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Speaker 1: No, Willian, no.

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Speaker 2: Can doctor twenty three is when you get the most

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Speaker 2: people pregnant.

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Speaker 3: He's not, Wait what study you don't really start rolling?

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Speaker 3: What study is that? What studies that where at twenty

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Speaker 3: three you get the most people pregnant?

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Speaker 2: Like that's what they said, you know when they said that, they.

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Speaker 1: Said that in his early thirties. Yeah, I think so too.

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Speaker 4: I think it's like twenty seven, twenty eight, twenty seven.

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Speaker 1: We look that up.

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Speaker 2: That's when y'all got the most people pregnant.

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Speaker 5: I mean that's when you you get hard handed enough

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Speaker 5: to be like I ain't pulling down.

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Speaker 3: Yeah, you get rid of the condomy. Yeah, yeah, you

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Speaker 3: probably wear your last condomn at twenty.

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Speaker 1: Four, damn you you was living fans.

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Speaker 3: No, I'm just saying that, yeah, not still wear them,

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Speaker 3: Not not me, but I'm just saying, like, twenty on average,

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Speaker 3: twenty four to twenty five.

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Speaker 1: You stop. I can see that.

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Speaker 4: Yeah, you just have to like that's for women. That

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Speaker 4: what's the what's men's average? Well, you want real estate?

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Speaker 4: You do women get the most pregnant? Could you do

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Speaker 4: that out really casual? Like, yeah, twenty three is just

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Speaker 4: what they say.

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Speaker 6: It says peak male fertility is between twenty five and

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Speaker 6: twenty nine. Yeah, so twenty three you got two more

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Speaker 6: years of just pulling out like an American.

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Speaker 3: I told you stop winning condom at twenty four to

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Speaker 3: twenty four.

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Speaker 1: Stop. But I mean it was high school for me.

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Speaker 3: You'd be a little more liberal, yeah, a little more free.

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Speaker 5: Yeah, I mean the first time to build some trusts. Yeah,

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Speaker 5: first couple of times. Yeah, you get out there and

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Speaker 5: test the.

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Speaker 3: Limit a little bit.

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Speaker 2: But he's a millionaire.

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Speaker 7: Y'all talk all this shit about these football players and

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Speaker 7: how they get these women pregnant and and they're not smart.

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Speaker 7: They got to pay all his child support. People just

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Speaker 7: trying to use him. It's reversible. He was responsible. I'm

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Speaker 7: not ready for no kids right now. I don't want

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Speaker 7: to take care of him.

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Speaker 4: Nigga.

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Speaker 1: He's okay with diseases though, you have to fun.

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Speaker 3: You're a bro. That means he's okay with diseases. He

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Speaker 3: definitely his beard.

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Speaker 1: That's not his bird. Get get hurty.

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Speaker 3: You gotta prosected me and called herb.

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Speaker 1: That's something that's not reverse.

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Speaker 3: That's for life. That's a long ride right there.

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Speaker 7: The camera was not recording, but we're talking about black

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Speaker 7: boy Max getting of a sected me at twenty three.

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Speaker 2: It wasn't recording when we originally, Yeah.

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Speaker 6: He was, we got all that, Okay, good, he was

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Speaker 6: just crying for his straightness. So like it's pregnancy a

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Speaker 6: huge thing in his life.

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Speaker 3: I don't know.

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Speaker 1: I mean they said he had a scare.

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Speaker 3: A pregnancy scare, and that's why he gotta reseect me.

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Speaker 3: And he learned from it, scared the ship out of him,

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Speaker 3: didn't I didn't.

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Speaker 1: Learn from none of my pregnancy scar. I didn't know

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Speaker 1: kept getting more going back. I mean I stopped once

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Speaker 1: I made a real baby. That was it. Yeah, that's

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Speaker 1: what it really takes.

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Speaker 3: You gotta have a child.

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Speaker 1: Yeah, okay, you're gonna be scared of.

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Speaker 3: I mean, you know, maybe it's a woman you ain't

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Speaker 3: really trying to be attached to forever.

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Speaker 1: It doesn't matter. You're still attached.

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Speaker 3: Even if you don't have the baby, even know when

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Speaker 3: you do or when you do. Yeah, that's what they mean.

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Speaker 3: They start out good and they can change it. Of course,

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Speaker 3: turned to a whole other person that you don't have

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Speaker 3: no idea who they are.

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Speaker 5: Yeah sounds really Yeah, that sounds like, Yeah, that's nut

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Speaker 5: I heard it happened to me.

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Speaker 1: This is not just street information. Yeah.

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Speaker 3: Yeah, we're backspontsored by Boostmobile unlimited talk Textings, Dota, I

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Speaker 3: and Mall and Roy and we are joined by the

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Speaker 3: guys l Howard, Collos.

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Speaker 1: Miller, Hanky Heights, July twenty four.

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Speaker 3: Well, now, I've been watching you for years. I think

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Speaker 3: I saw one of your first stand ups on cable

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Speaker 3: years ago and I said, this guy is hilarius, is funny.

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Speaker 3: But now you're making your directorial debut. What is the

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Speaker 3: difference for you now stepping into this box as opposed

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Speaker 3: to being a stand up comic.

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Speaker 4: Well, when I got my vasectomy. Now I can't stop

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Speaker 4: thinking about that. That's why I got quiet, Like I've

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Speaker 4: been literally thinking about You're trying to understand it. His

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Speaker 4: decision making out of twenty three. Yeah, this does it

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Speaker 4: all right? Anyway, Yes, it was. It was fun to

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Speaker 4: direct this movie and then like to like be able

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Speaker 4: to give Carlos this road where he just kills it

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Speaker 4: and show his range. It was so much fun.

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Speaker 1: Man.

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Speaker 4: I had a great time, Like in, directing is my

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Speaker 4: thing now, so I ain't going nowhere.

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Speaker 1: Yeah, Carse, you went full Illuminati on this one. This

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Speaker 1: is your eyes watch shut.

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Speaker 3: Yeah, I thought I ran in the calls outside. I

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Speaker 3: told him, I said, your bid looks illustrious. Now you

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Speaker 3: gotta share. Keep up you in the Hollywood. Now, now

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Speaker 3: you're about to start acting totally different. Now, man, I'm

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Speaker 3: not now you because you got a shape up. We

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Speaker 3: ain't never seen you don't get no shape ups. You

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Speaker 3: don't cut your ball.

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Speaker 4: Well, Carlos had way more like fades and stuff when

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Speaker 4: I first met you. Exactly his haircut and everything was

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Speaker 4: more consistent than what this is.

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Speaker 3: Yeah, you hit that, You hit that moment where you

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Speaker 3: don't give a more girl like times.

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Speaker 1: Big mother started changing. Yeah, absolutely, Carlos used to have waves, fade.

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Speaker 4: Yeah, it's funny how you you keep a consistent haircut

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Speaker 4: when you ain't got money.

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Speaker 3: Yeah, as soon as you get money, you don't care

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Speaker 3: about you.

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Speaker 1: Nothing about that.

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Speaker 5: You know.

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Speaker 3: I'm not going to the ball shot. But let's talk

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Speaker 3: about Hornet heights.

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Speaker 1: Man, what is this movie? What is this movie about?

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Speaker 8: Bro?

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Speaker 4: It's about four friends who kind of reunite, uh really

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Speaker 4: put together by Carlos character t And everybody thought we

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Speaker 4: just maybe just going to the Airbnb or something like that,

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Speaker 4: and it turned out this is a whole nother thing going.

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Speaker 4: I know, he basically want to rob this place, but

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Speaker 4: we're trying to rob a place that we think is

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Speaker 4: an easy situation. He looked, Yeah, but it's not because

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Speaker 4: it's hunted Okay, I mean the title says it all

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Speaker 4: really yeah, kept it very so, you know titles, you

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Speaker 4: don't know what the like. When you saw weapons, You're like,

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Speaker 4: you ain't it's gonna be a bunch of kids running

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Speaker 4: around that ship.

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Speaker 1: Hunting Heights is a hunted Heights.

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Speaker 3: Now where does this fall in the line of black

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Speaker 3: comedy horrors, because we had you know, Leprechaun in the

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Speaker 3: Hood is probably the old time classic, Like is that

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Speaker 3: the metric?

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Speaker 1: I mean, it's a classic.

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Speaker 4: I'm just putting it next to the class And I

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Speaker 4: don't even know if they be in the I don't

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Speaker 4: think they meant for it to be as funny as

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Speaker 4: it course not, because if we do that, we.

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Speaker 5: Can name a bunch of horror fill one that they

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Speaker 5: had a nice budget. Yeah, it was a nice movie.

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Speaker 5: And then in the Hood and he was it was, yeah,

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Speaker 5: I did that ain't even the same level. Cons it's pretterdish, Yo,

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Speaker 5: that was just mean streets.

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Speaker 3: Yeah, well, when is this rank amongst the black horror comedies?

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Speaker 1: What is it rank? Like?

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Speaker 3: Where are you trying to place this? Is it trying

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Speaker 3: to be its own thing? Or are you hoping that

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Speaker 3: people enjoy it and take to it the way we're.

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Speaker 4: Taking I just want people to have fun with it, man, Like,

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Speaker 4: I don't know where it ranks. I don't know what

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Speaker 4: is going to be. I stopped doing that a long

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Speaker 4: time ago, with all the movies I've done, Like, I think,

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Speaker 4: you can't do that. You gotta let the people pick

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Speaker 4: because things like when you think about stories like the

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Speaker 4: Five Heartbeats is right that it didn't do well at first,

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Speaker 4: but it's.

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Speaker 1: A class last year, So you don't. You just don't.

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Speaker 4: You don't know, right, So you just you just make

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Speaker 4: whatever you think is. You have fun with it and

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Speaker 4: let the audience figure out whatever they want to rank stuff.

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Speaker 4: But I don't know. I just have fun making this movie.

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Speaker 4: And I was able to cast my friends. The biggest

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Speaker 4: thing for me was to get stand up comedians that

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Speaker 4: can act, not just comedic actors. Okay, you know what

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Speaker 4: I'm saying. And that was a big deal to me.

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Speaker 4: And that's why that's why so many comics in the movie.

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Speaker 3: Tiffany Hattis is in it. Uh, Andrew Bach Bachelor, Yeah,

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Speaker 3: it king Back.

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Speaker 1: Baker's in the movie.

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Speaker 4: Joe Joe Blunt from Detroit, Martini, Harris Tiretary from Chicago.

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Speaker 1: Where'd y'all shoot Detroit? Oh ship, So y'all was out there.

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Speaker 3: Y'all was acting up a bunch of a bunch of

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Speaker 3: black comics in Detroit in the movie.

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Speaker 4: That's a movie right there, the ball and then we

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Speaker 4: shot at Barry Gordy's first mentioned.

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Speaker 1: That was a hard story for Seriously, it was you

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Speaker 1: laugh it it was he didn't.

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Speaker 4: He look like he just left, like he kept the furniture.

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Speaker 4: And then the guy who bought it didn't. He didn't

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Speaker 4: really change anything. It was still pictures up like the

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Speaker 4: Jackson five, Like it is one of the creepiest places.

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Speaker 1: It was perfect for the movie.

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Speaker 5: It's like an abandoned museum because you get to see

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Speaker 5: like all these too ledgends where they sent like telegrams

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Speaker 5: to Barry Gordon.

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Speaker 1: Like hey, Barry, we on the road. The money's running out,

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Speaker 1: send us some money, you know what I mean.

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Speaker 5: You see all these travel slips and hotel receipts and

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Speaker 5: it's just wow, like they got them framed and you

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Speaker 5: got like original lyrics down the hall. There was this long,

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Speaker 5: like underground corridor. He had just hundreds of like Motown

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Speaker 5: pitches and Michael Jackson was over there writing lyrics on

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Speaker 5: the piano and pictures of uh Anna Ross while she

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Speaker 5: was pregnant, you know what I mean.

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Speaker 3: It was just is this something with that shooting that

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Speaker 3: location that like was that intentional?

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Speaker 1: Yeah?

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Speaker 3: I mean, is there like a connection between that in

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Speaker 3: the movie.

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Speaker 4: Well, it's not a connection specifically for that, but it

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Speaker 4: was just trying to find the creepiest how she can

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Speaker 4: find and it was between that Franklin is the original house.

