WEBVTT - First Lady and Final Girl

0:00:03.200 --> 0:00:07.920
<v Speaker 1>It's one fifty two am in spook You Washington, d C.

0:00:08.840 --> 0:00:27.080
<v Speaker 1>And you're listening tonight Call. Hello, Welcome to night Call,

0:00:27.200 --> 0:00:31.680
<v Speaker 1>your podcast for those strange days and lonely nights. My

0:00:31.760 --> 0:00:34.640
<v Speaker 1>name is Emily Orshida. I am in New York and

0:00:34.840 --> 0:00:37.120
<v Speaker 1>with me on the other line in Los Angeles are

0:00:38.000 --> 0:00:43.760
<v Speaker 1>Tess Lynch and Molly Lambert. Hey, guys, Hello, UM, we

0:00:44.159 --> 0:00:49.920
<v Speaker 1>have a very lady horror oriented podcast for you today. UM.

0:00:49.960 --> 0:00:54.800
<v Speaker 1>Starting off with the first lady. One might call her

0:00:55.680 --> 0:01:00.400
<v Speaker 1>the very first lady, UM, Melania Trump, which as of

0:01:00.440 --> 0:01:04.920
<v Speaker 1>this recording. UM, there's a lot of conspiracies around her,

0:01:05.040 --> 0:01:06.720
<v Speaker 1>and it's been a while since we've had a good

0:01:06.840 --> 0:01:10.280
<v Speaker 1>UM White House. Well, no that's not true. Yeah, come on,

0:01:10.319 --> 0:01:12.319
<v Speaker 1>I was gonna say, no, this is the best time

0:01:12.319 --> 0:01:14.759
<v Speaker 1>for conspiracy theories and the worst time for everything else,

0:01:14.880 --> 0:01:18.000
<v Speaker 1>I guess non political ones. But there hasn't been a

0:01:18.000 --> 0:01:23.920
<v Speaker 1>good first lady conspiracy in a second. UM, she may

0:01:23.920 --> 0:01:27.080
<v Speaker 1>have resurfaced as by the time you hear this, but

0:01:27.600 --> 0:01:29.840
<v Speaker 1>I think yesterday they announced that she wouldn't be going

0:01:29.840 --> 0:01:32.600
<v Speaker 1>to the G seven summit. There was some statement issued

0:01:32.640 --> 0:01:38.039
<v Speaker 1>about how she has just not been appearing anywhere because

0:01:38.080 --> 0:01:42.040
<v Speaker 1>she's starting to focus on her kids and family, which

0:01:42.120 --> 0:01:45.200
<v Speaker 1>is um. There have been similar statements like that in

0:01:45.240 --> 0:01:48.840
<v Speaker 1>the past. But she's she's got to be best. She's

0:01:48.880 --> 0:01:53.560
<v Speaker 1>just being best wherever she is, she's being best. Um.

0:01:53.760 --> 0:01:57.680
<v Speaker 1>But I like, uh Audrey Woolen, a good follow on

0:01:57.680 --> 0:01:59.960
<v Speaker 1>on Twitter, was was talking about how this is sort

0:02:00.040 --> 0:02:04.240
<v Speaker 1>of it feels like a kind of gothic mystery that's

0:02:04.240 --> 0:02:08.960
<v Speaker 1>evolving around Milannia being gradually turned into a ghost and

0:02:08.960 --> 0:02:13.480
<v Speaker 1>and sent up to inhabit the rafters of some unknown

0:02:13.680 --> 0:02:17.160
<v Speaker 1>attic in the White House. It's funny too, because Iron

0:02:17.160 --> 0:02:19.240
<v Speaker 1>Madison has also been doing these really funny threads on

0:02:19.280 --> 0:02:22.160
<v Speaker 1>Twitter about sort of like the soap opera version of

0:02:22.160 --> 0:02:24.320
<v Speaker 1>what has happened to Millannia. He's like, oh, she's been

0:02:24.400 --> 0:02:27.440
<v Speaker 1>replaced with a body double, and then the body double

0:02:27.480 --> 0:02:29.760
<v Speaker 1>has been sent to like a farm or something just

0:02:29.800 --> 0:02:32.160
<v Speaker 1>like Very Days of Our Lives what it would be,

0:02:32.280 --> 0:02:34.240
<v Speaker 1>which would be that like someone has a secret twin

0:02:34.680 --> 0:02:37.800
<v Speaker 1>the Secrets and she's in a coma. Yeah, there's been

0:02:37.840 --> 0:02:40.960
<v Speaker 1>a double rumor going around for a while. I think

0:02:41.000 --> 0:02:43.120
<v Speaker 1>because there were some photos of her where her face

0:02:43.200 --> 0:02:46.520
<v Speaker 1>was mostly covered by sunglasses or like her hair or

0:02:46.560 --> 0:02:48.920
<v Speaker 1>something like. She's just styled in a way where you

0:02:49.000 --> 0:02:52.280
<v Speaker 1>purposely can't seem to make out her face. So who

0:02:52.320 --> 0:02:54.760
<v Speaker 1>knows who that could be. I think it was this

0:02:54.840 --> 0:02:58.160
<v Speaker 1>one video where she's wearing a hat and glasses and

0:02:58.200 --> 0:03:00.560
<v Speaker 1>it just looks like a prosthetic face. I just looked

0:03:00.600 --> 0:03:02.200
<v Speaker 1>at the Snopes on this and they were like, no,

0:03:02.280 --> 0:03:05.079
<v Speaker 1>it was a distortion, Like it was like a screen distortion.

0:03:05.280 --> 0:03:08.040
<v Speaker 1>She the hat man, I think she's Carmen san Diego.

0:03:08.720 --> 0:03:11.840
<v Speaker 1>She is like in a trench. It's so close. I

0:03:11.880 --> 0:03:13.720
<v Speaker 1>gotta say, this is one of those ones where I

0:03:13.840 --> 0:03:17.280
<v Speaker 1>was like, who cares? I don't care? Why don't you care?

0:03:17.320 --> 0:03:19.800
<v Speaker 1>Because there's so much other ship. There's a lot of

0:03:19.800 --> 0:03:22.959
<v Speaker 1>other actually important and this just seems like a distraction.

0:03:23.000 --> 0:03:25.760
<v Speaker 1>All that's true, but it's an interesting distraction. If you

0:03:25.800 --> 0:03:29.320
<v Speaker 1>acknowledge that it's a distraction, it's interesting. But I'm also like,

0:03:29.600 --> 0:03:32.000
<v Speaker 1>having made the mistake of watching cable news for the

0:03:32.040 --> 0:03:34.079
<v Speaker 1>first time in a while, I was just like, this

0:03:34.160 --> 0:03:36.080
<v Speaker 1>is what like if you turn on cable news, all

0:03:36.120 --> 0:03:39.280
<v Speaker 1>it is all day is like not talking about Puerto Rico.

0:03:39.400 --> 0:03:41.760
<v Speaker 1>They're not talking about anything anything real. All the talking

0:03:41.800 --> 0:03:45.920
<v Speaker 1>about is like Roseanne and Melania and like Russia and

0:03:46.160 --> 0:03:48.440
<v Speaker 1>none of it is ever real. And I've heard that

0:03:48.480 --> 0:03:50.800
<v Speaker 1>it's like they're getting really good ratings for it because

0:03:51.120 --> 0:03:54.800
<v Speaker 1>it's become just like Fox News for neoliberals, where it's

0:03:54.840 --> 0:03:57.480
<v Speaker 1>like I'm gonna watch TV all day and then like

0:03:57.560 --> 0:03:59.680
<v Speaker 1>something's going to break in the Russia scandal that will

0:03:59.760 --> 0:04:02.760
<v Speaker 1>like crack this whole thing open, and so it like

0:04:02.840 --> 0:04:07.040
<v Speaker 1>gets people addicted to watching this sort of meaningless news programming. Well,

0:04:07.080 --> 0:04:10.160
<v Speaker 1>this is yeah, this is the great prank that the

0:04:10.400 --> 0:04:13.720
<v Speaker 1>this administration is actually played on people on the left

0:04:13.840 --> 0:04:17.960
<v Speaker 1>is that they've it has made like raving paranoid Fox

0:04:18.000 --> 0:04:22.839
<v Speaker 1>News esque lunatics out of all of us. Uh, which

0:04:22.920 --> 0:04:25.040
<v Speaker 1>is it's definitely been a thing where you see some

0:04:25.080 --> 0:04:27.640
<v Speaker 1>people just like go off the deep end never to return.

0:04:28.000 --> 0:04:30.120
<v Speaker 1>It's become just more and more of a thing, and

0:04:30.200 --> 0:04:33.320
<v Speaker 1>some people just turn into these like Russia conspiracists where

0:04:33.360 --> 0:04:36.480
<v Speaker 1>it's like, hey, it's not like they're not going to

0:04:36.560 --> 0:04:41.640
<v Speaker 1>be like whoops like Mulligan. But and this most side

0:04:41.680 --> 0:04:43.599
<v Speaker 1>is they we all learned a lot about game theory,

0:04:44.279 --> 0:04:47.040
<v Speaker 1>and so much of that game theory. I don't think

0:04:47.080 --> 0:04:50.760
<v Speaker 1>twelve dimensional chess is really guy. It's so funny because

0:04:50.760 --> 0:04:53.799
<v Speaker 1>I was remembering, like maybe a year ago or something,

0:04:53.920 --> 0:04:57.039
<v Speaker 1>meeting up with a friend of David somewhere and he

0:04:57.200 --> 0:04:59.279
<v Speaker 1>was like, did you hear Like we hadn't looked at

0:04:59.320 --> 0:05:01.159
<v Speaker 1>in the news maybe for a day or something, and

0:05:01.200 --> 0:05:04.359
<v Speaker 1>he's like, did you hear like the indictments they're coming

0:05:04.400 --> 0:05:08.280
<v Speaker 1>down like everybody's going to jail and saying that every day. Well,

0:05:08.320 --> 0:05:10.840
<v Speaker 1>we're like really really, and we like search Twitter and

0:05:10.839 --> 0:05:12.360
<v Speaker 1>we couldn't figure out. I was talking about it, and

0:05:12.520 --> 0:05:15.040
<v Speaker 1>of course it was like a Louise Men thread probably,

0:05:15.279 --> 0:05:18.440
<v Speaker 1>But like people, there's always somebody that's like, you know,

0:05:18.520 --> 0:05:22.760
<v Speaker 1>my inside source said, like Mueller's prepared the report and

0:05:22.839 --> 0:05:26.840
<v Speaker 1>like Trump's from president for like over a year, I

0:05:26.920 --> 0:05:33.760
<v Speaker 1>mean fifty years. He's going to get re elected? Molly,

0:05:33.839 --> 0:05:36.640
<v Speaker 1>Yeah he is, because what are we What have we

0:05:36.839 --> 0:05:40.160
<v Speaker 1>changed about anything? We haven't like fixed how voting is

0:05:40.200 --> 0:05:43.760
<v Speaker 1>fucked up? Can that be like a rallying cry, not

0:05:43.960 --> 0:05:46.479
<v Speaker 1>a prediction? Can that be like he will be re

0:05:46.560 --> 0:05:50.360
<v Speaker 1>elected unless I don't think there's an unless I think

0:05:50.360 --> 0:05:53.880
<v Speaker 1>he's gonna get re elected because I think that the

0:05:53.920 --> 0:05:55.960
<v Speaker 1>people that are like Russia did this. It's like no,

0:05:56.240 --> 0:05:59.440
<v Speaker 1>like American racism did this. We could be both, it

0:05:59.480 --> 0:06:01.800
<v Speaker 1>could think it could be both. I think it's possible

0:06:01.800 --> 0:06:04.360
<v Speaker 1>for it to be. You can't you can't bait people

0:06:04.640 --> 0:06:08.400
<v Speaker 1>with like racist Facebook memes that aren't already like prone

0:06:08.400 --> 0:06:10.880
<v Speaker 1>to racism, that are going to believe them. If they're

0:06:10.920 --> 0:06:15.640
<v Speaker 1>not racist, they're gonna be like, that's bullshit. And clearly

0:06:15.720 --> 0:06:18.080
<v Speaker 1>there are a lot of people that are primed to

0:06:18.120 --> 0:06:21.400
<v Speaker 1>believe all this garbage, but they also believe it. So

0:06:21.920 --> 0:06:24.160
<v Speaker 1>I don't think those people don't exist. I think they

0:06:24.240 --> 0:06:26.880
<v Speaker 1>voted him in not Russia. Do you think it's possible

0:06:26.960 --> 0:06:29.760
<v Speaker 1>for him to disappoint those people in a meaningful way

0:06:29.880 --> 0:06:33.159
<v Speaker 1>where they'll go to the third party? And I think

0:06:33.160 --> 0:06:35.240
<v Speaker 1>it's like Kanye. I think it's like the people that

0:06:35.279 --> 0:06:37.480
<v Speaker 1>have drink the koolid or like I drink all the

0:06:37.520 --> 0:06:39.720
<v Speaker 1>kool Aid, and I'm not going to stop now, you know,

0:06:39.960 --> 0:06:42.600
<v Speaker 1>Like to stop would be to denounce everything that I've

0:06:42.920 --> 0:06:46.000
<v Speaker 1>done in my entire life until now, So like I

0:06:46.080 --> 0:06:54.480
<v Speaker 1>got to just keep rolling with it. Hey night, collars.

0:06:54.560 --> 0:06:57.000
<v Speaker 1>You know, Tests and Molly and I often talk about

0:06:57.000 --> 0:06:59.000
<v Speaker 1>how we all wish that we could just be brains

0:06:59.000 --> 0:07:01.880
<v Speaker 1>in a jar. Sometimes times. But the truth about life

0:07:02.000 --> 0:07:05.039
<v Speaker 1>is that you have a body and sometimes you have

0:07:05.200 --> 0:07:07.440
<v Speaker 1>to do annoying things like go to yoga class or

0:07:07.480 --> 0:07:10.840
<v Speaker 1>really fulfilling things, or go running, or you know, whatever

0:07:10.880 --> 0:07:13.440
<v Speaker 1>the case may be, and take care of that sack

0:07:13.480 --> 0:07:16.360
<v Speaker 1>of bones that you live in. So fablitics dot com

0:07:16.440 --> 0:07:19.120
<v Speaker 1>is a great resource for making sure that you always

0:07:19.120 --> 0:07:22.800
<v Speaker 1>have something comfortable and fresh and fun to wear when

0:07:22.840 --> 0:07:26.559
<v Speaker 1>you're working out. It was started by Kate Hudson. Yes

0:07:26.840 --> 0:07:29.880
<v Speaker 1>that Kate Hudson um it's premium active where at a

0:07:29.920 --> 0:07:32.400
<v Speaker 1>great value. If you do a lot of working out

0:07:32.440 --> 0:07:34.280
<v Speaker 1>or yoga or whatever, you know that you can spend

0:07:34.320 --> 0:07:38.240
<v Speaker 1>a lot of money on layings on activewear, and all

0:07:38.280 --> 0:07:40.560
<v Speaker 1>of the stuff is really affordable, but the quality is

0:07:40.560 --> 0:07:43.920
<v Speaker 1>still really really high. Fabrils closer designed to move with

0:07:43.960 --> 0:07:47.280
<v Speaker 1>you through your lightest workouts and your most intense and

0:07:47.280 --> 0:07:49.600
<v Speaker 1>they're also just comfortable clothes to wear around when you're

0:07:49.800 --> 0:07:52.840
<v Speaker 1>doing errands and lounging around the house. I know that

0:07:52.880 --> 0:07:56.480
<v Speaker 1>I do a lot of my best writing wearing fablit

0:07:56.640 --> 0:08:01.200
<v Speaker 1>x pants. The leggings are available in sizes extra extra

0:08:01.240 --> 0:08:04.320
<v Speaker 1>small to three X and impetite, regular and tall lengths.

