WEBVTT - Anjelah Johnson-Reyes

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<v Speaker 1>And I see her pull into a seven eleven like

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<v Speaker 1>I'm at the stoplight and I see her, and I

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<v Speaker 1>was like, oh my god, that's Marta Kaufman. So I

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<v Speaker 1>like pull into seven to eleven and at this point,

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<v Speaker 1>I'm broke. I have no money, but I was like,

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<v Speaker 1>I need to talk, I need to like say something,

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<v Speaker 1>and like, I don't know like what I thought. I

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<v Speaker 1>was about to like get on whatever new show she

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<v Speaker 1>was on, and so I walk into seven to eleven

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<v Speaker 1>and I'm just like eyeballing her. She's with her child,

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<v Speaker 1>for the love of God, and I am walking in

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<v Speaker 1>and I'm like, okay, let me just pretend to buy

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<v Speaker 1>something and get in line behind her. Brian, when I

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<v Speaker 1>tell you, I didn't have money to pretend to buy something,

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<v Speaker 1>So I just got in line behind her and I go,

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<v Speaker 1>are you Marta Kaufman And she goes, I am, and

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<v Speaker 1>I was like hi, and I left. Hey, I'm Angela Johnson. Yes,

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<v Speaker 1>I'm an actress, I'm a comedian, I'm an author. I'm pregnant.

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<v Speaker 1>I have chapped lips right now. I'm very well. Hello there, everybody,

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<v Speaker 1>and welcome back to a brand new episode of Off

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<v Speaker 1>the Beat. I hope you're having a fantastic Tuesday or

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<v Speaker 1>whatever day you're listening to this. As always, I'm your host,

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<v Speaker 1>Brian Baumgartner. Now, as you just heard today, we are

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<v Speaker 1>bringing on I'm very excited about this my friend, hilarious

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<v Speaker 1>comedian Angela Johnson Reyes. Now you may know her from

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<v Speaker 1>her extensive comedy career, perhaps from her character as bomb

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<v Speaker 1>Qui Qui and the nail salon Lady. That's right, Angela

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<v Speaker 1>was behind one of the first ever videos to go

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<v Speaker 1>viral on YouTube. Yeah. I know it's hard to believe

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<v Speaker 1>that there was a world before going viral was just

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<v Speaker 1>a part of normal life. But look, as someone who

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<v Speaker 1>was there, I can tell you there was, and to

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<v Speaker 1>be one of the four fathers, if you will, of

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<v Speaker 1>the Internet, I mean, it's kind of like being Neil

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<v Speaker 1>Armstrong and going to the moon. And I'm sure that's

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<v Speaker 1>exactly how she would describe herself an astronaut. But in

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<v Speaker 1>all seriousness, Angela has done so much amazing stuff. She

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<v Speaker 1>took her YouTube fame and she toured the world. She

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<v Speaker 1>found herself on the set of Friends first, and then

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<v Speaker 1>she wrote a memoir. She released multiple hit comedy specials.

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<v Speaker 1>She is what I like to call freaking awesome. So

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<v Speaker 1>with that said, I say we just bring her on

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<v Speaker 1>so she can tell us about it, all of it,

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<v Speaker 1>her life on the road as a stand up comedian.

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<v Speaker 1>Listeners far and wide, please give a warm I'm welcome

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<v Speaker 1>to Angela Johnson Reya's bubb I love it, Bubbalunchquik bubble Unch,

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<v Speaker 1>Quaker Cookie, every moleft over from the nut Pole. Hi Angela,

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<v Speaker 1>Hi Ryan, Thanks for having me. How are you? Oh,

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<v Speaker 1>I'm doing well. I am. I got some sleep last night.

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<v Speaker 1>I've been having insomnia, so last night I actually got

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<v Speaker 1>some sleep. Well. I have to say, congratulations, I understand

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<v Speaker 1>what There's a bun in the oven? Is that? Do

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<v Speaker 1>you still say that? Yeah? I meant I am with

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<v Speaker 1>child bun in the oven. Congratulations on that. I want

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<v Speaker 1>to I want to get into that a little bit late.

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<v Speaker 1>We're gonna go We're going to go really deep here

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<v Speaker 1>and a little bit existential later on. But I have

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<v Speaker 1>to mention, do you know we have a really good

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<v Speaker 1>mutual friend who mister mal Hall. No, yes, he is

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<v Speaker 1>a very good friend of ours. In fact, my wife

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<v Speaker 1>used to hear his earliest joke pitches in college before

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<v Speaker 1>he was a stand up comedian. Oh my god, I

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<v Speaker 1>love that. That is so special. I have a few

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<v Speaker 1>friends that they'll remind me that I used to practice

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<v Speaker 1>my jokes in front of like in the living room,

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<v Speaker 1>in front of the fireplace, like I'm a kid doing

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<v Speaker 1>a show for their parents, and I would full on practice.

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<v Speaker 1>Like my early jokes would be like, okay, you guys

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<v Speaker 1>have five minutes at buzz cafe. Let me just do

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<v Speaker 1>this where you really quick, and like practicing for them

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<v Speaker 1>before I go do my five minutes were us? Where

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<v Speaker 1>are they supportive? Oh my god, so supportive. And it's

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<v Speaker 1>funny because I have friends that, you know, just so

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<v Speaker 1>supported from the beginning. And I have two friends who

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<v Speaker 1>particularly I remember one time I was thinking. I was like,

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<v Speaker 1>you know, I think I'm an a beatbox in my

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<v Speaker 1>act because I could beat box a little bit. And

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<v Speaker 1>I remember being in the backseat of their car and

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<v Speaker 1>you know, my two friends driving in the passenger. I

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<v Speaker 1>was like, tell me, if you guys think I should

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<v Speaker 1>beat by start beatboxing for them, and they were both

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<v Speaker 1>like no, you know, but then did you anyway? I did?

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<v Speaker 1>And yeah. One of my most quoted jokes that people

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<v Speaker 1>always will like quote me or they try to do

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<v Speaker 1>the beatbox with me when they see me in a

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<v Speaker 1>meat and greet or something, and I'm like, that's funny.

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<v Speaker 1>I wonder if that's what my friends heard when I

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<v Speaker 1>m all right, well, I want to go back. And

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<v Speaker 1>I mean, I guess the central question I should ask

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<v Speaker 1>you is you wrote a book. Who do I think

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<v Speaker 1>I am talking about? Grow up there in San Jose,

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<v Speaker 1>caught between two worlds. Talk to me a little bit

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<v Speaker 1>about that. You're growing up. So I am Mexican American,

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<v Speaker 1>and I grew up wishing I was more Mexican than

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<v Speaker 1>I felt that. I was like, we didn't speak Spanish

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<v Speaker 1>growing up, We didn't live like in the hood, and

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<v Speaker 1>I wanted to live in the hood. Like I wanted

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<v Speaker 1>there to be low riders in my neighborhood. I wanted

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<v Speaker 1>there to be cars just primered up on blocks, sitting

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<v Speaker 1>on the grass like you know what I mean, Like

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<v Speaker 1>I want there full on to be just stray dogs

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<v Speaker 1>roaming around. That's That's where I wanted to live. And

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<v Speaker 1>we lived in a nice, little middle class neighborhood. It

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<v Speaker 1>was very diverse. We had everybody like Portuguese, you know,

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<v Speaker 1>a few Latinos. It was mostly like older white people,

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<v Speaker 1>but we had like Mexican Indians, like, we had a

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<v Speaker 1>lot of different people. It's very diverse. And I wanted

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<v Speaker 1>to be like this tough Chola chick, you know what

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<v Speaker 1>I mean, right, And I was not that, but I

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<v Speaker 1>tried real hard. And my last name was Johnson, and

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<v Speaker 1>I always wish it was like Rodriguez or Sanchez or

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<v Speaker 1>like something with it is like just give me as

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<v Speaker 1>at the end, like that's all I wanted. And so

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<v Speaker 1>that's why I felt like I wanted this thing that

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<v Speaker 1>I felt that I wasn't. But it's really, how can

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<v Speaker 1>you be something more that you already are? You just

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<v Speaker 1>innately are I am Latina. That's just who I am

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<v Speaker 1>in my blood. I just look different. I'm just a

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<v Speaker 1>different version of Latina. And it took me years and

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<v Speaker 1>years to get to that realization. But I struggled with

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<v Speaker 1>that growing up. Did your parents speak Spanish? No? Oh,

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<v Speaker 1>so no one spoke Spanish, just my grandma because my grandma.

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<v Speaker 1>We're fourth I'm fourth generation Mexican American. So when my

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<v Speaker 1>grandma was speaking Spanish, she didn't want her kids to

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<v Speaker 1>get made fun of, to get punished for speaking Spanish.

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<v Speaker 1>So she made them all speak English. So my mom

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<v Speaker 1>is a sibling of eight kids and she's the youngest

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<v Speaker 1>of eight. So the young kids don't speak Spanish, but

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<v Speaker 1>the older kids do. Okay, the older ones. They still

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<v Speaker 1>my Nina, she's in her eighties, she speaks Spanish. But

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<v Speaker 1>my mom, who's the youngest and she's like sixty, she

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<v Speaker 1>does not speak Spanish. Okay, So this, I mean, we're

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<v Speaker 1>gonna get We're really gonna get into this later, I promise.

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<v Speaker 1>But so your early work where you speak a lot

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<v Speaker 1>about your family growing up, that's all fictionalized. Fake. It's

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<v Speaker 1>me trying to be who I thought people wanted me

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<v Speaker 1>to be. And I remember I would go on stage

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<v Speaker 1>and I would think to myself, like, I'm at this point,

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<v Speaker 1>I'm new to the game. I just started doing stand

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<v Speaker 1>up and I'm just trying to be funny, and I'm like,

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<v Speaker 1>I know how to do an accent. I'm real good

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<v Speaker 1>at accents. Just do a Spanish accent. I'll pretend this

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<v Speaker 1>is my mom and this is my dad, and you know,

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<v Speaker 1>and so I portray them that way. But they did

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<v Speaker 1>not speak Spanish. And it wasn't until probably my second

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<v Speaker 1>Hour special, which was I had already been doing stand

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<v Speaker 1>up for maybe like five years that I really started

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<v Speaker 1>to just own who I was and tell more stories

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<v Speaker 1>from an authentic place. And like, instead of pretending that

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<v Speaker 1>my parents speak Spanish and they're this person that I

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<v Speaker 1>think people want them to be because they expect that

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<v Speaker 1>from a Latina, let me just be honest about who

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<v Speaker 1>they are and who I am and make fun of

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<v Speaker 1>that and talk about my insecurity within that. So when

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<v Speaker 1>I started talking about I don't speak Spanish, you guys,

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<v Speaker 1>and all insecurities around it, I felt like I was

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<v Speaker 1>more relatable because you can tell that I was coming

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<v Speaker 1>from an authentic place and I wasn't just trying to

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<v Speaker 1>put him here's a funny joke, and that's what I

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<v Speaker 1>was doing in the beginning. I was like, let me

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<v Speaker 1>just get as many of these little hits that I

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<v Speaker 1>can in there, and then I started getting comfortable with

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<v Speaker 1>myself and then telling people who I really was. Well,

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<v Speaker 1>it's interesting, though, that your name is which you make

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<v Speaker 1>fun of and you just referenced it before Johnson. Yeah,

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<v Speaker 1>like that you made a decision. Now, was this based

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<v Speaker 1>on the way you look or that you thought you

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<v Speaker 1>looked that you needed to reference that because like, no

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<v Speaker 1>one is going to put you in that pigeonhole, yet

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<v Speaker 1>you choose, chose in a way to put yourself there.

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<v Speaker 1>Does that make sense? I don't know what I'm saying. No,

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<v Speaker 1>So I like I said, I always wanted to be

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<v Speaker 1>super Latina. So I just okay, I knew that even

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<v Speaker 1>though my name on paper was Angela Johnson. I know

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<v Speaker 1>once I walk on stage. I have brown hair, I

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<v Speaker 1>have brown eyes. I have these like super thin nineteen

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<v Speaker 1>nineties eyebrows that I didn't recover from. Like it's just

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<v Speaker 1>I know what I look like. And I also know

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<v Speaker 1>my stories that I'm I'm gonna tell right, I'm still Mexican.

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<v Speaker 1>I still have stories of like, oh my big, huge family,

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<v Speaker 1>Like there's my Grandma's got eight kids, she was a

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<v Speaker 1>sibling of twenty five. Like I still have like my

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<v Speaker 1>Mexican roots. So I'm still going to be talking about that.

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<v Speaker 1>I would just put extra on it, you know what

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<v Speaker 1>I mean. Yeah, your first performing, as I understand, was

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<v Speaker 1>as a Pop Warner cheerleader. Yeah, now you still like

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<v Speaker 1>to dance. I mean this dancing is seems very much

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<v Speaker 1>a part of you, both publicly and privately, based on

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<v Speaker 1>what I've seen what made you want to do that?

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<v Speaker 1>Was that something that all of your friends did or

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<v Speaker 1>was there something specifically that drew you to being a cheerleader.

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<v Speaker 1>Early on, my sister and my older cousins were all cheerleaders.

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<v Speaker 1>And when I first started cheerleading, I was eight years old.

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<v Speaker 1>I had no rhythm, Like I couldn't step clap at all,

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<v Speaker 1>Like it was embarrassing, But I had rhythm inside of me.

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<v Speaker 1>I think I just didn't know how to do choreography.

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<v Speaker 1>I didn't know how to like how do you do

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<v Speaker 1>step and a clap at the same Like I couldn't

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<v Speaker 1>do it, but I wanted to be like my sister

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<v Speaker 1>and my cousins. And so that's how it all started.

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<v Speaker 1>And then I went from Popcorner all the way up

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<v Speaker 1>to college All Stars to professionally for the Oakland Raiders

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<v Speaker 1>and yeah, and then even when I moved to LA

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<v Speaker 1>that's how I started. Like it was like get in

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<v Speaker 1>where you fit in, you know, Like I didn't have

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<v Speaker 1>a resume to go audition for acting parts, but I

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<v Speaker 1>did have a resume for dance just because of the

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<v Speaker 1>Oakland Raiders, And so I would use my Oakland Raider

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<v Speaker 1>at headshot and I would submit it to dance agencies

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<v Speaker 1>and that immediately just got me in right away because

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<v Speaker 1>they were like, oh, she's a trained dancer. She was

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<v Speaker 1>a professional, but I'm not a trained dancer. I just

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<v Speaker 1>I faked it and I got on the squad, is

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<v Speaker 1>what it was. And they just saw my head shone.

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<v Speaker 1>They're like, okay, cuckoo, cool, we'll take her. And so

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<v Speaker 1>I would go to these dance auditions and a lot

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<v Speaker 1>of times I was again just trying to fake it

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<v Speaker 1>till I make it. But I ended up booking like

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<v Speaker 1>an ice cream commercial because they needed dancers, and so

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<v Speaker 1>my dance agent would send me out on this audition

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<v Speaker 1>for you know, Dryer's ice cream because we're doing like

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<v Speaker 1>five eight counts. We jump off off the couch and

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<v Speaker 1>we just do a quick five, six, seven and eight

0:13:37.760 --> 0:13:41.199
<v Speaker 1>and that's it. I'm like I could do that, And

0:13:41.559 --> 0:13:44.079
<v Speaker 1>so then I started booking like little acting roles as

0:13:44.120 --> 0:13:50.000
<v Speaker 1>a dancer. Okay, you try out, you get it. You

0:13:50.280 --> 0:13:54.079
<v Speaker 1>are rookie of the Year of the Raider Rats and

0:13:54.320 --> 0:13:57.199
<v Speaker 1>the Raiders go to the super Bowl. This is a

0:13:57.280 --> 0:13:59.760
<v Speaker 1>hell of a year for you. I mean, was this

0:14:00.120 --> 0:14:03.040
<v Speaker 1>did you love this? Was this a dream come true.

