1 00:00:01,400 --> 00:00:05,560 Speaker 1: It gets no better than this. You are now June 2 00:00:05,800 --> 00:00:11,319 Speaker 1: to respectives with big bang bang. Let's get straight to 3 00:00:11,720 --> 00:00:14,680 Speaker 1: hey man, it's a beautiful day in the city of Atlanta, Georgia. Man. 4 00:00:14,800 --> 00:00:17,599 Speaker 1: Right now we're locked in on Mike Wheel Boulevard. 5 00:00:17,720 --> 00:00:24,239 Speaker 2: Man, my brother, Man, cooler man at home, at home, 6 00:00:27,040 --> 00:00:29,200 Speaker 2: don't real talk man, rest of three reset. 7 00:00:29,240 --> 00:00:31,480 Speaker 1: It's fine for that tonight. Man, y'all make sure y'all 8 00:00:31,480 --> 00:00:34,760 Speaker 1: tap in the night man, get in on that reset. 9 00:00:36,000 --> 00:00:37,239 Speaker 2: I'm from their perspective. Man. 10 00:00:37,280 --> 00:00:38,599 Speaker 1: You know I've been waiting to get on here. 11 00:00:38,640 --> 00:00:45,080 Speaker 2: Bro. Man, you're good, feeling good, bron everything we manifested, Man, 12 00:00:45,200 --> 00:00:47,559 Speaker 2: just seeing it come to light, even us coming out 13 00:00:47,600 --> 00:00:50,560 Speaker 2: here and doing the interview outside. It's like it's supposed 14 00:00:50,560 --> 00:00:53,320 Speaker 2: to rain today. It's a Sunday day. Everything working in 15 00:00:53,360 --> 00:00:54,200 Speaker 2: our paper right now. 16 00:00:54,320 --> 00:00:57,360 Speaker 1: Man, you know what I'm saying or locked in on 17 00:00:57,480 --> 00:01:00,160 Speaker 1: that for your mentally man. 18 00:01:00,280 --> 00:01:03,440 Speaker 2: Mentally Man, I feel I felt great, Bro. I ain't 19 00:01:03,440 --> 00:01:07,440 Speaker 2: gonna lie. I took some time away, took a step back, 20 00:01:07,640 --> 00:01:10,720 Speaker 2: you know what I'm saying, for like nine years and 21 00:01:11,000 --> 00:01:14,199 Speaker 2: we're just able to like reflect and just like even 22 00:01:14,280 --> 00:01:16,960 Speaker 2: learning myself as a as a as a person, as 23 00:01:17,000 --> 00:01:18,559 Speaker 2: a as a man like you know what I'm saying, 24 00:01:18,680 --> 00:01:22,440 Speaker 2: like and and feel me like I took my time 25 00:01:22,520 --> 00:01:24,559 Speaker 2: with it and like now I feel like I feel 26 00:01:24,680 --> 00:01:27,399 Speaker 2: charged up. I ain't gonna lie to you. I lost 27 00:01:27,440 --> 00:01:29,880 Speaker 2: my heart drives. I thought that was something, but I'm like, man, bro, 28 00:01:30,080 --> 00:01:32,920 Speaker 2: now I got a cloud. You know what I'm saying. 29 00:01:32,920 --> 00:01:36,280 Speaker 2: This cloud got twenty terror bytes full of new new 30 00:01:36,520 --> 00:01:37,119 Speaker 2: new music. 31 00:01:37,200 --> 00:01:37,760 Speaker 1: You know what I'm saying. 32 00:01:37,840 --> 00:01:40,520 Speaker 2: Like I ain't never stopped working, but it's like, you 33 00:01:40,560 --> 00:01:41,760 Speaker 2: know what I'm saying, Like you said, I had to 34 00:01:41,800 --> 00:01:43,840 Speaker 2: get my mentor together, all them hikes and all that 35 00:01:43,959 --> 00:01:46,840 Speaker 2: golfing and all that just sitting down, just chilling and 36 00:01:46,920 --> 00:01:50,320 Speaker 2: taking your time. You feel me ship out? 37 00:01:50,840 --> 00:01:52,760 Speaker 1: What would you say to people feel like you fell off? 38 00:01:53,040 --> 00:01:55,160 Speaker 1: Like like we done fell out way yet what are 39 00:01:55,160 --> 00:02:02,840 Speaker 1: you doing? Man? Nigga fell back? But no, I respected though, 40 00:02:02,880 --> 00:02:03,480 Speaker 1: you know what I'm saying. 41 00:02:04,520 --> 00:02:07,080 Speaker 2: I respect what the say, Like a nigga fell off 42 00:02:07,120 --> 00:02:09,519 Speaker 2: definitely if they, if they, if they so used to 43 00:02:09,600 --> 00:02:12,720 Speaker 2: that hearing a nigga might what made it, might have 44 00:02:12,840 --> 00:02:14,920 Speaker 2: made it. Or either seeing me on their favorite albums 45 00:02:14,919 --> 00:02:16,320 Speaker 2: and all that ship and then I'm not on their 46 00:02:16,360 --> 00:02:19,280 Speaker 2: favorite albums and I understand what niggas say, like, man, 47 00:02:19,840 --> 00:02:21,920 Speaker 2: oh yeah the nigga, that nigga fell off man, because 48 00:02:22,520 --> 00:02:25,560 Speaker 2: I'm not in their faith. But like I ain't nowhere 49 00:02:25,600 --> 00:02:28,080 Speaker 2: near fall off man. I really just about I've been 50 00:02:28,120 --> 00:02:30,800 Speaker 2: doing real estate. Like we were my third building right here. 51 00:02:30,880 --> 00:02:32,679 Speaker 2: This is my newest building right here. You know what 52 00:02:32,680 --> 00:02:35,160 Speaker 2: I'm saying. We got the whole compounds, three buildings. We 53 00:02:35,240 --> 00:02:37,080 Speaker 2: call it, made it way, you know what I'm saying. 54 00:02:37,320 --> 00:02:40,600 Speaker 2: And like this building right here, we're actually turning into 55 00:02:40,639 --> 00:02:43,200 Speaker 2: a school, you know what I'm saying. And so like 56 00:02:43,320 --> 00:02:45,359 Speaker 2: my focus had just shifted, you know what I'm saying. 57 00:02:45,600 --> 00:02:47,600 Speaker 2: And it wasn't and it wasn't all for the camera. 58 00:02:47,680 --> 00:02:50,120 Speaker 2: It wasn't all for the entertainment. It was really all 59 00:02:50,200 --> 00:02:53,200 Speaker 2: for the like expanding the legacy and like you know 60 00:02:53,200 --> 00:02:55,160 Speaker 2: what I'm saying, building the legacy and ship like that. 61 00:02:55,320 --> 00:02:58,040 Speaker 2: But nah, man, nigga ain't fell off man. 62 00:02:58,120 --> 00:02:59,840 Speaker 1: So could you? Could You could have just never not 63 00:03:00,040 --> 00:03:02,360 Speaker 1: did music no more like you came and made your money. 64 00:03:02,440 --> 00:03:03,519 Speaker 1: Basically not for sure. 65 00:03:03,560 --> 00:03:07,480 Speaker 2: I could have definitely definitely retired, been done with this shit. 66 00:03:07,680 --> 00:03:09,440 Speaker 2: Yeah you know what I'm saying. Say I was cool 67 00:03:09,480 --> 00:03:11,959 Speaker 2: on music, but It's like I'm thirty six, bro, you 68 00:03:12,000 --> 00:03:14,480 Speaker 2: feel me? Yeah, So like Jimmy, I been here. Every 69 00:03:14,480 --> 00:03:17,120 Speaker 2: time I run into he always asked me, like, Mike, 70 00:03:17,160 --> 00:03:19,840 Speaker 2: how do you know? Hey? Just remember I was forty 71 00:03:19,880 --> 00:03:21,960 Speaker 2: when I started in the scope. You know what I'm saying. 72 00:03:22,040 --> 00:03:24,000 Speaker 2: So he always puts that in perspective for me, you 73 00:03:24,000 --> 00:03:26,040 Speaker 2: know what I'm saying. So it's like I look at 74 00:03:26,120 --> 00:03:28,480 Speaker 2: it like, man, shit, I'm ja geting started, bro, Like 75 00:03:28,760 --> 00:03:31,280 Speaker 2: I'm really jaking started, and I'm learning a lot. I've 76 00:03:31,320 --> 00:03:33,880 Speaker 2: been able to learn a lot over these last years, 77 00:03:33,880 --> 00:03:37,040 Speaker 2: you know what I'm saying. Even you know hindsight twenty twenty. 78 00:03:37,080 --> 00:03:39,440 Speaker 2: So when you're able to got that look back and 79 00:03:39,920 --> 00:03:42,600 Speaker 2: and pay certain shit attention, it's like, yeah, I could have, 80 00:03:42,640 --> 00:03:44,840 Speaker 2: I could have hung it up. But it's like, man, 81 00:03:44,880 --> 00:03:47,760 Speaker 2: I did. Man, I came, I came. I'm far from 82 00:03:47,800 --> 00:03:49,600 Speaker 2: where I started, and I'm far from where I want 83 00:03:49,640 --> 00:03:52,120 Speaker 2: to be, you know what I'm saying. But I'm everything 84 00:03:52,160 --> 00:03:54,320 Speaker 2: I wish for as a teenager, you know what I'm saying. 85 00:03:54,680 --> 00:03:58,160 Speaker 2: So like, man, one minute you set these goals and 86 00:03:58,160 --> 00:04:00,720 Speaker 2: the next minute you got damn check them off, and 87 00:04:00,760 --> 00:04:02,480 Speaker 2: then you gotta set all new goals. You know what 88 00:04:02,480 --> 00:04:02,880 Speaker 2: I'm saying. 89 00:04:02,920 --> 00:04:06,760 Speaker 1: So, yeah, Man, so this album who a you got 90 00:04:06,840 --> 00:04:09,800 Speaker 1: on the album? Man? This ship loaded. 91 00:04:09,880 --> 00:04:11,960 Speaker 2: Man. So it's a lot of new collaborations, a lot 92 00:04:12,000 --> 00:04:14,840 Speaker 2: of new faces, and a lot of people that you 93 00:04:14,920 --> 00:04:17,120 Speaker 2: ever seen me like or the world has to see 94 00:04:17,160 --> 00:04:20,000 Speaker 2: me like work with you know what I'm saying, necessarily Like, 95 00:04:20,160 --> 00:04:24,800 Speaker 2: I got got, I mean, I got my bad bro 96 00:04:25,120 --> 00:04:28,719 Speaker 2: I got I got fucking Savage, I got Side Baby, 97 00:04:29,200 --> 00:04:33,240 Speaker 2: I got Thug, I got Tezo Touchdown, I got Luthera Chris, 98 00:04:33,680 --> 00:04:35,680 Speaker 2: I got nb A Young Boy, I got Chief Keeth, 99 00:04:35,720 --> 00:04:38,080 Speaker 2: I got a siege for Rum. I got Selo Green, 100 00:04:38,640 --> 00:04:43,640 Speaker 2: I got Sway Lee, I got Tip Young Joe, Killer Mike, 101 00:04:44,440 --> 00:04:46,960 Speaker 2: I even got I even got a vintage juice man 102 00:04:47,040 --> 00:04:50,920 Speaker 2: joint on that shout out the Juice I like that. 103 00:04:51,839 --> 00:04:53,880 Speaker 2: Man that Sea one too big Man, shout out to 104 00:04:53,880 --> 00:04:57,160 Speaker 2: Sea Loot. That's always been one of my favorite You 105 00:04:57,240 --> 00:04:58,560 Speaker 2: know what I'm saying, That's what the goats out of 106 00:04:58,600 --> 00:04:58,880 Speaker 2: the city. 107 00:04:58,920 --> 00:05:00,520 Speaker 1: Bro, how you lose your heart? Drive though? 108 00:05:01,240 --> 00:05:05,080 Speaker 2: Man fucking around and just you know it's crazy. 109 00:05:05,200 --> 00:05:05,800 Speaker 1: I had I had. 110 00:05:05,880 --> 00:05:08,800 Speaker 2: I used to just let my engineer like hold my drives. 111 00:05:08,839 --> 00:05:11,840 Speaker 2: You know what I'm saying, and his car got broken into, 112 00:05:12,480 --> 00:05:14,120 Speaker 2: and he was in the hond that court, he was 113 00:05:14,200 --> 00:05:15,960 Speaker 2: working on the mix. He left his laptop on the 114 00:05:16,000 --> 00:05:17,680 Speaker 2: seat he was on the hond the court sit got 115 00:05:17,720 --> 00:05:20,040 Speaker 2: broken into. They were really going for the laptop with 116 00:05:20,160 --> 00:05:22,600 Speaker 2: my drives, and my backup was in his bag. You 117 00:05:22,640 --> 00:05:26,920 Speaker 2: know what I'm saying, So boom. He was like, man, man, bro, 118 00:05:27,240 --> 00:05:29,280 Speaker 2: I lost his drives. He felt bad about it. So 119 00:05:29,839 --> 00:05:32,600 Speaker 2: like it was at that time, it was devastating to 120 00:05:32,680 --> 00:05:34,720 Speaker 2: me because I always go to my drives and I 121 00:05:34,839 --> 00:05:37,360 Speaker 2: might take this verse from years ago and put this 122 00:05:37,480 --> 00:05:39,320 Speaker 2: person with that person. I might just be able to 123 00:05:39,400 --> 00:05:42,560 Speaker 2: put these weird collaborations together that end up big. Or 124 00:05:42,640 --> 00:05:44,080 Speaker 2: I might be able to take this verse and put 125 00:05:44,160 --> 00:05:46,480 Speaker 2: on another beat or speed it up or do all 126 00:05:46,520 --> 00:05:48,760 Speaker 2: that kind of stuff. So like that's that was my 127 00:05:48,839 --> 00:05:51,360 Speaker 2: everything at that time. But I was really looking at 128 00:05:51,400 --> 00:05:54,440 Speaker 2: that ship like all right, cool man, Bro, you just 129 00:05:54,560 --> 00:05:57,000 Speaker 2: you just you just graduated. Bro. I don't know what 130 00:05:57,080 --> 00:05:58,560 Speaker 2: God trying to show you, but you're trying to show 131 00:05:58,560 --> 00:05:59,920 Speaker 2: you something, man, because at the end of the day, 132 00:06:00,480 --> 00:06:01,880 Speaker 2: you to want to grabb me, you to put some 133 00:06:01,960 --> 00:06:04,560 Speaker 2: young niggas on. You had a lot of success, your 134 00:06:04,640 --> 00:06:07,160 Speaker 2: labor deal don't fulfilled, and now you done lost your 135 00:06:07,160 --> 00:06:09,680 Speaker 2: heart drive. So shit, start over and start investing in 136 00:06:09,760 --> 00:06:11,880 Speaker 2: other ship. And that's what really started. Give me the 137 00:06:12,160 --> 00:06:15,200 Speaker 2: invest in real estate and invest in buildings and all 138 00:06:15,279 --> 00:06:18,640 Speaker 2: types of shit. And it's funny because like five years 139 00:06:18,760 --> 00:06:21,560 Speaker 2: later after that shit, it's like I don't know if 140 00:06:21,600 --> 00:06:23,920 Speaker 2: my I don't know my angina was too high or what. 141 00:06:24,120 --> 00:06:24,600 Speaker 1: You know what I'm saying. 142 00:06:24,680 --> 00:06:27,080 Speaker 2: For five years after that ship, he said, Yo, I 143 00:06:27,120 --> 00:06:28,880 Speaker 2: think I found a backup in the store, you know 144 00:06:28,920 --> 00:06:29,400 Speaker 2: what I'm saying. 145 00:06:29,720 --> 00:06:30,880 Speaker 1: So you find music. 146 00:06:31,680 --> 00:06:33,240 Speaker 2: I don't know what's on that drive. To be real 147 00:06:33,279 --> 00:06:34,720 Speaker 2: with you, I still don't have that drive, you know 148 00:06:34,760 --> 00:06:36,800 Speaker 2: what I'm saying. Like that man, he said, he find 149 00:06:36,839 --> 00:06:38,720 Speaker 2: a backup with a lot of the ship. But by 150 00:06:38,800 --> 00:06:40,559 Speaker 2: that time, I'm already on my new journey. 151 00:06:40,640 --> 00:06:41,360 Speaker 1: Yeah, you know what I'm saying. 152 00:06:41,720 --> 00:06:44,600 Speaker 2: So I overcame that. I got a new sound, got 153 00:06:44,680 --> 00:06:47,800 Speaker 2: new producers. Still got the same producers, but I got 154 00:06:47,880 --> 00:06:49,599 Speaker 2: new producers on the team. We got a new sound, 155 00:06:49,640 --> 00:06:51,960 Speaker 2: we got new music, we got new collaborations, we got 156 00:06:52,400 --> 00:06:55,240 Speaker 2: it's just all new energy. So it's like like the 157 00:06:55,440 --> 00:06:58,239 Speaker 2: energy we didn't feel right when he came back about 158 00:06:58,279 --> 00:07:00,800 Speaker 2: them drive. So I just go back and I'm gonna 159 00:07:00,800 --> 00:07:02,280 Speaker 2: look at them one day. But you know what I'm saying, 160 00:07:02,320 --> 00:07:04,960 Speaker 2: My focus is so on this new chapter and this 161 00:07:05,120 --> 00:07:08,560 Speaker 2: new reset, and it's new, you know what I'm saying. Yeah, 162 00:07:08,680 --> 00:07:11,600 Speaker 2: and hopefully I can go back and visit that music 163 00:07:11,680 --> 00:07:14,760 Speaker 2: from a decade you know what I'm saying, decade from 164 00:07:14,800 --> 00:07:17,320 Speaker 2: the past, you feel me. But it was really like 165 00:07:17,400 --> 00:07:20,520 Speaker 2: after I did Big Facts, that's really when my fuckers 166 00:07:20,520 --> 00:07:22,880 Speaker 2: started popping up with files and all types of shit, like, 167 00:07:23,400 --> 00:07:25,679 Speaker 2: oh man, he just say something about the drives. 168 00:07:25,920 --> 00:07:28,160 Speaker 1: Now I found this in the story. If you feel me, 169 00:07:28,520 --> 00:07:33,040 Speaker 1: you know what I'm saying. So it's all good, though, Man, good, 170 00:07:33,280 --> 00:07:34,880 Speaker 1: I'm saying that that ship kind of do something to 171 00:07:34,960 --> 00:07:37,720 Speaker 1: your mental kind of fuck you up at like sure, 172 00:07:38,000 --> 00:07:38,640 Speaker 1: because I couldn't. 173 00:07:38,640 --> 00:07:40,800 Speaker 2: I couldn't understand it because it ain't never happened to me, 174 00:07:40,840 --> 00:07:42,320 Speaker 2: you know what I'm saying. But I know a lot 175 00:07:42,360 --> 00:07:44,680 Speaker 2: of people go through that ship. Man. They lose they 176 00:07:44,800 --> 00:07:47,000 Speaker 2: lose files, they lose their hard drives and all that 177 00:07:47,080 --> 00:07:48,960 Speaker 2: type of shit. And I won't trying to let it 178 00:07:49,120 --> 00:07:51,280 Speaker 2: fuck with me too much. The good thing about it 179 00:07:51,560 --> 00:07:53,680 Speaker 2: was I didn't. I didn't lose that ship. When I 180 00:07:53,840 --> 00:07:56,400 Speaker 2: was like on my dick like dead broke or something, 181 00:07:56,560 --> 00:07:59,320 Speaker 2: I'm saying I lost that ship. I was still getting 182 00:07:59,320 --> 00:08:02,080 Speaker 2: nominated for a Grammy with Kendrick. I just dropped a 183 00:08:02,160 --> 00:08:04,480 Speaker 2: classic with Trouble. You know what I'm saying. I God, 184 00:08:04,600 --> 00:08:09,640 Speaker 2: damn man, meet you me and you got damn plotting 185 00:08:09,680 --> 00:08:11,440 Speaker 2: and planning on media. 186 00:08:11,480 --> 00:08:11,720 Speaker 1: Shit. 187 00:08:11,800 --> 00:08:13,680 Speaker 2: You're telling me about my next run and how I 188 00:08:13,720 --> 00:08:16,000 Speaker 2: need to fuck with these new artists and all. It 189 00:08:16,120 --> 00:08:18,160 Speaker 2: was like it was really the right time. But like 190 00:08:18,480 --> 00:08:21,920 Speaker 2: at that time for me, it was like, man, just 191 00:08:21,960 --> 00:08:23,560 Speaker 2: think about it. If you had a car and then 192 00:08:23,840 --> 00:08:27,880 Speaker 2: somebody say like, man, or I lost your car, and 193 00:08:27,960 --> 00:08:30,080 Speaker 2: then it's like, man, you might get up and be like, man, 194 00:08:30,080 --> 00:08:31,600 Speaker 2: I gotta go. I gotta go to the store, like 195 00:08:31,680 --> 00:08:34,400 Speaker 2: quitting you were like, oh damn, you got my car. 196 00:08:34,760 --> 00:08:36,760 Speaker 2: You know what I'm saying. So it'll fuck with me 197 00:08:36,880 --> 00:08:38,719 Speaker 2: like that. And it really fucked with me cause I 198 00:08:38,920 --> 00:08:41,400 Speaker 2: really couldn't understand it because I was like blue flame hot, 199 00:08:41,760 --> 00:08:45,440 Speaker 2: I'm twenty eight years old, and then it's like, damn, 200 00:08:45,480 --> 00:08:47,360 Speaker 2: what you mean, Like you know what I'm saying, So 201 00:08:47,440 --> 00:08:49,600 Speaker 2: I don't even know what that means. I really was like, man, 202 00:08:49,600 --> 00:08:51,760 Speaker 2: maybe I need to just start pushing my team, you 203 00:08:51,800 --> 00:08:54,280 Speaker 2: feel me. And so even when I lost the hard drive, 204 00:08:54,400 --> 00:08:57,240 Speaker 2: man like thirty Rock. I put thirty Rock with Roddy Rich. 205 00:08:57,320 --> 00:08:59,199 Speaker 2: They did the Box, you know what I'm saying. I 206 00:08:59,360 --> 00:09:01,560 Speaker 2: put Man, you know fast. You know what I'm saying. 207 00:09:01,600 --> 00:09:04,360 Speaker 2: Swaly did a song with post Alone, which ended up 208 00:09:04,400 --> 00:09:07,480 Speaker 2: being my boy David and Austin Rosen's artist, you know 209 00:09:07,520 --> 00:09:09,839 Speaker 2: what I'm saying. And and boom we put this on 210 00:09:09,920 --> 00:09:12,520 Speaker 2: the Spider Man soundtrack and that's the biggest stream song 211 00:09:12,600 --> 00:09:14,240 Speaker 2: in the world and history of music. You know what 212 00:09:14,280 --> 00:09:14,640 Speaker 2: I'm saying. 213 00:09:15,640 --> 00:09:19,040 Speaker 1: Some flower Oh yeah, yeah, world up man, the biggest 214 00:09:19,320 --> 00:09:19,720 Speaker 1: you said is. 215 00:09:19,840 --> 00:09:21,800 Speaker 2: What That's the most stream song in the world and 216 00:09:21,840 --> 00:09:25,440 Speaker 2: the history of music. I don't even know. Like last 217 00:09:25,480 --> 00:09:27,160 Speaker 2: time I checked it with Double Diamond, you know what 218 00:09:27,200 --> 00:09:29,480 Speaker 2: I'm saying. There's a lot of them, you. 219 00:09:29,440 --> 00:09:31,559 Speaker 1: Know what I'm saying, Double Like they got over with 220 00:09:31,800 --> 00:09:33,680 Speaker 1: double down. Yeah. 221 00:09:34,960 --> 00:09:37,440 Speaker 2: And then and then thirty Rouck went Diamond with the Box, 222 00:09:37,520 --> 00:09:39,319 Speaker 2: you know what I'm saying. And then a lot of 223 00:09:39,360 --> 00:09:41,760 Speaker 2: my songs, like my songs never stopped playing, you know 224 00:09:41,800 --> 00:09:44,840 Speaker 2: what I'm saying. They were still playing. So even when 225 00:09:44,880 --> 00:09:46,559 Speaker 2: that ship was going on, it was just like it 226 00:09:46,679 --> 00:09:48,719 Speaker 2: was a lot of highs, but it was like a 227 00:09:48,840 --> 00:09:51,400 Speaker 2: low but it was like ship. But you can't lay down, 228 00:09:51,440 --> 00:09:52,679 Speaker 2: you know what I'm saying. You either got to be 229 00:09:52,720 --> 00:09:54,920 Speaker 2: an air Lass coach or if you're gonna be. And 230 00:09:55,000 --> 00:09:57,319 Speaker 2: then I've realized being an air Lass coach, you gotta be, 231 00:09:57,480 --> 00:09:59,480 Speaker 2: you gotta leave by example, so you damn the gotta 232 00:09:59,520 --> 00:10:01,719 Speaker 2: move like like you know what I'm saying, I just 233 00:10:01,760 --> 00:10:04,719 Speaker 2: gotta damn there, just get back in the game. Leave 234 00:10:04,800 --> 00:10:07,160 Speaker 2: by example. And then that's what I've been doing. That's 235 00:10:07,200 --> 00:10:09,079 Speaker 2: when I'm I made my mind up, Like man, you 236 00:10:09,120 --> 00:10:11,080 Speaker 2: know I'm gonna do another project. You know what I'm saying. 237 00:10:14,200 --> 00:10:16,079 Speaker 1: You think at first you was chasing like the same 238 00:10:16,240 --> 00:10:17,679 Speaker 1: us that was on a hard drive, like trying to 239 00:10:17,720 --> 00:10:19,240 Speaker 1: work with the same artist that was on the hard 240 00:10:19,320 --> 00:10:21,719 Speaker 1: drive instead of trying to you know, plant seeds and 241 00:10:21,960 --> 00:10:22,960 Speaker 1: build some new niggas. 242 00:10:23,000 --> 00:10:26,079 Speaker 2: Like yeah, exactly, That's exactly what was going on. And 243 00:10:26,160 --> 00:10:28,800 Speaker 2: that's what I had to start realizing it and looking 244 00:10:28,880 --> 00:10:30,520 Speaker 2: at it ass. I'm like, man, you know what, I'm 245 00:10:30,559 --> 00:10:33,040 Speaker 2: gonna buy all new equipment. I used to use an 246 00:10:33,120 --> 00:10:35,560 Speaker 2: NPC and Fruity Loose. I'm gonna keep them in the studio, 247 00:10:35,679 --> 00:10:37,959 Speaker 2: but I'm gonna get the ASR ten, I'm gonna get 248 00:10:38,640 --> 00:10:41,040 Speaker 2: the Super six. I'm gonna get a whole bunch of 249 00:10:41,600 --> 00:10:45,160 Speaker 2: modules and synthesizers and stuff that I ain't never used. 250 00:10:45,160 --> 00:10:46,800 Speaker 2: You know what I'm saying. I got I got a 251 00:10:46,840 --> 00:10:49,400 Speaker 2: control board. You know what I'm saying. My man mark 252 00:10:49,559 --> 00:10:51,600 Speaker 2: as my engineering You know what I'm saying. I had 253 00:10:51,679 --> 00:10:54,120 Speaker 2: him pull in because at first I just had bought 254 00:10:54,160 --> 00:10:56,400 Speaker 2: the first building, and I used to just be up 255 00:10:56,440 --> 00:10:58,559 Speaker 2: here playing the video game all day. You know what 256 00:10:58,600 --> 00:10:59,880 Speaker 2: I'm saying, I ain't know what I wanted to do. 257 00:11:00,040 --> 00:11:02,720 Speaker 2: But then I start putting studio equipment in there, slowly 258 00:11:02,800 --> 00:11:06,280 Speaker 2: but surely, and then I start realizing, like, man, it's 259 00:11:06,320 --> 00:11:09,280 Speaker 2: a hat like right now and over these last like 260 00:11:09,559 --> 00:11:12,200 Speaker 2: I say, five to six years, or even ten years, 261 00:11:12,679 --> 00:11:14,679 Speaker 2: it's like the changing of the guards. Like it's like 262 00:11:14,760 --> 00:11:16,719 Speaker 2: a whole new regime, you know what I'm saying. So 263 00:11:17,320 --> 00:11:20,440 Speaker 2: anytime I come across somebody that's talented or that moved 264 00:11:20,520 --> 00:11:22,880 Speaker 2: me or inspire me, I'm like, hey, man, you know what, 265 00:11:23,040 --> 00:11:25,040 Speaker 2: you can record in my studio for free, whenever you 266 00:11:25,120 --> 00:11:27,480 Speaker 2: want to. Man, look this is my production team. Hey 267 00:11:27,520 --> 00:11:29,240 Speaker 2: look this is my god da da da. This my 268 00:11:29,280 --> 00:11:30,800 Speaker 2: god da da da. This my god da da da. 269 00:11:31,040 --> 00:11:33,320 Speaker 2: You know what I'm saying, Man, let's set you up 270 00:11:33,360 --> 00:11:35,520 Speaker 2: on a schedule and let's knock out a project with you. 271 00:11:35,600 --> 00:11:36,000 Speaker 1: You feel me? 272 00:11:36,320 --> 00:11:38,680 Speaker 2: So it definitely was that. It was like, man, shit, 273 00:11:38,760 --> 00:11:40,840 Speaker 2: I needed my own studios because I was booking all 274 00:11:40,880 --> 00:11:43,280 Speaker 2: these other studios and I'll stay in there twelve to 275 00:11:43,360 --> 00:11:46,360 Speaker 2: fifteen hours a day. I'm spending about you know what 276 00:11:46,400 --> 00:11:48,920 Speaker 2: I'm saying, three thousand dollars a day, four thousand dollars 277 00:11:48,960 --> 00:11:50,720 Speaker 2: a day for a session, you know what I'm saying. 