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Speaker 1: Look, man, oh, I see you? Why why? And look

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Speaker 1: over there? How is that culture? Yes? Goodness, let ding

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Speaker 1: dong loss culture Esta's calling. Wow. That had so much

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Speaker 1: power and presence in it that our guests recoiled. I

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Speaker 1: don't think it had any more or less amplification wattage

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Speaker 1: than in the past. You want to talk about wattage?

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Speaker 1: Wat did I do? Honey? I get the Stallion? Speaking

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Speaker 1: of wattage, Megan de Stallion, I'm obsessed you only recently.

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Speaker 1: I've been telling you for a while now for a minute, like,

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Speaker 1: you've got to get into Megan. You know how I am.

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Speaker 1: You know how I am, You know how I get.

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Speaker 1: You know how I receive information when people tell me

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Speaker 1: I have to do something. But that's I'm very hesitant.

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Speaker 1: We're telling you this because we know you'd love it.

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Speaker 1: And look lo and behold and low and behold. I'm

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Speaker 1: actually really obsessed. And the reason I'm obsessed with Megan

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Speaker 1: the Stallion is for two reasons. One, now we can

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Speaker 1: say hot girls, I'm everyone saying I like saying that.

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Speaker 1: That's something I like to say. And also, as I

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Speaker 1: was consuming the media and I do have some media

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Speaker 1: that I want to play media I have those song

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Speaker 1: hot Girl, buy Megan the Stallion, and I'm going to

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Speaker 1: play it and then I want to discuss what we here?

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Speaker 1: Are we ready? Can can I wrap along? Uh? No, No,

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Speaker 1: you have to let the artist, As Sudi says, Sudi

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Speaker 1: Green often tells me when I'm singing along with the radio,

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Speaker 1: she'll reach over hold my forearm and she'll say, let her,

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Speaker 1: let her, So why don't you let her? Wait? It's

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Speaker 1: it's actually rule of culture number seventies seven. Let her. Yeah. Honestly,

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Speaker 1: if there's a singer on the radio and she's doing

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Speaker 1: her thing, let her. Let her. Okay, gays let her alright.

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Speaker 1: So this is just a little piece that I really enjoyed.

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Speaker 1: Media here we go by media artist. Great, So let's

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Speaker 1: just go through what we have. The words are all

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Speaker 1: the hot girls make it pop hop hop, bad bitches

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Speaker 1: with the bag say I got yeah pi and talking

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Speaker 1: about no money, tell him bad bad bad, and if

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Speaker 1: you see a man hotell ha ha ha ha. Now

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Speaker 1: here's my thesis about this. I wrote this. I think

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Speaker 1: I wrote this because only me would rhyme bye bye

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Speaker 1: bye with ha ha ha and ha ha ha would

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Speaker 1: end the phrase. And also this just sounds like me.

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Speaker 1: I don't know if my mad ho say ha ha

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Speaker 1: ha no no, no, no, no no. The text is bad.

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Speaker 1: Bitches with the bags say yeah yeah, an talk about

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Speaker 1: no money, tell him bah bah bad. And if you

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Speaker 1: see a mad ho tell ha ha ha. You only

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Speaker 1: you would write this and not a year old rapper

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Speaker 1: from Houston. Who um, you know I'm not taking anything.

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Speaker 1: This is not erased, This is not this is not

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Speaker 1: what you're trying to make it. This is additive. You're

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Speaker 1: we're adding to Megan the Stallion's narrative by saying that

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Speaker 1: she she spits Matt Rodders rhymes. All I'm saying is

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Speaker 1: I feel a kindred spirit with her. Absolutely very similar.

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Speaker 1: Later on in the song she she says, bad attitude,

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Speaker 1: but I'm cute so he called me bay. I like that.

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Speaker 1: She says she has a bad attitude. You still, I

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Speaker 1: think you still need to know. I showed you. I

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Speaker 1: showed you did the girl Freak music video. What did

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Speaker 1: you think? Amazing? I think she's incredible in a start.

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Speaker 1: I think that I think she has Cardi B powers.

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Speaker 1: I think she's potential. I think she's I think she's

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Speaker 1: a different breed. Well yeah, I'm not saying they're the same,

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Speaker 1: but I'm saying, um, you you haven't listened to cash

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Speaker 1: It yet, Oh my god. Cash It's because what I

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Speaker 1: do is whenever I get obsessed with someone, I listened

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Speaker 1: to one song approximately fifty times, and then I'm ready

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Speaker 1: to move on to even one other song of that.

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Speaker 1: It's so great. She does um she she she just

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Speaker 1: she starts with the whole chorus is like a sixteen

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Speaker 1: line thing or a thing where she's like, it starts

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Speaker 1: with them. I can be fuck with No, you get

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Speaker 1: touched this eight like she she just keeps doing like

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Speaker 1: verse verse verse huns so so like sexual and powerful.

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Speaker 1: So I live. And but what I mean when I

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Speaker 1: say it has card to be potential is when I

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Speaker 1: heard Bode Yellow, I was like, this will be huge.

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Speaker 1: And when I heard Heart Girl, Am I really late

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Speaker 1: on this? Not? Really? No? She so I So I

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Speaker 1: didn't find out about I didn't find about about Megan

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Speaker 1: Stanleing until like March, I would say when Sam J

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Speaker 1: at work was like, but when you would love Magany Stalleing,

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Speaker 1: I was like, oh who is she? And she goes,

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Speaker 1: um you would love her? To listen to big old freak,

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Speaker 1: and I was like, what a silly, silly title, and actually, oh,

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Speaker 1: I want to share this. This is kind of a weird, weird,

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Speaker 1: gross story, but I'm gonna share it, okay, babe. I mean, look,

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Speaker 1: so the week of the week of Memorial Day, Um,

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Speaker 1: there's this fun little barbecue happening in Prospect Heights, UM

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Speaker 1: with one and dres and inviting a bunch of people over.

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Speaker 1: And then I had just gotten into Meghan's most recent album,

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Speaker 1: recent release, Fever Yes this song on it called cash It,

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Speaker 1: as I mentioned you mentioned that earlier, and I was

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Speaker 1: trying to go off book just for like. I was like,

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Speaker 1: this is gonna be a big song on this summer.

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Speaker 1: It's important too. And I was just like walking out

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Speaker 1: of the Prospect Park f train stop, the seventh stop

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Speaker 1: on the train, and I was just like lip sinking,

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Speaker 1: like like trying like getting into the attitude of the

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Speaker 1: song and just like getting into the bars and the

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Speaker 1: fantasist say, and then who should walk buy me and

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Speaker 1: stop me on the street. Then Miss Kate McKinnon and

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Speaker 1: she was like, what are you doing? And I was like,

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Speaker 1: oh my god, I was listening to this song called

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Speaker 1: cash It by megany Stallion. And then Kate's like, tell

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Speaker 1: me everything about her? And I tell her. I go,

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Speaker 1: she's this college student um in Houston. She's twenty four

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Speaker 1: years old. She's amazing, she is incredible and this is

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Speaker 1: and I told Kate. I was like, she's going to

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Speaker 1: be a big deal this summer. And she was like, okay,

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Speaker 1: how girl Summer? And she was like, how often do

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Speaker 1: you listen to Wrap? I go very often? And then

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Speaker 1: and if that was Kate's reaction, goes wow, she goes, Wow,

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Speaker 1: Megan the Stallion, I'll remember her. So you know how

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Speaker 1: girl Summer kicked off in that very moment. You're a

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Speaker 1: hip hop queen. I'm a hip hop queen and I

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Speaker 1: actually respect I respect that and I see that because

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Speaker 1: you know, I like to write my own bars, you

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Speaker 1: know I do. You know I write some nasty WRAP lyrics.

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Speaker 1: And that's actually a secret about me, that's a secret

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Speaker 1: about you. The reason I bring up the barbecue is

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Speaker 1: because Kate was going to this barbecue. Well that's great, um,

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Speaker 1: and so we were both on the reader to this barbecue.

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Speaker 1: But Kate happened to see me on the streets. Wow,

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Speaker 1: just just not silently feeling your fantasy, feeling your megan

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Speaker 1: the staging fans. Absolutely, but so yes, I know that

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Speaker 1: you love to write bars. You're very good at rutting bars.

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Speaker 1: I love the bars you right. In fact, there's there's

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Speaker 1: bars on the internet if you search, if you search,

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Speaker 1: not me rapping, but comedy. It's really important for white

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Speaker 1: men to comedy rap. It's actually real culture. At number ten,

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Speaker 1: it's really important for white men to comedy rap. Now,

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Speaker 1: I really really want to get into this discussion, any discussion. Really.

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Speaker 1: He talked about feeling in the fantasy. This guest has

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Speaker 1: felt the fantasy. Can I tell you something. It's very

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Speaker 1: rare when you meet someone and you immediately feel that

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Speaker 1: it was an immediate feeling of the fantasy. Can I say,

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Speaker 1: we are on this person this guests podcast treks in

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Speaker 1: the city, and we didn't know this guest prior. We

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Speaker 1: did not know this, but it was an immediate family

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Speaker 1: Well I didn't know, Yes, I had. I had seen

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Speaker 1: her on TV. Oh come on, come on, come on on,

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Speaker 1: Valley fish look on Valley Fish down. Her best friend's

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Speaker 1: name is County. I love that um and she think

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Speaker 1: she's incredible. She has the special coming out on Amazon.

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Speaker 1: It's called My Mom as a Human and so am

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Speaker 1: I out Auguste and I cannot wait to see it

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Speaker 1: and I just love her so much. Oh. She also

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Speaker 1: hosts the Mazel Boys podcast um recaps Miss Mazel. They'll

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Speaker 1: be back for season three one. Season three airs. Oh.

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Speaker 1: Season three of Miss Mazel, I just can't wait. I

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Speaker 1: just can't wait. There were so many there were so

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Speaker 1: many amazing twists and turns in the second season. And

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Speaker 1: I actually am excited to talk Mazel with our guests.

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Speaker 1: I'm we're going to talk culture with our guests, and

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Speaker 1: at this time I'm going to stop referring to them

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Speaker 1: as our guest, and I'm going to actually just say

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Speaker 1: what their name is in unison with my bitch Bowen Yang.

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Speaker 1: And this is the time when you please welcome to

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Speaker 1: the pod. Last culture ristas Alice Waterland and I'm good, Okay,

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Speaker 1: we're getting. We're getting. Now tell me why you tell

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Speaker 1: me to mind for you? Was because when you guys

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Speaker 1: talking about Megan Stallion being the song of the summer,

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Speaker 1: I remember when the song Countdown came out, and that

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Speaker 1: was the first time in my life speaking culture that

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Speaker 1: I ever somebody goes like that's going to be the

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Speaker 1: song of the summer. And I didn't even think about

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Speaker 1: like there being a song every summer. And I was like,

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Speaker 1: I don't know where I was in my fucking life,

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Speaker 1: but I was like, oh my god, that's right, Like

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Speaker 1: there'll be a song that'll get played over and over again.

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Speaker 1: And it was for me anyway, it was Countdown. Yeah,

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Speaker 1: I would agree there was a collective moment um, you know,

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Speaker 1: and because I think they came out like that actually

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Speaker 1: came out like was it mid to the end of

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Speaker 1: the summer summer? But then it came in and it

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Speaker 1: was like the hot song. Yes, oh, I remember Brooklyn

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Speaker 1: was on fire when that song came out. Were you

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Speaker 1: living in New York you were? I remember I was

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Speaker 1: on the train at Coney Island when I first listened

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Speaker 1: to that song. Wow. Where yeah, And where else would

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Speaker 1: you rather be than Coney Island? When Beyonce comes on

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Speaker 1: and now you go to Coney Island and the song

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Speaker 1: that you pick out is XO because she famously did

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Speaker 1: the music the music video. You know, Beyonce said at

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Speaker 1: the time when Countdown came out, actually is on record

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Speaker 1: as saying the hipsters love Countdown. Oh, I love her

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Speaker 1: so much for understanding yeah, or she goes and she

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Speaker 1: went like they recorded it and then she was like,

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Speaker 1: I don't know how the song will do, but I

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Speaker 1: think the hipsters will love. I think you predicted that

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Speaker 1: the hipsters were count on as a long life. But

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Speaker 1: it's universal. It's not just like a hipster niche thing.

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Speaker 1: It's like everyone loves that song. It's just that it's

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Speaker 1: not like the typical danceable, you know, rinse and repeat

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Speaker 1: kind of thing. It's got levels and stuff, so it's

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Speaker 1: really theatrical. People like that. People love a song. It's

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Speaker 1: the kind of story to tell absolutely about a woman

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Speaker 1: who's so in love in the summer ways intends in

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Speaker 1: old these ways amounts would you consider yourself a Beyonce

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Speaker 1: fan slash like even stand Oh yeah for sure. But

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Speaker 1: it's almost like the kind of thing where it's a

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Speaker 1: go without saying, I'm not the kind of I'm not

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Speaker 1: I'm not in the bee hive, I'm not thirteen, like

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Speaker 1: I don't, I don't, you know, worry about her how

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Speaker 1: she's doing, and then go about on social media to

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Speaker 1: make sure like that's but when I first started dating

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Speaker 1: my boyfriend Garrett Lang, Um, he's a big player and

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Speaker 1: he's a bass player in l A. Nobody knows him.

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Speaker 1: I actually he is on Twitter. He will not tell

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Speaker 1: me what his handle is. Oh my god. So he uh,

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Speaker 1: like I were I was like, so we're just getting

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Speaker 1: to know each other, but like I want you to

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Speaker 1: understand that. I am like if you're somebody. And this

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Speaker 1: was before Lemonade, so it was like you gotta get

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Speaker 1: like you have to understand that, like Beyonce is not

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Speaker 1: something that we can like is it good? Is it

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Speaker 1: not good? Like there's no like going back and forth,

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Speaker 1: like if you have an opinion on Beyonce, that's like

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Speaker 1: besides just like yeah, she's obviously the greatest artist of

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Speaker 1: all time, Like you know, of our time. You need

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Speaker 1: to keep it to yourself, don't don't just don't talk

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Speaker 1: about it, right, And actually it's something that we're an upbridge.

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Speaker 1: We're not going to cross and I'll find out, but

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Speaker 1: we'll just leave it alone because I feel like this

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Speaker 1: is going somewhere. You are still dating him now, so

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Speaker 1: then we can say he's either mouth shut or we

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Speaker 1: watched the home Coming together giving us came up with

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Speaker 1: is foggy monocle to describe a British man who like

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Speaker 1: is watching Beyonce Is Homecoming and is so like he's

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Speaker 1: so horny from watching it that he's like, oh yeah, usher,

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Speaker 1: you know, and then his mole and now it's a

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Speaker 1: steam punk strip club in Portland. Actually we have to

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Speaker 1: add that to the cultural canon. Theogy monocle, the foggy monacle. Yeah,

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Speaker 1: that's actually huge. A bitch I'm going to say from

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Speaker 1: now on, he fogged up my monocle. Now maybe it

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Speaker 1: could be a still like an eatery Matt Rogers in

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Speaker 1: Matt Rogers Rogers. I have no problem putting that in

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Speaker 1: my part. Absolutely. You know that Matt Rogers Park. It's

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Speaker 1: well it's actually Matt Rogers theme Park in the Parks

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Speaker 1: it's called Matt Rogers theme Park. Because here's the thing.

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Speaker 1: Like it's so, I guess somebody head of Parks is

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Speaker 1: in like in like succession. Well yeah, Bowen Yang is

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Speaker 1: going to actually make a lot of decisions for my parts.

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Speaker 1: Is sort of like the Gail King of Matt Rodd

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Speaker 1: And I'm sort of insulting, No, it's not, because I'm

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Speaker 1: the Gail King for your stuff. So we exist in

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Speaker 1: a world where we exist in a world where I'm

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Speaker 1: open my own world. So I'm open and my rold

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Speaker 1: In Bowen is my Gail, and Bowen is Oprah and

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Speaker 1: his rold and I'm I have no plans on opening

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Speaker 1: a world though. You have to understand. You have to

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Speaker 1: understand this. Can I just say one thing and it's

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Speaker 1: actually a real culture. You have to be the opera

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Speaker 1: of your own life. And that's actually a real culture.

