1 00:00:00,080 --> 00:00:03,279 Speaker 1: The nephew is here with today's prank. Phone call, nephew, 2 00:00:03,279 --> 00:00:04,680 Speaker 1: what do you have for us today? 3 00:00:05,000 --> 00:00:05,600 Speaker 2: You know, you. 4 00:00:05,559 --> 00:00:09,400 Speaker 3: Don't know if you don't ask, you know what I mean, 5 00:00:11,760 --> 00:00:15,920 Speaker 3: things just Dana, God, you have to ask them, you know. 6 00:00:16,000 --> 00:00:17,759 Speaker 3: Sometimes you have to take that step. And a lot 7 00:00:17,800 --> 00:00:20,360 Speaker 3: of people just so afraid to take that step, afraid 8 00:00:20,400 --> 00:00:23,440 Speaker 3: to ask the hard questions. And sometimes, you know, in 9 00:00:23,520 --> 00:00:26,720 Speaker 3: order to get results, you got to ask the tough questions. 10 00:00:26,960 --> 00:00:29,720 Speaker 3: And the question is the title of the prank is 11 00:00:29,960 --> 00:00:33,159 Speaker 3: can I paint your wife naked? 12 00:00:34,240 --> 00:00:35,040 Speaker 4: That's the question. 13 00:00:35,320 --> 00:00:38,960 Speaker 1: There's something wrong with everything you just said. 14 00:00:39,120 --> 00:00:43,680 Speaker 3: Okay, can I paint your wife naked? That's all I'm asking. 15 00:00:45,400 --> 00:00:48,440 Speaker 1: You know what this is? Is this a short prank? 16 00:00:48,479 --> 00:00:53,280 Speaker 1: Because the answer is no. There was a Ready to 17 00:00:53,360 --> 00:00:56,920 Speaker 1: Love episode kind of like this. They were painting naked. 18 00:00:57,080 --> 00:01:00,880 Speaker 1: I mean, I mean this woman was full frontal naked. 19 00:01:01,000 --> 00:01:01,600 Speaker 1: You had to blur. 20 00:01:03,400 --> 00:01:05,280 Speaker 3: It wasn't full in front of she was she was 21 00:01:05,319 --> 00:01:06,240 Speaker 3: back with nicked too. 22 00:01:07,440 --> 00:01:08,400 Speaker 4: But that's we saw. 23 00:01:08,680 --> 00:01:13,280 Speaker 3: Yeah, there's no other way to be naked cheerly. There's 24 00:01:13,280 --> 00:01:16,720 Speaker 3: nothing going I mean, yeah, just full frontal. It's all. 25 00:01:16,840 --> 00:01:19,280 Speaker 3: It's everything side back, upside down. 26 00:01:19,319 --> 00:01:23,520 Speaker 1: You're naked something. Yeah, when did you become so comfortable 27 00:01:23,560 --> 00:01:27,200 Speaker 1: with being naked? Because you've always been we've known him. 28 00:01:27,959 --> 00:01:30,920 Speaker 3: That's y'all problem. I walk out in my backyard naked 29 00:01:31,000 --> 00:01:44,360 Speaker 3: all the time. Where come from, y'all, y'all gotta get 30 00:01:44,360 --> 00:01:46,480 Speaker 3: more comfortable with that. That's my neighbors. What this is 31 00:01:46,520 --> 00:01:48,280 Speaker 3: my property? 32 00:01:49,000 --> 00:01:49,040 Speaker 2: This? 33 00:01:49,320 --> 00:01:51,680 Speaker 3: This is my two acres. I'm walking around my two acres. 34 00:01:51,720 --> 00:01:54,200 Speaker 3: All right, let's go, cat dog? Can I paint your wife? Niked? 35 00:01:55,360 --> 00:01:55,640 Speaker 4: Hello? 