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Speaker 4: So we scouted both those places. Wow, I think they

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Speaker 4: just recently sold that too, they did. I think we

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Speaker 4: had win scouted b places. But but Barry's was doing.

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Speaker 4: He still had an old furnish like the furnace that

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Speaker 4: you can't even battle type of furnaceures like the.

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Speaker 1: One that the house is built around. Round.

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Speaker 3: Yeah that was there before the house. Yeah it's still there, damn.

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Speaker 1: Okay.

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Speaker 6: Was Barry Gordy involved with the Michael Jackson movie because

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Speaker 6: in his history, they made him look like Morpheus, like

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Speaker 6: he was the greatest human being of all time.

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Speaker 1: He kind of is, though Barry Grey's music is that

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Speaker 1: probably ever?

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Speaker 6: He probably is, though, But I just feel like there's

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Speaker 6: more to the Barry Gordy Michael Jackson story than being

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Speaker 6: the father figure they made.

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Speaker 1: Him be in that movie. But if it was too

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Speaker 1: too raw to be on camera.

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Speaker 4: That way, you think it's a lot. I think it's

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Speaker 4: some deeper beauty of Barry Gordy's.

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Speaker 6: I think, like all music execs, Barry Gordy fucked over

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Speaker 6: a lot of people.

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Speaker 1: We got so we got for it.

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Speaker 5: He didn't.

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Speaker 4: He didn't get as many complaints as all the other

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Speaker 4: guys have over the years.

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Speaker 3: No, No, you don't hear too many of the more

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Speaker 3: town let's speak.

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Speaker 4: Yeah, I think he gave him most of their money.

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Speaker 4: I think I think he might have been fair as

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Speaker 4: he could be the stars.

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Speaker 5: There was plenty of people on the Motown label who

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Speaker 5: probably got some bad shores.

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Speaker 1: But they weren't like big stars. You know.

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Speaker 6: Jennifer Hudson was Piston dream Girls for sure. Why she

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Speaker 6: got kicked out because Beyonce the Supremes never saw a

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Speaker 6: dream Girls.

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Speaker 4: I saw it, but you meant you dreams. Yeah, I mean,

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Speaker 4: I'm like Jennifer Hudson, I'm like, what right, that's I'm like, brother,

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Speaker 4: what are you talking about?

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Speaker 3: Tried to touch upon some of Barry Gordy's bullshit.

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Speaker 4: Well it wasn't necessarily just his bullshit. It's kind of

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Speaker 4: group bullshit. Yeah, that's what we learned over the politics.

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Speaker 4: Every every group got some bullish. Every every I was

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Speaker 4: thinking about the used to be three people in this

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Speaker 4: I can't wait to see what BTS bullshit is, because

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Speaker 4: bullshit always love.

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Speaker 1: Man who was the lost member? You just you just

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Speaker 1: never don't somebody else? He was too much creative in

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Speaker 1: this movie.

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Speaker 3: I don't know what he's talking aboutright now.

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Speaker 1: I'm gonna go back and find mismember man. All right,

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Speaker 1: So haunted.

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Speaker 3: Well, now with this directorial debut of the black directors

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Speaker 3: that we have in in Hollywood and in the movie industry,

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Speaker 3: who are some of the guys that you spoke to

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Speaker 3: and kind of like got some advice from going into

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Speaker 3: this debut for you?

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Speaker 4: I actually abradu Is who was somebody I spoke to

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Speaker 4: and she helped me a whole lot. And Sean Levy,

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Speaker 4: who did who I did freak out with stranger things

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Speaker 4: and all that stuff. So, yeah, those are the two

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Speaker 4: who actually answered the phone.

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Speaker 3: You called some other ones, but those are the two

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Speaker 3: that answers.

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Speaker 4: Yeah, those two hit me up right away and jumped

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Speaker 4: on the phone with me.

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Speaker 1: So I appreciate that.

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Speaker 3: Is this is this more fun and this and this

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Speaker 3: part of we making for you or is it more

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Speaker 3: stressful being a director? It was way more fun for

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Speaker 3: me because I was busy the whole time.

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Speaker 4: I think, you know, when you're just acting and you're

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Speaker 4: kind of just sitting around and all that waiting, but

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Speaker 4: when you're doing, when you're directing and doing everything.

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Speaker 1: It felt good to like just to stay busy.

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Speaker 4: And so I don't even know if I really slept

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Speaker 4: for real while we was shooting it, but I had

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Speaker 4: so much fun, like really, and I'm a detailed person,

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Speaker 4: like directing really is my thing, Like it's it's when

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Speaker 4: did you know that?

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Speaker 1: Though?

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Speaker 4: Bobcat Goldway we had a show called Friends of the

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Speaker 4: People with the Lucas brothers and Jermaine Fowler and all

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Speaker 4: those guys. I wrote a sketch and he was like,

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Speaker 4: you know how you want to shoot this? And I'm like,

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Speaker 4: I don't know you the director, however, you want to

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Speaker 4: shoot it and he's like, no, this is your sketch

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Speaker 4: on you know, let's let's figure this out together. And man,

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Speaker 4: once we did that, that's when I was like, oh, oh,

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Speaker 4: this could be my thing, because I think for a

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Speaker 4: long time I just looked at directors like Steven Spielberg

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Speaker 4: and Johnson tense likely, like it's just some untouchable thing

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Speaker 4: that I couldn't be a part of. But Bobcat put

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Speaker 4: that battery in my back and I appreciate them for

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Speaker 4: that shout.

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Speaker 1: Out of legend legend? Was this tough to produce?

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Speaker 6: I feel like Hollywood is kind of neglected comedy movies,

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Speaker 6: Like everything is just a reboot or of marvelshit. Like

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Speaker 6: we used to get comedy movies like five a year. Yeah,

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Speaker 6: and I feel like it's won every few years. Is

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Speaker 6: that tough in Hollywood to even pitch something comedic at

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Speaker 6: this point?

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Speaker 4: Hmm, that's a good question. I don't because it's I mean,

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Speaker 4: it's stuff coming out, but not to the theaters, right.

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Speaker 4: And you know, it's one of the reasons why I

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Speaker 4: leaned to stand up comics too, because I think that's

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Speaker 4: a problem too.

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Speaker 1: I don't think.

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Speaker 4: I just think they kind of like the movies haven't

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Speaker 4: been really that funny in a while, you know what

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Speaker 4: I mean, nobody's taking chances on anything. But you know,

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Speaker 4: you got movies like our movie Hunter Heights, you got

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Speaker 4: the movie like The Invite, which is really it's tense

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Speaker 4: and funny and all these different things. But I think

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Speaker 4: it's people like seth Rogen and it's a lot of

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Speaker 4: us still want to make these type of films. I

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Speaker 4: just think I just think you can't just wait on

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Speaker 4: a green light. I think that's the thing about it.

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Speaker 4: I don't know if it's just about the genre. I

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Speaker 4: think people just trying to make whatever they know they

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Speaker 4: think will make money right away. And what you're seeing

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Speaker 4: is an independent film revelator like what Obsession did?

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Speaker 1: Come on?

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Speaker 4: The people want to see what they want to see.

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Speaker 4: You can't make us see whatever, you know what I mean.

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Speaker 4: And people are really saying, no, we want to see

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Speaker 4: what we want to see. And you know, the money

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Speaker 4: is killing the art, man, Yeah, it always money is

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Speaker 4: killing the art. I think that goes with a lot

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Speaker 4: of art to not even just movies and TV fashion.

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Speaker 4: You said the money is killing I don't know if

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Speaker 4: the money is killing the art or if stroking it out.

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Speaker 4: I think it's too much accessibility to art now.

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Speaker 5: I think it's people's trying to look so far like

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Speaker 5: the profit got to be immediate, like you were talking

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Speaker 5: about like off camera, It's like sometimes it takes something

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Speaker 5: to be It take a while for something to be

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Speaker 5: a classic. You're seeing all these old school rappers going

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Speaker 5: platinum for the first time, and you know they you know,

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Speaker 5: just the way that the game is changing, it's a

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Speaker 5: different appreciation. It's a like the TikTok generation. They finally

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Speaker 5: discovering a lot more of the classic songs and bringing

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Speaker 5: them back and putting dances to them and making these

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Speaker 5: songs bigger than they ever have, and like going back

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Speaker 5: and watching old stuff. So, you know, it takes a

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Speaker 5: while for something to become a classic. So I think

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Speaker 5: people want the instant because it's been so many like

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Speaker 5: instant successes, and they feel like if it's not an

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Speaker 5: instant success automatically.

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Speaker 1: It's just it's not ever gonna be one, which is

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Speaker 1: not true.

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Speaker 6: Yeah, real, do you feel like the streamers sites even

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Speaker 6: take the time to push certain movies because they're kind

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Speaker 6: of onto the next series movie by next week. Well

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Speaker 6: your point of classics taking a while. It also takes

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Speaker 6: a label or network or studio to help push that

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Speaker 6: over time.

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Speaker 1: And it has to be a demand for it too.

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Speaker 1: I mean, I don't know, it could get kind of

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Speaker 1: if it though.

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Speaker 4: I mean, and this thing about it. I was thinking

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Speaker 4: about this today because I was thinking about I don't

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Speaker 4: know why, I was thinking about my shoulders, you know,

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Speaker 4: when I have my sitcom or whatever, and I was

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Speaker 4: just thinking about the oldest shows like Give Me a Break.

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Speaker 4: It was places they could fail for a season until

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Speaker 4: they found your legs. You can't do that now they

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Speaker 4: expect you to be coming out the gate just whatever, whatever,

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Speaker 4: And that's it's kind of tough, especially with comedy too,

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Speaker 4: like you kind of got to be able to be

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Speaker 4: able to just take some shots and things.

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Speaker 1: I don't know if that exists anymore. The patience let

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Speaker 1: it build. They don't let it build.

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Speaker 5: They cutting it off after two seasons a season and

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Speaker 5: a half, you know what I mean, let it.

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Speaker 6: Build, Like Breaking Bad. I feel like people didn't fully

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Speaker 6: that show, didn't No put break. I intil like season

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Speaker 6: three or four, But I went back and watched season

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Speaker 6: one once it became kind of a thing.

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Speaker 1: They let that rock for a few seasons where it

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Speaker 1: didn't have great.

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Speaker 4: You need that when you got a series, though, yeah,

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Speaker 4: well you got places like an AMC which that was

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Speaker 4: on have a They have patience with it because they're

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Speaker 4: not they're not in a rush for whoever that is.

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Speaker 4: But when you go to these bigger places, you know,

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Speaker 4: you know, everything can't be like Abbe of the Elementary

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Speaker 4: and it's just hit right away.

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Speaker 1: But then even with that, they had to find their legs.

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Speaker 4: You just got to get an opportunity. And right now,

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00:18:19,320 --> 00:18:21,760
Speaker 4: it just don't exist no more. Like sometimes you got

404
00:18:21,840 --> 00:18:23,879
Speaker 4: to go through different showrunners and writers and this and

405
00:18:23,960 --> 00:18:26,080
Speaker 4: that and just finding your voice and what you're comfortable with.

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00:18:26,200 --> 00:18:29,240
Speaker 4: But they don't exist no more. Like you everything, you

407
00:18:29,280 --> 00:18:31,320
Speaker 4: got to be top notching ready, you know. But at

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00:18:31,359 --> 00:18:33,239
Speaker 4: the same time, they don't even present things no more

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Speaker 4: like they used to back in the day. They used

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Speaker 4: to show the pilot as a special just to see

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Speaker 4: what people react to it. You know what I'm saying.

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Speaker 4: They don't even do stuff like that no more. Only

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Speaker 4: the executives watched the pilot. They used to put the

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Speaker 4: pilots literally on TV and just saw how people reacted

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Speaker 4: to it. And so they don't even make happy meal

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00:18:51,320 --> 00:18:54,120
Speaker 4: toys off shows no more in movies. Damn, that's real.

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Speaker 4: But no they don't, they don't.

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Speaker 6: DeMar's flight was delayed and she couldn't rebook because she

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00:19:02,600 --> 00:19:04,800
Speaker 6: didn't have service because she didn't have boost Mobile.

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Speaker 3: That proves that you don't have to overpay for great wireless.

421
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Speaker 1: Been home on time.