0:14:03.559 --> 0:14:06.480
<v Speaker 1>I meant you left after one year, so I guess

0:14:07.360 --> 0:14:10.640
<v Speaker 1>you didn't see it as a full time career. But no.

0:14:11.320 --> 0:14:15.400
<v Speaker 1>I when I first auditioned for the raider As, it

0:14:15.480 --> 0:14:18.280
<v Speaker 1>was really because I wanted to be an actress and

0:14:18.520 --> 0:14:22.520
<v Speaker 1>I didn't know how to be an actress. I lived

0:14:22.560 --> 0:14:25.680
<v Speaker 1>in San Jose, but I did have a friend who

0:14:25.800 --> 0:14:29.360
<v Speaker 1>was from San Jose. She moved to LA and she

0:14:29.960 --> 0:14:33.080
<v Speaker 1>started acting and she was in a Ross commercial, she

0:14:33.240 --> 0:14:35.920
<v Speaker 1>was in an in sync music video, and I was like,

0:14:35.960 --> 0:14:40.160
<v Speaker 1>oh my god, I know somebody famous, like hey, And

0:14:40.600 --> 0:14:43.520
<v Speaker 1>I remember telling her one day like hey, I would

0:14:43.560 --> 0:14:45.920
<v Speaker 1>love to do what you're doing. And she was like,

0:14:45.960 --> 0:14:48.200
<v Speaker 1>all right, well, if you ever moved to LA, I'll

0:14:48.240 --> 0:14:50.320
<v Speaker 1>help you. I'll help you get started. And I was

0:14:50.360 --> 0:14:54.600
<v Speaker 1>like WHOA, Like now this like far fetched fantasy actually

0:14:54.680 --> 0:14:58.120
<v Speaker 1>looks like an attainable dream that I can actually go

0:14:58.200 --> 0:15:00.880
<v Speaker 1>for it because before that I knew nothing like I was.

0:15:01.320 --> 0:15:05.400
<v Speaker 1>This is early in internet days, like dial up, AOL days,

0:15:05.640 --> 0:15:09.040
<v Speaker 1>and I remember I would go online and I was

0:15:09.120 --> 0:15:11.400
<v Speaker 1>trying to find like how do you make a resume

0:15:11.680 --> 0:15:17.160
<v Speaker 1>for acting? And at my first resume, I just put

0:15:17.280 --> 0:15:22.200
<v Speaker 1>like random things on there that I don't know what

0:15:22.240 --> 0:15:24.400
<v Speaker 1>I was thinking, but I put like all my accents

0:15:24.440 --> 0:15:29.440
<v Speaker 1>that I knew, I put like in an acting class.

0:15:29.440 --> 0:15:32.440
<v Speaker 1>If I even read like two lines of a play

0:15:32.600 --> 0:15:35.240
<v Speaker 1>just in class, I was like, I was in this play.

0:15:35.360 --> 0:15:40.800
<v Speaker 1>I did it always lies. I remember my resume was

0:15:40.840 --> 0:15:44.880
<v Speaker 1>in purple ink and it was there was no format

0:15:44.920 --> 0:15:50.560
<v Speaker 1>to my resume. I just like put things places, and

0:15:50.640 --> 0:15:54.480
<v Speaker 1>I remember I printed it out and I looked up, like, okay,

0:15:54.520 --> 0:15:57.040
<v Speaker 1>where's a talent agency in San Francisco because I was

0:15:57.080 --> 0:16:02.480
<v Speaker 1>from SAMAS And I mailed off my purple located resume

0:16:03.200 --> 0:16:06.840
<v Speaker 1>and mailed it to anybody who I could find, and

0:16:06.920 --> 0:16:08.560
<v Speaker 1>of course nobody calls him back, like they were like,

0:16:08.560 --> 0:16:14.120
<v Speaker 1>oh my gosh, this special needs person, she is adorable.

0:16:15.080 --> 0:16:18.920
<v Speaker 1>You should really really just bless her. And nobody calls me.

0:16:18.960 --> 0:16:22.280
<v Speaker 1>And then so my friend tells me this that she'd

0:16:22.280 --> 0:16:25.200
<v Speaker 1>help me if I moved out there, and I was like, whoa, Okay,

0:16:25.360 --> 0:16:28.840
<v Speaker 1>that would be awesome, but that requires me leaving my

0:16:28.880 --> 0:16:31.760
<v Speaker 1>mom's house because at this point, I've only lived with

0:16:31.800 --> 0:16:34.720
<v Speaker 1>my mom in my room my whole life, and this

0:16:34.760 --> 0:16:37.160
<v Speaker 1>means moving to Hollywood, and I'm like, whoa, that's like

0:16:37.240 --> 0:16:40.880
<v Speaker 1>big girl stuff. And around the same time, I had

0:16:40.920 --> 0:16:43.480
<v Speaker 1>another friend who was a cheerleader for the Oakland Raiders

0:16:43.760 --> 0:16:45.560
<v Speaker 1>and she was like, you should come try out and

0:16:45.560 --> 0:16:47.680
<v Speaker 1>I was like, well, it's not my jam. But then

0:16:47.840 --> 0:16:50.480
<v Speaker 1>I was like, you know what, I prayed about it,

0:16:50.520 --> 0:16:52.440
<v Speaker 1>and I was like, God, what do I do with

0:16:52.480 --> 0:16:55.880
<v Speaker 1>my life? Like I'm at this point, like twenty years old,

0:16:56.280 --> 0:16:58.040
<v Speaker 1>and I'm like, I don't know what I want to

0:16:58.080 --> 0:16:59.480
<v Speaker 1>I want to be an actress on how to be

0:16:59.520 --> 0:17:02.920
<v Speaker 1>an actress? And by the end of this conversation that

0:17:02.960 --> 0:17:04.560
<v Speaker 1>I had with God, I was like, you know, I'm

0:17:04.560 --> 0:17:07.000
<v Speaker 1>going to go try out for the Oakland Raiders, and

0:17:07.080 --> 0:17:09.280
<v Speaker 1>if I make the squad, I'm going to do it

0:17:09.320 --> 0:17:11.120
<v Speaker 1>for one year, and I'm going to use this as

0:17:11.200 --> 0:17:14.760
<v Speaker 1>my sign to pursue the entertainment industry. And if I

0:17:14.840 --> 0:17:16.560
<v Speaker 1>don't make the squad, then I'm going to use this

0:17:16.640 --> 0:17:19.040
<v Speaker 1>as my sign that the entertainment industry is not for me.

0:17:19.160 --> 0:17:20.560
<v Speaker 1>And then I'm just going to block it out of

0:17:20.600 --> 0:17:23.080
<v Speaker 1>my mind and tuck it away in my heart and

0:17:23.080 --> 0:17:24.679
<v Speaker 1>just be like, well, that was just a little fantasy

0:17:24.720 --> 0:17:26.159
<v Speaker 1>that I had, And I'm going to go be a

0:17:26.200 --> 0:17:28.080
<v Speaker 1>massage therapist because that's the only other thing that I'm

0:17:28.080 --> 0:17:32.000
<v Speaker 1>good at, and I end up going to the audition.

0:17:32.359 --> 0:17:34.840
<v Speaker 1>I make the squad. As soon as they call my

0:17:34.920 --> 0:17:38.240
<v Speaker 1>number that I made it, my first thought was, oh

0:17:38.280 --> 0:17:40.800
<v Speaker 1>my god, I'm going to be an actress. Like it

0:17:40.840 --> 0:17:43.040
<v Speaker 1>was not even about the Raiders at that point, it

0:17:43.080 --> 0:17:45.919
<v Speaker 1>was just about acting. Yeah. So I did it that

0:17:45.960 --> 0:17:48.760
<v Speaker 1>one year and came home from the Super Bowl, packed

0:17:48.800 --> 0:17:52.080
<v Speaker 1>up my bags and drove to LA and started from

0:17:52.080 --> 0:17:55.080
<v Speaker 1>the ground up as an extra. Now what was it?

0:17:55.480 --> 0:17:58.359
<v Speaker 1>What was it about being an actor? Why did you

0:17:58.400 --> 0:18:01.240
<v Speaker 1>think that's what you wanted to do. So I would

0:18:01.359 --> 0:18:04.720
<v Speaker 1>go to the movies and I would be sitting there

0:18:04.760 --> 0:18:09.320
<v Speaker 1>mad that I wasn't in it. Like I remember again,

0:18:09.359 --> 0:18:12.000
<v Speaker 1>I wanted to be a Chola real bad. I remember

0:18:12.119 --> 0:18:16.600
<v Speaker 1>going to the movie theater watching Training Day, and you know,

0:18:16.720 --> 0:18:19.840
<v Speaker 1>there's a lot of gangsters in that movie. There would

0:18:19.840 --> 0:18:23.200
<v Speaker 1>be scenes where there's like these cholos and there's neighborhood

0:18:23.200 --> 0:18:25.280
<v Speaker 1>and there's all the extras in the background, and I

0:18:25.280 --> 0:18:28.680
<v Speaker 1>remember seeing these Cholas and I was like, I could

0:18:28.680 --> 0:18:33.840
<v Speaker 1>do that. I can totally stand by that car I

0:18:33.960 --> 0:18:37.000
<v Speaker 1>just before that cars parked. Somebody needs to tell me

0:18:37.160 --> 0:18:39.399
<v Speaker 1>how to stand by that car, Like I would just

0:18:39.480 --> 0:18:41.840
<v Speaker 1>see these movies and I'd be like, I can do that.

0:18:42.960 --> 0:18:45.520
<v Speaker 1>I don't know how to get in it, but I

0:18:45.640 --> 0:18:48.560
<v Speaker 1>know I could do it. And then there wasn't a

0:18:48.600 --> 0:18:52.720
<v Speaker 1>lot of Latinos on TV and movies that you could

0:18:52.720 --> 0:18:55.240
<v Speaker 1>like just look up the screen and be like, see

0:18:55.280 --> 0:18:58.200
<v Speaker 1>she's doing it, I can do it. So my person

0:18:58.320 --> 0:19:01.400
<v Speaker 1>that I saw in movie these that I was like, hmm,

0:19:01.560 --> 0:19:05.240
<v Speaker 1>I could do that with Sandra Bullock because she looked

0:19:05.240 --> 0:19:07.920
<v Speaker 1>like me, Like she's fair skin but she had brown hair,

0:19:08.520 --> 0:19:11.720
<v Speaker 1>and she was like the closest to Latina that I

0:19:11.720 --> 0:19:14.840
<v Speaker 1>could find. And so I'd watch her in Speed, and

0:19:14.880 --> 0:19:16.720
<v Speaker 1>I remember I had it on VHS tape and I

0:19:16.800 --> 0:19:19.119
<v Speaker 1>would just watch it every single day. That was my

0:19:19.200 --> 0:19:21.760
<v Speaker 1>favorite movie, like all summer long, and we would just

0:19:21.760 --> 0:19:24.600
<v Speaker 1>watch Speed all the time, and I would just look

0:19:24.640 --> 0:19:26.920
<v Speaker 1>to Sandra Bullock and be like, yeah, I can do that.

0:19:27.080 --> 0:19:29.800
<v Speaker 1>And it was just I didn't know how. It was

0:19:29.840 --> 0:19:31.280
<v Speaker 1>so far I was like I might as well say

0:19:31.280 --> 0:19:32.960
<v Speaker 1>I want to be a princess. That's how far fetched

0:19:32.960 --> 0:19:34.719
<v Speaker 1>it was. It was like, how do you even do this?

0:19:34.800 --> 0:19:36.240
<v Speaker 1>I don't even know how to do this, but I

0:19:36.320 --> 0:19:40.719
<v Speaker 1>know I could. Early on, I understand was it. In

0:19:40.880 --> 0:19:46.240
<v Speaker 1>high school, you played an alcoholic from London with the accent.

0:19:46.720 --> 0:19:48.639
<v Speaker 1>This is my question. I want you to tell me

0:19:48.680 --> 0:19:51.440
<v Speaker 1>that it's just a god given gift, because I don't

0:19:51.480 --> 0:19:53.520
<v Speaker 1>have it. If I have to do an accent, I

0:19:53.600 --> 0:20:00.919
<v Speaker 1>need months with a special linguistic trainer. Where where did you?

0:20:01.040 --> 0:20:03.240
<v Speaker 1>Where did you? Where did you get that? Was that

0:20:03.359 --> 0:20:06.280
<v Speaker 1>just something you were born with? I think it's definitely

0:20:06.320 --> 0:20:10.840
<v Speaker 1>something I was born with. But also I do mean

0:20:11.000 --> 0:20:13.600
<v Speaker 1>there's a few accents that I got. I could do this, this,

0:20:13.680 --> 0:20:16.560
<v Speaker 1>and this the second you asked me to do this

0:20:16.640 --> 0:20:19.960
<v Speaker 1>other accent for the love of God, like, there's something

0:20:20.000 --> 0:20:24.040
<v Speaker 1>about the Australian accent that I cannot do. It always

0:20:24.080 --> 0:20:26.760
<v Speaker 1>turns into something else, Like I'll start and one of

0:20:26.800 --> 0:20:29.880
<v Speaker 1>my closest friends is from Australia and I hear her

0:20:29.920 --> 0:20:33.800
<v Speaker 1>talk all the time and I can't do it. And

0:20:34.440 --> 0:20:38.360
<v Speaker 1>I start like I can copy what she says, And

0:20:38.400 --> 0:20:41.959
<v Speaker 1>the next thing you know, I'm I'm from London all

0:20:42.000 --> 0:20:44.240
<v Speaker 1>of a sudden, and she's like, no, now you're British,

0:20:44.280 --> 0:20:46.760
<v Speaker 1>and I'm like, damn it, And I'll try it again,

0:20:46.840 --> 0:20:49.320
<v Speaker 1>and she'd be like, now you're in New Zealand now

0:20:49.600 --> 0:20:53.080
<v Speaker 1>and I'm like, oh yeash. So it's like there's certain

0:20:53.160 --> 0:20:55.600
<v Speaker 1>accents that I really have a hard time with for

0:20:55.640 --> 0:20:59.080
<v Speaker 1>some reason, but I just have an ear for sounds,

0:20:59.520 --> 0:21:02.160
<v Speaker 1>and so like, I like to sing because I can

0:21:02.200 --> 0:21:06.600
<v Speaker 1>copy what I hear, but I can't harmonize because harmonize

0:21:06.640 --> 0:21:10.000
<v Speaker 1>means that this girl doing a note and this girl

0:21:10.040 --> 0:21:11.960
<v Speaker 1>is doing a different note, and then I'm supposed to

0:21:12.000 --> 0:21:13.439
<v Speaker 1>do a different note. And I'm like, this is not

0:21:13.440 --> 0:21:15.320
<v Speaker 1>gonna happen because I'm going to do whatever you guys

