1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,559 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,400 --> 00:00:16,520 Speaker 1: Welcome to and That's what you really missed podcast Feeling 4 00:00:16,640 --> 00:00:17,439 Speaker 1: Sassy Today. 5 00:00:18,280 --> 00:00:20,720 Speaker 2: I'm Jenna, I'm Kevin. It's good feeling sassy because we're 6 00:00:20,720 --> 00:00:21,880 Speaker 2: getting sexy today. 7 00:00:22,120 --> 00:00:29,640 Speaker 1: We are are one of our favorites. Gwyneth Paltrow is 8 00:00:29,680 --> 00:00:32,320 Speaker 1: back Holly Holiday and she's. 9 00:00:32,159 --> 00:00:37,000 Speaker 2: Being extra extra Holly Holiday e this episode. She's so 10 00:00:37,200 --> 00:00:42,159 Speaker 2: good and so funny and in a good way. I 11 00:00:42,159 --> 00:00:47,559 Speaker 2: don't remember a lot of this episode, probably because, as 12 00:00:47,600 --> 00:00:49,440 Speaker 2: we've discovered, if we don't have a lot to do 13 00:00:49,479 --> 00:00:52,559 Speaker 2: in it, we don't remember remember anything. 14 00:00:53,080 --> 00:00:57,480 Speaker 1: We're probably prepping for original song exactly. 15 00:00:58,240 --> 00:01:02,280 Speaker 2: So I was laffing my ass off. I really enjoyed 16 00:01:02,280 --> 00:01:05,360 Speaker 2: myself as a fan and really liked this episode. 17 00:01:06,080 --> 00:01:12,040 Speaker 1: Yes, agreed, agreed, agreed. It was different. I mean not different. 18 00:01:12,080 --> 00:01:13,839 Speaker 1: That's not a right word. It's not the right word, 19 00:01:14,000 --> 00:01:16,479 Speaker 1: but it was. It was like one of those very 20 00:01:16,480 --> 00:01:20,160 Speaker 1: insular high school stakes are high high school kind of 21 00:01:20,240 --> 00:01:21,399 Speaker 1: thing episode. 22 00:01:21,520 --> 00:01:23,960 Speaker 2: As I was watching it because I missed two directed 23 00:01:23,959 --> 00:01:28,640 Speaker 2: it and probably being a bad person looking at my 24 00:01:28,640 --> 00:01:32,960 Speaker 2: phone and the whole time is like, this feels like 25 00:01:32,959 --> 00:01:39,039 Speaker 2: a Ryan episode Everyone's a Little Loose, you know, Yeah, yeah, yeah, 26 00:01:39,200 --> 00:01:41,640 Speaker 2: lo and Behold, directed by Ryan Murphy. 27 00:01:43,400 --> 00:01:46,080 Speaker 1: I think he came back for Gwenna. 28 00:01:45,600 --> 00:01:49,120 Speaker 2: Of course he did. You gotta you need that those 29 00:01:49,200 --> 00:01:54,520 Speaker 2: extra hands for the Oscar winners. That's right, sweetest touch, 30 00:01:55,000 --> 00:01:55,920 Speaker 2: She's so good. 31 00:01:56,160 --> 00:01:56,520 Speaker 1: Yeah. 32 00:01:56,600 --> 00:02:00,600 Speaker 2: This was season two episode fifteen Sexy. It originally aired 33 00:02:00,760 --> 00:02:04,320 Speaker 2: on March eighth, twoy eleven. 34 00:02:04,880 --> 00:02:10,640 Speaker 1: Wow Wow So Born This Way by Lady Gaga is 35 00:02:10,639 --> 00:02:14,080 Speaker 1: still number one on the chart. Obviously, we have a 36 00:02:14,080 --> 00:02:20,080 Speaker 1: new movie again, Rango, starring Johnny Depp, who the Chameleon. 37 00:02:20,560 --> 00:02:23,280 Speaker 1: I didn't see it, but I remember this movie. 38 00:02:23,600 --> 00:02:25,079 Speaker 2: I don't remember if I saw it. I don't know 39 00:02:25,120 --> 00:02:26,080 Speaker 2: if that's a good sign. 40 00:02:26,080 --> 00:02:30,520 Speaker 1: I didn't see it. Again, I've yet to find a 41 00:02:30,560 --> 00:02:34,800 Speaker 1: movie that has is number one during this span that 42 00:02:34,919 --> 00:02:35,520 Speaker 1: I have seen. 43 00:02:35,880 --> 00:02:38,040 Speaker 2: There was no Barbenheimer happening. 44 00:02:37,919 --> 00:02:44,919 Speaker 1: You know, remember that's right. Glee News Kevin, this is fun. 45 00:02:45,400 --> 00:02:50,720 Speaker 1: On March eighth, which is the day that Sexy premiered, Kevin, Cord, Harry, 46 00:02:50,760 --> 00:02:53,960 Speaker 1: and Darren appeared in teen Votes the Boys of Glee 47 00:02:54,000 --> 00:02:56,680 Speaker 1: prom guide. I like how they called you the boys, 48 00:02:56,760 --> 00:03:00,720 Speaker 1: that's right, not the men of Glee. The boys we 49 00:03:00,720 --> 00:03:03,760 Speaker 1: were playing young teens. It's a very cute spread. 50 00:03:04,360 --> 00:03:06,800 Speaker 2: It's a very cute spread. But the story behind it is, 51 00:03:07,160 --> 00:03:11,680 Speaker 2: Oh that we were in Vegas the night before. The 52 00:03:11,720 --> 00:03:12,840 Speaker 2: shoot was on a Sunday. 53 00:03:13,200 --> 00:03:14,840 Speaker 1: This is the one. 54 00:03:15,080 --> 00:03:15,800 Speaker 2: This is the one. 55 00:03:16,040 --> 00:03:20,000 Speaker 1: Oh my god, Yeah. 56 00:03:19,200 --> 00:03:24,160 Speaker 2: Naya had her birthday in Vegas. We were in Vegas. 57 00:03:24,240 --> 00:03:30,120 Speaker 2: I believe I roomed with Cord. His call time was 58 00:03:30,480 --> 00:03:34,080 Speaker 2: a couple hours earlier than mine for this. Oh and 59 00:03:34,120 --> 00:03:37,360 Speaker 2: so I remember he had to get up and go 60 00:03:37,720 --> 00:03:41,520 Speaker 2: we we're up pretty late. 61 00:03:42,240 --> 00:03:46,600 Speaker 1: Yeah. Yeah. Well also, okay, Nica's birthday. This was probably 62 00:03:46,600 --> 00:03:49,520 Speaker 1: the second or third time she had done a Vegas party. Yes, right, 63 00:03:49,640 --> 00:03:56,480 Speaker 1: for her birthday. We all go very very fun. This one. 64 00:03:56,840 --> 00:04:00,000 Speaker 1: You showed up. We called you the tiniest billionaire because 65 00:04:00,160 --> 00:04:03,680 Speaker 1: you looked like a thousand, a million bucks, a million bucks, 66 00:04:03,680 --> 00:04:06,880 Speaker 1: a billion bucks if you will, in a navy suit. 67 00:04:07,160 --> 00:04:10,760 Speaker 1: You show up to Vegas off the flight with only 68 00:04:10,800 --> 00:04:14,600 Speaker 1: a toothbrush. Did you a phone charger and a phone charger? 69 00:04:14,920 --> 00:04:17,440 Speaker 1: That's it, that's all you brought, because literally you were 70 00:04:17,440 --> 00:04:20,280 Speaker 1: there for less than twenty four hours. Yeah, and then 71 00:04:20,400 --> 00:04:22,560 Speaker 1: you flew and went. Did you go straight to this 72 00:04:22,640 --> 00:04:23,279 Speaker 1: photo shoot? 73 00:04:25,160 --> 00:04:26,040 Speaker 2: I don't remember. 74 00:04:26,640 --> 00:04:28,040 Speaker 1: I feel like you probably did. 75 00:04:28,360 --> 00:04:28,920 Speaker 2: I might have. 76 00:04:29,120 --> 00:04:32,000 Speaker 1: I might have. Did you choose the sunglasses in the 77 00:04:32,040 --> 00:04:38,960 Speaker 1: spread to blur out the bags? I was fine, you know, 78 00:04:39,279 --> 00:04:41,640 Speaker 1: like it was amazing, totally fine. 79 00:04:41,760 --> 00:04:45,040 Speaker 2: They beat our face, so like it was all right. 