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Speaker 6: It wouldn't be this tied right now, and she could

424
00:19:13,320 --> 00:19:15,719
Speaker 6: only pay twenty five dollars a month forever. But instead

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00:19:15,760 --> 00:19:17,840
Speaker 6: she likes to just hang out in airports with the

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00:19:17,920 --> 00:19:20,240
Speaker 6: other wireless people. We don't even mess with them, So

427
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Speaker 6: who are they?

428
00:19:21,040 --> 00:19:21,280
Speaker 2: Tamar?

429
00:19:21,440 --> 00:19:24,680
Speaker 6: Stop overpaying and leave the airport and switch to a

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00:19:24,880 --> 00:19:28,680
Speaker 6: fair price at boostmobile dot com today.

431
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433
00:19:33,720 --> 00:19:36,920
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Speaker 1: For full off of details, visit boostmobile dot com.

435
00:19:45,960 --> 00:19:50,440
Speaker 3: Yeah, what's the biggest the I guess transition from TV

436
00:19:50,600 --> 00:19:54,560
Speaker 3: to film in y'all experience? Like, what's the one thing

437
00:19:54,560 --> 00:19:56,920
Speaker 3: when you're like, okay, this is It's a totally different

438
00:19:57,000 --> 00:20:00,440
Speaker 3: thing going on TV and now film.

439
00:20:02,840 --> 00:20:04,520
Speaker 1: In my experience, I feel like the.

440
00:20:06,640 --> 00:20:09,640
Speaker 5: Like the TV is like a lot more faster as

441
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Speaker 5: far as the production of it, and with the movie

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00:20:14,560 --> 00:20:17,560
Speaker 5: you kind of got, especially when you're on a bigger production,

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Speaker 5: you kind of get a a more of a window

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Speaker 5: to work through, you know what I'm saying, Because sometimes

445
00:20:26,880 --> 00:20:30,440
Speaker 5: in a movie you'll get to you'll come back and

446
00:20:30,520 --> 00:20:34,080
Speaker 5: do reshoots, and then TV is pretty much what you

447
00:20:34,200 --> 00:20:36,520
Speaker 5: shot is what you got, and not unless you part

448
00:20:36,560 --> 00:20:39,359
Speaker 5: of like it's like a series or something that's going

449
00:20:39,400 --> 00:20:42,600
Speaker 5: to be presented on a big network. But TV is

450
00:20:42,680 --> 00:20:45,320
Speaker 5: pretty much what you shot that day is what they

451
00:20:45,440 --> 00:20:47,840
Speaker 5: got for the TV show, you know, with a few

452
00:20:47,920 --> 00:20:50,280
Speaker 5: exceptions with the pickups and stuff like that. But with

453
00:20:50,400 --> 00:20:54,680
Speaker 5: the movie, I feel like it's more as for me

454
00:20:55,200 --> 00:20:58,120
Speaker 5: as artists, you kind of have to clear your schedule.

455
00:20:58,280 --> 00:21:00,119
Speaker 1: You kind of have to focus in locking in.

456
00:21:00,840 --> 00:21:03,000
Speaker 5: It ain't just like no, I'm gonna pop in and

457
00:21:03,119 --> 00:21:05,440
Speaker 5: do this and be out like you really have to

458
00:21:05,520 --> 00:21:08,639
Speaker 5: kind of lock in and you get to bring more elements.

459
00:21:09,640 --> 00:21:10,359
Speaker 1: To your character.

460
00:21:10,560 --> 00:21:12,880
Speaker 5: For me, you get to build it a little bit,

461
00:21:13,119 --> 00:21:14,960
Speaker 5: You get to go back and forth with the acting

462
00:21:15,040 --> 00:21:17,399
Speaker 5: coach and kind of time it out and then you know,

463
00:21:17,520 --> 00:21:20,760
Speaker 5: get with the producers and the directors and see exactly

464
00:21:20,840 --> 00:21:23,560
Speaker 5: how it's you know, what's the transition and what you

465
00:21:23,680 --> 00:21:24,520
Speaker 5: need to bring to it.

466
00:21:25,040 --> 00:21:27,440
Speaker 1: TV is kind of more it's more relaxed.

467
00:21:27,480 --> 00:21:31,240
Speaker 6: To me from my experience, was was Black Effects, Charlatae

468
00:21:31,280 --> 00:21:34,359
Speaker 6: and Rock Nation silent partners in this entire thing, as

469
00:21:34,440 --> 00:21:36,480
Speaker 6: they tend to be controlling everything in media.

470
00:21:36,359 --> 00:21:42,800
Speaker 5: Now, I don't think, not that I'm familiar with, but

471
00:21:42,960 --> 00:21:45,320
Speaker 5: I don't want to say no and then they don't

472
00:21:45,359 --> 00:21:49,320
Speaker 5: get the right credit, and then I don't get to

473
00:21:49,400 --> 00:21:50,960
Speaker 5: be in the next one. You know what I'm saying.

474
00:21:53,160 --> 00:21:56,480
Speaker 5: They may have been silent part so silent that you

475
00:21:56,800 --> 00:21:58,720
Speaker 5: see them all set, But I'm just saying, if they

476
00:21:58,840 --> 00:22:01,680
Speaker 5: listen and they want to be I'm sure Real will

477
00:22:01,720 --> 00:22:04,920
Speaker 5: be open to talking to him. We can make this

478
00:22:05,119 --> 00:22:07,399
Speaker 5: a series of box set. They had nothing to do

479
00:22:07,480 --> 00:22:10,040
Speaker 5: with it, right, We can go all the way up.

480
00:22:10,119 --> 00:22:12,200
Speaker 5: But I mean I said I wouldn't, right.

481
00:22:12,520 --> 00:22:15,720
Speaker 1: You know, But that's funny, that's interesting. Crazy.

482
00:22:16,119 --> 00:22:19,960
Speaker 5: No, I've been watching this everything, but it's like, damn,

483
00:22:21,080 --> 00:22:22,760
Speaker 5: everything is a conspiracy when it comes.

484
00:22:23,320 --> 00:22:25,200
Speaker 6: I've been defending charl Made for the past two weeks,

485
00:22:25,560 --> 00:22:28,560
Speaker 6: even though we don't what they've been saying about Charlotte

486
00:22:28,560 --> 00:22:29,400
Speaker 6: Bane is insane.

487
00:22:29,760 --> 00:22:31,440
Speaker 1: You on the payroll from what I heard.

488
00:22:32,720 --> 00:22:34,680
Speaker 5: I don't know how y'all still partner this because y'all

489
00:22:34,760 --> 00:22:36,240
Speaker 5: signed the two different entities.

490
00:22:36,880 --> 00:22:42,600
Speaker 1: I'm not saying let's entity y'all saying it too different.

491
00:22:42,720 --> 00:22:44,920
Speaker 3: You let the internet say I've been seeing some crazy

492
00:22:44,960 --> 00:22:46,320
Speaker 3: ship on the Internet. But you know that's what the

493
00:22:46,359 --> 00:22:48,359
Speaker 3: internets was speaking of crazy shit on the internet.

494
00:22:48,440 --> 00:22:51,439
Speaker 1: Where your Ovo chain, I don't have a chain, they

495
00:22:51,480 --> 00:22:58,320
Speaker 1: didn't send it. Cut that out. I can't cut that.

496
00:23:00,000 --> 00:23:00,680
Speaker 3: That's gonna be the clip.

497
00:23:01,880 --> 00:23:05,320
Speaker 1: We're gonna lead with that one speaking of UH, don't

498
00:23:05,320 --> 00:23:07,320
Speaker 1: do that. Because I saw your Yankee stadium yesterday. He

499
00:23:07,480 --> 00:23:10,280
Speaker 1: was Jake, he was well. I asked Drake if I

500
00:23:10,320 --> 00:23:13,640
Speaker 1: could go to the Yankee game. He gave me. See

501
00:23:14,440 --> 00:23:15,720
Speaker 1: I had to go to l A. You know the

502
00:23:15,800 --> 00:23:17,959
Speaker 1: guy clipped that and make it seem like you get

503
00:23:18,400 --> 00:23:19,200
Speaker 1: on the next album.

504
00:23:19,320 --> 00:23:23,879
Speaker 3: Yeah, like this sneak speaking of I forgot then we

505
00:23:23,920 --> 00:23:25,119
Speaker 3: was talking about but I was talking about we talk

506
00:23:25,119 --> 00:23:29,840
Speaker 3: about crazy UH clips and and footages during the pandemic.

507
00:23:30,760 --> 00:23:32,879
Speaker 3: Now this is somebody. This is another cast made y'alls

508
00:23:33,240 --> 00:23:37,159
Speaker 3: in the movie Haunted hest king Back. Uh, he had

509
00:23:37,200 --> 00:23:44,440
Speaker 3: a very batch batatat king Batch had one of the

510
00:23:44,560 --> 00:23:49,639
Speaker 3: most interesting videos during Was this the pandemic or was this?

511
00:23:49,840 --> 00:23:49,959
Speaker 5: Uh?

512
00:23:50,200 --> 00:23:53,320
Speaker 3: This was definitely this was pandemic, right, pandemic pandemic.

513
00:23:53,560 --> 00:23:59,119
Speaker 1: He looked like that. I hope he ripped. He ripped

514
00:23:59,240 --> 00:24:00,639
Speaker 1: like a figuring out.

515
00:24:00,720 --> 00:24:02,320
Speaker 3: Yeah, well, I mean he was ripped here, but it

516
00:24:02,400 --> 00:24:06,119
Speaker 3: was ripped with words no, no, no batches like ripped.

517
00:24:06,640 --> 00:24:08,959
Speaker 3: He looks like he should be in a Rocky movie. Well,

518
00:24:09,000 --> 00:24:11,000
Speaker 3: he's been in the early eighties Rocky movie like that,

519
00:24:11,119 --> 00:24:14,320
Speaker 3: the new Hollow Creed. I've seen him in the gym

520
00:24:14,400 --> 00:24:17,200
Speaker 3: with one of the one of those super workout guys.

521
00:24:17,200 --> 00:24:19,200
Speaker 3: I forgot what was and I was like, okay, Like

522
00:24:19,280 --> 00:24:21,720
Speaker 3: he hasn't left the gym. He stayed in the gym.

523
00:24:21,960 --> 00:24:24,720
Speaker 3: Picture No you never never. This is his Black Lives Matter.

524
00:24:24,800 --> 00:24:28,280
Speaker 3: But I wonder if this was a pitch for Rel's

525
00:24:28,280 --> 00:24:32,560
Speaker 3: Haunted heist movie. Did you and did y'all ask him

526
00:24:32,600 --> 00:24:35,560
Speaker 3: about this this? If I would have known, I would

527
00:24:35,600 --> 00:24:36,440
Speaker 3: have you never seen this?

528
00:24:36,720 --> 00:24:36,760
Speaker 4: No?

529
00:24:37,520 --> 00:24:39,680
Speaker 1: Can we first me? You know how you follow you

530
00:24:40,880 --> 00:24:41,600
Speaker 1: and you missed something.

531
00:24:41,880 --> 00:24:46,200
Speaker 5: I see somebody like doing too much with his shirt off, nipples,

532
00:24:46,280 --> 00:24:48,800
Speaker 5: you skip on the beach or some ship like you,

533
00:24:49,000 --> 00:24:51,800
Speaker 5: you want you frolicking. I'm skipping that, bro, just out

534
00:24:51,840 --> 00:24:55,119
Speaker 5: of respect for our friend. I know.

535
00:24:55,200 --> 00:24:56,200
Speaker 1: I don't think outside this.

536
00:24:56,359 --> 00:25:00,520
Speaker 3: Though you never seen this, let's play for U was killed.

537
00:25:00,520 --> 00:25:05,360
Speaker 1: But destroying these buildings has to stop. Sorry, destroying these

538
00:25:05,359 --> 00:25:08,000
Speaker 1: buildings is at least of your worries. Innocent black man

539
00:25:08,040 --> 00:25:12,320
Speaker 1: should never be killed by cop. This is backing.

540
00:25:12,359 --> 00:25:14,119
Speaker 2: You shouldn't speak up, man, You might lose some of.

541
00:25:14,119 --> 00:25:18,960
Speaker 1: Your brand deals. My people have been dying in in

542
00:25:19,200 --> 00:25:21,119
Speaker 1: justice for centuries. I don't give a damn how a

543
00:25:21,240 --> 00:25:21,919
Speaker 1: brand feels.

