1 00:00:00,520 --> 00:00:03,560 Speaker 1: On the dol Cast. The questions asked if movies have 2 00:00:03,640 --> 00:00:07,520 Speaker 1: women inum, are all their discussions just boyfriends and husbands, 3 00:00:07,600 --> 00:00:12,639 Speaker 1: or do they have individualism the patriarchy ze invest start 4 00:00:12,760 --> 00:00:20,919 Speaker 1: changing it with the beck dol Cast interior podcast Studio afternoon. 5 00:00:21,520 --> 00:00:25,360 Speaker 1: Caitlin and Jamie wait quietly as they get the go 6 00:00:25,520 --> 00:00:30,720 Speaker 1: ahead from Aristotle to start, Hey, welcome to the Bechtel Cast. Hi. 7 00:00:31,760 --> 00:00:33,360 Speaker 1: I thought you're gonna keep going that. I was gonna 8 00:00:33,360 --> 00:00:39,880 Speaker 1: start breathing heavy. Then you stopped. It's gonna started breathing heavy. Yeah, 9 00:00:39,880 --> 00:00:42,800 Speaker 1: I kind of bailed on it, but don't build on 10 00:00:42,840 --> 00:00:45,600 Speaker 1: the bit. Well like me saying hey, welcome to the 11 00:00:45,640 --> 00:00:48,240 Speaker 1: Bechtel Cast was like Caitlin's dialogue. So then I was 12 00:00:48,280 --> 00:00:52,239 Speaker 1: just reading dialogue and then you came in with your dialogue. Well, 13 00:00:52,320 --> 00:00:55,440 Speaker 1: mine was an action line. More, it was like Jamie 14 00:00:55,480 --> 00:00:59,880 Speaker 1: begins to breathe heavily. True. Anyway, I'm Caitlin, I'm Jamie. 15 00:01:00,160 --> 00:01:02,800 Speaker 1: This is the Pectel Cast. Yeah it is. It's a 16 00:01:02,840 --> 00:01:07,600 Speaker 1: podcast about the portrayal of women in movies. We're here 17 00:01:07,800 --> 00:01:12,960 Speaker 1: today and we're talking about another movie. Man, We've got 18 00:01:12,959 --> 00:01:14,720 Speaker 1: to like kick out the energy. We gotta turn it 19 00:01:14,720 --> 00:01:16,560 Speaker 1: out to eleven right now, maybe I should have gotten 20 00:01:16,600 --> 00:01:19,280 Speaker 1: my mix hard. I'm gonna I'm gonna crank it up, 21 00:01:19,360 --> 00:01:21,800 Speaker 1: frank it Up. I have a song in my Spotify 22 00:01:21,840 --> 00:01:24,880 Speaker 1: called crank it Up. It's a theme to my favorite wrestler. 23 00:01:25,480 --> 00:01:30,039 Speaker 1: Who's your favorite wrestler? Who? Big show? Big show, big show. 24 00:01:30,319 --> 00:01:33,240 Speaker 1: He's big and he's at the show. He's very big. 25 00:01:33,360 --> 00:01:36,119 Speaker 1: He's a he's maybe seven feet tall. He's a giant. 26 00:01:36,200 --> 00:01:39,480 Speaker 1: Can we change the subject? He's a big show. Should 27 00:01:39,520 --> 00:01:42,640 Speaker 1: we introduce our guest? Yes? Cool, she's the best. She's 28 00:01:42,680 --> 00:01:45,360 Speaker 1: a comedian. She's a writer for a g Q. It's 29 00:01:45,520 --> 00:01:50,480 Speaker 1: Sofia Ben Hi. How are you good? How are you guys? 30 00:01:50,520 --> 00:01:52,880 Speaker 1: We're good. You have brought us a movie that we're 31 00:01:52,880 --> 00:01:56,320 Speaker 1: gonna be talking about. I almost called it The Princess Bride. 32 00:01:56,360 --> 00:01:58,440 Speaker 1: That's not it at all. What is it? Runaway Bride? 33 00:01:58,760 --> 00:02:02,880 Speaker 1: Runaway Bride? Tell us about why you picked this, what 34 00:02:03,000 --> 00:02:05,840 Speaker 1: it means to you, your history with this movie. So 35 00:02:05,880 --> 00:02:08,639 Speaker 1: I started talking to Jamie about movies that I loved, 36 00:02:08,720 --> 00:02:13,080 Speaker 1: and all of my movies are like very romantic comedies 37 00:02:13,120 --> 00:02:17,799 Speaker 1: from the nineties. That's the theme of that list, occasionally 38 00:02:17,919 --> 00:02:21,840 Speaker 1: seeping into like early two thousand's rom coms, Loder aimed 39 00:02:21,880 --> 00:02:27,280 Speaker 1: at teens. Uh So, after looking at that list, I 40 00:02:27,320 --> 00:02:30,560 Speaker 1: talked with Jamie and I thought this movie is probably 41 00:02:30,560 --> 00:02:33,200 Speaker 1: one of the earliest movies I ever saw that was 42 00:02:33,440 --> 00:03:00,680 Speaker 1: made for adults. I'm going to apologie as an advance 43 00:03:00,760 --> 00:03:03,000 Speaker 1: then and say that I'm sorry for how much I 44 00:03:03,040 --> 00:03:10,720 Speaker 1: hate this movie. Fine, I'm not mad. Yes, just wait. 45 00:03:11,000 --> 00:03:13,880 Speaker 1: I love a good shouting match, though, um, I don't 46 00:03:13,880 --> 00:03:15,919 Speaker 1: think it will get to that, but who knows. It's 47 00:03:15,960 --> 00:03:18,639 Speaker 1: the Bechtel Cast. Anything can happen. Do you think we'll 48 00:03:18,639 --> 00:03:20,799 Speaker 1: ever get into a fight, not like a yelling, like 49 00:03:20,840 --> 00:03:24,679 Speaker 1: a fistfight. I just imagine I want to get a fight. 50 00:03:25,960 --> 00:03:29,280 Speaker 1: You're going to flip a table a favorite wrestler, so 51 00:03:29,320 --> 00:03:32,839 Speaker 1: I would not fight you. It's true. I want to enlist. Yeah. 52 00:03:33,000 --> 00:03:34,960 Speaker 1: Big Show is about to retire. Oh god, we're talking 53 00:03:34,960 --> 00:03:37,960 Speaker 1: about this again. Oh my god. Okay, fine, let's talk 54 00:03:37,960 --> 00:03:40,480 Speaker 1: about Oh can I actually I wanted to clear see 55 00:03:40,520 --> 00:03:43,880 Speaker 1: if we're clear to discuss a topic that I would 56 00:03:43,920 --> 00:03:46,240 Speaker 1: love to talk about. But I don't know if everyone's 57 00:03:46,280 --> 00:03:51,040 Speaker 1: down Richard Gear's butt dribble. I'm so damn I'm here. Okay, 58 00:03:51,240 --> 00:03:53,840 Speaker 1: do you are you aware of the lore associated with 59 00:03:54,000 --> 00:03:56,920 Speaker 1: Richard Gear and the dribble within his ass? It sounds 60 00:03:56,960 --> 00:04:00,120 Speaker 1: vaguely familiar, but I don't really remember it's it's I 61 00:04:00,160 --> 00:04:03,400 Speaker 1: have the Snopes tab open right now. In regards to 62 00:04:03,840 --> 00:04:07,840 Speaker 1: Richard Gear and the gerbil, it's it reads. A hoary 63 00:04:08,040 --> 00:04:11,800 Speaker 1: urban legend reports a celebrity was taken to a hospital 64 00:04:11,840 --> 00:04:16,159 Speaker 1: emergency room to have a gerbil removed from his rectum, 65 00:04:16,200 --> 00:04:22,040 Speaker 1: and said celebrity was Richard Gear. Um Snope says it's false, 66 00:04:22,279 --> 00:04:25,760 Speaker 1: but I want to keep that hope alive. It wasn't 67 00:04:25,839 --> 00:04:29,279 Speaker 1: just that. Apparently there's like a sexual thing where you 68 00:04:29,320 --> 00:04:32,599 Speaker 1: put a gerb that episode of South Park of Okay, 69 00:04:33,160 --> 00:04:36,040 Speaker 1: that's from the rumor of him shoving a gerbil in 70 00:04:36,120 --> 00:04:38,560 Speaker 1: a tube of his ass, which is like they have 71 00:04:38,600 --> 00:04:40,680 Speaker 1: to be able to mechanically do that. By now, like 72 00:04:40,760 --> 00:04:43,560 Speaker 1: you can you can get it to that has something 73 00:04:43,600 --> 00:04:46,280 Speaker 1: moving inside of it, by you would say, like you mean, 74 00:04:46,279 --> 00:04:50,960 Speaker 1: it doesn't have to be a live animal animatronic. As 75 00:04:51,000 --> 00:04:53,279 Speaker 1: a mother of a hamster, I can endorse putting a 76 00:04:53,320 --> 00:04:56,599 Speaker 1: gerbil in your ass. Hey, let's talk about the movie. Okay. 77 00:04:56,760 --> 00:04:59,320 Speaker 1: You grew up with it, you like it a lot. Yes, 78 00:04:59,440 --> 00:05:01,599 Speaker 1: I'm not. I'm not like I think there's a huge 79 00:05:01,600 --> 00:05:04,200 Speaker 1: difference between your favorite movie and the best movie. Like 80 00:05:04,240 --> 00:05:06,440 Speaker 1: I definitely don't think this is a good movie, and 81 00:05:06,480 --> 00:05:08,839 Speaker 1: I would not. This is like on the edge of 82 00:05:08,839 --> 00:05:12,280 Speaker 1: what i'd make my boyfriend watch, Like if we had 83 00:05:12,320 --> 00:05:15,120 Speaker 1: just fought, or like he had done something kind of shitty, 84 00:05:15,200 --> 00:05:18,680 Speaker 1: I would definitely make him watch it, like his punishment. Yeah, Like, 85 00:05:18,800 --> 00:05:21,920 Speaker 1: it's not like, it's not like Cinderella Story where that's 86 00:05:21,960 --> 00:05:23,680 Speaker 1: like if he slept with somebody in front of my 87 00:05:23,720 --> 00:05:26,279 Speaker 1: face and I was like, we're watching Cinderella Story tonight. 88 00:05:26,320 --> 00:05:29,080 Speaker 1: It's my turn to pick a movie. But it's definitely 89 00:05:29,120 --> 00:05:32,200 Speaker 1: like he said something shitty about like my sister or 90 00:05:32,240 --> 00:05:34,320 Speaker 1: something like that, and I'm like, oh no, no, We're 91 00:05:34,320 --> 00:05:37,960 Speaker 1: watching a Julia Roberts movie. That's how I feel about 92 00:05:37,960 --> 00:05:41,040 Speaker 1: this film. That's good. That's good training it is he 93 00:05:41,480 --> 00:05:44,880 Speaker 1: knows how to behave don't pee on the rug, or 94 00:05:44,880 --> 00:05:46,880 Speaker 1: I'll make you watch a Julia Roberts movie. There's a 95 00:05:46,960 --> 00:05:49,040 Speaker 1: joke in the movie about being on the rug. That's 96 00:05:49,279 --> 00:05:51,680 Speaker 1: there is there is there's a joke in the movie 97 00:05:52,839 --> 00:05:57,000 Speaker 1: his ex wife has a new husband and he's laughing 98 00:05:57,600 --> 00:05:59,640 Speaker 1: on the rug and she's like, if you pee on 99 00:05:59,640 --> 00:06:01,640 Speaker 1: my right. That's the guy who's a limo driver and 100 00:06:01,680 --> 00:06:05,800 Speaker 1: the Princess Diaries. Hector Losy. He's in all Gary Marshall's movies, 101 00:06:06,279 --> 00:06:10,040 Speaker 1: weird like Friends. He's also like um in Pretty Woman, 102 00:06:10,600 --> 00:06:14,080 Speaker 1: which also are stars Julia Roberts and Richard Gear if 103 00:06:14,120 --> 00:06:18,520 Speaker 1: you're willing, all stars, which I am our stars are 104 00:06:18,560 --> 00:06:22,400 Speaker 1: also in that film together. Interesting, I well, because is 105 00:06:22,440 --> 00:06:26,279 Speaker 1: this doesn't even know? Is this the first time they 106 00:06:26,320 --> 00:06:29,760 Speaker 1: reunite since Pretty Woman? Or I think it's a sequel. 107 00:06:29,800 --> 00:06:33,479 Speaker 1: It's a Pretty Woman. Really? Yeah, I okay, I haven't 108 00:06:33,520 --> 00:06:35,760 Speaker 1: seen Pretty Woman in a long time. But so much 109 00:06:35,800 --> 00:06:38,360 Speaker 1: of this movie I had fun watching it. It was 110 00:06:38,680 --> 00:06:42,919 Speaker 1: very confusing, particularly towards the end, like the sequence of 111 00:06:42,960 --> 00:06:46,400 Speaker 1: events is just baffling. As a kid, there were things 112 00:06:46,400 --> 00:06:48,120 Speaker 1: that weren't sucked up about it that are now and 113 00:06:48,240 --> 00:06:51,680 Speaker 1: like that's really really packed up. Yeah, Caitlyn, do you 114 00:06:51,720 --> 00:06:55,599 Speaker 1: want to summarize it? Sure, we'll let me start by So, Jamie, 115 00:06:55,640 --> 00:06:58,560 Speaker 1: you hadn't seen this movie before, right? I had not neither, 116 00:06:58,640 --> 00:07:02,440 Speaker 1: did I? So I thought watched it recently. So the 117 00:07:02,560 --> 00:07:09,040 Speaker 1: story is ludicrous, It's fine, all right. Richard gear is 118 00:07:09,160 --> 00:07:14,640 Speaker 1: a calumnist at the USA Today and what a funny job. 119 00:07:14,960 --> 00:07:17,200 Speaker 1: He's like always trying to find his next story. He's like, 120 00:07:17,200 --> 00:07:18,600 Speaker 1: what do I write about? And he means this guy 121 00:07:18,640 --> 00:07:21,040 Speaker 1: in the bar. The guy's like, there's this lady she 122 00:07:21,200 --> 00:07:24,360 Speaker 1: runs away from weddings. Write a story about her. He's 123 00:07:24,360 --> 00:07:26,840 Speaker 1: a great idea, I'll do it. And in this world 124 00:07:27,000 --> 00:07:31,480 Speaker 1: everyone reads the columns in USA Today and yeah, and uh, 125 00:07:31,520 --> 00:07:33,920 Speaker 1: the columnists are famous. You can recognize him on the 126 00:07:34,000 --> 00:07:39,720 Speaker 1: street right there. What's your next story for USA Today? 127 00:07:40,440 --> 00:07:42,800 Speaker 1: So he writes this story about this woman who he 128 00:07:42,840 --> 00:07:46,080 Speaker 1: doesn't know, uh, and he ends up getting some facts wrong. 