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Speaker 1: Hey, Discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland. The after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get you from one full

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Speaker 1: episode of Disgraceland to the other, the backyard to dig

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Speaker 1: into the dirt. On this episode we are talking about

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Speaker 1: lou Reed, b York succession, and of course your voice smails, text,

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Speaker 1: dms and more and as always a whole lot of rosy.

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Speaker 2: All right, Discos, let's get into it, guys.

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Speaker 1: Welcome.

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Speaker 3: What day is it? What month?

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Speaker 1: I don't know right now. I'm gonna be honest, I'm

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Speaker 1: totally out of it speaking to you in a haze

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Speaker 1: of jet lag, whisper room wrinkles in time, and fevered

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Speaker 1: lou Reed dreams of identity crisis. But all of that said,

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Speaker 1: I am so stoked to be here with you and

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Speaker 1: to have you here with me in the after Party.

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Speaker 1: I mentioned lou Reid because this here is unofficially lou

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Speaker 1: Read week in Disgraceland. We released two very weird episodes

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Speaker 1: on Lou Reed this past Tuesday. I say very weird

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Speaker 1: because we don't really done anything like this before these episodes. Admittedly,

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Speaker 1: they stretched the word true in the phrase true crime,

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Speaker 1: and that was of course intentional. Now, there's all kinds

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Speaker 1: of real life trouble that lou Reid entangled himself in

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Speaker 1: throughout his life and career. But in researching Lou I

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Speaker 1: was constantly running into two very interesting facts that made

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Speaker 1: me consider Lou read differently than any other subject that

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Speaker 1: I'd written about before. Number One, the crimes featured in

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Speaker 1: the songs of Lou Reed were more interesting to me

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Speaker 1: than any of the quote unquote crimes lou Reid may

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Speaker 1: have involved himself in personally. Velvet Underground songs like The Gift,

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Speaker 1: The Murder, Mystery, Venus and Furs, Heroin and others all

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Speaker 1: feature fictional crimes that I found to be super compelling,

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Speaker 1: and I thought to myself, well, hey, what if those

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Speaker 1: were true? What if lou had first hand experience with

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Speaker 1: those crimes? Of course he didn't, but that didn't stop

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Speaker 1: me because of reason number two, Lou Reed constantly made

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Speaker 1: shit up about his backstory, and he told this to

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Speaker 1: journalists all the time. He told him that he graduated

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Speaker 1: from Harvard, that his parents forced him to undergo electroshock

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Speaker 1: therapy at a young age because he was gay, a

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Speaker 1: claim that Lou's sister vehemently denies. And there's a whole

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Speaker 1: bunch of other shit that lou Reid told rock journalists

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Speaker 1: that was not true. That frankly was pretty awesome. I mean,

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Speaker 1: go ahead, lie your face off to rock journalists. Keep

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Speaker 1: mo honus, That's how I look at it. Make yourself

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Speaker 1: as compelling as fuck, keep the myth going. So I thought,

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Speaker 1: rather than tell the same type of story, artist grows up,

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Speaker 1: bad shit happens to him, he or she is awesome

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Speaker 1: at making music, and then they do bad shit to

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Speaker 1: other people and they eventually find redemption and cue the

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Speaker 1: Disgreat Slam theme song. I thought that instead of doing that,

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Speaker 1: that maybe I could tell the story of lou Reid,

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Speaker 1: or at least get to the character of who lou

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Speaker 1: Reid was through the crimes he detailed in his songs,

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Speaker 1: rather than crimes he committed. And these songs were, of

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Speaker 1: course the ones I mentioned above and others, and I

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Speaker 1: chose to do this all in a way that I

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Speaker 1: thought was very lou Reid. Lou Reid was a massive

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Speaker 1: fan of the authors Raymond Chandler and Hubert Selby Junior,

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Speaker 1: and I try to fuse the story of all the

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Speaker 1: vice and grime of Selby that was certainly part of

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Speaker 1: the environment, the real environment that lou Reid and the

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Speaker 1: Velvet Underground came up in and that they inhabited in

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Speaker 1: the mid nineteen sixties in New York. I try to

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Speaker 1: fuse that celbiesque vice with the style of author Raymond Chandler,

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Speaker 1: a writer that lou Reid adored and who very much

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Speaker 1: inspired the incredible lyrical style that lou had. If you

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Speaker 1: listen to these two episodes that I did, you're going

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Speaker 1: to hear that I'm basically copying Raymond Chandler's style one

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Speaker 1: hundred percent. I even created my own Philip Marlow type

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Speaker 1: protagonist to get into the story of lou Reid in

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Speaker 1: his early days in the Velvet Underground. It's told in

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Speaker 1: a way that brings again, it brings to life the

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Speaker 1: crimes and actions that are in these Velvet Underground songs.

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Speaker 1: You've got venus and furs come into life. You've got

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Speaker 1: the same thing going on with the song Heroin, the

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Speaker 1: song Waiting for My Man, and of course the murder mystery,

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Speaker 1: and then totally these two episodes live within the lyrics

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Speaker 1: of the song the Velvet Underground song the Gift. So

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Speaker 1: in all the characters from these songs, these incredible characters

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Speaker 1: that we read mentions by name who I always thought

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Speaker 1: were just real, kind of like New York characters, Beardless

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Speaker 1: Harry and sweet Jane, and you know, all of these

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Speaker 1: characters come into these episodes and they come to life.

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Speaker 1: We brought them to life for you. Trying to write

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Speaker 1: using lou Reed's very rich background that he created, trying

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Speaker 1: to write that in the style of Raymond Chandler was

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Speaker 1: super fun. I felt like I was in a band

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Speaker 1: that was covering a song, but instead of over three

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Speaker 1: and a half minutes, over ten thousand words. So because

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Speaker 1: of all this, these are quite honestly some of our

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Speaker 1: weirdest fucking episodes, but definitely some of the most fun

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Speaker 1: that we've had putting these stories together for you. And

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Speaker 1: don't worry, Velvet Underground fans, we will have a more

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Speaker 1: traditional Disgraceland episode on the Velvet Underground coming on the

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Speaker 1: entire band, not just Lou. Read that episode and their history.

