WEBVTT - Mark-Paul Gosselaar Meets World

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<v Speaker 1>This podcast was recorded June twenty second, twenty twenty three.

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<v Speaker 2>I think it is very helping, very hard for people

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<v Speaker 2>to do, but especially Californians, to admit if you're a

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<v Speaker 2>bad driver. Oh yeah, why does everyone think that they're

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<v Speaker 2>the best driver in the world, Like, I am a

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<v Speaker 2>totally average, too bad driver. Like and it took me

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<v Speaker 2>a long time to come to terms with this, Like

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<v Speaker 2>when I was a teenager or in my twenties, I

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<v Speaker 2>was like, oh, yeah, I'm amazing, you know, just good.

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<v Speaker 2>And then it's like, no, man, I like I beckon

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<v Speaker 2>to crap all the time. It's a serious Do you

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<v Speaker 2>not have a camera?

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<v Speaker 3>Okay?

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<v Speaker 2>Of course I do? Now, so now okay, so yeah,

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<v Speaker 2>basically says I have a backup air. But I recently

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<v Speaker 2>hit a car out in front of my son's school.

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<v Speaker 2>Oh no, it's always parking. It'scept for like a real accident.

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<v Speaker 2>It's always like when I'm not paying attention this car

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<v Speaker 2>my wife in my wife's car, which is just the worst.

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<v Speaker 2>And her instant reaction, which is fair but you know,

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<v Speaker 2>not very supportive, is like, you know, it's not like,

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<v Speaker 2>oh my god, you hit that car.

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<v Speaker 4>Oh writer, it was god German.

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<v Speaker 2>Writer just right there.

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<v Speaker 3>That would be my reaction to that would not.

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<v Speaker 2>Only did I scrape the front I crunch, but then

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<v Speaker 2>to pull out of the situation.

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<v Speaker 5>It's just did the double along the car double crunch.

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<v Speaker 2>But I gotta leave a note out it's my son's principle.

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<v Speaker 3>No, No, you crashed into.

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<v Speaker 2>Oh couldn't have been a better person. I love my

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<v Speaker 2>son's principle. He's like the nicest guy in the world.

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<v Speaker 2>So like, basically, if anybody at the school, like, you know,

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<v Speaker 2>I just had visions of some horribly angry parent or

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<v Speaker 2>my son's bully, you know, like I could have gone

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<v Speaker 2>a million.

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<v Speaker 3>Son of a bully.

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<v Speaker 1>No, I don't good because I honestly I will go

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<v Speaker 1>kick that kid's ass.

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<v Speaker 2>She would, I would.

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<v Speaker 1>I'm looking to kick someone's ass. That sounds great, It's

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<v Speaker 1>funny you say that. I also am a second. That's yeah,

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<v Speaker 1>that's fine. I'm fine with that. No, obviously not. I

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<v Speaker 1>would never kick anybody's ass. H.

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<v Speaker 2>But can you admit where you are as a driver? Like,

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<v Speaker 2>can have you come?

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<v Speaker 4>Yeah?

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<v Speaker 1>I'm terrible because I am way too aggressive.

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<v Speaker 3>I drive too fast, too close, And.

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<v Speaker 5>I agree with everything she's saying right now. For her

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<v Speaker 5>I've now been since daniel and I have lived together,

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<v Speaker 5>lived near each other, lives in my bass.

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<v Speaker 2>Little tea, a little bit of tea. That's when I uh.

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<v Speaker 5>I've started to drive with Danielle a lot more because

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<v Speaker 5>she usually carpools. She we carpool. She's the driver. And

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<v Speaker 5>you're not a bad driver. You are just you do

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<v Speaker 5>you are? You are like you said, you're an aggressive driver.

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<v Speaker 3>Everyone out of my freaking way. Get out of my way.

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<v Speaker 5>You're not a bat. You're technically not a bad I couldn't.

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<v Speaker 1>I couldn't technically be a professional race car driver, like.

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<v Speaker 2>You have good control of the via good control of

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<v Speaker 2>the V.

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<v Speaker 1>They probably have great measures, like I know exactly what

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<v Speaker 1>the measurements of driver really. I haven't mind any foenies lately.

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<v Speaker 1>Why are my favorite?

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<v Speaker 5>Oh my god?

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<v Speaker 2>Because because you're the person who thinks that that the

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<v Speaker 2>road belongs to them, correct, and that they have the right,

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<v Speaker 2>they have the right to be aggressive, and all these

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<v Speaker 2>idiotic drivers being safe and slow and follow what are

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<v Speaker 2>you doing? Yes, that's the problem, You're the problem. Yes,

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<v Speaker 2>I remember? Do you remember when you first disagree with

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<v Speaker 2>an s u V and you hydro planed on the

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<v Speaker 2>way to work.

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<v Speaker 1>No, I don't remember that horrible car accident where I

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<v Speaker 1>spun out in the center of the freeway with my car.

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<v Speaker 2>Like you got a Forerunner, you have a you have

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<v Speaker 2>four wheel.

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<v Speaker 3>Never Rider.

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<v Speaker 1>It was El Nino and imbrastling.

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<v Speaker 5>Danielle when we all hung out at Ryder's house up

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<v Speaker 5>on one day and driveway and you drove off the drive.

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<v Speaker 1>Off that driveway was a literal nightmare driver. Okay, So

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<v Speaker 1>Rider had us all over to his house. What year

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<v Speaker 1>was this.

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<v Speaker 3>I wasn't between two.

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<v Speaker 2>Thousand and five and two thousand and nine. That's when

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<v Speaker 2>I was looking canyon.

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<v Speaker 1>Okay, so upwards of fifteen plus years ago. And Rider

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<v Speaker 1>had this super steep, curved driveway.

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<v Speaker 2>Always it was like a sand no matter where you like,

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<v Speaker 2>war right up and then an immediate act your.

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<v Speaker 5>New Rider was going to buy a house if there

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<v Speaker 5>was no parking or horrible parkings, like I'll take it, I'll.

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<v Speaker 3>Take it, that's the one I want.

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<v Speaker 1>It was one of those driveways when you're you're driving

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<v Speaker 1>up you can't see where you're going because the car

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<v Speaker 1>is so steep you can't see anything, so reversing down

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<v Speaker 1>it was also just terrible and I in the slow

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<v Speaker 1>reverse of it. I turned the wheel too soon and

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<v Speaker 1>w one of my one of the wheels was now

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<v Speaker 1>dangling off a cliff over the curve.

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<v Speaker 2>It like looks over the edge of the curve and

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<v Speaker 2>a truck.

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<v Speaker 1>Nothing could be done. I was like, this is truly terrible.

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<v Speaker 5>Well, I live here now. I live here now with Rider.

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<v Speaker 5>That's what you say.

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<v Speaker 1>I had to wait for the triple A and off

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<v Speaker 1>it up and yeah, oh my gosh.

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<v Speaker 3>It was just I was like, why do we let

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<v Speaker 3>Rider host the get together?

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<v Speaker 5>Seriously? Exactly we need? We need. That's what one of

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<v Speaker 5>the things I'll tell you I asked for when I

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<v Speaker 5>bought my house.

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<v Speaker 2>I needed parking.

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<v Speaker 1>Writer was the Writer was the most organized and the

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<v Speaker 1>most on top of making sure we got together. So

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<v Speaker 1>that's why they were always at Writer's house because Writer

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<v Speaker 1>was the person who thankfully got us all together.

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<v Speaker 5>The Writer was the adult. By the way, I'm a

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<v Speaker 5>phenomenal driver. For the record, are you yeah?

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<v Speaker 2>I actually believe that he never drives. Yeah, that's true.

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<v Speaker 5>I drive well again, I so we Driving was very

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<v Speaker 5>important in my family. So I started to learn how

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<v Speaker 5>to drive when I was like.

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<v Speaker 1>Twelve, right two years after you started smoking pretty much.

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<v Speaker 5>I had my cigarette and my car.

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<v Speaker 2>It was a Connecticut car, so you had to there

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<v Speaker 2>was no engine, was.

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<v Speaker 5>Exactly, it's a horse drawn car. No. My father what Famously,

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<v Speaker 5>when when I got my license and knew I was

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<v Speaker 5>going to have to start driving myself into New York

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<v Speaker 5>City for auditions, drove my stant. He drove down in

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<v Speaker 5>my Selica, which I still have. My first car is

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<v Speaker 5>still have my Toyota Celica. And he drove to the

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<v Speaker 5>middle of the city and put the car in neutral,

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<v Speaker 5>got out of the car, put me in the driver's seat,

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<v Speaker 5>and said, all right, you're driving in New York. If

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<v Speaker 5>you can drive here, you can drive anywhere. And we

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<v Speaker 5>drove around New York for like four hours, and by

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<v Speaker 5>that point then he was right, I could drive anywhere.

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<v Speaker 2>My dad did the exact same thing. He picked me

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<v Speaker 2>up in a stick shift at school. It was like

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<v Speaker 2>at my school where I had to walk like a

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<v Speaker 2>mile to get too picked up. And then I got

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<v Speaker 2>picked up now both and he was just there and

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<v Speaker 2>he was and we had somewhere to go, like forty

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<v Speaker 2>five minutes away, and he's like, I'm like, I can't

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<v Speaker 2>drive stick shift he's like, hey, okay, figure it out.

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<v Speaker 4>YEP, I just did.

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<v Speaker 2>And then yeah, I ever had a problem.

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<v Speaker 4>Yeah.

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<v Speaker 5>I got my first motorcycle when I was ten, so

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<v Speaker 5>that I mean I started with kind of shifting when

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<v Speaker 5>you when I was ten and I rode a bike

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<v Speaker 5>from ten to what do your name?

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<v Speaker 3>You got your first motorcycle and you get a.

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<v Speaker 5>Mini bike like I got. I got a Z fifty

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<v Speaker 5>dirt bike, and then when I was eleven it went

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<v Speaker 5>to to an XR eighty, and then I went up

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<v Speaker 5>to an XR one hundred. My friends we all you know,

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<v Speaker 5>like Johnny and Karate Kid. We we were. We were

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<v Speaker 5>them without the coolness and or martial arts.

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<v Speaker 3>Che I just thought you were like fast and the

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<v Speaker 3>furious is that you.

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<v Speaker 5>No, I was more slow and delibertous. It was, yeah,

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<v Speaker 5>it was. It was not exactly but no. But driving

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<v Speaker 5>my you know, my dad loves cars and all. Also

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<v Speaker 5>driving was hugely important in my family. So we were

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<v Speaker 5>we were taught to and driving you have to drive

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<v Speaker 5>a stick shift through else you're just steering. So it's

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<v Speaker 5>that was we had to know how to drive anything

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<v Speaker 5>you could get your hands on. It's like you have

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<v Speaker 5>to know how to drive immediately. I'm amazed he didn't

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<v Speaker 5>make us learn how to fly, just because that's how

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<v Speaker 5>we were in our family, where it's like you got

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<v Speaker 5>to learn how to operate this vehicle.

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<v Speaker 2>Like Okay, do you guys remember, uh, well you probably

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<v Speaker 2>my manager when I was a teenager. Yeah, I was

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<v Speaker 2>thinking about these this bad driver situation, and the memory

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<v Speaker 2>came back to me, which was she was a horrible driver,

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<v Speaker 2>like the most terrified. Now a horrible driver in exactly

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<v Speaker 2>the way Danielle is a horrible driver, but like to

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<v Speaker 2>an extreme that I imagine Danielle was not. Like he would

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<v Speaker 2>weave in and out of traffic, like do like crazy

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<v Speaker 2>last minute turns, constantly, have all these like insane And

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<v Speaker 2>I remember being eleven years old getting in the car

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<v Speaker 2>with him and another kid who was one of his clients,

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<v Speaker 2>and the other kid being like, you know, you know, uh,

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<v Speaker 2>mister Toad's wild Ride at Disneyland. That's what it's like

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<v Speaker 2>driving in the car with him, and he was like

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<v Speaker 2>proud of the fact that he was this insane. And

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<v Speaker 2>I think about that now and I'm like, if if

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<v Speaker 2>I handed my kid over to a manager to drive

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<v Speaker 2>him around Los Angeles all the time. I mean I

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<v Speaker 2>drove with this guy all the time, every day to auditions.

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<v Speaker 2>I would spend weeks in la just with him without

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<v Speaker 2>my parents. Like I would be so pissed if a

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<v Speaker 2>person drove Indy like this. And yet at the time,

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<v Speaker 2>I thought we were the coolest car on the road,

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<v Speaker 2>you know what I mean. I looked at him, It's like, oh,

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<v Speaker 2>you're willing to drive fast and cool and all these

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<v Speaker 2>other drivers are losers following the rules and the speed limits,

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<v Speaker 2>and you, my manager, are getting me everywhere. And like

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<v Speaker 2>if there's not a better like metaphor for the dangers

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<v Speaker 2>of child actor or the trust that you put in

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<v Speaker 2>adults around you when you were a kid, Like I

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<v Speaker 2>just thought like this guy and like now like I'm

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<v Speaker 2>genuinely angry at this person, Like I want to write

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<v Speaker 2>him a letter and be like, dude, what the hell

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<v Speaker 2>were you thinking? Like, yes, you we never got into

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<v Speaker 2>an accident, but we were so lucky and like what

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<v Speaker 2>and I what are the Like that is just infuriating

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<v Speaker 2>to me. And my parents were just like yeh, you know,

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<v Speaker 2>and I probably told him like he's a crazy driver,

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<v Speaker 2>and my parents are look me, you know.

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<v Speaker 3>What are we gonna do.

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<v Speaker 5>Danielle, you are You are not that bad a driver,

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<v Speaker 5>you really are.

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<v Speaker 4>No.

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<v Speaker 5>I think you are aggressive, but you're not that big.

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<v Speaker 3>That's of course I U I stop, it stops.

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<v Speaker 1>I I but like the rules of the road, obey

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<v Speaker 1>the rules of the road.

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<v Speaker 3>I just do it. Yeah, I do it quickly.

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<v Speaker 1>And I think the following too close is something I

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<v Speaker 1>have done since I learned how to drive. And I

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<v Speaker 1>don't understand that when you are the appropriate distance away,

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<v Speaker 1>that to me, that just feels like people should be

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<v Speaker 1>mad at me, even though because I just I don't

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<v Speaker 1>realize that I'm as on top of people as I am.

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<v Speaker 1>So Yeah, and I remember what the appropriate distance is. Yeah,

0:10:30.080 --> 0:10:32.120
<v Speaker 1>three car links. Well, depending on how must you're going.

0:10:32.120 --> 0:10:33.199
<v Speaker 3>If you're every ten.

0:10:33.040 --> 0:10:39.880
<v Speaker 5>Miles, you let a car pass a stationary object, and

0:10:39.880 --> 0:10:42.560
<v Speaker 5>then you count one Mississippi two Mississippian by two, you

0:10:42.600 --> 0:10:44.600
<v Speaker 5>can pass that same object. I think that's how it is.

0:10:45.240 --> 0:10:47.920
<v Speaker 1>I'd be like a point four. Yeah, it'd be like

0:10:47.960 --> 0:10:52.720
<v Speaker 1>we crossed at the time. It's like it's like they're

0:10:52.760 --> 0:10:53.240
<v Speaker 1>towing me.

0:10:55.520 --> 0:10:57.680
<v Speaker 5>I'm drafting. I'm drafting the car ahead of me. I

0:10:57.679 --> 0:10:58.640
<v Speaker 5>want the wind resistance.

0:10:59.600 --> 0:11:00.760
<v Speaker 2>Welcome to podmeets World.

0:11:00.800 --> 0:11:03.840
<v Speaker 5>I'm Daniel Fischel, I'm Rider Strong, and I'm Wilfride.

0:11:04.520 --> 0:11:09.439
<v Speaker 1>So when anyone from an entire generation sees a nineteen

0:11:09.520 --> 0:11:13.640
<v Speaker 1>nineties large gray brick cell phone, the technology that kicked

0:11:13.640 --> 0:11:16.840
<v Speaker 1>off an entire phenomenon, they only call it one thing,

0:11:17.240 --> 0:11:20.480
<v Speaker 1>a Zach Morris phone, and we have our guest to

0:11:20.480 --> 0:11:23.280
<v Speaker 1>think for that. He's an unforgettable pop culture Hall of

0:11:23.320 --> 0:11:26.600
<v Speaker 1>Famer who played the precocious Bayside High student for eighty

0:11:26.640 --> 0:11:30.480
<v Speaker 1>six episodes, a college spinoff, two movies, and a twenty

0:11:30.559 --> 0:11:33.839
<v Speaker 1>nineteen NBC reboot. You may also know him from four

0:11:33.880 --> 0:11:36.640
<v Speaker 1>seasons of Franklin and Bash. He was Bash for those

0:11:36.720 --> 0:11:41.240
<v Speaker 1>keeping Score at Home, almost ninety episodes of NYPD Blue,

0:11:41.640 --> 0:11:44.679
<v Speaker 1>or from Mixed Dish, or even his recent cameo on

0:11:44.679 --> 0:11:47.720
<v Speaker 1>one of the only shows I like watching on TV, Barry.

0:11:48.600 --> 0:11:51.200
<v Speaker 1>This year, he was also seen on Will Trent, a

0:11:51.200 --> 0:11:53.839
<v Speaker 1>show that has been renewed for season two. And also

0:11:54.080 --> 0:11:58.640
<v Speaker 1>he has truly never stopped working ever. We are honored

0:11:58.679 --> 0:12:00.599
<v Speaker 1>to welcome the star of Save by the Bell, the

0:12:00.640 --> 0:12:04.200
<v Speaker 1>show Jensen, producer husband of this podcast calls his boy

0:12:04.240 --> 0:12:19.679
<v Speaker 1>Meets World. It's Mark Paul Gossler. Well, we were all

0:12:19.720 --> 0:12:23.120
<v Speaker 1>recently at a convention together and you were so lovely.

0:12:23.200 --> 0:12:24.680
<v Speaker 1>We spent a lot. I spent a lot of time

0:12:24.679 --> 0:12:27.520
<v Speaker 1>with you talking sports. We were you're a big sports guy.

0:12:27.920 --> 0:12:31.480
<v Speaker 1>Uh please answer this honestly. Do you know anything about

0:12:31.480 --> 0:12:33.600
<v Speaker 1>Boy Meets World at all? Did you were you? Did

0:12:33.600 --> 0:12:36.079
<v Speaker 1>you know maybe who we were? Did you think we worked.

