WEBVTT - Mini Crush #54

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<v Speaker 1>Hey everyone, and welcome to movie crush. Sounds more like

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<v Speaker 1>you're introducing the jazz program on NPR. Shwetty balls. How

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<v Speaker 1>are you doing? I'm great man. How do you feel

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<v Speaker 1>about jazz music? Well? I love jazz, do you? Yeah? Yeah,

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<v Speaker 1>I'm kidding, it's okay. Huh yeah, I'm a I'm a

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<v Speaker 1>beat nick jazz head. Your jazz head, smoking them jazz

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<v Speaker 1>cigarettes cigarettes, and drinking cheap wines. You cheap wine. Uh yeah,

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<v Speaker 1>I love jazzy, I always said, well, not always. I

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<v Speaker 1>got into jazz in college. Like my my knowledge is

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<v Speaker 1>not absurdly deep of the of the genre, but the

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<v Speaker 1>same that there's some beautiful stuff out there. You have

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<v Speaker 1>you ever seen the kin Burns epic documentary? No, those

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<v Speaker 1>are too long. You've never seen any Kinburns. I've seen

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<v Speaker 1>the Ken Barnes effect or they you know, zoom into

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<v Speaker 1>the photograph. All right, this week? All right? Which if

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<v Speaker 1>I was gonna watch one Ken Burns dock, should it

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<v Speaker 1>be like a war one or jazz or baseball? Baseball

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<v Speaker 1>one that I make that up? I don't know. Yeah,

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<v Speaker 1>but don't watch baseball. You don't like base I don't

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<v Speaker 1>care about baseball and that's true. You know, I'm I'm

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<v Speaker 1>sentencing you to fucking fourteen hours on basebook. I'll do jazz.

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<v Speaker 1>Jazz seems like a fun one. It's it's great, so

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<v Speaker 1>much wrapped up in the culture, and it's such like

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<v Speaker 1>an intensely American screen art form. Or I mean, there's

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<v Speaker 1>a music guy. I'd probably recommend that. If you don't

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<v Speaker 1>want quite such a long thing, then I would recommend

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<v Speaker 1>Lewis and Clark because it's shorter. But just watch Jazz.

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<v Speaker 1>I will watch it again. I will say this, ken Burns,

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<v Speaker 1>you have you seen this master class thing that they're

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<v Speaker 1>just advertised all over the internet. Yeah, they were advertisers

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<v Speaker 1>on stuff you should have. Cool. Yeah, no, it's great.

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<v Speaker 1>I've seen a couple. I've seen the one with the

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<v Speaker 1>guy from the French Laundry, the chef, and also Gordon

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<v Speaker 1>Ramsay has a good one taking techniques, but ken burn

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<v Speaker 1>has has one on filmmaking, and I've never seen what

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<v Speaker 1>he looks like. He has the goofiest little haircut. He

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<v Speaker 1>has like bangs, like straight across the top. It's a

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<v Speaker 1>whole thing. Yeah, that's the real Kidburns. And now you

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<v Speaker 1>know what, I'm not gonna poke at kid burns. He's

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<v Speaker 1>obviously a very very important filmmaker, and think he wrote

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<v Speaker 1>my interesting haircut choice. He probably looks at me. So

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<v Speaker 1>this's what's up with spike in your hair up in

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<v Speaker 1>your late forties. Come on, man, you can do whatever

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<v Speaker 1>you want. No, No, you're Chuck Bryant. Al Right, now

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<v Speaker 1>we're gonna start with your holes. And here's what I did. No,

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<v Speaker 1>I did a sci fi edition. I might, I might

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<v Speaker 1>farewell here, supposedly loading it in your favor. However, I

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<v Speaker 1>didn't try and stump you. But I obviously didn't put

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<v Speaker 1>Star Wars and Harry Potter on there. Harry Potter is

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<v Speaker 1>not sci fi, my friend. That is magical realism. Sorry,

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<v Speaker 1>I don't want to taint your favorite don't ruffle my

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<v Speaker 1>Harry Potter feathers. I want to change your favorite thing,

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<v Speaker 1>especially now I know. No, I need, I need to

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<v Speaker 1>be focused here. All right, here we go. I got

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<v Speaker 1>my little bracket drawn out, my column ready. So, like

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<v Speaker 1>I said, no, I tried to pick movies. They're they're

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<v Speaker 1>all very popular films. But I didn't just love any

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<v Speaker 1>softballs your way. Really, I'm ready, alright, ready, number one

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<v Speaker 1>star trek to the Wrath of con definitely where he

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<v Speaker 1>says con. That's a no now it is, well, sure

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<v Speaker 1>he says con. But did you see it? I don't know.

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<v Speaker 1>Maybe all right, that's enough. I saw the remake with

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<v Speaker 1>Conn and with Benedict cumber Bunch. Cumber cumber Bunch, cumber Bunch.

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<v Speaker 1>No one's ever said that, man, No, I know, Um

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<v Speaker 1>number two, Noel, the Robert Zemeckis, Matthew McConaughey, Jodie Foster

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<v Speaker 1>film contact. Yes, of course, so that in the theater's

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<v Speaker 1>love that movie, alright, I figured, um number three, this

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<v Speaker 1>is a bit of a softball Steven Spielberg's AI Artificial Intelligence. Yeah, yeah,

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<v Speaker 1>I liked it. I know it kind of got got

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<v Speaker 1>dragged a little bit. And the ending is a little

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<v Speaker 1>strange because it was the Kubrick thing right there. It

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<v Speaker 1>was like half Kubrick and then Spielberg kind of took

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<v Speaker 1>it over in mape. Spielberg did up a little bit,

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<v Speaker 1>I think, you know, I'm sure, yeah, shined it up

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<v Speaker 1>a bit. Yeah, I mean it went from Kubrick to

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<v Speaker 1>Spielberg and they're pretty different. Dude. I think the thing

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<v Speaker 1>I remember most about that movie is it's kind of

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<v Speaker 1>a bummer. It's like it's real sad movie, you know, yeah,

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<v Speaker 1>and that you know what, I only saw it once,

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<v Speaker 1>and that's probably for a reason totally because most Spielberg

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<v Speaker 1>I can watch a couple of times, oh for sure,

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<v Speaker 1>like at least yeah, yeah, I mean he's he's a

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<v Speaker 1>formally fantastic filmmaker, like he makes really good choices and

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<v Speaker 1>like you say, formally formally like his yeah, I know

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<v Speaker 1>he what's his latest, like he's he's he has he's

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<v Speaker 1>made something, he's continued. The Player one that was not

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<v Speaker 1>that good. It was just kind of stuffed with references.

