1 00:00:12,200 --> 00:00:12,920 Speaker 1: It's time. 2 00:00:14,600 --> 00:00:17,360 Speaker 2: And love and no wello, welcome to the naughty but 3 00:00:17,480 --> 00:00:20,239 Speaker 2: nice shame your House drum Shooter. And it's Tuesday, which 4 00:00:20,280 --> 00:00:22,840 Speaker 2: means a differend. Delana Dixon joined us. 5 00:00:22,840 --> 00:00:27,560 Speaker 1: He miss the a there I am. Oh it is Tuesday. 6 00:00:27,640 --> 00:00:29,480 Speaker 1: But who did I see on Friday? 7 00:00:30,520 --> 00:00:32,240 Speaker 2: We had a great night, So we have another catchup 8 00:00:32,240 --> 00:00:34,240 Speaker 2: in a while with your travel, I've been doing tons 9 00:00:34,280 --> 00:00:36,680 Speaker 2: of TV and stuff. We finally got together. We got 10 00:00:36,680 --> 00:00:42,760 Speaker 2: together early at Bottino's, around like four thirty five o'clock early. 11 00:00:43,120 --> 00:00:44,160 Speaker 1: We were done by seven. 12 00:00:44,320 --> 00:00:46,240 Speaker 2: I love those I love those notes. 13 00:00:46,440 --> 00:00:48,839 Speaker 3: We had such fun and we of course we went 14 00:00:48,880 --> 00:00:51,800 Speaker 3: to scott I wasn't hello hello. 15 00:00:51,840 --> 00:00:54,200 Speaker 2: We got the meatball. It was delicious. But I could 16 00:00:54,240 --> 00:00:55,960 Speaker 2: be anywhere as long as I spending time with you. 17 00:00:56,080 --> 00:00:58,240 Speaker 2: It's always the best. Okay, let's jump into our show. 18 00:00:58,240 --> 00:01:01,200 Speaker 2: What time is it? My friends are here? Time make 19 00:01:01,280 --> 00:01:02,680 Speaker 2: sorry the top of the show. I can't wait to 20 00:01:02,680 --> 00:01:05,679 Speaker 2: get your opinion about this, mister. You know television better 21 00:01:05,720 --> 00:01:08,080 Speaker 2: than any other reporter on the beat. So did he 22 00:01:08,120 --> 00:01:10,520 Speaker 2: is having a meltdown. It's caught on camera and it's 23 00:01:10,560 --> 00:01:13,480 Speaker 2: part of the new Netflix documentary. This is where he 24 00:01:13,520 --> 00:01:16,959 Speaker 2: gets interesting? Did He clearly had a camera crew in 25 00:01:17,000 --> 00:01:19,280 Speaker 2: his hotel room. He was not having a meltdown at 26 00:01:19,319 --> 00:01:21,920 Speaker 2: Bottino's or on the street. He was in a private 27 00:01:22,040 --> 00:01:25,760 Speaker 2: hotel room. This was his footage. He hired a camera 28 00:01:25,800 --> 00:01:29,480 Speaker 2: crew to follow him around, so before he was arrested, 29 00:01:29,760 --> 00:01:32,959 Speaker 2: there was a camera crew already following him. Then we 30 00:01:33,000 --> 00:01:35,800 Speaker 2: saw the camera crew turn up at cord with his mom, 31 00:01:35,880 --> 00:01:38,160 Speaker 2: with his family. So this was always going to be 32 00:01:38,200 --> 00:01:42,320 Speaker 2: a documentary. However, this is the block twist. The Netflix 33 00:01:42,360 --> 00:01:46,240 Speaker 2: documentary is not produced by Diddy or his family. It's 34 00:01:46,280 --> 00:01:50,960 Speaker 2: produced by his nemesis, fifty cent. So how did fifty 35 00:01:51,120 --> 00:01:55,440 Speaker 2: cent get that footage? Insiders are telling me I'm going 36 00:01:55,480 --> 00:01:57,200 Speaker 2: to do a big story about this today on my 37 00:01:57,240 --> 00:02:00,920 Speaker 2: substack that did he is looking at family members? There's 38 00:02:01,080 --> 00:02:04,760 Speaker 2: very few people that had access to that footage. Now, 39 00:02:05,000 --> 00:02:07,760 Speaker 2: when did he went to jail? Did the people who 40 00:02:07,800 --> 00:02:10,800 Speaker 2: shot the footage say, ah, he's going to be gone 41 00:02:10,800 --> 00:02:12,280 Speaker 2: for a long time? We thought did he was going 42 00:02:12,320 --> 00:02:14,240 Speaker 2: to go away for a really long time. It's not 43 00:02:14,280 --> 00:02:16,080 Speaker 2: going to be as long as what we thought. We 44 00:02:16,120 --> 00:02:18,000 Speaker 2: thought it could be the rest of his life. The 45 00:02:18,040 --> 00:02:20,440 Speaker 2: evidence seemed to point that way, at least to me. 46 00:02:20,760 --> 00:02:23,560 Speaker 2: The people that shot this footage, the camera people, the 47 00:02:23,680 --> 00:02:26,520 Speaker 2: sound people. Did they decide, you know what, we can 48 00:02:26,560 --> 00:02:29,600 Speaker 2: make a lot of money selling this footage to fifty 49 00:02:29,919 --> 00:02:32,640 Speaker 2: who's producing a documentary. Now, the one thing we should 50 00:02:32,639 --> 00:02:35,480 Speaker 2: point out did his lawyers are saying this is outrageous 51 00:02:35,520 --> 00:02:39,160 Speaker 2: and exploited, and they're even questioning if it's real, pretending 52 00:02:39,320 --> 00:02:42,360 Speaker 2: almost implying that it's ai it real. We've seen Diddy 53 00:02:42,400 --> 00:02:44,840 Speaker 2: and these videos, and after what he said about the 54 00:02:44,880 --> 00:02:47,079 Speaker 2: Cassi tape not being real, I don't think that's a 55 00:02:47,120 --> 00:02:50,400 Speaker 2: good good argument for Diddy because that Cassie tape was real, 56 00:02:50,480 --> 00:02:53,360 Speaker 2: even though at first they denied it. So I just 57 00:02:53,400 --> 00:02:56,440 Speaker 2: don't understand how they got it. But what I do know, mistery, 58 00:02:56,440 --> 00:02:59,520 Speaker 2: and you know this, Netflix don't mess about with rights. 