:24,080 Speaker 1: move in with Jackson and be cleany, Like maybe she 302 00:18:24,160 --> 00:18:26,359 Speaker 1: just wanted to play it down and be dumb about 303 00:18:26,400 --> 00:18:29,480 Speaker 1: it so that she didn't seem like she really wanted 304 00:18:29,480 --> 00:18:33,639 Speaker 1: to move in with Jackson. Wow. Another I'm going to 305 00:18:33,800 --> 00:18:36,880 Speaker 1: give that a thumbs up. Yeah, I think that she has. 306 00:18:36,960 --> 00:18:41,800 Speaker 1: She wants to trust her man enough to make that commitment. 307 00:18:42,240 --> 00:18:45,000 Speaker 1: That's a big deal for her, you know, that's a 308 00:18:45,080 --> 00:18:48,040 Speaker 1: huge deal for her. So I think she played it 309 00:18:48,080 --> 00:18:50,840 Speaker 1: beautifully and I think she just toyed with I think 310 00:18:50,840 --> 00:18:54,560 Speaker 1: Suki was just this is how I'm going to play this. 311 00:18:54,560 --> 00:18:56,800 Speaker 1: This is my guy, and if he doesn't come through, 312 00:18:56,840 --> 00:18:59,120 Speaker 1: it doesn't come through, and it's gonna make me feel bad. 313 00:18:59,160 --> 00:19:02,520 Speaker 1: But I'm gonna and my ground and I'm going to 314 00:19:02,560 --> 00:19:06,359 Speaker 1: force the issue here and here's the perfect situation where 315 00:19:06,440 --> 00:19:11,080 Speaker 1: she can get him starting to get a little more 316 00:19:11,119 --> 00:19:16,640 Speaker 1: convinced what has happened. What she says, she didn't notice 317 00:19:17,240 --> 00:19:20,240 Speaker 1: how down he was when he walked away that first time. 318 00:19:20,800 --> 00:19:23,880 Speaker 1: Remember they were outside the talking next to the gazebo, 319 00:19:23,960 --> 00:19:27,800 Speaker 1: and then he walked away when she didn't get it. 320 00:19:29,280 --> 00:19:32,800 Speaker 1: She just didn't get it. And she gets things. She's 321 00:19:32,840 --> 00:19:36,199 Speaker 1: in tune. She's especially in tune with him, you know. 322 00:19:36,320 --> 00:19:39,639 Speaker 1: And let's look at all the times that she she 323 00:19:39,840 --> 00:19:43,879 Speaker 1: got what was going on between Rory and Laurelai without 324 00:19:44,000 --> 00:19:49,040 Speaker 1: having to be cute. Right, she sent gone, But now 325 00:19:49,240 --> 00:19:52,880 Speaker 1: she's in tune man, and she feels her loved ones. 326 00:19:52,960 --> 00:19:55,960 Speaker 1: She feels him. She knows, you know, she knew exactly 327 00:19:56,000 --> 00:19:58,199 Speaker 1: what he was going through. She put him through it. 328 00:19:58,680 --> 00:20:00,800 Speaker 1: She was hoping to get a elch. I think she 329 00:20:00,920 --> 00:20:03,800 Speaker 1: was surprised that she got the proposal, but very pleased. 330 00:20:04,200 --> 00:20:09,840 Speaker 1: She played it beautifully. She played that guy like a fiddle. Wow. Okay, 331 00:20:10,000 --> 00:20:12,480 Speaker 1: So before we get into the two most important things 332 00:20:12,520 --> 00:20:17,160 Speaker 1: to me, which are Luca Lorelei and Jesse Rory, can 333 00:20:17,200 --> 00:20:20,400 Speaker 1: we talk about Lane. I want to know what y'all 334 00:20:20,440 --> 00:20:25,080 Speaker 1: thought of Lane's guy debacle and the really explosive fight 335 00:20:25,280 --> 00:20:27,840 Speaker 1: with Mrs Kimp and I was very explosive. That was 336 00:20:27,960 --> 00:20:34,520 Speaker 1: very explosive. Um gosh, so much to unpack here. I 337 00:20:34,560 --> 00:20:36,840 Speaker 1: didn't care for it. I didn't you know why? You 338 00:20:36,880 --> 00:20:39,040 Speaker 1: know what was on the nose? For me? It was 339 00:20:39,200 --> 00:20:44,760 Speaker 1: because why Okay, logically for me, it didn't. It didn't skew. 340 00:20:45,000 --> 00:20:49,240 Speaker 1: Because this kid's Korean. He's going to be a doctor. 341 00:20:49,280 --> 00:20:53,080 Speaker 1: He's super smart, he's super polite, he's super cute, he's 342 00:20:53,080 --> 00:20:56,879 Speaker 1: super he's everything. Why wouldn't Lane tell her mother about him? 343 00:20:56,920 --> 00:21:02,000 Speaker 1: There's nothing to fear. This is Henry Show is the 344 00:21:02,000 --> 00:21:09,480 Speaker 1: ticket to Lane's freedom from the chains that her mother 345 00:21:09,600 --> 00:21:13,840 Speaker 1: has bound her. In. Why wouldn't she use that to 346 00:21:14,000 --> 00:21:17,000 Speaker 1: unlock herself? She likes the guy, I mean, they're they 347 00:21:17,119 --> 00:21:20,600 Speaker 1: really like each other, and she's sneaking around. It didn't 348 00:21:20,640 --> 00:21:23,520 Speaker 1: make any sense to me. Use him. He's your Trump card, 349 00:21:23,600 --> 00:21:27,240 Speaker 1: go get out of prison. This is your kid of 350 00:21:27,320 --> 00:21:30,239 Speaker 1: jail free card. Why are you hiding it? And and 351 00:21:30,320 --> 00:21:33,280 Speaker 1: he was a percent right, So I it's just like 352 00:21:34,119 --> 00:21:37,720 Speaker 1: logically for me, I just didn't understand. She's a smart girl. 353 00:21:37,760 --> 00:21:41,160 Speaker 1: She's Lane's supposed to be a smart girl. Right, here's 354 00:21:41,160 --> 00:21:44,280 Speaker 1: your freedom. That's all. That's all they ever talked about 355 00:21:44,400 --> 00:21:46,600 Speaker 1: through the through through the episode, through the series so 356 00:21:46,680 --> 00:21:50,560 Speaker 1: far is how inappropriate everybody is. And you know, she 357 00:21:50,600 --> 00:21:53,879 Speaker 1: doesn't want a crazy American boy, and it has to 358 00:21:53,920 --> 00:21:56,560 Speaker 1: be Korean doctor. That's all My mother wants Korean doctor, 359 00:21:56,640 --> 00:22:00,680 Speaker 1: Korean doct here. Well here he is? What what what's 360 00:22:00,720 --> 00:22:04,840 Speaker 1: the problem? Was she so afraid? Was she so afraid 361 00:22:04,920 --> 00:22:10,239 Speaker 1: that her mother would reject even him? Because I don't know, 362 00:22:10,320 --> 00:22:13,880 Speaker 1: maybe maybe Mrs Kim says, uh, you know, he's not 