0:21:15.320 --> 0:21:17.359
<v Speaker 1>are doing because that's what I do. I just copy

0:21:17.400 --> 0:21:38.560
<v Speaker 1>what I hear. You start in Los Angeles, you move,

0:21:38.680 --> 0:21:42.440
<v Speaker 1>your friend is helping you, and fairly quickly you get

0:21:42.480 --> 0:21:45.440
<v Speaker 1>to do that thing, which is stand by a car

0:21:45.800 --> 0:21:48.720
<v Speaker 1>and you're on friends. Is this right as a regular

0:21:48.840 --> 0:21:53.440
<v Speaker 1>extra for a couple of seasons. Yes, I don't remember you,

0:21:53.560 --> 0:21:56.920
<v Speaker 1>but I believe you were there. Listen. I people will

0:21:56.960 --> 0:22:01.680
<v Speaker 1>screenshot me and tag me on social media. Sometimes they'll

0:22:01.720 --> 0:22:03.440
<v Speaker 1>be like is this you? And I'm like, yeah, girl,

0:22:03.480 --> 0:22:06.240
<v Speaker 1>believe it. And my hair was so long it was

0:22:06.320 --> 0:22:09.960
<v Speaker 1>like down to my waist, like I was like young

0:22:10.040 --> 0:22:14.680
<v Speaker 1>and vibrant. But yes, I remember, I thought I had

0:22:14.760 --> 0:22:18.080
<v Speaker 1>made it. I was like, this is it. I'm here

0:22:18.119 --> 0:22:20.959
<v Speaker 1>and living in my dreams and even the story of

0:22:20.960 --> 0:22:24.960
<v Speaker 1>how that happened. I remember going to Central Casting, where

0:22:25.320 --> 0:22:27.560
<v Speaker 1>you know, they cast all the extras for TV shows

0:22:27.560 --> 0:22:30.800
<v Speaker 1>and movies, and my friend who said she was going

0:22:30.840 --> 0:22:33.040
<v Speaker 1>to help me get started, she kept her word and

0:22:33.080 --> 0:22:35.000
<v Speaker 1>she told me exactly what to do. She was like,

0:22:35.040 --> 0:22:35.959
<v Speaker 1>this is what I want you to do. I want

0:22:35.960 --> 0:22:37.880
<v Speaker 1>to go to Central Casting. There's gonna be a line

0:22:37.880 --> 0:22:40.119
<v Speaker 1>of people waiting out the door, but don't wait in line.

0:22:40.520 --> 0:22:42.960
<v Speaker 1>I want you to come with a tray of cookies

0:22:43.119 --> 0:22:45.560
<v Speaker 1>and your raider at head shot, and I want you

0:22:45.600 --> 0:22:48.280
<v Speaker 1>to just go to the front window and ask for

0:22:48.320 --> 0:22:51.399
<v Speaker 1>Sam and then give him your head shot and the cookies.

0:22:51.440 --> 0:22:53.000
<v Speaker 1>Tell him you're new to town and you want to

0:22:53.000 --> 0:22:56.400
<v Speaker 1>be an extra. And I was like, this sounds real sleazy.

0:22:58.320 --> 0:23:02.160
<v Speaker 1>It's just I don't know what cookies mean in Hollywood,

0:23:02.320 --> 0:23:07.040
<v Speaker 1>but you listen. And so I show up to Central

0:23:07.080 --> 0:23:10.600
<v Speaker 1>Casting and sure enough, there's a line of people outside

0:23:10.760 --> 0:23:12.800
<v Speaker 1>waiting to sign up to me an extra on TV.

0:23:12.960 --> 0:23:15.560
<v Speaker 1>And I'm like passing all these people with my sleezy cookies.

0:23:15.840 --> 0:23:18.199
<v Speaker 1>And I was likely know exactly what I'm doing, And

0:23:18.320 --> 0:23:21.600
<v Speaker 1>this is probably, like I don't know, a month after

0:23:21.640 --> 0:23:23.880
<v Speaker 1>the Super Bowl. This is after the readers were just

0:23:24.000 --> 0:23:26.879
<v Speaker 1>in the Super Bowl. I show up and I'm waiting

0:23:26.920 --> 0:23:29.040
<v Speaker 1>for this guy Sam. He comes walking out from the

0:23:29.040 --> 0:23:32.159
<v Speaker 1>back offices and he's wearing a Raiders hat and I

0:23:32.280 --> 0:23:36.920
<v Speaker 1>was like, oh my god, no way. And he's like, hey,

0:23:36.960 --> 0:23:40.119
<v Speaker 1>what's up. And I give him the cookies and my

0:23:40.200 --> 0:23:42.439
<v Speaker 1>Raider at head shot and I was like, this is

0:23:42.480 --> 0:23:45.560
<v Speaker 1>for you. And he sees my Raider at headshot and

0:23:45.600 --> 0:23:50.119
<v Speaker 1>he's like what, no way, Like clearly he's just like

0:23:50.320 --> 0:23:53.879
<v Speaker 1>the biggest Raiders fan. We just came off the Super Bowl, Like,

0:23:54.080 --> 0:23:57.359
<v Speaker 1>no freaking way, Raider at Oh my gosh whatever. And

0:23:57.440 --> 0:23:59.200
<v Speaker 1>he's like, yeah, here, give me your name and number.

0:23:59.200 --> 0:24:01.679
<v Speaker 1>I'll call you blah blah blah whatever. So I do

0:24:01.760 --> 0:24:04.399
<v Speaker 1>that and I leave. I don't even sign up, and

0:24:04.600 --> 0:24:07.400
<v Speaker 1>he calls me like two days later, and he was like, hey,

0:24:07.440 --> 0:24:09.439
<v Speaker 1>do you want to be an Extrong Friends? And I

0:24:09.520 --> 0:24:13.800
<v Speaker 1>was like, you mean, like my favorite show of all time? Yes,

0:24:13.880 --> 0:24:16.280
<v Speaker 1>I do want to be an extron Friends. And so

0:24:16.320 --> 0:24:20.440
<v Speaker 1>he signs me up in the system and I don't

0:24:20.440 --> 0:24:22.159
<v Speaker 1>know what I'm doing, but he gives me all my

0:24:22.160 --> 0:24:25.320
<v Speaker 1>instructions parking this parking lot, walk to this stage, blah

0:24:25.320 --> 0:24:28.200
<v Speaker 1>blah blah blah blah. And I remember my first time

0:24:28.320 --> 0:24:33.000
<v Speaker 1>walking on the Warner Brothers lot and it was just magical.

0:24:33.359 --> 0:24:38.760
<v Speaker 1>It was like butterflies and just goose bumps and walking

0:24:38.760 --> 0:24:41.520
<v Speaker 1>by the sound stage and then you know the smell

0:24:41.600 --> 0:24:44.520
<v Speaker 1>of a sound stage, like it's that paint in wood,

0:24:45.040 --> 0:24:47.800
<v Speaker 1>and there's just something about it. And it's just like

0:24:48.040 --> 0:24:52.480
<v Speaker 1>all the things are like, this is wow, this is movies,

0:24:52.600 --> 0:24:55.520
<v Speaker 1>this is TV, this is I'm doing it. And I

0:24:55.560 --> 0:24:59.520
<v Speaker 1>remember walking into the stage at the big door was

0:24:59.560 --> 0:25:03.359
<v Speaker 1>open and I just walk right in and you see

0:25:03.400 --> 0:25:06.720
<v Speaker 1>like here's the guy's apartment, here's the girl's apartment, here's

0:25:06.720 --> 0:25:10.520
<v Speaker 1>central perk, and here's you know, the studio audience where

0:25:10.520 --> 0:25:14.720
<v Speaker 1>the audience sits. And I just remember walking in and

0:25:14.960 --> 0:25:17.439
<v Speaker 1>being like a kid in a candy store. Could not

0:25:17.560 --> 0:25:19.879
<v Speaker 1>believe I was living my dream, like I was just

0:25:19.960 --> 0:25:23.280
<v Speaker 1>here to be an extra, but that was not even

0:25:23.320 --> 0:25:24.960
<v Speaker 1>what was on What I was on my mind was

0:25:25.000 --> 0:25:27.920
<v Speaker 1>like I cannot believe I made it, Like I am here.

0:25:28.359 --> 0:25:33.159
<v Speaker 1>This is wild. And I ended up making friends with

0:25:33.240 --> 0:25:36.720
<v Speaker 1>the ad who was very funny, and I was funny,

0:25:36.880 --> 0:25:39.600
<v Speaker 1>so we would just make each other laugh. And so

0:25:39.600 --> 0:25:41.600
<v Speaker 1>he'd be like, Okay, I'm gonna bring you back tomorrow,

0:25:41.800 --> 0:25:44.439
<v Speaker 1>and I'm like, okay, cool, I'll come back tomorrow. And

0:25:44.600 --> 0:25:47.400
<v Speaker 1>then he's like, okay, I'll bring you back next week.

0:25:47.960 --> 0:25:50.440
<v Speaker 1>And next thing, you know, I'm an extra for season

0:25:50.520 --> 0:25:53.240
<v Speaker 1>nine and ten, like a regular, just in the coffee house,

0:25:53.760 --> 0:25:56.200
<v Speaker 1>and they end up inviting me to their Christmas party

0:25:56.680 --> 0:26:00.640
<v Speaker 1>and I was able to have a conversation with every

0:26:00.640 --> 0:26:03.919
<v Speaker 1>single one of the cast members without me being that

0:26:04.000 --> 0:26:08.360
<v Speaker 1>weird extra who's just trying to talk to them. You know, yes,

0:26:08.680 --> 0:26:12.280
<v Speaker 1>it was. It was just an incredible experience that still

0:26:12.359 --> 0:26:15.960
<v Speaker 1>until this day, twenty years leader. It's my favorite job

0:26:16.000 --> 0:26:22.040
<v Speaker 1>I've ever had. Wow, that's amazing. Two things strike me immediately. One,

0:26:22.440 --> 0:26:28.240
<v Speaker 1>that's the difference between Friends and my show. You would

0:26:28.280 --> 0:26:31.400
<v Speaker 1>never have gotten a job on our show. I mean,

0:26:32.160 --> 0:26:37.080
<v Speaker 1>Friends was so confident and how beautiful their cast was

0:26:37.400 --> 0:26:43.000
<v Speaker 1>that a first year out of a Raiders Raider at Cheerlead,

0:26:43.520 --> 0:26:45.640
<v Speaker 1>you can just sit in the background and be an

0:26:45.640 --> 0:26:48.720
<v Speaker 1>extra because we are so confident and how beautiful all

0:26:48.760 --> 0:26:52.120
<v Speaker 1>we are as people. Yeah, they would You would never

0:26:52.200 --> 0:26:55.280
<v Speaker 1>have made it. In Stanton Pennsylvania. There is no there's

0:26:55.359 --> 0:27:02.560
<v Speaker 1>no chants, no chants. And two because we had you know,

0:27:02.600 --> 0:27:06.320
<v Speaker 1>we did. We were warehouse workers. Let's be clear that

0:27:06.520 --> 0:27:10.440
<v Speaker 1>we had warehouse workers as extras, not other you know,

0:27:11.480 --> 0:27:14.520
<v Speaker 1>customers in the coffee shop. But they were there a

0:27:14.560 --> 0:27:17.719
<v Speaker 1>lot and kind of became a part. So you felt

0:27:18.000 --> 0:27:20.959
<v Speaker 1>like you were a part, and everybody was kind and

0:27:21.080 --> 0:27:23.719
<v Speaker 1>good to you during during your time there. That's so

0:27:23.760 --> 0:27:27.720
<v Speaker 1>amazing to hear. Absolutely there was not one diva, not

0:27:27.840 --> 0:27:32.840
<v Speaker 1>one rude person to each other, to the crew, to

0:27:32.960 --> 0:27:37.080
<v Speaker 1>the extras. And you know, being an extra, you see

0:27:37.359 --> 0:27:40.600
<v Speaker 1>a bunch of different shows and how people communicate. And

0:27:40.640 --> 0:27:43.879
<v Speaker 1>I remember being on certain shows and watching actors communicate

0:27:43.920 --> 0:27:47.879
<v Speaker 1>with the director or with camera a or whoever, and

0:27:48.040 --> 0:27:51.960
<v Speaker 1>they're just like rude and snappy, and yeah, god, they

0:27:51.960 --> 0:27:56.399
<v Speaker 1>were never not one ever was an attitude. It was

0:27:57.000 --> 0:27:59.399
<v Speaker 1>really incredible that that was my first experience that I

0:27:59.440 --> 0:28:03.919
<v Speaker 1>got to watch and learn from these classy, talented people.

0:28:04.480 --> 0:28:07.600
<v Speaker 1>Have you run into any of them since I have?

0:28:08.040 --> 0:28:12.760
<v Speaker 1>But of course I don't remember or recognize me, which

0:28:12.760 --> 0:28:16.120
<v Speaker 1>I would never think that they would, right, But there

0:28:16.160 --> 0:28:19.120
<v Speaker 1>was one time in the airport I ran into one

0:28:19.160 --> 0:28:21.879
<v Speaker 1>of the creators of Okay, this is what I was weird.

0:28:24.040 --> 0:28:28.240
<v Speaker 1>Marta Kaufman, who's one of the creators. I remember driving

0:28:28.320 --> 0:28:31.600
<v Speaker 1>in Hollywood one day and I see her pull into

0:28:31.600 --> 0:28:33.919
<v Speaker 1>a seven eleven like I'm at the stoplight and I

0:28:33.920 --> 0:28:36.520
<v Speaker 1>see her, and I was like, oh my god, that's

0:28:36.560 --> 0:28:40.200
<v Speaker 1>Marta Kaufman. So I like pull into seven to eleven

0:28:40.560 --> 0:28:42.840
<v Speaker 1>and at this point, I'm broke. I have no money,

0:28:43.160 --> 0:28:44.680
<v Speaker 1>but I was like, I need to talk. I need

0:28:44.720 --> 0:28:47.000
<v Speaker 1>to like say something, and like, I don't know, like

0:28:47.040 --> 0:28:48.400
<v Speaker 1>what I thought. I was about to like get on

0:28:48.480 --> 0:28:51.000
<v Speaker 1>whatever new show she was on, and so I walk

0:28:51.080 --> 0:28:53.320
<v Speaker 1>into seven to eleven and I'm just like eyeballing her.

0:28:53.400 --> 0:28:56.240
<v Speaker 1>She's with her child, for the love of God, and

0:28:57.200 --> 0:28:59.120
<v Speaker 1>I am walking in and I'm like, okay, let me

0:28:59.120 --> 0:29:00.880
<v Speaker 1>just pretend to buy some thing and get in line

0:29:00.880 --> 0:29:04.400
<v Speaker 1>behind her. Brian, when I tell you, I didn't have

0:29:04.520 --> 0:29:08.479
<v Speaker 1>money to pretend to buy something. So I just got

0:29:08.640 --> 0:29:12.520
<v Speaker 1>in line behind her and I go, are you Marta Kaufman?

0:29:12.720 --> 0:29:16.360
<v Speaker 1>And she goes I am, and I was like hi,

0:29:17.480 --> 0:29:24.960
<v Speaker 1>and I left. I had I froze. I don't know

0:29:24.960 --> 0:29:30.200
<v Speaker 1>what to say. I just oh God, how good? Ay?