36 00:01:56,160 --> 00:02:01,559 Speaker 2: Hello, I wish to speak with a mister please, Hello, sir, 37 00:02:02,360 --> 00:02:06,760 Speaker 2: my name is Sebastian. I am with the Art Institute 38 00:02:07,200 --> 00:02:10,440 Speaker 2: and I wanted to give you a call about I 39 00:02:10,480 --> 00:02:12,919 Speaker 2: have a huge showing coming up where I am going 40 00:02:12,919 --> 00:02:17,079 Speaker 2: to be displaying my portfolio and all of my drawings 41 00:02:17,080 --> 00:02:19,120 Speaker 2: within it. But I have one drawing that I am 42 00:02:19,120 --> 00:02:23,079 Speaker 2: looking to display that I have not put on canvas yet, 43 00:02:23,240 --> 00:02:26,679 Speaker 2: and I'm looking to take something of essence to put 44 00:02:26,720 --> 00:02:29,560 Speaker 2: on canvas, and I wanted to call you about getting permissioned. 45 00:02:29,880 --> 00:02:32,000 Speaker 4: Well wait, hold on, dog, this to stop me right now. 46 00:02:32,120 --> 00:02:32,760 Speaker 4: I don't do that. 47 00:02:33,000 --> 00:02:34,040 Speaker 2: I am not a model. 48 00:02:34,240 --> 00:02:37,360 Speaker 4: That's not my profession. So you would not waste your 49 00:02:37,360 --> 00:02:38,480 Speaker 4: time no more, you know what I'm saying. 50 00:02:38,760 --> 00:02:43,600 Speaker 2: No, mister, I don't think you understand that my showing 51 00:02:43,680 --> 00:02:46,840 Speaker 2: is going to have some very important people there. I am, 52 00:02:46,919 --> 00:02:49,399 Speaker 2: like I said before, with Art Institute. 53 00:02:49,600 --> 00:02:52,160 Speaker 4: Okay, yeah, but I said I don't do that. 54 00:02:52,160 --> 00:02:52,680 Speaker 2: That's not me. 55 00:02:53,120 --> 00:02:56,080 Speaker 4: I mean, I know what was you just calling folks up? 56 00:02:56,200 --> 00:02:58,920 Speaker 4: You a solicitors on I mean y'all just randomly picking 57 00:02:58,919 --> 00:03:01,239 Speaker 4: out folks in China to get them the model look. 58 00:03:02,440 --> 00:03:05,880 Speaker 2: Sir, mister, No, I'm not just randomly calling people. I 59 00:03:06,440 --> 00:03:08,720 Speaker 2: actually have done research in order to get your number. 60 00:03:09,040 --> 00:03:12,959 Speaker 2: What I'm doing is I'm not calling you as far 61 00:03:13,360 --> 00:03:16,080 Speaker 2: being a model that I'm going to portray on canvas, 62 00:03:16,240 --> 00:03:20,400 Speaker 2: but you have something far more greater visually that I 63 00:03:20,440 --> 00:03:24,600 Speaker 2: would like to hold on canvas. Now you're married to 64 00:03:25,560 --> 00:03:27,440 Speaker 2: your wife? Is am? I correct? 65 00:03:27,800 --> 00:03:28,400 Speaker 4: The whole world? 66 00:03:28,400 --> 00:03:29,079 Speaker 2: World War Dog? 67 00:03:29,919 --> 00:03:31,720 Speaker 4: No? For who is this sious? 68 00:03:32,440 --> 00:03:33,280 Speaker 2: I can get my number? 