WEBVTT - 305: More Cattle, Less Bull w/ Scott Foley

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<v Speaker 1>Unpacking the Toolbox is a production of Shondalind Audio in

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<v Speaker 1>partnership with Higheartradio. Downs Katie.

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<v Speaker 2>I just took a shower. I've never done a podcast

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<v Speaker 2>with wet hair.

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<v Speaker 1>Really, it looks really cute. I like your hair all

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<v Speaker 1>curly like that.

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<v Speaker 2>Eww, it's so yuck.

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<v Speaker 1>It's wetty. It's wetty. Just shoved food down my throat

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<v Speaker 1>because I was like, we.

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<v Speaker 2>Got a tape and you need all the energy, except

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<v Speaker 2>sometimes you're life. But then it's all going to go

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<v Speaker 2>to my stomach and I'm not going to be into

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<v Speaker 2>this at all. What did you have?

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<v Speaker 1>But it's worse if I don't eat, because then I'll

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<v Speaker 1>just be doing this and just be thinking about food.

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<v Speaker 1>I ate. I warmed up a pita in the oven

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<v Speaker 1>and had all this amazing hummus that I got at

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<v Speaker 1>this spot called the Vegan Exchange. It's a vegan Exchange

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<v Speaker 1>festival that they have every Sunday here in North Hollywood,

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<v Speaker 1>and I bought all this amazing homemade like hummuses.

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<v Speaker 2>I've never been there.

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<v Speaker 1>Oh God, we gotta go. Yeah, yeah, let's go. Our

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<v Speaker 1>friend Jess runs it. Shout out to Ess and it's

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<v Speaker 1>amazing all this great like vegan food, and then they

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<v Speaker 1>sell you know, hummuses and juices and fruit and plants

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<v Speaker 1>and produce a bunch of stuff everything.

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<v Speaker 2>Like fake burgers and fake nuggets and shit.

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<v Speaker 1>Yeah yeah, I had a Philly cheese steak sandwich and

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<v Speaker 1>it was plant based. Yeah, it was cheese and whatever. Yeah.

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<v Speaker 1>And sushi and there's an amazing sushi truck and I

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<v Speaker 1>got spicy tuna and it's so good.

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<v Speaker 2>It's made out of cha.

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<v Speaker 1>No, it's made out of chickpeas. That particular one was

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<v Speaker 1>made out of chickpeas.

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<v Speaker 3>Yeah.

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<v Speaker 1>Anyway, it was so good. It was so good. So

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<v Speaker 1>I'm nice and full.

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<v Speaker 2>Now some people make chickpeas, make them real gassy.

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<v Speaker 1>But yeah, oh shit, that's that answers a lot now

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<v Speaker 1>that you say that. God damn it.

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<v Speaker 3>All right.

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<v Speaker 2>You know who's my favorite vegan on the planet?

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<v Speaker 1>Tell me young Oh yeah, of course.

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<v Speaker 2>Our very own Melly. She was like the first real

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<v Speaker 2>true vegan, because I have some like vegetarians that also

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<v Speaker 2>dabble in pescatarian that are just eating fish. But she's

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<v Speaker 2>really the first person, as a true staunch vegan that

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<v Speaker 2>I spent eight years with where it's like she won't

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<v Speaker 2>even butter eggs like the real deal.

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<v Speaker 1>Remember we went to Israel with her and I remember

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<v Speaker 1>her full on sticking to her vegan diet. It's difficult

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<v Speaker 1>when you travel years. Oh yeah, yeah, and that was

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<v Speaker 1>way back. That was back in the day. Now it's easier.

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<v Speaker 1>Now there's vegan spots all over the place and restaurants

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<v Speaker 1>know that there's people are doing the vegan things, so

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<v Speaker 1>there's always vegan options. But back then it was hard.

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<v Speaker 1>It was difficult.

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<v Speaker 2>Yeah, and she's been doing it first since way before

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<v Speaker 2>we meet. But she's the biggest fucking animal lover ever,

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<v Speaker 2>like because she's worked with a SPCA. Yeah, a ton

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<v Speaker 2>of stuff. But and she looks like she looks looks

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<v Speaker 2>so good that it makes me want to be a vegan.

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<v Speaker 2>G and I we're not vegan, we're not omnivores, we're

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<v Speaker 2>not pescatarian, we're not bad cheery. We just like all

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<v Speaker 2>fucking food.

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<v Speaker 1>It just exactly what exactly I just like to eat.

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<v Speaker 2>Today. We have a fucking amazing guest. He is a

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<v Speaker 2>scandal staple and he was not around in season one.

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<v Speaker 1>The whole time. No, he came in season three or.

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<v Speaker 2>Now you two two. He's sexy, he's television famous, he's

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<v Speaker 2>television royalty.

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<v Speaker 1>Oh yeah, and it's appropriate that he came in season

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<v Speaker 1>two because it's the number two and he was the

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<v Speaker 1>king of doing the fart noises on set. He is

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<v Speaker 1>the reason that we all still do like every day,

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<v Speaker 1>I will the thing.

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<v Speaker 2>We also talked about chickpeas in this episode because we

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<v Speaker 2>have the one and only, sir gentleman, classiest dude in

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<v Speaker 2>the world who does a rolling speed and.

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<v Speaker 1>Action every time. Every time, I still do that.

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<v Speaker 2>How dramatic the scene. Yeah, Scott Full, we love a

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<v Speaker 2>gem of gems. Thank you so much for being on

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<v Speaker 2>the pod. We love you, I love you both for

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<v Speaker 2>everyone listening. Scott Fully is television royalty and fame. He

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<v Speaker 2>has been on eight thousand successful, prolific, fucking shows. So

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<v Speaker 2>where did you pick up this habit? Did you get

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<v Speaker 2>it from someone else? Does it come out of your

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<v Speaker 2>magnificent brain? Talk to us.

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<v Speaker 3>I'm glad we're This is something I really wanted to

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<v Speaker 3>dive into. I think, if I'm being honest, I think

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<v Speaker 3>it started on The Unit when I was on the

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<v Speaker 3>show called The Unit on CBS. You know a bunch

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<v Speaker 3>of guys running around with guns. There were women in

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<v Speaker 3>the show as well, but our storylines were almost never together,

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<v Speaker 3>so the dudes would run around and do missions, and

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<v Speaker 3>we'd be working in Santa Clarita at three in the morning,

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<v Speaker 3>drinking coffee and challenging people like, hey, I'll give you

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<v Speaker 3>a hundred bucks if you run up that hill before

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<v Speaker 3>they say action and eat fifty eggs or do all

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<v Speaker 3>the stupid shit, and it just came out. You'd be

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<v Speaker 3>sitting in a scene, they'd be setting something up and

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<v Speaker 3>a camera operated would bend over and you just and

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<v Speaker 3>it was literally it was I'm embarrassed. It was.

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<v Speaker 2>Fucking best because it's not only how it started, by

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<v Speaker 2>the way, you're not the only First of all, everyone

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<v Speaker 2>was doing it on the Scandal.

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<v Speaker 1>Set Scott because of Scot.

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<v Speaker 2>Oh, if I drop anything where your sides, Yeah, you

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<v Speaker 2>had to bend over and do something in a scene

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<v Speaker 2>somebody was making a fucking fart sound. And it because,

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<v Speaker 2>I honestly think too similar to the unit. We weren't

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<v Speaker 2>all dues running around. But I think there is also

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<v Speaker 2>something to be said when you're on a very dramatic

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<v Speaker 2>show where the subject matter is dramatic.

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<v Speaker 1>You got to break your tension day.

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<v Speaker 2>Killing people, guns, all this shit. It's like you have to.

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<v Speaker 2>It's like you doing this for fourteen hours a day.

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<v Speaker 2>It's like somebody needs a fart joked.

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<v Speaker 3>It's like, I think there's something from the outside that's

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<v Speaker 3>very glamorous about what we do, right, But at the

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<v Speaker 3>end of it, we're a bunch of people basically working

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<v Speaker 3>a blue collar job. We're creatives, but we're in a

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<v Speaker 3>warehouse around a bunch of heavy machinery and equipment, lights

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<v Speaker 3>and cables and dudes with crack showing and like, you

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<v Speaker 3>grow to fill that box.

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<v Speaker 2>It's so true.

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<v Speaker 1>Please tell us you still do it like in your

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<v Speaker 1>regular times? Good do you still make the fart soundly?

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<v Speaker 3>Appreciate it? And a wife who gets angry every time

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<v Speaker 3>it happens, and I do it to her more than

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<v Speaker 3>anybody else. So I'm really still leaning into my fart sound.

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<v Speaker 3>There's different there's tones to a good fake fart sound, right,

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<v Speaker 3>It depends on the person you're doing it and the

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<v Speaker 3>mood they're in in the setting. Like it can trend up, yeah,

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<v Speaker 3>it can trend down. It can just yes, thank you,

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<v Speaker 3>this is a quick one. It can just be a

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<v Speaker 3>little squirt. It can be a long drawn out one,

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<v Speaker 3>so there's a lot of there's a lot of nuance.

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<v Speaker 2>Do good at it. It's like you are in a

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<v Speaker 2>like a glee band where you're the person doing like beatboxing,

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<v Speaker 2>but you're unbelievable at Tonal party. It's unbelievable. It is

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<v Speaker 2>such a special skill set and brought me so much

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<v Speaker 2>joy as you did on set every day. Can you

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<v Speaker 2>tell us how you got this part and how crazy

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<v Speaker 2>it was, because I think the story is that your wife,

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<v Speaker 2>who is in the Scandal Wives Club, how she watched

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<v Speaker 2>the show. You didn't correct.

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<v Speaker 3>I was in the Shondaland universe. I was shooting Gray's Anatomy.

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<v Speaker 3>I think it was at season six or seven of

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<v Speaker 3>Grey's Anatomy. And I was having a bunch of fun

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<v Speaker 3>doing that, and and Shonda called me to her office

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<v Speaker 3>and she said, I wrote a script and the network

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<v Speaker 3>really seems to like it and they want to make

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<v Speaker 3>the pilot and I want you to be in it.

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<v Speaker 3>And I said okay, and she said you want to

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<v Speaker 3>read it. I was yay yahyeh, sure I should go

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<v Speaker 3>read it. So I walked from her office back to

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<v Speaker 3>my trailer on the Gray's anatomy lot there. What is

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<v Speaker 3>that pro prospect?

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<v Speaker 2>Yeah, prospect And I read it.

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<v Speaker 3>And it was great, and she said, I wrote this

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<v Speaker 3>part just for you, and I said I'd love to

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<v Speaker 3>do it. And it was pilot season coming up, so

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<v Speaker 3>I called my agents and I said, hey, I got

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<v Speaker 3>a pilot Shonda wrote for me. And they said great,

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<v Speaker 3>and it was done.

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<v Speaker 1>That's a nice you were like, yeah, I did on

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<v Speaker 1>a veil, not even auditioning, no audition even auditioning.

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<v Speaker 3>It was every actor's dream. And about a month and

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<v Speaker 3>maybe three weeks. A month later, Shonda calls me personally.

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<v Speaker 3>I'm not on set, but she calls me at home

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<v Speaker 3>and she says, I have some terrible news. And I

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<v Speaker 3>was like a christ. She said, I you're still I

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<v Speaker 3>still want you to do this part, but I'm going

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<v Speaker 3>to name drop him right here. Didn't think I was

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<v Speaker 3>television material. Wow, I said, what does that mean? She said,

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<v Speaker 3>he wants you to read for it. I said, I'm

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<v Speaker 3>an actor, of course I'll read for this part. So

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<v Speaker 3>we set up a time and I came into Linda

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<v Speaker 3>always little office and read it with the director.

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<v Speaker 2>And Paul McGuigan.

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<v Speaker 3>Yeah, that's right, and and Linda and I thought it

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<v Speaker 3>went great, and Shonda said it went great, and Linda

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<v Speaker 3>said it went great, and Paul was like, wait to go,

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<v Speaker 3>And then I guess I didn't like it? What So

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<v Speaker 3>they said, we want you to read again. So I

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<v Speaker 3>went back in and I read again, and Shanda called

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<v Speaker 3>and she said, I'm so sorry he wants to go

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<v Speaker 3>a different way with the role. I don't know what

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<v Speaker 3>to tell you.