129 00:07:46,200 --> 00:07:50,520 Speaker 1: So the woman reads it a k. Julie Roberts, and 130 00:07:50,600 --> 00:07:53,880 Speaker 1: she's like, uh, got a fact check, sir. So she 131 00:07:53,920 --> 00:07:57,280 Speaker 1: writes a letter to the editor gets them fired because 132 00:07:57,280 --> 00:08:00,440 Speaker 1: he was yeah, by his ex wife because he said 133 00:08:00,480 --> 00:08:03,320 Speaker 1: she ran away from uh seven or eight weddings, but 134 00:08:03,360 --> 00:08:06,840 Speaker 1: it was only three. So you know, this very high 135 00:08:06,840 --> 00:08:10,400 Speaker 1: stakes story that he messed up a little bit. Getting fired. 136 00:08:10,600 --> 00:08:17,080 Speaker 1: That's a big mistake. What yours do you remember? Yeah? Okay, 137 00:08:17,160 --> 00:08:19,960 Speaker 1: so we were just coming up with Clinton presidency and 138 00:08:19,960 --> 00:08:22,000 Speaker 1: I feel like the world this was the news. You know, 139 00:08:22,280 --> 00:08:25,880 Speaker 1: like things were good back then. You have to remember that, 140 00:08:25,880 --> 00:08:28,320 Speaker 1: like what the standard of what's a news story is different? 141 00:08:28,360 --> 00:08:30,720 Speaker 1: That makes And also I do believe that that is 142 00:08:30,720 --> 00:08:35,240 Speaker 1: a story that would appears. Yeah, I don't know. I 143 00:08:35,280 --> 00:08:37,920 Speaker 1: believe that this story would be of interest. I don't 144 00:08:37,960 --> 00:08:41,000 Speaker 1: believe that Richard gear could make a living as a 145 00:08:41,120 --> 00:08:44,720 Speaker 1: USA Today a weekly columnist. That got me a little stuck. 146 00:08:44,800 --> 00:08:47,160 Speaker 1: But maybe maybe I don't know what the going rate 147 00:08:47,240 --> 00:08:50,240 Speaker 1: was in who knows, Right, it's not so much that, 148 00:08:50,440 --> 00:08:53,360 Speaker 1: um sure, it's like it's a human interest story that 149 00:08:53,440 --> 00:08:55,440 Speaker 1: might be seemed to some people. The fact that he 150 00:08:55,480 --> 00:09:00,360 Speaker 1: gets fired over like getting a few facts wrong in again, 151 00:09:00,400 --> 00:09:02,600 Speaker 1: what's a very low stake story. Like if he was 152 00:09:02,640 --> 00:09:06,719 Speaker 1: like like a story about North Korea, right, if he 153 00:09:06,800 --> 00:09:10,600 Speaker 1: wrote Kim Jong Il ran away from seven or eight weddings, 154 00:09:10,600 --> 00:09:12,640 Speaker 1: when Kim Jong Il and actually only run away from 155 00:09:12,640 --> 00:09:16,800 Speaker 1: three weddings, that would be a fireball offense, right anyway, 156 00:09:16,920 --> 00:09:20,160 Speaker 1: So he decides to go to this small town in 157 00:09:20,160 --> 00:09:24,160 Speaker 1: Maryland where this woman lives to get the story straight 158 00:09:24,320 --> 00:09:28,800 Speaker 1: once and for all. How he goes and he meets 159 00:09:28,800 --> 00:09:32,240 Speaker 1: her and she's like, you're a bad man, and he's like, 160 00:09:32,720 --> 00:09:36,200 Speaker 1: I'm just I'm here to Basically, he wants to see 161 00:09:36,240 --> 00:09:38,720 Speaker 1: her run away from another wedding because she's about to 162 00:09:38,760 --> 00:09:44,520 Speaker 1: get married again to Bob Christopher Maloney, Poor Bob. Bob 163 00:09:44,600 --> 00:09:47,760 Speaker 1: doesn't get the bud gets kicked around in this movie. 164 00:09:48,240 --> 00:09:50,679 Speaker 1: He's a good gunser cover pretty well from it. Which 165 00:09:50,800 --> 00:09:53,880 Speaker 1: is also an insane plot point that he's still two 166 00:09:53,920 --> 00:09:59,040 Speaker 1: days after he's dumped. He's like, you're the wedding that 167 00:09:59,080 --> 00:10:01,040 Speaker 1: should have been his wed which is the brightest part 168 00:10:01,080 --> 00:10:06,080 Speaker 1: of this movie. But why would you go? First of 169 00:10:06,080 --> 00:10:09,320 Speaker 1: all that that is a testament to Bob's resilience. He 170 00:10:09,679 --> 00:10:14,000 Speaker 1: bounces back immediately. He's like an emotion ferous. Yeah, he's 171 00:10:14,000 --> 00:10:17,320 Speaker 1: like an emotionless coach. You know, he doesn't have time 172 00:10:17,360 --> 00:10:19,360 Speaker 1: to put his feelings on the field, even when it 173 00:10:19,360 --> 00:10:21,720 Speaker 1: comes to Julia Robbert. That's true. That's true. Really have 174 00:10:21,760 --> 00:10:23,679 Speaker 1: to think about the fact that he's willing to give 175 00:10:23,679 --> 00:10:25,959 Speaker 1: it his all. There's this weird line of dialet when 176 00:10:26,000 --> 00:10:29,720 Speaker 1: he's at the wedding. Uh, well, I'm sorry, I like 177 00:10:29,920 --> 00:10:32,560 Speaker 1: just took us to the end of the It's I mean, 178 00:10:32,640 --> 00:10:35,000 Speaker 1: what happens in the middle almost nothing. They hate each 179 00:10:35,000 --> 00:10:37,760 Speaker 1: other then they start to like each other very abruptly, 180 00:10:37,920 --> 00:10:41,960 Speaker 1: might I add, but this specific or like, yeah, very abruptly. 181 00:10:42,040 --> 00:10:44,720 Speaker 1: But just a wedding dress though, let's put that out there. 182 00:10:44,760 --> 00:10:46,959 Speaker 1: If IDUs your wedding dress, that's a pretty serious step. 183 00:10:47,160 --> 00:10:50,320 Speaker 1: That's true. I mean, daddy, I would love someone to 184 00:10:50,400 --> 00:10:53,599 Speaker 1: just bring me a wedding dress. Amen, it brought me 185 00:10:53,600 --> 00:10:55,720 Speaker 1: a wedding dress. But like, all right, well we've already, 186 00:10:55,840 --> 00:10:58,680 Speaker 1: to quote Julia Robert's character, we've already got a date 187 00:10:59,080 --> 00:11:06,359 Speaker 1: and venue dress. I guess we should get married the okay, 188 00:11:06,480 --> 00:11:10,520 Speaker 1: So basically I do agree with you that basically nothing 189 00:11:10,520 --> 00:11:14,080 Speaker 1: happens for about forty five minutes except like Joan Cusack 190 00:11:14,360 --> 00:11:17,040 Speaker 1: gets upset at one point, but then she's fine. Uh 191 00:11:17,400 --> 00:11:19,920 Speaker 1: So there's like a Louis not even a character, it's 192 00:11:19,920 --> 00:11:23,200 Speaker 1: just Joan Cusack is in the movie. That's pretty much. Yeah, 193 00:11:23,360 --> 00:11:26,560 Speaker 1: like just upset and she's joaning out hard. In this movie, 194 00:11:26,840 --> 00:11:29,600 Speaker 1: she's like Peggy Fleming, not the ice skater. Yeah, what 195 00:11:29,679 --> 00:11:33,040 Speaker 1: a weird joke to make such a bad joke. It's 196 00:11:33,040 --> 00:11:37,920 Speaker 1: a terrible for like a romantic comedy. There's almost no 197 00:11:38,040 --> 00:11:42,959 Speaker 1: trace of comedy in this movie. I found nothing funny 198 00:11:43,000 --> 00:11:46,400 Speaker 1: about it. It's funny because her dad is an alcoholic. 199 00:11:47,240 --> 00:11:50,520 Speaker 1: That's funny. One funny line of the movie is when 200 00:11:50,520 --> 00:11:53,120 Speaker 1: her dad is drunk and calls the dog Porthole. I 201 00:11:53,120 --> 00:11:58,160 Speaker 1: think classroom joke, and I have considered getting a dog 202 00:11:58,160 --> 00:12:00,080 Speaker 1: and naming it Porthole. And no one will know what 203 00:12:00,120 --> 00:12:01,600 Speaker 1: I'm talking about. But to me, I'll be like from 204 00:12:01,679 --> 00:12:04,560 Speaker 1: run Away Brad. But then someone, someday someone will know, 205 00:12:04,760 --> 00:12:06,920 Speaker 1: and then you're going to be married by me a 206 00:12:06,920 --> 00:12:12,760 Speaker 1: wedding dress, right, and probably Richard Gear. Richard Gear. I 207 00:12:12,800 --> 00:12:15,520 Speaker 1: love Richard Gear so much. He's one of my faiths. 208 00:12:15,800 --> 00:12:19,480 Speaker 1: I don't care what he's done with Gerbils, but he's 209 00:12:19,679 --> 00:12:22,760 Speaker 1: so annoying in this movie. He's well, his character is 210 00:12:22,800 --> 00:12:27,440 Speaker 1: like why well okay. Questions about Richard Gear in this 211 00:12:27,480 --> 00:12:31,800 Speaker 1: movie include why did people not just ask him to leave? 212 00:12:32,400 --> 00:12:35,400 Speaker 1: And why and in particular, why is he allowed to 213 00:12:35,440 --> 00:12:39,520 Speaker 1: stay with Julia Roberts family. No, he stays at a 214 00:12:40,200 --> 00:12:43,480 Speaker 1: break in. She breaks into the hotel. Also, her family 215 00:12:43,640 --> 00:12:46,360 Speaker 1: loves everybody. Her family loves him, they trust him, they 216 00:12:46,520 --> 00:12:49,120 Speaker 1: love except for the dog Porthole, who barks at his 217 00:12:49,160 --> 00:12:53,880 Speaker 1: colorful hair. Crazy. That was a fun Frank. What a 218 00:12:53,920 --> 00:12:56,920 Speaker 1: fun Frank in this funny movie. It's like in Big 219 00:12:56,920 --> 00:13:00,960 Speaker 1: Fat Liar when they make Paul Giamatti blue. You're seeing 220 00:13:01,000 --> 00:13:04,640 Speaker 1: that it is that. It is like that. That's a 221 00:13:04,679 --> 00:13:08,360 Speaker 1: good movie. The one joke that I do like from 222 00:13:08,360 --> 00:13:12,480 Speaker 1: this movie is the pun that is the hair salon name, 223 00:13:12,920 --> 00:13:15,760 Speaker 1: which is curl Up and Die, but die spelled d 224 00:13:16,000 --> 00:13:20,120 Speaker 1: y e like hair die. I like that. And Peggy 225 00:13:20,160 --> 00:13:24,800 Speaker 1: Fleming's husband Corey has a radio show called Wake Up 226 00:13:24,840 --> 00:13:29,720 Speaker 1: with flem. Yeah, that's another good that was exciting thrill. 227 00:13:30,040 --> 00:13:32,920 Speaker 1: There's some small town charm in this movie. I just 228 00:13:33,080 --> 00:13:35,760 Speaker 1: I felt I felt so bad for Bob. Okay, so 229 00:13:36,160 --> 00:13:40,280 Speaker 1: there at is it the wedding rehearsal. Richard Gear is 230 00:13:40,320 --> 00:13:43,840 Speaker 1: allowed to be there because Julie Roberts is like, give 231 00:13:43,880 --> 00:13:46,400 Speaker 1: me money for a nice dress and I'll let you 232 00:13:47,000 --> 00:13:51,679 Speaker 1: tag along for the third act of this movie. And 233 00:13:51,720 --> 00:13:56,920 Speaker 1: then they're at Julia and Bob's rehearsal and they're like, 234 00:13:57,000 --> 00:14:00,199 Speaker 1: rig your gear, you be the priest. They make him 235 00:14:00,240 --> 00:14:02,680 Speaker 1: be the groom, and then Bob is going to be 236 00:14:02,679 --> 00:14:04,240 Speaker 1: the priest so that he can watch her walk down 237 00:14:04,280 --> 00:14:06,800 Speaker 1: the aisle and not break eye contact with her because 238 00:14:06,800 --> 00:14:08,920 Speaker 1: they set up that like that's the only way she'll 239 00:14:08,960 --> 00:14:11,800 Speaker 1: marry you is if you don't break eye contact. That 240 00:14:11,960 --> 00:14:18,559 Speaker 1: and what a terrifying president of the It's so it's 241 00:14:18,600 --> 00:14:23,280 Speaker 1: like it is kind of funny how even Julia Roberts accepts, like, yeah, 242 00:14:23,320 --> 00:14:25,240 Speaker 1: if you don't make eye contact with me, I might 243 00:14:25,440 --> 00:14:27,760 Speaker 1: I might just leave. And there are times where she 244 00:14:28,400 --> 00:14:31,120 Speaker 1: and Richard gear A like, Okay, this is a bit much. 245 00:14:31,280 --> 00:14:33,400 Speaker 1: Your guys are making fun of me too much, but 246 00:14:33,480 --> 00:14:36,080 Speaker 1: like she still is like, yeah, I run away from 247 00:14:36,120 --> 00:14:38,360 Speaker 1: a lot of weddings. What's interesting too, is that this 248 00:14:38,440 --> 00:14:42,720 Speaker 1: was right around the time that she had left Keefer 249 00:14:42,800 --> 00:14:45,280 Speaker 1: Sutherland at the Altar two days before their wedding in 250 00:14:45,320 --> 00:14:48,040 Speaker 1: real life. No way, Yeah, she did that during the 251 00:14:48,040 --> 00:14:51,240 Speaker 1: filming of the movie Hook, and she like ran away 252 00:14:51,360 --> 00:14:53,480 Speaker 1: from the filming and like went to London and Steven 253 00:14:53,520 --> 00:14:57,000 Speaker 1: Spielberg had to go get her because she was running 254 00:14:57,000 --> 00:15:00,600 Speaker 1: away from a wedding from Keefer Sutherland. Whoa god, I 255 00:15:00,640 --> 00:15:05,480 Speaker 1: had no idea. That really brings a whole fun element too, 256 00:15:05,760 --> 00:15:09,640 Speaker 1: I had no idea. Wow, poor Kiefer know he's had 257 00:15:09,760 --> 00:15:11,960 Speaker 1: quotes about it later that was like I understand why 258 00:15:11,960 --> 00:15:16,280 Speaker 1: I'm like I know you cry every night, Roberts. God, 259 00:15:16,640 --> 00:15:19,840 Speaker 1: oh man, but what a what a strong showing of 260 00:15:19,840 --> 00:15:24,160 Speaker 1: of of manly strength. But but okay, So, how Richard 261 00:15:24,160 --> 00:15:29,880 Speaker 1: Gear and Julia Roberts finally get together romantically is that 262 00:15:30,000 --> 00:15:32,320 Speaker 1: Richard Gear is standing in for Bob because Bob is 263 00:15:32,320 --> 00:15:39,520 Speaker 1: practicing making eye contact like a good husband. And Richard 264 00:15:39,600 --> 00:15:44,080 Speaker 1: Gear and Julia Roberts kiss for like forty five seconds. 