80 00:04:45,160 --> 00:04:48,560 Speaker 2: I don't remember. I think when I was getting their 81 00:04:48,640 --> 00:04:55,560 Speaker 2: quarters wrapping up and he was dying because I got 82 00:04:55,560 --> 00:04:57,359 Speaker 2: a couple of extra hours of sleep, so you know, 83 00:04:57,400 --> 00:05:00,040 Speaker 2: I was, yeah, all right, it's a quick flight for Vegas. 84 00:05:00,080 --> 00:05:04,960 Speaker 2: But we were that's a story behind this. We were struggling. 85 00:05:05,279 --> 00:05:08,279 Speaker 1: Oh man, well you look great. I never would have known. 86 00:05:10,000 --> 00:05:12,360 Speaker 2: But the only time I get to be in teen 87 00:05:12,480 --> 00:05:16,120 Speaker 2: Vogue associated with the word vogue, and I show up. 88 00:05:17,279 --> 00:05:21,120 Speaker 1: I mean I subscribed to teen Vogue back in the 89 00:05:21,200 --> 00:05:24,279 Speaker 1: day when there were magazines. 90 00:05:24,240 --> 00:05:28,520 Speaker 2: I felt very fancy and honestly very insecure, because you guys, 91 00:05:28,640 --> 00:05:35,640 Speaker 2: you know, I'm not the most Cord is a beautiful, 92 00:05:35,839 --> 00:05:39,520 Speaker 2: beautiful man. He's got a model face, and I am 93 00:05:39,720 --> 00:05:42,840 Speaker 2: five to seven. No no clothes ever fit me. I 94 00:05:42,839 --> 00:05:44,280 Speaker 2: think I'm wearing my own pants in this. 95 00:05:44,720 --> 00:05:47,800 Speaker 1: Are you wearing the pants from Vegas? No? I am 96 00:05:47,880 --> 00:05:50,560 Speaker 1: sure you're wearing this from Vegas. 97 00:05:51,360 --> 00:05:53,320 Speaker 2: I don't know, but I think those are my pants 98 00:05:53,880 --> 00:05:56,560 Speaker 2: and nothing ever fit me. 99 00:05:56,680 --> 00:05:59,520 Speaker 1: But look, Kevin, you're a beautiful inside and out, So 100 00:06:00,440 --> 00:06:03,360 Speaker 1: don't carry yourself to Cord or anybody else. You belong 101 00:06:03,440 --> 00:06:06,080 Speaker 1: in teen Vogue as much as the other guys do 102 00:06:06,720 --> 00:06:07,040 Speaker 1: or did. 103 00:06:07,520 --> 00:06:09,279 Speaker 2: Thank you very much, You're welcome. 104 00:06:09,960 --> 00:06:11,760 Speaker 1: You are beautiful, as Christina Aguilar. 105 00:06:12,279 --> 00:06:14,120 Speaker 2: It's really weird because you show up on those things 106 00:06:14,120 --> 00:06:18,800 Speaker 2: like well, we did Vogue, and you just feel like 107 00:06:19,680 --> 00:06:21,960 Speaker 2: these are fashion photographers. They work with a lot of 108 00:06:22,600 --> 00:06:24,600 Speaker 2: big models and things, and you just sort of feel like, 109 00:06:25,480 --> 00:06:27,640 Speaker 2: are they laughing at me? That's how I felt like. 110 00:06:27,720 --> 00:06:30,760 Speaker 2: You're like, oh god, this is who we're shooting today. 111 00:06:31,279 --> 00:06:34,440 Speaker 2: Not Naomi Campbell, We're shooting this kid from. 112 00:06:34,320 --> 00:06:36,360 Speaker 1: Kelly You're it was Glee. 113 00:06:36,839 --> 00:06:39,000 Speaker 2: You are, yeah, But you know it's like, even as 114 00:06:39,040 --> 00:06:42,800 Speaker 2: you're in the height of your the popularity of this thing, 115 00:06:42,880 --> 00:06:48,560 Speaker 2: you're on, sure those thoughts are happening, because you know, we. 116 00:06:48,480 --> 00:06:51,200 Speaker 1: All feel like we have we all have imposter syndrome 117 00:06:51,200 --> 00:06:58,039 Speaker 1: and some oh my god, totally decibel of some more 118 00:06:58,080 --> 00:07:01,720 Speaker 1: than others. Hello, that's right, So well you look great. 119 00:07:02,440 --> 00:07:05,520 Speaker 1: Also on March eighth, Kevin the Glee the Music volume 120 00:07:05,640 --> 00:07:10,040 Speaker 1: Vive was released already and it had sixteen tracks from 121 00:07:10,040 --> 00:07:12,520 Speaker 1: season two, including the original songs get It Right and 122 00:07:12,560 --> 00:07:17,040 Speaker 1: Lose Her Like Me pre the premiere of original song 123 00:07:17,440 --> 00:07:24,160 Speaker 1: the episode Okay, Ryan directed this episode. What songs were 124 00:07:24,200 --> 00:07:26,440 Speaker 1: in this Okay? 125 00:07:27,080 --> 00:07:36,760 Speaker 2: The songs were do You Want to Touch Me? Oh Yeah, Animal, Kiss, Landside, 126 00:07:37,640 --> 00:07:42,040 Speaker 2: Afternoon Delight. It's a really great mix of great songs. 127 00:07:42,120 --> 00:07:44,320 Speaker 1: It's variety variety show it is. 128 00:07:44,880 --> 00:07:51,000 Speaker 2: And also like Gwyneth is singing, say she's really singing 129 00:07:51,120 --> 00:07:51,800 Speaker 2: this episode. 130 00:07:52,000 --> 00:07:53,760 Speaker 1: She was in a lot of stuff with this episode. 131 00:07:54,400 --> 00:07:58,120 Speaker 2: Yeah, she was the really it was like the last 132 00:07:58,160 --> 00:08:01,400 Speaker 2: episode she was in testing out out what she's down 133 00:08:01,520 --> 00:08:05,720 Speaker 2: for her abilities, capabilities and they're like, oh you can 134 00:08:05,760 --> 00:08:06,880 Speaker 2: do everything and anything. 135 00:08:07,040 --> 00:08:10,600 Speaker 1: Okay, she's down to like do it totally down Yeah yeah, 136 00:08:11,400 --> 00:08:18,800 Speaker 1: uh okay. What is the episode summary? What what's going on? 137 00:08:19,240 --> 00:08:22,080 Speaker 2: Holly Holliday is back at McKinley. She's sebbing for the 138 00:08:22,120 --> 00:08:26,240 Speaker 2: health and wellness teacher recipefore Disaster or Success, where she 139 00:08:26,280 --> 00:08:31,040 Speaker 2: discovers the glee club's ignorance when it comes to sex. Naturally, 140 00:08:31,200 --> 00:08:35,080 Speaker 2: Will and Holly decide to educate the kids through song. Meanwhile, Emma, 141 00:08:35,160 --> 00:08:38,560 Speaker 2: Santana and Kurt are all struggling with her own sexuality 142 00:08:38,559 --> 00:08:43,239 Speaker 2: in different ways. Plus the Celibacy Club. Remember that welcomes 143 00:08:43,280 --> 00:08:52,520 Speaker 2: some unlikely recruits. Okay, fun some fun facts here, Kevin 144 00:08:52,559 --> 00:08:54,839 Speaker 2: about that. There's a lot of fun facts. I know. 145 00:08:56,280 --> 00:09:04,240 Speaker 1: Stevie Nicks came by the Icon Legend herself, Steve, she 146 00:09:04,360 --> 00:09:07,920 Speaker 1: sure did. She can't visit When Gwynneth was doing Landslide, 147 00:09:08,040 --> 00:09:15,440 Speaker 1: which is even more crazy, It's just wild. Gwyneth last 148 00:09:15,559 --> 00:09:19,040 Speaker 1: minute was asked by Ryan if she could play the 149 00:09:19,040 --> 00:09:25,760 Speaker 1: guitar on Landslide day of so she went into her 150 00:09:25,760 --> 00:09:26,840 Speaker 1: trailer and learned it. 151 00:09:27,400 --> 00:09:29,679 Speaker 2: And then Stevie Nick shows up and is watching her 152 00:09:29,760 --> 00:09:34,160 Speaker 2: do this. Can you imagine what if like like. 153 00:09:34,080 --> 00:09:37,400 Speaker 1: A super super famous bass player came and watch you 154 00:09:37,440 --> 00:09:41,640 Speaker 1: do don't stop, no. 155 00:09:40,080 --> 00:09:44,760 Speaker 2: No, none of that. Stevie Nicks came in there and 156 00:09:44,760 --> 00:09:46,960 Speaker 2: there's there's a behind the scenes video of this episode, 157 00:09:47,200 --> 00:09:50,440 Speaker 2: and you see you're hugging all of us. She comes in, 158 00:09:50,640 --> 00:09:53,600 Speaker 2: she talks to us. That's when she called us all 159 00:09:53,640 --> 00:09:56,480 Speaker 2: of her kids. Yes, and she actually we should have 160 00:09:56,480 --> 00:10:00,760 Speaker 2: mentioned this Sterrick Springfield. But she then looks at It's like, oh, 161 00:10:00,800 --> 00:10:03,800 Speaker 2: you're the Jesse's girl. Guy. That was like the first 162 00:10:03,880 --> 00:10:07,160 Speaker 2: thing I saw, and because you did it so well, 163 00:10:07,200 --> 00:10:09,800 Speaker 2: that made me like the show. And Corey's like, this 164 00:10:09,840 --> 00:10:13,360 Speaker 2: is maybe the greatest moment of my life. Yeah, understandably, 165 00:10:13,480 --> 00:10:15,400 Speaker 2: do you remember all of that her being there? 166 00:10:15,480 --> 00:10:19,360 Speaker 1: And I don't remember the Jesse Girl story for Corey, 167 00:10:19,480 --> 00:10:24,120 Speaker 1: but I do remember her being there, and I just 168 00:10:24,160 --> 00:10:28,120 Speaker 1: remember her being like gobsmacked by the fact that she 169 00:10:28,240 --> 00:10:31,160 Speaker 1: was there. Like we had a million other, you know, 170 00:10:31,280 --> 00:10:34,760 Speaker 1: wildly talented, famous friends that we got to come in, 171 00:10:34,840 --> 00:10:37,920 Speaker 1: but nobody likes Stevie Nix. I mean, she's one of 172 00:10:37,960 --> 00:10:42,280 Speaker 1: our kind. And I just I was definitely starstruck and 173 00:10:42,440 --> 00:10:47,840 Speaker 1: definitely taken a back much more than of the other 174 00:10:47,880 --> 00:10:48,520 Speaker 1: guest stars we had. 175 00:10:48,600 --> 00:10:51,440 Speaker 2: And also it's like we didn't hardly ever get to 176 00:10:51,440 --> 00:10:56,040 Speaker 2: meet the musical artists that we covered on the show, right, 177 00:10:56,400 --> 00:10:58,920 Speaker 2: I mean, she was there as we're doing the song. 178 00:10:59,840 --> 00:11:03,440 Speaker 2: And it's also a weird thing too, like she's coming 179 00:11:03,480 --> 00:11:08,320 Speaker 2: to our place of work, like she came to see 180 00:11:08,559 --> 00:11:13,080 Speaker 2: us as a collective, the cast, the crew Ryan probably. 181 00:11:12,679 --> 00:11:15,080 Speaker 1: Mostly right exactly. 182 00:11:15,040 --> 00:11:19,920 Speaker 2: She's coming to see us like do our thing, and like, 183 00:11:20,040 --> 00:11:21,520 Speaker 2: thank god I wasn't in this number. 184 00:11:23,280 --> 00:11:26,800 Speaker 1: I was thinking that like Landslide one of the most 185 00:11:27,320 --> 00:11:32,480 Speaker 1: popular famous songs in my world and in a lot 186 00:11:32,480 --> 00:11:36,960 Speaker 1: of people's world. Yeah, truly, and she's coming to watch 187 00:11:37,240 --> 00:11:40,000 Speaker 1: Gwynean Paltrow perform. But what world do we live in? 188 00:11:40,600 --> 00:11:42,440 Speaker 2: Thank god? It was a great version. 189 00:11:42,800 --> 00:11:44,400 Speaker 1: It was a really good version. I don't think. I 190 00:11:44,760 --> 00:11:46,160 Speaker 1: don't let it not be a good version. 191 00:11:46,240 --> 00:11:49,400 Speaker 2: That's true. It's nobody would everybody That song is precious 192 00:11:49,440 --> 00:11:50,000 Speaker 2: to everyone. 193 00:11:50,320 --> 00:12:04,280 Speaker 1: Yes, definitely. Okay, should we get into a sex say. 194 00:12:05,320 --> 00:12:08,040 Speaker 2: Yeah, I mean, you know we're talking about landslide, So. 195 00:12:08,920 --> 00:12:09,920 Speaker 1: Do you want to talk about it? 196 00:12:10,160 --> 00:12:14,160 Speaker 2: I want to talk about it, okay, because I did not. 197 00:12:15,040 --> 00:12:21,360 Speaker 2: I've been waiting for the Santana Brittany love affair to 198 00:12:21,480 --> 00:12:27,640 Speaker 2: seriously begin. I didn't remember exactly where it happened, and 199 00:12:28,000 --> 00:12:31,400 Speaker 2: there's obviously been sort of little clues sprinkled in up 200 00:12:31,480 --> 00:12:33,520 Speaker 2: until now. But every episode I'm like, is it now? 201 00:12:33,960 --> 00:12:38,720 Speaker 2: Is it now? Like feeling like it's jump rope, and 202 00:12:38,760 --> 00:12:40,679 Speaker 2: then all of a sudden, here we are. 203 00:12:41,160 --> 00:12:41,600 Speaker 1: Yeah. 204 00:12:41,679 --> 00:12:44,720 Speaker 2: It takes a serious turn out of nowhere, and it's incredible. 205 00:12:45,280 --> 00:12:49,240 Speaker 1: It does. I attach their relationships starting to landslide. So 206 00:12:49,440 --> 00:12:51,880 Speaker 1: in my mind, I didn't know when I remember when 207 00:12:51,960 --> 00:12:56,320 Speaker 1: Landslide came, but I knew that's when it was so 208 00:12:57,720 --> 00:13:03,320 Speaker 1: exactly landslide is the number, is the is the churning point. 209 00:13:05,200 --> 00:13:12,240 Speaker 1: What a what a wonderful relationship? Like obviously we have 210 00:13:12,280 --> 00:13:18,679 Speaker 1: curtain Kurt and Blaine also happening shortly, but man like that. 211 00:13:19,679 --> 00:13:29,480 Speaker 1: The Santana and Brittany fandom is so massive and it 212 00:13:29,600 --> 00:13:32,600 Speaker 1: was there was obviously a need for it, or a 213 00:13:32,640 --> 00:13:35,640 Speaker 1: desire for those two to be represented, you know, and 214 00:13:36,320 --> 00:13:39,280 Speaker 1: or representing the people who were watching. 