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<v Speaker 1>What the hell, dude?

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<v Speaker 3>And I look, this is the business we're in. What

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<v Speaker 3>can you do. There's a bunch of chefs in the kitchen,

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<v Speaker 3>So life goes on. I went and I did another

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<v Speaker 3>show called The good Win Games from the Guys who

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<v Speaker 3>Met from How I Met your Mother.

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<v Speaker 2>You were so good on that show.

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<v Speaker 3>I love that show so much.

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<v Speaker 2>It was so great on a comedy. You're so good.

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<v Speaker 3>And that was That was another bone that was thrown

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<v Speaker 3>my way because I had passed on How I Met

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<v Speaker 3>your Mother. No because of Scandal, No, because of the

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<v Speaker 3>fucking Unit.

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<v Speaker 2>Sorry, Oh my god, Scott, I on How I Met

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<v Speaker 2>your Mother hearing stories like that, because oh my god,

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<v Speaker 2>that show is a residual juggernaut.

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<v Speaker 1>Of a show, like, yeah, but you got on Scandals,

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<v Speaker 1>So that's just.

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<v Speaker 3>Is it a good residual wise?

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<v Speaker 1>Not residualise?

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<v Speaker 2>I just had dinner with Kobe's boulders. Let me tell

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<v Speaker 2>you something. How I met your mother? Is there juggernaut it? Anyway?

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<v Speaker 3>So that show came to an end, and when it ended,

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<v Speaker 3>there was an announcement in the news that it wasn't

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<v Speaker 3>getting picked up. And Seanna called me and I think

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<v Speaker 3>it was now the second season you guys had done.

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<v Speaker 3>You did seven episodes? Episodes? Yeah, you did seven to

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<v Speaker 3>seven yeah, And she called me and she said, I'm

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<v Speaker 3>trying to get you back on the show I wrote

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<v Speaker 3>apart just for you. Will you come and do it?

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<v Speaker 3>And I was like, yeah, I got no, my show

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<v Speaker 3>just got cancel. What else am I going to do?

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<v Speaker 3>And Marika I was like, babe, What's what is this?

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<v Speaker 3>How does it look? Because I had a bad taste

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<v Speaker 3>in my mouth about it?

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<v Speaker 2>Yeah, you're like about watching the show that I didn't

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<v Speaker 2>get cast on to like further the burn because I'm

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<v Speaker 2>a bitter bad I get it.

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<v Speaker 3>And we watched it and forgive me for this. I

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<v Speaker 3>was like, who are these people? And She's like, what's happening?

0:11:24.440 --> 0:11:26.480
<v Speaker 3>And Mariecaus like you got to do it. It's so good,

0:11:26.800 --> 0:11:29.440
<v Speaker 3>and so I called Shonda. We had a conversation and

0:11:29.480 --> 0:11:32.160
<v Speaker 3>we made a deal. I was going to be a

0:11:32.200 --> 0:11:35.520
<v Speaker 3>recurring character on the second season and coming halfway through

0:11:35.520 --> 0:11:37.880
<v Speaker 3>the second season, and if the show got picked up

0:11:37.920 --> 0:11:41.200
<v Speaker 3>for a third which wasn't in any way a guarantee

0:11:41.200 --> 0:11:43.720
<v Speaker 3>at that point, then I would become a series regular

0:11:43.800 --> 0:11:47.040
<v Speaker 3>going forward. And so we negotiated the deal. Everything was great,

0:11:47.080 --> 0:11:48.600
<v Speaker 3>and that's that's my scandal story.

0:11:48.840 --> 0:11:52.920
<v Speaker 2>My god, you have done the love triangle thing. Shout out, Felicity.

0:11:53.160 --> 0:11:55.559
<v Speaker 2>I think you did it on Dawson's Creek. I think

0:11:55.720 --> 0:11:57.400
<v Speaker 2>like you are real good.

0:11:58.960 --> 0:12:00.559
<v Speaker 3>And the other guys we're going to be in the

0:12:00.600 --> 0:12:01.000
<v Speaker 3>other guy.

0:12:01.280 --> 0:12:02.400
<v Speaker 1>You do it so well.

0:12:02.720 --> 0:12:05.439
<v Speaker 2>Did you know that you were gonna be you really did?

0:12:05.679 --> 0:12:07.319
<v Speaker 2>Did you know that it was you were going to

0:12:07.360 --> 0:12:09.760
<v Speaker 2>be in this love triangle to Tony and Carrie. Had

0:12:09.760 --> 0:12:11.480
<v Speaker 2>that been presented to you? Where you were like, I

0:12:11.480 --> 0:12:12.400
<v Speaker 2>don't even know the character?

0:12:12.760 --> 0:12:14.920
<v Speaker 3>She said, I would be a love interest to the

0:12:15.000 --> 0:12:17.160
<v Speaker 3>lead girl, and that was all I knew, and I

0:12:17.200 --> 0:12:20.560
<v Speaker 3>didn't know anything. You guys had done seven episodes, I think,

0:12:20.640 --> 0:12:23.160
<v Speaker 3>and maybe a couple from the second season had aired

0:12:23.400 --> 0:12:25.920
<v Speaker 3>by the time I showed up. I think I showed

0:12:25.960 --> 0:12:29.360
<v Speaker 3>up in I don't know, two twelve to thirteen, something

0:12:29.400 --> 0:12:31.600
<v Speaker 3>like that. So you'd only done a total of twenty

0:12:31.640 --> 0:12:35.520
<v Speaker 3>episodes before I came, and I hadn't I didn't know.

0:12:35.679 --> 0:12:37.760
<v Speaker 3>Seanda says, I got a plan. You're going to be

0:12:37.800 --> 0:12:40.280
<v Speaker 3>this guy and you're a love interest. But there's more

0:12:40.280 --> 0:12:40.640
<v Speaker 3>to it.

0:12:40.800 --> 0:12:42.920
<v Speaker 1>Oh yeah, she probably knew all of that, but none

0:12:42.960 --> 0:12:44.760
<v Speaker 1>of us ever knew what was coming down the pike

0:12:44.880 --> 0:12:47.280
<v Speaker 1>right for our characters until Yeah.

0:12:47.400 --> 0:12:48.760
<v Speaker 2>I don't think anybody knew either.

0:12:49.040 --> 0:12:50.640
<v Speaker 3>Yeah, you could be in that writer's room and they'd

0:12:50.679 --> 0:12:52.360
<v Speaker 3>be like, what's today. They're like, I don't know, let's

0:12:52.360 --> 0:12:53.319
<v Speaker 3>start again, throw it up.

0:12:53.240 --> 0:12:56.760
<v Speaker 2>From yell and I think I heard That's what they liked,

0:12:56.800 --> 0:12:59.200
<v Speaker 2>Like they liked the energy of the show, being like

0:12:59.240 --> 0:13:01.440
<v Speaker 2>holy shit, Like you don't like they were up again.

0:13:01.920 --> 0:13:04.280
<v Speaker 2>They were up against the ticking time clock as well,

0:13:04.320 --> 0:13:06.559
<v Speaker 2>which is why you feel that so much in the show.

0:13:06.920 --> 0:13:10.120
<v Speaker 1>Did you know Tony or Carrie beforehand, Scott? Had you

0:13:10.160 --> 0:13:10.600
<v Speaker 1>met them?

0:13:11.040 --> 0:13:11.199
<v Speaker 3>No?

0:13:11.400 --> 0:13:11.520
<v Speaker 4>Oh?

0:13:11.559 --> 0:13:14.680
<v Speaker 5>Wow, Carrie had dated a guy who lived on my street.

0:13:18.120 --> 0:13:21.160
<v Speaker 5>I'd seen her, Yeah, I'd seen her like walking a

0:13:21.240 --> 0:13:24.079
<v Speaker 5>dog maybe.

0:13:23.120 --> 0:13:25.760
<v Speaker 3>Probably, Yeah, And I was at like walking mine and

0:13:25.800 --> 0:13:29.040
<v Speaker 3>you sort of nod like she's an actress ring.

0:13:29.240 --> 0:13:32.880
<v Speaker 1>Yeah, but I you know, did you know you're going

0:13:32.920 --> 0:13:36.240
<v Speaker 1>to be macing on her on the show for six seasons? Ever?

0:13:36.840 --> 0:13:40.000
<v Speaker 2>Stand in the sun with me, Jake stands in the

0:13:40.080 --> 0:13:40.680
<v Speaker 2>sun with me?

0:13:40.920 --> 0:13:44.040
<v Speaker 3>Little did I would be in the Bahamas together five years.

0:13:43.880 --> 0:13:48.760
<v Speaker 1>From there, baking asshole.

0:13:49.600 --> 0:13:51.679
<v Speaker 3>I so wish you guys had that experience.

0:13:53.160 --> 0:13:56.679
<v Speaker 2>That's crazy the Gladiators listening and that is an episode

0:13:56.800 --> 0:13:58.680
<v Speaker 2>at a different time. But we are we good to

0:13:58.679 --> 0:14:00.640
<v Speaker 2>have you back on because I this is at the

0:14:00.679 --> 0:14:05.240
<v Speaker 2>start of that episode, you go, you and Carrie alone

0:14:05.280 --> 0:14:08.400
<v Speaker 2>to an island by yourself. You were on private boats,

0:14:08.440 --> 0:14:10.559
<v Speaker 2>You're on a private island, You're on a private plane,

0:14:11.000 --> 0:14:12.920
<v Speaker 2>and the rest of us are just sitting.

0:14:13.440 --> 0:14:17.000
<v Speaker 1>Freaking our show was done.

0:14:17.240 --> 0:14:21.760
<v Speaker 2>Yeah wait. I also want to know, was Shanda like

0:14:21.800 --> 0:14:25.040
<v Speaker 2>a big Felicity fan? Sewana is a huge TV nerd

0:14:25.080 --> 0:14:27.400
<v Speaker 2>and TV fan like you, always has been from the

0:14:27.400 --> 0:14:29.440
<v Speaker 2>time she was like a long time ago. Was she

0:14:30.280 --> 0:14:32.600
<v Speaker 2>like so into you and your work from Felicity?

0:14:32.880 --> 0:14:35.000
<v Speaker 3>Is that like so I think that was it? Yeah?

0:14:35.080 --> 0:14:37.760
<v Speaker 3>And look, I don't know, I do know, I know

0:14:37.840 --> 0:14:41.200
<v Speaker 3>she loved Felicity and Scott Stevens on Gray's Anatomy as

0:14:41.280 --> 0:14:41.720
<v Speaker 3>we speak.

0:14:42.000 --> 0:14:45.200
<v Speaker 1>Oh yeah, that's all right. Damn how long has he

0:14:45.280 --> 0:14:46.920
<v Speaker 1>been on that on the show?

0:14:46.960 --> 0:14:48.440
<v Speaker 3>Longer than me? And I'm upset about it?

0:14:48.600 --> 0:14:51.000
<v Speaker 2>Yeah, I love it.

0:14:51.560 --> 0:14:55.680
<v Speaker 1>Talk about a juggernaut. Juggernaut right is forging? What the hell?

0:14:56.320 --> 0:14:57.760
<v Speaker 1>This season? What like thirty two?

0:14:57.800 --> 0:15:01.080
<v Speaker 3>What is it? Season twenty? You're twenty one now?

0:15:01.120 --> 0:15:05.080
<v Speaker 1>But oh my god, I was so excited.

0:15:04.520 --> 0:15:06.360
<v Speaker 3>To get to be a part of Grey's Anatomy and

0:15:06.440 --> 0:15:08.320
<v Speaker 3>so bummed when I found out I wasn't a doctor

0:15:08.360 --> 0:15:10.400
<v Speaker 3>because I knew that I was going to die and

0:15:10.440 --> 0:15:13.920
<v Speaker 3>my time. Now, if you can be a doctor Gray's

0:15:13.920 --> 0:15:18.240
<v Speaker 3>Anatomy and stay there forever your grandkids are in college,

0:15:18.280 --> 0:15:19.320
<v Speaker 3>you're doing fine.

