WEBVTT - #128: Getting The Rage Out 

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<v Speaker 1>Say, Elvis Ran Presents Off air show Steery Jones, Greg

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<v Speaker 1>te Episode one. Yeah, it's the All Fair Show. Yeah

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<v Speaker 1>it is. We're actually more than a year old, now

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<v Speaker 1>we are. We are a year and one. You heard

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<v Speaker 1>about the show. Now you gonna tell all your friends

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<v Speaker 1>about the show. That's right. We learned to crawl. We

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<v Speaker 1>haven't gotten up to walk yet. And we still crap

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<v Speaker 1>our diapers. And we got plenty of room here, man,

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<v Speaker 1>open space for everybody. Bring them all in. By the way,

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<v Speaker 1>we don't have any diapers, so we just crap. We're

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<v Speaker 1>just crapping on the floor. Those are the days. Oh

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<v Speaker 1>my god, I'm scary. That's Greg. What's stop him? Over here? Now? God,

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<v Speaker 1>you're there, but you haven't left. You've been in the

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<v Speaker 1>same spot the whole time. I'm over here, which is

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<v Speaker 1>weird because you're over there. Now you're over there. Yeah,

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<v Speaker 1>bald freak is in the house. He's floating around here.

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<v Speaker 1>I mean, he understands what time the show starts, right,

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<v Speaker 1>I don't get it. You know, he's been more and

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<v Speaker 1>more late lately. I don't know, he's been busy. He's

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<v Speaker 1>got he's got so much going on in his world,

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<v Speaker 1>you know, I don't even want to ask him, because

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<v Speaker 1>when you ask him, he gets so defensive. He's so

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<v Speaker 1>upset about testing testing man. And then he starts pointing

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<v Speaker 1>down to the boss's office and he goes, you want

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<v Speaker 1>to go down there? You want to go? Tell him?

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<v Speaker 1>I don't want to exactly. He's got other jobs to do.

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<v Speaker 1>He's like, this is my job here, right, frequill join

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<v Speaker 1>us when he can eating his parents. We're gonna all

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<v Speaker 1>of a sudden, we're gonna hear somebody in the backgrounds.

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<v Speaker 1>He's gonna have people canna have me? So you know

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<v Speaker 1>we got email about that. Yeah, yeah, well we'll read

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<v Speaker 1>it in a little while. By the way, um um, mom,

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<v Speaker 1>you always get in touch with us at the Offair

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<v Speaker 1>Show at gmail dot com and tweet us at the

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<v Speaker 1>Offair Show and on Instagram the Offair Show, and we

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<v Speaker 1>do read all of your emails. So yeah, please drop

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<v Speaker 1>us an email if you have a thought, even idea starter,

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<v Speaker 1>something that might have happened to you. You want us

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<v Speaker 1>to call you, You want to come on the show,

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<v Speaker 1>you'd like to be a part of it. Well, well,

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<v Speaker 1>you know that's why you mentioned that I have now

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<v Speaker 1>two people, two of my friends wanting to get us

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<v Speaker 1>some m A fighters all right on the show. Is it?

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<v Speaker 1>Is this an appropriate form for m m A fighters?

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<v Speaker 1>Why not? You know what I mean? I mean, I listen,

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<v Speaker 1>I know you have sees a big thing. I don't

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<v Speaker 1>follow it that much. I'm not a UFC guy. I

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<v Speaker 1>went when I see blood, listen, I I do not mind.

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<v Speaker 1>I would welcome m m A fighters. You have C

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<v Speaker 1>bring them on. I absolutely, Let's get Seth Rogan in here.

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<v Speaker 1>Let's get them all on. Let's let's open it up

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<v Speaker 1>to his affiliation to the m m A. He's like,

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<v Speaker 1>you know, no, he's more like UFC. He's like, uh,

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<v Speaker 1>you know, like, isn't UFC m m A. I'm getting crazy.

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<v Speaker 1>I'm twisting my wires. I guess there's a form, but

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<v Speaker 1>not really m A is is it's you? Really? You

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<v Speaker 1>have c that that's that the in the ring in

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<v Speaker 1>the octagon. If you if you're wait a second, if

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<v Speaker 1>you're watching the UFC match, aren't they m n A

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<v Speaker 1>A fighters in the ring? No different? Okay, by the way,

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<v Speaker 1>there's some random guy filming us. Did you see what

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<v Speaker 1>that guy did? Like I did? Okay, So we have

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<v Speaker 1>these hallways we are in a fishball. We have Florida

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<v Speaker 1>ceiling windows, and we're in a studio. So in the

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<v Speaker 1>hallway there's a someone brought in breadlier today and there's

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<v Speaker 1>a giant round loaf of Italian bread with the words

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<v Speaker 1>Z one hundred, the station we work for here in

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<v Speaker 1>New York branded in the bread. Right. Okay, some dude

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<v Speaker 1>in the hallway walked by with his phone and he

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<v Speaker 1>focused in on the Z one hundred logo on the bread.

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<v Speaker 1>He must have been snapchatting and he he was walking by,

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<v Speaker 1>focused on the Z one hundred logo and swung the

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<v Speaker 1>camera around at you wonderful in a ten seconds snap

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<v Speaker 1>because you know how much I love that. I can't

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<v Speaker 1>stand being in a fish bowl. I can't stand. But

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<v Speaker 1>the thing is, no, no, no, this is crazy because

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<v Speaker 1>who the hell was that guy? And he I understand,

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<v Speaker 1>he's now all of his friends are gonna be like

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<v Speaker 1>this bread and then he and he swings the cot around.

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<v Speaker 1>He's focusing on Greg t All of a sudden, that

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<v Speaker 1>was so good. Gregg teas in the studio. That was

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<v Speaker 1>very weird. But anyway, the m M A is is

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<v Speaker 1>the martial arts, right, and you have c is the

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<v Speaker 1>organization that the martial that that the the mixed martial

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<v Speaker 1>arts is fought in law no martial arts. So they

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<v Speaker 1>so it's like karate. It's a mix. It's a mix

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<v Speaker 1>of boxing and karate. It's a mix of Yeah, but

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<v Speaker 1>where does the part come where you could bite someone's

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<v Speaker 1>ear and get away with it. No, you can't do

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<v Speaker 1>any of that. No, there are rules. Yeah, there's the

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<v Speaker 1>whole thing. You can't do any of that stuff, not

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<v Speaker 1>not any any bit of it. But it all really

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<v Speaker 1>falls under UFC. And UFC is where the the championship

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<v Speaker 1>and the octagon. And like Saturday, this past Saturday night

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<v Speaker 1>was a championship bout and it was actually I think

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<v Speaker 1>it was on Fox on Saturday. Um, you know they

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<v Speaker 1>have a lot of big, big, big fights up and coming. Okay,

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<v Speaker 1>all right, well then that's fine. I'm just curious about it,

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<v Speaker 1>that's all. Well here's that email. By the way, can

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<v Speaker 1>I give you the email that chus like, welcome, you've

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<v Speaker 1>got mail. I love the guy from CLU. So this

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<v Speaker 1>came from Bill bur Kid Burke he uh he one

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<v Speaker 1>time wrote us and now he's back again. You know

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<v Speaker 1>when Burkett writes to us, I gotta be honest. I

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<v Speaker 1>like what he writes. He writes like like like good,

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<v Speaker 1>he's not he writes, well, he's not me. He's not

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<v Speaker 1>over the top, he's not outlandish, like he's really, he's really,

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<v Speaker 1>he writes good, he does. I really enjoy That's the Bill.

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<v Speaker 1>I enjoy your emails, bro. So he wrote about the

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<v Speaker 1>one year anniversary. Hey, Yuggs, first and foremost, congratulations on

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<v Speaker 1>your one year anniversary. Ballfare Show has evolved from merely

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<v Speaker 1>an idea into a phenomenal podcast. Each one of you,

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<v Speaker 1>jus brings something different to the table, which creates a

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<v Speaker 1>dynamic and energetic environment. The growth of the podcast over

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<v Speaker 1>the past year has been remarkable. The future is bright

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<v Speaker 1>for you nine. Keep up the great work. That's from

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<v Speaker 1>Bill Burke. And I like the way he capitalizes Burke

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<v Speaker 1>because he knows um. By the way, Why why the

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<v Speaker 1>anger in your voice to you? You know you told

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<v Speaker 1>me to pull up rage against the machine. Today is

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<v Speaker 1>a day, man, I'm just having a day and I

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<v Speaker 1>feel like I just want to Yes, you feel this

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<v Speaker 1>is what I need today? Man? Why are you so angry?

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<v Speaker 1>I'm feeling the resurgence of rage against the machine today.

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<v Speaker 1>I just feel everybody wants something. Today. We couldn't get

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<v Speaker 1>into the studio till late. Ah feels so good. Do

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<v Speaker 1>you feel like I'm released? I feel like I'm opening

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<v Speaker 1>up my shirt and I just want to scream. So

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<v Speaker 1>instead of myself screaming, I'm gonna allow rage against the

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<v Speaker 1>machine forms to scream and yell. Remember this, when this

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<v Speaker 1>was don't you have a band or saw me? You

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<v Speaker 1>need to here? Used to let it out. A song

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<v Speaker 1>that lets it all out. Drop us a tweet, tweet us,

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<v Speaker 1>this doesn't seriously off at our heads. Drop us a line.

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<v Speaker 1>Let us know what you listen to when you need

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<v Speaker 1>to really just scream. I the song of a least.

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<v Speaker 1>Let let's play. I need to hear the I need

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<v Speaker 1>to hear the cross doesn't even feel good. Yes, but

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<v Speaker 1>not this part, the part in the middle where he

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<v Speaker 1>starts yelling Yes. Yes, because everybody goes to work. Everybody's

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<v Speaker 1>got a boss, even we have bosses. And I say

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<v Speaker 1>bosses because we have several bosses. It up. Yes, feel

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<v Speaker 1>like the name. I feel like it's when the hot

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<v Speaker 1>water in the shower hits me. Everybody, that's what we do.

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<v Speaker 1>We're talking right. The bosses say they tell me everything.

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<v Speaker 1>I gotta follow the rules. Wow, man, I don't even

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<v Speaker 1>like to Hear's the song for me? Ready? I've had ideas. Wait,

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<v Speaker 1>they'll shut off. I've had so many things that I've

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<v Speaker 1>wanted to you. Today, I haven't anything done. You feel

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<v Speaker 1>like you're swimming with don quick sand. It started last

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<v Speaker 1>night when I got this email from our producer, and

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<v Speaker 1>he carried over till this morning when I came in.

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<v Speaker 1>I'm trying up. I'm working like a card this morning.