363 00:22:14,680 --> 00:22:17,240 Speaker 1: he wasn't born in Korea, so he's no good. He 364 00:22:17,280 --> 00:22:19,760 Speaker 1: has to be born you know, Is there another level 365 00:22:19,840 --> 00:22:25,240 Speaker 1: of of of restrictions placed on Lane. I didn't understand it. 366 00:22:25,240 --> 00:22:28,560 Speaker 1: It didn't it didn't ring true for me. Sorry, Yeah, 367 00:22:28,640 --> 00:22:31,320 Speaker 1: so painful. It's almost like Lane sabotaged herself because she 368 00:22:31,359 --> 00:22:34,480 Speaker 1: should have You're right, like she should have just told 369 00:22:34,480 --> 00:22:36,399 Speaker 1: her mom and then she could be at the prom 370 00:22:36,440 --> 00:22:39,719 Speaker 1: with this cute, great guy. The mom once she finally 371 00:22:39,720 --> 00:22:44,880 Speaker 1: tells Mrs Kim, Mrs Kim's like, there's a lot there 372 00:22:44,960 --> 00:22:48,919 Speaker 1: because that fight was brutal. I think she's maybe she 373 00:22:49,040 --> 00:22:52,199 Speaker 1: was just so afraid of her mother that she just 374 00:22:52,240 --> 00:22:54,440 Speaker 1: didn't want to bring it up. She didn't want her 375 00:22:54,480 --> 00:22:59,479 Speaker 1: mother to ruin yet another good situation for her, you know, 376 00:22:59,760 --> 00:23:02,160 Speaker 1: and her you know, or in her sixteen year old 377 00:23:02,160 --> 00:23:08,200 Speaker 1: heart has been broken too many times to trust that woman. Um, 378 00:23:08,240 --> 00:23:11,960 Speaker 1: and here's the perfect guy and my mom's going to 379 00:23:12,040 --> 00:23:14,040 Speaker 1: find something wrong with him and she's going to rip 380 00:23:14,040 --> 00:23:16,359 Speaker 1: it apart and I can't take anither. So maybe that 381 00:23:16,800 --> 00:23:20,600 Speaker 1: maybe we have some progress too, because maybe this had 382 00:23:20,680 --> 00:23:23,760 Speaker 1: that blow up for us to not just have this 383 00:23:23,880 --> 00:23:27,960 Speaker 1: redundancy every episode. Maybe there will be a change in 384 00:23:28,000 --> 00:23:31,640 Speaker 1: their relationship because of that. I felt really bad for her, 385 00:23:31,720 --> 00:23:34,680 Speaker 1: But the logic part of it was like m hmm, 386 00:23:35,480 --> 00:23:40,040 Speaker 1: But maybe I'm just applying too much. No, I actually 387 00:23:40,040 --> 00:23:43,600 Speaker 1: think you nailed it. I think I have no argument 388 00:23:43,640 --> 00:23:46,760 Speaker 1: because I agree with you. But you have to liken 389 00:23:46,840 --> 00:23:51,199 Speaker 1: her situation to somebody who's living in, you know, somewhat 390 00:23:51,200 --> 00:23:55,400 Speaker 1: of a prison. So there's this fear right of your jailer. 391 00:23:55,680 --> 00:23:59,200 Speaker 1: It's this and and you don't want to provoke them, 392 00:23:59,320 --> 00:24:02,320 Speaker 1: and you and you don't trust them, and it's so 393 00:24:02,400 --> 00:24:05,600 Speaker 1: dysfunctional and so damaging that I guess she got to 394 00:24:05,600 --> 00:24:08,240 Speaker 1: the point where she's now she's making bad decisions with 395 00:24:08,280 --> 00:24:12,000 Speaker 1: her life. So maybe that's the lesson. Yeah, yeah, because 396 00:24:12,000 --> 00:24:15,639 Speaker 1: it's heartbreaking that someone else to the prom right. You're like, 397 00:24:15,720 --> 00:24:20,240 Speaker 1: oh yeah, that hurt. That hurt. Yeah, Wow, that hurt. 398 00:24:20,400 --> 00:24:23,440 Speaker 1: I felt for her. I really felt scene with her, though, 399 00:24:23,440 --> 00:24:25,840 Speaker 1: I like we felt like we had That was like 400 00:24:25,880 --> 00:24:28,720 Speaker 1: some good, meaty stuff for Lane that we don't always get. 401 00:24:30,920 --> 00:24:34,720 Speaker 1: I forgot to mention how cute the kiss. I'm going back, 402 00:24:34,760 --> 00:24:37,240 Speaker 1: and I'm sorry. I forgot to mention that kiss between 403 00:24:37,280 --> 00:24:42,840 Speaker 1: Suki and Jackson when he dips her. That was so good. Yeah, 404 00:24:43,600 --> 00:24:45,720 Speaker 1: And would that be directed or is that just them 405 00:24:45,800 --> 00:24:48,680 Speaker 1: just in the moment nailing that kiss. I got a 406 00:24:48,680 --> 00:24:50,879 Speaker 1: little jealous. It's all the romance you're not getting from 407 00:24:50,960 --> 00:24:54,000 Speaker 1: Luke and Laurel, and those two are providing it in spades. 408 00:24:54,480 --> 00:24:57,920 Speaker 1: It was a wonderful arc. It really was very well 409 00:24:57,960 --> 00:25:03,159 Speaker 1: structured well, I think Luke and LORELEI That's why one 410 00:25:03,160 --> 00:25:04,840 Speaker 1: of the reasons I love this episode because it has 411 00:25:04,960 --> 00:25:10,760 Speaker 1: two favorite couples making progress. Luca morel jessin Rory. What 412 00:25:10,880 --> 00:25:13,240 Speaker 1: did you think of the basket that she comes running 413 00:25:13,240 --> 00:25:18,640 Speaker 1: to him? And I gotta tell you, I I watched 414 00:25:18,680 --> 00:25:21,040 Speaker 1: that's the scene and the diner, and then the scene 415 00:25:21,040 --> 00:25:24,840 Speaker 1: and the picnic between those two and with Luca lore 416 00:25:24,920 --> 00:25:29,200 Speaker 1: La and I just you know, I miss working with her. 417 00:25:29,600 --> 00:25:32,359 Speaker 1: I thought we were great together. I thought that was 418 00:25:32,440 --> 00:25:37,840 Speaker 1: just magic. I really thought it was funny. And I mean, 419 00:25:37,960 --> 00:25:40,239 Speaker 1: how else I don't know how I got away with 420 00:25:40,320 --> 00:25:45,720 Speaker 1: being so uh, I don't know, just just such a 421 00:25:45,760 --> 00:25:55,159 Speaker 1: hard as awesome. But I mean it's so weird. I know, 422 00:25:55,200 --> 00:25:56,600 Speaker 1: I have to tell you this all the time, But like, 423 00:25:56,760 --> 00:25:59,920 Speaker 1: I love Luke so much. I think that's one of 424 00:26:00,000 --> 00:26:03,159 Speaker 1: the reasons because I really kind of dug that attitude. 