0:08:04.400 --> 0:08:06.480
<v Speaker 1>So no matter what there's going to be a look

0:08:06.520 --> 0:08:09.920
<v Speaker 1>that fits you, and every month they renew their looks,

0:08:09.920 --> 0:08:11.640
<v Speaker 1>so you can go on the site, browse around and

0:08:11.680 --> 0:08:15.280
<v Speaker 1>find something new that looks great on you. You can

0:08:15.320 --> 0:08:17.200
<v Speaker 1>shop as a guest or become a v I P

0:08:17.800 --> 0:08:21.400
<v Speaker 1>and that way you'll receive forty off retail prices of

0:08:21.440 --> 0:08:24.560
<v Speaker 1>everything on the site, which is the best way to shop.

0:08:24.720 --> 0:08:27.680
<v Speaker 1>So go to fabletics dot com slash call now to

0:08:27.800 --> 0:08:30.520
<v Speaker 1>get two pairs of their amazing leggings for just twenty

0:08:30.560 --> 0:08:34.080
<v Speaker 1>four dollars. Seriously, these are the world's best leggings. They

0:08:34.080 --> 0:08:36.360
<v Speaker 1>are so comfortable and once you try them, you will

0:08:36.400 --> 0:08:38.600
<v Speaker 1>fall in love with them. It's a ninety value and

0:08:38.600 --> 0:08:40.840
<v Speaker 1>you're gonna get two pairs for only twenty four dollars

0:08:41.200 --> 0:08:44.680
<v Speaker 1>when you join at fabletics dot com slash call. That

0:08:44.840 --> 0:08:55.080
<v Speaker 1>is fabletics dot com slash call. Can I just put

0:08:55.080 --> 0:08:56.680
<v Speaker 1>this out there also as a sidebar right now that

0:08:56.679 --> 0:08:59.480
<v Speaker 1>we're not going to talk about the Kanye album we

0:08:59.520 --> 0:09:02.080
<v Speaker 1>don't have do I mean, it's trash, that's what we

0:09:02.120 --> 0:09:05.000
<v Speaker 1>can say about. Yeah, it's one of these things I've

0:09:05.000 --> 0:09:07.040
<v Speaker 1>decided I don't have time for at this point in

0:09:07.120 --> 0:09:09.199
<v Speaker 1>my life, saying it's like, I think it's okay to

0:09:09.280 --> 0:09:11.280
<v Speaker 1>be like I don't have time for this at this

0:09:11.320 --> 0:09:13.679
<v Speaker 1>point in my life. It's not even like Kanye is

0:09:13.720 --> 0:09:15.760
<v Speaker 1>trash thing. It's just like I simply do not have

0:09:15.800 --> 0:09:20.120
<v Speaker 1>the bandwidth to get into like figuring out how I

0:09:20.240 --> 0:09:23.000
<v Speaker 1>feel about the new Kanye album. I'm not even I

0:09:23.000 --> 0:09:25.960
<v Speaker 1>think it's perfectly fine to say that in light of

0:09:26.080 --> 0:09:28.280
<v Speaker 1>what's going on with Kanye, that you're just sitting this

0:09:28.320 --> 0:09:30.559
<v Speaker 1>one out like I'm I don't plan to listen to it.

0:09:30.679 --> 0:09:33.240
<v Speaker 1>Maybe I will, but I mean, and honestly we've talked

0:09:33.280 --> 0:09:37.680
<v Speaker 1>about this before. There's something that's so sad and feels

0:09:37.920 --> 0:09:42.160
<v Speaker 1>um predatory at some point about like feeling this responsibility

0:09:42.160 --> 0:09:44.200
<v Speaker 1>of having an opinion on what's going on with Kanye

0:09:44.200 --> 0:09:47.080
<v Speaker 1>when he's very clearly in a place where he should

0:09:47.200 --> 0:09:50.640
<v Speaker 1>just kind of go away for a bit. Yeah, I mean,

0:09:51.080 --> 0:09:53.160
<v Speaker 1>I don't know. I think I brought this up before,

0:09:53.200 --> 0:09:56.120
<v Speaker 1>but Jay Kang had a good thread. Um Jake Kang,

0:09:56.200 --> 0:09:59.800
<v Speaker 1>the intellectual dark web of the Left and being to

0:10:00.000 --> 0:10:05.680
<v Speaker 1>are superstar was talking about just like I don't know, like, yeah,

0:10:05.720 --> 0:10:07.600
<v Speaker 1>we don't, we don't have to care about this stuff.

0:10:07.600 --> 0:10:09.240
<v Speaker 1>He was like anyone who ever wrote a think piece

0:10:09.280 --> 0:10:12.080
<v Speaker 1>about Kanye is responsible for this world we've made. Yeah,

0:10:13.040 --> 0:10:15.439
<v Speaker 1>he was like, we all graduated from college with no

0:10:15.600 --> 0:10:19.200
<v Speaker 1>skills except being able to like write pop culture theory.

0:10:19.679 --> 0:10:24.640
<v Speaker 1>And I was like, maybe he's not wrong. Maybe speculating

0:10:24.640 --> 0:10:29.240
<v Speaker 1>about celebrity is bad, and projecting things onto people that

0:10:29.280 --> 0:10:33.839
<v Speaker 1>aren't there, or treating people's careers and lives by extension

0:10:34.040 --> 0:10:37.000
<v Speaker 1>as a sport that you watch and prognosticated about is

0:10:37.040 --> 0:10:41.200
<v Speaker 1>maybe not We also we talked on girls and hoodies

0:10:41.240 --> 0:10:44.000
<v Speaker 1>a lot about like monarch mind control, like the kind

0:10:44.000 --> 0:10:47.880
<v Speaker 1>of conspiracies about what happened to young stars and they

0:10:47.920 --> 0:10:49.959
<v Speaker 1>all have these nervous breakdowns and stuff, and I mean

0:10:50.160 --> 0:10:53.760
<v Speaker 1>a lot of it was supposedly like a machine that

0:10:53.840 --> 0:10:56.640
<v Speaker 1>was kind of conditioning them to be these like ciphers,

0:10:56.679 --> 0:11:00.240
<v Speaker 1>but a lot of it was just growing up feeling that,

0:11:00.640 --> 0:11:04.559
<v Speaker 1>you know, creating attention around oneself was was the ticket,

0:11:04.720 --> 0:11:07.000
<v Speaker 1>and then coming to like a point in your life

0:11:07.000 --> 0:11:09.800
<v Speaker 1>in your career where you kind of feel like you

0:11:09.840 --> 0:11:12.120
<v Speaker 1>have to like step it up and step it up,

0:11:12.559 --> 0:11:16.160
<v Speaker 1>and it just leads to such sad things and then

0:11:16.200 --> 0:11:18.280
<v Speaker 1>you just don't want to like have any of that.

0:11:18.800 --> 0:11:21.160
<v Speaker 1>You say, also there is a machine, and the machine

0:11:21.280 --> 0:11:24.360
<v Speaker 1>is capitalism. Oh, there we go. You know what, though,

0:11:24.400 --> 0:11:26.520
<v Speaker 1>there was this there was this post about VICI that

0:11:26.559 --> 0:11:29.040
<v Speaker 1>was really sad on ont D where people were talking

0:11:29.080 --> 0:11:31.960
<v Speaker 1>about like, hey, this guy kept saying like if I

0:11:32.040 --> 0:11:34.760
<v Speaker 1>keep doing this, I'm going to die, and everybody around

0:11:34.880 --> 0:11:36.800
<v Speaker 1>him was like, you have to keep doing it because

0:11:36.800 --> 0:11:39.880
<v Speaker 1>you're making all these people money and that's all that matters.

0:11:40.240 --> 0:11:41.920
<v Speaker 1>And then all these people were, you know, they were

0:11:42.160 --> 0:11:43.880
<v Speaker 1>kind of like, hey, it kind of seems like this

0:11:43.960 --> 0:11:46.240
<v Speaker 1>is a pattern that happens to like every big star

0:11:46.679 --> 0:11:49.200
<v Speaker 1>that we make that that that has a nervous breakdown

0:11:49.440 --> 0:11:52.640
<v Speaker 1>is like they should take time off, and they can't.

0:11:53.440 --> 0:11:55.160
<v Speaker 1>I think a problem with that too is that when

0:11:55.160 --> 0:11:58.520
<v Speaker 1>an artist expresses vulnerability, it almost seems as though it's

0:11:58.520 --> 0:12:01.480
<v Speaker 1>an invitation for fans to closer, when really it might

0:12:01.520 --> 0:12:04.760
<v Speaker 1>be their attempt at stepping back. So I think that

0:12:04.840 --> 0:12:08.079
<v Speaker 1>with Kanye, when he would be on these tweet binges

0:12:08.240 --> 0:12:12.920
<v Speaker 1>and and expressing very personal sentiments and like really controversial opinions,

0:12:13.240 --> 0:12:16.400
<v Speaker 1>it almost seemed as though he was inviting people to

0:12:16.880 --> 0:12:19.720
<v Speaker 1>relate to him more or to like try to figure

0:12:19.760 --> 0:12:21.920
<v Speaker 1>out what was going on with him. In a way

0:12:21.960 --> 0:12:25.320
<v Speaker 1>that was really invasive, but it maybe wasn't that you

0:12:25.360 --> 0:12:27.320
<v Speaker 1>can see the reaction. I mean, I said, we said

0:12:27.320 --> 0:12:30.320
<v Speaker 1>we were't going to talk about this, and look, but

0:12:30.400 --> 0:12:32.280
<v Speaker 1>you can see in their reactions it's like it's not

0:12:32.320 --> 0:12:34.520
<v Speaker 1>even about Kanye or the album. And I feel like

0:12:34.520 --> 0:12:36.280
<v Speaker 1>the same thing is going on with like the BUSHETI

0:12:36.360 --> 0:12:39.240
<v Speaker 1>and Drake fight, where it's like it's about people's personal

0:12:39.320 --> 0:12:42.280
<v Speaker 1>investment in those artists and a lot of it has

0:12:42.320 --> 0:12:45.880
<v Speaker 1>to do with nostalgia for like that you know, any

0:12:45.920 --> 0:12:48.600
<v Speaker 1>time other than now. Yeah, just like something that mattered

0:12:48.600 --> 0:12:50.559
<v Speaker 1>to you at a different point and if you if

0:12:50.600 --> 0:12:53.920
<v Speaker 1>you no longer connect to that thing, then like everything

0:12:53.960 --> 0:12:55.560
<v Speaker 1>you ever did was a lie. But it's like, no,

0:12:55.679 --> 0:12:57.520
<v Speaker 1>if you no longer connect to that thing, it's because

0:12:57.520 --> 0:13:01.520
<v Speaker 1>there's nothing to connect to anymore. Um. I have always

0:13:01.600 --> 0:13:08.319
<v Speaker 1>like joked about Kanye like becoming just like full psycho.

0:13:08.360 --> 0:13:12.199
<v Speaker 1>But it's not funny. It's a bad album because there's

0:13:12.240 --> 0:13:14.280
<v Speaker 1>no humor to it. It just feels like sad and

0:13:14.320 --> 0:13:17.199
<v Speaker 1>you're like somebody, like he should just take time off,

0:13:17.320 --> 0:13:20.959
<v Speaker 1>he should get help. I would rather get help than

0:13:21.040 --> 0:13:27.199
<v Speaker 1>like keep making music that it's bad, or just even

0:13:27.280 --> 0:13:29.480
<v Speaker 1>keep making music that is good. Even it's like there

0:13:29.520 --> 0:13:33.280
<v Speaker 1>are things more important than making art or money. I

0:13:33.360 --> 0:13:35.240
<v Speaker 1>was just gonna say, I just feel like we're just

0:13:35.400 --> 0:13:40.240
<v Speaker 1>starting to begin to realize the ramifications of like this

0:13:40.400 --> 0:13:43.680
<v Speaker 1>gray area where the thing we used to communicate is

0:13:43.720 --> 0:13:47.800
<v Speaker 1>also just like culture, like as like it is like

0:13:47.840 --> 0:13:52.440
<v Speaker 1>the matter of culture. So like somebody's tweet or something

0:13:52.559 --> 0:13:56.439
<v Speaker 1>about their well being or their inner life, it's not

0:13:56.520 --> 0:13:58.920
<v Speaker 1>just a mode of communication. It then becomes a piece

0:13:58.920 --> 0:14:01.840
<v Speaker 1>of culture to molo or and and that can that

0:14:01.920 --> 0:14:05.120
<v Speaker 1>can you know, either make somebody money or affect their

0:14:05.160 --> 0:14:08.240
<v Speaker 1>career or result in fewer tickets sold for a tour

0:14:08.520 --> 0:14:11.000
<v Speaker 1>or you know whatever. And I feel like we're just

0:14:11.040 --> 0:14:14.160
<v Speaker 1>starting to realize that what happens when like you can

0:14:14.240 --> 0:14:17.440
<v Speaker 1>no longer just talk anywhere, that everything becomes something that

0:14:17.559 --> 0:14:20.560
<v Speaker 1>comes back to your bottom line or that like you

0:14:20.600 --> 0:14:24.200
<v Speaker 1>can say things that can like funk up anything else

0:14:24.240 --> 0:14:26.520
<v Speaker 1>you've said that was good. Like if you didn't get

0:14:26.560 --> 0:14:30.200
<v Speaker 1>off the Kanye train at Slavery was a choice, then

0:14:30.240 --> 0:14:33.920
<v Speaker 1>like I can't help you because like what are you doing?