0:12:35.880 --> 0:12:38.400
<v Speaker 4>At the con Listen? Is nothing against you, guys. I

0:12:38.400 --> 0:12:41.280
<v Speaker 4>didn't even know about say by the Bell. I mean,

0:12:42.960 --> 0:12:46.680
<v Speaker 4>if if it wasn't for the reruns, I don't think

0:12:46.720 --> 0:12:51.720
<v Speaker 4>we'd be talking uh now, because yeah, when we did

0:12:51.960 --> 0:12:55.400
<v Speaker 4>our show, I felt like it was in a vacuum. Yeah,

0:12:55.440 --> 0:12:57.960
<v Speaker 4>you know you we didn't have the Internet. The only

0:12:58.000 --> 0:13:00.439
<v Speaker 4>way that we knew we were successful. We would do

0:13:00.480 --> 0:13:04.520
<v Speaker 4>these like appearances in malls, or we would go do

0:13:04.600 --> 0:13:07.560
<v Speaker 4>a car show. You know, Comic cons weren't around, so

0:13:07.600 --> 0:13:10.400
<v Speaker 4>you didn't you didn't get to meet any fans that way.

0:13:11.520 --> 0:13:14.880
<v Speaker 4>But we really we really operated in our own little bubble.

0:13:16.679 --> 0:13:20.160
<v Speaker 4>Because I don't know about you guys. But after our seasons,

0:13:20.200 --> 0:13:22.920
<v Speaker 4>and there were multiple seasons, like if you add up

0:13:22.960 --> 0:13:24.920
<v Speaker 4>all the episodes, we did one hundred episodes, but over

0:13:24.960 --> 0:13:27.240
<v Speaker 4>the course of four years. But we do thirteen here

0:13:27.280 --> 0:13:29.880
<v Speaker 4>and maybe ten there. And I never had these full

0:13:29.920 --> 0:13:32.920
<v Speaker 4>seasons of like twenty two because we were a Saturday

0:13:32.960 --> 0:13:35.600
<v Speaker 4>morning show and I think it was just an experiment

0:13:35.679 --> 0:13:38.959
<v Speaker 4>for NBC. But after we were done, we'd go back

0:13:38.960 --> 0:13:41.320
<v Speaker 4>to our schools. I was in a public school at

0:13:41.360 --> 0:13:43.720
<v Speaker 4>the time, so it was the rest of the cast,

0:13:44.000 --> 0:13:49.600
<v Speaker 4>and no one really cared. I mean, people just thought like, oh,

0:13:49.600 --> 0:13:52.120
<v Speaker 4>he's just an actor. Nobody watched the show. Nobody was like, oh,

0:13:52.160 --> 0:13:55.040
<v Speaker 4>I saw you on that show, because at least my

0:13:55.120 --> 0:13:58.440
<v Speaker 4>show at that time, it was it wasn't the cool

0:13:58.480 --> 0:13:59.920
<v Speaker 4>show to watch, Like, if you were cool, you were

0:14:00.000 --> 0:14:02.840
<v Speaker 4>watching nine o two and oh yeah, right right. But

0:14:03.040 --> 0:14:06.120
<v Speaker 4>our show, you know, we dealt with you know, caffeine pills.

0:14:06.120 --> 0:14:08.839
<v Speaker 4>Don't get hooked on caffeine pills. Meanwhile, on nine o

0:14:08.920 --> 0:14:10.720
<v Speaker 4>two and oh, they were probably doing like Heroin, you know,

0:14:10.760 --> 0:14:14.360
<v Speaker 4>and that. Yeah, they were doing the cool stuff. And

0:14:15.520 --> 0:14:20.560
<v Speaker 4>so you know, I lived in normal existence as a child,

0:14:20.600 --> 0:14:21.480
<v Speaker 4>which was kind of cool.

0:14:21.760 --> 0:14:22.960
<v Speaker 3>Yeah. Same.

0:14:23.040 --> 0:14:26.000
<v Speaker 1>I had a very very similar experience, went to public school.

0:14:26.040 --> 0:14:27.640
<v Speaker 1>Every week we had off. I was back in that

0:14:27.680 --> 0:14:31.080
<v Speaker 1>public school. Nobody really cared, and we've all talked about it.

0:14:31.120 --> 0:14:33.000
<v Speaker 1>We felt like Ultimately, we felt like we were doing

0:14:33.040 --> 0:14:34.920
<v Speaker 1>a show kind of for our grandparents because they would

0:14:34.920 --> 0:14:36.760
<v Speaker 1>come to the live studio audience taping, so we know

0:14:36.880 --> 0:14:37.800
<v Speaker 1>they were watching it.

0:14:38.400 --> 0:14:40.800
<v Speaker 3>But outside of that, it wasn't really to.

0:14:41.000 --> 0:14:43.120
<v Speaker 2>A divide within our culture that I don't think is

0:14:43.160 --> 0:14:46.320
<v Speaker 2>there anymore between youth and grown up culture though too,

0:14:46.400 --> 0:14:49.160
<v Speaker 2>Like back then, like anything around kids, like even when

0:14:49.160 --> 0:14:51.960
<v Speaker 2>you think about it, like remember when boy bands, like

0:14:52.000 --> 0:14:54.760
<v Speaker 2>there was a way in which people were underestimating their value,

0:14:54.880 --> 0:14:59.200
<v Speaker 2>like yes, cause teenagers would love Backstreet and saying, but

0:14:59.280 --> 0:15:02.840
<v Speaker 2>like nobody realiz like, well that's those teenagers get older

0:15:02.920 --> 0:15:04.360
<v Speaker 2>and those are going to be the bands that they

0:15:04.400 --> 0:15:07.480
<v Speaker 2>listened to in their twenties. But it was not. It

0:15:07.560 --> 0:15:09.640
<v Speaker 2>was just like it was like a separate culture.

0:15:09.680 --> 0:15:09.840
<v Speaker 5>You know.

0:15:09.840 --> 0:15:12.080
<v Speaker 2>It's like if somebod was for kids, it wasn't to

0:15:12.080 --> 0:15:15.200
<v Speaker 2>be taken seriously. It wasn't a moneymaker. It wasn't cool.

0:15:15.520 --> 0:15:18.400
<v Speaker 2>And I think that's changed. I mean I'm assuming like

0:15:18.440 --> 0:15:21.120
<v Speaker 2>now it's like, well I'm now adults just love kids stuff.

0:15:21.640 --> 0:15:24.160
<v Speaker 5>You know how many twenty five and thirty year olds

0:15:24.200 --> 0:15:26.680
<v Speaker 5>were listening to en Sync and Backstreet Boys with their

0:15:26.680 --> 0:15:29.440
<v Speaker 5>windows rolled up, trying not to really along, like they

0:15:29.440 --> 0:15:31.720
<v Speaker 5>didn't want anybody to know that they were singing along

0:15:31.800 --> 0:15:33.720
<v Speaker 5>with the music that was happening all the time too.

0:15:33.800 --> 0:15:36.160
<v Speaker 4>Yeah, yea, I think I believe that was happening with

0:15:36.200 --> 0:15:38.440
<v Speaker 4>our shows as well. I mean there was nobody nobody

0:15:38.440 --> 0:15:42.520
<v Speaker 4>would would say that they you know, admit that they

0:15:42.560 --> 0:15:44.760
<v Speaker 4>watched Save by the Bell. Yeah, that was a Saturday

0:15:44.760 --> 0:15:48.000
<v Speaker 4>morning show. And now it's like a lot of athletes

0:15:48.000 --> 0:15:50.400
<v Speaker 4>and we go back to this, the sports talk is

0:15:50.400 --> 0:15:52.240
<v Speaker 4>that a lot of athletes will say, when we're on

0:15:52.280 --> 0:15:54.440
<v Speaker 4>the road, that's all we watched. That's all we that.

0:15:54.560 --> 0:15:59.040
<v Speaker 4>That was sort of like our familiarity, like our goodness

0:15:59.120 --> 0:16:02.440
<v Speaker 4>back to home of what we watch back home. But yeah,

0:16:03.000 --> 0:16:05.480
<v Speaker 4>it also you you talk about like the kids things.

0:16:05.480 --> 0:16:07.960
<v Speaker 4>But I felt like we had to stay in our lane.

0:16:08.520 --> 0:16:10.240
<v Speaker 4>That's how, at least how I felt like. If you

0:16:10.280 --> 0:16:13.560
<v Speaker 4>were an actor and you did TV, you stayed doing TV. Yeah,

0:16:13.560 --> 0:16:18.960
<v Speaker 4>and you didn't dare like nowadays. I mean, these kids,

0:16:19.440 --> 0:16:20.640
<v Speaker 4>these kids, I sound like an old man.

0:16:20.680 --> 0:16:22.880
<v Speaker 2>No, these young.

0:16:25.680 --> 0:16:29.960
<v Speaker 4>But it's true. The current generation, the current generation, I feel,

0:16:30.440 --> 0:16:33.640
<v Speaker 4>and rightly so gets to do so much more. And

0:16:33.680 --> 0:16:36.760
<v Speaker 4>good for them because I I I look back and

0:16:36.800 --> 0:16:38.760
<v Speaker 4>That's probably one of the biggest regrets is that I

0:16:38.840 --> 0:16:42.560
<v Speaker 4>didn't ask to do more. Like I was a bit

0:16:42.640 --> 0:16:46.480
<v Speaker 4>complacent in my career early on. I'm saying like, Okay,

0:16:46.600 --> 0:16:49.080
<v Speaker 4>I'm going to stay an actor. You don't you don't

0:16:49.120 --> 0:16:54.200
<v Speaker 4>do commercials, you don't do branding, you don't sing, you know,

0:16:54.240 --> 0:16:56.640
<v Speaker 4>and you definitely didn't do movies because you were a

0:16:56.680 --> 0:16:58.840
<v Speaker 4>young television actor. So it was like you didn't cross

0:16:58.840 --> 0:16:59.280
<v Speaker 4>that line.

0:16:59.400 --> 0:17:01.760
<v Speaker 5>But yeah, we had that same kind of thing because

0:17:01.800 --> 0:17:04.199
<v Speaker 5>when you were a Friday night show on TGIF, you

0:17:04.320 --> 0:17:07.879
<v Speaker 5>also weren't like we weren't. We were primetime, but we

0:17:07.880 --> 0:17:10.080
<v Speaker 5>weren't primetime. It was like a whole different thing where

0:17:10.119 --> 0:17:13.400
<v Speaker 5>you're on a kid's lineup and it's TGF. We were

0:17:13.440 --> 0:17:15.639
<v Speaker 5>not a Tuesday. It's like we talked to Jody Sweeten

0:17:15.680 --> 0:17:18.600
<v Speaker 5>and and uh Andrew Barber about how when they moved

0:17:18.600 --> 0:17:21.520
<v Speaker 5>to Tuesday, they were like, well, we're a real show now,

0:17:21.960 --> 0:17:24.600
<v Speaker 5>like we're getting we're leaving the Friday night lineup. We

0:17:24.640 --> 0:17:26.439
<v Speaker 5>all had that thing we were we were on a

0:17:26.600 --> 0:17:29.000
<v Speaker 5>kid's show, and it just we were we were put

0:17:29.040 --> 0:17:30.720
<v Speaker 5>in that kind of box all the time, which was

0:17:30.800 --> 0:17:34.120
<v Speaker 5>which was so strange. Yeah, yeah, because now we're the ones.

0:17:34.160 --> 0:17:35.760
<v Speaker 5>I'm sorry, but there's a lot of those Tuesday night

0:17:35.760 --> 0:17:38.159
<v Speaker 5>shows where people don't care about them. When you go

0:17:38.200 --> 0:17:40.359
<v Speaker 5>to the cons and it's the you know, Saved by

0:17:40.359 --> 0:17:42.160
<v Speaker 5>the Bell, Boy Meets World. These are the shows that

0:17:42.359 --> 0:17:45.199
<v Speaker 5>the fans are still loving to this day, and they

0:17:45.200 --> 0:17:46.679
<v Speaker 5>don't remember what they were watching Tuesday night.

0:17:46.720 --> 0:17:47.760
<v Speaker 2>They have no idea.

0:17:47.800 --> 0:17:48.960
<v Speaker 5>So it's so strange.

0:17:49.359 --> 0:17:51.720
<v Speaker 2>Mark, have you ever been recognized for Boy Meets World?

0:17:52.440 --> 0:17:58.080
<v Speaker 2>As anybody ever thought? Because I get recognized for I've

0:17:58.119 --> 0:18:00.520
<v Speaker 2>never on it, but people are like, you know, it's

0:18:00.520 --> 0:18:01.720
<v Speaker 2>like they could use shaken.

0:18:01.960 --> 0:18:03.359
<v Speaker 3>Yeah. Do you ever get mistaken?

0:18:03.480 --> 0:18:05.080
<v Speaker 2>It was like, oh that show with the kids in

0:18:05.160 --> 0:18:08.000
<v Speaker 2>high school, and like multiple times I just and I'm

0:18:08.000 --> 0:18:10.080
<v Speaker 2>always so happy because I could just say, nope, not me.

0:18:10.200 --> 0:18:13.280
<v Speaker 4>Don't know what you're talking about. I do what I

0:18:13.320 --> 0:18:17.040
<v Speaker 4>don't get. I think if I think back, maybe somebody

0:18:17.240 --> 0:18:19.000
<v Speaker 4>has said to me, you know, like, hey, where's the

0:18:19.040 --> 0:18:22.800
<v Speaker 4>panga right, you know, and I'm like, wrong show.

0:18:24.119 --> 0:18:27.600
<v Speaker 5>She's on a different show, and she's which.

0:18:27.560 --> 0:18:29.560
<v Speaker 4>In itself is a whole another thing like when they

0:18:29.560 --> 0:18:34.359
<v Speaker 4>say hey, where's Kelly, it's like, uh, you know, the

0:18:34.359 --> 0:18:36.520
<v Speaker 4>inappropriate things in my head that are going through when

0:18:36.520 --> 0:18:38.760
<v Speaker 4>somebody says that I have to go no, no, no no,

0:18:38.840 --> 0:18:42.280
<v Speaker 4>and then come out with, well, she's probably with her family,

0:18:42.440 --> 0:18:45.120
<v Speaker 4>you know, right and super appropriate nice.

0:18:45.320 --> 0:18:48.600
<v Speaker 5>It's like the terminator going through different possible responses before

0:18:48.640 --> 0:18:51.000
<v Speaker 5>you actually get.

0:18:50.119 --> 0:18:52.760
<v Speaker 1>I used to say, until I realized it probably sounded bad.

0:18:52.760 --> 0:18:54.400
<v Speaker 1>I used to say, it wasn't my day to watch him,

0:18:54.600 --> 0:18:56.800
<v Speaker 1>Like I said, Where's gory? Wasn't my day to watch him?

0:18:56.920 --> 0:18:59.639
<v Speaker 1>I knew make a joke.

0:18:59.520 --> 0:18:59.800
<v Speaker 2>Out of it.

0:19:00.119 --> 0:19:03.439
<v Speaker 3>I always just because yeah, I just always respond with that.

0:19:03.480 --> 0:19:05.200
<v Speaker 1>And then I was like, does that sound like somebody

0:19:05.200 --> 0:19:08.560
<v Speaker 1>that Ben needs a babysitter? Like it's not actually on Ben,

0:19:08.640 --> 0:19:11.440
<v Speaker 1>it's more so anyway, there's really no right way to

0:19:11.480 --> 0:19:12.240
<v Speaker 1>answer that question.

0:19:12.600 --> 0:19:17.639
<v Speaker 4>I mean I will deliberately, like if I'm texting with

0:19:17.680 --> 0:19:21.240
<v Speaker 4>my friends and they'll say something I don't know in

0:19:21.560 --> 0:19:25.240
<v Speaker 4>the and we're just joking around, I'll basically threw out

0:19:25.240 --> 0:19:31.000
<v Speaker 4>a meme of James Vanderbeek and basically say it's me,

0:19:31.520 --> 0:19:34.080
<v Speaker 4>you know, like I think that's the closest. Like people

0:19:34.200 --> 0:19:38.680
<v Speaker 4>like the three name thing to James James, like even

0:19:38.720 --> 0:19:41.720
<v Speaker 4>though it's it's not and we're kind of Dutch and

0:19:42.200 --> 0:19:44.840
<v Speaker 4>the whole thing, and we have big foreheads and you

0:19:44.880 --> 0:19:47.520
<v Speaker 4>know it's like like, oh, it's it's that guy.

0:19:47.880 --> 0:19:51.840
<v Speaker 1>And so right, yeah, we all we all get lumped

0:19:51.880 --> 0:19:54.280
<v Speaker 1>together in some in some way, it's just white.

0:19:54.359 --> 0:19:55.480
<v Speaker 4>We're white. We all look alike.

0:19:55.680 --> 0:19:56.639
<v Speaker 2>Yes, that is true.

0:19:57.200 --> 0:20:00.320
<v Speaker 5>Well, I always get right, I get that all the time. Yeah,

0:20:00.320 --> 0:20:02.639
<v Speaker 5>you're the best. Yeah you're what's it like being Corey's

0:20:02.640 --> 0:20:04.119
<v Speaker 5>best friend. I'm always like, yeah, I don't know.

0:20:04.160 --> 0:20:06.359
<v Speaker 2>Ask writer. Yeah, people have made like in jokes they're

0:20:06.400 --> 0:20:08.800
<v Speaker 2>like sneak attack or like things, and I'm like, I

0:20:08.840 --> 0:20:09.800
<v Speaker 2>don't think that was me.

0:20:10.000 --> 0:20:12.720
<v Speaker 5>Maybe that will Yeah.

0:20:12.680 --> 0:20:15.840
<v Speaker 4>Do you guys remember do you guys remember like scenarios

0:20:15.920 --> 0:20:19.040
<v Speaker 4>and and like do you remember things for the show?

0:20:19.720 --> 0:20:23.000
<v Speaker 3>Writer and I do not. Will remembers a lot, but.

0:20:22.920 --> 0:20:25.440
<v Speaker 5>We old creepy memory. You not.

0:20:25.800 --> 0:20:28.639
<v Speaker 1>But yet there are a lot of episodes where you

0:20:29.119 --> 0:20:29.960
<v Speaker 1>have no memory of that.

0:20:30.119 --> 0:20:31.720
<v Speaker 5>Yeah, no, and I do. And we've we found a

0:20:31.720 --> 0:20:33.119
<v Speaker 5>lot where I have no memory. But then when I

0:20:33.160 --> 0:20:36.440
<v Speaker 5>do have a memory, it's usually pretty clear and then

0:20:36.520 --> 0:20:38.879
<v Speaker 5>I can kind of branch it out to other memories

0:20:38.920 --> 0:20:42.119
<v Speaker 5>of things that happened that week. Yeah, I'm just a

0:20:42.119 --> 0:20:43.600
<v Speaker 5>bizarre memory's for me.

