WEBVTT - Bringing Sexy Back ("Sexy" S2 E15)

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what you really missed podcast Feeling

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<v Speaker 1>Sassy Today.

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<v Speaker 2>I'm Jenna, I'm Kevin. It's good feeling sassy because we're

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<v Speaker 2>getting sexy today.

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<v Speaker 1>We are are one of our favorites. Gwyneth Paltrow is

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<v Speaker 1>back Holly Holiday and she's.

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<v Speaker 2>Being extra extra Holly Holiday e this episode. She's so

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<v Speaker 2>good and so funny and in a good way. I

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<v Speaker 2>don't remember a lot of this episode, probably because, as

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<v Speaker 2>we've discovered, if we don't have a lot to do

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<v Speaker 2>in it, we don't remember remember anything.

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<v Speaker 1>We're probably prepping for original song exactly.

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<v Speaker 2>So I was laffing my ass off. I really enjoyed

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<v Speaker 2>myself as a fan and really liked this episode.

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<v Speaker 1>Yes, agreed, agreed, agreed. It was different. I mean not different.

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<v Speaker 1>That's not a right word. It's not the right word,

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<v Speaker 1>but it was. It was like one of those very

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<v Speaker 1>insular high school stakes are high high school kind of

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<v Speaker 1>thing episode.

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<v Speaker 2>As I was watching it because I missed two directed

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<v Speaker 2>it and probably being a bad person looking at my

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<v Speaker 2>phone and the whole time is like, this feels like

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<v Speaker 2>a Ryan episode Everyone's a Little Loose, you know, Yeah, yeah, yeah,

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<v Speaker 2>lo and Behold, directed by Ryan Murphy.

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<v Speaker 1>I think he came back for Gwenna.

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<v Speaker 2>Of course he did. You gotta you need that those

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<v Speaker 2>extra hands for the Oscar winners. That's right, sweetest touch,

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<v Speaker 2>She's so good.

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<v Speaker 1>Yeah.

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<v Speaker 2>This was season two episode fifteen Sexy. It originally aired

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<v Speaker 2>on March eighth, twoy eleven.

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<v Speaker 1>Wow Wow So Born This Way by Lady Gaga is

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<v Speaker 1>still number one on the chart. Obviously, we have a

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<v Speaker 1>new movie again, Rango, starring Johnny Depp, who the Chameleon.

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<v Speaker 1>I didn't see it, but I remember this movie.

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<v Speaker 2>I don't remember if I saw it. I don't know

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<v Speaker 2>if that's a good sign.

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<v Speaker 1>I didn't see it. Again, I've yet to find a

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<v Speaker 1>movie that has is number one during this span that

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<v Speaker 1>I have seen.

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<v Speaker 2>There was no Barbenheimer happening.

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<v Speaker 1>You know, remember that's right. Glee News Kevin, this is fun.

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<v Speaker 1>On March eighth, which is the day that Sexy premiered, Kevin, Cord, Harry,

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<v Speaker 1>and Darren appeared in teen Votes the Boys of Glee

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<v Speaker 1>prom guide. I like how they called you the boys,

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<v Speaker 1>that's right, not the men of Glee. The boys we

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<v Speaker 1>were playing young teens. It's a very cute spread.

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<v Speaker 2>It's a very cute spread. But the story behind it is,

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<v Speaker 2>Oh that we were in Vegas the night before. The

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<v Speaker 2>shoot was on a Sunday.

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<v Speaker 1>This is the one.

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<v Speaker 2>This is the one.

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<v Speaker 1>Oh my god, Yeah.

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<v Speaker 2>Naya had her birthday in Vegas. We were in Vegas.

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<v Speaker 2>I believe I roomed with Cord. His call time was

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<v Speaker 2>a couple hours earlier than mine for this. Oh and

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<v Speaker 2>so I remember he had to get up and go

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<v Speaker 2>we we're up pretty late.

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<v Speaker 1>Yeah. Yeah. Well also, okay, Nica's birthday. This was probably

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<v Speaker 1>the second or third time she had done a Vegas party. Yes, right,

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<v Speaker 1>for her birthday. We all go very very fun. This one.

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<v Speaker 1>You showed up. We called you the tiniest billionaire because

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<v Speaker 1>you looked like a thousand, a million bucks, a million bucks,

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<v Speaker 1>a billion bucks if you will, in a navy suit.

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<v Speaker 1>You show up to Vegas off the flight with only

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<v Speaker 1>a toothbrush. Did you a phone charger and a phone charger?

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<v Speaker 1>That's it, that's all you brought, because literally you were

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<v Speaker 1>there for less than twenty four hours. Yeah, and then

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<v Speaker 1>you flew and went. Did you go straight to this

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<v Speaker 1>photo shoot?

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<v Speaker 2>I don't remember.

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<v Speaker 1>I feel like you probably did.

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<v Speaker 2>I might have.

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<v Speaker 1>I might have. Did you choose the sunglasses in the

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<v Speaker 1>spread to blur out the bags? I was fine, you know,

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<v Speaker 1>like it was amazing, totally fine.

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<v Speaker 2>They beat our face, so like it was all right.

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<v Speaker 2>I don't remember. I think when I was getting their

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<v Speaker 2>quarters wrapping up and he was dying because I got

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<v Speaker 2>a couple of extra hours of sleep, so you know,

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<v Speaker 2>I was, yeah, all right, it's a quick flight for Vegas.

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<v Speaker 2>But we were that's a story behind this. We were struggling.

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<v Speaker 1>Oh man, well you look great. I never would have known.

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<v Speaker 2>But the only time I get to be in teen

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<v Speaker 2>Vogue associated with the word vogue, and I show up.

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<v Speaker 1>I mean I subscribed to teen Vogue back in the

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<v Speaker 1>day when there were magazines.

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<v Speaker 2>I felt very fancy and honestly very insecure, because you guys,

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<v Speaker 2>you know, I'm not the most Cord is a beautiful,

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<v Speaker 2>beautiful man. He's got a model face, and I am

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<v Speaker 2>five to seven. No no clothes ever fit me. I

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<v Speaker 2>think I'm wearing my own pants in this.

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<v Speaker 1>Are you wearing the pants from Vegas? No? I am

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<v Speaker 1>sure you're wearing this from Vegas.

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<v Speaker 2>I don't know, but I think those are my pants

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<v Speaker 2>and nothing ever fit me.

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<v Speaker 1>But look, Kevin, you're a beautiful inside and out, So

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<v Speaker 1>don't carry yourself to Cord or anybody else. You belong

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<v Speaker 1>in teen Vogue as much as the other guys do

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<v Speaker 1>or did.

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<v Speaker 2>Thank you very much, You're welcome.

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<v Speaker 1>You are beautiful, as Christina Aguilar.