265 00:15:44,280 --> 00:15:47,480 Speaker 1: It's so long, it's so uncomfortable, and you don't see 266 00:15:47,480 --> 00:15:51,280 Speaker 1: it coming, and everyone in the at the rehearsals like 267 00:15:51,560 --> 00:15:56,120 Speaker 1: what is going on? Like Bob starts to flip out rightfully, 268 00:15:56,200 --> 00:16:00,400 Speaker 1: so he's practicing eye content and he's like doing the 269 00:16:00,560 --> 00:16:05,000 Speaker 1: right thing. Then you know, Bob is like we're breaking up, 270 00:16:05,040 --> 00:16:09,360 Speaker 1: you know, goodbye, And then Julie Roberts and Mr just 271 00:16:09,880 --> 00:16:12,880 Speaker 1: shrug it off, you know, don't go after Bob, and 272 00:16:13,080 --> 00:16:17,040 Speaker 1: we start planning. I was like, this is the meanest, 273 00:16:17,120 --> 00:16:20,120 Speaker 1: most fucked up, toxic thing I've ever seen in my life. 274 00:16:21,400 --> 00:16:24,280 Speaker 1: I want to see what happens next. Well, the reason 275 00:16:24,320 --> 00:16:26,960 Speaker 1: that no one saw it coming that they're suddenly kissing 276 00:16:27,320 --> 00:16:30,240 Speaker 1: is it it's a poorly written story beat, Like there's 277 00:16:30,240 --> 00:16:33,000 Speaker 1: no build up, there's no like it's just to me. 278 00:16:33,000 --> 00:16:35,240 Speaker 1: It was just like all right, no, they're kissing now 279 00:16:35,520 --> 00:16:39,440 Speaker 1: at this rehearsal. It's very sudden. And then they're like, 280 00:16:39,520 --> 00:16:43,360 Speaker 1: all right, yeah, Bob's gone. Now I have a dress, 281 00:16:43,400 --> 00:16:45,960 Speaker 1: I have the church, I have the date blocked off 282 00:16:45,960 --> 00:16:48,440 Speaker 1: on my calendar. Why don't you and I get married? 283 00:16:48,440 --> 00:16:51,880 Speaker 1: Guy who I hated until two moments ago. Have you, guys, 284 00:16:51,960 --> 00:16:54,280 Speaker 1: not ever seen any other romance and comedies? I mean 285 00:16:56,200 --> 00:17:00,040 Speaker 1: this one. No. I mean I love a good roman to, 286 00:17:00,360 --> 00:17:03,240 Speaker 1: I love all of them, particularly the j LO one, 287 00:17:04,560 --> 00:17:07,480 Speaker 1: but but this one, this one, the change was so 288 00:17:07,520 --> 00:17:11,200 Speaker 1: abrupt that even in as a as a rom com lover, 289 00:17:11,359 --> 00:17:14,080 Speaker 1: I was like, wait a second, this is yeah. And also, 290 00:17:14,280 --> 00:17:17,040 Speaker 1: Julia Roberts way to make it clear immediately that you 291 00:17:17,080 --> 00:17:20,879 Speaker 1: were not invested in marrying Bomb even a little, because 292 00:17:20,920 --> 00:17:23,240 Speaker 1: the second he was like I don't know, She's like, 293 00:17:23,280 --> 00:17:26,120 Speaker 1: you're right, I'm gonna marry this guy. I do think 294 00:17:26,359 --> 00:17:28,680 Speaker 1: it's kind of reasonable because there's the two hottest people 295 00:17:28,720 --> 00:17:30,159 Speaker 1: in that town, so you knew they were going to 296 00:17:30,440 --> 00:17:33,119 Speaker 1: That's true if you're the two hottest people. Even if 297 00:17:33,160 --> 00:17:35,400 Speaker 1: someone's about to get married to someone else, you're like, well, yeah, 298 00:17:35,480 --> 00:17:37,439 Speaker 1: someone hotter comes along, you're like, well, we don't know. 299 00:17:37,480 --> 00:17:39,800 Speaker 1: We never got to see Bob in the suit. That's true. 300 00:17:39,880 --> 00:17:43,760 Speaker 1: If maybe he could not like a Kendall, like even 301 00:17:43,800 --> 00:17:46,359 Speaker 1: down to his hole anatomy, like probably he's just this 302 00:17:46,520 --> 00:17:50,000 Speaker 1: non sexual but very fit man. He's got a sex lump. 303 00:17:50,200 --> 00:17:53,600 Speaker 1: He doesn't have a venus. I think that's true. He's 304 00:17:53,600 --> 00:17:56,560 Speaker 1: got a sex lump that it's really hot. But then 305 00:17:56,600 --> 00:18:02,199 Speaker 1: it's yeah, that's how I imagine Bob and his sexuality. 306 00:18:02,240 --> 00:18:04,560 Speaker 1: But then if you give him a little kiss, it 307 00:18:04,600 --> 00:18:12,240 Speaker 1: cools downs. A little kiss um, Caitlin's triggered. Triggered. Uh no, 308 00:18:12,359 --> 00:18:14,960 Speaker 1: I just this movie is so profoundly stupid to me. 309 00:18:15,040 --> 00:18:17,960 Speaker 1: I thought it was fun and also just like another 310 00:18:18,400 --> 00:18:21,280 Speaker 1: there's just like a lot of really like bigger than 311 00:18:21,440 --> 00:18:25,080 Speaker 1: usual round calm hard lefts where at first it's like 312 00:18:25,359 --> 00:18:27,479 Speaker 1: it is funny because her dad's an alcoholic, but then 313 00:18:27,600 --> 00:18:31,000 Speaker 1: very suddenly it's like it's set because her dad's an alcoholic, 314 00:18:31,320 --> 00:18:33,600 Speaker 1: and then by the end it's like it's kind of 315 00:18:33,600 --> 00:18:36,800 Speaker 1: funny an alcoholic to be fair as somebody who has 316 00:18:36,840 --> 00:18:39,200 Speaker 1: a dad who's an alcoholic. I feel like that's really 317 00:18:39,200 --> 00:18:43,400 Speaker 1: the emotional journey it's like, okay, alright, well it's kind 318 00:18:43,400 --> 00:18:45,520 Speaker 1: of funny. Well that was a good joke. Thank you 319 00:18:45,600 --> 00:18:49,640 Speaker 1: for providing a punchline for my childhood and read can 320 00:18:49,640 --> 00:18:53,800 Speaker 1: we talk about this movie is two hours long? Is it? Yeah? 321 00:18:54,080 --> 00:18:57,920 Speaker 1: Roncom should not be longer than like an hour forty tops. 322 00:18:58,600 --> 00:19:01,679 Speaker 1: This movie is cloud in just under two hours, and 323 00:19:01,720 --> 00:19:04,360 Speaker 1: it's there is a long period where nothing really happens, 324 00:19:04,400 --> 00:19:06,600 Speaker 1: but it's all it's it's that's when they do all 325 00:19:06,640 --> 00:19:10,240 Speaker 1: the round calm goofs and Pratt falls and laughs. You 326 00:19:10,280 --> 00:19:12,560 Speaker 1: really have to get all the information about that small 327 00:19:12,600 --> 00:19:16,000 Speaker 1: town in there, and like Hail Maryland. If you can't 328 00:19:16,000 --> 00:19:18,680 Speaker 1: get all of the shots of har Hail Maryland. And 329 00:19:18,760 --> 00:19:21,280 Speaker 1: there's us a line called curl up and Die, and 330 00:19:21,320 --> 00:19:24,080 Speaker 1: he's like playing with the barbershop quartet, and it needs 331 00:19:24,119 --> 00:19:29,119 Speaker 1: like the baker woman Betty Betty Trap. I kind of 332 00:19:29,160 --> 00:19:31,320 Speaker 1: shipped her and Bob but then and she's married. But 333 00:19:32,160 --> 00:19:35,720 Speaker 1: well there's that other there's that girl, that horny woman 334 00:19:35,720 --> 00:19:39,159 Speaker 1: who chases after Bob and it's like Bob, oh may 335 00:19:39,359 --> 00:19:41,359 Speaker 1: this is a bad time, but here's my phone, and 336 00:19:41,520 --> 00:19:44,119 Speaker 1: they're just like see look, people are already excited for you. 337 00:19:44,160 --> 00:19:46,520 Speaker 1: I'm like, dude, just got broken up with, like left 338 00:19:46,560 --> 00:19:50,119 Speaker 1: at the alder by. You if that don't shout encouraging 339 00:19:50,160 --> 00:19:53,680 Speaker 1: things that poor bob, Bob's needs so much. Therapy means 340 00:19:53,880 --> 00:19:57,119 Speaker 1: so much. Julie, do you think he and Julia Roberts 341 00:19:57,160 --> 00:20:00,959 Speaker 1: have ever had sex? No, she didn't know. He has 342 00:20:01,000 --> 00:20:06,399 Speaker 1: a sex lump. Theyve he springs himself upon her on 343 00:20:06,440 --> 00:20:09,280 Speaker 1: the floor of their kitchen. I think that probably like 344 00:20:12,000 --> 00:20:14,640 Speaker 1: because he has a sex in wrestling, not the same thing. 345 00:20:14,840 --> 00:20:19,199 Speaker 1: Oh no, no, no, we've known. We've found one of 346 00:20:19,240 --> 00:20:24,080 Speaker 1: Caitlin's spots. My my sex name is big Show, Big Show. 347 00:20:24,119 --> 00:20:27,159 Speaker 1: He's got beard right now. The woman who I think 348 00:20:27,200 --> 00:20:29,960 Speaker 1: it's the same character who runs after him right after 349 00:20:30,000 --> 00:20:33,040 Speaker 1: he's gotten broken up with is it her cousin who 350 00:20:33,119 --> 00:20:39,080 Speaker 1: introduces herself in the movie as I'm Maggie's unmarried cousin. 351 00:20:39,720 --> 00:20:44,240 Speaker 1: That's how I introduced myself. I'm Caitlin Comma. She's making 352 00:20:44,280 --> 00:20:47,040 Speaker 1: a joke, not a good one, but a joke about 353 00:20:47,119 --> 00:20:49,800 Speaker 1: not being married because he's writing the column about getting 354 00:20:49,800 --> 00:20:51,720 Speaker 1: married a bunch of times. It's not a clear or 355 00:20:51,840 --> 00:20:56,840 Speaker 1: good joke, admittedly, and it sounds just stupid. But maybe 356 00:20:58,000 --> 00:20:59,800 Speaker 1: maybe she just wants to put it on into the 357 00:21:00,240 --> 00:21:02,040 Speaker 1: He also was hot, so maybe they're trying to set 358 00:21:02,119 --> 00:21:05,359 Speaker 1: up that, like she's being like, I'm single. You know, Yeah, 359 00:21:05,920 --> 00:21:09,240 Speaker 1: I felt for well, I guess I didn't really feel 360 00:21:09,280 --> 00:21:13,080 Speaker 1: for Joan Ki sax role in this movie is fun 361 00:21:13,119 --> 00:21:15,280 Speaker 1: because she was. I mean, I feel like she's sort 362 00:21:15,280 --> 00:21:18,560 Speaker 1: of gets better roles now, but she was like the 363 00:21:18,640 --> 00:21:21,920 Speaker 1: Judy Greer of her time. She's never had a she's 364 00:21:21,960 --> 00:21:24,040 Speaker 1: never had a starring role in a movie, like I literally, 365 00:21:24,080 --> 00:21:25,840 Speaker 1: really my boyfriend. I have gone through her im v 366 00:21:25,960 --> 00:21:28,520 Speaker 1: P page looking for She's like, he's always like a 367 00:21:28,560 --> 00:21:30,879 Speaker 1: sport you never had to start. Like. She's huge. Everyone 368 00:21:30,920 --> 00:21:32,760 Speaker 1: knows who she is and she's never had a movie 369 00:21:32,760 --> 00:21:37,600 Speaker 1: where she's School of Rock. She's in everything. She's my dreams. 370 00:21:38,359 --> 00:21:40,920 Speaker 1: I want her to be true Detective season three. It's 371 00:21:40,960 --> 00:21:45,240 Speaker 1: just her. Yeah, just dude, that would be great. She 372 00:21:45,520 --> 00:21:50,720 Speaker 1: oh man, she's due for what does the Yes, yes, 373 00:21:50,760 --> 00:21:54,600 Speaker 1: it's going to be a Joan. I kept wanting to 374 00:21:54,600 --> 00:21:56,720 Speaker 1: say Black Snake Moone, but that's not the movie that 375 00:21:57,040 --> 00:22:01,000 Speaker 1: that Matthew mcconnughey was good. And when what's the one 376 00:22:01,040 --> 00:22:06,000 Speaker 1: where he's Alice Buyer's Club, Yeah, Dallas Fire's Club for 377 00:22:06,119 --> 00:22:10,840 Speaker 1: Black Snake Moon three words maybe three word titles there. 378 00:22:11,280 --> 00:22:15,199 Speaker 1: But but Jon's role. Joan is clearly caught in one 379 00:22:15,280 --> 00:22:18,399 Speaker 1: of those weird hometown friendships that has run its course. 380 00:22:18,680 --> 00:22:21,600 Speaker 1: But there's not anyone else to be friends with, and 381 00:22:21,640 --> 00:22:27,120 Speaker 1: so she's letting Julia Roberts just wave her nips at 382 00:22:27,240 --> 00:22:33,399 Speaker 1: Corey and and it ends up being like but and 383 00:22:33,480 --> 00:22:35,920 Speaker 1: it becomes an issue too, and I'm like, oh, is 384 00:22:35,960 --> 00:22:40,240 Speaker 1: this a b plot? Where? Where where is this going? Nowhere? 