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<v Speaker 1>I got bored alright, speaking of stuffing NL oh my goodness, gracious,

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<v Speaker 1>gonna move on all right. Number four Strange Days. Katherine

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<v Speaker 1>bigelows I adore that movie with a kind of early

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<v Speaker 1>VR kind of sex tape kind of stuff. Right, Yeah,

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<v Speaker 1>it's all about like recreating other people's memory. Is a

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<v Speaker 1>little bit ahead with really cool, No it holds. It's

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<v Speaker 1>a really good movie with is it ray fines? Isn't it? Yeah?

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<v Speaker 1>Really cool? Much better than Hackers, which I think probably

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<v Speaker 1>came out that year too. Right, it's just like that

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<v Speaker 1>cyberpunk kind of like you knows Hackers with Robert red

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<v Speaker 1>for that's amazing movie. Am I thinking, I don't know,

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<v Speaker 1>Robert Redford computer movie the lawnmowm Man sneakers, Sneakers, Now

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<v Speaker 1>that's fair, but it doesn't. Picturing Hackers is a movie

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<v Speaker 1>with like all of these kind of teen heart throbs

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<v Speaker 1>at the moment, like and it's like one of the

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<v Speaker 1>movies that does such a bad job of depicting the

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<v Speaker 1>idea of the internet, you know, like it's just that

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<v Speaker 1>it's so funny some dummies idea like some like sure

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<v Speaker 1>you know, they literally like zoom through these digital buildings

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<v Speaker 1>and stuff, and it's but it's such a dated, silly movie. Yeah,

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<v Speaker 1>they're peeking behind the ones and zeros if it was

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<v Speaker 1>a curtain, No exactly. And it's also their fashion is

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<v Speaker 1>so like absurdly you know, cliche, like they've got like

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<v Speaker 1>what's his name, Matthew Lillard has like weird red dreadlocks

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<v Speaker 1>and where it's like pleather pants and stuff. Yeah, that's

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<v Speaker 1>why I laughed, because the idea of Robert Redford being

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<v Speaker 1>in that movie apparently amazing. Yeah to do is say

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<v Speaker 1>Matthew little Lillard and dreadlocks. Alright, Number five I know

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<v Speaker 1>you've seen this. Here's a softball for for you know,

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<v Speaker 1>twelve Monkeys, wonderful, wonderful Terry gilliam Man. No matter what,

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<v Speaker 1>why some of these are on here because quite honestly,

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<v Speaker 1>it's hard to stump you sci fi. I was looking around.

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<v Speaker 1>I was like seeing all in sci fi you could

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<v Speaker 1>I mean, if you were gonna do what you could

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<v Speaker 1>do it with like some the Day of the Earth

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<v Speaker 1>stood Still or something like that. Fair alright. Number six

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<v Speaker 1>Logan's Run, have not, have not, And I've always wanted to,

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<v Speaker 1>And I think there was talk that Nicholas Winding refin

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<v Speaker 1>I believe who I really did to drive and stuff,

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<v Speaker 1>was gonna do a remake of of Logan's Run. It

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<v Speaker 1>sounds interesting. Yeah wow. Alright. Number seven, No Under the Skin,

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<v Speaker 1>you know the Scarlett Johansson. I didn't finish watching it, okay,

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<v Speaker 1>and I know it's cool. It's it's just real slow.

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<v Speaker 1>It was a real slow burn. It kind of lost

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<v Speaker 1>me and I had it, I had rented it or

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<v Speaker 1>something like that, and it didn't finish it. But really

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<v Speaker 1>cool soundtrack, and um, I need to give another shot,

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<v Speaker 1>which wasn't in the right head space for it. I

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<v Speaker 1>think I got you alright. No. Number eight, and this

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<v Speaker 1>is specific uh solaris the Soderberg Cluney version. I fell

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<v Speaker 1>asleep during that one. To chuck, so were we counting these?

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<v Speaker 1>I don't know. I don't do it. I paid money

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<v Speaker 1>to see it in the theater, but I felt I

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<v Speaker 1>definitely fell asleep during it. I think I had just

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<v Speaker 1>gotten some dental work done, and I had had some

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<v Speaker 1>like muscle relaxers or something that those Tarkovski remake with good.

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<v Speaker 1>I fell asleep hardcore. That's a weirdly specific memory, you know.

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<v Speaker 1>I know, I very very very specifically remember falling asleep

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<v Speaker 1>during the might know what to do there? Then, I mean,

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<v Speaker 1>you paid money, he went and saw it, he had

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<v Speaker 1>dental work. I think it's a no I do. I

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<v Speaker 1>will not. I couldn't tell you anything about it, so well,

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<v Speaker 1>I saw the whole thing and I couldn't tell anything

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<v Speaker 1>about it. That's fair. Number nine Dark City. I love

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<v Speaker 1>Dark City. That's one of my favorite modern kind of

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<v Speaker 1>sci fi movies. Number ten I think I might have

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<v Speaker 1>you with this one Starman with Jeff Bridges that came

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<v Speaker 1>up recently in conversation. I don't remember who was who

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<v Speaker 1>brought it up? But is it good? Is it kind of?

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<v Speaker 1>I bet it's kind of dated. Is it good? Oh?

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<v Speaker 1>I imagine it's dated. But I mean it's a bit

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<v Speaker 1>of a cheat because it's more romance. But it is

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<v Speaker 1>about an alien. Is there an alien that I thought

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<v Speaker 1>there was an alien? He is the alien? Does it?