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<v Speaker 2>It's really weird because you show up on those things

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<v Speaker 2>like well, we did Vogue, and you just feel like

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<v Speaker 2>these are fashion photographers. They work with a lot of

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<v Speaker 2>big models and things, and you just sort of feel like,

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<v Speaker 2>are they laughing at me? That's how I felt like.

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<v Speaker 2>You're like, oh god, this is who we're shooting today.

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<v Speaker 2>Not Naomi Campbell, We're shooting this kid from.

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<v Speaker 1>Kelly You're it was Glee.

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<v Speaker 2>You are, yeah, But you know it's like, even as

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<v Speaker 2>you're in the height of your the popularity of this thing,

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<v Speaker 2>you're on, sure those thoughts are happening, because you know, we.

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<v Speaker 1>All feel like we have we all have imposter syndrome

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<v Speaker 1>and some oh my god, totally decibel of some more

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<v Speaker 1>than others. Hello, that's right, So well you look great.

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<v Speaker 1>Also on March eighth, Kevin the Glee the Music volume

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<v Speaker 1>Vive was released already and it had sixteen tracks from

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<v Speaker 1>season two, including the original songs get It Right and

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<v Speaker 1>Lose Her Like Me pre the premiere of original song

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<v Speaker 1>the episode Okay, Ryan directed this episode. What songs were

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<v Speaker 1>in this Okay?

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<v Speaker 2>The songs were do You Want to Touch Me? Oh Yeah, Animal, Kiss, Landside,

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<v Speaker 2>Afternoon Delight. It's a really great mix of great songs.

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<v Speaker 1>It's variety variety show it is.

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<v Speaker 2>And also like Gwyneth is singing, say she's really singing

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<v Speaker 2>this episode.

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<v Speaker 1>She was in a lot of stuff with this episode.

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<v Speaker 2>Yeah, she was the really it was like the last

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<v Speaker 2>episode she was in testing out out what she's down

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<v Speaker 2>for her abilities, capabilities and they're like, oh you can

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<v Speaker 2>do everything and anything.

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<v Speaker 1>Okay, she's down to like do it totally down Yeah yeah,

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<v Speaker 1>uh okay. What is the episode summary? What what's going on?

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<v Speaker 2>Holly Holliday is back at McKinley. She's sebbing for the

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<v Speaker 2>health and wellness teacher recipefore Disaster or Success, where she

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<v Speaker 2>discovers the glee club's ignorance when it comes to sex. Naturally,

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<v Speaker 2>Will and Holly decide to educate the kids through song. Meanwhile, Emma,

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<v Speaker 2>Santana and Kurt are all struggling with her own sexuality

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<v Speaker 2>in different ways. Plus the Celibacy Club. Remember that welcomes

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<v Speaker 2>some unlikely recruits. Okay, fun some fun facts here, Kevin

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<v Speaker 2>about that. There's a lot of fun facts. I know.

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<v Speaker 1>Stevie Nicks came by the Icon Legend herself, Steve, she

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<v Speaker 1>sure did. She can't visit When Gwynneth was doing Landslide,

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<v Speaker 1>which is even more crazy, It's just wild. Gwyneth last

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<v Speaker 1>minute was asked by Ryan if she could play the

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<v Speaker 1>guitar on Landslide day of so she went into her

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<v Speaker 1>trailer and learned it.

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<v Speaker 2>And then Stevie Nick shows up and is watching her

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<v Speaker 2>do this. Can you imagine what if like like.

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<v Speaker 1>A super super famous bass player came and watch you

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<v Speaker 1>do don't stop, no.

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<v Speaker 2>No, none of that. Stevie Nicks came in there and

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<v Speaker 2>there's there's a behind the scenes video of this episode,

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<v Speaker 2>and you see you're hugging all of us. She comes in,

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<v Speaker 2>she talks to us. That's when she called us all

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<v Speaker 2>of her kids. Yes, and she actually we should have

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<v Speaker 2>mentioned this Sterrick Springfield. But she then looks at It's like, oh,

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<v Speaker 2>you're the Jesse's girl. Guy. That was like the first

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<v Speaker 2>thing I saw, and because you did it so well,

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<v Speaker 2>that made me like the show. And Corey's like, this

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<v Speaker 2>is maybe the greatest moment of my life. Yeah, understandably,

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<v Speaker 2>do you remember all of that her being there?

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<v Speaker 1>And I don't remember the Jesse Girl story for Corey,

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<v Speaker 1>but I do remember her being there, and I just

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<v Speaker 1>remember her being like gobsmacked by the fact that she

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<v Speaker 1>was there. Like we had a million other, you know,

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<v Speaker 1>wildly talented, famous friends that we got to come in,

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<v Speaker 1>but nobody likes Stevie Nix. I mean, she's one of

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<v Speaker 1>our kind. And I just I was definitely starstruck and

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<v Speaker 1>definitely taken a back much more than of the other

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<v Speaker 1>guest stars we had.

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<v Speaker 2>And also it's like we didn't hardly ever get to

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<v Speaker 2>meet the musical artists that we covered on the show, right,

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<v Speaker 2>I mean, she was there as we're doing the song.

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<v Speaker 2>And it's also a weird thing too, like she's coming

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<v Speaker 2>to our place of work, like she came to see

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<v Speaker 2>us as a collective, the cast, the crew Ryan probably.

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<v Speaker 1>Mostly right exactly.

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<v Speaker 2>She's coming to see us like do our thing, and like,

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<v Speaker 2>thank god I wasn't in this number.

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<v Speaker 1>I was thinking that like Landslide one of the most

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<v Speaker 1>popular famous songs in my world and in a lot

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<v Speaker 1>of people's world. Yeah, truly, and she's coming to watch

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<v Speaker 1>Gwynean Paltrow perform. But what world do we live in?

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<v Speaker 2>Thank god? It was a great version.

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<v Speaker 1>It was a really good version. I don't think. I

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<v Speaker 1>don't let it not be a good version.

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<v Speaker 2>That's true. It's nobody would everybody That song is precious

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<v Speaker 2>to everyone.

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<v Speaker 1>Yes, definitely. Okay, should we get into a sex say.

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<v Speaker 2>Yeah, I mean, you know we're talking about landslide, So.

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<v Speaker 1>Do you want to talk about it?

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<v Speaker 2>I want to talk about it, okay, because I did not.

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<v Speaker 2>I've been waiting for the Santana Brittany love affair to

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<v Speaker 2>seriously begin. I didn't remember exactly where it happened, and

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<v Speaker 2>there's obviously been sort of little clues sprinkled in up

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<v Speaker 2>until now. But every episode I'm like, is it now?

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<v Speaker 2>Is it now? Like feeling like it's jump rope, and

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<v Speaker 2>then all of a sudden, here we are.