0:20:43.640 --> 0:20:45.520
<v Speaker 2>It's a clear set of priorities because I remember what

0:20:45.560 --> 0:20:47.560
<v Speaker 2>was happening in my personal life, and I remember like

0:20:47.600 --> 0:20:50.560
<v Speaker 2>what was going on in our relationships behind the scenes

0:20:50.560 --> 0:20:53.199
<v Speaker 2>pretty clearly, but I have no idea what was in

0:20:53.200 --> 0:20:56.080
<v Speaker 2>front of the Yeah, the show's I just was phoning

0:20:56.080 --> 0:20:58.840
<v Speaker 2>it in by second season, like or just turning off

0:20:58.840 --> 0:21:00.359
<v Speaker 2>that part of my brain. It was like, this is

0:21:00.400 --> 0:21:03.399
<v Speaker 2>just the job. So yeah, no clue, that's very very weird,

0:21:03.760 --> 0:21:05.200
<v Speaker 2>do you, Mark, Paul No.

0:21:05.400 --> 0:21:08.760
<v Speaker 4>And and I've said this to some of my other

0:21:08.840 --> 0:21:11.280
<v Speaker 4>castmates as well as that and writer you hit it.

0:21:11.280 --> 0:21:13.840
<v Speaker 4>It was a job. And so I think if you

0:21:13.960 --> 0:21:17.840
<v Speaker 4>asked anyone in their careers what they did today at work,

0:21:18.240 --> 0:21:20.560
<v Speaker 4>they wouldn't know, but they might have an idea of

0:21:20.560 --> 0:21:22.359
<v Speaker 4>what they did for lunch because they met with a

0:21:22.359 --> 0:21:25.520
<v Speaker 4>friend exactly, they had a personal experience. But for us,

0:21:25.520 --> 0:21:28.520
<v Speaker 4>it was a job and and and yeah, it was

0:21:28.640 --> 0:21:29.800
<v Speaker 4>it was a blur. I don't know if I did

0:21:29.840 --> 0:21:34.720
<v Speaker 4>that to protect myself, because it was probably overwhelming for

0:21:34.760 --> 0:21:37.960
<v Speaker 4>that age to be in that environment and to be

0:21:38.000 --> 0:21:41.320
<v Speaker 4>doing what we were doing. But I do remember a

0:21:41.359 --> 0:21:45.600
<v Speaker 4>lot of like the relationship moments, and and actually I

0:21:45.600 --> 0:21:47.879
<v Speaker 4>remember a lot when we were on location because it

0:21:47.920 --> 0:21:50.399
<v Speaker 4>was a departure from a weird a weird space.

0:21:50.520 --> 0:21:55.359
<v Speaker 5>Yeah, it changes. Human beings are so adaptable that no

0:21:55.400 --> 0:21:57.600
<v Speaker 5>matter what you're doing, even if it's amazing to somebody else.

0:21:57.600 --> 0:21:59.800
<v Speaker 5>I mean, the last two men that walked in the

0:21:59.800 --> 0:22:01.400
<v Speaker 5>moon were up there for three days, and they said,

0:22:01.440 --> 0:22:02.959
<v Speaker 5>by the third day, they were waking up like, oh,

0:22:02.960 --> 0:22:04.159
<v Speaker 5>we have a job to do today. We have to

0:22:04.240 --> 0:22:05.640
<v Speaker 5>do this, we have to do it, like they're going

0:22:05.680 --> 0:22:07.400
<v Speaker 5>by the checklist. It's like, dude, you're on the moon.

0:22:08.240 --> 0:22:09.479
<v Speaker 2>They don't. You just get used to it.

0:22:09.480 --> 0:22:11.600
<v Speaker 5>So it's like you're doing a show and one Tuesday

0:22:11.680 --> 0:22:14.520
<v Speaker 5>runs into another Tuesday and it's a rehearsal day and.

0:22:14.800 --> 0:22:17.359
<v Speaker 2>You don't know what is an amnesiac quality to sitcom

0:22:17.400 --> 0:22:19.600
<v Speaker 2>form in general too, It's like, because the whole point

0:22:19.600 --> 0:22:21.359
<v Speaker 2>of sitcom is that characters show up and do the

0:22:21.359 --> 0:22:23.520
<v Speaker 2>same thing that they did last week, right, and then

0:22:23.600 --> 0:22:26.440
<v Speaker 2>like learn their lesson, but they don't really come back

0:22:26.440 --> 0:22:28.440
<v Speaker 2>and do it again. So it's like the form lends

0:22:28.520 --> 0:22:31.400
<v Speaker 2>itself to like I mean, I remember feeling like, haven't

0:22:31.440 --> 0:22:35.679
<v Speaker 2>we done this a million? I remember these words exactly this,

0:22:35.800 --> 0:22:38.399
<v Speaker 2>and you just and that's part of the you know,

0:22:38.440 --> 0:22:41.280
<v Speaker 2>the sort of comic strip quality of sitcom. It's like,

0:22:41.320 --> 0:22:41.720
<v Speaker 2>you can't.

0:22:41.800 --> 0:22:44.119
<v Speaker 5>That's one of the reasons I'm convinced that sitcom is

0:22:44.119 --> 0:22:46.080
<v Speaker 5>no longer around those is because of streaming.

0:22:46.240 --> 0:22:47.840
<v Speaker 2>Exactly, you can't because binging.

0:22:48.000 --> 0:22:50.679
<v Speaker 5>You either forget the binge binging and streaming you can't

0:22:50.720 --> 0:22:52.440
<v Speaker 5>do that kind of just that we can do the

0:22:52.480 --> 0:22:54.119
<v Speaker 5>same story we did three weeks ago, and it's not

0:22:54.119 --> 0:22:56.080
<v Speaker 5>going to matter anymore. It doesn't work like that anymore.

0:22:56.119 --> 0:22:57.919
<v Speaker 2>No, it used to actually be essential because it was

0:22:58.040 --> 0:23:01.240
<v Speaker 2>a reminder of like, remember who these character, Let's reset

0:23:01.240 --> 0:23:03.840
<v Speaker 2>the situation so we can enjoy it. Now you're like, well,

0:23:03.880 --> 0:23:06.520
<v Speaker 2>you just watched it five seconds ago, the last episode,

0:23:06.520 --> 0:23:07.640
<v Speaker 2>so yeah, it's really weird.

0:23:07.800 --> 0:23:10.200
<v Speaker 1>Well, we've talked a lot about how Boy Meets World

0:23:10.240 --> 0:23:12.560
<v Speaker 1>was a really great example of the messy eighties and

0:23:12.640 --> 0:23:16.080
<v Speaker 1>nineties sitcomcasting, where you would do a pilot and then

0:23:16.160 --> 0:23:17.920
<v Speaker 1>all of a sudden people would just be gone, and

0:23:18.359 --> 0:23:20.600
<v Speaker 1>then they need to bring in new people, or you

0:23:20.720 --> 0:23:22.359
<v Speaker 1>do a full episode or a full week and then

0:23:22.400 --> 0:23:25.400
<v Speaker 1>somebody's gone on the day of taping. You haven't even

0:23:25.440 --> 0:23:29.040
<v Speaker 1>crazier experience because you started with good morning, Miss Bliss

0:23:29.040 --> 0:23:29.640
<v Speaker 1>on Disney.

0:23:30.200 --> 0:23:33.479
<v Speaker 3>Do you remember auditioning for that and how old were you?

0:23:35.720 --> 0:23:39.879
<v Speaker 4>I believe I was twelve when I auditioned for that.

0:23:41.280 --> 0:23:47.119
<v Speaker 4>I remember auditioning for it because I had spent the

0:23:47.200 --> 0:23:50.960
<v Speaker 4>summer in Texas, in Harlingen, Texas, and I was going

0:23:51.000 --> 0:23:54.080
<v Speaker 4>to a Marine military academy. I wanted to go to

0:23:54.080 --> 0:23:57.280
<v Speaker 4>a Marine military academy for high school and I had

0:23:57.320 --> 0:24:02.439
<v Speaker 4>to go to this camp to basically be accepted. So

0:24:02.480 --> 0:24:04.000
<v Speaker 4>it was like a sort of like a boot camp.

0:24:04.480 --> 0:24:08.640
<v Speaker 4>And got back. My hair was really short. They obviously

0:24:08.680 --> 0:24:11.440
<v Speaker 4>buzzed it, and I was starting to grow out a

0:24:11.440 --> 0:24:13.960
<v Speaker 4>little and this is I'd been home now for a month.

0:24:14.000 --> 0:24:15.760
<v Speaker 4>I started grow out a little bit. My mom put

0:24:15.840 --> 0:24:21.280
<v Speaker 4>highlights in my hair, and the rest is history with

0:24:22.400 --> 0:24:25.119
<v Speaker 4>that character. But I remember auditioning for that, and I

0:24:25.160 --> 0:24:27.600
<v Speaker 4>remember Dustin Diamond being in the room with me. That's

0:24:27.640 --> 0:24:30.920
<v Speaker 4>the only other one that I remember, because I remember going,

0:24:30.960 --> 0:24:34.120
<v Speaker 4>if this kid isn't screech, I don't know who is right?

0:24:34.160 --> 0:24:34.480
<v Speaker 1>He was?

0:24:35.800 --> 0:24:39.800
<v Speaker 4>He was? He was incredible. But yeah, we did a

0:24:39.840 --> 0:24:44.879
<v Speaker 4>season of that, I think thirteen episodes, and then again

0:24:44.920 --> 0:24:46.960
<v Speaker 4>it was like, okay, we wrapped. We had a wrap

0:24:47.040 --> 0:24:52.880
<v Speaker 4>party and no word until they said, oh, we've We've

0:24:52.880 --> 0:24:55.680
<v Speaker 4>decided to, you know, spin it off into a show

0:24:55.720 --> 0:24:58.919
<v Speaker 4>called Saved by the Bell And we love the character

0:24:58.920 --> 0:25:01.600
<v Speaker 4>of Zach and we're going to take you and Lark

0:25:01.800 --> 0:25:05.360
<v Speaker 4>Vorhees and Dustin Diamond. We're going to put you in

0:25:05.480 --> 0:25:08.080
<v Speaker 4>a school in Pacific Palisades and we're gonna add some characters.

0:25:09.400 --> 0:25:12.920
<v Speaker 4>That was that. That wasn't easy to say goodbye to

0:25:13.359 --> 0:25:16.240
<v Speaker 4>the other cast mates, you know. Yeah, and our business

0:25:16.280 --> 0:25:20.720
<v Speaker 4>is like that. It's like, why didn't they cross over?

0:25:21.000 --> 0:25:23.520
<v Speaker 4>I have no idea. It was a decision that was

0:25:23.560 --> 0:25:25.720
<v Speaker 4>beyond my pay grade.

0:25:25.800 --> 0:25:29.080
<v Speaker 3>But yeah, isn't that crazy though?

0:25:29.080 --> 0:25:30.760
<v Speaker 1>We talk about that all the time, and I think

0:25:30.920 --> 0:25:32.879
<v Speaker 1>we take it for granted because it's just how we

0:25:32.920 --> 0:25:35.639
<v Speaker 1>grew up. But like, that's a weird thing as a

0:25:35.680 --> 0:25:38.960
<v Speaker 1>team to go to work week after week And did

0:25:39.000 --> 0:25:41.280
<v Speaker 1>you have a fear then after that ever of like

0:25:41.560 --> 0:25:44.120
<v Speaker 1>it could be me next, Like did you ever? Yeah,

0:25:44.160 --> 0:25:46.159
<v Speaker 1>it's a weird feeling to just like every week you're like,

0:25:46.200 --> 0:25:47.520
<v Speaker 1>this could be the week I get fired.

0:25:47.720 --> 0:25:51.680
<v Speaker 4>I have that fear now. I mean it hasn't gone away.

0:25:51.720 --> 0:25:53.280
<v Speaker 4>I have the fear, you know that I'm going to

0:25:53.359 --> 0:25:55.680
<v Speaker 4>get fired off my show that I suck. That you

0:25:55.720 --> 0:25:58.199
<v Speaker 4>know that when they write up about it, they're the

0:25:58.240 --> 0:26:00.119
<v Speaker 4>only person they're going to say that sucks is me.

0:26:00.760 --> 0:26:04.000
<v Speaker 4>Put the blame on me. I mean that, I remember

0:26:04.040 --> 0:26:08.800
<v Speaker 4>my first time I was rejected. I mean that's basically

0:26:08.880 --> 0:26:11.320
<v Speaker 4>it is like you go for an audition, you know,

0:26:11.880 --> 0:26:13.879
<v Speaker 4>you just you don't get the job, and then you

0:26:13.920 --> 0:26:16.960
<v Speaker 4>have to explain, you know, why you didn't get the job,

0:26:17.000 --> 0:26:18.840
<v Speaker 4>and then a lot of the times there's no explanation.

0:26:18.920 --> 0:26:20.560
<v Speaker 4>You kind of have to just go, well, you know,

0:26:20.600 --> 0:26:22.560
<v Speaker 4>move on to the next thing. But I actually got

0:26:22.560 --> 0:26:26.400
<v Speaker 4>a commercial for Whammo and I was on the set

0:26:26.720 --> 0:26:30.639
<v Speaker 4>and yeah, I don't know. All I know is I

0:26:30.680 --> 0:26:35.480
<v Speaker 4>was fired and they sent me as a consolation, they

0:26:35.520 --> 0:26:37.919
<v Speaker 4>sent me a big box of Wammo toys.

0:26:38.320 --> 0:26:40.040
<v Speaker 3>Oh my gosh, you're kidding me.

0:26:40.400 --> 0:26:43.000
<v Speaker 4>Yeah, how old were you I was? I mean it

0:26:43.080 --> 0:26:44.400
<v Speaker 4>had to be before ten years old.

0:26:44.680 --> 0:26:46.240
<v Speaker 3>So when did you start acting?

0:26:46.800 --> 0:26:51.719
<v Speaker 4>I got my SAG card in eighty four, so I

0:26:51.760 --> 0:26:53.840
<v Speaker 4>was ten. But before that I was doing commercials. So

0:26:53.880 --> 0:26:59.600
<v Speaker 4>I started print work four years old, and then you know,

0:26:59.600 --> 0:27:04.000
<v Speaker 4>commercial and theatrical eventually when I was ten, when I started,

0:27:04.200 --> 0:27:05.760
<v Speaker 4>I think I did like Highway to Heaven and Punky

0:27:05.800 --> 0:27:07.800
<v Speaker 4>Bruister and things like that. But the good thing about

0:27:07.840 --> 0:27:11.240
<v Speaker 4>being fired off that commercial and it's a it's a

0:27:11.280 --> 0:27:14.240
<v Speaker 4>happy ending in some ways because we became friends and

0:27:14.600 --> 0:27:17.920
<v Speaker 4>sad and another. But it was Paul Walker that took

0:27:17.960 --> 0:27:21.040
<v Speaker 4>my that took took over for me, uh in that commercial,

0:27:21.240 --> 0:27:23.840
<v Speaker 4>and that was like my my arch nemesis, and we

0:27:23.840 --> 0:27:28.320
<v Speaker 4>were friends growing up. But he was like the more talented,

0:27:28.400 --> 0:27:33.200
<v Speaker 4>better looking guy. Like if you wanted a real California kid,

0:27:33.520 --> 0:27:35.199
<v Speaker 4>you went with Paul Walker. I mean he was just

0:27:35.200 --> 0:27:38.240
<v Speaker 4>a you know, a beautiful human being those eyes and

0:27:38.240 --> 0:27:40.760
<v Speaker 4>the hair and things like that, because I was just,

0:27:41.119 --> 0:27:44.639
<v Speaker 4>you know, in half an Aonesian half Dutch kid that

0:27:44.800 --> 0:27:48.919
<v Speaker 4>was acting like a California kid. But Paul was like

0:27:48.960 --> 0:27:51.760
<v Speaker 4>the epitome of like if you if if you couldn't

0:27:52.080 --> 0:27:55.679
<v Speaker 4>get Paul, we'll take Mark Paul. Now.

0:27:55.760 --> 0:27:58.399
<v Speaker 5>Wait, so that's a good question because I also had

0:27:58.840 --> 0:28:01.000
<v Speaker 5>a childhood rival who booked everything.

0:28:01.560 --> 0:28:02.080
<v Speaker 2>Did you really?

0:28:02.320 --> 0:28:04.679
<v Speaker 5>Oh yeah, his name was Mike Moran, And the second

0:28:04.680 --> 0:28:06.280
<v Speaker 5>he would walk in, you'd be like, well I don't

0:28:06.280 --> 0:28:08.400
<v Speaker 5>need to be here anymore. Like this is he booked

0:28:08.680 --> 0:28:10.720
<v Speaker 5>every commercial he went out for it was like the

0:28:10.760 --> 0:28:13.439
<v Speaker 5>Michael Jordan and the Tree how like every every single

0:28:13.440 --> 0:28:15.359
<v Speaker 5>thing he walked in, you knew you were done. So,

0:28:15.560 --> 0:28:19.560
<v Speaker 5>Danielle Ryder, did you have any childhood like you that

0:28:19.680 --> 0:28:21.520
<v Speaker 5>you saw this person in every audition he knew they

0:28:21.520 --> 0:28:22.159
<v Speaker 5>were going to book it.

0:28:22.640 --> 0:28:24.399
<v Speaker 2>Oh, it was always Elijah Wood for me. It was

0:28:24.440 --> 0:28:27.320
<v Speaker 2>like him and me just always came down to like

0:28:27.440 --> 0:28:28.879
<v Speaker 2>the two of us, or if I didn't get a part,

0:28:28.880 --> 0:28:30.800
<v Speaker 2>I would always find out it went to him and

0:28:30.920 --> 0:28:33.680
<v Speaker 2>Charlie Korsmo too. I lost, like, yeah, Charlie Korsmo only

0:28:33.680 --> 0:28:35.960
<v Speaker 2>did like three movies, but I was up for all

0:28:36.000 --> 0:28:38.320
<v Speaker 2>three of them. He just kept getting.

0:28:38.080 --> 0:28:40.080
<v Speaker 5>There and there are movies. Yeah, he had four or

0:28:40.120 --> 0:28:41.120
<v Speaker 5>five in a row there that way.

0:28:41.520 --> 0:28:43.760
<v Speaker 2>Yeah, he did his three Disney films. You remember how

0:28:43.760 --> 0:28:45.880
<v Speaker 2>Disney used to if you did one film, they would

0:28:45.920 --> 0:28:48.360
<v Speaker 2>get a contract for all for three. That's how Disney worked.