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Speaker 1: Number one and two. You have to be the opera

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Speaker 1: of your own life. You must. It's not an negotiable thing.

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Speaker 1: I mean, you can try anything else, but eventually you're

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Speaker 1: going to get into enough pain internally that you have

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Speaker 1: to be your own open, access your own power because

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Speaker 1: it's their hunt. So wait, just back to what you

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Speaker 1: were saying, like, so it has to be the Matt

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Speaker 1: Rogerstein Park because I'm I have my eyes on resort.

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Speaker 1: I'm not just trying to open up an amusement park.

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Speaker 1: I'm I'm want to resource sandals. You understand, So, yeah,

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Speaker 1: you get it signifies that you understand? Do we do

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Speaker 1: we specify the geographic location of Matt Rodgers Theme Park

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Speaker 1: Long Island? Well, actually it is Long Island. Even the

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Speaker 1: thing is there's a part of the park that is

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Speaker 1: Long Island. There's an area that's Long Island and you

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Speaker 1: can get on the Fire Island. Frey, it's a really

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Speaker 1: good attraction. What if what if there was no what

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Speaker 1: if it was? Well, no, what if you did instead

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Speaker 1: of Soren? But it was it was like a Long

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Speaker 1: Island experience. Absolutely, that's amazing. Have you spent any time

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Speaker 1: on the island, yes, And that you could have a

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Speaker 1: special like a quiet car, yeah, experience. It's like really immersive.

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Speaker 1: Maybe it's like a deprivation yeah, yeah that. And also

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Speaker 1: it's like, wait, I have a really good idea, Actually

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Speaker 1: have a really good idea. Can I run this by

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Speaker 1: you guys? Actually you're a part of the park now too. Okay,

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Speaker 1: you actually make executive decisions about the park now. I'm

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Speaker 1: only hiring like people who work at the stands. No,

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Speaker 1: this is actually something I still from Dolly Dolly would

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Speaker 1: but we won't do it here. But I did hear

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Speaker 1: that at Dollywood all the people that work at the

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Speaker 1: concessions are all like at least ninety and so they're

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Speaker 1: giving you your change back and it's like why why

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Speaker 1: Because they're all dollars paying in the world to be

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Speaker 1: like to be like okay, one please, and they're like okay, listeners,

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Speaker 1: I'm just shaking it. I actually have to say. That's

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Speaker 1: different from I don't want to do that at your part.

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Speaker 1: So I do have experience in like park ideas, but

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Speaker 1: I don't. Can I just say, right, here's the thing,

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Speaker 1: well not yet, not yet right now, you're CEO, you

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Speaker 1: go with money. Okay, that's actually operations officer. It's cool.

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Speaker 1: Can I just say who works on my part? Everyone

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Speaker 1: that works on my part is either a gay teen

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Speaker 1: or their friend Amanda. It's all teens and they're all

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Speaker 1: either gays that are like pretty gay or or their

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Speaker 1: friend Amanda. Yeah. Do the Amanda's have to have them

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Speaker 1: have to be tethered to the to the gay team

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Speaker 1: who's Yeah, they have to be supportive and tethered. You

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Speaker 1: have to be hired in tandem. Yeah, So basically like

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Speaker 1: jobs that one person could do. Yeah, it's like and

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Speaker 1: Amanda's do it together of course. So like if you

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Speaker 1: were to go by different it's the safety issue, especially

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Speaker 1: with the ride exactly, you don't we don't run the

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Speaker 1: ride if just Amanda's there, her friend is there, it's

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Speaker 1: not the same, but the friend can be named anything.

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Speaker 1: The friend can be named anything, but actually the friends

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Speaker 1: this is so sad, But the gays in my park

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Speaker 1: only have roughly between one and four names. Chris, Ryan, Tyler,

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Speaker 1: and Matt All name that. It's so sad. What is

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Speaker 1: roughly between one and four? So it is a whites

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Speaker 1: only situation? No? No, no, no, no, no no no,

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Speaker 1: it's not. I can't. I can't address enough now. And

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Speaker 1: also there's someone who's on the board. His name is

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Speaker 1: Bowen Yang and he is the of color and he

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Speaker 1: in the yeah and colorful decision. He brings culture. I

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Speaker 1: love it. Would you like to design a ride for

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Speaker 1: my part? I would seriously love it. I've thought about it. Okay, Okay,

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Speaker 1: I've thought about it. Okay, this is just a wild pitch,

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Speaker 1: you know, and just doing stuff at the wall. Um,

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Speaker 1: it's um, you know how like when you're in waterslide.

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Speaker 1: He sucks because there's band aids. What is the ride?

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Speaker 1: It's not water, it's just band aids. Wow, siding on

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Speaker 1: band aids. I don't you know what. And I'm going

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Speaker 1: to wipe that clean because I don't like it. For

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Speaker 1: your part, I'm actually think of it for another part.

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Speaker 1: Part what part, that's the that's the I'm sorry land sorry. Yeah,

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Speaker 1: it's an apology part. Then he has to make when

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Speaker 1: you go in the first ten minutes or just apology,

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Speaker 1: it's just him kind of being like, I'm sorry, guys.

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Speaker 1: He pays you to get in right, Yeah, because at

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Speaker 1: first you have to take a slow pass. Yeah. Because

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Speaker 1: also what they do in that park is they put

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Speaker 1: they put a tuxedo on you and they make you

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Speaker 1: look really dapper. And then after you apologize, you take

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Speaker 1: you take all that that clothes off. You put on

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Speaker 1: a gray distressed shirt. He sit on a stool and

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Speaker 1: that's like an image change. He's changed because sitting on

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Speaker 1: a stool now and he's not wearing a blazer. So

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Speaker 1: can I ask you a question if you're to take

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Speaker 1: your essence and make it into a vacation destination, Yeah,

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Speaker 1: I can. That's a good way to get to know someone.

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Speaker 1: I think that like, um, it's probably like, um, yeah,

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Speaker 1: it would be some kind of a theme park. I

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Speaker 1: would structure it around like a like a shopping adventure

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Speaker 1: over you know, but then an action sequence, like if

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Speaker 1: there was a way to make like an action comedy,

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Speaker 1: but that was also clueless, you know, like, um, she's

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Speaker 1: that girl, the type of thing where we've got for

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Speaker 1: the pretty woman ride. But it's like, you know, um,

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Speaker 1: I love action movies, so I want to be in

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Speaker 1: an action movie so fucking bad. So I'm all about

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Speaker 1: like bows and arrows and stuff like that, and you know,

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Speaker 1: really intense agility, like I like, uh, I like those

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Speaker 1: actual like obstacle courses. Yeah, really like to get physical.

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Speaker 1: But I like looking really good at the same time.

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Speaker 1: So it's like that's the whole thing. It's like get

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Speaker 1: dressed up as a different thing. But the shopping experience

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Speaker 1: is the big Well, this actually is a feature. Have

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Speaker 1: you ever thought of writing just the girls think they're

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Speaker 1: going shopping and it becomes action film. M that's great,

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Speaker 1: that's great. I think we should I think I think

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Speaker 1: we should a pin in that then into the screen like,

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Speaker 1: well I broke it. She just sally destroyed the studio.

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Speaker 1: I'm not in the sockets. That bitch is fried. Now

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Speaker 1: another one another a pile of danger for that. We

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Speaker 1: had to take out so much insurance. Yeah, well this

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Speaker 1: thing is here's the deal. You also hosted Forever Dog podcast.

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Speaker 1: I do so, I know, do you deal with hot

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Speaker 1: producers in your studio. Yes, we have hot producers and

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Speaker 1: it's great. It's like because they have personality. One of

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Speaker 1: them is new and she's like so hot and she's

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Speaker 1: so not into any of the and I'm like, oh,

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Speaker 1: that's perfect because like you're like a hot girl. You're

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Speaker 1: having a hot girl summer. She's on the fine all

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Speaker 1: the time. She doesn't care what we're doing. That funny

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Speaker 1: and she's like, what mad that we're talking to her?

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Speaker 1: You know her name? Can't remember I but Chloe, right,

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Speaker 1: it probably Clothe. I'd like to yes. But here's the thing.

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Speaker 1: I was so happy, honestly that I got here, and

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Speaker 1: I was like, please, God, don't let it be a

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Speaker 1: somebody's apartment. Do you know what I mean? You do

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Speaker 1: his podcast sometimes at somebody's apartment. Not that I wouldn't

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Speaker 1: want to be in one of your spaces. It's just like, no,

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Speaker 1: you wouldn't want to be in my space. What if

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00:21:05,160 --> 00:21:07,600
Speaker 1: it's it smells like weed? And yeah, what if it's

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00:21:07,600 --> 00:21:10,879
Speaker 1: like a UCB guy's apartment. Guys, but you know what,

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Speaker 1: but I know what you said. I know what you're saying. Actually,

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Speaker 1: speaking of UCB guys have you been watching the debates?

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Speaker 1: Have you been keeping up with the presidential race? Yeah,

395
00:21:20,440 --> 00:21:22,880
Speaker 1: so you have to listen to James Donman has a podcast.

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Speaker 1: Oh my god. I actually I'm a huge fan, and

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Speaker 1: I hear my Elizabeth Warren episode. No, I haven't listened

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Speaker 1: to that. I did Elizabeth Warren and we did. He

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Speaker 1: was like, you'll probably like, you know, thirty minutes or whatever,

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Speaker 1: and I was like, great, great, great, it was an

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Speaker 1: hour fifty year of me as Elizabeth Warren and weren't

402
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Speaker 1: talking to Bernie Sanders. End the list. I was like,

403
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Speaker 1: can we please stop this? Want or Ben Shapiro would

404
00:21:47,800 --> 00:21:50,360
Speaker 1: be great. I would go on as Andry Yang. Probably

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Speaker 1: I want to go back really quick because we did

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Speaker 1: put it in it um the movie idea where they

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Speaker 1: go shopping and shopping trip, right, shopping trip, and I

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Speaker 1: think it can be called trap shopping trip. It's the

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Speaker 1: lit mall. It has to start an outlet mall. You know,

410
00:22:02,240 --> 00:22:04,360
Speaker 1: this is the Labor Day weekend sale, right, so it's

411
00:22:04,359 --> 00:22:06,600
Speaker 1: going to get crazy either way, you know. But then

412
00:22:06,680 --> 00:22:09,280
Speaker 1: it gets really crazy because there's a heist in the

413
00:22:09,359 --> 00:22:12,920
Speaker 1: outlet mall. Maybe there's like a nuclear site underneath it. Yes,

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Speaker 1: I love that because you know what, you can get

415
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Speaker 1: a bunch of scenes in the factory where they make

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Speaker 1: the clothes. Yeah, because the factory outlet, and that's the

417
00:22:19,960 --> 00:22:23,160
Speaker 1: roles that we play. We're the factory for people. Love it. Yeah,

418
00:22:23,680 --> 00:22:27,840
Speaker 1: we're downstairs there. Actually quite nefarious. Let's let's set up

419
00:22:27,880 --> 00:22:30,040
Speaker 1: a meaning to break the story on this. I really

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Speaker 1: want to get this going. Um I have time, Yeah,

421
00:22:32,760 --> 00:22:39,199
Speaker 1: so I think it's probably have time Wednesday. Um. Wed

422
00:22:40,720 --> 00:22:42,680
Speaker 1: I think who do you think should be in at you? Veronica?

423
00:22:43,160 --> 00:22:49,920
Speaker 1: Me Veronica? Yeah, Megan the Stallion? Okay, no, I like that?

424
00:22:50,359 --> 00:22:58,720
Speaker 1: Um Bowen? Yeah, Tyler and Amanda and Chloe and I

425
00:22:59,040 --> 00:23:01,840
Speaker 1: would love and appear from a Christine Baranski. Oh yeah,

426
00:23:01,840 --> 00:23:04,320
Speaker 1: I know Christine Baranski should play. I think she should

427
00:23:04,320 --> 00:23:06,400
Speaker 1: play the voice that comes over the loudspeakers that says

428
00:23:07,480 --> 00:23:10,920
Speaker 1: it's time to evacuate them all. Yes, I think that

429
00:23:10,960 --> 00:23:13,920
Speaker 1: should be her role. It's like the end of the

430
00:23:14,040 --> 00:23:15,920
Speaker 1: very end, it's her all along or something of that,

431
00:23:16,040 --> 00:23:22,760
Speaker 1: and she turns out and she's like, wow, I love that.

432
00:23:23,160 --> 00:23:27,919
Speaker 1: So did you see that movie Searching with This? Did

433
00:23:28,000 --> 00:23:29,359
Speaker 1: I see that? With you? No? I didn't see it

434
00:23:29,359 --> 00:23:31,960
Speaker 1: because I was too afraid So what I do is

435
00:23:32,000 --> 00:23:33,359
Speaker 1: that whenever I don't want to see a movie but

436
00:23:33,400 --> 00:23:36,280
Speaker 1: I'm interested, I'll just look it up on spoiler websites

437
00:23:36,280 --> 00:23:39,000
Speaker 1: and so I'll have a vocabulary for the film something

438
00:23:39,040 --> 00:23:42,439
Speaker 1: about me. Spoiler alert for Searching. If you haven't seen Searching,

439
00:23:42,480 --> 00:23:44,359
Speaker 1: you can hit the fifteen a head button right now.

440
00:23:45,240 --> 00:23:48,760
Speaker 1: Turns out Debra Messing is the villain. But you know,

441
00:23:49,080 --> 00:23:51,359
Speaker 1: and this would be very Debra Messing of Christine Brownski

442
00:23:51,400 --> 00:23:53,600
Speaker 1: in this movie. There's the most disturbing part of that

443
00:23:53,680 --> 00:23:56,560
Speaker 1: movie is there's this moment where so John Show has

444
00:23:56,600 --> 00:24:00,360
Speaker 1: this brother, um Don Show, we should say a star

445
00:24:00,520 --> 00:24:02,720
Speaker 1: and hot a star and hot John has a brother.

446
00:24:03,000 --> 00:24:05,959
Speaker 1: So the story is like John's daughter goes missing. I'm

447
00:24:06,000 --> 00:24:08,520
Speaker 1: going to look at this a movie UPO. This is

448
00:24:08,560 --> 00:24:10,200
Speaker 1: I have to talk about this because I can't believe

449
00:24:10,200 --> 00:24:11,800
Speaker 1: this happened, and I still have been thinking about it

450
00:24:11,840 --> 00:24:14,680
Speaker 1: to this day. Um John has a brother. As there's

451
00:24:14,800 --> 00:24:17,480
Speaker 1: his brother character was very close with, and then that's

452
00:24:17,560 --> 00:24:19,159
Speaker 1: the daughter is close with two. And then for a

453
00:24:19,320 --> 00:24:24,240
Speaker 1: second you think that there's this like incest storyline where

454
00:24:24,280 --> 00:24:26,359
Speaker 1: the where the daughter is fucking the uncle and you're like,

455
00:24:26,840 --> 00:24:29,160
Speaker 1: and then as the on inst Everyone was just like, wait,

456
00:24:29,359 --> 00:24:31,480
Speaker 1: what how long do I let that? Believe? For like

457
00:24:32,040 --> 00:24:35,120
Speaker 1: five to ten minutes? And it's like too much time

458
00:24:35,119 --> 00:24:36,920
Speaker 1: to sit with and be like no, no, no, no no.