425 00:26:03,160 --> 00:26:07,439 Speaker 1: You don't see that that attitude is so misplaced in 426 00:26:07,520 --> 00:26:11,719 Speaker 1: that show. It's like what what I mean. It's like 427 00:26:11,760 --> 00:26:19,200 Speaker 1: it's almost reaching Yanique levels of of sarcasm and and so, 428 00:26:19,800 --> 00:26:22,800 Speaker 1: but with such a sweetness and like even though he's 429 00:26:22,880 --> 00:26:26,199 Speaker 1: gruff about it, he always comes to her rescue. He 430 00:26:26,280 --> 00:26:30,320 Speaker 1: always saves the day, and he's always so cool about it. 431 00:26:30,400 --> 00:26:33,920 Speaker 1: But it was why he's never right gooey or uey, 432 00:26:34,520 --> 00:26:38,440 Speaker 1: he's right, and and it's just I just was surprised 433 00:26:38,480 --> 00:26:41,840 Speaker 1: that all of the resistance, like I'm not participating in 434 00:26:41,880 --> 00:26:46,199 Speaker 1: this ridiculous thing, Taylor. You know, It's like it was funny. 435 00:26:46,359 --> 00:26:49,080 Speaker 1: I really enjoyed watching it because I didn't expect it. 436 00:26:49,119 --> 00:26:52,040 Speaker 1: I just didn't expect it, and I didn't expect how 437 00:26:52,560 --> 00:26:55,840 Speaker 1: Luke was at the picnic and she started getting all 438 00:26:56,000 --> 00:26:58,880 Speaker 1: mooney with me a little bit. Well, it's she defined 439 00:26:58,960 --> 00:27:04,639 Speaker 1: what the whole exercise was just and you know, he 440 00:27:04,720 --> 00:27:07,840 Speaker 1: knew what he was saying to her. She was romancing him. 441 00:27:07,920 --> 00:27:10,320 Speaker 1: She was telling him that she has a crush on 442 00:27:10,400 --> 00:27:12,639 Speaker 1: him and that she's in love with him. She's basically 443 00:27:12,640 --> 00:27:16,919 Speaker 1: saying that. That's how I read it. So it was 444 00:27:17,000 --> 00:27:21,400 Speaker 1: like this complete reversal, and it was not like episodes before. 445 00:27:21,400 --> 00:27:23,399 Speaker 1: It's like my friend, my friend, and she's not no. 446 00:27:23,600 --> 00:27:25,320 Speaker 1: I mean, we're just friends and this kind of thing. 447 00:27:25,520 --> 00:27:28,520 Speaker 1: But now suddenly during Justice and Tasket, she I think 448 00:27:28,600 --> 00:27:31,200 Speaker 1: she she kind of owned her feelings a little bit 449 00:27:31,280 --> 00:27:37,520 Speaker 1: and opened up to him in the gazebo. I agree, Oh, 450 00:27:37,560 --> 00:27:39,640 Speaker 1: I just think he handles it so well. He does 451 00:27:40,560 --> 00:27:45,879 Speaker 1: prodressed with these two couples that are developing, right, And 452 00:27:45,920 --> 00:27:48,920 Speaker 1: I love it because, like, look, those two guys weren't 453 00:27:48,960 --> 00:27:51,440 Speaker 1: like trolls that were bidding on her basket. They weren't 454 00:27:51,480 --> 00:27:54,879 Speaker 1: like so terrible that if she really wanted to like 455 00:27:55,000 --> 00:27:57,760 Speaker 1: meet somebody, she could just trust Patty and try one 456 00:27:57,760 --> 00:28:00,920 Speaker 1: of those dudes. But instead she goes running running Luke, Luke, 457 00:28:00,960 --> 00:28:02,560 Speaker 1: you have to save me, to save me, help me 458 00:28:02,600 --> 00:28:05,240 Speaker 1: buy my basket. And it's just like yeah, because that's 459 00:28:05,240 --> 00:28:10,399 Speaker 1: a dude you like. Girl. I was very charming. I 460 00:28:10,400 --> 00:28:12,920 Speaker 1: thought she was very charming in that scene, and I 461 00:28:12,960 --> 00:28:16,879 Speaker 1: thought that you I just really it was. It was 462 00:28:16,960 --> 00:28:20,840 Speaker 1: my favorite, uh so far, my favorite Luke and Laurel 463 00:28:20,880 --> 00:28:27,800 Speaker 1: I scene, that gazebo scene. I love that scene. Liked it. Yeah, yeah, 464 00:28:27,880 --> 00:28:32,159 Speaker 1: I just I really enjoyed it. I really did. No Paris, Yea, 465 00:28:33,760 --> 00:28:39,120 Speaker 1: there was no there was no insanity in the episode, 466 00:28:39,640 --> 00:28:42,440 Speaker 1: and and let's talk about that. She started out really 467 00:28:42,440 --> 00:28:47,720 Speaker 1: cool and to you know, really um this predator. She 468 00:28:47,880 --> 00:28:50,880 Speaker 1: leaned in and she she quoted Shakespeare's Sonnet and it 469 00:28:51,000 --> 00:28:54,320 Speaker 1: was like, oh wow, and now look at her. I mean, 470 00:28:54,400 --> 00:28:59,160 Speaker 1: so it starts out heavy and then it becomes a cartoon. Anyway, 471 00:28:59,400 --> 00:29:03,719 Speaker 1: So what everybody think about the soon to be super couple. 472 00:29:04,640 --> 00:29:08,920 Speaker 1: It's so obvious that Rory and Jess Danielle, what do 473 00:29:08,960 --> 00:29:12,520 Speaker 1: you think? I'm just so biased because I'm such a 474 00:29:12,560 --> 00:29:17,080 Speaker 1: Milo fan, Like it's actually embarrassing. So like actually like 475 00:29:17,160 --> 00:29:20,959 Speaker 1: seeing him younger, I'm like, oh my god, yes, Rory, 476 00:29:21,080 --> 00:29:27,280 Speaker 1: go go go. I like you watch him and you 477 00:29:27,400 --> 00:29:29,800 Speaker 1: like kind of smirk, like you smirk with him, like 478 00:29:30,920 --> 00:29:34,719 Speaker 1: oh he said, oh he's doing that. I love it. 479 00:29:34,840 --> 00:29:37,440 Speaker 1: I love it. And I mean I wasn't the biggest 480 00:29:37,480 --> 00:29:40,040 Speaker 1: Dean fan from the beginning, so I'm with everybody like, 481 00:29:40,080 --> 00:29:44,480 Speaker 1: go go get her, get her. Yeah say that to Dean. Well, 482 00:29:44,520 --> 00:29:49,040 Speaker 1: it's just it's just such a stark contrast between how 483 00:29:49,080 --> 00:29:52,560 Speaker 1: relaxed Jesse is and how cool and comfident is its 484 00:29:52,560 --> 00:29:56,920 Speaker 1: opposed to Dean. And it's just kind of hard. I mean, 485 00:29:56,960 --> 00:30:00,040 Speaker 1: it's not hard to imagine why you know, in that 486 00:30:00,320 --> 00:30:02,600 Speaker 1: they gave us. What I love about this episode is 487 00:30:02,640 --> 00:30:08,320 Speaker 1: they gave us that entire process from Rory transitioning from 488 00:30:08,360 --> 00:30:13,760 Speaker 1: from Dean to Milo, and it was gradual. It happened 489 00:30:13,760 --> 00:30:16,240 Speaker 1: in one episode. Actually didn't have it happened over a 490 00:30:16,240 --> 00:30:21,080 Speaker 1: bunch of episodes, but it really happened here, and it 491 00:30:21,160 --> 00:30:23,600 Speaker 1: took a fight between mom and daughter for a whole 492 00:30:23,640 --> 00:30:26,560 Speaker 1: week they were talking to each other. Dean came to you, 493 00:30:26,720 --> 00:30:30,400 Speaker 1: what what you guys are talking about? What my situation? 