544
00:25:22,880 --> 00:25:26,160
Speaker 5: You know what's funny about this is because I don't know. Yeah,

545
00:25:26,200 --> 00:25:27,680
Speaker 5: like five white girls at his house.

546
00:25:31,320 --> 00:25:33,320
Speaker 1: That's why you have the door closed. I was how

547
00:25:33,400 --> 00:25:36,280
Speaker 1: much of this you have to make him watch? I

548
00:25:36,400 --> 00:25:38,119
Speaker 1: don't even know if this was public? Was this on

549
00:25:38,240 --> 00:25:41,399
Speaker 1: his clothes? I've never seen it?

550
00:25:41,680 --> 00:25:43,680
Speaker 7: This was Yeah.

551
00:25:45,960 --> 00:25:48,120
Speaker 3: I can't believe y'all never saw that during the pandemic.

552
00:25:48,280 --> 00:25:49,240
Speaker 1: I'm glad I didn't.

553
00:25:49,280 --> 00:25:51,440
Speaker 6: I mean, my favorite part is that's at least take

554
00:25:51,520 --> 00:25:53,320
Speaker 6: three because his chest is red from when he was

555
00:25:53,400 --> 00:25:54,080
Speaker 6: doing this, like.

556
00:25:54,320 --> 00:26:00,320
Speaker 4: Well, that was not the hostage, to be fair, for

557
00:26:00,480 --> 00:26:02,840
Speaker 4: the moment of the time it was happening like yeah,

558
00:26:03,720 --> 00:26:05,720
Speaker 4: people ignorant now like y'all, don't y'all go.

559
00:26:05,840 --> 00:26:06,480
Speaker 1: Laugh and some ship.

560
00:26:06,560 --> 00:26:09,040
Speaker 3: His brother try to try to make it stated I

561
00:26:09,160 --> 00:26:10,640
Speaker 3: laughed as soon as he uploaded.

562
00:26:12,600 --> 00:26:15,600
Speaker 1: Damn, you're terrible. Yeah, yeah, how we're going to defend that.

563
00:26:16,040 --> 00:26:18,720
Speaker 3: You can't defend that. That's what all happens for you

564
00:26:18,760 --> 00:26:21,440
Speaker 3: gotta look back at that ship and last I can't

565
00:26:21,520 --> 00:26:21,760
Speaker 3: do that.

566
00:26:22,320 --> 00:26:25,440
Speaker 4: But the movie's out, the movies out now, but that's

567
00:26:25,520 --> 00:26:29,000
Speaker 4: not But see he meant well, Yeah, that's what I'm saying.

568
00:26:29,040 --> 00:26:32,200
Speaker 4: He meant well, And it's unfortunate even though we laughing

569
00:26:32,240 --> 00:26:34,600
Speaker 4: at it, it's like we're still in these times like

570
00:26:34,920 --> 00:26:38,680
Speaker 4: where people still think that ship is a junk and

571
00:26:38,800 --> 00:26:41,399
Speaker 4: he tried to he tried just in general though, just

572
00:26:41,520 --> 00:26:45,639
Speaker 4: in general, just in general. It's crazy watching that and

573
00:26:45,680 --> 00:26:48,400
Speaker 4: then being like, oh, yeah, let's just let's still talk

574
00:26:48,440 --> 00:26:51,719
Speaker 4: about George Floyd and ship for no fucking reason, right.

575
00:26:52,119 --> 00:26:53,879
Speaker 4: That's why I look at that like I'm looking at

576
00:26:53,920 --> 00:26:55,920
Speaker 4: it because I know a white girl wrote that on it.

577
00:26:57,720 --> 00:27:01,280
Speaker 4: I've been over his house. He got right went over there,

578
00:27:01,400 --> 00:27:02,800
Speaker 4: washing dishes and all the type of ship.

579
00:27:04,160 --> 00:27:08,000
Speaker 1: B I'm not he might be legit mad.

580
00:27:09,119 --> 00:27:12,879
Speaker 3: He was was mad, get mad, but definitely was some

581
00:27:12,920 --> 00:27:16,800
Speaker 3: white woman that helped with the penmanship getting his reparations.

582
00:27:16,880 --> 00:27:19,760
Speaker 1: Trust me, I've seen him getting your eyebrows done during

583
00:27:19,800 --> 00:27:28,480
Speaker 1: the pandemic. It's funny. I can't. I can't. Y'all roasted

584
00:27:28,520 --> 00:27:30,480
Speaker 1: the niggers in his face.

585
00:27:31,680 --> 00:27:34,360
Speaker 3: No, now that you told me he took steroids, everything.

586
00:27:36,840 --> 00:27:39,639
Speaker 1: I agree with. That was more I agree with. Eyebrows

587
00:27:39,640 --> 00:27:43,080
Speaker 1: are great. Wait, who's your terroids? Somebody said that ship.

588
00:27:43,320 --> 00:27:45,680
Speaker 3: No, he didn't take steroids. He was in the gym here,

589
00:27:45,720 --> 00:27:47,600
Speaker 3: but I mean, obviously that was six years ago, so

590
00:27:48,600 --> 00:27:50,320
Speaker 3: I want I'm sure now he's put on a lot

591
00:27:50,440 --> 00:27:51,160
Speaker 3: more man.

592
00:27:51,240 --> 00:27:53,720
Speaker 1: He buff Michael B. Jordan type ship.

593
00:27:53,840 --> 00:27:55,720
Speaker 3: Now I want to see his role in this in

594
00:27:55,800 --> 00:27:59,720
Speaker 3: this film. Yeah, because he's good. But he's one of

595
00:27:59,760 --> 00:28:01,560
Speaker 3: the guy that I think is actually a good actor.

596
00:28:01,920 --> 00:28:03,080
Speaker 1: Yeah that is really good.

597
00:28:03,200 --> 00:28:03,800
Speaker 4: Yeah good.

598
00:28:03,840 --> 00:28:06,240
Speaker 3: He did a lot of the like comedic he's one

599
00:28:06,280 --> 00:28:08,760
Speaker 3: of them at comedies and comedians I don't really like.

600
00:28:08,800 --> 00:28:09,960
Speaker 1: But he's one of the guys that I think that

601
00:28:10,200 --> 00:28:12,680
Speaker 1: is actually really really fucking good. Yeah, I think he is.

602
00:28:12,760 --> 00:28:14,119
Speaker 3: I think he has a he has a career in

603
00:28:14,440 --> 00:28:17,000
Speaker 3: acting for sure, because that was I mean, he's.

604
00:28:16,880 --> 00:28:19,000
Speaker 4: Had a career actor. He've been doing pretty good. Yeah

605
00:28:19,280 --> 00:28:21,840
Speaker 4: he said, you said it like man, he got potential.

606
00:28:22,560 --> 00:28:23,960
Speaker 3: No, no, no, I'm just saying he hasn't had what

607
00:28:24,119 --> 00:28:25,960
Speaker 3: he hasn't had, like a breakout.

608
00:28:25,520 --> 00:28:27,960
Speaker 1: Role that people know him for or like when I

609
00:28:28,000 --> 00:28:30,119
Speaker 1: think movies. Yeah, he was on like that.

610
00:28:30,240 --> 00:28:33,440
Speaker 4: He was like that the popular babysitter joints the I

611
00:28:33,560 --> 00:28:36,359
Speaker 4: remember that ship, like the Teenagers love like you know

612
00:28:36,440 --> 00:28:38,920
Speaker 4: what's funny. We always based ship on what we only like,

613
00:28:39,120 --> 00:28:41,840
Speaker 4: like other people ain't watching ship. Oh yeah, that's what

614
00:28:41,920 --> 00:28:45,120
Speaker 4: we do, which is insane. That's just that's it's but

615
00:28:45,240 --> 00:28:48,320
Speaker 4: it's insane. It is like I got teenagers, right, Like

616
00:28:48,360 --> 00:28:50,479
Speaker 4: I don't watch Love Island but it's popular.

617
00:28:50,880 --> 00:28:53,600
Speaker 3: Yeah, I don't watch it. Well you say Island like that, bro,

618
00:28:53,720 --> 00:28:55,440
Speaker 3: that's twenty two movies right there.

619
00:28:56,080 --> 00:28:58,280
Speaker 1: Yeah, like people make fun of Meet the Blacks. I

620
00:28:58,400 --> 00:29:02,240
Speaker 1: remember I remember his when I fucking like thirty movers.

621
00:29:03,960 --> 00:29:06,520
Speaker 3: Not you Surprise Railroad time was like yeah, ship, just

622
00:29:06,600 --> 00:29:08,400
Speaker 3: let's not say that you lot that his budget might

623
00:29:08,440 --> 00:29:12,200
Speaker 3: be a little what for back rich?

624
00:29:12,440 --> 00:29:14,560
Speaker 1: Yeah, no, no, no, I called and asked for a favor.

625
00:29:14,640 --> 00:29:16,680
Speaker 1: I asked his nagging for a favor, asked timpany for

626
00:29:16,720 --> 00:29:18,160
Speaker 1: a fake. But these are all favorites.

627
00:29:20,320 --> 00:29:22,680
Speaker 3: Yeah, I like that, dude, do me this favor. We're

628
00:29:22,680 --> 00:29:24,520
Speaker 3: shooting on to the Height show up in Detroit at

629
00:29:24,600 --> 00:29:27,440
Speaker 3: Barry Gordy's house. Seriously, I don't have any money.

630
00:29:27,520 --> 00:29:29,640
Speaker 1: Could you do this? I fuck were real. I'll tell

631
00:29:29,640 --> 00:29:31,600
Speaker 1: you that the guy truth. Yeah.

632
00:29:31,680 --> 00:29:34,240
Speaker 4: Yeah, the budget wasn't much at all, so that for

633
00:29:34,360 --> 00:29:36,320
Speaker 4: all of them to actually say yes was dope.

634
00:29:36,520 --> 00:29:39,360
Speaker 3: How long did it take to from start to finish up?

635
00:29:39,440 --> 00:29:42,200
Speaker 1: We did eighteen days. It was scheduled the eighteen days,

636
00:29:42,240 --> 00:29:43,840
Speaker 1: and we gathered in eighteen days.

637
00:29:44,280 --> 00:29:47,080
Speaker 3: That's because you know, I mean you y'all done teaven

638
00:29:47,080 --> 00:29:48,440
Speaker 3: from it. It don't go like that all the time.

639
00:29:48,520 --> 00:29:50,960
Speaker 3: You schedule eighteen days and you could hit twenty five

640
00:29:51,080 --> 00:29:51,720
Speaker 3: twenty eight days.

641
00:29:51,800 --> 00:29:54,720
Speaker 5: Yeah, they're gonna tell you this. Reil was not bullshitting

642
00:29:54,760 --> 00:29:57,680
Speaker 5: on his director ship. He said eighteen days and eighteen

643
00:29:57,760 --> 00:30:01,320
Speaker 5: days eighteen. I really proved pre planned for real like that.

644
00:30:01,480 --> 00:30:03,120
Speaker 4: But that's why I like talking to somebody like Sean

645
00:30:03,280 --> 00:30:06,880
Speaker 4: Levy was important because like when we was doing Free Guy,

646
00:30:06,960 --> 00:30:08,280
Speaker 4: he was so organized.

647
00:30:08,440 --> 00:30:10,840
Speaker 1: Yeah, he was so fucking organized.

648
00:30:10,840 --> 00:30:12,720
Speaker 4: We tell about it was like flame throwers, all types

649
00:30:12,720 --> 00:30:15,240
Speaker 4: of shit on set, but he was just organized, so

650
00:30:15,320 --> 00:30:17,320
Speaker 4: we didn't have to you know, those type of problems.

651
00:30:17,320 --> 00:30:19,800
Speaker 4: And the same thing talking to Aba, like those two

652
00:30:19,920 --> 00:30:22,920
Speaker 4: talking to him. I talked to two very organized directors.

653
00:30:23,400 --> 00:30:25,600
Speaker 4: And so just having your shit together before you do

654
00:30:25,680 --> 00:30:28,880
Speaker 4: it is very important. Like seriously, before everybody shows up.

655
00:30:28,920 --> 00:30:30,200
Speaker 1: You know what it is, Yep.

656
00:30:30,400 --> 00:30:32,520
Speaker 4: You have those fucking meetings and you get it in,

657
00:30:32,640 --> 00:30:34,640
Speaker 4: you talk it out, so because just in case something

658
00:30:34,680 --> 00:30:36,000
Speaker 4: goes wrong, you're prepared for it.