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<v Speaker 1>But does it look like jeff Bridges? Yep? Okay, but

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<v Speaker 1>he doesn't act like Jeffrey Okay? Is this sort of

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<v Speaker 1>like k Pax? Remember Ka Pas? I didn't see that,

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<v Speaker 1>but I know the movie that's with the Creep, right,

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<v Speaker 1>that's with the Creep. That's how he shall not be

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<v Speaker 1>named Number eleven. But I have the feeling he's done

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<v Speaker 1>seems like forever. Oh yeah, I think he keeps making

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<v Speaker 1>the wrong move. Oh yeah, I mean I have that

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<v Speaker 1>weird thing he did in character that he blasts it

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<v Speaker 1>out on the internet. Is the guy from the show Cards, Yeah,

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<v Speaker 1>the one he got fired from. Yeah, he did a

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<v Speaker 1>bit in character. Like I didn't even watch it. I

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<v Speaker 1>just saw it. I just read the headline. Really unfortunate.

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<v Speaker 1>I didn't see that all right, eleven, I think we

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<v Speaker 1>just talked about it in the last episode Another Earth

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<v Speaker 1>Oh no, no no, No, that was after Earth. This is

0:10:01.240 --> 0:10:04.080
<v Speaker 1>Another Earth, Another Earth with Marley movie. Yeah, I like,

0:10:04.120 --> 0:10:07.000
<v Speaker 1>I liked it. Yeah, definitely. I like her a lot. Yeah,

0:10:07.240 --> 0:10:12.600
<v Speaker 1>me too. She has a she fits in these sci

0:10:12.640 --> 0:10:14.800
<v Speaker 1>fi projects. I think. I think so too. There's another

0:10:14.840 --> 0:10:17.920
<v Speaker 1>worldliness about her somehow. Yeah. But it's also like pretty

0:10:17.960 --> 0:10:20.440
<v Speaker 1>grounded and it's sort of sci fi, is sort of

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<v Speaker 1>on the fringes of it, and it's never like overtly

0:10:22.800 --> 0:10:24.640
<v Speaker 1>sci fi, but it's sort of just like conceptual, like

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<v Speaker 1>I'm flying around stage I dig it. Yeah, Number twelve Equilibrium,

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<v Speaker 1>I don't think so. Two thousand two Christian Bale. No,

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<v Speaker 1>I haven't seen it either, but it was on all

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<v Speaker 1>the list of sci fi movies you should see that

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<v Speaker 1>you probably have not seen, right, Well, I have. I

0:10:38.760 --> 0:10:40.439
<v Speaker 1>have not seen it, so I have to check it out. No,

0:10:40.679 --> 0:10:43.120
<v Speaker 1>it's tied six to six. I might, I might. This

0:10:43.200 --> 0:10:46.080
<v Speaker 1>might be the one that that makes men think. So

0:10:46.120 --> 0:10:48.800
<v Speaker 1>I see some see some Yes, is in her future

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<v Speaker 1>starting with the Fountain. Yes. I had to think about

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<v Speaker 1>that because that's another kind of slow plotting, weird one

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<v Speaker 1>that I maybe didn't watch all of. But now I

0:11:00.280 --> 0:11:01.839
<v Speaker 1>think I think I've seen it all of it. I

0:11:01.920 --> 0:11:06.400
<v Speaker 1>think you have to Sunshine. Yes, that's d Danny Boyle.

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<v Speaker 1>In fact, I remember you talking about that. It's very

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<v Speaker 1>room I know. I think you're gonna totally snag this. No,

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<v Speaker 1>snow Piercer is next. I love Snowier. She saw that

0:11:17.200 --> 0:11:20.760
<v Speaker 1>long June Ho, I believe what is it? Not vietting

0:11:20.760 --> 0:11:24.160
<v Speaker 1>me as a Korean director. Yeah, it's not the guy

0:11:24.160 --> 0:11:26.200
<v Speaker 1>who did Old Boy, but they're sort of buddies, and

0:11:26.200 --> 0:11:27.760
<v Speaker 1>it's it's the guy who did that movie the host,

0:11:27.840 --> 0:11:30.560
<v Speaker 1>I want to say, which is like a monster movie. Um.

0:11:30.720 --> 0:11:32.760
<v Speaker 1>I loved snow Piercer. I thought it was so cool

0:11:32.760 --> 0:11:35.880
<v Speaker 1>and well designed, and it's like, all looks so good. Yeah,

0:11:35.960 --> 0:11:38.240
<v Speaker 1>it looks so great. I think the whole thing was great,

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<v Speaker 1>the design of June. Yeah. And he did he do

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<v Speaker 1>the host? He did? Uh oh he did oak cha.

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<v Speaker 1>That's right with our buddy John Ronson Ronson Memories of

0:11:48.800 --> 0:11:51.480
<v Speaker 1>Murder Maybe was murder in a movie called Mother and

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<v Speaker 1>the host the host is great. Well, he's super talent.

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<v Speaker 1>He's amazing. Yeah, really really great. All right, I might

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<v Speaker 1>get you with this next one number sixteen if free

0:11:58.559 --> 0:12:01.480
<v Speaker 1>Jack No, there's a really good how did this get made?

0:12:01.520 --> 0:12:03.360
<v Speaker 1>Episode where they talk about and it just sounds like

0:12:03.440 --> 0:12:07.400
<v Speaker 1>the most absurd movie ever of all time? In Atlanta

0:12:07.480 --> 0:12:09.439
<v Speaker 1>years ago? Is that right before Atlanta was a big

0:12:09.559 --> 0:12:12.880
<v Speaker 1>That's interesting? Aren't there like garbage can fire kind of

0:12:12.920 --> 0:12:17.240
<v Speaker 1>like street scenes? Was that probably? Yeah? Probably? Yeah? And

0:12:17.440 --> 0:12:20.679
<v Speaker 1>Amelia Weste isn't it? Yeah? Free Jack it's like you

0:12:20.760 --> 0:12:22.720
<v Speaker 1>sort of it's sort of got a quantum leap quality

0:12:22.760 --> 0:12:24.559
<v Speaker 1>to it, as you like jump into other people's bodies

0:12:24.640 --> 0:12:26.760
<v Speaker 1>or something like that. Do you think free jack is

0:12:26.800 --> 0:12:29.640
<v Speaker 1>a verb that? Yeah, that's maybe. I don't know. I

0:12:29.679 --> 0:12:32.600
<v Speaker 1>don't know. All right, I definitely have you with this

0:12:32.640 --> 0:12:34.880
<v Speaker 1>one because you already alluded to it. I think Invasion

0:12:34.880 --> 0:12:37.200
<v Speaker 1>of the Body Snatchers. Oh no, you did, Day the

0:12:37.200 --> 0:12:41.000
<v Speaker 1>Earth still the original? Yeah? With Donald Sutherland. Isn't there

0:12:41.000 --> 0:12:43.400
<v Speaker 1>an even older one? Though? I don't know? I think that.