0:29:31.880 --> 0:29:35.800
<v Speaker 1>It was right? You are Marta Kaufman, thank you, goodbye?

0:29:38.440 --> 0:29:42.480
<v Speaker 1>What a stalker? So waits I actually we're gonna totally

0:29:42.760 --> 0:29:47.560
<v Speaker 1>tangentialize here. Now that's not a word. Why say are

0:29:47.680 --> 0:29:52.040
<v Speaker 1>you when you know it's her? Because this I've often said,

0:29:52.120 --> 0:29:54.760
<v Speaker 1>this is the this is my worst fan interaction, my

0:29:54.840 --> 0:29:58.320
<v Speaker 1>worst and I love, I love love the fans, and

0:29:58.400 --> 0:30:01.760
<v Speaker 1>that's that is true. But when someone comes up and

0:30:01.920 --> 0:30:06.880
<v Speaker 1>says it's usually this. Has anyone ever told you that

0:30:07.000 --> 0:30:13.160
<v Speaker 1>you look like right? Or or what you said? Are you? Now?

0:30:13.200 --> 0:30:15.760
<v Speaker 1>Why would you say that? What? What? Like? What was

0:30:15.800 --> 0:30:18.680
<v Speaker 1>it in your brain? You have done a U turn

0:30:18.880 --> 0:30:21.840
<v Speaker 1>screeched into a seven eleven parking lot because you knew

0:30:21.880 --> 0:30:24.360
<v Speaker 1>it's her, yet that was your question? Why was that

0:30:24.480 --> 0:30:28.360
<v Speaker 1>your question? I think you start doubting everything. You're like, wait,

0:30:28.360 --> 0:30:32.160
<v Speaker 1>this is her, right? I okay, I want her to

0:30:32.280 --> 0:30:35.920
<v Speaker 1>know that I know that that's her. And there was

0:30:35.960 --> 0:30:38.040
<v Speaker 1>something about she was not one of the stars of

0:30:38.080 --> 0:30:40.960
<v Speaker 1>the shows. You don't see her face every week. I

0:30:40.960 --> 0:30:44.480
<v Speaker 1>saw her face because I was on set, right, So

0:30:44.520 --> 0:30:46.480
<v Speaker 1>it was like, I need her to know that I

0:30:46.520 --> 0:30:54.880
<v Speaker 1>know it's her. You're a Marta Kaufman, right, uh huh

0:30:54.880 --> 0:31:00.720
<v Speaker 1>oh oh? So well at least I understand a little

0:31:00.760 --> 0:31:05.120
<v Speaker 1>of the psychology of it now, because it's always so perplexing. Yeah,

0:31:05.160 --> 0:31:09.840
<v Speaker 1>it's always so perplexing when I get you look like right,

0:31:10.360 --> 0:31:12.920
<v Speaker 1>I It depends on what would I'm in me too.

0:31:13.360 --> 0:31:16.560
<v Speaker 1>Times I just go I get that a lot and

0:31:16.560 --> 0:31:18.800
<v Speaker 1>and they'll be like really, and then every now and

0:31:18.920 --> 0:31:21.960
<v Speaker 1>I go, no, it's me. Yeah, it's it's a It's

0:31:21.960 --> 0:31:26.320
<v Speaker 1>the toughest thing people, it is it because it's like

0:31:26.360 --> 0:31:30.640
<v Speaker 1>what the person is wanting me to say is well, yes,

0:31:30.760 --> 0:31:35.160
<v Speaker 1>that is I, which then just makes me weird, right

0:31:35.000 --> 0:31:37.720
<v Speaker 1>right right to say like, yes, that is me, thank

0:31:37.720 --> 0:31:40.280
<v Speaker 1>you for recognizing me. That's a weird thing for me

0:31:40.360 --> 0:31:43.600
<v Speaker 1>to say. It's kind of like us just going you're welcome,

0:31:44.360 --> 0:31:53.800
<v Speaker 1>yeah right, Oh are you Marta Kaufman. Yes, it just ends.

0:31:54.800 --> 0:32:00.480
<v Speaker 1>Oh god, that's so good. Um. At this time, you're

0:32:00.520 --> 0:32:04.080
<v Speaker 1>making jokes with the A D and he's bringing you back.

0:32:04.120 --> 0:32:07.640
<v Speaker 1>But you also someone encourages you to take a joke

0:32:07.720 --> 0:32:13.040
<v Speaker 1>writing class and you start you start writing jokes. Now

0:32:13.400 --> 0:32:18.000
<v Speaker 1>are you thinking at this point, M stand up or

0:32:18.040 --> 0:32:22.280
<v Speaker 1>are you just writing jokes? You're you're taking a writing class,

0:32:22.360 --> 0:32:25.320
<v Speaker 1>You're trying to develop characters. What is that I've never

0:32:25.360 --> 0:32:30.960
<v Speaker 1>taken a joke writing class, So clearly, at this point

0:32:31.200 --> 0:32:33.960
<v Speaker 1>I did not want to be a stand up comedian. Okay,

0:32:34.240 --> 0:32:36.840
<v Speaker 1>I've been to one stand up comedy show at a

0:32:36.920 --> 0:32:39.920
<v Speaker 1>restaurant and it was an accident. I was just on

0:32:39.960 --> 0:32:42.600
<v Speaker 1>a date with a guy that I don't even remember

0:32:42.600 --> 0:32:44.720
<v Speaker 1>who he was like. It was just like a random sure,

0:32:44.760 --> 0:32:47.040
<v Speaker 1>I'll go out with you, and we went to this

0:32:47.160 --> 0:32:50.400
<v Speaker 1>restaurant and there is like an open mic or something.

0:32:50.480 --> 0:32:52.600
<v Speaker 1>People were going up on stage, and that was the

0:32:52.640 --> 0:32:55.800
<v Speaker 1>first time that I had seen life stand up comedy.

0:32:56.400 --> 0:33:01.240
<v Speaker 1>And I remember watching that and thinking, oh, I bet

0:33:01.320 --> 0:33:05.040
<v Speaker 1>you I could turn my little nail slum character into

0:33:05.080 --> 0:33:07.520
<v Speaker 1>a joke, because at this point it it was a

0:33:07.640 --> 0:33:10.160
<v Speaker 1>character that I would do for all my friends and family.

0:33:10.200 --> 0:33:12.600
<v Speaker 1>I could do the accent, I would get into character,

0:33:12.640 --> 0:33:15.040
<v Speaker 1>and I knew I could do that, but that was it.

0:33:15.080 --> 0:33:17.840
<v Speaker 1>I had never wanted to be a stand up. Then

0:33:17.960 --> 0:33:21.200
<v Speaker 1>I'm at this church and I get very involved in

0:33:21.240 --> 0:33:23.960
<v Speaker 1>the church, and you know, on Sunday mornings, I'm doing

0:33:24.000 --> 0:33:26.400
<v Speaker 1>like the Welcome Team where people walk in the door

0:33:26.440 --> 0:33:30.520
<v Speaker 1>and I'm like, hey, welcome everybody. And then on Tuesday

0:33:30.600 --> 0:33:33.440
<v Speaker 1>nights they would do their creative arts night. They were

0:33:33.440 --> 0:33:35.600
<v Speaker 1>aware that everybody at their church was in the entertainment

0:33:35.600 --> 0:33:38.200
<v Speaker 1>industry somehow, So on Tuesday nights they would have an

0:33:38.240 --> 0:33:42.200
<v Speaker 1>acting class, a dance class, production class. We want to

0:33:42.240 --> 0:33:46.040
<v Speaker 1>learn about production, whatever aspect of the entertainment industry wanted

0:33:46.040 --> 0:33:47.360
<v Speaker 1>to be end they had a class. So I'm in

0:33:47.360 --> 0:33:50.080
<v Speaker 1>the acting class. We would do improv games and I

0:33:50.080 --> 0:33:52.160
<v Speaker 1>would be funny in the improv games. I've never taken

0:33:52.240 --> 0:33:55.520
<v Speaker 1>improv classes before. I would just be funny. I was

0:33:55.960 --> 0:33:57.800
<v Speaker 1>quick witted. I get it from my dad. My dad

0:33:57.880 --> 0:34:01.120
<v Speaker 1>is quick, so I was quick, but I didn't know

0:34:01.280 --> 0:34:03.880
<v Speaker 1>like rules of improv, and so that's what they were

0:34:03.880 --> 0:34:06.640
<v Speaker 1>teaching us, you know, yes, and the rule of three,

0:34:06.720 --> 0:34:10.600
<v Speaker 1>like all the things. And there was a woman in

0:34:10.640 --> 0:34:14.040
<v Speaker 1>the class who did stand up comedy and she was like, Hey,

0:34:14.280 --> 0:34:17.280
<v Speaker 1>I'm gonna be teaching a joke writing stand up comedy class.

0:34:17.320 --> 0:34:19.840
<v Speaker 1>Do you want to come take my class? And I

0:34:19.920 --> 0:34:21.600
<v Speaker 1>was like, I don't know. Is it free? And she

0:34:21.760 --> 0:34:24.120
<v Speaker 1>was like yeah, And I was like, I guess I

0:34:24.160 --> 0:34:28.920
<v Speaker 1>had desired a median And I told her. I was like,

0:34:28.960 --> 0:34:31.920
<v Speaker 1>you know, I do this nail salon character. I think

0:34:31.960 --> 0:34:35.520
<v Speaker 1>I can make that into a joke, and she was like,

0:34:35.640 --> 0:34:38.680
<v Speaker 1>Nail Salan jokes are so hacky, Like everybody has a

0:34:38.760 --> 0:34:41.600
<v Speaker 1>Nail Salan joke. Just steer clear of Nail Salan jokes.

0:34:42.200 --> 0:34:45.000
<v Speaker 1>And I was like, but I don't know if people

0:34:45.000 --> 0:34:47.719
<v Speaker 1>do it like me though, so I think I'll just

0:34:47.760 --> 0:34:50.920
<v Speaker 1>do it anyway. And I did. And that was one

0:34:50.920 --> 0:34:54.440
<v Speaker 1>of the first jokes that I wrote in this free

0:34:54.520 --> 0:34:57.200
<v Speaker 1>stand up comedy class on Tuesday nights at a church.

0:34:58.200 --> 0:35:03.000
<v Speaker 1>The joke evolved over time time like, but the skeleton

0:35:03.040 --> 0:35:05.200
<v Speaker 1>of it, the structure of it. This was the beginning

0:35:05.239 --> 0:35:09.960
<v Speaker 1>of that joke and that Yeah, it ended up being

0:35:09.960 --> 0:35:13.840
<v Speaker 1>what put me on the map. That's crazy. I was

0:35:13.920 --> 0:35:18.120
<v Speaker 1>just listening to it again this morning, and well, what

0:35:18.200 --> 0:35:20.640
<v Speaker 1>do you think the joke is about. I mean, it's

0:35:20.719 --> 0:35:23.680
<v Speaker 1>I mean to me like, it's like the central humor

0:35:23.880 --> 0:35:28.880
<v Speaker 1>is about being intimidated or constantly getting up sold. I

0:35:28.960 --> 0:35:31.560
<v Speaker 1>guess I don't know. Sure, Yeah, this is the story

0:35:31.560 --> 0:35:33.400
<v Speaker 1>of how I got got I got got by the

0:35:33.480 --> 0:35:37.280
<v Speaker 1>nail Solon. They just really I was planning I'm spending

0:35:37.320 --> 0:35:40.160
<v Speaker 1>twenty dollars when I walked in and I left paying eighty.

0:35:40.320 --> 0:35:44.640
<v Speaker 1>How did you do that? Were you one of the

0:35:44.719 --> 0:35:49.640
<v Speaker 1>first to be Internet famous. I think so my video

0:35:49.760 --> 0:35:52.640
<v Speaker 1>was definitely the first comedy video to go viral. It

0:35:52.760 --> 0:35:56.919
<v Speaker 1>was right around the time when like Justin Bieber blew

0:35:57.000 --> 0:36:01.880
<v Speaker 1>up from YouTube so music, Yeah, yeah, so I was

0:36:01.960 --> 0:36:06.200
<v Speaker 1>definitely in this comedy world now. Myself and Justin Bieber

0:36:06.239 --> 0:36:11.279
<v Speaker 1>went on to live very different levels of lives. We

0:36:11.840 --> 0:36:20.480
<v Speaker 1>both started on YouTube. Yeah. Do you think that viral

0:36:20.640 --> 0:36:26.200
<v Speaker 1>success helped you to get mad TV? Oh? One, I

0:36:26.200 --> 0:36:29.680
<v Speaker 1>would have never What happened was I did a set

0:36:29.800 --> 0:36:33.359
<v Speaker 1>at the Ice House in Pasadena and there was a

0:36:33.360 --> 0:36:36.160
<v Speaker 1>company there. They were going to be videotaping your set

0:36:36.760 --> 0:36:38.920
<v Speaker 1>and if you come do ten minutes, they'll give you

0:36:38.960 --> 0:36:41.080
<v Speaker 1>twenty five bucks. And I was like, hell, yeah, I

0:36:41.160 --> 0:36:43.920
<v Speaker 1>need gas, I need groceries. This twenty five bucks is

0:36:43.960 --> 0:36:45.560
<v Speaker 1>going to take me a long way because I'm broke

0:36:45.640 --> 0:36:49.000
<v Speaker 1>at this time. Wait, they would give you twenty five

0:36:49.120 --> 0:36:52.319
<v Speaker 1>dollars for them to film you, right, So it wasn't

0:36:52.360 --> 0:36:54.960
<v Speaker 1>the Ice House. It was a separate company that was

0:36:55.040 --> 0:36:58.800
<v Speaker 1>coming in. They were doing a special night during flip

0:36:58.840 --> 0:37:03.000
<v Speaker 1>phone era. They were like, we're gonna videotape your set

0:37:03.520 --> 0:37:06.520
<v Speaker 1>and we're going to upload it to Verizon cell phones

0:37:07.080 --> 0:37:12.160
<v Speaker 1>and for a dollar ninety nine. People can download comedy clips.

0:37:12.160 --> 0:37:15.160
<v Speaker 1>Oh no, on your little flip phone. So this is

0:37:15.440 --> 0:37:19.600
<v Speaker 1>this is before YouTube. So I was like, hell yeah,

0:37:19.640 --> 0:37:23.719
<v Speaker 1>So I go and I signed my life away and

0:37:24.520 --> 0:37:27.080
<v Speaker 1>they give me my twenty five dollars and I do

0:37:27.120 --> 0:37:29.439
<v Speaker 1>my ten minutes of jokes. I really at this point

0:37:29.520 --> 0:37:32.239
<v Speaker 1>all I had was like twelve minutes tops, Like that's

0:37:32.360 --> 0:37:35.040
<v Speaker 1>all I had. And so I do my whole set

0:37:35.719 --> 0:37:39.560
<v Speaker 1>and they videotape it. And the next thing, you know,

0:37:39.800 --> 0:37:43.120
<v Speaker 1>like within months, this brand new thing called YouTube comes

0:37:43.120 --> 0:37:46.160
<v Speaker 1>out and they put it on YouTube. They put it

0:37:46.200 --> 0:37:48.879
<v Speaker 1>on YouTube. So instead of doing comedy clips where people

0:37:48.920 --> 0:37:50.359
<v Speaker 1>have to pay, who's going to pay when you can

0:37:50.480 --> 0:37:54.799
<v Speaker 1>watch free things on YouTube? And all the sudden I

0:37:54.880 --> 0:37:59.480
<v Speaker 1>started getting this is my Space days. I started getting

0:38:00.000 --> 0:38:04.160
<v Speaker 1>messagers on my Space, emails from family members and friends,

0:38:04.320 --> 0:38:07.760
<v Speaker 1>text message from family members and friends that were like, Hey,

0:38:08.719 --> 0:38:12.800
<v Speaker 1>there's this email going around at work. And my cousin

0:38:12.840 --> 0:38:15.520
<v Speaker 1>at the time worked for like a bank, and she

0:38:15.640 --> 0:38:18.160
<v Speaker 1>was like, there's an email going around everybody sending it

0:38:18.200 --> 0:38:21.160
<v Speaker 1>to each other of this video and it was of you.