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Speaker 1: It's going to be in the next season of Disgraceland.

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Speaker 1: All right, that's all I got on Uncle Lou. Hit

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Speaker 1: me up, let me know what you thought of the

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Speaker 1: episode so far. The reaction has been fantastic. Really appreciate

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Speaker 1: the feedback on social media. I can see the numbers

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Speaker 1: people are listening to the episodes. That's great. We totally

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Speaker 1: appreciate it. You know where to hit me up though,

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Speaker 1: at this gracelam pod or on the telephone at six

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Speaker 1: one seven nine zero six six six three eight back

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Speaker 1: with more after this, All right, guys. Beyond the questionable

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Speaker 1: true crimes of Lou Reed, this past week, we got

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Speaker 1: into some seriously real true crime with Byork over on

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Speaker 1: our YouTube channel with the video that we released. The

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Speaker 1: story is of Byork's stalker and his obsession with her

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Speaker 1: and what he ultimately attempted to bring to Fruition. It

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Speaker 1: is beyond disturbing, and the visuals we were able to

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Speaker 1: layer into the story and the video are creepy as fuck.

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Speaker 1: Here is a little taste. After seeing Byork's human behavior

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Speaker 1: video on MTV, Ricardo Lopez had a whole new obsession.

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Speaker 3: An obsession, Oh, that would turn deadly.

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Speaker 1: Such an attached to her.

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Speaker 4: I'm not going to kill somebody who's loved me.

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Speaker 1: He hallowed out a book and inserted a homemade device

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Speaker 1: that would spray out sulfuric acid when it was opened.

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Speaker 3: When Buork opened the rig book in her mail, the acid.

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Speaker 1: Would hit her directly in the face, and it might

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Speaker 1: not kill her, but it would hideously disfigure her. All Right, guys,

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Speaker 1: don't sleep on this B York episode. It's the perfect marriage,

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Speaker 1: if I do say so myself, of music and true crime,

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Speaker 1: and it's definitely the best video that we've done yet

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Speaker 1: over on our YouTube channel as we continue to find

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Speaker 1: a way to building an awesome YouTube channel for you guys,

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Speaker 1: So head over to YouTube dot com slash at Disgrace

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Speaker 1: slampod to watch it and make sure you subscribe. We

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Speaker 1: got new content come out every single day, every single day.

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Speaker 1: Where else are you gonna get that? All right? Somehousekeeping

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Speaker 1: the onslaught of previously exclusive Disgraceland content continues. We are

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Speaker 1: pummeling you, pummeling you with hits like Tom Petty did.

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Speaker 1: That's what I like to say. As we do our

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Speaker 1: best to get our entire back catalog of archived episodes

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Speaker 1: out into all the podcast platforms. So since we last spoke,

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Speaker 1: we released episodes on eminem Whitney, Houston, Asap, Rocky the

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Speaker 1: Rolling Stones at Altamont. It's one of my favorites. And

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Speaker 1: in the next coming days we are re releasing our

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Speaker 1: two part episode on the Beach Boys. So as is

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Speaker 1: the new norm. Lots of Disgraceland content coming for you

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Speaker 1: guys to binge and that ain't changing anytime soon. All right,

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Speaker 1: this is the part of this bonus episode. These bonus

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Speaker 1: episodes like the best, This is where we get to

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Speaker 1: hear from y'all. You know the drill. You can contact

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Speaker 1: me twenty four to seven on the socials at Grace

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Speaker 1: lampod or you can call me or text me at

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Speaker 1: six one seven nine zero six six six three eight

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Speaker 1: and leave a voicemail like Steve, Steve right here from Dallas,

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Speaker 1: the Big d Hey Day.

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Speaker 5: This is Steve from Dallas. And I wasn't going to

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Speaker 5: play some of the music, but then I realized if

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Speaker 5: I did that, you wouldn't be able to play my message.

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Speaker 5: So I don't know if you've done one before, but

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Speaker 5: I would love to hear.

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Speaker 6: A Joy Division episode.

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Speaker 5: If you have already, please just let me know so

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Speaker 5: I can go back and find what episode it is,

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Speaker 5: because I would love, love love to hear a Joy

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Speaker 5: Division episode. Also, I have a viniean Dine story that

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Speaker 5: I'll call back with at some other time. I have

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Speaker 5: to write it all down first, So much love from Dallas.

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Speaker 1: Nice All right, Steve, Yes, yes, yes, yes, Joy Division

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Speaker 1: we have it in the canon. Is part of the

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Speaker 1: next season a Disgraceland, So it will be released for you,

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Speaker 1: Steve down in Dallas this spring slash summer sometime very soon.

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Speaker 1: I don't have the date. We haven't officially announced what

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Speaker 1: the next episodes are gonna be, but we're close. We're

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Speaker 1: very close to that announcement. We're very close to these

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Speaker 1: new episodes. They are coming soon. Disgraceland is always on,

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Speaker 1: it's never off, it's never stopping. Enjoy Division is part

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Speaker 1: of your very near future. I'll have specific soon when

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Speaker 1: we do our full lineup announcement. And yes, Steve calls back,

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Speaker 1: leave a voicemail with your Vinie and Dime story. Thank

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Speaker 1: you and thanks for listening. Okay, we got who do

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Speaker 1: we get here? Anthony from the two oh six by

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Speaker 1: way of the two five three checked in.

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Speaker 4: Big Jake, what's going on? This is Anthony from the

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Speaker 4: two six by way of the two five to three.

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Speaker 4: Been loving disgrace Land really really became a fan of it.