494 00:30:30,720 --> 00:30:33,840 Speaker 1: What I mean, there's nothing creepier than that for for 495 00:30:33,880 --> 00:30:36,600 Speaker 1: a young girl to hear. I mean, that's like the 496 00:30:36,640 --> 00:30:39,000 Speaker 1: death of that relationship is the fact that he went 497 00:30:39,080 --> 00:30:46,680 Speaker 1: to her mom. Yeah, I think it was brilliant. And 498 00:30:46,720 --> 00:30:50,240 Speaker 1: I know I'm so repetitive because I've said this for 499 00:30:50,320 --> 00:30:54,920 Speaker 1: so many weeks, but man, it took like like strength 500 00:30:54,960 --> 00:30:57,520 Speaker 1: for them to not just shove Milo in our face 501 00:30:57,680 --> 00:31:00,800 Speaker 1: right away because he was so brilliant. It's everyone behind 502 00:31:00,840 --> 00:31:03,040 Speaker 1: the scenes obviously into this guy's brilliant. But that's why 503 00:31:03,040 --> 00:31:05,360 Speaker 1: I kept saying, like God, they would just sprinkle him 504 00:31:05,360 --> 00:31:10,280 Speaker 1: in one cool scene, one little line. For weeks, We've 505 00:31:10,320 --> 00:31:13,480 Speaker 1: been just going I mean, there was episodes. There were 506 00:31:13,480 --> 00:31:16,800 Speaker 1: episodes he wasn't even in and you're like, what he's like, 507 00:31:16,880 --> 00:31:19,520 Speaker 1: he's in the in the show credits? Where is he? 508 00:31:19,760 --> 00:31:25,200 Speaker 1: And it's because we had to wait a little bit, 509 00:31:25,280 --> 00:31:28,120 Speaker 1: like we had to want it more. Yeah, it's uh. 510 00:31:28,720 --> 00:31:31,479 Speaker 1: I mean I don't know if he might be the 511 00:31:31,520 --> 00:31:36,040 Speaker 1: best character in that show in terms of how well 512 00:31:36,080 --> 00:31:38,840 Speaker 1: they set him up. I mean they are setting him 513 00:31:38,960 --> 00:31:42,680 Speaker 1: up for a career. I mean he's getting a career 514 00:31:42,720 --> 00:31:45,360 Speaker 1: out of this because he's the guy that comes in 515 00:31:45,440 --> 00:31:47,760 Speaker 1: and just blows the lid off the place in a 516 00:31:47,800 --> 00:31:49,920 Speaker 1: couple of scenes here and there by being a super 517 00:31:49,920 --> 00:31:54,160 Speaker 1: cool guy. I mean talk about just wow, what a 518 00:31:54,240 --> 00:31:58,920 Speaker 1: great what a great role. I love how Jess is 519 00:31:59,000 --> 00:32:02,440 Speaker 1: so cool, he's so smart with all the references that 520 00:32:02,600 --> 00:32:05,800 Speaker 1: Rory gets, but he's also hilarious. He's like, oh, Dean, 521 00:32:05,880 --> 00:32:13,000 Speaker 1: he's so tall, he's so tall and mad. But then 522 00:32:13,040 --> 00:32:15,160 Speaker 1: we also see how much he loves Rory because he 523 00:32:15,200 --> 00:32:17,920 Speaker 1: bites right into that gross bowl. Was that tuna fish? 524 00:32:18,400 --> 00:32:21,680 Speaker 1: I don't know, did you did you pick up on 525 00:32:21,720 --> 00:32:25,120 Speaker 1: when Rory was like a Dean would have fallen for that? 526 00:32:26,400 --> 00:32:31,280 Speaker 1: I was like, did someone say Dean's an idiot? Who 527 00:32:31,280 --> 00:32:34,200 Speaker 1: said that? Or did I say Dean's an idiot? My notes? 528 00:32:34,240 --> 00:32:37,520 Speaker 1: I wrote Dean's an idiots an idiot. He's just a 529 00:32:37,560 --> 00:32:41,480 Speaker 1: young kid and he's not able to listen obviously. You know, 530 00:32:41,520 --> 00:32:44,640 Speaker 1: when you're in your first love triangle as a teen, 531 00:32:45,280 --> 00:32:47,520 Speaker 1: you know that's a that's a rough one. How do 532 00:32:47,560 --> 00:32:50,880 Speaker 1: you respond to that? You know, love that you bring 533 00:32:50,960 --> 00:32:53,240 Speaker 1: up love triangle because that is sure what we've got 534 00:32:53,240 --> 00:32:56,320 Speaker 1: going on. Yeah, it's it's but I you know, there 535 00:32:56,320 --> 00:32:59,320 Speaker 1: ain't so much love anymore on one side of that 536 00:32:59,640 --> 00:33:01,960 Speaker 1: try and goal, and it's going on in transferred to 537 00:33:01,960 --> 00:33:06,280 Speaker 1: the other side. You know, let's let's reverse the roles. 538 00:33:06,360 --> 00:33:11,880 Speaker 1: Let's say you know, Milo got the Dean part and 539 00:33:11,880 --> 00:33:16,240 Speaker 1: and Jared got the Jess part. How would that play out? 540 00:33:16,400 --> 00:33:20,000 Speaker 1: Can you see Milo is becoming unhinged and the and 541 00:33:20,080 --> 00:33:24,800 Speaker 1: the tall, handsome, cool, collected Jess shows up in the 542 00:33:24,840 --> 00:33:29,400 Speaker 1: form of Jared Paddle? Icky? Could have worked? If they 543 00:33:29,520 --> 00:33:31,760 Speaker 1: if they reverse roles? Could it? Could it have worked? 