0:12:43.440 --> 0:12:45.160
<v Speaker 1>I think the one with Donald Sutherland is a is

0:12:45.160 --> 0:12:46.520
<v Speaker 1>a remake and that was like in the seventies, and

0:12:46.520 --> 0:12:48.040
<v Speaker 1>think there's like that's the one I was talking. Yeah,

0:12:48.040 --> 0:12:49.680
<v Speaker 1>I have not That's the one they all kind of

0:12:49.679 --> 0:12:53.000
<v Speaker 1>opened their mouths and make the weird moaning faces or whatever.

0:12:53.040 --> 0:12:58.960
<v Speaker 1>That's a very famous scene with three to Play Number eighteen,

0:12:59.040 --> 0:13:02.320
<v Speaker 1>Johnny Newmonic. There's another How did this get made? About

0:13:02.320 --> 0:13:03.440
<v Speaker 1>that one? And I saw that one in the theater.

0:13:04.520 --> 0:13:07.720
<v Speaker 1>Henry Rollins is in it like super buff Henry Rollins

0:13:08.360 --> 0:13:10.959
<v Speaker 1>plays like a scientist. Is there any other Henry Rollins? No?

0:13:11.400 --> 0:13:13.120
<v Speaker 1>I guess he was a skinny kid. He used to

0:13:13.120 --> 0:13:15.160
<v Speaker 1>be Eden, used to be as buff as even he

0:13:15.240 --> 0:13:20.800
<v Speaker 1>became here. Uh number nineteen. I know you've seen this primer. Yeah, yeah,

0:13:20.840 --> 0:13:23.520
<v Speaker 1>with the time machine. No, you have secured it in

0:13:23.520 --> 0:13:26.600
<v Speaker 1>your favor, yes, with only one to go? Oh boy,

0:13:26.720 --> 0:13:28.400
<v Speaker 1>doesn't matter. Okay, I still want to know. Have you

0:13:28.440 --> 0:13:32.080
<v Speaker 1>ever seen Westworld the film? No? Alright, now I've seen

0:13:32.080 --> 0:13:34.520
<v Speaker 1>the series, though I know it's totally different. So eleven

0:13:34.720 --> 0:13:40.640
<v Speaker 1>to uh nine, Yeah, good job, pretty close to Again

0:13:40.720 --> 0:13:42.480
<v Speaker 1>that's usually how it go, but this was a This

0:13:42.520 --> 0:13:45.240
<v Speaker 1>was me trying purposefully to kind of stump you. Well,

0:13:45.280 --> 0:13:47.560
<v Speaker 1>you did a good job, so you you also you

0:13:47.559 --> 0:13:49.079
<v Speaker 1>also gave me reminded me of some things that I

0:13:49.080 --> 0:13:50.640
<v Speaker 1>would like to see and like, like, I really I

0:13:50.679 --> 0:13:53.400
<v Speaker 1>really do want to watch The Body Standers. That's an

0:13:53.440 --> 0:13:57.840
<v Speaker 1>interesting looking movie. Yeah it's seventies sci fi. That's always great.

0:14:05.360 --> 0:14:07.280
<v Speaker 1>All right, let me see everyone I think we're gonna well,

0:14:07.320 --> 0:14:11.839
<v Speaker 1>we're gonna go do next as another addition of your

0:14:11.840 --> 0:14:24.320
<v Speaker 1>favorite new segment up with Fuck, Up with fuck. Turns

0:14:24.320 --> 0:14:27.560
<v Speaker 1>out you people really like your F bombs. I love it.

0:14:29.480 --> 0:14:31.400
<v Speaker 1>Uh And if you're if you're new to this show,

0:14:32.040 --> 0:14:35.280
<v Speaker 1>I'm sorry if you made it this far, even talking

0:14:35.320 --> 0:14:39.960
<v Speaker 1>about holes and taints. Nobody said anything about a taint

0:14:40.000 --> 0:14:44.640
<v Speaker 1>until Natchock. That was a choice you made. Oh my buddy,

0:14:45.000 --> 0:14:46.760
<v Speaker 1>my buddy Wesley, who was a big stuff you should

0:14:46.800 --> 0:14:48.760
<v Speaker 1>know fan and listens to all the other shows as well,

0:14:49.200 --> 0:14:52.920
<v Speaker 1>said it's a real like shocked to hear you say

0:14:53.000 --> 0:14:57.120
<v Speaker 1>F bombs, to see my true self coming to your

0:14:57.200 --> 0:15:00.360
<v Speaker 1>true self. Yea, A lot of people love it. No,

0:15:00.480 --> 0:15:02.640
<v Speaker 1>the stuff you should know self is still your true self.

0:15:02.680 --> 0:15:04.840
<v Speaker 1>And honestly, I like doing the shows where you can't swear.

0:15:04.880 --> 0:15:06.480
<v Speaker 1>I like to I like being able to swear. But

0:15:06.680 --> 0:15:08.640
<v Speaker 1>it's it's sort of like, you know, it's a challenge.

0:15:08.640 --> 0:15:10.880
<v Speaker 1>It's a challenge. It's sort of like Will Smith rap.

0:15:11.160 --> 0:15:14.000
<v Speaker 1>You know, Yeah, I'm I'm used to it on stuff

0:15:14.000 --> 0:15:15.480
<v Speaker 1>you should know by now. It's like I don't feel

0:15:15.480 --> 0:15:18.120
<v Speaker 1>like a second nature yeah. Um And and you know

0:15:18.120 --> 0:15:19.920
<v Speaker 1>what that allowed us to get a very broad fan base.