59 00:02:59,919 --> 00:03:03,880 Speaker 2: You don't have the rights to the footage. They will 60 00:03:03,919 --> 00:03:07,560 Speaker 2: not air it because there will be lawsuits. They're a 61 00:03:07,639 --> 00:03:11,680 Speaker 2: billion dollar company. Diddy could go after Netflix. They're really 62 00:03:11,720 --> 00:03:14,520 Speaker 2: buttoned up. When we were on our little morning show mistake, 63 00:03:14,720 --> 00:03:17,720 Speaker 2: we were not nice Yu's photographs that we didn't own 64 00:03:17,760 --> 00:03:20,640 Speaker 2: the rights too. There's no way we would ever air 65 00:03:20,720 --> 00:03:23,600 Speaker 2: this footage. I'd love to see it. This would be 66 00:03:23,600 --> 00:03:26,320 Speaker 2: the talk of the dressing room, but we just couldn't 67 00:03:26,440 --> 00:03:29,240 Speaker 2: air it if did he owns it? So how did 68 00:03:29,240 --> 00:03:30,240 Speaker 2: fifty cent get this? 69 00:03:30,840 --> 00:03:33,360 Speaker 3: Well, let me tell you December second, today is the 70 00:03:33,440 --> 00:03:38,440 Speaker 3: day of the reckoning because the Netflix documentary by fifty 71 00:03:38,440 --> 00:03:40,920 Speaker 3: cents talking about Diddy is out. Let me tell you 72 00:03:40,960 --> 00:03:43,960 Speaker 3: how secretive they have been about this documentary. I reached 73 00:03:44,000 --> 00:03:46,520 Speaker 3: out to Netflix and said, look, you know, I would 74 00:03:46,600 --> 00:03:48,400 Speaker 3: love to write a little story and will not come 75 00:03:48,440 --> 00:03:51,040 Speaker 3: out before and we'll be in bargot, and they told me, 76 00:03:51,240 --> 00:03:54,320 Speaker 3: u uh huh, I'm sorry, you are not. No one 77 00:03:54,560 --> 00:03:57,320 Speaker 3: is getting a look at this until it goes live 78 00:03:57,560 --> 00:03:58,720 Speaker 3: on Netflix. 79 00:03:58,720 --> 00:04:00,400 Speaker 1: So that's how secretive they've been about this. 80 00:04:00,640 --> 00:04:04,000 Speaker 3: And it is because of things like this, this, this explosive 81 00:04:04,440 --> 00:04:08,520 Speaker 3: footage that Diddy has gotten his hands on. I'm sorry, 82 00:04:08,720 --> 00:04:11,840 Speaker 3: the explosive footage that fifty cent has gotten his hands on. 83 00:04:12,160 --> 00:04:14,280 Speaker 3: But Diddy should have known better because back in May 84 00:04:14,400 --> 00:04:19,560 Speaker 3: twenty twenty four, fifty Cents said that he was going 85 00:04:19,680 --> 00:04:24,640 Speaker 3: to make a documentary about Diddy, So did he should 86 00:04:24,640 --> 00:04:27,599 Speaker 3: have been careful from day one because they have had 87 00:04:27,600 --> 00:04:31,400 Speaker 3: this rivalry for decades, and fifty cent basically said. 88 00:04:31,440 --> 00:04:33,480 Speaker 1: I'm taking him down taking them down, so he should 89 00:04:33,480 --> 00:04:33,800 Speaker 1: have known. 90 00:04:33,800 --> 00:04:36,640 Speaker 3: And maybe he was shooting the videos because he wanted 91 00:04:36,640 --> 00:04:40,679 Speaker 3: some kind of protection. But obviously someone from fifty cents 92 00:04:40,680 --> 00:04:43,240 Speaker 3: team got its hands on him and is using it 93 00:04:43,320 --> 00:04:46,360 Speaker 3: now to make this documentary. And I'm telling you, as 94 00:04:46,440 --> 00:04:48,239 Speaker 3: as soon as we're done, I'm. 95 00:04:48,040 --> 00:04:48,600 Speaker 1: Putting it all. 96 00:04:48,720 --> 00:04:49,440 Speaker 2: I'm putting it on. 97 00:04:49,480 --> 00:04:51,160 Speaker 1: Four hours sitting there. 98 00:04:51,680 --> 00:04:54,800 Speaker 2: It's going to be explosive. Just the tea. Is this videotape, 99 00:04:54,800 --> 00:04:57,880 Speaker 2: this never before seen videotape of did he in his 100 00:04:57,960 --> 00:05:02,240 Speaker 2: hotel room screaming at his look were losing? How did 101 00:05:02,279 --> 00:05:04,800 Speaker 2: they get that? Now? I have the best Diddy sources 102 00:05:04,800 --> 00:05:06,760 Speaker 2: in the world. As you know, I worked with him 103 00:05:06,760 --> 00:05:09,480 Speaker 2: many many years ago. When I worked with Puff, there 104 00:05:09,480 --> 00:05:11,960 Speaker 2: was always a camera crew. I am told that he 105 00:05:12,040 --> 00:05:15,360 Speaker 2: is now very very wooded because there is literally hours 106 00:05:15,400 --> 00:05:18,960 Speaker 2: and hours, maybe years of video footage of Puffy. He 107 00:05:19,040 --> 00:05:21,680 Speaker 2: was like a reality show, except the reality shows the 108 00:05:21,720 --> 00:05:24,600 Speaker 2: Real Housewives, they only shoot for about six to eight 109 00:05:25,040 --> 00:05:26,920 Speaker 2: nine weeks. They only shoot for a couple of months. 