0:15:19.240 --> 0:15:21.680
<v Speaker 1>Yeah, we'll be right back. Guys.

0:15:27.840 --> 0:15:29.920
<v Speaker 2>Okay, I need to talk to you about this episode.

0:15:30.840 --> 0:15:32.800
<v Speaker 2>And it's okay if you totally didn't watch it, because

0:15:32.840 --> 0:15:33.640
<v Speaker 2>there is some of the.

0:15:33.680 --> 0:15:36.000
<v Speaker 3>You totally watched it, and I watched Kate Burton say

0:15:36.120 --> 0:15:38.240
<v Speaker 3>I'm not here to urinate. And by the way, my

0:15:38.280 --> 0:15:39.640
<v Speaker 3>favorite line of the whole episode.

0:15:39.760 --> 0:15:42.120
<v Speaker 1>Yes, he's unbelievable.

0:15:42.120 --> 0:15:45.240
<v Speaker 2>This episode, Gladiators, we're talking about episode three oh five

0:15:45.400 --> 0:15:48.360
<v Speaker 2>called More Cattle Less Bowl. It aired on October thirty,

0:15:48.400 --> 0:15:54.080
<v Speaker 2>first Halloween. That yeah, the year.

0:15:55.720 --> 0:15:59.600
<v Speaker 3>Literally, I just packed up the fromaldehyde bat you gave

0:15:59.640 --> 0:16:02.720
<v Speaker 3>me for Yeah, I pulled it out, and for whatever reason,

0:16:02.720 --> 0:16:03.920
<v Speaker 3>I hadn't put it away yet, So I just put

0:16:03.960 --> 0:16:04.680
<v Speaker 3>it away last week.

0:16:04.760 --> 0:16:07.000
<v Speaker 1>I love it. I think Katie threw that shit away.

0:16:07.040 --> 0:16:08.240
<v Speaker 1>Didn't you throw it away? Katie?

0:16:08.240 --> 0:16:12.280
<v Speaker 2>What it's hidden in the box? Well. This episode was

0:16:12.280 --> 0:16:15.120
<v Speaker 2>written by ten Bands. It was directed by Randy Zisk

0:16:15.840 --> 0:16:17.520
<v Speaker 2>and Gee, who is a guest starring.

0:16:17.640 --> 0:16:21.480
<v Speaker 1>It was guest starring Stony Westmoreland as hal Eron. Chambers

0:16:21.520 --> 0:16:24.200
<v Speaker 1>is Mara, and Jay Jackson is the TV anchor.

0:16:24.160 --> 0:16:26.560
<v Speaker 2>And real quick to jog our memories of what the

0:16:26.600 --> 0:16:30.400
<v Speaker 2>fuck happens. The OPA team investigates Democratic Congresswoman Josie Marcus,

0:16:30.400 --> 0:16:32.480
<v Speaker 2>while Olivia and Melly have a surprising run in during

0:16:32.480 --> 0:16:33.960
<v Speaker 2>the White House Correspondence dinner.

0:16:34.080 --> 0:16:36.840
<v Speaker 1>Meanwhile, Jake and Huckett closer to the truth about Operation Remington,

0:16:36.880 --> 0:16:38.480
<v Speaker 1>which could lead to devastating results.

0:16:38.680 --> 0:16:41.240
<v Speaker 2>Guys, the first thing that needs to be spoken about

0:16:41.280 --> 0:16:43.760
<v Speaker 2>this episode, which is the most important scene that we

0:16:43.880 --> 0:16:46.040
<v Speaker 2>need to get to, is the basketball scene. I don't

0:16:46.080 --> 0:16:48.040
<v Speaker 2>even give a shit about the rest of this episode,

0:16:48.280 --> 0:16:50.040
<v Speaker 2>we have to talk about.

0:16:49.840 --> 0:16:52.920
<v Speaker 1>You and Tony playing basketball.

0:16:52.200 --> 0:16:56.160
<v Speaker 2>Which Scott, you are an athlete, you're a great tennis player,

0:16:56.240 --> 0:16:59.560
<v Speaker 2>You're a great basketball player. Can you please tell us

0:17:00.480 --> 0:17:02.080
<v Speaker 2>why this happened? What it was like?

0:17:05.800 --> 0:17:08.359
<v Speaker 1>Is this worse than the dancing Scott? Was this worse

0:17:08.400 --> 0:17:09.399
<v Speaker 1>than the Oh God?

0:17:10.119 --> 0:17:14.200
<v Speaker 2>So it got his laughing so hard? Okay, for those

0:17:14.240 --> 0:17:17.360
<v Speaker 2>of you listening, Tony Goldwyn has got so much swag

0:17:17.400 --> 0:17:19.840
<v Speaker 2>as fits. We are not saying like anything, It's just

0:17:19.880 --> 0:17:22.639
<v Speaker 2>that Tony is really an artist and maybe not a

0:17:22.680 --> 0:17:25.120
<v Speaker 2>great basketball player. Am I saying something wrong? I'll let

0:17:25.119 --> 0:17:26.760
<v Speaker 2>me say I.

0:17:26.640 --> 0:17:29.879
<v Speaker 3>Don't know what you're saying. I remember I remember story

0:17:29.880 --> 0:17:32.960
<v Speaker 3>Tony once told me about Shanda asking him early on

0:17:33.040 --> 0:17:34.560
<v Speaker 3>in the run of the show, I want to have

0:17:34.600 --> 0:17:37.399
<v Speaker 3>you doing something physical. What's a playing tennis? He was

0:17:37.440 --> 0:17:39.399
<v Speaker 3>like nope. She was like, how about basketball? He was

0:17:39.440 --> 0:17:41.240
<v Speaker 3>like nope. She said what you saw? He was like,

0:17:41.280 --> 0:17:44.240
<v Speaker 3>he said, I chop would Yeah.

0:17:45.000 --> 0:17:47.360
<v Speaker 2>We had him on that episode where he's he has

0:17:47.400 --> 0:17:49.640
<v Speaker 2>said this that choppingwood is really one of the few

0:17:49.680 --> 0:17:51.440
<v Speaker 2>physical things he can do, which, by the way, wasn't

0:17:51.480 --> 0:17:53.280
<v Speaker 2>he in like the Huge Tennis Movie as a coach

0:17:53.359 --> 0:17:53.919
<v Speaker 2>Like last year.

0:17:54.119 --> 0:17:57.520
<v Speaker 3>Yes, Yeah, we had actually a really great time doing this.

0:17:57.600 --> 0:18:00.879
<v Speaker 3>And I will be the first to say, our poor crew.

0:18:01.040 --> 0:18:03.200
<v Speaker 3>I couldn't shoot a shop for to save my life.

0:18:03.240 --> 0:18:05.119
<v Speaker 3>I could not make a basket. They were like totally

0:18:05.160 --> 0:18:06.520
<v Speaker 3>just we want to get a couple of you putting

0:18:06.520 --> 0:18:08.600
<v Speaker 3>it in. I was like, not loved. I played in

0:18:08.640 --> 0:18:11.040
<v Speaker 3>high school. I was like fuck, fuck fuck.

0:18:12.080 --> 0:18:14.919
<v Speaker 2>It was just like too much pressure people.

0:18:15.960 --> 0:18:18.119
<v Speaker 3>I think I had two kids, my wife was pregnant

0:18:18.160 --> 0:18:21.200
<v Speaker 3>with a third. I hadn't been shooting baskets in ten years.

0:18:21.480 --> 0:18:21.960
<v Speaker 3>I don't know.

0:18:22.480 --> 0:18:25.199
<v Speaker 2>It's just a way because the person I don't know

0:18:25.280 --> 0:18:28.560
<v Speaker 2>a goddamn thing about the sport. So it was effective

0:18:28.600 --> 0:18:32.879
<v Speaker 2>for me, which is two hot men using basketball as

0:18:32.920 --> 0:18:35.760
<v Speaker 2>if they're fighting over their girl, like the you're fighting

0:18:35.840 --> 0:18:40.399
<v Speaker 2>over fighting over Olivia. But it's basketball, and it totally

0:18:40.480 --> 0:18:43.320
<v Speaker 2>fucking worked. However, Adam would be the first person to say,

0:18:43.359 --> 0:18:45.840
<v Speaker 2>when I remember when it came out, my husband only

0:18:45.840 --> 0:18:48.240
<v Speaker 2>watched his basketball seventy five hundred hours a week, but

0:18:48.280 --> 0:18:50.120
<v Speaker 2>he was like, wow, Tony is really bad.

0:18:50.920 --> 0:18:54.000
<v Speaker 1>Really spotted it. See I didn't even spot it.

0:18:54.119 --> 0:18:56.760
<v Speaker 3>I couldn't even be played when we played. Tony was

0:18:56.840 --> 0:18:59.320
<v Speaker 3>no worse than I was. I'm completely unstilly.

0:19:00.359 --> 0:19:03.240
<v Speaker 2>Then they must have coughtvered. They must have covered something

0:19:03.320 --> 0:19:06.360
<v Speaker 2>that he did that you didn't do that. I remember

0:19:06.440 --> 0:19:08.720
<v Speaker 2>Adam being like, oh my god, Tony, wow not a

0:19:08.720 --> 0:19:09.600
<v Speaker 2>basketball player, and.

0:19:10.040 --> 0:19:13.120
<v Speaker 1>Wow, that shit really well though, because you.

0:19:13.040 --> 0:19:15.560
<v Speaker 3>Can't do a really good job. I don't remember seeing

0:19:15.560 --> 0:19:18.720
<v Speaker 3>that episode, and I watched it today before we did this,

0:19:19.240 --> 0:19:22.040
<v Speaker 3>and aside from the fake sweat all over me, oh

0:19:22.040 --> 0:19:24.320
<v Speaker 3>my god, please the amount of water they sprayed on

0:19:24.440 --> 0:19:26.120
<v Speaker 3>my back to make it look like we were really.

0:19:25.960 --> 0:19:29.400
<v Speaker 2>Sweating, but I do remember a note that I took

0:19:29.440 --> 0:19:32.080
<v Speaker 2>when I did watch the scene, And again I couldn't

0:19:32.119 --> 0:19:34.320
<v Speaker 2>tell anybody was good or bad. It just was fucking hot.

0:19:34.400 --> 0:19:37.600
<v Speaker 2>You both looked great eye and looked like you knew

0:19:37.600 --> 0:19:39.320
<v Speaker 2>what you were doing, because you're great actors. But I

0:19:39.359 --> 0:19:41.720
<v Speaker 2>remember you taking off your jacket and your shirt was

0:19:41.760 --> 0:19:44.640
<v Speaker 2>already soaking wet and you hadn't even started playing yet.

0:19:44.880 --> 0:19:50.040
<v Speaker 2>I was like, oh, yeah, the ba a wet mark

0:19:50.119 --> 0:19:51.800
<v Speaker 2>on it in when you were like, all right, let's

0:19:51.840 --> 0:19:54.639
<v Speaker 2>do this, like you hadn't even played yet.

0:19:54.720 --> 0:19:56.480
<v Speaker 3>It was so much fun. We shot at a I

0:19:56.480 --> 0:20:00.840
<v Speaker 3>think it was like a private house or something in Brentwood. Yeah,

0:20:00.840 --> 0:20:03.679
<v Speaker 3>it was great being anytime I got the opportunity to

0:20:03.680 --> 0:20:05.399
<v Speaker 3>be sort of one on one with you guys. I

0:20:05.440 --> 0:20:08.399
<v Speaker 3>have really great memories of those moments. I thought of

0:20:08.440 --> 0:20:10.920
<v Speaker 3>one the other day with me and g. We were

0:20:10.960 --> 0:20:11.959
<v Speaker 3>doing a car scene.