544 00:33:32,040 --> 00:33:36,120 Speaker 1: You still would have rooted for for Milo is Dean. 545 00:33:37,960 --> 00:33:41,120 Speaker 1: I just think there's I think Jared is Dean, which 546 00:33:41,640 --> 00:33:44,840 Speaker 1: is great, but Milo is Jess? Like, but how do 547 00:33:44,920 --> 00:33:48,200 Speaker 1: you just do okay, So you get Jared paddle Icky, 548 00:33:48,280 --> 00:33:52,160 Speaker 1: which is a home run. He's seventeen, he's tall, tall, 549 00:33:52,320 --> 00:33:56,160 Speaker 1: drink of water, He's got the perfect model face, you 550 00:33:56,200 --> 00:33:58,760 Speaker 1: know what I mean. It's like girls all over the country, 551 00:33:58,720 --> 00:34:00,640 Speaker 1: You're gonna fall in love with this. Guys to c 552 00:34:01,040 --> 00:34:03,800 Speaker 1: W it's their demo. How are you going to do 553 00:34:03,880 --> 00:34:06,560 Speaker 1: better than that? How are you going to do better 554 00:34:06,600 --> 00:34:08,960 Speaker 1: than that? And then you know, you get that gig 555 00:34:09,000 --> 00:34:11,400 Speaker 1: and you're Dean and you're feeling all good about yourself 556 00:34:11,440 --> 00:34:14,040 Speaker 1: and then all of a sudden, bub boom, a Milow 557 00:34:14,160 --> 00:34:17,640 Speaker 1: comes along and blows you out of the water. Who 558 00:34:17,719 --> 00:34:21,360 Speaker 1: Nobody's that's the best part because Dean is so tall, 559 00:34:21,400 --> 00:34:25,120 Speaker 1: and he is so handsome and a tall drink of water, 560 00:34:25,360 --> 00:34:29,160 Speaker 1: and you never expect him to go unhinged, right, But 561 00:34:29,320 --> 00:34:31,879 Speaker 1: Milow is a little more scrappy and a little more 562 00:34:32,040 --> 00:34:38,040 Speaker 1: like mysterious and cool, and and just the juxtaposition of 563 00:34:38,080 --> 00:34:40,239 Speaker 1: the two of them, you will always go from my 564 00:34:40,360 --> 00:34:42,960 Speaker 1: list because he's not the obvious choice. I don't know. 565 00:34:43,280 --> 00:34:46,000 Speaker 1: Wait a minute, but now we have an example from 566 00:34:46,040 --> 00:34:49,480 Speaker 1: the very first episode, I think from the pilot, when 567 00:34:49,480 --> 00:34:54,200 Speaker 1: we when did we meet Dean in the hallways, she 568 00:34:54,280 --> 00:34:57,799 Speaker 1: drops a book and they're super cool. Dean mysterious guy, 569 00:34:58,000 --> 00:35:02,080 Speaker 1: handsome guy, tall, drink of water, making a comment, being 570 00:35:02,120 --> 00:35:05,840 Speaker 1: super cool, being super noncommittal, throwing away his lines. Whatever. 571 00:35:05,920 --> 00:35:09,520 Speaker 1: You know, he was, he was, Jess in the beginning, Yes, 572 00:35:09,640 --> 00:35:12,520 Speaker 1: he was. You're right, and he even made a reference 573 00:35:12,680 --> 00:35:18,000 Speaker 1: to literature. I think right, absolutely, he was capable of 574 00:35:18,160 --> 00:35:22,680 Speaker 1: communicating with her on that level. So he was wow, right, 575 00:35:22,760 --> 00:35:25,640 Speaker 1: he had that wow factor coming in And now look, 576 00:35:25,840 --> 00:35:31,160 Speaker 1: that's fair. He's grumbling to mommy, WHOA, that is fair? 577 00:35:31,239 --> 00:35:35,800 Speaker 1: But man, do I sure, Jess? It's because that character, 578 00:35:37,120 --> 00:35:41,240 Speaker 1: that character in the writer's room, they wrecked them the right. Obviously, 579 00:35:41,239 --> 00:35:43,080 Speaker 1: they know how to write cool. They know how to 580 00:35:43,120 --> 00:35:46,280 Speaker 1: write to make people cool, and now they're just writing 581 00:35:46,320 --> 00:35:52,200 Speaker 1: to make mylow cool. Did Rory's confidence break down Dean's 582 00:35:52,200 --> 00:35:56,080 Speaker 1: confidence over time? I think, you know what, I think 583 00:35:56,080 --> 00:35:59,359 Speaker 1: you're right. I think that's a very salient point. I 584 00:35:59,400 --> 00:36:02,239 Speaker 1: think that her I think what Rory brings to the 585 00:36:02,320 --> 00:36:06,799 Speaker 1: table is a backbone, and she brings her mother's backbone, 586 00:36:06,840 --> 00:36:10,240 Speaker 1: which means she is bringing Emily's backbone. These are people 587 00:36:10,280 --> 00:36:15,360 Speaker 1: that don't back down, and that is a very strong 588 00:36:16,960 --> 00:36:21,799 Speaker 1: grounded Rory. She's she's not a flighty wacko. You know, 589 00:36:22,239 --> 00:36:27,080 Speaker 1: she's this rounded, serious student. She's going to the Ivy League. 590 00:36:28,040 --> 00:36:33,680 Speaker 1: She's you know, academically gifted um and a cerebral kid. 591 00:36:33,920 --> 00:36:39,560 Speaker 1: And she's even more psychologically orientated than most people her 592 00:36:39,600 --> 00:36:46,280 Speaker 1: age and understands, you know, all of these subtleties psychologically 593 00:36:46,280 --> 00:36:49,120 Speaker 1: speaking that only you know that that an adult would understand. 594 00:36:49,200 --> 00:36:52,520 Speaker 1: She's sixteen, so she's grown up pretty quickly. So I 595 00:36:52,560 --> 00:36:55,239 Speaker 1: agree with you there. I think I always thought that 596 00:36:55,280 --> 00:36:58,560 Speaker 1: there was an imbalance. She was far more mature, too 597 00:36:58,560 --> 00:37:07,600 Speaker 1: sophisticated and and and too mature for Dean. Yeah. Yeah, Well, 598 00:37:07,600 --> 00:37:09,960 Speaker 1: speaking of what you're saying, how about reverse psychology as 599 00:37:10,000 --> 00:37:14,400 Speaker 1: the reason that Lorelai sort of okay is Jess and 600 00:37:14,480 --> 00:37:19,960 Speaker 1: Rory because Emily is so first lauraize like no, no, no, no, no, 601 00:37:20,000 --> 00:37:22,239 Speaker 1: there's not happening. That guy's not that's guy's not good 602 00:37:22,320 --> 00:37:25,440 Speaker 1: stip of Dean. Then Emily is like, you're right, lorea lie, 603 00:37:25,600 --> 00:37:27,360 Speaker 1: you need to forbid her blah blah, and all of 604 00:37:27,400 --> 00:37:29,839 Speaker 1: a sudden, loyalized like has this Oh my god, this 605 00:37:29,880 --> 00:37:32,399 Speaker 1: is my life. So she goes to Rory and says, 606 00:37:32,440 --> 00:37:35,279 Speaker 1: I trust you, like if you like this kid, you 607 00:37:35,360 --> 00:37:39,759 Speaker 1: do you? I trust you? So, like you're saying, it 608 00:37:39,880 --> 00:37:43,239 Speaker 1: is all this psychological stuff and the issues run deep, 609 00:37:43,960 --> 00:37:48,279 Speaker 1: hence highlighting the uniqueness of that relationship between mother and daughter. 