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<v Speaker 1>The guy tell me where to park like I know

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<v Speaker 1>win second, shouldn't you be free to park where you want? No,

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<v Speaker 1>I'm you have to move other cars out to me

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<v Speaker 1>a park and a sudden slot. Drop the fu that

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<v Speaker 1>here's a song. This is a song that gets me going. Yes,

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<v Speaker 1>Chi Sulley from System of It Down. This song gets

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<v Speaker 1>my aggressions out. You know what. I like a lot

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<v Speaker 1>of E. D M. I like scrillis yeah, man, but

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<v Speaker 1>growing up it was this. You're not fearing it, No

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<v Speaker 1>I am do. There's I'm waiting for me telling me

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<v Speaker 1>what's going on with you? That you need to hear?

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<v Speaker 1>This is kind of have a song and this is

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<v Speaker 1>movie should do open up to you our fair heads,

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<v Speaker 1>drop us a line on Twitter at you our fair show,

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<v Speaker 1>tell us what song you need to hear. It's get

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<v Speaker 1>your aggressions about people like that email that the voicemail

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<v Speaker 1>concept that we ask say, maybe we have them leave

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<v Speaker 1>like raging voicemails for us, crazy raging voicemails. When I

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<v Speaker 1>went to my tattoo place, get my tattoos. This is

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<v Speaker 1>the kind of using play. He's very relaxed listening to this. Yeah,

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<v Speaker 1>wake up, little wake up? Yeah, I said to wake up?

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<v Speaker 1>Why do you need to kick up on the table? Yeah?

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<v Speaker 1>Another table? You want too? Wanted to up what you

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<v Speaker 1>need to up on the table? You wanted to quiet, thinking,

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<v Speaker 1>trust and then then it slows up. Well, this is

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<v Speaker 1>what makes me feel a little bit better today. Makes

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<v Speaker 1>you feel like that's a good one. Bro? Oh look

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<v Speaker 1>who decided? Did you? Wait? Un we play that all

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<v Speaker 1>the time? Wait up? What you call this commercial radio poison?

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<v Speaker 1>But still, what do you do? Like? Do you do

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<v Speaker 1>like squat thrusts and turn that on? Like what's your routine?

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<v Speaker 1>Where the hell are you been? Bro? Yeah, this radio station.

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<v Speaker 1>I don't understand. We were explaining to the off airheads.

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<v Speaker 1>Do you know what we're doing right that exactly. That's

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<v Speaker 1>why I showed up. Now. The thing is that you

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<v Speaker 1>just got more and more stuff piled on your plate,

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<v Speaker 1>and you keep getting more and more things that you

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<v Speaker 1>need to do with the station. So you're running around

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<v Speaker 1>like crazy. Why you have four studios going times? You

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<v Speaker 1>gotta get the power pellets get four studios running at

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<v Speaker 1>the same time. I don't know how you do it.

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<v Speaker 1>How do you keep everybody on the air? You know?

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<v Speaker 1>How does an air traffic controller do it? How does anybody?

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<v Speaker 1>What does the boss say to you? What do you say?

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<v Speaker 1>He says, Ronnie, I need you to do this. I

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<v Speaker 1>needed to do that. Nobody tells me what I need

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<v Speaker 1>to do. It's just laid out there before me every day.

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<v Speaker 1>It's almost robotic. It's like a routine. It's robotic. Yeah,

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<v Speaker 1>so what root talk to me? Now? What's your what's

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<v Speaker 1>your song that? What's your release what's your release song?

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<v Speaker 1>I mean anything by nine inch Nails will do like

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<v Speaker 1>that's that's kind of like, go oh, there you go.

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<v Speaker 1>How do they know you were gonna say? What? In

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<v Speaker 1>this is how it all started? Well, this is the

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<v Speaker 1>first nine is Nail song we've ever heard, Right, you know,

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<v Speaker 1>I think you're right. No, I know I'm right. Pretty

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<v Speaker 1>pretty hate machine, right? Was this their first resident's first album?

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<v Speaker 1>Of course it is pretty hate machine? Bro from nine?

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<v Speaker 1>Do you remember when you made me? Weren't with me?

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<v Speaker 1>We used to drive around and Josegona is uh Booker

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<v Speaker 1>Mobilebile the booger and Josephona put this on, probably on

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<v Speaker 1>cassette tape with data. We were good old Josegona were

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<v Speaker 1>Joey Segona. We were in the ninth grade, right, it

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<v Speaker 1>had to be around. I don't know, I don't know

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<v Speaker 1>the man. I can't do the mask. He would wear

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<v Speaker 1>his blue denim jacket from the gap and then he

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<v Speaker 1>would wear this petruly oil and he would drive a

0:11:41.120 --> 0:11:45.360
<v Speaker 1>green til petrol the oil Patrole petroleum oil. You mean

0:11:45.400 --> 0:11:47.720
<v Speaker 1>what you mean like a cologne. Yeah, Peculi oil. That

0:11:47.800 --> 0:11:49.560
<v Speaker 1>was like a big thing he would wear. Joe put

0:11:49.559 --> 0:11:52.560
<v Speaker 1>peculi oil. Oh my god, this is mother. Never heard this.

0:11:52.600 --> 0:11:55.480
<v Speaker 1>It's mother actually, like screamed out of before. Where is

0:11:55.559 --> 0:11:58.760
<v Speaker 1>that young today? Where is he He's married? He's married, happily,

0:11:58.840 --> 0:12:01.720
<v Speaker 1>same sex marriage. We went to his wedding. Actually, he

0:12:01.840 --> 0:12:04.280
<v Speaker 1>used to take us to the Lime Line remember in

0:12:04.320 --> 0:12:06.600
<v Speaker 1>New York City. Now it's a like a retail outlet.

0:12:08.559 --> 0:12:11.200
<v Speaker 1>And I'll never forget the first moment I ever heard

0:12:11.200 --> 0:12:15.160
<v Speaker 1>this song was in the back of the Booger mobile. Yeah, yeah,

0:12:15.160 --> 0:12:18.200
<v Speaker 1>I might have been washing inside with myself inside like

0:12:18.240 --> 0:12:21.200
<v Speaker 1>slam dancing inside the Brigand and this is the song

0:12:21.240 --> 0:12:24.600
<v Speaker 1>that you're released to. Yeah, let's not get that person

0:12:26.360 --> 0:12:28.000
<v Speaker 1>that I kind of like classical music, if you know

0:12:28.000 --> 0:12:31.040
<v Speaker 1>what I'm saying, this is the mood. This is a

0:12:31.040 --> 0:12:34.880
<v Speaker 1>great track. I'm not gonna lie. Yeah, but when you

0:12:34.880 --> 0:12:38.280
<v Speaker 1>get outrage, how do you do you like screaming, yell?

0:12:38.480 --> 0:12:41.880
<v Speaker 1>How do you release the rage this? Or do you

0:12:41.920 --> 0:12:44.920
<v Speaker 1>just you go running? Oh? Yeah, come on, great? You

0:12:44.920 --> 0:12:48.280
<v Speaker 1>don't you speak to this? You don't punch walls. I don't.

0:12:48.080 --> 0:12:50.400
<v Speaker 1>I'd probably have punched the wall. Maybe it was once

0:12:50.400 --> 0:12:55.320
<v Speaker 1>in my life, really like legitimately punched the wall wall.

0:12:55.200 --> 0:12:57.240
<v Speaker 1>I want to hear about the time you punched the wall.

0:12:57.679 --> 0:12:59.720
<v Speaker 1>Oh that, let's relate it to one of my divorces.

0:13:01.640 --> 0:13:04.920
<v Speaker 1>That's all. Say, what were you guys fighting about? Oh

0:13:04.960 --> 0:13:06.880
<v Speaker 1>it couldn't you Scar? You know who I'm talking about.

0:13:07.320 --> 0:13:10.679
<v Speaker 1>Anything you listen, you can remain She'll remain nameless, right, Well,

0:13:10.720 --> 0:13:12.720
<v Speaker 1>it doesn't matter. She doesn't listen to this ship. Are

0:13:12.760 --> 0:13:15.440
<v Speaker 1>you sure about that? No, I'm not sure of anything.

0:13:15.600 --> 0:13:17.040
<v Speaker 1>I don't know. I don't know what's going on with

0:13:17.040 --> 0:13:20.360
<v Speaker 1>that girl. Now, anything's possible. We're out, were out in

0:13:20.360 --> 0:13:23.840
<v Speaker 1>the world. She just stumbled upon this on iTunes. So

0:13:24.000 --> 0:13:25.800
<v Speaker 1>you used to actually lock yourself in a room when

0:13:25.840 --> 0:13:30.040
<v Speaker 1>you were having a fight with her and crank this up. Now,

0:13:30.120 --> 0:13:32.320
<v Speaker 1>that would be after the fighting, after the fight. Been

0:13:32.360 --> 0:13:34.680
<v Speaker 1>in fights, Come on, Greg, tity, we've all been in fights.

0:13:35.240 --> 0:13:37.679
<v Speaker 1>No way, tell us about the time you punched the wall. Bro,

0:13:38.000 --> 0:13:41.920
<v Speaker 1>I'm a lover man, I don't I don't know. I

0:13:42.000 --> 0:13:44.599
<v Speaker 1>have no anger in me. I don't get angry. Okay,

0:13:44.760 --> 0:13:49.599
<v Speaker 1>I never get angry. I resolved things talking, right, I

0:13:49.880 --> 0:13:53.000
<v Speaker 1>I just it's just it's not in me. I don't

0:13:53.000 --> 0:13:55.840
<v Speaker 1>have any aggression. I have no aggression. So talk to me, Ronnie.

0:13:56.120 --> 0:13:59.160
<v Speaker 1>When was the time you actually punched the wall. I

0:13:59.200 --> 0:14:00.800
<v Speaker 1>don't want to get into it, Okay, you don't want

0:14:00.840 --> 0:14:02.800
<v Speaker 1>to get it too. I don't remember. I don't honestly

0:14:02.840 --> 0:14:05.880
<v Speaker 1>remember the details so long ago. But the truth is

0:14:05.960 --> 0:14:08.920
<v Speaker 1>that the wall was punched. It usually goes like this.

0:14:09.160 --> 0:14:12.120
<v Speaker 1>You want to leave, you get out. I'm not leaving.

0:14:12.200 --> 0:14:13.640
<v Speaker 1>And then all of a sudden you turn around and

0:14:13.640 --> 0:14:16.760
<v Speaker 1>you're like, you know what boom right into the freaking

0:14:16.760 --> 0:14:18.720
<v Speaker 1>wall tells you about the time you punch the wow

0:14:18.880 --> 0:14:21.280
<v Speaker 1>is pretty much I never punched the wall. I've never

0:14:21.320 --> 0:14:23.640
<v Speaker 1>punched the wall. You're cold and heartless. You have no passion.