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Speaker 4: During the twenty twenty lockdown, I just binged any and

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Speaker 4: everything I could. I even moved over to Amazon Music

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Speaker 4: just to get the exclusive content, and I still have

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Speaker 4: it even though everything's back on regular podcasts now. I

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Speaker 4: just wanted to say that the albums I've been listening

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Speaker 4: to in the springtime, these are classes from when I

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Speaker 4: was in high school. One of them is Busher's Confessions,

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Speaker 4: and then more recently is The Weekends After Hours because

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Speaker 4: that technically came out in the spring time of twenty twenty. Hey,

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Speaker 4: I got a suggestion, twenty seventh Club. Like I said,

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Speaker 4: I'm from the two oh six. You gotta do one

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Speaker 4: on my guy Kurt Cobain. Please please please. I know

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Speaker 4: I know you did one on Kirk Cobain in Disgraceland,

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Speaker 4: but I need more of like a beep dive of

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Speaker 4: him for the twenty seven Club. So if you could

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Speaker 4: do that, that will be awesome. And you know what's

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Speaker 4: speaking of the weekend. You think maybe some point down

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Speaker 4: the line we might be able to get a weekend

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Speaker 4: Disgraceland episode as well. I'm just saying, you know, exploring

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Speaker 4: some of the deep depth of his music and stuff

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Speaker 4: like that. So anyway, much love from the two oh

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Speaker 4: six look forward to the next episode. Can't wait. Also,

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Speaker 4: can't wait for bad Lands and all the other projects

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Speaker 4: you released.

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Speaker 1: And peace my brother, Anthony my man. Thanks for the voicemail.

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Speaker 2: Dude.

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Speaker 1: I appreciate your loyal listenership over the years, and I

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Speaker 1: appreciate you coming back to us with your springtime listening recommendations.

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Speaker 1: Based on our conversation in the after party last week.

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Speaker 1: I'm stoked to dig into that Usher album. Thank you,

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Speaker 1: thanks for recommending it. As for Kurt Cobain in the

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Speaker 1: twenty seventh Club, I have been toying with this idea

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Speaker 1: for a long time. You know, Kurt is kind of

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Speaker 1: the He's the big story in the twenty seven Club,

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Speaker 1: I think. Anyways, I've done pig Pen from The Grateful Dead,

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Speaker 1: I've done Janis Joplin, I've done Jim Morrison.

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Speaker 6: Is that it?

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Speaker 1: I think that's it. Jimmy Hendrix, Oh yeah, Jimmy was

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Speaker 1: the first one, Kurt, I'm gonna do it. I got

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Speaker 1: another one done though, another whole season done. I'm not

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Speaker 1: saying who the artist is yet, but it's coming soon.

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Speaker 1: I don't know where it's coming. I don't know where

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Speaker 1: you're gonna have to be to listen to it. I

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Speaker 1: might do something unique with this, but that's coming soon

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Speaker 1: and Kurt is definitely on the horizon. It's a perfect

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Speaker 1: format for the Kirk Comin story. We got the brain

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Speaker 1: trust here at Double Elvis on it. That's all I'm

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Speaker 1: going to say, Anthony, thanks for checking in, man, talk

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Speaker 1: to you soon. All right, let's do one more voicemail.

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Speaker 1: We're going to check in here with the seven oh two.

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Speaker 6: Hey, Jake, I just want to start out by saying

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Speaker 6: this Graceland far and beyond measure is my personal favorite

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Speaker 6: of all of the podcast. I mean, Joe Rogan, just

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Speaker 6: in second, I'll just be honest with you, man, like,

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Speaker 6: the thing that you've captured is something that a large

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Speaker 6: section of the United States and beyond has wanted and

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Speaker 6: need it, and you're nailing it. My friend. Don't ever stop, man,

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Speaker 6: just don't ever stop. It is a highlight when my

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Speaker 6: feed says, hey, new twenty seven Club New Disgraceland. It's

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Speaker 6: just it's just you know, Hollywood Land as well, and

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Speaker 6: it's just like, oh oh, Jase, good to talk.

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Speaker 5: It's gonna be awesome.

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Speaker 3: Dude.

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Speaker 1: Thank you so much for the kind words. I appreciate it.

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Speaker 1: You mentioned that I'm doing something for the country, for

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Speaker 1: the United States. I don't know about that, but I

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Speaker 1: appreciate it, and I'll accept that with kindness, and I

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Speaker 1: will offer up, in all humility, a couple of podcasts

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Speaker 1: that I think are actually doing something for the country,

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Speaker 1: something that the country really needs right now, which is

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Speaker 1: balance and objectivity and truth. And those podcasts are the

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Speaker 1: Breaking Points podcast with Sagar and Crystal and Barry Weiss's

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Speaker 1: podcast Honestly from the Free Press. Check those out both

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Speaker 1: they're great. Check them out if you haven't already, let

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Speaker 1: me know what you think or don't. I don't care.

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Speaker 1: I just did my part for America. You're welcome, and

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Speaker 1: of course, only listen to those podcasts after you listen

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Speaker 1: to disgrace Land and bad Lands. All right, let's do

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Speaker 1: some texts, all right, damn, lots of text messages. Let's

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Speaker 1: go with let's say from the seven, one, six, five,

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Speaker 1: Top movies, Top five movies, pulp Fiction, Fight Club, Natural

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Speaker 1: Born Killers, The Way We Were Goodfellas, Boogie Nights Tied.

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Speaker 4: Is that five?

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Speaker 1: That's one, two, three, four, five six. He broke the rules,

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Speaker 1: dude or dudet. But let's go through these real quick

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Speaker 1: pulp fiction definitely, and he's got it in the one slot.

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Speaker 1: And I get that pulp fiction. Nothing before or after

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Speaker 1: has ever, ever, ever, ever, ever happened in filmmaking like

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Speaker 1: the release of that movie. If you weren't alive for it,

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Speaker 1: you missed it. And a quick story. I may have

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Speaker 1: told this before, but I'm just reminded of it now.

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Speaker 1: If pulp fiction came out, I of course had seen

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Speaker 1: Reservoir Dogs. I knew of Reservoir Dogs. I was at

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Speaker 1: CMJ in New York City, which is a music conference.

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Speaker 1: If you're not aware of what that is, College Music

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Speaker 1: Journal Conference. This was back in whenever pulp fiction was

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Speaker 1: released ninety four, so before it was released wide, they

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Speaker 1: had a running of it for CMJ that they were showing,

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Speaker 1: and maybe it was already out in New York. I

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Speaker 1: don't know, but it was a big thing part of

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Speaker 1: the CMJ festival. So I go to this theater in

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Speaker 1: Union Square or time, I don't remember where it was.