385 00:22:40,720 --> 00:22:43,280 Speaker 1: Joan qus just like it's interest just what you're like. 386 00:22:43,600 --> 00:22:46,160 Speaker 1: It's just what you're like. It's fine. I was like, man, John, 387 00:22:46,640 --> 00:22:49,440 Speaker 1: stand up for yourself. I do wish I'd gone further, admittedly, 388 00:22:49,480 --> 00:22:51,040 Speaker 1: but I think it's an interesting question of like a 389 00:22:51,119 --> 00:22:53,320 Speaker 1: lot of people have friends that are really flirtatious and 390 00:22:53,359 --> 00:22:55,480 Speaker 1: it's like very uncomfortable where you're like, I don't really 391 00:22:55,480 --> 00:22:58,280 Speaker 1: know what to do, right, And Joan is so nice 392 00:22:58,320 --> 00:23:02,359 Speaker 1: and she loves Julia Roberts so much, but there that's 393 00:23:02,400 --> 00:23:05,679 Speaker 1: like the attitude of everyone towards Julia Roberts in that 394 00:23:05,760 --> 00:23:08,359 Speaker 1: hometown of like this is just how she has what 395 00:23:08,480 --> 00:23:14,040 Speaker 1: she does. No one offers any advice or help from 396 00:23:14,080 --> 00:23:18,720 Speaker 1: a storytelling point of view, the fact that like opportunities 397 00:23:18,720 --> 00:23:22,800 Speaker 1: for tension just aren't capitalized on very much. Like she's like, 398 00:23:23,080 --> 00:23:25,280 Speaker 1: do I flirt with your husband? And she's like yeah, 399 00:23:25,320 --> 00:23:28,840 Speaker 1: but it's okay. Like there could be just like more 400 00:23:28,880 --> 00:23:32,320 Speaker 1: conflict intention from the opportunities like this, but they don't 401 00:23:32,320 --> 00:23:34,840 Speaker 1: milk it, and it just that makes it for just 402 00:23:34,880 --> 00:23:37,040 Speaker 1: not a very interesting story to me. I mean, it's 403 00:23:37,040 --> 00:23:39,360 Speaker 1: good that Joan and Corey are secure enough in their 404 00:23:39,400 --> 00:23:41,840 Speaker 1: marriage that they don't need to make a thing of it, sure, 405 00:23:42,720 --> 00:23:45,200 Speaker 1: but also i'd be like Corey made cool a little 406 00:23:45,400 --> 00:23:48,840 Speaker 1: bit cool on Julia. I mean I think the point 407 00:23:48,880 --> 00:23:50,359 Speaker 1: of that is like that everyone in the town is 408 00:23:50,359 --> 00:23:52,359 Speaker 1: in love with her because she's like the only hot person, 409 00:23:52,880 --> 00:23:55,240 Speaker 1: right right, I mean like that's like the guy the 410 00:23:55,680 --> 00:23:58,800 Speaker 1: desk guard let her lets her into the hotel room 411 00:23:58,840 --> 00:24:02,040 Speaker 1: of Richard Gears Like she flashes us. She's like, you're 412 00:24:02,040 --> 00:24:06,359 Speaker 1: commit a felony. Bacon bacon enter, that's fine. Can we 413 00:24:06,400 --> 00:24:08,800 Speaker 1: talk about the eggs? I was hoping that this came out, 414 00:24:08,880 --> 00:24:12,879 Speaker 1: Thank god, motif. Wait what her Viking? The eggs like 415 00:24:12,920 --> 00:24:15,000 Speaker 1: every time with the guy she likes the kind of 416 00:24:15,000 --> 00:24:17,320 Speaker 1: eggs that they like. She doesn't know how to be 417 00:24:17,359 --> 00:24:23,080 Speaker 1: your own person. It's a metaphor, what's there? It's beautiful. 418 00:24:23,720 --> 00:24:25,080 Speaker 1: I think about that all the time. Every time I'm 419 00:24:25,119 --> 00:24:27,119 Speaker 1: eating eggs, I think about Julie Robertson, Like do I 420 00:24:27,160 --> 00:24:28,760 Speaker 1: even like these eggs? Or just a guy? I want 421 00:24:28,760 --> 00:24:32,320 Speaker 1: to like these written It's crazy that Richard gear says 422 00:24:32,320 --> 00:24:35,320 Speaker 1: a word for word three separate times. Oh yeah, how's 423 00:24:35,320 --> 00:24:40,879 Speaker 1: she like her eggs? Shouted at men as they're leaving 424 00:24:40,880 --> 00:24:43,560 Speaker 1: a room. Oh yeah, you think here are how she 425 00:24:43,640 --> 00:24:45,159 Speaker 1: like her eggs? I think I'm going to get that 426 00:24:45,200 --> 00:24:50,280 Speaker 1: tattooed on my eggs like her eggs. Ram turns out 427 00:24:50,359 --> 00:24:54,359 Speaker 1: she likes eggs Benedict. Yeah yeah, but she tries all 428 00:24:54,440 --> 00:24:56,359 Speaker 1: kinds of eggs on her own when she's finally single. 429 00:24:56,440 --> 00:25:00,800 Speaker 1: She finally learned being single when you figured any kinds 430 00:25:00,800 --> 00:25:02,639 Speaker 1: of eggs I want, When you figure out what kind 431 00:25:02,640 --> 00:25:05,480 Speaker 1: of eggs you like, that's when you know you fixed yourself. Yeah, 432 00:25:05,760 --> 00:25:07,960 Speaker 1: i'd be like you want, I like over easy. I 433 00:25:07,960 --> 00:25:09,919 Speaker 1: do think they're the moral of the story. What they 434 00:25:09,920 --> 00:25:12,040 Speaker 1: were going for is a good moral of like you 435 00:25:12,080 --> 00:25:13,679 Speaker 1: have to learn how to be alone and who you 436 00:25:13,720 --> 00:25:16,919 Speaker 1: are and not with other people. That's like a good moral. 437 00:25:17,000 --> 00:25:20,680 Speaker 1: That's not the moral of most romcoms, how to cook 438 00:25:20,720 --> 00:25:22,920 Speaker 1: your own eggs, because most romcoms are the opposite, where 439 00:25:22,920 --> 00:25:25,840 Speaker 1: they're like this independent woman who doesn't want a man. Instead, 440 00:25:25,840 --> 00:25:28,280 Speaker 1: they leaned into being like, okay, there are people that 441 00:25:28,400 --> 00:25:32,600 Speaker 1: like give themselves up for sure whoever they're with. But 442 00:25:32,640 --> 00:25:34,080 Speaker 1: I feel like that would have hit a little more 443 00:25:34,200 --> 00:25:37,359 Speaker 1: if she had not married, or if this have been 444 00:25:37,400 --> 00:25:40,520 Speaker 1: a good movie. Right, But I mean, that's not why 445 00:25:40,520 --> 00:25:43,800 Speaker 1: we're here. It's just a saying like it's a good 446 00:25:43,880 --> 00:25:49,359 Speaker 1: lesson poorly executed because her character is like who I 447 00:25:49,400 --> 00:25:52,600 Speaker 1: can't even describe her. They're like, she's quirky, but is 448 00:25:52,640 --> 00:25:55,480 Speaker 1: she not really She's still kind of just well, according 449 00:25:55,520 --> 00:25:59,240 Speaker 1: to John Cusack, she's quirky, and that's different from weird, right, 450 00:25:59,320 --> 00:26:02,440 Speaker 1: which is also different from what was souther adjective thrown 451 00:26:02,480 --> 00:26:04,480 Speaker 1: around the net scene. I remember, you know, because Julia 452 00:26:04,560 --> 00:26:07,919 Speaker 1: Robberts says like I'm weird, which, first of all, grow up, 453 00:26:09,359 --> 00:26:12,840 Speaker 1: She's like, I'm weird, and then John kiss like, you're 454 00:26:12,880 --> 00:26:17,760 Speaker 1: not weird, You're quirky. It's different, very darings. Yeah, but 455 00:26:17,840 --> 00:26:21,480 Speaker 1: with with Joan. Joan uses another word to describe herself. 456 00:26:21,920 --> 00:26:25,159 Speaker 1: It feels like she's selling herself short. Yet again, I 457 00:26:25,200 --> 00:26:26,840 Speaker 1: agree that I wish Joan would have been the star 458 00:26:26,880 --> 00:26:29,200 Speaker 1: of this movie. If that's what you're leading to. My god, 459 00:26:29,280 --> 00:26:32,000 Speaker 1: I would love if Joan were the star of this movie. 460 00:26:32,160 --> 00:26:33,600 Speaker 1: But to loop back into the thing of like her 461 00:26:33,680 --> 00:26:36,000 Speaker 1: not ending up with Richard Gear, her point when she 462 00:26:36,119 --> 00:26:38,760 Speaker 1: was like, here's why I couldn't marry you is because 463 00:26:38,760 --> 00:26:41,760 Speaker 1: with the first three guys, they didn't know who I was. 464 00:26:41,880 --> 00:26:44,160 Speaker 1: And then with this marriage, when I tried to marry 465 00:26:44,200 --> 00:26:46,919 Speaker 1: you the first time, you knew who I was, and 466 00:26:46,960 --> 00:26:48,760 Speaker 1: that scared me because I didn't know who I was. 467 00:26:48,920 --> 00:26:50,639 Speaker 1: I have to go find myself. And then she finds 468 00:26:50,760 --> 00:26:53,400 Speaker 1: something she's like, I'm ready, So it's not like entirely 469 00:26:53,640 --> 00:26:56,120 Speaker 1: she sells her lamps and she knows who she is now. 470 00:26:56,800 --> 00:26:59,639 Speaker 1: By the way, I love how they say in the 471 00:26:59,640 --> 00:27:03,520 Speaker 1: early early in the movie that her degrees in industrial design, 472 00:27:03,640 --> 00:27:06,560 Speaker 1: which I think whoever wrote this movie thinks that that 473 00:27:06,600 --> 00:27:10,640 Speaker 1: means that you take industrial looking things and design them 474 00:27:10,640 --> 00:27:14,760 Speaker 1: into stuff, which is not what industrial design is. But 475 00:27:14,960 --> 00:27:17,320 Speaker 1: that's funny way to go, is it. Gary Marshall who 476 00:27:17,320 --> 00:27:23,440 Speaker 1: wrote this, he directed it. Jose Anne mckimmon and Sarah 477 00:27:23,480 --> 00:27:29,440 Speaker 1: two women. Never again? Should that happen? Can we? Okay? 478 00:27:29,440 --> 00:27:31,200 Speaker 1: One thing that I really do want to talk about 479 00:27:31,359 --> 00:27:36,040 Speaker 1: is Julia and Richards. I don't remember the character's names. 480 00:27:36,080 --> 00:27:41,280 Speaker 1: Maggie and Ike's first wedding where she does run away. 481 00:27:41,320 --> 00:27:44,119 Speaker 1: That is a very funds I did not think she 482 00:27:44,280 --> 00:27:47,639 Speaker 1: was going to run away. Here's the thing. I thought 483 00:27:47,680 --> 00:27:49,359 Speaker 1: that that was going to be the end of the movie. 484 00:27:49,440 --> 00:27:52,800 Speaker 1: Turns out there are twenty more minutes. Anyways, she does 485 00:27:52,880 --> 00:27:58,480 Speaker 1: run away, and then there's an amazing extended product placement 486 00:27:58,560 --> 00:28:02,800 Speaker 1: for FedEx. It say, absolutely amazing. Down to Yeah, down 487 00:28:02,880 --> 00:28:06,720 Speaker 1: to they say what the slogan for FedEx was at 488 00:28:06,760 --> 00:28:15,080 Speaker 1: the time. Yeah, because he's like tomorrow morning. Right. But 489 00:28:15,119 --> 00:28:18,040 Speaker 1: she Julia Roberts runs away from Richard Gear after Richard 490 00:28:18,040 --> 00:28:21,640 Speaker 1: Gear shouts when she starts to leave, lock the doors, 491 00:28:22,320 --> 00:28:25,800 Speaker 1: which trapper stop her, keep her here against her will. 492 00:28:26,280 --> 00:28:29,879 Speaker 1: That's what marriages. This ceremony can recover from what's happening 493 00:28:30,000 --> 00:28:33,000 Speaker 1: right now. The ceremony can recover from the bride not 494 00:28:33,080 --> 00:28:36,600 Speaker 1: wanting to get married, right like, yeah, just about face, 495 00:28:36,720 --> 00:28:38,760 Speaker 1: she went the wrong way. She's going to marry me. 496 00:28:38,880 --> 00:28:41,440 Speaker 1: We know each other for two whole weeks. What I 497 00:28:41,480 --> 00:28:43,400 Speaker 1: do think it's crazy is at the very very end 498 00:28:43,400 --> 00:28:46,480 Speaker 1: when they get married again, like for real, this time, 499 00:28:46,560 --> 00:28:48,800 Speaker 1: she did it, she goes through with it, she buys 500 00:28:48,840 --> 00:28:53,520 Speaker 1: another fucking dress. Oh yeah, yeah, that's true. And they're 501 00:28:53,560 --> 00:28:55,320 Speaker 1: not on that kind of budget. She works at a 502 00:28:55,320 --> 00:28:58,360 Speaker 1: hardware story here, he's a USA Today columns not anymore. 503 00:28:58,440 --> 00:29:01,160 Speaker 1: He got fired. Here's tell that story to g Q. 504 00:29:01,440 --> 00:29:04,760 Speaker 1: I guess is if g Q would want what do 505 00:29:04,760 --> 00:29:07,080 Speaker 1: you think? What do you think would want that as 506 00:29:07,080 --> 00:29:10,360 Speaker 1: a cover story. I think I think they would. Why not? 507 00:29:11,440 --> 00:29:15,920 Speaker 1: Why not? I had it? That's like if Daniel from 508 00:29:15,960 --> 00:29:19,160 Speaker 1: the Vans, you know, Damn Daniel, if he ran away 509 00:29:19,160 --> 00:29:21,040 Speaker 1: from a wedding. I think we don't want to know 510 00:29:22,200 --> 00:29:25,120 Speaker 1: Dan Daniels runaway wedding. They didn't have internet celebrities back then. 511 00:29:25,240 --> 00:29:28,960 Speaker 1: They just had like, you know, newspaper celebrities, right. I 512 00:29:28,960 --> 00:29:31,440 Speaker 1: feel like the last celebrity of the runaway brad Kind 513 00:29:31,600 --> 00:29:34,960 Speaker 1: was that astronaut who are a diaper? Agreed? And I 514 00:29:35,000 --> 00:29:37,640 Speaker 1: love her, actually, I love her. Talked about her with 515 00:29:37,680 --> 00:29:40,960 Speaker 1: somebody the other day. She's really important. We should we 516 00:29:41,000 --> 00:29:42,640 Speaker 1: should have her on the show. It's not my show, 517 00:29:42,680 --> 00:29:44,640 Speaker 1: but we should have we should, we should we should 518 00:29:44,640 --> 00:29:47,240 Speaker 1: bring her into the fault a little more because she 519 00:29:47,640 --> 00:29:50,080 Speaker 1: I mean, if we're going to talk, we usually say 520 00:29:50,160 --> 00:29:53,360 Speaker 1: women in STEM at least once every podcast because we're 521 00:29:53,400 --> 00:29:55,920 Speaker 1: allies and we love women in STEM. You can get 522 00:29:55,960 --> 00:29:59,160 Speaker 1: specific women in STEM rule, but also asked for not 523 00:29:59,400 --> 00:30:04,920 Speaker 1: women diapers, run away bride. Really, she's she ran towards 