0:38:22.239 --> 0:38:24.799
<v Speaker 1>But they didn't even know that I knew you. They

0:38:24.840 --> 0:38:28.560
<v Speaker 1>just sent it to me and that was the phone

0:38:28.560 --> 0:38:30.920
<v Speaker 1>call that I was getting from people like my work

0:38:31.000 --> 0:38:33.920
<v Speaker 1>is sending this video of you. And I was like,

0:38:33.960 --> 0:38:38.080
<v Speaker 1>how do they know? And like what's happening? And I

0:38:38.160 --> 0:38:40.319
<v Speaker 1>was like I don't know, Like what video are you

0:38:40.360 --> 0:38:43.719
<v Speaker 1>talking about? And it's this nail slum clip and it

0:38:43.760 --> 0:38:46.640
<v Speaker 1>starts blowing up. Then my MySpace page starts blowing up.

0:38:46.680 --> 0:38:48.600
<v Speaker 1>People from all over the world. Hey, when are you

0:38:48.600 --> 0:38:51.560
<v Speaker 1>coming to Australia? When are you coming to the Philippines,

0:38:51.640 --> 0:38:54.600
<v Speaker 1>When are you coming to you know, Boise, Idaho? When

0:38:54.600 --> 0:38:57.359
<v Speaker 1>are you coming phil on the blank and I was like,

0:38:57.360 --> 0:39:00.319
<v Speaker 1>oh my god, I only have like twelve minutes of material.

0:39:01.120 --> 0:39:04.600
<v Speaker 1>I don't know what I'm doing, you know, and going.

0:39:04.760 --> 0:39:08.200
<v Speaker 1>I was so overwhelmed. I was getting thousands of messages

0:39:08.200 --> 0:39:10.400
<v Speaker 1>a day from all over the world on my Space.

0:39:10.840 --> 0:39:13.640
<v Speaker 1>I didn't know how to be famous. Nobody teaches you.

0:39:13.760 --> 0:39:17.279
<v Speaker 1>There's no course. So what I was doing was I

0:39:17.320 --> 0:39:22.560
<v Speaker 1>was replying to every person who messaged me, because I

0:39:22.560 --> 0:39:25.600
<v Speaker 1>didn't know that you don't have to reply to every person.

0:39:26.080 --> 0:39:29.719
<v Speaker 1>So I was spending hours on my Space being like,

0:39:29.800 --> 0:39:33.080
<v Speaker 1>thank you so much for watching my video, thank you

0:39:33.080 --> 0:39:35.719
<v Speaker 1>so much for watching my video. Then I was like, Ooh,

0:39:35.920 --> 0:39:41.080
<v Speaker 1>I'm gonna be smart. Copy paste, copy paste, And then

0:39:41.320 --> 0:39:43.600
<v Speaker 1>I remember this one girl replying and being like, is

0:39:43.600 --> 0:39:45.719
<v Speaker 1>this a robot? You already sent this to me? And

0:39:45.760 --> 0:39:49.880
<v Speaker 1>I was like, oh, I'm getting repeat fans. Sorry, I

0:39:49.920 --> 0:39:52.840
<v Speaker 1>don't know how to be famous. My bad. This is

0:39:52.840 --> 0:39:57.960
<v Speaker 1>really overwhelming. And I didn't have an agent. Nobody knew

0:39:58.280 --> 0:40:00.279
<v Speaker 1>how to get a hold of me in Hollywood, but

0:40:00.400 --> 0:40:02.759
<v Speaker 1>everyone was seeing this video, but nobody knew how to

0:40:02.760 --> 0:40:05.000
<v Speaker 1>get ahold of me. So they were sending their assistant

0:40:05.040 --> 0:40:08.080
<v Speaker 1>to my Space to come find me and leave me

0:40:08.120 --> 0:40:10.920
<v Speaker 1>a message. So then I started getting messages that were like, Hey,

0:40:10.960 --> 0:40:14.680
<v Speaker 1>I'm the assistant to so and so at Fox, at CBS,

0:40:14.719 --> 0:40:18.480
<v Speaker 1>at ABC, like everybody was messaging me they want to

0:40:18.480 --> 0:40:20.319
<v Speaker 1>have a meeting with you. Hey, they want you to

0:40:20.320 --> 0:40:22.560
<v Speaker 1>come and read for this pilot. Hey blah blah blah

0:40:22.560 --> 0:40:25.440
<v Speaker 1>blah blah. And I was like, oh my gosh, I

0:40:25.480 --> 0:40:29.520
<v Speaker 1>had to buy a calendar. I didn't this is I thought, like,

0:40:30.080 --> 0:40:32.640
<v Speaker 1>I went to Staples and I bought a calendar and

0:40:32.880 --> 0:40:35.520
<v Speaker 1>some pins, and I was like, I had meetings that

0:40:35.560 --> 0:40:39.480
<v Speaker 1>I was going to and I remember being in you know,

0:40:39.640 --> 0:40:42.919
<v Speaker 1>the office at the CW Network and I'm just like,

0:40:43.480 --> 0:40:45.279
<v Speaker 1>I have no idea what I'm doing. I have no

0:40:45.360 --> 0:40:49.400
<v Speaker 1>guidance at this point of like an agent telling me like, okay,

0:40:49.400 --> 0:40:52.879
<v Speaker 1>this is how you handle a cold read, right, And

0:40:52.920 --> 0:40:55.120
<v Speaker 1>I was just like sitting there and they're like, Okay,

0:40:55.120 --> 0:40:56.880
<v Speaker 1>we have this pilot that we're thinking for you. Can

0:40:56.920 --> 0:40:59.600
<v Speaker 1>you read these lines? And I'm like okay, sure you know,

0:40:59.680 --> 0:41:02.160
<v Speaker 1>and I'm like no idea what I'm doing. And it

0:41:02.320 --> 0:41:04.919
<v Speaker 1>just started blowing up my spot. And so from that,

0:41:05.080 --> 0:41:08.040
<v Speaker 1>I end up getting an agent, I get a new manager.

0:41:08.719 --> 0:41:12.840
<v Speaker 1>I get auditions, and one of those auditions was for

0:41:13.000 --> 0:41:33.799
<v Speaker 1>Mad TV. I end up getting an agent, I get

0:41:33.800 --> 0:41:37.960
<v Speaker 1>a new manager, I get auditions, and one of those

0:41:38.000 --> 0:41:41.880
<v Speaker 1>auditions was for Mad TV. My agents had sent the

0:41:41.920 --> 0:41:45.719
<v Speaker 1>casting director my nail salon video and they were like, great,

0:41:45.760 --> 0:41:47.600
<v Speaker 1>come audition for Mad TV. We need you to come

0:41:47.640 --> 0:41:51.600
<v Speaker 1>in with three original characters and three celebrity impressions. I

0:41:51.640 --> 0:41:55.760
<v Speaker 1>didn't have characters. I never went to Groundlings or Second City.

0:41:55.880 --> 0:41:59.680
<v Speaker 1>I didn't have characters. I had my jokes that I

0:41:59.719 --> 0:42:02.960
<v Speaker 1>wrote in a free joke writing class at church. Oh

0:42:03.040 --> 0:42:06.319
<v Speaker 1>my god. So I was like, you know what, I

0:42:06.360 --> 0:42:09.319
<v Speaker 1>can take my stories that I tell and I tell

0:42:09.360 --> 0:42:11.920
<v Speaker 1>a story about my grandma, I tell story about my grandpa.

0:42:12.000 --> 0:42:14.040
<v Speaker 1>I'll just pad them up a little bit and I'll

0:42:14.080 --> 0:42:15.799
<v Speaker 1>act him out a little bit, and instead of being

0:42:15.800 --> 0:42:18.640
<v Speaker 1>my grandpa, I'll make it my grandma and I'll say, Okay,

0:42:18.680 --> 0:42:21.440
<v Speaker 1>this is my grandma blah blah blah. I did this

0:42:21.480 --> 0:42:24.440
<v Speaker 1>bone Queki character who she wanted to be a rapper.

0:42:24.480 --> 0:42:26.600
<v Speaker 1>So I was like, Okay, this is my sister, she

0:42:26.680 --> 0:42:28.440
<v Speaker 1>wants to be a rapper. And then I did my

0:42:28.480 --> 0:42:32.080
<v Speaker 1>bone Queki character. And so I was basically taking my

0:42:32.160 --> 0:42:35.440
<v Speaker 1>characters from my stories that I tell in my stand

0:42:35.520 --> 0:42:38.840
<v Speaker 1>up class and just kind of giving them a little

0:42:38.920 --> 0:42:42.520
<v Speaker 1>extra mannerism, a little extra something, and I would just

0:42:42.600 --> 0:42:47.000
<v Speaker 1>act them out for the casting directors. And they were like, okay,

0:42:47.000 --> 0:42:49.840
<v Speaker 1>we need three celebrity impressions. I've never done impression in

0:42:49.880 --> 0:42:52.640
<v Speaker 1>my life. I didn't know how to do celebrity impression.

0:42:52.760 --> 0:42:58.240
<v Speaker 1>But this brand new thing called YouTube videos of different

0:42:58.239 --> 0:43:01.120
<v Speaker 1>celebrities on there. So what I did was, I'm like, Okay,

0:43:01.200 --> 0:43:05.600
<v Speaker 1>let me see who's famous Latina. Okay, I'll do her Lopez,

0:43:06.719 --> 0:43:12.720
<v Speaker 1>Rosslyn Sanchez, and Paula Abdul. And this is when Paula

0:43:12.760 --> 0:43:17.080
<v Speaker 1>Abdul was on American American Idol was okay, yeah, she

0:43:17.280 --> 0:43:20.560
<v Speaker 1>was a little intoxicated. Yeah, I got you, I got you.

0:43:21.400 --> 0:43:24.839
<v Speaker 1>I just did my Jo Paula clap, you know right.

0:43:25.520 --> 0:43:29.800
<v Speaker 1>And I watched videos Jennifer Lopez on the Red Carpet

0:43:30.440 --> 0:43:32.760
<v Speaker 1>and I noticed that in a lot of her videos

0:43:33.280 --> 0:43:36.560
<v Speaker 1>she had the same wave. She waved like this, open clothes.

0:43:36.880 --> 0:43:38.680
<v Speaker 1>It was not a finger wave, it was not this.

0:43:38.760 --> 0:43:41.080
<v Speaker 1>It was an open, closed wave. So I was like, okay,

0:43:41.320 --> 0:43:44.560
<v Speaker 1>she does a wave. That's a thing. And her laugh,

0:43:44.760 --> 0:43:47.400
<v Speaker 1>her laugh was very like high pitched and nasally and

0:43:47.480 --> 0:43:50.200
<v Speaker 1>like from the back, and so I was like copying

0:43:50.200 --> 0:43:53.000
<v Speaker 1>her laugh. And so there was one interview that she

0:43:53.080 --> 0:43:56.319
<v Speaker 1>did where the guy tells her, you know, this is

0:43:56.360 --> 0:43:58.400
<v Speaker 1>for a station in Philly, and she just looks in

0:43:58.480 --> 0:44:01.160
<v Speaker 1>the camera and she goes hihy and then she laughs.

0:44:02.120 --> 0:44:05.680
<v Speaker 1>And so I just got that sentence down. And I

0:44:05.800 --> 0:44:07.720
<v Speaker 1>remember being in the room. I said, this is Jennifer

0:44:07.719 --> 0:44:11.000
<v Speaker 1>Lopez on the Red Carpet. Every question that the casting

0:44:11.000 --> 0:44:15.480
<v Speaker 1>director would ask me, my answer was hi, Philly and

0:44:15.480 --> 0:44:18.719
<v Speaker 1>I would play in our black And that was they

0:44:18.760 --> 0:44:27.040
<v Speaker 1>thought it was genius, says is just and they were

0:44:27.080 --> 0:44:29.920
<v Speaker 1>like Oh my god, genius. But really, that's all that

0:44:30.000 --> 0:44:33.799
<v Speaker 1>I could do of Jennifer Lopez. Yes, okay, but hold

0:44:33.880 --> 0:44:37.799
<v Speaker 1>on a second, because you know, I had a conversation

0:44:37.840 --> 0:44:42.399
<v Speaker 1>with Kevin Pollock. Kevin Pollock is an amazing impression as

0:44:42.560 --> 0:44:46.719
<v Speaker 1>stand up comedian for a good jillion years. And you

0:44:46.800 --> 0:44:49.840
<v Speaker 1>know what you're doing the same thing that he talked

0:44:49.840 --> 0:44:52.399
<v Speaker 1>to me about, which is finding a hook. You may

0:44:52.400 --> 0:44:55.359
<v Speaker 1>not have even known what it was at the time, right,

0:44:55.520 --> 0:44:58.960
<v Speaker 1>but you had the instincts to go, like, what is

0:44:59.000 --> 0:45:01.640
<v Speaker 1>the hook? What is the one one thing the drunk clap?

0:45:02.000 --> 0:45:05.759
<v Speaker 1>Like you were finding that hook from so early on.

0:45:05.840 --> 0:45:08.239
<v Speaker 1>I'm impressed by that, and too, I'm impressed that I

0:45:08.320 --> 0:45:11.280
<v Speaker 1>did not know that bon quiqui, this was a creation

0:45:11.320 --> 0:45:16.960
<v Speaker 1>of yours before mad TV. Yeah, yeah, wow, wild crazy.

0:45:18.239 --> 0:45:21.520
<v Speaker 1>Let me ask you this I saw on YouTube today.

0:45:22.040 --> 0:45:27.439
<v Speaker 1>It says Angela Johnson, American actress, and so it made

0:45:27.440 --> 0:45:30.480
<v Speaker 1>me wonder, well, are you an actress? Are you a comedian?

0:45:31.640 --> 0:45:35.720
<v Speaker 1>Where did it say that? That's so funny. I consider

0:45:35.800 --> 0:45:38.920
<v Speaker 1>myself an actress and a comedian. Okay, that's interesting to

0:45:38.920 --> 0:45:41.839
<v Speaker 1>hear you say, because now, especially in the age of

0:45:41.920 --> 0:45:46.640
<v Speaker 1>social media, when people are famous on TikTok for being funny,

0:45:47.200 --> 0:45:50.760
<v Speaker 1>but they're not comedians. They're like, they're a married couple

0:45:50.960 --> 0:45:54.560
<v Speaker 1>from Wisconsin who do funny videos and challenges and they

0:45:54.560 --> 0:45:57.560
<v Speaker 1>make people laugh and they have like millions of followers.