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<v Speaker 1>Yeah.

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<v Speaker 2>It takes a serious turn out of nowhere, and it's incredible.

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<v Speaker 1>It does. I attach their relationships starting to landslide. So

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<v Speaker 1>in my mind, I didn't know when I remember when

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<v Speaker 1>Landslide came, but I knew that's when it was so

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<v Speaker 1>exactly landslide is the number, is the is the churning point.

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<v Speaker 1>What a what a wonderful relationship? Like obviously we have

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<v Speaker 1>curtain Kurt and Blaine also happening shortly, but man like that.

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<v Speaker 1>The Santana and Brittany fandom is so massive and it

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<v Speaker 1>was there was obviously a need for it, or a

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<v Speaker 1>desire for those two to be represented, you know, and

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<v Speaker 1>or representing the people who were watching.

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<v Speaker 2>And I think watching the progression of their friendship into romance,

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<v Speaker 2>I think is also why where the turn and the

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<v Speaker 2>justification for why Santana has been the way she is.

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<v Speaker 2>And having Naya deliver that monologue at the locker of

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<v Speaker 2>how she's just so angry and scared, Yeah, makes so

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<v Speaker 2>much sense and completely explains the past season and a

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<v Speaker 2>half of her behavior, like she's so smart, but she

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<v Speaker 2>can be so cruel really quickly, and all of a

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<v Speaker 2>sudden you have her needing. And I think Nia's performance

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<v Speaker 2>was this of that thing that is not explicitly written right,

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<v Speaker 2>and that the subtext of her performance of there's this

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<v Speaker 2>thing that needs to get out. She's bubbling and she's

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<v Speaker 2>trying to talk to Brittany, but it's sort of like

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<v Speaker 2>talking at a wall, and even she doesn't know how

0:14:38.880 --> 0:14:42.760
<v Speaker 2>to identify it. That's how like buried it is, right,

0:14:42.800 --> 0:14:44.800
<v Speaker 2>And I just think this whole storyline, how it started,

0:14:44.840 --> 0:14:51.920
<v Speaker 2>was written so beautifully, and also having someone like Holly Holliday,

0:14:52.000 --> 0:14:55.920
<v Speaker 2>who that's best case scenario. If you're coming out or

0:14:56.000 --> 0:15:00.440
<v Speaker 2>questioning something, you have somebody, an adult like that, or

0:15:00.480 --> 0:15:03.640
<v Speaker 2>anybody in your life who can casually talk about any

0:15:03.720 --> 0:15:06.200
<v Speaker 2>of these things like it's not a big deal because it's.

0:15:06.080 --> 0:15:11.720
<v Speaker 1>Me, and do more of that normalizing.

0:15:12.800 --> 0:15:14.320
<v Speaker 2>And it's like a lot of the teachers on the

0:15:14.360 --> 0:15:18.440
<v Speaker 2>show walk the line of like is this right okay

0:15:18.880 --> 0:15:22.600
<v Speaker 2>or not? Like are you crossing a line? And Holiday,

0:15:23.000 --> 0:15:28.840
<v Speaker 2>Holly Holiday, is no exception to that. But she does

0:15:28.920 --> 0:15:30.400
<v Speaker 2>it in a way in that scene where it's the

0:15:30.440 --> 0:15:32.160
<v Speaker 2>three of them, you know, having a little come to

0:15:32.240 --> 0:15:37.360
<v Speaker 2>Jesus moment sitting there like why are you sitting at

0:15:37.360 --> 0:15:42.800
<v Speaker 2>that because we're in Japan. No, I'm just kidding. I

0:15:42.840 --> 0:15:47.080
<v Speaker 2>think I was almost just I knew it was coming,

0:15:47.080 --> 0:15:49.680
<v Speaker 2>and I was still surprised by it because it was

0:15:49.720 --> 0:15:53.600
<v Speaker 2>so delicate, which is so the opposite of Santana.

0:15:53.840 --> 0:15:56.440
<v Speaker 1>It just reminds me of Susilvaster when they punch you

0:15:56.480 --> 0:15:58.960
<v Speaker 1>in the gut with those storylines with her and her sister,

0:16:00.120 --> 0:16:05.000
<v Speaker 1>Like there's there's something going on underneath the layers of

0:16:05.120 --> 0:16:12.080
<v Speaker 1>anger and humor and guarded a guarded wall, and you

0:16:12.120 --> 0:16:14.400
<v Speaker 1>know that's that's under there, and there's a reason why

0:16:14.440 --> 0:16:17.160
<v Speaker 1>people put their guard up and why they choose humor

0:16:17.240 --> 0:16:24.080
<v Speaker 1>and why they choose to be so angry that Glee,

0:16:24.440 --> 0:16:28.480
<v Speaker 1>you know, did so beautifully in specific characters.

0:16:29.240 --> 0:16:32.920
<v Speaker 2>Right, specific characters, specific scenes, Yeah, and.

0:16:33.800 --> 0:16:39.600
<v Speaker 1>Specific storylines that you know obviously needed that care and

0:16:40.120 --> 0:16:44.360
<v Speaker 1>attention to detail, I guess. But I'm curious if Brittany

0:16:44.400 --> 0:16:47.600
<v Speaker 1>and Santana were always put like in the plan. I

0:16:47.600 --> 0:16:49.560
<v Speaker 1>don't feel like they were, And I feel like this

0:16:49.720 --> 0:16:54.120
<v Speaker 1>was something that they listened to the audience about. But

0:16:54.360 --> 0:16:56.600
<v Speaker 1>I'm I'm curious, and I feel like we need to

0:16:56.960 --> 0:16:57.920
<v Speaker 1>text somebody and else.

0:16:58.160 --> 0:17:01.120
<v Speaker 2>Yeah, I don't think. I don't think it was. I

0:17:01.160 --> 0:17:05.399
<v Speaker 2>think that just happened m organically. And I also think

0:17:06.119 --> 0:17:11.040
<v Speaker 2>how they set it up to where it's immediately sort

0:17:11.080 --> 0:17:19.960
<v Speaker 2>of unrequited love, where you're also Brittany is not leaving Artie, right,

0:17:22.440 --> 0:17:27.760
<v Speaker 2>but she's also down to be with Santana where it's

0:17:27.760 --> 0:17:31.480
<v Speaker 2>sort of like she's not saying no, right, she's.

0:17:31.280 --> 0:17:33.040
<v Speaker 1>Just into somebody else right now as.

0:17:32.960 --> 0:17:40.359
<v Speaker 2>Well versus and it's really important to where Santanna's like,

0:17:40.400 --> 0:17:42.680
<v Speaker 2>do you get what I'm trying to say here? And

0:17:42.920 --> 0:17:44.760
<v Speaker 2>Brittany's like no.