524 00:30:04,960 --> 00:30:08,680 Speaker 1: lost she was, and there were no time for bathroom 525 00:30:08,680 --> 00:30:12,640 Speaker 1: breaks and her journey. I respect that. I respect the 526 00:30:12,640 --> 00:30:14,680 Speaker 1: funk out of that. I don't know if I'm not 527 00:30:14,720 --> 00:30:18,080 Speaker 1: familiar with this story. O, man, we'll have to talk. 528 00:30:18,200 --> 00:30:20,880 Speaker 1: It's going to be a long time. I'll look it 529 00:30:20,960 --> 00:30:22,720 Speaker 1: up on my own. The overview is like there were 530 00:30:22,760 --> 00:30:25,360 Speaker 1: two astaurants at NASA, a woman and a man, and 531 00:30:25,400 --> 00:30:27,760 Speaker 1: then he started dating somebody else and she got really 532 00:30:27,760 --> 00:30:30,200 Speaker 1: mad about it. So she drove like something unreasonable, like 533 00:30:30,200 --> 00:30:35,480 Speaker 1: eleven hours something, wearing a diaper to go confront him 534 00:30:35,560 --> 00:30:38,680 Speaker 1: and like attack the woman. And so she was charged 535 00:30:38,720 --> 00:30:41,920 Speaker 1: with like, oh, planning to murder something. I think I 536 00:30:41,960 --> 00:30:45,520 Speaker 1: assumed that she was wearing a diaper in space, like 537 00:30:45,720 --> 00:30:49,400 Speaker 1: space diaper. Oh no, no, no, no, no, diapering up 538 00:30:49,520 --> 00:30:53,080 Speaker 1: a real, a real she was in a car and 539 00:30:53,160 --> 00:30:55,800 Speaker 1: she's like, I gotta get their ACEP. No time to 540 00:30:55,880 --> 00:31:01,440 Speaker 1: pull over for arrest, stop piss and ship myself for True, 541 00:31:02,480 --> 00:31:04,600 Speaker 1: she might have like not eaten, you know, just like 542 00:31:05,120 --> 00:31:08,240 Speaker 1: made sure she was fine. Yeah, it was premeditated. So wait, 543 00:31:08,760 --> 00:31:10,959 Speaker 1: you know, she might have been a really big planner. 544 00:31:11,200 --> 00:31:13,200 Speaker 1: It seems like it. I mean, you've got to be 545 00:31:13,240 --> 00:31:16,280 Speaker 1: meticulous if you're an astronaut. True, maybe she had the 546 00:31:16,320 --> 00:31:24,000 Speaker 1: diapers already. She's never know when you're space diapers and face. Yeah. 547 00:31:24,040 --> 00:31:26,160 Speaker 1: Maybe yeah, maybe that's her road trip thing. And it's 548 00:31:26,200 --> 00:31:27,920 Speaker 1: not a bad idea for a road trip, and the 549 00:31:27,960 --> 00:31:32,400 Speaker 1: failing press did not point that out waymestream media, extream media. 550 00:31:33,000 --> 00:31:36,160 Speaker 1: Why isn't there a movie about her? That's the Really, 551 00:31:36,440 --> 00:31:40,320 Speaker 1: that's a million dollar question. That's crazy. All right, it'll 552 00:31:40,560 --> 00:31:43,040 Speaker 1: look at the life rights and then i'll make sure 553 00:31:43,080 --> 00:31:45,560 Speaker 1: it passes the bike. They'll test. Yeah, oh my god, 554 00:31:45,960 --> 00:31:49,760 Speaker 1: every line of dialogue will be passing the test. I 555 00:31:49,800 --> 00:31:54,960 Speaker 1: do like that she proposes once she runs away from 556 00:31:54,960 --> 00:31:58,040 Speaker 1: the wedding the first time. I kind of like that scene. Yeah, Um, 557 00:31:58,200 --> 00:32:00,800 Speaker 1: I don't necessarily like the scene, but I'm so sorry 558 00:32:00,800 --> 00:32:02,280 Speaker 1: that I hate this movie so much. I don't like 559 00:32:02,320 --> 00:32:06,040 Speaker 1: the scene, but I like the woman being the one 560 00:32:06,120 --> 00:32:09,240 Speaker 1: to propose. I thought they do that with Julia Roberts 561 00:32:09,240 --> 00:32:11,360 Speaker 1: a lot, it seems like, because I'm also in notting Hill. 562 00:32:11,480 --> 00:32:14,880 Speaker 1: She is like very much the male the character. She's 563 00:32:14,920 --> 00:32:17,400 Speaker 1: very unlikable in that movie, which I love, like she's 564 00:32:17,440 --> 00:32:21,080 Speaker 1: not fun and like kind and she's successful and he's 565 00:32:21,120 --> 00:32:23,239 Speaker 1: kind of a bumbling idiot. So they kind of did 566 00:32:23,280 --> 00:32:24,640 Speaker 1: it a little bit with this movie too, I feel 567 00:32:24,640 --> 00:32:27,600 Speaker 1: like where they're like, you be a man, right and 568 00:32:27,600 --> 00:32:29,080 Speaker 1: and at the time I was like, oh, what a 569 00:32:29,120 --> 00:32:32,160 Speaker 1: novel and interesting thing to make our to make our 570 00:32:32,160 --> 00:32:35,720 Speaker 1: friend Julia do I liked. I did like that the 571 00:32:35,800 --> 00:32:39,640 Speaker 1: first time Richard Gear delivered that very clunky on aalog 572 00:32:39,760 --> 00:32:44,160 Speaker 1: about like the marriage of like when marriage and you 573 00:32:44,560 --> 00:32:47,800 Speaker 1: and someday love her, both of us who want to 574 00:32:47,800 --> 00:32:52,880 Speaker 1: get out of it and yeah, maybe leave, but then stay. 575 00:32:53,160 --> 00:32:56,800 Speaker 1: And then she has to verbade him deliver that same 576 00:32:56,880 --> 00:33:00,360 Speaker 1: clunky monologue back to him, where she's like, it's like said, 577 00:33:00,720 --> 00:33:06,480 Speaker 1: maybe leave and he's like, I will marry you. Like 578 00:33:07,480 --> 00:33:09,600 Speaker 1: I just I like to see I like that we 579 00:33:09,640 --> 00:33:12,000 Speaker 1: saw on screen a woman proposing to a man. I 580 00:33:12,040 --> 00:33:16,600 Speaker 1: have a real problem with the traditional like you're you're together, 581 00:33:17,040 --> 00:33:19,160 Speaker 1: you want to get married. Maybe you've talked about it, 582 00:33:19,200 --> 00:33:23,000 Speaker 1: who knows, but generally, if you're in a HEATERO relationship 583 00:33:23,120 --> 00:33:24,720 Speaker 1: and you're the woman, you kind of just have to 584 00:33:24,800 --> 00:33:27,560 Speaker 1: wait around to be asked to and it just like 585 00:33:27,600 --> 00:33:30,560 Speaker 1: takes out your agency, you know. So I like this. 586 00:33:30,680 --> 00:33:32,560 Speaker 1: She's like, you know what, I want this saying I'm 587 00:33:32,600 --> 00:33:34,160 Speaker 1: want to go out and ask for it and try 588 00:33:34,240 --> 00:33:36,440 Speaker 1: to get it. So I like that part of it. 589 00:33:36,600 --> 00:33:37,960 Speaker 1: I did also like that they didn't make it a 590 00:33:38,000 --> 00:33:40,000 Speaker 1: big deal, like it wasn't likely to People kept being like, 591 00:33:40,280 --> 00:33:44,600 Speaker 1: and she proposed, Yeah, like that movie weep Here with 592 00:33:44,680 --> 00:33:47,480 Speaker 1: Amy Adams, Yeah she proposes, but it's like a whole 593 00:33:47,520 --> 00:33:50,040 Speaker 1: thing that she's allowed to propose because she's a woman 594 00:33:50,160 --> 00:33:52,560 Speaker 1: on weepy or day or something. I'm like, you can 595 00:33:52,600 --> 00:33:54,880 Speaker 1: do it any day. They're like, it's opposite day. So 596 00:33:54,960 --> 00:34:01,000 Speaker 1: it's um just in terms of woman character, probably the 597 00:34:01,040 --> 00:34:03,560 Speaker 1: woman in this movie who has it together more than 598 00:34:03,600 --> 00:34:07,120 Speaker 1: anyone is Richard Gear's ex wife. Yes, I think that 599 00:34:07,120 --> 00:34:10,279 Speaker 1: that was like an ex wife character. They can very 600 00:34:10,320 --> 00:34:14,360 Speaker 1: often be made to be shrewish, especially because she fired 601 00:34:14,440 --> 00:34:16,799 Speaker 1: him and that could have been made to seem like 602 00:34:16,800 --> 00:34:19,279 Speaker 1: a vendetta thing, but it wasn't. She was just doing 603 00:34:19,280 --> 00:34:23,279 Speaker 1: her job. And they have this very I mean, very 604 00:34:23,320 --> 00:34:26,120 Speaker 1: weird scene where Richard Gard pretty much kisses around the 605 00:34:26,160 --> 00:34:29,640 Speaker 1: mouth in front of her new husband. I didn't love that. 606 00:34:29,920 --> 00:34:32,360 Speaker 1: But for the most part, she seems to have it together, 607 00:34:32,480 --> 00:34:34,560 Speaker 1: and she's like, I accept that our marriage. You know, 608 00:34:34,600 --> 00:34:38,879 Speaker 1: she's not pining after him. She's his boss. She fires him, 609 00:34:39,200 --> 00:34:44,200 Speaker 1: but not her feelings, and then she attends his Honestly, Okay, 610 00:34:44,280 --> 00:34:47,520 Speaker 1: if I were her, I would attend the Julia Roberts 611 00:34:47,840 --> 00:34:49,640 Speaker 1: Richard gear wedding because it seems like such a bad 612 00:34:49,680 --> 00:34:51,960 Speaker 1: idea that like there's a little petty redding in there. 613 00:34:52,120 --> 00:34:54,839 Speaker 1: Because friends though too, Like I just remember the guy's 614 00:34:54,880 --> 00:34:57,799 Speaker 1: named Fisher. Fisher's her new husband. Yeah, I love him. 615 00:34:57,840 --> 00:35:02,839 Speaker 1: He's great. Hector slay me, ride my limo any day. 616 00:35:03,000 --> 00:35:08,359 Speaker 1: Yeah that's a euphemism. Actor. Yeah, I referred to him 617 00:35:08,360 --> 00:35:13,080 Speaker 1: a vagina as a stretch um, but he, like I 618 00:35:13,120 --> 00:35:15,560 Speaker 1: liked their friendship. It seems like he's like a clueless 619 00:35:15,600 --> 00:35:17,759 Speaker 1: idiot x in a lot of ways that had no 620 00:35:17,760 --> 00:35:19,560 Speaker 1: idea why they broke up and like all that, and 621 00:35:19,800 --> 00:35:21,560 Speaker 1: she was like, look, I've moved on with my life, 622 00:35:21,560 --> 00:35:23,040 Speaker 1: but by the way, here's what you sucked up. And 623 00:35:23,080 --> 00:35:24,719 Speaker 1: I loved that because that's like how I don't want 624 00:35:24,760 --> 00:35:26,640 Speaker 1: to be as an excess, Like we can be friends, 625 00:35:26,680 --> 00:35:29,320 Speaker 1: we're fine, but here's like you're a mess and I'm great. 626 00:35:29,560 --> 00:35:31,800 Speaker 1: And the ex wife whose name I really don't remember, 627 00:35:31,920 --> 00:35:34,640 Speaker 1: but and her new husband, Fisher, they have a great relationship. 628 00:35:34,800 --> 00:35:37,239 Speaker 1: Fisher is not jealous that Richard gear Is, you know, 629 00:35:37,280 --> 00:35:39,080 Speaker 1: works with her or is around. I was like, man, 630 00:35:39,160 --> 00:35:41,200 Speaker 1: this couple is very stable. I wouldn't want to see 631 00:35:41,239 --> 00:35:44,000 Speaker 1: a movie about them because they're so stable. They're in therapy. 632 00:35:44,040 --> 00:35:46,440 Speaker 1: They literally talk about how it takes three people to 633 00:35:46,440 --> 00:35:48,880 Speaker 1: make their marriage work, Me, Fisher, and our therapists, and 634 00:35:48,920 --> 00:35:51,160 Speaker 1: that looks like it's working. Her name is Ellie, by 635 00:35:51,200 --> 00:35:56,080 Speaker 1: the way, Ellie so, and I so, I'm I'm pro Ellie, 636 00:35:56,600 --> 00:35:59,760 Speaker 1: I am pro Jones, I'm pro jo, I'm pro everyone 637 00:35:59,760 --> 00:36:02,960 Speaker 1: in the movie except for your Deer. Sometimes there's a 638 00:36:03,040 --> 00:36:05,399 Speaker 1: lot of really good women in the movie. I think 639 00:36:05,440 --> 00:36:11,920 Speaker 1: the Grandma's adorable classic horny Grandma loved that. I wrote 640 00:36:11,920 --> 00:36:15,000 Speaker 1: down some of my favorite lines from the movie, including 641 00:36:15,000 --> 00:36:18,359 Speaker 1: it's funny when a grandma says, penis that's the that's 642 00:36:18,400 --> 00:36:20,600 Speaker 1: the cord. I bet someone said that in a meeting 643 00:36:21,000 --> 00:36:23,279 Speaker 1: and they're like, you know what, that's true. History has 644 00:36:23,320 --> 00:36:26,879 Speaker 1: proven it's funny when a grandma's penis right. I like, well, 645 00:36:26,880 --> 00:36:30,360 Speaker 1: they give her like the button in a bunch of 646 00:36:30,360 --> 00:36:32,759 Speaker 1: different scenes, as though what she has said is a 647 00:36:32,800 --> 00:36:36,520 Speaker 1: funny laugh line to go out on and it's usually not. 648 00:36:36,719 --> 00:36:39,839 Speaker 1: But I mean she's wearing it on her it's fun joke. 649 00:36:40,239 --> 00:36:42,440 Speaker 1: One of my favorite lines in the movie is she 650 00:36:42,560 --> 00:36:45,200 Speaker 1: says innocent girls are terrified with the one eyed snake. 651 00:36:45,640 --> 00:36:48,680 Speaker 1: When I was a virgin bride, I took a knitting 652 00:36:48,719 --> 00:36:53,720 Speaker 1: needle to bed with me. What what is a weapon 653 00:36:54,120 --> 00:36:59,160 Speaker 1: to shove up? I love it. That's a fun joke. 654 00:36:59,360 --> 00:37:02,120 Speaker 1: That's one of the better jokes of this movie. I 655 00:37:02,160 --> 00:37:03,800 Speaker 1: love that she calls it a one nighted snake and 656 00:37:04,160 --> 00:37:05,640 Speaker 1: she was a virgin and scared and she was going 657 00:37:05,719 --> 00:37:08,400 Speaker 1: to get militant. She was like, let's get right to 658 00:37:08,480 --> 00:37:11,560 Speaker 1: stabbing your dick. There is nothing funnier than a scared virgin. 