0:28:48.760 --> 0:28:51.640
<v Speaker 2>And so he did his three Disneys and then left.

0:28:51.760 --> 0:28:53.840
<v Speaker 2>I think he got back into the industry later, but

0:28:53.840 --> 0:28:56.320
<v Speaker 2>but yeah, but Elijah Wood was the one who I

0:28:56.360 --> 0:28:58.480
<v Speaker 2>always felt good about losing a role too, because I

0:28:58.520 --> 0:29:01.520
<v Speaker 2>was like, well, he's so talented, Well this kid could

0:29:01.560 --> 0:29:03.680
<v Speaker 2>actually really act, Like I feel like I'm just making

0:29:03.720 --> 0:29:05.320
<v Speaker 2>it up, but he actually knows what he's doing.

0:29:05.840 --> 0:29:07.000
<v Speaker 3>No, I didn't really have that.

0:29:07.080 --> 0:29:09.880
<v Speaker 1>I mean on Boy Meets World, I was the replacement,

0:29:10.360 --> 0:29:12.640
<v Speaker 1>so I was the nemesis.

0:29:14.000 --> 0:29:29.400
<v Speaker 3>Yes, okay, so you okay, you Lark, Dustin Diamonds.

0:29:29.520 --> 0:29:31.800
<v Speaker 1>Dustin diamond and Dennis Haskins are the only are the

0:29:31.800 --> 0:29:34.400
<v Speaker 1>only people who were brought back for this retooling as

0:29:34.440 --> 0:29:37.520
<v Speaker 1>Saved by the Bell. Do you remember if there was

0:29:37.600 --> 0:29:40.440
<v Speaker 1>any sort of like did they make anybody and maybe

0:29:40.440 --> 0:29:42.040
<v Speaker 1>you don't know, do you know if they made anybody

0:29:42.040 --> 0:29:44.320
<v Speaker 1>who had already had their part, like re audition like

0:29:44.440 --> 0:29:46.680
<v Speaker 1>try to do it again or did they just start

0:29:46.720 --> 0:29:47.360
<v Speaker 1>from scratch?

0:29:49.280 --> 0:29:53.040
<v Speaker 4>Yeah? I all I know is what I've heard. I

0:29:53.040 --> 0:29:57.440
<v Speaker 4>think Elizabeth had auditioned for Tiffany's role, so the Kelly

0:29:57.480 --> 0:30:01.960
<v Speaker 4>and Jesse rolls, and then Lark's role of Lisa even

0:30:02.200 --> 0:30:04.560
<v Speaker 4>before you know, on Miss Bliss, it was supposed to

0:30:04.640 --> 0:30:09.360
<v Speaker 4>be like a like a Jewish American princess, like that

0:30:09.560 --> 0:30:12.880
<v Speaker 4>was her role. They were trying to find someone like that,

0:30:12.960 --> 0:30:15.160
<v Speaker 4>and then Lark just killed it because she was so talented,

0:30:15.360 --> 0:30:17.680
<v Speaker 4>so great, and they went with her. But yeah, I

0:30:17.760 --> 0:30:20.920
<v Speaker 4>think that the roles like Elizabeth was trying out for

0:30:21.120 --> 0:30:25.080
<v Speaker 4>Kelly and that didn't go her way, but they you know,

0:30:25.280 --> 0:30:28.080
<v Speaker 4>and yeah, Mario's role, I think they were looking for

0:30:28.120 --> 0:30:31.000
<v Speaker 4>like a Vinnie Barberino type. That's what he said, is

0:30:31.040 --> 0:30:33.800
<v Speaker 4>like you know that that sort of in that vein.

0:30:34.800 --> 0:30:36.920
<v Speaker 4>But he was so talented as well. I mean I

0:30:37.320 --> 0:30:39.720
<v Speaker 4>really felt on that show that I was that I

0:30:39.840 --> 0:30:43.560
<v Speaker 4>was the sandbag in it all, like the ballast that

0:30:43.600 --> 0:30:47.000
<v Speaker 4>could be thrown over because everyone was so talented, like

0:30:47.320 --> 0:30:49.560
<v Speaker 4>Mario was like a drummer and an athlete, like a

0:30:50.080 --> 0:30:54.920
<v Speaker 4>national champion wrestler and a dancer, and you know, Dustin

0:30:55.040 --> 0:30:58.040
<v Speaker 4>was funny, and Elizabeth was a dancer as well, and

0:30:58.520 --> 0:31:00.880
<v Speaker 4>you know, I don't know, it was it was. It

0:31:00.920 --> 0:31:01.560
<v Speaker 4>was a mess for me.

0:31:02.160 --> 0:31:05.040
<v Speaker 5>If we could talk very briefly about Dustin Diamond, because

0:31:05.280 --> 0:31:10.320
<v Speaker 5>he kind of pioneered that role, that role of like

0:31:10.440 --> 0:31:12.720
<v Speaker 5>I mean, he was Rkle before Erkele he was. I mean,

0:31:12.760 --> 0:31:16.080
<v Speaker 5>he kind of came in as that character and he

0:31:16.240 --> 0:31:19.040
<v Speaker 5>invented an entire kind of television trope. I mean, he

0:31:19.080 --> 0:31:21.320
<v Speaker 5>really did. It was. It was something especially as a

0:31:21.400 --> 0:31:23.920
<v Speaker 5>kid that I was watching where it was like the

0:31:24.160 --> 0:31:28.720
<v Speaker 5>kind of so wacky Clowney. It's it's I know people

0:31:28.720 --> 0:31:30.600
<v Speaker 5>are gonna be like, you've got to be me when

0:31:30.640 --> 0:31:33.719
<v Speaker 5>you make this comparison. But if there's something false staff

0:31:33.760 --> 0:31:37.720
<v Speaker 5>about I mean, there's something almost Shakespearean about the character

0:31:37.800 --> 0:31:41.520
<v Speaker 5>where it is the kind of he's not really bullied,

0:31:41.640 --> 0:31:44.080
<v Speaker 5>but he's the he can come into a bad situation

0:31:44.200 --> 0:31:47.920
<v Speaker 5>make everybody laugh. And so I just if you could

0:31:47.960 --> 0:31:49.840
<v Speaker 5>talk a little bit about that, because there there are

0:31:50.000 --> 0:31:54.040
<v Speaker 5>so many characters now that are kind of based on that,

0:31:54.640 --> 0:31:56.280
<v Speaker 5>and it seemed like he was the first, and I

0:31:56.320 --> 0:31:59.680
<v Speaker 5>frankly don't think he gets nearly enough credit for what

0:31:59.720 --> 0:32:02.960
<v Speaker 5>he's done in the history of television when you really

0:32:02.960 --> 0:32:03.760
<v Speaker 5>look at it that way.

0:32:03.880 --> 0:32:10.600
<v Speaker 4>Yeah, yeah, I mean, yeah, no, I never really looked

0:32:10.600 --> 0:32:13.120
<v Speaker 4>at it that way because how I felt about my

0:32:13.200 --> 0:32:16.440
<v Speaker 4>character when I when I read the script, and because

0:32:16.640 --> 0:32:18.640
<v Speaker 4>Zach was talking to the camera, I was immediately drawn

0:32:18.680 --> 0:32:21.440
<v Speaker 4>to Ferris Bueller, and I was like, oh, well, I

0:32:21.480 --> 0:32:24.120
<v Speaker 4>get to play Ferris Bueller. This is amazing. And so

0:32:24.520 --> 0:32:30.160
<v Speaker 4>I guess Dustin's character would have been the Cameron the camera. Yeah,

0:32:30.520 --> 0:32:36.400
<v Speaker 4>in in a way, but even more goofy in a way.

0:32:36.480 --> 0:32:39.880
<v Speaker 4>And and and yeah, you just play I mean and

0:32:39.880 --> 0:32:43.040
<v Speaker 4>that's the thing like seeing dustin in the audition room.

0:32:43.040 --> 0:32:46.080
<v Speaker 4>It's like, that's that because you read a script in

0:32:46.120 --> 0:32:48.880
<v Speaker 4>your in your mind's and you sort of like you

0:32:49.560 --> 0:32:51.840
<v Speaker 4>try to put the pieces together who that could be,

0:32:52.200 --> 0:32:54.440
<v Speaker 4>who's out there that can that can play that role,

0:32:55.360 --> 0:32:59.040
<v Speaker 4>and then you actually see it and he just embodied

0:32:59.080 --> 0:33:02.120
<v Speaker 4>that character. I mean I and and producers and writers

0:33:02.160 --> 0:33:04.360
<v Speaker 4>will always say this is that they have an idea

0:33:04.360 --> 0:33:06.520
<v Speaker 4>of what a character should be in, but when you're

0:33:06.560 --> 0:33:08.400
<v Speaker 4>on set, they start writing for you. And they just

0:33:08.440 --> 0:33:10.800
<v Speaker 4>started writing for his strengths. And he was so good

0:33:10.800 --> 0:33:14.640
<v Speaker 4>at physical comedy at such a young age, like some

0:33:14.680 --> 0:33:16.240
<v Speaker 4>of the things that he used to do. And we

0:33:16.240 --> 0:33:18.280
<v Speaker 4>always laugh about that is like we had no stunt

0:33:18.320 --> 0:33:23.120
<v Speaker 4>coordinators on Saved by the bel ever like nowadays. If

0:33:24.080 --> 0:33:25.960
<v Speaker 4>for instance, I was I was on a show for

0:33:25.960 --> 0:33:29.280
<v Speaker 4>for Disney and my wife on the show had to

0:33:29.360 --> 0:33:31.760
<v Speaker 4>hit me with her purse and I had to fall

0:33:31.800 --> 0:33:32.479
<v Speaker 4>to my knees.

0:33:32.760 --> 0:33:33.000
<v Speaker 5>Yep.

0:33:34.000 --> 0:33:36.280
<v Speaker 4>It was like, I mean, they had a stund.

0:33:36.920 --> 0:33:38.880
<v Speaker 3>Danny Wayne was there for you, Oh.

0:33:38.680 --> 0:33:39.680
<v Speaker 2>My god, exactly.

0:33:39.760 --> 0:33:42.600
<v Speaker 4>They had They had knee pads on me. They had

0:33:42.640 --> 0:33:47.000
<v Speaker 4>an armadillo backpack just in case I fouled backwards pads

0:33:47.000 --> 0:33:49.800
<v Speaker 4>on the floor. They had to teacher how to throw

0:33:49.840 --> 0:33:53.320
<v Speaker 4>a purse, and I remember my uh my wife on

0:33:53.400 --> 0:33:55.320
<v Speaker 4>that show is Tika Sumpter. She's like, just give me

0:33:55.360 --> 0:33:58.120
<v Speaker 4>the purse and she liked the place hits me. I

0:33:58.200 --> 0:34:00.880
<v Speaker 4>fall down and know we use that, but they were

0:34:00.920 --> 0:34:02.400
<v Speaker 4>they were in shock. They're like, oh my gosh, you

0:34:02.400 --> 0:34:05.880
<v Speaker 4>can't do that. Yeah, you guys okay. But on Save

0:34:05.920 --> 0:34:08.600
<v Speaker 4>by the Belt, I mean people always ask me about that,

0:34:08.600 --> 0:34:11.279
<v Speaker 4>that scene between Mario and I where we fight and

0:34:11.320 --> 0:34:15.080
<v Speaker 4>he actually throws me over and like uh and and

0:34:15.239 --> 0:34:18.720
<v Speaker 4>punches me on the ground, and that was like real.

0:34:19.000 --> 0:34:24.399
<v Speaker 4>I mean Mario was a was a champion wrestlers. Yeah,

0:34:24.440 --> 0:34:27.040
<v Speaker 4>he kicked me. He literally kicked my ass. There was

0:34:27.080 --> 0:34:29.600
<v Speaker 4>no stunt people on set and there was nobody. There

0:34:29.640 --> 0:34:32.239
<v Speaker 4>was no coordinators. It's like in the script it says

0:34:32.239 --> 0:34:34.080
<v Speaker 4>they fight, and so they said, what do you guys

0:34:34.080 --> 0:34:36.040
<v Speaker 4>feel like doing. Mario goes, I'm gonna do this. It

0:34:36.040 --> 0:34:38.040
<v Speaker 4>puts me on my back and starts punching me.

0:34:38.360 --> 0:34:41.439
<v Speaker 3>Yeah, we also very much the same thing. We've talked

0:34:41.480 --> 0:34:41.759
<v Speaker 3>about it.

0:34:41.760 --> 0:34:43.839
<v Speaker 1>We've seen a few little things where were like, wow,

0:34:43.880 --> 0:34:45.799
<v Speaker 1>that was like a that was real. He really kicked you,

0:34:45.840 --> 0:34:47.440
<v Speaker 1>and it's like, oh, yeah, I think we used to

0:34:47.480 --> 0:34:48.560
<v Speaker 1>do all of those back then.

0:34:48.800 --> 0:34:49.240
<v Speaker 4>We were.

0:34:51.280 --> 0:34:53.040
<v Speaker 2>On fire today like all right, let's go.

0:34:53.400 --> 0:34:56.040
<v Speaker 1>Yeah, there's a super Bowl episode where I jump on

0:34:56.400 --> 0:34:58.920
<v Speaker 1>Ben's back and then he flings me off and I

0:34:58.920 --> 0:35:01.360
<v Speaker 1>go flying across the kitchen and the people have commented like,

0:35:01.480 --> 0:35:02.200
<v Speaker 1>how did you do that?

0:35:02.320 --> 0:35:03.840
<v Speaker 3>Or it looks so real? What did you land on?

0:35:03.880 --> 0:35:05.560
<v Speaker 2>It was like, oh no, I just just got thrown

0:35:05.600 --> 0:35:06.000
<v Speaker 2>to the ground.

0:35:06.719 --> 0:35:08.400
<v Speaker 3>Yeah, it was fine.

0:35:08.280 --> 0:35:11.680
<v Speaker 1>Yes, So eventually Elizabeth Berkeley and Tiffany and berthisa and

0:35:11.760 --> 0:35:14.800
<v Speaker 1>left the show in the final season. Did you ever

0:35:14.920 --> 0:35:17.200
<v Speaker 1>have the fear that you were forever going to be

0:35:17.480 --> 0:35:22.400
<v Speaker 1>just Zach Morris And how did you so successfully overcome that?

0:35:22.480 --> 0:35:24.640
<v Speaker 3>I'm asking for three friends.

0:35:27.400 --> 0:35:33.600
<v Speaker 4>Again. Yes, I was very worried about that and watching

0:35:33.880 --> 0:35:38.160
<v Speaker 4>Tiffany and watching Elizabeth go off. You know, you don't

0:35:38.200 --> 0:35:41.240
<v Speaker 4>know when the right moment would be, and I totally

0:35:41.280 --> 0:35:47.120
<v Speaker 4>respected their decision and was behind it. I didn't feel

0:35:47.160 --> 0:35:51.680
<v Speaker 4>I would have a problem with being typecast because I

0:35:51.719 --> 0:35:56.120
<v Speaker 4>was playing this character. I wouldn't. I didn't look like

0:35:56.280 --> 0:36:00.960
<v Speaker 4>Zach in my personal life, you know, I'd have to

0:36:01.000 --> 0:36:03.080
<v Speaker 4>sit in the chair every two weeks and get my

0:36:03.120 --> 0:36:05.919
<v Speaker 4>hair dyed. And it was a character that I thought

0:36:05.960 --> 0:36:11.240
<v Speaker 4>I was playing. But yeah, you're people in the industry

0:36:11.280 --> 0:36:13.320
<v Speaker 4>and people outside of the industry who watch the show,

0:36:13.360 --> 0:36:15.960
<v Speaker 4>they see you as that character, and even to this day,

0:36:16.040 --> 0:36:18.919
<v Speaker 4>people are like, oh, wait, where's your blonde hair?

0:36:19.360 --> 0:36:19.560
<v Speaker 5>Right?

0:36:19.920 --> 0:36:22.279
<v Speaker 4>I was like, yeah, that was that was fake. Did

0:36:22.719 --> 0:36:25.160
<v Speaker 4>you not notice, like season of season it was a

0:36:25.160 --> 0:36:28.440
<v Speaker 4>different color every season, Like there is nothing on a

0:36:28.520 --> 0:36:30.840
<v Speaker 4>driver's license that you could check to say what color

0:36:30.880 --> 0:36:34.439
<v Speaker 4>that was. Yeah, it's like a it's a weird leopardy thing,

0:36:34.920 --> 0:36:39.879
<v Speaker 4>platinum blonde. So for me, I didn't think I would

0:36:39.880 --> 0:36:44.120
<v Speaker 4>have an issue because it was that character that I created.

0:36:46.080 --> 0:36:50.000
<v Speaker 4>But those three years after it was really really hard,

0:36:50.080 --> 0:36:53.400
<v Speaker 4>and I had a really hard time breaking out of

0:36:53.440 --> 0:36:55.200
<v Speaker 4>that character because I'd walk into the room and it

0:36:55.239 --> 0:36:58.359
<v Speaker 4>would call for you know, this California kid, And again

0:36:58.400 --> 0:37:01.440
<v Speaker 4>we talked about this, like Paul Walker was kid, I

0:37:01.600 --> 0:37:04.560
<v Speaker 4>was not, And so I'd walk in and you know,

0:37:05.840 --> 0:37:07.920
<v Speaker 4>where's your hair? You look like you look nothing like

0:37:08.000 --> 0:37:11.240
<v Speaker 4>Zach and it's like yeah, yeah, And it took about

0:37:11.280 --> 0:37:14.560
<v Speaker 4>three years for me to sort of get the opportunity,

0:37:14.680 --> 0:37:18.279
<v Speaker 4>and I remember it was for a a movie of

0:37:18.320 --> 0:37:22.000
<v Speaker 4>the Week. Do they even do those anymore? No, unfortunately,

0:37:22.320 --> 0:37:23.880
<v Speaker 4>But it was a Movie of the Week for NBC

0:37:24.560 --> 0:37:31.239
<v Speaker 4>opposite Cameron Burret. Yeah, and I played a pretty despicable

0:37:31.320 --> 0:37:33.640
<v Speaker 4>character and that sort of broke that broke me out

0:37:33.680 --> 0:37:36.880
<v Speaker 4>of that role for a while, or the Zach Morris

0:37:37.960 --> 0:37:41.000
<v Speaker 4>image for a while. But we still get it. I mean,

0:37:41.160 --> 0:37:43.400
<v Speaker 4>in comic cons people will always say, like, you know,

0:37:43.760 --> 0:37:45.520
<v Speaker 4>I like you better as a blonde, like oh okay,

0:37:45.800 --> 0:37:47.040
<v Speaker 4>oh yeah nice.