659
00:30:36,760 --> 00:30:40,680
Speaker 6: Yeah, Shane Gillis just broke the Guinness Book World record

660
00:30:40,760 --> 00:30:43,720
Speaker 6: of the highest attendants of a stand up can stand

661
00:30:43,800 --> 00:30:48,280
Speaker 6: up like twenty thousands like that can stand up like

662
00:30:48,760 --> 00:30:50,480
Speaker 6: work in a stadium like that.

663
00:30:51,560 --> 00:30:54,080
Speaker 3: It stand up is somewhat like intimate, even if it

664
00:30:54,200 --> 00:30:55,520
Speaker 3: is two thousand people.

665
00:30:55,360 --> 00:30:58,320
Speaker 1: In there, it already worked. Yeah. Well no, of course I.

666
00:30:58,360 --> 00:31:00,840
Speaker 6: Made it happen. But yeah, is that like a different

667
00:31:00,840 --> 00:31:04,440
Speaker 6: type of show? I feel like because I've seen stand

668
00:31:04,520 --> 00:31:06,360
Speaker 6: up in the garden and it was definitely a different

669
00:31:06,520 --> 00:31:09,200
Speaker 6: experience than when I would go watch in comedy.

670
00:31:09,360 --> 00:31:11,760
Speaker 4: It all depends to the comedic because Andrew Dice cla,

671
00:31:11,880 --> 00:31:14,080
Speaker 4: I mean he didn't do those numbers. Yeah, but like

672
00:31:14,200 --> 00:31:17,920
Speaker 4: Steve Martin, Andrew Diyce, Clay Kevin, like these people that's done. Yeah,

673
00:31:19,120 --> 00:31:21,440
Speaker 4: I think he just had the most people. I'm always

674
00:31:21,520 --> 00:31:27,320
Speaker 4: interested because I've never been to a show like one

675
00:31:27,360 --> 00:31:29,160
Speaker 4: of those shows out Sometimes I want to just sit

676
00:31:29,200 --> 00:31:32,320
Speaker 4: in the audience and see what that what that feels

677
00:31:32,440 --> 00:31:34,280
Speaker 4: like like, is it even enjoyable?

678
00:31:35,000 --> 00:31:35,200
Speaker 1: Yeah?

679
00:31:35,200 --> 00:31:37,800
Speaker 3: I see like a comedy show with that many people.

680
00:31:37,840 --> 00:31:41,120
Speaker 1: Well not just one that one person like depending on

681
00:31:41,200 --> 00:31:41,640
Speaker 1: who they are.

682
00:31:41,760 --> 00:31:46,000
Speaker 4: Like I feel like Eddie Murphy is somebody who because

683
00:31:46,040 --> 00:31:49,440
Speaker 4: of the type of comedy does and like I always

684
00:31:49,440 --> 00:31:52,040
Speaker 4: look at Eddie is doing arena comedy in a way. Yeah,

685
00:31:52,640 --> 00:31:54,280
Speaker 4: what you're saying, you know what I'm saying. Like, but

686
00:31:54,400 --> 00:31:56,440
Speaker 4: as Shane gillis like, is he just doing Trump the

687
00:31:56,480 --> 00:31:56,920
Speaker 4: whole time?

688
00:31:57,080 --> 00:31:59,840
Speaker 1: And he brought off Chappelle, I saw that that was

689
00:31:59,840 --> 00:32:05,360
Speaker 1: the cheated. That's cheating, man, that's cheating. Chappelle's down to

690
00:32:05,440 --> 00:32:08,240
Speaker 1: come on stage. I'm not going to say no Chappelle.

691
00:32:08,320 --> 00:32:10,080
Speaker 4: Always gonna say Chappelle like getting the.

692
00:32:10,040 --> 00:32:11,960
Speaker 1: Stage they got a hell of a budget. You sold

693
00:32:12,040 --> 00:32:13,320
Speaker 1: seventy six thousand tickets.

694
00:32:13,360 --> 00:32:16,160
Speaker 5: Yeah, yeah, Or maybe it was a favor I doubt it.

695
00:32:17,360 --> 00:32:19,080
Speaker 5: I don't give a fuck how much somebody love you.

696
00:32:19,120 --> 00:32:20,800
Speaker 5: If you walk up there and see that many people

697
00:32:21,480 --> 00:32:23,000
Speaker 5: get me something, I'm.

698
00:32:22,840 --> 00:32:29,400
Speaker 1: Believing it was something. I mean, se the favorites save

699
00:32:29,440 --> 00:32:30,280
Speaker 1: Chappelle real.

700
00:32:30,240 --> 00:32:32,160
Speaker 5: Like that because I went to his summer camp and

701
00:32:32,280 --> 00:32:34,720
Speaker 5: he said, man, means it really meant a lot that

702
00:32:34,840 --> 00:32:37,040
Speaker 5: you came out here in the middle of nowhere to

703
00:32:37,120 --> 00:32:37,600
Speaker 5: fuck with me.

704
00:32:37,720 --> 00:32:40,360
Speaker 1: Say, if you ever need a favor, just make sure

705
00:32:40,400 --> 00:32:43,560
Speaker 1: it's good. Don't call me for no bullsh Yeah you

706
00:32:43,680 --> 00:32:45,880
Speaker 1: got one favor You got one, he said, you get one?

707
00:32:46,160 --> 00:32:49,560
Speaker 4: Yeah, most cats let me do it. Bringing up to

708
00:32:49,920 --> 00:32:52,680
Speaker 4: I remember jay Z said that to be what that

709
00:32:54,200 --> 00:32:56,560
Speaker 4: I was trying to, like get rock Nation to do

710
00:32:56,680 --> 00:32:57,600
Speaker 4: my comedy album.

711
00:32:57,720 --> 00:33:01,200
Speaker 1: I told you more and this is true. This is

712
00:33:01,200 --> 00:33:02,480
Speaker 1: a true story though, And.

713
00:33:02,600 --> 00:33:04,920
Speaker 4: He's like, well, you know, miss Tina love you, Mama

714
00:33:04,960 --> 00:33:06,600
Speaker 4: Tina love you, so we you know, we got to

715
00:33:06,640 --> 00:33:09,440
Speaker 4: look out for you. He's like, but but you know,

716
00:33:10,080 --> 00:33:14,000
Speaker 4: pick your favorite. It's only I remember being like, I

717
00:33:14,040 --> 00:33:14,640
Speaker 4: ain't never mind.

718
00:33:14,680 --> 00:33:17,560
Speaker 3: Then that's so much press I only got one.

719
00:33:17,800 --> 00:33:19,960
Speaker 4: Let me think about it, like, let me get let

720
00:33:20,040 --> 00:33:22,320
Speaker 4: me make way another fifteen to twenty years when I

721
00:33:22,400 --> 00:33:23,920
Speaker 4: really need a feeding favorite.

722
00:33:23,800 --> 00:33:25,880
Speaker 1: Right now, I'm all right, but I might. I'm let

723
00:33:25,920 --> 00:33:27,360
Speaker 1: me hold the stay old pocket.

724
00:33:27,440 --> 00:33:29,400
Speaker 4: And most people don't think about that, like, and I

725
00:33:29,760 --> 00:33:31,760
Speaker 4: actually make sure I tell people that with me, like, yo,

726
00:33:32,560 --> 00:33:34,480
Speaker 4: be sure what you're asking me for.

727
00:33:35,520 --> 00:33:39,719
Speaker 1: Because I ain't doing this again. Don't sure you are

728
00:33:39,800 --> 00:33:43,200
Speaker 1: like this? You want this to be it? And people

729
00:33:43,240 --> 00:33:44,760
Speaker 1: don't believe you when you say that. Yeah.

730
00:33:45,280 --> 00:33:47,120
Speaker 4: I told one of the homies that, like, I held

731
00:33:47,160 --> 00:33:49,440
Speaker 4: him out of jail. I told him, but his wife

732
00:33:49,480 --> 00:33:51,959
Speaker 4: I said, look, man, I got you. Yeah, but if

733
00:33:52,000 --> 00:33:55,160
Speaker 4: you go back fam and they called me crying because

734
00:33:55,160 --> 00:33:59,000
Speaker 4: he went back in. I was like, shy dobo. I

735
00:33:59,040 --> 00:34:04,160
Speaker 4: thought I was fucking playing that nigga in there. It's

736
00:34:04,240 --> 00:34:04,960
Speaker 4: over ship.

737
00:34:06,800 --> 00:34:08,759
Speaker 3: Has anything crossed your mind for the Chappelle favor?

738
00:34:08,880 --> 00:34:14,040
Speaker 4: And you went, nah, I wait, I think I might.

739
00:34:14,280 --> 00:34:16,200
Speaker 4: I'm the type of person I might not never asked

740
00:34:16,280 --> 00:34:16,440
Speaker 4: for it.

741
00:34:16,560 --> 00:34:19,799
Speaker 1: It's just that you know what I mean that I'm

742
00:34:19,840 --> 00:34:22,439
Speaker 1: money in with him. It's good enough.

743
00:34:22,600 --> 00:34:22,799
Speaker 8: Yeah.

744
00:34:23,680 --> 00:34:27,120
Speaker 3: Have you spoke to to DC since the the Ross

745
00:34:27,560 --> 00:34:28,600
Speaker 3: shot on the last album.

746
00:34:28,719 --> 00:34:34,279
Speaker 1: Of course, what was his reaction to it? I might

747
00:34:34,320 --> 00:34:35,960
Speaker 1: have to let him come tell you what did he

748
00:34:36,080 --> 00:34:37,719
Speaker 1: But so what what did Ross say? Though?

749
00:34:37,960 --> 00:34:41,919
Speaker 3: He just spoke about well he he said he walked

750
00:34:42,000 --> 00:34:43,760
Speaker 3: off on goofy niggas.

751
00:34:44,920 --> 00:34:49,239
Speaker 1: You see Young Flash get one time. Yeah, that's his

752
00:34:49,320 --> 00:34:49,600
Speaker 1: one thing.

753
00:34:49,640 --> 00:34:52,320
Speaker 3: I'm about to walk off on on on eighty five South.

754
00:34:53,560 --> 00:34:57,080
Speaker 4: These old niggas, not even just rappers, comedians and all

755
00:34:57,160 --> 00:35:00,479
Speaker 4: these niggas, these they really in their midlife crisis ship

756
00:35:00,680 --> 00:35:03,520
Speaker 4: for sure. We're seeing like the entertainers we do for

757
00:35:03,560 --> 00:35:05,720
Speaker 4: a while. They're aging and they being fucking weird.

758
00:35:06,760 --> 00:35:08,520
Speaker 3: Yeah, because they don't know which side they want to

759
00:35:08,640 --> 00:35:10,080
Speaker 3: you know, Yeah, that's what it is.

760
00:35:10,200 --> 00:35:13,320
Speaker 4: It's kind of it's just really uncomfortably weird to watch that,

761
00:35:13,880 --> 00:35:15,280
Speaker 4: Like that's a shot for no reason.

762
00:35:17,200 --> 00:35:18,160
Speaker 1: I still don't understand.

763
00:35:18,280 --> 00:35:20,360
Speaker 3: But I like the you know, DC he posted something

764
00:35:20,920 --> 00:35:22,920
Speaker 3: on his on his on his on his Instagram and

765
00:35:23,040 --> 00:35:24,600
Speaker 3: basically just listening to it and laughing.

766
00:35:25,600 --> 00:35:26,960
Speaker 1: But I know what that laugh is like.

767
00:35:27,040 --> 00:35:30,600
Speaker 3: He's gearing up to do something. It's like, Okay, I'm

768
00:35:30,600 --> 00:35:34,000
Speaker 3: gonna have to get into my comedic, you know, I'm.

769
00:35:33,960 --> 00:35:36,080
Speaker 5: I don't think it was a comedic thing. I don't

770
00:35:36,120 --> 00:35:39,440
Speaker 5: think his response. I don't think the response that he's

771
00:35:39,520 --> 00:35:43,279
Speaker 5: thinking is comedic. I think he's thinking more on the

772
00:35:43,400 --> 00:35:46,439
Speaker 5: music sad because you know DC, he's real serious about

773
00:35:46,520 --> 00:35:50,640
Speaker 5: his music and he's extremely talented both avenues. And I

774
00:35:50,719 --> 00:35:54,400
Speaker 5: don't think it's like, you know, we're looking at it

775
00:35:54,520 --> 00:35:57,600
Speaker 5: a's like just a rapper throwing a shot at a comedian.