459
00:24:37,040 --> 00:24:38,960
Speaker 1: I would say five to ten minutes is too long

460
00:24:39,080 --> 00:24:42,119
Speaker 1: to let incests sit in the air. That's actually that

461
00:24:42,680 --> 00:24:46,239
Speaker 1: about lest day night set. Yes, so they said, they said, hey,

462
00:24:46,400 --> 00:24:48,560
Speaker 1: five to ten minutes is actually too long to let

463
00:24:48,640 --> 00:24:54,080
Speaker 1: incests sit in there. Five sitting in there, and they

464
00:24:54,119 --> 00:24:56,360
Speaker 1: only they only gave you a six minutes set. Exactly.

465
00:24:59,680 --> 00:25:02,280
Speaker 1: That was you on Conan kept We saw you kept

466
00:25:02,320 --> 00:25:03,680
Speaker 1: waving the light away and you were like, I have

467
00:25:03,760 --> 00:25:08,000
Speaker 1: to do and they were like, but it's just sitting here,

468
00:25:08,280 --> 00:25:11,080
Speaker 1: you know what I mean, it's not going anywhere. It's

469
00:25:11,080 --> 00:25:14,760
Speaker 1: just sitting. This material doesn't really go anywhere, you know

470
00:25:16,119 --> 00:25:18,280
Speaker 1: it does? It does give you indigestion. How do you

471
00:25:18,400 --> 00:25:20,360
Speaker 1: heighten What are you going to do to heighten him?

472
00:25:20,480 --> 00:25:23,760
Speaker 1: Can I say one thing about this shopping trip thing

473
00:25:23,840 --> 00:25:25,800
Speaker 1: that I really like is do you think that they

474
00:25:25,880 --> 00:25:27,520
Speaker 1: win in the end, the girls or do you think

475
00:25:27,600 --> 00:25:30,280
Speaker 1: that that it ends in a shocking way? Well, what's

476
00:25:30,359 --> 00:25:34,280
Speaker 1: most like real life? I mean they come away having changed,

477
00:25:35,080 --> 00:25:38,040
Speaker 1: But do they really win or do they realize the

478
00:25:39,240 --> 00:25:42,200
Speaker 1: pieces they wanted all along we're in their closet already.

479
00:25:42,840 --> 00:25:45,560
Speaker 1: That's actually the name saying yeah, So it's I think

480
00:25:45,600 --> 00:25:48,600
Speaker 1: it could be two things. I think they could survive

481
00:25:48,680 --> 00:25:52,800
Speaker 1: and live the experience survive, but they actually don't leave

482
00:25:52,880 --> 00:25:56,040
Speaker 1: with anything from them all. So their initial goal of

483
00:25:56,119 --> 00:25:58,720
Speaker 1: getting things from the mall they did not achieve, but

484
00:25:58,840 --> 00:26:01,680
Speaker 1: they do live. And in a way, not getting anything

485
00:26:01,720 --> 00:26:03,639
Speaker 1: from the mall was winning because they already have what

486
00:26:03,680 --> 00:26:05,840
Speaker 1: they needed in the I actually have a story pitch

487
00:26:05,920 --> 00:26:08,920
Speaker 1: on this. So they go they go shopping at this

488
00:26:09,080 --> 00:26:10,320
Speaker 1: liam all. They want to buy all this new stuff.

489
00:26:10,359 --> 00:26:16,199
Speaker 1: It was a big sale. The nuclear threat they find out, Um,

490
00:26:16,520 --> 00:26:18,719
Speaker 1: I think the nuclear threat is the big central conflict

491
00:26:18,760 --> 00:26:21,120
Speaker 1: and that the girls have to dismantle this nuclear bomb.

492
00:26:22,240 --> 00:26:25,840
Speaker 1: You find out the person you planted the nuclear bomb

493
00:26:26,000 --> 00:26:30,000
Speaker 1: is Marie Condo because she wants to destroy every mall

494
00:26:30,080 --> 00:26:32,040
Speaker 1: in America. She doesn't want people to buy ship anymore.

495
00:26:32,600 --> 00:26:34,600
Speaker 1: But then the girls not only dismantle the bomb, but

496
00:26:34,720 --> 00:26:37,960
Speaker 1: they convinced Marie Condo to just come out. They could

497
00:26:38,000 --> 00:26:40,119
Speaker 1: just come out from the dark side and join their cause,

498
00:26:40,160 --> 00:26:43,560
Speaker 1: which is like malls are good malls are important, Marie Condo,

499
00:26:43,720 --> 00:26:45,760
Speaker 1: what they've learned is and then what the girls learn

500
00:26:45,880 --> 00:26:48,840
Speaker 1: is like sort of a balanced morality where it's like

501
00:26:49,359 --> 00:26:51,120
Speaker 1: we can shop for new things, but not too much.

502
00:26:51,200 --> 00:26:54,240
Speaker 1: We can't have this crazy consumerism that we that blinds us.

503
00:26:54,800 --> 00:26:56,320
Speaker 1: And then we can also let go of the things

504
00:26:56,359 --> 00:26:58,800
Speaker 1: that we don't need anymore. And Marie Condo also meets

505
00:26:58,840 --> 00:27:01,879
Speaker 1: them in the middle. So okay, no, it's please please.

506
00:27:02,320 --> 00:27:06,359
Speaker 1: If it's Marie Condo is the arbiter of like she's

507
00:27:06,440 --> 00:27:10,040
Speaker 1: the you know, behind the scenes villain. I think maybe

508
00:27:10,080 --> 00:27:12,920
Speaker 1: it's more she has the nuclear codes to this site,

509
00:27:13,280 --> 00:27:17,400
Speaker 1: because remember when in Bride'smaids, Melissa McCarthy was like, all

510
00:27:17,440 --> 00:27:22,040
Speaker 1: the nuclear So I think that the nuclear bomb is

511
00:27:22,040 --> 00:27:26,240
Speaker 1: already there. She just has the codes. She gets the codes,

512
00:27:26,320 --> 00:27:28,760
Speaker 1: and then that's you know. And so but here's what

513
00:27:28,800 --> 00:27:31,159
Speaker 1: I really want. I don't want it to be for

514
00:27:31,480 --> 00:27:34,320
Speaker 1: girls who have nothing to do with the government or espionage.

515
00:27:35,080 --> 00:27:36,879
Speaker 1: One of them to be a spy and that's how

516
00:27:36,920 --> 00:27:40,080
Speaker 1: they got involved. Do you think that maybe the movies

517
00:27:40,080 --> 00:27:44,840
Speaker 1: where it's like girls a little bit of rub you.

518
00:27:45,560 --> 00:27:48,720
Speaker 1: So here's what I think, and tell me, tell me

519
00:27:48,800 --> 00:27:52,320
Speaker 1: what you think about this. I think that it's I've

520
00:27:52,320 --> 00:27:54,159
Speaker 1: always wanted to be in a movie where this happened,

521
00:27:54,320 --> 00:27:57,000
Speaker 1: or in a life situation where this happens, Like ship

522
00:27:57,119 --> 00:28:00,240
Speaker 1: goes down and one of your friends all of a

523
00:28:00,320 --> 00:28:04,520
Speaker 1: sudden whips out like a weapon that they have licensed,

524
00:28:04,800 --> 00:28:07,520
Speaker 1: and they're able to monitor the situation, and then in

525
00:28:07,680 --> 00:28:10,120
Speaker 1: that moment, it's revealed to all the friends who thought

526
00:28:10,160 --> 00:28:12,840
Speaker 1: they knew this person that they actually were c I

527
00:28:13,000 --> 00:28:16,800
Speaker 1: A seven fantastic. So I think that stuff is really

528
00:28:16,920 --> 00:28:19,560
Speaker 1: hard to just justify, though you know what I'm saying,

529
00:28:19,680 --> 00:28:23,160
Speaker 1: you can anything with an imagination. Actually, Okay, it's actually

530
00:28:23,160 --> 00:28:26,200
Speaker 1: an imagination problem. It's actually coming up against that. I'm

531
00:28:26,200 --> 00:28:28,680
Speaker 1: really worried about you. Yeah, it's actually an imagination issue

532
00:28:28,720 --> 00:28:32,280
Speaker 1: that you have. So I think that it's four girls

533
00:28:32,680 --> 00:28:35,439
Speaker 1: and then truly needs you to get help. You need

534
00:28:35,480 --> 00:28:37,720
Speaker 1: to seek treatment. You need to get help. Listen to

535
00:28:37,720 --> 00:28:43,840
Speaker 1: seek treatment Wednesdays and Friday. Just help too with your imagination.

536
00:28:44,360 --> 00:28:46,840
Speaker 1: Is that like it's like a child psychiatrist. Honestly, well,

537
00:28:47,280 --> 00:28:49,880
Speaker 1: I know a lot of people would child psychiatrists. It's

538
00:28:49,920 --> 00:28:53,880
Speaker 1: a problem. I'm not apologize. I can't afford her an

539
00:28:53,880 --> 00:28:56,240
Speaker 1: adult their best a psychiatry. Do you think this works?

540
00:28:57,000 --> 00:28:59,840
Speaker 1: Like four girls going out to them all ship goes

541
00:29:00,000 --> 00:29:01,600
Speaker 1: down one of them all of a sudden whips out

542
00:29:01,640 --> 00:29:04,120
Speaker 1: this knowledge. Maybe in a flashback that takes like five minutes,

543
00:29:04,160 --> 00:29:07,480
Speaker 1: we see their history. Wait, can I tell you something?

544
00:29:07,880 --> 00:29:09,920
Speaker 1: You can tell us anything. Got three tickets to see

545
00:29:09,960 --> 00:29:12,840
Speaker 1: the Share Show because my father loves Share. Is that

546
00:29:12,960 --> 00:29:14,680
Speaker 1: why you didn't go? That's why I didn't go because

547
00:29:14,680 --> 00:29:16,720
Speaker 1: of the blackout. And I go up to the Today

548
00:29:16,840 --> 00:29:19,840
Speaker 1: to the Today Takes guy and I go, uh, yeah,

549
00:29:19,920 --> 00:29:21,920
Speaker 1: last name is Yang and he like squirrels down his iPad.

550
00:29:22,000 --> 00:29:25,560
Speaker 1: I see the name Helena York. She was supposed to

551
00:29:25,560 --> 00:29:26,720
Speaker 1: go there to And I text her. I was like,

552
00:29:26,760 --> 00:29:28,400
Speaker 1: I'm supposed to be at the Share Show with you,

553
00:29:28,840 --> 00:29:30,920
Speaker 1: and she goes, really I heard my She goes, my

554
00:29:31,000 --> 00:29:33,080
Speaker 1: friend plays Sonny and he says that they might have

555
00:29:33,120 --> 00:29:35,800
Speaker 1: to cancel the show because of this blackout. Because first

556
00:29:35,800 --> 00:29:38,360
Speaker 1: of all, so I was walking from Harold Square to

557
00:29:39,280 --> 00:29:41,120
Speaker 1: the theater. The Neil Simon Theater had to cut through

558
00:29:41,160 --> 00:29:43,000
Speaker 1: Time Square, and then there was just like a billion

559
00:29:43,080 --> 00:29:46,920
Speaker 1: firetrucks everywhere. I didn't know what was happening. A crazy

560
00:29:46,960 --> 00:29:48,560
Speaker 1: amount of people even for time square. I was like,

561
00:29:48,640 --> 00:29:51,960
Speaker 1: something's going on, something's wrong. And then we got to

562
00:29:52,040 --> 00:29:53,720
Speaker 1: the theater and then Helene is like, there's a blackout happening.

563
00:29:53,760 --> 00:29:56,080
Speaker 1: I was like, what anyway, not that interesting story. Here's

564
00:29:56,120 --> 00:29:59,120
Speaker 1: the thing. My dad actually texted me. He said, Bowen

565
00:29:59,240 --> 00:30:02,120
Speaker 1: is taking his parents to see the Share show. And

566
00:30:02,200 --> 00:30:05,440
Speaker 1: I said, yes, I know. And then that I said's

567
00:30:05,520 --> 00:30:10,240
Speaker 1: dad share love Share against all odds anyway? But I

568
00:30:10,640 --> 00:30:13,000
Speaker 1: missed out. Probably would there probably would have been like

569
00:30:13,000 --> 00:30:14,480
Speaker 1: a lot of gay moments that like he would have

570
00:30:14,560 --> 00:30:17,640
Speaker 1: been like, I don't know about that. I don't know anyway,

571
00:30:17,760 --> 00:30:20,200
Speaker 1: I don't know. Share is gay, and look, the Share

572
00:30:20,320 --> 00:30:22,400
Speaker 1: is gay culture. And the fact that your dad is

573
00:30:22,440 --> 00:30:25,760
Speaker 1: embracing Share, to me means that that there's an opening,

574
00:30:25,840 --> 00:30:27,720
Speaker 1: there's a there's a door that's open there, and it's

575
00:30:27,760 --> 00:30:32,320
Speaker 1: Share Open Share. I think. I think once they once

576
00:30:32,360 --> 00:30:34,239
Speaker 1: Taylor swifts, Almo comes out, he's going to come out

577
00:30:34,280 --> 00:30:38,520
Speaker 1: of the close. What's your thoughts on because you have

578
00:30:38,720 --> 00:30:41,520
Speaker 1: you have takes. That's what I love about Alice. You

579
00:30:41,600 --> 00:30:47,959
Speaker 1: have fucking takes. What's your ship with Taylor? Taylor? Well, again,

580
00:30:48,640 --> 00:30:51,240
Speaker 1: a lot of times I feel like society has this

581
00:30:51,360 --> 00:30:55,000
Speaker 1: thing where we'll pick like one straggly white woman to

582
00:30:55,160 --> 00:30:58,200
Speaker 1: be like, you're the voice of all women now, and

583
00:30:58,360 --> 00:31:03,000
Speaker 1: they're always too young, right, or they're always without experience

584
00:31:03,040 --> 00:31:05,920
Speaker 1: in the spotlight. And then there's saying a bunch of bullshit.

585
00:31:06,160 --> 00:31:09,600
Speaker 1: It doesn't make any you know, And it's just like, don't, well,

586
00:31:09,680 --> 00:31:12,440
Speaker 1: don't listen to her about everything but the reason that

587
00:31:12,560 --> 00:31:14,719
Speaker 1: she But then she feels now she feels very entitled

588
00:31:14,800 --> 00:31:17,200
Speaker 1: to her position in the spotlight, and she's not entitled

589
00:31:17,240 --> 00:31:20,320
Speaker 1: to her position in the spotlight. She's extremely you know,

590
00:31:20,680 --> 00:31:22,840
Speaker 1: she's got a lot of hits, but she's basic. And

591
00:31:23,000 --> 00:31:26,400
Speaker 1: it's just, you know, I I guess my my whole

592
00:31:26,440 --> 00:31:28,880
Speaker 1: thing is like I thought, I want every white woman

593
00:31:29,120 --> 00:31:32,240
Speaker 1: in Hollywood to get better at taking criticism and better

594
00:31:32,400 --> 00:31:36,840
Speaker 1: at absorbing the backlashes that they create. It's just like,

595
00:31:36,960 --> 00:31:39,520
Speaker 1: this shouldn't be hard. It should be part of your practice.

596
00:31:39,560 --> 00:31:42,120
Speaker 1: Can I tell you who's really good at it? Felicity

597
00:31:42,200 --> 00:31:46,360
Speaker 1: Huffman her apology after the whole fucking like the whole

598
00:31:46,560 --> 00:31:50,120
Speaker 1: college fiasco, I was like, she still is very like

599
00:31:50,640 --> 00:31:55,600
Speaker 1: she's not she's very culpable of wrong doing. But her apology,

600
00:31:55,680 --> 00:31:58,680
Speaker 1: I was like, this is actually a very well worded apology.

601
00:31:59,680 --> 00:32:01,840
Speaker 1: I that like it was a very earnest, genuine like

602
00:32:02,840 --> 00:32:05,200
Speaker 1: when you compare it to Ms Laughlin, absolutely well, yeah,

603
00:32:05,360 --> 00:32:07,400
Speaker 1: I mean there's that, but also it's like, okay, that's

604
00:32:07,480 --> 00:32:10,400
Speaker 1: kind of out doing trapeze in front of the courthouse.