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Speaker 1: I'm in there and I'm watching the movie. My mind's blown. Everyone.

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Speaker 1: It's like a huge theater, like I don't know, five

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Speaker 1: hundred people, a lot of people. And as soon as

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Speaker 1: it ends, like as the credits kick in with with

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Speaker 1: that freakin that incredible dick Dale riff that comes in loud,

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Speaker 1: a voice cuts in over the music and it says,

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Speaker 1: ladies and gentlemen, if you would please remain seated, Quentin

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Speaker 1: Tarantino would like to come out and have a word

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Speaker 1: with you. And just then I shit you not. Quentin

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Speaker 1: Tarantino walks by me, right past me down the aisle

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Speaker 1: I was on an aisle seat, goes up to the front,

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Speaker 1: starts answering our questions. Unreal, unreal. I'll never forget that

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Speaker 1: blew my mind. I've had a lot of great experiences

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Speaker 1: in my life. Life, you know, when it comes to entertainment,

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Speaker 1: that's at the top for sure. Anyways, Okay, pulp fiction,

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Speaker 1: he's got number one fight club, Natural Born Killers, Slash,

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Speaker 1: The Way we Were. I've never seen the Way we were,

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Speaker 1: Goodfellas Slash, Boogie Knights Tied, I dam you can't. Yeah,

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Speaker 1: Booge Knights isn't as good as Good Fellas. Oh, this

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Speaker 1: is from Nicole from Buffalo. I'm sorry, Nicole, I called you, dude.

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Speaker 1: I didn't see your name here. Fight Club. My wife

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Speaker 1: has been on me to see this and we actually

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Speaker 1: watched it this past was it past week? Couple of

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Speaker 1: days ago? It wasn't wasn't too far in the rear

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Speaker 1: view mirror. I didn't love it. I like it a lot.

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Speaker 1: There's a lot. Can you can you love a lot

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Speaker 1: about a movie but not love the movie. That's how

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Speaker 1: I feel about the movie. There's there's something about the

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Speaker 1: way it looks that bums me out. It's this like

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Speaker 1: heavily stylized movie thing that I feel like they they

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Speaker 1: they made those scenes in the in the basement during

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Speaker 1: Fight Club look great, and then they made the rest

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Speaker 1: of the movie look like that, and I just it

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Speaker 1: just bummed me out. It just distracted me. I know

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Speaker 1: that's I'm picking knits, but yeah, I don't know. Okay,

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Speaker 1: I saw a list here, Nicole, appreciate it. Let's see

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Speaker 1: what we got here? What else we got? What else

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Speaker 1: we got?

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Speaker 5: All?

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Speaker 1: Right? Top five movies? Just this guy's just got hot

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Speaker 1: Tub time Machine, Rick from Detroit hot Tub time Machine.

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Speaker 1: You know, dude, if you are, if you're the biggest

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Speaker 1: hot Tub time Machine fan in the world and you're

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Speaker 1: going with that as your number one movie, I got

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Speaker 1: to give it to you. Man, go on with your

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Speaker 1: bad self. He also goes on to say, here, this

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00:18:32,400 --> 00:18:34,720
Speaker 1: is a good guy, Rick from Detroit. Have you ever

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00:18:34,760 --> 00:18:37,600
Speaker 1: watched Cobra Kai. Why, yes, I have. That is my

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00:18:37,760 --> 00:18:40,800
Speaker 1: lighthearted watch that is still producing new episodes. And just

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00:18:40,920 --> 00:18:43,320
Speaker 1: rewatch The Kroll Show. I've watched that too. For the

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Speaker 1: early twenty ten sketch comedy Cheese must watch for big

339
00:18:47,880 --> 00:18:50,680
Speaker 1: mouth fans. Yes, I would agree. Listening to a lot

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Speaker 1: of Jeff Beck in Greater Crosby right now, Jud's listening

341
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Speaker 1: to the dead Guys rest in power. I'm sure they are.

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Speaker 1: Thanks for all the amazing work. Just cried at my

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Speaker 1: desk at work while finishing the Dimebag Darryl episode. Rock On,

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Speaker 1: Good guy, Rick, Good guy, Rick, Thanks man, glad you

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Speaker 1: liked that episode. Thanks for the recommendations. I have seen

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Speaker 1: Cobra Kai. I thought it was awesome. I've seen the

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Speaker 1: Kroll Show. I just started watching a little bit of

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Speaker 1: the new Nick Kroll Show that he ate the Monty

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Speaker 1: Python remake that he did the History of the World.

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Speaker 1: I was into it. I watched the first episode. I'll

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Speaker 1: watch more, but we'll get into that in the recommendation section.

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Speaker 1: All right, moving on, let's do some more text here.

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Speaker 1: I gotta hurry up. I gotta bring my kid defencing class.

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Speaker 1: Let's go, let's go. Here we go from the three six'. Five, Hey,

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Speaker 1: jake this Is brandon From, Ontario. Canada, first let me

356
00:19:35,800 --> 00:19:38,520
Speaker 1: say great bloody. Show i've been binging it since it

357
00:19:38,600 --> 00:19:41,760
Speaker 1: came back online from. Exclusivity hard to define a favorite

358
00:19:41,800 --> 00:19:45,080
Speaker 1: since every episode is equally. Brilliant oh thanks. Man even

359
00:19:45,160 --> 00:19:47,480
Speaker 1: IF i don't like or care about a particular, SUBJECT

360
00:19:47,520 --> 00:19:49,920
Speaker 1: i still listen to become just as invested as IF i.

361
00:19:50,040 --> 00:19:52,440
Speaker 1: Do so great. Job wanted to ask if you have

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Speaker 1: any plans to do an episode on the day The Music,

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00:19:54,880 --> 00:19:57,520
Speaker 1: died or if you have already done one AND i

364
00:19:57,680 --> 00:20:01,399
Speaker 1: just missed the. Boat, Well, BRANDON i do have. Plans

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00:20:01,480 --> 00:20:03,040
Speaker 1: this is one of those stories like you, know The

366
00:20:03,119 --> 00:20:04,680
Speaker 1: day The Music died for those of you who don't,

367
00:20:04,680 --> 00:20:08,280
Speaker 1: know is a reference to the day when the plane

368
00:20:08,359 --> 00:20:10,560
Speaker 1: went down that was Carrying Richie, Valence Buddy holly and

369
00:20:10,600 --> 00:20:14,600
Speaker 1: The Big bopper and memorialized in that Song The day

370
00:20:14,720 --> 00:20:18,280
Speaker 1: The Music died By Oh Fuck Don? McLean is?