0:37:46.960 --> 0:37:50.640
<v Speaker 3>Yes, yes people. Yeah, people don't think that there.

0:37:50.680 --> 0:37:54.200
<v Speaker 1>They think they're just saying facts or but they don't

0:37:54.200 --> 0:37:57.480
<v Speaker 1>realize that sometimes the thing that the comments they make

0:37:57.520 --> 0:37:58.600
<v Speaker 1>are actually hurtful.

0:37:59.400 --> 0:38:01.680
<v Speaker 3>They don't tend to be, but they can be.

0:38:02.800 --> 0:38:05.239
<v Speaker 1>I think a lot of people were shocked when you

0:38:05.280 --> 0:38:07.120
<v Speaker 1>did a bit on Jimmy Fallon in two thousand and

0:38:07.200 --> 0:38:10.400
<v Speaker 1>nine for many reasons. Number one, you showed the world

0:38:10.400 --> 0:38:12.800
<v Speaker 1>that you didn't look a day older than you did

0:38:12.920 --> 0:38:14.759
<v Speaker 1>on Bayside High at Base I had.

0:38:14.680 --> 0:38:19.440
<v Speaker 4>Help, I had help, did you well? So I remember

0:38:19.480 --> 0:38:21.840
<v Speaker 4>that because I was promoting a show that I was

0:38:21.840 --> 0:38:26.600
<v Speaker 4>on called Raising the Bar for Stephen Botchko, and I

0:38:26.640 --> 0:38:29.960
<v Speaker 4>remember we were going to do the press tour, you know,

0:38:30.000 --> 0:38:33.000
<v Speaker 4>for the launch of the show, and they said, oh,

0:38:33.280 --> 0:38:34.719
<v Speaker 4>we want you to do Fallon. I was like, oh,

0:38:34.719 --> 0:38:36.120
<v Speaker 4>that's great, and I knew that Fallon, you know, with

0:38:36.160 --> 0:38:38.640
<v Speaker 4>his background at SML and they and his show was

0:38:38.680 --> 0:38:41.280
<v Speaker 4>relatively new at that time, but they were doing skits

0:38:41.280 --> 0:38:44.040
<v Speaker 4>and having fun on the show. Wasn't just like your

0:38:44.320 --> 0:38:49.000
<v Speaker 4>your typical late night paradigm. So I remember talking to

0:38:49.040 --> 0:38:53.359
<v Speaker 4>the producer and asking if I could come on the show,

0:38:53.400 --> 0:38:58.040
<v Speaker 4>because that's when things were people were trying to find

0:38:58.080 --> 0:39:01.279
<v Speaker 4>things that went viral, and when they went viral, it

0:39:01.320 --> 0:39:03.719
<v Speaker 4>was you know, obviously like a lot of a lot

0:39:03.760 --> 0:39:06.919
<v Speaker 4>of looks, and I was thinking, how can we I'm

0:39:06.920 --> 0:39:08.800
<v Speaker 4>not a very viral guy, Like, there's nothing that I

0:39:08.840 --> 0:39:10.759
<v Speaker 4>do that people are gonna be like, oh gosh, I

0:39:10.760 --> 0:39:14.040
<v Speaker 4>can't believe he did that. But I thought, what could

0:39:14.080 --> 0:39:18.040
<v Speaker 4>I do? And and that came up, and as a

0:39:18.080 --> 0:39:21.040
<v Speaker 4>thought was to go on his show as Zach Morris.

0:39:21.400 --> 0:39:26.360
<v Speaker 4>And I remember talking with either Jimmy or one of

0:39:26.400 --> 0:39:29.240
<v Speaker 4>his producers, but they said, oh, we love that idea,

0:39:29.840 --> 0:39:32.399
<v Speaker 4>but then we'll cut to a commercial and you'll come

0:39:32.400 --> 0:39:34.880
<v Speaker 4>back and you'll be Mark Paul. And I said, no,

0:39:35.280 --> 0:39:37.440
<v Speaker 4>I want to do the whole thing as Zach Morris,

0:39:37.840 --> 0:39:40.960
<v Speaker 4>never breaking character, and I want to say, like, you know,

0:39:41.120 --> 0:39:45.400
<v Speaker 4>Zach Morris, I'm the real Zach Morris. Mark Paul Gosler

0:39:45.560 --> 0:39:48.920
<v Speaker 4>is my stage name on SAG, because there was already

0:39:48.920 --> 0:39:52.400
<v Speaker 4>a Zach Morris, and I'm on this new show raising

0:39:52.440 --> 0:39:54.200
<v Speaker 4>the Bar. And you know, I wanted to play because

0:39:54.200 --> 0:39:57.520
<v Speaker 4>everybody would call me Zach anyway, so I'm gonna I'm

0:39:57.560 --> 0:39:59.959
<v Speaker 4>gonna play into that. They all think, name this character,

0:40:00.160 --> 0:40:02.400
<v Speaker 4>so let's do it. And so what I say is

0:40:02.480 --> 0:40:06.799
<v Speaker 4>why I had help looking young is because I scrambled

0:40:06.840 --> 0:40:10.520
<v Speaker 4>to find a wig like Zach Morris, because obviously my

0:40:10.560 --> 0:40:12.399
<v Speaker 4>hair wasn't like that. So I was wearing a wig.

0:40:12.440 --> 0:40:15.680
<v Speaker 4>I scrambled all over the valley looking for this wig.

0:40:15.760 --> 0:40:18.759
<v Speaker 4>Finally founded at this professional wig maker, but it was

0:40:18.760 --> 0:40:22.600
<v Speaker 4>two sizes too small. So I put it on and

0:40:22.640 --> 0:40:24.520
<v Speaker 4>I was like, it looks great. Let's go, and I

0:40:24.520 --> 0:40:28.000
<v Speaker 4>hopped on a flight, went to Yes. I went, and

0:40:28.040 --> 0:40:32.000
<v Speaker 4>so when I put it on, it gave me a

0:40:32.000 --> 0:40:35.120
<v Speaker 4>complete facelift. It looked amazing. I had no wrinkles in

0:40:35.200 --> 0:40:38.000
<v Speaker 4>my forehead, my eyes were pulled back. I looked youthful.

0:40:38.040 --> 0:40:38.840
<v Speaker 4>I was like that.

0:40:40.000 --> 0:40:42.480
<v Speaker 2>So that's why the name of the wig maker.

0:40:42.520 --> 0:40:44.880
<v Speaker 5>I'm gonna need that.

0:40:46.560 --> 0:40:49.880
<v Speaker 4>So they pulled everything back and it came out exactly

0:40:49.920 --> 0:40:51.560
<v Speaker 4>how I wanted it to. We had a we had

0:40:51.560 --> 0:40:54.680
<v Speaker 4>a great time, and then when the whole cast joined in,

0:40:54.760 --> 0:40:57.640
<v Speaker 4>that was even better. And uh and and you know,

0:40:57.840 --> 0:41:01.239
<v Speaker 4>I think I think Jimmy is or she responsible for

0:41:01.360 --> 0:41:05.880
<v Speaker 4>why there was such a desire to do a reboot

0:41:05.920 --> 0:41:06.319
<v Speaker 4>of the show.

0:41:07.400 --> 0:41:10.239
<v Speaker 1>Wow, man, I cannot believe that was your idea to

0:41:10.280 --> 0:41:11.279
<v Speaker 1>do that fallon bit.

0:41:11.320 --> 0:41:14.480
<v Speaker 3>That's so smart. That's so smart and so cool.

0:41:14.920 --> 0:41:18.520
<v Speaker 4>And it was awesome because also working with one of

0:41:18.600 --> 0:41:21.000
<v Speaker 4>his producers, Mike Decenzo was the guy that was the

0:41:21.000 --> 0:41:23.440
<v Speaker 4>producer writer on the show, and he was a he

0:41:23.560 --> 0:41:27.040
<v Speaker 4>was an adamant fan of the show and was like

0:41:27.040 --> 0:41:31.400
<v Speaker 4>an encyclopedia uh for it. And I said, I wanted,

0:41:31.480 --> 0:41:34.400
<v Speaker 4>I want to be married to Kelly, I want to

0:41:34.440 --> 0:41:36.480
<v Speaker 4>talk about my s A T scores, I want to

0:41:36.520 --> 0:41:38.920
<v Speaker 4>talk about certain things. And so he was able to

0:41:38.960 --> 0:41:42.320
<v Speaker 4>plug those and it was an eleven page script that

0:41:42.320 --> 0:41:44.920
<v Speaker 4>that we did and it turned out great. And Jimmy

0:41:45.000 --> 0:41:48.400
<v Speaker 4>is just so good and so funny and such a

0:41:49.640 --> 0:41:53.440
<v Speaker 4>great person to bounce these things off of. We had it.

0:41:53.440 --> 0:41:55.839
<v Speaker 4>We had a really good time. I do it again

0:41:55.840 --> 0:41:56.440
<v Speaker 4>in a heartbeat.

0:41:56.800 --> 0:41:57.560
<v Speaker 3>That's so cool.

0:41:58.360 --> 0:41:59.799
<v Speaker 1>A lot of fans you even mentioned at A lot

0:41:59.800 --> 0:42:02.600
<v Speaker 1>of fans focus on the caffeine pills episode or the

0:42:02.680 --> 0:42:05.839
<v Speaker 1>zach attacks, But I really want to know more about

0:42:05.920 --> 0:42:09.200
<v Speaker 1>one particular tag you guys all did for an episode

0:42:09.320 --> 0:42:14.360
<v Speaker 1>called No Hope with Dope. Movie star Johnny Dakota visits

0:42:14.360 --> 0:42:17.399
<v Speaker 1>the school to shoot an anti drug PSA, but then

0:42:17.800 --> 0:42:20.800
<v Speaker 1>they see him smoking marijuana at a house party.

0:42:20.920 --> 0:42:21.839
<v Speaker 2>They see smoke.

0:42:22.080 --> 0:42:27.400
<v Speaker 3>He's doing a jail Joe doing a j smoking the marijuana.

0:42:27.760 --> 0:42:30.560
<v Speaker 1>At the end of the episode, the cast appears in

0:42:30.680 --> 0:42:34.880
<v Speaker 1>character with the NBC network president at the time and

0:42:35.000 --> 0:42:38.919
<v Speaker 1>a truly terrible actor, Brandon Tartakoff. It was a say

0:42:38.960 --> 0:42:42.240
<v Speaker 1>not to drugs commercial scene where it's a postmodern fourth

0:42:42.280 --> 0:42:45.080
<v Speaker 1>wall explosion, And I just want to ask you, what

0:42:45.160 --> 0:42:47.279
<v Speaker 1>do you remember about shooting that?

0:42:47.600 --> 0:42:48.680
<v Speaker 2>Do you remember it at all?

0:42:49.480 --> 0:42:51.640
<v Speaker 4>I don't remember it. By looking back, I can only

0:42:51.719 --> 0:42:53.480
<v Speaker 4>imagine that I was thinking, like, God, I hope they

0:42:53.520 --> 0:42:55.799
<v Speaker 4>don't smell weed on me at this point.

0:42:56.120 --> 0:42:57.000
<v Speaker 2>That's what I was thinking.

0:42:58.640 --> 0:43:07.000
<v Speaker 4>I wasn't a big I wasn't a big marijuana type guy.

0:43:06.800 --> 0:43:07.920
<v Speaker 2>But but you were older.

0:43:08.400 --> 0:43:10.799
<v Speaker 4>But yeah, we were older. And I would say that

0:43:12.000 --> 0:43:15.839
<v Speaker 4>since sixteen I was in clubs in LA. I mean

0:43:15.880 --> 0:43:18.840
<v Speaker 4>it was. I mean, thinking back to that's so weird

0:43:18.880 --> 0:43:20.879
<v Speaker 4>to think of, Like if I saw a sixteen year

0:43:20.880 --> 0:43:23.240
<v Speaker 4>old in a club. Now, when I see a sixteen

0:43:23.280 --> 0:43:24.880
<v Speaker 4>year old in a restaurant, I'm like, what are you

0:43:24.960 --> 0:43:29.480
<v Speaker 4>doing here? Yeah? It feels weird, right, I mean, I

0:43:29.560 --> 0:43:34.239
<v Speaker 4>mean a club with other actors, young actors from the

0:43:34.280 --> 0:43:35.799
<v Speaker 4>time I don't want to throw anybody on the bus

0:43:35.840 --> 0:43:39.959
<v Speaker 4>with some pretty big names. Now and we're in bar one,

0:43:40.239 --> 0:43:44.360
<v Speaker 4>we're at the Roxbury. I remember being taken to my

0:43:44.440 --> 0:43:47.879
<v Speaker 4>first club by Sleigh Moon and Fry when I think

0:43:47.880 --> 0:43:50.560
<v Speaker 4>I was thirteen. We went to like this this club

0:43:50.560 --> 0:43:53.160
<v Speaker 4>in LA that was fourteen jeans.

0:43:53.239 --> 0:43:55.080
<v Speaker 1>I remember that under I never went to it, but

0:43:55.120 --> 0:43:57.600
<v Speaker 1>I've heard a lot about it, this like teen club

0:43:57.640 --> 0:43:59.440
<v Speaker 1>that existed that a lot.

0:44:00.160 --> 0:44:04.080
<v Speaker 4>Yeah, Yeah, but it wasn't I was. I was a kid,

0:44:04.360 --> 0:44:07.960
<v Speaker 4>I remember, I was. And I really lived in a

0:44:08.080 --> 0:44:10.120
<v Speaker 4>in a bubble. I lived outside of the city. I

0:44:10.160 --> 0:44:12.480
<v Speaker 4>lived in Valencia, which is outside of Los Angeles. For

0:44:12.480 --> 0:44:15.680
<v Speaker 4>anybody that knows, it's it's sort of like a planned community,

0:44:15.680 --> 0:44:17.799
<v Speaker 4>a lot of track homes and things like that. But

0:44:18.200 --> 0:44:21.560
<v Speaker 4>my upbringing, my mother would listen to to k Earth

0:44:21.600 --> 0:44:24.160
<v Speaker 4>one oh one and it was like a lot of

0:44:24.200 --> 0:44:28.880
<v Speaker 4>like Elvis and Ella Fitzgerald and you know, Fats Domino

0:44:28.960 --> 0:44:34.360
<v Speaker 4>and stuff, and so that was my musical uh education.

0:44:35.000 --> 0:44:38.440
<v Speaker 4>And so I'm I remember before like Slay's like, we're

0:44:38.440 --> 0:44:39.879
<v Speaker 4>gonna meet at this club. We're gonna go to a club.

0:44:40.680 --> 0:44:42.840
<v Speaker 3>That's what it was called Ballistics at the Roxy?

0:44:43.719 --> 0:44:45.200
<v Speaker 4>Is that what it was called the Tea Club?

0:44:45.280 --> 0:44:47.360
<v Speaker 2>Yeah, it was. It was the place above the Roxy

0:44:47.400 --> 0:44:49.200
<v Speaker 2>because there was also like on the Rocks, which was

0:44:49.239 --> 0:44:51.400
<v Speaker 2>like the little club. I remember going there for birthday

0:44:51.440 --> 0:44:54.040
<v Speaker 2>parties and stuff. But okay, but Ballistics was like.

0:44:54.080 --> 0:44:56.440
<v Speaker 1>The name of the teen club. Yeah, it was like

0:44:56.200 --> 0:44:58.920
<v Speaker 1>the team one Ballistics.

0:44:59.200 --> 0:45:02.880
<v Speaker 4>But I remember like being so anxious of not knowing

0:45:02.960 --> 0:45:07.040
<v Speaker 4>like current music, and I'm thinking, like, oh, I hope

0:45:07.040 --> 0:45:09.000
<v Speaker 4>they play Elvis at this place, because then I could

0:45:09.080 --> 0:45:12.360
<v Speaker 4>kind of I could sing along or dance along, you know,

0:45:12.400 --> 0:45:15.200
<v Speaker 4>if they're playing Like I walk in and they're playing

0:45:15.200 --> 0:45:18.840
<v Speaker 4>two Live Crew and all the guys are on one side,

0:45:19.120 --> 0:45:22.760
<v Speaker 4>all the girls are on the other side, and they're singing, Hey,

0:45:22.920 --> 0:45:28.600
<v Speaker 4>we want some right right, And on the other side,

0:45:28.640 --> 0:45:31.680
<v Speaker 4>the girls are going, hey, we want some dic K

0:45:32.000 --> 0:45:35.600
<v Speaker 4>and I'm like, I'm thirteen, and this is what this

0:45:35.680 --> 0:45:36.480
<v Speaker 4>was my exposure.

0:45:36.600 --> 0:45:38.600
<v Speaker 3>You're like, where's the Ella Fitzgerald Room?

0:45:38.719 --> 0:45:43.000
<v Speaker 5>Yeah, this Elvis never sung about.

0:45:40.440 --> 0:45:46.239
<v Speaker 4>That was my exposure to the LA night scene. And

0:45:46.280 --> 0:45:49.400
<v Speaker 4>then cut to three years later where I'm on my

0:45:49.440 --> 0:45:52.960
<v Speaker 4>own show and you're let into these clubs and then

0:45:53.000 --> 0:45:56.680
<v Speaker 4>we're doing a psa of don't you know, there's no

0:45:56.680 --> 0:45:58.640
<v Speaker 4>hope of dope, which was fine with me because I

0:45:58.640 --> 0:46:01.280
<v Speaker 4>could I could say that I wasn't a really big

0:46:01.320 --> 0:46:04.719
<v Speaker 4>dope guy, right, So my thing was maybe to have

0:46:05.280 --> 0:46:10.239
<v Speaker 4>a few like light beers or whatever. Yeah, I'm sort

0:46:10.239 --> 0:46:15.080
<v Speaker 4>of sugarcoating that, but you know the the for those listeners.

0:46:16.360 --> 0:46:18.239
<v Speaker 4>But yeah, we were just it was it was a

0:46:18.239 --> 0:46:20.440
<v Speaker 4>different time and again there was no social media, so

0:46:20.480 --> 0:46:23.480
<v Speaker 4>you could just be a kid and your lessons. And

0:46:23.520 --> 0:46:25.359
<v Speaker 4>by the time I was nineteen, I was over it.

0:46:25.400 --> 0:46:27.400
<v Speaker 4>I was done. I didn't want to do it anymore.

0:46:28.480 --> 0:46:30.600
<v Speaker 4>And I just feel like that that's sort of lost

0:46:30.719 --> 0:46:33.759
<v Speaker 4>for some of these kids that are growing up in

0:46:33.760 --> 0:46:36.520
<v Speaker 4>this industry now, is that they're just they can't experiment

0:46:36.560 --> 0:46:41.239
<v Speaker 4>with somebody having an opinion about everything that they do.