110 00:05:27,040 --> 00:05:29,880 Speaker 2: Did he have a camera on him pretty much every 111 00:05:29,960 --> 00:05:32,720 Speaker 2: single day, including weekends, and this footage was always put 112 00:05:32,760 --> 00:05:34,960 Speaker 2: in a vault. And at some point he was going 113 00:05:35,040 --> 00:05:37,159 Speaker 2: to make it into a reality show or use it 114 00:05:37,200 --> 00:05:40,240 Speaker 2: in his videos. Or he liked having cameras in his face. 115 00:05:40,279 --> 00:05:42,480 Speaker 2: It made him feel like a huge star. He liked 116 00:05:42,520 --> 00:05:46,040 Speaker 2: walking into restaurants with a camera crew. That's who he is. Well, 117 00:05:46,080 --> 00:05:49,400 Speaker 2: what's on that tape? And if fifty can get this footage, 118 00:05:49,520 --> 00:05:53,560 Speaker 2: if fifty can get the footage of Diddy alone in 119 00:05:53,560 --> 00:05:56,400 Speaker 2: a hotel room on the telephone, he wasn't with the lawyer. 120 00:05:56,560 --> 00:05:58,679 Speaker 2: The lawyer was on the telephone, so the only people 121 00:05:58,680 --> 00:06:01,840 Speaker 2: in that room were the camera recruit and did he 122 00:06:02,360 --> 00:06:04,479 Speaker 2: and the lawyer on the phone. And somehow fifteen not 123 00:06:04,560 --> 00:06:08,080 Speaker 2: only got it, he got the legal rights to air it. 124 00:06:08,320 --> 00:06:11,800 Speaker 2: This is not sloppy. If this was an independent documentary 125 00:06:12,040 --> 00:06:14,320 Speaker 2: or if this was on a shady website, I'd be like, 126 00:06:14,360 --> 00:06:18,520 Speaker 2: oh my goodness, this is Netflix. They do not mess about. 127 00:06:18,560 --> 00:06:22,119 Speaker 2: We've worked on TV Misty a long time. You can't 128 00:06:22,120 --> 00:06:24,920 Speaker 2: put a photograph up on television unless you've got the 129 00:06:25,000 --> 00:06:28,400 Speaker 2: rights to it. You can't just be flipping up videos, 130 00:06:28,440 --> 00:06:31,440 Speaker 2: not private videos shut in someone's hotel rooms. There's going 131 00:06:31,480 --> 00:06:35,280 Speaker 2: to be privacy laws around that. I can't shoot you 132 00:06:35,360 --> 00:06:38,000 Speaker 2: through your window and use that footage if you're at 133 00:06:38,000 --> 00:06:40,400 Speaker 2: home and in New York City. We see into people's 134 00:06:40,440 --> 00:06:43,599 Speaker 2: windows all the time. We live high up. We see 135 00:06:43,640 --> 00:06:46,159 Speaker 2: stuff all the time. You can't shoot it. If you 136 00:06:46,200 --> 00:06:49,240 Speaker 2: do shoot it. No television, no network is going to 137 00:06:49,279 --> 00:06:51,880 Speaker 2: air it. Well, Netflix is, which tells me they've got it. 138 00:06:51,920 --> 00:06:55,280 Speaker 2: So how did they get it? And what else so 139 00:06:55,320 --> 00:06:57,520 Speaker 2: they're gonna get which brings us to our pole question 140 00:06:57,760 --> 00:07:01,120 Speaker 2: of the day. So did he is called in a 141 00:07:01,200 --> 00:07:04,159 Speaker 2: meltdown screaming on camera that we are losing it to 142 00:07:04,279 --> 00:07:07,039 Speaker 2: his lawyer. But what's really interesting is that fifty cent 143 00:07:07,120 --> 00:07:10,440 Speaker 2: got that footage? How did he get it? And more importantly, 144 00:07:10,680 --> 00:07:12,880 Speaker 2: will you watch it? Are you gonna watch? Missd's already 145 00:07:12,880 --> 00:07:16,040 Speaker 2: told you after this show she's watching it right away. Mister, 146 00:07:16,440 --> 00:07:18,080 Speaker 2: will you watch it on my behalf? Because if I 147 00:07:18,120 --> 00:07:20,960 Speaker 2: pop up on this on this four hour documentary, I 148 00:07:21,000 --> 00:07:22,600 Speaker 2: need to be given the heads up. There is a 149 00:07:22,600 --> 00:07:23,480 Speaker 2: lot of footage. 150 00:07:23,480 --> 00:07:25,800 Speaker 1: Of course, I'm going to be working in the corner. 151 00:07:25,760 --> 00:07:30,680 Speaker 2: Of Okay, go vote on our Twitter page add Naughty 152 00:07:30,760 --> 00:07:34,120 Speaker 2: Nice Rabat. Facebook page is Naughty Gossip and be sure 153 00:07:34,320 --> 00:07:37,600 Speaker 2: to check back down my router here your results. Hey, mistery, 154 00:07:37,800 --> 00:07:38,640 Speaker 2: what are you working on? 155 00:07:39,120 --> 00:07:40,720 Speaker 1: Well, it's all about Chris Jenner. 156 00:07:40,800 --> 00:07:44,000 Speaker 3: Now she has a new haircut and it practically comes 157 00:07:44,000 --> 00:07:47,680 Speaker 3: with its own Vogue subscription. But insiders are saying that 158 00:07:47,760 --> 00:07:52,600 Speaker 3: Hannah Winter is not impressed. Okay, so basically we've got 159 00:07:52,640 --> 00:07:56,680 Speaker 3: this seventy year old mamager. She's got this new, sharp, glossy, 160 00:07:57,360 --> 00:08:02,440 Speaker 3: unmistakable very Anna winterur coded bob and full bangs in 161 00:08:02,520 --> 00:08:06,680 Speaker 3: a festive Instagram drop. You know she's Chris is just 162 00:08:06,760 --> 00:08:10,080 Speaker 3: leaning into those editor in chief vibes. You know, she's 163 00:08:10,160 --> 00:08:14,000 Speaker 3: posing with her daughter Chloe Kardashian and matching holiday gilllamour. 164 00:08:14,360 --> 00:08:16,640 Speaker 3: But sources are saying that Anna Winter, who I have 165 00:08:16,760 --> 00:08:20,840 Speaker 3: met and does wear the bob incredibly well, isn't flattered. 