0:14:34.320 --> 0:14:37.840
<v Speaker 1>You know, like what you like, what are you waiting for? Exactly?

0:14:37.920 --> 0:14:39.800
<v Speaker 1>It's a lot, I mean, it is a lot like Trump.

0:14:39.800 --> 0:14:41.640
<v Speaker 1>It's like the people who are still like, no, no,

0:14:41.680 --> 0:14:43.840
<v Speaker 1>he's playing twelve dimensional chess. This is all like a

0:14:43.880 --> 0:14:46.240
<v Speaker 1>big performance art thing, and he's going to do a

0:14:46.280 --> 0:14:49.280
<v Speaker 1>big reveal at the like you know, listening party, and

0:14:49.280 --> 0:14:51.920
<v Speaker 1>then it's like no, you know who knows a lot

0:14:52.000 --> 0:14:56.280
<v Speaker 1>about performance art, Kanye West, Well, no, there was like

0:14:56.320 --> 0:14:59.280
<v Speaker 1>one of the conspiracies was that like he was recreating

0:14:59.360 --> 0:15:02.200
<v Speaker 1>this piece of art by this like famous like fluxus

0:15:02.280 --> 0:15:05.160
<v Speaker 1>artist or something. And I was like, how delusional do

0:15:05.200 --> 0:15:08.160
<v Speaker 1>you have to be to think that that's true? And

0:15:08.200 --> 0:15:11.520
<v Speaker 1>it's like as delusional as people who are like Trump's,

0:15:11.600 --> 0:15:13.640
<v Speaker 1>you know, the indictments are coming down any second now.

0:15:13.640 --> 0:15:17.480
<v Speaker 1>It's like you believe what you want to believe. Uh.

0:15:17.520 --> 0:15:20.240
<v Speaker 1>But some I don't know people talking about Brittany too,

0:15:20.280 --> 0:15:23.240
<v Speaker 1>they were just like everyone around her failed her because

0:15:23.240 --> 0:15:27.200
<v Speaker 1>like she could have gone a different way if people

0:15:27.200 --> 0:15:29.000
<v Speaker 1>hadn't been so like, you have to get back on

0:15:29.080 --> 0:15:33.680
<v Speaker 1>that stage. I think everybody. I don't know. My only

0:15:33.680 --> 0:15:36.400
<v Speaker 1>hope for the future is that like everybody starts taking

0:15:36.440 --> 0:15:42.760
<v Speaker 1>care of each other instead of being being tweet tweet crazy.

0:15:43.320 --> 0:15:47.160
<v Speaker 1>I mean I think like going back to the Milannia thing. Yeah,

0:15:47.280 --> 0:15:49.960
<v Speaker 1>we're back. Sorry, guys. What's interesting is that, so we're

0:15:50.000 --> 0:15:53.800
<v Speaker 1>recording this podcast, Milannia is supposed to be um appearing

0:15:54.000 --> 0:15:56.960
<v Speaker 1>before a group of people with no press allowed at

0:15:57.040 --> 0:16:00.400
<v Speaker 1>I think two thirty Pacific, so it's but it's on

0:16:00.440 --> 0:16:04.400
<v Speaker 1>the five thirty this evening, so we don't know if

0:16:04.440 --> 0:16:07.280
<v Speaker 1>that's going to happen. Regardless of if it happens or not,

0:16:07.440 --> 0:16:09.840
<v Speaker 1>the press isn't allowed, so we'll be relying on reports

0:16:09.840 --> 0:16:17.000
<v Speaker 1>of people who are in the room exactly. And there

0:16:17.080 --> 0:16:19.440
<v Speaker 1>was a CNBC reporter I think who said that he

0:16:19.480 --> 0:16:21.880
<v Speaker 1>saw her. I guess her last appearance was May tent

0:16:22.000 --> 0:16:23.840
<v Speaker 1>and he said he saw her in the White House

0:16:24.120 --> 0:16:27.000
<v Speaker 1>at some point after that, but wouldn't really elaborate, said

0:16:27.040 --> 0:16:29.440
<v Speaker 1>other people saw her too, So I think, you know,

0:16:29.480 --> 0:16:31.480
<v Speaker 1>Molly and I were talking about this just before we

0:16:31.520 --> 0:16:33.800
<v Speaker 1>started recording, and you know, she was like, it's just

0:16:33.840 --> 0:16:36.920
<v Speaker 1>a distraction. It's just a distraction. And it totally is

0:16:36.960 --> 0:16:40.200
<v Speaker 1>a distraction. I mean, it just seems like that has

0:16:40.240 --> 0:16:42.640
<v Speaker 1>to be the case. That's like, I'm also like, hey,

0:16:42.720 --> 0:16:46.320
<v Speaker 1>the Trump administration is disappearing a lot of women that

0:16:46.360 --> 0:16:49.120
<v Speaker 1>we aren't talking about all the time in the news

0:16:49.160 --> 0:16:52.640
<v Speaker 1>that like I would rather be focusing on well, I

0:16:52.680 --> 0:16:54.720
<v Speaker 1>just think, but it becomes an interesting part of the

0:16:54.800 --> 0:16:59.800
<v Speaker 1>story if you think about them concocting this particular distraction

0:17:00.080 --> 0:17:02.640
<v Speaker 1>shouldn't be something that takes up your time as much

0:17:02.640 --> 0:17:06.320
<v Speaker 1>as as you know, Puerto Rico obviously being something that's

0:17:06.320 --> 0:17:09.720
<v Speaker 1>just been completely ignored. It just feel like two with Milannia.

0:17:09.800 --> 0:17:12.359
<v Speaker 1>It's like there seems to be this desire people have

0:17:12.560 --> 0:17:15.360
<v Speaker 1>to like project humanity onto her or to be like

0:17:15.720 --> 0:17:19.680
<v Speaker 1>she's trapped in this horrible situation. It's like people in

0:17:19.760 --> 0:17:22.119
<v Speaker 1>this situation, I don't know, I'm like a lot of

0:17:22.200 --> 0:17:25.720
<v Speaker 1>like white women are like always like poor Milannia. Like, no,

0:17:25.920 --> 0:17:28.359
<v Speaker 1>not poor Millannia. She's like married to her to a

0:17:28.359 --> 0:17:32.359
<v Speaker 1>white supremacist she said, crazy birth or things like she's

0:17:32.359 --> 0:17:35.840
<v Speaker 1>a bad person. Not. Yeah, I totally agree. However, it

0:17:35.920 --> 0:17:39.320
<v Speaker 1>becomes a little bit tricky. I think when people start

0:17:39.400 --> 0:17:42.320
<v Speaker 1>like slamming her use of English and stuff, like I mean,

0:17:42.320 --> 0:17:45.560
<v Speaker 1>attacking her for things not based completely on her personality

0:17:45.600 --> 0:17:48.560
<v Speaker 1>and life choices that have led her to the White House. No,

0:17:48.880 --> 0:17:51.959
<v Speaker 1>and like, I don't know, I just feel like it

0:17:52.000 --> 0:17:55.480
<v Speaker 1>doesn't matter and she's probably fine. The thing about all

0:17:55.520 --> 0:17:59.679
<v Speaker 1>the weird ship around this administration. So like Milan like

0:17:59.800 --> 0:18:02.359
<v Speaker 1>mo Lonnie having a body double, that that's actually something

0:18:02.400 --> 0:18:05.920
<v Speaker 1>that feels like in the realm of possibility. I don't

0:18:05.920 --> 0:18:10.359
<v Speaker 1>think it matters. But there's the actual matter and substance

0:18:10.359 --> 0:18:12.240
<v Speaker 1>of this administration, which is all the ways in which

0:18:12.280 --> 0:18:15.680
<v Speaker 1>they're sucking over immigrants and all this other stuff. Um.

0:18:15.720 --> 0:18:19.439
<v Speaker 1>But then there's like the color of it, like that

0:18:19.600 --> 0:18:22.240
<v Speaker 1>it wasn't just that people were having their human rights violated,

0:18:22.240 --> 0:18:24.119
<v Speaker 1>it was that we were living in this weird twilight

0:18:24.240 --> 0:18:27.879
<v Speaker 1>zone where it was possible that there was like a

0:18:27.920 --> 0:18:30.840
<v Speaker 1>body double for the first lady. That's like just like

0:18:31.280 --> 0:18:33.840
<v Speaker 1>it goes also to the idea of like people seeing

0:18:33.880 --> 0:18:36.520
<v Speaker 1>memes that are like clearly photoshopped and not knowing that

0:18:36.560 --> 0:18:39.399
<v Speaker 1>they're photoshopped. Like there is this way and just like

0:18:39.440 --> 0:18:42.480
<v Speaker 1>you literally can't trust anything you see, especially if you

0:18:42.520 --> 0:18:46.520
<v Speaker 1>see it on the internet, even if it's video. It's like, no,

0:18:46.600 --> 0:18:48.800
<v Speaker 1>it could just be all shopped. Like anything can be

0:18:48.840 --> 0:18:52.200
<v Speaker 1>shopped into the thing that they want you to think

0:18:52.240 --> 0:18:55.840
<v Speaker 1>it is. And so it makes everybody feel crazy. Oh,

0:18:55.920 --> 0:18:59.160
<v Speaker 1>speaking of crazy people on the there you go perfect,

0:18:59.280 --> 0:19:03.440
<v Speaker 1>speaking of women locked in a tower of their own dividing.

0:19:04.400 --> 0:19:07.480
<v Speaker 1>We were going to talk about Julia Allison um a

0:19:07.520 --> 0:19:09.520
<v Speaker 1>person who was on the Internet a lot and then

0:19:09.600 --> 0:19:12.840
<v Speaker 1>kind of disappeared off the Internet and then re emerged

0:19:13.320 --> 0:19:16.240
<v Speaker 1>like a butterfly, like a person wearing butterfly wings of

0:19:16.320 --> 0:19:21.600
<v Speaker 1>burning Man this week with an editorial uh in page

0:19:21.640 --> 0:19:26.200
<v Speaker 1>six or past about how sex in the City ruined

0:19:26.240 --> 0:19:31.000
<v Speaker 1>her life. It's such a college paper essay, Like it's like,

0:19:31.480 --> 0:19:34.440
<v Speaker 1>what's your thesis and give me, you know, in this case,

0:19:34.520 --> 0:19:38.720
<v Speaker 1>like twenty five things that support this thesis and completely

0:19:38.720 --> 0:19:40.919
<v Speaker 1>ignoring anything else that might be going on in the

0:19:40.960 --> 0:19:44.359
<v Speaker 1>world or with yourself given time. It's just like a

0:19:44.520 --> 0:19:49.680
<v Speaker 1>blindingly unself aware piece of writing. But it was really rough. Yeah,

0:19:49.760 --> 0:19:52.280
<v Speaker 1>it's pretty I think the worst part is when she

0:19:52.840 --> 0:19:56.640
<v Speaker 1>claimed that a man was attempting to um sexually assault

0:19:56.680 --> 0:20:00.000
<v Speaker 1>her and it was horrible, but then ended the paragraph

0:20:00.000 --> 0:20:06.320
<v Speaker 1>off with and the worst part he flew me back home. Yeah.

0:20:06.359 --> 0:20:09.159
<v Speaker 1>I mean what I thought was a huge bummer about

0:20:09.240 --> 0:20:12.560
<v Speaker 1>this was that it was like, it wasn't that she

0:20:12.640 --> 0:20:15.200
<v Speaker 1>regretted trying to sell herself. It was that it didn't

0:20:15.320 --> 0:20:17.320
<v Speaker 1>work the way she wanted it to, which is I

0:20:17.359 --> 0:20:20.159
<v Speaker 1>think a thing A lot of people actually can identify with.

0:20:20.359 --> 0:20:22.000
<v Speaker 1>Is that you're like, I'm going to be a brand

0:20:22.080 --> 0:20:25.359
<v Speaker 1>and then you're like, wait, I'm a cheap brand, right.

0:20:25.880 --> 0:20:27.800
<v Speaker 1>I think there's a lot of assumption that like we

0:20:27.920 --> 0:20:30.320
<v Speaker 1>all bought into the myth of Carrie Bradshaw, right, and

0:20:30.320 --> 0:20:32.520
<v Speaker 1>it's like, you know what I did it, Like, I'm

0:20:32.600 --> 0:20:34.439
<v Speaker 1>I know you guys like Sex and the City a lot,

0:20:34.480 --> 0:20:36.080
<v Speaker 1>but I was never a Sex and the City fan,

0:20:36.160 --> 0:20:37.840
<v Speaker 1>aside from like if I was in the tel and

0:20:37.920 --> 0:20:39.800
<v Speaker 1>I had to watch a couple episodes, But like, it's

0:20:39.800 --> 0:20:41.720
<v Speaker 1>not that we bought into like buying a lot of

0:20:41.720 --> 0:20:43.600
<v Speaker 1>ship will make you copy, it's that it was like

0:20:43.680 --> 0:20:46.120
<v Speaker 1>it would be nice to have a column, right, Yeah,

0:20:46.160 --> 0:20:48.320
<v Speaker 1>I was where I came to it. We were never

0:20:48.400 --> 0:20:50.960
<v Speaker 1>I don't think Molly or I were ever huge Sex

0:20:50.960 --> 0:20:52.639
<v Speaker 1>in the City fans. I think it was almost like

0:20:52.680 --> 0:20:56.040
<v Speaker 1>our soap opera. I mean it also like started when

0:20:56.080 --> 0:20:58.000
<v Speaker 1>we were teenagers, so I feel like it was just

0:20:58.080 --> 0:21:00.200
<v Speaker 1>like maybe if I had been like an adult woman

0:21:00.080 --> 0:21:02.280
<v Speaker 1>in that world already, I would have been like this

0:21:02.320 --> 0:21:04.480
<v Speaker 1>is so fake, like nothing like it. But because I

0:21:04.560 --> 0:21:07.320
<v Speaker 1>was like a teenager, I was like, yeah, sure, I'd

0:21:07.359 --> 0:21:09.720
<v Speaker 1>like to have a column. And an apartment Like that

0:21:09.840 --> 0:21:13.359
<v Speaker 1>sounds great. Yeah, I mean there's something though, like in

0:21:13.400 --> 0:21:19.160
<v Speaker 1>the in the article, like they've chosen intentionally extremely unflattering

0:21:19.359 --> 0:21:22.000
<v Speaker 1>photos of her during the height of her career and

0:21:22.119 --> 0:21:24.399
<v Speaker 1>being like a Gawker fixture and all of that. It

0:21:24.440 --> 0:21:26.680
<v Speaker 1>also maings you'd be like, ah, the two thousands, which