278 00:11:50,760 --> 00:11:53,280 Speaker 2: So in ten days, that's forty thousand. When I started 279 00:11:53,320 --> 00:11:56,200 Speaker 2: looking at it like that, or twenty days, it's eighty thousand, 280 00:11:56,280 --> 00:11:57,560 Speaker 2: like you know what I'm saying. I started looking at 281 00:11:57,600 --> 00:12:00,360 Speaker 2: it like that, I'm like, hey, man, man, how much 282 00:12:00,679 --> 00:12:02,320 Speaker 2: is my posts? You do really saying, like, man, how 283 00:12:02,400 --> 00:12:04,720 Speaker 2: much is the buyer building? Though? You know what I'm saying. 284 00:12:05,320 --> 00:12:07,360 Speaker 2: And then that's why I'm like, Okay, man, we're gonna 285 00:12:07,360 --> 00:12:10,400 Speaker 2: we're gonna do everything this go around new. We're gonna 286 00:12:10,440 --> 00:12:12,080 Speaker 2: be in a new building, you know, what I'm saying, 287 00:12:12,080 --> 00:12:14,360 Speaker 2: we come with a new approach. We got a new attitude. Man, 288 00:12:15,040 --> 00:12:19,120 Speaker 2: nigga working working out, a nigga got Dan playing golf. 289 00:12:19,400 --> 00:12:21,559 Speaker 2: You know what I'm saying. It's just it's all the 290 00:12:21,600 --> 00:12:23,559 Speaker 2: way different. It's the reset all the way around. 291 00:12:23,640 --> 00:12:26,319 Speaker 1: What you think just taking that ill at the time, 292 00:12:26,400 --> 00:12:28,800 Speaker 1: you thought was like the biggest ill ever? What you think? 293 00:12:29,320 --> 00:12:30,640 Speaker 1: What do you think that shit taught you? Though? 294 00:12:31,559 --> 00:12:32,040 Speaker 2: Patience? 295 00:12:33,040 --> 00:12:33,640 Speaker 1: You know what I'm saying. 296 00:12:33,679 --> 00:12:36,880 Speaker 2: Sh It taught me patience and it taught me like 297 00:12:36,960 --> 00:12:38,880 Speaker 2: I even have put out a trailer for my album 298 00:12:39,240 --> 00:12:41,320 Speaker 2: and I was talking about it, but like the trailer 299 00:12:41,400 --> 00:12:44,599 Speaker 2: for that album was really about it wasn't really just 300 00:12:44,640 --> 00:12:48,320 Speaker 2: about that situation. It was really just like the bigger 301 00:12:48,360 --> 00:12:50,800 Speaker 2: picture of that of that trailer was was really for 302 00:12:51,000 --> 00:12:54,920 Speaker 2: like anybody whoever lost anything, Like you know what I'm saying. 303 00:12:55,280 --> 00:12:58,439 Speaker 2: So like sometime you might lose something and then you 304 00:12:58,559 --> 00:13:02,319 Speaker 2: might be like, damn lost everything, man, and then you 305 00:13:02,640 --> 00:13:04,960 Speaker 2: develop self doubt and then you get down on yourself 306 00:13:04,960 --> 00:13:06,280 Speaker 2: and then you just want to give up and you 307 00:13:06,400 --> 00:13:08,319 Speaker 2: just want to you know what I'm saying, And then 308 00:13:08,360 --> 00:13:11,440 Speaker 2: you gotta realize, like, man, hold on, man, it's really 309 00:13:11,600 --> 00:13:14,480 Speaker 2: like God's gift, Like this ain't even like I ain't 310 00:13:14,520 --> 00:13:17,280 Speaker 2: even in control of this, Like I'm so I'm so small, 311 00:13:17,320 --> 00:13:20,080 Speaker 2: I'm so microscopic to this shit, you know, I mean, 312 00:13:20,280 --> 00:13:22,120 Speaker 2: the in the grand stream of things in the earth. 313 00:13:22,440 --> 00:13:24,160 Speaker 2: So it's like at the end of the day, I 314 00:13:24,160 --> 00:13:26,280 Speaker 2: gotta look at it, like, man, shit, it is really 315 00:13:26,360 --> 00:13:29,560 Speaker 2: God's gift. I'm talented this far, and I'm still young 316 00:13:29,679 --> 00:13:32,240 Speaker 2: for real. I'm not young, but I'm young for real, 317 00:13:32,240 --> 00:13:34,520 Speaker 2: you know what I'm saying. And it's like I'm thirty thirty, 318 00:13:34,559 --> 00:13:37,719 Speaker 2: I'm in my thirties. I'm like, man, you know what, Man, 319 00:13:37,800 --> 00:13:39,600 Speaker 2: I'm the hard drive. I looked at my I looked 320 00:13:39,600 --> 00:13:42,160 Speaker 2: at my new looked at my clouds face, and I 321 00:13:42,240 --> 00:13:45,000 Speaker 2: saw that we had like damn there twenty terror bytes 322 00:13:45,559 --> 00:13:48,600 Speaker 2: of files and all types of different shit. That's why 323 00:13:48,600 --> 00:13:52,680 Speaker 2: I'm like, Man. Then I had to start really looking 324 00:13:52,720 --> 00:13:54,880 Speaker 2: at at it, like man, Okay, it's fifty two weeks 325 00:13:54,920 --> 00:13:57,760 Speaker 2: in the year. The music store is open every Friday, 326 00:13:58,480 --> 00:14:00,960 Speaker 2: you know what I'm saying. And you got the production company, 327 00:14:01,000 --> 00:14:03,679 Speaker 2: you make someone music every day. Y'all really need to 328 00:14:03,720 --> 00:14:06,520 Speaker 2: be dropping every Friday. The music store is open. Somebody 329 00:14:06,600 --> 00:14:08,760 Speaker 2: from the squad need to be dropping something every Friday, 330 00:14:09,040 --> 00:14:10,959 Speaker 2: you know what I'm saying. And so I really started 331 00:14:11,000 --> 00:14:13,480 Speaker 2: really paying attention to the business and everything too. So 332 00:14:13,679 --> 00:14:16,280 Speaker 2: like when I when I thought I took that air, 333 00:14:16,640 --> 00:14:19,840 Speaker 2: I was able to take a step back first, which 334 00:14:19,920 --> 00:14:22,200 Speaker 2: is patience, and then look at the bigger picture and 335 00:14:22,320 --> 00:14:25,040 Speaker 2: be like, man, okay, like what what's really going on? 336 00:14:25,200 --> 00:14:27,480 Speaker 2: So when we do, when we do reapproach the ship, 337 00:14:27,520 --> 00:14:29,240 Speaker 2: when we do go back to putting out music, when 338 00:14:29,280 --> 00:14:31,360 Speaker 2: we do, when I am talking to my team and 339 00:14:31,400 --> 00:14:34,400 Speaker 2: everything like that, now it's not like I'm going over here, 340 00:14:34,440 --> 00:14:36,680 Speaker 2: I'm going over there, I'm doing all these interviews or 341 00:14:36,720 --> 00:14:39,200 Speaker 2: I'm in these are all these sessions, like I'm right here, 342 00:14:39,240 --> 00:14:43,120 Speaker 2: I'm right here, I'm touched, I'm tangible, I'm touching, I'm touchable. 343 00:14:43,160 --> 00:14:45,920 Speaker 2: I'm accessible in the city of Atlanta. Where you know 344 00:14:45,960 --> 00:14:53,400 Speaker 2: what I'm saying. You know what I'm saying, I'm accessible, 345 00:14:59,000 --> 00:14:59,720 Speaker 2: I'm accessible. 346 00:15:02,320 --> 00:15:05,160 Speaker 1: You know what I'm saying. Look at yourself. Do you 347 00:15:05,240 --> 00:15:08,080 Speaker 1: think you you forced to reset because you never would 348 00:15:08,120 --> 00:15:09,640 Speaker 1: have liked Yeah. 349 00:15:10,240 --> 00:15:13,280 Speaker 2: And you know what's crazy? You know what I'm saying, Like, 350 00:15:13,360 --> 00:15:16,680 Speaker 2: you're right when when shit is lit, Man, that's where 351 00:15:16,840 --> 00:15:18,480 Speaker 2: really where I was getting at. Man, you might get 352 00:15:18,960 --> 00:15:21,040 Speaker 2: booked over here. You might get pulled one hundred ways 353 00:15:21,080 --> 00:15:22,800 Speaker 2: when it is licked, you know what I'm saying. But 354 00:15:23,440 --> 00:15:26,160 Speaker 2: when ship ain't lit, man, motherfuck might not pick up 355 00:15:26,200 --> 00:15:27,880 Speaker 2: the phone for you. Motherfucker might not you know what 356 00:15:27,920 --> 00:15:30,600 Speaker 2: I'm saying. Shit started quieting down, you know what I'm saying, 357 00:15:30,640 --> 00:15:32,720 Speaker 2: which is a blessing. So now you can sit your 358 00:15:32,760 --> 00:15:34,920 Speaker 2: ad down and think, you know what I'm saying. Now 359 00:15:35,000 --> 00:15:36,920 Speaker 2: you got time to go hike. Now you got time 360 00:15:37,000 --> 00:15:39,640 Speaker 2: to sit down. And I got tied to sit down 361 00:15:39,680 --> 00:15:41,600 Speaker 2: and chop it with people like you or you know 362 00:15:41,600 --> 00:15:43,640 Speaker 2: what I'm saying, even people that I looked at like 363 00:15:44,200 --> 00:15:46,080 Speaker 2: look at like mentors or you know what I'm saying, 364 00:15:46,120 --> 00:15:48,080 Speaker 2: even spend more time with my family and all that 365 00:15:48,160 --> 00:15:50,680 Speaker 2: kind of shit. And I was blessed enough to not sink, 366 00:15:50,960 --> 00:15:54,080 Speaker 2: you know what I'm saying while that ship was going on. So, man, 367 00:15:54,160 --> 00:15:55,560 Speaker 2: this ship was all a blessing for real. 368 00:15:57,320 --> 00:16:00,880 Speaker 1: You think everybody ship, every ever create, create, creative person 369 00:16:00,920 --> 00:16:01,800 Speaker 1: should take a reset. 370 00:16:02,560 --> 00:16:04,600 Speaker 2: Yeah, nah, for sure. 371 00:16:04,840 --> 00:16:05,840 Speaker 1: What's the benefits of it? 372 00:16:06,920 --> 00:16:11,120 Speaker 2: Like I said, man, it's just it's just it's it's 373 00:16:11,200 --> 00:16:12,960 Speaker 2: that quiet time, like I don't know if you ever, 374 00:16:13,480 --> 00:16:16,840 Speaker 2: like if anybody whoever watching this, like ever live by theirself, 375 00:16:16,960 --> 00:16:20,520 Speaker 2: they'll understand, like, man, that's silent time that you get, 376 00:16:21,080 --> 00:16:23,360 Speaker 2: like before you're about to lay down or right when 377 00:16:23,400 --> 00:16:25,840 Speaker 2: you wake up. It's like it's like that time. It's 378 00:16:25,880 --> 00:16:28,320 Speaker 2: like it's like that. But it's hard though, when your 379 00:16:28,360 --> 00:16:30,080 Speaker 2: ship is so lit and you know what I'm saying, 380 00:16:30,720 --> 00:16:33,480 Speaker 2: or like you're creative and you have emotion, you can't 381 00:16:33,520 --> 00:16:35,120 Speaker 2: really call like hey, man, you know what, I'm gonna 382 00:16:35,120 --> 00:16:36,920 Speaker 2: take a reset, you know what I'm saying, Or you 383 00:16:37,000 --> 00:16:38,840 Speaker 2: know what, I'm gonna just sit down and I'm gonna 384 00:16:38,880 --> 00:16:41,160 Speaker 2: just reflect on everything, and I'm gonna just you can't, 385 00:16:41,520 --> 00:16:42,120 Speaker 2: you know what I'm saying. 386 00:16:42,120 --> 00:16:45,560 Speaker 1: You gotta keep hustling, so shake your confidence a little bit. 387 00:16:45,600 --> 00:16:50,480 Speaker 2: Though, for sure, for sure, for sure, it definitely developed 388 00:16:50,520 --> 00:16:53,640 Speaker 2: self doubt, you know what I'm saying. And and then 389 00:16:53,680 --> 00:16:57,080 Speaker 2: I had to realize, like, man, fuck, I'm dumbing myself 390 00:16:57,120 --> 00:17:00,200 Speaker 2: for it, like you know what I'm saying. Yeah, Like 391 00:17:00,440 --> 00:17:03,320 Speaker 2: I'm in here making beats, but even the beats I'm making, 392 00:17:03,400 --> 00:17:05,840 Speaker 2: I'm like, man, this shit, ain't you know what I'm saying? 393 00:17:06,119 --> 00:17:08,120 Speaker 2: Or like, you know what I'm saying, or like, hey, 394 00:17:08,160 --> 00:17:11,360 Speaker 2: I'm so excited about this new artist or this producer 395 00:17:11,480 --> 00:17:11,639 Speaker 2: or that. 396 00:17:12,359 --> 00:17:12,960 Speaker 1: You know what I'm saying. 397 00:17:13,080 --> 00:17:15,720 Speaker 2: I'm like, man, y'all the one Bro Hey back in 398 00:17:15,800 --> 00:17:17,679 Speaker 2: my day like that, and I'm thinking, I'm like Bro 399 00:17:18,280 --> 00:17:20,320 Speaker 2: thirty one talking about back when I was you know 400 00:17:20,359 --> 00:17:22,560 Speaker 2: what I'm saying, all that, brother, it's time right now 401 00:17:22,600 --> 00:17:24,080 Speaker 2: because I had to realize, like the people that I 402 00:17:24,240 --> 00:17:27,159 Speaker 2: was looking up to, like for real, Kanye West or 403 00:17:27,160 --> 00:17:28,879 Speaker 2: you know what I'm saying, anybody like that, like they 404 00:17:29,000 --> 00:17:31,639 Speaker 2: was in their thirties, their late twenties, and they thirties 405 00:17:31,680 --> 00:17:33,520 Speaker 2: when they got damn halfshit blue hot. You know what 406 00:17:33,520 --> 00:17:35,360 Speaker 2: I'm saying. We just happened to have shit blue hot 407 00:17:35,600 --> 00:17:37,639 Speaker 2: in our early twenties, you know what I'm saying. So 408 00:17:37,720 --> 00:17:40,320 Speaker 2: it's like, man, even when we got hit with the pandemic, 409 00:17:40,440 --> 00:17:41,960 Speaker 2: I know a lot of people were able to sit 410 00:17:42,040 --> 00:17:45,320 Speaker 2: down and reevaluate their whole shit. And then when you 411 00:17:45,359 --> 00:17:47,080 Speaker 2: know what I'm saying, when we were let back outside, 412 00:17:47,480 --> 00:17:48,560 Speaker 2: you know what I'm saying, we were able to hit 413 00:17:48,600 --> 00:17:51,960 Speaker 2: the ground running and like shit, man, you already know 414 00:17:52,040 --> 00:17:53,960 Speaker 2: we went through the Resehut together. You know what I'm saying, 415 00:17:54,240 --> 00:17:56,399 Speaker 2: we went through the reset together, my boy looking like 416 00:17:56,480 --> 00:17:57,439 Speaker 2: a whole new man out. 417 00:18:00,560 --> 00:18:09,680 Speaker 1: You got platforms with that. I forgot. The reset is real. 418 00:18:09,920 --> 00:18:12,320 Speaker 2: The reset is real. You know what I'm saying. We 419 00:18:12,440 --> 00:18:14,760 Speaker 2: did that ship, you know what I'm saying, what real? 420 00:18:15,280 --> 00:18:19,639 Speaker 1: Hey, you feel like did you see people like trying 421 00:18:19,680 --> 00:18:23,480 Speaker 1: to feel like that? Did you notice people like like 422 00:18:23,760 --> 00:18:26,240 Speaker 1: that ship over? Did you like, did you feel that 423 00:18:26,400 --> 00:18:28,640 Speaker 1: energy from Piers? At first? 424 00:18:28,680 --> 00:18:30,879 Speaker 2: At first, I at first I looked at it like that. 425 00:18:31,320 --> 00:18:33,040 Speaker 2: But then I but then I had to realize. I 426 00:18:33,080 --> 00:18:36,239 Speaker 2: started looking at this ship like, man, okay, you got 427 00:18:36,280 --> 00:18:39,120 Speaker 2: the music industry, you got the food industry, you got 428 00:18:39,160 --> 00:18:40,480 Speaker 2: you know what I'm saying. You got all these different 429 00:18:40,560 --> 00:18:43,359 Speaker 2: kind of industries, you know what I'm saying. And and 430 00:18:43,600 --> 00:18:46,080 Speaker 2: within the food industry, you got all these different kinds 431 00:18:46,080 --> 00:18:49,200 Speaker 2: of corporations. So I'm like, Damn, I ain't never seen 432 00:18:49,400 --> 00:18:53,280 Speaker 2: fucking Oreo, you know what I'm saying, post anything about 433 00:18:54,160 --> 00:18:57,639 Speaker 2: the new Ladies or like the new Gatorade or like 434 00:18:57,760 --> 00:18:59,840 Speaker 2: you know what I'm saying, Or like, I ain't never 435 00:18:59,840 --> 00:19:02,520 Speaker 2: seeing like Oreo do something with Gatorade, you know what 436 00:19:02,520 --> 00:19:04,480 Speaker 2: I'm saying. But then I did see Coca Cola do 437 00:19:04,600 --> 00:19:07,040 Speaker 2: something with Oreo, you know what I'm saying. And it 438 00:19:07,160 --> 00:19:08,680 Speaker 2: was only for a season. That it was only for 439 00:19:08,760 --> 00:19:11,520 Speaker 2: a time, but still I still haven't seen like everything 440 00:19:11,600 --> 00:19:15,440 Speaker 2: Coca Cola released end up on oreos feed or or 441 00:19:15,920 --> 00:19:18,080 Speaker 2: or public service announcement or whatever. So I had to 442 00:19:18,119 --> 00:19:20,080 Speaker 2: look at that like, and that's the food industry, and 443 00:19:20,160 --> 00:19:22,679 Speaker 2: that's just us going to the grocery store and shopping 444 00:19:22,720 --> 00:19:25,879 Speaker 2: and just looking around. And and then I had to 445 00:19:25,920 --> 00:19:27,800 Speaker 2: start looking at it like, okay, the music industry the 446 00:19:27,880 --> 00:19:32,000 Speaker 2: same thing, So like, don't nobody know what going on me? 447 00:19:32,119 --> 00:19:34,639 Speaker 2: They know at first they were seeing me. I was 448 00:19:34,680 --> 00:19:36,600 Speaker 2: moving around, they were seeing me, and I was outside 449 00:19:36,720 --> 00:19:39,000 Speaker 2: or I was right here. I was tangible. But then 450 00:19:39,160 --> 00:19:42,520 Speaker 2: all of a sudden, it's like all Star weekend, Grammy weekend, 451 00:19:42,600 --> 00:19:45,320 Speaker 2: this weekend, that weekend, this festival, that festival. Now we 452 00:19:45,400 --> 00:19:47,320 Speaker 2: don't even see Mike well, so it's really like out 453 00:19:47,320 --> 00:19:48,200 Speaker 2: of sight, out of mind. 454 00:19:48,600 --> 00:19:54,640 Speaker 1: And saying now I'm saying, what about do you feel 455 00:19:54,760 --> 00:19:56,159 Speaker 1: like you know how you can feel that shit like 456 00:19:56,400 --> 00:19:57,680 Speaker 1: you think to fell off? 457 00:20:00,280 --> 00:20:02,640 Speaker 2: But one of the four one of the four agreements 458 00:20:02,720 --> 00:20:06,520 Speaker 2: is what and don't take nothing personal? You know what 459 00:20:06,560 --> 00:20:09,720 Speaker 2: I'm saying, we ain't taking the person Yeah. So so look, 460 00:20:09,840 --> 00:20:11,840 Speaker 2: I used to take it personally when I'm when I'm 461 00:20:11,880 --> 00:20:12,399 Speaker 2: looking at it like. 462 00:20:12,440 --> 00:20:14,280 Speaker 1: That, I'm saying, that's the quesse you felt like that 463 00:20:14,600 --> 00:20:17,960 Speaker 1: and you was taking it personally, but then you your mind. 464 00:20:18,040 --> 00:20:20,879 Speaker 2: I had to I had to realize that, nigga is 465 00:20:21,119 --> 00:20:23,800 Speaker 2: it's not them looking at me or a certain kind 466 00:20:23,800 --> 00:20:26,320 Speaker 2: of way. Nigga, you not putting out music, you ain't around. 467 00:20:27,160 --> 00:20:29,800 Speaker 2: You know what I'm saying, You're not around, So I'm 468 00:20:29,880 --> 00:20:32,600 Speaker 2: not they don't feel no kind of way about me. 469 00:20:32,680 --> 00:20:34,399 Speaker 2: I would hope that ain't nobody waking up in the 470 00:20:34,440 --> 00:20:37,760 Speaker 2: morning like yeah nigga, that nigga might you know what I'm. 471 00:20:37,600 --> 00:20:39,560 Speaker 1: Saying that, But you know it do be niggas like 472 00:20:39,640 --> 00:20:43,159 Speaker 1: that though, Bron, I don't know, Bro, I know you 473 00:20:43,359 --> 00:20:45,159 Speaker 1: know and I know man, it's niggas like that, like 474 00:20:45,880 --> 00:20:48,600 Speaker 1: niggas can't wait to laugh at another nigga by just 475 00:20:48,720 --> 00:20:49,439 Speaker 1: how it go like. 476 00:20:51,400 --> 00:20:53,640 Speaker 2: On the lower Boy, I got nothing through it money 477 00:20:53,680 --> 00:20:56,080 Speaker 2: or that and we're going on over up but but 478 00:20:56,600 --> 00:20:58,600 Speaker 2: but but their type of nigga. Bro, I ain't gonna 479 00:20:58,640 --> 00:21:00,960 Speaker 2: lie them nigga going through something then, Bro, you know 480 00:21:00,960 --> 00:21:03,520 Speaker 2: what I'm saying. That's that's what I Yeah, what I 481 00:21:03,560 --> 00:21:05,520 Speaker 2: had to realize over this time. I'm like, man, them 482 00:21:05,600 --> 00:21:07,520 Speaker 2: Nigga gone through something. But then and I used to 483 00:21:07,600 --> 00:21:09,840 Speaker 2: and I used to God Damn taking a certain kind 484 00:21:09,880 --> 00:21:12,280 Speaker 2: of way where like, okay, ship if I if I 485 00:21:12,400 --> 00:21:15,000 Speaker 2: dropped this one, because I was even over these times, 486 00:21:15,040 --> 00:21:17,040 Speaker 2: even though even though I want dropping the album. You 487 00:21:17,080 --> 00:21:18,920 Speaker 2: know what I'm saying, over this time, I was still 488 00:21:19,000 --> 00:21:23,199 Speaker 2: dropping a little loose songs. Man, I'm not looking at 489 00:21:23,200 --> 00:21:25,440 Speaker 2: somebody to like post this ship or anything like that, 490 00:21:25,600 --> 00:21:27,919 Speaker 2: because nigga, they got their own motion, they got their 491 00:21:27,960 --> 00:21:30,000 Speaker 2: own thing going on. But if a niggas sent over 492 00:21:30,040 --> 00:21:32,199 Speaker 2: there thinking like, oh boy, that nigga got Damn, might 493 00:21:32,240 --> 00:21:34,960 Speaker 2: well threw the money. Come on, they gonna hear about it. 494 00:21:35,040 --> 00:21:37,000 Speaker 2: By the nigga did about three buildings over there. But 495 00:21:37,480 --> 00:21:39,600 Speaker 2: that nigga got seventy eighty thousand square feet in the 496 00:21:39,680 --> 00:21:42,119 Speaker 2: city of Aletand you know what I'm saying, That Nigga 497 00:21:42,160 --> 00:21:45,560 Speaker 2: got between his team them, Nigga got Damn there ten 498 00:21:45,640 --> 00:21:48,080 Speaker 2: diamond records. You know what I'm saying, That Nigga got 499 00:21:48,480 --> 00:21:51,800 Speaker 2: man one of the biggest streaming rap songs. In History Humble. 500 00:21:52,640 --> 00:21:54,200 Speaker 1: How you feel what niggas try to make it seem 501 00:21:54,320 --> 00:21:58,560 Speaker 1: like like Mike ain't doing the beats, Like that's another 502 00:21:58,640 --> 00:22:01,000 Speaker 1: nigga like his team doing in Hitside. How you feel 503 00:22:01,000 --> 00:22:04,320 Speaker 1: a niggas in it? So you don't heard that before? 504 00:22:05,480 --> 00:22:07,880 Speaker 2: Yeah, I hadn't heard something like that before. I ain't 505 00:22:07,880 --> 00:22:09,440 Speaker 2: gonna lie. I hear all the chatter. You know what 506 00:22:09,440 --> 00:22:10,320 Speaker 2: I'm saying, ain't lie. 507 00:22:10,560 --> 00:22:11,479 Speaker 1: I ain't gonna lie. I hear. 508 00:22:11,720 --> 00:22:15,320 Speaker 2: I hear all the chatter. Will I choose a respond or? Well, 509 00:22:15,359 --> 00:22:16,479 Speaker 2: I choose not to respond. 