776
00:35:57,719 --> 00:36:00,160
Speaker 1: But he looking at it is way more than that.

777
00:36:00,360 --> 00:36:02,440
Speaker 5: He is way bigger than this A good time too,

778
00:36:02,800 --> 00:36:05,880
Speaker 5: because it's like the challenges like I'm gonna say something

779
00:36:05,920 --> 00:36:08,480
Speaker 5: to you and you can't. You don't have the platform

780
00:36:08,640 --> 00:36:11,960
Speaker 5: or the avenue to say anything back, right outside of

781
00:36:12,080 --> 00:36:12,959
Speaker 5: some goofy ship.

782
00:36:13,120 --> 00:36:14,399
Speaker 1: Yeah, that's not the case.

783
00:36:17,880 --> 00:36:22,560
Speaker 6: Come on, and that is what Ross wants, like, because

784
00:36:22,760 --> 00:36:24,480
Speaker 6: do you really think he's been harboring that for real

785
00:36:24,640 --> 00:36:25,520
Speaker 6: or Ross.

786
00:36:25,400 --> 00:36:27,560
Speaker 1: Is doing what he does when he I think he's

787
00:36:27,560 --> 00:36:29,600
Speaker 1: been sitting on that. I think he has too. Actually,

788
00:36:29,719 --> 00:36:31,600
Speaker 1: I think that this is not the first time that

789
00:36:31,760 --> 00:36:34,680
Speaker 1: he has exchanged. You know, they did the whole in

790
00:36:34,840 --> 00:36:37,759
Speaker 1: the pools. See, it's not the first time.

791
00:36:37,880 --> 00:36:39,840
Speaker 4: So I feel like this ship is kind of festering,

792
00:36:39,920 --> 00:36:41,520
Speaker 4: like it's really bothering him.

793
00:36:42,040 --> 00:36:44,160
Speaker 1: Maybe not to the point where he's bothered. But I

794
00:36:44,239 --> 00:36:47,480
Speaker 1: think it does bother him. Yeah for sure. I mean

795
00:36:47,520 --> 00:36:49,360
Speaker 1: it's like him in fifty in a way, right, like

796
00:36:50,200 --> 00:36:51,840
Speaker 1: like when is this ever gonna stop?

797
00:36:52,440 --> 00:36:55,400
Speaker 6: But that was also Ross doing some weird ship. He

798
00:36:55,480 --> 00:36:57,680
Speaker 6: had no issue with fifty cal. It was like, Yo,

799
00:36:57,920 --> 00:37:02,879
Speaker 6: it'll help sell the album, go just fifty. There wasn't

800
00:37:02,920 --> 00:37:03,880
Speaker 6: no real issue.

801
00:37:06,120 --> 00:37:08,839
Speaker 2: So, ma, do you consider that line of this what's

802
00:37:09,000 --> 00:37:09,279
Speaker 2: this to you?

803
00:37:09,440 --> 00:37:13,600
Speaker 3: Of course he called him a goofy ass nigga. Basically, yeah,

804
00:37:13,760 --> 00:37:16,880
Speaker 3: that's a shot. That's a shot. That's not like a

805
00:37:17,440 --> 00:37:20,440
Speaker 3: that's a shot. I was, yeah, I'm walking off on

806
00:37:20,520 --> 00:37:21,400
Speaker 3: you goofy niggas?

807
00:37:21,400 --> 00:37:23,680
Speaker 1: That act funny? Oh you DC Young Flies get one Time.

808
00:37:24,600 --> 00:37:27,120
Speaker 1: I mean, yeah, he's hopping Bob Bass nigga. Don't cross

809
00:37:27,160 --> 00:37:32,840
Speaker 1: the gun line. What that means? Hopping Bob Bass nigga,

810
00:37:32,840 --> 00:37:37,160
Speaker 1: don't cross a good line. It's this nigga threatening the shop.

811
00:37:40,960 --> 00:37:41,680
Speaker 5: Bob Land.

812
00:37:43,600 --> 00:37:45,800
Speaker 1: This ship. I didn't know it was guns being drawn.

813
00:37:47,040 --> 00:37:49,880
Speaker 1: God damn, he's serious.

814
00:37:50,320 --> 00:37:54,200
Speaker 3: He knows the real nor Ye, no, one hundred favors, No,

815
00:37:54,360 --> 00:37:57,480
Speaker 3: he doesgas.

816
00:37:57,520 --> 00:38:01,520
Speaker 8: That act funny? Oh U d C Flas get one Time.

817
00:38:02,000 --> 00:38:04,480
Speaker 8: Humping by past, nigga, don't cross the color.

818
00:38:04,760 --> 00:38:07,080
Speaker 1: You're gonna get this done the next album. Yeah.

819
00:38:09,040 --> 00:38:10,879
Speaker 5: I just think the timing of this ship is weird

820
00:38:10,880 --> 00:38:12,919
Speaker 5: because I just went to his car show and ship

821
00:38:14,280 --> 00:38:17,640
Speaker 5: brought some cars that won some awards. But I didn't

822
00:38:17,680 --> 00:38:20,640
Speaker 5: know that this was coming. I would I would have

823
00:38:20,719 --> 00:38:24,080
Speaker 5: known he was trying to shoot my pike. Niggas that's

824
00:38:24,160 --> 00:38:25,480
Speaker 5: going now. I'm in the mountain.

825
00:38:25,960 --> 00:38:28,720
Speaker 1: I looked up. He spoke to you like, yo, loads.

826
00:38:28,800 --> 00:38:29,759
Speaker 1: I appreciate that.

827
00:38:31,480 --> 00:38:31,680
Speaker 7: Here.

828
00:38:32,760 --> 00:38:35,360
Speaker 1: I don't like that ship, and I didn't like the

829
00:38:35,719 --> 00:38:38,479
Speaker 1: walk on ship. I don't know what the fuck dude

830
00:38:38,560 --> 00:38:39,160
Speaker 1: got going on.

831
00:38:39,640 --> 00:38:40,799
Speaker 3: Did y'all speak at the car show?

832
00:38:41,120 --> 00:38:42,319
Speaker 1: No, I didn't even go over there.

833
00:38:42,960 --> 00:38:45,520
Speaker 5: The car show was huge, just thousands of people out there.

834
00:38:45,600 --> 00:38:47,680
Speaker 5: He knew he was gonna be I was up. He

835
00:38:47,840 --> 00:38:49,480
Speaker 5: was on the stage, man. I didn't never go over

836
00:38:49,520 --> 00:38:50,520
Speaker 5: there and be like, Yo, what's up?

837
00:38:50,560 --> 00:38:50,640
Speaker 3: Bro?

838
00:38:50,840 --> 00:38:53,440
Speaker 5: Some over like this cool.

839
00:38:56,840 --> 00:38:57,239
Speaker 8: With you?

840
00:38:57,560 --> 00:39:04,520
Speaker 1: That's and you know how it lets you running? Yeah,

841
00:39:04,960 --> 00:39:07,799
Speaker 1: don't put me in the ship. I didn't appreciate Ross

842
00:39:07,840 --> 00:39:09,680
Speaker 1: Doll got a perfect bad guy voice. We should have

843
00:39:09,800 --> 00:39:16,759
Speaker 1: used that ship club Nick. That's fucked up, man.

844
00:39:16,800 --> 00:39:18,080
Speaker 6: I mean, I'm glad There was a lot of people

845
00:39:18,120 --> 00:39:19,800
Speaker 6: there because when he was using us to sell the

846
00:39:19,840 --> 00:39:22,279
Speaker 6: car show tickets, I was like, this is the last

847
00:39:22,360 --> 00:39:23,280
Speaker 6: marketing scheme.

848
00:39:23,360 --> 00:39:26,880
Speaker 3: Tickets must be really slow if we're theber Carlos.

849
00:39:26,719 --> 00:39:29,920
Speaker 1: Was deal with his with his calls. Man showed one thing,

850
00:39:30,239 --> 00:39:33,360
Speaker 1: three wings up for everybody to check out these.

851
00:39:33,400 --> 00:39:41,040
Speaker 5: Cars just cause somebody get somebody to do some flow ship.

852
00:39:41,080 --> 00:39:43,480
Speaker 5: Don't mean you gotta do Something's true.

853
00:39:43,520 --> 00:39:44,080
Speaker 1: I love by that.

854
00:39:44,800 --> 00:39:47,560
Speaker 4: It's funny too because I thought, I think what DC

855
00:39:47,760 --> 00:39:50,759
Speaker 4: already kind of did is orough. It's like all right, yeah,

856
00:39:50,800 --> 00:39:53,279
Speaker 4: because I think everybody's kind of listening to like, why

857
00:39:53,280 --> 00:39:54,879
Speaker 4: are you still bringing.

858
00:39:54,840 --> 00:40:00,239
Speaker 1: Very very odd up, very odd Yeah, you walk off

859
00:40:00,280 --> 00:40:02,640
Speaker 1: for the show. Right. We didn't do shit to you.

860
00:40:03,160 --> 00:40:05,839
Speaker 3: We had this product there, chips drink all kind of shit.

861
00:40:07,440 --> 00:40:07,640
Speaker 5: You know.

862
00:40:07,920 --> 00:40:09,080
Speaker 3: Now, don't cross the dunline.

863
00:40:12,840 --> 00:40:14,920
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885
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886
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887
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888
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889
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Speaker 1: In all of the states.

890
00:41:16,280 --> 00:41:21,440
Speaker 3: Must be twenty one plus and physically present in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,

891
00:41:21,440 --> 00:41:24,040
Speaker 3: New Jersey, Ohio, Tennessee, or Virginia to play terms and

892
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Speaker 3: conditions applied. Concerned about gambling in Florida, you call one

893
00:41:27,160 --> 00:41:29,279
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894
00:41:29,280 --> 00:41:31,640
Speaker 3: someone you know has a gambler problem wants helped, call

895
00:41:31,719 --> 00:41:33,719
Speaker 3: one eight hundred and nine with it gambling problem called

896
00:41:33,719 --> 00:41:37,480
Speaker 3: one one hundred gambler Arizona, Colorado, Illinois, Michigan, New Jersey, Ohio,

897
00:41:37,560 --> 00:41:38,600
Speaker 3: Tennessee and Virginia.

898
00:41:44,960 --> 00:41:51,360
Speaker 1: But no, don't cross the gun land. Where is the

899
00:41:51,480 --> 00:41:58,560
Speaker 1: gun land? Exactly? Where be a very nigga because our

900
00:41:58,760 --> 00:42:01,880
Speaker 1: own animal. Am I good am? I good am? I

901
00:42:02,280 --> 00:42:09,640
Speaker 1: am I good am I one of the goods asked niggas.

902
00:42:09,680 --> 00:42:13,279
Speaker 5: He didn't even say my name. Ah, you goofy here

903
00:42:13,440 --> 00:42:17,000
Speaker 5: is niggas, But DC, you got one to everybody else

904
00:42:17,360 --> 00:42:18,239
Speaker 5: for the podcast?

905
00:42:18,560 --> 00:42:23,280
Speaker 1: Are you goof ASTs niggas? With DC? Your flat?

906
00:42:24,360 --> 00:42:28,400
Speaker 8: You down to your last straight you're supposed to about

907
00:42:28,480 --> 00:42:29,960
Speaker 8: the Blane.

908
00:42:31,680 --> 00:42:31,799
Speaker 1: Man.

909
00:42:31,880 --> 00:42:34,320
Speaker 5: Somebody plugging me with fifty we need I need to

910
00:42:34,360 --> 00:42:36,120
Speaker 5: get I don't want fifty cents on the show.

911
00:42:36,120 --> 00:42:39,880
Speaker 1: I want pimping curly as against that's all they do.

912
00:42:40,080 --> 00:42:49,799
Speaker 1: Try to make a motherfucker don't look good, hey man.

913
00:42:49,920 --> 00:42:52,000
Speaker 9: We just we here call the cas like I look

914
00:42:52,040 --> 00:42:58,239
Speaker 9: down the street from this. Should I take the other s?

915
00:42:58,400 --> 00:43:01,960
Speaker 9: Should I come up the other side? I like the

916
00:43:02,000 --> 00:43:03,280
Speaker 9: way that I go faster?