605
00:32:10,720 --> 00:32:12,880
Speaker 1: But I was like, oh, you've you've like my personal

606
00:32:12,960 --> 00:32:14,840
Speaker 1: needle has been moved a little bit, My little needle

607
00:32:15,120 --> 00:32:17,680
Speaker 1: has moved, so like you know, I'm like, okay, I

608
00:32:17,920 --> 00:32:22,720
Speaker 1: actually kind of understand Felicity a little bit more. Okay,

609
00:32:22,760 --> 00:32:26,800
Speaker 1: So in uh in our movie like comeback role, yeah,

610
00:32:26,880 --> 00:32:29,920
Speaker 1: I would say I think she actually should play one

611
00:32:29,920 --> 00:32:34,000
Speaker 1: of the girls. I think she should play two. Yeah,

612
00:32:34,680 --> 00:32:37,960
Speaker 1: literally us and Felicity Huffman and no one, no one

613
00:32:38,000 --> 00:32:40,720
Speaker 1: acknowledges that she is not twenty two. Just understood that

614
00:32:45,880 --> 00:32:50,440
Speaker 1: Rachel dol is all of age she can identify, and

615
00:32:50,520 --> 00:32:54,680
Speaker 1: I want young people to get offended about it. No

616
00:32:54,800 --> 00:32:57,400
Speaker 1: one see this. People will leave our movie talking. Yeah,

617
00:32:57,760 --> 00:33:00,200
Speaker 1: they will live in our movie talking and arguing. They'll

618
00:33:00,240 --> 00:33:03,800
Speaker 1: be leaving early talking. I want to figure out for

619
00:33:03,960 --> 00:33:06,560
Speaker 1: talking up. If you're at the arc light, that's what's

620
00:33:06,560 --> 00:33:08,520
Speaker 1: gonna happen. If you're the arc light, then we're talking.

621
00:33:08,560 --> 00:33:09,920
Speaker 1: I want to be able to figure out the most

622
00:33:09,960 --> 00:33:14,440
Speaker 1: efficient way to offend young people quote end quote, like,

623
00:33:14,480 --> 00:33:17,200
Speaker 1: what would that look like to offend the youth? Like?

624
00:33:17,320 --> 00:33:19,080
Speaker 1: What does what does that mean? You can I see

625
00:33:19,120 --> 00:33:20,880
Speaker 1: how you can offend old people by being like old

626
00:33:20,920 --> 00:33:24,720
Speaker 1: people are so stupid young people, you're like the class.

627
00:33:24,760 --> 00:33:28,240
Speaker 1: That class just calling young people stupid not gonna work.

628
00:33:28,840 --> 00:33:32,200
Speaker 1: I'm saying you have to be like young people. I'll

629
00:33:32,240 --> 00:33:36,520
Speaker 1: offend young people right now. Your fucking taste in mainstream music?

630
00:33:36,760 --> 00:33:41,120
Speaker 1: Is Billy the number one superstar right now? To me,

631
00:33:41,240 --> 00:33:45,120
Speaker 1: it's a idea. It's it's slow and dead. But we

632
00:33:45,960 --> 00:33:49,800
Speaker 1: like Billy. You don't speak for me. I'll put a

633
00:33:49,880 --> 00:33:51,520
Speaker 1: pin in you right now, put a pin in that.

634
00:33:52,120 --> 00:33:54,080
Speaker 1: I'll put a pin in you as I live and breathe,

635
00:33:54,160 --> 00:34:00,160
Speaker 1: and you won't. Yeah, I don't like Billy, and I

636
00:34:00,200 --> 00:34:02,160
Speaker 1: don't know what half of this ship is. So it's

637
00:34:02,200 --> 00:34:04,440
Speaker 1: like I can't really weigh in. But every time I do,

638
00:34:04,600 --> 00:34:06,400
Speaker 1: hear a snippet or a clip it of like radio

639
00:34:07,000 --> 00:34:09,640
Speaker 1: right now? But is it is it? Is it young

640
00:34:09,719 --> 00:34:12,319
Speaker 1: people's fault that radio sucks? I don't think I would

641
00:34:12,360 --> 00:34:15,960
Speaker 1: say it's it's Can I give anemic response to this.

642
00:34:16,320 --> 00:34:21,080
Speaker 1: I think the sort of like hopelessness of the world

643
00:34:21,280 --> 00:34:24,440
Speaker 1: right now has us dead, and I think that we

644
00:34:24,560 --> 00:34:27,840
Speaker 1: are emotionally dead. So when Katie Perry comes out with

645
00:34:28,000 --> 00:34:30,200
Speaker 1: Sorry the fucking Pop of the Summer, which is never

646
00:34:30,280 --> 00:34:34,040
Speaker 1: really over for me, which this I'm sorry but fool

647
00:34:34,480 --> 00:34:36,920
Speaker 1: across from me, which is you, Bowen says you quote

648
00:34:37,160 --> 00:34:40,680
Speaker 1: doesn't really get never really over. It's like to me,

649
00:34:40,800 --> 00:34:43,400
Speaker 1: it's like we were given an opportunity to like emotionally

650
00:34:43,440 --> 00:34:45,680
Speaker 1: live out loud with a pop song and we said, actually, no,

651
00:34:45,800 --> 00:34:47,680
Speaker 1: we want to keep Billie Eilish on top of the charts.

652
00:34:48,000 --> 00:34:52,560
Speaker 1: And I'm sorry, but what is it? Yeah, Billie Eilish, Yeah,

653
00:34:52,600 --> 00:34:55,120
Speaker 1: what is it? Can you explain it to me? Can anyone? Um,

654
00:34:55,640 --> 00:34:59,399
Speaker 1: It's just it's like pure, It's like it's production first,

655
00:34:59,440 --> 00:35:04,080
Speaker 1: it's production and forward. It's like who needs sure. But

656
00:35:04,160 --> 00:35:07,759
Speaker 1: it's like I've talked to I've talked to you about this, this, that, that,

657
00:35:08,400 --> 00:35:10,800
Speaker 1: that whole BuzzFeed thing about how niche pop is like

658
00:35:10,840 --> 00:35:15,400
Speaker 1: the only like pop that like resembles like Katy Perry, Kesha, Gaga,

659
00:35:15,600 --> 00:35:19,480
Speaker 1: Rihanna back then Rihanna. Like it's like it's now it's

660
00:35:19,520 --> 00:35:22,360
Speaker 1: like the Robin's, the car Jepson's, like the Betty Who's,

661
00:35:22,520 --> 00:35:25,719
Speaker 1: the Kimpetrisses. It's like, are you guys at home? I

662
00:35:25,840 --> 00:35:28,640
Speaker 1: just want to know quick question taking fucking notes? Yeah,

663
00:35:29,560 --> 00:35:32,600
Speaker 1: takes fucking notes. That doesn't someone taking notes taking notes?

664
00:35:32,920 --> 00:35:36,480
Speaker 1: But it's like just so word like mo freight pastic

665
00:35:36,560 --> 00:35:38,399
Speaker 1: saying that the Robin concert was one of the first

666
00:35:38,440 --> 00:35:40,600
Speaker 1: time she's ever been able to go to the bathroom unobstructed,

667
00:35:40,600 --> 00:35:42,279
Speaker 1: and that the line for the men's bathroom is longer.

668
00:35:42,400 --> 00:35:46,000
Speaker 1: It's like it's it's four gay mets. I mean I

669
00:35:46,160 --> 00:35:48,600
Speaker 1: was listening to you know, Betty Who. No, That's why

670
00:35:48,640 --> 00:35:51,719
Speaker 1: I said, like, Robin love it. What was the other one?

671
00:35:51,760 --> 00:35:55,359
Speaker 1: You said, Kimpetris No, what was the second one? After all?

672
00:35:58,160 --> 00:36:00,399
Speaker 1: Love Robin love Carl J And I was like Betty Who.

673
00:36:01,480 --> 00:36:03,680
Speaker 1: So here's the thing with Betty Who. Betty Who is

674
00:36:03,800 --> 00:36:07,000
Speaker 1: like so fucking fun and such a fun pop star,

675
00:36:07,320 --> 00:36:10,959
Speaker 1: but she's niche, and I think she remains niche because

676
00:36:11,000 --> 00:36:12,839
Speaker 1: if you really listen to her lyrics, did I talk

677
00:36:12,880 --> 00:36:15,560
Speaker 1: to you about this or was I maybe I'm talking

678
00:36:15,760 --> 00:36:18,680
Speaker 1: that's racist? No, Because I also was about to say

679
00:36:18,719 --> 00:36:20,160
Speaker 1: it could have been Jared that I was talking, or

680
00:36:20,200 --> 00:36:24,600
Speaker 1: he could have been Joel Fleishman from Northern Right might

681
00:36:24,640 --> 00:36:29,520
Speaker 1: have been talking. And that's actually a raiser. I know

682
00:36:29,680 --> 00:36:32,800
Speaker 1: many more than one. Joel culture number six. I know

683
00:36:33,000 --> 00:36:38,120
Speaker 1: many is not the only one. Yeah, Joel won't talk

684
00:36:38,120 --> 00:36:39,800
Speaker 1: to me right now because I told them there's Lunne

685
00:36:39,800 --> 00:36:44,239
Speaker 1: and his chart. We sometimes do Real Housewives astrology charts,

686
00:36:44,560 --> 00:36:46,319
Speaker 1: and I had I had to actually break the news

687
00:36:46,400 --> 00:36:48,600
Speaker 1: to Joel that there was lou and his chart and

688
00:36:48,680 --> 00:36:50,480
Speaker 1: he has not DM And you're not what do you

689
00:36:50,480 --> 00:36:53,560
Speaker 1: want outsize of New York? I don't. Okay, great, let

690
00:36:53,600 --> 00:36:55,280
Speaker 1: me say one thing. Let me make a point about

691
00:36:56,040 --> 00:36:59,040
Speaker 1: Betty who, Betty who clearly has an army of game

692
00:36:59,120 --> 00:37:00,759
Speaker 1: in putting our ship to there, because if you listen

693
00:37:00,760 --> 00:37:04,279
Speaker 1: to her lyrics, it is like so weirdly unrequited love

694
00:37:04,440 --> 00:37:08,239
Speaker 1: centric and so strangely like longing, and like it's so

695
00:37:08,440 --> 00:37:12,520
Speaker 1: specifically lyrically like applicable to like the gay or queer

696
00:37:12,640 --> 00:37:17,000
Speaker 1: experience that it's like. But it's clearly like she does

697
00:37:17,040 --> 00:37:19,719
Speaker 1: it with an intense love for that, and she has

698
00:37:19,760 --> 00:37:21,759
Speaker 1: like her backup dancers, like licking her thighs in a

699
00:37:21,840 --> 00:37:24,400
Speaker 1: way that I'm you're like, oh, those are gay man, Okay,

700
00:37:24,480 --> 00:37:28,920
Speaker 1: I have to listen to you, and there's nary a

701
00:37:29,040 --> 00:37:31,719
Speaker 1: non bob. I mean, it's it's an army of bob

702
00:37:32,160 --> 00:37:35,560
Speaker 1: for you to say, what bitch that that these backup

703
00:37:35,680 --> 00:37:38,920
Speaker 1: dancers are licking her thigh as the like brainchild of

704
00:37:39,000 --> 00:37:41,359
Speaker 1: a gay man. So if I don't know why that's

705
00:37:41,440 --> 00:37:44,480
Speaker 1: because you think about this, some queer comes in let's

706
00:37:44,520 --> 00:37:47,959
Speaker 1: call it Betty, who's creative director, says, Okay, you're gonna

707
00:37:48,000 --> 00:37:51,080
Speaker 1: have to backup dancers and they're gonna come over during

708
00:37:51,160 --> 00:37:52,719
Speaker 1: during this part, and this one's gonna get on his

709
00:37:52,800 --> 00:37:56,040
Speaker 1: knees and lick your thigh, honey, and she's gonna say great.

710
00:37:56,200 --> 00:37:58,680
Speaker 1: And then the amount of straight men that would get

711
00:37:58,800 --> 00:38:03,920
Speaker 1: that sary. It's like the straight wouldn't get yeah, And

712
00:38:04,000 --> 00:38:08,319
Speaker 1: also straight male backup tancer come over lick my thought.

713
00:38:08,440 --> 00:38:11,839
Speaker 1: You know that has to be gay man. Yeah, one

714
00:38:11,920 --> 00:38:15,000
Speaker 1: to I'd be like, I'm fucking working right now, Like

715
00:38:15,120 --> 00:38:20,879
Speaker 1: what are you doing that? Canceled, canceled, canceled Any straight

716
00:38:20,960 --> 00:38:25,440
Speaker 1: man trust can canceled, Stage four canceled. I think you

717
00:38:26,120 --> 00:38:28,200
Speaker 1: you've over the course of this episode, Matt have really

718
00:38:28,280 --> 00:38:30,799
Speaker 1: covered like the professional book ends for a gay man

719
00:38:30,880 --> 00:38:33,640
Speaker 1: who in a young gay team will start working at

720
00:38:33,680 --> 00:38:36,759
Speaker 1: Matt Rogers Theme Park, and then we'll move up the

721
00:38:36,880 --> 00:38:41,520
Speaker 1: ladder to being Betty, Betty who's creative direct Yeah, well,

722
00:38:41,600 --> 00:38:43,440
Speaker 1: what's going to happen is Betty who is actually going

723
00:38:43,520 --> 00:38:45,719
Speaker 1: to come to the Matt Rogers Theme Park and she's

724
00:38:45,760 --> 00:38:48,120
Speaker 1: gonna say, whatever is going on here, I want to

725
00:38:48,160 --> 00:38:50,560
Speaker 1: be reflected on stage when I go out there, and

726
00:38:50,719 --> 00:38:52,680
Speaker 1: so someone will head forward and say, Hi, I'm the

727
00:38:52,719 --> 00:38:55,520
Speaker 1: creative director of this park. Yes, she'll do Matt Tell

728
00:38:55,600 --> 00:39:00,080
Speaker 1: every year. Actually it'll be Betty who Kelly Clarkson and

729
00:39:00,680 --> 00:39:05,400
Speaker 1: the cast of Glee. That's that's Matt Chella. Awesome, amazing.

730
00:39:05,640 --> 00:39:08,040
Speaker 1: Do you ever do you ever do that thing on

731
00:39:08,120 --> 00:39:09,960
Speaker 1: Spotify at the end of the year where it says like,

732
00:39:10,160 --> 00:39:12,480
Speaker 1: this is what you've been listening to all year? No,

733
00:39:13,000 --> 00:39:18,520
Speaker 1: mine is humilia embarrassing. I don't need that. I don't

734
00:39:18,520 --> 00:39:21,239
Speaker 1: want to see that. Let me tell you you don't

735
00:39:21,280 --> 00:39:23,759
Speaker 1: want to see that. I've been listening to a lot

736
00:39:23,840 --> 00:39:27,759
Speaker 1: of Earth Gang. Now I just see you're No, I'm not.