510 00:22:16,640 --> 00:22:17,120 Speaker 1: How you feel? 511 00:22:17,160 --> 00:22:19,240 Speaker 2: You know what I'm saying, Like when I when I 512 00:22:19,280 --> 00:22:21,840 Speaker 2: feel that, it's just like ignorant, Like, Okay, this nigga 513 00:22:21,840 --> 00:22:24,200 Speaker 2: is ignorant. He's stupid, you know what I'm saying, because 514 00:22:24,240 --> 00:22:25,960 Speaker 2: he don't know what a production company is. You know 515 00:22:26,000 --> 00:22:28,760 Speaker 2: what I'm saying, I'm breaking out. Yeah, I'm a producer 516 00:22:29,440 --> 00:22:31,440 Speaker 2: that started a production company. You know what I'm saying. 517 00:22:31,480 --> 00:22:33,720 Speaker 2: So I'm the executive of the production company. I started 518 00:22:33,760 --> 00:22:36,000 Speaker 2: Ear Drummers in two thousand and seven when I was 519 00:22:36,040 --> 00:22:38,480 Speaker 2: in high school. Ear Drummers started off with just Mike 520 00:22:38,560 --> 00:22:40,240 Speaker 2: Will made it. You know what I'm saying. Yeah, and 521 00:22:40,440 --> 00:22:42,160 Speaker 2: it was a one man band. You know what I'm saying. 522 00:22:42,160 --> 00:22:44,320 Speaker 2: I met shot at Low when I was like fifteen 523 00:22:44,440 --> 00:22:48,200 Speaker 2: sixteen out there in car at Club Q. He used 524 00:22:48,200 --> 00:22:49,600 Speaker 2: to let me come to the studio over there on 525 00:22:49,640 --> 00:22:52,320 Speaker 2: the West side, D four L Studio right down Bankhead. 526 00:22:52,359 --> 00:22:52,920 Speaker 1: You know what I'm saying. 527 00:22:53,119 --> 00:22:55,359 Speaker 2: You see them, see them work, you see them take 528 00:22:55,400 --> 00:22:57,760 Speaker 2: their songs right there to Pool Palace. You know what 529 00:22:57,760 --> 00:22:59,959 Speaker 2: I'm saying, Take the crucial and n have a move 530 00:23:00,080 --> 00:23:02,520 Speaker 2: men in the city. You know what I'm saying. When 531 00:23:02,560 --> 00:23:05,120 Speaker 2: I met you, Ear Drummers was a one man band. 532 00:23:05,160 --> 00:23:06,920 Speaker 2: That was two thousand and seven when I was moving 533 00:23:06,960 --> 00:23:09,920 Speaker 2: around with with that artist. Back then, we pulled that 534 00:23:10,040 --> 00:23:12,080 Speaker 2: to your spot. But HALLI you know what I'm saying. 535 00:23:12,240 --> 00:23:14,760 Speaker 2: Boom like man, that was two thousand and seven. I 536 00:23:14,800 --> 00:23:17,720 Speaker 2: was a one man band then when I had I 537 00:23:17,840 --> 00:23:20,159 Speaker 2: was fucking. I was sucking the underground up like I 538 00:23:20,240 --> 00:23:22,440 Speaker 2: had the mixtape ship going crazy. But I'm like, man, 539 00:23:22,480 --> 00:23:25,520 Speaker 2: what's the difference between me and like a little John or. 540 00:23:25,600 --> 00:23:29,879 Speaker 1: Like you making them just your beats? Yeah, Gucci Gucci 541 00:23:29,920 --> 00:23:33,400 Speaker 1: beats like that Before that was just you. Yeah. 542 00:23:33,760 --> 00:23:36,320 Speaker 2: But even back then I still wrote with my boy 543 00:23:36,400 --> 00:23:38,119 Speaker 2: a plus, we were going to high school with each other. 544 00:23:38,240 --> 00:23:40,840 Speaker 1: Yeah, yeah, look like. 545 00:23:42,840 --> 00:23:45,399 Speaker 2: You know what I'm saying. But but, but Gucci was 546 00:23:45,440 --> 00:23:46,879 Speaker 2: getting on the beat. So I was cooking up in 547 00:23:46,920 --> 00:23:49,239 Speaker 2: the basement, and I was teaching my boys Schooly how 548 00:23:49,320 --> 00:23:51,680 Speaker 2: to make beats. So a couple of them beats, you 549 00:23:51,720 --> 00:23:53,680 Speaker 2: know what I'm saying. Schooley might have added some sounds 550 00:23:53,720 --> 00:23:55,359 Speaker 2: to it, but I was teaching him how to make beats, 551 00:23:55,359 --> 00:23:58,760 Speaker 2: you know what I'm saying. So back then, back then, 552 00:23:58,800 --> 00:24:01,800 Speaker 2: it was like, man, okay, like I'm seeing Doctor Dre, 553 00:24:01,960 --> 00:24:04,640 Speaker 2: I'm seeing Kanye West, I'm seeing all these different producers. 554 00:24:04,720 --> 00:24:07,520 Speaker 2: I'm like, damn, Like these niggas make beats. But they 555 00:24:07,560 --> 00:24:10,320 Speaker 2: also got a production team. Okay, I need to build 556 00:24:10,359 --> 00:24:12,320 Speaker 2: me a production team. So I need to give me 557 00:24:12,359 --> 00:24:14,399 Speaker 2: a whole bunch of like minded people that think like 558 00:24:14,520 --> 00:24:17,320 Speaker 2: me as far as like being different and like pushing 559 00:24:17,400 --> 00:24:20,720 Speaker 2: the Soign forward and god damn, and people that get 560 00:24:20,760 --> 00:24:22,720 Speaker 2: the vision, and then I need to build me a team. 561 00:24:22,800 --> 00:24:24,879 Speaker 2: So at first, people were looking at it like, man, 562 00:24:24,920 --> 00:24:26,480 Speaker 2: you know, Mike, We'll got a team, bro. You know 563 00:24:26,800 --> 00:24:28,440 Speaker 2: any other niggas over there making beets? 564 00:24:29,240 --> 00:24:29,800 Speaker 1: You know what I'm saying. 565 00:24:30,080 --> 00:24:32,200 Speaker 2: But it's like at the end of the day, like 566 00:24:32,440 --> 00:24:34,399 Speaker 2: like when it when it comes to production. This is 567 00:24:34,440 --> 00:24:36,680 Speaker 2: how I look at it, right, It's just math, you 568 00:24:36,720 --> 00:24:39,240 Speaker 2: know what I'm saying. We ain't even gotta go algebra 569 00:24:39,320 --> 00:24:42,440 Speaker 2: and all that. We can go simple math. Addition and subtraction. 570 00:24:42,800 --> 00:24:44,960 Speaker 2: Subtract me out of any song that my name is on, 571 00:24:45,320 --> 00:24:48,280 Speaker 2: and then what do we have? You know what I'm saying. 572 00:24:48,480 --> 00:24:49,560 Speaker 1: Look breaking down, you said what. 573 00:24:49,920 --> 00:24:53,399 Speaker 2: Subtract my name? Subtract me out of any song that 574 00:24:53,480 --> 00:24:53,680 Speaker 2: we have. 575 00:24:54,080 --> 00:24:56,960 Speaker 1: You know what I'm saying. From the initial of you're saying, 576 00:24:57,000 --> 00:24:59,000 Speaker 1: to take you out of it, not your name, To 577 00:24:59,080 --> 00:25:03,280 Speaker 1: take you remove you won't happen, you know what I'm saying. 578 00:25:03,560 --> 00:25:06,440 Speaker 2: Because this artist might have never linked with this guy 579 00:25:06,520 --> 00:25:08,720 Speaker 2: who made this beat or this this guy who made 580 00:25:08,720 --> 00:25:10,240 Speaker 2: this beat would have never known to take it to 581 00:25:10,320 --> 00:25:12,199 Speaker 2: this artist, you know what I'm saying. And then when 582 00:25:12,359 --> 00:25:13,920 Speaker 2: when we do take it to this artist and the 583 00:25:14,000 --> 00:25:16,720 Speaker 2: artist is like, nah, this guy might have not showed 584 00:25:16,800 --> 00:25:19,360 Speaker 2: up to the studio ten times and played this one 585 00:25:19,440 --> 00:25:21,600 Speaker 2: beat for the same artists like you know what I'm saying, 586 00:25:21,680 --> 00:25:24,480 Speaker 2: or might or he might not be crazy enough to 587 00:25:24,600 --> 00:25:26,480 Speaker 2: just be like bro, I'm telling you get on this one, 588 00:25:26,600 --> 00:25:28,120 Speaker 2: like get on that one, like you know what I'm saying. 589 00:25:28,160 --> 00:25:31,600 Speaker 2: So that right there, boom, you're putting that play together. 590 00:25:31,680 --> 00:25:33,960 Speaker 2: Then you structure in the song. Then you mixing the record. 591 00:25:34,160 --> 00:25:36,880 Speaker 2: Then you're putting this and you're putting this feature on there, 592 00:25:37,240 --> 00:25:42,000 Speaker 2: or you're putting this, are you putting this like person 593 00:25:42,080 --> 00:25:44,760 Speaker 2: to add some keys on their additional production or whatever. 594 00:25:44,920 --> 00:25:46,879 Speaker 2: Whatever you're doing, you're producing the record. You might be 595 00:25:47,000 --> 00:25:49,879 Speaker 2: executive producing the record, but you're you're producing the record. 596 00:25:49,920 --> 00:25:53,920 Speaker 2: And one thing I learned about production is like to 597 00:25:54,040 --> 00:25:56,080 Speaker 2: be a super producer, man, you gotta be able to 598 00:25:56,119 --> 00:25:59,800 Speaker 2: produce a song from from top to bottom, hands on, 599 00:26:00,200 --> 00:26:02,320 Speaker 2: hands off, you know what I'm saying. So it was 600 00:26:02,359 --> 00:26:04,320 Speaker 2: a time where I could make the beat, I can 601 00:26:04,359 --> 00:26:06,840 Speaker 2: write the song, I can engineer, I could I could 602 00:26:06,960 --> 00:26:08,560 Speaker 2: do I can mix it, I could do all that 603 00:26:08,640 --> 00:26:10,119 Speaker 2: ship you know what I'm saying. And then there was 604 00:26:10,160 --> 00:26:13,159 Speaker 2: another time where I met this dude and he can 605 00:26:13,280 --> 00:26:14,440 Speaker 2: he can mix, you know what I'm saying. 606 00:26:14,560 --> 00:26:18,040 Speaker 1: I met this dude. Man, this dude ain't seeing how 607 00:26:18,160 --> 00:26:22,639 Speaker 1: you feel with the biggat say that, but but I 608 00:26:22,760 --> 00:26:23,960 Speaker 1: think I think you. 609 00:26:26,680 --> 00:26:29,240 Speaker 2: Be the trade in real life ain't it ain't it 610 00:26:29,280 --> 00:26:31,400 Speaker 2: ain't it ain't really meet you know, it ain't really 611 00:26:31,520 --> 00:26:32,120 Speaker 2: media training. 612 00:26:32,480 --> 00:26:33,119 Speaker 1: You just don't give it. 613 00:26:33,680 --> 00:26:36,720 Speaker 2: I feel like I feel like, I mean, everybody got feelings, 614 00:26:36,920 --> 00:26:41,040 Speaker 2: but I feel like I feel like feeling feel like you. 615 00:26:41,080 --> 00:26:44,240 Speaker 1: Go harder, like and show the nigga like make you 616 00:26:44,280 --> 00:26:46,159 Speaker 1: feel like, Okay, this is my battery. You know what 617 00:26:46,200 --> 00:26:47,160 Speaker 1: I'm saying. You know what I'm saying. 618 00:26:47,200 --> 00:26:48,399 Speaker 2: I ain't gonna lie. I used to do it for 619 00:26:48,480 --> 00:26:50,480 Speaker 2: the hay's, not do it for the believers. I don't 620 00:26:50,520 --> 00:26:51,800 Speaker 2: care about no nigga, bro. 621 00:26:52,080 --> 00:26:54,040 Speaker 1: I don't care. I don't care about I don't care 622 00:26:54,160 --> 00:26:54,800 Speaker 1: about that ship. 623 00:26:55,480 --> 00:27:02,720 Speaker 2: Like if a niggas yeah you know, yeah, if a 624 00:27:02,800 --> 00:27:06,000 Speaker 2: nigga over there sitting sitting there and contemplating in his 625 00:27:06,119 --> 00:27:08,680 Speaker 2: head out me, yeah about me and he don't even 626 00:27:08,760 --> 00:27:10,680 Speaker 2: know me. He don't know my sister name, he don't 627 00:27:10,720 --> 00:27:13,760 Speaker 2: know ship about me. You know what I'm saying. I 628 00:27:13,800 --> 00:27:16,400 Speaker 2: don't I don't like women operating their feelings. 629 00:27:16,680 --> 00:27:18,359 Speaker 1: You know what I'm saying. I'm a man time. You 630 00:27:18,400 --> 00:27:21,440 Speaker 1: know what I'm saying. So I'm not I all have Yeah, 631 00:27:21,520 --> 00:27:24,479 Speaker 1: we all come initial thought. See that why I got 632 00:27:24,520 --> 00:27:26,560 Speaker 1: a stop. I gotta stop thinking about my initial thought 633 00:27:26,800 --> 00:27:28,560 Speaker 1: that Nigga is an idiot. 634 00:27:30,200 --> 00:27:32,720 Speaker 2: I said that from the jump, that Nigga stupid as fun. 635 00:27:32,720 --> 00:27:34,880 Speaker 1: Saying I be stupid too, Like when I hear certain 636 00:27:34,880 --> 00:27:36,480 Speaker 1: ship and it makes me feel a way, but I 637 00:27:36,480 --> 00:27:39,879 Speaker 1: don't go there. Yeah, so I just won't speaking like 638 00:27:39,960 --> 00:27:40,920 Speaker 1: my initial thought. 639 00:27:40,800 --> 00:27:44,439 Speaker 2: Of it, Like, damn, niggas is my initial thought. Bro, 640 00:27:44,640 --> 00:27:47,000 Speaker 2: when I hear that ship, I'll be like, Damn, that's unfortunate. Bro, 641 00:27:47,119 --> 00:27:49,760 Speaker 2: that's Nigga ignorant. You know what I'm saying, real talk 642 00:27:49,880 --> 00:27:51,560 Speaker 2: because he don't know me. You know what I'm saying. 643 00:27:51,960 --> 00:27:54,760 Speaker 2: Anybody who know me, or anybody who knows okay, he 644 00:27:54,880 --> 00:27:57,400 Speaker 2: got two sisters, or you know what I'm saying, his mama, name, 645 00:27:58,200 --> 00:28:00,880 Speaker 2: your dad, name, anybody who really on me. They're gonna 646 00:28:00,880 --> 00:28:03,000 Speaker 2: tell you I'm a savant. They're gonna tell you I'm 647 00:28:03,000 --> 00:28:05,280 Speaker 2: a leader. They're gonna tell y'all. You know what I'm saying. 648 00:28:05,680 --> 00:28:08,360 Speaker 2: They gonna they're gonna say everything that this person might 649 00:28:08,440 --> 00:28:08,960 Speaker 2: not be saying. 650 00:28:09,040 --> 00:28:09,600 Speaker 1: You know what I'm saying. 651 00:28:09,640 --> 00:28:13,120 Speaker 2: So this person right here, I gotta understand that even 652 00:28:13,480 --> 00:28:15,040 Speaker 2: in the position that I'm in, you could put a 653 00:28:15,080 --> 00:28:18,040 Speaker 2: tree right here many folks gonna say the same shit. 654 00:28:18,119 --> 00:28:20,840 Speaker 2: It's just it just comes with being on top, you 655 00:28:20,880 --> 00:28:23,320 Speaker 2: know what I'm saying. Motherfucker always gonna try to talk 656 00:28:23,400 --> 00:28:25,159 Speaker 2: down and pull down the nigga that's on top, you 657 00:28:25,200 --> 00:28:27,560 Speaker 2: know what I'm saying. So so once a nigga on top, 658 00:28:27,680 --> 00:28:29,880 Speaker 2: nigga like man oh man, the nigga gonna be making 659 00:28:29,920 --> 00:28:32,720 Speaker 2: their beats, them saying, nigga ain't gonna take sacrifices for 660 00:28:32,800 --> 00:28:33,200 Speaker 2: their team. 661 00:28:33,600 --> 00:28:34,200 Speaker 1: You know what I'm saying. 662 00:28:34,240 --> 00:28:37,200 Speaker 2: I took sacrifices for my team, like real ones, you 663 00:28:37,240 --> 00:28:39,800 Speaker 2: know what I'm saying. Like, and we came from nothing 664 00:28:40,040 --> 00:28:43,200 Speaker 2: and we turned that ship into something. So all of 665 00:28:43,320 --> 00:28:46,720 Speaker 2: them we got multiple millionaires. We all started off in 666 00:28:46,760 --> 00:28:49,120 Speaker 2: a negative. We all started out broke as fuck, you 667 00:28:49,200 --> 00:28:52,320 Speaker 2: know what I'm saying. Hey, man, hey, I ain't tell 668 00:28:52,320 --> 00:28:57,280 Speaker 2: you how how the first publishing situation went right. So look, man, boom, 669 00:28:57,800 --> 00:29:00,440 Speaker 2: you know, tw eleven, we had all the songs in 670 00:29:00,480 --> 00:29:02,600 Speaker 2: the mixed say, all the all the songs on the street, 671 00:29:03,080 --> 00:29:05,920 Speaker 2: everything in Atlanta, all the all the strip clubs, everything 672 00:29:06,160 --> 00:29:09,760 Speaker 2: was on everybody mixhaping all that shit. Then next thing, 673 00:29:09,800 --> 00:29:11,840 Speaker 2: you know, twenty twelve, we get three songs on the 674 00:29:11,920 --> 00:29:14,640 Speaker 2: charts this whole time. I ain't had no manager or nothing. 675 00:29:14,680 --> 00:29:16,600 Speaker 2: I ain't had no publishing deal. I ain't have nothing. 676 00:29:16,680 --> 00:29:19,040 Speaker 2: Turn on the lights on the charts. Bands maker dance 677 00:29:19,120 --> 00:29:21,400 Speaker 2: on the charts. Uh no, lie on the charts. You 678 00:29:21,440 --> 00:29:23,760 Speaker 2: know what I'm saying, Boom. I got all the songs 679 00:29:23,800 --> 00:29:25,760 Speaker 2: in the strip club and I'm at every single studio 680 00:29:25,880 --> 00:29:27,920 Speaker 2: round here. But we ain't making no money off the 681 00:29:28,000 --> 00:29:30,160 Speaker 2: music industry. The only time we're making money is if 682 00:29:30,200 --> 00:29:31,880 Speaker 2: somebody buy a beat like but I heard it beat. 683 00:29:31,960 --> 00:29:33,480 Speaker 2: Let me get a beat like that. That's the only 684 00:29:33,560 --> 00:29:35,080 Speaker 2: time we're making money. We ain't know how to get 685 00:29:35,200 --> 00:29:36,800 Speaker 2: no back in. We know how to get no front in. 686 00:29:36,920 --> 00:29:38,520 Speaker 2: We know how to get nothing. You know what I'm saying. 687 00:29:38,560 --> 00:29:42,880 Speaker 2: So boom, fast forward all these all these companies calling me, 688 00:29:43,280 --> 00:29:45,600 Speaker 2: and they like, man, shit, broh. You know what I'm saying. 689 00:29:45,640 --> 00:29:47,400 Speaker 2: We got six we got six figures for you, man, 690 00:29:47,440 --> 00:29:48,120 Speaker 2: we're trying to sign you. 691 00:29:48,240 --> 00:29:48,400 Speaker 1: Man. 692 00:29:48,800 --> 00:29:50,640 Speaker 2: I was like, man, I got a whole production team. Man, 693 00:29:50,640 --> 00:29:52,080 Speaker 2: I can't. I can't. I can't take it. You know 694 00:29:52,120 --> 00:29:54,480 Speaker 2: what I'm saying. I'm dead broke, I'm crack man, I'm 695 00:29:54,520 --> 00:29:56,440 Speaker 2: on my I'm on a rock bottom. You know what 696 00:29:56,440 --> 00:29:57,960 Speaker 2: I'm saying. I'm like, man, I can't take it. 697 00:29:58,040 --> 00:29:58,200 Speaker 1: Man. 698 00:29:58,560 --> 00:30:01,520 Speaker 2: They're like, they're like nine six figures, like it's for you, 699 00:30:01,720 --> 00:30:03,520 Speaker 2: you know what I'm saying. Like, I'm like, nah, I 700 00:30:03,520 --> 00:30:05,720 Speaker 2: got a whole production team, and they're like, man, but 701 00:30:05,840 --> 00:30:07,760 Speaker 2: all we here, Mike well made it, I said, But 702 00:30:07,840 --> 00:30:10,000 Speaker 2: you also hear ear drummers too. Every time you hear 703 00:30:10,040 --> 00:30:11,880 Speaker 2: Mike what made it? You hear ear drummers too. You 704 00:30:12,000 --> 00:30:13,480 Speaker 2: just don't know what ear drummers is. You know what 705 00:30:13,480 --> 00:30:16,080 Speaker 2: I'm saying, I need a joint venture. You know what 706 00:30:16,120 --> 00:30:19,160 Speaker 2: I'm saying. They're like, we can't do that. Man. I'm like, man, 707 00:30:19,200 --> 00:30:20,920 Speaker 2: look if y'all give me that six figure that y'all 708 00:30:21,000 --> 00:30:23,480 Speaker 2: talking about, the only thing, the only thing that I 709 00:30:23,680 --> 00:30:25,640 Speaker 2: the only thing that I could do with that six 710 00:30:25,720 --> 00:30:29,720 Speaker 2: figures is God damn chop that six figures up and 711 00:30:29,840 --> 00:30:32,320 Speaker 2: split it with my guys, and guess what we're gonna 712 00:30:32,600 --> 00:30:35,080 Speaker 2: end up and pay taxes. We're gonna end right back 713 00:30:35,120 --> 00:30:37,080 Speaker 2: where we started on broke, you know what I'm saying. 714 00:30:37,120 --> 00:30:40,200 Speaker 2: So everybody need their own money, you feel me? Man? 715 00:30:40,720 --> 00:30:44,360 Speaker 2: I held out until fucking Big John had made a 716 00:30:44,480 --> 00:30:46,920 Speaker 2: move you know what I'm saying. From I and My 717 00:30:47,320 --> 00:30:48,800 Speaker 2: You know what I'm saying. Big John had made a 718 00:30:48,880 --> 00:30:51,880 Speaker 2: move from ian My to Warner. That was his first 719 00:30:52,000 --> 00:30:54,360 Speaker 2: deal that he did was with Ear Drummers. He did 720 00:30:54,400 --> 00:30:58,400 Speaker 2: the joint venture. That's when I got my first money 721 00:30:58,560 --> 00:31:00,680 Speaker 2: and the rest of my team got my got their money. 722 00:31:00,920 --> 00:31:02,720 Speaker 2: And I wasn't gonna take no money from this music 723 00:31:02,760 --> 00:31:04,960 Speaker 2: industry until all my guys were able to get money, 724 00:31:05,280 --> 00:31:08,440 Speaker 2: you know what I'm saying. And and that's what and 725 00:31:08,520 --> 00:31:10,680 Speaker 2: that and that's because these guys signed me for free, 726 00:31:11,000 --> 00:31:13,120 Speaker 2: you feel me. So a lot of them niggas that 727 00:31:13,320 --> 00:31:17,040 Speaker 2: are sitting around with all that. Whatever they say about 728 00:31:17,080 --> 00:31:19,880 Speaker 2: Mike Will, they never did that. You know what I'm saying. 729 00:31:20,000 --> 00:31:21,840 Speaker 2: They're not taking them second fight. They gonna take the 730 00:31:21,880 --> 00:31:24,480 Speaker 2: first check. It'say fucking niggas, you know what I'm saying. 731 00:31:25,200 --> 00:31:27,880 Speaker 1: Yeah, So it's like, so, how many of your niggas 732 00:31:28,120 --> 00:31:30,600 Speaker 1: like still locked in that were locked in from the beginning. 733 00:31:31,160 --> 00:31:33,680 Speaker 2: Ship all of them? Man, my boy p over there 734 00:31:33,800 --> 00:31:36,200 Speaker 2: right now, he working on something. You know what I'm saying. 735 00:31:36,640 --> 00:31:40,280 Speaker 2: Mars still locked in, plus still locked then Jabo's still 736 00:31:40,360 --> 00:31:42,640 Speaker 2: locked in. You know what I'm saying my boy thirty 737 00:31:42,760 --> 00:31:46,080 Speaker 2: rock Shrimp. You know what I'm saying, Like my boy 738 00:31:46,200 --> 00:31:48,680 Speaker 2: all from high school, my boy plus from high school. 739 00:31:49,000 --> 00:31:50,600 Speaker 2: You know what I'm saying, all of them locked in, 740 00:31:50,880 --> 00:31:53,640 Speaker 2: the ones that the core, the ones that really matter, 741 00:31:53,720 --> 00:31:55,560 Speaker 2: the ones that got them built this ship up. Like 742 00:31:56,440 --> 00:31:57,280 Speaker 2: everybody locked in. 743 00:31:57,600 --> 00:32:02,760 Speaker 1: You know what I'm saying. Right up? So you think 744 00:32:02,840 --> 00:32:05,920 Speaker 1: this project about growth or what is about? 745 00:32:06,280 --> 00:32:09,080 Speaker 2: Yeah, it's definitely about growth, man, because it's like, man, 746 00:32:09,120 --> 00:32:11,960 Speaker 2: we came in the game going against the grain, and 747 00:32:12,040 --> 00:32:14,960 Speaker 2: it's like, man, we fucked around and started start shifting shit, 748 00:32:15,320 --> 00:32:18,520 Speaker 2: going against the grain, and then like our sound became 749 00:32:18,600 --> 00:32:21,880 Speaker 2: so popular. Like it's crazy when we're when we're our 750 00:32:21,960 --> 00:32:23,920 Speaker 2: trap sound, we were trying to do like trap pop 751 00:32:24,040 --> 00:32:25,360 Speaker 2: type shit, like you know what I'm saying. We were 752 00:32:25,400 --> 00:32:28,360 Speaker 2: trying to push the trap sounding and see how far 753 00:32:28,520 --> 00:32:30,200 Speaker 2: how popular we can make that shit, you know what 754 00:32:30,240 --> 00:32:32,800 Speaker 2: I'm saying. So when we're working with somebody like a 755 00:32:32,920 --> 00:32:34,960 Speaker 2: Miley Cyrus, so we're doing songs like turn on the 756 00:32:35,040 --> 00:32:37,400 Speaker 2: Lights and having Future going that bad or like you 757 00:32:37,440 --> 00:32:40,440 Speaker 2: know what I'm saying, doing doing like different even Race Shremmer, 758 00:32:40,480 --> 00:32:42,040 Speaker 2: you know what I'm saying, that was like a trap pop. 759 00:32:42,520 --> 00:32:47,120 Speaker 2: Like once that shit started like pushing beyond Atlanta, Georgia, 760 00:32:47,520 --> 00:32:50,040 Speaker 2: the United States, you know what I'm saying, and just 761 00:32:50,720 --> 00:32:55,720 Speaker 2: our hemisphere, it's like, now that shit became a popular sound. 