0:17:47.119 --> 0:17:48.760
<v Speaker 1>It's so honest though.

0:17:50.359 --> 0:17:57.080
<v Speaker 2>Because you're having on network television this character spell this

0:17:57.200 --> 0:18:01.960
<v Speaker 2>out right for everybody to see, a character that everybody

0:18:02.000 --> 0:18:05.520
<v Speaker 2>has fallen in love with, and now all of a sudden,

0:18:05.600 --> 0:18:07.480
<v Speaker 2>you're adding this whole new thing. It's like real life,

0:18:07.560 --> 0:18:10.960
<v Speaker 2>you find out something out about somebody and it's like,

0:18:11.240 --> 0:18:12.840
<v Speaker 2>are you still going to treat them the same way

0:18:12.880 --> 0:18:15.639
<v Speaker 2>and think about them in the same way? And as

0:18:15.680 --> 0:18:18.879
<v Speaker 2>a viewer now you sort of have You're put in

0:18:18.920 --> 0:18:23.080
<v Speaker 2>this position of like, well, why would I change my mind?

0:18:24.080 --> 0:18:26.480
<v Speaker 2>And that's why I sort of think I don't think

0:18:26.520 --> 0:18:31.520
<v Speaker 2>it was planned because I think right Ryan saw the

0:18:31.600 --> 0:18:35.840
<v Speaker 2>opportunity to increase. I think the visibility for people in.

0:18:35.800 --> 0:18:37.719
<v Speaker 1>The show definitely.

0:18:40.480 --> 0:18:47.640
<v Speaker 2>Just deep, deep, and it was also you could tell

0:18:47.680 --> 0:18:50.800
<v Speaker 2>in their performances how in Heather's talked about this, how

0:18:51.560 --> 0:18:55.200
<v Speaker 2>seriously they took it, how seriously Naia took that responsibility

0:18:55.200 --> 0:18:55.480
<v Speaker 2>in that.

0:18:55.440 --> 0:19:02.960
<v Speaker 1>Story definitely, and I think their relationship grew over time

0:19:03.040 --> 0:19:06.199
<v Speaker 1>as they worked together more. They also had a budding

0:19:06.200 --> 0:19:10.199
<v Speaker 1>friendship and a close bond and then I think, you know,

0:19:10.320 --> 0:19:15.600
<v Speaker 1>they kind of tie into one another, but they always

0:19:15.640 --> 0:19:17.320
<v Speaker 1>had such a lovely friendship, I thought.

0:19:18.600 --> 0:19:24.359
<v Speaker 2>So this whole Holly Holiday thing starts to back up

0:19:24.400 --> 0:19:27.040
<v Speaker 2>to the beginning of the episode with her realizing that

0:19:27.080 --> 0:19:30.280
<v Speaker 2>the glee club doesn't know anything about sex when she's

0:19:30.320 --> 0:19:34.760
<v Speaker 2>giving a demonstration with condoms and cucumbers, and Mercedes and

0:19:34.840 --> 0:19:38.000
<v Speaker 2>Finn are like, wait, what I had cucumbers on my sandwich?

0:19:40.119 --> 0:19:41.560
<v Speaker 2>Wit concumbers? Give you aids?

0:19:42.440 --> 0:19:43.040
<v Speaker 1>I can't.

0:19:43.520 --> 0:19:49.720
<v Speaker 2>It's insane. But this starts a whole chain reaction for

0:19:49.800 --> 0:19:56.480
<v Speaker 2>the kids and adults, right, and this wonderful jazzer size class.

0:19:57.320 --> 0:20:03.320
<v Speaker 2>It was hilarious. The outfit Gwyneth is wearing one of

0:20:03.400 --> 0:20:04.480
<v Speaker 2>my favorite things ever.

0:20:05.200 --> 0:20:09.880
<v Speaker 1>Yeah. So yes, Holly tells Will that they should sneak

0:20:09.960 --> 0:20:14.440
<v Speaker 1>in sex education so that the kids can learn about sex,

0:20:14.480 --> 0:20:19.040
<v Speaker 1>because she's all about you know, uh, knowledge is power,

0:20:19.280 --> 0:20:23.320
<v Speaker 1>right Versus Emma, who is leading the celibacy club because

0:20:23.359 --> 0:20:30.080
<v Speaker 1>she too is a virgin and believes that these chastity

0:20:30.160 --> 0:20:35.560
<v Speaker 1>charms are going to you know, take off anyway.

0:20:36.440 --> 0:20:38.520
<v Speaker 2>Obviously, Holly Holliday doesn't listen to her own advice and

0:20:38.560 --> 0:20:44.320
<v Speaker 2>immediately launches into crazy sex talk. Also, wait, can we

0:20:44.359 --> 0:20:46.840
<v Speaker 2>talk about one of my favorite scenes in Glee history?

0:20:47.080 --> 0:20:50.640
<v Speaker 2>Which scene when Brittany thinks she's pregnant?

0:20:50.800 --> 0:20:54.359
<v Speaker 1>Is it one of your funny your favorite scenes to watch?

0:20:54.920 --> 0:20:58.119
<v Speaker 2>To watch? I think every now and then I just

0:20:58.320 --> 0:21:01.680
<v Speaker 2>somebody will like post it on or something, and I'll

0:21:01.720 --> 0:21:06.520
<v Speaker 2>just watch it in full because it's funny. Her already

0:21:06.520 --> 0:21:10.560
<v Speaker 2>freaking out, Brittany's saying stuff about the stork, and then

0:21:10.640 --> 0:21:13.560
<v Speaker 2>Amber's actual Like, I don't think that was acting. That

0:21:13.680 --> 0:21:19.000
<v Speaker 2>was Amber, not Mercedes Leah's reaction. It's all so good.

0:21:20.400 --> 0:21:21.159
<v Speaker 2>It was dying.

0:21:22.680 --> 0:21:24.639
<v Speaker 1>Yeah, so Brittany thinks that she has a bun in

0:21:24.680 --> 0:21:29.119
<v Speaker 1>the oven, it ends up being what she thinks is

0:21:29.160 --> 0:21:31.240
<v Speaker 1>a stork on her rooftop.

0:21:31.720 --> 0:21:34.400
<v Speaker 2>This is my shows like sex education are important.

0:21:34.240 --> 0:21:37.959
<v Speaker 1>Yeah, definitely, and just being able to do this on

0:21:38.040 --> 0:21:41.760
<v Speaker 1>network television is also. I'm shocked that we all half

0:21:41.800 --> 0:21:44.400
<v Speaker 1>of these things got approved and cleared.

0:21:45.280 --> 0:21:48.639
<v Speaker 2>Like the teacher says, sex it's like hugging, only wetter.