166 00:08:20,960 --> 00:08:23,760 Speaker 3: But more importantly, she's not phased. Look Anna, it does 167 00:08:23,760 --> 00:08:31,080 Speaker 3: not do imitation. She invented the bob. Okay, maybe she'd invented, 168 00:08:31,160 --> 00:08:35,720 Speaker 3: but she certainly made it iconic and everyone else is 169 00:08:35,800 --> 00:08:36,439 Speaker 3: just visiting. 170 00:08:36,480 --> 00:08:36,840 Speaker 1: Again. 171 00:08:37,000 --> 00:08:39,520 Speaker 3: Like I said, I actually spoke to Anna Wintour and 172 00:08:39,600 --> 00:08:42,240 Speaker 3: the best part was I started to ask my question 173 00:08:42,320 --> 00:08:48,000 Speaker 3: and she said, nice dress. Yes, yes, I couldn't even 174 00:08:48,000 --> 00:08:48,640 Speaker 3: ask my question. 175 00:08:48,760 --> 00:08:51,400 Speaker 1: I was So that's flattered. 176 00:08:51,080 --> 00:08:55,760 Speaker 2: Stone, that is your biography, that is your resume that 177 00:08:55,800 --> 00:08:58,360 Speaker 2: you'd say nothing else. You've had an extraordinary Korea mystay, 178 00:08:58,360 --> 00:09:00,160 Speaker 2: and I think you're going to do even more extraordinary things. 179 00:09:00,320 --> 00:09:02,640 Speaker 2: The only thing I care about that is that Ada 180 00:09:02,679 --> 00:09:04,800 Speaker 2: Winter looked at you and said nice dress. Now. I 181 00:09:04,960 --> 00:09:08,040 Speaker 2: used to work with the sort of about twenty years ago. 182 00:09:08,080 --> 00:09:09,599 Speaker 2: I was working for VH one and they had the 183 00:09:09,679 --> 00:09:12,760 Speaker 2: VH one Vogue Fashion Awards, and I did the publicity 184 00:09:12,800 --> 00:09:13,800 Speaker 2: for that. So we used to have to go to 185 00:09:13,880 --> 00:09:16,839 Speaker 2: her office to give her a pr plan and should 186 00:09:16,840 --> 00:09:18,680 Speaker 2: sit behind her desk. It was just like the devil 187 00:09:18,720 --> 00:09:20,839 Speaker 2: wes Prada. She had a couch in there, she had 188 00:09:20,840 --> 00:09:23,000 Speaker 2: the white desk, She had barely anything on the desk. 189 00:09:23,080 --> 00:09:24,560 Speaker 2: She had some flowers on the desk, and she sat 190 00:09:24,559 --> 00:09:27,520 Speaker 2: behind the desk in sunglasses and took a meeting. The 191 00:09:27,559 --> 00:09:29,360 Speaker 2: other thing Anna did which made me laugh is she 192 00:09:29,520 --> 00:09:32,000 Speaker 2: liked meetings where you did not sit. She said, if 193 00:09:32,040 --> 00:09:35,319 Speaker 2: you sit down, you stay too long. She liked standing meetings. 194 00:09:35,640 --> 00:09:37,439 Speaker 2: She said, get to the point quickly. And she was 195 00:09:37,480 --> 00:09:40,120 Speaker 2: not necessarily wrong with that. Chris Jenna makes me smile 196 00:09:40,160 --> 00:09:43,880 Speaker 2: here because I think Chris is really trying to expand 197 00:09:44,040 --> 00:09:46,920 Speaker 2: her role. We saw that seventieth birthday party at Jeff 198 00:09:46,920 --> 00:09:49,800 Speaker 2: Bezos's house, and she really got the A list there. 199 00:09:49,920 --> 00:09:52,760 Speaker 2: We have reported that Chris is thinking about starting up 200 00:09:52,760 --> 00:09:55,880 Speaker 2: the Kardashian Ball and having a yearly ball, maybe to 201 00:09:56,000 --> 00:09:58,480 Speaker 2: rival the met She can deliver Beyonce her, she can 202 00:09:58,520 --> 00:10:01,720 Speaker 2: deliver Oprah, she delivered Megan and Harry Jeff Bezos's house. 203 00:10:01,920 --> 00:10:04,920 Speaker 2: It might be even more exclusive, really really than the 204 00:10:05,320 --> 00:10:08,160 Speaker 2: Voe Ball. So it makes perfect sense. Now she's had 205 00:10:08,160 --> 00:10:10,959 Speaker 2: her million dollar face lift, now she's got her Anna 206 00:10:11,120 --> 00:10:15,680 Speaker 2: Winter Bob. Chris, you wanted it to win it, to 207 00:10:15,760 --> 00:10:19,000 Speaker 2: win it. And if I think I think if you 208 00:10:19,080 --> 00:10:22,960 Speaker 2: copy somebody it's flattering, I think imitation it is flattering. 209 00:10:23,120 --> 00:10:25,120 Speaker 2: And so I would take this Anna, if you care 210 00:10:25,160 --> 00:10:26,680 Speaker 2: at all about it, which I don't think she does. 211 00:10:27,120 --> 00:10:30,200 Speaker 2: As a compliment, I'd love Hananna Winter Bob. Have you 212 00:10:30,240 --> 00:10:31,240 Speaker 2: ever done a Bob mystery? 213 00:10:32,360 --> 00:10:32,920 Speaker 1: I have. 214 00:10:33,240 --> 00:10:37,360 Speaker 3: Actually, my Bob is a little bit sharper, and I 215 00:10:37,440 --> 00:10:40,600 Speaker 3: don't do bangs, and banks aren't really me, so I 216 00:10:40,640 --> 00:10:42,079 Speaker 3: can't seem to get them right. 217 00:10:42,160 --> 00:10:45,280 Speaker 1: But I you know what, next time you've seen me, I'm. 218 00:10:45,120 --> 00:10:46,720 Speaker 2: Gonna rob it up. 219 00:10:46,800 --> 00:10:48,480 Speaker 1: It's not that hard. It's in the closet. 