0:14:23.960 --> 0:14:26.200
<v Speaker 1>They're talking about you gotta be a little careful because

0:14:26.240 --> 0:14:27.680
<v Speaker 1>you don't want to hit a two by four. Because

0:14:27.680 --> 0:14:29.560
<v Speaker 1>if you hit a two by four when you go

0:14:29.640 --> 0:14:32.560
<v Speaker 1>through the ship, you're crazy. You're gonna break some right.

0:14:32.600 --> 0:14:35.520
<v Speaker 1>You don't want to foundation wall. You don't want bearing walls.

0:14:35.560 --> 0:14:37.520
<v Speaker 1>That's that's heavy duty, right. You want to be able

0:14:37.560 --> 0:14:39.720
<v Speaker 1>to go right through. You know why I'm cold and

0:14:39.760 --> 0:14:44.040
<v Speaker 1>heartless tomorrow. Been trying to figure that out for years now.

0:14:44.160 --> 0:14:46.400
<v Speaker 1>I've been redoing my basement recently, so I have a

0:14:46.400 --> 0:14:48.800
<v Speaker 1>lot of sheet rock left over. I'm gonna bring in

0:14:48.840 --> 0:14:50.400
<v Speaker 1>a piece of sheet rocks here, and I'm gonna let

0:14:50.440 --> 0:14:52.240
<v Speaker 1>you punch right through the sheet rock. I would love

0:14:52.280 --> 0:14:53.760
<v Speaker 1>that you want to do it. Yes, you need that

0:14:53.800 --> 0:14:56.440
<v Speaker 1>sheet rock to bury the bodies. I get sexs of

0:14:56.440 --> 0:14:58.200
<v Speaker 1>sheet rocket and stuff. I'm not using would you let

0:14:58.240 --> 0:15:00.960
<v Speaker 1>me punch it. I've never punched a Okay, I'm gonna

0:15:01.000 --> 0:15:03.000
<v Speaker 1>bring in a piece of sheet rock, and you're you

0:15:03.040 --> 0:15:04.960
<v Speaker 1>have to get angry though, you can't just like punch it,

0:15:05.040 --> 0:15:08.240
<v Speaker 1>like you have to taunt me and get me angry. Yeah,

0:15:08.240 --> 0:15:10.080
<v Speaker 1>you gotta like like somebody's gotta like make fun of

0:15:10.120 --> 0:15:12.440
<v Speaker 1>you to the point that you are like so enraged,

0:15:13.040 --> 0:15:19.360
<v Speaker 1>like you don't right, what gotz? I can't e I

0:15:19.400 --> 0:15:21.960
<v Speaker 1>can't act angry. I have to actually get angry. Right,

0:15:21.960 --> 0:15:23.400
<v Speaker 1>But then you got it, because that's the thing. When

0:15:23.440 --> 0:15:25.800
<v Speaker 1>you are that angry and you go to punch something,

0:15:26.000 --> 0:15:28.400
<v Speaker 1>you don't even feel it, Like your fist goes right

0:15:28.520 --> 0:15:31.640
<v Speaker 1>through and you were just you're so amped up. Like

0:15:31.720 --> 0:15:33.720
<v Speaker 1>right now in my in my mother's house, in my

0:15:33.800 --> 0:15:36.680
<v Speaker 1>little boy's house, when you go downstairs to the basement,

0:15:36.960 --> 0:15:42.240
<v Speaker 1>there is still a hole in my Yeah, in my

0:15:42.280 --> 0:15:47.000
<v Speaker 1>mom's basement. It was never repaired. It was never repaired. Well,

0:15:47.040 --> 0:15:51.240
<v Speaker 1>that wasn't from you punching it. That was that was

0:15:51.280 --> 0:15:53.800
<v Speaker 1>a different kind of freaking up serious And even says

0:15:53.840 --> 0:15:56.640
<v Speaker 1>she's like she's like, is somebody ever repairs to go

0:15:56.720 --> 0:16:00.920
<v Speaker 1>back and look at your your VHS team. Yeah, my

0:16:00.960 --> 0:16:03.160
<v Speaker 1>little boy's house. By the way, how would you refer

0:16:03.200 --> 0:16:06.200
<v Speaker 1>to your parents house anymore? House's house? Just like you

0:16:06.240 --> 0:16:08.640
<v Speaker 1>said it? Who says my little boys? Where I grew up,

0:16:08.680 --> 0:16:11.320
<v Speaker 1>where used to live? It was in my parents dark

0:16:11.360 --> 0:16:17.160
<v Speaker 1>basement watching my little boys put a hole in the wall.

0:16:18.560 --> 0:16:19.840
<v Speaker 1>What did you do to the hole in the wall?

0:16:20.120 --> 0:16:23.680
<v Speaker 1>Punching a freaking head? Listen, I'm serious. So anyway, it's

0:16:23.680 --> 0:16:27.000
<v Speaker 1>still there. And then I have one in my current house.

0:16:27.560 --> 0:16:30.000
<v Speaker 1>But I have patched that that one up because of

0:16:30.000 --> 0:16:32.040
<v Speaker 1>that one. I don't want anybody to see I want

0:16:32.040 --> 0:16:33.920
<v Speaker 1>to punch a wall, all right, So tomorrow I'll bring

0:16:33.960 --> 0:16:35.960
<v Speaker 1>in a PiZZ of sheet rock. That's what I'll do.

0:16:36.080 --> 0:16:38.160
<v Speaker 1>When you know, you gotta we gotta kind of warm

0:16:38.200 --> 0:16:39.960
<v Speaker 1>up to that. Though. You can't go from zero to

0:16:40.000 --> 0:16:42.080
<v Speaker 1>punch in the wall though, scary. You gotta like practice on,

0:16:42.200 --> 0:16:44.080
<v Speaker 1>you know, some padding. First, have you have you ever?

0:16:44.240 --> 0:16:48.000
<v Speaker 1>Have you ever thrown glasses? And like shattered glass? Okay,

0:16:48.040 --> 0:16:52.120
<v Speaker 1>I don't like the War of the Roses? Ye have I? Yeah? No,

0:16:52.400 --> 0:16:56.040
<v Speaker 1>I really I've I've certainly slammed doors. That's a big one.

0:16:56.160 --> 0:16:58.400
<v Speaker 1>Slamming doors is one thing. Everyone just slammed the door

0:16:58.400 --> 0:17:01.400
<v Speaker 1>even I've slammed the door. I mean, like slam the door.

0:17:01.640 --> 0:17:03.320
<v Speaker 1>You know what I'm saying, right, But you never took

0:17:03.320 --> 0:17:05.920
<v Speaker 1>like glasses and said you don't what you know? Through

0:17:05.920 --> 0:17:08.800
<v Speaker 1>a chair one cuff, cuff this tissi and just boom,

0:17:09.040 --> 0:17:12.200
<v Speaker 1>slam glasses a chair that was I threw a chair

0:17:12.240 --> 0:17:14.439
<v Speaker 1>in the dining room. I remember, I like it was

0:17:14.480 --> 0:17:16.480
<v Speaker 1>just a fed up I remember. And of course it's

0:17:16.480 --> 0:17:18.679
<v Speaker 1>the peeling out of the driveway. That's a very Brooklyn thing,

0:17:19.760 --> 0:17:24.119
<v Speaker 1>getting in the car and slamming on taking on the

0:17:24.119 --> 0:17:26.880
<v Speaker 1>pavement because it has to make a note of the days.

0:17:26.960 --> 0:17:31.280
<v Speaker 1>I'm glad we're talking about this. Everyone gets out. Good

0:17:31.800 --> 0:17:35.440
<v Speaker 1>come first of all time, I've never thrown anything. Ever,

0:17:35.480 --> 0:17:38.359
<v Speaker 1>I've never thrown a damn thing. Because you're cold and heartless.

0:17:38.440 --> 0:17:41.600
<v Speaker 1>Let's let's get cold hearted. Don't you ever get angry, bro,

0:17:41.760 --> 0:17:43.840
<v Speaker 1>I mean, you don't get like this. I've seen scar

0:17:44.280 --> 0:17:46.679
<v Speaker 1>I get angry. But I yell, I yell when I

0:17:46.720 --> 0:17:55.240
<v Speaker 1>am about throwing ship. What about like heart he's a

0:17:55.280 --> 0:18:00.080
<v Speaker 1>cold hearted sneak. You can't go from rage because if

0:18:00.080 --> 0:18:02.399
<v Speaker 1>you guys showy Paul showy picture Paul Dual naked, I

0:18:02.400 --> 0:18:09.080
<v Speaker 1>don't want to. This seems appropriate for Come on, you

0:18:09.119 --> 0:18:11.760
<v Speaker 1>get angry, you get your gresses out with Paula. I

0:18:11.840 --> 0:18:16.320
<v Speaker 1>told you down, But I'm just saying I don't throw

0:18:16.359 --> 0:18:19.280
<v Speaker 1>I've never resorted to physical violence. I've never thrown anything.

0:18:19.760 --> 0:18:23.680
<v Speaker 1>I've slammed the door, but that's about it. Was hot

0:18:23.720 --> 0:18:27.840
<v Speaker 1>back in the day. Oh absolutely, absolutely, what happened? Have

0:18:28.000 --> 0:18:30.760
<v Speaker 1>you hurt? Straight up days? Man? I was straight up

0:18:30.960 --> 0:18:36.080
<v Speaker 1>you never you never threw food? Wow? Really never even

0:18:36.080 --> 0:18:38.560
<v Speaker 1>threw food. Never threw food. Trying to think of the

0:18:38.560 --> 0:18:40.360
<v Speaker 1>worst thing that I've ever done. I don't even want

0:18:40.400 --> 0:18:42.119
<v Speaker 1>to bring this up, and I have to. We were

0:18:42.119 --> 0:18:44.960
<v Speaker 1>at a drive through and Trish couldn't make up her mind,

0:18:45.200 --> 0:18:47.439
<v Speaker 1>and I was so angry that she couldn't make up

0:18:47.440 --> 0:18:50.640
<v Speaker 1>her mind. I got so angry I took I can't

0:18:50.640 --> 0:18:53.080
<v Speaker 1>go on, and I don't want to incriminate myself because

0:18:53.080 --> 0:18:54.679
<v Speaker 1>I know that this skills live on a podcast for

0:18:54.720 --> 0:18:57.240
<v Speaker 1>average straight's just waiting outside for you. Anytime you're ready

0:18:57.240 --> 0:19:02.280
<v Speaker 1>to get into rubber room. I've calmed down. I'm yeah,

0:19:02.640 --> 0:19:05.520
<v Speaker 1>I'm so sure about that. Hold on a road right

0:19:05.520 --> 0:19:08.440
<v Speaker 1>back to my boyhood fantasies. Right now, I'm back. That

0:19:08.560 --> 0:19:11.280
<v Speaker 1>can come back. I'm back in that dark basement with

0:19:11.320 --> 0:19:14.280
<v Speaker 1>the hole in the wall. What was the video basement?