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Speaker 6: That?

372
00:20:18,680 --> 00:20:22,080
Speaker 1: Yeah, ANYHOW i don't know how to tell this. Story

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00:20:22,080 --> 00:20:24,320
Speaker 1: it's been told so many, times AND i need a

374
00:20:24,400 --> 00:20:26,920
Speaker 1: unique angle into. IT i KNOW i say that a,

375
00:20:26,960 --> 00:20:28,760
Speaker 1: lot but it's the. TRUTH i don't want to just

376
00:20:28,800 --> 00:20:30,879
Speaker 1: be giving you guys the behind the music version of.

377
00:20:30,960 --> 00:20:33,000
Speaker 1: This not that there's anything wrong with. THAT i love

378
00:20:33,080 --> 00:20:35,760
Speaker 1: behind the, music of, course BUT i got my thing to,

379
00:20:35,840 --> 00:20:37,800
Speaker 1: do and oftentimes it just takes a unique point of

380
00:20:37,880 --> 00:20:39,359
Speaker 1: view to figure out how to tell these. Stories AND

381
00:20:39,400 --> 00:20:42,200
Speaker 1: i haven't figured that one out. Yet so from the

382
00:20:42,440 --> 00:20:44,919
Speaker 1: three to one, Six, hey It's. Jen from the three one.

383
00:20:45,000 --> 00:20:47,440
Speaker 1: Six when the weather gets, WARM i start Blasting Jimmy

384
00:20:47,440 --> 00:20:50,560
Speaker 1: buffett out the car, windows specifically boat, drinks but really

385
00:20:50,680 --> 00:20:53,560
Speaker 1: anything off songs you know by. Her, Well, JEN i

386
00:20:53,600 --> 00:20:58,200
Speaker 1: appreciate the. TEXT i have a, deep burning hatred Of Jimmy,

387
00:20:58,240 --> 00:21:01,440
Speaker 1: buffett and it's uh not for any good, reason AND

388
00:21:01,560 --> 00:21:03,600
Speaker 1: i think it's TIME i shed that. HATRED i don't

389
00:21:03,760 --> 00:21:06,240
Speaker 1: like hating things in general in. LIFE i don't even

390
00:21:06,320 --> 00:21:08,040
Speaker 1: like saying the WORD i teach my kids to never

391
00:21:08,119 --> 00:21:12,359
Speaker 1: say that. Word AND i know there's Good Jimmy buffett out.

392
00:21:12,400 --> 00:21:14,520
Speaker 1: THERE i know there. IS i don't know what it, is,

393
00:21:14,640 --> 00:21:17,359
Speaker 1: Though So i'm trying to Approach Jimmy buffett now in

394
00:21:17,440 --> 00:21:19,879
Speaker 1: my sort of middle, age in the same way THAT

395
00:21:19,960 --> 00:21:23,119
Speaker 1: i Approached The Grateful dead and How i'm Approaching Steely

396
00:21:23,280 --> 00:21:25,680
Speaker 1: dan with an open. Mind these are artists THAT i

397
00:21:25,840 --> 00:21:29,159
Speaker 1: hated WHEN i was a. Kid i've crossed over the

398
00:21:29,280 --> 00:21:31,879
Speaker 1: threshold With Steely dan And The Grateful. DEAD i of

399
00:21:31,960 --> 00:21:34,320
Speaker 1: course think both artists are, great AND i am open

400
00:21:34,520 --> 00:21:40,920
Speaker 1: to Receiving Jimmy buffett as my cheeseburger and paradise savior

401
00:21:41,359 --> 00:21:44,760
Speaker 1: in my AS i take on middle age. Here so you,

402
00:21:44,840 --> 00:21:47,800
Speaker 1: know if anyone's got any any Other Jimmy, Buffett i'll

403
00:21:47,840 --> 00:21:50,640
Speaker 1: check Out boat drinks And i'll check off anything from

404
00:21:50,840 --> 00:21:53,760
Speaker 1: songs you know by? Heart, jen thank. You any other

405
00:21:53,800 --> 00:21:56,359
Speaker 1: buffet heads out? There what do you call? Yourselves parrot?

406
00:21:56,359 --> 00:21:58,600
Speaker 1: Heeads hit me, Up let me know where to, start

407
00:21:58,920 --> 00:22:01,800
Speaker 1: particularly somewhere close to the. BEGINNING i would appreciate. That,

408
00:22:02,560 --> 00:22:04,840
Speaker 1: ah right from THE a two, eight this one looks.

409
00:22:04,880 --> 00:22:08,639
Speaker 1: PROMISING i find THAT i agree with You jake on

410
00:22:08,760 --> 00:22:12,600
Speaker 1: about ninety percent of. Everything, oh here it, Comes, here it.

411
00:22:12,640 --> 00:22:15,400
Speaker 1: COMES i was waiting for this and totally. Understand, oh

412
00:22:15,800 --> 00:22:18,520
Speaker 1: totally understand when you say That eminem isn't your bag

413
00:22:18,800 --> 00:22:21,640
Speaker 1: and you can't really honestly say he made great music

414
00:22:21,720 --> 00:22:24,600
Speaker 1: or makes great music, WHATEVER i have no problem with.

415
00:22:24,760 --> 00:22:28,720
Speaker 1: THAT i, do, however have a problem with you saying

416
00:22:29,800 --> 00:22:32,280
Speaker 1: That CARDI b made great. Music now, Again i'm not

417
00:22:32,320 --> 00:22:33,920
Speaker 1: the Biggest eminem fan of the, world BUT i could

418
00:22:33,920 --> 00:22:35,680
Speaker 1: definitely say he made great. Music AND i can a

419
00:22:35,760 --> 00:22:38,280
Speaker 1: one hundred percent definitely say That CARDI b did not

420
00:22:38,520 --> 00:22:41,520
Speaker 1: yike still love you Bro lo from the eight two? Eight,

421
00:22:42,160 --> 00:22:44,520
Speaker 1: Um how DO i address?