0:20:12.040 --> 0:20:14.520
<v Speaker 1>Yes, I was thinking about that to Scott.

0:20:14.600 --> 0:20:17.080
<v Speaker 3>And we were sitting there and something was taken long,

0:20:17.160 --> 0:20:19.320
<v Speaker 3>and the ad came up a couple times, and the

0:20:19.400 --> 0:20:21.399
<v Speaker 3>last time the ad came up, and so it just

0:20:21.440 --> 0:20:23.600
<v Speaker 3>be a minute, he rolled the window up and G

0:20:23.760 --> 0:20:24.960
<v Speaker 3>goes the fuck out.

0:20:24.800 --> 0:20:28.679
<v Speaker 1>I got of here. Yeah, I love that is one

0:20:28.720 --> 0:20:32.119
<v Speaker 1>of the most special moments for me with you because

0:20:32.160 --> 0:20:34.600
<v Speaker 1>we just we hung out in that car for the

0:20:34.640 --> 0:20:36.640
<v Speaker 1>whole day and we just kept saying that, and even

0:20:36.840 --> 0:20:39.080
<v Speaker 1>later on, like shooting the show, we would just keep

0:20:39.119 --> 0:20:41.840
<v Speaker 1>you know, we would say fuck out, like just for you,

0:20:42.200 --> 0:20:43.200
<v Speaker 1>don't yeah, just for.

0:20:44.080 --> 0:20:46.480
<v Speaker 2>You guys have a lot in this episode together. I

0:20:46.560 --> 0:20:49.640
<v Speaker 2>never realized that, like you two is the B six

0:20:49.800 --> 0:20:52.680
<v Speaker 2>thirteen people trying to get Maya pope out of here,

0:20:52.720 --> 0:20:56.200
<v Speaker 2>Like you two have this whole unspoken language of these

0:20:56.280 --> 0:20:59.920
<v Speaker 2>aside eyes and like, how do we do work this system?

0:21:00.080 --> 0:21:03.520
<v Speaker 2>We do everything B six thirteen, which, by the way.

0:21:03.600 --> 0:21:04.840
<v Speaker 1>You're a B six thirteen.

0:21:04.880 --> 0:21:07.600
<v Speaker 2>We need you're a B six thirteen. I heard that

0:21:07.840 --> 0:21:11.120
<v Speaker 2>by someone I will not name names, pretty high up

0:21:11.400 --> 0:21:14.600
<v Speaker 2>that around this time they were thinking about a B

0:21:14.680 --> 0:21:15.760
<v Speaker 2>six thirteen spinoff.

0:21:16.080 --> 0:21:19.439
<v Speaker 1>Really damn that guess didn't freaking happen.

0:21:19.840 --> 0:21:22.080
<v Speaker 2>It's not from the highest of highest ups, so it

0:21:22.080 --> 0:21:25.480
<v Speaker 2>could be a complete fucking bullshit scenario. But I was

0:21:25.560 --> 0:21:27.919
<v Speaker 2>watching this episode and I was like, oh my god.

0:21:28.000 --> 0:21:31.520
<v Speaker 2>And three thirteen Scott, when you become the head of command,

0:21:32.040 --> 0:21:33.760
<v Speaker 2>I was like, holy shit, this is like a hole

0:21:33.760 --> 0:21:35.560
<v Speaker 2>and we're at Acne Paper and.

0:21:35.440 --> 0:21:38.080
<v Speaker 1>Like, yeah, yeah, it's a nice you work there.

0:21:38.320 --> 0:21:40.560
<v Speaker 2>It's a whole other world. Like it's just.

0:21:40.640 --> 0:21:43.399
<v Speaker 3>Really remember the first time we were on that set

0:21:43.640 --> 0:21:46.040
<v Speaker 3>wherever the hell it was, and that you worked as

0:21:46.040 --> 0:21:48.440
<v Speaker 3>the receptionist. It was in the middle of this sort

0:21:48.440 --> 0:21:52.639
<v Speaker 3>of oval shaped lobby thing, and ah, man, I have

0:21:52.880 --> 0:21:54.919
<v Speaker 3>such Oh that's crazy. I do.

0:21:55.000 --> 0:21:55.640
<v Speaker 1>Remind me too.

0:21:55.680 --> 0:21:57.359
<v Speaker 2>And Quinn was being such a little bit. She was like,

0:21:57.520 --> 0:21:59.320
<v Speaker 2>I don't want to wear a death I have a

0:21:59.400 --> 0:22:02.040
<v Speaker 2>gun to do this, and you were like pay your dues.

0:22:02.080 --> 0:22:04.560
<v Speaker 2>You're like nothing, it's still even in consideration if you're

0:22:04.600 --> 0:22:05.920
<v Speaker 2>really be six thirteen, Well, that.

0:22:05.920 --> 0:22:07.640
<v Speaker 3>Was about give me a gun. You bought a gun

0:22:07.680 --> 0:22:10.119
<v Speaker 3>in this thing. You traded in the router for a gun.

0:22:10.320 --> 0:22:12.119
<v Speaker 1>I know that's right with her.

0:22:12.200 --> 0:22:13.760
<v Speaker 2>I don't remember any of that.

0:22:13.880 --> 0:22:15.040
<v Speaker 1>I don't remember a lot of it either.

0:22:15.080 --> 0:22:16.960
<v Speaker 2>I have to say, the worst acting of the whole

0:22:17.000 --> 0:22:21.800
<v Speaker 2>episode is definitely for me his Quinn walking in her

0:22:22.080 --> 0:22:26.520
<v Speaker 2>horrible shoes in the rubble of Montana or whatever. I

0:22:26.640 --> 0:22:30.120
<v Speaker 2>was like, oh my god, Katie, you are the worst.

0:22:29.840 --> 0:22:32.119
<v Speaker 1>Like everybody telling your ground.

0:22:31.920 --> 0:22:34.359
<v Speaker 2>Bills and you're an idiot and it's just so stupid. Okay,

0:22:34.560 --> 0:22:39.080
<v Speaker 2>who's anyone have favorite highlight acting moments of this episode?

0:22:39.080 --> 0:22:39.159
<v Speaker 6>Oh?

0:22:39.200 --> 0:22:42.400
<v Speaker 2>We know Scott's Oh Caperton is it? Sally Langston? Yeah?

0:22:42.400 --> 0:22:43.160
<v Speaker 2>What does she say?

0:22:43.800 --> 0:22:45.440
<v Speaker 3>She says, I'm not here to urinate. When she goes

0:22:45.480 --> 0:22:47.880
<v Speaker 3>to see Paul in the bathroom when he's pissed. I'm

0:22:47.960 --> 0:22:51.240
<v Speaker 3>so proud. I was so proud of Randy's this. He

0:22:51.280 --> 0:22:54.119
<v Speaker 3>directed this right, Yes, I was so proud of Randy

0:22:54.160 --> 0:22:57.240
<v Speaker 3>for actually having him standing at the Jurnal going to

0:22:57.240 --> 0:22:59.080
<v Speaker 3>the bathroom. Just don't see that a whole lot.

0:22:59.119 --> 0:23:01.359
<v Speaker 1>But did you notice? Did you guys notice it? Also

0:23:01.520 --> 0:23:04.639
<v Speaker 1>Paul motions to Sally, Hey, you want this urinal. You

0:23:04.640 --> 0:23:05.480
<v Speaker 1>want a p next to me?

0:23:05.880 --> 0:23:08.359
<v Speaker 3>Yeah, the ladies room is packed as normal. Come here,

0:23:08.440 --> 0:23:09.479
<v Speaker 3>you can use this And she was like, I'm out

0:23:09.480 --> 0:23:10.560
<v Speaker 3>here to arn it.

0:23:10.600 --> 0:23:13.200
<v Speaker 2>Was so fucking brilliant. Oh wait, I wanted to ask you,

0:23:13.240 --> 0:23:16.119
<v Speaker 2>in stemming from the basketball scene, how did it feel

0:23:16.119 --> 0:23:17.960
<v Speaker 2>to be the other man for the whole time?

0:23:18.200 --> 0:23:21.440
<v Speaker 3>I don't know. The paychecks cash, The truth is like total.

0:23:21.560 --> 0:23:24.040
<v Speaker 3>I was totally happy with my part. I never saw

0:23:24.440 --> 0:23:28.080
<v Speaker 3>any real life complication Tony. He's a great friend of mine,

0:23:28.160 --> 0:23:31.680
<v Speaker 3>and from the second I stepped on that set, Tony

0:23:31.720 --> 0:23:33.600
<v Speaker 3>was a great frien I shouldn't say that from the

0:23:33.640 --> 0:23:37.119
<v Speaker 3>second after the first table read, because from my first

0:23:37.119 --> 0:23:39.840
<v Speaker 3>table read, everybody came up and said hello, hi, bit

0:23:40.040 --> 0:23:43.520
<v Speaker 3>not one word from Tony really one, not a hello,

0:23:43.720 --> 0:23:46.520
<v Speaker 3>not a handshake, not a welcome, no anything. He was

0:23:46.560 --> 0:23:49.679
<v Speaker 3>like he's taken over something well you know, and Carrie

0:23:49.720 --> 0:23:51.879
<v Speaker 3>was like, he's got a little he's a little little jealous.

0:23:51.880 --> 0:23:54.800
<v Speaker 3>I was like what. But after that, whatever it was,

0:23:54.840 --> 0:23:56.960
<v Speaker 3>he was probably hungry or had to be on set or.

0:23:57.119 --> 0:24:00.440
<v Speaker 2>Dreading in line to like get his samwich or something

0:24:00.880 --> 0:24:01.680
<v Speaker 2>and his piece of salmon.

0:24:02.080 --> 0:24:04.119
<v Speaker 1>There. We all know he never ate a sandwich. He

0:24:04.160 --> 0:24:08.040
<v Speaker 1>only ate salads, salad please, he was taking his shirt. Yeah,

0:24:08.080 --> 0:24:11.480
<v Speaker 1>that salad with tuna, remembering fruit. Yeah, you never seen

0:24:11.520 --> 0:24:12.320
<v Speaker 1>them eat a sandwich.

0:24:12.600 --> 0:24:15.439
<v Speaker 3>I'll tell you something. I would watch Tony down a

0:24:15.440 --> 0:24:17.480
<v Speaker 3>whole donut and then take his shirt off that He

0:24:17.560 --> 0:24:21.240
<v Speaker 3>was like, are you kidding? Niccord?

0:24:21.520 --> 0:24:25.359
<v Speaker 2>You look amazing in this You too, like, dude, you

0:24:25.400 --> 0:24:27.159
<v Speaker 2>come on, you had to take off I think in

0:24:27.200 --> 0:24:29.200
<v Speaker 2>this episode, did you have to take off your shirt?

0:24:29.240 --> 0:24:31.040
<v Speaker 3>I did. I took my shirt off in this episode.

0:24:31.119 --> 0:24:33.440
<v Speaker 3>I was like, oh, look at young Yeah.

0:24:34.040 --> 0:24:37.639
<v Speaker 1>Isn't it crazy how you feel self conscious at the moment.

0:24:38.200 --> 0:24:41.000
<v Speaker 2>I look back at the ship on this show when

0:24:41.000 --> 0:24:43.280
<v Speaker 2>I'm in bron underwear, and I was like, what was

0:24:43.320 --> 0:24:44.240
<v Speaker 2>my problem?

0:24:44.440 --> 0:24:45.080
<v Speaker 1>I look good?

0:24:45.440 --> 0:24:45.680
<v Speaker 2>Right?

0:24:45.800 --> 0:24:46.399
<v Speaker 1>Yeah?

0:24:46.480 --> 0:24:49.080
<v Speaker 2>Why was I so freaked out? And also I would

0:24:49.080 --> 0:24:51.280
<v Speaker 2>take that any day over what I'm working with now.

0:24:52.640 --> 0:24:55.520
<v Speaker 1>But Scott, you were always really good about not eating cookies,

0:24:55.560 --> 0:24:57.280
<v Speaker 1>Like when you knew your shirt was going to come off,

0:24:57.320 --> 0:24:59.879
<v Speaker 1>you were good about making sure you were eating the

0:25:00.080 --> 0:25:01.200
<v Speaker 1>right thing or not eating.