0:15:20.000 --> 0:15:25.120
<v Speaker 1>It really did. Families, teachers, school children, absolutely the same

0:15:25.120 --> 0:15:27.600
<v Speaker 1>with ridiculous history. Like, I think some people really like

0:15:27.800 --> 0:15:31.880
<v Speaker 1>the fact that it's not so you know, not crasp

0:15:31.920 --> 0:15:33.960
<v Speaker 1>but like and I love swearing, but I think there's

0:15:34.000 --> 0:15:36.720
<v Speaker 1>something about it not being a part of the equation

0:15:36.760 --> 0:15:38.560
<v Speaker 1>that makes it a little bit comforting in some way. Like,

0:15:38.560 --> 0:15:41.000
<v Speaker 1>I don't know, it's interesting. Yes, sometimes it's funny. I

0:15:41.040 --> 0:15:44.360
<v Speaker 1>will Joshua knew it as much as I do, but

0:15:44.520 --> 0:15:47.480
<v Speaker 1>I do. Uh. And when we're recording stuff, you should know,

0:15:47.600 --> 0:15:50.400
<v Speaker 1>I will just because it fits so well and it's

0:15:50.440 --> 0:15:52.920
<v Speaker 1>so funny. I will make a very dirty, crass joke

0:15:53.360 --> 0:15:56.920
<v Speaker 1>as we're recording, just and then we laugh and say

0:15:57.000 --> 0:16:00.320
<v Speaker 1>b B B B. Obviously cut that, but just had

0:16:00.360 --> 0:16:02.680
<v Speaker 1>to say it. Of course, sometimes you got to. Yeah,

0:16:02.760 --> 0:16:05.040
<v Speaker 1>you can't sit on that stuff. It's comedy gold, it

0:16:05.080 --> 0:16:07.520
<v Speaker 1>really is. All right, are we up with fucking? We're

0:16:07.600 --> 0:16:09.960
<v Speaker 1>up with fucking. This is gonna be our last segment.

0:16:10.280 --> 0:16:13.160
<v Speaker 1>Is I'm gonna go through a lot of these um

0:16:13.200 --> 0:16:15.200
<v Speaker 1>and some of these if I read them last time,

0:16:15.440 --> 0:16:17.520
<v Speaker 1>I apologize, I don't remember. And I'm not going to

0:16:17.640 --> 0:16:20.680
<v Speaker 1>keep a spreadsheet on f bombs. That'd be a cool spreadsheet, though,

0:16:21.720 --> 0:16:25.240
<v Speaker 1>Michael Scanlon says, go sucker fuck exactly? How does one

0:16:25.280 --> 0:16:28.640
<v Speaker 1>sucker fuck? Donnie darka Donnie Darko classic. A bunch of

0:16:28.680 --> 0:16:31.560
<v Speaker 1>people said that, Um, I got it, and I think

0:16:31.560 --> 0:16:35.000
<v Speaker 1>I read the playing Strains and Automobiles last time, so

0:16:35.000 --> 0:16:37.240
<v Speaker 1>I'm not gonna go through that. He did. Aaron and

0:16:37.320 --> 0:16:40.400
<v Speaker 1>Cerrulo step says four Weddings in a Funeral the first

0:16:40.400 --> 0:16:43.040
<v Speaker 1>lines of the movie. Hugh Grant, upon realizing he woke

0:16:43.080 --> 0:16:47.360
<v Speaker 1>up late. Oh fuck, fuck fucking he fuck fuck yep,

0:16:47.720 --> 0:16:50.880
<v Speaker 1>I remember somebody, I mean my mom. Maybe I was

0:16:50.880 --> 0:16:52.920
<v Speaker 1>talking about how like the first word in that movie

0:16:53.000 --> 0:16:55.680
<v Speaker 1>is fuck and how like that was somehow very shocking

0:16:55.720 --> 0:16:58.120
<v Speaker 1>to her at the time. Yeah, I want to meet

0:16:58.120 --> 0:17:02.960
<v Speaker 1>your mom, Nole, She's pretty cool. Laura Brown XU says,

0:17:03.200 --> 0:17:08.919
<v Speaker 1>I am not drinking any fucking merlow from Sideways. Emily

0:17:08.920 --> 0:17:12.040
<v Speaker 1>and I have We're gonna go through the Alexander pain films.

0:17:12.240 --> 0:17:16.080
<v Speaker 1>It's gonna be our jam starting with Sideways. And we're

0:17:16.119 --> 0:17:18.440
<v Speaker 1>so busy. We've been talking about this for like two

0:17:18.480 --> 0:17:20.520
<v Speaker 1>and a half months and have not been able to

0:17:20.560 --> 0:17:22.280
<v Speaker 1>do it. What's that one? The Black and White one

0:17:23.760 --> 0:17:27.480
<v Speaker 1>Oh Nebraska, Nebraska. I have not seen that, and I

0:17:27.520 --> 0:17:31.280
<v Speaker 1>really want to. It's good. Yeah. I mean will Forte,

0:17:32.440 --> 0:17:37.840
<v Speaker 1>I think is a super super underrated actor. He's silly

0:17:37.840 --> 0:17:39.879
<v Speaker 1>as can be and I love it, but he's a

0:17:40.119 --> 0:17:42.400
<v Speaker 1>really great I love that we're kind of getting back

0:17:42.440 --> 0:17:45.240
<v Speaker 1>into maybe this is not, you know, something that that

0:17:45.400 --> 0:17:48.439
<v Speaker 1>stopped happening, but like like Robin Williams, for example, total

0:17:48.560 --> 0:17:52.639
<v Speaker 1>amazing comedian that turns out had incredible acting shops and

0:17:52.640 --> 0:17:55.359
<v Speaker 1>we're kind of seeing more and more of that these days. Like, um,

0:17:55.520 --> 0:17:57.560
<v Speaker 1>what's her name? Melissa McCarthy is in that movie that

0:17:57.640 --> 0:17:59.760
<v Speaker 1>got some nods. I don't think she got nominated. She did,

0:17:59.840 --> 0:18:02.439
<v Speaker 1>she did get nominated. That's great. She is just starting

0:18:02.480 --> 0:18:04.119
<v Speaker 1>to do like some of her best work. Probably well

0:18:04.160 --> 0:18:06.800
<v Speaker 1>he this is the first real dramatic piece she's ever done.