737
00:39:28,080 --> 00:39:30,160
Speaker 1: I'm friends with you. Joy Travis is what it is

738
00:39:30,200 --> 00:39:33,480
Speaker 1: because he goes in like, what are you listening to

739
00:39:33,560 --> 00:39:36,960
Speaker 1: you now? And I'm like outcast from Stanconia because I

740
00:39:37,000 --> 00:39:41,160
Speaker 1: don't know any new music. That's it is. But it's

741
00:39:41,200 --> 00:39:42,760
Speaker 1: like I listened to it because it's like the coolest

742
00:39:42,800 --> 00:39:47,279
Speaker 1: thing that I can think of. You probably, yeah, he's

743
00:39:47,280 --> 00:39:53,680
Speaker 1: pretty cools. Also he is insanely good looking, and it's

744
00:39:53,719 --> 00:39:54,840
Speaker 1: I was like, it's going to be hard to be

745
00:39:54,920 --> 00:39:56,960
Speaker 1: friends with you, but then it wasn't because when you

746
00:39:57,040 --> 00:39:59,320
Speaker 1: become friends with somebody and then it becomes like collegiate

747
00:39:59,360 --> 00:40:01,719
Speaker 1: and familial. Well, the thing is, I find that you know,

748
00:40:02,920 --> 00:40:07,239
Speaker 1: when you have genitals, they respond to stimuli, and then

749
00:40:07,760 --> 00:40:12,319
Speaker 1: the thing is that does fade away story about genitals

750
00:40:12,360 --> 00:40:16,480
Speaker 1: responding to stimuli. So I'm really, I'm working my way

751
00:40:16,760 --> 00:40:22,520
Speaker 1: into becoming a prestige actress. Um really, and I want

752
00:40:22,560 --> 00:40:24,880
Speaker 1: to do action movie. That's my dream. I wanted to

753
00:40:24,920 --> 00:40:30,680
Speaker 1: action movies. I work out constantly. I have I can lift,

754
00:40:31,080 --> 00:40:33,759
Speaker 1: I can dead live one five. I'm really, I have

755
00:40:33,800 --> 00:40:36,960
Speaker 1: a lot of muscles. My back is crazy and in

756
00:40:37,040 --> 00:40:41,080
Speaker 1: both ways like it's muscular and it's sucked up. Um anyway,

757
00:40:41,320 --> 00:40:48,760
Speaker 1: I have a ripped scoliosis, ripped bonus spurs and muscles.

758
00:40:49,760 --> 00:40:53,279
Speaker 1: I'm so, I'm trying to do drama, and I keep

759
00:40:53,320 --> 00:40:56,479
Speaker 1: auditioning for fucking Fear of the Walking Dead. They've made

760
00:40:56,480 --> 00:40:59,840
Speaker 1: me like a million times they want me in the

761
00:41:00,080 --> 00:41:02,440
Speaker 1: fucking show for some reason. Never get it. But then

762
00:41:02,480 --> 00:41:04,360
Speaker 1: I got this other drama that's coming out in CBS

763
00:41:04,400 --> 00:41:07,480
Speaker 1: al Access. I got a guest star two episodes of

764
00:41:07,920 --> 00:41:11,440
Speaker 1: this show called Interrogation, which is next You're coming out.

765
00:41:11,520 --> 00:41:19,440
Speaker 1: Who's top line in that Alexander's scars Garde Peter star

766
00:41:20,320 --> 00:41:27,319
Speaker 1: Peter stars, Guard David straysern Okay, Andre Rojo bubbles from

767
00:41:27,360 --> 00:41:32,920
Speaker 1: the wire. Fuck, there's like three more ridiculous actors and

768
00:41:33,320 --> 00:41:36,800
Speaker 1: I'm like, and also a night hit, right, And so

769
00:41:36,920 --> 00:41:41,200
Speaker 1: the guy it's so I got in there, like, but

770
00:41:41,239 --> 00:41:43,320
Speaker 1: there's a nudity and simulated sex scene. Can you do it?

771
00:41:43,400 --> 00:41:45,759
Speaker 1: And I was like, I was like, oh no. And

772
00:41:45,800 --> 00:41:48,520
Speaker 1: then I was like wait a minute, like how intense.

773
00:41:50,000 --> 00:41:51,600
Speaker 1: And then I read the scripture and I was like, yeah,

774
00:41:52,160 --> 00:41:53,800
Speaker 1: you know what, I need the money. I have a mortgage.

775
00:41:53,960 --> 00:41:57,600
Speaker 1: So I got the job and then I went out

776
00:41:57,640 --> 00:41:59,520
Speaker 1: to do they filmed the Albuquerque. The guy that I'm

777
00:41:59,520 --> 00:42:02,040
Speaker 1: playing off sit he is not somebody that I had

778
00:42:02,080 --> 00:42:05,319
Speaker 1: heard of really, but he is an excellent actor. He's

779
00:42:05,320 --> 00:42:07,239
Speaker 1: like a really He's like, but here's the crazy thing.

780
00:42:07,640 --> 00:42:12,200
Speaker 1: Drama actors just do drama acting. It's what the that

781
00:42:12,400 --> 00:42:16,319
Speaker 1: is wild? Isn't that wild? They just go in there

782
00:42:16,400 --> 00:42:19,239
Speaker 1: and I'm like, they're really doing this, like it's the

783
00:42:19,400 --> 00:42:22,840
Speaker 1: thing to do. Was were they fun? I mean like

784
00:42:22,920 --> 00:42:25,360
Speaker 1: a person is, you know, like like it wasn't like

785
00:42:25,440 --> 00:42:27,960
Speaker 1: we were like cutting up. I tried a hundred times

786
00:42:27,960 --> 00:42:29,640
Speaker 1: to make him laugh, and it would be like thirty

787
00:42:29,680 --> 00:42:31,680
Speaker 1: percent of the time he'd get it and be like

788
00:42:31,800 --> 00:42:33,400
Speaker 1: ha ha. The rest of the time he'd be like

789
00:42:33,520 --> 00:42:35,400
Speaker 1: I'm in the mood, you know, or whatever, and I

790
00:42:35,560 --> 00:42:37,799
Speaker 1: was like, this is so crazy and weird. Like one

791
00:42:37,800 --> 00:42:39,759
Speaker 1: of the scenes that we had to do was he

792
00:42:39,880 --> 00:42:43,279
Speaker 1: was making breakfast for me, and for some reason, it

793
00:42:43,400 --> 00:42:46,360
Speaker 1: was shot really well, like it's beautiful looking, but one

794
00:42:46,400 --> 00:42:49,440
Speaker 1: of the director was like, I want the camera to

795
00:42:49,520 --> 00:42:52,799
Speaker 1: pan up from the coffee being made, the toast is down,

796
00:42:53,200 --> 00:42:56,080
Speaker 1: the eggs are getting flipped, and I come out and

797
00:42:56,239 --> 00:42:58,080
Speaker 1: like I've got a T shirt on and nothing else

798
00:42:58,120 --> 00:42:59,759
Speaker 1: and they hug him from the back or whatever, and

799
00:42:59,800 --> 00:43:03,000
Speaker 1: then we have to have like an emotional scene meanwhile,

800
00:43:03,200 --> 00:43:04,759
Speaker 1: all this ship is going on. So it's like every

801
00:43:04,800 --> 00:43:06,960
Speaker 1: time we'd come out, I'd be like, hey, it's okay,

802
00:43:08,040 --> 00:43:10,279
Speaker 1: it's okay, and then it would be like toast pops up,

803
00:43:10,360 --> 00:43:13,560
Speaker 1: you know, and I'm like dying because I'm like, this

804
00:43:13,680 --> 00:43:16,920
Speaker 1: is a Rube Goldberg breakfast behind you right now, and

805
00:43:17,040 --> 00:43:18,960
Speaker 1: I think it's the fucking funniest thing in the world.

806
00:43:19,000 --> 00:43:22,040
Speaker 1: It was like ten people to be like coffee, okay, slip,

807
00:43:22,160 --> 00:43:24,239
Speaker 1: turn them on, turn him on, boom go, and then

808
00:43:24,280 --> 00:43:26,120
Speaker 1: like be dramatic, and he's in it. He's just like

809
00:43:26,280 --> 00:43:29,040
Speaker 1: doesn't break at all. And I'm like and I'm like listen,

810
00:43:29,280 --> 00:43:33,279
Speaker 1: I think popping up, and I'm just like, this is

811
00:43:33,320 --> 00:43:37,040
Speaker 1: the greatest thing that's ever happened. It did a sex

812
00:43:37,080 --> 00:43:41,839
Speaker 1: scene talk about that and it was hot. I was like, oh,

813
00:43:42,000 --> 00:43:46,160
Speaker 1: actually this is awesome. I'm he's hot, but I was

814
00:43:46,280 --> 00:43:49,239
Speaker 1: like it was just like your body is like doing

815
00:43:49,320 --> 00:43:53,080
Speaker 1: the sex motions and it's a new person, so there's

816
00:43:53,120 --> 00:43:57,680
Speaker 1: a novelty factor and I was like, let's go again.

817
00:43:57,880 --> 00:44:00,680
Speaker 1: Like I was having the time of my life. I

818
00:44:00,760 --> 00:44:02,759
Speaker 1: don't I need to figure out for myself if I

819
00:44:03,120 --> 00:44:04,920
Speaker 1: but this is so interesting, that interesting that you're on

820
00:44:05,040 --> 00:44:08,120
Speaker 1: this side of this. This debate is that some people

821
00:44:08,160 --> 00:44:09,799
Speaker 1: are like sex scenes are so impersonal, they're so bad,

822
00:44:09,800 --> 00:44:11,440
Speaker 1: they're so humiliating. But then there's the other side of

823
00:44:11,480 --> 00:44:13,279
Speaker 1: it where it's just like, no, it's hot and I

824
00:44:13,960 --> 00:44:16,520
Speaker 1: I feel like I'm having sex with this person. So

825
00:44:16,680 --> 00:44:18,719
Speaker 1: you're you're in that camp, right, It's like, yeah, and

826
00:44:18,800 --> 00:44:20,719
Speaker 1: this is like the second time I've done I didn't

827
00:44:20,800 --> 00:44:23,160
Speaker 1: like an indie thing where it didn't get really is

828
00:44:23,239 --> 00:44:24,680
Speaker 1: but like I did a make out scene with a

829
00:44:24,760 --> 00:44:27,600
Speaker 1: guy who again another guy who was very attractive, but

830
00:44:27,640 --> 00:44:30,520
Speaker 1: I wasn't like in Damn, but it was like vance n,

831
00:44:31,040 --> 00:44:33,040
Speaker 1: but you trick your brain into thinking. We talked about

832
00:44:33,440 --> 00:44:36,120
Speaker 1: which was like any acting, like you're the other thing.

833
00:44:36,200 --> 00:44:37,719
Speaker 1: I was telling my boyfriend about this, and I was like,

834
00:44:38,080 --> 00:44:41,000
Speaker 1: the crazy thing about sex acting is it like when

835
00:44:41,040 --> 00:44:43,239
Speaker 1: you're delivering a line in a certain way, you wanted

836
00:44:43,280 --> 00:44:44,680
Speaker 1: to be real to the character and real to the

837
00:44:44,680 --> 00:44:47,279
Speaker 1: story and also like seem genuine, seem natural. All this

838
00:44:47,400 --> 00:44:50,960
Speaker 1: ship it's drama, But with sex there's like two ways

839
00:44:51,080 --> 00:44:54,160
Speaker 1: of being and you're also already acting when you're having

840
00:44:54,239 --> 00:44:59,920
Speaker 1: normal sex, right, Like everybody at it, Okay, fascinating. I've

841
00:45:00,000 --> 00:45:02,320
Speaker 1: forget who it was that was quoted this, but I

842
00:45:02,400 --> 00:45:04,719
Speaker 1: was reading some interview with some actress and she was like, well,

843
00:45:04,800 --> 00:45:07,160
Speaker 1: in the sex scene, like I'm having sex as the character,

844
00:45:07,239 --> 00:45:09,759
Speaker 1: I'm not having sex as me. And I'm like, now,

845
00:45:10,320 --> 00:45:14,480
Speaker 1: explain that, Like I wonder if she's like aggressive sexually

846
00:45:14,520 --> 00:45:17,040
Speaker 1: as the character or like she's physically doing things that

847
00:45:17,160 --> 00:45:19,920
Speaker 1: she wouldn't do. That to me is fascinating. Well, I

848
00:45:19,960 --> 00:45:21,759
Speaker 1: would be too in my head if I said something

849
00:45:21,840 --> 00:45:24,560
Speaker 1: like I'm having sex as a character. Um, that's what

850
00:45:24,640 --> 00:45:28,879
Speaker 1: I say during normal sex as well. The two ways

851
00:45:28,880 --> 00:45:30,440
Speaker 1: of having sex that you're talking about or are either

852
00:45:30,560 --> 00:45:34,560
Speaker 1: you are loving it or it's terrible, Like is that

853
00:45:34,760 --> 00:45:37,160
Speaker 1: is it like super binary like that, like maybe like

854
00:45:37,560 --> 00:45:39,400
Speaker 1: oh yeah, no, I mean I'm I'm just saying like

855
00:45:39,920 --> 00:45:41,960
Speaker 1: if you're into it, like yeah, you can be having

856
00:45:42,040 --> 00:45:43,920
Speaker 1: like a lack less sex, but there's a way of

857
00:45:44,000 --> 00:45:47,640
Speaker 1: being like, um, you know, I'm I'm it's so hot,

858
00:45:47,719 --> 00:45:49,959
Speaker 1: I'm so into it, and then we're so in love

859
00:45:50,760 --> 00:45:53,160
Speaker 1: or it's like animalistic or whatever and we'd like, hey,

860
00:45:53,320 --> 00:45:55,840
Speaker 1: it's hate. I feel like there's like maybe those directions.

861
00:45:55,960 --> 00:45:57,920
Speaker 1: But it was just like, oh, this is easy. And

862
00:45:58,000 --> 00:45:59,520
Speaker 1: we had all these scenes we were making out, and

863
00:45:59,560 --> 00:46:01,160
Speaker 1: I was like, was so worried that it was going

864
00:46:01,239 --> 00:46:04,359
Speaker 1: to be affected and weird, and then it wasn't at all,

865
00:46:04,360 --> 00:46:06,799
Speaker 1: because I'm like, yeah, when you're fucking in someone's face

866
00:46:06,920 --> 00:46:09,359
Speaker 1: like this, it's very easy to be subtle. Yeah, it's

867
00:46:09,400 --> 00:46:12,040
Speaker 1: not hard. I've never had there's no scene where you're

868
00:46:12,080 --> 00:46:18,640
Speaker 1: like obvious are supposed to do. I've never had a

869
00:46:18,680 --> 00:46:21,440
Speaker 1: makeut scene with a man on camera. I don't know.

870
00:46:22,040 --> 00:46:24,600
Speaker 1: I've had my I've had, I've been I've done one

871
00:46:24,640 --> 00:46:26,360
Speaker 1: sex scene on camera and no one will ever see it.

872
00:46:26,400 --> 00:46:29,160
Speaker 1: And it was with Joek and Booster right where he

873
00:46:29,960 --> 00:46:32,560
Speaker 1: did he gave me oral sex. Oh yeah. And I

874
00:46:32,760 --> 00:46:40,839
Speaker 1: was like this, remember Joel, I remember remember Joel, Joel

875
00:46:41,320 --> 00:46:43,000
Speaker 1: um I was remember Joel when I was like this,

876
00:46:43,440 --> 00:46:59,400
Speaker 1: Oh that's what I said. Oh this ride with the commercial,

877
00:46:59,440 --> 00:47:13,920
Speaker 1: Well have you saying, oh da dad, oh dad, that's

878
00:47:14,000 --> 00:47:19,759
Speaker 1: me during sex, Dad dad Dad. It's just so distracting,

879
00:47:20,040 --> 00:47:23,600
Speaker 1: it's so sad. Wait, hold on, do you have to

880
00:47:23,640 --> 00:47:26,399
Speaker 1: ask the goddamn one one last thing? I want to last.

881
00:47:26,760 --> 00:47:28,840
Speaker 1: One last thing is drama harder than acting to you,

882
00:47:29,360 --> 00:47:36,560
Speaker 1: It's drama. Acting drama harder than it's trama harder than acting.

883
00:47:39,480 --> 00:47:43,799
Speaker 1: Is drama harder than acting? To write that down, you am,

884
00:47:43,880 --> 00:47:48,320
Speaker 1: I like, oh, dad, Dad, is drama harder than comedy?