0:25:01.359 --> 0:25:07.120
<v Speaker 2>His kryptonite was a cup of nuts. You can cut

0:25:07.240 --> 0:25:11.480
<v Speaker 2>take down a cup of cashews with but.

0:25:11.440 --> 0:25:13.320
<v Speaker 1>At least that's healthy. At least that's healthy.

0:25:13.440 --> 0:25:15.080
<v Speaker 2>But no, he was not. You were not eating dessert.

0:25:15.200 --> 0:25:18.159
<v Speaker 3>It's not that I was good, It's that I was terrified,

0:25:18.600 --> 0:25:21.000
<v Speaker 3>completely paranoid.

0:25:20.440 --> 0:25:22.400
<v Speaker 1>That the world was going to see who shot.

0:25:23.800 --> 0:25:24.280
<v Speaker 3>Goldwin.

0:25:24.960 --> 0:25:27.520
<v Speaker 1>But you look just as good, man, You look good.

0:25:27.600 --> 0:25:30.280
<v Speaker 2>This dude was born with a six pack. A that's

0:25:30.320 --> 0:25:31.760
<v Speaker 2>not fair and B.

0:25:32.359 --> 0:25:35.119
<v Speaker 3>From Ghosts to Scandal. Dude takes his shirt up and

0:25:35.160 --> 0:25:36.680
<v Speaker 3>you're like, I just can't win.

0:25:36.720 --> 0:25:40.479
<v Speaker 2>But well, you looked amazing and you did incredible, and

0:25:40.720 --> 0:25:43.879
<v Speaker 2>G and I were so lucky because you people had

0:25:43.920 --> 0:25:46.560
<v Speaker 2>to really be the hot ones on the show, and

0:25:46.680 --> 0:25:48.639
<v Speaker 2>G and I could really just get fucking.

0:25:48.640 --> 0:25:51.840
<v Speaker 1>Here's a slob. I never had to worry about. I

0:25:51.840 --> 0:25:53.960
<v Speaker 1>can get drunk the night before and come a seat

0:25:54.000 --> 0:25:56.159
<v Speaker 1>and have bags into my eyes and be like, let's go,

0:25:56.280 --> 0:25:56.800
<v Speaker 1>let's shoot it.

0:25:57.840 --> 0:26:00.800
<v Speaker 3>Say something, though, G, I'll say something and it. For

0:26:00.840 --> 0:26:05.560
<v Speaker 3>whatever reason, your character was probably the most specific in

0:26:05.640 --> 0:26:08.760
<v Speaker 3>the entire show. It was a true character. Yes, there

0:26:08.760 --> 0:26:11.040
<v Speaker 3>was Olivia Pope in this book. To a certain degree,

0:26:11.080 --> 0:26:16.200
<v Speaker 3>we're all playing versions of ourselves. You know, I'm hoping

0:26:16.520 --> 0:26:18.800
<v Speaker 3>Huck is not a version of you. It's it was

0:26:18.800 --> 0:26:22.160
<v Speaker 3>a beautiful performance. And I listened because I was able

0:26:22.280 --> 0:26:23.960
<v Speaker 3>to come on and do this podcast. I listened to

0:26:24.000 --> 0:26:27.240
<v Speaker 3>one the other day and it was the seven seven

0:26:27.320 --> 0:26:30.480
<v Speaker 3>What was the fi? It was seven fifty two episode

0:26:30.480 --> 0:26:32.119
<v Speaker 3>and guys, that was one of the first table reads

0:26:32.160 --> 0:26:35.040
<v Speaker 3>I was there for. That was in that warehouse, and

0:26:35.080 --> 0:26:37.760
<v Speaker 3>I remember being a part of that. I had a

0:26:37.800 --> 0:26:40.399
<v Speaker 3>line or two maybe, or I was there for a fitting,

0:26:40.440 --> 0:26:43.440
<v Speaker 3>I don't know. And I sat at the table read

0:26:43.920 --> 0:26:47.400
<v Speaker 3>and it blew my mind. And what you guys did

0:26:47.440 --> 0:26:50.359
<v Speaker 3>with that episode, and it's still I haven't watched it

0:26:50.400 --> 0:26:53.080
<v Speaker 3>in forever because I don't watch because does anyone watch

0:26:53.080 --> 0:26:53.720
<v Speaker 3>it anymore?

0:26:53.920 --> 0:26:55.840
<v Speaker 1>But we only watched the show because we have to

0:26:55.880 --> 0:26:57.840
<v Speaker 1>for the podcast, and we're loving it so much.

0:26:58.040 --> 0:27:02.399
<v Speaker 3>But there's two didn't watch TV anymore? Horses and.

0:27:07.119 --> 0:27:09.639
<v Speaker 2>Television like in the cannon of television.

0:27:09.480 --> 0:27:13.000
<v Speaker 3>Directed and filmed gorgeous episode.

0:27:13.080 --> 0:27:17.439
<v Speaker 2>Yeah, okay, so we've got your favorite off track? Is

0:27:17.440 --> 0:27:19.919
<v Speaker 2>what we love? Gee? Any favorite acting moments for you

0:27:19.960 --> 0:27:20.680
<v Speaker 2>in this One.

0:27:20.640 --> 0:27:25.080
<v Speaker 1>Of my favorite acting moments. Oh god, imagine it's the

0:27:25.080 --> 0:27:26.760
<v Speaker 1>moment at the end of the episode and I'm sitting

0:27:26.800 --> 0:27:29.960
<v Speaker 1>on the floor. I remember shooting the scene and me

0:27:30.080 --> 0:27:31.960
<v Speaker 1>and Scott, Me and Huck and Jake are trying to

0:27:31.960 --> 0:27:36.560
<v Speaker 1>figure out the riddle what happened with Remington the flight. Yes,

0:27:36.600 --> 0:27:39.639
<v Speaker 1>we're trying to figure all that stuff out. And I

0:27:39.680 --> 0:27:43.520
<v Speaker 1>finally say to Jake says to Jake her last name

0:27:43.680 --> 0:27:48.680
<v Speaker 1>was Pope, and then it cuts to Scott and Scott says, no,

0:27:51.480 --> 0:27:56.199
<v Speaker 1>that was my one of my favorite moments in this episode,

0:27:56.359 --> 0:27:59.760
<v Speaker 1>aside from Mellie's hair acting like that hair that just

0:27:59.800 --> 0:28:02.000
<v Speaker 1>came out of nowhere, those curls.

0:28:01.960 --> 0:28:06.640
<v Speaker 3>There were a couple scenes where her hair was it

0:28:06.720 --> 0:28:11.600
<v Speaker 3>was like she was she was the equivalent of Alicia

0:28:11.720 --> 0:28:12.880
<v Speaker 3>Keys's dress last.

0:28:12.760 --> 0:28:14.200
<v Speaker 2>Night at the super Bowl.

0:28:14.200 --> 0:28:16.160
<v Speaker 3>At the super Bowl, it was the biggest thing I've

0:28:16.160 --> 0:28:19.680
<v Speaker 3>ever seen. And then it went back to normal beautiful Bellamy.

0:28:19.960 --> 0:28:23.240
<v Speaker 3>But that for there was a moment, yeah, moment like she.

0:28:24.880 --> 0:28:26.960
<v Speaker 2>I have to say real quick, this is like the

0:28:27.000 --> 0:28:29.679
<v Speaker 2>first time before we move on to six Degrees of

0:28:29.720 --> 0:28:32.280
<v Speaker 2>some horror because Scott, fully, you've got some in that bag.

0:28:32.320 --> 0:28:37.080
<v Speaker 2>But Lisa Koudro, really this is where she has a

0:28:37.080 --> 0:28:40.360
<v Speaker 2>lot of material, and I'm like, I'm so used to

0:28:40.360 --> 0:28:42.560
<v Speaker 2>seeing her as Phoebe that I had to keep being like,

0:28:42.560 --> 0:28:45.400
<v Speaker 2>holy shit, that's Phoebe. If she's on the podium and

0:28:45.760 --> 0:28:48.640
<v Speaker 2>she's being attacked by Governor Resten. She's running and she

0:28:48.720 --> 0:28:50.600
<v Speaker 2>has to do this thing where like I was fifteen,

0:28:50.840 --> 0:28:53.080
<v Speaker 2>I got pregnant, I gave you a baby.

0:28:52.840 --> 0:28:54.760
<v Speaker 1>For brilliant Yeah.

0:28:54.840 --> 0:28:56.320
<v Speaker 3>Yeah, I'm just like, wow.

0:28:56.200 --> 0:28:58.880
<v Speaker 2>I had no First of all, I don't remember any

0:28:58.880 --> 0:29:00.880
<v Speaker 2>of that even happening when we were shooting, Like, don'

0:29:00.960 --> 0:29:02.280
<v Speaker 2>I never worked with her, I don't think so. I

0:29:02.320 --> 0:29:04.840
<v Speaker 2>don't really remember it I met either. It's nice to

0:29:04.840 --> 0:29:06.320
<v Speaker 2>see her doing something like that.

0:29:06.480 --> 0:29:08.720
<v Speaker 1>Yeah, it's completely different from what we were used to

0:29:08.720 --> 0:29:09.200
<v Speaker 1>seeing her.

0:29:09.280 --> 0:29:12.000
<v Speaker 2>Yeah, Okay, Giermo's six Degrees of Horror?

0:29:12.560 --> 0:29:14.440
<v Speaker 1>Do I even have to even say it? I can

0:29:14.640 --> 0:29:18.880
<v Speaker 1>just Scott Foley was in Scream three and he played

0:29:18.960 --> 0:29:22.000
<v Speaker 1>Roman the director Roman, which I'm assuming it's a homage

0:29:22.000 --> 0:29:26.120
<v Speaker 1>to Roman Polanski. Perhaps maybe the name was Yeah, and

0:29:26.160 --> 0:29:28.040
<v Speaker 1>not only were you in a Scream movie, but you

0:29:28.080 --> 0:29:31.240
<v Speaker 1>were in a Scream movie directed by Wes Craven.

0:29:31.480 --> 0:29:33.840
<v Speaker 2>Doom tell us about it.

0:29:33.960 --> 0:29:36.240
<v Speaker 1>I think that was the last one he directed. Possibly,

0:29:36.360 --> 0:29:36.719
<v Speaker 1>wasn't it.

0:29:36.800 --> 0:29:38.760
<v Speaker 3>I think it was. He might have done four, but

0:29:38.800 --> 0:29:41.520
<v Speaker 3>I think it was one of the last ones. Yeah,

0:29:41.560 --> 0:29:45.120
<v Speaker 3>and I actually worked with him again. You dam on

0:29:45.160 --> 0:29:50.280
<v Speaker 3>a movie called Curse. Oh shit, wait, yes, there were

0:29:50.320 --> 0:29:53.280
<v Speaker 3>two we shot that movie. They shot that movie twice.

0:29:53.440 --> 0:29:55.960
<v Speaker 3>I only shot it once. But I still get residuals

0:29:55.960 --> 0:29:57.680
<v Speaker 3>from it, even though I'm not in it at all.

0:29:57.720 --> 0:29:59.680
<v Speaker 3>I had a big part, a bunch of stuff with

0:29:59.760 --> 0:30:03.000
<v Speaker 3>Chris n Ricci. And who was the guy that anyway.

0:30:02.760 --> 0:30:04.600
<v Speaker 1>That Janka Jackson plays the guy?

0:30:04.880 --> 0:30:08.440
<v Speaker 3>He did? He was recast? Oh, it was someone else.

0:30:08.560 --> 0:30:12.120
<v Speaker 3>First was a skeet. It wasn't skeet. It was I

0:30:12.160 --> 0:30:13.000
<v Speaker 3>forget who it.

0:30:12.880 --> 0:30:15.200
<v Speaker 2>Was first, all of you guys.