0:21:26.720 --> 0:21:28.560
<v Speaker 1>I keep thinking about, Like the two thousands were like

0:21:28.680 --> 0:21:32.119
<v Speaker 1>Vimar Germany. You know, we were all just like carefree

0:21:32.200 --> 0:21:34.320
<v Speaker 1>and everybody was just like I feel about to tea

0:21:34.359 --> 0:21:37.040
<v Speaker 1>that I thought you hated. I do hate them. But

0:21:37.080 --> 0:21:38.879
<v Speaker 1>now when I now, I've been thinking about it a

0:21:38.880 --> 0:21:42.119
<v Speaker 1>lot where I'm like, oh, everything was so frivolous because

0:21:42.200 --> 0:21:45.760
<v Speaker 1>fascism was coming. But there's something about those outfits and

0:21:45.800 --> 0:21:48.680
<v Speaker 1>the color and how everything was just like neon and

0:21:48.840 --> 0:21:51.639
<v Speaker 1>like made for the lowest attention span possible, and it

0:21:51.760 --> 0:21:54.840
<v Speaker 1>really kind of sent a chill down, right. But it

0:21:54.880 --> 0:21:57.520
<v Speaker 1>also just seems like such a different time when it's like, oh,

0:21:57.560 --> 0:22:01.280
<v Speaker 1>remember when nothing really mattered, like the things weren't real. Well,

0:22:01.320 --> 0:22:03.119
<v Speaker 1>it's also such a waste when you think about it,

0:22:03.119 --> 0:22:05.600
<v Speaker 1>because you're like, we had Gawker, but they spent all

0:22:05.680 --> 0:22:08.679
<v Speaker 1>this time talking about Julia Allison. But you know what

0:22:08.840 --> 0:22:10.520
<v Speaker 1>I was like, she was one of the people they

0:22:10.520 --> 0:22:12.800
<v Speaker 1>tried to turn into a micro celebrity, but the other

0:22:12.840 --> 0:22:15.679
<v Speaker 1>one was Mark Zuckerberg, and like that turned out to

0:22:15.760 --> 0:22:17.679
<v Speaker 1>be like a person that you did want to be

0:22:17.720 --> 0:22:20.920
<v Speaker 1>paying attention to more than he wanted you to, because

0:22:21.520 --> 0:22:24.800
<v Speaker 1>you know, people who want all the perks of like power,

0:22:24.960 --> 0:22:27.959
<v Speaker 1>but don't want the downsides, which is the constant analysis.

0:22:28.000 --> 0:22:30.200
<v Speaker 1>It's like, no, you get both. That's the thing about

0:22:30.240 --> 0:22:32.640
<v Speaker 1>Elon Musk too. You're like, if you're going to be

0:22:32.680 --> 0:22:35.400
<v Speaker 1>on the internet all the time tweeting your opinions, people

0:22:35.440 --> 0:22:37.280
<v Speaker 1>are going to tell you their opinions back. It's not

0:22:37.359 --> 0:22:39.320
<v Speaker 1>a one way thing. It's not how it works. And

0:22:39.320 --> 0:22:43.280
<v Speaker 1>that's why all these billionaires keep buying publications and shutting

0:22:43.320 --> 0:22:46.919
<v Speaker 1>down newspapers or making them into sort of censored versions

0:22:46.960 --> 0:22:49.359
<v Speaker 1>of those papers, because they're like, you can write about

0:22:49.359 --> 0:22:51.760
<v Speaker 1>anything you want except me. You know, even people that

0:22:51.760 --> 0:22:54.600
<v Speaker 1>are like, oh, Jeff Bezos, one's the Washington Post. It's like, yeah,

0:22:54.600 --> 0:22:57.440
<v Speaker 1>that means you can't like criticize Jeff Bezos the way

0:22:57.480 --> 0:23:02.200
<v Speaker 1>that you need to for being like a psychotic monomaniac.

0:23:02.440 --> 0:23:06.399
<v Speaker 1>Think those people shouldn't be in charge of anything, and

0:23:06.480 --> 0:23:09.040
<v Speaker 1>Gawker when it was good, was like, did make you

0:23:09.080 --> 0:23:11.399
<v Speaker 1>feel like it was like the little guy taking the

0:23:11.920 --> 0:23:14.680
<v Speaker 1>big chis some window of the sales or something. Yeah,

0:23:15.119 --> 0:23:17.439
<v Speaker 1>I mean, I I remember reading about Julia Allison just

0:23:17.440 --> 0:23:20.560
<v Speaker 1>because I read Gawker all the time. I never really

0:23:20.600 --> 0:23:22.320
<v Speaker 1>cared that. But I mean, even though I read everything

0:23:22.359 --> 0:23:25.560
<v Speaker 1>about her, like, I did not understand how it applied

0:23:25.600 --> 0:23:27.399
<v Speaker 1>to me or why I should care. I think because

0:23:27.440 --> 0:23:29.760
<v Speaker 1>I was in Los Angeles and wasn't in the media,

0:23:29.920 --> 0:23:32.760
<v Speaker 1>and I just didn't really I was like, who is

0:23:32.800 --> 0:23:35.399
<v Speaker 1>this woman again? No? I mean it was like she

0:23:35.440 --> 0:23:37.919
<v Speaker 1>couldn't see how clueless she came off all the time.

0:23:38.640 --> 0:23:42.200
<v Speaker 1>And so you know, they're like and even in this essay,

0:23:42.240 --> 0:23:44.920
<v Speaker 1>you're like, she starts out by being like, I lived

0:23:44.960 --> 0:23:48.800
<v Speaker 1>the most glamorous life. I met everyone like Henry Kissinger.

0:23:48.880 --> 0:23:51.640
<v Speaker 1>She's like Henry Kissinger and Richard Branson. Those are her

0:23:51.680 --> 0:23:58.840
<v Speaker 1>two examples for glamorous, celebraamorous, multi murdering war criminal and

0:23:58.920 --> 0:24:03.360
<v Speaker 1>member of the International Olympic Committee, Henry Kissinger. And then

0:24:03.400 --> 0:24:06.199
<v Speaker 1>she did the thing that all the most annoying New

0:24:06.280 --> 0:24:10.280
<v Speaker 1>Yorkers do, which is to move to California and be like, guys,

0:24:10.400 --> 0:24:14.240
<v Speaker 1>I'm so different now, like people who go to summer

0:24:14.280 --> 0:24:15.919
<v Speaker 1>camp and come back and are like, I have a

0:24:15.960 --> 0:24:22.199
<v Speaker 1>new personality, forget everything you knew about, have a Bravo pilot. Uh.

0:24:22.320 --> 0:24:25.919
<v Speaker 1>And then she really just kind of shows shows herself

0:24:25.960 --> 0:24:29.720
<v Speaker 1>by being like, also, I dated a woman Carrie Bradshaw

0:24:29.760 --> 0:24:33.800
<v Speaker 1>would never do. That was then incredible. And then she

0:24:33.960 --> 0:24:36.560
<v Speaker 1>was like and then I dated a man, but he

0:24:36.600 --> 0:24:38.760
<v Speaker 1>wanted to be polyamorous. And I was like, oh, honey,

0:24:38.800 --> 0:24:42.960
<v Speaker 1>you live in Silicon Valley for sure. Yeah, I said

0:24:42.960 --> 0:24:48.920
<v Speaker 1>that he was Samantha boys. Oh honey, honey, those Silicon

0:24:49.040 --> 0:24:52.840
<v Speaker 1>Valley guys all want to be polyamorous. I said, not

0:24:52.960 --> 0:25:01.840
<v Speaker 1>unless they're poly bank accounts. Sorry, very sorry, advised. Um,

0:25:01.960 --> 0:25:03.399
<v Speaker 1>that's the thing too. I was like, oh, I forgot.

0:25:03.440 --> 0:25:05.600
<v Speaker 1>She actually did have a reality show. At the end,

0:25:05.760 --> 0:25:07.680
<v Speaker 1>but she was like, but I was over it, so

0:25:07.760 --> 0:25:11.000
<v Speaker 1>like goodbye. But then at the end she says this

0:25:11.119 --> 0:25:13.760
<v Speaker 1>thing where she's like, and now I'm thirty eight and

0:25:13.800 --> 0:25:15.840
<v Speaker 1>if I hadn't done all this stuff, I'd be married

0:25:15.880 --> 0:25:19.040
<v Speaker 1>with kids. And you're like, where do you get that idea? Right?

0:25:19.520 --> 0:25:30.159
<v Speaker 1>Excuse me? A quality night's sleep helps you recover from distractions, faster,

0:25:30.480 --> 0:25:34.840
<v Speaker 1>make better decisions, improve your memory for men burnout, and overall,

0:25:34.880 --> 0:25:38.320
<v Speaker 1>you make fewer mistakes. It's not marketing, it's science to

0:25:38.440 --> 0:25:41.639
<v Speaker 1>design a better mattress. Lisa leverage thirty plus years of

0:25:41.680 --> 0:25:45.320
<v Speaker 1>experience and hundreds of hours of testing science to develop

0:25:45.359 --> 0:25:48.440
<v Speaker 1>the perfect mattress for all body shapes and sleeping styles.

0:25:48.880 --> 0:25:51.840
<v Speaker 1>Lisa's mission is to provide a better night's sleep for everybody.

0:25:52.000 --> 0:25:54.720
<v Speaker 1>Through their one ten program, they donate one mattress for

0:25:54.880 --> 0:25:57.840
<v Speaker 1>every ten they sell. That's more than twenty six thousand

0:25:57.920 --> 0:26:01.280
<v Speaker 1>mattresses and counting. Lisa strives to leave the world better

0:26:01.320 --> 0:26:04.080
<v Speaker 1>than they found it. But that doesn't stop with mattress donations.

0:26:04.400 --> 0:26:07.400
<v Speaker 1>Together with the Arbor Day Foundation, Lisa plants one tree

0:26:07.480 --> 0:26:10.160
<v Speaker 1>for every mattress they sell and are committed to planting

0:26:10.280 --> 0:26:15.160
<v Speaker 1>one million trees by don't miss these summer savings. Get

0:26:15.200 --> 0:26:17.680
<v Speaker 1>a hundred and thirty dollars off your Lisa mattress at

0:26:17.720 --> 0:26:21.399
<v Speaker 1>Lisa dot com forward slash nightcall. That's a hundred and

0:26:21.400 --> 0:26:24.880
<v Speaker 1>thirty dollars off your Lisa mattress at Lisa dot com

0:26:25.160 --> 0:26:34.520
<v Speaker 1>Forward slash nightcall. Maybe this is just everybody once they

0:26:34.600 --> 0:26:37.120
<v Speaker 1>hit like a certain age where you're like, what if

0:26:37.119 --> 0:26:40.600
<v Speaker 1>I've done everything differently and been the opposite person of

0:26:40.600 --> 0:26:42.600
<v Speaker 1>who I am? And I feel like Julia Allison is

0:26:42.640 --> 0:26:44.720
<v Speaker 1>like I should have just like stayed in Chicago and

0:26:44.760 --> 0:26:47.120
<v Speaker 1>married a rich banker. And I feel like she wrote

0:26:47.119 --> 0:26:48.880
<v Speaker 1>a thing once about how she had like a boyfriend

0:26:48.880 --> 0:26:51.959
<v Speaker 1>that she like dumped to go do New York stuff,

0:26:52.359 --> 0:26:54.720
<v Speaker 1>and maybe she just regretted the fact that you remember

0:26:54.800 --> 0:26:58.000
<v Speaker 1>that is terrifying because I followed her narrative for a

0:26:58.080 --> 0:27:01.239
<v Speaker 1>long time because it was like, I'll be engaging. I

0:27:01.280 --> 0:27:03.359
<v Speaker 1>felt really bad for her because I used to read

0:27:03.560 --> 0:27:06.080
<v Speaker 1>this horrible website. I read that website. I know you're

0:27:06.080 --> 0:27:07.360
<v Speaker 1>about to say, the one that was just like a

0:27:07.359 --> 0:27:10.280
<v Speaker 1>mean tumbler about her. Well, there was a mean tumbler

0:27:10.359 --> 0:27:12.760
<v Speaker 1>just about her, and then there was the mean blog

0:27:12.880 --> 0:27:16.480
<v Speaker 1>about every everybody, but mostly just women who wrote for

0:27:16.520 --> 0:27:18.919
<v Speaker 1>the internet, and they just I mean, they gave her

0:27:18.960 --> 0:27:21.000
<v Speaker 1>a name. I think they called her Donkey. It was

0:27:21.040 --> 0:27:23.920
<v Speaker 1>just really rough, Like it was the kind of thing

0:27:23.960 --> 0:27:27.480
<v Speaker 1>where you wondered what a person who feels like they've

0:27:28.240 --> 0:27:30.320
<v Speaker 1>decided that they're going to have a career that's just

0:27:30.440 --> 0:27:33.600
<v Speaker 1>based around their personality and kind of banking on that.

0:27:34.000 --> 0:27:36.520
<v Speaker 1>What do you do if if it seems as though

0:27:36.560 --> 0:27:40.439
<v Speaker 1>the overwhelming response to your brand is negative? Right, what

0:27:40.520 --> 0:27:43.040
<v Speaker 1>if you don't have it and that's why you can't

0:27:43.040 --> 0:27:45.399
<v Speaker 1>be an it? But you maybe also don't have any

0:27:45.520 --> 0:27:48.879
<v Speaker 1>other It's where it's like that might be something that

0:27:49.040 --> 0:27:51.439
<v Speaker 1>someone else if you were again, if you were a

0:27:51.480 --> 0:27:55.160
<v Speaker 1>completely different person leading a completely different life and making

0:27:55.200 --> 0:27:59.560
<v Speaker 1>different choices like she she was like charming ish at

0:27:59.560 --> 0:28:02.399
<v Speaker 1>at a point maybe or just you felt like you

0:28:02.440 --> 0:28:05.040
<v Speaker 1>know what, I just remember, I'm having so many weird

0:28:05.080 --> 0:28:07.479
<v Speaker 1>flashbacks now to like specific to thus And do you

0:28:07.560 --> 0:28:11.919
<v Speaker 1>remember when she started dating a guy who was like, no,

0:28:12.240 --> 0:28:18.160
<v Speaker 1>she started dating a nerd like internet guy? When when yeah, yeah,

0:28:18.160 --> 0:28:21.879
<v Speaker 1>who was like wanna be Silicon Valley guy? And so

0:28:21.920 --> 0:28:25.399
<v Speaker 1>they started a blog together about their relationship called Jacob

0:28:25.440 --> 0:28:30.400
<v Speaker 1>And remember I read that, Oh no, and I knew

0:28:30.400 --> 0:28:35.800
<v Speaker 1>it was doomed because she started like, and this is

0:28:35.840 --> 0:28:37.359
<v Speaker 1>the thing I see other people do it. I'm always

0:28:37.400 --> 0:28:39.480
<v Speaker 1>like against Samantha wis. I was like, oh, honey, no,

0:28:39.920 --> 0:28:42.239
<v Speaker 1>that's not going to do anything good for you. Like

0:28:42.320 --> 0:28:44.800
<v Speaker 1>they would put their fights on the internet and be

0:28:44.920 --> 0:28:48.200
<v Speaker 1>like who's right? And I was like, uh, no, that's

0:28:48.200 --> 0:28:52.040
<v Speaker 1>not a relationship. That's like you're asking the internet who's right,

0:28:52.240 --> 0:28:54.720
<v Speaker 1>Like you're doomed, you know, like even if you're right,

0:28:54.880 --> 0:28:59.200
<v Speaker 1>like your relationship is fucked. That's that creepy like pseudo

0:28:59.400 --> 0:29:01.560
<v Speaker 1>or like we of in public type show, or you're

0:29:01.560 --> 0:29:04.760
<v Speaker 1>just like no, no, all the wrong impulses are being

0:29:04.800 --> 0:29:08.280
<v Speaker 1>acted on here. You can understand the basic impulse to

0:29:08.280 --> 0:29:11.200
<v Speaker 1>be like I'm having this disagreement with my significant other.