0:21:49.480 --> 0:21:57.439
<v Speaker 1>I I my mouth was a gabe at this my

0:21:57.560 --> 0:22:03.159
<v Speaker 1>jaw dropped to the ground, unhinged, and drop to the ground.

0:22:08.280 --> 0:22:11.560
<v Speaker 1>It's very inappropriate. And then you also flop following that

0:22:11.640 --> 0:22:15.160
<v Speaker 1>with yet is is also inappropriate.

0:22:15.400 --> 0:22:17.400
<v Speaker 2>But the moral of the story, her message is true,

0:22:17.440 --> 0:22:21.119
<v Speaker 2>because then she says, just just remember whenever you have

0:22:21.160 --> 0:22:23.160
<v Speaker 2>sex with some when you're having sex with everyone they've

0:22:23.200 --> 0:22:27.119
<v Speaker 2>ever had sex with, and everybody's got a random you,

0:22:28.160 --> 0:22:31.720
<v Speaker 2>She's not wrong. She's not wrong if you're lucky.

0:22:32.119 --> 0:22:37.199
<v Speaker 1>Yeah, And Emma is angry with Will over this, and

0:22:37.280 --> 0:22:42.800
<v Speaker 1>so he invites her, leading with the Celibacy Club and

0:22:43.320 --> 0:22:46.840
<v Speaker 1>Doctor Carl, to come perform a number as a counter

0:22:47.040 --> 0:22:51.359
<v Speaker 1>argument to Holly's approach to teaching the kids about sex.

0:22:53.600 --> 0:23:02.639
<v Speaker 1>And then meanwhile Will and Holly are getting sexy. Holly

0:23:02.680 --> 0:23:05.960
<v Speaker 1>is a mess, She's a hot mess, but she Will

0:23:06.200 --> 0:23:08.919
<v Speaker 1>is trying to work out this town this tango for

0:23:09.480 --> 0:23:15.760
<v Speaker 1>gly Club, of course, to a very sexy number, A

0:23:15.880 --> 0:23:20.880
<v Speaker 1>sexy tango with all of our dancer friends on the stage.

0:23:20.920 --> 0:23:24.480
<v Speaker 1>Do you remember sneaking in to watch this, shoot this,

0:23:24.520 --> 0:23:28.320
<v Speaker 1>shooting them shooting this? No? Did we Yeah? I mean

0:23:28.359 --> 0:23:30.720
<v Speaker 1>maybe you weren't there. I snuck in to watch a

0:23:30.760 --> 0:23:32.840
<v Speaker 1>little bit of it because I remember the candle Opers

0:23:34.440 --> 0:23:37.880
<v Speaker 1>and thinking, damn, these guys are good.

0:23:39.520 --> 0:23:41.199
<v Speaker 2>I don't think I did. I think you told me

0:23:41.240 --> 0:23:45.480
<v Speaker 2>about it. Yeah, it was fun Gwineth, It's that high note.

0:23:45.480 --> 0:23:48.240
<v Speaker 2>Towards the end. I was like, okay, I know to

0:23:48.280 --> 0:23:48.919
<v Speaker 2>shout out.

0:23:48.800 --> 0:23:50.880
<v Speaker 1>To sing and who doesn't love this song?

0:23:52.040 --> 0:23:56.240
<v Speaker 2>Yeah, it's a cool version too, totally total love it.

0:23:57.240 --> 0:23:59.000
<v Speaker 1>So Will and Holly end up kissing at the end

0:23:59.040 --> 0:24:02.080
<v Speaker 1>of it, and she's like, you don't want to get

0:24:02.119 --> 0:24:08.240
<v Speaker 1>involved with me, So that's she poopoos on Will wanting

0:24:08.280 --> 0:24:09.800
<v Speaker 1>to take her out to dinner.

0:24:10.119 --> 0:24:13.480
<v Speaker 2>She also poo poos on Puck and ZIZI is trying

0:24:13.520 --> 0:24:17.840
<v Speaker 2>to make a sex tape, right, which was pretty great

0:24:18.040 --> 0:24:22.119
<v Speaker 2>because I just wants to be famous, and Puck's like,

0:24:22.280 --> 0:24:25.440
<v Speaker 2>I'm down if that means I get to rub a

0:24:25.520 --> 0:24:33.520
<v Speaker 2>bony And after it's poop pooed, they joined the Celibacy Club.

0:24:34.320 --> 0:24:39.000
<v Speaker 2>So then they all join in and MS yes, Puck

0:24:39.240 --> 0:24:44.600
<v Speaker 2>joins in with Carl to assist sky Rockets and flight.

0:24:45.080 --> 0:24:50.320
<v Speaker 1>I okay, so I don't at this point, I didn't

0:24:50.720 --> 0:24:53.679
<v Speaker 1>fully read this script. I'm going to just put that

0:24:53.760 --> 0:24:58.040
<v Speaker 1>out there. I clearly didn't read the script and the

0:24:58.760 --> 0:25:02.720
<v Speaker 1>reason I remember this this was at the point where

0:25:02.720 --> 0:25:07.760
<v Speaker 1>you flip the you look for your name in the script,

0:25:07.920 --> 0:25:12.399
<v Speaker 1>and our names were not very very I actually don't know.

0:25:12.480 --> 0:25:16.960
<v Speaker 1>I think I had one line in this episode. And

0:25:18.840 --> 0:25:24.080
<v Speaker 1>I remember getting to shoot this, getting into set to

0:25:24.119 --> 0:25:26.560
<v Speaker 1>shoot this, and being like, Oh, they're doing Afternoon Delight.

0:25:26.640 --> 0:25:29.159
<v Speaker 1>That's fun. I had no idea that this was the

0:25:29.200 --> 0:25:33.360
<v Speaker 1>context in which they were doing, so I was very tickled.

0:25:33.520 --> 0:25:36.600
<v Speaker 1>I remember watching this number was so much fun to watch.

0:25:36.680 --> 0:25:41.320
<v Speaker 1>They were all making us laugh, hamming it up as

0:25:41.359 --> 0:25:46.000
<v Speaker 1>you can see, so good. And then they perform Afternoon

0:25:46.040 --> 0:25:53.399
<v Speaker 1>Delay with a wonderful backdrop of pie, which Emmon thinks

0:25:53.440 --> 0:25:58.399
<v Speaker 1>it's a dessert that the song's talking about. It's actually not,

0:25:58.960 --> 0:26:06.159
<v Speaker 1>that's about sex and yeah, and then Holly tells her

0:26:06.200 --> 0:26:08.959
<v Speaker 1>it's about sneaking out for an dinner. So Carl on

0:26:09.040 --> 0:26:11.479
<v Speaker 1>the side asks Holly if she has at any office

0:26:11.480 --> 0:26:16.520
<v Speaker 1>hours because he and Emma need some help aka sex

0:26:16.560 --> 0:26:22.720
<v Speaker 1>talk they have gotten coming in like this, yes, and

0:26:22.760 --> 0:26:27.200
<v Speaker 1>so they end up in the office with Emma which

0:26:27.280 --> 0:26:32.680
<v Speaker 1>is very cute or not Emma sorry, with Holly, and

0:26:32.720 --> 0:26:39.960
<v Speaker 1>they reveal that they haven't had sex and Emma might

0:26:40.080 --> 0:26:47.520
<v Speaker 1>still be in love with Will so damn, yeah it is.