215 00:13:39,720 --> 00:13:45,280 Speaker 2: And I think watching the progression of their friendship into romance, 216 00:13:46,520 --> 00:13:50,440 Speaker 2: I think is also why where the turn and the 217 00:13:50,559 --> 00:13:54,360 Speaker 2: justification for why Santana has been the way she is. 218 00:13:55,200 --> 00:13:58,679 Speaker 2: And having Naya deliver that monologue at the locker of 219 00:13:58,679 --> 00:14:04,160 Speaker 2: how she's just so angry and scared, Yeah, makes so 220 00:14:04,360 --> 00:14:08,360 Speaker 2: much sense and completely explains the past season and a 221 00:14:08,400 --> 00:14:14,120 Speaker 2: half of her behavior, like she's so smart, but she 222 00:14:14,200 --> 00:14:17,959 Speaker 2: can be so cruel really quickly, and all of a 223 00:14:18,000 --> 00:14:23,880 Speaker 2: sudden you have her needing. And I think Nia's performance 224 00:14:23,960 --> 00:14:28,400 Speaker 2: was this of that thing that is not explicitly written right, 225 00:14:28,800 --> 00:14:31,360 Speaker 2: and that the subtext of her performance of there's this 226 00:14:31,440 --> 00:14:33,640 Speaker 2: thing that needs to get out. She's bubbling and she's 227 00:14:33,680 --> 00:14:35,360 Speaker 2: trying to talk to Brittany, but it's sort of like 228 00:14:35,400 --> 00:14:38,800 Speaker 2: talking at a wall, and even she doesn't know how 229 00:14:38,880 --> 00:14:42,760 Speaker 2: to identify it. That's how like buried it is, right, 230 00:14:42,800 --> 00:14:44,800 Speaker 2: And I just think this whole storyline, how it started, 231 00:14:44,840 --> 00:14:51,920 Speaker 2: was written so beautifully, and also having someone like Holly Holliday, 232 00:14:52,000 --> 00:14:55,920 Speaker 2: who that's best case scenario. If you're coming out or 233 00:14:56,000 --> 00:15:00,440 Speaker 2: questioning something, you have somebody, an adult like that, or 234 00:15:00,480 --> 00:15:03,640 Speaker 2: anybody in your life who can casually talk about any 235 00:15:03,720 --> 00:15:06,200 Speaker 2: of these things like it's not a big deal because it's. 236 00:15:06,080 --> 00:15:11,720 Speaker 1: Me, and do more of that normalizing. 237 00:15:12,800 --> 00:15:14,320 Speaker 2: And it's like a lot of the teachers on the 238 00:15:14,360 --> 00:15:18,440 Speaker 2: show walk the line of like is this right okay 239 00:15:18,880 --> 00:15:22,600 Speaker 2: or not? Like are you crossing a line? And Holiday, 240 00:15:23,000 --> 00:15:28,840 Speaker 2: Holly Holiday, is no exception to that. But she does 241 00:15:28,920 --> 00:15:30,400 Speaker 2: it in a way in that scene where it's the 242 00:15:30,440 --> 00:15:32,160 Speaker 2: three of them, you know, having a little come to 243 00:15:32,240 --> 00:15:37,360 Speaker 2: Jesus moment sitting there like why are you sitting at 244 00:15:37,360 --> 00:15:42,800 Speaker 2: that because we're in Japan. No, I'm just kidding. I 245 00:15:42,840 --> 00:15:47,080 Speaker 2: think I was almost just I knew it was coming, 246 00:15:47,080 --> 00:15:49,680 Speaker 2: and I was still surprised by it because it was 247 00:15:49,720 --> 00:15:53,600 Speaker 2: so delicate, which is so the opposite of Santana. 248 00:15:53,840 --> 00:15:56,440 Speaker 1: It just reminds me of Susilvaster when they punch you 249 00:15:56,480 --> 00:15:58,960 Speaker 1: in the gut with those storylines with her and her sister, 250 00:16:00,120 --> 00:16:05,000 Speaker 1: Like there's there's something going on underneath the layers of 251 00:16:05,120 --> 00:16:12,080 Speaker 1: anger and humor and guarded a guarded wall, and you 252 00:16:12,120 --> 00:16:14,400 Speaker 1: know that's that's under there, and there's a reason why 253 00:16:14,440 --> 00:16:17,160 Speaker 1: people put their guard up and why they choose humor 254 00:16:17,240 --> 00:16:24,080 Speaker 1: and why they choose to be so angry that Glee, 255 00:16:24,440 --> 00:16:28,480 Speaker 1: you know, did so beautifully in specific characters. 256 00:16:29,240 --> 00:16:32,920 Speaker 2: Right, specific characters, specific scenes, Yeah, and. 257 00:16:33,800 --> 00:16:39,600 Speaker 1: Specific storylines that you know obviously needed that care and 258 00:16:40,120 --> 00:16:44,360 Speaker 1: attention to detail, I guess. But I'm curious if Brittany 259 00:16:44,400 --> 00:16:47,600 Speaker 1: and Santana were always put like in the plan. I 260 00:16:47,600 --> 00:16:49,560 Speaker 1: don't feel like they were, And I feel like this 261 00:16:49,720 --> 00:16:54,120 Speaker 1: was something that they listened to the audience about. But 262 00:16:54,360 --> 00:16:56,600 Speaker 1: I'm I'm curious, and I feel like we need to 263 00:16:56,960 --> 00:16:57,920 Speaker 1: text somebody and else. 264 00:16:58,160 --> 00:17:01,120 Speaker 2: Yeah, I don't think. I don't think it was. I 265 00:17:01,160 --> 00:17:05,399 Speaker 2: think that just happened m organically. And I also think 266 00:17:06,119 --> 00:17:11,040 Speaker 2: how they set it up to where it's immediately sort 267 00:17:11,080 --> 00:17:19,960 Speaker 2: of unrequited love, where you're also Brittany is not leaving Artie, right, 268 00:17:22,440 --> 00:17:27,760 Speaker 2: but she's also down to be with Santana where it's 269 00:17:27,760 --> 00:17:31,480 Speaker 2: sort of like she's not saying no, right, she's. 270 00:17:31,280 --> 00:17:33,040 Speaker 1: Just into somebody else right now as. 271 00:17:32,960 --> 00:17:40,359 Speaker 2: Well versus and it's really important to where Santanna's like, 272 00:17:40,400 --> 00:17:42,680 Speaker 2: do you get what I'm trying to say here? And 273 00:17:42,920 --> 00:17:44,760 Speaker 2: Brittany's like no. 274 00:17:47,119 --> 00:17:48,760 Speaker 1: It's so honest though. 275 00:17:50,359 --> 00:17:57,080 Speaker 2: Because you're having on network television this character spell this 276 00:17:57,200 --> 00:18:01,960 Speaker 2: out right for everybody to see, a character that everybody 277 00:18:02,000 --> 00:18:05,520 Speaker 2: has fallen in love with, and now all of a sudden, 278 00:18:05,600 --> 00:18:07,480 Speaker 2: you're adding this whole new thing. It's like real life, 279 00:18:07,560 --> 00:18:10,960 Speaker 2: you find out something out about somebody and it's like, 280 00:18:11,240 --> 00:18:12,840 Speaker 2: are you still going to treat them the same way 281 00:18:12,880 --> 00:18:15,639 Speaker 2: and think about them in the same way? And as 282 00:18:15,680 --> 00:18:18,879 Speaker 2: a viewer now you sort of have You're put in 283 00:18:18,920 --> 00:18:23,080 Speaker 2: this position of like, well, why would I change my mind? 284 00:18:24,080 --> 00:18:26,480 Speaker 2: And that's why I sort of think I don't think 285 00:18:26,520 --> 00:18:31,520 Speaker 2: it was planned because I think right Ryan saw the 286 00:18:31,600 --> 00:18:35,840 Speaker 2: opportunity to increase. I think the visibility for people in. 287 00:18:35,800 --> 00:18:37,719 Speaker 1: The show definitely. 