0:19:14.320 --> 0:19:17.240
<v Speaker 1>Who was the video with emc scat cat? Who was

0:19:17.280 --> 0:19:19.480
<v Speaker 1>her roger rabbit? By the way, that's when she dumped

0:19:19.480 --> 0:19:23.240
<v Speaker 1>the shark. You weren't into her dancing with mc scat

0:19:23.480 --> 0:19:26.119
<v Speaker 1>it was it's just the way that you love me?

0:19:26.200 --> 0:19:29.440
<v Speaker 1>Was that? No? No, no, hold on opposit a track

0:19:30.320 --> 0:19:33.840
<v Speaker 1>a track garbage? Hold on here it is wait, here's

0:19:33.840 --> 0:19:38.480
<v Speaker 1>the wow. This is when Paula. This is when video.

0:19:38.640 --> 0:19:40.600
<v Speaker 1>This is when she stopped being hot to me. You

0:19:40.600 --> 0:19:43.439
<v Speaker 1>guys are bringing back so many memories. Really when this

0:19:43.520 --> 0:19:46.240
<v Speaker 1>came out. I don't want the rat a little story.

0:19:46.400 --> 0:19:48.400
<v Speaker 1>You still want to light who was this guy? Comes

0:19:48.440 --> 0:19:53.800
<v Speaker 1>back to? Who is who did the voice of this? Oh?

0:19:53.800 --> 0:19:56.880
<v Speaker 1>He was the animated wolf, right, he was a cat.

0:19:57.160 --> 0:20:00.000
<v Speaker 1>He was an m c scat wolf during this error.

0:20:00.040 --> 0:20:03.280
<v Speaker 1>Huh man, I had a girlfriend. I worked at Wendy's.

0:20:03.560 --> 0:20:06.080
<v Speaker 1>Who I was flipping burgers making out with my girlfriend

0:20:06.160 --> 0:20:08.760
<v Speaker 1>at the fry station in the back at wendy. Oh, yeah,

0:20:08.800 --> 0:20:12.560
<v Speaker 1>that's hygienic. It was me and Sierra. Sierra and I

0:20:12.680 --> 0:20:15.080
<v Speaker 1>were making out all the time. She lived on a farm,

0:20:15.320 --> 0:20:23.360
<v Speaker 1>she had goats and real Tennessee. Now I'm saying, where

0:20:23.400 --> 0:20:25.680
<v Speaker 1>is she? Now? You know where she is? Yeah, I

0:20:25.720 --> 0:20:27.760
<v Speaker 1>have no idea what's going on with any of my axes.

0:20:27.760 --> 0:20:31.919
<v Speaker 1>Sierra worked for four h in Tennessee, Tennessee. Yes, she

0:20:32.000 --> 0:20:36.560
<v Speaker 1>does tennis. I'll get that. In the second tennis this

0:20:36.720 --> 0:20:41.440
<v Speaker 1>was a bad Yeah, this is when she jumped the

0:20:41.480 --> 0:20:44.360
<v Speaker 1>shark because when she started dancing with a freaking cartoon

0:20:44.560 --> 0:20:46.880
<v Speaker 1>and this was like, really, is this what you resorted to? Yeah,

0:20:46.920 --> 0:20:49.280
<v Speaker 1>she had some sort of like show girl glittery outfit on.

0:20:49.359 --> 0:20:51.800
<v Speaker 1>I remember it was a little, uh, a little too

0:20:51.800 --> 0:20:54.800
<v Speaker 1>adult contemporary for a scary Jones. I'm out on that one.

0:20:55.280 --> 0:21:00.560
<v Speaker 1>About this one, Tennessee. She's hot in this video. Good show,

0:21:01.080 --> 0:21:07.359
<v Speaker 1>this is awesome, Arrested Development, this is this is a

0:21:07.400 --> 0:21:11.280
<v Speaker 1>great group. Do you like them? Right? You're never a

0:21:11.320 --> 0:21:14.600
<v Speaker 1>fan of hip hop? Bald creak. I'm sitting right here

0:21:14.600 --> 0:21:18.320
<v Speaker 1>and he's getting he's eating Pringles. Somebody left Pringles over

0:21:18.359 --> 0:21:20.399
<v Speaker 1>here in the studio. Man, I ain't gonna get my

0:21:20.480 --> 0:21:24.000
<v Speaker 1>armands in here. Dude. You gotta trush on the Pringles days.

0:21:24.440 --> 0:21:27.639
<v Speaker 1>Stay with we get Can we get Pringles out? As

0:21:27.640 --> 0:21:31.920
<v Speaker 1>a sponsor I'm more already working on it. Actually, we

0:21:31.960 --> 0:21:33.760
<v Speaker 1>took the check the air check tape from this morning

0:21:33.840 --> 0:21:37.600
<v Speaker 1>we were talking about it. I'm right here on podcast. Yeah,

0:21:37.920 --> 0:21:40.359
<v Speaker 1>that's where we're going with that. Oh you're not saying

0:21:40.440 --> 0:21:43.199
<v Speaker 1>he's always thinking about themself, Bald breaking each other? You

0:21:43.200 --> 0:21:45.800
<v Speaker 1>know what, screw you. I will say this. I want

0:21:45.840 --> 0:21:47.639
<v Speaker 1>to hear some more angry music. I don't want to

0:21:47.680 --> 0:21:50.439
<v Speaker 1>hear this crap. Everyone takes their anger out in different ways.

0:21:50.760 --> 0:21:55.200
<v Speaker 1>In fact, Bald freak, do you remember the time that

0:21:55.840 --> 0:21:59.920
<v Speaker 1>how buddy Anthony with salad when we fell in love.

0:22:00.040 --> 0:22:06.120
<v Speaker 1>Do you remember do you remember remember we were Ellen Gardens.

0:22:06.680 --> 0:22:10.600
<v Speaker 1>That's the famous uh, every time we go to an

0:22:10.600 --> 0:22:12.840
<v Speaker 1>Italian place. This is not the music that they played,

0:22:12.880 --> 0:22:16.440
<v Speaker 1>by the way, I would tell you that gardens the

0:22:16.480 --> 0:22:19.520
<v Speaker 1>pizza place, and where is that in? You want us

0:22:20.000 --> 0:22:28.400
<v Speaker 1>the slide slide childhood will listen weight that you need

0:22:28.440 --> 0:22:31.320
<v Speaker 1>to go get the pizza. We always talk about this,

0:22:31.480 --> 0:22:33.560
<v Speaker 1>right goodbye, Well, this is the famous one I like

0:22:33.640 --> 0:22:38.120
<v Speaker 1>to refer to as the Bedupe Bedupe story, Brooklyn. So

0:22:38.640 --> 0:22:41.879
<v Speaker 1>you can tell tell him how Anthony Sala took his

0:22:41.960 --> 0:22:44.360
<v Speaker 1>anger out of me in the most creative way ever.

0:22:44.440 --> 0:22:47.520
<v Speaker 1>By throwing a cherry Italian ice in my face. Well,

0:22:47.520 --> 0:22:50.040
<v Speaker 1>you just to tell the story about how it was done.

0:22:50.040 --> 0:22:54.679
<v Speaker 1>He threw a cherry Italian Tell him why though, because

0:22:54.680 --> 0:22:57.800
<v Speaker 1>you don't think Grecty knows this story. I don't. All right,

0:22:57.880 --> 0:23:00.520
<v Speaker 1>I'll try to. It's a long story. How long you got?

0:23:01.080 --> 0:23:03.520
<v Speaker 1>How long is a podcast? I was told that we

0:23:03.520 --> 0:23:05.440
<v Speaker 1>are the longer, the better, if you know what I'm saying.

0:23:05.480 --> 0:23:07.879
<v Speaker 1>All right, First things first, we were driving back in

0:23:07.920 --> 0:23:11.320
<v Speaker 1>the day as Brooklyn kids. We were in nightclub and

0:23:11.320 --> 0:23:13.280
<v Speaker 1>we weren't drinking forties on the corner. We were good

0:23:13.320 --> 0:23:14.840
<v Speaker 1>kids and we had nothing else to do. You had

0:23:14.840 --> 0:23:17.679
<v Speaker 1>a driver's license, so we would drive around two different

0:23:17.680 --> 0:23:21.600
<v Speaker 1>eateries around Brooklyn, including ELM B. Smoney Gardens. We were

0:23:21.680 --> 0:23:26.439
<v Speaker 1>under a right, we probably like like fifteen maybe, well,

0:23:26.440 --> 0:23:28.720
<v Speaker 1>because we were driving, that's true. Well maybe, Well, I'm

0:23:28.800 --> 0:23:30.800
<v Speaker 1>literally and we just talked about Jon Sagona and the

0:23:30.800 --> 0:23:33.639
<v Speaker 1>Green Booger, that's right. So we had a name. So

0:23:33.720 --> 0:23:36.040
<v Speaker 1>we go to ELM B. S Momoney Gardens and on

0:23:36.080 --> 0:23:39.240
<v Speaker 1>the way from one eatery to the next, we're driving

0:23:39.240 --> 0:23:42.119
<v Speaker 1>in two cars and Scary Jones driving one of the

0:23:42.160 --> 0:23:47.600
<v Speaker 1>cars accidentally runs over a cat. Unbelievable and like why

0:23:47.680 --> 0:23:50.240
<v Speaker 1>the music stop, like because we're about to go into

0:23:50.560 --> 0:23:54.399
<v Speaker 1>uh you know, coming back. Maybe he was m C

0:23:54.520 --> 0:23:56.600
<v Speaker 1>scat cat you ran over? Because he never did another

0:23:56.640 --> 0:24:02.880
<v Speaker 1>track after that, It's like a mystery off in any case,

0:24:04.040 --> 0:24:06.520
<v Speaker 1>So as boys are want to be boys who bust

0:24:06.600 --> 0:24:08.840
<v Speaker 1>each other's chops, we know all about that. We uh

0:24:09.040 --> 0:24:11.439
<v Speaker 1>you know, we made fun of the fact that Scary

0:24:11.520 --> 0:24:13.320
<v Speaker 1>had run over the cats. One of our friends was

0:24:13.600 --> 0:24:15.439
<v Speaker 1>telling the story who was in the car with Scary

0:24:16.000 --> 0:24:18.520
<v Speaker 1>and referred to Scary running over the cat with the

0:24:18.560 --> 0:24:21.440
<v Speaker 1>sound effect. But dupe, but dupe, He's like, you know,

0:24:21.560 --> 0:24:24.199
<v Speaker 1>Scary was driving and all of a sudden, but over

0:24:25.119 --> 0:24:27.359
<v Speaker 1>over a cat. It was the most disgusting and vile.