0:26:47.840 --> 0:26:51.359
<v Speaker 2>There's that And Gwyneth looks like she's beside herself this

0:26:51.560 --> 0:26:56.320
<v Speaker 2>entire scene. She's having so much fun. What does she

0:26:56.320 --> 0:26:58.200
<v Speaker 2>say at the very end if she makes a joke

0:26:58.440 --> 0:27:02.640
<v Speaker 2>to Emma about her legs being closed?

0:27:03.520 --> 0:27:06.680
<v Speaker 1>Ohkay, my lips are sealed just like your legs.

0:27:07.200 --> 0:27:10.040
<v Speaker 2>Yes, She's like, see, I shouldn't have said that. That

0:27:10.119 --> 0:27:12.359
<v Speaker 2>was so rude. That was a real doctor. I wouldn't

0:27:12.359 --> 0:27:16.679
<v Speaker 2>have said that. I love it. That's like that playfulness

0:27:17.560 --> 0:27:20.600
<v Speaker 2>I think is totally Ryan, being like go for it.

0:27:20.800 --> 0:27:23.760
<v Speaker 1>Yeah. And Holly Holiday just getting dumber and dumber every

0:27:23.760 --> 0:27:25.040
<v Speaker 1>time she makes an appearance.

0:27:25.440 --> 0:27:28.160
<v Speaker 2>I think, I don't know if it's dumber. I think

0:27:28.200 --> 0:27:29.600
<v Speaker 2>it's she just doesn't care.

0:27:30.240 --> 0:27:35.119
<v Speaker 1>No, I think she's dumb. I think she doesn't know

0:27:35.200 --> 0:27:41.119
<v Speaker 1>a lot. I see it behind when it's wheels like

0:27:41.359 --> 0:27:44.960
<v Speaker 1>working that like she's not that smart, Holly Holliday.

0:27:45.560 --> 0:27:46.320
<v Speaker 2>I think she is.

0:27:47.040 --> 0:28:03.000
<v Speaker 1>Okay, okay, Rachel, with all these new people joining the

0:28:03.040 --> 0:28:06.520
<v Speaker 1>celibacy club, Emma is out fixing her sham of a

0:28:06.560 --> 0:28:11.240
<v Speaker 1>marriage quote unquote, So Rachel has taken over. We've got Warren,

0:28:11.400 --> 0:28:14.760
<v Speaker 1>We've got Artie. We've got Brittany and Santana.

0:28:15.280 --> 0:28:16.480
<v Speaker 2>Yeah, why are we all in there?

0:28:16.760 --> 0:28:19.720
<v Speaker 1>I don't know? You tell me you were there.

0:28:20.280 --> 0:28:24.880
<v Speaker 2>I looked up and I literally said why I did

0:28:24.920 --> 0:28:29.479
<v Speaker 2>not know I was in there? Hmmm, I don't know

0:28:29.560 --> 0:28:30.480
<v Speaker 2>why I was in there.

0:28:31.480 --> 0:28:35.160
<v Speaker 1>I feel like because you guys had sex and because

0:28:35.640 --> 0:28:39.480
<v Speaker 1>she thought she's pregnant. Yeah, exactly, And Santanna's probably there

0:28:39.520 --> 0:28:43.240
<v Speaker 1>because Brittany's there, and Zices is there because Puck was there.

0:28:43.280 --> 0:28:49.080
<v Speaker 1>So everybody get recruited. Yes, fair. And then Holly comes

0:28:49.080 --> 0:28:52.959
<v Speaker 1>to say goodbye at the end of her sex education uh,

0:28:53.360 --> 0:28:57.320
<v Speaker 1>and realizes that she don't know want to say goodbye,

0:28:58.160 --> 0:29:03.560
<v Speaker 1>and that they she knows a lot about a one

0:29:03.600 --> 0:29:05.440
<v Speaker 1>eyed stand, but she should have something that lasts a

0:29:05.480 --> 0:29:09.400
<v Speaker 1>little bit longer. And so here we have Holly and

0:29:09.440 --> 0:29:11.960
<v Speaker 1>Will just getting it on.

0:29:12.680 --> 0:29:17.280
<v Speaker 2>Will's crushing like Will gets everyone.

0:29:17.520 --> 0:29:18.800
<v Speaker 1>He does get everybody.

0:29:18.960 --> 0:29:19.800
<v Speaker 2>It's pretty wild.

0:29:20.120 --> 0:29:23.840
<v Speaker 1>And now Emma is still is now thinking her marriage

0:29:23.840 --> 0:29:26.800
<v Speaker 1>is in shambles, thinking she still loves Will, so there's

0:29:26.840 --> 0:29:28.080
<v Speaker 1>going to be some drama.

0:29:28.680 --> 0:29:30.520
<v Speaker 2>I do you like that little slip of a poly holiday?

0:29:30.520 --> 0:29:32.880
<v Speaker 2>And she talks about seeing someone else and everything, yes,

0:29:32.960 --> 0:29:34.080
<v Speaker 2>like what like? Oh, nothing.

0:29:34.120 --> 0:29:37.720
<v Speaker 1>Never mind, never mind the other thing.

0:29:37.600 --> 0:29:42.960
<v Speaker 2>That's happening this episode because it's a different show, yes

0:29:43.720 --> 0:29:49.600
<v Speaker 2>is Kurt and Blaine are told by Sue that the

0:29:49.640 --> 0:29:54.280
<v Speaker 2>glee club is trying to get sexy for regionals, and

0:29:54.360 --> 0:29:57.440
<v Speaker 2>so Blaine is like, oh god, we gotta get sexy.

0:29:57.480 --> 0:30:01.000
<v Speaker 2>So they perform for this all girl all girls school,

0:30:01.000 --> 0:30:08.880
<v Speaker 2>which is like a weird yeah, and then Blaine starts

0:30:09.040 --> 0:30:12.680
<v Speaker 2>insulting Kurt, being like, what were you doing with your face?

0:30:13.640 --> 0:30:14.840
<v Speaker 2>He's like, I was being sexy.