0:45:58.160 --> 0:46:01.920
<v Speaker 1>And if they ever are interviewed, like, here's comedian so

0:46:02.040 --> 0:46:06.560
<v Speaker 1>and so, but really, this is a dad from Wisconsin.

0:46:07.280 --> 0:46:09.839
<v Speaker 1>But what do you call them because they're still being

0:46:09.880 --> 0:46:13.480
<v Speaker 1>funny and they're still entertaining people. Is do we need

0:46:13.480 --> 0:46:15.560
<v Speaker 1>to come up with a new word, like is that

0:46:15.640 --> 0:46:18.480
<v Speaker 1>an influencer? So, but you could be an influencer who

0:46:18.480 --> 0:46:21.800
<v Speaker 1>just does makeup, you know what I mean. She's not funny,

0:46:21.840 --> 0:46:24.719
<v Speaker 1>she just does makeup tutorials and she has millions of followers.

0:46:25.480 --> 0:46:28.640
<v Speaker 1>So when I hear comedian, I do think of people

0:46:28.680 --> 0:46:32.520
<v Speaker 1>doing stand up. But I'm aware that now the term

0:46:32.600 --> 0:46:36.200
<v Speaker 1>is so broad. When they're introducing this is comedian so

0:46:36.400 --> 0:46:40.000
<v Speaker 1>and so, and I'll be like, oh, they do funny

0:46:40.080 --> 0:46:42.840
<v Speaker 1>videos is what they do. But they're still being funny.

0:46:42.880 --> 0:46:45.319
<v Speaker 1>I don't discredit the fact that they're being funny. I

0:46:45.440 --> 0:46:48.640
<v Speaker 1>just know that they don't actually do stand up, So

0:46:48.840 --> 0:46:53.240
<v Speaker 1>maybe it's we're just stand up comedians. Like a comedian

0:46:53.320 --> 0:46:56.520
<v Speaker 1>is so general but I'm a stand up comedian. I

0:46:56.560 --> 0:46:59.120
<v Speaker 1>don't know, right. I mean, so what you're saying is

0:46:59.160 --> 0:47:01.480
<v Speaker 1>if you consider me funny, then I can be considered

0:47:01.480 --> 0:47:04.720
<v Speaker 1>a comedian because that is someone who makes someone laugh.

0:47:05.600 --> 0:47:09.759
<v Speaker 1>But I think it's about the approach and in some ways,

0:47:10.719 --> 0:47:13.400
<v Speaker 1>how you define yourself, which is why I ask you

0:47:13.480 --> 0:47:19.399
<v Speaker 1>the question. Like for me, my intention, generally, it's not

0:47:19.480 --> 0:47:21.200
<v Speaker 1>about I was going to say, it's not about making

0:47:21.200 --> 0:47:23.560
<v Speaker 1>people laugh. That's a lie. I do try to make

0:47:23.560 --> 0:47:28.239
<v Speaker 1>people laugh, but my whole basis is about creating characters,

0:47:28.520 --> 0:47:33.600
<v Speaker 1>and the comedy comes from behavior as opposed to jokes.

0:47:34.920 --> 0:47:39.200
<v Speaker 1>I think, yeah, totally. And it could come down to stories,

0:47:39.200 --> 0:47:41.560
<v Speaker 1>it could come down to a facial expression, it could

0:47:41.560 --> 0:47:45.400
<v Speaker 1>come down to whatever that is. I know there have

0:47:45.520 --> 0:47:49.759
<v Speaker 1>been times where I've seen, like earlier on, there's a

0:47:50.040 --> 0:47:53.200
<v Speaker 1>talk show and they're like, please welcome comedian so and so,

0:47:53.440 --> 0:47:58.920
<v Speaker 1>and I'd be like, she's not a comedian. An actress

0:47:59.080 --> 0:48:02.360
<v Speaker 1>is very successful, yes, but ensure she's done some funny roles,

0:48:02.560 --> 0:48:08.360
<v Speaker 1>but right, comedian. But I mean, at this point I

0:48:08.400 --> 0:48:10.759
<v Speaker 1>should worry about me, and I do me, so you

0:48:10.800 --> 0:48:13.840
<v Speaker 1>don't define it. Honestly, I'm a comedian and an actress,

0:48:14.120 --> 0:48:17.120
<v Speaker 1>and if my managers and agents get involved, and then

0:48:17.160 --> 0:48:19.560
<v Speaker 1>it's my whole resume comes in. She's an author, she's

0:48:19.560 --> 0:48:24.640
<v Speaker 1>an actor, ye, But no, I just say I'm an

0:48:24.640 --> 0:48:27.759
<v Speaker 1>actress in the comedian. And also it also depends who

0:48:27.800 --> 0:48:29.480
<v Speaker 1>I'm talking to and what mood I'm in. So if

0:48:29.560 --> 0:48:32.720
<v Speaker 1>I'm on an airplane, I say I'm in the entertainment industry,

0:48:32.840 --> 0:48:37.239
<v Speaker 1>and and just like that. And then if they're like,

0:48:37.760 --> 0:48:40.400
<v Speaker 1>pry a little bit more than I say actress, and

0:48:40.640 --> 0:48:42.279
<v Speaker 1>they'll go, oh, have I seen you in anything? I

0:48:42.320 --> 0:48:45.640
<v Speaker 1>can name a couple of things and be on my way.

0:48:45.680 --> 0:48:50.359
<v Speaker 1>But the second I say I'm a comedian, whoa, it's

0:48:50.360 --> 0:48:53.879
<v Speaker 1>like mind blowing. And now they have all the questions

0:48:54.520 --> 0:48:57.279
<v Speaker 1>right median, and I'm like, oh, this is gonna be

0:48:57.280 --> 0:49:00.920
<v Speaker 1>a conversation a long time. I really respond with that

0:49:01.080 --> 0:49:03.040
<v Speaker 1>is if I got time and I'm like, you know,

0:49:03.080 --> 0:49:05.680
<v Speaker 1>I'm in the mood to chat, sure, I'll say comedian

0:49:05.760 --> 0:49:08.640
<v Speaker 1>and answer all the questions. But a lot of times

0:49:08.680 --> 0:49:12.319
<v Speaker 1>I'll stick to as vague as I can, and I'll

0:49:12.360 --> 0:49:14.360
<v Speaker 1>say actress and I'll name a couple of things that

0:49:14.440 --> 0:49:17.640
<v Speaker 1>I did, and they'll be impressed and they'll go Oh wow,

0:49:17.880 --> 0:49:19.719
<v Speaker 1>that's very cool. And then I'll be like, what do

0:49:19.800 --> 0:49:23.759
<v Speaker 1>you do? Tell me about accounting? Tell me these things

0:49:25.000 --> 0:49:29.960
<v Speaker 1>we talked very early on about your fictionalizing your parents

0:49:30.080 --> 0:49:34.400
<v Speaker 1>and talking about your family. I feel like you have

0:49:34.800 --> 0:49:41.080
<v Speaker 1>chosen to be at least outwardly very personal and connecting

0:49:41.120 --> 0:49:44.960
<v Speaker 1>with your fans. You're bringing your fans into your life

0:49:45.400 --> 0:49:49.480
<v Speaker 1>with your husband about the birth of your child. And see,

0:49:49.520 --> 0:49:53.200
<v Speaker 1>that is something that I don't do. And so is

0:49:53.280 --> 0:49:59.200
<v Speaker 1>that the difference between someone who's a comedian and or

0:49:59.239 --> 0:50:01.719
<v Speaker 1>an actor. Now, certainly there are actors who do that,

0:50:01.800 --> 0:50:05.880
<v Speaker 1>but for me, if I am going to play a role,

0:50:06.520 --> 0:50:09.359
<v Speaker 1>I believe it serves me to be as anonymous as

0:50:09.400 --> 0:50:13.600
<v Speaker 1>possible in my personal life. You've chosen the other way,

0:50:13.640 --> 0:50:17.080
<v Speaker 1>and I wonder why and if that has to do

0:50:17.400 --> 0:50:22.440
<v Speaker 1>with your connection to fans through through your stand up comedy.

0:50:22.840 --> 0:50:26.200
<v Speaker 1>I think it's definitely that my role as a stand

0:50:26.280 --> 0:50:30.879
<v Speaker 1>up comedian, my goal is not necessarily just to make

0:50:30.920 --> 0:50:33.239
<v Speaker 1>people laugh, but it's to connect with people on a

0:50:33.320 --> 0:50:37.880
<v Speaker 1>human level. And so when I'm writing jokes, it's is

0:50:37.920 --> 0:50:41.440
<v Speaker 1>this funny? But also is it relatable? And am I

0:50:41.440 --> 0:50:44.480
<v Speaker 1>going to connect with people? And so a lot of times,

0:50:44.520 --> 0:50:47.560
<v Speaker 1>I'll talk about my husband, I'll talk about my sister,

0:50:47.800 --> 0:50:50.760
<v Speaker 1>I'll talk about my dog and things that my dog does,

0:50:51.719 --> 0:50:54.719
<v Speaker 1>because I know this is very human. You may not

0:50:54.880 --> 0:50:59.800
<v Speaker 1>have a husband, but you have a relationship in your life,

0:51:00.239 --> 0:51:03.360
<v Speaker 1>be a co worker, your next door neighbor, you have

0:51:03.400 --> 0:51:07.680
<v Speaker 1>a relationship with someone that is a human connection that

0:51:07.719 --> 0:51:11.319
<v Speaker 1>you can see some of yourself in me in what

0:51:11.400 --> 0:51:15.200
<v Speaker 1>I'm saying. And so I do that on stand up

0:51:15.239 --> 0:51:19.120
<v Speaker 1>and then in my social media. I feel like it's

0:51:19.160 --> 0:51:24.120
<v Speaker 1>a way to make my stories tangible and give a

0:51:24.160 --> 0:51:26.839
<v Speaker 1>picture to what I'm saying, kind of like when you

0:51:26.840 --> 0:51:29.480
<v Speaker 1>watch a movie and it says based on a true story,

0:51:30.000 --> 0:51:32.279
<v Speaker 1>and then at the end of the movie they say,

0:51:32.400 --> 0:51:36.239
<v Speaker 1>here's the real guy who invented this, and it's like,

0:51:36.440 --> 0:51:38.839
<v Speaker 1>you see who the real person is. You see this

0:51:38.880 --> 0:51:40.680
<v Speaker 1>as his wife, you see this as a picture of

0:51:40.760 --> 0:51:43.359
<v Speaker 1>him in his real office where he created this thing,

0:51:44.120 --> 0:51:47.880
<v Speaker 1>and it does something that connects the story that you

0:51:48.000 --> 0:51:51.600
<v Speaker 1>just heard to like a real person. So I feel

0:51:51.600 --> 0:51:56.040
<v Speaker 1>like with social media when I am so generous with

0:51:56.120 --> 0:52:01.160
<v Speaker 1>my family and friends and I show people, I like

0:52:01.239 --> 0:52:03.719
<v Speaker 1>to invite people into my world. But again with what

0:52:03.800 --> 0:52:07.120
<v Speaker 1>I'm comfortable doing, like I wouldn't do a reality show

0:52:07.200 --> 0:52:10.160
<v Speaker 1>where there's a producer deciding what if my life gets

0:52:10.360 --> 0:52:13.160
<v Speaker 1>shown to the world, right, But I will do my

0:52:13.200 --> 0:52:17.319
<v Speaker 1>Instagram stories where I'm comfortable showing you this is me

0:52:17.360 --> 0:52:20.040
<v Speaker 1>and my husband and my dog and they're asleep, but

0:52:20.080 --> 0:52:22.319
<v Speaker 1>I'm awake at four in the morning because I have insomnia,

0:52:22.440 --> 0:52:24.680
<v Speaker 1>and this is my husband sleeping, like choking me with

0:52:24.760 --> 0:52:27.680
<v Speaker 1>his hand over here and like, And immediately in that

0:52:27.760 --> 0:52:30.240
<v Speaker 1>I have people replying, oh my god, my husband sleeps

0:52:30.239 --> 0:52:33.920
<v Speaker 1>the same way. He's always whatever. And so I'm connecting

0:52:34.120 --> 0:52:36.200
<v Speaker 1>on a different level. And I'm connecting. And then when

0:52:36.239 --> 0:52:39.520
<v Speaker 1>people come to my shows, they're like, they feel a

0:52:39.640 --> 0:52:43.360
<v Speaker 1>part of my life and what I'm doing it makes

0:52:43.360 --> 0:52:48.200
<v Speaker 1>total sense because you're playing a version of yourself in

0:52:48.239 --> 0:52:52.720
<v Speaker 1>front of thousands of people, yeah, and so enabling them

0:52:53.520 --> 0:53:00.760
<v Speaker 1>in a way to validate that truth. Bas you're showing

0:53:00.760 --> 0:53:03.799
<v Speaker 1>things that support the version of the story that you're

0:53:04.040 --> 0:53:07.880
<v Speaker 1>telling or the character that you're creating of yourself. Because

0:53:07.960 --> 0:53:11.560
<v Speaker 1>obviously there are things that happened that you don't show, absolutely,

0:53:11.719 --> 0:53:14.040
<v Speaker 1>and there are things that happen that you don't show,

0:53:14.080 --> 0:53:17.200
<v Speaker 1>maybe because they don't validate the story that you're telling.

0:53:17.320 --> 0:53:18.960
<v Speaker 1>Instagram is the highlight reel. So I'm not going to

0:53:19.000 --> 0:53:20.920
<v Speaker 1>show you guys an argument with me and my husband,

0:53:21.280 --> 0:53:23.440
<v Speaker 1>but I will talk about it on stage. I'll talk

0:53:23.480 --> 0:53:25.239
<v Speaker 1>about this is how my husband argues. He likes to

0:53:25.280 --> 0:53:27.040
<v Speaker 1>ask a lot of questions. Now, I'm not going to

0:53:27.120 --> 0:53:31.360
<v Speaker 1>show you that argument on Instagram, but I'm obviously not

0:53:31.440 --> 0:53:32.920
<v Speaker 1>going to blow up my camera when we're in like

0:53:32.960 --> 0:53:36.359
<v Speaker 1>the heat of like a passionate argument and then be like,

0:53:36.680 --> 0:53:45.840
<v Speaker 1>tag at Mammal, which character that you created had the

0:53:45.840 --> 0:53:48.880
<v Speaker 1>greatest impact on your career, the nail salon. They both

0:53:49.080 --> 0:53:54.759
<v Speaker 1>blew up and we're crazy. But the nail salon. If

0:53:54.880 --> 0:53:56.680
<v Speaker 1>you are going to go get your nails done and

0:53:56.800 --> 0:54:00.000
<v Speaker 1>you google nail salon, you're gonna see the new nails

0:54:00.080 --> 0:54:02.120
<v Speaker 1>on your neighborhood. But my video is also going to

0:54:02.200 --> 0:54:08.960
<v Speaker 1>pop up, and it's something that's generationally stuck around because

0:54:09.440 --> 0:54:13.120
<v Speaker 1>that joke is sixteen years old, and now with every

0:54:13.160 --> 0:54:16.680
<v Speaker 1>new social media app that comes up, there's a new

0:54:16.800 --> 0:54:19.920
<v Speaker 1>version of my joke that goes out like I'll be

0:54:19.960 --> 0:54:24.200
<v Speaker 1>out somewhere, and it depends on what is hot right now.