610 00:37:48,320 --> 00:37:51,760 Speaker 1: Makes it so special that that Laurel I is mature 611 00:37:51,880 --> 00:37:56,120 Speaker 1: enough and knows her daughter enough and trust her enough. Um. 612 00:37:56,160 --> 00:37:58,360 Speaker 1: You know, yeah, she had a weak moment with with 613 00:37:58,360 --> 00:38:01,360 Speaker 1: with Jess because she had a very bad encounter initially 614 00:38:01,400 --> 00:38:04,440 Speaker 1: with with Jess. And I don't blame her. I mean 615 00:38:04,520 --> 00:38:09,880 Speaker 1: that lack of um empathy and the lack of you know, 616 00:38:09,960 --> 00:38:14,359 Speaker 1: social engagement skills on Jess is alarming to a parent. 617 00:38:14,480 --> 00:38:17,120 Speaker 1: I mean, you wouldn't want that around your kid, you know. 618 00:38:17,320 --> 00:38:22,960 Speaker 1: So I completely understand her, you know, making that misstep 619 00:38:23,000 --> 00:38:27,400 Speaker 1: according to uh Rory. Um, but that really did display 620 00:38:27,440 --> 00:38:31,640 Speaker 1: the uniqueness of the relationship and how mature uh Rory 621 00:38:31,840 --> 00:38:34,960 Speaker 1: was and how she earned that trust. And Mom, you're 622 00:38:35,000 --> 00:38:36,960 Speaker 1: going off the rails here, what's wrong with you? You 623 00:38:37,000 --> 00:38:39,040 Speaker 1: don't you have to trust me because I'm your daughter, 624 00:38:39,120 --> 00:38:42,719 Speaker 1: because you raised me to be this way independent And 625 00:38:42,760 --> 00:38:45,640 Speaker 1: I like all how that played out there. It is 626 00:38:45,760 --> 00:38:47,279 Speaker 1: it was it was kind of funny at first, I 627 00:38:47,280 --> 00:38:49,279 Speaker 1: thought that's a little mean to Emily, but you know, 628 00:38:51,120 --> 00:38:57,080 Speaker 1: I agree with you. One. Then the last couple of 629 00:38:57,120 --> 00:38:59,520 Speaker 1: lines of that scene when they're leaving Richard's study is 630 00:38:59,680 --> 00:39:04,960 Speaker 1: uh uh yeah, mom, Mom agreed with Oh I'm sorry, Okay, yeah, 631 00:39:04,960 --> 00:39:09,560 Speaker 1: I'm fine. So then what do you think I mean? 632 00:39:09,600 --> 00:39:15,200 Speaker 1: For me? This was the ultimate, brilliant, ultimate last scene 633 00:39:15,920 --> 00:39:21,319 Speaker 1: when Rory goes home, goes into the bedroom, calls and 634 00:39:21,360 --> 00:39:27,320 Speaker 1: we're like, who's she calling? Yes, brilliant. There's Jeff holding 635 00:39:27,360 --> 00:39:30,880 Speaker 1: the bracelet, reading the book and they have this moment 636 00:39:30,880 --> 00:39:36,120 Speaker 1: where you're like, wow, this these two genuinely totally like 637 00:39:36,239 --> 00:39:38,279 Speaker 1: each other. Let me tell you something. The Vegas the 638 00:39:38,360 --> 00:39:42,840 Speaker 1: Vegas odds on her calling Dean, We're not it didn't exist. 639 00:39:43,280 --> 00:39:46,719 Speaker 1: I mean, it was a billion to one. I mean, 640 00:39:46,760 --> 00:39:49,120 Speaker 1: if you were, if you were putting money down on Jess, 641 00:39:49,160 --> 00:39:51,520 Speaker 1: you did very well on that one because you knew 642 00:39:51,600 --> 00:39:54,680 Speaker 1: she was calling Jess. And did everybody love it like 643 00:39:54,760 --> 00:39:59,319 Speaker 1: I did? And I loved it like their conversation and 644 00:39:59,400 --> 00:40:03,680 Speaker 1: he was is It's the first time I've seen him 645 00:40:03,760 --> 00:40:07,880 Speaker 1: really light up because he wasn't with her, so he 646 00:40:07,880 --> 00:40:11,200 Speaker 1: could glow a little bit, and he was excited. He 647 00:40:11,280 --> 00:40:15,440 Speaker 1: was so turned on and he was so happy and 648 00:40:15,480 --> 00:40:18,040 Speaker 1: I've never seen him like that and that was the 649 00:40:18,080 --> 00:40:20,719 Speaker 1: first time. And he's like and when he said I'm 650 00:40:20,719 --> 00:40:23,480 Speaker 1: gonna hold you that, there was so much hope and 651 00:40:23,600 --> 00:40:26,680 Speaker 1: longing and love and that statement I'm going to hold 652 00:40:26,719 --> 00:40:29,360 Speaker 1: you to that And because he knew he had her now, 653 00:40:30,200 --> 00:40:32,279 Speaker 1: or he had at least he had a chance, you know, 654 00:40:32,320 --> 00:40:34,360 Speaker 1: he was he was going to get a second chance. 655 00:40:35,160 --> 00:40:38,400 Speaker 1: So that's exciting for a young guy. If that's exciting 656 00:40:38,400 --> 00:40:42,200 Speaker 1: for anybody to feel in you know, when when you 657 00:40:42,280 --> 00:40:49,239 Speaker 1: don't have to pine any longer for your beloved and 658 00:40:49,280 --> 00:40:52,120 Speaker 1: it's just that, Yeah, that's so well said. That's probably 659 00:40:52,120 --> 00:40:54,080 Speaker 1: why we love the scene so much. As you're like, 660 00:40:55,040 --> 00:40:58,680 Speaker 1: you've got all this hold and then you're like, okay, 661 00:40:59,160 --> 00:41:02,040 Speaker 1: we've all experience arans that and the crushing defeat when 662 00:41:02,040 --> 00:41:05,200 Speaker 1: it's not reciprocated right when it's unrequiteted, and it's just 663 00:41:05,239 --> 00:41:11,320 Speaker 1: like good, Okay. So I have a debate topic for everybody. Okay, 664 00:41:12,080 --> 00:41:17,880 Speaker 1: should Rory have gone and eating lunch with Jess? No, 665 00:41:19,960 --> 00:41:25,080 Speaker 1: that's just automatically proves she ain't in dedeaned that much. 666 00:41:25,800 --> 00:41:30,600 Speaker 1: He was right, and he was just defiably disturbed by that. 667 00:41:31,960 --> 00:41:36,160 Speaker 1: There is not a chance. I mean, seeing how naked, 668 00:41:37,280 --> 00:41:43,000 Speaker 1: how obvious, how naked jess aggression was to get that. See, 669 00:41:43,480 --> 00:41:48,720 Speaker 1: that's the primordial thing and guys love it and girls 670 00:41:48,800 --> 00:41:51,440 Speaker 1: love it. And when you make a move even it 671 00:41:51,440 --> 00:41:57,000 Speaker 1: can be incredibly embarrassing and inappropriate and to public and 672 00:41:57,040 --> 00:41:59,200 Speaker 1: how dare you? And you deserve to get your ass 673 00:41:59,239 --> 00:42:02,000 Speaker 1: kicked for doing something like that. If that happens to 674 00:42:02,040 --> 00:42:05,560 Speaker 1: a guy, they secretly like it. They like being desired. 