0:30:15.280 --> 0:30:18.400
<v Speaker 3>And because I had done Scream, Bob Weinstein called me

0:30:18.480 --> 0:30:20.080
<v Speaker 3>and was like, hey, we want you to do this

0:30:20.120 --> 0:30:22.080
<v Speaker 3>other movie called Curse. West is going to direct that.

0:30:22.120 --> 0:30:23.840
<v Speaker 3>He says you're great, and I was like great, And

0:30:23.880 --> 0:30:25.280
<v Speaker 3>I got on the set and I worked a couple

0:30:25.280 --> 0:30:27.760
<v Speaker 3>of weeks with oh and there was a scene with

0:30:28.160 --> 0:30:31.200
<v Speaker 3>Scott Bao and me and Judy Greer and a.

0:30:31.120 --> 0:30:34.320
<v Speaker 5>Bunch of hairy a bunch of people were on the

0:30:34.360 --> 0:30:35.200
<v Speaker 5>Santa Monica pier.

0:30:35.320 --> 0:30:38.520
<v Speaker 3>Anyway, going back to screen, Yes, my first feature film,

0:30:39.000 --> 0:30:40.520
<v Speaker 3>I got it. Can I tell you ge I got

0:30:40.560 --> 0:30:42.040
<v Speaker 3>a ton of shit for doing that movie.

0:30:42.160 --> 0:30:44.040
<v Speaker 1>Why what do you mean a ton of shit? Flack?

0:30:44.480 --> 0:30:47.040
<v Speaker 2>Yeah, like it wasn't good enough, or like.

0:30:46.920 --> 0:30:52.600
<v Speaker 3>It was like it was considered schlocky. Like I remember

0:30:52.720 --> 0:30:57.120
<v Speaker 3>being back on season two or three of Felicity. We

0:30:57.120 --> 0:30:59.160
<v Speaker 3>were just starting out and we had a press conference

0:30:59.520 --> 0:31:02.320
<v Speaker 3>on set for some reason and all as actors were

0:31:02.320 --> 0:31:04.760
<v Speaker 3>lined up and Scott Speedbman had just done he just

0:31:04.760 --> 0:31:07.080
<v Speaker 3>done an all Be Played when Canada or something, and

0:31:07.120 --> 0:31:09.200
<v Speaker 3>someone was like, it's really great you did that instead

0:31:09.200 --> 0:31:11.680
<v Speaker 3>of instead of doing a Scream film. And I remember

0:31:11.800 --> 0:31:12.600
<v Speaker 3>JJ turned to me, he.

0:31:12.600 --> 0:31:19.720
<v Speaker 4>Goes, oh, but that movie has has held up so

0:31:19.880 --> 0:31:24.120
<v Speaker 4>much and the amount of people who come up to

0:31:24.160 --> 0:31:26.040
<v Speaker 4>me still I just did a Broadway show and the

0:31:26.080 --> 0:31:28.760
<v Speaker 4>amount of people who would wait at the door wanting

0:31:28.800 --> 0:31:33.120
<v Speaker 4>me to sign Scream posters, Scream memorabilia, talk to me

0:31:33.160 --> 0:31:36.240
<v Speaker 4>about Scream.

0:31:36.080 --> 0:31:37.000
<v Speaker 3>I'm so proud of it.

0:31:36.920 --> 0:31:39.080
<v Speaker 1>Now, Oh you should be. And you also worked with

0:31:39.120 --> 0:31:43.000
<v Speaker 1>my old pal Parker Posi, who is my freaking brilliance

0:31:43.160 --> 0:31:45.080
<v Speaker 1>in that movie. She's such a standout in.

0:31:45.080 --> 0:31:47.040
<v Speaker 3>That brilliant in life g she would grab me. We

0:31:47.040 --> 0:31:50.760
<v Speaker 3>shot at this beautiful old house off Madelena Street, off

0:31:50.800 --> 0:31:54.560
<v Speaker 3>Sunset in La Yeah, in Silver Lake, and it's this

0:31:54.760 --> 0:31:56.480
<v Speaker 3>great old house that he used it for a bunch

0:31:56.520 --> 0:31:58.240
<v Speaker 3>of filming, and we shot a bunch there. That was

0:31:58.320 --> 0:32:01.160
<v Speaker 3>the mansion where it all happened, and she would in

0:32:01.400 --> 0:32:03.920
<v Speaker 3>between scenes, she would take my hand and walk me

0:32:03.960 --> 0:32:05.440
<v Speaker 3>down in the lawn and sit me down and read

0:32:05.480 --> 0:32:07.960
<v Speaker 3>me poetry. And I was like, what is no way?

0:32:08.440 --> 0:32:11.600
<v Speaker 3>This is bizarre. But she was the sweetest, nicest woman.

0:32:12.000 --> 0:32:14.200
<v Speaker 1>I love her so much. She used to invite me

0:32:14.240 --> 0:32:16.200
<v Speaker 1>over to her apartment when we did Party Girl back

0:32:16.200 --> 0:32:18.560
<v Speaker 1>in the day in the early nineties, to have a

0:32:18.600 --> 0:32:21.000
<v Speaker 1>bad movie night, and she would play all these bad

0:32:21.040 --> 0:32:23.200
<v Speaker 1>movies for me and we would just watch him and

0:32:23.280 --> 0:32:25.880
<v Speaker 1>order Chinese food. And she's such a she's such a

0:32:25.960 --> 0:32:28.800
<v Speaker 1>unique Yeah, yeah, yeah.

0:32:28.600 --> 0:32:30.920
<v Speaker 3>It was young. He was so very well, Oh my,

0:32:31.240 --> 0:32:31.960
<v Speaker 3>so great yo.

0:32:32.040 --> 0:32:35.040
<v Speaker 1>But also answer me there was really quickly. Do you

0:32:35.120 --> 0:32:38.000
<v Speaker 1>do you have a ghost face mask from the film?

0:32:38.560 --> 0:32:39.200
<v Speaker 3>You want to see it?

0:32:39.640 --> 0:32:41.800
<v Speaker 1>How much do you want for it? And can I

0:32:41.840 --> 0:32:44.920
<v Speaker 1>see it? No? Let me see it? Can we see it?

0:32:45.080 --> 0:32:47.280
<v Speaker 1>Can we see it? Can you believe that?

0:32:47.560 --> 0:32:49.840
<v Speaker 2>Here? Well? This episode also aired on October thirty. First,

0:32:50.120 --> 0:32:52.560
<v Speaker 2>this is all very fucking Weird's amazing?

0:32:52.640 --> 0:32:53.240
<v Speaker 3>Is that? Yes?

0:32:53.400 --> 0:32:54.160
<v Speaker 2>Lines crossing?

0:32:54.200 --> 0:32:54.960
<v Speaker 3>Oh? Hold on, there's this?

0:32:55.400 --> 0:32:57.880
<v Speaker 2>Oh my god, is getting his fucking scream mask.

0:32:58.040 --> 0:33:01.920
<v Speaker 1>Jenny McCarthy was also in this movie. Horror fans are hardcore,

0:33:02.640 --> 0:33:05.720
<v Speaker 1>hardcore bro. Yeah, yeah, I wish.

0:33:05.520 --> 0:33:06.840
<v Speaker 2>I was in one of those. I think it'd be

0:33:07.160 --> 0:33:10.440
<v Speaker 2>fucking fun. I don't like watching them because I'm terrified,

0:33:10.520 --> 0:33:12.320
<v Speaker 2>but I'd like to run around and scream and ship.

0:33:12.720 --> 0:33:15.040
<v Speaker 1>Sometimes it felt like we were doing many horror films

0:33:15.040 --> 0:33:17.320
<v Speaker 1>on Scandal, right. Some of the stuff we did for

0:33:17.920 --> 0:33:21.480
<v Speaker 1>teeth pulling scene felt like a horror film. Oh my god,

0:33:22.320 --> 0:33:26.360
<v Speaker 1>Scott Foley is holding up the freaking ghost face mask

0:33:26.680 --> 0:33:27.800
<v Speaker 1>from Scream three.

0:33:28.440 --> 0:33:35.560
<v Speaker 2>It's terrifying. Hold it's really scary. Oh my god.

0:33:40.000 --> 0:33:44.920
<v Speaker 1>Oh I understand, ear fly.

0:33:45.120 --> 0:33:47.719
<v Speaker 2>I cannot believe you have one of those? Does everybody

0:33:47.720 --> 0:33:49.240
<v Speaker 2>who works on the movie get one?

0:33:49.640 --> 0:33:51.480
<v Speaker 3>They wouldn't let me take it, and I stole it.

0:33:51.680 --> 0:33:55.400
<v Speaker 2>You did, te And that's why Scott Poley is a badass.

0:33:55.480 --> 0:33:58.840
<v Speaker 2>He does it. Yeah, he's just a little bit of

0:33:58.840 --> 0:34:01.520
<v Speaker 2>a rebel, Scott.

0:34:01.120 --> 0:34:04.400
<v Speaker 3>They were very protected. They were very protective of it

0:34:04.400 --> 0:34:08.640
<v Speaker 3>because they only had Obviously, they weren't like made, they

0:34:08.680 --> 0:34:09.880
<v Speaker 3>weren't big commercially.

0:34:10.080 --> 0:34:11.600
<v Speaker 1>Right now they're all over the place.

0:34:11.719 --> 0:34:13.640
<v Speaker 3>Yeah, now they're all over the place. But this was

0:34:14.120 --> 0:34:16.799
<v Speaker 3>there special because they're a thicker plastic and they have

0:34:17.080 --> 0:34:21.000
<v Speaker 3>lined the eyeholes extra heavy so when the lights from

0:34:21.040 --> 0:34:24.279
<v Speaker 3>the production couldn't see the eyes through them. So there's

0:34:24.320 --> 0:34:26.960
<v Speaker 3>they're double lined so you can't really see through them.

0:34:27.040 --> 0:34:27.359
<v Speaker 3>Very well.

0:34:27.520 --> 0:34:29.440
<v Speaker 1>Oh man, what a gem.

0:34:29.560 --> 0:34:33.400
<v Speaker 2>You have a gem right there to save forever. Do

0:34:33.480 --> 0:34:34.920
<v Speaker 2>you have anything from Scandal?

0:34:35.280 --> 0:34:37.080
<v Speaker 3>Oh? I'm sure, yes, of course I do. I have

0:34:37.120 --> 0:34:38.280
<v Speaker 3>a ton of stuff from Scandal.

0:34:38.320 --> 0:34:40.520
<v Speaker 2>Did Shonda give you some sort of gift that was

0:34:40.600 --> 0:34:41.480
<v Speaker 2>very Jake Ballard?

0:34:42.080 --> 0:34:45.960
<v Speaker 3>I'm looking here, I have I have this from Scandal.

0:34:47.600 --> 0:34:50.640
<v Speaker 2>Yay, Oh my god, it's a.

0:34:50.600 --> 0:34:51.640
<v Speaker 1>Picture of everyone.

0:34:53.080 --> 0:34:55.080
<v Speaker 3>There's more Scandal shit over there. I have a ton

0:34:55.840 --> 0:35:00.920
<v Speaker 3>of it's just memorabilia. But from Scandal I took I

0:35:01.000 --> 0:35:03.520
<v Speaker 3>bought my entire wardrobe. You know that shit?

0:35:04.040 --> 0:35:07.800
<v Speaker 2>Oh yeah, yeah. Everything was got here that you you

0:35:07.920 --> 0:35:10.000
<v Speaker 2>hads and all this shit that you could use for

0:35:10.040 --> 0:35:12.760
<v Speaker 2>press that had all been tailored exactly to your fucking body.

0:35:12.800 --> 0:35:15.040
<v Speaker 1>They allowed you to take it. I mean to buy it.