220 00:10:48,520 --> 00:10:51,240 Speaker 2: I loove your hair twos are in the closet. Okay, 221 00:10:51,240 --> 00:10:53,880 Speaker 2: moving along Mega moguls using the kids again in a 222 00:10:54,000 --> 00:10:57,280 Speaker 2: Thanksgiving teas and people are upset about this, so it 223 00:10:57,360 --> 00:10:59,240 Speaker 2: really if you blink, you're going to miss them. But 224 00:10:59,280 --> 00:11:02,480 Speaker 2: it's a very very clever little way to tease us. 225 00:11:02,559 --> 00:11:05,800 Speaker 2: I get this. They're volunteering, they're doing good work. They 226 00:11:05,840 --> 00:11:07,760 Speaker 2: put the kids in the video is gonna blow up. 227 00:11:07,840 --> 00:11:10,480 Speaker 2: Meghan and Harry are not stupid. There's no faces, there's 228 00:11:10,520 --> 00:11:13,000 Speaker 2: no names. There's just a hint of a few curls 229 00:11:13,000 --> 00:11:15,440 Speaker 2: and a sleeve and a tiny little sneaker. It's all 230 00:11:15,480 --> 00:11:17,680 Speaker 2: sort of like a little bit of a tease here. 231 00:11:18,040 --> 00:11:20,920 Speaker 2: But it does feel sort of difficult for a couple 232 00:11:20,920 --> 00:11:23,840 Speaker 2: who have begged for privacy, who have asked us to 233 00:11:24,040 --> 00:11:27,440 Speaker 2: not not take photographs of their children, to stay away 234 00:11:27,840 --> 00:11:30,559 Speaker 2: from their kids, and now they're popping up, even if 235 00:11:30,559 --> 00:11:35,520 Speaker 2: it's just from behind her in her videos. Be careful here, Meghan, 236 00:11:35,600 --> 00:11:38,640 Speaker 2: because I think that the sting against Meghan that's going 237 00:11:38,720 --> 00:11:40,439 Speaker 2: to hurt her the most. Iss she is not authentic 238 00:11:40,800 --> 00:11:42,920 Speaker 2: all the other stuff. You can have bad businesses, you 239 00:11:42,960 --> 00:11:44,560 Speaker 2: can have a failure in this. You can beg your 240 00:11:44,640 --> 00:11:47,600 Speaker 2: apple Pie that nobody likes, and you're gonna be okay. 241 00:11:47,800 --> 00:11:50,280 Speaker 2: Mcdonna's made terrible movies, she's gonna be okay. You can 242 00:11:50,320 --> 00:11:52,520 Speaker 2: make a bad record, you're gonna be okay. You can't 243 00:11:52,559 --> 00:11:55,040 Speaker 2: be okay if the public thinks you're not authentic, if 244 00:11:55,080 --> 00:11:57,800 Speaker 2: they think you're a phony. And I think that's the 245 00:11:57,840 --> 00:12:01,560 Speaker 2: path that Meghan is slowly going, not by choice but 246 00:12:01,679 --> 00:12:04,600 Speaker 2: by actions. She's doing stuff that's making a status. Mister, 247 00:12:04,840 --> 00:12:07,640 Speaker 2: there's been nobody that's been a stronger supporter than Megan 248 00:12:07,679 --> 00:12:09,920 Speaker 2: Makol And you you've met her many times, you liked her. 249 00:12:09,920 --> 00:12:12,000 Speaker 2: You've even been mistaken for her mother once. Let me 250 00:12:12,040 --> 00:12:14,600 Speaker 2: remind you about that. And so I just I don't 251 00:12:14,640 --> 00:12:16,400 Speaker 2: want it to go down this path, but it does appear 252 00:12:16,440 --> 00:12:19,000 Speaker 2: to me at this point that's where she's going. Like, Megan, 253 00:12:19,400 --> 00:12:21,800 Speaker 2: I really would think about this privacy was a big 254 00:12:21,800 --> 00:12:25,479 Speaker 2: deal for you. And now seeing the goods, well. 255 00:12:25,240 --> 00:12:29,480 Speaker 3: You know what, Diddy is having meltdowns and on Netflix, 256 00:12:29,600 --> 00:12:31,959 Speaker 3: and Megan is melting butter Okay. 257 00:12:32,040 --> 00:12:34,439 Speaker 1: So she has a special. 258 00:12:34,000 --> 00:12:37,480 Speaker 3: Coming up with Love Megan, the Holiday Special, and so 259 00:12:37,679 --> 00:12:39,800 Speaker 3: of course she has to make sure that her name 260 00:12:39,920 --> 00:12:42,520 Speaker 3: is in the public and We've said it a million times. 261 00:12:42,679 --> 00:12:46,160 Speaker 3: If they did a Docuseeries that talked about their family 262 00:12:46,559 --> 00:12:49,120 Speaker 3: and showed us the kids in the house and running around, 263 00:12:49,240 --> 00:12:50,400 Speaker 3: we'd watch it in a second. 264 00:12:50,400 --> 00:12:51,559 Speaker 1: She's not stupid. 265 00:12:51,960 --> 00:12:54,800 Speaker 3: She knows marketing. She was once an actress. But this 266 00:12:54,840 --> 00:12:56,200 Speaker 3: is all she's going to give you. I mean, you 267 00:12:56,280 --> 00:12:59,640 Speaker 3: have to realize he's still royalty. Showing the kid's full 268 00:12:59,640 --> 00:13:02,439 Speaker 3: face could put the children in jeopardy, but she knows 269 00:13:02,440 --> 00:13:05,120 Speaker 3: that people want to see them, so she's just giving 270 00:13:05,120 --> 00:13:07,520 Speaker 3: you a little bit. So I think at this point 271 00:13:07,760 --> 00:13:09,800 Speaker 3: she knows people are going to think she's in authentic, 272 00:13:09,840 --> 00:13:12,120 Speaker 3: so she's like, you know what, I'm just gonna lean 273 00:13:12,160 --> 00:13:13,360 Speaker 3: into it and do what I'm gonna do. 274 00:13:13,400 --> 00:13:15,280 Speaker 1: You're gonna see a flipper of the kids. 275 00:13:15,520 --> 00:13:18,040 Speaker 3: You know they're alive, you know they exist, you know 276 