0:30:15.360 --> 0:30:17.400
<v Speaker 1>Can we talk about an animal? Firs? Sorry, because Chris

0:30:17.480 --> 0:30:23.719
<v Speaker 1>is faces the tiger faces that thing. It was really

0:30:24.200 --> 0:30:25.280
<v Speaker 1>very very good.

0:30:25.600 --> 0:30:26.800
<v Speaker 2>He's living it up.

0:30:27.040 --> 0:30:29.520
<v Speaker 1>From that, we learned that Kurt doesn't know a thing

0:30:29.520 --> 0:30:34.120
<v Speaker 1>about sex. He doesn't know how to be sexy, and

0:30:34.200 --> 0:30:38.600
<v Speaker 1>so Blaine goes and visits Bert at the garage, telling

0:30:38.680 --> 0:30:41.480
<v Speaker 1>him he's worried about him not knowing anything about sex,

0:30:42.200 --> 0:30:45.480
<v Speaker 1>and that he thinks it would be a good opportunity

0:30:45.520 --> 0:30:50.400
<v Speaker 1>for Burt to learn about take advantage and learn about

0:30:50.440 --> 0:30:54.440
<v Speaker 1>it and take it to Kurt and inform and educate Kurt.

0:30:55.320 --> 0:30:57.400
<v Speaker 2>I do. He showed up there and I was like,

0:30:57.480 --> 0:31:02.640
<v Speaker 2>what is he doing? And then it, you know, it

0:31:02.840 --> 0:31:06.240
<v Speaker 2>just Bert wraps it up perfectly. When Blaine's like, I

0:31:06.320 --> 0:31:09.480
<v Speaker 2>hope't a overstepping and Bert just goes you are.

0:31:11.240 --> 0:31:11.520
<v Speaker 1>They go.

0:31:12.200 --> 0:31:14.760
<v Speaker 2>It's like to say or to not say something right.

0:31:15.080 --> 0:31:18.240
<v Speaker 2>I don't know what is ethically or morally correct. It's

0:31:18.280 --> 0:31:21.080
<v Speaker 2>a gray area, but I lovely says like every time

0:31:21.080 --> 0:31:22.440
<v Speaker 2>I try to bring it up, Kurt just puts his

0:31:22.440 --> 0:31:24.640
<v Speaker 2>fingers into his ears, and then Burt brings it up,

0:31:24.760 --> 0:31:26.960
<v Speaker 2>and Kurt puts his fingers in his ears and walks away.

0:31:30.560 --> 0:31:35.440
<v Speaker 1>But Burt does end up taking some pamphlets and learning

0:31:35.480 --> 0:31:39.360
<v Speaker 1>about the mechanics of it all and so that they

0:31:39.360 --> 0:31:41.520
<v Speaker 1>can talk about it, because sex talk is important.

0:31:42.120 --> 0:31:43.520
<v Speaker 2>No matter, it's such a good scene.

0:31:44.280 --> 0:31:46.320
<v Speaker 1>It really is such a good scene. I mean, I

0:31:46.960 --> 0:31:49.479
<v Speaker 1>feel like we shouldn't be surprised at this point that

0:31:49.520 --> 0:31:52.480
<v Speaker 1>a Burton Kurt scene is so excellent. But every time,

0:31:52.520 --> 0:32:01.720
<v Speaker 1>I'm just i'm gonna say, gleefully surprised by their wonderful

0:32:01.760 --> 0:32:02.760
<v Speaker 1>relationship that we love.

0:32:02.920 --> 0:32:05.680
<v Speaker 2>So I also think it's important and totally intentional that

0:32:05.800 --> 0:32:11.160
<v Speaker 2>these things don't happen overnight. Where Kurt has been way

0:32:11.200 --> 0:32:15.440
<v Speaker 2>more accepting than you know, a lot of parents could be,

0:32:16.640 --> 0:32:21.560
<v Speaker 2>but he still is taking his time to arrive at

0:32:21.560 --> 0:32:24.120
<v Speaker 2>the moment and did you say sorry? I mean Bert,

0:32:25.440 --> 0:32:27.600
<v Speaker 2>And you know it got brought up before where Kurt

0:32:27.680 --> 0:32:29.440
<v Speaker 2>was like, you know, maybe you should educate yourself about

0:32:29.440 --> 0:32:31.880
<v Speaker 2>sex a couple episodes ago, and now here we are

0:32:32.040 --> 0:32:34.480
<v Speaker 2>where it's obviously been brought up to him. It's in

0:32:34.520 --> 0:32:39.040
<v Speaker 2>his mind and has the courage to sort of do it,

0:32:39.640 --> 0:32:41.840
<v Speaker 2>and he does it in his way. They don't talk

0:32:41.880 --> 0:32:46.400
<v Speaker 2>about anything explicit, right, but they talk about the universal

0:32:46.480 --> 0:32:50.320
<v Speaker 2>truths of sex. And also I have to say the

0:32:50.360 --> 0:32:54.160
<v Speaker 2>breaking it down of like, can you imagine it's two guys?

0:32:54.520 --> 0:32:56.440
<v Speaker 2>I know, so that's double that. It's like that is

0:32:56.480 --> 0:33:01.160
<v Speaker 2>important to acknowledge, Yeah, because I don't know what parents

0:33:01.840 --> 0:33:05.120
<v Speaker 2>or elders are going to acknowledge that for their kids

0:33:05.680 --> 0:33:10.640
<v Speaker 2>who might be gay, but not no one, not back then.

0:33:10.880 --> 0:33:14.440
<v Speaker 2>Always always an impressive moment between those two.

0:33:14.920 --> 0:33:25.959
<v Speaker 1>Truly, And that's the sexy, sexy yeps, crazy weird, random

0:33:26.080 --> 0:33:31.600
<v Speaker 1>kind of a filler before a big our big competition episode,

0:33:31.960 --> 0:33:37.000
<v Speaker 1>but yet still fun and also emotional and just exactly

0:33:37.040 --> 0:33:39.280
<v Speaker 1>what you'd expect from a really great run A.

0:33:39.320 --> 0:33:43.600
<v Speaker 2>Few episode original song after this, These two are so

0:33:43.720 --> 0:33:46.800
<v Speaker 2>much fun and also great to watch together. I just

0:33:46.880 --> 0:33:50.240
<v Speaker 2>kept going. I just watched them back to back. Yes,

0:33:51.120 --> 0:33:54.000
<v Speaker 2>because you don't want it to stop. And so I was.

0:33:53.920 --> 0:33:58.520
<v Speaker 1>Excited for song and what I didn't remember it and

0:33:58.560 --> 0:34:03.360
<v Speaker 1>didn't remember and it is a very big episode.