885
00:47:49,040 --> 00:47:52,160
Speaker 1: It's drama? Okay? Is drama hamma harder than comedy? Yes,

886
00:47:52,239 --> 00:47:56,520
Speaker 1: answer this, It's so much easier. I don't you believe that,

887
00:47:56,840 --> 00:48:01,480
Speaker 1: one hondo pe It's easier. Absolutely. I've seen actors who

888
00:48:02,040 --> 00:48:07,200
Speaker 1: are award fucking Oscar winning drama actors try to do

889
00:48:07,280 --> 00:48:11,560
Speaker 1: a comedy and absolutely cannot do it. On the other way,

890
00:48:11,719 --> 00:48:16,000
Speaker 1: the success rate very high because everyone I think people

891
00:48:16,080 --> 00:48:19,160
Speaker 1: have the assumption that it's easier to do comedy because

892
00:48:19,200 --> 00:48:21,400
Speaker 1: it's like, you know, yuck, yuck yuck, but it's like

893
00:48:21,920 --> 00:48:24,280
Speaker 1: and also so I think because of that public perception,

894
00:48:24,440 --> 00:48:27,600
Speaker 1: like there um sort of expectations are lower. And when

895
00:48:27,600 --> 00:48:29,759
Speaker 1: a comedian comes along and like is able to sit

896
00:48:29,840 --> 00:48:31,799
Speaker 1: on camera and say where it's like a person, they're

897
00:48:31,840 --> 00:48:35,319
Speaker 1: like wow around and never before seen Kristen Wigg can

898
00:48:35,360 --> 00:48:38,960
Speaker 1: actually talk in her normal voice, and it's like meanwhile,

899
00:48:39,200 --> 00:48:42,759
Speaker 1: like when drama actors come try to do comedy, I

900
00:48:42,800 --> 00:48:44,719
Speaker 1: mean you probably know from working at this so no,

901
00:48:45,480 --> 00:48:48,279
Speaker 1: and also like us all from working with people that

902
00:48:48,560 --> 00:48:51,719
Speaker 1: once they get a comedic script in their hand, they're like, okay, Um,

903
00:48:52,840 --> 00:48:57,399
Speaker 1: if you don't have your own comedic timing and voice

904
00:48:57,400 --> 00:48:59,640
Speaker 1: in real life, why would you suddenly have that. We

905
00:48:59,719 --> 00:49:01,960
Speaker 1: all have our real life in real life though, so

906
00:49:02,120 --> 00:49:06,200
Speaker 1: we can all, but like if you can't, if you

907
00:49:06,239 --> 00:49:08,600
Speaker 1: don't have the funny bone, you know, and like people

908
00:49:08,600 --> 00:49:10,600
Speaker 1: are like loose with it. And that's the other thing,

909
00:49:10,680 --> 00:49:12,840
Speaker 1: Like it's very loose. You have to trust yourself. You

910
00:49:12,880 --> 00:49:16,719
Speaker 1: have to have that. I don't think mentality, you don't

911
00:49:16,760 --> 00:49:20,560
Speaker 1: think up right citizens brigade and wait, I just wanted

912
00:49:20,560 --> 00:49:23,240
Speaker 1: to put it on it any other way. iOS doesn't

913
00:49:23,280 --> 00:49:27,560
Speaker 1: work before we wait, before we asked the question, and

914
00:49:27,600 --> 00:49:28,960
Speaker 1: then do I don't think so, honey. I have to

915
00:49:29,000 --> 00:49:32,320
Speaker 1: say one thing about before I brought the presidential debates.

916
00:49:32,360 --> 00:49:35,360
Speaker 1: And I brought that up because Eric Swalwell, who's now

917
00:49:35,440 --> 00:49:37,320
Speaker 1: dropped out of the race, reminds me of a UCB

918
00:49:37,440 --> 00:49:40,000
Speaker 1: guy who I would have seen executed. Second, I'll be fine,

919
00:49:40,320 --> 00:49:42,960
Speaker 1: and especially when he said, oh my god, he said

920
00:49:43,000 --> 00:49:44,920
Speaker 1: like a joke. And then the first presidential debate, I

921
00:49:45,000 --> 00:49:48,040
Speaker 1: remember it was we're breaking up with Russia and making

922
00:49:48,120 --> 00:49:50,200
Speaker 1: up with and He said it with the kind of

923
00:49:50,239 --> 00:49:52,399
Speaker 1: look in his eyes where I was like, you thought

924
00:49:52,440 --> 00:49:54,080
Speaker 1: that was so funny. I was like, I took to

925
00:49:54,200 --> 00:49:58,520
Speaker 1: a one with you, like a canned joke that you

926
00:49:58,680 --> 00:50:01,000
Speaker 1: just I took to all one with Eric Swallwell. And

927
00:50:01,040 --> 00:50:02,759
Speaker 1: he dropped out of that class after the second week.

928
00:50:03,239 --> 00:50:05,880
Speaker 1: It was too hard. It gets hard when it gut

929
00:50:09,080 --> 00:50:13,720
Speaker 1: gets hard. Anyway, any ask the question, which is, Alice,

930
00:50:13,920 --> 00:50:15,600
Speaker 1: what was the culture that made you say culture is

931
00:50:15,680 --> 00:50:18,080
Speaker 1: for me the formative culture. Whether it was a book,

932
00:50:18,120 --> 00:50:21,880
Speaker 1: a movie, a play, a a TV show, a neighborhood

933
00:50:21,920 --> 00:50:23,680
Speaker 1: you grew up in. But if it was Cardi B's

934
00:50:23,680 --> 00:50:25,640
Speaker 1: baby and it was that, there was that reason and

935
00:50:25,640 --> 00:50:28,759
Speaker 1: you didn't have culture before. I mean for a lot

936
00:50:28,800 --> 00:50:31,360
Speaker 1: of people, I feel like it is definitely for culture herself.

937
00:50:31,640 --> 00:50:35,319
Speaker 1: Absolutely cultures. Culture is well. When I was god Damn

938
00:50:35,360 --> 00:50:39,160
Speaker 1: born and named so I guess I'm thinking of like

939
00:50:39,880 --> 00:50:43,520
Speaker 1: when I was little and my mom was like very feminist,

940
00:50:43,600 --> 00:50:45,400
Speaker 1: Like it was like growing up in a Christian household

941
00:50:45,480 --> 00:50:47,440
Speaker 1: where you, you know, how you can only listen to

942
00:50:47,640 --> 00:50:50,239
Speaker 1: Christian Rocke and my mom was like the feminist version

943
00:50:50,280 --> 00:50:53,080
Speaker 1: of that. She was like, no, only John Army training,

944
00:50:53,280 --> 00:50:55,520
Speaker 1: you know, or like only Tracy Chapman, like the only

945
00:50:55,640 --> 00:50:59,480
Speaker 1: music we're listening to is Katie Lange today, Jonny Mitchell

946
00:50:59,560 --> 00:51:03,000
Speaker 1: or whatever. So I so there wasn't a resistance to

947
00:51:03,160 --> 00:51:05,319
Speaker 1: like that type of like like I was like, oh,

948
00:51:05,360 --> 00:51:06,759
Speaker 1: I want to have fun, you know. So for me

949
00:51:06,840 --> 00:51:09,240
Speaker 1: it was like my mom was furious, but it was Barbie.

950
00:51:09,719 --> 00:51:15,160
Speaker 1: I was like Barbie's culture, and I really talked about

951
00:51:15,200 --> 00:51:19,919
Speaker 1: Barbie talked, talked just like you know, and people didn't

952
00:51:19,920 --> 00:51:21,840
Speaker 1: get this. It's not about how her. It's not a

953
00:51:21,920 --> 00:51:23,880
Speaker 1: human being, right, It's not like I'm like, oh, I

954
00:51:23,960 --> 00:51:25,840
Speaker 1: need to look like Barbie. Are you start kidding me?

955
00:51:26,239 --> 00:51:27,839
Speaker 1: Barbie needs to look like Barbie so she can fit

956
00:51:27,880 --> 00:51:29,920
Speaker 1: in all these Barbie outs right exactly and into her

957
00:51:29,960 --> 00:51:33,280
Speaker 1: weird car. Yeah. And the thing the thing about Barbie

958
00:51:33,440 --> 00:51:38,520
Speaker 1: is she's also you know, she has so many friends.

959
00:51:38,840 --> 00:51:41,879
Speaker 1: Ye that it's also like you have to understand it's

960
00:51:41,920 --> 00:51:44,720
Speaker 1: never about her, It's about the larger community of Barbies.

961
00:51:44,760 --> 00:51:47,319
Speaker 1: Because the way you do Barbie is you buy about

962
00:51:47,360 --> 00:51:50,360
Speaker 1: a hundred and how they all have different outfits. And

963
00:51:50,440 --> 00:51:52,920
Speaker 1: then it's more like it's less like do you know

964
00:51:52,960 --> 00:51:55,160
Speaker 1: what I'm saying. It's like it's about it's about creating

965
00:51:55,200 --> 00:51:57,759
Speaker 1: a community of Barbies, and that's the positive less. So

966
00:51:57,840 --> 00:52:00,440
Speaker 1: you want to have a body positive barbie, and you

967
00:52:00,520 --> 00:52:02,719
Speaker 1: want girls to be for some reason looking at a

968
00:52:02,719 --> 00:52:05,360
Speaker 1: body positive Fine, that's great, do it, but do it

969
00:52:05,680 --> 00:52:07,680
Speaker 1: the best. They do it. The barbie have all the

970
00:52:07,800 --> 00:52:11,359
Speaker 1: fucking clothes, all the outfits, sexy, astronaut, all this ship.

971
00:52:11,680 --> 00:52:13,279
Speaker 1: Because they don't do it there. They're like, here's your

972
00:52:13,320 --> 00:52:15,919
Speaker 1: new doll. And it's like good, it's got a green shirt.

973
00:52:16,160 --> 00:52:19,640
Speaker 1: Like I love it, doll. I would play barbies, what

974
00:52:19,680 --> 00:52:21,960
Speaker 1: would you do? So I would like set them up

975
00:52:22,040 --> 00:52:25,200
Speaker 1: in uh, Like they worked in a store together, and

976
00:52:25,239 --> 00:52:26,880
Speaker 1: I would set up I was an only child, so

977
00:52:26,960 --> 00:52:28,640
Speaker 1: like I had a whole this was my life. They

978
00:52:28,640 --> 00:52:31,200
Speaker 1: would like sit in a store and then work the day.

979
00:52:31,640 --> 00:52:33,920
Speaker 1: They'd work all day and then they would go and

980
00:52:34,000 --> 00:52:38,759
Speaker 1: they would go home and then they would like go

981
00:52:38,960 --> 00:52:47,600
Speaker 1: home after work and like have dinner. They lived together. Yeah,

982
00:52:47,600 --> 00:52:51,160
Speaker 1: there was like yeah they would and they would talk

983
00:52:51,160 --> 00:52:54,279
Speaker 1: about like you know, boys and whatever. I was a kid,

984
00:52:54,320 --> 00:52:57,279
Speaker 1: but I didn't understand, like what why people talked about boys.

985
00:52:57,320 --> 00:52:59,600
Speaker 1: I would like go through the motions. I used to

986
00:52:59,680 --> 00:53:01,879
Speaker 1: do this very similar. I used to do that as well,

987
00:53:02,000 --> 00:53:04,279
Speaker 1: but I would I would create block, I would put

988
00:53:04,360 --> 00:53:06,920
Speaker 1: my blocks together and I would play with power Rangers

989
00:53:06,960 --> 00:53:08,680
Speaker 1: and then they would have a conversation with each other.

990
00:53:08,800 --> 00:53:11,560
Speaker 1: But the way that I played barbies was with my

991
00:53:11,719 --> 00:53:14,160
Speaker 1: sister because she was the one that had the barbies,

992
00:53:14,239 --> 00:53:16,040
Speaker 1: so I would of course co opt that and we

993
00:53:16,040 --> 00:53:17,759
Speaker 1: would take all the barbies, put them on the bed

994
00:53:17,800 --> 00:53:21,000
Speaker 1: and we would play Titanic with the barbies so that

995
00:53:21,200 --> 00:53:24,640
Speaker 1: one by one they would die by being thrown off

996
00:53:24,680 --> 00:53:27,440
Speaker 1: the bed, which was of course the Titanic. And the

997
00:53:27,560 --> 00:53:30,320
Speaker 1: one that always lived was the one that was wearing

998
00:53:30,360 --> 00:53:32,680
Speaker 1: this like gorgeous little blue dress that was the same

999
00:53:32,719 --> 00:53:34,680
Speaker 1: color as the heart of the ocean, and she was

1000
00:53:34,719 --> 00:53:41,680
Speaker 1: always the rose genius if now how would so? Likewise,

1001
00:53:41,719 --> 00:53:43,160
Speaker 1: my sister was the one we had the dolls. We

1002
00:53:43,360 --> 00:53:49,040
Speaker 1: had the star of the pack was Aladdin, Laddin doll.

1003
00:53:51,239 --> 00:53:52,880
Speaker 1: She was a little bit bigger actually, and he was

1004
00:53:53,320 --> 00:53:56,200
Speaker 1: truly so fucking hot. Yeah. And but then we had

1005
00:53:56,239 --> 00:53:58,120
Speaker 1: a regular We had a regular Barbies and it was

1006
00:53:58,320 --> 00:54:01,000
Speaker 1: barbiing and Aladdin. We get into fights because Barbie and

1007
00:54:01,040 --> 00:54:03,560
Speaker 1: a ladd and we're having an affair. Barbie was like,

1008
00:54:03,960 --> 00:54:07,400
Speaker 1: you need to tell Jasmine about us, You're like, you

1009
00:54:08,680 --> 00:54:11,400
Speaker 1: need to leave Jasmine. For me, it was like, truly,

1010
00:54:11,440 --> 00:54:14,080
Speaker 1: my sister was this white bitch was coming along. Yes,

1011
00:54:14,320 --> 00:54:15,920
Speaker 1: she said you have to leave her, you have to

1012
00:54:16,000 --> 00:54:17,719
Speaker 1: leave her. And then I feel like I played that

1013
00:54:17,760 --> 00:54:21,280
Speaker 1: same game. I remember like my sister like taking Barbie's

1014
00:54:21,280 --> 00:54:24,280
Speaker 1: hand in, taking her hand up and slapping Aladdin across

1015
00:54:24,360 --> 00:54:26,239
Speaker 1: the faith. It was like the woman was right in

1016
00:54:26,320 --> 00:54:33,719
Speaker 1: this situation. White bitch narrative, white bitch honestly narrative. Yeah,

1017
00:54:33,840 --> 00:54:37,839
Speaker 1: I identify and I hate it, honestly. Wow, you let

1018
00:54:37,880 --> 00:54:40,680
Speaker 1: a white bitch narrative play out in your play? Did

1019
00:54:40,760 --> 00:54:42,799
Speaker 1: you and I play the Did you and I play

1020
00:54:42,840 --> 00:54:45,720
Speaker 1: the Barbie Board Game? No? Oh my god. The Barbie

1021
00:54:45,760 --> 00:54:48,200
Speaker 1: Board Game is iconic where the goal was to be

1022
00:54:48,320 --> 00:54:50,600
Speaker 1: the queen, the queen of the prom and you would

1023
00:54:50,600 --> 00:54:52,400
Speaker 1: have and you you have, you had to queen of

1024
00:54:52,400 --> 00:54:56,960
Speaker 1: the problem, you had to takes place in the fifties

1025
00:54:57,000 --> 00:54:58,759
Speaker 1: and like mid century where the three things where you

1026
00:54:58,760 --> 00:55:01,600
Speaker 1: had to go steady with someone, you had to um

1027
00:55:02,200 --> 00:55:04,200
Speaker 1: like be class, you had to get a title and

1028
00:55:04,760 --> 00:55:07,239
Speaker 1: get flapped, cool and get slapped. But it was this thing.