288 00:18:40,480 --> 00:18:47,640 Speaker 2: Just deep, deep, and it was also you could tell 289 00:18:47,680 --> 00:18:50,800 Speaker 2: in their performances how in Heather's talked about this, how 290 00:18:51,560 --> 00:18:55,200 Speaker 2: seriously they took it, how seriously Naia took that responsibility 291 00:18:55,200 --> 00:18:55,480 Speaker 2: in that. 292 00:18:55,440 --> 00:19:02,960 Speaker 1: Story definitely, and I think their relationship grew over time 293 00:19:03,040 --> 00:19:06,199 Speaker 1: as they worked together more. They also had a budding 294 00:19:06,200 --> 00:19:10,199 Speaker 1: friendship and a close bond and then I think, you know, 295 00:19:10,320 --> 00:19:15,600 Speaker 1: they kind of tie into one another, but they always 296 00:19:15,640 --> 00:19:17,320 Speaker 1: had such a lovely friendship, I thought. 297 00:19:18,600 --> 00:19:24,359 Speaker 2: So this whole Holly Holiday thing starts to back up 298 00:19:24,400 --> 00:19:27,040 Speaker 2: to the beginning of the episode with her realizing that 299 00:19:27,080 --> 00:19:30,280 Speaker 2: the glee club doesn't know anything about sex when she's 300 00:19:30,320 --> 00:19:34,760 Speaker 2: giving a demonstration with condoms and cucumbers, and Mercedes and 301 00:19:34,840 --> 00:19:38,000 Speaker 2: Finn are like, wait, what I had cucumbers on my sandwich? 302 00:19:40,119 --> 00:19:41,560 Speaker 2: Wit concumbers? Give you aids? 303 00:19:42,440 --> 00:19:43,040 Speaker 1: I can't. 304 00:19:43,520 --> 00:19:49,720 Speaker 2: It's insane. But this starts a whole chain reaction for 305 00:19:49,800 --> 00:19:56,480 Speaker 2: the kids and adults, right, and this wonderful jazzer size class. 306 00:19:57,320 --> 00:20:03,320 Speaker 2: It was hilarious. The outfit Gwyneth is wearing one of 307 00:20:03,400 --> 00:20:04,480 Speaker 2: my favorite things ever. 308 00:20:05,200 --> 00:20:09,880 Speaker 1: Yeah. So yes, Holly tells Will that they should sneak 309 00:20:09,960 --> 00:20:14,440 Speaker 1: in sex education so that the kids can learn about sex, 310 00:20:14,480 --> 00:20:19,040 Speaker 1: because she's all about you know, uh, knowledge is power, 311 00:20:19,280 --> 00:20:23,320 Speaker 1: right Versus Emma, who is leading the celibacy club because 312 00:20:23,359 --> 00:20:30,080 Speaker 1: she too is a virgin and believes that these chastity 313 00:20:30,160 --> 00:20:35,560 Speaker 1: charms are going to you know, take off anyway. 314 00:20:36,440 --> 00:20:38,520 Speaker 2: Obviously, Holly Holliday doesn't listen to her own advice and 315 00:20:38,560 --> 00:20:44,320 Speaker 2: immediately launches into crazy sex talk. Also, wait, can we 316 00:20:44,359 --> 00:20:46,840 Speaker 2: talk about one of my favorite scenes in Glee history? 317 00:20:47,080 --> 00:20:50,640 Speaker 2: Which scene when Brittany thinks she's pregnant? 318 00:20:50,800 --> 00:20:54,359 Speaker 1: Is it one of your funny your favorite scenes to watch? 319 00:20:54,920 --> 00:20:58,119 Speaker 2: To watch? I think every now and then I just 320 00:20:58,320 --> 00:21:01,680 Speaker 2: somebody will like post it on or something, and I'll 321 00:21:01,720 --> 00:21:06,520 Speaker 2: just watch it in full because it's funny. Her already 322 00:21:06,520 --> 00:21:10,560 Speaker 2: freaking out, Brittany's saying stuff about the stork, and then 323 00:21:10,640 --> 00:21:13,560 Speaker 2: Amber's actual Like, I don't think that was acting. That 324 00:21:13,680 --> 00:21:19,000 Speaker 2: was Amber, not Mercedes Leah's reaction. It's all so good. 325 00:21:20,400 --> 00:21:21,159 Speaker 2: It was dying. 326 00:21:22,680 --> 00:21:24,639 Speaker 1: Yeah, so Brittany thinks that she has a bun in 327 00:21:24,680 --> 00:21:29,119 Speaker 1: the oven, it ends up being what she thinks is 328 00:21:29,160 --> 00:21:31,240 Speaker 1: a stork on her rooftop. 329 00:21:31,720 --> 00:21:34,400 Speaker 2: This is my shows like sex education are important. 330 00:21:34,240 --> 00:21:37,959 Speaker 1: Yeah, definitely, and just being able to do this on 331 00:21:38,040 --> 00:21:41,760 Speaker 1: network television is also. I'm shocked that we all half 332 00:21:41,800 --> 00:21:44,400 Speaker 1: of these things got approved and cleared. 333 00:21:45,280 --> 00:21:48,639 Speaker 2: Like the teacher says, sex it's like hugging, only wetter. 334 00:21:49,480 --> 00:21:57,439 Speaker 1: I I my mouth was a gabe at this my 335 00:21:57,560 --> 00:22:03,159 Speaker 1: jaw dropped to the ground, unhinged, and drop to the ground. 336 00:22:08,280 --> 00:22:11,560 Speaker 1: It's very inappropriate. And then you also flop following that 337 00:22:11,640 --> 00:22:15,160 Speaker 1: with yet is is also inappropriate. 338 00:22:15,400 --> 00:22:17,400 Speaker 2: But the moral of the story, her message is true, 339 00:22:17,440 --> 00:22:21,119 Speaker 2: because then she says, just just remember whenever you have 340 00:22:21,160 --> 00:22:23,160 Speaker 2: sex with some when you're having sex with everyone they've 341 00:22:23,200 --> 00:22:27,119 Speaker 2: ever had sex with, and everybody's got a random you, 342 00:22:28,160 --> 00:22:31,720 Speaker 2: She's not wrong. She's not wrong if you're lucky. 343 00:22:32,119 --> 00:22:37,199 Speaker 1: Yeah, And Emma is angry with Will over this, and 344 00:22:37,280 --> 00:22:42,800 Speaker 1: so he invites her, leading with the Celibacy Club and 345 00:22:43,320 --> 00:22:46,840 Speaker 1: Doctor Carl, to come perform a number as a counter 346 00:22:47,040 --> 00:22:51,359 Speaker 1: argument to Holly's approach to teaching the kids about sex. 347 00:22:53,600 --> 00:23:02,639 Speaker 1: And then meanwhile Will and Holly are getting sexy. Holly 348 00:23:02,680 --> 00:23:05,960 Speaker 1: is a mess, She's a hot mess, but she Will 349 00:23:06,200 --> 00:23:08,919 Speaker 1: is trying to work out this town this tango for 350 00:23:09,480 --> 00:23:15,760 Speaker 1: gly Club, of course, to a very sexy number, A 351 00:23:15,880 --> 00:23:20,880 Speaker 1: sexy tango with all of our dancer friends on the stage. 