0:54:24.239 --> 0:54:25.879
<v Speaker 1>So people would be like, oh my gosh, I saw

0:54:25.920 --> 0:54:30.759
<v Speaker 1>your video on YouTube for years and then it's now,

0:54:31.120 --> 0:54:34.239
<v Speaker 1>oh my gosh, you're a TikTok a right right, But

0:54:34.320 --> 0:54:36.640
<v Speaker 1>they know me from my stand up comedy. They saw

0:54:36.840 --> 0:54:40.000
<v Speaker 1>my special that I did for Comedy Central in two

0:54:40.040 --> 0:54:44.880
<v Speaker 1>thousand and nine that they saw on TikTok. Yeah, that's crazy.

0:54:44.880 --> 0:54:48.040
<v Speaker 1>This just happened to me that it was probably about

0:54:48.120 --> 0:54:51.319
<v Speaker 1>two thousand and nine. I don't know what. I just

0:54:51.440 --> 0:54:55.160
<v Speaker 1>got sent three times in one day, and in the

0:54:55.239 --> 0:54:59.000
<v Speaker 1>airport this weekend, someone referenced it to me that they

0:54:59.120 --> 0:55:04.160
<v Speaker 1>saw me do the like lady and gentlemen start your

0:55:04.200 --> 0:55:08.600
<v Speaker 1>engines at a NASCAR event that I did ten years ago,

0:55:09.800 --> 0:55:11.680
<v Speaker 1>but it was a TikTok thing. They sent me to

0:55:11.680 --> 0:55:16.640
<v Speaker 1>the TikTok And it's the same thing with hate mail too,

0:55:17.120 --> 0:55:20.200
<v Speaker 1>so like some people will send me when they're very

0:55:20.280 --> 0:55:24.280
<v Speaker 1>upset about something that I said my Second Hour special,

0:55:24.320 --> 0:55:27.560
<v Speaker 1>I talked about my honeymoon and I went to Saint Lucia,

0:55:27.640 --> 0:55:30.600
<v Speaker 1>and the whole story about it was I was comparing

0:55:30.640 --> 0:55:33.359
<v Speaker 1>it to going on a mission's trip, and there were

0:55:33.360 --> 0:55:36.480
<v Speaker 1>some Saint Lucians that were real upset with that joke. Now,

0:55:36.480 --> 0:55:39.960
<v Speaker 1>when the joke first came out, nobody cared nobody said anything.

0:55:40.239 --> 0:55:45.000
<v Speaker 1>All of a sudden, like five years later, I get

0:55:45.440 --> 0:55:50.840
<v Speaker 1>just a slew of hate messages from Saint Lucian's pissed,

0:55:51.560 --> 0:55:55.080
<v Speaker 1>and I was like, whoa, this special came out like

0:55:55.120 --> 0:55:58.480
<v Speaker 1>five years ago. What happened? So I'm like, okay, either

0:55:59.040 --> 0:56:02.040
<v Speaker 1>my special just got released in Saint Lucia, like they

0:56:02.080 --> 0:56:04.560
<v Speaker 1>got it late, you know what I mean. On some streamer,

0:56:05.880 --> 0:56:09.480
<v Speaker 1>there's some third party involved that all of a sudden

0:56:09.600 --> 0:56:13.680
<v Speaker 1>put this joke back on the map for this particular

0:56:13.719 --> 0:56:16.600
<v Speaker 1>group of people. So I'll notice that as well, like

0:56:16.719 --> 0:56:18.560
<v Speaker 1>all of a sudden, this one joke that I did

0:56:18.640 --> 0:56:23.799
<v Speaker 1>that people are very upset about me talking about an

0:56:23.800 --> 0:56:26.359
<v Speaker 1>experience that I had in London. And then I get

0:56:26.400 --> 0:56:29.120
<v Speaker 1>people very upset about it. I was like, Okay, this

0:56:29.239 --> 0:56:33.640
<v Speaker 1>definitely came out ten years ago, but somebody must or

0:56:33.880 --> 0:56:37.319
<v Speaker 1>now it's an Instagram or a TikTok account that has like,

0:56:37.800 --> 0:56:39.920
<v Speaker 1>you know, hundreds of thousands of followers. They just so

0:56:40.120 --> 0:56:42.840
<v Speaker 1>happened to post it and all of their fans solid

0:56:43.000 --> 0:57:03.399
<v Speaker 1>so they're the ones messaging you know crazy. I saw

0:57:03.440 --> 0:57:07.440
<v Speaker 1>a video you posted recently where you've talked about the

0:57:07.480 --> 0:57:10.640
<v Speaker 1>grind of being on the road and the time you

0:57:10.719 --> 0:57:15.120
<v Speaker 1>took during COVID shutdown to enjoy your house and enjoy

0:57:15.200 --> 0:57:19.480
<v Speaker 1>the things and settle back a little bit. Do you

0:57:19.520 --> 0:57:23.240
<v Speaker 1>feel like you're now finding balance and taking some time

0:57:23.360 --> 0:57:29.160
<v Speaker 1>for yourself and your family. I definitely feel like this year,

0:57:29.840 --> 0:57:31.640
<v Speaker 1>I am going to do that now that I'm having

0:57:31.680 --> 0:57:36.480
<v Speaker 1>a child. Twenty twenty one, I went very light in

0:57:36.560 --> 0:57:39.360
<v Speaker 1>the year. Twenty twenty two is my busiest year I've

0:57:39.360 --> 0:57:44.400
<v Speaker 1>ever had in my life. However, I was more balanced

0:57:44.640 --> 0:57:48.040
<v Speaker 1>about my health and I came in a little more

0:57:48.040 --> 0:57:53.680
<v Speaker 1>refreshed having taking that year off to realign with what

0:57:53.720 --> 0:57:55.800
<v Speaker 1>do I really want to do, saying yes to the

0:57:55.800 --> 0:57:58.320
<v Speaker 1>things that I really want and saying no to the

0:57:58.320 --> 0:58:02.800
<v Speaker 1>things that don't matter to me. But twenty twenty two

0:58:03.840 --> 0:58:08.480
<v Speaker 1>was an insane year for me. I filmed two hour specials,

0:58:09.280 --> 0:58:12.560
<v Speaker 1>I launched a huge tour, I released my book. But

0:58:12.560 --> 0:58:14.120
<v Speaker 1>by the end of the year, my husband and I

0:58:14.160 --> 0:58:16.520
<v Speaker 1>we had a conversation and he's like, I noticed that

0:58:16.880 --> 0:58:20.000
<v Speaker 1>you aren't as depleted as you normally are. Typically by

0:58:20.040 --> 0:58:22.440
<v Speaker 1>the end of the year, I'm just done. I'm like

0:58:22.840 --> 0:58:25.360
<v Speaker 1>this is too much, and I'm complaining about everything. I'm like,

0:58:25.360 --> 0:58:26.880
<v Speaker 1>why do I do this? Why do I say yes

0:58:26.920 --> 0:58:28.680
<v Speaker 1>to this? Why do you say yes to that? And

0:58:28.800 --> 0:58:30.840
<v Speaker 1>this past year was the first year that by the

0:58:30.960 --> 0:58:33.760
<v Speaker 1>end of it he was like, I've never seen you

0:58:34.640 --> 0:58:38.800
<v Speaker 1>have this much energy and joy. At the end of

0:58:38.800 --> 0:58:41.680
<v Speaker 1>a year, you were still okay, it didn't kill you.

0:58:42.320 --> 0:58:44.000
<v Speaker 1>And I think that has a lot to do with

0:58:44.200 --> 0:58:47.320
<v Speaker 1>the boundaries that I gave myself about saying yes to

0:58:47.480 --> 0:58:50.080
<v Speaker 1>things that matter and things that don't. Like seeing it

0:58:50.160 --> 0:58:52.560
<v Speaker 1>like a garden, you know, and every all of us,

0:58:52.600 --> 0:58:56.040
<v Speaker 1>whatever industry we're in, we have this garden, right, and

0:58:56.800 --> 0:58:59.280
<v Speaker 1>there's all these things, some are thriving and some are

0:58:59.280 --> 0:59:02.800
<v Speaker 1>not thriving. And then you got weeds growing everywhere. And

0:59:03.000 --> 0:59:06.880
<v Speaker 1>because it's this hustle mentality of like, oh, everybody's doing

0:59:06.880 --> 0:59:08.600
<v Speaker 1>a podcast. I got to do a podcast. Everybody has

0:59:08.600 --> 0:59:10.960
<v Speaker 1>a YouTube channel. I got channel TikTok. That's what we're

0:59:11.000 --> 0:59:12.360
<v Speaker 1>doing now. Okay, let me get out. How do we

0:59:12.360 --> 0:59:16.000
<v Speaker 1>do TikTok? What buttons do you press? Like all the things,

0:59:16.320 --> 0:59:20.480
<v Speaker 1>all these things and you start like planting stuff in

0:59:20.520 --> 0:59:22.760
<v Speaker 1>your garden, and next thing you know, it is just

0:59:22.800 --> 0:59:25.320
<v Speaker 1>like a whole mess. Right, And so I feel like

0:59:25.360 --> 0:59:27.400
<v Speaker 1>twenty twenty was the year where I took my hands

0:59:27.400 --> 0:59:30.680
<v Speaker 1>off the garden, and I let things wither away and

0:59:30.840 --> 0:59:33.960
<v Speaker 1>things die that were not meant for me in my garden,

0:59:34.080 --> 0:59:37.120
<v Speaker 1>and whatever was left that was still thriving, that still

0:59:37.160 --> 0:59:39.560
<v Speaker 1>had life, I was like, Okay, that's for me. That's

0:59:39.600 --> 0:59:42.479
<v Speaker 1>where I meant to grow and bloom. So I start

0:59:42.560 --> 0:59:45.000
<v Speaker 1>feeding and investing in those. Everything else was like, that's

0:59:45.000 --> 0:59:47.439
<v Speaker 1>not for me. So I feel like when I drew

0:59:47.520 --> 0:59:50.840
<v Speaker 1>boundaries for myself. Yes, twenty twenty two was the busiest

0:59:50.880 --> 0:59:54.200
<v Speaker 1>year that I've ever had, but I was busy doing

0:59:54.240 --> 0:59:58.920
<v Speaker 1>things that were meant for me. It's really smart, really smart.

0:59:59.240 --> 1:00:03.360
<v Speaker 1>I'm glad that you're you've found that. Do you interact

1:00:03.400 --> 1:00:06.720
<v Speaker 1>with a lot of fans after your show? Sometimes I

1:00:06.760 --> 1:00:08.320
<v Speaker 1>do meet and greet. I used to come out and

1:00:08.360 --> 1:00:10.560
<v Speaker 1>meet everybody, But then that's another thing that would just

1:00:10.600 --> 1:00:12.920
<v Speaker 1>deplete me because that's like a show after a show,

1:00:13.040 --> 1:00:15.240
<v Speaker 1>you know. I saw I saw one of your videos

1:00:15.240 --> 1:00:17.080
<v Speaker 1>where you were meeting people, and that's why I ask,

1:00:17.160 --> 1:00:22.600
<v Speaker 1>because to me, that personal interaction after a show, as

1:00:22.760 --> 1:00:25.160
<v Speaker 1>nice as it is at time, that is the thing

1:00:25.200 --> 1:00:28.480
<v Speaker 1>that exhausts me the most. Oh yeah, yeah, because it's

1:00:28.480 --> 1:00:30.960
<v Speaker 1>a show after a show. But also you don't know

1:00:31.320 --> 1:00:34.640
<v Speaker 1>what you're going to get from people. And then it's

1:00:34.720 --> 1:00:40.440
<v Speaker 1>people energetically taking your energy from you. And and then

1:00:40.480 --> 1:00:43.040
<v Speaker 1>a lot of times it's robot like you get in

1:00:43.160 --> 1:00:47.040
<v Speaker 1>robot mode. But even that is exhausting when we should

1:00:47.080 --> 1:00:49.240
<v Speaker 1>be resting before we go out for our second show

1:00:49.240 --> 1:00:53.320
<v Speaker 1>of the night, you know. So now I when I

1:00:53.360 --> 1:00:55.320
<v Speaker 1>do a meet and greet, it's a very small group.

1:00:55.720 --> 1:00:58.640
<v Speaker 1>I can take my time with each person and they're

1:00:58.640 --> 1:01:02.400
<v Speaker 1>not rushed like cheese. But I choose by and it's

1:01:02.400 --> 1:01:04.000
<v Speaker 1>before the show, so I have a little bit more

1:01:04.120 --> 1:01:06.560
<v Speaker 1>energy and that's it. And then sometimes I don't do

1:01:06.600 --> 1:01:09.240
<v Speaker 1>a meet and Greece. When I've been pregnant, I stopped

1:01:09.320 --> 1:01:10.880
<v Speaker 1>doing Meet and Greece just because I'm trying to like

1:01:11.280 --> 1:01:15.760
<v Speaker 1>stay healthy and not I've like just super close interactions

1:01:15.760 --> 1:01:20.560
<v Speaker 1>with people. So it's different. Every situation is different for me.

1:01:20.680 --> 1:01:25.480
<v Speaker 1>I love meeting people and hearing their stories, and also

1:01:26.360 --> 1:01:31.480
<v Speaker 1>I feel like I listen to God in these interactions

1:01:31.480 --> 1:01:35.280
<v Speaker 1>with people, because they're not just a fan that came

1:01:35.320 --> 1:01:38.960
<v Speaker 1>to tell you that you're funny and they like you.

1:01:40.160 --> 1:01:43.800
<v Speaker 1>They're a human being who has their own life, their

1:01:43.840 --> 1:01:47.560
<v Speaker 1>own trauma, their own situation, they're dealing with. Somebody's in

1:01:47.560 --> 1:01:50.480
<v Speaker 1>the hospital, somebody's going through a divorce, something's going on

1:01:50.600 --> 1:01:53.600
<v Speaker 1>in their lives. So I feel like I feel in

1:01:53.760 --> 1:01:56.600
<v Speaker 1>my heart that I need to say something more to

1:01:56.680 --> 1:01:59.520
<v Speaker 1>this person. And whether it's just oh my gosh, I

1:01:59.560 --> 1:02:02.920
<v Speaker 1>love your sweater. It's so pretty. That color looks really

1:02:02.920 --> 1:02:07.280
<v Speaker 1>good on you. Even if it's just that, if I

1:02:07.400 --> 1:02:09.520
<v Speaker 1>think it in my head, that's a pretty color on her,

1:02:09.560 --> 1:02:14.800
<v Speaker 1>I'll say it because words are powerful and it does

1:02:14.880 --> 1:02:18.520
<v Speaker 1>something that I have no idea. But I'm just trying

1:02:18.560 --> 1:02:21.520
<v Speaker 1>to listen to my spirit and say what I hear.