0:46:42.040 --> 0:46:45.040
<v Speaker 1>So it's terrifying. Your kids are. How old are you

0:46:45.080 --> 0:46:46.440
<v Speaker 1>have two older kids?

0:46:46.880 --> 0:46:48.680
<v Speaker 4>I have a nineteen year old and a seventeen year old.

0:46:49.120 --> 0:46:53.760
<v Speaker 1>I can't I mean, it has to be so scary

0:46:53.880 --> 0:46:55.840
<v Speaker 1>to be the parent of a nineteen and a seventeen

0:46:55.880 --> 0:46:57.359
<v Speaker 1>year old right now, with just all the things you're

0:46:57.400 --> 0:47:00.320
<v Speaker 1>talking about, because I think about it all the time,

0:47:00.800 --> 0:47:04.560
<v Speaker 1>how lucky we were that we barely got by.

0:47:05.080 --> 0:47:07.759
<v Speaker 3>We were the last little bit of the.

0:47:07.640 --> 0:47:09.759
<v Speaker 1>Generation that didn't have to deal with that, with the

0:47:09.800 --> 0:47:13.759
<v Speaker 1>constant pressure of everything you say and think being put

0:47:13.760 --> 0:47:16.600
<v Speaker 1>immediately onto the internet, and then every single one of

0:47:16.600 --> 0:47:20.799
<v Speaker 1>those thoughts and opinions and you know whatever being judged immediately.

0:47:20.880 --> 0:47:23.359
<v Speaker 1>I just, oh, my gosh, I can't even imagine it.

0:47:23.400 --> 0:47:25.279
<v Speaker 1>So how do you deal with that with your kids?

0:47:26.280 --> 0:47:28.960
<v Speaker 4>Well, first of all, I'm not on social anymore. I

0:47:29.320 --> 0:47:31.239
<v Speaker 4>took myself off about a year and a half ago.

0:47:31.440 --> 0:47:36.560
<v Speaker 4>I just couldn't do it. I feel like I have

0:47:36.680 --> 0:47:41.960
<v Speaker 4>pretty thick skin, but honestly, it's just like even that's

0:47:42.000 --> 0:47:44.560
<v Speaker 4>an effort to have thick skin, right, So it's like,

0:47:44.600 --> 0:47:46.239
<v Speaker 4>why why even deal with it? So I took I

0:47:46.280 --> 0:47:50.319
<v Speaker 4>took myself off and how we deal with it With

0:47:50.360 --> 0:47:53.759
<v Speaker 4>the kids, I've just been blessed, I think with some

0:47:53.840 --> 0:47:56.680
<v Speaker 4>really good kids. I mean I have a pretty good

0:47:56.719 --> 0:47:59.719
<v Speaker 4>relationship with my kids. You know, I still go to

0:47:59.719 --> 0:48:01.799
<v Speaker 4>better every night and think that I could do better

0:48:01.840 --> 0:48:04.920
<v Speaker 4>and be better. It's just a thing as a parent,

0:48:05.280 --> 0:48:07.719
<v Speaker 4>I think you do. It's like you never feel like

0:48:07.719 --> 0:48:10.720
<v Speaker 4>you're getting it right, and you know there's there's there's

0:48:10.760 --> 0:48:16.840
<v Speaker 4>so many different ways and and and and avenues that

0:48:16.920 --> 0:48:19.040
<v Speaker 4>you can take and it's like are you doing the

0:48:19.080 --> 0:48:23.719
<v Speaker 4>right thing, and you just you just never know. But

0:48:23.840 --> 0:48:27.120
<v Speaker 4>with my my two older ones, they're they're they're good

0:48:27.120 --> 0:48:32.040
<v Speaker 4>that way. They have a strong identity. I don't think

0:48:32.080 --> 0:48:34.680
<v Speaker 4>they're on. I mean, my my daughter checks out her

0:48:34.719 --> 0:48:37.279
<v Speaker 4>social a little bit, but I don't think she's she's

0:48:37.840 --> 0:48:42.080
<v Speaker 4>tied to it and and that that is not her identity.

0:48:43.160 --> 0:48:45.680
<v Speaker 4>She's really into art and my my son is really

0:48:45.680 --> 0:48:53.240
<v Speaker 4>into music. And yeah, I I I would say limit

0:48:53.360 --> 0:48:56.839
<v Speaker 4>the social and and uh, you know, if you could

0:48:56.880 --> 0:49:00.560
<v Speaker 4>take it away, I would do it, and a heartbeat,

0:49:01.120 --> 0:49:03.960
<v Speaker 4>I would wipe it all away. Yeah, because I just

0:49:03.960 --> 0:49:08.040
<v Speaker 4>don't see the good and for especially for younger people

0:49:09.080 --> 0:49:09.719
<v Speaker 4>to be on it.

0:49:10.120 --> 0:49:12.080
<v Speaker 1>Well, I watched I saw a video of you not

0:49:12.120 --> 0:49:14.319
<v Speaker 1>that long ago, so it was obviously from you said

0:49:14.320 --> 0:49:15.560
<v Speaker 1>you got off at a year and a half ago,

0:49:15.560 --> 0:49:17.280
<v Speaker 1>but I thought it was it was one of the greatest,

0:49:17.560 --> 0:49:19.480
<v Speaker 1>one of the greatest videos I had ever seen on

0:49:19.520 --> 0:49:22.200
<v Speaker 1>like TikTok or Instagram or wherever it was. But you

0:49:22.239 --> 0:49:24.480
<v Speaker 1>were talking about I think your daughter, one of your

0:49:24.480 --> 0:49:26.120
<v Speaker 1>younger kids. You had picked up and they had had

0:49:26.160 --> 0:49:27.440
<v Speaker 1>like a bad day and they were kind of in

0:49:27.520 --> 0:49:30.799
<v Speaker 1>a bad mood, and you had her do something your

0:49:30.840 --> 0:49:33.120
<v Speaker 1>mom used to have you do, which was pick an

0:49:33.120 --> 0:49:37.000
<v Speaker 1>orange and peel an orange. Like she was peeling an orange.

0:49:37.040 --> 0:49:39.600
<v Speaker 1>That's something about the activity of actually having to peel

0:49:39.600 --> 0:49:41.920
<v Speaker 1>the orange. And then she was walking behind you in

0:49:41.920 --> 0:49:44.320
<v Speaker 1>the video and like walked up and said she had pooped.

0:49:44.840 --> 0:49:45.839
<v Speaker 2>She was no, I'm not.

0:49:45.880 --> 0:49:49.399
<v Speaker 1>My producer husband just asked me, are you making this up?

0:49:50.239 --> 0:49:53.400
<v Speaker 1>It was one hundred percent you and you had this cute,

0:49:53.440 --> 0:49:54.800
<v Speaker 1>you know, this cute little girl with you was like

0:49:54.880 --> 0:49:56.759
<v Speaker 1>walking and talking in the background. Who walked up and

0:49:56.760 --> 0:49:58.879
<v Speaker 1>then it was like, what's that you pooped your pants? Okay, great,

0:49:58.880 --> 0:49:59.160
<v Speaker 1>but it.

0:49:59.080 --> 0:50:02.280
<v Speaker 2>Was the video, how yeah, did this actually happen?

0:50:02.680 --> 0:50:05.160
<v Speaker 4>Because it seems like I almost I almost feel like

0:50:05.200 --> 0:50:06.480
<v Speaker 4>this is Vanderbik.

0:50:06.160 --> 0:50:07.160
<v Speaker 2>Maybe James Vanderby.

0:50:07.680 --> 0:50:08.960
<v Speaker 4>I think it might be Vandibek.

0:50:09.080 --> 0:50:11.360
<v Speaker 2>I think it is Vanderbeek. Is it Vanderbeek?

0:50:11.480 --> 0:50:13.200
<v Speaker 3>Oh my god's James Vanderbek.

0:50:13.480 --> 0:50:16.440
<v Speaker 1>Oh yeah, I'm just realizing right now it was totally

0:50:16.480 --> 0:50:19.839
<v Speaker 1>James vanderbe Happy that just happened.

0:50:19.560 --> 0:50:22.600
<v Speaker 4>And I am so happy as well, because I like,

0:50:22.680 --> 0:50:25.279
<v Speaker 4>I watched Vanderbeek's videos every once in a while, like

0:50:25.360 --> 0:50:28.040
<v Speaker 4>I'll see a pompa. My wife will say, because we're friends,

0:50:28.080 --> 0:50:31.640
<v Speaker 4>we're acquaintances. And I think he has like six kids.

0:50:32.200 --> 0:50:32.759
<v Speaker 4>So yeah, the.

0:50:34.360 --> 0:50:35.880
<v Speaker 1>Reasons I thought it was you was because there were

0:50:35.920 --> 0:50:37.200
<v Speaker 1>like a lot of kids, and I was like, oh,

0:50:37.200 --> 0:50:38.040
<v Speaker 1>I just met Mark Paul.

0:50:38.080 --> 0:50:40.239
<v Speaker 2>He's got a bunch of kids like that.

0:50:40.520 --> 0:50:43.759
<v Speaker 4>That's totally Vanderby, And I think Vanderbeek actually we had

0:50:43.760 --> 0:50:47.520
<v Speaker 4>the same RV. We actually had the exact same RV,

0:50:47.600 --> 0:50:50.799
<v Speaker 4>and at some point he was like spending a lot

0:50:50.800 --> 0:50:52.239
<v Speaker 4>of time. I don't know if he was living out

0:50:52.239 --> 0:50:54.480
<v Speaker 4>of that RV or what, but I would see the

0:50:55.360 --> 0:50:58.520
<v Speaker 4>chaos behind him. So that does that does sound like

0:50:58.520 --> 0:51:00.600
<v Speaker 4>a Vanderbeek moment where.

0:51:00.040 --> 0:51:01.759
<v Speaker 3>It wasn't our. It was like a lot.

0:51:01.840 --> 0:51:03.239
<v Speaker 1>They were on like a lot of land, like on

0:51:03.280 --> 0:51:04.920
<v Speaker 1>a farm or something. And I was like, yeah, this

0:51:05.000 --> 0:51:06.480
<v Speaker 1>that's with everything you just told me.

0:51:07.640 --> 0:51:08.080
<v Speaker 4>You did it.

0:51:08.200 --> 0:51:09.200
<v Speaker 2>You did it well.

0:51:09.239 --> 0:51:11.160
<v Speaker 1>If you want to call me Winnie Cooper, you know,

0:51:11.480 --> 0:51:12.799
<v Speaker 1>if you want to do any of that to me,

0:51:12.920 --> 0:51:14.280
<v Speaker 1>it's just totally fine.

0:51:14.320 --> 0:51:16.480
<v Speaker 3>I will accept any of it.

0:51:17.040 --> 0:51:23.319
<v Speaker 2>This is my favorite day. It will cry no.

0:51:23.520 --> 0:51:25.560
<v Speaker 4>And that's the thing. I've never put my kids on

0:51:25.560 --> 0:51:29.080
<v Speaker 4>on on social I'm I'm pretty protective that way. I

0:51:29.120 --> 0:51:33.279
<v Speaker 4>think we take photos, but they're from a distance. And

0:51:33.320 --> 0:51:35.600
<v Speaker 4>this is when I was on it, and I would

0:51:35.600 --> 0:51:37.800
<v Speaker 4>only take photos if like we were gifted a trip

0:51:37.840 --> 0:51:40.400
<v Speaker 4>to you know, Universal studios, you have to do the

0:51:40.440 --> 0:51:44.640
<v Speaker 4>obligatory photo, but that'd be far away. And I I'm

0:51:44.760 --> 0:51:47.480
<v Speaker 4>I'm you know, I don't judge. Like I know, there's

0:51:47.520 --> 0:51:49.680
<v Speaker 4>a lot of people that that put their kids on

0:51:49.800 --> 0:51:53.520
<v Speaker 4>It's just not for me. I remember one time, very

0:51:53.520 --> 0:51:58.960
<v Speaker 4>early on, uh in my son's life, we went to

0:51:59.080 --> 0:52:03.160
<v Speaker 4>a h and my son's name is Michael, who's now seventeen.

0:52:03.200 --> 0:52:07.840
<v Speaker 4>But we went to a function and somebody took a

0:52:07.880 --> 0:52:11.920
<v Speaker 4>photo of us and in like one of the comments,

0:52:12.040 --> 0:52:13.400
<v Speaker 4>it was, you know, and at that time it was

0:52:13.400 --> 0:52:15.640
<v Speaker 4>only like People magazine or you know, there would be

0:52:15.760 --> 0:52:20.759
<v Speaker 4>very specific and limited press that would run these things.

0:52:20.760 --> 0:52:22.880
<v Speaker 4>But under the comments it was like, what's wrong with

0:52:22.920 --> 0:52:25.120
<v Speaker 4>his smile? And I was like, that's it, that's it.

0:52:25.560 --> 0:52:27.920
<v Speaker 4>Never never doing this again. Yeah, I'm not. I'm not

0:52:27.960 --> 0:52:28.960
<v Speaker 4>going to build my kids out there.

0:52:29.280 --> 0:52:31.480
<v Speaker 1>It was one of the Yeah, main it was one

0:52:31.520 --> 0:52:35.200
<v Speaker 1>of the first decisions I made when Jensen and I

0:52:35.239 --> 0:52:35.880
<v Speaker 1>had kids.

0:52:35.920 --> 0:52:36.759
<v Speaker 3>We talked about it.

0:52:36.760 --> 0:52:39.640
<v Speaker 1>It was like, man, and I knew even before Adler

0:52:39.719 --> 0:52:41.200
<v Speaker 1>was born, how hard it.

0:52:41.120 --> 0:52:41.880
<v Speaker 3>Was going to be.

0:52:41.880 --> 0:52:45.080
<v Speaker 1>Because is there anything in the world that you love

0:52:45.239 --> 0:52:48.160
<v Speaker 1>more or want to show off or brag about more

0:52:48.320 --> 0:52:51.920
<v Speaker 1>than your children. You they are They bring you so

0:52:52.120 --> 0:52:56.080
<v Speaker 1>much joy that you just can't imagine that the even

0:52:56.120 --> 0:52:59.000
<v Speaker 1>if they even bring you a fraction of the joy

0:52:59.000 --> 0:53:00.960
<v Speaker 1>they bring me, I want to share that joy with you.

0:53:01.360 --> 0:53:03.319
<v Speaker 1>And it was it was a hard decision to make,

0:53:03.360 --> 0:53:05.600
<v Speaker 1>and I, like you said, I do not judge anybody.

0:53:05.640 --> 0:53:07.200
<v Speaker 1>As a matter of fact, I look at people who

0:53:07.200 --> 0:53:09.640
<v Speaker 1>post their kids and I think, man, they do it well,

0:53:09.760 --> 0:53:12.400
<v Speaker 1>or that looks really great, or you know, I'm I

0:53:12.440 --> 0:53:13.480
<v Speaker 1>wish I could do that.

0:53:13.600 --> 0:53:16.719
<v Speaker 3>I just it's just not for me, and you know

0:53:16.840 --> 0:53:18.120
<v Speaker 3>we we haven't done it either.

0:53:18.400 --> 0:53:20.760
<v Speaker 1>I used to post things when they were first born,

0:53:20.920 --> 0:53:23.600
<v Speaker 1>like with an emoji over their face, and then people

0:53:23.640 --> 0:53:25.000
<v Speaker 1>would be like, well, if you're not going to show

0:53:25.000 --> 0:53:27.160
<v Speaker 1>your kid like, don't even just don't do it at all.

0:53:27.200 --> 0:53:29.000
<v Speaker 1>And I eventually read that and I was like, you

0:53:29.000 --> 0:53:31.520
<v Speaker 1>know what, You're kind of right, like I'm trying to

0:53:31.560 --> 0:53:33.840
<v Speaker 1>get this feeling of like I'm sharing my life with you,

0:53:33.880 --> 0:53:35.640
<v Speaker 1>but I have an emoji over's face, so it does

0:53:35.680 --> 0:53:37.880
<v Speaker 1>what I want, but also what you want, which is sharing.

0:53:37.920 --> 0:53:39.640
<v Speaker 1>And then people are like that doesn't make us happy,

0:53:39.640 --> 0:53:40.919
<v Speaker 1>and so I was like, okay, I just now don't

0:53:40.920 --> 0:53:43.400
<v Speaker 1>really post much about my kids, or I'll post them

0:53:43.440 --> 0:53:44.720
<v Speaker 1>from behind or whatever.

0:53:44.800 --> 0:53:48.839
<v Speaker 2>But yeah, also there's also the risk of backlash, which

0:53:48.880 --> 0:53:52.160
<v Speaker 2>I'm encountering now. Just you know, my son's eight and

0:53:52.719 --> 0:53:55.319
<v Speaker 2>it's like the forbidden fruit. All he wants is to

0:53:55.320 --> 0:53:57.680
<v Speaker 2>be posted. He's like, Dad, can I post a video?

0:53:58.000 --> 0:53:58.319
<v Speaker 4>Can I?

0:53:58.360 --> 0:54:01.640
<v Speaker 2>And I'm like, you know, so, I know, like in

0:54:01.680 --> 0:54:03.279
<v Speaker 2>a weird way, I need to figure out how to

0:54:04.760 --> 0:54:08.960
<v Speaker 2>allowing account. Yeah I don't. Well, yeah we have that

0:54:09.000 --> 0:54:10.160
<v Speaker 2>like within our family, you mat.

0:54:10.120 --> 0:54:11.960
<v Speaker 1>Yeah, well not even just that because then friends could

0:54:11.960 --> 0:54:13.960
<v Speaker 1>follow it too, so that he gets the like the

0:54:14.000 --> 0:54:17.000
<v Speaker 1>dopamine hit of seeing like will or I leave a comment,

0:54:17.480 --> 0:54:20.120
<v Speaker 1>you know, like where because we have a he has.

0:54:19.960 --> 0:54:23.160
<v Speaker 2>To be in cancer right right? Like what he was

0:54:23.239 --> 0:54:26.720
<v Speaker 2>like sticks, he would say, Dad, you know, if we're somewhere,

0:54:26.760 --> 0:54:28.440
<v Speaker 2>he'd be like dead film me and I turn on

0:54:28.440 --> 0:54:31.040
<v Speaker 2>the camera and he'd be like, hey, guys. I'm like,

0:54:31.040 --> 0:54:35.440
<v Speaker 2>who's guys all just and we've never I've never allowed

0:54:35.480 --> 0:54:38.040
<v Speaker 2>him to watch a YouTube video. So he's just absorbed

0:54:38.040 --> 0:54:41.440
<v Speaker 2>it from the culture like that that influencer like speak

0:54:41.560 --> 0:54:43.440
<v Speaker 2>that like talk to the camera, walk and talk like

0:54:43.960 --> 0:54:46.000
<v Speaker 2>he just has it and it's just part of their

0:54:46.040 --> 0:54:48.680
<v Speaker 2>culture now. So he just wants to participate in it.