00:13:18,080 --> 00:13:20,800 Speaker 3: they're okay, But I'm not showing you their faces until 277 00:13:20,800 --> 00:13:24,240 Speaker 3: they're old enough to handle themselves. And even in that case, 278 00:13:24,679 --> 00:13:27,080 Speaker 3: you know who else doesn't show her child face? 279 00:13:27,400 --> 00:13:30,000 Speaker 1: Halle Berry, Oh that's true. We yeah, we haven't the 280 00:13:30,080 --> 00:13:30,680 Speaker 1: kid and this. 281 00:13:30,880 --> 00:13:33,360 Speaker 3: Child is all is eighteen years old. Yeah, and she's 282 00:13:33,640 --> 00:13:37,840 Speaker 3: still showing her back. So some parents just choose when 283 00:13:37,920 --> 00:13:39,920 Speaker 3: their children get to a certain age and they're an 284 00:13:39,920 --> 00:13:42,080 Speaker 3: adult and they can make that decision. If they want 285 00:13:42,120 --> 00:13:44,240 Speaker 3: to be shown, they will. We don't really see that 286 00:13:44,360 --> 00:13:46,000 Speaker 3: much of nicole kids men. 287 00:13:46,520 --> 00:13:49,720 Speaker 2: No, that's true. Okay, so that's Thanksgiving, I think. But 288 00:13:49,760 --> 00:13:52,640 Speaker 2: he's interesting. Celebrities can do this now, just a little exclusive. 289 00:13:52,679 --> 00:13:54,920 Speaker 2: You're not going to hear anywhere else. My whispers, my 290 00:13:55,000 --> 00:13:58,320 Speaker 2: sources are telling me Megan's in the middle of negotiating 291 00:13:58,400 --> 00:14:01,960 Speaker 2: a big paid exposure for the kids, a big photo 292 00:14:01,960 --> 00:14:06,000 Speaker 2: shoes magazine cover with the kids are member. Suri Cruise 293 00:14:06,120 --> 00:14:08,599 Speaker 2: is on the cover of validy Fair. Brad and Angelina 294 00:14:08,679 --> 00:14:12,240 Speaker 2: famously sold their baby pictures their twins to People magazines 295 00:14:12,240 --> 00:14:15,880 Speaker 2: for I think forteen million dollars. Megan, I get it, 296 00:14:16,080 --> 00:14:17,800 Speaker 2: I get the money. I get that you two are 297 00:14:17,800 --> 00:14:19,680 Speaker 2: not making the money that you wanted to make. The 298 00:14:19,720 --> 00:14:22,680 Speaker 2: Netflix steel is coming to an end. But I'm definitely 299 00:14:22,680 --> 00:14:25,440 Speaker 2: working on this story. I'm hearing groomors out of la 300 00:14:25,520 --> 00:14:28,800 Speaker 2: out of photo agencies that soon we might see them 301 00:14:28,880 --> 00:14:31,200 Speaker 2: and in the process they're going to make a lot 302 00:14:31,200 --> 00:14:33,800 Speaker 2: of money off Meghan. Okay, quickly, before we get a break. 303 00:14:33,840 --> 00:14:35,760 Speaker 2: George Clooney, are you saying that he lost a role 304 00:14:35,760 --> 00:14:39,040 Speaker 2: to Brad Pitt. But what's it's all about, mystery? They 305 00:14:39,040 --> 00:14:40,920 Speaker 2: seem so different to me. I can't imagine them up 306 00:14:40,960 --> 00:14:41,600 Speaker 2: for the same role. 307 00:14:42,120 --> 00:14:45,600 Speaker 3: Yeah, so for us, Yes, So George Clooney was up 308 00:14:45,640 --> 00:14:47,600 Speaker 3: for the role in Thelma and. 309 00:14:47,640 --> 00:14:49,440 Speaker 1: Louise and then went to Brad Pitt. 310 00:14:49,520 --> 00:14:52,320 Speaker 3: So he's admitting that he came this close to playing 311 00:14:52,360 --> 00:14:56,880 Speaker 3: that sexy drifter you know, and the Gena Davis that 312 00:14:57,080 --> 00:15:00,560 Speaker 3: action film, but then came Brad, you know, abs and 313 00:15:00,600 --> 00:15:04,960 Speaker 3: the blonde hair, switching it back, and suddenly George's moment 314 00:15:05,040 --> 00:15:07,680 Speaker 3: was good, you know. So George is saying he got 315 00:15:07,720 --> 00:15:11,040 Speaker 3: to the final test and then that mother ever, Brad 316 00:15:11,160 --> 00:15:14,720 Speaker 3: got it, and then the best part, George refused to 317 00:15:14,720 --> 00:15:17,560 Speaker 3: watch the movie for years because he was like, oh, 318 00:15:17,680 --> 00:15:19,640 Speaker 3: I was doing like all these other projects. I thought 319 00:15:19,640 --> 00:15:21,920 Speaker 3: this was gonna be my breakout. You know, it was 320 00:15:21,960 --> 00:15:25,520 Speaker 3: Brad's breakout. But to be perfectly honest, I think Brad 321 00:15:25,560 --> 00:15:26,120 Speaker 3: needed it more. 322 00:15:26,240 --> 00:15:26,600 Speaker 1: George. 323 00:15:26,640 --> 00:15:29,280 Speaker 3: You know, he's got he had famous family members. He 324 00:15:29,400 --> 00:15:31,360 Speaker 3: was gonna make it, break it no matter what. 325 00:15:31,720 --> 00:15:33,120 Speaker 2: So it's all good. 326 00:15:33,320 --> 00:15:35,440 Speaker 1: And he went on to become a star and. 327 00:15:35,720 --> 00:15:38,800 Speaker 2: Er believe it, he's a big star. It's fun looking back. 328 00:15:38,800 --> 00:15:40,640 Speaker 2: And what's fun here is that even the most successful 329 00:15:40,640 --> 00:15:42,480 Speaker 2: people in the world get a little moment of jealousy. 