762 00:32:55,800 --> 00:32:59,440 Speaker 2: So then that shit just started becoming just too you 763 00:32:59,440 --> 00:33:01,480 Speaker 2: know what I'm saying, just started becoming bubblegum because it 764 00:33:01,520 --> 00:33:03,800 Speaker 2: was like everybody could just do this or everybody putting 765 00:33:03,800 --> 00:33:06,400 Speaker 2: this ship under the filter. Everybody everybody just doing what 766 00:33:06,480 --> 00:33:10,120 Speaker 2: we're doing. And that's the best form of flattery. But man, 767 00:33:10,240 --> 00:33:12,520 Speaker 2: to come back and come with a new sound, you 768 00:33:12,560 --> 00:33:15,000 Speaker 2: know what I'm saying, that sound fresh, and then work 769 00:33:15,040 --> 00:33:17,640 Speaker 2: with new artists that like, why be telling me, man, 770 00:33:17,680 --> 00:33:19,360 Speaker 2: I was in middle school when you dropped twenty three. 771 00:33:19,560 --> 00:33:21,800 Speaker 2: I'm like, God, damn, you know what I'm saying. But 772 00:33:21,920 --> 00:33:24,920 Speaker 2: to come and get hy b a new challenge and 773 00:33:25,040 --> 00:33:27,600 Speaker 2: beat or a new sound or do something different or 774 00:33:27,840 --> 00:33:30,000 Speaker 2: you know what I'm saying, and like taught that language 775 00:33:30,040 --> 00:33:32,920 Speaker 2: with like a whole new generation. Man, that shit, that 776 00:33:33,400 --> 00:33:35,360 Speaker 2: shit is dope. So it's like, man, I feel like, yeah, 777 00:33:35,400 --> 00:33:38,680 Speaker 2: this new album is like a new sound, that's new collaborations, 778 00:33:39,360 --> 00:33:42,920 Speaker 2: but it's still it's still stuck to the basics. It's 779 00:33:42,920 --> 00:33:46,680 Speaker 2: still like, Okay, Mike Will putting together different ass collaborations. 780 00:33:47,120 --> 00:33:50,720 Speaker 2: He's still bringing a new sound to different artists, and 781 00:33:51,280 --> 00:33:52,520 Speaker 2: and the shits still knocking. 782 00:33:52,720 --> 00:33:54,560 Speaker 1: Like, you know what I'm saying, Why nigga say you're 783 00:33:54,560 --> 00:33:56,240 Speaker 1: difficult to work with? I am? 784 00:33:57,240 --> 00:33:57,840 Speaker 2: You know what I'm saying. 785 00:33:58,000 --> 00:33:58,280 Speaker 1: I am. 786 00:33:59,040 --> 00:34:03,000 Speaker 2: I'm challenging, challenging producer. You feel me like I ain't. 787 00:34:03,760 --> 00:34:06,400 Speaker 2: I ain't one of them producers. That's like, just wow, 788 00:34:06,520 --> 00:34:09,600 Speaker 2: this got on my beat. Well according to my phone, 789 00:34:09,640 --> 00:34:11,759 Speaker 2: you know what I'm saying, or trying to got there. 790 00:34:11,840 --> 00:34:13,200 Speaker 2: You know what I'm saying, I ain't doing that. Like 791 00:34:13,760 --> 00:34:15,959 Speaker 2: every win come with a challenge. You know what I'm saying, 792 00:34:16,120 --> 00:34:18,319 Speaker 2: Every win was difficult. But I ain't never heard Kobe 793 00:34:18,400 --> 00:34:20,920 Speaker 2: Bryant or Michael Jordan or any of the great say, man, 794 00:34:21,000 --> 00:34:23,080 Speaker 2: this shit was easy as a motherfucker. But I just 795 00:34:23,239 --> 00:34:25,279 Speaker 2: walked in there and just everybody just let me go 796 00:34:25,360 --> 00:34:25,799 Speaker 2: to the hole. 797 00:34:25,880 --> 00:34:26,680 Speaker 1: And you know what I'm saying. 798 00:34:27,040 --> 00:34:29,160 Speaker 2: It was strategy, it was thought, it was you know 799 00:34:29,200 --> 00:34:31,640 Speaker 2: what I'm saying, them changing Steph Curry, changing the game, 800 00:34:31,680 --> 00:34:34,000 Speaker 2: shooting from half court. You know what I'm saying, that's 801 00:34:34,000 --> 00:34:36,320 Speaker 2: what That's what made the Warriors got damn be the Warriors. 802 00:34:36,360 --> 00:34:38,359 Speaker 2: He spaced out the floor, you know what I'm saying, 803 00:34:38,480 --> 00:34:40,880 Speaker 2: Like Kobe Bryant, I mean Michael Jordan coming through, how 804 00:34:40,960 --> 00:34:41,520 Speaker 2: he coming through? 805 00:34:42,160 --> 00:34:43,560 Speaker 1: He changed the game? You feel me? 806 00:34:43,920 --> 00:34:47,000 Speaker 2: So like with me, it's like the reason why they 807 00:34:47,040 --> 00:34:52,200 Speaker 2: say it's difficult is because like nobody's nobody ever understands innovation, 808 00:34:52,440 --> 00:34:54,520 Speaker 2: you know what I'm saying. So if you, if you, 809 00:34:54,719 --> 00:34:57,480 Speaker 2: if you're an artist and you and you have a 810 00:34:57,600 --> 00:34:59,919 Speaker 2: certain sound, you know what I'm saying, and somebody trying 811 00:34:59,920 --> 00:35:02,799 Speaker 2: to you're something new and something different or like trying 812 00:35:02,840 --> 00:35:05,520 Speaker 2: to get you to do something different, and it's like, man, brother, 813 00:35:05,560 --> 00:35:07,359 Speaker 2: they got kind of you know what I'm saying, kind 814 00:35:07,440 --> 00:35:08,440 Speaker 2: on tight shit, Like you. 815 00:35:08,560 --> 00:35:11,120 Speaker 1: Know, Brott, ask you something. The niggas that you have 816 00:35:11,280 --> 00:35:13,480 Speaker 1: worked with, I don't know if they do one saying 817 00:35:13,480 --> 00:35:18,160 Speaker 1: you difficult, but like what's difficult is like do it 818 00:35:18,280 --> 00:35:20,680 Speaker 1: don't happen? Or do y'all make do y'all make a hit? 819 00:35:20,800 --> 00:35:21,720 Speaker 1: Or like what's difficult? 820 00:35:21,760 --> 00:35:25,080 Speaker 2: Like Nah, the difficult part is like to get somebody 821 00:35:25,120 --> 00:35:27,560 Speaker 2: out of their comfort zone. That's just difficult in life 822 00:35:28,000 --> 00:35:29,960 Speaker 2: on all levels, you know what I'm saying. So when 823 00:35:30,000 --> 00:35:31,880 Speaker 2: you're trying to when you're trying to move like I 824 00:35:31,960 --> 00:35:34,480 Speaker 2: ain't in there on no shit, Like hey man, I 825 00:35:34,520 --> 00:35:36,759 Speaker 2: ain't on no drill, sergeant like wear that ass shit. 826 00:35:37,160 --> 00:35:40,279 Speaker 2: I'm just always coming in there on some man, let's 827 00:35:40,320 --> 00:35:41,759 Speaker 2: try this, you know what I'm saying. 828 00:35:42,600 --> 00:35:44,839 Speaker 1: Have niggas ever been and try some shit and win 829 00:35:44,960 --> 00:35:45,160 Speaker 1: with you? 830 00:35:45,600 --> 00:35:49,440 Speaker 2: But every time that what I'm saying is it's difficult 831 00:35:49,480 --> 00:35:51,600 Speaker 2: to win, you know what I'm saying. Nobody can say 832 00:35:51,600 --> 00:35:53,600 Speaker 2: they work with me and happened one though, you know 833 00:35:53,640 --> 00:35:55,600 Speaker 2: what I'm saying. Some people can say they work with 834 00:35:55,680 --> 00:35:57,440 Speaker 2: me and I was difficult. Some people could work with me. 835 00:35:57,719 --> 00:35:59,440 Speaker 2: It's a lot of artists that work with me and 836 00:35:59,520 --> 00:36:01,640 Speaker 2: be like, bro, you know what, I love working with you, brother, 837 00:36:01,880 --> 00:36:04,480 Speaker 2: because how open it is and how and how like 838 00:36:04,640 --> 00:36:06,560 Speaker 2: this ship just flows. Like you know what I'm saying, 839 00:36:06,600 --> 00:36:09,080 Speaker 2: It ain't really like you don't You're not really stuck 840 00:36:09,120 --> 00:36:11,400 Speaker 2: in a box like you trying different ship. Some artists 841 00:36:11,400 --> 00:36:15,480 Speaker 2: appreciate that ship. Some artists is like, man, I mean 842 00:36:15,480 --> 00:36:17,799 Speaker 2: you to everybody just coming in here hopping on a deck, man, 843 00:36:17,960 --> 00:36:21,279 Speaker 2: Like you know what I'm saying, this coming in here, 844 00:36:21,400 --> 00:36:24,920 Speaker 2: God damn trying to do some different ship trying to 845 00:36:25,000 --> 00:36:27,560 Speaker 2: God damn talk about this and that or or some 846 00:36:27,680 --> 00:36:29,440 Speaker 2: kind of different idea. Put me on the song with 847 00:36:29,520 --> 00:36:33,040 Speaker 2: this nigga, so like, man, man, get up, Like man, 848 00:36:33,480 --> 00:36:37,359 Speaker 2: he too different. But it's like and I understand that too. Yeah, 849 00:36:37,440 --> 00:36:40,239 Speaker 2: I got a vision. But when it's all said and done, 850 00:36:40,280 --> 00:36:43,960 Speaker 2: after the difficulty happens, man, we win. That's how that matters, 851 00:36:44,000 --> 00:36:46,359 Speaker 2: you feel me like, And I feel like that's how 852 00:36:46,480 --> 00:36:50,040 Speaker 2: that's how like a man. That's that's how every champion. Man, 853 00:36:50,520 --> 00:36:52,840 Speaker 2: what they say, hard work and dedication, you know what 854 00:36:52,840 --> 00:36:55,600 Speaker 2: I'm saying. So like, man, boy, you gotta work hard, 855 00:36:55,680 --> 00:36:58,200 Speaker 2: you gotta be dedicated. You just gotta stay down man, 856 00:36:58,560 --> 00:37:00,720 Speaker 2: Like That's why I love the game golf, man, because 857 00:37:00,760 --> 00:37:02,840 Speaker 2: that shit is difficult as fun. But you know what 858 00:37:02,840 --> 00:37:04,759 Speaker 2: I'm saying, You already know how I go. Man, You 859 00:37:04,800 --> 00:37:06,759 Speaker 2: swing that more fucking right. You keep your head down, 860 00:37:07,160 --> 00:37:09,640 Speaker 2: you say, folk, can you just trust that club? You 861 00:37:09,680 --> 00:37:11,000 Speaker 2: know what I'm saying, That more fuck gonna send it 862 00:37:11,080 --> 00:37:12,759 Speaker 2: right where you wanted to go. You know what I'm saying, 863 00:37:13,400 --> 00:37:16,919 Speaker 2: ward it up. But I feel like, man, I feel 864 00:37:16,960 --> 00:37:18,200 Speaker 2: like I don't know that. I feel like that's a 865 00:37:18,239 --> 00:37:20,920 Speaker 2: good thing. Man, I feel like all artists should be challenged, man, 866 00:37:21,160 --> 00:37:23,240 Speaker 2: you know what I'm saying. Like, as as a producer, 867 00:37:23,280 --> 00:37:25,799 Speaker 2: I don't think producers should just be running in there 868 00:37:25,880 --> 00:37:28,560 Speaker 2: super excited about you know what I'm saying, somebody rapping 869 00:37:28,600 --> 00:37:30,680 Speaker 2: on their beat or god damn, just excited to be 870 00:37:30,760 --> 00:37:31,160 Speaker 2: in the room. 871 00:37:31,280 --> 00:37:32,399 Speaker 1: I get it, you know what I'm saying. 872 00:37:32,840 --> 00:37:36,719 Speaker 2: But like, nah, like to change the game and and 873 00:37:37,000 --> 00:37:39,239 Speaker 2: and to be at where I want to be at 874 00:37:39,280 --> 00:37:41,480 Speaker 2: when I when I touched my first beat machine, I 875 00:37:41,600 --> 00:37:42,920 Speaker 2: talk about something. Man, I'm be on top of the 876 00:37:43,000 --> 00:37:45,560 Speaker 2: game one day. Man, i'ma be running this ship in 877 00:37:45,680 --> 00:37:47,880 Speaker 2: some sort one day. Like if I'm do this, I 878 00:37:47,880 --> 00:37:51,480 Speaker 2: already quit baseball, basketball, football, Pops is already on me. Like, man, 879 00:37:51,480 --> 00:37:53,239 Speaker 2: you keep quitting everything. I'm like, Man, I ain't gonna 880 00:37:53,280 --> 00:37:55,120 Speaker 2: quit this music. I'm gonna be that nigga when the 881 00:37:55,280 --> 00:37:57,520 Speaker 2: kind of this music. So it's like, man, the only 882 00:37:57,600 --> 00:37:59,160 Speaker 2: way you could be that nigga, Man, you gotta you 883 00:37:59,200 --> 00:38:01,239 Speaker 2: gotta stand up. I can't fit in. You know what 884 00:38:01,280 --> 00:38:03,640 Speaker 2: I'm saying, Go stand out up? 885 00:38:04,880 --> 00:38:11,640 Speaker 1: Do you think do you think it's how important do 886 00:38:11,680 --> 00:38:13,560 Speaker 1: you think it is to like be raised by that 887 00:38:13,760 --> 00:38:15,520 Speaker 1: and you just hear that, Like how important you think 888 00:38:15,520 --> 00:38:15,960 Speaker 1: that ship is? 889 00:38:16,480 --> 00:38:19,280 Speaker 2: Man, that ships so important because you gotta you gotta 890 00:38:19,640 --> 00:38:22,400 Speaker 2: as a man, you gotta be able to feel. You 891 00:38:22,480 --> 00:38:24,200 Speaker 2: gotta be able to feel the heavy hand of a 892 00:38:24,320 --> 00:38:26,440 Speaker 2: man like you gotta be able to you know what 893 00:38:26,440 --> 00:38:35,680 Speaker 2: I'm saying, Man, this nigga old Paul. No, but no, 894 00:38:36,000 --> 00:38:42,239 Speaker 2: you gotta do yeah. Yeah, as a man, you gotta yeah, 895 00:38:42,239 --> 00:38:44,879 Speaker 2: you gotta be able to be checked. And you gotta 896 00:38:44,920 --> 00:38:46,640 Speaker 2: be able to have a man tell you, man, shut 897 00:38:46,680 --> 00:38:49,239 Speaker 2: the fuck up. And you can't say nothing of your 898 00:38:49,520 --> 00:38:51,440 Speaker 2: gonna get stuck in your ship or you're gonna get 899 00:38:51,440 --> 00:38:52,080 Speaker 2: your ad wark. 900 00:38:52,200 --> 00:38:53,719 Speaker 1: It ain't no fight, you know what I'm saying. 901 00:38:54,080 --> 00:38:57,000 Speaker 2: So like once you get that, now you now you're 902 00:38:57,000 --> 00:38:59,120 Speaker 2: able when you get out here in the real world, 903 00:38:59,160 --> 00:39:01,120 Speaker 2: you can take a straight or you can, you know 904 00:39:01,160 --> 00:39:02,839 Speaker 2: what I'm saying. You can let certain ship roll off 905 00:39:02,840 --> 00:39:03,239 Speaker 2: your sleeve. 906 00:39:03,480 --> 00:39:03,719 Speaker 1: You can. 907 00:39:03,840 --> 00:39:06,400 Speaker 2: You can listen to the message and not not be 908 00:39:06,560 --> 00:39:08,480 Speaker 2: mad at the tone of voice or anything like that, 909 00:39:08,640 --> 00:39:09,719 Speaker 2: because you know what I'm saying. 910 00:39:10,200 --> 00:39:10,799 Speaker 1: Like, you know what I'm saying. 911 00:39:10,840 --> 00:39:13,600 Speaker 2: You ain't gotta be Yeah, you ain't gotta be no beach. 912 00:39:13,719 --> 00:39:16,080 Speaker 2: But it's like you gotta open ear, you know what 913 00:39:16,080 --> 00:39:17,600 Speaker 2: I'm saying. So I feel like I feel like, man, 914 00:39:17,640 --> 00:39:19,840 Speaker 2: that's real important, and shout out to my pops. Like 915 00:39:19,920 --> 00:39:22,839 Speaker 2: my parents divorced when I was when I was young, 916 00:39:22,960 --> 00:39:25,560 Speaker 2: like in elementary school, but pops stayed right around the corner, 917 00:39:25,840 --> 00:39:27,960 Speaker 2: you know what I'm saying. So even seeing my parents divorce, 918 00:39:28,400 --> 00:39:31,040 Speaker 2: I was able to see them start over, you know 919 00:39:31,040 --> 00:39:33,640 Speaker 2: what I'm saying, and like and like work hard and 920 00:39:34,120 --> 00:39:36,360 Speaker 2: like grind it up on their own and you know 921 00:39:36,400 --> 00:39:37,880 Speaker 2: what I'm saying, and start all the way up. I 922 00:39:38,000 --> 00:39:41,839 Speaker 2: was able to see them reset back then. 923 00:39:42,960 --> 00:39:44,839 Speaker 1: The difference is with a niggas that was just raided 924 00:39:44,960 --> 00:39:47,360 Speaker 1: just by just only females. 925 00:39:48,040 --> 00:39:51,520 Speaker 2: Sometimes like when it comes when when when when situations, 926 00:39:51,880 --> 00:39:56,360 Speaker 2: when situations get tough, This what I noticed, When situations 927 00:39:56,400 --> 00:39:58,840 Speaker 2: get tough and you go to, hey, bro, why the 928 00:39:58,920 --> 00:40:01,000 Speaker 2: fuck this happened? You know what I'm saying, The nigga 929 00:40:01,080 --> 00:40:03,000 Speaker 2: might feel extra try because I ain't no nigga ever 930 00:40:03,080 --> 00:40:05,279 Speaker 2: talked to them like a nigga like I don't talk 931 00:40:05,320 --> 00:40:06,840 Speaker 2: to me like that. Ain't no nigga talking to me 932 00:40:07,000 --> 00:40:08,760 Speaker 2: like that, you know what I'm saying, Cause the nigga 933 00:40:08,760 --> 00:40:10,920 Speaker 2: ain't never got CHECKINGI ain't got no older brother, no uncle, 934 00:40:11,000 --> 00:40:13,200 Speaker 2: no dad, or that nigga just used to mom like 935 00:40:13,440 --> 00:40:15,799 Speaker 2: hey stop boy, or like you know what I'm saying, 936 00:40:15,960 --> 00:40:18,440 Speaker 2: throwing them throwing them blows that don't don't hurt, you 937 00:40:18,480 --> 00:40:22,319 Speaker 2: know what I'm saying. So like sometimes sometimes they end 938 00:40:22,400 --> 00:40:24,960 Speaker 2: up having to having to like, you know what I'm saying, 939 00:40:25,000 --> 00:40:27,640 Speaker 2: eat humble pie. In another way in life, you know 940 00:40:27,680 --> 00:40:30,160 Speaker 2: what I'm saying, and shi word, you know what I'm 941 00:40:30,160 --> 00:40:32,239 Speaker 2: saying that that's what I know. That is just in 942 00:40:32,400 --> 00:40:34,920 Speaker 2: business or just in this world or just you know 943 00:40:34,920 --> 00:40:36,040 Speaker 2: what I'm saying. Moving around and. 944 00:40:36,000 --> 00:40:39,080 Speaker 1: Ship the state of the state of the music ship. 945 00:40:39,880 --> 00:40:42,880 Speaker 1: Do you feel like I'm gonna try this ship? Do 946 00:40:42,960 --> 00:40:45,400 Speaker 1: this like how you feel about your music period? I 947 00:40:45,560 --> 00:40:47,719 Speaker 1: love this ship, bro. You know what I'm saying about 948 00:40:48,920 --> 00:40:51,239 Speaker 1: the whole the climate of the whole ship. I feel 949 00:40:51,320 --> 00:40:54,880 Speaker 1: like I feel like it. I feel like right now 950 00:40:54,920 --> 00:40:56,759 Speaker 1: it's the changing of the guards. I feel like a 951 00:40:56,840 --> 00:40:59,160 Speaker 1: lot of people playing it safe, you know what I'm saying. 952 00:40:59,360 --> 00:41:01,080 Speaker 1: I feel like a lot of people trying to ride 953 00:41:01,360 --> 00:41:03,880 Speaker 1: the next person wave, or even I feel like, you 954 00:41:03,920 --> 00:41:06,080 Speaker 1: know what I'm saying, people too caught up and with 955 00:41:06,239 --> 00:41:09,280 Speaker 1: this person doing or this person doing instead of just creating. 956 00:41:09,400 --> 00:41:10,719 Speaker 1: Like you know what I'm saying, like, man, this is 957 00:41:10,760 --> 00:41:12,319 Speaker 1: what we're doing. This is how we moving, this how 958 00:41:12,360 --> 00:41:15,239 Speaker 1: were dressing, it's how we sound. And you know what 959 00:41:15,280 --> 00:41:17,040 Speaker 1: I'm saying, I feel like that's missing from the game 960 00:41:17,080 --> 00:41:19,319 Speaker 1: because when I was growing up watching the music game, 961 00:41:19,360 --> 00:41:20,800 Speaker 1: that's how it was. Like everybody. 962 00:41:21,440 --> 00:41:24,480 Speaker 2: Everybody had their own cruise, everybody had their own style 963 00:41:24,560 --> 00:41:28,120 Speaker 2: of music, everybody had their own like way did they 964 00:41:28,239 --> 00:41:31,160 Speaker 2: dress and different stuff like that. So like that's what 965 00:41:31,320 --> 00:41:33,319 Speaker 2: made it like even cool. That's what made people say 966 00:41:33,360 --> 00:41:35,520 Speaker 2: these kind of words or say this or say that. 967 00:41:35,880 --> 00:41:38,359 Speaker 2: And I just feel like right now, like people done 968 00:41:38,400 --> 00:41:42,400 Speaker 2: got so comfortable with either just redoing the song or 969 00:41:42,600 --> 00:41:44,760 Speaker 2: you know what I'm saying, remixing one of their old songs, 970 00:41:45,360 --> 00:41:47,160 Speaker 2: and it's just so easy where it's like it don't 971 00:41:47,200 --> 00:41:49,200 Speaker 2: cost no money. That got them dropped. Well, it costs 972 00:41:49,239 --> 00:41:50,919 Speaker 2: money to drop an album, but it don't you don't 973 00:41:50,920 --> 00:41:52,960 Speaker 2: got to go press up no CDs and shit and 974 00:41:53,040 --> 00:41:55,080 Speaker 2: ship it out. You feel me like, you can get 975 00:41:55,120 --> 00:41:58,040 Speaker 2: this shit done and and throw this shit out there digitally. 976 00:41:58,160 --> 00:42:00,000 Speaker 2: And if this shit started working a little bit digital 977 00:42:00,360 --> 00:42:02,759 Speaker 2: and you got this, this person trying to pour in 978 00:42:02,880 --> 00:42:03,080 Speaker 2: on it. 979 00:42:03,160 --> 00:42:05,360 Speaker 1: You feel me, you're saying, you basically saying, ain't no 980 00:42:05,480 --> 00:42:07,920 Speaker 1: one way to win. And people got damn try. If 981 00:42:08,040 --> 00:42:11,839 Speaker 1: niggas ain't got damn in their little pack, you really 982 00:42:11,920 --> 00:42:14,400 Speaker 1: got damn different. So niggas try to make you different basically, 983 00:42:15,120 --> 00:42:17,200 Speaker 1: you know what I'm saying. So ship like, niggas do that, 984 00:42:17,360 --> 00:42:20,040 Speaker 1: Like if you got your own mind, your own state 985 00:42:20,120 --> 00:42:22,360 Speaker 1: on how you think ship should go, Niggas be like, 986 00:42:22,760 --> 00:42:25,239 Speaker 1: oh this nigga always think. You know, nigga, I might 987 00:42:25,360 --> 00:42:28,399 Speaker 1: do no this way, right, I might not know your way. 988 00:42:28,480 --> 00:42:30,400 Speaker 1: I might not y'all do that. 989 00:42:30,560 --> 00:42:32,759 Speaker 2: And that's what and and and really, man, when you 990 00:42:32,840 --> 00:42:35,120 Speaker 2: look at it, man, the best song is the best collaboration, 991 00:42:35,600 --> 00:42:38,520 Speaker 2: you feel me, So the best song is the best collaboration. 992 00:42:38,640 --> 00:42:41,120 Speaker 2: The best song is like you bringing your way and 993 00:42:41,200 --> 00:42:43,640 Speaker 2: me bringing my way, and we collabed and we made 994 00:42:43,640 --> 00:42:45,520 Speaker 2: a new way. Like you know what I'm saying. That's 995 00:42:45,560 --> 00:42:47,400 Speaker 2: the That's the best song, you feel me. That's the 996 00:42:47,440 --> 00:42:50,399 Speaker 2: best album. That's the best anything. It's like the best. 997 00:42:50,520 --> 00:42:52,400 Speaker 2: That's it. It's just the best collaboration. 998 00:42:52,560 --> 00:42:55,120 Speaker 1: You think you in the competitive space or just a 999 00:42:55,200 --> 00:42:55,879 Speaker 1: creative space. 1000 00:42:56,400 --> 00:42:58,680 Speaker 2: Yeah, I'm competing with myself, you know what I'm saying. 1001 00:42:58,920 --> 00:43:02,080 Speaker 2: And I'm in the creative space. I'm compete with myself 1002 00:43:02,560 --> 00:43:05,920 Speaker 2: and I'm feeling like so I'm feeling so creative, like 1003 00:43:06,719 --> 00:43:08,680 Speaker 2: I ain't gonna lie. I really, I really got to 1004 00:43:08,760 --> 00:43:10,800 Speaker 2: a point where it's like, man, I'm competing against Like 1005 00:43:11,080 --> 00:43:13,480 Speaker 2: I was trying to find that feeling that like twenty ten, 1006 00:43:13,520 --> 00:43:16,000 Speaker 2: twenty eleven where I really wanted this shit and I 1007 00:43:16,160 --> 00:43:18,680 Speaker 2: really wanted to like damn, but I need a place more. 1008 00:43:18,800 --> 00:43:18,960 Speaker 1: Damn. 1009 00:43:19,000 --> 00:43:21,120 Speaker 2: I need to song on the radio, like, man. 1010 00:43:21,320 --> 00:43:24,120 Speaker 1: Look, you gotta chase a new chase. Yeah, you know 1011 00:43:24,160 --> 00:43:27,200 Speaker 1: what I'm saying, Like like, yeah, I did that already, 1012 00:43:27,320 --> 00:43:27,839 Speaker 1: you know what I'm saying. 