0:24:27.440 --> 0:24:29.639
<v Speaker 1>And I gotta tell you, I've never ever killed an

0:24:29.640 --> 0:24:32.879
<v Speaker 1>animal before. But that was that was bad. That was

0:24:32.960 --> 0:24:34.920
<v Speaker 1>a bad, bad moment for me, and I was I

0:24:35.040 --> 0:24:37.800
<v Speaker 1>was traumatized by it. And then people started making light

0:24:37.840 --> 0:24:39.840
<v Speaker 1>of it. I can see you're all broken up about it. Well, no,

0:24:40.160 --> 0:24:42.320
<v Speaker 1>and scaris defense and remembering at the time that was

0:24:42.600 --> 0:24:44.520
<v Speaker 1>that was the point, and that was the reason that

0:24:44.600 --> 0:24:46.880
<v Speaker 1>Scary got an Italian. I was thrown on his face

0:24:48.240 --> 0:24:51.080
<v Speaker 1>because you reacted to us making fun of you, because

0:24:51.119 --> 0:24:53.119
<v Speaker 1>it was a funny story, just to to us who

0:24:53.160 --> 0:24:55.919
<v Speaker 1>had not gone through the trauma. Even though we were

0:24:55.960 --> 0:24:58.840
<v Speaker 1>all sad that cat had died, there was some comedy

0:24:58.920 --> 0:25:01.680
<v Speaker 1>to it. And then you turned the tables and told

0:25:01.720 --> 0:25:04.680
<v Speaker 1>that friend Anthony los Sala, like, oh, your your dog

0:25:04.800 --> 0:25:07.920
<v Speaker 1>died his cat? He cat right now? It was his dog,

0:25:08.280 --> 0:25:11.320
<v Speaker 1>his dog. I made a dog joke. You made it.

0:25:11.440 --> 0:25:15.080
<v Speaker 1>You made a joke about his recently deceased dog, and

0:25:15.320 --> 0:25:17.800
<v Speaker 1>he and he quickly turned on you, and before you

0:25:17.880 --> 0:25:21.920
<v Speaker 1>knew it, there was Cherry Ice over Scary Jones shirt

0:25:21.960 --> 0:25:23.760
<v Speaker 1>and then you got more angry. It was just one

0:25:23.800 --> 0:25:27.960
<v Speaker 1>of these escalating back and forth amongst friends story all

0:25:28.119 --> 0:25:30.240
<v Speaker 1>the youth of America. And I don't remember nine and

0:25:30.240 --> 0:25:32.399
<v Speaker 1>Shail's being on at the time, but no, but it

0:25:32.480 --> 0:25:34.680
<v Speaker 1>was pretty remember the ices, Yeah, it was pretty bad.

0:25:34.880 --> 0:25:36.959
<v Speaker 1>It was. It was awful because and and back then

0:25:37.080 --> 0:25:39.040
<v Speaker 1>we were callous and we didn't care about each other's

0:25:39.080 --> 0:25:41.560
<v Speaker 1>feelings and we would just say ship right we were,

0:25:42.440 --> 0:25:44.280
<v Speaker 1>and still we do that today, we do that. I

0:25:44.359 --> 0:25:46.359
<v Speaker 1>know what's really a change if you think about it

0:25:46.400 --> 0:25:48.480
<v Speaker 1>in all these years and we're just we're just too

0:25:48.560 --> 0:25:50.439
<v Speaker 1>close or too far away to throw ices at each other.

0:25:50.520 --> 0:25:52.920
<v Speaker 1>So should we have um? I was hoping we would

0:25:52.920 --> 0:25:55.720
<v Speaker 1>get Anthio Sala on the phone, but he's not. He's yeah,

0:25:55.760 --> 0:25:57.439
<v Speaker 1>I'm only getting one side of the story. He's got

0:25:57.520 --> 0:25:59.240
<v Speaker 1>a real job. Well, I think Ronnie told the others.

0:25:59.320 --> 0:26:01.480
<v Speaker 1>Ronni's in par so he was there that at that point.

0:26:01.720 --> 0:26:04.080
<v Speaker 1>But it was terrible because they made fun of me

0:26:04.160 --> 0:26:07.240
<v Speaker 1>for running over a cat accidentally. And then I made

0:26:07.280 --> 0:26:09.280
<v Speaker 1>a bad dog, dead dog reference. And the next thing,

0:26:09.359 --> 0:26:12.679
<v Speaker 1>you know, where I live right now, where I live

0:26:12.680 --> 0:26:14.520
<v Speaker 1>in the country to drive around my high beams because

0:26:14.520 --> 0:26:16.800
<v Speaker 1>I'm nervous about running over a deer. You ever, wherever

0:26:16.840 --> 0:26:19.399
<v Speaker 1>you ever hit a deer before? That looked like have

0:26:19.520 --> 0:26:22.960
<v Speaker 1>you hit a deer bull freak in the in the

0:26:22.960 --> 0:26:25.760
<v Speaker 1>woods at your buddy's place. That causes a lot of damage. Man,

0:26:25.800 --> 0:26:28.720
<v Speaker 1>you hit a deer, forget about it. We're talking blood.

0:26:28.800 --> 0:26:30.960
<v Speaker 1>We're talking the deer hits, it rolls over the car,

0:26:31.119 --> 0:26:34.520
<v Speaker 1>onto the ground, the sud No, it's it's crazy, but

0:26:35.680 --> 0:26:38.800
<v Speaker 1>I've had I've had I've had hind legs like right

0:26:38.880 --> 0:26:41.560
<v Speaker 1>up in my face, like at the actual window, like

0:26:41.680 --> 0:26:45.720
<v Speaker 1>with the deer going like a horse almost as I'm

0:26:45.760 --> 0:26:47.640
<v Speaker 1>going around a turn, as I'm leaving the house. Because

0:26:47.640 --> 0:26:49.520
<v Speaker 1>I you know, I have all woods I live by,

0:26:49.720 --> 0:26:51.960
<v Speaker 1>uh you know, woods and farms, and there's like deer

0:26:52.040 --> 0:26:54.280
<v Speaker 1>running wild. Everyone's in there a way to like repel them,

0:26:54.320 --> 0:26:57.600
<v Speaker 1>but show up. There's no there's you them. Tell you something.

0:26:57.680 --> 0:27:01.320
<v Speaker 1>On a normal every day, there is no less than

0:27:01.880 --> 0:27:06.200
<v Speaker 1>ten pen deer in my backyard, eating my my my woods,

0:27:06.280 --> 0:27:09.400
<v Speaker 1>eating eating the grass, taking fishing all over the place,

0:27:09.480 --> 0:27:12.440
<v Speaker 1>putting holes in your parents. But it's yeah, it's I'm

0:27:12.480 --> 0:27:14.280
<v Speaker 1>telling you. So on my way to work in the morning,

0:27:14.600 --> 0:27:16.560
<v Speaker 1>they're you know, out grazing, and all of a sudden

0:27:16.560 --> 0:27:18.600
<v Speaker 1>I'll be driving to get out to the highway and

0:27:18.640 --> 0:27:22.320
<v Speaker 1>there's like deer like galloping across the road. It's unbelievable.

0:27:23.560 --> 0:27:26.320
<v Speaker 1>So forget a cat. I would welcome hitting a cat,

0:27:26.840 --> 0:27:28.199
<v Speaker 1>but I mean I don't. I don't want to hit

0:27:28.240 --> 0:27:30.320
<v Speaker 1>a cat. What I'm saying is, if I had to

0:27:30.440 --> 0:27:34.040
<v Speaker 1>choose between hitting a hat or a deer, I'd rather

0:27:34.119 --> 0:27:36.520
<v Speaker 1>hit the cat because it does less damage. Don't be

0:27:36.640 --> 0:27:38.680
<v Speaker 1>mad at me, a cat lovers. I'm not I'm not

0:27:39.040 --> 0:27:42.200
<v Speaker 1>saying that I want to hit cats. I'm not saying that.

0:27:42.960 --> 0:27:48.240
<v Speaker 1>I'm saying if there wasn't, I hope. I mean, here's

0:27:48.240 --> 0:27:49.840
<v Speaker 1>the moment you say something like it is, people are

0:27:49.880 --> 0:27:52.760
<v Speaker 1>gonna go greg Case and he would hit cats. I'm

0:27:52.840 --> 0:27:55.159
<v Speaker 1>not saying that. I'm saying if I had to choose

0:27:55.680 --> 0:27:58.680
<v Speaker 1>between hitting a cat or a deer, or hitting a deer,

0:27:59.000 --> 0:28:01.360
<v Speaker 1>I would choose a cat. I was deer, I would

0:28:01.440 --> 0:28:03.719
<v Speaker 1>choose a deer. You're crazy, dude. If some of these

0:28:03.760 --> 0:28:06.080
<v Speaker 1>deers have have antlers, bro, you don't want to get that.

0:28:06.240 --> 0:28:10.080
<v Speaker 1>No way, What did you call him? It's just it's

0:28:10.119 --> 0:28:15.840
<v Speaker 1>always dear, It's always dear. There's no fish is plural

0:28:15.920 --> 0:28:18.280
<v Speaker 1>of fish, and shrimp is plural plural of shrimp. No

0:28:18.520 --> 0:28:21.800
<v Speaker 1>fish is fish. There's a lot of there's a lot

0:28:21.800 --> 0:28:23.639
<v Speaker 1>of there's a lot of fish in the in the

0:28:23.800 --> 0:28:26.000
<v Speaker 1>in the water, there's a lot of fish, a lot.

0:28:26.800 --> 0:28:28.840
<v Speaker 1>Remember that time Grandma got run over by her reindeer?

0:28:28.920 --> 0:28:31.199
<v Speaker 1>Oh my god, what about it? Walking home from our

0:28:31.240 --> 0:28:40.800
<v Speaker 1>house was Christmas eve? Ms? Okay, don't play that. Oh

0:28:41.280 --> 0:28:45.720
<v Speaker 1>he's farting in the microphone. That was a real legitimate

0:28:45.800 --> 0:28:53.000
<v Speaker 1>traft to drop the car. That was no, don't drop

0:28:53.040 --> 0:28:55.040
<v Speaker 1>the anchor yet. That was a real traft dude, it

0:28:55.160 --> 0:29:00.320
<v Speaker 1>lets and everything. Because did you hear that? You little dusting?