69 00:03:33,639 --> 00:03:35,360 Speaker 4: No, I can get my number because you're talking about 70 00:03:35,480 --> 00:03:37,800 Speaker 4: my wife and stuff with me and my wife. 71 00:03:38,040 --> 00:03:42,640 Speaker 2: My name is Sebastian. I am with Art Institute. What 72 00:03:42,680 --> 00:03:45,800 Speaker 2: I'm trying to do with capture and mortalize the beauty 73 00:03:45,840 --> 00:03:47,720 Speaker 2: of accience on Canda lis. 74 00:03:47,520 --> 00:03:50,520 Speaker 4: Okay yo for real, though, you just can't. You don't 75 00:03:50,560 --> 00:03:51,800 Speaker 4: talk about my wife, all right. 76 00:03:51,960 --> 00:03:56,360 Speaker 2: So I'm not I'm not calling in a negative manner 77 00:03:56,440 --> 00:03:59,720 Speaker 2: towards your wife. I want to I want to modelize 78 00:03:59,760 --> 00:04:04,280 Speaker 2: her and capture her on canvas, the beauty that she beholds. 79 00:04:04,440 --> 00:04:07,880 Speaker 2: I've seen your wife several times. You guys, resign, whoa, whoa? 80 00:04:08,040 --> 00:04:10,240 Speaker 4: Whoa? Do you see my wife? Wait? What do you 81 00:04:10,240 --> 00:04:10,840 Speaker 4: see my wife? 82 00:04:10,840 --> 00:04:10,880 Speaker 3: That? 83 00:04:11,000 --> 00:04:11,160 Speaker 2: What? 84 00:04:11,200 --> 00:04:12,000 Speaker 4: Why you? Why you? 85 00:04:12,160 --> 00:04:14,720 Speaker 2: Why are you watching my wife? I've seen her. She 86 00:04:14,720 --> 00:04:16,600 Speaker 2: she shops on one hundred and twenty fifth Street in 87 00:04:16,640 --> 00:04:19,120 Speaker 2: hallm I've seen her so many times there, and she 88 00:04:19,279 --> 00:04:21,640 Speaker 2: holds all the beauty that an artist would like to 89 00:04:21,640 --> 00:04:24,400 Speaker 2: put on kanvas. Like I said before, I have a 90 00:04:24,480 --> 00:04:26,960 Speaker 2: huge showing in May. You're welcome to come out as well. 91 00:04:27,440 --> 00:04:29,479 Speaker 2: There's going to be so many important people there. But 92 00:04:29,520 --> 00:04:32,320 Speaker 2: I want to call and get permission from you about 93 00:04:32,360 --> 00:04:35,279 Speaker 2: painting your wife. No, you ain't got that permission. 94 00:04:35,279 --> 00:04:37,400 Speaker 4: Play well, you just can't. You just can't go around 95 00:04:37,960 --> 00:04:40,960 Speaker 4: following my wife and trying to motalize her. 96 00:04:41,040 --> 00:04:42,039 Speaker 2: Whatever is there? 97 00:04:42,040 --> 00:04:42,320 Speaker 3: All right? 98 00:04:42,360 --> 00:04:45,280 Speaker 2: So so, but I would like to let you know 99 00:04:45,400 --> 00:04:49,720 Speaker 2: I have taken the liberty myself. I have painted your 100 00:04:49,760 --> 00:04:51,280 Speaker 2: wife's head and what. 101 00:04:52,320 --> 00:04:54,719 Speaker 4: Joe, you have lost your damn mind. You can't be 102 00:04:54,800 --> 00:04:57,920 Speaker 4: just walking around here painting folks headed. You gotta get 103 00:04:57,920 --> 00:05:00,200 Speaker 4: permission for that. What's wrong with you? 104 00:05:00,200 --> 00:05:03,520 Speaker 2: You are crazy? You don't understand your wife holds the 105 00:05:03,720 --> 00:05:05,280 Speaker 2: essence that every artist. 106 00:05:05,120 --> 00:05:05,400 Speaker 4: Wants to do. 107 00:05:05,520 --> 00:05:07,080 Speaker 2: I don't care what she holds. 