1013 00:43:27,920 --> 00:43:30,480 Speaker 2: But now now it's like I got a record label, 1014 00:43:30,840 --> 00:43:32,880 Speaker 2: so like now it's like, let me do that in 1015 00:43:32,960 --> 00:43:34,720 Speaker 2: a new way. Let me put out my own music 1016 00:43:34,800 --> 00:43:37,719 Speaker 2: and the licenses, or let me do a whole now 1017 00:43:37,920 --> 00:43:40,759 Speaker 2: now with the production company how I set up. Now 1018 00:43:40,840 --> 00:43:43,040 Speaker 2: it's like, man, we could do a whole motherfucking album 1019 00:43:43,160 --> 00:43:45,520 Speaker 2: with somebody, Like it ain't nothing, It's just easy, you 1020 00:43:45,560 --> 00:43:47,279 Speaker 2: know what I'm saying. So let me get that same 1021 00:43:47,400 --> 00:43:49,319 Speaker 2: hunger that I had. But It's gonna be a new 1022 00:43:49,400 --> 00:43:51,520 Speaker 2: challenge because now I'm doing the album. It ain't about 1023 00:43:51,840 --> 00:43:53,919 Speaker 2: just a single no more you feel Me or either 1024 00:43:54,000 --> 00:43:57,480 Speaker 2: now like I just another thing that's dropping tonight. I 1025 00:43:57,520 --> 00:44:00,320 Speaker 2: got I got two songs on BTS, which is the 1026 00:44:00,360 --> 00:44:02,680 Speaker 2: biggest biggest k pop group in the world. You know 1027 00:44:02,719 --> 00:44:05,520 Speaker 2: what I'm saying. K pop is like it's a whole 1028 00:44:05,600 --> 00:44:09,400 Speaker 2: other genres Korean pops. Bt BTS is the biggest group 1029 00:44:09,560 --> 00:44:12,239 Speaker 2: from from Korea in the world. You know what I'm saying. 1030 00:44:13,239 --> 00:44:16,080 Speaker 2: They're dropping the night too. So they took five years 1031 00:44:16,239 --> 00:44:18,560 Speaker 2: or six years off because they had to go serve 1032 00:44:18,640 --> 00:44:20,920 Speaker 2: the army over there. They were already the biggest in 1033 00:44:21,000 --> 00:44:23,360 Speaker 2: the in the in the world, but in Koreas like 1034 00:44:23,480 --> 00:44:27,279 Speaker 2: they had to go serve their army. So well, first 1035 00:44:27,400 --> 00:44:30,800 Speaker 2: first first Korean artists I worked with was Jenny Jenny 1036 00:44:30,880 --> 00:44:33,719 Speaker 2: Ruby James. She was part of Black Pink. Well she 1037 00:44:33,800 --> 00:44:36,279 Speaker 2: still lives a part of Black Pink, and I had 1038 00:44:36,360 --> 00:44:38,919 Speaker 2: like eight or nine songs on her. She she's huge 1039 00:44:39,000 --> 00:44:42,560 Speaker 2: in the world. This was last year around this time, 1040 00:44:42,600 --> 00:44:45,759 Speaker 2: around March, and and that that ship made a lot 1041 00:44:45,800 --> 00:44:50,879 Speaker 2: of noise and then don't know about that, Oh yeah, sure, 1042 00:44:50,920 --> 00:44:52,200 Speaker 2: global that global money. 1043 00:44:52,239 --> 00:44:52,799 Speaker 1: You know what I'm saying. 1044 00:44:54,200 --> 00:44:57,840 Speaker 2: That wasn't trying to sound media train, but I honestly 1045 00:44:57,880 --> 00:45:00,200 Speaker 2: don't be thinking about the nigga that sitting thinking like that. 1046 00:45:00,400 --> 00:45:04,480 Speaker 1: Bro, Probably I couldn't bro like a nigga could never 1047 00:45:04,600 --> 00:45:05,280 Speaker 1: be my problem. 1048 00:45:05,400 --> 00:45:05,480 Speaker 2: Bro. 1049 00:45:05,800 --> 00:45:07,520 Speaker 1: You know what I'm saying. I'm trying to figure out 1050 00:45:07,600 --> 00:45:10,880 Speaker 1: how far we can push your sound from. Like you said, Okay, 1051 00:45:11,360 --> 00:45:13,960 Speaker 1: do you feel like if niggas ain't in that hot space, 1052 00:45:14,400 --> 00:45:16,520 Speaker 1: a nigga feel like you ain't hot, like because you 1053 00:45:16,520 --> 00:45:18,919 Speaker 1: ain't in the mixed hot space, the nigga be going 1054 00:45:18,960 --> 00:45:20,920 Speaker 1: somewhere in Korea getting a whole nother bad right. 1055 00:45:21,840 --> 00:45:24,000 Speaker 2: Oh, I said this nigga ignorant, the nigga stupid. He 1056 00:45:24,160 --> 00:45:26,080 Speaker 2: just don't know, you know what I'm saying, Whatever nigga 1057 00:45:26,200 --> 00:45:28,120 Speaker 2: is they're talking like that, it's like you don't know, 1058 00:45:28,400 --> 00:45:29,080 Speaker 2: but it's cool. 1059 00:45:29,320 --> 00:45:31,240 Speaker 1: You know what I'm saying. I'm not doing the feeling, 1060 00:45:31,280 --> 00:45:33,560 Speaker 1: but make it still would make me feel away. I 1061 00:45:33,600 --> 00:45:34,880 Speaker 1: can't see how you would fish. 1062 00:45:36,280 --> 00:45:36,320 Speaker 2: You. 1063 00:45:36,440 --> 00:45:38,360 Speaker 1: I look like a lay down ass nigga. That's not 1064 00:45:38,560 --> 00:45:40,640 Speaker 1: to be one of Like I look like I would 1065 00:45:40,680 --> 00:45:43,839 Speaker 1: lay down in any situation. Well, a person that's thinking 1066 00:45:43,920 --> 00:45:46,480 Speaker 1: like that. Yes, he might look at it like that, 1067 00:45:47,160 --> 00:45:47,799 Speaker 1: you know what I'm saying. 1068 00:45:48,160 --> 00:45:50,640 Speaker 2: But then but then when he watched his big Facts interview, 1069 00:45:50,840 --> 00:45:54,280 Speaker 2: I mean, there's this prospective interview right here, or whoever 1070 00:45:54,360 --> 00:45:56,080 Speaker 2: it is him or her, you know what I'm saying. 1071 00:45:56,120 --> 00:45:58,640 Speaker 2: When they watch his perspective interview, they're like, God, damn, 1072 00:45:58,640 --> 00:46:02,200 Speaker 2: I ain't know he was doing with BTS, it with Ginny, 1073 00:46:02,320 --> 00:46:05,520 Speaker 2: or he was getting global. He was dropping global joints too, 1074 00:46:05,800 --> 00:46:08,600 Speaker 2: like I thought he just started dropping like you know 1075 00:46:08,640 --> 00:46:10,960 Speaker 2: what I'm saying. Or even when they when they watched 1076 00:46:11,239 --> 00:46:13,239 Speaker 2: like Versus, when we turned up at Versus, a lot 1077 00:46:13,280 --> 00:46:15,040 Speaker 2: of people might have known I did this so that 1078 00:46:15,120 --> 00:46:16,520 Speaker 2: so on this home, but I ain't no I did that, 1079 00:46:16,600 --> 00:46:17,719 Speaker 2: So you know. 1080 00:46:17,719 --> 00:46:19,920 Speaker 1: What I'm saying, they ain't seen that. Shn feel effect 1081 00:46:20,040 --> 00:46:21,920 Speaker 1: like that? Do you think that Versus puts you in 1082 00:46:21,920 --> 00:46:22,439 Speaker 1: the hot space? 1083 00:46:22,520 --> 00:46:26,759 Speaker 2: Though heah, yeah, highlighted ship. You know what I'm saying. 1084 00:46:27,000 --> 00:46:29,960 Speaker 2: It was it reminded and it highlighted because it's like 1085 00:46:30,440 --> 00:46:33,440 Speaker 2: certain people might have loved these fives home, but they 1086 00:46:33,520 --> 00:46:34,960 Speaker 2: might not even know. And I had nothing to do 1087 00:46:35,040 --> 00:46:37,880 Speaker 2: with formation humble, you know what I'm saying, DNA or 1088 00:46:38,520 --> 00:46:42,120 Speaker 2: or or whatever like you know what I'm saying. Whatever 1089 00:46:42,160 --> 00:46:45,680 Speaker 2: songs I played that man for for show, shout out 1090 00:46:45,680 --> 00:46:46,959 Speaker 2: to hip Boy, you know what I'm saying. He played 1091 00:46:46,960 --> 00:46:49,120 Speaker 2: them bangs that night too. And one thing I like 1092 00:46:49,160 --> 00:46:52,200 Speaker 2: about what Swizz and Timbo put together with that ship 1093 00:46:52,360 --> 00:46:54,400 Speaker 2: is like, you can't lose on versus you know what 1094 00:46:54,400 --> 00:46:56,279 Speaker 2: I'm saying. You can't even be a loser and be 1095 00:46:56,440 --> 00:46:58,239 Speaker 2: on versus. You know what I'm saying. You gotta be 1096 00:46:58,320 --> 00:47:00,480 Speaker 2: a winner to be on versus what I'm saying. So 1097 00:47:00,600 --> 00:47:03,080 Speaker 2: it ain't no certain thing as like losing a winning 1098 00:47:03,160 --> 00:47:03,640 Speaker 2: on that ship. 1099 00:47:03,719 --> 00:47:04,759 Speaker 1: So I feel like. 1100 00:47:06,440 --> 00:47:08,360 Speaker 2: A lot of people, a lot of people might have 1101 00:47:08,560 --> 00:47:10,360 Speaker 2: might have heard my tag in certain places, but they 1102 00:47:10,440 --> 00:47:13,400 Speaker 2: never heard all them songs played that once, you know 1103 00:47:13,480 --> 00:47:15,120 Speaker 2: what I'm saying. And I ain't never seen me perform 1104 00:47:15,280 --> 00:47:17,480 Speaker 2: or a lot of people hit me up after that 1105 00:47:17,560 --> 00:47:19,200 Speaker 2: ship was like, Bro, I ain't never seen you in 1106 00:47:19,280 --> 00:47:21,960 Speaker 2: that in that zone. It's like, bro, because most of 1107 00:47:21,960 --> 00:47:23,640 Speaker 2: the time when you see me, it's like at a setting. 1108 00:47:23,760 --> 00:47:24,840 Speaker 2: I'm not walking around doing that. 1109 00:47:24,920 --> 00:47:25,160 Speaker 1: I ain't. 1110 00:47:25,200 --> 00:47:27,480 Speaker 2: I ain't never I ain't doing too much performing. You 1111 00:47:27,560 --> 00:47:29,520 Speaker 2: feel me word, you know what I'm saying, but I 1112 00:47:29,640 --> 00:47:31,480 Speaker 2: want to start doing tour now because that was fun. 1113 00:47:31,520 --> 00:47:32,200 Speaker 1: That was fun. 1114 00:47:32,480 --> 00:47:34,680 Speaker 2: You know what I'm saying, You gotta come out there 1115 00:47:34,719 --> 00:47:35,920 Speaker 2: with me, Bro, real. 1116 00:47:35,840 --> 00:47:43,319 Speaker 1: Come on, you just turn me together. Want somebody, We're 1117 00:47:43,320 --> 00:47:46,520 Speaker 1: gonna put it together. He wants somebody, Let do it. 1118 00:47:47,480 --> 00:47:49,360 Speaker 2: I ain't gonna lie when I first met Gucci. The 1119 00:47:49,400 --> 00:47:51,239 Speaker 2: first day I met Gucci, That's what I told him. Bro, 1120 00:47:51,400 --> 00:47:53,120 Speaker 2: I ain't even had no people. I was like, he 1121 00:47:53,280 --> 00:47:56,279 Speaker 2: was like, it was crazy. I was like, Patroy. I 1122 00:47:56,360 --> 00:48:00,400 Speaker 2: used to get my CDs pressed up. Yeah, really regular, 1123 00:48:00,520 --> 00:48:02,600 Speaker 2: real talk and see a lot of times I saw 1124 00:48:02,600 --> 00:48:04,759 Speaker 2: a Gucci in the interview. He said, man, Mike just 1125 00:48:04,800 --> 00:48:06,920 Speaker 2: standing outside the studio, you know what I'm saying. And 1126 00:48:07,040 --> 00:48:09,440 Speaker 2: he just he's just standing outside there. And that was 1127 00:48:09,480 --> 00:48:12,080 Speaker 2: like his perspective, right, and it was dope to hear 1128 00:48:12,120 --> 00:48:13,880 Speaker 2: that perspective. But really, what I was doing, I was 1129 00:48:13,880 --> 00:48:16,839 Speaker 2: getting my CDs pressed up downstairs. So I might pay 1130 00:48:16,880 --> 00:48:19,640 Speaker 2: two hundred dollars for Mike will Beat CD because all 1131 00:48:19,719 --> 00:48:22,279 Speaker 2: my all my cause back then you couldn't like two 1132 00:48:22,320 --> 00:48:24,480 Speaker 2: thousand and six, two thousand and seven, like you couldn't 1133 00:48:24,520 --> 00:48:27,600 Speaker 2: email or bluetooth beat and ship. So yeah, you have 1134 00:48:27,680 --> 00:48:29,800 Speaker 2: to burn CD. So I'm like, I used to go 1135 00:48:29,840 --> 00:48:33,480 Speaker 2: to past work, pay my last. Boom, get these CDs, 1136 00:48:33,840 --> 00:48:35,640 Speaker 2: Get these beats hanging around. 1137 00:48:37,080 --> 00:48:42,440 Speaker 1: You could be right at the front He wait, no 1138 00:48:42,560 --> 00:48:47,879 Speaker 1: CD stalking Yeah, because you're saying something about them beats. 1139 00:48:47,960 --> 00:48:51,239 Speaker 2: Yeah yeah, get them out, you know what I'm saying. 1140 00:48:51,280 --> 00:48:53,200 Speaker 2: And I just and I just drove all the way 1141 00:48:53,280 --> 00:48:55,000 Speaker 2: down here from card you know what I'm saying. So 1142 00:48:55,080 --> 00:48:57,160 Speaker 2: I'm driving all the way from Card. I got my 1143 00:48:57,280 --> 00:48:59,320 Speaker 2: last We ain't have uber and ship back then, you 1144 00:48:59,360 --> 00:49:01,600 Speaker 2: know what I'm saying. So Pops might drop me off, 1145 00:49:02,080 --> 00:49:04,200 Speaker 2: go handle whatever. He got a handle. I'm waiting on 1146 00:49:04,239 --> 00:49:07,080 Speaker 2: the CDs to get printed up. Booe, he suckle back, 1147 00:49:07,120 --> 00:49:08,880 Speaker 2: come pick me up. My boy Blaze was working at 1148 00:49:08,920 --> 00:49:10,680 Speaker 2: the front door, you know what I'm saying. And then 1149 00:49:10,760 --> 00:49:13,320 Speaker 2: so Boom, I would see Gucci. I ran into Gucci 1150 00:49:13,360 --> 00:49:15,360 Speaker 2: one day. I was getting my CD freshed up, and 1151 00:49:15,480 --> 00:49:17,759 Speaker 2: I gave him a Beat CD. He was freestyling to 1152 00:49:17,840 --> 00:49:21,120 Speaker 2: it in the lounge and I went in there and 1153 00:49:21,239 --> 00:49:23,040 Speaker 2: then he was like, man, I need the files of 1154 00:49:23,120 --> 00:49:24,960 Speaker 2: this beat Man. It'd be hard to tell. I'm like, 1155 00:49:24,960 --> 00:49:26,560 Speaker 2: all right, man, man, just hollert my people. 1156 00:49:26,560 --> 00:49:27,120 Speaker 1: You know what I'm saying. 1157 00:49:27,400 --> 00:49:28,920 Speaker 2: He knew I ain't had no people. He was like, man, 1158 00:49:28,960 --> 00:49:30,440 Speaker 2: I'll fuck with you by your little player. You know 1159 00:49:30,480 --> 00:49:31,839 Speaker 2: what I'm saying, right up? 1160 00:49:31,920 --> 00:49:32,040 Speaker 1: Man? 1161 00:49:32,640 --> 00:49:33,000 Speaker 2: That start? 1162 00:49:33,120 --> 00:49:35,000 Speaker 1: Man, do you ever feel like niggas tryed to you 1163 00:49:35,080 --> 00:49:36,319 Speaker 1: like a country? Could you from cup? 1164 00:49:37,960 --> 00:49:38,080 Speaker 2: Uh? 1165 00:49:38,680 --> 00:49:39,880 Speaker 1: Ain't, I ain't. I ain't gonna lie. 1166 00:49:39,920 --> 00:49:42,000 Speaker 2: I ain't never ran into that, you know what I'm saying. 1167 00:49:42,200 --> 00:49:43,920 Speaker 2: For real, Like I said, I met I met shot 1168 00:49:44,000 --> 00:49:46,960 Speaker 2: at Low when I got damn sixteen the club Q. 1169 00:49:47,239 --> 00:49:48,839 Speaker 2: You know what I'm saying. Card, You know what I'm saying. 1170 00:49:48,840 --> 00:49:51,440 Speaker 2: And then like I met walking in the same club 1171 00:49:52,160 --> 00:49:54,080 Speaker 2: like a year or two later. You know what I'm saying. 1172 00:49:54,120 --> 00:49:55,480 Speaker 2: He were from the South Side, So that's how I 1173 00:49:55,520 --> 00:49:59,279 Speaker 2: really got, yeah, for real from And I was too 1174 00:49:59,320 --> 00:50:01,239 Speaker 2: young to getting the up back then, so that was 1175 00:50:01,320 --> 00:50:04,480 Speaker 2: teenage j But I you know, I coming up out here, 1176 00:50:04,520 --> 00:50:06,920 Speaker 2: you always hear like the jokes on cord like or 1177 00:50:07,040 --> 00:50:09,399 Speaker 2: either they be like, oh yeah, I ain't Atlanta or whatever. 1178 00:50:09,440 --> 00:50:10,840 Speaker 2: You know what I'm saying, So you hear that. But 1179 00:50:10,920 --> 00:50:13,360 Speaker 2: I always thought it was like I always thought it 1180 00:50:13,480 --> 00:50:15,680 Speaker 2: was either a because of how the police be tripping 1181 00:50:15,760 --> 00:50:17,920 Speaker 2: or either be because Marta, don't go out there. You 1182 00:50:17,960 --> 00:50:20,320 Speaker 2: know what I'm saying, I ain't. I ain't really understand it, 1183 00:50:20,400 --> 00:50:22,080 Speaker 2: cause it's like, man, Nigga, we all from Jordan. We 1184 00:50:22,120 --> 00:50:24,080 Speaker 2: are some country at Nigga for real, you know what 1185 00:50:24,080 --> 00:50:26,640 Speaker 2: I'm saying. It's just it's just different sizes of town, 1186 00:50:26,800 --> 00:50:28,240 Speaker 2: you know what I'm saying. But I done made history 1187 00:50:28,280 --> 00:50:31,239 Speaker 2: form zone one to six man' I ain't never had that. 1188 00:50:32,120 --> 00:50:34,120 Speaker 2: Oh by the Nigga A country at Nigga. God damn. 1189 00:50:34,400 --> 00:50:35,839 Speaker 2: We ain't fucking with him, you know what I'm saying. 1190 00:50:36,320 --> 00:50:39,400 Speaker 2: For real, we really laid the foundation. You know what 1191 00:50:39,400 --> 00:50:39,799 Speaker 2: I'm saying. 1192 00:50:40,200 --> 00:50:42,960 Speaker 1: How you thinking people feel about you that there in 1193 00:50:43,080 --> 00:50:44,319 Speaker 1: cod Man? 1194 00:50:44,440 --> 00:50:47,200 Speaker 2: They like, like I said, I'm doing it for the 1195 00:50:47,239 --> 00:50:49,480 Speaker 2: believers and not the haters. There might be something, might 1196 00:50:49,560 --> 00:50:53,160 Speaker 2: be some bombs out there that might be you know 1197 00:50:53,200 --> 00:50:55,600 Speaker 2: what I'm saying, that might be feeling like whatever however 1198 00:50:55,680 --> 00:50:57,560 Speaker 2: they feeling, you know what I'm saying. But then it's 1199 00:50:57,600 --> 00:50:59,719 Speaker 2: a whole lot of believers out there that's like by 1200 00:51:00,080 --> 00:51:01,720 Speaker 2: I knew he was gonna be it, but that niggas 1201 00:51:01,719 --> 00:51:04,239 Speaker 2: stayed down. Bro. I remember when he was in this group. 1202 00:51:04,400 --> 00:51:06,520 Speaker 2: I remember when they were performing over here. I remember 1203 00:51:06,560 --> 00:51:08,759 Speaker 2: when he brought goddamn Him and Walker used to be 1204 00:51:08,840 --> 00:51:11,120 Speaker 2: out here, and then Walker started rapping, and I remember 1205 00:51:11,120 --> 00:51:13,279 Speaker 2: when they brought Gucci out here. I remember he brought 1206 00:51:13,320 --> 00:51:15,000 Speaker 2: two chains out here for the first time. He brought 1207 00:51:15,239 --> 00:51:17,320 Speaker 2: He came out with Pluto for the first time and 1208 00:51:17,480 --> 00:51:19,640 Speaker 2: got damn like man. Then Nigga just stayed down and 1209 00:51:19,680 --> 00:51:21,759 Speaker 2: he grinded all the way up while salute might But 1210 00:51:22,120 --> 00:51:25,440 Speaker 2: you know what I'm saying, It's like, it's like like 1211 00:51:25,520 --> 00:51:27,640 Speaker 2: watching the fucking plant. It's like watching one of these 1212 00:51:27,760 --> 00:51:30,640 Speaker 2: trees just like growth on the ground and just end 1213 00:51:30,760 --> 00:51:32,040 Speaker 2: up being one of the biggest trees. 1214 00:51:32,120 --> 00:51:33,600 Speaker 1: It's like, you know what I'm saying. 1215 00:51:33,680 --> 00:51:35,879 Speaker 2: Some people might be like, man, Nigga, that fucking tree, man, 1216 00:51:36,120 --> 00:51:38,920 Speaker 2: fucking tree, he ain't got no fucking leaves or whatever. 1217 00:51:39,000 --> 00:51:40,800 Speaker 1: They might find something about the tree. 1218 00:51:40,880 --> 00:51:42,759 Speaker 2: You feel me, But most people are gonna be like bro, 1219 00:51:42,800 --> 00:51:44,480 Speaker 2: I remember when they won't even no tree right there, 1220 00:51:44,800 --> 00:51:46,360 Speaker 2: Like you know what I'm saying, This bigg as a 1221 00:51:46,440 --> 00:51:49,360 Speaker 2: motherfucker like so to be like one of the biggest 1222 00:51:49,840 --> 00:51:52,440 Speaker 2: in the entertainment industry from my side of town, man, 1223 00:51:52,480 --> 00:51:54,279 Speaker 2: that's like, you know what I'm saying, that's rare. You 1224 00:51:54,280 --> 00:51:55,760 Speaker 2: know what I'm saying. It's a lot of real niggas 1225 00:51:55,800 --> 00:51:57,919 Speaker 2: in card. You know what I'm saying, Salute to y'all 1226 00:51:58,480 --> 00:52:00,920 Speaker 2: and and all of it that might salute me. You 1227 00:52:00,960 --> 00:52:01,479 Speaker 2: know what I'm saying. 1228 00:52:02,880 --> 00:52:04,560 Speaker 1: You think you was squeezing the money a little too tight. 1229 00:52:04,600 --> 00:52:06,640 Speaker 1: You just had like I didn't spend some of this shit. 1230 00:52:08,520 --> 00:52:12,480 Speaker 2: Over the time, Like fuck yeah, well well not over 1231 00:52:12,560 --> 00:52:15,200 Speaker 2: this reset time, but fuck yeah, bro, it took me 1232 00:52:15,280 --> 00:52:17,040 Speaker 2: a long time to spend money. Bro, I ain't gonna 1233 00:52:17,040 --> 00:52:20,279 Speaker 2: lie because I had I had post partner. Nigga also broke. 1234 00:52:20,640 --> 00:52:22,239 Speaker 2: You know what I'm saying. Nigga think Nigga, think Ja? 1235 00:52:22,320 --> 00:52:24,200 Speaker 2: Could you come from car? You know what I'm saying, 1236 00:52:24,320 --> 00:52:27,800 Speaker 2: Like you're just born with a silver you know what 1237 00:52:27,840 --> 00:52:30,520 Speaker 2: I'm saying, Like like Nigga, think Jack. 1238 00:52:30,400 --> 00:52:31,080 Speaker 1: Can you come from car? 1239 00:52:31,160 --> 00:52:33,680 Speaker 2: You got a silver spoon in my I ain't come 1240 00:52:33,719 --> 00:52:35,480 Speaker 2: from those silver store like, you know what I'm saying. 1241 00:52:35,520 --> 00:52:38,440 Speaker 2: My pops from Jenkin Jones. I'm the only one from 1242 00:52:38,440 --> 00:52:40,920 Speaker 2: both sides of my family from from Georgia. So my 1243 00:52:41,000 --> 00:52:44,160 Speaker 2: pops from Jenkin Jones, West Virginia. It's probably like five thousand, 1244 00:52:44,400 --> 00:52:47,000 Speaker 2: a thousand people out there he come from, like it's 1245 00:52:47,080 --> 00:52:50,000 Speaker 2: fifteen of them. My grandma had fifteen kids, you know 1246 00:52:50,040 --> 00:52:53,399 Speaker 2: what I'm saying. And and and she was a single mother. 1247 00:52:53,719 --> 00:52:55,319 Speaker 2: You feel me raising all them? 1248 00:52:55,560 --> 00:52:55,960 Speaker 1: You feel me? 1249 00:52:56,400 --> 00:53:00,840 Speaker 2: Then my mom she from Cleveland, She from Cleveland, from Agewood, 1250 00:53:01,320 --> 00:53:04,759 Speaker 2: you know what I'm saying. And boom, like her and 1251 00:53:04,800 --> 00:53:07,240 Speaker 2: my dad marry each other. They had my sisters in Cleveland, 1252 00:53:07,520 --> 00:53:09,520 Speaker 2: and then they moved down here. My PAP's got a job. 1253 00:53:09,560 --> 00:53:12,000 Speaker 2: He moved down here, and my pops, my popsa on 1254 00:53:12,120 --> 00:53:14,640 Speaker 2: some ship. Like man, you know what, I'm gonna move 1255 00:53:14,719 --> 00:53:17,160 Speaker 2: my kids to this side of time because they said 1256 00:53:17,440 --> 00:53:19,480 Speaker 2: it's a mixed side of town. So I want my 1257 00:53:19,560 --> 00:53:22,600 Speaker 2: kids to grow up going to school with all kind 1258 00:53:22,640 --> 00:53:26,160 Speaker 2: of different with white kids we're aging or whatever, you 1259 00:53:26,200 --> 00:53:28,160 Speaker 2: know what I'm saying. So then they'll never feel like, 1260 00:53:28,560 --> 00:53:31,040 Speaker 2: oh I can't approach this person, or this person too 1261 00:53:31,120 --> 00:53:33,400 Speaker 2: good for me, or this person beneath me, or you 1262 00:53:33,440 --> 00:53:35,239 Speaker 2: know what I'm saying. It's just like he just wanted 1263 00:53:35,280 --> 00:53:37,920 Speaker 2: me to grow up with all of that. So that 1264 00:53:38,080 --> 00:53:40,240 Speaker 2: was all Pop's vision. You know what I'm saying. Here 1265 00:53:40,360 --> 00:53:42,400 Speaker 2: geans as well, you know what I'm saying, and so 1266 00:53:43,320 --> 00:53:46,040 Speaker 2: when he came with that, you know what I'm saying, Boom, 1267 00:53:46,080 --> 00:53:47,960 Speaker 2: I grew up out there and that might be the 1268 00:53:48,040 --> 00:53:49,759 Speaker 2: reason why I'm like, man, damn, I want to take 1269 00:53:49,800 --> 00:53:51,920 Speaker 2: my sound to a fucking career or I want to 1270 00:53:51,920 --> 00:53:53,719 Speaker 2: work with somebody like my desirous or I want to 1271 00:53:53,760 --> 00:53:56,160 Speaker 2: go do this that you know what I'm saying. It's 1272 00:53:56,239 --> 00:53:59,320 Speaker 2: like it might come from that. You feel me so 1273 00:54:00,719 --> 00:54:02,880 Speaker 2: so like yeah, man, you know what I'm saying, Like 1274 00:54:03,080 --> 00:54:05,880 Speaker 2: like that that was a I was adult thing that 1275 00:54:06,000 --> 00:54:09,279 Speaker 2: like even my pops and my mind, they held that 1276 00:54:09,320 --> 00:54:10,880 Speaker 2: ship down. It's like, you know what I'm saying. They 1277 00:54:11,239 --> 00:54:14,479 Speaker 2: were to both hardworking people, you know what I'm saying, 1278 00:54:14,600 --> 00:54:18,120 Speaker 2: and like middle class black people, and they divorced and 1279 00:54:18,200 --> 00:54:20,600 Speaker 2: started up and and I'm and I'm still trying to 1280 00:54:20,640 --> 00:54:23,400 Speaker 2: figure out now, like damn, how did how we how 1281 00:54:23,480 --> 00:54:25,279 Speaker 2: y'all made it this long? And how y'all and how 1282 00:54:25,360 --> 00:54:27,439 Speaker 2: we made it this far? Like you feel me because 1283 00:54:27,440 --> 00:54:30,040 Speaker 2: I'm the first person of my family like that that 1284 00:54:31,640 --> 00:54:33,640 Speaker 2: came into some money like that, you know what I'm saying, 1285 00:54:34,040 --> 00:54:37,320 Speaker 2: Like for real, yeah, came into some money, Like you 1286 00:54:37,360 --> 00:54:37,799 Speaker 2: know what I'm saying. 