0:29:11.280 --> 0:29:14.400
<v Speaker 1>If only I could have some kind of objective judgment

0:29:14.520 --> 0:29:18.320
<v Speaker 1>come down from the universe. But like, you don't do that.

0:29:18.520 --> 0:29:21.120
<v Speaker 1>It depends what the disagreement is, you know, like I

0:29:22.000 --> 0:29:25.040
<v Speaker 1>someone else I know on the internet how to post

0:29:25.080 --> 0:29:27.800
<v Speaker 1>about Like my husband thinks that you should wash lemons

0:29:27.840 --> 0:29:30.600
<v Speaker 1>before you use them. Like he's crazy, right, you know,

0:29:30.640 --> 0:29:32.080
<v Speaker 1>And I'm like, Okay, that's fine, you can put that

0:29:32.160 --> 0:29:36.800
<v Speaker 1>up for a pole. But being like my boyfriend thinks,

0:29:36.800 --> 0:29:39.440
<v Speaker 1>like just like getting into too much detail, You're just like, oh,

0:29:39.440 --> 0:29:42.400
<v Speaker 1>I'm going to read this, but also it's not good

0:29:42.400 --> 0:29:47.280
<v Speaker 1>for you. Do you wash lemons? Lemons? You? It depends

0:29:47.280 --> 0:29:50.880
<v Speaker 1>on my moves, It depends on the application. This is Katie,

0:29:50.880 --> 0:29:53.600
<v Speaker 1>a topless who was also an Internet legend. Um, and

0:29:53.640 --> 0:29:55.000
<v Speaker 1>I thought it was really funny because I was like,

0:29:55.080 --> 0:29:57.360
<v Speaker 1>I've never washed a lemon. I think her husband was like,

0:29:57.400 --> 0:29:59.080
<v Speaker 1>you have to wash lemons when she was like, no,

0:29:59.160 --> 0:30:01.520
<v Speaker 1>you're crazy. Well this is a slippery slope because I

0:30:01.560 --> 0:30:04.920
<v Speaker 1>just saw a video today on Facebook. Sorry, guys, I

0:30:04.920 --> 0:30:06.720
<v Speaker 1>saw a video on Facebook and now I'm to tell

0:30:06.720 --> 0:30:09.040
<v Speaker 1>you about it. And it was like, are you washing

0:30:09.040 --> 0:30:11.920
<v Speaker 1>your produce all wrong? If you just rinse it with

0:30:12.000 --> 0:30:15.280
<v Speaker 1>water all those pesticides. It was telling you abougtable wash. No,

0:30:15.640 --> 0:30:18.160
<v Speaker 1>it was telling you that to get off pesticides, you

0:30:18.200 --> 0:30:21.239
<v Speaker 1>had to soak your vet, your produce in water with

0:30:21.320 --> 0:30:24.560
<v Speaker 1>baking soda for twelve minutes. And I'm pretty like, is

0:30:24.600 --> 0:30:27.479
<v Speaker 1>this fake? It must be fake. But people were sharing

0:30:27.480 --> 0:30:30.080
<v Speaker 1>it like okay, guys. And then you just see these

0:30:30.120 --> 0:30:32.719
<v Speaker 1>big bowls of water and baking soda with like lettuce

0:30:32.720 --> 0:30:35.600
<v Speaker 1>in them. It's like, you're gonna eat baking soda lettuce.

0:30:36.120 --> 0:30:39.800
<v Speaker 1>Life is too short, y'all. It's too short for this

0:30:40.160 --> 0:30:43.280
<v Speaker 1>lived dangerously. Just don't wash it. I mean, I think too.

0:30:43.320 --> 0:30:44.959
<v Speaker 1>It's like there was a time when we were all

0:30:44.960 --> 0:30:47.480
<v Speaker 1>on the internet a lot, but people weren't being necessarily

0:30:47.480 --> 0:30:49.280
<v Speaker 1>out about the fact that they were spending all of

0:30:49.280 --> 0:30:51.120
<v Speaker 1>their time on the internet because it was like you

0:30:51.160 --> 0:30:54.560
<v Speaker 1>wanted to create the illusion that you had a cool life.

0:30:54.840 --> 0:30:58.560
<v Speaker 1>Thank god, that just kidding. We're all just online all

0:30:58.600 --> 0:31:00.920
<v Speaker 1>the time. And it was like people Julia Allison who

0:31:00.920 --> 0:31:03.719
<v Speaker 1>are like, I'm putting myself out for your consumption. My

0:31:03.800 --> 0:31:06.360
<v Speaker 1>life is an open book. Tell me everything you think

0:31:06.400 --> 0:31:07.720
<v Speaker 1>about me, and the people would be like, you're a

0:31:07.760 --> 0:31:09.960
<v Speaker 1>dumb bitch, and she'd be like, not that, don't do that.

0:31:10.040 --> 0:31:12.080
<v Speaker 1>I don't want to hear that, um, which you know,

0:31:12.120 --> 0:31:15.440
<v Speaker 1>it's very he wants to hear that. Well. The thing

0:31:15.480 --> 0:31:18.640
<v Speaker 1>about forcing your way into being an it girl is

0:31:18.720 --> 0:31:22.840
<v Speaker 1>so like I'm of two minds of it because out

0:31:22.880 --> 0:31:25.120
<v Speaker 1>of the idea that if you're going to be an

0:31:25.120 --> 0:31:28.440
<v Speaker 1>it girl, you have to be chosen by somebody else,

0:31:28.800 --> 0:31:30.880
<v Speaker 1>you have to be like submissive in that way and

0:31:30.960 --> 0:31:35.280
<v Speaker 1>let somebody else like foist fame upon you or something. Also,

0:31:35.680 --> 0:31:38.480
<v Speaker 1>they're all like born rich is the secret, And I

0:31:38.480 --> 0:31:41.520
<v Speaker 1>think Julia Allison was like, I'm rich, why can't I

0:31:41.600 --> 0:31:43.520
<v Speaker 1>be an it girl. I'll come to New York and

0:31:43.520 --> 0:31:46.360
<v Speaker 1>I'll wear Chanel and then like attention will just follow,

0:31:46.400 --> 0:31:48.600
<v Speaker 1>and it's like, no, there's a million people just like

0:31:48.720 --> 0:31:52.280
<v Speaker 1>you who also think that. And it's not sex in

0:31:52.320 --> 0:31:54.560
<v Speaker 1>the City that made you think that you would get

0:31:54.560 --> 0:31:58.640
<v Speaker 1>all these things like that's some bullshit American dream stuff

0:31:58.640 --> 0:32:01.040
<v Speaker 1>that you just were like, Okay, well, I'm a rich,

0:32:01.160 --> 0:32:04.040
<v Speaker 1>like pretty girl, so I'm gonna get like a house

0:32:04.080 --> 0:32:07.400
<v Speaker 1>and a family and like a hot husband, and then

0:32:07.480 --> 0:32:11.440
<v Speaker 1>being like where is he I want him? And if

0:32:11.480 --> 0:32:13.640
<v Speaker 1>I and it's sex in the City's fault. And it's

0:32:13.680 --> 0:32:16.200
<v Speaker 1>also like that's not what happens on sex in the

0:32:16.240 --> 0:32:18.920
<v Speaker 1>city really, Like the second the city is kind of

0:32:18.960 --> 0:32:21.680
<v Speaker 1>like depressing, and then at a certain point they took

0:32:21.720 --> 0:32:23.520
<v Speaker 1>it into like fantasy mode because they were like this

0:32:23.600 --> 0:32:26.520
<v Speaker 1>is too depressing, because there was that like a you know,

0:32:26.560 --> 0:32:29.040
<v Speaker 1>early on like Sarahessica Parker. Parker was like, I think

0:32:29.080 --> 0:32:32.400
<v Speaker 1>carries an alcoholic And then they were like, Okay, this

0:32:32.440 --> 0:32:35.560
<v Speaker 1>has become like a fantasy aspirational thing for people. We

0:32:35.680 --> 0:32:38.480
<v Speaker 1>can't they can't have real problems unless it's Samantha and

0:32:38.480 --> 0:32:41.200
<v Speaker 1>then we'll get her cancer. Yeah, which is why she's

0:32:41.240 --> 0:32:44.280
<v Speaker 1>the only only good one, good one. I have to

0:32:44.320 --> 0:32:46.120
<v Speaker 1>say that, for me, the most depressing thing about the

0:32:46.160 --> 0:32:51.000
<v Speaker 1>Julia Allison ed was that if you leave the Internet

0:32:51.480 --> 0:32:53.800
<v Speaker 1>for all intents and purposes, as she claims to have done.

0:32:53.840 --> 0:32:55.960
<v Speaker 1>She says she posts occasionally on Instagram, but it's like,

0:32:56.720 --> 0:32:59.440
<v Speaker 1>look at the Internet, especially Instagram. If you do that,

0:32:59.640 --> 0:33:02.959
<v Speaker 1>then offered the opportunity to come back as kind of

0:33:02.960 --> 0:33:04.840
<v Speaker 1>like a version of the man who knew too little,

0:33:04.880 --> 0:33:07.520
<v Speaker 1>you know, who like lived in upstate New York and

0:33:07.520 --> 0:33:09.960
<v Speaker 1>didn't read any news at the election, thinking about, yeah,

0:33:10.080 --> 0:33:12.160
<v Speaker 1>just like you stay in the bubble. Well, I'm I

0:33:12.200 --> 0:33:14.760
<v Speaker 1>was like, I saw her picture and I was like, Okay,

0:33:14.760 --> 0:33:17.640
<v Speaker 1>come on, girl, come back and be like So I

0:33:17.720 --> 0:33:21.240
<v Speaker 1>quit the Internet, and I have spent some time reflecting

0:33:21.400 --> 0:33:24.240
<v Speaker 1>on the fact that, you know, I made a huge

0:33:24.360 --> 0:33:28.400
<v Speaker 1>ass out of myself and also had to weather being

0:33:28.480 --> 0:33:31.600
<v Speaker 1>kind of bullied and it was bullshit. And then I

0:33:31.720 --> 0:33:35.000
<v Speaker 1>left and now I'm like so happy, and here's what

0:33:35.040 --> 0:33:37.120
<v Speaker 1>I've been up to, and here's like a lesson from me,

0:33:37.240 --> 0:33:40.000
<v Speaker 1>which I would have probably been like, fair, I'll listen

0:33:40.000 --> 0:33:44.719
<v Speaker 1>to you, but right instead, she's like, Hey, I'm the

0:33:44.760 --> 0:33:48.080
<v Speaker 1>exact same person and I haven't evolved at all, and

0:33:48.120 --> 0:33:50.600
<v Speaker 1>I'm just writing something that I totally could have written

0:33:50.680 --> 0:33:53.120
<v Speaker 1>like eight years ago. So it's like she couldn't scam

0:33:53.120 --> 0:33:54.880
<v Speaker 1>her way into New York, but she scammed her way

0:33:54.920 --> 0:33:57.160
<v Speaker 1>into Silicon Valley. And now she gets paid to like

0:33:57.200 --> 0:33:59.720
<v Speaker 1>speak at seminars, which is like the biggest scam of all,

0:33:59.760 --> 0:34:03.120
<v Speaker 1>Like such a such a good job. Yeah, iire us

0:34:03.160 --> 0:34:07.000
<v Speaker 1>to speak at your seven. Now I'm like a change activist.

0:34:07.200 --> 0:34:10.600
<v Speaker 1>And it was like what is that? What do you

0:34:10.640 --> 0:34:12.759
<v Speaker 1>do with the irony? Because I remember she quit the

0:34:12.760 --> 0:34:14.719
<v Speaker 1>internet after like going to Burning Man. She was like

0:34:14.719 --> 0:34:19.200
<v Speaker 1>I went to Burning Man and like nothing. I don't know.

0:34:19.239 --> 0:34:22.680
<v Speaker 1>There's something about like people who have revelations and then

0:34:22.760 --> 0:34:25.719
<v Speaker 1>learn nothing from it is like a fascinating thing. To

0:34:25.800 --> 0:34:27.960
<v Speaker 1>bring it back to Kanye for a minute again, You're

0:34:28.000 --> 0:34:31.040
<v Speaker 1>like how can you be self aware and then be

0:34:31.160 --> 0:34:34.120
<v Speaker 1>like not self aware at all? You know? Or like

0:34:34.200 --> 0:34:37.880
<v Speaker 1>how how are you trying to like acknowledge that you

0:34:37.880 --> 0:34:39.879
<v Speaker 1>know your critics in a way that's like yeah, yeah

0:34:39.880 --> 0:34:43.279
<v Speaker 1>they've got some points, but also fuck them all they

0:34:43.320 --> 0:34:45.400
<v Speaker 1>know nothing. It was like kind of to a lesser

0:34:45.480 --> 0:34:49.120
<v Speaker 1>degree like Katie Perry's whole last album cycle too, which

0:34:49.160 --> 0:34:52.080
<v Speaker 1>was very like like I'm going to listen to my critics,

0:34:52.160 --> 0:34:55.239
<v Speaker 1>but like in a very kind of cosmetic way, or

0:34:55.360 --> 0:34:59.080
<v Speaker 1>liked her for like getting out you know what I mean,

0:34:59.120 --> 0:35:02.400
<v Speaker 1>Like I don't know. I watched that whole Katie Perry livestream,

0:35:02.440 --> 0:35:06.320
<v Speaker 1>which was amazing. Oh wait, you guys, by any chance

0:35:06.400 --> 0:35:09.759
<v Speaker 1>to either of you see that they were broadcasting Fleetwood

0:35:09.760 --> 0:35:14.960
<v Speaker 1>Max the dance on Pobs last night. See. That was

0:35:15.040 --> 0:35:17.640
<v Speaker 1>like another thing where I was like, oh, okay, they've

0:35:17.640 --> 0:35:21.480
<v Speaker 1>figured out that, like we need this nostalgia so badly.