352 00:23:20,920 --> 00:23:24,480 Speaker 1: Do you remember sneaking in to watch this, shoot this, 353 00:23:24,520 --> 00:23:28,320 Speaker 1: shooting them shooting this? No? Did we Yeah? I mean 354 00:23:28,359 --> 00:23:30,720 Speaker 1: maybe you weren't there. I snuck in to watch a 355 00:23:30,760 --> 00:23:32,840 Speaker 1: little bit of it because I remember the candle Opers 356 00:23:34,440 --> 00:23:37,880 Speaker 1: and thinking, damn, these guys are good. 357 00:23:39,520 --> 00:23:41,199 Speaker 2: I don't think I did. I think you told me 358 00:23:41,240 --> 00:23:45,480 Speaker 2: about it. Yeah, it was fun Gwineth, It's that high note. 359 00:23:45,480 --> 00:23:48,240 Speaker 2: Towards the end. I was like, okay, I know to 360 00:23:48,280 --> 00:23:48,919 Speaker 2: shout out. 361 00:23:48,800 --> 00:23:50,880 Speaker 1: To sing and who doesn't love this song? 362 00:23:52,040 --> 00:23:56,240 Speaker 2: Yeah, it's a cool version too, totally total love it. 363 00:23:57,240 --> 00:23:59,000 Speaker 1: So Will and Holly end up kissing at the end 364 00:23:59,040 --> 00:24:02,080 Speaker 1: of it, and she's like, you don't want to get 365 00:24:02,119 --> 00:24:08,240 Speaker 1: involved with me, So that's she poopoos on Will wanting 366 00:24:08,280 --> 00:24:09,800 Speaker 1: to take her out to dinner. 367 00:24:10,119 --> 00:24:13,480 Speaker 2: She also poo poos on Puck and ZIZI is trying 368 00:24:13,520 --> 00:24:17,840 Speaker 2: to make a sex tape, right, which was pretty great 369 00:24:18,040 --> 00:24:22,119 Speaker 2: because I just wants to be famous, and Puck's like, 370 00:24:22,280 --> 00:24:25,440 Speaker 2: I'm down if that means I get to rub a 371 00:24:25,520 --> 00:24:33,520 Speaker 2: bony And after it's poop pooed, they joined the Celibacy Club. 372 00:24:34,320 --> 00:24:39,000 Speaker 2: So then they all join in and MS yes, Puck 373 00:24:39,240 --> 00:24:44,600 Speaker 2: joins in with Carl to assist sky Rockets and flight. 374 00:24:45,080 --> 00:24:50,320 Speaker 1: I okay, so I don't at this point, I didn't 375 00:24:50,720 --> 00:24:53,679 Speaker 1: fully read this script. I'm going to just put that 376 00:24:53,760 --> 00:24:58,040 Speaker 1: out there. I clearly didn't read the script and the 377 00:24:58,760 --> 00:25:02,720 Speaker 1: reason I remember this this was at the point where 378 00:25:02,720 --> 00:25:07,760 Speaker 1: you flip the you look for your name in the script, 379 00:25:07,920 --> 00:25:12,399 Speaker 1: and our names were not very very I actually don't know. 380 00:25:12,480 --> 00:25:16,960 Speaker 1: I think I had one line in this episode. And 381 00:25:18,840 --> 00:25:24,080 Speaker 1: I remember getting to shoot this, getting into set to 382 00:25:24,119 --> 00:25:26,560 Speaker 1: shoot this, and being like, Oh, they're doing Afternoon Delight. 383 00:25:26,640 --> 00:25:29,159 Speaker 1: That's fun. I had no idea that this was the 384 00:25:29,200 --> 00:25:33,360 Speaker 1: context in which they were doing, so I was very tickled. 385 00:25:33,520 --> 00:25:36,600 Speaker 1: I remember watching this number was so much fun to watch. 386 00:25:36,680 --> 00:25:41,320 Speaker 1: They were all making us laugh, hamming it up as 387 00:25:41,359 --> 00:25:46,000 Speaker 1: you can see, so good. And then they perform Afternoon 388 00:25:46,040 --> 00:25:53,399 Speaker 1: Delay with a wonderful backdrop of pie, which Emmon thinks 389 00:25:53,440 --> 00:25:58,399 Speaker 1: it's a dessert that the song's talking about. It's actually not, 390 00:25:58,960 --> 00:26:06,159 Speaker 1: that's about sex and yeah, and then Holly tells her 391 00:26:06,200 --> 00:26:08,959 Speaker 1: it's about sneaking out for an dinner. So Carl on 392 00:26:09,040 --> 00:26:11,479 Speaker 1: the side asks Holly if she has at any office 393 00:26:11,480 --> 00:26:16,520 Speaker 1: hours because he and Emma need some help aka sex 394 00:26:16,560 --> 00:26:22,720 Speaker 1: talk they have gotten coming in like this, yes, and 395 00:26:22,760 --> 00:26:27,200 Speaker 1: so they end up in the office with Emma which 396 00:26:27,280 --> 00:26:32,680 Speaker 1: is very cute or not Emma sorry, with Holly, and 397 00:26:32,720 --> 00:26:39,960 Speaker 1: they reveal that they haven't had sex and Emma might 398 00:26:40,080 --> 00:26:47,520 Speaker 1: still be in love with Will so damn, yeah it is. 399 00:26:47,840 --> 00:26:51,359 Speaker 2: There's that And Gwyneth looks like she's beside herself this 400 00:26:51,560 --> 00:26:56,320 Speaker 2: entire scene. She's having so much fun. What does she 401 00:26:56,320 --> 00:26:58,200 Speaker 2: say at the very end if she makes a joke 402 00:26:58,440 --> 00:27:02,640 Speaker 2: to Emma about her legs being closed? 403 00:27:03,520 --> 00:27:06,680 Speaker 1: Ohkay, my lips are sealed just like your legs. 404 00:27:07,200 --> 00:27:10,040 Speaker 2: Yes, She's like, see, I shouldn't have said that. That 405 00:27:10,119 --> 00:27:12,359 Speaker 2: was so rude. That was a real doctor. I wouldn't 406 00:27:12,359 --> 00:27:16,679 Speaker 2: have said that. I love it. That's like that playfulness 407 00:27:17,560 --> 00:27:20,600 Speaker 2: I think is totally Ryan, being like go for it. 408 00:27:20,800 --> 00:27:23,760 Speaker 1: Yeah. And Holly Holiday just getting dumber and dumber every 409 00:27:23,760 --> 00:27:25,040 Speaker 1: time she makes an appearance. 410 00:27:25,440 --> 00:27:28,160 Speaker 2: I think, I don't know if it's dumber. I think 411 00:27:28,200 --> 00:27:29,600 Speaker 2: it's she just doesn't care. 412 00:27:30,240 --> 00:27:35,119 Speaker 1: No, I think she's dumb. I think she doesn't know 413 00:27:35,200 --> 00:27:41,119 Speaker 1: a lot. I see it behind when it's wheels like 414 00:27:41,359 --> 00:27:44,960 Speaker 1: working that like she's not that smart, Holly Holliday. 415 00:27:45,560 --> 00:27:46,320 Speaker 2: I think she is. 416 00:27:47,040 --> 00:28:03,000 Speaker 1: Okay, okay, Rachel, with all these new people joining the 417 00:28:03,040 --> 00:28:06,520 Speaker 1: celibacy club, Emma is out fixing her sham of a 418 00:28:06,560 --> 00:28:11,240 Speaker 1: marriage quote unquote, So Rachel has taken over. We've got Warren, 419 00:28:11,400 --> 00:28:14,760 Speaker 1: We've got Artie. We've got Brittany and Santana. 420 00:28:15,280 --> 00:28:16,480 Speaker 2: Yeah, why are we all in there? 421 00:28:16,760 --> 00:28:19,720 Speaker 1: I don't know? You tell me you were there. 422 00:28:20,280 --> 00:28:24,880 Speaker 2: I looked up and I literally said why I did 423 00:28:24,920 --> 00:28:29,479 Speaker 2: not know I was in there? Hmmm, I don't know 424 00:28:29,560 --> 00:28:30,480 Speaker 2: why I was in there. 425 00:28:31,480 --> 00:28:35,160 Speaker 1: I feel like because you guys had sex and because 426 00:28:35,640 --> 00:28:39,480 Speaker 1: she thought she's pregnant. Yeah, exactly, And Santanna's probably there 427 00:28:39,520 --> 00:28:43,240 Speaker 1: because Brittany's there, and Zices is there because Puck was there. 