659 00:37:11,680 --> 00:37:16,880 Speaker 1: For interpreted as when she first said it, is she 660 00:37:16,920 --> 00:37:20,600 Speaker 1: gonna like try to like butter herself up with a 661 00:37:20,680 --> 00:37:23,080 Speaker 1: knitting men. Know, like that's what I thought she was saying. 662 00:37:23,840 --> 00:37:27,319 Speaker 1: I liked I liked torny Grandma. I mean it would 663 00:37:27,360 --> 00:37:30,319 Speaker 1: be Betty White today if it were cast today, that's 664 00:37:30,400 --> 00:37:33,320 Speaker 1: Betty White. Yeah. The past ten years horny Grandma characters 665 00:37:33,719 --> 00:37:36,719 Speaker 1: and that that grandma and made she rest in Peace 666 00:37:36,760 --> 00:37:41,239 Speaker 1: probably most likely rest in Peace. Probably made a ton 667 00:37:41,280 --> 00:37:44,120 Speaker 1: of money on that and it was went, you know, 668 00:37:44,160 --> 00:37:46,359 Speaker 1: travel the world and was all horny Grandma there. She's 669 00:37:46,360 --> 00:37:49,040 Speaker 1: probably sent her like two grandsons to college with the 670 00:37:49,080 --> 00:37:51,720 Speaker 1: money she made from run away. That would be so nice. 671 00:37:51,920 --> 00:37:53,919 Speaker 1: And then they're like, you know, that would be cool 672 00:37:54,040 --> 00:37:55,480 Speaker 1: if you hooked up with a guy in college and 673 00:37:55,520 --> 00:37:56,920 Speaker 1: he's like, you know what, I can afford to go? 674 00:37:57,000 --> 00:38:01,439 Speaker 1: Here go. My grandma said, Penis, that's amazing. I wonder 675 00:38:01,480 --> 00:38:03,200 Speaker 1: when her grandson's went to college, and I wonder if 676 00:38:03,200 --> 00:38:05,719 Speaker 1: I affected them. I can't wait to find out. If 677 00:38:05,840 --> 00:38:08,359 Speaker 1: that were the reason I could afford college, I would 678 00:38:08,400 --> 00:38:10,560 Speaker 1: tell everyone. That would be like my pre hook up 679 00:38:10,560 --> 00:38:16,840 Speaker 1: story is why I'm here. I want to talk about 680 00:38:17,160 --> 00:38:21,960 Speaker 1: wedding culture. First of all, the hashtag wedding this movie 681 00:38:22,280 --> 00:38:24,959 Speaker 1: while it's like, yeah, you've got to find out who 682 00:38:25,000 --> 00:38:28,280 Speaker 1: you are first before you can pair off with someone else. 683 00:38:28,480 --> 00:38:31,719 Speaker 1: That's good, but it's still like marriages the end goal. 684 00:38:31,880 --> 00:38:35,560 Speaker 1: You're not successful until you've married. It's kind of also 685 00:38:35,640 --> 00:38:38,279 Speaker 1: the message it's sending. I feel like this movie like, 686 00:38:38,560 --> 00:38:41,719 Speaker 1: I don't know, nine, that's that's a tricky I feel 687 00:38:41,760 --> 00:38:45,080 Speaker 1: like that's like around the time where that mentality was 688 00:38:45,239 --> 00:38:48,000 Speaker 1: like maybe dying but not dead yet. Well, Sex and 689 00:38:48,080 --> 00:38:49,719 Speaker 1: the City hadn't happened, so people didn't know it was 690 00:38:49,760 --> 00:38:51,839 Speaker 1: an option to be Samantha, you know what I mean 691 00:38:51,920 --> 00:38:55,040 Speaker 1: right right, Like it wasn't cool to be a fun 692 00:38:55,080 --> 00:38:59,080 Speaker 1: slot yet, which was like, thank god, we can all 693 00:38:59,080 --> 00:39:01,640 Speaker 1: be fund slots. Know. I love being a fun slut 694 00:39:01,840 --> 00:39:04,160 Speaker 1: because like back then the movies were like Parent Trapped 695 00:39:04,160 --> 00:39:06,040 Speaker 1: and it was like let's wear beige and like be 696 00:39:06,120 --> 00:39:08,319 Speaker 1: a mom, you know, like that was the roles for 697 00:39:08,360 --> 00:39:12,120 Speaker 1: women were like a mom. Yeah, And and this movie 698 00:39:12,160 --> 00:39:15,120 Speaker 1: doesn't deal with it in a great way for sure, 699 00:39:15,160 --> 00:39:17,959 Speaker 1: But I don't know. It's weird that I feel within 700 00:39:18,040 --> 00:39:21,960 Speaker 1: a few years of this movie coming out, that mentality 701 00:39:22,080 --> 00:39:24,719 Speaker 1: slowly started to dissipline. And I'm sure it did have 702 00:39:24,800 --> 00:39:26,799 Speaker 1: something to do with sex in the city, because like 703 00:39:26,960 --> 00:39:29,640 Speaker 1: right around this time is also just a little bit 704 00:39:29,680 --> 00:39:31,160 Speaker 1: before it was like You've Got Mail, and if you 705 00:39:31,160 --> 00:39:33,800 Speaker 1: watch that movie, that gets a much better written romantic comedy. 706 00:39:33,840 --> 00:39:36,680 Speaker 1: But the the aim of the main character is not 707 00:39:36,800 --> 00:39:39,959 Speaker 1: like sex or fun. It's like dating a nice guy. 708 00:39:40,280 --> 00:39:42,400 Speaker 1: And that was like all romantic comedies and nineties were 709 00:39:42,440 --> 00:39:45,279 Speaker 1: like I want to date a nice guy right and now, 710 00:39:45,320 --> 00:39:48,080 Speaker 1: and then right after it was like fun sluts, you know, 711 00:39:48,880 --> 00:39:51,799 Speaker 1: which is great. I'm just saying that's like very part 712 00:39:51,840 --> 00:39:54,279 Speaker 1: for the course for ninety eight. I feel like even so, 713 00:39:54,520 --> 00:39:57,320 Speaker 1: weddings still happen, and I just want to talk about 714 00:39:57,320 --> 00:40:01,120 Speaker 1: how they're a huge money making scam. Yeah you heard 715 00:40:01,160 --> 00:40:03,960 Speaker 1: it here. First, guys, wedding, If you have a wedding, 716 00:40:04,400 --> 00:40:08,000 Speaker 1: you're throwing away your money because like, first of all, 717 00:40:08,960 --> 00:40:11,800 Speaker 1: why are there so many different events for what should 718 00:40:11,800 --> 00:40:14,040 Speaker 1: just be one of it. Because you've got like your 719 00:40:14,080 --> 00:40:18,160 Speaker 1: bridal shower, you got your bachelor or your bachelor party, 720 00:40:18,600 --> 00:40:23,040 Speaker 1: You've got your rehearsal and your rehearsal dinner, and then 721 00:40:23,080 --> 00:40:25,719 Speaker 1: you've got the wedding itself, and then you've got the reception, 722 00:40:25,920 --> 00:40:27,600 Speaker 1: and then you're supposed to go on a honeymoon, and 723 00:40:27,719 --> 00:40:31,239 Speaker 1: sure you're like celebrating this great thing that's happening in 724 00:40:31,280 --> 00:40:35,640 Speaker 1: your life, but it's just it comes with so like 725 00:40:35,960 --> 00:40:38,440 Speaker 1: you gotta document it with a videographer and a photographer 726 00:40:38,440 --> 00:40:41,040 Speaker 1: and it's gonna be flowers, and you gotta buy addressed 727 00:40:41,200 --> 00:40:42,719 Speaker 1: thousands of dollars, and you have to book out a 728 00:40:42,800 --> 00:40:46,600 Speaker 1: venue that's thousands of dollars, and you gotta stationary in 729 00:40:46,640 --> 00:40:50,520 Speaker 1: the get hard to believe that all of that would 730 00:40:50,520 --> 00:40:54,760 Speaker 1: make me happier than a two target gift guard. Absolutely, 731 00:40:55,000 --> 00:40:57,879 Speaker 1: like absolutely, there's no way that I that somebody would 732 00:40:57,920 --> 00:41:01,040 Speaker 1: offer me either that or like even a fifty other 733 00:41:01,160 --> 00:41:03,360 Speaker 1: target gift CD to be like that sounds really thrilling. 734 00:41:03,560 --> 00:41:06,840 Speaker 1: That would be the better choice. I don't know. I 735 00:41:06,840 --> 00:41:09,759 Speaker 1: I really do enjoy weddings. I don't know. I like going. 736 00:41:10,440 --> 00:41:12,359 Speaker 1: I love that when other people have them. But then 737 00:41:12,400 --> 00:41:15,759 Speaker 1: I think about, like, oh, you don't have dollars for 738 00:41:15,800 --> 00:41:19,000 Speaker 1: a party, Like who, what life do you live? You'd 739 00:41:19,000 --> 00:41:20,680 Speaker 1: have to live a very different life in my world 740 00:41:20,719 --> 00:41:23,560 Speaker 1: to pay for the Also, the idea of a wedding 741 00:41:23,640 --> 00:41:26,839 Speaker 1: ring alone, just like paying for a rock, that's so 742 00:41:26,960 --> 00:41:28,680 Speaker 1: much money. I'm like, do you know you can buy 743 00:41:28,680 --> 00:41:34,520 Speaker 1: a car, get a factional thing. Let's get back tasts 744 00:41:34,800 --> 00:41:38,360 Speaker 1: back tattoo for less. Yeah, it's exactly. Let's get screams 745 00:41:38,480 --> 00:41:41,520 Speaker 1: that match. I could get like, we'll get your matching 746 00:41:41,520 --> 00:41:46,080 Speaker 1: worm tattoos someday. No, you could literally just get like 747 00:41:46,120 --> 00:41:49,160 Speaker 1: the whole script of Shrek tattooed on the back of 748 00:41:49,200 --> 00:41:52,239 Speaker 1: your body. Yeah, that would be a fun couple activity. 749 00:41:52,360 --> 00:41:56,960 Speaker 1: I love Shrek. There, I love Shrek. Why didn't we 750 00:41:56,960 --> 00:42:00,200 Speaker 1: do Shrek? I would have loved to do that. It's 751 00:42:00,239 --> 00:42:02,440 Speaker 1: crazy that we haven't done a Shrek episode yet. I 752 00:42:02,480 --> 00:42:07,319 Speaker 1: think both of you guys so much, and just keep 753 00:42:07,320 --> 00:42:11,840 Speaker 1: watching Shrek over and over. Um. The I like weddings. 754 00:42:11,880 --> 00:42:14,440 Speaker 1: I don't like getting too involved in weddings because when 755 00:42:14,440 --> 00:42:16,200 Speaker 1: it comes to the point where I was a maid 756 00:42:16,280 --> 00:42:18,000 Speaker 1: of honor last year and I had to fly across 757 00:42:18,000 --> 00:42:21,759 Speaker 1: the country like three separate times to do like I 758 00:42:21,920 --> 00:42:24,760 Speaker 1: think bacherette and then wedding, and then I missed something 759 00:42:24,840 --> 00:42:27,520 Speaker 1: or other and everyone was mad. Yeah, I didn't love 760 00:42:27,600 --> 00:42:30,280 Speaker 1: you're putting Not only are you putting a financial burden 761 00:42:30,280 --> 00:42:32,520 Speaker 1: on yourself, you're often inflicting it on a bunch of 762 00:42:32,560 --> 00:42:36,080 Speaker 1: other people. Oh yeah, I mean and and usually the 763 00:42:36,120 --> 00:42:38,960 Speaker 1: people closest to you that you love. Yeah, You're like, 764 00:42:39,040 --> 00:42:41,400 Speaker 1: let me funk these people. Are you gonna buy this 765 00:42:41,400 --> 00:42:44,160 Speaker 1: this dress? And I have to get you a juicer. 766 00:42:44,840 --> 00:42:48,400 Speaker 1: I would absolutely make my worst enemy my made of honor, Like, 767 00:42:48,600 --> 00:42:50,279 Speaker 1: there's no bigger funk you than you need to take 768 00:42:50,280 --> 00:42:53,160 Speaker 1: care of this party that I'm planning. I am excited, Okay, 769 00:42:53,239 --> 00:42:57,600 Speaker 1: I do want to have oh like I'm wedding someday 770 00:42:57,680 --> 00:43:00,360 Speaker 1: and I have all these fun pranks planned we can do. 771 00:43:00,920 --> 00:43:02,600 Speaker 1: I want to put like a wild card in my 772 00:43:02,680 --> 00:43:07,319 Speaker 1: bridal party, like someone that like I'm not particularly close to, 773 00:43:07,440 --> 00:43:11,360 Speaker 1: but like just really just guilts are into being in 774 00:43:11,400 --> 00:43:13,719 Speaker 1: my bridle party and being very close with everyone else 775 00:43:13,760 --> 00:43:17,120 Speaker 1: and everyone being like, who's this person? Um? And I 776 00:43:17,320 --> 00:43:21,680 Speaker 1: also have this plan for my whole life, uh where, 777 00:43:21,719 --> 00:43:24,759 Speaker 1: And it starts at my wedding because I forgot to 778 00:43:24,760 --> 00:43:28,880 Speaker 1: do it at my college graduation. Uh where. In every 779 00:43:28,880 --> 00:43:31,000 Speaker 1: major event in my life, I want there to be 780 00:43:31,040 --> 00:43:34,759 Speaker 1: someone dressed in a in a Scooby costume, like a 781 00:43:34,800 --> 00:43:37,480 Speaker 1: mascot costume, but being like the background of the picture, 782 00:43:37,840 --> 00:43:40,720 Speaker 1: you know. And then at the birth of my child 783 00:43:40,920 --> 00:43:43,839 Speaker 1: will be in the background of the picture. Uh, we'll 784 00:43:43,840 --> 00:43:46,439 Speaker 1: have well, I'll have to have a guy. I can 785 00:43:46,840 --> 00:43:49,239 Speaker 1: have a guy for higher I gotta I wanted to 786 00:43:49,280 --> 00:43:51,759 Speaker 1: have a ring bear and have the person dress up 787 00:43:51,800 --> 00:43:57,160 Speaker 1: in a full bear a man like a little child costume. No, 788 00:43:57,360 --> 00:43:59,520 Speaker 1: it can't be cute, and it has to be alarming. 