0:29:00.760 --> 0:29:02.600
<v Speaker 1>Can you play that back? Why don't you go do

0:29:02.760 --> 0:29:05.160
<v Speaker 1>that in the hole in your parents basement wall? Who

0:29:05.240 --> 0:29:08.560
<v Speaker 1>is that? Who is that? Your little boys? That's Ricky Sanchez.

0:29:08.720 --> 0:29:10.520
<v Speaker 1>She used to intern with us, she did. She got

0:29:10.600 --> 0:29:14.080
<v Speaker 1>a hairstyle. Yeah, we all do. Look what he was

0:29:14.120 --> 0:29:17.120
<v Speaker 1>talking about. Oh that is, yeah, it is. I'll look

0:29:17.160 --> 0:29:18.600
<v Speaker 1>at that. It is. Yeah, I look at that. He

0:29:18.680 --> 0:29:20.760
<v Speaker 1>doesn't recognize for he is he coming off the meds

0:29:20.800 --> 0:29:22.520
<v Speaker 1>and the meds wearing? I think I think he's coming down?

0:29:23.520 --> 0:29:25.480
<v Speaker 1>Is there a priest? You thought? Captain Wacker? Get you

0:29:25.560 --> 0:29:29.959
<v Speaker 1>high tonight, Greg Ts? Really is he coming down? Does

0:29:30.000 --> 0:29:31.920
<v Speaker 1>he eat a repil? Do you have the song sale

0:29:31.960 --> 0:29:38.440
<v Speaker 1>by a Wall Nation? Sale? That's a good one. I

0:29:38.480 --> 0:29:40.480
<v Speaker 1>gotta sale for you. They have a new single that's

0:29:40.480 --> 0:29:42.440
<v Speaker 1>out a matter of fact right now, all Nation, Yeah,

0:29:42.680 --> 0:29:45.720
<v Speaker 1>tell me more this song. No get no please stop,

0:29:45.840 --> 0:29:48.920
<v Speaker 1>no no please? This sale on by the Commodore, Please beggar,

0:29:48.960 --> 0:29:51.000
<v Speaker 1>you do not do that to me, Jimmy real sale

0:29:51.120 --> 0:29:54.160
<v Speaker 1>come across. It's called there you go. When this song

0:29:54.280 --> 0:29:57.080
<v Speaker 1>cranks up, sailing takes me away? To that special place.

0:29:57.280 --> 0:30:00.440
<v Speaker 1>Let me tell you something. This song is awesome, some bro,

0:30:01.120 --> 0:30:03.080
<v Speaker 1>this is what I think of. It sounds like cold

0:30:03.160 --> 0:30:06.680
<v Speaker 1>as Ice by foreigners. No, listen to this thing as

0:30:06.760 --> 0:30:10.520
<v Speaker 1>cool as ice. Here you go, just that first hit.

0:30:11.200 --> 0:30:17.160
<v Speaker 1>Here comes agatting ready, yeah, getting psyched up? There you go?

0:30:18.240 --> 0:30:20.560
<v Speaker 1>Come on, what did you feed this guy? This is

0:30:20.600 --> 0:30:26.000
<v Speaker 1>one of those days I hated today. Man, I can listen,

0:30:28.360 --> 0:30:35.800
<v Speaker 1>so come on. Sailing by Criss Cross dude, A well,

0:30:35.920 --> 0:30:37.600
<v Speaker 1>Nation is going to be in concert this summer. I

0:30:37.600 --> 0:30:43.960
<v Speaker 1>can't wait to sail live Nation puts them on. Sorry,

0:30:45.520 --> 0:30:50.480
<v Speaker 1>sorry you're playing just first. They're gonna be a Jacob's pavilion.

0:30:50.560 --> 0:30:52.520
<v Speaker 1>I'm on the water right now. Oh wait, you wait,

0:30:52.560 --> 0:30:55.360
<v Speaker 1>there's dwets in June. It's a seagull. Get out of here.

0:30:55.400 --> 0:30:57.640
<v Speaker 1>Come on, guys, come on, what is this so? This

0:30:57.760 --> 0:31:02.160
<v Speaker 1>song is so freaking all? Please hurting us off? Come on, bro,

0:31:02.920 --> 0:31:04.800
<v Speaker 1>you donlt this to me. Come on at the stage.

0:31:05.160 --> 0:31:09.280
<v Speaker 1>Come on. I beg of you for meeting Brunes out

0:31:09.280 --> 0:31:12.160
<v Speaker 1>of the box, dude, Come on, man, I beg of you. Guys.

0:31:13.840 --> 0:31:15.520
<v Speaker 1>You have a thick new This is just light radio

0:31:16.000 --> 0:31:18.479
<v Speaker 1>killing you? Are you? Are you spreading jam? On your

0:31:18.560 --> 0:31:21.640
<v Speaker 1>melvit toast. I cannot stand the way people that I'm like,

0:31:21.800 --> 0:31:25.920
<v Speaker 1>I'm light radio stations talk. I hate that because you

0:31:26.320 --> 0:31:28.400
<v Speaker 1>got the light off. No, I don't get the light on.

0:31:28.480 --> 0:31:30.719
<v Speaker 1>It want don't break my freaking light. Hurt us off?

0:31:33.600 --> 0:31:35.520
<v Speaker 1>This is what you need? When that's what I'm about

0:31:35.560 --> 0:31:38.560
<v Speaker 1>to say, I'm like, actually, this is provoking you. You

0:31:38.640 --> 0:31:40.600
<v Speaker 1>know what? Off fair heads. Please if you guys want

0:31:40.600 --> 0:31:42.440
<v Speaker 1>to drop up some email, please go off our show

0:31:42.480 --> 0:31:49.200
<v Speaker 1>gmail dot com. Take this off. Right soft rock killing me? Man,

0:31:49.280 --> 0:31:53.200
<v Speaker 1>it's absolutely killing me. He's very soon, he's telling he's

0:31:53.240 --> 0:31:57.080
<v Speaker 1>getting very red. He's gone, what is this? It's us

0:31:57.160 --> 0:31:59.800
<v Speaker 1>cross guys, you don't remember this guy? This is no.

0:32:00.000 --> 0:32:01.640
<v Speaker 1>Then then I want to talk about winter. He did

0:32:01.720 --> 0:32:05.160
<v Speaker 1>sailing takes okay, Dad, the stages make a topic out

0:32:05.160 --> 0:32:07.720
<v Speaker 1>of this. Gad, what are you talking about? Talking about

0:32:07.720 --> 0:32:16.880
<v Speaker 1>it again? Say it takes me away? He also did

0:32:17.000 --> 0:32:20.680
<v Speaker 1>right like the Wind. He's a bunch, Mike. We're doing

0:32:20.720 --> 0:32:23.000
<v Speaker 1>a crystopher across Medley on the off air show. We're

0:32:23.040 --> 0:32:28.480
<v Speaker 1>taking great teeth, preaching greater heights everything. Who's next, Leo Sayer?

0:32:28.640 --> 0:32:35.320
<v Speaker 1>This is ridiculous? Is this is becoming a bench. This

0:32:35.440 --> 0:32:37.920
<v Speaker 1>is back to the days of Greg Tea's AM radio

0:32:37.920 --> 0:32:42.240
<v Speaker 1>See What's so long? Radio mix tape? Who's next? Air supply?

0:32:42.720 --> 0:32:47.440
<v Speaker 1>Behind guys night? My body is reading a big disc ahead.

0:32:47.640 --> 0:32:51.040
<v Speaker 1>I'm all the round, no time to spake sing it.

0:32:53.960 --> 0:32:56.800
<v Speaker 1>He's so deflated, Okay, Gregg, I'll shut it off. What's

0:32:56.800 --> 0:32:59.400
<v Speaker 1>the matter, Greg t It's beyond ridiculous? Why is it

0:32:59.440 --> 0:33:04.640
<v Speaker 1>beyond ridic list? What is that? That's our parents? I'm

0:33:04.680 --> 0:33:06.440
<v Speaker 1>just not in the mood to talking about my parents.

0:33:07.160 --> 0:33:09.760
<v Speaker 1>He want to Grammy for that album? Old music than one?

0:33:10.120 --> 0:33:12.200
<v Speaker 1>Feaking of awards? Paul Freak? Didn't you? Were you up

0:33:12.200 --> 0:33:14.840
<v Speaker 1>for an award recently? Yeah? I still am so the way.

0:33:14.880 --> 0:33:17.520
<v Speaker 1>When when is your award show? August? Okay, it's in

0:33:17.560 --> 0:33:19.680
<v Speaker 1>August August? What what do you need from you? All? Fairheads?

0:33:19.680 --> 0:33:21.720
<v Speaker 1>How can we rally behind you? Man? It's not it's

0:33:21.760 --> 0:33:24.040
<v Speaker 1>not something the public and vote on. Unfortunately, it's up

0:33:24.040 --> 0:33:26.360
<v Speaker 1>it's up to the judges. So do you do you

0:33:26.440 --> 0:33:28.920
<v Speaker 1>have any insight? Anybody tipped you off? What do you

0:33:28.960 --> 0:33:32.960
<v Speaker 1>want for? What are you up for? Best Pop Alternative

0:33:33.000 --> 0:33:36.640
<v Speaker 1>Pop Album for the Last Cube album and Best Alternative

0:33:36.680 --> 0:33:38.920
<v Speaker 1>Pop Song? Hey? Where can people go if they really

0:33:38.920 --> 0:33:40.600
<v Speaker 1>want to hear some of your music, because first of all,

0:33:40.640 --> 0:33:43.000
<v Speaker 1>can they vote? Is there voting? Unfortunately not. I was

0:33:43.000 --> 0:33:44.520
<v Speaker 1>going to say, you get stuck to death. If you

0:33:44.560 --> 0:33:47.360
<v Speaker 1>want to support the bald Freaks music, go to bald

0:33:47.440 --> 0:33:51.880
<v Speaker 1>Freak dot band camp dot com, you know freak dot com,

0:33:52.680 --> 0:33:55.320
<v Speaker 1>and there are a bunch of user friendly links up

0:33:55.360 --> 0:33:58.960
<v Speaker 1>top to my Spotify, my iTunes, my Amazon. By that crap,

0:33:59.040 --> 0:34:04.120
<v Speaker 1>nobody buys it. There's anymore? Yeah, well, band camp you

0:34:04.200 --> 0:34:07.240
<v Speaker 1>can buy and and stream the albums. Of course people

0:34:07.280 --> 0:34:09.160
<v Speaker 1>will stream them because they won't have to pay. Hey,

0:34:09.239 --> 0:34:11.160
<v Speaker 1>you see the new you gonna see the new coffee

0:34:11.239 --> 0:34:16.960
<v Speaker 1>at Starbucks? It's what's it called unicorn? Yeah? We we actually, um, actually,

0:34:16.960 --> 0:34:19.600
<v Speaker 1>somebody told me about that. You haven't seen that ball freak? No,

0:34:19.680 --> 0:34:21.880
<v Speaker 1>I don't. I don't usually buy coffee from Starbucks. How

0:34:21.960 --> 0:34:24.080
<v Speaker 1>come because I don't drink coffee? Where do you go

0:34:24.200 --> 0:34:28.319
<v Speaker 1>get your coffee? Then? I make it at home? No? Yeah? Wait,

0:34:28.360 --> 0:34:30.960
<v Speaker 1>what about going to Starbucks? Though it starts is everywhere.