0:34:03.880 --> 0:34:08.360
<v Speaker 2>They are both. These episodes also are like gay canon wise,

0:34:08.880 --> 0:34:11.400
<v Speaker 2>very important, and they're back to back. I did not

0:34:11.560 --> 0:34:15.239
<v Speaker 2>think these big gay moments were happening back to back

0:34:15.640 --> 0:34:19.200
<v Speaker 2>and so quickly, so quickly. Yeah, but we'll get to

0:34:19.239 --> 0:34:20.320
<v Speaker 2>that in the next episode.

0:34:20.520 --> 0:34:24.200
<v Speaker 1>We'll tune in next week. Okay, should we do some

0:34:24.200 --> 0:34:30.920
<v Speaker 1>TARTI takes for absolutely, m Okay, cringe moments, go for it.

0:34:31.560 --> 0:34:34.600
<v Speaker 1>There was nothing like too inappropriate this episode that I

0:34:34.640 --> 0:34:37.480
<v Speaker 1>was like, oh, this wasn't gonna fly or I don't

0:34:37.520 --> 0:34:41.239
<v Speaker 1>love that. But some of the sexy lessons with the

0:34:41.360 --> 0:34:44.120
<v Speaker 1>kids with Holly again you said like Toad and line

0:34:44.120 --> 0:34:45.719
<v Speaker 1>of like is this inappropriate or not?

0:34:46.480 --> 0:34:50.120
<v Speaker 2>I said it before and I'll say it again. I

0:34:50.160 --> 0:34:56.160
<v Speaker 2>think the whole Blaine talking to the girls school being like,

0:34:56.239 --> 0:34:57.840
<v Speaker 2>this is what we're looking for. Do we make you

0:34:57.880 --> 0:35:05.320
<v Speaker 2>feel a certain like that all that best dance move, Jenna.

0:35:07.160 --> 0:35:13.080
<v Speaker 1>I feel like the kiss takes the cake on this one.

0:35:13.400 --> 0:35:20.319
<v Speaker 1>The tank, the tango. Oh yes, actual kiss Oh sorry, no,

0:35:21.080 --> 0:35:22.720
<v Speaker 1>holiday is not the only on Who's done here.

0:35:24.360 --> 0:35:25.719
<v Speaker 2>The tango? Absolutely?

0:35:26.239 --> 0:35:34.560
<v Speaker 1>Yeah. Best song Kevin Landslide, Yeah by a Landslide uh

0:35:34.719 --> 0:35:40.200
<v Speaker 1>performance by prob I'm going with the foam in Animal

0:35:41.360 --> 0:35:44.400
<v Speaker 1>Wild Times. I was like, is this a foam party

0:35:44.480 --> 0:35:45.560
<v Speaker 1>that's happening right now?

0:35:46.280 --> 0:35:51.040
<v Speaker 2>Absolutely? I second that or the cucumber. I don't know

0:35:51.440 --> 0:35:57.680
<v Speaker 2>true best lines. I think it's Brittany's entire thing with

0:35:57.719 --> 0:36:03.000
<v Speaker 2>the stork m you know, M Yeah.

0:36:03.280 --> 0:36:07.920
<v Speaker 1>I'm going with Hollie Holidays sex. It's just like hugging

0:36:07.920 --> 0:36:11.239
<v Speaker 1>only it's a lot.

0:36:11.719 --> 0:36:20.040
<v Speaker 2>She really got away with words performance via m v P. Yes, absolutely, Gwyneth.

0:36:22.320 --> 0:36:24.400
<v Speaker 2>I actually I will say it's a tie between Gwyneth

0:36:24.600 --> 0:36:25.720
<v Speaker 2>and Nyah.

0:36:26.080 --> 0:36:26.279
<v Speaker 1>Yeah.

0:36:26.520 --> 0:36:33.000
<v Speaker 2>Noble mentioned Enaya on this one because she's acting, that's right,

0:36:33.640 --> 0:36:38.839
<v Speaker 2>that whole speech at the lockers locker, her performance during Landslide,

0:36:39.040 --> 0:36:45.760
<v Speaker 2>the whole thing with her gwynethan Heather when they're you know, talking,

0:36:46.520 --> 0:36:48.759
<v Speaker 2>all those scenes. She's so so, so good.

0:36:51.280 --> 0:36:54.200
<v Speaker 1>I think I think it's a tie.

0:36:54.239 --> 0:36:57.839
<v Speaker 2>I think it's a double gold medal. Okay, so ship

0:36:57.880 --> 0:37:06.680
<v Speaker 2>we found on TikTok Jenna swifty Jenna. Oh it is

0:37:06.960 --> 0:37:13.560
<v Speaker 2>Sue Sylvester versions of Taylor Swift's album covers. It's like

0:37:13.600 --> 0:37:18.919
<v Speaker 2>if Sue had remade Taylor's albums. Maddie Hanson ninety nine

0:37:19.680 --> 0:37:27.960
<v Speaker 2>on TikTok has posted these incredible fake Taylor Swift album covers.

0:37:28.040 --> 0:37:32.880
<v Speaker 2>But but Sue Sylvester, there's reputation there. Speak now, but

0:37:32.960 --> 0:37:40.400
<v Speaker 2>it's called Sue now, sueer for lover? Is this very folklore?

0:37:42.719 --> 0:37:46.640
<v Speaker 2>Oh my god, the facts are perfect. It's it's absolutely

0:37:46.719 --> 0:37:51.279
<v Speaker 2>insane and I don't know how Maddie's brain went there,

0:37:51.280 --> 0:37:54.080
<v Speaker 2>but I'm glad it did. Yeah, because we are all

0:37:54.320 --> 0:37:58.520
<v Speaker 2>better for it. I think, Yeah, I agree, you know

0:37:58.760 --> 0:38:02.839
<v Speaker 2>who knows. Thank you for making this and everyone who

0:38:02.840 --> 0:38:08.040
<v Speaker 2>tagged us. It's pure art. It's real art, you know.

0:38:09.080 --> 0:38:12.760
<v Speaker 2>And you have a vision and you completed that vision.

0:38:15.040 --> 0:38:17.560
<v Speaker 1>I'm in love. I'm in love.

0:38:18.520 --> 0:38:21.200
<v Speaker 2>Very good. Well, thank you for joining us for this

0:38:21.400 --> 0:38:27.759
<v Speaker 2>very sexy episode and that's what you really miss see you,

0:38:28.600 --> 0:38:31.759
<v Speaker 2>thanks for listening and follow us on Instagram at and

0:38:31.840 --> 0:38:34.080
<v Speaker 2>that's what you really miss pod Make sure to write

0:38:34.120 --> 0:38:36.400
<v Speaker 2>us a review and leave us five stars. See you

0:38:36.400 --> 0:38:36.799
<v Speaker 2>next time,