0:18:06.800 --> 0:18:09.600
<v Speaker 1>And she's assumed any of those goofball, gross out comedies

0:18:09.600 --> 0:18:12.840
<v Speaker 1>after successive Bridesmaids or whatever that I think she probably

0:18:12.880 --> 0:18:16.200
<v Speaker 1>got typecast as that for like Schlubby, you know, habitual

0:18:16.280 --> 0:18:18.879
<v Speaker 1>balance that out here forward, and she's talked about that

0:18:18.920 --> 0:18:22.159
<v Speaker 1>in interviews. How at Hollywood, it's so difficult to escape

0:18:22.160 --> 0:18:24.040
<v Speaker 1>from that image where like where everyone wants her to

0:18:24.080 --> 0:18:27.359
<v Speaker 1>be the goofy prat fall kind of unattractive woman or

0:18:27.400 --> 0:18:29.520
<v Speaker 1>whatever you like. That's that's how she those are her

0:18:29.520 --> 0:18:31.600
<v Speaker 1>words kind of and and she's kind of had to

0:18:31.760 --> 0:18:35.240
<v Speaker 1>really do some work to push through that, and especially

0:18:35.280 --> 0:18:37.800
<v Speaker 1>when it's hard for the artists when they're paying you,

0:18:38.520 --> 0:18:40.480
<v Speaker 1>like a lot of money to be in those big comedies,

0:18:40.560 --> 0:18:43.280
<v Speaker 1>like it's hard to turn down. When she had been

0:18:43.280 --> 0:18:44.560
<v Speaker 1>an actor for a long long time and all of

0:18:44.640 --> 0:18:48.320
<v Speaker 1>a sudden she's getting these big financial opportunities. You kind

0:18:48.320 --> 0:18:50.320
<v Speaker 1>of like need to jump on that. You do if

0:18:50.359 --> 0:18:52.960
<v Speaker 1>you can secure yourself. Didn't start doing the arthouse stuff,

0:18:53.240 --> 0:18:55.000
<v Speaker 1>for sure. It doesn't come here yet, and I can't

0:18:55.040 --> 0:18:56.800
<v Speaker 1>quite remember the title, but I'm very excited to see

0:18:56.840 --> 0:19:01.120
<v Speaker 1>it too. Tracy Fox from Glorious Bastard, Fuck a Duck,

0:19:01.760 --> 0:19:04.680
<v Speaker 1>she said it kids her every time. Susannah. I'm sorry,

0:19:04.720 --> 0:19:08.000
<v Speaker 1>Susie Hannah. It's a little bit of a I've all

0:19:08.000 --> 0:19:13.920
<v Speaker 1>tricked out like a portmanteau. Susie Nice busting that out man,

0:19:14.359 --> 0:19:17.640
<v Speaker 1>Susie Hannah from Jerry McGuire. Let's go right now, Let's

0:19:17.640 --> 0:19:21.480
<v Speaker 1>go to the zoo. Ray the zoo, you know, the

0:19:21.520 --> 0:19:25.960
<v Speaker 1>fucking zoo is closed. He said, fuck the kid is

0:19:26.000 --> 0:19:27.399
<v Speaker 1>a little kid with the spiky hair. That was me

0:19:27.440 --> 0:19:30.680
<v Speaker 1>doing my little kid. The kid was cute, he was cute.

0:19:30.800 --> 0:19:34.280
<v Speaker 1>Wonder what he's like now. He's probably a terror running

0:19:34.280 --> 0:19:38.919
<v Speaker 1>around in Hollywood Boulevard, hopped up on goofballs, hopped up

0:19:38.920 --> 0:19:43.240
<v Speaker 1>on the Bennies. Uh. Carrie Mason says the almost F

0:19:43.400 --> 0:19:46.600
<v Speaker 1>bomb from Aunt May and Spider Man Homecoming, that was

0:19:46.640 --> 0:19:51.199
<v Speaker 1>a great moment. I like these variations on the theme. Uh.

0:19:51.359 --> 0:19:55.119
<v Speaker 1>Scott ky Hill says, they fuck you at the drive through. Okay,

0:19:55.280 --> 0:19:58.760
<v Speaker 1>they fuck you at the drive through. I can't quite

0:19:59.040 --> 0:20:01.920
<v Speaker 1>catch that one. That was Joe Pesci and Lethal Weapon

0:20:01.960 --> 0:20:05.639
<v Speaker 1>to three. Oh yeah, yeah, I'm not mistaken. Yes, that

0:20:05.640 --> 0:20:08.720
<v Speaker 1>has totally what that was. Um, let me see. Sigourney

0:20:08.720 --> 0:20:13.119
<v Speaker 1>Weaver upon seeing the Chompers and Galaxy Quest, well, fuck

0:20:13.200 --> 0:20:18.840
<v Speaker 1>that well, I said it was overdubbed for the PG version,

0:20:19.760 --> 0:20:23.119
<v Speaker 1>but it was hilarious. He said, as an F bomb,

0:20:24.640 --> 0:20:28.200
<v Speaker 1>let's go with Oh, well, let's go with Hudson from Aliens.

0:20:28.240 --> 0:20:34.080
<v Speaker 1>This is Simon uh mahon. That's great. That's just fucking great. Man.

0:20:34.560 --> 0:20:37.240
<v Speaker 1>Know what the funk are we supposed to do? We're

0:20:37.240 --> 0:20:40.520
<v Speaker 1>in some real ship. Now Man games over, Man Games

0:20:40.560 --> 0:20:43.919
<v Speaker 1>fucking over. I didn't he I heard he improve that

0:20:43.960 --> 0:20:47.040
<v Speaker 1>game over apart. Really I thought I read somewhere I

0:20:47.119 --> 0:20:49.960
<v Speaker 1>buy that. Yeah, man, I'm so sad about him, still

0:20:50.000 --> 0:20:52.359
<v Speaker 1>really is sad. What a barmer. He seemed like a

0:20:52.359 --> 0:20:54.440
<v Speaker 1>good guy, he said, like everything that I've read about it,

0:20:54.440 --> 0:20:56.960
<v Speaker 1>and he seemed like a genuinely kind person. I have

0:20:57.440 --> 0:20:59.960
<v Speaker 1>recommended this before, but if you could listen to the

0:21:00.000 --> 0:21:03.280
<v Speaker 1>Mark Mayre and interview with Bill Paxton and I listened

0:21:03.280 --> 0:21:05.320
<v Speaker 1>to that, and I was like, I want to be

0:21:05.520 --> 0:21:08.480
<v Speaker 1>his neighbor and friend exactly. He's just such a good dude.