675 00:42:05,600 --> 00:42:08,960 Speaker 1: People like being desired. They just do. And if it's 676 00:42:09,000 --> 00:42:13,600 Speaker 1: so direct and forceful in that way, you know that's intriguing. 677 00:42:14,440 --> 00:42:17,200 Speaker 1: It is it just is. It's human nature. So Jess 678 00:42:17,320 --> 00:42:19,880 Speaker 1: is a sharp cookie, you know he understands Whoman nature, 679 00:42:19,920 --> 00:42:24,440 Speaker 1: maybe a little better than Dean. Yeah, I'm glad she went, 680 00:42:24,520 --> 00:42:26,480 Speaker 1: but you're right, like it was kind of like a 681 00:42:26,560 --> 00:42:31,080 Speaker 1: rough move, like like like like a really solid girlfriend 682 00:42:31,160 --> 00:42:35,800 Speaker 1: ain't going on that thing, right, And she's like, it's traditions, 683 00:42:36,120 --> 00:42:43,120 Speaker 1: it's the rule. No, no, no, it doesn't violate girlfriend 684 00:42:43,120 --> 00:42:48,920 Speaker 1: guy guy girlfriend boyfriend rules. Sorry, that's a stronger. Bondboy's 685 00:42:48,920 --> 00:42:52,160 Speaker 1: writing to check Jackson's writing a check to get that 686 00:42:52,200 --> 00:42:55,920 Speaker 1: basketback from Kurt yes, exactly, that's what you do. You 687 00:42:56,000 --> 00:42:58,799 Speaker 1: write a check and say move along, now bye bye. 688 00:42:59,239 --> 00:43:02,719 Speaker 1: At that point, did did he go to the mother yet? No, 689 00:43:03,160 --> 00:43:06,600 Speaker 1: that was pretty He decides she's going to go to 690 00:43:06,640 --> 00:43:10,160 Speaker 1: the lunch and then while they're on the bridge. But 691 00:43:10,280 --> 00:43:13,879 Speaker 1: from Rory, I'm looking at Dean going, dude, figure something out. 692 00:43:13,920 --> 00:43:17,200 Speaker 1: That's a lot cooler to get rid of him, instead 693 00:43:17,239 --> 00:43:20,360 Speaker 1: of like, you know, yelling at me about it. You 694 00:43:20,400 --> 00:43:22,840 Speaker 1: know what I mean, It's like, be cool, like do 695 00:43:23,000 --> 00:43:25,960 Speaker 1: something slick, do something like that by just be like, 696 00:43:26,440 --> 00:43:30,400 Speaker 1: enjoy your gross tune. Either that and walk away right 697 00:43:30,800 --> 00:43:37,400 Speaker 1: and put that lump in her stocking, or or just say, hey, guy, uh, 698 00:43:37,440 --> 00:43:41,360 Speaker 1: I'll tell you what. H I'll give you two hundred bucks. 699 00:43:42,600 --> 00:43:46,000 Speaker 1: I'll give you five bucks, and if you guys still 700 00:43:46,040 --> 00:43:48,440 Speaker 1: want to go out, I'll drive you and be your 701 00:43:48,480 --> 00:43:51,279 Speaker 1: show for how's that? But today I'm gonna be with 702 00:43:51,320 --> 00:43:54,239 Speaker 1: my girl. Bye bye. Right. The move would have been 703 00:43:54,880 --> 00:43:58,400 Speaker 1: something either that or he just goes all right, you 704 00:43:58,440 --> 00:44:01,400 Speaker 1: do you Rory? Go with this? I I mean, he 705 00:44:01,800 --> 00:44:05,480 Speaker 1: clearly doesn't have five Yeah, there were ways Dean could 706 00:44:05,520 --> 00:44:08,680 Speaker 1: have played it. Yeah, I mean I love The whole 707 00:44:08,719 --> 00:44:11,920 Speaker 1: episode to me is just like the best perfect episode. Yeah, 708 00:44:11,960 --> 00:44:14,720 Speaker 1: but Jared. You know, Jared did okay with his career, 709 00:44:14,760 --> 00:44:21,359 Speaker 1: didn't He just nice little launching pad for him, right, 710 00:44:22,560 --> 00:44:25,680 Speaker 1: I mean, I think they did fifteen seasons on Supernatural. 711 00:44:25,680 --> 00:44:28,600 Speaker 1: Can you imagine to a fifteen seasons of a show? 712 00:44:29,360 --> 00:44:33,239 Speaker 1: Do you think Gilmore Girls fans are serious? Those Supernatural fans? 713 00:44:33,480 --> 00:44:37,080 Speaker 1: Plus conventions, those guys did conventions. They had a company 714 00:44:37,160 --> 00:44:41,799 Speaker 1: representing them just to do Supernatural conventions. I mean they 715 00:44:41,840 --> 00:44:45,600 Speaker 1: were massive, major events. Yeah. I love both those boys, 716 00:44:45,640 --> 00:44:48,719 Speaker 1: Jared and Jensen. Wait, I kind of have exciting announcement 717 00:44:48,800 --> 00:44:54,319 Speaker 1: because we're running out of time, so we will do 718 00:44:54,360 --> 00:45:00,680 Speaker 1: a special episode this week on starring starring Riley. Come on, 719 00:45:01,480 --> 00:45:04,439 Speaker 1: that is just pop culture. Because there's so much pop 720 00:45:04,440 --> 00:45:06,200 Speaker 1: culture in this we don't want to like squish it 721 00:45:06,239 --> 00:45:08,080 Speaker 1: here in the last two seconds. So that's it. No, 722 00:45:08,280 --> 00:45:12,160 Speaker 1: everybody's out, it's just her. No, we'll be here'll be 723 00:45:13,080 --> 00:45:15,279 Speaker 1: it'll be her shining moment. You'll be here, We'll all 724 00:45:15,320 --> 00:45:19,799 Speaker 1: be here, but we'll just let her really shine. Yeah. 725 00:45:19,800 --> 00:45:27,880 Speaker 1: I don't say anything anymore, but I see your reviews, everybody. 726 00:45:27,880 --> 00:45:30,640 Speaker 1: I see your reviews telling me to pipe down and 727 00:45:30,719 --> 00:45:34,399 Speaker 1: to shut up and not to let Riley, So I'm 728 00:45:34,400 --> 00:45:36,480 Speaker 1: gonna take I We read those reviews and we take 729 00:45:36,520 --> 00:45:38,560 Speaker 1: them to heart. So we're gonna give Riley her own 730 00:45:38,760 --> 00:45:42,560 Speaker 1: pop culture episode this week. Thank you all so much. 731 00:45:42,600 --> 00:45:46,320 Speaker 1: I'd like to thank the Academy. I'd like to thank 732 00:45:47,239 --> 00:45:50,200 Speaker 1: my fans. You know, I'm not perfect, but everybody's here 733 00:45:50,200 --> 00:45:53,279 Speaker 1: to help, So thank you. Know I'm perfect but improving. 