917
00:43:04,120 --> 00:43:04,319
Speaker 1: Yeah?

918
00:43:04,560 --> 00:43:07,759
Speaker 4: Hello, you remember you gotta remember this Living Color did

919
00:43:07,800 --> 00:43:10,920
Speaker 4: this about our city hall stalker Eddie Burdy.

920
00:43:12,600 --> 00:43:13,520
Speaker 1: That's what this feels like.

921
00:43:14,360 --> 00:43:14,680
Speaker 5: Cold.

922
00:43:17,520 --> 00:43:21,600
Speaker 1: I'm gonna get you Colors. You better tell DC your fly.

923
00:43:22,760 --> 00:43:32,680
Speaker 1: I'm coming from Man, living flats, red Stress City cards.

924
00:43:34,040 --> 00:43:34,080
Speaker 4: Go.

925
00:43:36,280 --> 00:43:39,520
Speaker 1: I don't say my name, man, stop stop man.

926
00:43:43,840 --> 00:43:46,040
Speaker 3: I didn't inscription cross.

927
00:43:47,160 --> 00:43:48,960
Speaker 1: I don't condone this type of behavior.

928
00:43:49,160 --> 00:43:49,279
Speaker 7: Man.

929
00:43:49,680 --> 00:43:53,560
Speaker 1: Whatever BC is cooking up, it will be independent on

930
00:43:53,760 --> 00:43:57,840
Speaker 1: his own. He has not. He hasn't sent me no

931
00:43:58,000 --> 00:44:01,200
Speaker 1: beats or nothing. I'm not for eat you or nothing. Yeah,

932
00:44:02,200 --> 00:44:08,640
Speaker 1: but I don't know goofy funny niggas what Russ is?

933
00:44:08,800 --> 00:44:09,040
Speaker 7: Jack?

934
00:44:09,480 --> 00:44:11,640
Speaker 1: You know you gotta be an evil motherfucker that hate

935
00:44:11,719 --> 00:44:16,600
Speaker 1: laughing though I hate.

936
00:44:19,239 --> 00:44:19,279
Speaker 5: You.

937
00:44:19,400 --> 00:44:24,360
Speaker 1: Come. What happened, man? What happened?

938
00:44:24,920 --> 00:44:27,120
Speaker 3: We started taking ourselves too seriously, man, That's what.

939
00:44:28,280 --> 00:44:31,440
Speaker 1: Even when they was doing the exchange, DC kept it light.

940
00:44:31,719 --> 00:44:31,919
Speaker 7: Yeah.

941
00:44:32,160 --> 00:44:34,840
Speaker 1: Yeah, and Nigga came bagg and he was in the pool.

942
00:44:35,360 --> 00:44:38,680
Speaker 1: He little homie up did it for free. Yeah, that

943
00:44:38,800 --> 00:44:39,400
Speaker 1: was his favorite.

944
00:44:39,680 --> 00:44:41,640
Speaker 6: But that's where the agent gracefully. Ship has changed with

945
00:44:41,719 --> 00:44:44,520
Speaker 6: Ross because like the DJ Envious ship, like that was hilarious,

946
00:44:44,560 --> 00:44:46,040
Speaker 6: Like Ross used to be funny patrols.

947
00:44:46,120 --> 00:44:48,800
Speaker 1: Now to me, it's just add like you.

948
00:44:49,719 --> 00:44:52,839
Speaker 4: It do feel like it do feel like some immaturity

949
00:44:52,920 --> 00:44:54,759
Speaker 4: and it in a weird way, like you know think

950
00:44:55,040 --> 00:44:57,560
Speaker 4: because I enjoy watching fifty Do with fifty Do because

951
00:44:57,560 --> 00:45:00,800
Speaker 4: it just seemed like whatever it is, it' real is.

952
00:45:01,000 --> 00:45:04,880
Speaker 1: It's just not gangster. It's not gangster to be for comedians.

953
00:45:04,960 --> 00:45:08,239
Speaker 1: We don't take this ship serious enough for you for

954
00:45:08,320 --> 00:45:09,360
Speaker 1: you to be that upset.

955
00:45:09,520 --> 00:45:11,800
Speaker 4: Yeah, but you got a riverst I don't forget. It

956
00:45:12,200 --> 00:45:16,680
Speaker 4: hasn't always been rappresent. That was fucking comedians. So with

957
00:45:17,120 --> 00:45:19,719
Speaker 4: Eddie Murphy was doing James Brown all the time. If

958
00:45:19,760 --> 00:45:22,720
Speaker 4: you go listen to Living in America for no reason,

959
00:45:22,800 --> 00:45:30,560
Speaker 4: James Brown, your hell's out for no fucking reason. I

960
00:45:30,719 --> 00:45:34,280
Speaker 4: swear to God, for no reason. He just hes eat.

961
00:45:36,440 --> 00:45:43,120
Speaker 1: In the middle of like he was sick of Eddie

962
00:45:43,160 --> 00:45:47,600
Speaker 1: Murphy doing. He was on his heels party on the

963
00:45:47,640 --> 00:45:50,240
Speaker 1: Tony Murphy heard the bridge.

964
00:45:55,120 --> 00:45:57,120
Speaker 4: It didn't make any sense if you listen to old

965
00:45:57,200 --> 00:46:05,400
Speaker 4: so you just hear me, you feel it he did

966
00:46:05,560 --> 00:46:06,239
Speaker 4: thinking or nothing.

967
00:46:08,480 --> 00:46:12,319
Speaker 5: Even with comedians, this laying they don't only comedians can

968
00:46:12,400 --> 00:46:13,400
Speaker 5: be for comedians.

969
00:46:13,480 --> 00:46:17,839
Speaker 1: Man, yeah it is, and that's stupid too. Yeah. Nah,

970
00:46:17,920 --> 00:46:21,840
Speaker 1: that ship is entertaining still that Joe Rogan, Carlos men

971
00:46:22,120 --> 00:46:23,480
Speaker 1: and ship. That ship was crazy.

972
00:46:23,800 --> 00:46:27,520
Speaker 6: Yeah, that's pretty funny that they put the Mexican music

973
00:46:27,560 --> 00:46:28,759
Speaker 6: behind him and it's like that ship.

974
00:46:28,800 --> 00:46:33,040
Speaker 1: I laughed. I laughed, man, But Ross ain't gonna make

975
00:46:33,080 --> 00:46:37,000
Speaker 1: it that fun. I don't know. We'll see because he

976
00:46:37,239 --> 00:46:37,800
Speaker 1: is thinking about this.

977
00:46:37,920 --> 00:46:40,400
Speaker 4: Ross couldn't keep it like like, because if you'd have

978
00:46:40,440 --> 00:46:42,439
Speaker 4: just did those two lines, maybe it'd have been okay.

979
00:46:42,520 --> 00:46:44,600
Speaker 1: But then you start throwing gun line. Ship in there,

980
00:46:45,000 --> 00:46:47,120
Speaker 1: don't cross the gun line. It's where is he.

981
00:46:48,920 --> 00:46:51,120
Speaker 5: That I'm about to start going all the way around.

982
00:46:51,320 --> 00:46:58,880
Speaker 5: I'm not fuck man. He watched this show too. He

983
00:46:59,040 --> 00:46:59,759
Speaker 5: watched ship.

984
00:46:59,840 --> 00:47:00,279
Speaker 7: He used to.

985
00:47:01,040 --> 00:47:02,279
Speaker 1: He still do. He tapped in.

986
00:47:03,000 --> 00:47:05,040
Speaker 3: But now that we said his name, somebody set the

987
00:47:05,120 --> 00:47:05,640
Speaker 3: slip to him.

988
00:47:07,160 --> 00:47:10,879
Speaker 1: I don't think you baby, he was one y'all. Here's

989
00:47:10,880 --> 00:47:11,319
Speaker 1: one of y'all.

990
00:47:11,320 --> 00:47:13,200
Speaker 3: He don't with I don't you know, I don't do

991
00:47:13,320 --> 00:47:17,600
Speaker 3: a think it's you probably think it's you know, Nubian

992
00:47:17,640 --> 00:47:18,399
Speaker 3: on nuby and crime.

993
00:47:18,440 --> 00:47:21,440
Speaker 1: You know, you know that's yeah, we had each other.

994
00:47:21,640 --> 00:47:27,799
Speaker 1: He had my baby mother. You got one time. Don't

995
00:47:27,840 --> 00:47:28,719
Speaker 1: cross the gun line.

996
00:47:28,960 --> 00:47:29,960
Speaker 3: You can't cross the line.

997
00:47:30,760 --> 00:47:33,680
Speaker 1: Yeah, it'd be funny if he had like a bunch

998
00:47:33,719 --> 00:47:35,560
Speaker 1: of tags for all y'all. He just went with DC

999
00:47:36,880 --> 00:47:37,760
Speaker 1: like all that ship.

1000
00:47:37,640 --> 00:47:38,640
Speaker 4: In with the good line.

1001
00:47:41,239 --> 00:47:47,959
Speaker 1: Now will never be pound. Don't be across the good line.

1002
00:47:48,000 --> 00:47:57,839
Speaker 1: We'll keep that. We just do. Oh man, holy ship.

1003
00:47:58,040 --> 00:47:59,920
Speaker 1: I can't take that serious. Man, I don't know.

1004
00:48:00,160 --> 00:48:01,440
Speaker 3: We won't take none of this serious.

1005
00:48:01,440 --> 00:48:01,800
Speaker 1: I don't.

1006
00:48:03,280 --> 00:48:07,480
Speaker 3: So once these cameras turned off, niggas go home, I

1007
00:48:07,520 --> 00:48:08,080
Speaker 3: don't put.

1008
00:48:08,160 --> 00:48:09,839
Speaker 1: Yeah, because you live in New York and you don't

1009
00:48:09,880 --> 00:48:11,759
Speaker 1: have to worry about crossing the gun line. Yeah, that's

1010
00:48:11,800 --> 00:48:12,120
Speaker 1: the fact.

1011
00:48:12,320 --> 00:48:13,799
Speaker 3: In New York, you don't have to worry about crossing

1012
00:48:14,080 --> 00:48:16,080
Speaker 3: now you on the other hand, I mean, I'm right there,

1013
00:48:16,280 --> 00:48:17,759
Speaker 3: right there, you're right down the streets.

1014
00:48:17,680 --> 00:48:20,239
Speaker 1: Dirt road. It's different for you. It's just like two

1015
00:48:20,320 --> 00:48:22,440
Speaker 1: lefts and the right. Yeah. Now you got to make

1016
00:48:22,440 --> 00:48:24,000
Speaker 1: two rights on the left. Now you remember to go

1017
00:48:24,120 --> 00:48:27,200
Speaker 1: all the way around gas station and everything.

1018
00:48:27,360 --> 00:48:32,760
Speaker 8: Man, one of those make two rights in the left, DC,

1019
00:48:33,000 --> 00:48:34,520
Speaker 8: young fop across the.

1020
00:48:36,239 --> 00:48:37,479
Speaker 1: I see you at the gas station.

1021
00:48:37,640 --> 00:48:43,400
Speaker 6: Nigga's gonna be Ross's voice on his GPS, who changed.

1022
00:48:43,360 --> 00:48:48,160
Speaker 1: Says making right in jest. Nigga, I don't like that.

1023
00:48:49,360 --> 00:48:52,440
Speaker 1: He gotta come up. He gotta leave my little partner alone. Man,

1024
00:48:52,560 --> 00:48:54,320
Speaker 1: my little brother. You'll be all right, man. It's just

1025
00:48:54,440 --> 00:48:56,880
Speaker 1: you know, that's just internet. That was very random that

1026
00:48:57,280 --> 00:49:00,239
Speaker 1: we'll leave it at that. I'm glad he knows was it.

1027
00:49:00,360 --> 00:49:00,480
Speaker 4: Now?

1028
00:49:00,680 --> 00:49:04,200
Speaker 5: Hopefully watch yall show of how insane that is. Just

1029
00:49:04,239 --> 00:49:07,800
Speaker 5: to do that, and this DC just not somebody you

1030
00:49:08,000 --> 00:49:10,759
Speaker 5: even stay mad at. It was nothing rapper about it.

1031
00:49:10,880 --> 00:49:13,600
Speaker 5: It's not gangster. It's just gonna have to vote. You

1032
00:49:14,280 --> 00:49:16,560
Speaker 5: supposed to being fun and just let's laugh a little

1033
00:49:16,560 --> 00:49:18,600
Speaker 5: bit like you said. Who don't want to laugh? Come on, man,

1034
00:49:18,640 --> 00:49:19,279
Speaker 5: you hate laughter?