0:21:08.520 --> 0:21:10.440
<v Speaker 1>Your buddy Paul F. Tompkins, he had on the show,

0:21:10.760 --> 0:21:13.000
<v Speaker 1>does a great character on comedy Bang Bang, where he

0:21:13.040 --> 0:21:16.399
<v Speaker 1>plays that character that he plays in Titanic. Were you

0:21:16.480 --> 0:21:18.240
<v Speaker 1>just talking about? I was just looking for the heart

0:21:18.280 --> 0:21:24.040
<v Speaker 1>of the open, the cor de la mare. That's pretty ft.

0:21:24.400 --> 0:21:27.439
<v Speaker 1>I just saw him this past weekend. He sketch. I

0:21:27.640 --> 0:21:32.040
<v Speaker 1>love him. He's such a vibrant, weird guy. His laugh

0:21:32.160 --> 0:21:36.640
<v Speaker 1>is infectious. He's great. Alright, don qb my old friend

0:21:36.680 --> 0:21:40.320
<v Speaker 1>from New York, probably of Connecticut. She says, no, we're

0:21:40.359 --> 0:21:45.600
<v Speaker 1>not gonna fucking Dave Stonehenge Derek st Hubbinds of Spinal

0:21:45.680 --> 0:21:47.800
<v Speaker 1>Tap I was talking about like Stonehenge that was in

0:21:48.080 --> 0:21:51.960
<v Speaker 1>serious danger of being trodden upon by a dwarf. Oh

0:21:52.000 --> 0:21:54.960
<v Speaker 1>that's right, Yeah, so tiny little Stonehenge. I love that

0:21:55.359 --> 0:21:58.679
<v Speaker 1>and know how they danced the Little Children of stone

0:21:58.760 --> 0:22:04.080
<v Speaker 1>Hinge and the Haunted Moon movie is so much fun.

0:22:04.320 --> 0:22:07.480
<v Speaker 1>I saw a Spinal Tapping concert back then at the

0:22:07.520 --> 0:22:12.360
<v Speaker 1>Fox Theater, uh, and they did an album and a tour,

0:22:12.520 --> 0:22:14.800
<v Speaker 1>and I will say this, I love Spinal Tap the

0:22:14.840 --> 0:22:18.240
<v Speaker 1>movie so so much. Obviously that's why I went. And

0:22:18.280 --> 0:22:21.879
<v Speaker 1>the concert was not fun to be at. So was

0:22:21.920 --> 0:22:23.680
<v Speaker 1>it just kind of like too much of a good

0:22:23.680 --> 0:22:25.679
<v Speaker 1>thing all in a row, Like you need the actual

0:22:25.760 --> 0:22:28.800
<v Speaker 1>dialogue and not just the songs. Yeah, but they did

0:22:28.880 --> 0:22:33.199
<v Speaker 1>bits and it was just like it wasn't fun. It

0:22:33.200 --> 0:22:35.000
<v Speaker 1>was one of those things where it wasn't funny enough

0:22:35.480 --> 0:22:38.959
<v Speaker 1>to be a comedy show and the music is the music,

0:22:40.359 --> 0:22:42.560
<v Speaker 1>and like, I don't know, man, it just didn't feel right.

0:22:42.640 --> 0:22:45.320
<v Speaker 1>That's fair. I can totally picture what you're saying. Yeah,

0:22:45.720 --> 0:22:47.959
<v Speaker 1>Like I still get creeped out when I think about that.

0:22:48.840 --> 0:22:52.639
<v Speaker 1>Stella and Carlson or Old pal says Mary Steen Virgin

0:22:52.960 --> 0:22:58.080
<v Speaker 1>from step Parker, step Burgers. What amid step Burgers, step Burgers?

0:22:58.480 --> 0:23:03.679
<v Speaker 1>Irma gern hand Burgers, step Brothers. I'm gonna open up

0:23:03.720 --> 0:23:06.840
<v Speaker 1>a burger place called step Burgers like wall Burgers. You

0:23:06.840 --> 0:23:08.520
<v Speaker 1>can get open up right next to the wall Burgers.

0:23:08.600 --> 0:23:12.959
<v Speaker 1>Only needed his step sibling. I don't know. Maybe uh

0:23:13.119 --> 0:23:15.440
<v Speaker 1>my mom will have a baby. It's never too late.

0:23:16.560 --> 0:23:20.760
<v Speaker 1>Stellin says, what the fucking fuck? I got a lot

0:23:20.840 --> 0:23:24.240
<v Speaker 1>of up likes because I think just seeing the lovely

0:23:24.280 --> 0:23:27.040
<v Speaker 1>and sweet Mary stein Burgin drop f bombs. Oh what

0:23:27.440 --> 0:23:31.399
<v Speaker 1>is this from from step Burgers? Oh that is she

0:23:31.480 --> 0:23:34.080
<v Speaker 1>still married to Ted Danson because they got divorced. They

0:23:34.119 --> 0:23:38.240
<v Speaker 1>got divorced in no in curb your enthusiasm. Yeah, I

0:23:38.280 --> 0:23:40.640
<v Speaker 1>never watched that last Oh man, No, no, he's he's

0:23:40.680 --> 0:23:46.040
<v Speaker 1>with Larry's ex wife in the shower. O. Man, I

0:23:46.040 --> 0:23:47.919
<v Speaker 1>gotta see that. So good? All right, No, let's do

0:23:48.000 --> 0:23:51.240
<v Speaker 1>like five more of these, Seth Johnston Nolan. I know

0:23:51.280 --> 0:23:55.960
<v Speaker 1>this is one of your favorites, uh Marla from from

0:23:56.000 --> 0:23:57.600
<v Speaker 1>Fight Club. You should go and say it. I know

0:23:57.640 --> 0:23:59.200
<v Speaker 1>you know it. Oh yeah I haven't. Probably I haven't

0:23:59.200 --> 0:24:01.680
<v Speaker 1>been fun like that is grade school. That's it. That's

0:24:02.320 --> 0:24:05.800
<v Speaker 1>shock value, shock and awe line, old David Fincher. I

0:24:05.800 --> 0:24:07.280
<v Speaker 1>can't remember if that was in the book or not.