428 00:28:43,280 --> 00:28:49,080 Speaker 1: So everybody get recruited. Yes, fair. And then Holly comes 429 00:28:49,080 --> 00:28:52,959 Speaker 1: to say goodbye at the end of her sex education uh, 430 00:28:53,360 --> 00:28:57,320 Speaker 1: and realizes that she don't know want to say goodbye, 431 00:28:58,160 --> 00:29:03,560 Speaker 1: and that they she knows a lot about a one 432 00:29:03,600 --> 00:29:05,440 Speaker 1: eyed stand, but she should have something that lasts a 433 00:29:05,480 --> 00:29:09,400 Speaker 1: little bit longer. And so here we have Holly and 434 00:29:09,440 --> 00:29:11,960 Speaker 1: Will just getting it on. 435 00:29:12,680 --> 00:29:17,280 Speaker 2: Will's crushing like Will gets everyone. 436 00:29:17,520 --> 00:29:18,800 Speaker 1: He does get everybody. 437 00:29:18,960 --> 00:29:19,800 Speaker 2: It's pretty wild. 438 00:29:20,120 --> 00:29:23,840 Speaker 1: And now Emma is still is now thinking her marriage 439 00:29:23,840 --> 00:29:26,800 Speaker 1: is in shambles, thinking she still loves Will, so there's 440 00:29:26,840 --> 00:29:28,080 Speaker 1: going to be some drama. 441 00:29:28,680 --> 00:29:30,520 Speaker 2: I do you like that little slip of a poly holiday? 442 00:29:30,520 --> 00:29:32,880 Speaker 2: And she talks about seeing someone else and everything, yes, 443 00:29:32,960 --> 00:29:34,080 Speaker 2: like what like? Oh, nothing. 444 00:29:34,120 --> 00:29:37,720 Speaker 1: Never mind, never mind the other thing. 445 00:29:37,600 --> 00:29:42,960 Speaker 2: That's happening this episode because it's a different show, yes 446 00:29:43,720 --> 00:29:49,600 Speaker 2: is Kurt and Blaine are told by Sue that the 447 00:29:49,640 --> 00:29:54,280 Speaker 2: glee club is trying to get sexy for regionals, and 448 00:29:54,360 --> 00:29:57,440 Speaker 2: so Blaine is like, oh god, we gotta get sexy. 449 00:29:57,480 --> 00:30:01,000 Speaker 2: So they perform for this all girl all girls school, 450 00:30:01,000 --> 00:30:08,880 Speaker 2: which is like a weird yeah, and then Blaine starts 451 00:30:09,040 --> 00:30:12,680 Speaker 2: insulting Kurt, being like, what were you doing with your face? 452 00:30:13,640 --> 00:30:14,840 Speaker 2: He's like, I was being sexy. 453 00:30:15,360 --> 00:30:17,400 Speaker 1: Can we talk about an animal? Firs? Sorry, because Chris 454 00:30:17,480 --> 00:30:23,719 Speaker 1: is faces the tiger faces that thing. It was really 455 00:30:24,200 --> 00:30:25,280 Speaker 1: very very good. 456 00:30:25,600 --> 00:30:26,800 Speaker 2: He's living it up. 457 00:30:27,040 --> 00:30:29,520 Speaker 1: From that, we learned that Kurt doesn't know a thing 458 00:30:29,520 --> 00:30:34,120 Speaker 1: about sex. He doesn't know how to be sexy, and 459 00:30:34,200 --> 00:30:38,600 Speaker 1: so Blaine goes and visits Bert at the garage, telling 460 00:30:38,680 --> 00:30:41,480 Speaker 1: him he's worried about him not knowing anything about sex, 461 00:30:42,200 --> 00:30:45,480 Speaker 1: and that he thinks it would be a good opportunity 462 00:30:45,520 --> 00:30:50,400 Speaker 1: for Burt to learn about take advantage and learn about 463 00:30:50,440 --> 00:30:54,440 Speaker 1: it and take it to Kurt and inform and educate Kurt. 464 00:30:55,320 --> 00:30:57,400 Speaker 2: I do. He showed up there and I was like, 465 00:30:57,480 --> 00:31:02,640 Speaker 2: what is he doing? And then it, you know, it 466 00:31:02,840 --> 00:31:06,240 Speaker 2: just Bert wraps it up perfectly. When Blaine's like, I 467 00:31:06,320 --> 00:31:09,480 Speaker 2: hope't a overstepping and Bert just goes you are. 468 00:31:11,240 --> 00:31:11,520 Speaker 1: They go. 469 00:31:12,200 --> 00:31:14,760 Speaker 2: It's like to say or to not say something right. 470 00:31:15,080 --> 00:31:18,240 Speaker 2: I don't know what is ethically or morally correct. It's 471 00:31:18,280 --> 00:31:21,080 Speaker 2: a gray area, but I lovely says like every time 472 00:31:21,080 --> 00:31:22,440 Speaker 2: I try to bring it up, Kurt just puts his 473 00:31:22,440 --> 00:31:24,640 Speaker 2: fingers into his ears, and then Burt brings it up, 474 00:31:24,760 --> 00:31:26,960 Speaker 2: and Kurt puts his fingers in his ears and walks away. 475 00:31:30,560 --> 00:31:35,440 Speaker 1: But Burt does end up taking some pamphlets and learning 476 00:31:35,480 --> 00:31:39,360 Speaker 1: about the mechanics of it all and so that they 477 00:31:39,360 --> 00:31:41,520 Speaker 1: can talk about it, because sex talk is important. 478 00:31:42,120 --> 00:31:43,520 Speaker 2: No matter, it's such a good scene. 479 00:31:44,280 --> 00:31:46,320 Speaker 1: It really is such a good scene. I mean, I 480 00:31:46,960 --> 00:31:49,479 Speaker 1: feel like we shouldn't be surprised at this point that 481 00:31:49,520 --> 00:31:52,480 Speaker 1: a Burton Kurt scene is so excellent. But every time, 482 00:31:52,520 --> 00:32:01,720 Speaker 1: I'm just i'm gonna say, gleefully surprised by their wonderful 483 00:32:01,760 --> 00:32:02,760 Speaker 1: relationship that we love. 484 00:32:02,920 --> 00:32:05,680 Speaker 2: So I also think it's important and totally intentional that 485 00:32:05,800 --> 00:32:11,160 Speaker 2: these things don't happen overnight. Where Kurt has been way 486 00:32:11,200 --> 00:32:15,440 Speaker 2: more accepting than you know, a lot of parents could be, 487 00:32:16,640 --> 00:32:21,560 Speaker 2: but he still is taking his time to arrive at 488 00:32:21,560 --> 00:32:24,120 Speaker 2: the moment and did you say sorry? I mean Bert, 489 00:32:25,440 --> 00:32:27,600 Speaker 2: And you know it got brought up before where Kurt 490 00:32:27,680 --> 00:32:29,440 Speaker 2: was like, you know, maybe you should educate yourself about 491 00:32:29,440 --> 00:32:31,880 Speaker 2: sex a couple episodes ago, and now here we are 492 00:32:32,040 --> 00:32:34,480 Speaker 2: where it's obviously been brought up to him. It's in 493 00:32:34,520 --> 00:32:39,040 Speaker 2: his mind and has the courage to sort of do it, 494 00:32:39,640 --> 00:32:41,840 Speaker 2: and he does it in his way. They don't talk 495 00:32:41,880 --> 00:32:46,400 Speaker 2: about anything explicit, right, but they talk about the universal 496 00:32:46,480 --> 00:32:50,320 Speaker 2: truths of sex. And also I have to say the 497 00:32:50,360 --> 00:32:54,160 Speaker 2: breaking it down of like, can you imagine it's two guys? 498 00:32:54,520 --> 00:32:56,440 Speaker 2: I know, so that's double that. It's like that is 499 00:32:56,480 --> 00:33:01,160 Speaker 2: important to acknowledge, Yeah, because I don't know what parents 500 00:33:01,840 --> 00:33:05,120 Speaker 2: or elders are going to acknowledge that for their kids 501 00:33:05,680 --> 00:33:10,640 Speaker 2: who