1287 00:54:37,800 --> 00:54:40,080 Speaker 1: I take it to another level for real. 1288 00:54:40,239 --> 00:54:43,439 Speaker 2: So like Pops, Pops planning that seed, haveing me boring 1289 00:54:43,480 --> 00:54:45,600 Speaker 2: out there, going to school and car and then now 1290 00:54:45,640 --> 00:54:47,920 Speaker 2: this ship and grew into a tree. Niggas shook up 1291 00:54:47,920 --> 00:54:50,520 Speaker 2: the whole city of Atlanta. Nigga, it's hard to make 1292 00:54:50,560 --> 00:54:53,719 Speaker 2: it out of this motherfucker right now. Yeah no, in fact, 1293 00:54:53,920 --> 00:54:55,239 Speaker 2: you and I sitting in there right now. 1294 00:54:55,480 --> 00:54:56,000 Speaker 1: Strategy. 1295 00:54:57,320 --> 00:54:59,120 Speaker 2: I ain't gonna lie. Man, My pops sold me all 1296 00:54:59,200 --> 00:55:01,560 Speaker 2: these buildings. He brought me over here. Yeah, he sold 1297 00:55:01,600 --> 00:55:03,680 Speaker 2: me all these belding He do real estate. So he 1298 00:55:03,760 --> 00:55:05,879 Speaker 2: was like, man, get that you know what I'm saying, 1299 00:55:06,239 --> 00:55:08,759 Speaker 2: and get this one to next door. It just came 1300 00:55:08,840 --> 00:55:10,640 Speaker 2: on the market. And this one just came on the market. 1301 00:55:10,719 --> 00:55:12,120 Speaker 2: To buy that one. 1302 00:55:12,120 --> 00:55:14,759 Speaker 1: You know what I'm saying. That is that ship like 1303 00:55:14,800 --> 00:55:16,279 Speaker 1: a boost of company because you, like you said, you 1304 00:55:16,320 --> 00:55:18,640 Speaker 1: want spending the money. Once you start spending money actually 1305 00:55:18,680 --> 00:55:21,319 Speaker 1: seeing the toys and seeing this ship and that ship, Like. 1306 00:55:22,680 --> 00:55:24,759 Speaker 2: I ain't a lie, I ain't a live seeing Dave 1307 00:55:24,840 --> 00:55:26,560 Speaker 2: on your hat, you know you and Dave put the 1308 00:55:26,600 --> 00:55:28,520 Speaker 2: better in my back. Two niggas, I won't even I 1309 00:55:28,560 --> 00:55:31,080 Speaker 2: won't even know plane chain, no diamonds or nothing, y'all 1310 00:55:31,120 --> 00:55:33,760 Speaker 2: were like, Man, y'all, but Mike, you gotta go plane 1311 00:55:33,880 --> 00:55:36,439 Speaker 2: chain diamonds, bro. You know what I'm saying, Like, man, 1312 00:55:36,520 --> 00:55:39,600 Speaker 2: straight up, bron y'all, y'all took me the different driller 1313 00:55:39,680 --> 00:55:41,759 Speaker 2: like I would have different jewelry and ship. But I 1314 00:55:41,920 --> 00:55:46,839 Speaker 2: was just like Mann, Bro, I don't know. Definitely do something. 1315 00:55:47,480 --> 00:55:49,680 Speaker 2: Definitely do something to your confidence. Man. When you when 1316 00:55:49,719 --> 00:55:52,080 Speaker 2: you start feeling these different engines and ship, you gotta 1317 00:55:52,080 --> 00:55:53,040 Speaker 2: beat right here. 1318 00:55:53,280 --> 00:55:54,879 Speaker 1: You know what I'm saying. It's a real real drive. 1319 00:55:55,200 --> 00:55:57,520 Speaker 2: You got a mother fucking port wheel drive. This the 1320 00:55:57,600 --> 00:55:59,560 Speaker 2: fastest thing on the street. Then you got an electric car, 1321 00:55:59,640 --> 00:56:02,440 Speaker 2: then you go old school. It's like feeling those different 1322 00:56:02,520 --> 00:56:05,480 Speaker 2: engines even even makes you got them respect the art 1323 00:56:05,560 --> 00:56:08,160 Speaker 2: a different way. The speakers sound different, you know what 1324 00:56:08,200 --> 00:56:10,840 Speaker 2: I'm saying. This song sounded different hearing this engine in 1325 00:56:10,920 --> 00:56:13,439 Speaker 2: the background and all that type of shit. Even having 1326 00:56:13,480 --> 00:56:15,360 Speaker 2: your own buildings and have your own studio, Man, you 1327 00:56:15,400 --> 00:56:17,560 Speaker 2: ain't gotta leave at a certain time. You ain't got 1328 00:56:17,640 --> 00:56:20,560 Speaker 2: an answer to nobody. You ain't gotta talk about what y'all. 1329 00:56:20,760 --> 00:56:21,359 Speaker 1: You know what I'm saying. 1330 00:56:21,440 --> 00:56:23,960 Speaker 2: Man, Oh, did y'all smoking and y'all smoking weed in 1331 00:56:24,160 --> 00:56:26,799 Speaker 2: or whatever. You feel me like all of that ship bro, 1332 00:56:27,160 --> 00:56:30,600 Speaker 2: and and and those investments bring a feeling that you 1333 00:56:30,680 --> 00:56:33,560 Speaker 2: know what I'm saying, bring bring a different feeling, and 1334 00:56:33,640 --> 00:56:35,840 Speaker 2: that sparks the creativity, you know what I'm saying. And 1335 00:56:35,880 --> 00:56:38,279 Speaker 2: then when that sparks the creativity, you know what I'm saying, 1336 00:56:38,320 --> 00:56:40,319 Speaker 2: you end up making a whole You end up doing 1337 00:56:40,760 --> 00:56:42,200 Speaker 2: what I just did. You know what I'm saying, Like 1338 00:56:42,520 --> 00:56:46,360 Speaker 2: just doing the reset and just you know, going up. 1339 00:56:46,440 --> 00:56:48,759 Speaker 2: But ain now I have postpartum. Man. For for a 1340 00:56:48,840 --> 00:56:51,359 Speaker 2: long time, I was't buy a ship. I'm like, man, 1341 00:56:51,400 --> 00:56:52,960 Speaker 2: he we ain't going back. 1342 00:56:53,040 --> 00:56:57,879 Speaker 1: Man, you feel well, look at this ship. Man. 1343 00:56:58,520 --> 00:57:02,200 Speaker 2: But but hey, man out to like different mentors I got, 1344 00:57:02,239 --> 00:57:03,799 Speaker 2: you know what I'm saying, The city, my nigga, Tread 1345 00:57:03,960 --> 00:57:06,680 Speaker 2: like different people I've seen like buying different buildings and 1346 00:57:06,719 --> 00:57:09,360 Speaker 2: ship like change. You know what I'm saying. Like that, 1347 00:57:09,480 --> 00:57:12,040 Speaker 2: It's like, man, you know what I'm saying. Tread told 1348 00:57:12,120 --> 00:57:14,239 Speaker 2: me like, man, hey, and you're making all that money 1349 00:57:14,280 --> 00:57:17,600 Speaker 2: on music, bron Bro, you better go buy some dirt. Bro, 1350 00:57:18,080 --> 00:57:20,560 Speaker 2: Go spend the money on the dirt. Fuck suck the 1351 00:57:20,600 --> 00:57:22,400 Speaker 2: money being in the bank account. You gonna make way 1352 00:57:22,440 --> 00:57:25,560 Speaker 2: more money with buying that dirt, you know what I'm saying. 1353 00:57:25,760 --> 00:57:27,840 Speaker 2: And so him telling me that ship, I was like, 1354 00:57:28,320 --> 00:57:30,040 Speaker 2: I'm like, dance, how much you think I need to spend? 1355 00:57:30,120 --> 00:57:31,680 Speaker 2: He like all of it, Nigga. Go to your bank 1356 00:57:31,680 --> 00:57:34,920 Speaker 2: account right now. Go spend everything you got, nigga, and 1357 00:57:35,040 --> 00:57:37,000 Speaker 2: go buy all the thing you can find. You know, 1358 00:57:38,360 --> 00:57:40,480 Speaker 2: I ain't gonna do all that, but I'm gonna go. 1359 00:57:40,560 --> 00:57:43,160 Speaker 2: I'm gonna go spend some ship. You know, real talking, 1360 00:57:43,400 --> 00:57:45,280 Speaker 2: you know what I'm saying, And like just to see 1361 00:57:45,640 --> 00:57:50,120 Speaker 2: even him, Yeah, even him come from nothing and god 1362 00:57:50,200 --> 00:57:53,600 Speaker 2: damn build up and have all these different buildings in 1363 00:57:53,640 --> 00:57:55,800 Speaker 2: the city and ship like that. Like I'm I'm a 1364 00:57:56,080 --> 00:57:59,080 Speaker 2: type person that I'm always gonna listen to, you know 1365 00:57:59,120 --> 00:58:00,840 Speaker 2: what I'm saying. O. G is in the big homies, 1366 00:58:00,920 --> 00:58:02,680 Speaker 2: Like you know what I'm saying. Even my man lost 1367 00:58:03,400 --> 00:58:06,080 Speaker 2: a man lost told me, man, first thing, first, you 1368 00:58:06,160 --> 00:58:08,440 Speaker 2: gotta promise me, bro, no matter what. I don't care 1369 00:58:08,520 --> 00:58:10,640 Speaker 2: what kind of building, I mean, what kind of check 1370 00:58:10,720 --> 00:58:14,080 Speaker 2: they come with, do not sell these buildings, bro, Because 1371 00:58:14,080 --> 00:58:16,480 Speaker 2: the first thing us black people what we want to 1372 00:58:16,520 --> 00:58:18,600 Speaker 2: do is we want to get something flip it. You 1373 00:58:18,680 --> 00:58:20,360 Speaker 2: know what I'm saying, like, do not do it, bro, 1374 00:58:20,560 --> 00:58:22,400 Speaker 2: You gotta do it. You gotta keep this ship for 1375 00:58:22,480 --> 00:58:24,240 Speaker 2: the people. Bro. Like you know what I'm saying, You 1376 00:58:24,320 --> 00:58:26,840 Speaker 2: gotta build some legendary shit right here. You know what 1377 00:58:26,880 --> 00:58:28,920 Speaker 2: I'm saying, Plant way more seeds right here. 1378 00:58:29,040 --> 00:58:31,280 Speaker 1: You feel me? Now, you came up in the time 1379 00:58:31,440 --> 00:58:33,680 Speaker 1: of Atlanta when you really had to be outside the 1380 00:58:33,760 --> 00:58:38,960 Speaker 1: hell of your business. What you think that the difference 1381 00:58:38,960 --> 00:58:42,560 Speaker 1: between then and name then between then and now? 1382 00:58:42,720 --> 00:58:47,480 Speaker 2: Like, man, now, uh, certain people can be new to 1383 00:58:47,560 --> 00:58:50,640 Speaker 2: the scene and take a picture next to a motherfucker 1384 00:58:51,800 --> 00:58:53,640 Speaker 2: and a motherfucker come to my studio and take a 1385 00:58:53,680 --> 00:58:56,439 Speaker 2: picture next to me and be like, they can feel 1386 00:58:56,480 --> 00:58:58,920 Speaker 2: like they're just as successful or just as you know 1387 00:58:58,920 --> 00:59:01,360 Speaker 2: what I'm saying. They might have got the instant gratifications, 1388 00:59:01,560 --> 00:59:03,040 Speaker 2: might got a lot of likes, they might got a 1389 00:59:03,040 --> 00:59:05,880 Speaker 2: lot of comments or whatever, and they might think, Man, hey, 1390 00:59:06,280 --> 00:59:08,560 Speaker 2: I'm putting in the hard work. Man, what my motherfucking 1391 00:59:10,120 --> 00:59:12,640 Speaker 2: building that with my motherfucking Porsche or my you know 1392 00:59:12,680 --> 00:59:14,240 Speaker 2: what I'm saying, with my chain that you know what 1393 00:59:14,280 --> 00:59:16,560 Speaker 2: I'm saying. But man, you ain't even did nothing. You 1394 00:59:16,600 --> 00:59:18,120 Speaker 2: don't know how long it took me to even get 1395 00:59:18,120 --> 00:59:21,200 Speaker 2: a chain. You know what I'm saying, the grind like 1396 00:59:21,360 --> 00:59:23,760 Speaker 2: you feel me Like, it's like, sh it is so 1397 00:59:23,960 --> 00:59:26,520 Speaker 2: instant now ship should is just on social media and 1398 00:59:26,560 --> 00:59:28,920 Speaker 2: ship and there's a lot of fabrication going on that 1399 00:59:29,520 --> 00:59:33,440 Speaker 2: that that man, people will get they're getting lost out 1400 00:59:33,440 --> 00:59:35,439 Speaker 2: of reality. That'll be in the metaverse and world. 1401 00:59:35,480 --> 00:59:37,160 Speaker 1: Bro. You know what I'm saying, we ain't had a 1402 00:59:37,240 --> 00:59:40,800 Speaker 1: better version. You know what I'm saying, real talk. 1403 00:59:40,720 --> 00:59:43,880 Speaker 2: Bro, So like this ship like that. Man, I feel like, man, 1404 00:59:43,920 --> 00:59:45,200 Speaker 2: that's that's the major difference. 1405 00:59:45,240 --> 00:59:52,600 Speaker 1: Bro. Like It's like, man, what was it competition or collaboration? 1406 00:59:52,760 --> 00:59:53,080 Speaker 1: Might then? 1407 00:59:54,680 --> 00:59:56,880 Speaker 2: Back then it was a little bit of both, you 1408 00:59:56,960 --> 01:00:01,919 Speaker 2: know what I'm saying, Because it was collaboration cause ill 1409 01:00:01,960 --> 01:00:04,160 Speaker 2: building my production team. And then I have people like 1410 01:00:04,200 --> 01:00:06,240 Speaker 2: Gucci that believe in me. You know what I'm saying. 1411 01:00:06,640 --> 01:00:09,440 Speaker 2: I have people like two Change, I believe in me, people. 1412 01:00:09,320 --> 01:00:13,800 Speaker 1: Like planing all around aural like like niggasill see a 1413 01:00:13,840 --> 01:00:15,440 Speaker 1: nigga ground a nigga fuck with you? Back then? 1414 01:00:15,560 --> 01:00:19,440 Speaker 2: Yeah, No, for sure, it was overly collaborate, collaborative. You 1415 01:00:19,440 --> 01:00:21,040 Speaker 2: know what I'm saying. It's like, man, we'll go to 1416 01:00:21,120 --> 01:00:23,720 Speaker 2: the studio make a song, everybody making a song, and 1417 01:00:23,800 --> 01:00:24,760 Speaker 2: go to Magic on Monday. 1418 01:00:24,960 --> 01:00:25,520 Speaker 1: You know what I'm saying. 1419 01:00:25,920 --> 01:00:29,000 Speaker 2: Yeah, Like we we literally going to the studio and 1420 01:00:29,080 --> 01:00:30,760 Speaker 2: the hardest song we made the night. But we're going 1421 01:00:30,800 --> 01:00:32,880 Speaker 2: to Magic. We're going to honest, We're going to Platinum. 1422 01:00:32,960 --> 01:00:34,280 Speaker 2: You know what I'm saying, We're going to Blue Flame. 1423 01:00:34,640 --> 01:00:36,919 Speaker 2: And it's like and it's like, hey man, the city 1424 01:00:36,960 --> 01:00:38,200 Speaker 2: fucking with this ship. Man, we need to go and 1425 01:00:38,280 --> 01:00:40,560 Speaker 2: put it out. Like that's how we knew and we 1426 01:00:40,640 --> 01:00:41,560 Speaker 2: need to put this ship out. 1427 01:00:42,240 --> 01:00:44,080 Speaker 1: When nigga start making the money and now that d 1428 01:00:44,160 --> 01:00:47,200 Speaker 1: take get involved that like fuck up relationships. 1429 01:00:47,240 --> 01:00:49,520 Speaker 2: Yeah, hell yeah and that and definitely when you have 1430 01:00:49,800 --> 01:00:54,360 Speaker 2: like hey, yeah, definitely when you have like different people, 1431 01:00:55,800 --> 01:00:59,280 Speaker 2: when the people that's around certain artists are around the creative, 1432 01:00:59,600 --> 01:01:01,720 Speaker 2: when they trying to be the glue, you what I'm saying, 1433 01:01:02,120 --> 01:01:03,680 Speaker 2: when they're not, when they're not trying to be like 1434 01:01:04,240 --> 01:01:07,080 Speaker 2: sometimes they be sometimes they be the gas on the fire. 1435 01:01:07,240 --> 01:01:09,400 Speaker 2: Sometimes they go to the creative and be like, man, 1436 01:01:09,560 --> 01:01:12,120 Speaker 2: I might doing this, you know what I'm saying, Or Hey, 1437 01:01:12,160 --> 01:01:13,160 Speaker 2: why this artist did that? 1438 01:01:14,040 --> 01:01:17,960 Speaker 1: How difficult you is making you difficult? Yeah? Or like 1439 01:01:18,360 --> 01:01:19,800 Speaker 1: they just yeah and they fucking up. 1440 01:01:19,800 --> 01:01:23,080 Speaker 2: They fucking up the vibe where it's like, now you're 1441 01:01:23,080 --> 01:01:25,320 Speaker 2: fucking up the collaboration, you know what I'm saying. That's 1442 01:01:25,360 --> 01:01:27,640 Speaker 2: why I like to deal my whole career. I like 1443 01:01:27,680 --> 01:01:29,560 Speaker 2: to deal straight with the artists, you know what I'm saying. 1444 01:01:29,760 --> 01:01:31,600 Speaker 2: When all that tape and all that kind of stuff, 1445 01:01:32,160 --> 01:01:34,360 Speaker 2: so I get involved, and it's like and to take 1446 01:01:34,400 --> 01:01:36,080 Speaker 2: the fun out of it, you know what I'm saying. 1447 01:01:36,120 --> 01:01:38,320 Speaker 2: I feel like that's not what got the city to 1448 01:01:38,400 --> 01:01:41,080 Speaker 2: where it's at right now. Now Atlanta is like global, man, 1449 01:01:41,120 --> 01:01:43,840 Speaker 2: we got a global sound. We we we are pop music, 1450 01:01:43,880 --> 01:01:44,880 Speaker 2: you know what I'm saying. Where we used to be 1451 01:01:45,000 --> 01:01:47,000 Speaker 2: like all that pop ship that nigga, We are pop 1452 01:01:47,160 --> 01:01:48,760 Speaker 2: you know what I'm saying. So it's like, at the 1453 01:01:48,880 --> 01:01:51,040 Speaker 2: end of the day, all that came I saw where 1454 01:01:51,080 --> 01:01:53,440 Speaker 2: that came from. That came from collaboration, That came from 1455 01:01:53,840 --> 01:01:56,880 Speaker 2: Shouted Low seeing me at sixteen years old, seventeen years old, 1456 01:01:57,120 --> 01:01:59,640 Speaker 2: give me his number, let me come to his studio. 1457 01:02:00,200 --> 01:02:01,880 Speaker 2: I used to go to Shota Lowe studio. 1458 01:02:01,960 --> 01:02:02,240 Speaker 1: One time. 1459 01:02:02,280 --> 01:02:05,040 Speaker 2: I seen shot of Low do a song. Everybody in 1460 01:02:05,120 --> 01:02:07,240 Speaker 2: the room wrote the verse. You know what I'm saying. 1461 01:02:07,600 --> 01:02:09,880 Speaker 1: Everybody right in his life. You know what I'm saying, 1462 01:02:10,080 --> 01:02:10,760 Speaker 1: This person might. 1463 01:02:10,760 --> 01:02:12,840 Speaker 2: Say this, this person might say that, this person might 1464 01:02:12,880 --> 01:02:15,120 Speaker 2: say this, This person might say that right in the 1465 01:02:15,200 --> 01:02:17,360 Speaker 2: line for line. But they rapping it all together in 1466 01:02:17,440 --> 01:02:19,160 Speaker 2: the room. You know what I'm saying, that he gonna 1467 01:02:19,200 --> 01:02:21,600 Speaker 2: lay it down. They go right across street the Pool Palace. 1468 01:02:22,000 --> 01:02:24,840 Speaker 2: Everybody in the studio don't know the know the words already. 1469 01:02:24,520 --> 01:02:26,240 Speaker 1: Collected, you know what I'm saying. 1470 01:02:27,720 --> 01:02:29,960 Speaker 2: Broken, Yeah, next thing you know, they go to Crucial. 1471 01:02:30,040 --> 01:02:32,640 Speaker 2: Everybody everybody at Pool Palace like, damn, what's song this is? 1472 01:02:33,000 --> 01:02:35,320 Speaker 2: Now they running the back. Now everybody at Pool Pallet 1473 01:02:35,360 --> 01:02:37,360 Speaker 2: know the song. Now they go to Crucier. Now, God 1474 01:02:37,440 --> 01:02:39,120 Speaker 2: damn people that Crucier know the song. Now they go 1475 01:02:39,240 --> 01:02:41,480 Speaker 2: to the city. But now I got down, they go 1476 01:02:41,560 --> 01:02:44,600 Speaker 2: too or anything like that on any other side of town. Now, 1477 01:02:44,680 --> 01:02:48,320 Speaker 2: I was like man brother man in West Side, shot 1478 01:02:48,400 --> 01:02:50,360 Speaker 2: Low came in, got them one hundred, two hundred deep. 1479 01:02:50,400 --> 01:02:52,920 Speaker 2: But everybody knew the goddamn song You feel Me, and 1480 01:02:53,000 --> 01:02:56,680 Speaker 2: ain't nobody heard it. So you feel lame not knowing 1481 01:02:56,720 --> 01:02:59,120 Speaker 2: this hard ass song that all these nigga know the song, 1482 01:02:59,320 --> 01:03:01,520 Speaker 2: all the nigga know words too, And now you're starting. 1483 01:03:01,800 --> 01:03:03,680 Speaker 2: Now you're looking for mixtapes and you're looking for how 1484 01:03:03,720 --> 01:03:05,520 Speaker 2: you're gonna find this song? Like, but this song with. 1485 01:03:05,560 --> 01:03:09,080 Speaker 1: Jamming you feel me? Yeah, went on the internet. You 1486 01:03:09,200 --> 01:03:10,120 Speaker 1: want to hear try it out. 1487 01:03:10,560 --> 01:03:12,640 Speaker 2: You're like, man, I was seeing y'all moving, You know 1488 01:03:12,680 --> 01:03:15,959 Speaker 2: what I'm saying, Like I'm seeing y'all moving, I'm seeing 1489 01:03:16,000 --> 01:03:17,800 Speaker 2: y'all libro or wherever. 1490 01:03:17,880 --> 01:03:18,360 Speaker 1: You know what I'm saying. 1491 01:03:18,400 --> 01:03:20,360 Speaker 2: I was already hip, but I'm like, I ain't no 1492 01:03:20,520 --> 01:03:22,560 Speaker 2: bank there music too. You know what I'm saying. But 1493 01:03:22,680 --> 01:03:24,240 Speaker 2: you know what I'm saying that try it out. Once 1494 01:03:24,280 --> 01:03:26,680 Speaker 2: I figured out I got your number, Nigga, I'm blowing 1495 01:03:26,720 --> 01:03:28,080 Speaker 2: you up. Hey, brother, this is your song. 1496 01:03:28,200 --> 01:03:28,640 Speaker 1: Try it out. 1497 01:03:28,880 --> 01:03:31,040 Speaker 2: Bro Let get in the studio like man, Yeah, we're 1498 01:03:31,040 --> 01:03:32,600 Speaker 2: gonna get in there. We're gonna get in there. Man, 1499 01:03:32,680 --> 01:03:34,800 Speaker 2: Come on, brother, get in the studio. Brother, Like, man, Man, 1500 01:03:34,800 --> 01:03:35,959 Speaker 2: we gotta come with another single. 1501 01:03:36,000 --> 01:03:42,200 Speaker 1: Do you tell me? I'm like, hey, what you think 1502 01:03:42,240 --> 01:03:48,800 Speaker 1: the biggest misconception by Atlanta is just to the outside brouh. 1503 01:03:52,240 --> 01:03:52,360 Speaker 2: Uh. 1504 01:03:54,960 --> 01:03:55,320 Speaker 1: I don't know. 1505 01:03:55,440 --> 01:03:57,240 Speaker 2: That's a vague that's a vague question. You know what 1506 01:03:57,240 --> 01:03:59,640 Speaker 2: I'm saying. I guess they see so much. I guess 1507 01:03:59,680 --> 01:04:02,960 Speaker 2: the words don't see see so much success come from collaboration. 1508 01:04:03,760 --> 01:04:06,520 Speaker 1: You know what I'm saying that they think everybody buddy buddy. 1509 01:04:06,960 --> 01:04:08,960 Speaker 2: Yeah, I guess they think like you know what I'm saying. 1510 01:04:09,000 --> 01:04:11,000 Speaker 2: It's just it's just simple, Like it's just easy. Like 1511 01:04:11,080 --> 01:04:13,640 Speaker 2: we all could just man, I could just get this 1512 01:04:13,720 --> 01:04:15,280 Speaker 2: one on that one on the phone. We could all 1513 01:04:15,400 --> 01:04:17,120 Speaker 2: just go right here and it's just gonna launch them, 1514 01:04:17,160 --> 01:04:18,680 Speaker 2: you know what I'm saying. But like I said, it 1515 01:04:18,840 --> 01:04:21,880 Speaker 2: be it be different people in the mixes. You know 1516 01:04:21,880 --> 01:04:24,480 Speaker 2: what I'm saying, fucking up the fucking up the algorithm. 1517 01:04:24,600 --> 01:04:26,120 Speaker 2: You know what I'm saying. You know what I'm saying, 1518 01:04:26,280 --> 01:04:29,800 Speaker 2: or or or or maybe not even understand. 1519 01:04:31,600 --> 01:04:32,320 Speaker 1: I don't. I don't know. 1520 01:04:32,400 --> 01:04:34,040 Speaker 2: I don't know how the world look at Atlanta. I 1521 01:04:34,120 --> 01:04:36,080 Speaker 2: feel like the world loves Atlanta. Bro To be real 1522 01:04:36,120 --> 01:04:38,000 Speaker 2: with you, I don't know what the misconception could be. 1523 01:04:38,720 --> 01:04:43,320 Speaker 2: Misconception could be that were not lyrical, or that we 1524 01:04:43,480 --> 01:04:44,960 Speaker 2: not you know what I'm saying, what that were not 1525 01:04:45,560 --> 01:04:48,400 Speaker 2: forward pushing. I remember people used to find on People 1526 01:04:48,480 --> 01:04:50,720 Speaker 2: used to find on the fact that I had eight 1527 01:04:50,800 --> 01:04:52,880 Speaker 2: A weights on my beats and that my beats was 1528 01:04:52,920 --> 01:04:55,160 Speaker 2: knocking in and they were distorted and ship like that. 1529 01:04:55,640 --> 01:04:57,800 Speaker 2: But the reason why I was coming like that is 1530 01:04:57,840 --> 01:05:00,360 Speaker 2: because everybody at the studio that I'll pull up, they 1531 01:05:00,440 --> 01:05:02,760 Speaker 2: had to clean mix, you know what I'm saying. But 1532 01:05:03,520 --> 01:05:06,440 Speaker 2: the beats that when I came up, like working with 1533 01:05:06,480 --> 01:05:09,360 Speaker 2: Gucci and different stuff like that, all that ship was 1534 01:05:09,600 --> 01:05:11,200 Speaker 2: all My ship was sounding fucked up because it was 1535 01:05:11,240 --> 01:05:13,240 Speaker 2: plugged up the wrong way, you know what I'm saying. 