0:54:49.520 --> 0:54:49.960
<v Speaker 4>But I don't know.

0:54:50.000 --> 0:54:51.600
<v Speaker 2>I've told him because he's been making a lot of

0:54:51.600 --> 0:54:53.799
<v Speaker 2>stop motion movies and I'm like, look, maybe we could

0:54:53.840 --> 0:54:56.520
<v Speaker 2>post those like you know, you will post your work

0:54:57.040 --> 0:55:00.319
<v Speaker 2>right until the criticism starts coming in. Mark.

0:55:00.320 --> 0:55:02.360
<v Speaker 5>I don't know about you, but one of the greatest

0:55:02.440 --> 0:55:05.880
<v Speaker 5>days of my recent history was deleting all of my

0:55:05.920 --> 0:55:08.000
<v Speaker 5>social media. I woke up the next day and I

0:55:08.040 --> 0:55:11.839
<v Speaker 5>felt so good. It was a visceral weight that had

0:55:11.880 --> 0:55:14.680
<v Speaker 5>been lift where it was just like, I mean, it

0:55:14.760 --> 0:55:17.520
<v Speaker 5>was wonderful to just not have it in my life anymore.

0:55:17.520 --> 0:55:18.800
<v Speaker 5>It really was. It was phenomenal.

0:55:18.920 --> 0:55:19.359
<v Speaker 2>Loved it.

0:55:19.600 --> 0:55:23.920
<v Speaker 4>Did you delete all your content and your name or

0:55:23.960 --> 0:55:25.080
<v Speaker 4>do you still have the account?

0:55:25.440 --> 0:55:25.600
<v Speaker 2>No?

0:55:25.680 --> 0:55:28.200
<v Speaker 5>I deleted everything, no account, no everything. And I didn't

0:55:28.200 --> 0:55:30.680
<v Speaker 5>say anything to anybody. Deleted, Twitter, deleted. I just woke

0:55:30.760 --> 0:55:32.480
<v Speaker 5>up one day and it was gone, and it was great.

0:55:32.880 --> 0:55:36.759
<v Speaker 4>See, and I still have my account up. There was

0:55:36.800 --> 0:55:39.200
<v Speaker 4>a moment where I only had like four pictures up

0:55:39.200 --> 0:55:41.320
<v Speaker 4>on Instagram because I woke up one day and was like,

0:55:41.440 --> 0:55:45.120
<v Speaker 4>I'm deleting everything, and I deleted the content on it,

0:55:46.480 --> 0:55:48.840
<v Speaker 4>and I think, you're like, followers go to zero. But

0:55:48.880 --> 0:55:52.840
<v Speaker 4>I still kept my name, okay, and I'm still reluctant

0:55:52.880 --> 0:55:56.680
<v Speaker 4>to just because I'm thinking somebody's gonna pick up my name,

0:55:56.760 --> 0:55:59.640
<v Speaker 4>so I'm trying to just hold on to that. Plus

0:55:59.680 --> 0:56:03.960
<v Speaker 4>my Twitter handle, because I joined Twitter so early, is

0:56:04.680 --> 0:56:08.719
<v Speaker 4>at MPG, which I'm thinking is a pretty damn good

0:56:08.760 --> 0:56:12.839
<v Speaker 4>Twitter and I kind of want to just hold on

0:56:12.880 --> 0:56:14.880
<v Speaker 4>to it, but I don't. I don't. I'm never on it,

0:56:14.960 --> 0:56:19.839
<v Speaker 4>I don't, I don't check it, so yeah, I don't know.

0:56:19.960 --> 0:56:21.279
<v Speaker 4>I don't know. I don't know what to do because

0:56:21.360 --> 0:56:23.600
<v Speaker 4>I want It's great. I want to keep my stuff.

0:56:23.880 --> 0:56:24.960
<v Speaker 3>Yeah, just hold onto it.

0:56:25.000 --> 0:56:26.840
<v Speaker 5>Just want to keep my stuff.

0:56:27.960 --> 0:56:28.759
<v Speaker 3>Before we let you go.

0:56:28.800 --> 0:56:30.160
<v Speaker 1>I want to give a little shout out to a

0:56:30.160 --> 0:56:32.640
<v Speaker 1>friend of mine and my husband's, Dashel Driscoll, who had

0:56:32.680 --> 0:56:35.799
<v Speaker 1>a rewatch podcast with you well before we ever had

0:56:35.840 --> 0:56:39.239
<v Speaker 1>one occult favorite, Zach to the Future, that many of

0:56:39.239 --> 0:56:42.520
<v Speaker 1>our listeners wish was still around when you agreed to.

0:56:42.440 --> 0:56:43.480
<v Speaker 3>Do the show.

0:56:43.920 --> 0:56:49.360
<v Speaker 1>What scenes were you immediately the most scared to see again,

0:56:49.560 --> 0:56:53.840
<v Speaker 1>because we the three of us, have all had moments

0:56:54.120 --> 0:56:58.240
<v Speaker 1>where we go, oh God, I don't I'm already dreading

0:56:58.320 --> 0:57:01.360
<v Speaker 1>watching that episode, or I'm already be dreading that scene

0:57:01.440 --> 0:57:04.839
<v Speaker 1>that's coming up. What were yours looking at when when

0:57:04.880 --> 0:57:06.000
<v Speaker 1>you first started the podcast?

0:57:06.960 --> 0:57:10.880
<v Speaker 4>Pretty much any scene that I was in, I just

0:57:11.040 --> 0:57:15.400
<v Speaker 4>I don't like watching myself, so to have to rewatch

0:57:15.480 --> 0:57:17.400
<v Speaker 4>that was torture. And I would say it all the

0:57:17.400 --> 0:57:19.800
<v Speaker 4>time on our podcast. It was my idea to do

0:57:19.840 --> 0:57:23.520
<v Speaker 4>this podcast, but it was I didn't realize how tortuous

0:57:23.560 --> 0:57:25.800
<v Speaker 4>it would be for me to have to watch my

0:57:26.000 --> 0:57:28.800
<v Speaker 4>work back. Because there's nothing you can do. You can't

0:57:28.800 --> 0:57:30.360
<v Speaker 4>go back and say, oh, I had like another take,

0:57:30.640 --> 0:57:33.840
<v Speaker 4>like to redo that, Like that sucked, let's do it again.

0:57:35.200 --> 0:57:37.600
<v Speaker 4>And then realizing like everyone else on the show was

0:57:37.640 --> 0:57:41.000
<v Speaker 4>more talented than me, at least in my perspective. Right

0:57:42.160 --> 0:57:47.240
<v Speaker 4>from my view that too, I was like, oh, but

0:57:47.880 --> 0:57:51.760
<v Speaker 4>in terms of like storylines, the one that I think

0:57:51.800 --> 0:57:53.320
<v Speaker 4>we had to be most well, there was a few.

0:57:53.400 --> 0:57:56.240
<v Speaker 4>There was. There was one where I was basically houring

0:57:56.280 --> 0:58:02.160
<v Speaker 4>out Lisa Turtle, you know, to like charge people to

0:58:02.560 --> 0:58:06.560
<v Speaker 4>kiss her without her consent. Oh god, that was That

0:58:06.680 --> 0:58:10.160
<v Speaker 4>was a that was a tough one, which we had to,

0:58:09.920 --> 0:58:12.880
<v Speaker 4>you know, preface the episode by saying, we do not

0:58:12.880 --> 0:58:17.480
<v Speaker 4>condone this. We're just we're here just to to uh

0:58:18.000 --> 0:58:20.600
<v Speaker 4>discuss it, but this is in the past. The other

0:58:20.680 --> 0:58:23.880
<v Speaker 4>one was where Zach Morris claimed that he was Native

0:58:23.880 --> 0:58:26.120
<v Speaker 4>American and we didn't know how.

0:58:28.480 --> 0:58:31.040
<v Speaker 1>And did you you there's no way you remembered these either, right,

0:58:31.120 --> 0:58:33.240
<v Speaker 1>Like you just kind of stumble into them and you go.

0:58:33.160 --> 0:58:38.080
<v Speaker 4>Oh gosh, yeah, yeah, yeah, seeing Zach Morris in a

0:58:38.080 --> 0:58:44.240
<v Speaker 4>full head dress and oh yeah. And so that was

0:58:44.320 --> 0:58:46.400
<v Speaker 4>that was one we had to be a little sensitive on.

0:58:46.920 --> 0:58:49.880
<v Speaker 4>There's just things that you just would not film. Now

0:58:50.280 --> 0:58:52.439
<v Speaker 4>you know, there's things I've talked about this with breck

0:58:52.480 --> 0:58:56.080
<v Speaker 4>and Meyer, who's a we're still very close friends and

0:58:56.240 --> 0:58:59.520
<v Speaker 4>probably talk every week, And we talked about Franklin and Bash,

0:58:59.560 --> 0:59:02.000
<v Speaker 4>which is only ten years ago, and there's things on

0:59:02.040 --> 0:59:04.440
<v Speaker 4>Franklin and Bash we would never be able to shoot

0:59:04.440 --> 0:59:08.280
<v Speaker 4>now and rightfully so, which is inappropriate. It's you know,

0:59:08.320 --> 0:59:12.680
<v Speaker 4>we've evolved as human beings, but there are things every

0:59:12.880 --> 0:59:15.440
<v Speaker 4>single episode that we could pick out that that we

0:59:15.480 --> 0:59:20.640
<v Speaker 4>would you know, you find yourself at that point. You're

0:59:20.720 --> 0:59:22.640
<v Speaker 4>trying not to be negative, right, it's a it's a

0:59:22.680 --> 0:59:26.360
<v Speaker 4>watch party. People want you to celebrate the product. So

0:59:27.960 --> 0:59:29.520
<v Speaker 4>we had to. We we had to.

0:59:30.280 --> 0:59:35.240
<v Speaker 1>It was a fragile Yeah, it's a tightrope walk, correct,

0:59:35.240 --> 0:59:38.840
<v Speaker 1>But overall you're trying to be positive about the work

0:59:38.840 --> 0:59:39.560
<v Speaker 1>and say that.

0:59:39.520 --> 0:59:42.280
<v Speaker 4>Was a different time. Yeah, we don't condone that now,

0:59:42.360 --> 0:59:45.800
<v Speaker 4>but this is what it was, and enjoy Yeah.

0:59:45.840 --> 0:59:48.360
<v Speaker 3>People also don't mind you acknowledging it.

0:59:48.680 --> 0:59:50.280
<v Speaker 1>But then they also they don't want to hear it

0:59:50.280 --> 0:59:52.360
<v Speaker 1>brought up every time and in the next scene when

0:59:52.400 --> 0:59:54.439
<v Speaker 1>there's something else, like let's talk about it again, it's

0:59:54.440 --> 0:59:58.560
<v Speaker 1>like blanket statement. This shouldn't have existed, but it does,

0:59:58.800 --> 1:00:01.040
<v Speaker 1>we don't condone it. Moving on, let's actually just talk

1:00:01.080 --> 1:00:03.640
<v Speaker 1>about the rest of the rest of the episode. We

1:00:03.680 --> 1:00:06.440
<v Speaker 1>have learned that lesson as well.

1:00:06.320 --> 1:00:10.560
<v Speaker 5>So sometimes harshly, we've sometimes harshly learned that lesson, but

1:00:10.960 --> 1:00:11.520
<v Speaker 5>we've learned.

1:00:11.560 --> 1:00:12.200
<v Speaker 3>We've learned.

1:00:13.120 --> 1:00:17.560
<v Speaker 1>So looking back now with two of your children being

1:00:17.920 --> 1:00:20.880
<v Speaker 1>older or than you were when you were on Saved

1:00:20.920 --> 1:00:23.240
<v Speaker 1>by the Bell, how do you feel this many years

1:00:23.280 --> 1:00:28.360
<v Speaker 1>later looking back at your time as Zach Morris.

1:00:27.440 --> 1:00:29.440
<v Speaker 4>Well, and you just brought up that my kids are

1:00:29.480 --> 1:00:31.560
<v Speaker 4>older than I was when I started the show. I

1:00:31.560 --> 1:00:34.080
<v Speaker 4>am also ten years older than mister Belding was when

1:00:34.080 --> 1:00:34.920
<v Speaker 4>he started the show.

1:00:35.320 --> 1:00:38.840
<v Speaker 1>Oh man, oh yeah, my no, no, no, no, no, no, no, no,

1:00:39.160 --> 1:00:41.480
<v Speaker 1>I'm sorry. I need you to repeat that you are

1:00:41.720 --> 1:00:44.120
<v Speaker 1>ten years older than Dennis.

1:00:44.200 --> 1:00:46.200
<v Speaker 4>Has to get more than ten years older. I think

1:00:46.240 --> 1:00:48.439
<v Speaker 4>Dennis started the show and he was either thirty six

1:00:48.520 --> 1:00:49.200
<v Speaker 4>or thirty seven?

1:00:49.800 --> 1:00:51.320
<v Speaker 3>Was that Miss bliss Ard Saved by the Bell?

1:00:52.560 --> 1:00:55.720
<v Speaker 4>Miss bliss Okay, but I think I brought it up

1:00:55.720 --> 1:00:57.680
<v Speaker 4>on our podcast for Saved by the Bell, So I

1:00:57.720 --> 1:00:59.400
<v Speaker 4>think at that point at Saved by the Bell, he's

1:00:59.440 --> 1:01:02.040
<v Speaker 4>still ten years younger than I was at this moment

1:01:02.240 --> 1:01:07.160
<v Speaker 4>on Save by the bell. Oh my gosh, yeah, I

1:01:07.240 --> 1:01:10.080
<v Speaker 4>let that sit in, guys, yep, let that soakright in.

1:01:10.480 --> 1:01:12.680
<v Speaker 5>I've only been to two strip clubs in my entire life,

1:01:12.800 --> 1:01:14.320
<v Speaker 5>and the first one I was dragged to was the

1:01:14.320 --> 1:01:14.880
<v Speaker 5>Crazy Horse.

1:01:14.920 --> 1:01:16.280
<v Speaker 2>And I get a top of my shoulder and it

1:01:16.360 --> 1:01:17.160
<v Speaker 2>was mister Belding.

1:01:17.680 --> 1:01:23.200
<v Speaker 4>Oh well listen, but he he was. I mean, but

1:01:23.600 --> 1:01:25.160
<v Speaker 4>I gotta understand, this is a guy who was in

1:01:25.200 --> 1:01:27.560
<v Speaker 4>his late thirties. You know, It's like, yeah, of course

1:01:27.600 --> 1:01:29.960
<v Speaker 4>he'd be, and he's he's on television at the point.

1:01:30.360 --> 1:01:32.000
<v Speaker 4>At that moment, it's like, of course.

1:01:31.800 --> 1:01:33.560
<v Speaker 5>This is this crazy horse in Vegas.

1:01:33.640 --> 1:01:35.040
<v Speaker 2>Yeah, he was.

1:01:35.160 --> 1:01:39.520
<v Speaker 4>He was known for doing karaoke at a place called Dimples.

1:01:39.600 --> 1:01:43.040
<v Speaker 3>Oh I know. I've ran into him at Dimples many times.

1:01:43.200 --> 1:01:44.920
<v Speaker 5>Yeah, Dimples was awesome.

1:01:44.960 --> 1:01:45.560
<v Speaker 2>Are you kidding?

1:01:45.680 --> 1:01:47.760
<v Speaker 4>Yeah, yeah, you know you would. You wouldn't expect to

1:01:47.760 --> 1:01:50.120
<v Speaker 4>see the principal a crazy horse.

1:01:49.920 --> 1:01:53.200
<v Speaker 5>But yeah, yeah, I was not expecting to see it.

1:01:53.360 --> 1:01:53.640
<v Speaker 1>It was.

1:01:53.680 --> 1:01:53.880
<v Speaker 4>It was.

1:01:53.960 --> 1:01:54.840
<v Speaker 5>It was odd, but I was.

1:01:54.840 --> 1:01:56.800
<v Speaker 2>Like, oh, okay, hi, how you doing.

1:01:56.880 --> 1:01:59.520
<v Speaker 5>And he recognized you will it was I think I was,

1:01:59.520 --> 1:02:02.200
<v Speaker 5>of course with Marsden, and I think he recognized Jason,

1:02:02.280 --> 1:02:03.960
<v Speaker 5>so he came over to talk to Jason, and then

1:02:04.000 --> 1:02:06.600
<v Speaker 5>I was like, oh, hey, this is an odd combination

1:02:06.640 --> 1:02:11.840
<v Speaker 5>of people here, grey of you. Oh my god, very strange.

1:02:12.800 --> 1:02:15.240
<v Speaker 1>One last question, because talking hearing you talk about Dennis

1:02:15.240 --> 1:02:17.960
<v Speaker 1>made me think about it. Are you particularly close to

1:02:18.040 --> 1:02:20.440
<v Speaker 1>anybody from the Saved by the Bell cast? Are you

1:02:20.440 --> 1:02:23.120
<v Speaker 1>guys still regularly in touch or have you all just

1:02:23.200 --> 1:02:25.080
<v Speaker 1>you know, obviously we all have our own lives and

1:02:25.120 --> 1:02:26.880
<v Speaker 1>do different things and move on. Or are you like

1:02:27.280 --> 1:02:28.960
<v Speaker 1>actually close to anybody in particular.

1:02:29.840 --> 1:02:32.640
<v Speaker 4>I think the closest out of the show that I'm

1:02:33.040 --> 1:02:36.480
<v Speaker 4>that we have the closest relationship is probably Tiffany only

1:02:36.520 --> 1:02:41.120
<v Speaker 4>because her husband Brady and I really enjoy each other's company.

1:02:42.880 --> 1:02:46.920
<v Speaker 4>We're into a lot of the same things, and we

1:02:47.040 --> 1:02:48.960
<v Speaker 4>just relate on a lot of different things. And then

1:02:49.000 --> 1:02:51.400
<v Speaker 4>Tiffany has just always been there for me as well

1:02:51.440 --> 1:02:56.120
<v Speaker 4>Elizabeth as well, you know when when we all text

1:02:56.160 --> 1:03:01.240
<v Speaker 4>each other. Still Mario and I still keep in touch.