0:35:21.760 --> 0:35:24.799
<v Speaker 1>I mean even thinking about Katie Perry and like the

0:35:24.840 --> 0:35:28.840
<v Speaker 1>Audies when we were first introducing they were cold in

0:35:28.880 --> 0:35:31.280
<v Speaker 1>the story yesterday and I was like, oh my god,

0:35:31.360 --> 0:35:35.880
<v Speaker 1>this is like what storm was ragtime jam or something

0:35:36.080 --> 0:35:39.919
<v Speaker 1>like yeah, totally, this is from a million years ago.

0:35:40.120 --> 0:35:42.840
<v Speaker 1>I think that's the thing. That's what's dangerous about nostalgia

0:35:43.000 --> 0:35:45.239
<v Speaker 1>is like anything that you're no longer in, it can

0:35:45.280 --> 0:35:48.400
<v Speaker 1>become crystallized until like oh that was nice, but then

0:35:48.400 --> 0:35:51.360
<v Speaker 1>you're like, no, it's terrible, Like the two thousands were terrible.

0:35:51.440 --> 0:35:53.239
<v Speaker 1>It just didn't occur to me that things would get worse.

0:35:53.440 --> 0:35:55.960
<v Speaker 1>I mean, there's so much worse now. Any other time

0:35:56.080 --> 0:36:00.600
<v Speaker 1>there's this is so bad, things will have to get better.

0:36:00.760 --> 0:36:12.879
<v Speaker 1>And it was like, no, no, hold my beer if

0:36:12.920 --> 0:36:15.520
<v Speaker 1>you're a fan of Nightcall, you might love true crime.

0:36:16.080 --> 0:36:18.880
<v Speaker 1>If so, let me tell you about a new podcast

0:36:19.000 --> 0:36:21.480
<v Speaker 1>we love. When you think of a criminal, what do

0:36:21.480 --> 0:36:26.000
<v Speaker 1>you picture? Do you picture a murderer, a gangster, a thief?

0:36:26.480 --> 0:36:30.080
<v Speaker 1>Do you picture a woman? Probably not. That's why I'm

0:36:30.120 --> 0:36:33.960
<v Speaker 1>hooked on the new podcast Female Criminals. Every week, the

0:36:34.000 --> 0:36:37.719
<v Speaker 1>hosts of Female Criminals take a psychological approach to analyzing

0:36:37.719 --> 0:36:40.480
<v Speaker 1>the stories and motivations of the women behind some of

0:36:40.480 --> 0:36:45.240
<v Speaker 1>the world's most dangerous crimes. Each episode analyzes the psychology

0:36:45.239 --> 0:36:47.960
<v Speaker 1>of these criminals, looking into their minds to better understand

0:36:47.960 --> 0:36:50.920
<v Speaker 1>their motives. The host dive deep into the lives of

0:36:51.040 --> 0:36:54.840
<v Speaker 1>infamous female criminals, providing listeners with each woman's backstory and

0:36:54.880 --> 0:36:57.839
<v Speaker 1>details of her crimes. You can check out episodes on

0:36:57.960 --> 0:37:02.040
<v Speaker 1>The Cocaine Godmother now, and with a new episode coming

0:37:02.040 --> 0:37:05.080
<v Speaker 1>out every Wednesday, you can expect episodes on Eileen Warnos,

0:37:05.280 --> 0:37:10.200
<v Speaker 1>Mata Harri, and many more. Visit Apple podcast, tune In, Spotify,

0:37:10.280 --> 0:37:13.040
<v Speaker 1>Google Play, or wherever you listen to podcasts, and search

0:37:13.120 --> 0:37:16.759
<v Speaker 1>for Female Criminals Again that's f E M A L

0:37:16.840 --> 0:37:20.200
<v Speaker 1>E c R I M I N A L S.

0:37:20.640 --> 0:37:24.359
<v Speaker 1>Or visit podcast dot com, slash Criminals to start listening now.

0:37:24.680 --> 0:37:28.040
<v Speaker 1>That's podcast p A R C A S T dot

0:37:28.080 --> 0:37:38.399
<v Speaker 1>com Slash Criminals to listen now. Um, one more thing,

0:37:38.680 --> 0:37:42.080
<v Speaker 1>speaking of horror and ladies, there was a post by

0:37:42.120 --> 0:37:44.680
<v Speaker 1>the director Anna Biller, who made The Love which which

0:37:44.719 --> 0:37:48.319
<v Speaker 1>we are all great, did a series of tweets a

0:37:48.320 --> 0:37:52.920
<v Speaker 1>few weeks ago about horror and misogyny and was talking

0:37:53.000 --> 0:37:56.040
<v Speaker 1>about the trope of final girls and horror, which is

0:37:56.080 --> 0:37:59.640
<v Speaker 1>the trope whereby there's like a group of girls or

0:37:59.680 --> 0:38:02.279
<v Speaker 1>a group up of guys and girls with a group

0:38:02.320 --> 0:38:05.399
<v Speaker 1>of horny teens usually that are killed off one by

0:38:05.400 --> 0:38:08.359
<v Speaker 1>one and then one girl remains and it's because she's

0:38:08.440 --> 0:38:11.960
<v Speaker 1>smarter and better than everybody else, didn't didn't try to

0:38:12.000 --> 0:38:16.080
<v Speaker 1>have sex, and she's a strong female character. Um. And

0:38:16.200 --> 0:38:20.719
<v Speaker 1>Annabella was like, this is bullshit. Uh, strong female characters,

0:38:20.760 --> 0:38:24.319
<v Speaker 1>Like that's not what that is. And it's become such

0:38:24.320 --> 0:38:28.319
<v Speaker 1>a thing in horror, especially with like male directors, where

0:38:28.320 --> 0:38:31.440
<v Speaker 1>it's like, yeah, you know, this is feminist because like

0:38:31.520 --> 0:38:35.160
<v Speaker 1>one woman survives. I love to show strong women after

0:38:35.280 --> 0:38:38.120
<v Speaker 1>showing a bunch of other women getting slaughtered, that's what

0:38:38.200 --> 0:38:40.800
<v Speaker 1>she was saying. She was like, it excuses people morally

0:38:41.040 --> 0:38:43.560
<v Speaker 1>from having to think about why they enjoy watching a

0:38:43.560 --> 0:38:47.240
<v Speaker 1>bunch of other women get killed first for like cinematic pleasure.

0:38:47.320 --> 0:38:49.319
<v Speaker 1>And she was like, this is like the basis of

0:38:49.680 --> 0:38:54.200
<v Speaker 1>all modern horror and like grindhouse movies. It's like the

0:38:54.280 --> 0:38:56.640
<v Speaker 1>rape revenge movie. But then you like see the person

0:38:56.680 --> 0:39:00.239
<v Speaker 1>get raped usually you know where it's like you do

0:39:00.360 --> 0:39:03.000
<v Speaker 1>the thing in order to excuse the other thing. Uh,

0:39:03.040 --> 0:39:06.000
<v Speaker 1>And she was like this sucks. And then dudes just

0:39:06.080 --> 0:39:09.640
<v Speaker 1>went off on her on Twitter for like many days,

0:39:09.640 --> 0:39:12.840
<v Speaker 1>really proving her point by being like wrong, I didn't

0:39:12.840 --> 0:39:14.839
<v Speaker 1>see so much as a response. I mean, I saw

0:39:14.920 --> 0:39:16.720
<v Speaker 1>like a couple of bog posts that were just about

0:39:16.719 --> 0:39:18.560
<v Speaker 1>like what she wrote, and I listened to a different

0:39:18.560 --> 0:39:21.759
<v Speaker 1>podcasts we were talking about it. But um, I mean

0:39:21.800 --> 0:39:24.319
<v Speaker 1>it's kind of part of this larger argument that she

0:39:24.520 --> 0:39:30.480
<v Speaker 1>has just about like what actually constitutes feminists film or

0:39:30.520 --> 0:39:33.839
<v Speaker 1>like feminist oriented film, and it's not usually the thing

0:39:33.880 --> 0:39:36.520
<v Speaker 1>that's being called a feminist film. And also the title

0:39:36.520 --> 0:39:41.960
<v Speaker 1>of feminist film usually doesn't mean anything, especially when you're

0:39:42.000 --> 0:39:44.680
<v Speaker 1>talking about a film directed by a man like the

0:39:44.719 --> 0:39:47.200
<v Speaker 1>most Like a film can really only be feminist in

0:39:47.239 --> 0:39:49.520
<v Speaker 1>like a medicine as far as like how it's being

0:39:49.600 --> 0:39:53.560
<v Speaker 1>made and whose point of view as being prioritized, and

0:39:53.640 --> 0:39:56.320
<v Speaker 1>which is why that Brian de Palma movie about Harpie

0:39:56.320 --> 0:40:00.600
<v Speaker 1>Weinstein that he just announced he's making maybe not something

0:40:00.680 --> 0:40:03.279
<v Speaker 1>that I'm like expecting a lot of. Oh. I mean,

0:40:03.440 --> 0:40:06.920
<v Speaker 1>it's hard because I love Carrie and I think it's

0:40:06.960 --> 0:40:09.759
<v Speaker 1>a very feminist horror movie. I also am like, well,

0:40:10.040 --> 0:40:12.600
<v Speaker 1>I mean, it's better than not doing anything, I guess,

0:40:12.600 --> 0:40:14.759
<v Speaker 1>but it's really hard when you hear a man, a

0:40:14.920 --> 0:40:18.359
<v Speaker 1>white man in their seventies, be like, you know, I

0:40:18.440 --> 0:40:22.759
<v Speaker 1>really want to show a woman's perspective. It's like, well,

0:40:23.880 --> 0:40:26.239
<v Speaker 1>I'm a woman. A woman might be able to do

0:40:26.320 --> 0:40:30.759
<v Speaker 1>that pretty effectively that a woman this interesting exploit can't.

0:40:31.440 --> 0:40:33.640
<v Speaker 1>Why can't men have opinions with others like you can

0:40:33.640 --> 0:40:36.759
<v Speaker 1>have opinions. You just also have fifty million movies made

0:40:36.760 --> 0:40:39.160
<v Speaker 1>by man about this and maybe a couple because Anna

0:40:39.160 --> 0:40:41.360
<v Speaker 1>Biller is also saying like she's making a blue Beard movie.

0:40:42.000 --> 0:40:44.799
<v Speaker 1>We're all big fans of the blue Beard. But that's

0:40:44.800 --> 0:40:47.040
<v Speaker 1>you know, that's why men would like some men that

0:40:47.280 --> 0:40:49.520
<v Speaker 1>would like robots to just replace women, because then you

0:40:49.560 --> 0:40:51.360
<v Speaker 1>don't have to feel bad about putting them in the

0:40:51.440 --> 0:40:54.120
<v Speaker 1>junk Room. It's a horror movie, so you have to

0:40:54.160 --> 0:40:56.600
<v Speaker 1>be able to show the horror. I get that, right,

0:40:56.640 --> 0:40:59.200
<v Speaker 1>But she was just saying, like horrors becomes so narrow

0:40:59.400 --> 0:41:02.600
<v Speaker 1>that like nothing has advanced in the genre, even like

0:41:02.640 --> 0:41:05.920
<v Speaker 1>the meta thing meta critiques of the Final Girl genre

0:41:05.960 --> 0:41:09.120
<v Speaker 1>kind of just like reinforce. You know, this one girl

0:41:09.280 --> 0:41:12.000
<v Speaker 1>is better than all the other girls. And I think

0:41:12.040 --> 0:41:14.160
<v Speaker 1>the thing that's like more egregious to me is like,

0:41:14.200 --> 0:41:16.200
<v Speaker 1>sure you can, you can have that structure, but like

0:41:16.239 --> 0:41:18.680
<v Speaker 1>when you can feel the film is trying to be like,

0:41:18.800 --> 0:41:24.680
<v Speaker 1>look girl Power after watching you know, usually the same girl,

0:41:24.719 --> 0:41:27.720
<v Speaker 1>even the girl who prevails in the end, getting brutalized throughout,

0:41:28.320 --> 0:41:30.800
<v Speaker 1>it just feels like I'd rather just have the straight

0:41:30.920 --> 0:41:33.239
<v Speaker 1>version of that instead of you trying to pose it

0:41:33.360 --> 0:41:36.080
<v Speaker 1>as being some kind of political statement, which obviously if

0:41:36.080 --> 0:41:39.160
<v Speaker 1>it is at all, it's very lacking in the actual

0:41:39.200 --> 0:41:42.000
<v Speaker 1>feminist department. Like I feel like there's some quote maybe

0:41:42.000 --> 0:41:44.719
<v Speaker 1>it's like an Antonioly quote or something like that that

0:41:44.800 --> 0:41:48.160
<v Speaker 1>I saw recently. It's just like like films really aren't

0:41:48.560 --> 0:41:51.000
<v Speaker 1>like I mean, yes, there's like political documentaries and stuff

0:41:51.040 --> 0:41:55.200
<v Speaker 1>like that, and there's like more didactic narratives, but in general,

0:41:55.239 --> 0:41:58.680
<v Speaker 1>films are more are are emotional and not political. I

0:41:58.719 --> 0:42:00.719
<v Speaker 1>feel like the politics have to be how it's made

0:42:01.080 --> 0:42:03.080
<v Speaker 1>because if you try, if you start trying to say,

0:42:03.080 --> 0:42:07.600
<v Speaker 1>like this is a feminist horror film or something, then

0:42:07.640 --> 0:42:11.080
<v Speaker 1>like then you're trying to teach or something through the film.