1029
00:55:07,320 --> 00:55:09,440
Speaker 1: It was like it was like it was a board

1030
00:55:09,480 --> 00:55:12,240
Speaker 1: game where you were feeling the fantasy of being Barbie

1031
00:55:12,280 --> 00:55:15,320
Speaker 1: in high school. And it was like truly like true

1032
00:55:16,040 --> 00:55:17,920
Speaker 1: problematic you can get. But it was like for a

1033
00:55:17,960 --> 00:55:20,680
Speaker 1: little gay boy playing that game, it's like you're you're

1034
00:55:20,680 --> 00:55:24,480
Speaker 1: trying on mommy's clothes. It's so beautiful and informative. Actually,

1035
00:55:24,520 --> 00:55:26,759
Speaker 1: and we've never talked about Barbie on this. We've never

1036
00:55:26,800 --> 00:55:29,120
Speaker 1: spoken about Barbie, and we've can we all just say

1037
00:55:29,120 --> 00:55:32,320
Speaker 1: a few words about Barbie's automobiles that she has come on,

1038
00:55:32,480 --> 00:55:36,239
Speaker 1: because she actually rides dirty and several different kinds of things.

1039
00:55:36,280 --> 00:55:39,120
Speaker 1: She has a beautiful pink car, which is her, I think,

1040
00:55:39,160 --> 00:55:42,239
Speaker 1: her most famous mobile. And then I believe Barbie has

1041
00:55:42,280 --> 00:55:45,200
Speaker 1: even been known to get on a motorcycle. For sure.

1042
00:55:45,960 --> 00:55:51,640
Speaker 1: Hot Rode was hot Rod Barbie, God Barbie. I love

1043
00:55:52,239 --> 00:55:55,319
Speaker 1: there is and I love that when Barbie does a thing,

1044
00:55:55,520 --> 00:55:58,520
Speaker 1: she becomes the like you know, like I am hot

1045
00:55:58,640 --> 00:56:02,759
Speaker 1: Rod Barbie or like Amie Culture. Yeah, yeah, like when

1046
00:56:02,800 --> 00:56:05,200
Speaker 1: I'm doing like it's like today, like right now, I'm

1047
00:56:05,200 --> 00:56:07,840
Speaker 1: coffee Alice, Yeah, coffee Alice, like and then later on

1048
00:56:07,920 --> 00:56:13,040
Speaker 1: I'll be sucking lunch Alice, lunchrast Alice. Right now has

1049
00:56:13,239 --> 00:56:16,800
Speaker 1: Barbie Oh my god, what's Barbie's podcasts? Got a pink

1050
00:56:17,280 --> 00:56:21,839
Speaker 1: Mike set up, and you know it's like sparkling sounds

1051
00:56:21,880 --> 00:56:25,000
Speaker 1: and it's like welcome back today. My favorite shape is

1052
00:56:25,040 --> 00:56:27,319
Speaker 1: a circle. I guess she wouldn't be like welcome back

1053
00:56:27,560 --> 00:56:31,920
Speaker 1: because before it's a podcast. Well, what are Barbie's ads?

1054
00:56:32,760 --> 00:56:43,200
Speaker 1: Barbie's ads are casper cast dot com. Um, Barbie does quips.

1055
00:56:43,840 --> 00:56:46,160
Speaker 1: She's like, I sleep with my quip. It's her size

1056
00:56:46,719 --> 00:56:49,239
Speaker 1: and she's like the giant vibrating body pillow. She's like,

1057
00:56:49,480 --> 00:56:52,520
Speaker 1: honestly the best. This is the thing that Barbie comes

1058
00:56:52,520 --> 00:56:54,160
Speaker 1: out of town, a lot out of town, a lot

1059
00:56:54,320 --> 00:56:56,520
Speaker 1: this is gay is actually this is the thing about

1060
00:56:56,520 --> 00:56:59,880
Speaker 1: Barbie is out of town. A lot of the kara

1061
00:57:00,040 --> 00:57:03,919
Speaker 1: absolutely remember they remember James Anderson SNL sketches, Britney Spears

1062
00:57:03,920 --> 00:57:06,440
Speaker 1: and Amy Pole are playing Barbie and Skipper, and then

1063
00:57:06,520 --> 00:57:08,520
Speaker 1: Chris tam would come on, It's Kenny and it just goes,

1064
00:57:09,160 --> 00:57:14,960
Speaker 1: I'm going to Malibu. Don't call me um. But Barbie

1065
00:57:15,120 --> 00:57:17,240
Speaker 1: is dragon. Though. Barbie is like putting on different hats

1066
00:57:17,240 --> 00:57:18,520
Speaker 1: and me like now I'm this, now I'm this name.

1067
00:57:19,280 --> 00:57:22,400
Speaker 1: It's it's truly beautiful. Barbie is actually the most important

1068
00:57:22,520 --> 00:57:27,840
Speaker 1: drag figure of all times. Yes, I agree. Barbie started

1069
00:57:28,160 --> 00:57:33,160
Speaker 1: drag and Barbie showed us that you're all born niked

1070
00:57:33,200 --> 00:57:34,880
Speaker 1: and the rest of the d and when you get

1071
00:57:34,960 --> 00:57:36,840
Speaker 1: up in the morning and you put on your drag

1072
00:57:36,920 --> 00:57:40,600
Speaker 1: and you are both in drag. You learned that from Barbie,

1073
00:57:40,720 --> 00:57:44,440
Speaker 1: and that was why Barbie is important. Absolutely, relationship with

1074
00:57:44,480 --> 00:57:50,320
Speaker 1: Barbie now, I mean truly, but rear View Mirror, this

1075
00:57:50,440 --> 00:57:51,640
Speaker 1: is one of those. This is this is one of those.

1076
00:57:52,400 --> 00:57:54,640
Speaker 1: Is there gonna be a Barbie movie? Wasn't there going

1077
00:57:54,680 --> 00:57:57,080
Speaker 1: to be? Yeah? I think that. I think it's happening.

1078
00:57:57,120 --> 00:58:00,880
Speaker 1: Really that was It was definitely on like so excited

1079
00:58:00,880 --> 00:58:04,720
Speaker 1: about that. Can you tell them my face? Um? I

1080
00:58:04,800 --> 00:58:08,040
Speaker 1: wanted to be like Glenn Close or something that would

1081
00:58:08,040 --> 00:58:11,640
Speaker 1: be really fun. Amy, one of the Amy's what's the

1082
00:58:11,680 --> 00:58:18,520
Speaker 1: Amy Palladino? Amy Searon Palladino finally hits the screen for

1083
00:58:20,160 --> 00:58:23,240
Speaker 1: the screen we never talked about Mazel? So shall we

1084
00:58:23,280 --> 00:58:25,160
Speaker 1: have a few words on Mazel? Well, I mean, you

1085
00:58:25,200 --> 00:58:27,760
Speaker 1: guys you wanted to bring it up, so I'm not. No,

1086
00:58:27,960 --> 00:58:33,960
Speaker 1: I don't have anything now on the spot that's Mael.

1087
00:58:34,000 --> 00:58:37,920
Speaker 1: That actually is a new segment. It's called all right, Uh,

1088
00:58:38,600 --> 00:58:40,920
Speaker 1: I haven't watched Mazel. I like Masil, I watched Maziel.

1089
00:58:40,960 --> 00:58:43,520
Speaker 1: I'm not I'm not first to watching Maazel and make

1090
00:58:43,560 --> 00:58:45,280
Speaker 1: say there's a season for of course, I'm excited, but

1091
00:58:48,880 --> 00:58:51,080
Speaker 1: I like, I'm a team Joel. That's all I have

1092
00:58:51,160 --> 00:58:54,040
Speaker 1: to say. You know, when that last scene and this

1093
00:58:54,200 --> 00:58:55,920
Speaker 1: is going to be a spoiler for Mazel, very similar

1094
00:58:55,920 --> 00:58:58,800
Speaker 1: to before our spoilers for Searching. You know, in the

1095
00:58:58,920 --> 00:59:03,240
Speaker 1: last scene, she said, Rachel, actually it's never Messing is

1096
00:59:03,280 --> 00:59:06,640
Speaker 1: the villain of Rachel brashan who I want on the

1097
00:59:06,720 --> 00:59:10,840
Speaker 1: pod I've been saying this. Um. She says, I want

1098
00:59:10,840 --> 00:59:13,200
Speaker 1: to be with someone who loves me, and then they

1099
00:59:13,280 --> 00:59:21,720
Speaker 1: intensely kiss. Cut to black. Wait, so my thing with

1100
00:59:21,920 --> 00:59:25,479
Speaker 1: Joel is just like if everybody's like Joels trash, Juels trash,

1101
00:59:25,520 --> 00:59:28,840
Speaker 1: and I'm like, great, maybe, So guess who else is trash?

1102
00:59:29,120 --> 00:59:34,000
Speaker 1: Fucking Mazel she sucks, has trash elements. Yeah, she's a

1103
00:59:34,040 --> 00:59:38,200
Speaker 1: fucking sp alpha female character. She sucks. There's a lot

1104
00:59:38,280 --> 00:59:40,320
Speaker 1: going on. So they stay belong together. I think they

1105
00:59:40,360 --> 00:59:43,240
Speaker 1: might belong together. I love them together. And he's obviously

1106
00:59:43,320 --> 00:59:46,200
Speaker 1: the Mr. Big what's that actor's name, He's incredible and

1107
00:59:46,320 --> 00:59:49,800
Speaker 1: he yes, yes, and he came to came to the

1108
00:59:49,880 --> 00:59:55,120
Speaker 1: show when when Bras hosted, So good God. He's really hot.

1109
00:59:55,440 --> 00:59:57,120
Speaker 1: He's really hot. He's one of those secret hotties that

1110
00:59:57,160 --> 00:59:58,680
Speaker 1: you used that you look on television, you go okay,

1111
00:59:58,720 --> 01:00:00,280
Speaker 1: TV actor, and then then you look at in real

1112
01:00:00,320 --> 01:00:05,840
Speaker 1: life and you're like, oh your genital's response. Oh, I

1113
01:00:05,960 --> 01:00:07,880
Speaker 1: thought it was just like me on set with when

1114
01:00:07,920 --> 01:00:16,520
Speaker 1: we did our sex scene. Oh, I think it's time

1115
01:00:16,560 --> 01:00:17,840
Speaker 1: for I don't think so honey. It's time for I

1116
01:00:17,840 --> 01:00:20,120
Speaker 1: don't think so honey. And if you're curious about what

1117
01:00:20,120 --> 01:00:21,480
Speaker 1: I don't think, so honey, is what I don't think,

1118
01:00:21,480 --> 01:00:22,960
Speaker 1: so honey is is we take one minute to rail

1119
01:00:23,000 --> 01:00:25,600
Speaker 1: against something in culture that we don't like. And if

1120
01:00:25,640 --> 01:00:27,880
Speaker 1: you'd like to see if this happen live, you're actually

1121
01:00:27,920 --> 01:00:30,000
Speaker 1: in love because we are going on the road. We're

1122
01:00:30,000 --> 01:00:32,520
Speaker 1: going to be in Atlanta on August seven, Orlando on

1123
01:00:32,520 --> 01:00:40,760
Speaker 1: August eighth, Denver on August twenties second seconds and then no, no, no,

1124
01:00:40,880 --> 01:00:46,160
Speaker 1: this is wrong. Uh. We're gonna be in Atlanta, Orlando, Denver,

1125
01:00:46,320 --> 01:00:49,720
Speaker 1: and Chicago throughout the month of August. You can get tickets.

1126
01:00:49,800 --> 01:00:52,840
Speaker 1: I'm definitely putting them on my Instagram, So get tickets there.

1127
01:00:52,920 --> 01:00:54,440
Speaker 1: We'll have it on the Forever Up website, and I'm

1128
01:00:54,440 --> 01:00:59,320
Speaker 1: gonna encourage Boonen Yang to put them on his And

1129
01:00:59,440 --> 01:01:01,440
Speaker 1: also we're so gonna be back at the Bellhouse in

1130
01:01:01,560 --> 01:01:05,080
Speaker 1: Brooklyn on September one. Very excited about all these things.

1131
01:01:06,000 --> 01:01:07,880
Speaker 1: Now I do have and I don't think so I

1132
01:01:07,960 --> 01:01:09,439
Speaker 1: have one too. But well, I'll have you go first,

1133
01:01:09,640 --> 01:01:12,160
Speaker 1: as it's traditional, says Matt Rodgers. I don't think so

1134
01:01:12,200 --> 01:01:14,400
Speaker 1: many times starts now, I don't think so, honey. Baby

1135
01:01:14,480 --> 01:01:18,360
Speaker 1: talk and baby humor, I just don't like it. You

1136
01:01:18,400 --> 01:01:21,160
Speaker 1: know when someone think, I'm just like you lost me

1137
01:01:21,520 --> 01:01:24,440
Speaker 1: because I feel like what you're cutting off here is

1138
01:01:24,520 --> 01:01:28,600
Speaker 1: the many years that you've progressed from babyhood to adulthood.

1139
01:01:28,760 --> 01:01:30,280
Speaker 1: And I want to know about the culture and the

1140
01:01:30,360 --> 01:01:32,680
Speaker 1: humor that's influenced you in that space of a span

1141
01:01:32,760 --> 01:01:35,240
Speaker 1: of time. Were you the funniest ever that you ever

1142
01:01:35,360 --> 01:01:37,560
Speaker 1: have been when you were a baby. I don't think so, honey.

1143
01:01:37,640 --> 01:01:39,400
Speaker 1: So why are you talking like a baby now? It

1144
01:01:39,480 --> 01:01:42,040
Speaker 1: actually runs right through me, the baby voice. I also,

1145
01:01:42,040 --> 01:01:45,440
Speaker 1: I'm sorry, I'm gonna stand out to baby humor videos

1146
01:01:45,560 --> 01:01:48,440
Speaker 1: of babies don't make me laugh. I'm sorry, you can

1147
01:01:48,480 --> 01:01:52,240
Speaker 1: stop sending them to me. I enjoy a baby but

1148
01:01:52,480 --> 01:01:56,960
Speaker 1: I don't need to opt into baby humor. I'm an adult.

1149
01:01:57,400 --> 01:02:02,640
Speaker 1: I prefer adult humor, like adult comedians, Tina Fey, things

1150
01:02:02,720 --> 01:02:04,960
Speaker 1: like that. So when you speak to me in the

1151
01:02:05,040 --> 01:02:07,760
Speaker 1: baby voice, know that I am wincing. And it's just

1152
01:02:07,880 --> 01:02:09,840
Speaker 1: like some of my closest friends love to do a

1153
01:02:09,880 --> 01:02:12,000
Speaker 1: baby voice, and I don't love any voice. I don't

1154
01:02:12,000 --> 01:02:14,040
Speaker 1: think so, honey, baby voice. And that's one minute. I

1155
01:02:14,600 --> 01:02:17,880
Speaker 1: agree with you. I think there's there's one person you're

1156
01:02:18,040 --> 01:02:21,480
Speaker 1: that you're referring to in particular. There must be can

1157
01:02:21,640 --> 01:02:23,720
Speaker 1: can I say their name? Go ahead? Sudie Green. Sudie

1158
01:02:23,720 --> 01:02:25,920
Speaker 1: Green loves baby voice, and maybe you were. She loves

1159
01:02:25,960 --> 01:02:29,919
Speaker 1: to send me videos of babies, and I don't love

1160
01:02:30,200 --> 01:02:33,120
Speaker 1: baby voice and baby. I gotta say, I think I'm

1161
01:02:33,160 --> 01:02:35,680
Speaker 1: with you. I don't know who knew this was going

1162
01:02:35,720 --> 01:02:38,120
Speaker 1: to be called out culture even sometimes can say this

1163
01:02:38,240 --> 01:02:40,600
Speaker 1: is a take, this is a take. You're a cruel bow.