330 00:15:42,520 --> 00:15:45,560 Speaker 2: That yeah, does pop up even when you've got a lot. 331 00:15:45,600 --> 00:15:47,240 Speaker 2: So if you're feeling a little bit jealous today, you're 332 00:15:47,280 --> 00:15:50,640 Speaker 2: not alone. Everybody gets those feelings. Okay, we're gonna take 333 00:15:50,720 --> 00:15:54,680 Speaker 2: a quick break and we will be right back. Welcome 334 00:15:54,720 --> 00:15:56,760 Speaker 2: back to the Naughty but Niciam your heads throb shooter 335 00:15:56,800 --> 00:15:58,720 Speaker 2: with that dear friend. Mister, hey, miss do, let's get 336 00:15:58,720 --> 00:16:02,480 Speaker 2: to the polls do. Last yea, we talked about Taylor 337 00:16:02,520 --> 00:16:07,520 Speaker 2: swift plans a star studied bachelorette party. Is this fabulous 338 00:16:07,560 --> 00:16:09,760 Speaker 2: or is this tone deaf? Let's have a look. Eighty 339 00:16:09,760 --> 00:16:11,800 Speaker 2: percent said tone deaf. Now, if you do follow me 340 00:16:11,880 --> 00:16:15,520 Speaker 2: on substack Robshoden Naughty but Nice on substack, you will see. 341 00:16:15,600 --> 00:16:18,800 Speaker 2: Last night we had an exclusive report that Taylor maybe's 342 00:16:18,840 --> 00:16:21,440 Speaker 2: listening to our podcast, maybe she's reading stuff online. I'm 343 00:16:21,440 --> 00:16:23,960 Speaker 2: told these plans have been pulled way back. She doesn't 344 00:16:24,000 --> 00:16:26,360 Speaker 2: want to be the next Jeff Bezos and Lawrence Sanchez. 345 00:16:26,400 --> 00:16:30,360 Speaker 2: Remember that wedding in Italy in theirness and everybody was 346 00:16:30,400 --> 00:16:32,880 Speaker 2: really angry about it. It was just a sort of excess 347 00:16:32,920 --> 00:16:34,720 Speaker 2: for the sake of it. It was just money for the 348 00:16:34,760 --> 00:16:36,960 Speaker 2: sake of it. She's too smart for that. Taylor knows 349 00:16:37,000 --> 00:16:40,120 Speaker 2: we're suffering. Taylor knows that inflation's bad. It's hard out there. 350 00:16:40,920 --> 00:16:43,280 Speaker 2: I know it. My friends are struggling. And so to 351 00:16:43,320 --> 00:16:45,720 Speaker 2: sort of have one of these weddings, these bachelorette parties 352 00:16:45,720 --> 00:16:48,720 Speaker 2: around the world not a good look. I am with you, Noughty's, 353 00:16:48,720 --> 00:16:50,760 Speaker 2: and I think Taylor is too. Hey, don't forget to 354 00:16:50,840 --> 00:16:53,800 Speaker 2: vote on today's pole Twitter page at Naughty Nice Rob. 355 00:16:54,040 --> 00:16:57,160 Speaker 2: A Facebook page is Nady Gossip. Let me sure to 356 00:16:57,280 --> 00:17:01,840 Speaker 2: check back tomorrow to hear your results. Now it's time 357 00:17:01,960 --> 00:17:02,760 Speaker 2: for a noise. 358 00:17:05,040 --> 00:17:08,919 Speaker 3: Well, Whitney, leave it because she's actually coming to the 359 00:17:08,920 --> 00:17:14,760 Speaker 3: Big Apple to star in Chaka. And wait, she's not 360 00:17:14,800 --> 00:17:18,560 Speaker 3: playing her teeny tiny role. She is playing Roxy Heart 361 00:17:19,000 --> 00:17:22,520 Speaker 3: the leaves see with the jazz hands, high highs, all 362 00:17:22,560 --> 00:17:25,560 Speaker 3: of it. So now she made a glam Instagram announcement. 363 00:17:25,840 --> 00:17:29,480 Speaker 3: She's in a sinkly, slinky black dress. You know, she's 364 00:17:29,600 --> 00:17:33,639 Speaker 3: snapping her fingers to the iconic Roxy music. And she 365 00:17:33,720 --> 00:17:37,240 Speaker 3: wrote grateful beyond words, and of course she's coming to 366 00:17:37,280 --> 00:17:41,520 Speaker 3: the Ambassador Theater on February second, twenty twenty six. But 367 00:17:41,640 --> 00:17:45,359 Speaker 3: get this, it's a limited engagement. She's only doing six weeks, 368 00:17:45,359 --> 00:17:46,800 Speaker 3: so if you want to see her, you got to 369 00:17:46,920 --> 00:17:48,120 Speaker 3: get your tickets now. 370 00:17:48,280 --> 00:17:50,960 Speaker 2: It's really clever, it's really she has been doing this 371 00:17:51,000 --> 00:17:52,800 Speaker 2: for a while. They call it stunt casting in the 372 00:17:52,800 --> 00:17:55,080 Speaker 2: theater business, and they bring in these celebrities for a 373 00:17:55,080 --> 00:17:57,800 Speaker 2: short period. I've seen Chicago five or six times because 374 00:17:57,800 --> 00:17:59,720 Speaker 2: I've gone to see the different star. I've seen Melanie 375 00:17:59,760 --> 00:18:03,159 Speaker 2: griff is fabulous, I saw Lisa Renner, I saw Wendy 376 00:18:03,200 --> 00:18:07,040 Speaker 2: Williams as the as matron. You want say it, that's right. 377 00:18:07,080 --> 00:18:09,479 Speaker 2: They have put so many fun people in this. Some 378 00:18:09,600 --> 00:18:11,720 Speaker 2: theater folks are a little annoyed about it because they're like, 379 00:18:11,760 --> 00:18:14,480 Speaker 2: we went to school to really train, to be fabulous, 380 00:18:14,560 --> 00:18:17,040 Speaker 2: to do theater, and now a reality star is coming 381 00:18:17,040 --> 00:18:18,920 Speaker 2: in and they can't quite see good dance as much. 382 00:18:18,960 --> 00:18:21,280 Speaker 2: But they sell tickets. But what I say to that, 383 00:18:21,320 --> 00:18:23,800 Speaker 2: and my Broadway friends say, is there anything to keep 384 00:18:23,840 --> 00:18:26,879 Speaker 2: these shows open? New York Struggling tourists are down. Tourists 385 00:18:26,880 --> 00:18:29,439 Speaker 2: don't want to come to America for many different reasons. 