0:42:11.160 --> 0:42:14.240
<v Speaker 1>And that's ultimately not what I want from the movies,

0:42:14.360 --> 0:42:16.640
<v Speaker 1>especially like it's not what I want from movies made

0:42:16.640 --> 0:42:18.239
<v Speaker 1>by women. Like I want women to be able to

0:42:18.239 --> 0:42:22.920
<v Speaker 1>explore all sorts of like crazy horrific nightmare scenarios and

0:42:22.960 --> 0:42:26.799
<v Speaker 1>like all like unleash there, you know, darkest nightmares on

0:42:26.840 --> 0:42:28.600
<v Speaker 1>the screen in the same way that guys have gotten

0:42:28.600 --> 0:42:30.880
<v Speaker 1>to And like I think that that is inherently feminist

0:42:30.960 --> 0:42:34.840
<v Speaker 1>because you've prioritized their voice. It doesn't mean the film itself,

0:42:34.840 --> 0:42:38.880
<v Speaker 1>the text of the film is feminist necessarily, you know,

0:42:39.239 --> 0:42:42.839
<v Speaker 1>Like it's not. It's not feminist just by virtue of

0:42:42.920 --> 0:42:44.880
<v Speaker 1>like having women in it, you know, which is I

0:42:44.880 --> 0:42:48.799
<v Speaker 1>think that's what happens defending this kind of horror. Like oh,

0:42:48.840 --> 0:42:51.359
<v Speaker 1>but like it stars some girls and it's like yeah, yeah,

0:42:51.400 --> 0:42:54.719
<v Speaker 1>and they all get slaughtered except for one, and then

0:42:54.800 --> 0:42:57.279
<v Speaker 1>she's like haunted, Like you can be a woman who

0:42:57.320 --> 0:42:59.720
<v Speaker 1>likes something that has girls in it or has women

0:42:59.719 --> 0:43:03.000
<v Speaker 1>in it, like a story, and that doesn't also make

0:43:03.040 --> 0:43:05.680
<v Speaker 1>that a feminist story. Like, I think that people just

0:43:05.719 --> 0:43:08.040
<v Speaker 1>have a limited vocabulary and how to talk about these

0:43:08.040 --> 0:43:09.880
<v Speaker 1>things because honestly, we don't get that many of them

0:43:09.880 --> 0:43:12.040
<v Speaker 1>to talk about. That's what I'm saying. And I think

0:43:12.080 --> 0:43:14.800
<v Speaker 1>like some of the things that have become like feminist films,

0:43:14.960 --> 0:43:17.560
<v Speaker 1>Uh my mom's friend be Ruby Rich, who's a really

0:43:17.560 --> 0:43:20.759
<v Speaker 1>great film critics scholar, wrote a book called chick Flix

0:43:20.800 --> 0:43:22.560
<v Speaker 1>that talks about just like Rust Myer movies, how Rust

0:43:22.640 --> 0:43:26.680
<v Speaker 1>my movies like feminists love them because they're all about

0:43:26.760 --> 0:43:29.640
<v Speaker 1>like groups of women, and most of them don't involve

0:43:29.640 --> 0:43:32.680
<v Speaker 1>as women getting caught killed off. It's like they're incidentally

0:43:33.239 --> 0:43:35.959
<v Speaker 1>about a group of like female characters that are really

0:43:36.040 --> 0:43:38.920
<v Speaker 1>interesting even though they're just meant to be like sexploitation movies.

0:43:39.000 --> 0:43:41.720
<v Speaker 1>They like are better than most movies that have female

0:43:41.800 --> 0:43:45.160
<v Speaker 1>characters because they treat that female characters as people. But

0:43:45.200 --> 0:43:47.560
<v Speaker 1>Annabella talks about like rest Myer movies in this longer

0:43:47.680 --> 0:43:50.040
<v Speaker 1>essay that she has on her website, kind of you know,

0:43:50.120 --> 0:43:52.719
<v Speaker 1>being like, yeah, those are fun, you can enjoy them

0:43:52.920 --> 0:43:55.440
<v Speaker 1>and enjoy them apart from them being feminist or whatever.

0:43:55.480 --> 0:43:57.680
<v Speaker 1>You can enjoy them because it's fun to watch these

0:43:57.800 --> 0:44:01.080
<v Speaker 1>characters like do silly shit or whatever, you know, like

0:44:01.520 --> 0:44:03.640
<v Speaker 1>or or have revenge on guys or whatever. Like just

0:44:03.680 --> 0:44:05.880
<v Speaker 1>because they're killing a man doesn't make it feminist. You

0:44:05.920 --> 0:44:08.400
<v Speaker 1>don't know. And it's like they passed the Bechdel tests,

0:44:08.440 --> 0:44:12.960
<v Speaker 1>like incidentally, yeah, you know, but yeah, that's the thing. Else,

0:44:13.080 --> 0:44:14.799
<v Speaker 1>Like I'm glad they were kind of past that, But

0:44:14.880 --> 0:44:16.200
<v Speaker 1>I used to be a huge thing of like, well,

0:44:16.239 --> 0:44:18.719
<v Speaker 1>it passes the Bechdel test, it must be feminist. I mean,

0:44:18.760 --> 0:44:20.640
<v Speaker 1>like and people, you know, I feel like there's a

0:44:20.680 --> 0:44:23.120
<v Speaker 1>lot of discussion around this with like Wonder Woman too,

0:44:23.200 --> 0:44:26.600
<v Speaker 1>because you know, that's obviously a superhero woman about a

0:44:26.640 --> 0:44:30.399
<v Speaker 1>female superhero directed by women. But I wouldn't necessarily call

0:44:30.480 --> 0:44:35.359
<v Speaker 1>it feminist exactly. Like it's still about like war mongreem.

0:44:36.920 --> 0:44:39.920
<v Speaker 1>It was anti war. That's why I liked it that

0:44:40.040 --> 0:44:42.160
<v Speaker 1>it was an anti war war movie. Annals, So I

0:44:42.160 --> 0:44:43.879
<v Speaker 1>liked that it was World War One because the World

0:44:43.880 --> 0:44:47.680
<v Speaker 1>War One, the World War One so much. Oh, it's

0:44:47.680 --> 0:44:51.320
<v Speaker 1>like the least favorite cinematic war are you talking about?

0:44:51.440 --> 0:44:56.000
<v Speaker 1>Like come on the barracks. I hate the barracks. I

0:44:56.040 --> 0:45:01.200
<v Speaker 1>hate all the blood trench trench warfares. So I'm just saying, like,

0:45:01.200 --> 0:45:03.080
<v Speaker 1>there are way too many World War two movies and

0:45:03.080 --> 0:45:05.719
<v Speaker 1>way too many Vietnam movies, and like no World War

0:45:05.760 --> 0:45:09.000
<v Speaker 1>One movies, and it's such an interesting war. I also thought,

0:45:09.040 --> 0:45:10.879
<v Speaker 1>I mean the thing to me, I liked Wonder Woman,

0:45:10.960 --> 0:45:13.600
<v Speaker 1>I'm not a superhero movie. I like it fine, I

0:45:13.640 --> 0:45:15.600
<v Speaker 1>didn't think it was feminist, That's what I'm saying. It's

0:45:15.600 --> 0:45:17.279
<v Speaker 1>like I liked it, okay, but it's like not a

0:45:17.280 --> 0:45:20.560
<v Speaker 1>feminist movie to be. What made it. The thing that

0:45:20.640 --> 0:45:23.160
<v Speaker 1>I thought made it feel feminist as opposed to other

0:45:23.480 --> 0:45:27.160
<v Speaker 1>superhero movies was just like the lack of jiggliness in it,

0:45:27.239 --> 0:45:29.439
<v Speaker 1>and compared to like every other version of One Woman

0:45:29.480 --> 0:45:32.600
<v Speaker 1>I've ever seen, I was like, this woman is outfitted

0:45:32.680 --> 0:45:36.520
<v Speaker 1>for battle, and we never saw her cleavage on display

0:45:36.600 --> 0:45:39.359
<v Speaker 1>in the way that you do in any other superhero movie,

0:45:39.400 --> 0:45:43.759
<v Speaker 1>which bring just like the comic book character costumes that

0:45:43.800 --> 0:45:46.440
<v Speaker 1>are always like, you know, have the tit window or

0:45:46.480 --> 0:45:49.320
<v Speaker 1>it's just like the camera like leering of the body

0:45:49.480 --> 0:45:51.879
<v Speaker 1>or whatever. Right, there was none of that, and I

0:45:51.920 --> 0:45:54.600
<v Speaker 1>was just like I'm so unused to that that I

0:45:54.760 --> 0:45:57.680
<v Speaker 1>noticed it constantly during that movie because I was like,

0:45:57.760 --> 0:46:01.160
<v Speaker 1>oh my god, a woman made this movie, That's what

0:46:01.280 --> 0:46:03.680
<v Speaker 1>it was. And like the one really leering shot was

0:46:03.719 --> 0:46:05.680
<v Speaker 1>like Crispin's ask, you know what I mean when I

0:46:05.719 --> 0:46:07.439
<v Speaker 1>was just like, oh, what if women were in charge

0:46:07.440 --> 0:46:10.279
<v Speaker 1>of everything? It would be different? Um, I don't know.

0:46:10.320 --> 0:46:13.280
<v Speaker 1>I think you're right though too, that like the solution

0:46:13.440 --> 0:46:16.080
<v Speaker 1>is not like more tent pole movies, but like with

0:46:16.160 --> 0:46:20.759
<v Speaker 1>A Ladies Touch, it's like more weird indie movies that

0:46:20.840 --> 0:46:23.440
<v Speaker 1>are specific. Yeah, I mean. The good thing about Wonder

0:46:23.440 --> 0:46:26.000
<v Speaker 1>Woman is like I think, not that she ultimately decides

0:46:26.040 --> 0:46:29.400
<v Speaker 1>to fight on World War One, but that like she

0:46:29.400 --> 0:46:32.799
<v Speaker 1>she her whole point of being is like I am,

0:46:33.120 --> 0:46:35.640
<v Speaker 1>like I want to promote the causes of love and beauty,

0:46:35.719 --> 0:46:39.200
<v Speaker 1>which is basically like Sailor Moon's catchphrase like which is

0:46:39.360 --> 0:46:42.200
<v Speaker 1>which is not a thing that you usually hear superhero say.

0:46:42.239 --> 0:46:44.880
<v Speaker 1>But then she uses that same philosophy to like go

0:46:45.000 --> 0:46:47.760
<v Speaker 1>fight World War one, So I don't know, she doesn't fight.

0:46:47.800 --> 0:46:51.880
<v Speaker 1>Though she crosses the battlefield, She's like, everybody stopped fighting.

0:46:51.920 --> 0:46:56.160
<v Speaker 1>This is stupid? Why is warm? I related to Wonder

0:46:56.160 --> 0:46:59.279
<v Speaker 1>Woman because she's like an alien who's like, I don't

0:46:59.320 --> 0:47:01.960
<v Speaker 1>know what sex is, m is, so I just don't

0:47:02.480 --> 0:47:04.600
<v Speaker 1>know that it like if I encounter it, I'm just

0:47:04.640 --> 0:47:07.840
<v Speaker 1>like Hall, which is how I went through life until

0:47:08.000 --> 0:47:11.239
<v Speaker 1>like probably like twenty one was just like none of

0:47:11.280 --> 0:47:14.400
<v Speaker 1>this applies to me because I come from the Amazon,

0:47:14.920 --> 0:47:17.680
<v Speaker 1>you know, um, and then the world beats you down.

0:47:17.719 --> 0:47:19.160
<v Speaker 1>But it was very I don't know, I think I

0:47:19.200 --> 0:47:20.560
<v Speaker 1>was also just when I saw that movie, I was

0:47:20.600 --> 0:47:22.800
<v Speaker 1>like crying because I was like a woman got to

0:47:22.840 --> 0:47:25.400
<v Speaker 1>make a dollar. And there were all these little girls

0:47:25.400 --> 0:47:27.680
<v Speaker 1>in the screening that I was in who were so stoked,

0:47:27.680 --> 0:47:29.759
<v Speaker 1>and I was like terry just looking at them because

0:47:29.760 --> 0:47:33.080
<v Speaker 1>I was like, this has for you. I'm sure, yeah

0:47:33.560 --> 0:47:36.120
<v Speaker 1>that we have things now like Wonder Woman in Black Panther,

0:47:36.360 --> 0:47:38.080
<v Speaker 1>and it's like stupid that it took so long to

0:47:38.120 --> 0:47:41.160
<v Speaker 1>get them, because like the whole point I thought always

0:47:41.160 --> 0:47:44.239
<v Speaker 1>of comic books was like these inclusive universes, were like

0:47:44.360 --> 0:47:47.440
<v Speaker 1>everybody has powers that are special, and then they just

0:47:47.560 --> 0:47:51.279
<v Speaker 1>kept making the same kind of Batman, boring Man pain

0:47:51.400 --> 0:47:53.400
<v Speaker 1>movie over and over again. So I just want to

0:47:53.400 --> 0:47:56.279
<v Speaker 1>say though, like I'm a big fan of Fatman and

0:47:57.840 --> 0:48:01.600
<v Speaker 1>Batman is a millionaire who works for cops. He sucks.

0:48:01.719 --> 0:48:05.080
<v Speaker 1>He sucks, and that's exactly why he's an interesting He's

0:48:05.120 --> 0:48:07.640
<v Speaker 1>an AUNTI here. I I was always very drawn to Batman.

0:48:07.719 --> 0:48:10.359
<v Speaker 1>I'm just I'm just standing for Batman. Really briefly, there's

0:48:10.400 --> 0:48:12.880
<v Speaker 1>nothing feminist about Batman, but I like I only like

0:48:13.040 --> 0:48:16.760
<v Speaker 1>ban and I didn't The cop thing I never connected

0:48:16.800 --> 0:48:18.319
<v Speaker 1>for me. But I liked that he was like a

0:48:18.440 --> 0:48:20.919
<v Speaker 1>rich man who was a goth kind of. I liked

0:48:20.960 --> 0:48:24.279
<v Speaker 1>that he had a very like violent beginning, like the

0:48:24.560 --> 0:48:27.800
<v Speaker 1>parents were brutally. I was just like, Okay, this sounds

0:48:27.800 --> 0:48:30.640
<v Speaker 1>pretty good. This is a fascinating movie for grown ups

0:48:30.640 --> 0:48:33.040
<v Speaker 1>that here I am watching. It's clearly not made for

0:48:33.120 --> 0:48:35.640
<v Speaker 1>children at all. Got tricked. The only good Batman movies

0:48:35.640 --> 0:48:39.280
<v Speaker 1>are the Tim Burton Batman movies. I love them Batman movies.