422
00:22:44,560 --> 00:22:45,240
Speaker 3: This The CARDI b?

423
00:22:45,400 --> 00:22:48,359
Speaker 1: ONE i hear. You here's the. Thing most of the

424
00:22:48,480 --> 00:22:53,840
Speaker 1: ARTISTS i cover objectively, speaking someone subjectively can think that

425
00:22:54,000 --> 00:22:57,440
Speaker 1: they make great. Music and, this of course is about the.

426
00:22:57,560 --> 00:23:02,520
Speaker 1: Device AND i can often find in any artist some,

427
00:23:03,240 --> 00:23:08,720
Speaker 1: greatness something, positive something truly, great even IF i don't

428
00:23:08,840 --> 00:23:12,920
Speaker 1: like that. Artist and you know what About eminem here

429
00:23:13,000 --> 00:23:16,800
Speaker 1: it IS i was. Wrong the guy's a fucking. Beast

430
00:23:17,320 --> 00:23:20,320
Speaker 1: i'm well aware of. That but on that, day WHEN

431
00:23:20,320 --> 00:23:22,359
Speaker 1: i was sitting there in my dingy studio at the

432
00:23:22,440 --> 00:23:26,080
Speaker 1: time writing that, EPISODE i had zero fucks For. EMINEM

433
00:23:26,160 --> 00:23:26,520
Speaker 1: i don't know.

434
00:23:26,600 --> 00:23:27,480
Speaker 4: WHY i just.

435
00:23:27,600 --> 00:23:30,840
Speaker 1: DIDN'T i didn't grow up Liking. EMINEM i didn't get

436
00:23:30,920 --> 00:23:32,840
Speaker 1: the whole. THING i thought it was, silly the whole

437
00:23:32,960 --> 00:23:34,440
Speaker 1: comic book horror nature of.

438
00:23:34,480 --> 00:23:35,080
Speaker 4: IT i thought it was.

439
00:23:35,160 --> 00:23:38,760
Speaker 1: Stupid but when it comes down to pure skills and

440
00:23:38,880 --> 00:23:42,720
Speaker 1: writing the occasional, banger the guy's a fucking, beast And

441
00:23:42,800 --> 00:23:44,439
Speaker 1: i'm a little bit scared of, him If i'm being,

442
00:23:44,520 --> 00:23:48,040
Speaker 1: Honest but, No i'm. Not but that's just the truth of.

443
00:23:48,080 --> 00:23:50,760
Speaker 1: It and now Out i'm out here on this fucking

444
00:23:50,800 --> 00:23:52,840
Speaker 1: island like the guy who doesn't Like. Eminem when the

445
00:23:52,880 --> 00:23:55,840
Speaker 1: truth of the matter, is SINCE i wrote that, Episode

446
00:23:56,040 --> 00:23:58,840
Speaker 1: i've fucking rocked out hard to Some. Eminem so there it.

447
00:23:58,960 --> 00:24:01,520
Speaker 1: Is there's the. TRUTH i was waiting for This CARDI,

448
00:24:01,600 --> 00:24:05,200
Speaker 1: b you know. What not of, Course i'm not putting

449
00:24:05,200 --> 00:24:08,359
Speaker 1: On CARDI b, records but there's great stuff, there do you.

450
00:24:08,440 --> 00:24:10,440
Speaker 1: Know AND i get the nature of the hot take

451
00:24:10,560 --> 00:24:13,080
Speaker 1: nature of this to comparing the artists back and. FORTH

452
00:24:13,119 --> 00:24:16,600
Speaker 1: i totally get. That but you can't say That CARDI

453
00:24:16,680 --> 00:24:18,680
Speaker 1: b doesn't have any great. Music you just. Can't you

454
00:24:18,760 --> 00:24:22,520
Speaker 1: can't say, that just LIKE i couldn't Say eminem didn't

455
00:24:22,560 --> 00:24:24,200
Speaker 1: you know WHAT i? Mean so in a, way you're

456
00:24:24,240 --> 00:24:27,200
Speaker 1: making your own. POINT i have a confuse the issue

457
00:24:27,400 --> 00:24:29,880
Speaker 1: ENOUGH i don't. Know let's go. AWAY i really gotta

458
00:24:29,920 --> 00:24:34,320
Speaker 1: GET i gotta get rolling. Here let's do another text

459
00:24:34,400 --> 00:24:36,600
Speaker 1: to Brother. JAKE i think it would be really. Cool

460
00:24:36,640 --> 00:24:38,800
Speaker 1: this is from the two oh six if we got

461
00:24:38,880 --> 00:24:41,960
Speaker 1: a blood on The tracks On, tupac think about, it

462
00:24:42,119 --> 00:24:46,160
Speaker 1: deep dive into his life with interviews with cats such

463
00:24:46,320 --> 00:24:49,960
Speaker 1: As SHOCK G Money, Be, Marlon wayne Is, Notorious Big, Puffy,

464
00:24:50,000 --> 00:24:54,560
Speaker 1: Shoke Dre, Snoop Orlando. Anderson. Great that's an awesome, Idea Big.

465
00:24:54,680 --> 00:24:58,840
Speaker 1: TONY i love. That BUT i don't know when blooding

466
00:24:58,880 --> 00:25:00,720
Speaker 1: The tracks is coming, back, Man but maybe there's some

467
00:25:00,960 --> 00:25:03,560
Speaker 1: long Form tupac we can get. Into so many, texts

468
00:25:03,720 --> 00:25:06,000
Speaker 1: not enough. TIME i appreciate. It i'm going to hit

469
00:25:06,080 --> 00:25:09,159
Speaker 1: these up later tonight and just respond in the, actual

470
00:25:09,760 --> 00:25:11,920
Speaker 1: in the actual tech stap to you. Guys thank. You

471
00:25:13,680 --> 00:25:16,800
Speaker 1: let's see get at me six seven, nine there were

472
00:25:16,880 --> 00:25:20,320
Speaker 1: six six six three eight with whatever's on your. Mind

473
00:25:20,400 --> 00:25:23,800
Speaker 1: we're going to take a break and we're, gonna, oh

474
00:25:23,880 --> 00:25:25,080
Speaker 1: you know, WHAT i get to talk about here for

475
00:25:25,160 --> 00:25:27,560
Speaker 1: one second before we break the. DMS i got a

476
00:25:27,680 --> 00:25:30,520
Speaker 1: ton of great dms this week with great content from you.