386 00:18:29,560 --> 00:18:32,560 Speaker 2: At the moment, so Broadway's really down, Broadway's really struggling. 387 00:18:32,680 --> 00:18:35,879 Speaker 2: Vegas is in trouble. Mariah Carey's not selling tickets in Vegas, 388 00:18:35,920 --> 00:18:39,400 Speaker 2: and it's because the tourists are not coming. So anybody 389 00:18:39,400 --> 00:18:42,200 Speaker 2: who's going to put some bombs and bottoms on seats, 390 00:18:42,520 --> 00:18:45,360 Speaker 2: I'm awful. Keep the show running again now. And He's 391 00:18:45,400 --> 00:18:47,800 Speaker 2: the day, naughty, naughty, naughty, and not He's of the day. 392 00:18:48,080 --> 00:18:50,360 Speaker 2: Is that we did not know that Zac Efron and 393 00:18:50,440 --> 00:18:53,960 Speaker 2: his brother Dylan Ephron were going through a really hard 394 00:18:54,000 --> 00:18:56,679 Speaker 2: time with their parents divorced. So new documents show that 395 00:18:56,760 --> 00:18:59,240 Speaker 2: this was a really ugly split. The brothers have never 396 00:18:59,280 --> 00:19:01,840 Speaker 2: really spoken about it, but these new court documents show 397 00:19:01,880 --> 00:19:06,960 Speaker 2: us financial battles, spousal support, life insurance mandates, attorney fees, 398 00:19:07,240 --> 00:19:10,520 Speaker 2: lots of really ugly stuff. This was a really nasty moment. 399 00:19:10,600 --> 00:19:14,120 Speaker 2: Now it came at the time when Zach was really struggling. 400 00:19:14,440 --> 00:19:16,919 Speaker 2: He was fighting with addiction that he has spoken about, 401 00:19:17,119 --> 00:19:19,720 Speaker 2: and then his parents got divorced. Just a lot. The 402 00:19:19,800 --> 00:19:21,920 Speaker 2: reason that I wanted to do this story today is 403 00:19:21,960 --> 00:19:23,879 Speaker 2: to not judge any of this, but to let you 404 00:19:23,960 --> 00:19:27,440 Speaker 2: know there's always more below the surface. What you see 405 00:19:27,680 --> 00:19:29,920 Speaker 2: is about ten percent. I think is like an Iceberg mystery. 406 00:19:30,000 --> 00:19:32,280 Speaker 2: We only see about ten percent of the truth. And 407 00:19:32,320 --> 00:19:34,560 Speaker 2: so give someone some grace today. If they're a bit moody, 408 00:19:34,600 --> 00:19:36,760 Speaker 2: if they're a bit off. There's something going on below 409 00:19:36,840 --> 00:19:38,840 Speaker 2: the surface. There's none of your business. You don't need 410 00:19:38,880 --> 00:19:40,919 Speaker 2: to know about it, but you do need to know 411 00:19:41,000 --> 00:19:44,760 Speaker 2: it's there. Okay, let's end with a moment of Happiness 412 00:19:45,040 --> 00:19:48,119 Speaker 2: isn't a destination you magically arrive at. No, it's a 413 00:19:48,200 --> 00:19:50,600 Speaker 2: direction you choose to go every single day. So stop 414 00:19:50,640 --> 00:19:53,480 Speaker 2: waiting for the perfect moment or the right circumstances, because 415 00:19:53,480 --> 00:19:57,080 Speaker 2: that's a trap. Happiness is built through tiny decisions, little 416 00:19:57,119 --> 00:19:59,040 Speaker 2: ones like getting out of bed when you don't feel 417 00:19:59,080 --> 00:20:02,720 Speaker 2: like it's being kind to yourself, like taking one small 418 00:20:02,760 --> 00:20:05,000 Speaker 2: step in a move that's going to push you forward. 419 00:20:05,400 --> 00:20:08,440 Speaker 2: When you treat happiness as a practice, not a prize, 420 00:20:08,840 --> 00:20:12,960 Speaker 2: everything shifts. You gain momentum, you realize you're in control, 421 00:20:13,600 --> 00:20:17,760 Speaker 2: point yourself towards what matters. Then keep taking the next steps, 422 00:20:18,080 --> 00:20:21,720 Speaker 2: and that's how you will find happiness. I had to 423 00:20:21,760 --> 00:20:24,280 Speaker 2: learn this mystery. I thought being happy was going to 424 00:20:24,320 --> 00:20:26,679 Speaker 2: be an event, was going to be Willingham minion dollars 425 00:20:26,800 --> 00:20:28,520 Speaker 2: was going to be getting a great job, was going 426 00:20:28,520 --> 00:20:31,199 Speaker 2: to be getting a great guy, not true. Happiness is 427 00:20:31,240 --> 00:20:34,800 Speaker 2: the journey, not the Hey. That is it for today. 428 00:20:34,800 --> 00:20:36,760 Speaker 2: Thank you so much for listening. It's a Naughty but 429 00:20:36,880 --> 00:20:38,720 Speaker 2: Nice with Rum and Misty Show, a production of Elvis 430 00:20:38,800 --> 00:20:41,440 Speaker 2: Duran and iHeartRadio. Do you forget to describe on the 431 00:20:41,440 --> 00:20:44,840 Speaker 2: iHeartRadio Apple podcast. Wherever you listen, leave us a review 432 00:20:44,880 --> 00:20:47,280 Speaker 2: if you again, They really do help and remember altogether. 433 00:20:47,320 --> 00:20:49,680 Speaker 2: Now let me hear you singing along, Mistay. If you're 434 00:20:49,720 --> 00:20:50,200 Speaker 2: going to be 435 00:20:53,000 --> 00:21:00,840 Speaker 1: Nice, it's starting but nice with Rum