0:34:31.480 --> 0:34:33.520
<v Speaker 1>If somebody else is going to Starbucks and they asked

0:34:33.560 --> 0:34:35.360
<v Speaker 1>me if they want something, I'll be like yeah, but

0:34:35.400 --> 0:34:37.280
<v Speaker 1>I don't normally just go in there and get coffee

0:34:37.320 --> 0:34:40.400
<v Speaker 1>for myself. Really the truth. All right, we'll listen. Well, okay,

0:34:40.440 --> 0:34:42.680
<v Speaker 1>we'll dry coffee once a week. Well listen, Well, why

0:34:42.680 --> 0:34:44.279
<v Speaker 1>why don't you try Starbucks? Later on? They have a

0:34:44.360 --> 0:34:46.440
<v Speaker 1>new one. It's called the Unicorn. And this is not

0:34:46.520 --> 0:34:48.640
<v Speaker 1>a paid sponsorship or anything, but everybody see me talking

0:34:48.680 --> 0:34:50.799
<v Speaker 1>about it. So they they're saying that as rare as

0:34:50.800 --> 0:34:56.560
<v Speaker 1>the Unicorn is, their color changing, flavor changing unicorn frappuccino

0:34:57.080 --> 0:35:00.880
<v Speaker 1>is what they're called. Well, that was gonna my next thing. Oh,

0:35:00.960 --> 0:35:04.239
<v Speaker 1>I'm sure it's I'm sure. Yeah, No, I'm with it.

0:35:04.320 --> 0:35:06.279
<v Speaker 1>Probably food coloring and everything. I'm sure it's great for you.

0:35:06.400 --> 0:35:08.359
<v Speaker 1>But it's in it's in Starbucks for it. It's only

0:35:08.360 --> 0:35:09.680
<v Speaker 1>gonna be there for a little while. It's not gonna

0:35:09.680 --> 0:35:13.879
<v Speaker 1>be there for I'm just saying, I'm just saying. I'm

0:35:13.960 --> 0:35:16.719
<v Speaker 1>just saying, just check it out. I'm just saying you didn't.

0:35:16.719 --> 0:35:19.680
<v Speaker 1>I'm just saying. Earlier, Greg t Bull freak. When our

0:35:19.760 --> 0:35:22.480
<v Speaker 1>buddy Nate straight Nate from from the Morning Show, he

0:35:22.560 --> 0:35:25.040
<v Speaker 1>was walking out of here, Gregg's like, hey, Nate, I

0:35:25.120 --> 0:35:27.560
<v Speaker 1>just won't let you know. You're looking good man. So

0:35:27.760 --> 0:35:33.000
<v Speaker 1>what he's checking he was checking made out. If one

0:35:33.120 --> 0:35:35.320
<v Speaker 1>young thinks another young is looking good, I can tell it.

0:35:35.400 --> 0:35:36.680
<v Speaker 1>I can be like, hey man, it was just like

0:35:37.120 --> 0:35:39.799
<v Speaker 1>between bros, you're looking pretty. Of saying it, though, well,

0:35:39.840 --> 0:35:41.920
<v Speaker 1>how did I say it? I came up like I

0:35:42.040 --> 0:35:44.600
<v Speaker 1>just want to say, Nate, you're looking You're looking good,

0:35:44.640 --> 0:35:47.799
<v Speaker 1>You'll look look looking fit. You fill out that shirt

0:35:47.840 --> 0:35:50.759
<v Speaker 1>really well? Did you take it to a new level?

0:35:50.960 --> 0:35:53.960
<v Speaker 1>So I would have been like, hey, dude, you're working out, bro,

0:35:56.960 --> 0:35:59.560
<v Speaker 1>what is the big deal? Big deal? I just found

0:35:59.600 --> 0:36:02.320
<v Speaker 1>it a little don't here, We're going scary Jones, No,

0:36:02.560 --> 0:36:06.440
<v Speaker 1>no passion, no feelings. It was awkward about it. He

0:36:06.520 --> 0:36:08.480
<v Speaker 1>was he didn't know what to say, too many feelings,

0:36:08.920 --> 0:36:11.920
<v Speaker 1>his mouth dropped. I don't think he was awkward. I

0:36:12.000 --> 0:36:14.480
<v Speaker 1>think he was. He was very he enjoyed the compliment.

0:36:14.560 --> 0:36:16.239
<v Speaker 1>May have been turned on a little bit. I think

0:36:16.280 --> 0:36:17.960
<v Speaker 1>that he's been working really hard at the Jim. He's

0:36:18.000 --> 0:36:21.280
<v Speaker 1>been going to Jim working out. It's nice to be okay.

0:36:21.320 --> 0:36:24.600
<v Speaker 1>So yeah, listen when when when I dropped all that way,

0:36:24.680 --> 0:36:27.360
<v Speaker 1>people were like, dude, you know you still got a

0:36:27.400 --> 0:36:30.520
<v Speaker 1>freaking belly there, bro, don't you tell me? Don't you

0:36:30.600 --> 0:36:33.759
<v Speaker 1>see scaries belly. But he keeps saying, he said he's

0:36:33.800 --> 0:36:35.960
<v Speaker 1>dropped all this weight. I didn't drop. He still got

0:36:36.080 --> 0:36:38.080
<v Speaker 1>a freaking cannonball over there. You look like you're giving

0:36:38.120 --> 0:36:40.319
<v Speaker 1>birth like next month. You're looking at a two dred

0:36:40.360 --> 0:36:42.280
<v Speaker 1>pound man right here. I used to be to fifty

0:36:42.320 --> 0:36:45.760
<v Speaker 1>five at one point. More than that, more than that, okay, whatever,

0:36:46.280 --> 0:36:49.279
<v Speaker 1>that makes me look even better there. Point is, there's

0:36:49.280 --> 0:36:51.399
<v Speaker 1>a way of saying it. You the way you said,

0:36:51.440 --> 0:36:54.200
<v Speaker 1>it's like you took that extra time and you're like, hey,

0:36:54.520 --> 0:36:57.080
<v Speaker 1>by the way, he went so far as to like

0:36:57.160 --> 0:37:00.440
<v Speaker 1>describe the way his muscles are bulging out of the shirt, Balfrey,

0:37:00.480 --> 0:37:02.440
<v Speaker 1>how would you tell somebody if some guy was looking good,

0:37:02.480 --> 0:37:03.799
<v Speaker 1>how are you gonna go tell him they looks good?

0:37:03.840 --> 0:37:05.600
<v Speaker 1>What are you gonna say saying, hey, I notice your

0:37:05.640 --> 0:37:09.360
<v Speaker 1>bulging muscle, Probably get scared to compliment. It would be

0:37:09.400 --> 0:37:14.600
<v Speaker 1>somebody obviously that I know personally. Okay, So you would

0:37:14.680 --> 0:37:16.640
<v Speaker 1>probably come up and you know, maybe put my hand

0:37:16.719 --> 0:37:19.080
<v Speaker 1>on his on his shoulder, all right, squeeze it a

0:37:19.120 --> 0:37:20.839
<v Speaker 1>little bit. You would touch him. Now, now you're gonna

0:37:20.840 --> 0:37:24.000
<v Speaker 1>touch the guy because he's my Brian. You're looking pretty good, bro,

0:37:24.880 --> 0:37:27.440
<v Speaker 1>Like that okay, And you know what, I'm okay with that.

0:37:27.560 --> 0:37:29.640
<v Speaker 1>I think that's cool. The way Greg t did, he

0:37:29.760 --> 0:37:31.760
<v Speaker 1>glared at him. I didn't touch him. You were marring

0:37:31.800 --> 0:37:33.399
<v Speaker 1>at the guy. I didn't touch it, and I didn't

0:37:33.400 --> 0:37:37.200
<v Speaker 1>even touch he goes, he goes the other thing out.

0:37:37.360 --> 0:37:39.960
<v Speaker 1>Oh my god, he was me he would he was.

0:37:40.080 --> 0:37:43.440
<v Speaker 1>He was beyond descriptive. That's all I'm saying. He was.

0:37:43.880 --> 0:37:47.200
<v Speaker 1>I'm just noticing, you know what, Clow, I am comfortable

0:37:47.320 --> 0:37:50.959
<v Speaker 1>in the skin that I am. If I don't judge

0:37:51.000 --> 0:37:52.880
<v Speaker 1>people by the way. If I think a guy looks good,

0:37:52.920 --> 0:37:54.440
<v Speaker 1>I'm going to tell her you you look good. I

0:37:54.600 --> 0:37:58.680
<v Speaker 1>really cast at my point, everything it well, I don't know.

0:37:59.040 --> 0:38:00.640
<v Speaker 1>Walford says he would touch at them. I don't even

0:38:00.640 --> 0:38:02.800
<v Speaker 1>taught you. It was across the room from me. Your

0:38:02.840 --> 0:38:04.680
<v Speaker 1>pets are protruding from that T shirt. I mean, I

0:38:04.680 --> 0:38:06.560
<v Speaker 1>wouldn't you know, I wouldn't feel his muscles. So maybe

0:38:06.600 --> 0:38:08.360
<v Speaker 1>so I could be playful with some people here, like

0:38:08.480 --> 0:38:10.600
<v Speaker 1>you know, you grabbed my ask before. I got no problem.

0:38:10.800 --> 0:38:13.840
<v Speaker 1>Everybody knows what you're talking about ask grabbing. I'm not

0:38:13.880 --> 0:38:18.040
<v Speaker 1>grabbing somebody saw. I'm not telling we played grab ass.

0:38:18.120 --> 0:38:20.000
<v Speaker 1>I don't think I grabbing ass. You guys, don't look

0:38:20.000 --> 0:38:22.880
<v Speaker 1>at any of these magazines like Men's Health or Maximum, GQ,

0:38:23.840 --> 0:38:26.879
<v Speaker 1>Men's Journal, Esquire, all those kind of things. Those things

0:38:26.920 --> 0:38:29.000
<v Speaker 1>you're not right. But but there's a lot. But there's

0:38:29.040 --> 0:38:31.520
<v Speaker 1>a a fantasy about being one of these guys or

0:38:31.600 --> 0:38:34.680
<v Speaker 1>checking out one of these guys. It's okay to look

0:38:34.719 --> 0:38:37.120
<v Speaker 1>at other guys and be like, what do I mean?