477
00:25:30,640 --> 00:25:34,239
Speaker 1: Guys too many messages to, properly properly go into right

478
00:25:34,320 --> 00:25:37,480
Speaker 1: now right. HERE i need some time to go through,

479
00:25:37,520 --> 00:25:40,840
Speaker 1: them uh and and let them. Shine i'm going to

480
00:25:40,920 --> 00:25:42,600
Speaker 1: do that this. Week i'm going to come back to

481
00:25:42,720 --> 00:25:44,280
Speaker 1: you next. Week i'm going to talk about. IT a

482
00:25:44,359 --> 00:25:46,320
Speaker 1: little tease of WHAT i got sent to me this.

483
00:25:46,440 --> 00:25:50,120
Speaker 1: Week someone sent this incredible comic book On Iggy pop

484
00:25:50,200 --> 00:25:53,840
Speaker 1: because we re released That Iggy pop. Episode someone else

485
00:25:54,119 --> 00:25:57,960
Speaker 1: got a new Disgrace land Zombie elvis tattoo THAT i

486
00:25:58,040 --> 00:26:00,199
Speaker 1: want to want to talk. About that's. Incredible, well it's,

487
00:26:00,240 --> 00:26:02,399
Speaker 1: incredible that sounds to. Say AND i got a banger

488
00:26:02,480 --> 00:26:04,159
Speaker 1: of a mix from one of our listeners that was

489
00:26:04,200 --> 00:26:06,399
Speaker 1: born out of THE dna Of. Disgraceland we're gonna get

490
00:26:06,400 --> 00:26:09,880
Speaker 1: into all that and more, detail proper detail, detail give

491
00:26:09,960 --> 00:26:13,080
Speaker 1: the proper shine next, week along with more of your

492
00:26:13,160 --> 00:26:16,080
Speaker 1: voicemails and. Texts hit me up at Disgrace, landpod on

493
00:26:16,119 --> 00:26:17,919
Speaker 1: the socials and on the. Horn LIKE i said at

494
00:26:17,960 --> 00:26:20,320
Speaker 1: six one seven nine zero six six six three, eight

495
00:26:20,359 --> 00:26:38,040
Speaker 1: all right back with your recommendations right after. This, alrighty

496
00:26:38,119 --> 00:26:41,040
Speaker 1: it's the recommendations. Part the recommendations part is the part

497
00:26:41,080 --> 00:26:44,360
Speaker 1: where we do the. Recommendations this is the recommendations. Part

498
00:26:44,480 --> 00:26:46,840
Speaker 1: maybe this is. It maybe the recommendations part isn't a,

499
00:26:46,920 --> 00:26:50,080
Speaker 1: jingle but maybe it's a. Dance do the recommendations? Part, yeah,

500
00:26:50,280 --> 00:26:53,200
Speaker 1: NO i don't. Know this week it is all About.

501
00:26:53,560 --> 00:26:57,040
Speaker 1: Succession i've watched all the episodes and guess, What i'm

502
00:26:57,080 --> 00:26:59,840
Speaker 1: watching them again in anticipation of watching the season four,

503
00:27:00,119 --> 00:27:02,600
Speaker 1: Mirror part one and then probably part two by the

504
00:27:02,640 --> 00:27:05,400
Speaker 1: TIME i finished doing the whole re. Listen part one

505
00:27:05,520 --> 00:27:07,480
Speaker 1: hit this past. Weekend part two is coming up this.

506
00:27:07,600 --> 00:27:08,159
Speaker 3: Weekend you know?

507
00:27:08,280 --> 00:27:11,400
Speaker 1: Why you know Why i'm Rewatching succession because you can't

508
00:27:11,440 --> 00:27:14,000
Speaker 1: make a tomlet without breaking some. Grags and is there

509
00:27:14,119 --> 00:27:17,440
Speaker 1: a better show ON tv Than succession right? NOW i don't? Know?

510
00:27:17,680 --> 00:27:22,360
Speaker 1: Yellowstone maybe maybe what's better this Goes yellowstone Or. Succession

511
00:27:22,600 --> 00:27:24,480
Speaker 1: hit me at disgrace slamdpod and let me know or

512
00:27:24,520 --> 00:27:27,640
Speaker 1: call me six one seven nine zero six six' six

513
00:27:27,960 --> 00:27:30,720
Speaker 1: three eight six one seven nine zero six six SIX.

514
00:27:31,040 --> 00:27:34,760
Speaker 1: Three a so That's what. I'M watching i, also WATCHED

515
00:27:34,800 --> 00:27:37,680
Speaker 1: like i mentioned At The top there Up Above. FIGHT

516
00:27:37,760 --> 00:27:40,920
Speaker 1: club i Also Watched Top gun maverick for the, third

517
00:27:41,040 --> 00:27:42,960
Speaker 1: time and there's A reason i've watched it for a,

518
00:27:43,080 --> 00:27:45,320
Speaker 1: third time and the reason is that this movie is.