734 00:45:54,040 --> 00:45:56,000 Speaker 1: So we throw our favorite lines in though before we go, 735 00:45:56,920 --> 00:45:59,520 Speaker 1: let's do it. Sold to the nice young hubum in 736 00:45:59,520 --> 00:46:03,399 Speaker 1: the back. Yeah, you like that one? Huh? Then are 737 00:46:03,400 --> 00:46:08,120 Speaker 1: you pregnant? That's my favorite. He's so tall and mad 738 00:46:09,400 --> 00:46:12,239 Speaker 1: minds from Jess said. He says, I'm sorry about that. 739 00:46:12,280 --> 00:46:14,200 Speaker 1: You want to push me in the lake. It's cathartic. 740 00:46:14,239 --> 00:46:17,080 Speaker 1: I hear, very nice wrap around for I don't know, 741 00:46:17,200 --> 00:46:18,960 Speaker 1: give me a favorite that. There was so many, I 742 00:46:19,000 --> 00:46:21,640 Speaker 1: don't even know what about when someone When Rory sang 743 00:46:21,680 --> 00:46:24,760 Speaker 1: to Dean, it's a waste of energy, like stop fighting 744 00:46:24,760 --> 00:46:26,920 Speaker 1: with you know, stop stop fighting with Jess. It's a 745 00:46:26,920 --> 00:46:28,680 Speaker 1: waste of energy. And he goes, I'll have a power bar, 746 00:46:29,000 --> 00:46:31,120 Speaker 1: like I'm going to keep at this gals in power bar. 747 00:46:31,840 --> 00:46:36,080 Speaker 1: I think my favorite line was the the little you 748 00:46:36,080 --> 00:46:38,560 Speaker 1: know when they were leaving Richard Study and my mom 749 00:46:38,600 --> 00:46:43,279 Speaker 1: said she gree with oh I'm sorry. Yeah, okay, Yeah 750 00:46:43,320 --> 00:46:45,239 Speaker 1: that was it. That was for me the biggest laugh 751 00:46:47,560 --> 00:46:51,080 Speaker 1: out of ten Riley. Yeah, I got its big thumbs 752 00:46:51,160 --> 00:46:55,279 Speaker 1: up for me, had that real Gilmore feelings community or 753 00:46:55,280 --> 00:46:58,440 Speaker 1: the characters win it. But a wonderful episode. Just a 754 00:46:58,480 --> 00:47:01,600 Speaker 1: wonderful episode all the way around. Performances were a plus 755 00:47:02,080 --> 00:47:04,960 Speaker 1: all the way around. Uh. It just for me. It 756 00:47:05,040 --> 00:47:08,880 Speaker 1: had the spirit and the lightness and the communal aspect 757 00:47:08,920 --> 00:47:12,520 Speaker 1: of what what Gilmore Girls has to offer. And I 758 00:47:12,520 --> 00:47:15,000 Speaker 1: think the more of the town participates and it becomes 759 00:47:15,000 --> 00:47:18,719 Speaker 1: that communal thing, and the better that show is, um 760 00:47:18,760 --> 00:47:21,560 Speaker 1: because it's in the town and everybody's involved. I wanted 761 00:47:21,600 --> 00:47:23,799 Speaker 1: to see miss Patty. I mean, I'm sorry, I wanted 762 00:47:23,920 --> 00:47:26,080 Speaker 1: and Miss Patty was great in this and liszt Tours 763 00:47:26,160 --> 00:47:29,319 Speaker 1: was great and yeah, um she had some great lines too, 764 00:47:29,680 --> 00:47:31,480 Speaker 1: you know, but you can't you can't handle it on 765 00:47:31,520 --> 00:47:35,640 Speaker 1: your own, dear. It's like she's such a disaster and 766 00:47:35,719 --> 00:47:39,359 Speaker 1: poor yeahs to Kirk in this episode two he had 767 00:47:39,400 --> 00:47:44,640 Speaker 1: some great stuff. Taylor Taylor, absolutely, but there was no Batte. 768 00:47:47,040 --> 00:47:49,640 Speaker 1: Imagine Bette where was the best? She was probably working, 769 00:47:49,719 --> 00:47:56,480 Speaker 1: she's she's busy, at least she was. Alright, guys, So 770 00:47:56,480 --> 00:47:59,920 Speaker 1: so we're gonna do stay tuned yet. We're gonna, yes 771 00:48:00,000 --> 00:48:02,840 Speaker 1: a stay tuned because we're gonna do a separate episode 772 00:48:03,560 --> 00:48:12,960 Speaker 1: with starring Riley Pelusis as the pop culture maven of 773 00:48:13,200 --> 00:48:18,400 Speaker 1: the New Millennia. Okay, so here we go. All right, Amy, 774 00:48:18,400 --> 00:48:22,319 Speaker 1: are we going to produce our show on definitely? Okay, 775 00:48:22,400 --> 00:48:24,920 Speaker 1: you're gonna definitely? Or am I getting kicked to the 776 00:48:24,920 --> 00:48:29,319 Speaker 1: curb like you have nothing doing? All right, everybody that's 777 00:48:29,320 --> 00:48:33,279 Speaker 1: gonna wrap up a tisket a tasket. Wonderful episode? What 778 00:48:33,440 --> 00:48:39,759 Speaker 1: number was this? Thirteen twelve? What was it? Season two episode? Boy, 779 00:48:39,840 --> 00:48:44,239 Speaker 1: we're motoring through. We're more than halfway through season two. Boy, 780 00:48:44,400 --> 00:48:48,040 Speaker 1: time flies when you're having fun. Um, it really does, 781 00:48:48,120 --> 00:48:50,880 Speaker 1: it really really does. All Right? Anybody see you guys, 782 00:48:50,920 --> 00:48:55,240 Speaker 1: Thanks for thanks for download everybody, best fans on the planet. 783 00:48:56,160 --> 00:48:58,640 Speaker 1: We are having a lot of fun bringing these to you. 784 00:48:58,680 --> 00:49:02,200 Speaker 1: We're so glad that you're enjoying them. Please keep emailing 785 00:49:02,239 --> 00:49:06,359 Speaker 1: giving your feedback pro and con. It's very helpful for us, 786 00:49:06,440 --> 00:49:09,600 Speaker 1: very constructive. We appreciate all of it. Anyway, all the 787 00:49:09,600 --> 00:49:42,640 Speaker 1: best stay say hey everybody and don't forget Follow us 788 00:49:42,719 --> 00:49:46,920 Speaker 1: on Instagram at I Am all In podcast and email 789 00:49:47,040 --> 00:49:51,400 Speaker 1: us at Gilmore at I heart radio dot com. Oh 790 00:49:51,480 --> 00:49:53,040 Speaker 1: you gil More fans. If you're looking for the best 791 00:49:53,080 --> 00:49:55,920 Speaker 1: cup of coffee in the world, go to my website 792 00:49:55,960 --> 00:49:59,040 Speaker 1: for my company scott ep dot com, s CEO T 793 00:49:59,040 --> 00:50:02,160 Speaker 1: T y P dot um, scottie p dot com, Grade 794 00:50:02,160 --> 00:50:13,440 Speaker 1: one Specially Coffee. Yeah h