0:35:15.320 --> 0:35:18.240
<v Speaker 3>I don't even remember they said when we wrapped, they said,

0:35:18.560 --> 0:35:22.120
<v Speaker 3>ABC would like to gift you with one iconic Scandal

0:35:22.640 --> 0:35:26.040
<v Speaker 3>piece of your wardrobe. And I was like one iconic

0:35:28.480 --> 0:35:31.040
<v Speaker 3>you walk into the we got seven seasons there, one

0:35:31.080 --> 0:35:34.480
<v Speaker 3>hundred plus episodes. You walk in there and there's a

0:35:34.640 --> 0:35:36.799
<v Speaker 3>mile of clothes with Katie.

0:35:36.600 --> 0:35:40.840
<v Speaker 2>Quinn, with gir Mohart to see leather jackets. I'm not

0:35:40.880 --> 0:35:42.959
<v Speaker 2>even kidding one hundred and fifty at least.

0:35:43.440 --> 0:35:46.840
<v Speaker 3>So I and I called I have my Asian call ABC,

0:35:46.960 --> 0:35:48.719
<v Speaker 3>and I said, Scott wants to buy it. It's all

0:35:48.880 --> 0:35:50.719
<v Speaker 3>tailored for him. It has his name on there, his

0:35:50.800 --> 0:35:56.040
<v Speaker 3>character's name, and they're beautiful Gucci suits, Zania suits, Varvado's

0:35:56.080 --> 0:35:58.799
<v Speaker 3>let kids, one hundred pairs of shoes. And I thought like, well,

0:35:58.840 --> 0:36:00.439
<v Speaker 3>if I buy that, I'll never have to buy again.

0:36:00.520 --> 0:36:03.440
<v Speaker 3>And they initially said one hundred thousand dollars. What I

0:36:03.560 --> 0:36:05.839
<v Speaker 3>was like, get I was like, get out of here.

0:36:05.880 --> 0:36:07.719
<v Speaker 3>And then we talked them down to twenty five and

0:36:07.760 --> 0:36:09.560
<v Speaker 3>I was like, you know what, I'm not going to

0:36:09.640 --> 0:36:12.600
<v Speaker 3>do it. And then they said five thousand dollars. You

0:36:12.600 --> 0:36:13.880
<v Speaker 3>can have everything.

0:36:13.520 --> 0:36:14.520
<v Speaker 2>Right worth it.

0:36:14.840 --> 0:36:18.399
<v Speaker 3>So I took two trips in my pickup truck from

0:36:18.480 --> 0:36:20.880
<v Speaker 3>Hidden Hills to Sunset Gower.

0:36:21.239 --> 0:36:25.680
<v Speaker 1>And that's probably the mart thing you freaking did. Dude, Well,

0:36:25.840 --> 0:36:28.120
<v Speaker 1>you have clothes for years, I.

0:36:28.040 --> 0:36:30.920
<v Speaker 3>Have closed I had shoe boxes with the polaroids on

0:36:30.960 --> 0:36:33.240
<v Speaker 3>the outside showing me what's in the box.

0:36:33.440 --> 0:36:37.440
<v Speaker 5>Oh my god, do you wear your all my pants?

0:36:37.600 --> 0:36:39.719
<v Speaker 3>Yeah, but all my pants have little holes in the

0:36:39.719 --> 0:36:40.960
<v Speaker 3>back pocket for my mic.

0:36:41.120 --> 0:36:44.160
<v Speaker 1>Oh yeah care.

0:36:45.400 --> 0:36:53.000
<v Speaker 2>We will be back with more after the break. Talking

0:36:53.000 --> 0:36:55.759
<v Speaker 2>about fashion moment of this episode, you got to go

0:36:55.800 --> 0:37:00.359
<v Speaker 2>to a White House correspondent dinner as Olivia's date, right,

0:37:00.560 --> 0:37:03.279
<v Speaker 2>and she is, oh, yeah, she's looking at him the

0:37:03.280 --> 0:37:06.920
<v Speaker 2>whole time. His joke. Yeah, she betted his jokes. You're

0:37:07.040 --> 0:37:09.360
<v Speaker 2>like such a little bitch baby on her arm. It's terrible.

0:37:09.400 --> 0:37:10.640
<v Speaker 2>I feel so bad for you.

0:37:11.120 --> 0:37:13.160
<v Speaker 3>It fits because I was wearing such a little bitch babe.

0:37:13.160 --> 0:37:15.000
<v Speaker 3>You see how short that jacket was.

0:37:14.480 --> 0:37:15.840
<v Speaker 1>I notice that.

0:37:17.480 --> 0:37:19.239
<v Speaker 2>You're a military what it was?

0:37:20.360 --> 0:37:23.879
<v Speaker 3>It wasn't white, it was military. The dark. So the dresses, yeah,

0:37:23.920 --> 0:37:24.719
<v Speaker 3>the dresses, yo.

0:37:24.800 --> 0:37:27.879
<v Speaker 1>But Carrie's dress, Oh my gosh, when she's walking down

0:37:27.880 --> 0:37:30.480
<v Speaker 1>the hall, when she's walking down the hall, make.

0:37:30.640 --> 0:37:33.920
<v Speaker 2>Her amazing sway. By the way, I wrote too in

0:37:33.960 --> 0:37:36.800
<v Speaker 2>this episode, Olivia Pope has a walk in this episode

0:37:36.840 --> 0:37:39.840
<v Speaker 2>and every episode with so much fucking swag and hip swaying.

0:37:40.239 --> 0:37:43.680
<v Speaker 1>It's incredible, But this walk has extra swag because of

0:37:43.719 --> 0:37:44.320
<v Speaker 1>that dress.

0:37:44.600 --> 0:37:47.839
<v Speaker 3>Well, somehow that dress stays straight, but her shoulders all

0:37:47.880 --> 0:37:50.879
<v Speaker 3>moving it like, it's amazing how that happens. It looks like.

0:37:53.280 --> 0:37:56.360
<v Speaker 2>It though. I wrote hot Scott walking in a cargo

0:37:56.520 --> 0:38:01.839
<v Speaker 2>coat and taken your Chicago coat and.

0:38:01.800 --> 0:38:03.600
<v Speaker 1>A tight T shirt coat.

0:38:03.560 --> 0:38:06.719
<v Speaker 2>Like pectoral muscles, and then B six thirteen comes and

0:38:06.760 --> 0:38:07.120
<v Speaker 2>takes you.

0:38:07.440 --> 0:38:10.839
<v Speaker 1>But that dress looked like she was wearing an origami piece, right,

0:38:10.880 --> 0:38:13.920
<v Speaker 1>it looked like body ogami. But the designer of that

0:38:14.000 --> 0:38:17.360
<v Speaker 1>dress is a dude named Ruben Singer Good, old Ruben

0:38:17.440 --> 0:38:20.360
<v Speaker 1>Singer Good. But yeah, that dresses Singer.

0:38:20.400 --> 0:38:22.680
<v Speaker 2>Okay, wait before we we're going to talk about one

0:38:22.719 --> 0:38:24.080
<v Speaker 2>other thing, and then I know you have to go.

0:38:24.480 --> 0:38:27.400
<v Speaker 2>Was there any eating in this episode? Jake Ballard offers

0:38:27.400 --> 0:38:30.919
<v Speaker 2>to take Olivia for burgers. Lots of wine was drank

0:38:30.960 --> 0:38:32.800
<v Speaker 2>at the dinner, but not a single person on Scream

0:38:32.880 --> 0:38:33.720
<v Speaker 2>takes a bite of anything.

0:38:33.800 --> 0:38:34.120
<v Speaker 1>Fuck that.

0:38:34.280 --> 0:38:36.759
<v Speaker 2>We love it's our favorite thing.

0:38:36.800 --> 0:38:40.080
<v Speaker 3>Ever, I'll tell you something. You guys have to know

0:38:40.440 --> 0:38:44.000
<v Speaker 3>that anytime there's a scene that calls for eating, do

0:38:44.200 --> 0:38:47.680
<v Speaker 3>not eat. I learned that very early on in my

0:38:47.800 --> 0:38:50.320
<v Speaker 3>career doing a scene. It was either in Dawson s

0:38:50.320 --> 0:38:52.200
<v Speaker 3>Creak or Felicity where I was eating cereal and they

0:38:52.200 --> 0:38:54.560
<v Speaker 3>asked me what kind of cereal they wanted? Cereal I want,

0:38:54.560 --> 0:38:56.719
<v Speaker 3>and I was like, Captain crunch. Come on, what do

0:38:56.760 --> 0:38:58.319
<v Speaker 3>you mean? What kind of cereal do I want? Love

0:38:58.360 --> 0:39:02.200
<v Speaker 3>Captain and I The first two bowls were great. You

0:39:02.280 --> 0:39:05.440
<v Speaker 3>do nine ten takes different angles. I threw up. I

0:39:05.480 --> 0:39:07.680
<v Speaker 3>don't know four or five times. You can't eat Captain

0:39:07.719 --> 0:39:08.320
<v Speaker 3>Crunch anymore.

0:39:09.200 --> 0:39:10.680
<v Speaker 1>You can't eat Captain Crunch anymore.

0:39:11.360 --> 0:39:15.520
<v Speaker 6>You don't don't eat look like it, pick it up,

0:39:16.360 --> 0:39:19.880
<v Speaker 6>pick the fore cup, put it down, talk, look around,

0:39:20.160 --> 0:39:22.680
<v Speaker 6>think about it, move it around on your plate, cut it,

0:39:23.040 --> 0:39:24.600
<v Speaker 6>get it, get out of here.

0:39:25.120 --> 0:39:27.640
<v Speaker 1>I hear you, Scott, I hear you. But but listen,

0:39:27.680 --> 0:39:31.239
<v Speaker 1>man watching a show. I love Gilmore Girls and those

0:39:31.320 --> 0:39:37.960
<v Speaker 1>two women listen. They're lovely actresses. Their whole relationship revolves

0:39:38.000 --> 0:39:42.760
<v Speaker 1>around loving food. And those two don't take one bite

0:39:42.840 --> 0:39:46.080
<v Speaker 1>of anything, and it's so frustrating. Their cups of coffee

0:39:46.120 --> 0:39:48.400
<v Speaker 1>are like they're handling them like there's nothing in them.

0:39:48.600 --> 0:39:50.759
<v Speaker 3>Like you can't do it. Gee, you can't do it

0:39:51.160 --> 0:39:52.239
<v Speaker 3>because you're not.

0:39:52.120 --> 0:39:54.120
<v Speaker 1>Your shooting And I guess thing you have to keep doing.

0:39:54.200 --> 0:39:56.600
<v Speaker 3>Yeah, you're shooting it from straight on and then this

0:39:56.920 --> 0:39:58.279
<v Speaker 3>angle and then that angle, and you got to do

0:39:58.320 --> 0:40:01.200
<v Speaker 3>it at the exact same time every time to match,

0:40:01.760 --> 0:40:03.760
<v Speaker 3>because you know the script. He comes in and yells

0:40:03.760 --> 0:40:04.600
<v Speaker 3>at you. Yes.

0:40:04.680 --> 0:40:07.520
<v Speaker 1>I remember Greg Henry had to eat jalapeno poppers in

0:40:07.560 --> 0:40:11.279
<v Speaker 1>a scene on Scandal in Oba and he was regretting it,

0:40:11.400 --> 0:40:13.319
<v Speaker 1>same thing you were saying, Scott, and he said he

0:40:13.360 --> 0:40:15.760
<v Speaker 1>thought he was gonna he was so nauseous and bummed

0:40:15.800 --> 0:40:17.160
<v Speaker 1>that he had to eat all that stuff. So I

0:40:17.160 --> 0:40:17.480
<v Speaker 1>get it.

0:40:17.640 --> 0:40:19.759
<v Speaker 3>And if you do, there are times where you do

0:40:19.840 --> 0:40:22.120
<v Speaker 3>have like it calls for, you know, like, oh, they

0:40:22.200 --> 0:40:25.440
<v Speaker 3>sensuously eat whatever it is. There's a spit bucket right

0:40:25.440 --> 0:40:27.480
<v Speaker 3>next to you. Don't sallow that. Get rid of it.