1164
01:02:41,240 --> 01:02:43,680
Speaker 1: What I'm gonna be I'm gonna I'm gonna out myself

1165
01:02:43,680 --> 01:02:47,040
Speaker 1: as as a heartless motherfucker. Sometimes when I get a

1166
01:02:47,160 --> 01:02:52,240
Speaker 1: video of my niece. I'm like, Okay, I don't care

1167
01:02:52,280 --> 01:02:55,360
Speaker 1: about videos of anyone's baby because I'm so sorry. I

1168
01:02:56,200 --> 01:03:00,360
Speaker 1: love my niece so goddamn much. I don't a person,

1169
01:03:00,440 --> 01:03:02,200
Speaker 1: not a comedian, you don't always want to see her

1170
01:03:02,280 --> 01:03:04,280
Speaker 1: like do ship? You know what I'm saying. You're not

1171
01:03:04,360 --> 01:03:07,640
Speaker 1: looking for her latest ship. I'm sorry, but there you go.

1172
01:03:07,960 --> 01:03:10,760
Speaker 1: Ellie has not formed her comedic voice. No, And it's

1173
01:03:10,760 --> 01:03:14,640
Speaker 1: actually a detriment to her to send you videos because

1174
01:03:14,680 --> 01:03:17,680
Speaker 1: now this is part of her that legacy. Remember that

1175
01:03:17,720 --> 01:03:19,760
Speaker 1: one time I, like, you know, played the piano in

1176
01:03:19,880 --> 01:03:22,640
Speaker 1: a weird way, like yeah, but that like, now that's

1177
01:03:22,680 --> 01:03:25,160
Speaker 1: cannon and now that's like it's it's part of your legacy,

1178
01:03:25,200 --> 01:03:26,680
Speaker 1: and right, we're gonna have to reckon with that at

1179
01:03:26,720 --> 01:03:29,160
Speaker 1: some point. It's like, especially in culture now when everything

1180
01:03:29,200 --> 01:03:31,600
Speaker 1: gets on the internet, like people, these babies might get

1181
01:03:31,680 --> 01:03:34,200
Speaker 1: canceled for videos of them as babies later on when

1182
01:03:34,200 --> 01:03:36,120
Speaker 1: they were adults trying to make a comedic career. Happened

1183
01:03:36,320 --> 01:03:38,439
Speaker 1: because they were garbage when they were babies, because baby

1184
01:03:38,520 --> 01:03:40,920
Speaker 1: humor isn't funny. Actually stopped talking to me in a

1185
01:03:40,960 --> 01:03:43,120
Speaker 1: baby voice. Now, I love I actually love seeing Ellie

1186
01:03:43,160 --> 01:03:45,520
Speaker 1: all the time. That sucks that you do that, because

1187
01:03:45,520 --> 01:03:48,000
Speaker 1: you just said otherwise. You just said otherwise, and now

1188
01:03:48,040 --> 01:03:52,600
Speaker 1: here you are. That was taken out of context. No,

1189
01:03:52,760 --> 01:03:55,360
Speaker 1: you said it. We were fucking here. No, I said

1190
01:03:55,480 --> 01:03:59,440
Speaker 1: in a world where anyway. Okay, that's that's that's a beautiful.

1191
01:03:59,440 --> 01:04:01,240
Speaker 1: I think somebody that brave. Thank you, I really, I

1192
01:04:01,360 --> 01:04:04,280
Speaker 1: just like I can handle it with baby stuff. All right,

1193
01:04:04,440 --> 01:04:07,560
Speaker 1: So this is gonna be Bowen Yang's I don't think so, honey,

1194
01:04:07,840 --> 01:04:09,480
Speaker 1: And in fact, his time starts now. I don't think

1195
01:04:09,520 --> 01:04:12,360
Speaker 1: they standing at an angle in an elevator, bitch, face

1196
01:04:12,520 --> 01:04:15,520
Speaker 1: the front, motherfucker. Last night, I go, I go home

1197
01:04:15,560 --> 01:04:18,920
Speaker 1: with my parents. Were up the elevator. These drunk assholes

1198
01:04:18,960 --> 01:04:21,560
Speaker 1: come in to go to the rooftop. Its PM. They go,

1199
01:04:21,840 --> 01:04:23,720
Speaker 1: can you hit the roof please? They needed my fob

1200
01:04:23,840 --> 01:04:25,880
Speaker 1: to scan them up to the roof. I go, and

1201
01:04:26,080 --> 01:04:28,360
Speaker 1: I was, I was a bitch, and I go, I

1202
01:04:28,400 --> 01:04:31,439
Speaker 1: think the roof closes at ten, and it was, yeah,

1203
01:04:31,480 --> 01:04:33,200
Speaker 1: but our parties up there still, so we have to

1204
01:04:33,280 --> 01:04:35,680
Speaker 1: clean up. And I go, okay, scan the fob and

1205
01:04:35,720 --> 01:04:38,120
Speaker 1: then what they do is they stand at an angle

1206
01:04:38,640 --> 01:04:42,120
Speaker 1: to face me as a bullying tactic. I think I

1207
01:04:42,240 --> 01:04:45,160
Speaker 1: was with my parents. My parents like they sandwich to

1208
01:04:45,240 --> 01:04:47,200
Speaker 1: my mom. It was so weird. It was just this weird,

1209
01:04:47,320 --> 01:04:49,480
Speaker 1: crazy like formation. And I was like, this is bad

1210
01:04:49,560 --> 01:04:52,160
Speaker 1: and this actually makes all of us uncomfortable and out

1211
01:04:52,160 --> 01:04:54,400
Speaker 1: of our elements. You are distorting reality for fifteens And

1212
01:04:54,520 --> 01:04:56,760
Speaker 1: how dare you when I will put you on blast

1213
01:04:56,880 --> 01:05:02,600
Speaker 1: on my podcast listen to buy thou since and sir,

1214
01:05:03,280 --> 01:05:05,680
Speaker 1: I will meet you in the field and love will win.

1215
01:05:06,320 --> 01:05:12,840
Speaker 1: And I'm quoting Marian and most of I don't think so, Hona. Yeah, honestly,

1216
01:05:13,040 --> 01:05:16,520
Speaker 1: that sounds like a billion tactic um. Elevator um stances

1217
01:05:16,560 --> 01:05:19,000
Speaker 1: are very important. You have to remember you're not in there.

1218
01:05:19,040 --> 01:05:22,919
Speaker 1: You face front. It's been that way since, bitch, since

1219
01:05:22,960 --> 01:05:25,520
Speaker 1: elevators weren't. We got it, We figured it out already.

1220
01:05:25,560 --> 01:05:29,880
Speaker 1: There's no like remix remix unless it's a two sided

1221
01:05:30,000 --> 01:05:34,320
Speaker 1: door elevator situation. But it wasn't a taste. But if

1222
01:05:34,480 --> 01:05:35,919
Speaker 1: what if? I was like, I don't think so, honey,

1223
01:05:36,000 --> 01:05:38,640
Speaker 1: my traumatic childhood and I talked about all the things

1224
01:05:38,720 --> 01:05:40,840
Speaker 1: I went through. Can I just riff for one? Can

1225
01:05:40,880 --> 01:05:44,600
Speaker 1: I say one thing about elevator culture? Something I've realized

1226
01:05:44,600 --> 01:05:47,600
Speaker 1: about myself I can't be in an elevator with a

1227
01:05:47,760 --> 01:05:50,360
Speaker 1: romantic or sexual partner without it becoming a full thing.

1228
01:05:51,400 --> 01:05:54,360
Speaker 1: I have tooke up in the elevator, even if if

1229
01:05:54,400 --> 01:05:58,800
Speaker 1: it's if it's if it's just an else. I'm just saying, like,

1230
01:05:59,080 --> 01:06:00,960
Speaker 1: I'm sorry. My grandma was there, my mom was there.

1231
01:06:00,960 --> 01:06:02,840
Speaker 1: Everybody was looking at us, and they were asking us

1232
01:06:02,880 --> 01:06:06,600
Speaker 1: for money, and I was hooking up. But if we're

1233
01:06:06,600 --> 01:06:09,480
Speaker 1: avator together, if we're an elevator together and you are

1234
01:06:09,840 --> 01:06:12,560
Speaker 1: my partner, yeah, and we're not trying to hook up

1235
01:06:12,600 --> 01:06:15,200
Speaker 1: with me when the doors closed, it's really crazy and

1236
01:06:15,480 --> 01:06:18,320
Speaker 1: we are in a fight now when the door opens,

1237
01:06:18,760 --> 01:06:26,960
Speaker 1: get off me off. So now it's time for Alice's

1238
01:06:27,240 --> 01:06:29,280
Speaker 1: I don't think it's really hard. I have been so

1239
01:06:29,440 --> 01:06:32,880
Speaker 1: nervous about this. You can do sement. This is such

1240
01:06:32,920 --> 01:06:36,439
Speaker 1: a you can just do your traumatic childhood. It's fine.

1241
01:06:36,520 --> 01:06:41,680
Speaker 1: I know, like, it's well, okay, happening now have I started?

1242
01:06:41,800 --> 01:06:43,840
Speaker 1: Oh no, this is Alice Weaterloands. I don't think so, honey,

1243
01:06:43,840 --> 01:06:45,959
Speaker 1: your time starts now. Okay, I don't think so, honey,

1244
01:06:46,080 --> 01:06:49,560
Speaker 1: your hero, whatever it is, I don't hear what it is.

1245
01:06:50,200 --> 01:06:52,680
Speaker 1: This isn't the way we do things anymore. We get

1246
01:06:52,840 --> 01:06:54,800
Speaker 1: fine if you appreciate the art and you have to

1247
01:06:54,840 --> 01:06:57,200
Speaker 1: separate it from the artist or whatever, but like, stop

1248
01:06:57,320 --> 01:07:00,480
Speaker 1: every time somebody does a thing being like, well I

1249
01:07:00,640 --> 01:07:04,000
Speaker 1: like him though so and then defending everybody is a

1250
01:07:04,080 --> 01:07:07,520
Speaker 1: fucking human who has sucked up. Everyone is bad and

1251
01:07:07,600 --> 01:07:12,160
Speaker 1: if they're famous, they're definitely bad. We're famous, they're evil.

1252
01:07:12,600 --> 01:07:16,280
Speaker 1: End of story is includes me, so fucking go and

1253
01:07:16,400 --> 01:07:18,360
Speaker 1: like it's not like you're like, oh my god, you

1254
01:07:18,440 --> 01:07:20,600
Speaker 1: get something from that. You get something from like the

1255
01:07:20,680 --> 01:07:23,320
Speaker 1: Sniggers and they're like, yeah, Mars is my ship. I

1256
01:07:23,440 --> 01:07:26,600
Speaker 1: love Mars and everything Mars. Does you say anything about Mars?

1257
01:07:26,640 --> 01:07:29,920
Speaker 1: It sucks. No, we just only fucking like a Snickers bar.

1258
01:07:30,040 --> 01:07:32,840
Speaker 1: That's fine. So they just get your heroes and knock

1259
01:07:32,880 --> 01:07:36,640
Speaker 1: them out the fucking pedestal because it's punk rock bit

1260
01:07:37,040 --> 01:07:39,840
Speaker 1: and that's one minute. You know what. I've actually rarely

1261
01:07:39,960 --> 01:07:43,240
Speaker 1: met a hero and been satisfied. It's horrible, even people,

1262
01:07:43,320 --> 01:07:50,640
Speaker 1: even people slightble. It's a horror store. I met Paula Tompkins,

1263
01:07:50,680 --> 01:07:53,880
Speaker 1: who was my comedy hero now not my hero anymore

1264
01:07:53,920 --> 01:07:57,240
Speaker 1: because he's my fucking friend. Yeah, it sucks, especially he's

1265
01:07:57,320 --> 01:08:01,360
Speaker 1: too nice. He's a he's a good person, but only

1266
01:08:01,520 --> 01:08:04,400
Speaker 1: to your friends at your heroes exactly like where you're like, no,

1267
01:08:04,520 --> 01:08:07,280
Speaker 1: that's a good dude. Actually meeting there's only one way

1268
01:08:07,360 --> 01:08:08,960
Speaker 1: to go when you meet your hero, which is down,

1269
01:08:09,000 --> 01:08:10,800
Speaker 1: which is whether they disappoint you so much or they

1270
01:08:10,840 --> 01:08:12,840
Speaker 1: become your peer and then you're like, well, fun, now

1271
01:08:12,920 --> 01:08:15,280
Speaker 1: this sucks. Who look, I don't look up to anybody

1272
01:08:15,280 --> 01:08:17,880
Speaker 1: any Yeah, yeah, I don't look up to anyone. Yeah.

1273
01:08:18,280 --> 01:08:20,720
Speaker 1: I think maybe because of Paul. It's like that it's

1274
01:08:20,720 --> 01:08:25,599
Speaker 1: the one exception where he really was and the lovely person.

1275
01:08:25,720 --> 01:08:29,280
Speaker 1: But like then there's Paul, and then that leaves everybody else. Damn.

1276
01:08:29,840 --> 01:08:31,920
Speaker 1: You're right, Paul is great. And that's a shout out

1277
01:08:31,920 --> 01:08:36,360
Speaker 1: to Paul Tompkins. And this episode, the White Pitch Narrative.

1278
01:08:36,360 --> 01:08:38,920
Speaker 1: White Pitch Narrative has been so fun and we have

1279
01:08:39,040 --> 01:08:42,120
Speaker 1: covered all the ground and what a fucking joy that

1280
01:08:42,240 --> 01:08:45,880
Speaker 1: we got you in here. It's your gorgeous Scarlett Johanson asked,

1281
01:08:46,160 --> 01:08:49,880
Speaker 1: thank you. It is perky. I woke up and I

1282
01:08:49,960 --> 01:08:51,720
Speaker 1: was like, what are you gonna be today? You know,

1283
01:08:51,840 --> 01:08:56,000
Speaker 1: and I'm going to be actually I'm going to up.

1284
01:08:56,200 --> 01:08:58,439
Speaker 1: I'm caffinated. Yeah, I mean I had a cold bruin.

1285
01:08:58,439 --> 01:09:02,160
Speaker 1: I'm killing as well. Um. August Special as they say,

1286
01:09:02,240 --> 01:09:06,720
Speaker 1: drops drops as they say, Um, we love Alice so much.

1287
01:09:06,960 --> 01:09:13,120
Speaker 1: Please find her, follow her. Don't make your hero because

1288
01:09:13,160 --> 01:09:17,160
Speaker 1: you've dippointed. Every episode he gets unded with the song

1289
01:09:18,800 --> 01:09:29,439
Speaker 1: Allah Girls, Pap Papa and Wow. Okay, so we didn't

1290
01:09:29,880 --> 01:09:32,040
Speaker 1: see a mad bit? Did you see a mad ho?

1291
01:09:33,560 --> 01:09:35,120
Speaker 1: Is she mad? I don't know. I think the other

1292
01:09:35,160 --> 01:09:37,680
Speaker 1: hose math. Is it like a mad Hatter situation where

1293
01:09:37,760 --> 01:09:40,240
Speaker 1: she's like actually a meteleo to be continued. To be

1294
01:09:40,280 --> 01:09:48,200
Speaker 1: continued by This has been a Forever Dog production executive

1295
01:09:48,240 --> 01:09:52,560
Speaker 1: produced by Brett Boham, Joe Cilio, and Alex Ramsey. For

1296
01:09:52,680 --> 01:09:57,040
Speaker 1: more original podcasts, please visit Forever Dog Podcasts dot com

1297
01:09:57,600 --> 01:10:01,560
Speaker 1: and subscribe to our shows on Apple podcast, Spotify, or

1298
01:10:01,600 --> 01:10:04,320
Speaker 1: wherever you get your podcasts. Keep up with the latest

1299
01:10:04,400 --> 01:10:07,960
Speaker 1: Forever Dog news by following us on Twitter and Instagram

1300
01:10:08,479 --> 01:10:12,520
Speaker 1: at Forever Dog Team, and liking our page on Facebook.

1301
01:10:13,120 --> 01:10:13,160
Speaker 1: M