1:02:21.880 --> 1:02:23.960
<v Speaker 1>And there's when times where like I'll have a couple

1:02:24.000 --> 1:02:26.520
<v Speaker 1>come through the line and I'll say to a guy,

1:02:26.640 --> 1:02:29.880
<v Speaker 1>I'll be like, you're a good dad. You're a good dad,

1:02:29.960 --> 1:02:31.720
<v Speaker 1>hunt and the mom that the wife would be like,

1:02:31.760 --> 1:02:33.680
<v Speaker 1>he is a good dad. And I'd be like, I

1:02:33.720 --> 1:02:35.640
<v Speaker 1>can feel it, just like the way you're talking to me,

1:02:35.760 --> 1:02:37.400
<v Speaker 1>like in your voice, like I feel like you're a

1:02:37.400 --> 1:02:42.480
<v Speaker 1>good dad. And it's just a simple sentence. That's something

1:02:42.520 --> 1:02:46.520
<v Speaker 1>that is doing something in him in her that I

1:02:46.600 --> 1:02:49.800
<v Speaker 1>have no idea. I just planted the seed and let

1:02:49.840 --> 1:02:53.000
<v Speaker 1>it go. So I love doing meet and greets for that.

1:02:53.000 --> 1:02:57.720
<v Speaker 1>That's awesome. Now I really like and I feel very

1:02:57.800 --> 1:03:01.480
<v Speaker 1>much the same way. But I know, you know, you're

1:03:01.480 --> 1:03:03.960
<v Speaker 1>doing a couple of shows at night, often you're on

1:03:04.000 --> 1:03:06.680
<v Speaker 1>the road. It's got to be difficult. But so I

1:03:06.720 --> 1:03:09.439
<v Speaker 1>hope one that you take care of yourself, especially now.

1:03:10.040 --> 1:03:15.440
<v Speaker 1>Other times who cares? But but that's awesome. God, I

1:03:15.440 --> 1:03:16.880
<v Speaker 1>could talk to you forever. We're going to do a

1:03:16.960 --> 1:03:22.960
<v Speaker 1>lightning round game ready. It's called the Set Memories Game

1:03:23.320 --> 1:03:25.560
<v Speaker 1>with Angela Johnson. It's the first time we've ever played

1:03:25.600 --> 1:03:31.120
<v Speaker 1>this game. Here you go, one reaction from some of

1:03:31.160 --> 1:03:35.480
<v Speaker 1>the multiple amazing shows that you've been on. Any reaction

1:03:35.520 --> 1:03:40.640
<v Speaker 1>that you have starting now, curb your enthusiasm. I was

1:03:40.680 --> 1:03:45.840
<v Speaker 1>so intimidated by everyone on that cast. I was like,

1:03:46.200 --> 1:03:49.280
<v Speaker 1>who do I think I am to be here on

1:03:49.320 --> 1:03:51.800
<v Speaker 1>this set? But they were so welcoming and they played

1:03:51.840 --> 1:03:54.680
<v Speaker 1>with the yes and all everything. But I remember being

1:03:54.720 --> 1:03:57.840
<v Speaker 1>like the odd dacy to walk on the set with

1:03:57.880 --> 1:04:02.680
<v Speaker 1>these people. Love that ugly Betty. Oh. It was my

1:04:02.720 --> 1:04:05.120
<v Speaker 1>favorite show at the time. I was so honored to

1:04:05.160 --> 1:04:07.080
<v Speaker 1>be a part of it, and I remember I would

1:04:07.120 --> 1:04:11.000
<v Speaker 1>I watched every episode and I loved the show. And

1:04:11.040 --> 1:04:13.600
<v Speaker 1>when I actually got to be a guest star on

1:04:13.640 --> 1:04:16.040
<v Speaker 1>the show. It was just like a wild dream come true,

1:04:16.080 --> 1:04:18.800
<v Speaker 1>Like no way, I've seen every episode of the show,

1:04:19.000 --> 1:04:22.040
<v Speaker 1>Alvin and the Chipmunks, Alvin and the Chipmunks. I remember

1:04:22.080 --> 1:04:24.280
<v Speaker 1>I was very proud of myself because it was one

1:04:24.320 --> 1:04:28.640
<v Speaker 1>of the first like things that I really like, I

1:04:28.920 --> 1:04:31.760
<v Speaker 1>auditioned for and I booked it like I got it,

1:04:31.880 --> 1:04:34.600
<v Speaker 1>you know, like a real big director and a big

1:04:34.640 --> 1:04:38.920
<v Speaker 1>movie franchise, and I auditioned just like everybody else, and

1:04:39.000 --> 1:04:41.520
<v Speaker 1>I booked it, and I remember being very proud of myself.

1:04:42.440 --> 1:04:45.640
<v Speaker 1>And finally, because this is the whole reason we played

1:04:45.640 --> 1:04:50.840
<v Speaker 1>the game. Enough said with James Candellfoene star struck and

1:04:51.200 --> 1:04:54.080
<v Speaker 1>I don't usually get that way, like I'll be quiet

1:04:54.080 --> 1:04:56.360
<v Speaker 1>and I know my place, but if you interact with me,

1:04:56.360 --> 1:04:59.000
<v Speaker 1>I interact back. But with him, I was just like

1:04:59.160 --> 1:05:03.560
<v Speaker 1>one word dance. Yeah. I remember him calling me out

1:05:03.600 --> 1:05:07.240
<v Speaker 1>on it and he was like, you're you're a quiet one,

1:05:07.680 --> 1:05:10.240
<v Speaker 1>and I was like, I'm actually not, like I'm just

1:05:10.840 --> 1:05:12.960
<v Speaker 1>being that way with you and I don't know why, like,

1:05:14.880 --> 1:05:19.040
<v Speaker 1>and then he started like softening me up, like he

1:05:19.040 --> 1:05:20.680
<v Speaker 1>would see me on set and give me a hug.

1:05:20.680 --> 1:05:24.280
<v Speaker 1>He would call me mama, Hey, mama, and like then

1:05:24.360 --> 1:05:25.960
<v Speaker 1>I was like able to interact with him. And I

1:05:26.000 --> 1:05:28.440
<v Speaker 1>remember he came to my trailer one day with his

1:05:28.520 --> 1:05:30.800
<v Speaker 1>son and he knocked on my door and he's like, hey,

1:05:30.840 --> 1:05:32.520
<v Speaker 1>my son's a big fan. Can you get a picture

1:05:32.560 --> 1:05:34.520
<v Speaker 1>with you? And I was like, oh my god, James

1:05:34.560 --> 1:05:37.840
<v Speaker 1>Gonnafini is coming to me to ask me for a picture.

1:05:37.920 --> 1:05:41.120
<v Speaker 1>This is wild. And I would thinking yeah, if I

1:05:41.160 --> 1:05:45.080
<v Speaker 1>can get one with you, sure, But yeah, that was

1:05:45.280 --> 1:05:48.920
<v Speaker 1>an incredible experience. Do you like being on set or

1:05:49.000 --> 1:05:52.720
<v Speaker 1>being on stage in front of people more? Such a

1:05:52.760 --> 1:05:57.080
<v Speaker 1>tough one. There's no feeling like being on stage saying

1:05:57.320 --> 1:06:03.680
<v Speaker 1>a joke and having the immediate response of laughter and

1:06:04.000 --> 1:06:08.280
<v Speaker 1>energy vibrations just shooting back at you. Like there is

1:06:08.360 --> 1:06:13.520
<v Speaker 1>no feeling like that. But there's also no feeling like

1:06:13.680 --> 1:06:16.720
<v Speaker 1>walking on a sound stage and that smell, that nostalgic

1:06:17.240 --> 1:06:20.480
<v Speaker 1>smell of the sound stage and knowing that you get

1:06:20.520 --> 1:06:24.360
<v Speaker 1>to be a part of like movie magic, and they're

1:06:24.400 --> 1:06:28.760
<v Speaker 1>so different and both so special in their own way. Yeah.

1:06:29.440 --> 1:06:34.720
<v Speaker 1>Do you reference the nail salon and or bond weekly

1:06:34.880 --> 1:06:37.960
<v Speaker 1>in all of your shows? I have to, That's what

1:06:38.000 --> 1:06:41.640
<v Speaker 1>I can now. The nail salon has become my thank

1:06:41.680 --> 1:06:45.560
<v Speaker 1>you to the audience. So at the end of the show,

1:06:45.640 --> 1:06:48.480
<v Speaker 1>I kind of present it as an encore almost, and

1:06:49.040 --> 1:06:52.320
<v Speaker 1>I just like, listen, I know there's a joke a

1:06:52.320 --> 1:06:53.840
<v Speaker 1>lot of you want to hear, and as soon as

1:06:53.880 --> 1:06:59.560
<v Speaker 1>I say that, it's just eruption, and I let them

1:06:59.600 --> 1:07:04.600
<v Speaker 1>know that this joke put me on the map. And

1:07:05.560 --> 1:07:07.880
<v Speaker 1>there's sometimes when I go to do this joke and

1:07:08.000 --> 1:07:10.240
<v Speaker 1>I'm like, oh my God, again, here we go. But

1:07:10.280 --> 1:07:12.000
<v Speaker 1>then there's times when I go to do this joke

1:07:12.040 --> 1:07:14.080
<v Speaker 1>and I'm reminded of stories that I've heard over the

1:07:14.160 --> 1:07:16.880
<v Speaker 1>years from fans about how my comedy has impacted their

1:07:16.920 --> 1:07:20.960
<v Speaker 1>lives and what this joke now means to them. And

1:07:21.920 --> 1:07:25.280
<v Speaker 1>for that, I say, thank you for riding with me

1:07:25.400 --> 1:07:28.520
<v Speaker 1>for so long. Here you go, and then I present

1:07:28.560 --> 1:07:30.840
<v Speaker 1>it to them like that. So it's now kind of

1:07:30.840 --> 1:07:34.760
<v Speaker 1>like my thank you. I love that you just wrapped

1:07:34.840 --> 1:07:38.120
<v Speaker 1>up a big tour and you've joined forces on an

1:07:38.160 --> 1:07:43.800
<v Speaker 1>upcoming Prime holiday comedy, Candy Cane Lane that's out in

1:07:43.840 --> 1:07:47.080
<v Speaker 1>the holidays. Yeah, I hear it's coming out this Christmas.

1:07:47.160 --> 1:07:50.280
<v Speaker 1>They're very motivated to get it done because they're still

1:07:50.320 --> 1:07:54.080
<v Speaker 1>filming my part's rappor Eddie, but they're still filming and

1:07:54.320 --> 1:07:56.720
<v Speaker 1>it's supposed to come out this Christmas with Eddie Murphy,

1:07:57.120 --> 1:08:01.880
<v Speaker 1>Tracy Ellis Ross, some really talented, funny people, and I'm

1:08:01.920 --> 1:08:04.360
<v Speaker 1>honored that I got to be a part of that.

1:08:04.360 --> 1:08:10.160
<v Speaker 1>That's awesome. Congratulations on the pregnancy again and on all

1:08:10.160 --> 1:08:12.960
<v Speaker 1>your success. I hope you get a chance to rest

1:08:13.800 --> 1:08:17.320
<v Speaker 1>this year, and we'll see you at the holidays. And

1:08:17.360 --> 1:08:21.360
<v Speaker 1>I'm sure back on stage. What September, I'm coming back.

1:08:21.360 --> 1:08:23.840
<v Speaker 1>I'm a little ambitious. I don't know what I'm thinking,

1:08:23.840 --> 1:08:28.679
<v Speaker 1>but I'm coming back in September already. Good for you, Angela,

1:08:28.920 --> 1:08:32.400
<v Speaker 1>Thank you so much, Thank you, thank you for having me.

1:08:32.479 --> 1:08:35.680
<v Speaker 1>This has been a fun, super fun conversation. Oh and

1:08:35.720 --> 1:08:40.000
<v Speaker 1>I will say this. I started on YouTube years ago,

1:08:41.040 --> 1:08:45.120
<v Speaker 1>and I just finished filming my sixth one hour special

1:08:45.920 --> 1:08:49.400
<v Speaker 1>and I'm going to be releasing it on YouTube. So

1:08:49.439 --> 1:08:51.920
<v Speaker 1>I'm coming back to YouTube where it all started, and

1:08:52.000 --> 1:08:54.680
<v Speaker 1>back to YouTube. Yes, and I'm going to release my

1:08:54.880 --> 1:08:59.080
<v Speaker 1>new hour special on YouTube. What is that in May?

1:08:59.280 --> 1:09:01.320
<v Speaker 1>On May four teenth. You're the first person to know

1:09:01.400 --> 1:09:04.880
<v Speaker 1>that I haven't even announced it yet, that May fourteenth

1:09:05.439 --> 1:09:08.960
<v Speaker 1>on YouTube. Let me ask you a question. Does that

1:09:09.120 --> 1:09:11.640
<v Speaker 1>company that paid you twenty five dollars still own the

1:09:11.720 --> 1:09:17.000
<v Speaker 1>nail Lady clip on YouTube? So they do? People thinking

1:09:17.520 --> 1:09:19.719
<v Speaker 1>people think I made millions of dollars off of that video.

1:09:19.720 --> 1:09:27.040
<v Speaker 1>I made, not one, not one penny. Stop it. Yeah,

1:09:27.200 --> 1:09:30.320
<v Speaker 1>they don't own the joke, no, of course not. But

1:09:30.400 --> 1:09:32.880
<v Speaker 1>they all that clip, the one that went viral and

1:09:33.000 --> 1:09:34.960
<v Speaker 1>has the millions and millions of you that's there as

1:09:34.960 --> 1:09:37.679
<v Speaker 1>they own it, the one that I watched this morning. Yeah,

1:09:37.840 --> 1:09:43.679
<v Speaker 1>thank you on their behalf. Thank you. Oh my god,

1:09:43.880 --> 1:09:48.200
<v Speaker 1>Well you're gonna get it back this uh this may

1:09:48.360 --> 1:09:51.880
<v Speaker 1>on YouTube. That's right. Good luck to you. Thank you

1:09:51.960 --> 1:10:10.000
<v Speaker 1>so much. Thank you Angela. Not a penny, not one penny. Well,

1:10:10.080 --> 1:10:13.439
<v Speaker 1>I guess things worked out just fine. Thank you so

1:10:13.520 --> 1:10:16.759
<v Speaker 1>much for coming on today. It was such a pleasure

1:10:17.320 --> 1:10:19.360
<v Speaker 1>to have you on, and to all of you out

1:10:19.360 --> 1:10:23.760
<v Speaker 1>there listening, thank you, As always my trustee companions. I'm

1:10:23.760 --> 1:10:26.439
<v Speaker 1>going to be back next week, same time, same place,

1:10:26.840 --> 1:10:32.439
<v Speaker 1>with another phenomenal guest. Also, make sure to follow us

1:10:32.520 --> 1:10:36.200
<v Speaker 1>on Instagram if you haven't already, at Off the Beat

1:10:36.800 --> 1:10:40.960
<v Speaker 1>and leave us a review on Apple Podcasts. Thank you

1:10:41.000 --> 1:10:44.800
<v Speaker 1>for all your support and we will see you next week.

1:10:52.560 --> 1:10:55.479
<v Speaker 1>Off the Beat is hosted an executive produced by me

1:10:55.840 --> 1:11:01.120
<v Speaker 1>Brian Baumgartner, alongside our executive producer Langley. Senior producer is

1:11:01.200 --> 1:11:05.120
<v Speaker 1>Diego Tapia. Our producers are Liz Hayes, Hannah Harris, and

1:11:05.240 --> 1:11:09.519
<v Speaker 1>Emily Carr. Our talent producer is Ryan Papa Zachary, and

1:11:09.640 --> 1:11:13.960
<v Speaker 1>our intern is Sammy Kats. Our theme song Bubble and Squeak,

1:11:14.200 --> 1:11:17.160
<v Speaker 1>performed by the one and Only Creed Brett,