108 00:05:07,080 --> 00:05:10,080 Speaker 4: You can't be going around peinting folks heads. 109 00:05:10,080 --> 00:05:13,000 Speaker 2: Wrong with you? Sure, that's the reason why I'm calling 110 00:05:13,080 --> 00:05:16,480 Speaker 2: trying to get permission from you all. Sebastian want to 111 00:05:16,480 --> 00:05:19,480 Speaker 2: put your wife on canvas because she holds the essence 112 00:05:19,480 --> 00:05:22,880 Speaker 2: that every artist wants to behold. She mortalized the beauty 113 00:05:22,960 --> 00:05:23,760 Speaker 2: of canast Oh. 114 00:05:24,160 --> 00:05:26,160 Speaker 4: Hold of the hold of the hold of God. You're 115 00:05:26,160 --> 00:05:30,160 Speaker 4: telling me you walking around column painting my wife's head? 116 00:05:30,480 --> 00:05:34,679 Speaker 4: What is that? What are you doing, dude? 117 00:05:35,000 --> 00:05:40,240 Speaker 2: I'm only trying to complete myorfolio. All, No, your portfolio here? 118 00:05:40,400 --> 00:05:43,120 Speaker 4: Listen it is If I see my wife's head anywhere, 119 00:05:43,120 --> 00:05:45,080 Speaker 4: I don't care New Player Magazine, I don't care where 120 00:05:45,120 --> 00:05:47,840 Speaker 4: you deal. Boy Webb Yo, I'm gonna find your I'm 121 00:05:47,839 --> 00:05:49,920 Speaker 4: gonna whoop your Do you understand what I'm saying you? 122 00:05:50,240 --> 00:05:52,240 Speaker 4: I'm gonna sume you understand that. 123 00:05:52,640 --> 00:05:55,320 Speaker 2: Sure, I don't want to have a duel with you, sir. 124 00:05:55,480 --> 00:06:00,000 Speaker 4: Adde is a duel? 125 00:06:00,320 --> 00:06:01,320 Speaker 2: What they do? 126 00:06:01,600 --> 00:06:05,599 Speaker 4: In fact? What name is a bastion? Who come name is? 127 00:06:05,640 --> 00:06:07,159 Speaker 4: That's a fashion? Sure? 128 00:06:07,640 --> 00:06:09,960 Speaker 2: All I want to do is paint your wife in 129 00:06:10,120 --> 00:06:13,360 Speaker 2: horahest and purest form. That's all. 130 00:06:13,440 --> 00:06:16,760 Speaker 4: There's law and purest for me. What what the do 131 00:06:16,920 --> 00:06:17,839 Speaker 4: you want? Seriously? 132 00:06:18,160 --> 00:06:22,159 Speaker 2: I want to paint your wife. I want to paint 133 00:06:22,200 --> 00:06:23,719 Speaker 2: her in the nude? 134 00:06:24,480 --> 00:06:28,200 Speaker 4: On you watch your mind? Nothing not enough? 135 00:06:29,320 --> 00:06:30,159 Speaker 2: That's what you should do. 136 00:06:30,360 --> 00:06:32,200 Speaker 4: Tell me where you at you want to paint something, 137 00:06:32,320 --> 00:06:34,800 Speaker 4: I'll give you something to pay. Tell me where you 138 00:06:34,839 --> 00:06:38,760 Speaker 4: act on twenty fifth? Read me what twenty fifth? That's 139 00:06:38,800 --> 00:06:42,719 Speaker 4: what's up? I want to whoop your read me, read me, 140 00:06:42,920 --> 00:06:46,800 Speaker 4: paint me, paint me? You want your mind talking about? 141 00:06:46,800 --> 00:06:49,000 Speaker 4: You wanna paint my wife and the nude? It's gonna 142 00:06:49,040 --> 00:06:50,600 Speaker 4: take them brush you to stick them off. 143 00:06:50,680 --> 00:06:54,880 Speaker 2: Your mister, she holds the essence that every person should. 