789 00:44:00,040 --> 00:44:02,360 Speaker 1: Want my wedding to be very alarming. I want everyone 790 00:44:02,360 --> 00:44:05,360 Speaker 1: to feel like they had a bad dream. I'm going 791 00:44:05,400 --> 00:44:07,239 Speaker 1: to ask people that aren't my parents to walk me 792 00:44:07,280 --> 00:44:09,359 Speaker 1: down the aisle, but like, not even close to me. 793 00:44:09,440 --> 00:44:13,120 Speaker 1: They're just like, don't even get me started on all 794 00:44:13,160 --> 00:44:15,560 Speaker 1: the implications of that. Like I want to get stunt 795 00:44:15,560 --> 00:44:19,200 Speaker 1: doubles for my parents to do flips like the whole 796 00:44:19,200 --> 00:44:23,040 Speaker 1: like father giving away his daughter, It's like, well, are 797 00:44:23,080 --> 00:44:27,840 Speaker 1: my daughter's property property? No, I bestow this property onto 798 00:44:27,840 --> 00:44:30,640 Speaker 1: this other man who And oh, yeah, you got to 799 00:44:30,760 --> 00:44:33,520 Speaker 1: change your name now because my dad and the man 800 00:44:33,600 --> 00:44:36,280 Speaker 1: I married to do like a Brittany Madonna style kiss 801 00:44:36,680 --> 00:44:41,279 Speaker 1: and pass my spirit my dad like now you're the 802 00:44:41,280 --> 00:44:45,960 Speaker 1: princess of pop. I really want my dad to end 803 00:44:46,080 --> 00:44:48,719 Speaker 1: up like Richard gear in this film and to end 804 00:44:48,800 --> 00:44:52,920 Speaker 1: up kissing the groom and and then not me and 805 00:44:52,960 --> 00:44:54,719 Speaker 1: that's how we find out my dad's I want to 806 00:44:54,719 --> 00:44:57,120 Speaker 1: get cooked in my own wedding and lunch my dad 807 00:44:57,400 --> 00:45:02,120 Speaker 1: and my beloved make it and maybe go further in 808 00:45:02,200 --> 00:45:04,680 Speaker 1: my wedding at least, and I'm fine if they go further. 809 00:45:04,760 --> 00:45:09,160 Speaker 1: A little tweaking, Yeah, a little yeah, do what you 810 00:45:09,200 --> 00:45:12,320 Speaker 1: feel is I would enjoy a wedding if that happened, 811 00:45:12,360 --> 00:45:14,640 Speaker 1: but I don't, like I want to be cillar. I 812 00:45:14,719 --> 00:45:17,720 Speaker 1: understand like wanting to throw a celebration for this important 813 00:45:17,760 --> 00:45:19,560 Speaker 1: day in your life. But even if you don't do it, 814 00:45:19,640 --> 00:45:21,600 Speaker 1: guess what, you still can be married if you fill 815 00:45:21,600 --> 00:45:24,359 Speaker 1: out all the paperwork anyway, or if you just hang 816 00:45:24,360 --> 00:45:26,640 Speaker 1: out for seven years. Yeah that you just live together 817 00:45:26,680 --> 00:45:28,319 Speaker 1: for a while and then you'll be married. But um, 818 00:45:28,360 --> 00:45:30,319 Speaker 1: I understand like wanting to like throw a party, but 819 00:45:30,560 --> 00:45:33,759 Speaker 1: doesn't need to be as extravagant as what we're doing 820 00:45:33,840 --> 00:45:36,640 Speaker 1: and what we have been doing for decades. No, I 821 00:45:36,680 --> 00:45:40,520 Speaker 1: don't think so. No, it is financially irresponsible for most people. 822 00:45:40,560 --> 00:45:42,480 Speaker 1: I don't like it. Yeah. I just have a joke about, like, 823 00:45:42,520 --> 00:45:44,480 Speaker 1: would you have the same wedding if you had to 824 00:45:44,560 --> 00:45:47,960 Speaker 1: invite a kid that was like starving to your wedding 825 00:45:48,040 --> 00:45:50,880 Speaker 1: and like probably you'd be like, oh, thirty thousand dollars 826 00:45:50,960 --> 00:45:52,440 Speaker 1: is not a good thing to spend on a party 827 00:45:52,440 --> 00:45:56,480 Speaker 1: with the world like exactly, like the world is so bad, 828 00:45:56,760 --> 00:46:00,720 Speaker 1: could save eighteen families, right, yeah. I you love listening 829 00:46:00,760 --> 00:46:03,160 Speaker 1: to people talking about the specifics of their wedding though, 830 00:46:03,200 --> 00:46:05,799 Speaker 1: because it's always so serious. But if you're even one 831 00:46:05,840 --> 00:46:07,800 Speaker 1: step removed from it, you're like, this is the dumbest 832 00:46:08,000 --> 00:46:11,520 Speaker 1: remember in my life, Like my my my cousin got married, 833 00:46:11,640 --> 00:46:15,000 Speaker 1: and that she would I would hear her on the friends. 834 00:46:15,040 --> 00:46:18,000 Speaker 1: You'd call me crying because like she wasn't rustic enough. 835 00:46:19,640 --> 00:46:21,840 Speaker 1: She'd be like, I, really, my mom didn't want to 836 00:46:21,840 --> 00:46:24,320 Speaker 1: pay for the tables that because I want the tables 837 00:46:24,360 --> 00:46:27,399 Speaker 1: to be barrels, because barrels are rustic, and I don't 838 00:46:27,480 --> 00:46:30,680 Speaker 1: understand why we can't afford enough barrels and didn't It's 839 00:46:30,760 --> 00:46:36,080 Speaker 1: just like any this problem is big. This is a 840 00:46:36,160 --> 00:46:38,959 Speaker 1: big problem. My own gotta get those barrels. My really 841 00:46:38,960 --> 00:46:40,719 Speaker 1: only requirement is I'm going to walk down the aisle 842 00:46:40,760 --> 00:46:44,400 Speaker 1: to It's only Africa by Toto. That's like absolutely, because 843 00:46:44,400 --> 00:46:45,880 Speaker 1: you're gonna get so amped from that that like it 844 00:46:45,880 --> 00:46:47,799 Speaker 1: doesn't even matter who I'm marrying, but I'm just gonna 845 00:46:47,800 --> 00:46:50,320 Speaker 1: be like I'm in by the time you walked on 846 00:46:50,400 --> 00:46:54,080 Speaker 1: the aisle to Africa, you'll marry literally any literally is it? 847 00:46:54,160 --> 00:46:56,160 Speaker 1: Bob Costas? Who is it? I don't care? Put them 848 00:46:56,200 --> 00:47:00,520 Speaker 1: up turn around. That's how I feel about wantings. Sorry, 849 00:47:00,600 --> 00:47:03,920 Speaker 1: weddings are fun. I mean, maybe it's because I don't 850 00:47:03,960 --> 00:47:06,600 Speaker 1: get invited to them. Maybe that's why I hate them. 851 00:47:06,640 --> 00:47:12,160 Speaker 1: I really Here's another call from my cousin Ja. I go. 852 00:47:12,320 --> 00:47:15,120 Speaker 1: I lost the cornhole game and I was painting the 853 00:47:15,120 --> 00:47:18,640 Speaker 1: cornhole game because his arrested game to play. And no, 854 00:47:19,000 --> 00:47:21,040 Speaker 1: my husband doesn't want to. He's not my husband yet, 855 00:47:21,400 --> 00:47:23,160 Speaker 1: but he's gonna be my husband and the no one's 856 00:47:23,160 --> 00:47:28,680 Speaker 1: gonna be able to play cornhole. Are they still married? Yeah? 857 00:47:29,120 --> 00:47:32,400 Speaker 1: So far, so good? How long has it been? Uh? 858 00:47:32,560 --> 00:47:37,120 Speaker 1: Four months? All right? At last it's gonna ridge is 859 00:47:37,200 --> 00:47:40,680 Speaker 1: always do because I think this one's gonna I think 860 00:47:40,680 --> 00:47:43,960 Speaker 1: they're gonna make it. Those crazy kids. We got the cornhole, 861 00:47:44,040 --> 00:47:50,080 Speaker 1: we got the barrels. She's she's twy five, guys. I 862 00:47:50,160 --> 00:47:51,920 Speaker 1: really hope my cousin doesn't listen to this, and I 863 00:47:51,920 --> 00:47:56,399 Speaker 1: don't think she does. I can edit it out, leave 864 00:47:56,400 --> 00:47:58,440 Speaker 1: it that. I want to know if she listens. I 865 00:47:58,440 --> 00:48:01,880 Speaker 1: think people shouldn't get married until are like thirty five 866 00:48:02,400 --> 00:48:04,680 Speaker 1: at the earliest. I think people shouldn't ge married into 867 00:48:04,680 --> 00:48:07,839 Speaker 1: the I've already been married once before and and affected up, 868 00:48:09,160 --> 00:48:11,160 Speaker 1: like you have to do it one time and everyone's like, 869 00:48:11,160 --> 00:48:12,960 Speaker 1: we know this isn't seriously, but we're just gonna do 870 00:48:13,040 --> 00:48:15,160 Speaker 1: like that one and then you get divorced and you 871 00:48:15,280 --> 00:48:17,879 Speaker 1: like try again. Updated guys who I'm like, you would 872 00:48:17,880 --> 00:48:20,480 Speaker 1: be a great second husband. I'm definitely gonna refer to 873 00:48:20,480 --> 00:48:26,600 Speaker 1: my husband as my first husband. That people introduce husband. 874 00:48:26,640 --> 00:48:28,960 Speaker 1: It's like, oh are you guys, Like, no, we are, 875 00:48:29,160 --> 00:48:31,560 Speaker 1: we just got married. I want to keep him on 876 00:48:31,600 --> 00:48:34,319 Speaker 1: His toes were very in love, but we're truly in love. 877 00:48:34,440 --> 00:48:37,480 Speaker 1: One of my favorite lines from Jurassic Park, which I 878 00:48:37,520 --> 00:48:39,799 Speaker 1: know this is not the movie we're talking about, but 879 00:48:40,760 --> 00:48:46,160 Speaker 1: Dr Ian Malcolm a K. Jeff Goldbloom says, yeah, I'm 880 00:48:46,160 --> 00:48:49,280 Speaker 1: always on the lookout for a future x Mrs Malcolm 881 00:48:49,480 --> 00:48:52,919 Speaker 1: knowing that he's gonna follow someone get married and get 882 00:48:52,920 --> 00:48:57,000 Speaker 1: divorced and he's just realistic with his expectations. Yeah, it's 883 00:48:57,000 --> 00:48:59,040 Speaker 1: like that song I'm only going to break, break, break, break, 884 00:48:59,080 --> 00:49:01,840 Speaker 1: break your heart. I it wrong. There's a lot of 885 00:49:01,840 --> 00:49:03,759 Speaker 1: songs where rappers are like warning women that they're going 886 00:49:03,800 --> 00:49:05,480 Speaker 1: to break their hearts. And I love that because it's like, 887 00:49:05,520 --> 00:49:07,759 Speaker 1: you're honest, you're real, right, and then you can just 888 00:49:07,840 --> 00:49:10,120 Speaker 1: present the receipts in the form of the top forty 889 00:49:10,160 --> 00:49:16,160 Speaker 1: sick right. So yeah, I love rom coms. I love 890 00:49:16,239 --> 00:49:19,319 Speaker 1: love I love rom coms because it's like, I'm not 891 00:49:19,360 --> 00:49:23,359 Speaker 1: supposed to like vapid, dumb things and I'm leaning in hard. Yeah, 892 00:49:23,480 --> 00:49:25,640 Speaker 1: I'm just like this. I love The Bachelor. I love 893 00:49:25,719 --> 00:49:29,000 Speaker 1: Jane the Virgin, Like, wait, we're gonna talk about Jay 894 00:49:29,080 --> 00:49:31,040 Speaker 1: the Virgin is my favorite show in the world. I've 895 00:49:31,080 --> 00:49:33,040 Speaker 1: seen it all the way through twice. It's it's amazing, 896 00:49:33,200 --> 00:49:37,080 Speaker 1: good everything, catastrophe and good rom com No, I do 897 00:49:37,200 --> 00:49:39,000 Speaker 1: like I've only seen the first season, but I do 898 00:49:39,080 --> 00:49:42,680 Speaker 1: like that show. Excellent or Amazon Original Day The Vision 899 00:49:42,760 --> 00:49:44,799 Speaker 1: is the best show on television if you like. People 900 00:49:44,840 --> 00:49:46,480 Speaker 1: talk about it. I don't know. It's so woman and 901 00:49:46,520 --> 00:49:49,200 Speaker 1: it's very self aware. I love it. Gina Rodriga shines 902 00:49:49,320 --> 00:49:56,879 Speaker 1: every week. Every week. Team Michael, Yeah, whoa whoa controversy. Um, 903 00:49:56,920 --> 00:49:59,200 Speaker 1: are there any other thoughts that people have on the 904 00:49:59,239 --> 00:50:01,640 Speaker 1: movie Away Bride, I will say that there are a 905 00:50:01,640 --> 00:50:05,239 Speaker 1: lot of good speaking roles for women for different kinds 906 00:50:05,239 --> 00:50:08,440 Speaker 1: of characters that are like not the same role or 907 00:50:08,520 --> 00:50:11,720 Speaker 1: not just putting them in the same like Shuill woman 908 00:50:12,239 --> 00:50:15,520 Speaker 1: best friend, like it was a little weird different. They 909 00:50:15,560 --> 00:50:19,680 Speaker 1: are all white. It is a very white movie, as 910 00:50:20,200 --> 00:50:23,200 Speaker 1: many movies are. There is a I think a reporter 911 00:50:23,480 --> 00:50:27,680 Speaker 1: who is like at the finn the wedding that they 912 00:50:27,760 --> 00:50:31,320 Speaker 1: attempt and then she runs away from with Richard gear Um. 913 00:50:31,719 --> 00:50:34,320 Speaker 1: There's a woman of color who's a reporter who's asking questions. 914 00:50:34,360 --> 00:50:37,840 Speaker 1: But other than that, and everyone's pretty white. The older 915 00:50:37,880 --> 00:50:41,840 Speaker 1: women we see as horney grandma. Oh yeah, yeah, so 916 00:50:42,000 --> 00:50:46,280 Speaker 1: we do see some represent older women. So that's honey grandma. 