1536 01:05:13,600 --> 01:05:15,760 Speaker 2: So once I started plugging my ship up the right way, 1537 01:05:15,880 --> 01:05:17,160 Speaker 2: Walker used to be like, man, you need to go 1538 01:05:17,240 --> 01:05:19,479 Speaker 2: back to that old sign, bro, that ship's just sound 1539 01:05:19,760 --> 01:05:22,800 Speaker 2: nigga dirty, like you know what I'm saying. I'm like, damn, 1540 01:05:23,000 --> 01:05:25,520 Speaker 2: I'm still trying to elevate, but I'm listening to the 1541 01:05:25,560 --> 01:05:27,000 Speaker 2: old show. I'm like, man, you're right, you know what 1542 01:05:27,000 --> 01:05:29,640 Speaker 2: I'm saying to the artists too. Yeah, I'm listening to 1543 01:05:29,680 --> 01:05:30,120 Speaker 2: Walking too. 1544 01:05:30,280 --> 01:05:30,480 Speaker 1: Yeah. 1545 01:05:30,520 --> 01:05:33,480 Speaker 2: My brother, we and Walking ain't even at this time 1546 01:05:33,560 --> 01:05:34,960 Speaker 2: we had and did the song, but it was like 1547 01:05:35,080 --> 01:05:36,720 Speaker 2: he was just telling me that. My brother, like, man, 1548 01:05:36,760 --> 01:05:39,120 Speaker 2: you gotta go back to that, okay, you would come 1549 01:05:39,360 --> 01:05:43,120 Speaker 2: come around. You did an Easterner and I was like, Damn, 1550 01:05:43,120 --> 01:05:45,480 Speaker 2: that's when my ship wanted plugged up. Right then it's like, 1551 01:05:45,600 --> 01:05:48,960 Speaker 2: you know what I'm saying, I'm taking When I expanded 1552 01:05:49,000 --> 01:05:50,800 Speaker 2: the company and I got my boy Pete Nass, my 1553 01:05:50,880 --> 01:05:53,640 Speaker 2: boy Mars, you know what I'm saying, Like they got 1554 01:05:53,760 --> 01:05:57,360 Speaker 2: clean ass mixes. Like my boy p is a master engineering, 1555 01:05:57,400 --> 01:05:59,800 Speaker 2: you know what I'm saying, so he cleaned up the whole, 1556 01:06:00,480 --> 01:06:02,120 Speaker 2: you know what I'm saying. Him and Mars started coming 1557 01:06:02,160 --> 01:06:04,800 Speaker 2: with they had the software, they had the fruity loop, 1558 01:06:04,880 --> 01:06:07,680 Speaker 2: so they were coming with a with a whole new sound, 1559 01:06:07,800 --> 01:06:09,360 Speaker 2: like you know what I'm saying. And then I would 1560 01:06:09,360 --> 01:06:11,280 Speaker 2: take their sound and put the dirty on that shit, 1561 01:06:11,400 --> 01:06:12,640 Speaker 2: you know what I'm saying, And then go to the 1562 01:06:12,680 --> 01:06:15,800 Speaker 2: studio and then everybody like, what the hell? Why do 1563 01:06:15,800 --> 01:06:17,720 Speaker 2: this shit sound like this? It's like it's dirty but 1564 01:06:17,800 --> 01:06:20,400 Speaker 2: it's clean. It's knocking but it's kind of destroyed, or 1565 01:06:20,440 --> 01:06:23,480 Speaker 2: it's too loud. But it's like in Atlanta, you gotta 1566 01:06:23,520 --> 01:06:25,440 Speaker 2: be original, you know what I'm saying. When all coming up, 1567 01:06:25,480 --> 01:06:27,600 Speaker 2: you had to be original. So that was that was 1568 01:06:27,680 --> 01:06:30,160 Speaker 2: my originality. All my recipe, you know what I'm saying. 1569 01:06:30,200 --> 01:06:32,520 Speaker 2: That every other producer had their own recipe, and shit, 1570 01:06:32,840 --> 01:06:34,720 Speaker 2: you know what I'm saying. And we used to put 1571 01:06:34,720 --> 01:06:36,680 Speaker 2: the shit under the filter and all that kind of stuff. 1572 01:06:36,720 --> 01:06:39,640 Speaker 2: So that was our originality. But it's like I feel 1573 01:06:39,680 --> 01:06:42,800 Speaker 2: like the rest of the world don't really know, Like 1574 01:06:43,120 --> 01:06:45,920 Speaker 2: man two eighty five, that circle around the city, that's 1575 01:06:46,000 --> 01:06:48,360 Speaker 2: really like a big ass pot, and it's like it's 1576 01:06:48,440 --> 01:06:51,360 Speaker 2: so much talent in that pot, but you gotta be 1577 01:06:52,040 --> 01:06:55,160 Speaker 2: original as a motherfucker to stand up and make it 1578 01:06:55,240 --> 01:06:56,800 Speaker 2: up out of that pot, like you know what I'm saying. 1579 01:06:57,640 --> 01:07:00,800 Speaker 2: And so I don't know if people understand the hard 1580 01:07:00,840 --> 01:07:03,600 Speaker 2: work and the grind and and everything and and you know, 1581 01:07:04,120 --> 01:07:06,160 Speaker 2: just anything ain't finna move the city. You gotta be 1582 01:07:06,240 --> 01:07:08,200 Speaker 2: the ship to move the city, you know what I'm saying. So, 1583 01:07:08,440 --> 01:07:10,480 Speaker 2: like I think a lot of people just think, like 1584 01:07:11,040 --> 01:07:12,760 Speaker 2: I don't know what they think, you know what I'm saying. 1585 01:07:12,800 --> 01:07:15,320 Speaker 2: But man, shit, I love this place. Man, you know 1586 01:07:15,360 --> 01:07:15,800 Speaker 2: what I'm saying. 1587 01:07:17,160 --> 01:07:24,520 Speaker 1: What's see Nowadys producers is just like artists too. They artists, 1588 01:07:24,560 --> 01:07:27,160 Speaker 1: they sells, right. Do you think they getting the way 1589 01:07:27,200 --> 01:07:29,320 Speaker 1: of the artists and I mean the rapper in the 1590 01:07:29,360 --> 01:07:31,880 Speaker 1: producer relationship, you think they're like causes like a riff 1591 01:07:31,920 --> 01:07:35,280 Speaker 1: because nigga like like me, but here, producer. You know 1592 01:07:35,320 --> 01:07:38,080 Speaker 1: what I'm saying, Yeah, I ain't never look at it 1593 01:07:38,200 --> 01:07:41,200 Speaker 1: like that, you know what I did look at it 1594 01:07:41,320 --> 01:07:49,560 Speaker 1: like that time. But you get like bru God Damn 1595 01:07:49,640 --> 01:07:52,240 Speaker 1: making the beat he put up looking like he's supposed 1596 01:07:52,240 --> 01:07:53,200 Speaker 1: to be rapping this ship too. 1597 01:07:53,440 --> 01:07:59,800 Speaker 2: Yeah, man, you know you know what's crazy? Like man, 1598 01:07:59,840 --> 01:08:01,560 Speaker 2: I'm I'm pretty sure like that type of shit is 1599 01:08:01,600 --> 01:08:04,160 Speaker 2: going through motherfucker's head. But shout out to Gucci man, 1600 01:08:04,280 --> 01:08:06,960 Speaker 2: Like man, my first time going to the studio with Gucci, 1601 01:08:07,240 --> 01:08:09,600 Speaker 2: I remember shot A Red was in there, all the 1602 01:08:09,720 --> 01:08:11,200 Speaker 2: producers that I looked up to was in there, and 1603 01:08:11,240 --> 01:08:13,240 Speaker 2: I was nervous to play beats and he made me 1604 01:08:13,280 --> 01:08:15,160 Speaker 2: put on my CD and all like man, hell now 1605 01:08:15,560 --> 01:08:18,240 Speaker 2: he was like, nigga, you was starting beats. You know. 1606 01:08:19,800 --> 01:08:21,760 Speaker 1: What I'm saying, You're gonna put that battery of your bad. 1607 01:08:22,160 --> 01:08:24,360 Speaker 2: So if if a person is looking at like, man, 1608 01:08:24,479 --> 01:08:28,599 Speaker 2: this nigga producing for me, it's pulling up looking fresh 1609 01:08:28,680 --> 01:08:31,200 Speaker 2: as me and looking fly as me. You know what 1610 01:08:31,200 --> 01:08:34,840 Speaker 2: I'm saying, And that's a bad thing. That's weird, Like 1611 01:08:34,960 --> 01:08:37,559 Speaker 2: he don't want nobody to shine. You know what I'm saying, 1612 01:08:37,840 --> 01:08:40,519 Speaker 2: that's weird ass ship. You should want everybody around you 1613 01:08:40,640 --> 01:08:42,640 Speaker 2: to be God damn, pulling up looking like I want 1614 01:08:42,680 --> 01:08:45,040 Speaker 2: everybody around me, pulling up looking like I want everybody 1615 01:08:45,080 --> 01:08:47,240 Speaker 2: in foreign cars. I want everybody. You know what I'm saying. 1616 01:08:47,280 --> 01:08:48,880 Speaker 2: What you spend your money on, what you spend your 1617 01:08:48,920 --> 01:08:50,559 Speaker 2: money on. But you know what I'm saying, I've been 1618 01:08:50,640 --> 01:08:54,360 Speaker 2: flying since my baby pictures man. Shout out the Pluto 1619 01:08:54,479 --> 01:08:56,080 Speaker 2: man with that bar. You know what I'm saying, I've 1620 01:08:56,080 --> 01:08:58,360 Speaker 2: been flying to my baby pictures man, Like my mom 1621 01:08:58,439 --> 01:08:59,760 Speaker 2: and my sister want to let me go out the 1622 01:08:59,800 --> 01:09:03,360 Speaker 2: house dirty and shit or my shirt wrinkleer all that 1623 01:09:03,479 --> 01:09:05,240 Speaker 2: kind of shit they used to make me iron my ship. 1624 01:09:05,479 --> 01:09:07,200 Speaker 2: You know what I'm saying, wash up. You know what 1625 01:09:07,240 --> 01:09:09,759 Speaker 2: I'm saying. Like some nigga won't even take a shower 1626 01:09:09,840 --> 01:09:11,439 Speaker 2: for a long time, you know what I'm saying. So 1627 01:09:11,720 --> 01:09:13,360 Speaker 2: like you know what I'm saying, My folk made me 1628 01:09:13,600 --> 01:09:15,639 Speaker 2: wash up, Like you know what I'm saying, Like put 1629 01:09:15,720 --> 01:09:18,519 Speaker 2: on some clean clothes. God damn, you know what I'm saying, 1630 01:09:18,520 --> 01:09:21,720 Speaker 2: and then I just naturally start growing older. I just 1631 01:09:21,800 --> 01:09:23,840 Speaker 2: you know what I'm saying, Just paying attention to the 1632 01:09:23,920 --> 01:09:27,160 Speaker 2: culture and just everything going on. It's like, man, it's 1633 01:09:27,280 --> 01:09:30,960 Speaker 2: hip hop. Bro, it's all about the new, the new, 1634 01:09:31,160 --> 01:09:34,160 Speaker 2: like the new shoes, the new clothes, the new card, 1635 01:09:34,200 --> 01:09:35,559 Speaker 2: a new wash, new da da dah. 1636 01:09:35,640 --> 01:09:37,479 Speaker 1: So we all a fan of the same shit. 1637 01:09:37,680 --> 01:09:40,240 Speaker 2: So I don't know anybody who just sitting around just 1638 01:09:40,320 --> 01:09:43,280 Speaker 2: sizing somebody up about what they bought, knew what they 1639 01:09:43,320 --> 01:09:46,640 Speaker 2: were afford, what they were able to afford. 1640 01:09:47,040 --> 01:09:52,559 Speaker 1: And the time every time you had just never say 1641 01:09:52,680 --> 01:09:54,360 Speaker 1: what the fuck? I'll be trying to get you to say. 1642 01:09:54,400 --> 01:10:02,120 Speaker 1: But it's cooln he said, talk about that, Bro. I'm saying, 1643 01:10:02,200 --> 01:10:04,920 Speaker 1: like you have you seen niggas like, oh, he's slick 1644 01:10:05,000 --> 01:10:05,320 Speaker 1: holding it? 1645 01:10:05,520 --> 01:10:05,640 Speaker 2: Uh? 1646 01:10:05,880 --> 01:10:08,160 Speaker 1: He feels like, aren't supposed to be able to be me? 1647 01:10:09,040 --> 01:10:11,360 Speaker 1: You know it be people like that like see you 1648 01:10:11,520 --> 01:10:13,320 Speaker 1: come from something and be like, Bro, you ain't even 1649 01:10:13,320 --> 01:10:15,720 Speaker 1: supposed to be able to be you ain't maw ship, 1650 01:10:15,800 --> 01:10:16,439 Speaker 1: but it happens. 1651 01:10:17,479 --> 01:10:18,760 Speaker 2: That's weird too, though, Bro. 1652 01:10:18,800 --> 01:10:21,559 Speaker 1: It is weird, but it happens though, Like you're trying 1653 01:10:21,560 --> 01:10:23,640 Speaker 1: to like you just you just slow the nigga. You 1654 01:10:23,640 --> 01:10:26,960 Speaker 1: will see you No, no, you see this, but I 1655 01:10:27,360 --> 01:10:29,040 Speaker 1: ain't know you were asking me to confirm this. 1656 01:10:29,200 --> 01:10:33,040 Speaker 2: I thought already, it's already that's already understood. 1657 01:10:33,160 --> 01:10:35,839 Speaker 1: But I don't Yeah, that's already understood. It's understood. 1658 01:10:35,840 --> 01:10:37,720 Speaker 2: Ain't gotta be talked about. I just float over it 1659 01:10:37,760 --> 01:10:40,320 Speaker 2: because I don't even I don't acknowledge that ship, so 1660 01:10:40,400 --> 01:10:42,320 Speaker 2: I don't I don't see motherfuckers looking at me like that. 1661 01:10:42,600 --> 01:10:45,200 Speaker 2: You you know what I'm saying, That ship like bro, 1662 01:10:45,400 --> 01:10:48,200 Speaker 2: like them, same type of people like that. Nobody has 1663 01:10:48,240 --> 01:10:49,640 Speaker 2: ever came to me and said, Mike, Man, why you 1664 01:10:49,720 --> 01:10:51,760 Speaker 2: got on this and why you got on that? Or 1665 01:10:51,800 --> 01:10:53,400 Speaker 2: why you know what I'm saying or like that. You 1666 01:10:53,439 --> 01:10:55,680 Speaker 2: know what I'm saying. Certain people might be like, oh man, 1667 01:10:55,720 --> 01:10:57,720 Speaker 2: he doing too much as far as like you know 1668 01:10:57,720 --> 01:10:59,880 Speaker 2: what I'm saying, or he trying to put his task 1669 01:11:00,040 --> 01:11:01,080 Speaker 2: on there he trying to God. 1670 01:11:01,000 --> 01:11:03,840 Speaker 1: Damn, you know what I'm saying, Go go promote this record, 1671 01:11:03,880 --> 01:11:05,960 Speaker 1: and but it's like I gotta do this. How you 1672 01:11:05,960 --> 01:11:07,280 Speaker 1: feel when the nigga don't want you to put your 1673 01:11:07,320 --> 01:11:09,720 Speaker 1: tag on your beat? Like, take the tag? How that 1674 01:11:09,880 --> 01:11:13,200 Speaker 1: make you feel? Just take the beat, take the beat off. 1675 01:11:13,479 --> 01:11:17,040 Speaker 1: You know what I'm saying, Put the lyrics you feel 1676 01:11:17,120 --> 01:11:19,120 Speaker 1: me put the lyrics out. Bro. 1677 01:11:20,160 --> 01:11:21,599 Speaker 2: At the end of the day, Man, I just seen 1678 01:11:21,640 --> 01:11:23,960 Speaker 2: people move the instrumentals. I ain't really just seeing people 1679 01:11:24,040 --> 01:11:26,519 Speaker 2: move to a cappellas unless they know the song. You 1680 01:11:26,600 --> 01:11:28,960 Speaker 2: feel me and and and and there was a beat 1681 01:11:29,000 --> 01:11:31,040 Speaker 2: that called him first, you know what I'm saying. But 1682 01:11:31,439 --> 01:11:33,880 Speaker 2: so it's like, that's what I'm saying, Like these songs 1683 01:11:34,680 --> 01:11:38,479 Speaker 2: are about the best collaborations, like them, type of niggas 1684 01:11:38,960 --> 01:11:41,080 Speaker 2: that you're talking about, Bro, We all know them, type 1685 01:11:41,080 --> 01:11:42,759 Speaker 2: of niggas. Them, type of niggas. 1686 01:11:42,760 --> 01:11:46,439 Speaker 1: Bro. I literally do not see I literally float over. 1687 01:11:46,600 --> 01:11:49,840 Speaker 1: I can see. Yeah, I need to get my vision, chick. 1688 01:11:49,960 --> 01:11:50,920 Speaker 1: I don't see too good. 1689 01:11:51,080 --> 01:11:54,280 Speaker 2: No, I can see them. I can see them, but 1690 01:11:54,400 --> 01:11:54,639 Speaker 2: I don't. 1691 01:11:54,680 --> 01:11:56,559 Speaker 1: I don't. I don't see them. You know what I'm saying. 1692 01:11:58,439 --> 01:12:01,559 Speaker 1: Trying to get you never say never hell never will. 1693 01:12:01,840 --> 01:12:04,519 Speaker 1: Yeah you DoD bro, you're at peace. So you feel 1694 01:12:04,560 --> 01:12:05,400 Speaker 1: like you're at peace. 1695 01:12:05,920 --> 01:12:09,400 Speaker 2: Man as far as with a nigga, Hey, yeah, you. 1696 01:12:09,400 --> 01:12:11,800 Speaker 1: Know what I'm saying, Bush, just like a peace in 1697 01:12:11,840 --> 01:12:12,240 Speaker 1: your life. 1698 01:12:12,400 --> 01:12:14,599 Speaker 2: Like, no, it's always turbulent, you know what I'm saying. 1699 01:12:14,600 --> 01:12:16,360 Speaker 2: It's always ups and downs in life. You know what 1700 01:12:16,360 --> 01:12:18,599 Speaker 2: I'm saying. I just feel like a nigga could never 1701 01:12:18,720 --> 01:12:21,000 Speaker 2: be my problem. How a nigga feel about me or 1702 01:12:21,320 --> 01:12:22,960 Speaker 2: you know what I'm saying, or whatever, how a nigga 1703 01:12:23,040 --> 01:12:25,040 Speaker 2: view me or whatever. You know what I'm saying. You're 1704 01:12:25,040 --> 01:12:26,840 Speaker 2: trying to give me the dim my light because I'm shying. 1705 01:12:27,040 --> 01:12:29,200 Speaker 2: I can't help that ship. Bro, I'm shine in the dark. 1706 01:12:29,400 --> 01:12:31,599 Speaker 2: You know what I'm saying, breaking, but you ain't broken 1707 01:12:31,720 --> 01:12:37,280 Speaker 2: all these years? Fuck with niggas gonna think niggas now 1708 01:12:37,400 --> 01:12:39,560 Speaker 2: fuck me. I'd be like, Bro, I won't punch in 1709 01:12:39,600 --> 01:12:42,559 Speaker 2: the ship. You be like, bro, fuck because you gotta 1710 01:12:42,600 --> 01:12:44,720 Speaker 2: think I'm saying, niggas going home punching the air that 1711 01:12:44,800 --> 01:12:45,280 Speaker 2: you the ship. 1712 01:12:45,760 --> 01:12:47,759 Speaker 1: You know what I'm saying, They punching the wall and everything. 1713 01:12:47,880 --> 01:12:53,880 Speaker 1: Many mean girl puts that break your jack. 1714 01:12:54,080 --> 01:12:56,040 Speaker 2: That's the type of ship that just trickers off the street. 1715 01:12:56,120 --> 01:12:56,720 Speaker 1: You know what I'm saying. 1716 01:12:57,040 --> 01:13:01,519 Speaker 2: And position Yeah, and it's like man, man a nigga, Man, Bro, 1717 01:13:01,600 --> 01:13:03,519 Speaker 2: I know better, Bro, I know that shit. I know 1718 01:13:03,680 --> 01:13:06,720 Speaker 2: like anybody who looked like me. Bro, do you not 1719 01:13:06,840 --> 01:13:09,400 Speaker 2: my enemy? Bro? Whatever you're thinking in your mind, I 1720 01:13:09,479 --> 01:13:11,280 Speaker 2: thought like that before. You know what I'm saying. I 1721 01:13:11,400 --> 01:13:13,640 Speaker 2: used to be like that all that type shit. Bro, 1722 01:13:14,200 --> 01:13:16,240 Speaker 2: I thought like that I had that training thought at 1723 01:13:16,280 --> 01:13:16,639 Speaker 2: one point. 1724 01:13:16,760 --> 01:13:17,519 Speaker 1: Now that got here. 1725 01:13:18,000 --> 01:13:20,639 Speaker 2: I'm not trying. I'm not your problem. You got something 1726 01:13:20,680 --> 01:13:24,680 Speaker 2: going going on within, brother, you know what I'm saying. Yeah, 1727 01:13:24,840 --> 01:13:27,519 Speaker 2: So if I'm sitting here like, man, look at this nigga, now, 1728 01:13:27,520 --> 01:13:28,400 Speaker 2: I'm doing the same thing. 1729 01:13:28,320 --> 01:13:30,880 Speaker 1: He doing to me. I don't see him doing that. 1730 01:13:31,120 --> 01:13:33,840 Speaker 2: He going through some personal shit. I gotta go over 1731 01:13:33,880 --> 01:13:35,519 Speaker 2: here to my studio and work on this. I gotta 1732 01:13:35,520 --> 01:13:37,599 Speaker 2: go play golf with bank. I gotta go take care 1733 01:13:37,640 --> 01:13:40,200 Speaker 2: of mind dukes. Them same type niggas that look at 1734 01:13:40,240 --> 01:13:42,640 Speaker 2: it like that, ain't even about their mama Bracelet you 1735 01:13:42,680 --> 01:13:44,720 Speaker 2: know what I'm saying. You know what I'm saying, Or 1736 01:13:44,840 --> 01:13:47,200 Speaker 2: ain't about their mama house, or ain't about they folks? 1737 01:13:47,400 --> 01:13:51,560 Speaker 2: Nothing like you feel me like, I don't know you 1738 01:13:51,640 --> 01:13:52,920 Speaker 2: got twenty four hours in the day. 1739 01:13:56,120 --> 01:13:59,280 Speaker 1: Dig So do you think it's some gates? Yeah, you 1740 01:13:59,439 --> 01:14:02,679 Speaker 1: just said this nigga. Here they all pulling that ship. 1741 01:14:04,040 --> 01:14:06,599 Speaker 3: But the niggas see everything, you know, boy, they niggas 1742 01:14:06,600 --> 01:14:09,560 Speaker 3: see everything I can see, because I mean, I'll be 1743 01:14:09,640 --> 01:14:11,720 Speaker 3: asking used to ship sometimes like you see something, You'll 1744 01:14:11,720 --> 01:14:13,400 Speaker 3: be like, no, try to see how I feel first 1745 01:14:13,400 --> 01:14:14,599 Speaker 3: about No, what happened. 1746 01:14:14,800 --> 01:14:16,439 Speaker 1: Then I started telling what happened to be like, yeah 1747 01:14:16,439 --> 01:14:18,280 Speaker 1: that she was fraid I did see something like that. 1748 01:14:18,720 --> 01:14:21,400 Speaker 3: Bro, you's some bullship Like I know you Bro, that 1749 01:14:21,520 --> 01:14:25,720 Speaker 3: nigga tell the whole story and to be like oh word, 1750 01:14:25,840 --> 01:14:26,880 Speaker 3: oh that that one thing. 1751 01:14:27,120 --> 01:14:38,040 Speaker 1: Bro. You know you saw the own ship like the bubble. Bro. 1752 01:14:39,680 --> 01:14:42,160 Speaker 1: What I'm saying, I'll be seeing the ship, bro. But 1753 01:14:43,160 --> 01:14:45,840 Speaker 1: it's all about what you spend your time on. Brother. 1754 01:14:46,560 --> 01:14:55,800 Speaker 1: Talk like man, yeah, peace for real ship and let's 1755 01:14:55,840 --> 01:14:57,599 Speaker 1: jump into the reset before we get out of here. 1756 01:14:57,640 --> 01:15:04,200 Speaker 2: By drop We're dropping. We have a tournament, yeah, man, 1757 01:15:04,280 --> 01:15:06,679 Speaker 2: tournament on Monday, man. You know what I'm saying, second 1758 01:15:06,760 --> 01:15:09,920 Speaker 2: annual Man Made It Day classic. Man. We did a 1759 01:15:10,000 --> 01:15:11,840 Speaker 2: bid last year. You know what I'm saying, banking them 1760 01:15:11,880 --> 01:15:12,799 Speaker 2: took on the trophy. 1761 01:15:13,080 --> 01:15:13,679 Speaker 1: You know what I'm saying. 1762 01:15:14,360 --> 01:15:15,920 Speaker 2: Yeah, we're doing that again this year. You know what 1763 01:15:15,960 --> 01:15:18,479 Speaker 2: I'm saying. I always jump around and play you know 1764 01:15:18,479 --> 01:15:21,479 Speaker 2: what I'm saying, different groups, But man, we run out 1765 01:15:21,520 --> 01:15:23,519 Speaker 2: of private course in Atlanta, you know what I'm saying. 1766 01:15:23,560 --> 01:15:25,840 Speaker 2: We take donations and all that kind of stuff, and 1767 01:15:25,920 --> 01:15:28,920 Speaker 2: we use that with my with my non profit organization 1768 01:15:29,280 --> 01:15:32,240 Speaker 2: Making Wishes Matter or back into the community and just 1769 01:15:32,280 --> 01:15:33,920 Speaker 2: you know what I'm saying, keep pushing it forward, you 1770 01:15:33,920 --> 01:15:35,599 Speaker 2: know what I'm saying. But I feel like, man, that's 1771 01:15:35,640 --> 01:15:36,240 Speaker 2: the best way. 1772 01:15:36,120 --> 01:15:38,000 Speaker 1: To bring It's a couple of mons. It's a couple 1773 01:15:38,000 --> 01:15:40,200 Speaker 1: of months with man. 1774 01:15:40,840 --> 01:15:42,680 Speaker 2: This year we're a country Club of the South. You 1775 01:15:42,760 --> 01:15:44,400 Speaker 2: know what I'm saying. Country Club of the South. Man, 1776 01:15:44,640 --> 01:15:46,320 Speaker 2: it's private. So you got an R s v P. 1777 01:15:46,840 --> 01:15:49,800 Speaker 2: You know what I'm saying. And man, I feel like, man, 1778 01:15:49,840 --> 01:15:51,640 Speaker 2: it's so lick because the music be out there, like 1779 01:15:51,720 --> 01:15:57,559 Speaker 2: the club, weather be cool, big cigars, everybody right there, 1780 01:15:57,640 --> 01:16:02,240 Speaker 2: just everybody. Ain't nobody looking at And why he got 1781 01:16:02,320 --> 01:16:03,479 Speaker 2: on this when he got on that. 1782 01:16:04,680 --> 01:16:06,439 Speaker 1: It's a different environment, you feel me. 1783 01:16:06,560 --> 01:16:07,200 Speaker 2: That's why I don't. 1784 01:16:08,160 --> 01:16:10,360 Speaker 1: But you still be seeing you got you gotta think. 