519
00:27:45,560 --> 00:27:48,640
Speaker 1: Fucking awesome my wife watched it with me. This time

520
00:27:48,720 --> 00:27:51,639
Speaker 1: she was way, into it but, all, like well what

521
00:27:51,760 --> 00:27:54,159
Speaker 1: about the whole, scientology thing TO which i, was, like

522
00:27:54,240 --> 00:27:56,560
Speaker 1: well you can't argue with. The Results tom cruise is a,

523
00:27:56,640 --> 00:27:59,320
Speaker 1: fucking beast beast of, an actor beast of. A filmmaker

524
00:28:00,359 --> 00:28:02,119
Speaker 1: not that we needed any further proof, of that but

525
00:28:02,320 --> 00:28:06,720
Speaker 1: this movie. SEALS it i, am, reading well not really

526
00:28:06,880 --> 00:28:08,520
Speaker 1: reading it NOW because i wat most of IT when

527
00:28:08,560 --> 00:28:10,640
Speaker 1: i was researching The lou. Read episodes but The Lou

528
00:28:10,720 --> 00:28:13,760
Speaker 1: read Book of Lyrics Called I'll Be. Your mirror this

529
00:28:13,920 --> 00:28:18,040
Speaker 1: book is great news words on the page they are a.

530
00:28:18,160 --> 00:28:20,320
Speaker 1: Different animals SEE what i. Did there this book. Is

531
00:28:20,520 --> 00:28:23,160
Speaker 1: awesome it's just awesome to have lying around to flip

532
00:28:23,200 --> 00:28:25,359
Speaker 1: through every now and then and make a great gift

533
00:28:25,520 --> 00:28:27,879
Speaker 1: for The lou read fan in. Your Life I'll Be.

534
00:28:28,000 --> 00:28:31,280
Speaker 1: Your mirror The Lou read Book. Of lyrics some great

535
00:28:31,359 --> 00:28:34,200
Speaker 1: insight in there from People Like martin scorsese and others.

536
00:28:34,200 --> 00:28:36,880
Speaker 1: As well. All Right what i'm, listening, to Well Besides

537
00:28:37,320 --> 00:28:41,520
Speaker 1: lou Reid And breaking points And the honesty PODCAST that i, mentioned,

538
00:28:41,560 --> 00:28:45,280
Speaker 1: Before honestly i'm listening to a playlist of original music

539
00:28:45,360 --> 00:28:48,760
Speaker 1: Created for disgraceland and our, Spinoff podcast blood On the

540
00:28:48,840 --> 00:28:50,440
Speaker 1: tracks and trying to figure out what to do.

541
00:28:50,520 --> 00:28:51,000
Speaker 4: With it this.

542
00:28:51,160 --> 00:28:54,720
Speaker 1: MUSIC'S great i love what we've. Done here It's like

543
00:28:55,080 --> 00:28:57,320
Speaker 1: newswords living on the page outside of the songs they were.

544
00:28:57,320 --> 00:28:58,960
Speaker 1: Written for i'm trying to determine what to do with

545
00:28:59,000 --> 00:29:00,800
Speaker 1: the music that was written for. THESE podcast i, don't

546
00:29:00,800 --> 00:29:03,400
Speaker 1: Know but i'll figure, it out, all right. Don't worry

547
00:29:03,800 --> 00:29:26,880
Speaker 1: i'm back in. A flash, all, RIGHT guys i got

548
00:29:26,920 --> 00:29:28,760
Speaker 1: three MINUTES before i get to take off take my,

549
00:29:28,880 --> 00:29:31,640
Speaker 1: Kid defensing so let's do the. Recap Thing Lou read

550
00:29:31,760 --> 00:29:34,800
Speaker 1: episodes one and two are available in your. Feed now,

551
00:29:35,280 --> 00:29:38,320
Speaker 1: number Two the vicious true Crime story Evolving, b york

552
00:29:38,440 --> 00:29:40,840
Speaker 1: is available on your, YouTube page so go check that

553
00:29:40,920 --> 00:29:41,640
Speaker 1: out and be sure.

554
00:29:41,760 --> 00:29:41,800
Speaker 5: To.

555
00:29:42,120 --> 00:29:46,960
Speaker 1: Subscribe three succession is the best show on television or?

556
00:29:47,080 --> 00:29:47,560
Speaker 5: IS it i.

557
00:29:47,600 --> 00:29:48,680
Speaker 1: Don't know hit, me up let.

558
00:29:48,720 --> 00:29:48,920
Speaker 6: Me know.

559
00:29:49,240 --> 00:29:51,400
Speaker 1: Number four my moment is en is just around. The

560
00:29:51,480 --> 00:29:55,160
Speaker 1: corner and here it is me reading the phone book

561
00:29:55,280 --> 00:29:58,160
Speaker 1: in honor Of lou Reid from manhattan In the Year

562
00:29:58,240 --> 00:30:04,240
Speaker 1: Of our lord nineteen sixty and away we Go The,

563
00:30:04,360 --> 00:30:09,360
Speaker 1: african Room exciting native chants and dances seven eighty Third

564
00:30:09,520 --> 00:30:14,840
Speaker 1: ave plaza five dash two seven four Seven Are Le's,

565
00:30:14,960 --> 00:30:19,040
Speaker 1: New Romanian new york's only. Kosher Nightclub restaurant Member Of

566
00:30:19,120 --> 00:30:22,720
Speaker 1: credit clubs one six TWO dash O Five Horace, Harding

567
00:30:22,760 --> 00:30:27,440
Speaker 1: boulevard FLUSHING h i five dash four four four Four

568
00:30:28,120 --> 00:30:32,680
Speaker 1: back Room Featuring Janis Mars intimate atmosphere one three six

569
00:30:32,800 --> 00:30:36,160
Speaker 1: two six to AVE c i seven dash nine one

570
00:30:36,400 --> 00:30:41,000
Speaker 1: Zero Seven Basin street east one Thirty seven east FORTY

571
00:30:41,080 --> 00:30:45,520
Speaker 1: eights el five dash four three Three Zero Sey Sevon.

572
00:30:45,720 --> 00:30:50,920
Speaker 1: Restaurant Incorporated american express credit. Cards honored Cocktails and entertainments nine,

573
00:30:51,040 --> 00:30:55,640
Speaker 1: thirty PM four am FIVE six e five five pl

574
00:30:55,920 --> 00:31:00,680
Speaker 1: one dash two four nine Zero Conne headge open, six

575
00:31:00,800 --> 00:31:06,080
Speaker 1: PM Excellently topsi dixieland credit. Cards honored quit talking and.

576
00:31:06,360 --> 00:31:07,880
Speaker 3: Start mixing could