might be gay, but not no one, not back then. 502 00:33:10,880 --> 00:33:14,440 Speaker 2: Always always an impressive moment between those two. 503 00:33:14,920 --> 00:33:25,959 Speaker 1: Truly, And that's the sexy, sexy yeps, crazy weird, random 504 00:33:26,080 --> 00:33:31,600 Speaker 1: kind of a filler before a big our big competition episode, 505 00:33:31,960 --> 00:33:37,000 Speaker 1: but yet still fun and also emotional and just exactly 506 00:33:37,040 --> 00:33:39,280 Speaker 1: what you'd expect from a really great run A. 507 00:33:39,320 --> 00:33:43,600 Speaker 2: Few episode original song after this, These two are so 508 00:33:43,720 --> 00:33:46,800 Speaker 2: much fun and also great to watch together. I just 509 00:33:46,880 --> 00:33:50,240 Speaker 2: kept going. I just watched them back to back. Yes, 510 00:33:51,120 --> 00:33:54,000 Speaker 2: because you don't want it to stop. And so I was. 511 00:33:53,920 --> 00:33:58,520 Speaker 1: Excited for song and what I didn't remember it and 512 00:33:58,560 --> 00:34:03,360 Speaker 1: didn't remember and it is a very big episode. 513 00:34:03,880 --> 00:34:08,360 Speaker 2: They are both. These episodes also are like gay canon wise, 514 00:34:08,880 --> 00:34:11,400 Speaker 2: very important, and they're back to back. I did not 515 00:34:11,560 --> 00:34:15,239 Speaker 2: think these big gay moments were happening back to back 516 00:34:15,640 --> 00:34:19,200 Speaker 2: and so quickly, so quickly. Yeah, but we'll get to 517 00:34:19,239 --> 00:34:20,320 Speaker 2: that in the next episode. 518 00:34:20,520 --> 00:34:24,200 Speaker 1: We'll tune in next week. Okay, should we do some 519 00:34:24,200 --> 00:34:30,920 Speaker 1: TARTI takes for absolutely, m Okay, cringe moments, go for it. 520 00:34:31,560 --> 00:34:34,600 Speaker 1: There was nothing like too inappropriate this episode that I 521 00:34:34,640 --> 00:34:37,480 Speaker 1: was like, oh, this wasn't gonna fly or I don't 522 00:34:37,520 --> 00:34:41,239 Speaker 1: love that. But some of the sexy lessons with the 523 00:34:41,360 --> 00:34:44,120 Speaker 1: kids with Holly again you said like Toad and line 524 00:34:44,120 --> 00:34:45,719 Speaker 1: of like is this inappropriate or not? 525 00:34:46,480 --> 00:34:50,120 Speaker 2: I said it before and I'll say it again. I 526 00:34:50,160 --> 00:34:56,160 Speaker 2: think the whole Blaine talking to the girls school being like, 527 00:34:56,239 --> 00:34:57,840 Speaker 2: this is what we're looking for. Do we make you 528 00:34:57,880 --> 00:35:05,320 Speaker 2: feel a certain like that all that best dance move, Jenna. 529 00:35:07,160 --> 00:35:13,080 Speaker 1: I feel like the kiss takes the cake on this one. 530 00:35:13,400 --> 00:35:20,319 Speaker 1: The tank, the tango. Oh yes, actual kiss Oh sorry, no, 531 00:35:21,080 --> 00:35:22,720 Speaker 1: holiday is not the only on Who's done here. 532 00:35:24,360 --> 00:35:25,719 Speaker 2: The tango? Absolutely? 533 00:35:26,239 --> 00:35:34,560 Speaker 1: Yeah. Best song Kevin Landslide, Yeah by a Landslide uh 534 00:35:34,719 --> 00:35:40,200 Speaker 1: performance by prob I'm going with the foam in Animal 535 00:35:41,360 --> 00:35:44,400 Speaker 1: Wild Times. I was like, is this a foam party 536 00:35:44,480 --> 00:35:45,560 Speaker 1: that's happening right now? 537 00:35:46,280 --> 00:35:51,040 Speaker 2: Absolutely? I second that or the cucumber. I don't know 538 00:35:51,440 --> 00:35:57,680 Speaker 2: true best lines. I think it's Brittany's entire thing with 539 00:35:57,719 --> 00:36:03,000 Speaker 2: the stork m you know, M Yeah. 540 00:36:03,280 --> 00:36:07,920 Speaker 1: I'm going with Hollie Holidays sex. It's just like hugging 541 00:36:07,920 --> 00:36:11,239 Speaker 1: only it's a lot. 542 00:36:11,719 --> 00:36:20,040 Speaker 2: She really got away with words performance via m v P. Yes, absolutely, Gwyneth. 543 00:36:22,320 --> 00:36:24,400 Speaker 2: I actually I will say it's a tie between Gwyneth 544 00:36:24,600 --> 00:36:25,720 Speaker 2: and Nyah. 545 00:36:26,080 --> 00:36:26,279 Speaker 1: Yeah. 546 00:36:26,520 --> 00:36:33,000 Speaker 2: Noble mentioned Enaya on this one because she's acting, that's right, 547 00:36:33,640 --> 00:36:38,839 Speaker 2: that whole speech at the lockers locker, her performance during Landslide, 548 00:36:39,040 --> 00:36:45,760 Speaker 2: the whole thing with her gwynethan Heather when they're you know, talking, 549 00:36:46,520 --> 00:36:48,759 Speaker 2: all those scenes. She's so so, so good. 550 00:36:51,280 --> 00:36:54,200 Speaker 1: I think I think it's a tie. 551 00:36:54,239 --> 00:36:57,839 Speaker 2: I think it's a double gold medal. Okay, so ship 552 00:36:57,880 --> 00:37:06,680 Speaker 2: we found on TikTok Jenna swifty Jenna. Oh it is 553 00:37:06,960 --> 00:37:13,560 Speaker 2: Sue Sylvester versions of Taylor Swift's album covers. It's like 554 00:37:13,600 --> 00:37:18,919 Speaker 2: if Sue had remade Taylor's albums. Maddie Hanson ninety nine 555 00:37:19,680 --> 00:37:27,960 Speaker 2: on TikTok has posted these incredible fake Taylor Swift album covers. 556 00:37:28,040 --> 00:37:32,880 Speaker 2: But but Sue Sylvester, there's reputation there. Speak now, but 557 00:37:32,960 --> 00:37:40,400 Speaker 2: it's called Sue now, sueer for lover? Is this very folklore? 558 00:37:42,719 --> 00:37:46,640 Speaker 2: Oh my god, the facts are perfect. It's it's absolutely 559 00:37:46,719 --> 00:37:51,279 Speaker 2: insane and I don't know how Maddie's brain went there, 560 00:37:51,280 --> 00:37:54,080 Speaker 2: but I'm glad it did. Yeah, because we are all 561 00:37:54,320 --> 00:37:58,520 Speaker 2: better for it. I think, Yeah, I agree, you know 562 00:37:58,760 --> 00:38:02,839 Speaker 2: who knows. Thank you for making this and everyone who 563 00:38:02,840 --> 00:38:08,040 Speaker 2: tagged us. It's pure art. It's real art, you know. 564 00:38:09,080 --> 00:38:12,760 Speaker 2: And you have a vision and you completed that vision. 565 00:38:15,040 --> 00:38:17,560 Speaker 1: I'm in love. I'm in love. 566 00:38:18,520 --> 00:38:21,200 Speaker 2: Very good. Well, thank you for joining us for this 567 00:38:21,400 --> 00:38:27,759 Speaker 2: very sexy episode and that's what you really miss see you, 568 00:38:28,600 --> 00:38:31,759 Speaker 2: thanks for listening and follow us on Instagram at and 569 00:38:31,840 --> 00:38:34,080 Speaker 2: that's what you really miss pod Make sure to write 570 00:38:34,120 --> 00:38:36,400 Speaker 2: us a review and leave us five stars. See you 571 00:38:36,400 --> 00:38:36,799 Speaker 2: next time,