1035
00:49:20,560 --> 00:49:24,000
Speaker 1: Ross made a six minute distance? Was fake? You're trying

1036
00:49:24,000 --> 00:49:26,839
Speaker 1: to be funny, nigga. Yeah, oh yeah, bro, you hear

1037
00:49:26,960 --> 00:49:28,880
Speaker 1: be on you for sure. You're gonna. I'm gonna tell

1038
00:49:28,880 --> 00:49:33,040
Speaker 1: the g d's out. O. Man, you just crossed the

1039
00:49:33,080 --> 00:49:34,759
Speaker 1: gun line. I just crossed the gun line.

1040
00:49:35,680 --> 00:49:39,920
Speaker 4: Don't put can we cut that one? He did say

1041
00:49:39,960 --> 00:49:42,560
Speaker 4: Harry Hoover in his own times, Damn they were pissed

1042
00:49:42,600 --> 00:49:47,600
Speaker 4: about that ship. It in b MF doing that ship

1043
00:49:47,680 --> 00:49:50,440
Speaker 4: like when you're just naming people. Yeah, I'm saying you

1044
00:49:50,520 --> 00:49:52,800
Speaker 4: can't do that. Rapper, nothing like that.

1045
00:49:53,320 --> 00:49:54,799
Speaker 3: Horning Heights, July twenty four.

1046
00:49:55,920 --> 00:49:57,960
Speaker 6: What you expect by the guy that names himself for Ross,

1047
00:49:58,160 --> 00:50:00,120
Speaker 6: He can't feel like he's big natch for Larry who

1048
00:50:00,120 --> 00:50:00,600
Speaker 6: over that day?

1049
00:50:01,400 --> 00:50:03,000
Speaker 3: Like the village people, he just dresses up as different

1050
00:50:03,040 --> 00:50:04,880
Speaker 3: drug dealers depending the day. We gonna go see this

1051
00:50:04,960 --> 00:50:05,720
Speaker 3: movie as a family.

1052
00:50:06,040 --> 00:50:10,200
Speaker 4: Please go see the movies independent films, support independent filmmaker.

1053
00:50:10,320 --> 00:50:13,400
Speaker 1: You know what I mean? Then buy some popcorn and

1054
00:50:13,560 --> 00:50:16,400
Speaker 1: a drink and the extra butters on me.

1055
00:50:18,600 --> 00:50:21,680
Speaker 3: When stop into July twenty four, real real quick, before

1056
00:50:21,680 --> 00:50:23,000
Speaker 3: we let y'all go, what is one of some of

1057
00:50:23,040 --> 00:50:25,279
Speaker 3: the things that because, as you know, coming up in

1058
00:50:26,000 --> 00:50:28,600
Speaker 3: our in our communities, we always just look at the

1059
00:50:28,719 --> 00:50:31,279
Speaker 3: roles of acting or being an athlete, Like, what are

1060
00:50:31,320 --> 00:50:33,000
Speaker 3: some of the things that you know, a lot of

1061
00:50:33,040 --> 00:50:35,120
Speaker 3: the young kids should look into, if it's not acting,

1062
00:50:35,200 --> 00:50:36,879
Speaker 3: but getting into movie making and TV.

1063
00:50:37,080 --> 00:50:39,160
Speaker 1: Some of the roles and things that they should look into.

1064
00:50:39,280 --> 00:50:42,080
Speaker 4: Learn all this stuff, man, like all the behind us,

1065
00:50:42,120 --> 00:50:43,720
Speaker 4: you know, and I want to figure out a program

1066
00:50:43,840 --> 00:50:46,759
Speaker 4: and hopefully I'll figure this out another year or so.

1067
00:50:47,000 --> 00:50:50,360
Speaker 4: But it's so many different roles, man, it's so important

1068
00:50:50,840 --> 00:50:55,440
Speaker 4: lighting to everything, writing, writing, Like I think we only

1069
00:50:55,600 --> 00:50:57,960
Speaker 4: they only know the star part of it, But you

1070
00:50:58,040 --> 00:50:59,960
Speaker 4: could be a star of these other fields.

1071
00:51:00,040 --> 00:51:02,280
Speaker 5: Unions for all of this and everything. People who build

1072
00:51:02,320 --> 00:51:04,160
Speaker 5: the sets, man, get into props.

1073
00:51:04,840 --> 00:51:08,120
Speaker 4: We need some black black prop masters, man, we need

1074
00:51:08,160 --> 00:51:09,280
Speaker 4: more black stunt people.

1075
00:51:09,480 --> 00:51:11,719
Speaker 1: You learn how to finance a movie.

1076
00:51:12,640 --> 00:51:14,000
Speaker 2: Intimacy coordinators.

1077
00:51:14,239 --> 00:51:17,640
Speaker 5: Intimacy coordinator, that is a great job for somebody who

1078
00:51:18,880 --> 00:51:19,480
Speaker 5: is a whole.

1079
00:51:21,520 --> 00:51:22,160
Speaker 1: You know what I'm saying.

1080
00:51:22,239 --> 00:51:25,359
Speaker 5: Like, if you promised yous in these streets, you would

1081
00:51:25,360 --> 00:51:27,520
Speaker 5: be good as an intimacy coordinator in.

1082
00:51:27,520 --> 00:51:31,399
Speaker 4: TOMC coordinator some of the most random people and because

1083
00:51:31,440 --> 00:51:33,720
Speaker 4: you got to make it look real. Well, it depends

1084
00:51:33,719 --> 00:51:36,120
Speaker 4: on what city you're from, what type of coordinated like

1085
00:51:36,200 --> 00:51:38,200
Speaker 4: if like if you if you get it to be

1086
00:51:38,400 --> 00:51:42,959
Speaker 4: coordinated from like New York, LA, Like they're more into

1087
00:51:43,080 --> 00:51:45,960
Speaker 4: whatever TV and film. But if you go to like

1088
00:51:46,000 --> 00:51:48,319
Speaker 4: some random city shooting at you really don't know where

1089
00:51:48,360 --> 00:51:53,120
Speaker 4: this lady came from. Vancouver, you don't want to show

1090
00:51:53,200 --> 00:51:54,920
Speaker 4: up when y'all kiss.

1091
00:51:56,680 --> 00:51:58,160
Speaker 1: Me talk to us like that. You gotta put your

1092
00:51:58,560 --> 00:52:01,400
Speaker 1: in the sock do in front of me. You need

1093
00:52:01,480 --> 00:52:02,600
Speaker 1: a nightline sock.

1094
00:52:04,120 --> 00:52:04,320
Speaker 4: Like that.

1095
00:52:05,280 --> 00:52:08,080
Speaker 1: I've had some intimac coordinator made me feel uncomfortable.

1096
00:52:08,120 --> 00:52:11,759
Speaker 6: We're gonna shoot the rehearsal. Yeah, about to ask the

1097
00:52:11,840 --> 00:52:14,719
Speaker 6: trailer I had think we did have?

1098
00:52:15,480 --> 00:52:18,879
Speaker 1: Well, let me say yes, yes, we did. Yes, of course,

1099
00:52:18,920 --> 00:52:20,279
Speaker 1: of course we did, right, we did.

1100
00:52:21,719 --> 00:52:26,080
Speaker 5: On the damn you can make fifty to ninety thousand

1101
00:52:26,120 --> 00:52:28,239
Speaker 5: dollars being an intimate coordinator.

1102
00:52:28,400 --> 00:52:32,239
Speaker 1: Yeah, m damn you do. You do that with the

1103
00:52:32,320 --> 00:52:34,520
Speaker 1: only fans, make a lot of money.

1104
00:52:35,320 --> 00:52:37,680
Speaker 4: The movie I just shot, just shot this thriller, and

1105
00:52:37,760 --> 00:52:41,600
Speaker 4: it was you know, whatever sex scenes or whatever we

1106
00:52:41,719 --> 00:52:44,200
Speaker 4: actually had. She was a good intimate intimacy coordinator. She

1107
00:52:44,320 --> 00:52:48,120
Speaker 4: wasn't weird, she was cool. She made sure like you know,

1108
00:52:48,200 --> 00:52:51,000
Speaker 4: the crew wasn't like looking at us and putting out

1109
00:52:51,000 --> 00:52:51,400
Speaker 4: giving up.

1110
00:52:51,440 --> 00:52:51,879
Speaker 1: She was good.

1111
00:52:51,920 --> 00:52:53,960
Speaker 4: I actually liked a lot. But I've literally worked with

1112
00:52:54,040 --> 00:52:58,080
Speaker 4: some other ones more creepy than Yeah. Okay, yeah, so

1113
00:52:58,160 --> 00:52:59,200
Speaker 4: show me how you're going.

1114
00:53:00,080 --> 00:53:01,719
Speaker 1: If I put my hands right here and tell me

1115
00:53:01,760 --> 00:53:05,399
Speaker 1: how to make you feel dumb. Now, lift the leg

1116
00:53:05,520 --> 00:53:09,040
Speaker 1: up with the leg if you lick your Okay, you're

1117
00:53:09,120 --> 00:53:12,920
Speaker 1: supposed to be saying, oh lady, don't lick the nipple

1118
00:53:13,280 --> 00:53:17,800
Speaker 1: the areola and action like you ain't supposed to be

1119
00:53:17,960 --> 00:53:21,840
Speaker 1: actually get the off. I'll tell you what.

1120
00:53:22,200 --> 00:53:24,600
Speaker 4: I'm gonna lea in the bed, but I'm getting in

1121
00:53:24,600 --> 00:53:26,640
Speaker 4: the winch yall. So well, we had a cover. She

1122
00:53:26,719 --> 00:53:32,360
Speaker 4: just okay, you're doing it, Lisa.

1123
00:53:32,920 --> 00:53:36,480
Speaker 2: I'm just making sure the intimacy is going, just.

1124
00:53:36,560 --> 00:53:39,839
Speaker 1: Making sure nothing's touching none of the sheet we had.

1125
00:53:40,000 --> 00:53:42,600
Speaker 6: We had Chris Gotti on. He directed a movie for

1126
00:53:43,400 --> 00:53:46,560
Speaker 6: for TB and we were having that conversation. He was like, yeah,

1127
00:53:46,560 --> 00:53:48,360
Speaker 6: it was me and land Stevenson. We were the intimacy

1128
00:53:48,400 --> 00:53:50,960
Speaker 6: court and it was like, you don't know if that's legal.

1129
00:53:54,120 --> 00:54:01,280
Speaker 1: Intimacy. He's the one directing the sex, yo, that's insane.

1130
00:54:02,160 --> 00:54:06,800
Speaker 1: I slapped my hand harder, harder.

1131
00:54:09,360 --> 00:54:11,120
Speaker 6: I think christ Daddy said. He showed up just set late,

1132
00:54:11,160 --> 00:54:13,239
Speaker 6: and he's like, now we're redoing this whole sex scene.

1133
00:54:13,239 --> 00:54:19,400
Speaker 1: Now. They definitely crossed the gunlane. For that was the

1134
00:54:19,440 --> 00:54:22,680
Speaker 1: start of right, there was the start of lak have

1135
00:54:22,800 --> 00:54:23,880
Speaker 1: some blowing man.

1136
00:54:25,880 --> 00:54:29,040
Speaker 3: Hornet Heights July twenty fourth, Roil High recall us Miller

1137
00:54:29,080 --> 00:54:31,640
Speaker 3: Fellers nekt y'all for coming through. We appreciate y'all. We're

1138
00:54:31,640 --> 00:54:33,239
Speaker 3: going to check out the movie and have some fun

1139
00:54:33,520 --> 00:54:35,080
Speaker 3: and next time y'all New York come back and talk

1140
00:54:35,120 --> 00:54:35,680
Speaker 3: some ship with us.

1141
00:54:35,719 --> 00:54:36,839
Speaker 1: Man appreciate y'all.

1142
00:54:38,080 --> 00:54:40,879
Speaker 3: I'm that nigga. He's just Ginger hornet heightst July twenty fourth.

1143
00:54:40,960 --> 00:54:43,200
Speaker 3: Go see that and don't cross the gun line.

1144
00:54:44,520 --> 00:54:44,960
Speaker 5: It is