0:38:37.120 --> 0:38:38.399
<v Speaker 1>You don't have a fantasy. You don't want to look

0:38:38.400 --> 0:38:40.840
<v Speaker 1>like some of these guys in these magazines. What do

0:38:40.920 --> 0:38:43.640
<v Speaker 1>you mean? There's a lot of pressure. Oh, come on,

0:38:43.760 --> 0:38:45.279
<v Speaker 1>ball freak. You look at some of these guys like

0:38:45.360 --> 0:38:47.520
<v Speaker 1>Vin Diesel or The Rock. I want to look like

0:38:47.640 --> 0:38:49.279
<v Speaker 1>Vin Diesel. But you don't look at them and like,

0:38:49.320 --> 0:38:52.600
<v Speaker 1>do they're attractive guys? Vin Diesel and The Rock? Those

0:38:52.600 --> 0:38:54.200
<v Speaker 1>are the example as you've given me. You don't think

0:38:54.239 --> 0:38:56.279
<v Speaker 1>they're attractive guys. I think they're freaking high. I mean

0:38:56.320 --> 0:38:59.160
<v Speaker 1>they're they're attractive because they're they're muscu What is this

0:38:59.280 --> 0:39:01.480
<v Speaker 1>you're playing now? Grey? What is this? You're the one

0:39:01.520 --> 0:39:06.040
<v Speaker 1>who's talking about having a fantasy. You're giving Whitney Houston

0:39:06.120 --> 0:39:11.839
<v Speaker 1>and Marian I can't have a fantasy. When I listened

0:39:11.840 --> 0:39:15.799
<v Speaker 1>to this cross, I mean those the guys that are

0:39:15.800 --> 0:39:20.000
<v Speaker 1>the mountain, Oh my god, then Diesel and the rock.

0:39:21.000 --> 0:39:23.839
<v Speaker 1>You know, I'm trying to have a conversation here here

0:39:23.880 --> 0:39:26.360
<v Speaker 1>he has crashed the car how many times today? Already

0:39:26.640 --> 0:39:30.360
<v Speaker 1>he's crashed the car ra Paula duel over, freaking cross

0:39:30.480 --> 0:39:34.600
<v Speaker 1>criss cross and now Mariah Carry and he's the money.

0:39:34.840 --> 0:39:37.560
<v Speaker 1>What is he doing? I don't understand. He's taking you back.

0:39:37.760 --> 0:39:39.759
<v Speaker 1>I wanted to play rage against the machine, and then

0:39:39.800 --> 0:39:41.359
<v Speaker 1>he went off into this. I don't know what he's doing,

0:39:41.400 --> 0:39:43.840
<v Speaker 1>scary security blanch. I hope all their hope, all the

0:39:43.960 --> 0:39:46.760
<v Speaker 1>larks and love and today's show all the love the lerks?

0:39:47.880 --> 0:39:49.480
<v Speaker 1>What what what? You can't be a guy? And like

0:39:49.600 --> 0:39:52.600
<v Speaker 1>this music? Who's like in this town? Which? Which? What's

0:39:53.200 --> 0:39:57.879
<v Speaker 1>like this? Right now? Every I'm talking about Men's list,

0:39:59.040 --> 0:40:02.120
<v Speaker 1>I'm talking to he. I'm trying's fitness and health and

0:40:02.200 --> 0:40:04.760
<v Speaker 1>you're you're playing Mariah Carry because you're having a fantasy

0:40:04.800 --> 0:40:08.359
<v Speaker 1>about Nate. Oh my god, what is going on here today?

0:40:08.760 --> 0:40:12.080
<v Speaker 1>Come on now, okay, I'll stop, all right, but there's

0:40:12.160 --> 0:40:14.400
<v Speaker 1>nothing wrong for you to make a blanket statement and

0:40:14.440 --> 0:40:17.080
<v Speaker 1>say that no guys like that song. You're being just

0:40:17.239 --> 0:40:19.840
<v Speaker 1>as bad, if not worse. I'm saying that this is

0:40:19.880 --> 0:40:21.799
<v Speaker 1>a guy's locker room. And if so far today i've

0:40:21.840 --> 0:40:26.799
<v Speaker 1>heard criss Cross from nineteenth, we're supposed to pull out

0:40:26.800 --> 0:40:29.440
<v Speaker 1>our kids. I'm just saying, let's swing it around. What

0:40:29.520 --> 0:40:31.719
<v Speaker 1>if you're gonna give you something. I'm not in the

0:40:31.760 --> 0:40:33.640
<v Speaker 1>mood for today Today, I want to have a lot

0:40:33.680 --> 0:40:35.960
<v Speaker 1>of ankst. I want to hear my rock music today. Yeah,

0:40:36.000 --> 0:40:38.239
<v Speaker 1>I want to rock out my Cock's right. You want

0:40:38.320 --> 0:40:40.360
<v Speaker 1>some five finger death punch, That's what I want. I

0:40:40.400 --> 0:40:42.560
<v Speaker 1>want to rock out my cock out today. That's what

0:40:42.680 --> 0:40:44.160
<v Speaker 1>I want to hear. I don't want to hear any

0:40:44.160 --> 0:40:46.480
<v Speaker 1>of this, none of it. It's just five figure, give

0:40:46.520 --> 0:40:50.239
<v Speaker 1>me black give me the black Keys, five f your

0:40:50.239 --> 0:40:52.560
<v Speaker 1>death punch is pretty pretty heavy. You got Black Keys,

0:40:52.960 --> 0:40:57.239
<v Speaker 1>Black Keys? Yeah, Man, another day and anytime you guys

0:40:57.280 --> 0:41:01.440
<v Speaker 1>want to play suicidal dude, woun't start me there. I'm

0:41:01.520 --> 0:41:03.480
<v Speaker 1>like that too. You refused to play it. I love

0:41:03.520 --> 0:41:07.520
<v Speaker 1>suicidal tendencies. Scary gave up on the five freaking death

0:41:07.520 --> 0:41:11.600
<v Speaker 1>But I don't know what he's playing today. Know nothing

0:41:11.600 --> 0:41:13.840
<v Speaker 1>about five finger death Punch he just played, but listened

0:41:13.840 --> 0:41:20.920
<v Speaker 1>the systema. It sounds angry death punchfired, like give me

0:41:21.000 --> 0:41:25.000
<v Speaker 1>the Black Group. The sound of the song does not

0:41:25.160 --> 0:41:27.680
<v Speaker 1>match the five Death. I'm sure we'll kick in about

0:41:27.680 --> 0:41:29.600
<v Speaker 1>the one minute mark, but we don't have that kind

0:41:29.640 --> 0:41:32.280
<v Speaker 1>of real estate. I thought we did. Words like black keys,

0:41:32.560 --> 0:41:34.840
<v Speaker 1>black keys. Yeah, what do you want to hear the

0:41:34.880 --> 0:41:37.719
<v Speaker 1>black Keys? He doesn't give me, give me lonely boy,

0:41:37.920 --> 0:41:40.320
<v Speaker 1>give me howling for you, give me howling for you.

0:41:40.440 --> 0:41:43.680
<v Speaker 1>I'll take that one. Howling for you, for howling for you,

0:41:43.760 --> 0:41:48.080
<v Speaker 1>that's for you. A little black submarine. I'll take this

0:41:48.320 --> 0:41:51.400
<v Speaker 1>scary glitter. I'll take this for you. Yeah, it had

0:41:51.400 --> 0:41:56.920
<v Speaker 1>a basketball game. Listen to it. Here we go commercial.

0:41:57.920 --> 0:42:00.560
<v Speaker 1>What are you talking about? It's a great songs an

0:42:00.680 --> 0:42:04.279
<v Speaker 1>kicked bitch. Listen what I was saying before about if

0:42:04.320 --> 0:42:06.200
<v Speaker 1>you can see a guy that's hot, you can compliment

0:42:06.360 --> 0:42:08.480
<v Speaker 1>him and it doesn't matter, it doesn't mean anything. But

0:42:08.560 --> 0:42:11.680
<v Speaker 1>whatever you do, don't pass judgment on him. Listening to

0:42:11.760 --> 0:42:13.640
<v Speaker 1>Brian car and you know what, and even if even

0:42:13.680 --> 0:42:16.480
<v Speaker 1>if my kid gets a rise because some guy is

0:42:16.719 --> 0:42:18.800
<v Speaker 1>good looking, and then some what, there's a lot of

0:42:18.840 --> 0:42:20.759
<v Speaker 1>guys out there. I think I'd like to try to

0:42:20.840 --> 0:42:25.480
<v Speaker 1>make out with? So what who cares? Taking different take?

0:42:26.000 --> 0:42:27.960
<v Speaker 1>What are you talking about? Not that I don't have that?

0:42:28.520 --> 0:42:30.040
<v Speaker 1>Why don't you ever want to think about that? Maybe

0:42:30.040 --> 0:42:32.439
<v Speaker 1>you want to hook up with some dude. If you don't,

0:42:32.520 --> 0:42:34.160
<v Speaker 1>I don't, I don't know. It never crushes my mind

0:42:34.320 --> 0:42:37.000
<v Speaker 1>fairly confident that that's something I do not ever want

0:42:37.040 --> 0:42:40.160
<v Speaker 1>to do. And I'm not hiding feelings Jesus being I

0:42:40.239 --> 0:42:44.400
<v Speaker 1>think you actually be more open minded about it. I

0:42:44.560 --> 0:42:49.160
<v Speaker 1>think so you gotta be that. Why you drop the anchor?

0:42:49.280 --> 0:42:52.000
<v Speaker 1>Why drop the anchor? Because I even scared, because because

0:42:52.040 --> 0:42:54.360
<v Speaker 1>Greg's dropping his anchor and I doesn't want to know

0:42:54.400 --> 0:42:58.760
<v Speaker 1>where it's landing. I wasn't done it out it's scary.

0:42:58.920 --> 0:43:02.040
<v Speaker 1>Come on, man, why would you? No? Tomorrow I'm breaking

0:43:02.080 --> 0:43:04.279
<v Speaker 1>some sheet rocket. I'll break some sheet rocket. I'm gonna

0:43:04.640 --> 0:43:11.759
<v Speaker 1>jacko jackolo. She's just watch me now. It's just me.

0:43:14.520 --> 0:43:32.120
<v Speaker 1>I guess trying now. It's just swatch sat, It's just

0:43:32.320 --> 0:43:33.120
<v Speaker 1>watch now.