144 00:06:54,920 --> 00:06:57,600 Speaker 4: I'll give up what she holds as I don't give 145 00:06:57,640 --> 00:07:01,000 Speaker 4: a watch your mid for accuris like that. 146 00:07:01,240 --> 00:07:03,640 Speaker 2: Sure, I must ask you. Do you think that you 147 00:07:03,680 --> 00:07:06,400 Speaker 2: are the only person that has seen your wife in 148 00:07:06,440 --> 00:07:08,880 Speaker 2: the news. Sure, that's been men before you that have 149 00:07:08,960 --> 00:07:09,720 Speaker 2: seen her in the. 150 00:07:09,800 --> 00:07:13,120 Speaker 4: Next day for you and my wife ain't no more 151 00:07:13,200 --> 00:07:15,560 Speaker 4: you call my wife? Is that what you're saying? Are 152 00:07:15,600 --> 00:07:16,480 Speaker 4: you calling my wife? 153 00:07:17,680 --> 00:07:20,000 Speaker 2: You? I want to paint your wife and the beauty 154 00:07:20,040 --> 00:07:21,800 Speaker 2: that she bought in uncanvas. 155 00:07:22,640 --> 00:07:26,680 Speaker 4: Did you not understand? I just said, you know, I 156 00:07:26,800 --> 00:07:29,800 Speaker 4: told you me me on the corner of one twenty 157 00:07:29,920 --> 00:07:33,600 Speaker 4: fifth and claim Powell. I got one more thing. I 158 00:07:33,640 --> 00:07:39,120 Speaker 4: just want to say, nephew, tell me from the Steve 159 00:07:39,400 --> 00:07:43,320 Speaker 4: harm In Morning Show. You just god paint by your boy? 160 00:07:45,480 --> 00:07:47,800 Speaker 4: What what this is? 161 00:07:48,000 --> 00:07:50,720 Speaker 2: This is nephew. There's a nephew till before the Steve 162 00:07:50,800 --> 00:07:51,680 Speaker 2: Harmy Morning Show. 163 00:07:52,360 --> 00:07:57,840 Speaker 4: No. Oh oh man, yo man. 164 00:07:57,960 --> 00:07:58,760 Speaker 2: Yo, man. 165 00:07:59,560 --> 00:08:02,960 Speaker 4: Fuck. I was moving Francist here, dude. 166 00:08:04,520 --> 00:08:07,400 Speaker 2: I mean you've got me dog oh man? Yeah God 167 00:08:07,640 --> 00:08:09,800 Speaker 2: it was Sebastian. 168 00:08:09,960 --> 00:08:15,080 Speaker 4: Yeah, dude, you get some bash. I was about to 169 00:08:15,440 --> 00:08:21,040 Speaker 4: ya and Sebastians. I was the paint brushes and were 170 00:08:21,080 --> 00:08:22,880 Speaker 4: about to paint at them with your. 171 00:08:24,960 --> 00:08:28,200 Speaker 2: He told me, man, he said, man, he he loved 172 00:08:28,360 --> 00:08:33,440 Speaker 2: his wife. I said, let me say this right now, 173 00:08:35,120 --> 00:08:39,760 Speaker 2: loves you. Let me get one more pay from you. 174 00:08:39,880 --> 00:08:40,080 Speaker 3: Man. 175 00:08:40,160 --> 00:08:44,439 Speaker 2: What is the baddest I'm talking about the baddest radio show. 176 00:08:44,640 --> 00:08:45,480 Speaker 2: In Blane. 177 00:08:45,920 --> 00:08:46,160 Speaker 3: Yeah. 178 00:08:46,280 --> 00:08:48,520 Speaker 4: Man, it's Steve Hobby in the Morning Show. 179 00:08:48,600 --> 00:08:56,600 Speaker 3: Baby, I hope you enjoyed it. 180 00:08:55,720 --> 00:08:59,680 Speaker 1: You're listening Harvey Morning Show.