917 00:50:46,840 --> 00:50:51,319 Speaker 1: Uh check um. It does pass the Bechdel test for sure, 918 00:50:51,960 --> 00:50:55,560 Speaker 1: so that's good it doesn't. There's a scene where it 919 00:50:55,560 --> 00:50:59,000 Speaker 1: passes pretty early on whenever Joan Kuzak and the other 920 00:50:59,080 --> 00:51:03,200 Speaker 1: lady friend whose name I forget, the cousin unmarried cousin, No, 921 00:51:04,719 --> 00:51:07,560 Speaker 1: not Betty Trout either. There's a with like a poof 922 00:51:07,560 --> 00:51:12,120 Speaker 1: hair thing. She's an older woman too. Yeah, she says 923 00:51:12,120 --> 00:51:14,359 Speaker 1: I'm going to focus on your eggs, Bob. While she's 924 00:51:14,360 --> 00:51:19,120 Speaker 1: working at the dinero, they come in and ask Maggie 925 00:51:19,200 --> 00:51:22,520 Speaker 1: if she's seen the call um that Richard Year has 926 00:51:22,560 --> 00:51:25,360 Speaker 1: printed in the Say today, And she's like, yeah, what 927 00:51:25,440 --> 00:51:28,640 Speaker 1: a funny joke, you guys. And she's like, you told 928 00:51:28,719 --> 00:51:32,480 Speaker 1: us not to do any bachelorette jokes because is that 929 00:51:32,560 --> 00:51:37,279 Speaker 1: a thing? He? I guess so so, So there's that 930 00:51:37,320 --> 00:51:42,920 Speaker 1: conversation happens again in the hair salon again Carl up 931 00:51:42,920 --> 00:51:45,120 Speaker 1: and die, which is what I wanted to do when 932 00:51:45,120 --> 00:51:51,160 Speaker 1: I watched this movie. They are talking about a chair 933 00:51:51,560 --> 00:51:53,520 Speaker 1: for a while, we're talking about a dog. They talked 934 00:51:53,560 --> 00:51:58,239 Speaker 1: about kinds of stuff. It's not a man. They're fun friends. 935 00:51:57,800 --> 00:51:59,640 Speaker 1: As you were saying that, I was thinking about how 936 00:51:59,680 --> 00:52:01,560 Speaker 1: I don't think Shrek passes the Betel test and out 937 00:52:01,600 --> 00:52:05,560 Speaker 1: freaking it doesn't. It doesn't, It doesn't. It doesn't. Well, yeah, 938 00:52:05,640 --> 00:52:10,239 Speaker 1: because there's Fiona and there's Arthur other there's no other 939 00:52:10,239 --> 00:52:12,439 Speaker 1: speaking part for women other than give him the chair. 940 00:52:12,680 --> 00:52:15,000 Speaker 1: When the woman yells that when he's beating someone up 941 00:52:15,120 --> 00:52:19,880 Speaker 1: that yeah, Shrek man, it's problematic. It's problem that it 942 00:52:19,960 --> 00:52:26,359 Speaker 1: came out before Night eleven. It did it come out 943 00:52:26,400 --> 00:52:28,719 Speaker 1: like two months before one? Can I tell you my 944 00:52:28,719 --> 00:52:30,640 Speaker 1: favorite fact about a movie ever? And I was also 945 00:52:30,680 --> 00:52:32,600 Speaker 1: about to say one of my favorite movies does not 946 00:52:32,640 --> 00:52:35,719 Speaker 1: pass the Bectel test. Master of Disguise. Fun fact about 947 00:52:35,760 --> 00:52:39,160 Speaker 1: the Master of Disguise. You know that scene, that famous 948 00:52:39,160 --> 00:52:41,800 Speaker 1: scene from the Master of the Skies, the turtle turtle scene. 949 00:52:43,960 --> 00:52:46,520 Speaker 1: I have not seen that movie. Everyone's seen this scene. 950 00:52:46,560 --> 00:52:49,600 Speaker 1: Have you seen the turtle? Are you kidding me? Aristotle? 951 00:52:49,800 --> 00:52:54,560 Speaker 1: Aristotle seen it? Shout out to Aristotle's Danta Carveys only 952 00:52:54,960 --> 00:52:57,920 Speaker 1: movie that he's the star of. It's the last movie 953 00:52:57,960 --> 00:52:59,920 Speaker 1: he's the star of. It's not a great movie. But 954 00:53:00,520 --> 00:53:02,520 Speaker 1: um I wrote a bunch of essays about it a 955 00:53:02,560 --> 00:53:06,160 Speaker 1: couple of years ago. And I listened to the commentary 956 00:53:06,200 --> 00:53:08,600 Speaker 1: track and this iconic, very bad scene and this very 957 00:53:08,600 --> 00:53:13,480 Speaker 1: bad movie was filmed on September eleven. Wow, they kept 958 00:53:13,520 --> 00:53:17,480 Speaker 1: going after that. They said that in the commentary track, 959 00:53:17,560 --> 00:53:20,120 Speaker 1: they were just like because it was Dana Kurfey and 960 00:53:20,160 --> 00:53:23,480 Speaker 1: the director and they were just like, oh, Like when 961 00:53:23,560 --> 00:53:25,520 Speaker 1: the turtle scenes started, they're like, oh, I was like, 962 00:53:25,560 --> 00:53:28,480 Speaker 1: why this is a great scene and they're like, oh yeah. 963 00:53:28,800 --> 00:53:31,680 Speaker 1: This was on September eleven, two thousand one, and uh 964 00:53:32,000 --> 00:53:35,080 Speaker 1: we had to stop filming for a couple of minutes 965 00:53:35,239 --> 00:53:39,200 Speaker 1: and uh just have a moment of silence, but you 966 00:53:39,239 --> 00:53:41,279 Speaker 1: know we had to finish. The scene. Was like, man, 967 00:53:41,320 --> 00:53:45,919 Speaker 1: Shell must go on. The show truly did go on. Oh, 968 00:53:46,000 --> 00:53:47,279 Speaker 1: I just wanted to say a few of my other 969 00:53:47,320 --> 00:53:50,920 Speaker 1: favorite lines of dialogue the movie. One of them is 970 00:53:50,960 --> 00:53:54,279 Speaker 1: when Richard Gear shows up to the baseball game that 971 00:53:54,760 --> 00:53:59,040 Speaker 1: people playing in. Maggie goes there. He is again snoop 972 00:53:59,080 --> 00:54:05,040 Speaker 1: doggie dog. Yeah, that is a good that's a good quote. 973 00:54:05,920 --> 00:54:07,800 Speaker 1: I don't know what it means. I'm still thinking about it. 974 00:54:08,120 --> 00:54:10,960 Speaker 1: He's like snooping around her. But that's like not a 975 00:54:11,000 --> 00:54:14,920 Speaker 1: response to snooping. That's that's stuck with me. To another 976 00:54:15,080 --> 00:54:18,399 Speaker 1: The Titanic makes a Snoop Dogg reference to they name 977 00:54:18,440 --> 00:54:22,759 Speaker 1: one of their deep sea cameras after Oh, I was like, 978 00:54:23,520 --> 00:54:26,840 Speaker 1: what how does Jack and Rose know about Snoop dog 979 00:54:27,360 --> 00:54:32,000 Speaker 1: came from the past. There's a passenger from the future. 980 00:54:33,560 --> 00:54:38,560 Speaker 1: What an actually watch The Titanic if Snoop Dogg had 981 00:54:38,560 --> 00:54:41,120 Speaker 1: been on it, I will not watch that film. Like 982 00:54:41,680 --> 00:54:44,520 Speaker 1: Snoop Dogg has been a prevalent cultural force for decades. 983 00:54:44,880 --> 00:54:48,400 Speaker 1: That's all I'm saying. My other favorite line is when 984 00:54:49,280 --> 00:54:52,200 Speaker 1: Maggie goes, you wouldn't know real love if it jumped 985 00:54:52,280 --> 00:54:56,040 Speaker 1: up and bit you in the armpit. Armpit learned. They 986 00:54:56,040 --> 00:54:57,839 Speaker 1: were like instead of asks, what are we gonna do? 987 00:54:57,960 --> 00:54:59,200 Speaker 1: What are we gonna do? What are we gonna do? 988 00:54:59,239 --> 00:55:02,480 Speaker 1: You can't say dick? How about armpit? We cans I dick? 989 00:55:02,520 --> 00:55:05,880 Speaker 1: How about one eyed snake? There's I liked that. That 990 00:55:05,880 --> 00:55:07,800 Speaker 1: would seems like one of those things of like, let's 991 00:55:07,800 --> 00:55:10,439 Speaker 1: just change the dialogue so TBS doesn't need to change 992 00:55:10,440 --> 00:55:15,960 Speaker 1: it later. God love TBS. I love TBS movie edits 993 00:55:16,480 --> 00:55:19,520 Speaker 1: They're so good it should be everybody to look And 994 00:55:19,600 --> 00:55:23,920 Speaker 1: I came here at a party. Are we ready to 995 00:55:23,920 --> 00:55:27,680 Speaker 1: to rate? Let's do it all right? Um? So we 996 00:55:27,800 --> 00:55:32,200 Speaker 1: rate on a five nipple scale of how you feel 997 00:55:32,600 --> 00:55:38,360 Speaker 1: the movie treats it's women characters, and uh we we 998 00:55:38,480 --> 00:55:41,000 Speaker 1: usually describe the nipples. Do you want to go first? Sure? 999 00:55:41,560 --> 00:55:43,880 Speaker 1: I would give it. I'm gonna say I could give 1000 00:55:43,920 --> 00:55:46,560 Speaker 1: it two and a half nipples. Again, I'm gonna give it. 1001 00:55:47,120 --> 00:55:51,000 Speaker 1: Uh both of John cusacks nipples and a half. I 1002 00:55:51,040 --> 00:55:54,960 Speaker 1: had horny Grandma nipple. Nice yeah, i'd say I want 1003 00:55:54,960 --> 00:55:58,920 Speaker 1: to give it like two nipples. Um. It does bother 1004 00:55:59,000 --> 00:56:01,640 Speaker 1: me that, like such a huge emphasis is placed on 1005 00:56:02,600 --> 00:56:06,000 Speaker 1: marriage and pair bonding, and that's like what you're supposed 1006 00:56:06,000 --> 00:56:08,160 Speaker 1: to be doing if you're a young woman and you 1007 00:56:08,280 --> 00:56:12,640 Speaker 1: gotta find men boom with Um, something's happened that I 1008 00:56:12,719 --> 00:56:16,359 Speaker 1: don't mind. I think you're okay. Um. Largely, I just 1009 00:56:16,360 --> 00:56:18,680 Speaker 1: think this is such a sloppily poorly written movie that 1010 00:56:18,840 --> 00:56:22,279 Speaker 1: I can't I don't like any of the characters. So 1011 00:56:23,360 --> 00:56:29,440 Speaker 1: with that said, two nipples they belong to the drunk dad, 1012 00:56:30,480 --> 00:56:36,640 Speaker 1: oh sad leaky alcoholics. Nipples to alcoholics. Heavens that leak 1013 00:56:37,719 --> 00:56:40,560 Speaker 1: like the leak booze out of them, and they can 1014 00:56:40,600 --> 00:56:45,200 Speaker 1: suckle on them if they run if they're Ye. I 1015 00:56:45,239 --> 00:56:47,279 Speaker 1: don't mean to be making light of alcoholism. I know 1016 00:56:47,320 --> 00:56:51,000 Speaker 1: it's a serious problem in disease. How about you. I'm 1017 00:56:51,000 --> 00:56:54,160 Speaker 1: gonna go with I would go with three. The only 1018 00:56:54,600 --> 00:56:56,120 Speaker 1: thing that I really have an issue with is that, 1019 00:56:56,160 --> 00:56:58,839 Speaker 1: like you said, everyone is white, so that that might 1020 00:56:58,920 --> 00:57:01,440 Speaker 1: being that might be a two and a half, but 1021 00:57:01,600 --> 00:57:03,560 Speaker 1: I was gonna go three nipples. There's a lot of 1022 00:57:03,560 --> 00:57:05,879 Speaker 1: speaking roles for women. There's a lot of friendship for women. 1023 00:57:05,920 --> 00:57:10,280 Speaker 1: There's um more than most movies. They let women actually talk, 1024 00:57:10,880 --> 00:57:14,600 Speaker 1: even if they are annoying women. Um, which women are annoying? 1025 00:57:14,640 --> 00:57:16,640 Speaker 1: That's real, Um, not all. I'm just saying there's some 1026 00:57:16,720 --> 00:57:19,240 Speaker 1: women who annoying. I women are annoying. Women are sluts 1027 00:57:19,320 --> 00:57:21,720 Speaker 1: all across the ballard. Look, I think I'm an annoying 1028 00:57:21,720 --> 00:57:25,800 Speaker 1: sled if someone called me that accurate, like, yes, you 1029 00:57:25,840 --> 00:57:29,600 Speaker 1: know me, you get me when Yeah? No, but I 1030 00:57:29,640 --> 00:57:33,360 Speaker 1: think there was some accurate portrayals of parts of womanhood 1031 00:57:33,400 --> 00:57:35,840 Speaker 1: in that movie. Um, so I'm going to give it 1032 00:57:35,920 --> 00:57:38,720 Speaker 1: three and all three nipples are coming from Porthold the dog. 1033 00:57:38,960 --> 00:57:43,160 Speaker 1: Oh hell yeah, oh yeah, he's got a plenty of Yeah, 1034 00:57:43,480 --> 00:57:48,360 Speaker 1: he's got up to six. Yeah. Oh well, row Away Bride. 1035 00:57:49,080 --> 00:57:54,320 Speaker 1: Uh Kaylin hated it, Sophia, and I liked it. Uh 1036 00:57:54,520 --> 00:57:58,600 Speaker 1: ultimately a weird movie that people probably don't watch that much. Yeah, 1037 00:57:58,720 --> 00:58:01,480 Speaker 1: but you could. You should if you wanna, you know, 1038 00:58:02,240 --> 00:58:07,800 Speaker 1: waste to two hours. Okay, relax anyway, Sophia, thanks for 1039 00:58:07,840 --> 00:58:10,080 Speaker 1: being here more. Can people find you online? You have 1040 00:58:10,160 --> 00:58:12,440 Speaker 1: maything you want to plug? They can find me online 1041 00:58:12,480 --> 00:58:15,919 Speaker 1: on Twitter at the number one and then follower No Dad, 1042 00:58:15,960 --> 00:58:19,560 Speaker 1: one following nor Dad and then I run a monthly show, 1043 00:58:19,760 --> 00:58:23,840 Speaker 1: a comedy show at the Resident which Jamie was on recently, 1044 00:58:23,880 --> 00:58:27,560 Speaker 1: and our next show is April three. Super cool. Thank 1045 00:58:27,600 --> 00:58:29,680 Speaker 1: you for coming, all right, thank you. You can follow 1046 00:58:29,760 --> 00:58:34,600 Speaker 1: us on Twitter at Bactel Cast and rate and review us. 1047 00:58:34,840 --> 00:58:39,480 Speaker 1: We'd love that reviews and uh give me your worst, 1048 00:58:39,960 --> 00:58:41,120 Speaker 1: all right, bye yone bye