0:48:39.800 --> 0:48:44.080
<v Speaker 1>If a woman made a Batman movie that objectified Batman

0:48:44.280 --> 0:48:46.560
<v Speaker 1>so that he was like just super hot and it

0:48:46.680 --> 0:48:50.680
<v Speaker 1>was just a cat Woman, yeah, yeah, I'm not interested

0:48:50.719 --> 0:48:54.160
<v Speaker 1>in Catwoman. I'm oversaturated with cats by Now, what if

0:48:54.160 --> 0:48:57.360
<v Speaker 1>Catwoman made the movie? If cat Oh yeah, okay, speaking

0:48:57.400 --> 0:49:01.640
<v Speaker 1>of horror that seemingly objectifies Matt and it's weird. Emily,

0:49:01.680 --> 0:49:05.279
<v Speaker 1>you saw Upgrade a bloom House. It's not how you

0:49:05.280 --> 0:49:07.719
<v Speaker 1>say blum House. Somehow, I'm house production, but it's a

0:49:08.160 --> 0:49:11.920
<v Speaker 1>house hilt, which is there like micro budget sub shingle.

0:49:12.920 --> 0:49:15.600
<v Speaker 1>I was really stoked about that because you wrote a

0:49:15.600 --> 0:49:20.280
<v Speaker 1>really really great rave review of Upgrade for New York Magazine,

0:49:20.400 --> 0:49:22.760
<v Speaker 1>just being like, hey, this movie was fun. I expected.

0:49:23.040 --> 0:49:25.239
<v Speaker 1>I knew nothing about it and expected nothing, and then

0:49:25.280 --> 0:49:26.600
<v Speaker 1>it was great. And then a bunch of people I

0:49:26.600 --> 0:49:29.360
<v Speaker 1>know went out and saw it because of your review's

0:49:29.400 --> 0:49:32.440
<v Speaker 1>great thought. I was like, this is great. Also, I

0:49:32.480 --> 0:49:36.560
<v Speaker 1>love the idea of like critics doing what you really

0:49:36.600 --> 0:49:38.560
<v Speaker 1>would like them to do, which is like pointing out

0:49:38.600 --> 0:49:42.040
<v Speaker 1>movies that would otherwise maybe not you know, hit because

0:49:42.200 --> 0:49:46.000
<v Speaker 1>people are so inoculated. I wish that that was most

0:49:46.000 --> 0:49:47.800
<v Speaker 1>of the job, because that's the most fun thing, is

0:49:47.840 --> 0:49:49.239
<v Speaker 1>when you feel like you have a cause and you

0:49:49.280 --> 0:49:51.520
<v Speaker 1>can be like, go do this now, go see this

0:49:51.560 --> 0:49:54.440
<v Speaker 1>movie most of the time. That I also renew to

0:49:54.680 --> 0:49:57.839
<v Speaker 1>a drift this week, which I did not even pal media.

0:49:57.960 --> 0:50:00.160
<v Speaker 1>But yeah, I mean, I've heard you complain just in

0:50:00.160 --> 0:50:03.320
<v Speaker 1>general about like tent poles and sort of like the ways.

0:50:03.440 --> 0:50:06.800
<v Speaker 1>Also now in which critics are like sort of bribed

0:50:06.920 --> 0:50:10.480
<v Speaker 1>to not give tentpoles bad reviews. You know, I don't

0:50:10.480 --> 0:50:13.760
<v Speaker 1>think their critics are bribed not to You're not bribed,

0:50:13.800 --> 0:50:16.600
<v Speaker 1>but like that you can only come to the premiere

0:50:16.719 --> 0:50:18.440
<v Speaker 1>if you're giving it a good review or whatever, right,

0:50:18.480 --> 0:50:21.080
<v Speaker 1>I mean I think like, I think that more in

0:50:21.120 --> 0:50:24.160
<v Speaker 1>a more egregious way, Like you saw what happened with

0:50:24.200 --> 0:50:27.839
<v Speaker 1>like l A Times, um like not not giving not

0:50:27.920 --> 0:50:30.560
<v Speaker 1>giving them a bad review for I forget what movie

0:50:30.560 --> 0:50:32.799
<v Speaker 1>that was at that point. It was some I think

0:50:32.800 --> 0:50:35.920
<v Speaker 1>it was Last Jedi Maybe I can't remember, honestly, um,

0:50:36.040 --> 0:50:38.399
<v Speaker 1>but not getting invited to the premier because LA Times

0:50:38.400 --> 0:50:41.360
<v Speaker 1>had done a big investigative report on Disneyland and like

0:50:41.440 --> 0:50:44.239
<v Speaker 1>how much it's paying its employees and everything, and they

0:50:44.440 --> 0:50:46.359
<v Speaker 1>kind of got this blowback in the form of not

0:50:46.400 --> 0:50:49.239
<v Speaker 1>being invited to this premiere. There's like a whole long

0:50:49.880 --> 0:50:53.040
<v Speaker 1>or like a discussion to be had about access or

0:50:53.080 --> 0:50:55.080
<v Speaker 1>in a journalism. I mean, there's a reason that, like,

0:50:55.160 --> 0:50:57.719
<v Speaker 1>and that was crazy because that was like it wasn't

0:50:57.760 --> 0:50:59.719
<v Speaker 1>it also wasn't like you gave a Star Wars movie

0:50:59.719 --> 0:51:03.399
<v Speaker 1>a bad review. It was like you talked about how

0:51:03.480 --> 0:51:06.400
<v Speaker 1>like custodians at Disneyland are dying in their cars because

0:51:06.440 --> 0:51:10.560
<v Speaker 1>they are so underpaid and overworked. Uh, and that's what

0:51:10.600 --> 0:51:12.439
<v Speaker 1>they don't want you to report it, and they don't

0:51:12.440 --> 0:51:14.839
<v Speaker 1>care what you think about it doesn't affect their bottom line.

0:51:14.840 --> 0:51:17.200
<v Speaker 1>If somebody from l A Times no offense to Justin Chang,

0:51:17.200 --> 0:51:20.160
<v Speaker 1>who I like a lot, but like his review of

0:51:20.800 --> 0:51:23.440
<v Speaker 1>like the Infinity War movie or whatever, isn't going to

0:51:23.800 --> 0:51:27.760
<v Speaker 1>really massively affect. Uh. This idea that like those movies

0:51:27.800 --> 0:51:30.680
<v Speaker 1>are too big to fail obviously, like with Solo not

0:51:30.760 --> 0:51:33.480
<v Speaker 1>doing as well as they wanted it to, is like

0:51:34.080 --> 0:51:35.719
<v Speaker 1>I don't know. I wonder if there will be pushed

0:51:35.719 --> 0:51:38.239
<v Speaker 1>back on that of like, yeah, you know, these movies

0:51:38.320 --> 0:51:39.960
<v Speaker 1>are just gonna come out and you're gonna eat it

0:51:40.000 --> 0:51:43.200
<v Speaker 1>because that's what's for dinner. People didn't eat Solo. It

0:51:43.360 --> 0:51:46.719
<v Speaker 1>did not do that well, which is interesting, Like it

0:51:46.760 --> 0:51:49.880
<v Speaker 1>feels like even Star Wars doesn't have the power of

0:51:49.920 --> 0:51:52.040
<v Speaker 1>Marvel at this point. But right, well, it's also like

0:51:52.080 --> 0:51:54.200
<v Speaker 1>I saw a couple of people being like, oh, movies

0:51:54.200 --> 0:51:56.480
<v Speaker 1>starring white men, Like, guess we better not make any

0:51:56.520 --> 0:51:59.799
<v Speaker 1>of those anymore. Yeah, that's how the coverage was, like

0:52:00.120 --> 0:52:02.480
<v Speaker 1>is for other things, but like the upgrade is fun

0:52:02.560 --> 0:52:04.399
<v Speaker 1>just because it does feel like a kind of thing

0:52:04.400 --> 0:52:05.920
<v Speaker 1>that doesn't get made anymore. First of all, it's like

0:52:05.920 --> 0:52:09.120
<v Speaker 1>super gross in like a very carpentery way that I

0:52:09.160 --> 0:52:13.000
<v Speaker 1>really appreciate. Um. I mean, it's made by Lee Whannel.

0:52:13.120 --> 0:52:14.640
<v Speaker 1>I don't know how you say his last name, but

0:52:14.680 --> 0:52:16.839
<v Speaker 1>he's like the guy who like he co created this

0:52:17.040 --> 0:52:19.680
<v Speaker 1>the Saw movies, which I don't care for, but like

0:52:19.960 --> 0:52:23.880
<v Speaker 1>he obviously has a great love of like on screen viscera.

0:52:24.120 --> 0:52:26.680
<v Speaker 1>But I think in the in the context of a

0:52:26.800 --> 0:52:31.240
<v Speaker 1>kind of sci fi gross out, it's all semi slapstick movie.

0:52:31.360 --> 0:52:35.719
<v Speaker 1>It's really fun. The premise is that this guy uh

0:52:36.280 --> 0:52:38.920
<v Speaker 1>becomes a quadriplegic in his accent, he gets like hijacked

0:52:38.920 --> 0:52:43.160
<v Speaker 1>by these like nefarious like cyborg dudes and it becomes

0:52:43.160 --> 0:52:50.040
<v Speaker 1>a quadriplegic. But then a like Zuckerbergian teenage like techmogul

0:52:50.280 --> 0:52:54.400
<v Speaker 1>does some experimental surgery on him that like reconnects his

0:52:54.920 --> 0:52:57.400
<v Speaker 1>brain with his nervous system so that he can walk again.

0:52:57.719 --> 0:52:59.680
<v Speaker 1>But the thing that reconnects it is like an a

0:53:00.040 --> 0:53:02.920
<v Speaker 1>I that also talks to him in his mind and

0:53:02.920 --> 0:53:05.680
<v Speaker 1>can also do autopilot on his body if he wants,

0:53:05.680 --> 0:53:08.040
<v Speaker 1>and just take over for him and like do insane

0:53:08.080 --> 0:53:11.400
<v Speaker 1>martial arts. It's great. Yeah, I mean that also sounds

0:53:11.440 --> 0:53:14.000
<v Speaker 1>like what I want horror to be is like a

0:53:14.000 --> 0:53:16.759
<v Speaker 1>commentary on now right, you know, which is what I

0:53:16.760 --> 0:53:19.759
<v Speaker 1>feel like. What Anabeller was really saying was like these

0:53:19.800 --> 0:53:23.160
<v Speaker 1>genre tropes are like not fresh anymore. Like anything you

0:53:23.200 --> 0:53:25.920
<v Speaker 1>think you're doing with Final Girls have been done, you know,

0:53:26.120 --> 0:53:29.920
<v Speaker 1>Like when the Screen movies, which are like great movies

0:53:29.960 --> 0:53:32.080
<v Speaker 1>that I love, like okay, like she has sex and

0:53:32.160 --> 0:53:35.279
<v Speaker 1>she lives. That's like the last time I can think

0:53:35.320 --> 0:53:39.160
<v Speaker 1>of somebody doing some And what I liked about the

0:53:39.160 --> 0:53:41.440
<v Speaker 1>Screen movies too is that like as they go on,

0:53:41.719 --> 0:53:44.399
<v Speaker 1>Sydney like doesn't get more badass, she gets like more

0:53:44.400 --> 0:53:46.799
<v Speaker 1>and more traumatized and freaked out. With the third one,

0:53:46.880 --> 0:53:49.319
<v Speaker 1>she's like living off the grid and it's like no

0:53:49.360 --> 0:53:51.480
<v Speaker 1>one can be in my life because they'll get murdered,

0:53:51.760 --> 0:53:53.839
<v Speaker 1>so it's just me and my dog. That's like the

0:53:53.920 --> 0:53:57.640
<v Speaker 1>one one good thing about the Insidious movies. I think

0:53:57.680 --> 0:54:00.399
<v Speaker 1>those movies are super boring. Otherwise, for ust of all,

0:54:00.440 --> 0:54:03.640
<v Speaker 1>I like that one of the main carryover heroines of

0:54:03.680 --> 0:54:07.080
<v Speaker 1>them is like an elderly woman that doesn't happen very often,

0:54:07.480 --> 0:54:10.440
<v Speaker 1>and that she's also like, you know, it's about her

0:54:10.480 --> 0:54:13.760
<v Speaker 1>getting increasingly just like freaked out from all of her

0:54:14.000 --> 0:54:16.839
<v Speaker 1>ghost experiences, and like, oh, is that what Insidy says?

0:54:16.880 --> 0:54:20.000
<v Speaker 1>Which ones are the found footage ones? That's paranormal activity.

0:54:20.440 --> 0:54:23.200
<v Speaker 1>I get all of these confused. And the conjuring is

0:54:23.200 --> 0:54:26.520
<v Speaker 1>the haunted doll. Conjurine is like a conjuring and the

0:54:26.520 --> 0:54:31.080
<v Speaker 1>Annabelle movies are related. Yeah, I'm realizing in our discussions

0:54:31.120 --> 0:54:33.239
<v Speaker 1>about haunted dolls, might it might not do anything for me.

0:54:33.280 --> 0:54:37.680
<v Speaker 1>I might just like, like dolls, you're immune. I might

0:54:37.719 --> 0:54:41.000
<v Speaker 1>be the haunted doll. Then we'd be night doll. Speaking

0:54:41.000 --> 0:54:43.319
<v Speaker 1>of night dolls, you can give us a night Doll

0:54:43.760 --> 0:54:47.400
<v Speaker 1>at two four oh four six night or send us

0:54:47.440 --> 0:54:50.600
<v Speaker 1>a text message to that same number, or send us

0:54:50.600 --> 0:54:55.200
<v Speaker 1>an email to Night Call Podcast at gmail dot com.

0:54:55.239 --> 0:54:59.680
<v Speaker 1>You can also follow us on our socials. UM hit

0:54:59.719 --> 0:55:02.319
<v Speaker 1>us up. The socials were on Twitter at Nightcall Pot,

0:55:02.920 --> 0:55:08.360
<v Speaker 1>Instagram at Nightcalled Podcast. We are on Facebook at Nightcall Podcast. Guys.

0:55:08.360 --> 0:55:11.839
<v Speaker 1>Thanks for listening. We'll see you all next week. Yeah,

0:55:11.920 --> 0:55:15.640
<v Speaker 1>go see upgrade. Yeah, we'll see what happened to Milannia

0:55:15.680 --> 0:55:18.400
<v Speaker 1>by the time this comes out, What if Milannia is

0:55:18.400 --> 0:55:20.719
<v Speaker 1>a haunted all that would not suppose? That feels like

0:55:20.760 --> 0:55:25.319
<v Speaker 1>the most most credible story, and you cracked it. We

0:55:25.440 --> 0:55:28.840
<v Speaker 1>predicted it here first, even though by the time you

0:55:28.880 --> 0:55:31.240
<v Speaker 1>hear this it will have already been confirmed to no wonder.

0:55:31.280 --> 0:55:34.640
<v Speaker 1>Did anyone predict this? Well? We did. We did see

0:55:34.640 --> 0:55:43.760
<v Speaker 1>you next week.