1785 01:16:10,560 --> 01:16:13,840 Speaker 1: We hated to let you say. I know you do 1786 01:16:13,920 --> 01:16:16,800 Speaker 1: because you're a cant tell me, but don't say it like, 1787 01:16:17,360 --> 01:16:19,680 Speaker 1: oh yeah, I kind of saw like you said, I 1788 01:16:19,760 --> 01:16:22,240 Speaker 1: was strolling. I seen the Hitler, but you saw the 1789 01:16:22,280 --> 01:16:24,800 Speaker 1: whole thing just strolling Bard Bro. 1790 01:16:25,400 --> 01:16:27,600 Speaker 2: You gotta think, Man, we be in the wood a 1791 01:16:27,720 --> 01:16:30,320 Speaker 2: portion of our day, a fourth all day or third 1792 01:16:30,360 --> 01:16:32,519 Speaker 2: all day. We'll be in the woods either we're hiking 1793 01:16:32,600 --> 01:16:35,200 Speaker 2: or playing golf, you know what I'm saying, So we 1794 01:16:35,240 --> 01:16:37,040 Speaker 2: can catch up in the car while were riding to 1795 01:16:37,080 --> 01:16:38,599 Speaker 2: the studio. But then when we go to the studio 1796 01:16:39,120 --> 01:16:41,400 Speaker 2: and we're locked in on this, I'm going home. I'm 1797 01:16:41,439 --> 01:16:42,360 Speaker 2: doing what I do at home. 1798 01:16:43,560 --> 01:16:46,880 Speaker 1: Believe me. You know what I'm saying. You know I'll 1799 01:16:46,920 --> 01:16:56,000 Speaker 1: be seeing these ship. Matter fact, I showed you. You 1800 01:16:56,200 --> 01:17:04,040 Speaker 1: still you telling another mother fucker? Like for real? Reset, Reset, Like, hey, 1801 01:17:04,240 --> 01:17:05,839 Speaker 1: what else this man? Reset? 1802 01:17:05,920 --> 01:17:06,040 Speaker 3: Man? 1803 01:17:06,040 --> 01:17:13,080 Speaker 2: It's trying to brand commercial, commercial, commercial coming out. 1804 01:17:13,200 --> 01:17:14,160 Speaker 1: Man, you know what I'm saying. 1805 01:17:14,280 --> 01:17:16,240 Speaker 2: And about a week or two with Cash shop Man, 1806 01:17:16,280 --> 01:17:18,240 Speaker 2: shout out the bank put up on me. Man, we 1807 01:17:18,320 --> 01:17:20,640 Speaker 2: got to made it pro golf brand. You know what 1808 01:17:20,640 --> 01:17:23,400 Speaker 2: I'm saying. First commercial with Cash shop Man, that ship 1809 01:17:23,520 --> 01:17:25,679 Speaker 2: launching at the golf tournament. You know what I'm saying, 1810 01:17:25,720 --> 01:17:28,720 Speaker 2: that's you. That's dope as a motherfucker, man, Like that's 1811 01:17:28,800 --> 01:17:30,840 Speaker 2: it was hard. And I scored the whole ship. You 1812 01:17:30,880 --> 01:17:32,160 Speaker 2: know what I'm saying. They got some of the tracks 1813 01:17:32,200 --> 01:17:35,400 Speaker 2: from Reset on that motherfucker. And man, man, it's our man, 1814 01:17:35,439 --> 01:17:38,719 Speaker 2: it's just all new, all new collaborations, all new energy. 1815 01:17:39,040 --> 01:17:42,040 Speaker 2: You know what I'm saying like ship, man, this ship. 1816 01:17:42,520 --> 01:17:43,680 Speaker 2: I get what you're trying to do. You're trying to 1817 01:17:43,680 --> 01:17:48,559 Speaker 2: get me the God damn say some clickbait as man 1818 01:17:48,640 --> 01:17:50,320 Speaker 2: for real academic. 1819 01:17:54,040 --> 01:17:55,479 Speaker 1: I'm trying to but you ain't gonna do it. You 1820 01:17:55,520 --> 01:17:57,280 Speaker 1: don't even do it in real life. Yeah, I don't 1821 01:17:57,320 --> 01:17:59,360 Speaker 1: do that. I be knowing you be knowing that. Man. 1822 01:17:59,400 --> 01:18:02,120 Speaker 2: It's like it's like, man, everything come across the table, 1823 01:18:02,160 --> 01:18:03,160 Speaker 2: you hear everything. 1824 01:18:03,000 --> 01:18:06,680 Speaker 1: You've never done that. Somebody gonna break you. I rather 1825 01:18:07,080 --> 01:18:14,519 Speaker 1: be me if you're gonna around. I feel I'm coming back. 1826 01:18:15,080 --> 01:18:18,040 Speaker 1: When I felt like that I'm coming back whatever, yeah 1827 01:18:18,160 --> 01:18:21,800 Speaker 1: real when I started seeing this, Yeah, but I'm starting 1828 01:18:21,800 --> 01:18:24,920 Speaker 1: acknowledging that I'm gonna come back here in for real. 1829 01:18:28,200 --> 01:18:31,519 Speaker 2: But nah, man, the album Man was just it's just 1830 01:18:31,680 --> 01:18:34,160 Speaker 2: like different people that you wouldn't even expect, Like T's 1831 01:18:34,240 --> 01:18:36,800 Speaker 2: on Ludacris, Like nobody expect that collaboration, you know what 1832 01:18:36,840 --> 01:18:40,719 Speaker 2: I'm saying, Like uh, Chief keeping young Boy, nobody expected 1833 01:18:40,760 --> 01:18:45,080 Speaker 2: that collaboration. Like dree Killer Mike, nobody's seen that collaboration yet, 1834 01:18:45,080 --> 01:18:47,879 Speaker 2: you know what I'm saying, Like J Money, Caribou and Anicia. 1835 01:18:48,400 --> 01:18:49,880 Speaker 2: I've never worked with any of them. You know what 1836 01:18:49,880 --> 01:18:52,720 Speaker 2: I'm saying. I never worked with Killer Mike before. I 1837 01:18:52,840 --> 01:18:55,599 Speaker 2: never worked with you know what I'm saying. I see 1838 01:18:55,600 --> 01:18:58,120 Speaker 2: it sharm like you know what I'm saying. Yeah, And 1839 01:18:58,400 --> 01:19:00,439 Speaker 2: when they hear the whole album, they're like, damn, my 1840 01:19:00,520 --> 01:19:04,720 Speaker 2: favorite album is who Sid Sharr Damn he hard like 1841 01:19:04,760 --> 01:19:06,600 Speaker 2: you know what I'm saying, Who is that? Like? He 1842 01:19:06,760 --> 01:19:09,240 Speaker 2: already famous in India. He the man over there, you 1843 01:19:09,320 --> 01:19:11,560 Speaker 2: know what I'm saying, and in the Indian culture, but 1844 01:19:11,680 --> 01:19:17,080 Speaker 2: it's like, man, we he's an artist that man y'a. 1845 01:19:17,400 --> 01:19:19,479 Speaker 2: I love working with Sid because he's an artist that, 1846 01:19:19,640 --> 01:19:21,559 Speaker 2: like I can go in there, I can challenge him. 1847 01:19:21,560 --> 01:19:23,760 Speaker 2: I can play him every beat that he's never got 1848 01:19:23,800 --> 01:19:25,760 Speaker 2: on in his life. He's gonna say, pull it up, 1849 01:19:25,880 --> 01:19:28,040 Speaker 2: going to booth and his voice is just gonna kill it. 1850 01:19:28,080 --> 01:19:30,880 Speaker 2: I could play him a beat that sounded like, Yo, man, 1851 01:19:30,920 --> 01:19:32,360 Speaker 2: this is a beat I made for like on some 1852 01:19:32,520 --> 01:19:36,439 Speaker 2: jay Z Kanye Ruts your Throne type shit. He gonna 1853 01:19:36,439 --> 01:19:38,120 Speaker 2: get on there and make it his ship, you know 1854 01:19:38,160 --> 01:19:40,439 Speaker 2: what I'm saying. Make it a whole new sound, same 1855 01:19:40,520 --> 01:19:42,040 Speaker 2: thing I can make it. I can play him some 1856 01:19:42,120 --> 01:19:45,960 Speaker 2: shit that sounded like twenty one savage type beat man. 1857 01:19:45,960 --> 01:19:47,800 Speaker 2: He gonna get on there and make it his own sound. 1858 01:19:47,880 --> 01:19:50,280 Speaker 2: So it's like shout out to sid Man. We did 1859 01:19:50,360 --> 01:19:53,880 Speaker 2: a whole album that's that's also coming next with Sway 1860 01:19:53,960 --> 01:19:56,400 Speaker 2: Lee coming next, and then see it coming after Sway. 1861 01:19:56,800 --> 01:20:00,719 Speaker 2: But yeah, man, I ain't see Little Green. I always 1862 01:20:00,760 --> 01:20:02,320 Speaker 2: want to work with Selo. Man. That's when the goats 1863 01:20:02,320 --> 01:20:04,439 Speaker 2: out the city so fat. Yeah, you know what I'm saying, 1864 01:20:04,479 --> 01:20:06,280 Speaker 2: Like being able to do something with him. And then 1865 01:20:06,320 --> 01:20:10,679 Speaker 2: we did like a like a inspirational, like slick gospel 1866 01:20:10,720 --> 01:20:13,240 Speaker 2: type record. You know what I'm saying that Man, that 1867 01:20:13,320 --> 01:20:15,280 Speaker 2: shit just beautiful at the end, you know what I'm saying. 1868 01:20:15,320 --> 01:20:17,519 Speaker 2: And that's to me, it sounds like you just feel 1869 01:20:17,600 --> 01:20:19,320 Speaker 2: like the city just sounds like the city too. 1870 01:20:19,360 --> 01:20:20,920 Speaker 1: You know what I'm saying. It sounds like you're going 1871 01:20:20,920 --> 01:20:23,760 Speaker 1: in the gospel category and winning some ship, winning the bro. 1872 01:20:23,840 --> 01:20:25,320 Speaker 2: I like when you say that, Brose, you know when 1873 01:20:25,320 --> 01:20:27,360 Speaker 2: I want my first Grammy, I told you I ain't 1874 01:20:27,400 --> 01:20:29,400 Speaker 2: think I was gonna win. You called me and said, bro, 1875 01:20:29,479 --> 01:20:31,880 Speaker 2: You're gonna win the Grammy tonight, and I told you. 1876 01:20:32,000 --> 01:20:37,040 Speaker 1: Like, Manie know, hey, hey, this nigga bank different. Bro 1877 01:20:37,120 --> 01:20:39,320 Speaker 1: ain't no lie Man. I always remember. 1878 01:20:39,080 --> 01:20:41,760 Speaker 2: Bank with the gold teeth big sitting around the city, 1879 01:20:42,080 --> 01:20:44,600 Speaker 2: and I remember goddamn duct tape and everything, but I 1880 01:20:44,640 --> 01:20:46,519 Speaker 2: ain't know who did what and what. 1881 01:20:46,840 --> 01:20:47,439 Speaker 1: You know what I'm saying. 1882 01:20:47,479 --> 01:20:49,519 Speaker 2: But Man, the more I got to know Bank, I'm like, Man, 1883 01:20:49,560 --> 01:20:53,040 Speaker 2: this niggas a fucking genius, man, This niggas a marketing jeans. 1884 01:20:53,320 --> 01:20:56,000 Speaker 2: The niggas a fucking a genie. You know what I'm saying, 1885 01:20:56,479 --> 01:21:01,080 Speaker 2: Niggau Unicorn and all that shit. Real talk, brou real. 1886 01:21:01,040 --> 01:21:03,920 Speaker 1: Talk, though. You know what I'm saying. Now, you're trying 1887 01:21:03,960 --> 01:21:04,639 Speaker 1: to go up though. 1888 01:21:04,560 --> 01:21:07,320 Speaker 2: Mike definitely trying to go up, man, reset. 1889 01:21:07,000 --> 01:21:08,240 Speaker 1: Man, gratulations on them. 1890 01:21:08,439 --> 01:21:13,200 Speaker 2: Man, appreciate that, bro, Man, Congratulations perspectives, bro Bit fast ship, 1891 01:21:13,280 --> 01:21:16,439 Speaker 2: show everything you do, Nigga, that's the tight ship. I see, 1892 01:21:16,479 --> 01:21:18,439 Speaker 2: you know what I'm saying. I see my niggas going up, bro, 1893 01:21:18,920 --> 01:21:22,120 Speaker 2: and I see everybody who really believe. Like I told you, 1894 01:21:22,240 --> 01:21:24,479 Speaker 2: like this go around right here is for the believers 1895 01:21:24,520 --> 01:21:26,679 Speaker 2: and not the haters. Br So many people that believe 1896 01:21:26,760 --> 01:21:28,560 Speaker 2: in me, Bro, And there's so many people that, you 1897 01:21:28,640 --> 01:21:30,240 Speaker 2: know what I'm saying, Even when even when I want 1898 01:21:30,280 --> 01:21:32,280 Speaker 2: to drop a music like a nigga like Dave, he 1899 01:21:32,280 --> 01:21:34,160 Speaker 2: ain't even in the music business. You know what I'm saying, 1900 01:21:34,200 --> 01:21:36,320 Speaker 2: resting piece of duct Tate, Dave, he not even in 1901 01:21:36,400 --> 01:21:37,120 Speaker 2: the music business. 1902 01:21:37,200 --> 01:21:37,320 Speaker 1: Man. 1903 01:21:37,360 --> 01:21:39,960 Speaker 2: This man pulled up on me religiously and told me, 1904 01:21:40,080 --> 01:21:46,640 Speaker 2: every day, Mike, drop this ship the biggest You do 1905 01:21:46,760 --> 01:21:50,320 Speaker 2: this ship for six hours straight every day. We're smoking, man, 1906 01:21:50,320 --> 01:21:52,840 Speaker 2: we're smoking, got down ten blunts every night. Man, you 1907 01:21:52,920 --> 01:21:54,640 Speaker 2: know what I'm saying. I missed my nigga, Dave, you 1908 01:21:54,680 --> 01:21:56,560 Speaker 2: know what I'm saying. And a nigga like nigg like 1909 01:21:56,680 --> 01:21:58,880 Speaker 2: Bank on my phone like man like you, man, you 1910 01:21:59,000 --> 01:22:01,439 Speaker 2: motherfucking bullshit. Man the fuck man, you're acting like you 1911 01:22:01,479 --> 01:22:03,639 Speaker 2: ain't the biggest motherfucker producing the motherfucking world. 1912 01:22:03,680 --> 01:22:05,599 Speaker 1: Niggas like you. You know what I'm saying. 1913 01:22:06,000 --> 01:22:08,840 Speaker 2: So yeah, you're charging the nigga up. So like now 1914 01:22:08,920 --> 01:22:12,200 Speaker 2: that the nigga popping back out now nigga click back in, 1915 01:22:12,439 --> 01:22:15,479 Speaker 2: like and realizing who I am and like, you know 1916 01:22:15,479 --> 01:22:17,880 Speaker 2: what I'm saying, understanding myself and everything like that, and 1917 01:22:18,200 --> 01:22:22,240 Speaker 2: understanding y'all perspective and everything like that. It's like, man, 1918 01:22:22,280 --> 01:22:23,120 Speaker 2: it's tiking to go up. 1919 01:22:23,120 --> 01:22:24,360 Speaker 1: I do it. I do it for you. I do 1920 01:22:24,439 --> 01:22:25,559 Speaker 1: it for us. 1921 01:22:25,800 --> 01:22:27,560 Speaker 2: You know what I'm saying, Hey, yeah, I do it 1922 01:22:27,640 --> 01:22:30,720 Speaker 2: for us. So then like, well, you know what I'm saying, 1923 01:22:30,720 --> 01:22:33,760 Speaker 2: when anything dropped, when this album dropped the night, they're 1924 01:22:33,760 --> 01:22:35,360 Speaker 2: gonna be like, bro, this ship no skips. You know 1925 01:22:35,400 --> 01:22:37,679 Speaker 2: what I'm saying, When motherfucker, when motherfucker hear the album 1926 01:22:37,680 --> 01:22:39,240 Speaker 2: and be like, no skip. First thing they're gonna do. 1927 01:22:39,800 --> 01:22:45,280 Speaker 2: Car Bank, you might might Nigga drop the album, but skips. Man, 1928 01:22:45,520 --> 01:22:47,160 Speaker 2: You've been saying that Nigga might were hard. But I 1929 01:22:47,160 --> 01:22:49,439 Speaker 2: ain't gonna lie. I ain't know you down you feel me? 1930 01:22:49,439 --> 01:22:55,600 Speaker 1: And is it ain't familiar right now? I like that 1931 01:22:55,680 --> 01:22:58,640 Speaker 1: ship is just some dope ship. Yeah, you know what 1932 01:22:58,680 --> 01:23:01,679 Speaker 1: I'm saying. You know saying real shit, Nigga be back town. 1933 01:23:01,760 --> 01:23:05,280 Speaker 1: You put this shit out though real switched it up 1934 01:23:05,280 --> 01:23:07,240 Speaker 1: a lot, switched up a lot of shit, a lot. 1935 01:23:07,280 --> 01:23:07,800 Speaker 1: You know what I'm saying. 1936 01:23:07,800 --> 01:23:11,880 Speaker 2: Because in twenty twenty one and twenty twenty one, twenty 1937 01:23:12,000 --> 01:23:14,080 Speaker 2: twenty two, I was working on a project called atl 1938 01:23:14,400 --> 01:23:16,640 Speaker 2: I Appreciate the Love, you know what I'm saying, And 1939 01:23:16,760 --> 01:23:19,519 Speaker 2: then and then I transitioned to doing a project called 1940 01:23:19,640 --> 01:23:21,800 Speaker 2: R and B Brish Nigga base, and they were like 1941 01:23:22,120 --> 01:23:24,519 Speaker 2: like more melodic rap type shit, you know what I'm saying. 1942 01:23:24,520 --> 01:23:26,280 Speaker 2: Then it was like somebody was like, man, you need 1943 01:23:26,320 --> 01:23:27,920 Speaker 2: to do Ransom three, and I was like, man, I 1944 01:23:27,920 --> 01:23:30,080 Speaker 2: don't want to do another sequel. And then me and 1945 01:23:30,160 --> 01:23:34,240 Speaker 2: Andre three thousand I had a conversation about man, albums 1946 01:23:34,280 --> 01:23:36,439 Speaker 2: being like sequels and all that different type shit, you 1947 01:23:36,479 --> 01:23:39,120 Speaker 2: know what I'm saying, And he felt the same way. 1948 01:23:39,200 --> 01:23:40,880 Speaker 2: He was just like, man, yo, I ain't gonna lie. Man, 1949 01:23:40,920 --> 01:23:44,200 Speaker 2: when when albums come out of sequels or when artists 1950 01:23:44,240 --> 01:23:46,400 Speaker 2: do sequels and shit just seemed like they're trying to 1951 01:23:46,400 --> 01:23:48,160 Speaker 2: be as big as a movie, So you know what 1952 01:23:48,160 --> 01:23:50,280 Speaker 2: I'm saying. Like when I heard them say that, like man, 1953 01:23:50,320 --> 01:23:53,559 Speaker 2: that shit clicked. And I was working with my boy Derek, 1954 01:23:53,640 --> 01:23:56,720 Speaker 2: you know what I'm saying on some videos and even him, 1955 01:23:56,800 --> 01:23:57,920 Speaker 2: you know what I'm saying. I was just talking to 1956 01:23:58,000 --> 01:23:59,760 Speaker 2: him about the whole ship. He was like, man, sounds 1957 01:23:59,800 --> 01:24:01,840 Speaker 2: like you went through like a reset. Like man, you 1958 01:24:01,920 --> 01:24:03,880 Speaker 2: know what, I've been trying to find a way to 1959 01:24:03,920 --> 01:24:06,320 Speaker 2: do Ransom three. You know what I'm saying, So man, 1960 01:24:06,560 --> 01:24:09,960 Speaker 2: you know what reset, I'm gonna spell it R three 1961 01:24:10,240 --> 01:24:12,519 Speaker 2: s CT you know what I'm saying, because people still 1962 01:24:12,560 --> 01:24:15,280 Speaker 2: don't even know that Ransom I mean, yeah, Ransom stuff 1963 01:24:15,320 --> 01:24:18,040 Speaker 2: for releasing all new songs orchestrated by Mike. Will you 1964 01:24:18,120 --> 01:24:19,880 Speaker 2: know what I'm saying. So I'm like, Man, we gotta 1965 01:24:19,880 --> 01:24:22,479 Speaker 2: go Ransom three or reset, you know what I'm saying. 1966 01:24:22,880 --> 01:24:24,960 Speaker 2: And it's like, man, and it ain't gonna be like 1967 01:24:25,000 --> 01:24:27,400 Speaker 2: we're starting over. It just we resetting back up, like 1968 01:24:27,479 --> 01:24:30,960 Speaker 2: you know what I'm saying. So like, man, like I 1969 01:24:30,960 --> 01:24:33,960 Speaker 2: ain't gonna lie. Man, this motherfucking album I'm proud of. 1970 01:24:34,080 --> 01:24:35,720 Speaker 2: I feel like this is the hardest shit I ever did. 1971 01:24:36,040 --> 01:24:40,360 Speaker 2: I feel like all the music I dropped, and Man, 1972 01:24:40,400 --> 01:24:43,400 Speaker 2: that motherfucker going in Atlanta right now, that ship going 1973 01:24:43,479 --> 01:24:44,840 Speaker 2: while I went in the cloud out of the night. 1974 01:24:44,880 --> 01:24:47,400 Speaker 2: Man DJ ran that ship back about three four time. 1975 01:24:47,439 --> 01:24:48,519 Speaker 2: He didn't even know I was in there. I was 1976 01:24:48,600 --> 01:24:50,400 Speaker 2: in the cut and I had to go up there 1977 01:24:50,439 --> 01:24:52,519 Speaker 2: to the DJ before them. Man, But shout out to 1978 01:24:52,520 --> 01:24:55,320 Speaker 2: all the DJs in Atlanta. Man, that's supporting. They were 1979 01:24:55,320 --> 01:24:58,280 Speaker 2: supporting their rooms and they supporting their standing ovation. You 1980 01:24:58,280 --> 01:24:59,960 Speaker 2: know what I'm saying. Shout out to all the DJs 1981 01:25:00,040 --> 01:25:02,439 Speaker 2: in Atlanta. Man, that's where the ship starts every time, 1982 01:25:02,880 --> 01:25:05,360 Speaker 2: and the ship spreading well. Shout out to DJs everywhere 1983 01:25:05,560 --> 01:25:07,800 Speaker 2: that's playing that ship for show. You know what I'm saying. 1984 01:25:07,960 --> 01:25:10,200 Speaker 2: I just always like to say that because that's what 1985 01:25:10,280 --> 01:25:11,000 Speaker 2: we're planning to seed. 1986 01:25:11,080 --> 01:25:11,240 Speaker 1: Man. 1987 01:25:11,240 --> 01:25:15,120 Speaker 2: I feel like Atlanta is is a is a fucking man. 1988 01:25:15,200 --> 01:25:16,960 Speaker 2: It's the soil, man, you know what I'm saying. 1989 01:25:17,600 --> 01:25:18,200 Speaker 1: It's the soil. 1990 01:25:18,280 --> 01:25:18,360 Speaker 2: Bro. 1991 01:25:19,040 --> 01:25:21,120 Speaker 1: We're locked in, Man, you got anything else you want 1992 01:25:21,160 --> 01:25:22,400 Speaker 1: to talk to tell the people who get out there? 1993 01:25:23,320 --> 01:25:26,519 Speaker 2: Ah, man, ship, Man, stay tuned. Man me and bank, 1994 01:25:26,640 --> 01:25:29,639 Speaker 2: me and bank me and bank from the keep going up. Man, Yeah, 1995 01:25:29,760 --> 01:25:32,519 Speaker 2: lock in and ship. Don't tell nobody what you can 1996 01:25:32,640 --> 01:25:34,880 Speaker 2: and can't do. And man, float a body, nigga, be 1997 01:25:34,920 --> 01:25:35,759 Speaker 2: at peace, man. 1998 01:25:36,000 --> 01:25:38,640 Speaker 1: You know what I'm saying. Quit looking at these niggas, Man, 1999 01:25:38,960 --> 01:25:41,320 Speaker 1: paying attention to these niggas. Bro, be at peace. Bro. 2000 01:25:41,680 --> 01:25:42,320 Speaker 1: You know what I'm saying. 2001 01:25:42,640 --> 01:25:44,680 Speaker 2: Anytime you feel any of that type of energy, man, 2002 01:25:44,800 --> 01:25:47,160 Speaker 2: just look out of the way and scroll past the 2003 01:25:47,200 --> 01:25:47,800 Speaker 2: ship and them be. 2004 01:25:47,840 --> 01:25:50,800 Speaker 1: Like huh real yeah, oh no. You know what I'm saying. 2005 01:25:51,240 --> 01:25:53,360 Speaker 1: My granddad always told me brou He. 2006 01:25:53,560 --> 01:25:56,240 Speaker 2: Like many some people just want to argue as soon 2007 01:25:56,280 --> 01:25:58,080 Speaker 2: as you see a person want to argue. As soon 2008 01:25:58,120 --> 01:26:00,800 Speaker 2: as you see a person, God damn, you'll be like, man, 2009 01:26:01,280 --> 01:26:03,599 Speaker 2: oh man, my bad man. Are you right to walk 2010 01:26:03,640 --> 01:26:05,439 Speaker 2: on the way? Man, You're gonna waste too much time 2011 01:26:06,280 --> 01:26:08,479 Speaker 2: fumbling through all that, you know what I'm saying, So shit, 2012 01:26:08,680 --> 01:26:10,960 Speaker 2: ye yeah, man, pay attention to the bigger picture. Man, 2013 01:26:11,000 --> 01:26:13,479 Speaker 2: see that ship through. Man, that shit gonna come to life, 2014 01:26:13,479 --> 01:26:14,880 Speaker 2: you know what I'm saying. I'm gonna just continue to 2015 01:26:14,920 --> 01:26:16,640 Speaker 2: be a living, living testament. 2016 01:26:16,280 --> 01:26:18,919 Speaker 1: Of that shit. Y'all. Go get the abb the night reset. 2017 01:26:19,400 --> 01:26:22,320 Speaker 1: We'll see y'all at the tournament. Yeah, a tournament on Monday. 2018 01:26:22,400 --> 01:26:26,200 Speaker 1: Get that golf give Yeah, that's all. Tour this year. 2019 01:26:26,280 --> 01:26:28,400 Speaker 1: We're going on tour this year for the first time. 2020 01:26:28,960 --> 01:26:30,880 Speaker 1: Make se y'all likes to strive. Coming to the Big 2021 01:26:31,000 --> 01:26:32,280 Speaker 1: Fat Network. 2022 01:26:32,280 --> 01:26:36,320 Speaker 3: Another episode of Perspectives with Big Bank. 2023 01:26:36,680 --> 01:26:40,920 Speaker 1: Follow on Instagram at Big Bank at Yo yo, Yeah, 2024 01:26:41,120 --> 01:26:43,840 Speaker 1: don't miss an episode of Perspective Bank. Perspective with Bank 2025 01:26:43,880 --> 01:26:46,679 Speaker 1: a production of The Black Effect podcast Network. Our executive 2026 01:26:46,680 --> 01:26:49,559 Speaker 1: producers are Dollar Bit Shop Chaneil Collins and produced by 2027 01:26:49,600 --> 01:26:52,280 Speaker 1: Aaron A. King Howard What Up Game. For more podcasts 2028 01:26:52,280 --> 01:26:55,600 Speaker 1: from iHeart Radio, visit to iHeart Radio Apple Podcast or 2029 01:26:55,600 --> 01:26:58,000 Speaker 1: wherever you get your favorite shows. Make sure you follow 2030 01:26:58,040 --> 01:27:00,720 Speaker 1: Big Bank atl perspective with Bank with a K. Make 2031 01:27:00,760 --> 01:27:02,599 Speaker 1: sure you like to strive a comment to the Big 2032 01:27:02,680 --> 01:27:06,000 Speaker 1: Fat Network page m