0:24:07.400 --> 0:24:10.040
<v Speaker 1>If that was in the Chuck Polinic book. Well, it

0:24:10.160 --> 0:24:12.240
<v Speaker 1>was a different line. Oh is that right? Was it

0:24:12.320 --> 0:24:16.199
<v Speaker 1>worse than the book? Uh? Yeah, I do remember the

0:24:16.200 --> 0:24:18.760
<v Speaker 1>line I want you to have my abortion? Oh well,

0:24:18.800 --> 0:24:21.040
<v Speaker 1>I thought that was the line that that was in

0:24:21.080 --> 0:24:25.080
<v Speaker 1>the movie as well. Oh it was okay, I think

0:24:25.080 --> 0:24:26.560
<v Speaker 1>that was definitely in the book, though I can't remember

0:24:26.560 --> 0:24:28.639
<v Speaker 1>if the grade school line was in the book. The

0:24:28.680 --> 0:24:31.320
<v Speaker 1>book has goes a pretty different direction actually with the

0:24:31.359 --> 0:24:36.119
<v Speaker 1>with the with the plot. Yeah, he kind of I

0:24:36.160 --> 0:24:38.440
<v Speaker 1>stopped being interested, but I was really really into those

0:24:38.480 --> 0:24:42.040
<v Speaker 1>for a while. Good books, yeah, for sure, quick quick reads.

0:24:43.000 --> 0:24:45.400
<v Speaker 1>Oh boy, this is one of my favorite bombs ever.

0:24:45.440 --> 0:24:52.840
<v Speaker 1>Everyone Brandon, uh Suragal says from Blue Velvet, Dennis Hopper,

0:24:53.520 --> 0:25:00.080
<v Speaker 1>Heineken fuck that ship. Yeah, perhaps Blue Ribbon's great. Did

0:25:00.119 --> 0:25:02.159
<v Speaker 1>we do Talent to the Lambs? As anyone said we did? That?

0:25:02.200 --> 0:25:04.520
<v Speaker 1>Was that was a thing. Yeah, that was definitely a thing.

0:25:04.960 --> 0:25:06.600
<v Speaker 1>That was one of the first ones. That was one

0:25:06.600 --> 0:25:12.200
<v Speaker 1>of the first ones. Um, Jason, I'll be uh from Anchorman,

0:25:12.440 --> 0:25:15.679
<v Speaker 1>the legend of Ron Burgundy. Go fund yourself, san Diego

0:25:15.960 --> 0:25:20.520
<v Speaker 1>and then smile and dead eyes. That great boy. That

0:25:20.640 --> 0:25:23.080
<v Speaker 1>character just kills me. It's a good one and you

0:25:23.080 --> 0:25:26.000
<v Speaker 1>know it never goes away. Oh my gosh, Chuck, I

0:25:26.000 --> 0:25:29.120
<v Speaker 1>got boy. Do I have a podcast wreck for you? Yeah,

0:25:29.320 --> 0:25:33.080
<v Speaker 1>the Ron Burgundy podcast coming soon, that's rights. I have

0:25:33.160 --> 0:25:38.679
<v Speaker 1>heard such good things about it. Sounds like delightful. Oh

0:25:38.760 --> 0:25:45.879
<v Speaker 1>my gosh. Alright, two more from Blade, Robert lamb our

0:25:45.880 --> 0:25:47.560
<v Speaker 1>own Robert lamb We should have gotten him in here

0:25:47.600 --> 0:25:51.560
<v Speaker 1>to do this reading. Some motherfucker's always trying to ice

0:25:51.600 --> 0:25:57.760
<v Speaker 1>skate uphill Blade. I didn't either, but that's a really

0:25:57.800 --> 0:26:00.800
<v Speaker 1>interesting image. I'm picturing that in my mind now. Yeah.

0:26:00.880 --> 0:26:02.440
<v Speaker 1>It's like some people are like they they're they're just

0:26:02.480 --> 0:26:04.080
<v Speaker 1>like the one thing about things, the wrong one. That's

0:26:04.080 --> 0:26:07.320
<v Speaker 1>a good expression. Yeah, I like that. Ice skate up hill.

0:26:07.359 --> 0:26:09.919
<v Speaker 1>Ice skate up hill. Ice Skating is hard on a

0:26:09.920 --> 0:26:13.120
<v Speaker 1>flat surface, let alone up hill. I can I skate

0:26:13.160 --> 0:26:17.480
<v Speaker 1>pretty good. Yeah. I went through a hockey phase back

0:26:18.359 --> 0:26:22.080
<v Speaker 1>post college. Interesting okay, where I played the like pickup hockey.

0:26:22.160 --> 0:26:24.520
<v Speaker 1>My friend worked at the rink, so I skated around

0:26:24.520 --> 0:26:26.440
<v Speaker 1>a lot, played little pick up hockey. That's cool. Yeah,

0:26:26.480 --> 0:26:28.840
<v Speaker 1>I was not good at hockey, but I learned how

0:26:28.840 --> 0:26:33.800
<v Speaker 1>to skate. Okay, um, let me see David Mills from

0:26:33.840 --> 0:26:39.240
<v Speaker 1>sixteen Candles. They fucking forgot my birthday. All right, we'll

0:26:39.240 --> 0:26:41.560
<v Speaker 1>finish with that one. Everyone, that's a sad one. Yeah,

0:26:41.600 --> 0:26:44.480
<v Speaker 1>this is good. There's still hundreds more to go. We're

0:26:44.480 --> 0:26:46.240
<v Speaker 1>into the F bombs and I know you are too,

0:26:46.280 --> 0:26:50.040
<v Speaker 1>and Nold, do you have anything else? No? No, these

0:26:50.040 --> 0:26:52.600
<v Speaker 1>are fun though, because it's yeah, and this is a

0:26:52.640 --> 0:26:54.320
<v Speaker 1>good segment. Check. This is a stroke of genius on

0:26:54.320 --> 0:26:57.399
<v Speaker 1>your part. I'm not, well, okay, a bit crass, but

0:26:57.800 --> 0:26:59.960
<v Speaker 1>that's fair. We'll take it. Yeah, all right, by everybody,

0:27:00.000 --> 0:27:00.280
<v Speaker 1>see you