0:40:27.719 --> 0:40:30.319
<v Speaker 2>Yeah, by the way it goes also not only with eating,

0:40:30.400 --> 0:40:32.600
<v Speaker 2>but was smoking because Adam did a finch your movie

0:40:32.680 --> 0:40:35.759
<v Speaker 2>where they were smoking cigars and I said, listen to me,

0:40:36.200 --> 0:40:39.879
<v Speaker 2>got it, roll it, smell it, whatever, don't you dare

0:40:39.960 --> 0:40:41.920
<v Speaker 2>take a puff? And with him he does one hundred

0:40:41.920 --> 0:40:46.040
<v Speaker 2>and fifty takes. Everybody was puking. It was really bad. Okay, wait,

0:40:46.080 --> 0:40:49.160
<v Speaker 2>before we let you go, we've got some tweets of

0:40:49.200 --> 0:40:52.799
<v Speaker 2>the time for this episode. I hope this is one

0:40:52.800 --> 0:40:56.080
<v Speaker 2>of those times where people were writing mean, mean tweets

0:40:56.080 --> 0:40:56.760
<v Speaker 2>about I.

0:40:56.680 --> 0:40:59.080
<v Speaker 1>Hope I want. Yeah, the meaner the better.

0:40:59.520 --> 0:41:03.399
<v Speaker 2>I feel like sometimes Quinn too. Sometimes the tweets were

0:41:03.520 --> 0:41:04.520
<v Speaker 2>death threats to Quinn.

0:41:04.800 --> 0:41:05.520
<v Speaker 1>Yeah, we don't want that.

0:41:05.680 --> 0:41:08.000
<v Speaker 2>If she was if she was ever against Olivia, it

0:41:08.040 --> 0:41:10.360
<v Speaker 2>was death threats. So I am sure when Olivia was

0:41:10.400 --> 0:41:12.720
<v Speaker 2>going with Jake and not with Fits, I'm sure. Scott

0:41:12.760 --> 0:41:15.600
<v Speaker 2>Foley's Twitter timeline was filled with some.

0:41:15.560 --> 0:41:21.800
<v Speaker 1>Hate Guillermo at Guillermo mke come on now. He tweets

0:41:21.840 --> 0:41:24.960
<v Speaker 1>a picture of himself dressed as homeless Huck and it

0:41:25.000 --> 0:41:30.160
<v Speaker 1>says not hagrid tribute to Guillermo Diaz hashtag homeless Huck

0:41:30.200 --> 0:41:35.720
<v Speaker 1>from Scandal, hashtag happy Halloween at Carrie Washington's protector. Oh

0:41:35.840 --> 0:41:36.720
<v Speaker 1>that's a dope picture.

0:41:37.480 --> 0:41:38.960
<v Speaker 2>It's a joke picture.

0:41:39.440 --> 0:41:40.000
<v Speaker 1>Oh.

0:41:40.200 --> 0:41:43.040
<v Speaker 2>This was also really cool. It was this episode aired

0:41:43.080 --> 0:41:45.839
<v Speaker 2>on Halloween, so there's so many people, that's right, Yeah,

0:41:46.480 --> 0:41:49.480
<v Speaker 2>as our characters for Halloween, Like we have full tweets

0:41:50.040 --> 0:41:54.439
<v Speaker 2>of different offices that were copying like their whole group.

0:41:54.520 --> 0:41:56.799
<v Speaker 2>Like somebody was Olivia Pope, someone was somebody was Quinn,

0:41:56.880 --> 0:42:00.759
<v Speaker 2>somebody was Darby Abby so fucking I love all of

0:42:00.800 --> 0:42:02.040
<v Speaker 2>you gladiators for doing that.

0:42:02.239 --> 0:42:06.440
<v Speaker 1>This other one. Listen at Mary Howard, our own Mary

0:42:06.480 --> 0:42:09.520
<v Speaker 1>Howard at Mary Eats, that's her handle. She tweets that

0:42:09.880 --> 0:42:12.640
<v Speaker 1>just another day at hashtag Scandal production meeting episode three

0:42:12.760 --> 0:42:16.000
<v Speaker 1>ten with director Tom Verica and first ad Jeremiah, and

0:42:16.160 --> 0:42:20.280
<v Speaker 1>Jeremiah is dressed as Homeless Hawk as well. He was amazing.

0:42:20.320 --> 0:42:21.640
<v Speaker 1>I remember that day we.

0:42:21.680 --> 0:42:23.799
<v Speaker 2>Used to have on Halloween when we would shoot every year,

0:42:23.800 --> 0:42:26.839
<v Speaker 2>we would have a costume contest, yes, where people dress

0:42:27.000 --> 0:42:29.239
<v Speaker 2>up and you would get a contest and I think

0:42:29.239 --> 0:42:32.160
<v Speaker 2>the winner got like either cash or something really fun.

0:42:32.480 --> 0:42:35.360
<v Speaker 2>So obviously Jeremiah dressed up as Homeless Hawk covered in

0:42:35.440 --> 0:42:40.480
<v Speaker 2>blood with like a huge hagrid Wig on yes at

0:42:40.560 --> 0:42:44.200
<v Speaker 2>OsO brand New tweeted, oh its phone conversations just got

0:42:44.239 --> 0:42:47.200
<v Speaker 2>to better and better, Like I live for those moments lol.

0:42:47.239 --> 0:42:49.400
<v Speaker 2>Hashtag scandal, oh shit.

0:42:49.560 --> 0:42:53.040
<v Speaker 1>At Tara Thomas tweeted the show Scandal is doing nothing

0:42:53.080 --> 0:42:58.120
<v Speaker 1>but giving side chicks confidence and boldness hashtag sad. There's

0:42:58.160 --> 0:43:01.439
<v Speaker 1>a mean one. There's a man. She's like, why y'all

0:43:01.600 --> 0:43:04.200
<v Speaker 1>shining the light on all these side chicks? That's sad.

0:43:04.640 --> 0:43:06.720
<v Speaker 1>Now I get a girl. I get it, but listen,

0:43:06.800 --> 0:43:09.759
<v Speaker 1>sometimes that side piece sometimes you need that piece.

0:43:10.120 --> 0:43:13.080
<v Speaker 2>Yes, we do sometimes sometimes I haven't had a side

0:43:13.080 --> 0:43:15.600
<v Speaker 2>piece in so long, but it sounds fun. At Jimo

0:43:15.680 --> 0:43:18.120
<v Speaker 2>and Williams, at Bellamy Young and at Carrie Washington are

0:43:18.160 --> 0:43:23.480
<v Speaker 2>acting titans. The Presidential Suite scene was delicious, great work, ladies.

0:43:23.520 --> 0:43:26.360
<v Speaker 2>Hashtag scandal that scene. We didn't mention it with Scott,

0:43:26.400 --> 0:43:30.279
<v Speaker 2>but it was amazing. That's when Olivia is leaving the

0:43:30.320 --> 0:43:32.799
<v Speaker 2>White House correspondence dinner and she's walking to the Presidential Suite.

0:43:32.920 --> 0:43:34.640
<v Speaker 2>I think she's going to see Fits. She thinks they're

0:43:34.640 --> 0:43:36.120
<v Speaker 2>going to have a late night hook up. And guess

0:43:36.120 --> 0:43:39.839
<v Speaker 2>who's waiting for her there, Nellie, and she's come back

0:43:39.880 --> 0:43:41.160
<v Speaker 2>to the White House. We need you.

0:43:41.760 --> 0:43:44.200
<v Speaker 1>I don't care if you're having sex with my husband.

0:43:44.600 --> 0:43:45.439
<v Speaker 1>We need you back.

0:43:45.560 --> 0:43:45.799
<v Speaker 6>Yeah.

0:43:45.880 --> 0:43:46.080
<v Speaker 3>Yes.

0:43:46.480 --> 0:43:49.359
<v Speaker 2>Is there anything that all the gladiators can tune into

0:43:49.600 --> 0:43:52.200
<v Speaker 2>to see all the fancy shit you're currently doing?

0:43:52.520 --> 0:43:54.480
<v Speaker 3>Yes, Oh my goodness, one of your shows is.

0:43:54.400 --> 0:43:54.920
<v Speaker 2>Coming out now?

0:43:55.000 --> 0:43:55.239
<v Speaker 3>Yeah?

0:43:55.360 --> 0:43:58.000
<v Speaker 2>Tell us where we can watch our beloved Jake Ballard

0:43:58.040 --> 0:43:58.799
<v Speaker 2>play something else?

0:43:59.040 --> 0:43:59.640
<v Speaker 1>I do.

0:43:59.719 --> 0:44:02.000
<v Speaker 3>I have a show called the called The Girls on

0:44:02.040 --> 0:44:05.000
<v Speaker 3>the Bus. It's going to be an HBO Max March fourteenth.

0:44:05.080 --> 0:44:08.759
<v Speaker 3>I have been able to see all ten episodes. They

0:44:09.080 --> 0:44:11.080
<v Speaker 3>sent them to me to screen. I'm not one of

0:44:11.120 --> 0:44:13.160
<v Speaker 3>the girls on the bus, so I was like, see

0:44:13.200 --> 0:44:14.879
<v Speaker 3>how it is. I don't know. I did. A friend

0:44:14.880 --> 0:44:17.040
<v Speaker 3>of mine is the show runner, so I was like, yeah, dude,

0:44:17.040 --> 0:44:19.920
<v Speaker 3>it looks like fun. I get to play a presidential hopeful.

0:44:19.960 --> 0:44:21.520
<v Speaker 3>So I was like, maybe I can get to be

0:44:21.600 --> 0:44:27.160
<v Speaker 3>more like Tony Goldwin. Right. But it's so good, you guys,

0:44:27.160 --> 0:44:29.799
<v Speaker 3>this show is so so good.

0:44:29.960 --> 0:44:32.120
<v Speaker 2>Wait to watch it. It's I feel like it's right

0:44:32.239 --> 0:44:35.120
<v Speaker 2>up my bully Max Max.

0:44:35.400 --> 0:44:37.560
<v Speaker 3>Okay, it's not HBO Max anymore. It's just Max.

0:44:37.600 --> 0:44:39.560
<v Speaker 1>Max's on the bus.

0:44:40.080 --> 0:44:41.799
<v Speaker 3>It's girls on the bus. Huge.

0:44:41.880 --> 0:44:43.279
<v Speaker 2>I love you. I'm going to text you.

0:44:43.320 --> 0:44:45.879
<v Speaker 1>Thank you so much, so much, Scott, thank you so much.

0:44:45.960 --> 0:44:48.560
<v Speaker 1>This was awesome. In honor of Scott, fully, I'm about

0:44:48.640 --> 0:44:51.479
<v Speaker 1>to go poop right after we wrap this episode because

0:44:51.520 --> 0:44:55.080
<v Speaker 1>I really got to go. Thanks, she so in homage

0:44:55.120 --> 0:44:56.359
<v Speaker 1>to him.

0:44:56.480 --> 0:45:01.319
<v Speaker 2>Next up, episode three oh six, titled it peace Out.

0:45:01.320 --> 0:45:06.719
<v Speaker 2>Glad you guys body.

0:45:07.680 --> 0:45:11.080
<v Speaker 1>Thank you guys for joining us on Unpacking the Toolbox.

0:45:11.400 --> 0:45:14.320
<v Speaker 1>If you enjoyed the show, please subscribe, share with your friends,

0:45:14.760 --> 0:45:16.080
<v Speaker 1>rate or leave us a review.

0:45:16.239 --> 0:45:20.160
<v Speaker 2>Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

0:45:20.480 --> 0:45:24.239
<v Speaker 2>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:45:24.320 --> 0:45:27.080
<v Speaker 2>Vince de Johnny, with music by Chad Fisher.

0:45:27.320 --> 0:45:30.279
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:45:30.280 --> 0:45:32.560
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:45:32.760 --> 0:45:35.160
<v Speaker 2>Unpacking the Toolbox is a production of Shondaland Audio in

0:45:35.200 --> 0:45:39.520
<v Speaker 2>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:45:39.560 --> 0:45:47.920
<v Speaker 2>the iHeartRadio app or anywhere you subscribe to your favorite shows.