1:03:01.320 --> 1:03:04.080
<v Speaker 4>We we do jiu jitsu separately, and we've done it

1:03:04.120 --> 1:03:10.800
<v Speaker 4>actually together as well. But yeah, we've remained relatively connected

1:03:11.000 --> 1:03:13.600
<v Speaker 4>over the years, and obviously when we did the reboot,

1:03:13.840 --> 1:03:17.000
<v Speaker 4>yeah we got a little bit closer again. But everybody

1:03:17.000 --> 1:03:20.960
<v Speaker 4>has families and lives and and and other things, but

1:03:21.280 --> 1:03:23.520
<v Speaker 4>we reach out to each other every once, especially the

1:03:23.600 --> 1:03:27.280
<v Speaker 4>chance to do comic cons. Yes, that's where we've been

1:03:27.320 --> 1:03:29.880
<v Speaker 4>able to reconnect. One of these days, we'll try to

1:03:29.920 --> 1:03:31.520
<v Speaker 4>get Tiffany out there to do one of them.

1:03:31.680 --> 1:03:33.200
<v Speaker 3>I know she should.

1:03:33.440 --> 1:03:34.479
<v Speaker 4>I think she'd have a good time.

1:03:35.800 --> 1:03:38.200
<v Speaker 3>Are you doing nineties con in Tampa?

1:03:38.840 --> 1:03:41.200
<v Speaker 4>I would like to. We had a good time at

1:03:41.200 --> 1:03:42.800
<v Speaker 4>the other one. I don't know what city that was,

1:03:42.800 --> 1:03:43.200
<v Speaker 4>but we had a.

1:03:43.280 --> 1:03:47.200
<v Speaker 5>Hard Hartford, Hartford, Hartford, Connecticut, baby my birthplace.

1:03:47.520 --> 1:03:48.640
<v Speaker 4>Oh was that right? Yeah?

1:03:48.760 --> 1:03:49.640
<v Speaker 5>Yeah, I went home for that.

1:03:50.680 --> 1:03:51.880
<v Speaker 4>Yeah, we had a good we had that was a

1:03:51.880 --> 1:03:52.560
<v Speaker 4>really good show.

1:03:52.880 --> 1:03:53.400
<v Speaker 5>Yeah.

1:03:53.600 --> 1:03:56.800
<v Speaker 4>I feel like I'd like to do the next one,

1:03:56.840 --> 1:03:58.160
<v Speaker 4>and I think the next one is in Tampa.

1:03:58.440 --> 1:04:01.320
<v Speaker 1>Said, yeah, in September. I want you guys to do

1:04:01.360 --> 1:04:02.560
<v Speaker 1>that one so we can all be together.

1:04:03.720 --> 1:04:05.880
<v Speaker 4>Hey, reach out to Tiffany and try to get that going.

1:04:05.920 --> 1:04:09.360
<v Speaker 4>That'll be a big one because she's never done a

1:04:09.360 --> 1:04:10.120
<v Speaker 4>comic con.

1:04:10.160 --> 1:04:12.640
<v Speaker 5>And that's a great one to start with.

1:04:12.680 --> 1:04:14.160
<v Speaker 4>So that'd be a really good one for her to

1:04:14.200 --> 1:04:14.600
<v Speaker 4>start with.

1:04:14.960 --> 1:04:16.800
<v Speaker 5>Where do you Where do you study jiu jitsu?

1:04:17.720 --> 1:04:20.200
<v Speaker 4>So I live here in San Diego some study now

1:04:20.360 --> 1:04:24.280
<v Speaker 4>here in uh In in San Diego, I'm with Gracie Baja.

1:04:24.360 --> 1:04:25.320
<v Speaker 5>Now, okay cool.

1:04:25.760 --> 1:04:29.040
<v Speaker 4>So Mario is with Gracie Baja in Glendale and there's

1:04:29.480 --> 1:04:33.320
<v Speaker 4>Gracie Bajas all over the place. Yeah, do you do?

1:04:33.360 --> 1:04:34.680
<v Speaker 4>You do jiu jitsu? Will do?

1:04:35.080 --> 1:04:38.120
<v Speaker 5>I'd like to start. I've been a UFC fan since

1:04:38.200 --> 1:04:40.800
<v Speaker 5>UFC one, so I've been, but I've never actually gotten

1:04:40.840 --> 1:04:42.520
<v Speaker 5>to roll at all. So yeah, it would be it

1:04:42.520 --> 1:04:44.720
<v Speaker 5>would be fun to give it a try. But yeah,

1:04:44.800 --> 1:04:48.040
<v Speaker 5>I mean it's just watching hoist Gracie back in the

1:04:48.040 --> 1:04:50.760
<v Speaker 5>original days was one of the things that actually brought

1:04:50.760 --> 1:04:51.400
<v Speaker 5>me into the sport.

1:04:51.480 --> 1:04:52.760
<v Speaker 2>So love it.

1:04:52.760 --> 1:04:54.640
<v Speaker 4>It's an amazing sport. I've been doing it since two

1:04:54.640 --> 1:04:59.680
<v Speaker 4>thousand and nine and uh it just uh I just

1:04:59.720 --> 1:05:02.280
<v Speaker 4>love everything about I love the culture. Yeah, I love

1:05:02.320 --> 1:05:03.280
<v Speaker 4>how it makes me feel.

1:05:03.360 --> 1:05:06.680
<v Speaker 5>And there's a great machida. There's a great machiitah Jim

1:05:06.920 --> 1:05:10.360
<v Speaker 5>like five minutes from me. So I don't know about

1:05:10.360 --> 1:05:12.240
<v Speaker 5>maybe checking it out somewhere, but I think it is

1:05:12.280 --> 1:05:13.160
<v Speaker 5>Joe Rogan's old.

1:05:13.040 --> 1:05:16.320
<v Speaker 4>Jim Macheita or machado.

1:05:16.360 --> 1:05:18.080
<v Speaker 2>I think it's is it machado? Is that what it is?

1:05:18.120 --> 1:05:18.600
<v Speaker 5>I thought it was.

1:05:19.800 --> 1:05:21.760
<v Speaker 4>Is that, okay, Jean Jacques Machado.

1:05:22.400 --> 1:05:23.960
<v Speaker 2>Yeah, I don't know enough about that.

1:05:24.320 --> 1:05:26.080
<v Speaker 4>There's one of the there's one of the I mean

1:05:26.200 --> 1:05:27.560
<v Speaker 4>James Vanderbeek.

1:05:32.360 --> 1:05:32.880
<v Speaker 2>Exactly.

1:05:33.640 --> 1:05:35.680
<v Speaker 5>Is that Machado? Okay, that's the one. Is that the

1:05:35.680 --> 1:05:37.600
<v Speaker 5>one that that Rogan went to?

1:05:37.800 --> 1:05:40.480
<v Speaker 4>And I believe so, I believe, So it's it's there

1:05:40.480 --> 1:05:45.960
<v Speaker 4>in the valley, yeah, if you're Yeah, and it's great school. Obviously.

1:05:46.040 --> 1:05:49.960
<v Speaker 4>Jean Jaques Machado is one of the godfathers of of

1:05:50.080 --> 1:05:50.760
<v Speaker 4>jiu jitsu, and.

1:05:50.720 --> 1:05:54.480
<v Speaker 2>I think him right here, Yeah, you dude not.

1:05:55.640 --> 1:05:59.480
<v Speaker 4>I follow him on YouTube and he's doing videos almost

1:05:59.480 --> 1:06:02.959
<v Speaker 4>every other day, and so I know that he's he's

1:06:03.000 --> 1:06:06.080
<v Speaker 4>currently training at at that school at least I hope.

1:06:06.120 --> 1:06:07.440
<v Speaker 5>So that's cool.

1:06:07.520 --> 1:06:09.800
<v Speaker 4>Go check it out. It's it's such a it's such

1:06:09.800 --> 1:06:13.040
<v Speaker 4>an inviting I mean, your hardest step is to make

1:06:13.080 --> 1:06:15.000
<v Speaker 4>the decision to actually go. But once you walk in

1:06:15.040 --> 1:06:17.800
<v Speaker 4>through that door, you're gonna be welcomed and everybody's gonna

1:06:17.840 --> 1:06:19.640
<v Speaker 4>be cool, and you're gonna get your butt kicked and

1:06:19.680 --> 1:06:20.360
<v Speaker 4>you're gonna love it.

1:06:20.760 --> 1:06:23.240
<v Speaker 5>That's okay, Yeah, No, I'm that's I'd love to learn.

1:06:23.280 --> 1:06:24.800
<v Speaker 5>I really have always wanted to learn, so I think

1:06:24.840 --> 1:06:25.240
<v Speaker 5>that's cool.

1:06:25.560 --> 1:06:28.040
<v Speaker 1>Well, Mark, Paul, thank you so much for taking this

1:06:28.160 --> 1:06:30.360
<v Speaker 1>much time to sit here with us and reminisce and

1:06:30.520 --> 1:06:33.960
<v Speaker 1>talk about all the things. I will start needling the

1:06:34.120 --> 1:06:37.480
<v Speaker 1>nineties Contampa people about getting you out there and you

1:06:38.080 --> 1:06:41.240
<v Speaker 1>start doing the direct text to Tiffany please and see

1:06:41.280 --> 1:06:43.080
<v Speaker 1>if you can get her, convince her to do it,

1:06:43.120 --> 1:06:46.280
<v Speaker 1>because that would be that would be amazing, sounds good.

1:06:46.320 --> 1:06:48.439
<v Speaker 4>And let's not get the Dawson's Creek people there because

1:06:48.440 --> 1:06:49.360
<v Speaker 4>we might get confused.

1:06:49.560 --> 1:06:52.720
<v Speaker 3>I would talking to James Vanderbeek and.

1:06:54.600 --> 1:06:55.400
<v Speaker 2>Coming on the.

1:06:55.320 --> 1:07:00.680
<v Speaker 1>Podcast will be rolling with n Sham, rolling with and

1:07:00.760 --> 1:07:02.480
<v Speaker 1>you're you're talking to James Vanderbeek.

1:07:02.560 --> 1:07:05.560
<v Speaker 5>It's going to be a great, great day. While riter's going,

1:07:05.560 --> 1:07:07.440
<v Speaker 5>I have no idea what the hell, no idea what

1:07:07.480 --> 1:07:07.840
<v Speaker 5>any of.

1:07:07.760 --> 1:07:08.880
<v Speaker 3>The things are that you're saying.

1:07:08.960 --> 1:07:11.360
<v Speaker 1>Yeah, well, thank you again for taking the time. It

1:07:11.360 --> 1:07:12.240
<v Speaker 1>really means a lot to us.

1:07:12.640 --> 1:07:14.200
<v Speaker 4>I appreciate you, guys. Thank you so much.

1:07:15.360 --> 1:07:17.160
<v Speaker 2>We'll see you again soon. Bye bye.

1:07:28.920 --> 1:07:32.360
<v Speaker 1>He's so nice, He's I can't believe how many similarities

1:07:33.760 --> 1:07:35.560
<v Speaker 1>I have to like the same, like him going back

1:07:35.600 --> 1:07:38.240
<v Speaker 1>to his regular school. And then you know, I mean

1:07:38.280 --> 1:07:40.920
<v Speaker 1>all the same stuffing to him.

1:07:40.960 --> 1:07:42.040
<v Speaker 3>You didn't get to talk to him then at the

1:07:42.080 --> 1:07:42.720
<v Speaker 3>last con.

1:07:42.920 --> 1:07:44.440
<v Speaker 2>No, no, I know you go, yeah, I saw him,

1:07:44.480 --> 1:07:44.880
<v Speaker 2>I met him.

1:07:45.160 --> 1:07:45.680
<v Speaker 4>I've said hi.

1:07:45.880 --> 1:07:48.560
<v Speaker 2>I think maybe like I've shaken his hand before, but like, no,

1:07:48.720 --> 1:07:50.680
<v Speaker 2>like this was. He's such a good guy.

1:07:50.920 --> 1:07:54.280
<v Speaker 1>He's a really he's really like down to earth, like

1:07:54.320 --> 1:07:56.360
<v Speaker 1>he's somebody we could have like a you have a

1:07:56.400 --> 1:07:59.040
<v Speaker 1>real normal there's no put on.

1:07:59.080 --> 1:08:03.680
<v Speaker 3>Airs about him, yeah, which is rare refreshing. Yeah, it's refreshing.

1:08:03.720 --> 1:08:05.200
<v Speaker 2>I mean it's just part of being an actor that

1:08:05.240 --> 1:08:07.760
<v Speaker 2>you usually are good at putting on errors, you know, Yeah,

1:08:07.920 --> 1:08:09.080
<v Speaker 2>and so you do it all the time.

1:08:09.280 --> 1:08:14.000
<v Speaker 5>Yeah, he's been he's been working like steadily at forty

1:08:14.080 --> 1:08:15.840
<v Speaker 5>years or so. I mean, it's insane.

1:08:15.880 --> 1:08:18.320
<v Speaker 2>It's insane, literally, and he and he constantly he's.

1:08:18.240 --> 1:08:24.720
<v Speaker 5>He's a great example of reinventing yourself when you need

1:08:24.760 --> 1:08:27.599
<v Speaker 5>to in the industry while staying true to who you are. Yep,

1:08:28.080 --> 1:08:31.240
<v Speaker 5>you know, he's it's it seems like he's always that guy.

1:08:31.520 --> 1:08:33.880
<v Speaker 5>But he will go and do like you said, a

1:08:33.920 --> 1:08:36.200
<v Speaker 5>Stephen Botchko show, he'll go. I mean it's like he

1:08:36.280 --> 1:08:37.559
<v Speaker 5>becomes who he has to become.

1:08:38.200 --> 1:08:41.280
<v Speaker 2>He's a real team actor, right, Like he always he's

1:08:41.280 --> 1:08:43.840
<v Speaker 2>just there to work and always, you know, and that's

1:08:43.880 --> 1:08:46.559
<v Speaker 2>so healthy, Like I feel like for me, like part

1:08:46.560 --> 1:08:48.120
<v Speaker 2>of the reason I had to stop acting was because

1:08:48.120 --> 1:08:50.200
<v Speaker 2>I was so obsessed with like what kind of project

1:08:50.200 --> 1:08:50.680
<v Speaker 2>am I in?

1:08:50.960 --> 1:08:51.320
<v Speaker 4>What is this?

1:08:51.439 --> 1:08:52.479
<v Speaker 5>You know? As an artist?

1:08:52.479 --> 1:08:53.160
<v Speaker 4>Does this reflect?

1:08:53.320 --> 1:08:55.960
<v Speaker 2>And it's like at a certain point, it's very healthy

1:08:55.960 --> 1:08:58.400
<v Speaker 2>as an actor to be like, doesn't matter, I'm working

1:08:58.520 --> 1:09:00.000
<v Speaker 2>to do my job. And I'm working, and I'm working

1:09:00.120 --> 1:09:03.479
<v Speaker 2>and alive, and like it keeps you in vitalized, like

1:09:03.600 --> 1:09:06.360
<v Speaker 2>revitalizes you no matter what it is, just to be doing,

1:09:06.439 --> 1:09:07.799
<v Speaker 2>just to be acting, just to be working.

1:09:07.960 --> 1:09:09.920
<v Speaker 5>And but it's also to watch if you go back

1:09:09.920 --> 1:09:11.960
<v Speaker 5>and watch some of the early Save by the Bells,

1:09:12.120 --> 1:09:14.840
<v Speaker 5>then you go and watch like or to NYPD Blue

1:09:14.840 --> 1:09:16.840
<v Speaker 5>and stuff like that. To see the progression of him

1:09:16.840 --> 1:09:18.760
<v Speaker 5>just as an actor is really impressive. I mean it

1:09:19.280 --> 1:09:19.760
<v Speaker 5>really is.

1:09:19.960 --> 1:09:20.800
<v Speaker 3>Yeah.

1:09:20.840 --> 1:09:22.679
<v Speaker 1>Well, thank you all for joining us for this episode

1:09:22.680 --> 1:09:25.160
<v Speaker 1>of Pod Meets World. You can follow us on Instagram

1:09:25.160 --> 1:09:27.400
<v Speaker 1>pod Meets World Show. You can send us your emails

1:09:27.439 --> 1:09:29.519
<v Speaker 1>pod Meets World Show at gmail dot com.

1:09:29.800 --> 1:09:31.400
<v Speaker 3>You also can.

1:09:31.280 --> 1:09:35.400
<v Speaker 5>Buy our merch fan shop that's German.

1:09:36.640 --> 1:09:38.840
<v Speaker 2>Are you shortening it in other languages or is it

1:09:38.880 --> 1:09:40.479
<v Speaker 2>actually merchandise the.

1:09:40.439 --> 1:09:42.160
<v Speaker 5>Whull merchandise the full word.

1:09:42.280 --> 1:09:44.960
<v Speaker 2>Yeah, you should cut it in half, so say it again,

1:09:45.040 --> 1:09:50.000
<v Speaker 2>but cut whatever that was in half. Fan, Maybe you

1:09:50.080 --> 1:09:53.759
<v Speaker 2>just said something really awes horrible like all of Germany.

1:09:53.800 --> 1:09:54.960
<v Speaker 2>It was like, are you believe?

1:09:55.320 --> 1:09:55.519
<v Speaker 1>Yeah?

1:09:57.080 --> 1:10:00.120
<v Speaker 5>Yeah, no, that's yeah. So that's uh yeah, it's fan.

1:10:00.400 --> 1:10:02.759
<v Speaker 5>I hope I said that right for all my German family.

1:10:02.840 --> 1:10:06.400
<v Speaker 1>Yes, podmeetsworldshow dot com will send us out.

1:10:07.080 --> 1:10:08.799
<v Speaker 2>We love you all, pod dismissed.

1:10:10.840 --> 1:10:13.519
<v Speaker 5>Pod Meets World is an iHeart podcast produced and hosted

1:10:13.520 --> 1:10:17.360
<v Speaker 5>by Danielle Fischel, Wilfredell and Ryder Strong executive producers, Jensen

1:10:17.400 --> 1:10:20.719
<v Speaker 5>Carp and Amy Sugarman, Executive in charge of production, Danielle Romo,

1:10:20.800 --> 1:10:24.720
<v Speaker 5>producer and editor, Taras Sudbach, producer, Jackie Rodriguez, engineer and

1:10:24.760 --> 1:10:27.400
<v Speaker 5>Boy Meets World superfan Easton Allen. Our theme song is

1:10:27.439 --> 1:10:29.720
<v Speaker 5>by Kyle Morton of Typhoon and you can follow us

1:10:29.720 --> 1:10:32.800
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1:10:32.800 --> 1:10:35.280
<v Speaker 5>at Podmeets Worldshow at gmail dot com