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Speaker 1: Hey guys, this is Donald Fazon and Zach Braff. So

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Speaker 1: this podcast we recorded it the same day after everyone

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Speaker 1: found out George Floyd getting murdered. First of all, I

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Speaker 1: do not necessarily know what to say to everyone out there. Truthfully,

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Speaker 1: I wish everything and everyone could be happy right now,

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Speaker 1: but that's definitely not what's going on in the world.

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Speaker 1: For me. This is a time where I feel like

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Speaker 1: I don't know. I wish that I could sit here

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Speaker 1: and say we're making progress, but we want to make

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Speaker 1: you laugh here. I will say this, I am very,

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Speaker 1: very supportive of the people out there fighting the good

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Speaker 1: fight that are protesting right now, and I stand with you.

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Speaker 1: We also wanted to let you know that the next

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Speaker 1: few podcasts were recorded before all of this has reached

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Speaker 1: such a fever pitch, and we didn't want you to

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Speaker 1: think for a second that we were being callous about

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Speaker 1: that and not dialed into what's happening. So we just

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Speaker 1: wanted to let you know the next few podcasts were

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Speaker 1: recorded prior to things being as they are currently. That

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Speaker 1: being said, I hope we can distract you from the

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Speaker 1: madness that's going on right now for a just an

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Speaker 1: hour and a half for just an hour and a half.

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Speaker 1: Sit back and enjoy this with us. Here we go. So, Donald,

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Speaker 1: you're five six minutes late. Well, well you know this

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Speaker 1: is how how we do and how do it? Five

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Speaker 1: minutes late? My wife hot boxed me. She took a

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Speaker 1: shower right before the podcast, and the shower is connected

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Speaker 1: to the closet, like got the shower itself, but the

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Speaker 1: bathrooms connected to the closet, right So it's like two

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Speaker 1: hundred degrees in here right now. Well, you're wearing an

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Speaker 1: Amazon shirt. It feels like, well I had this one

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Speaker 1: for the view today, man, which it looked great on

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Speaker 1: the view. We were on the View today, Donald's look

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Speaker 1: very handsome, and thank you very much. You changed your shirt?

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Speaker 1: I did. I put on a night I didn't. I

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Speaker 1: wanted to look good for for for the ladies, and

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Speaker 1: I put on a nice Did you look very nice? Anyway?

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Speaker 1: My wife hotbo to me. So it's like it's like

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Speaker 1: the Amazon jungle up in here right now, man, okay,

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Speaker 1: And I wanted to shang a tank too. Why don't

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Speaker 1: you switch to a tank top? We could watch it

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Speaker 1: happen live. Listen. Man, she's mad about something right now.

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Speaker 1: I don't know I did wrong. I don't know, man,

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Speaker 1: I don't know what. Sometimes you don't ever, you never know.

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Speaker 1: Sometimes she's just mad, she's just mad. I don't know.

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Speaker 1: I bet if you brainstorms, you could figure out what

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Speaker 1: you may have done. And this moment right now, I

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Speaker 1: can't figure it out. In other moments, I've been able

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Speaker 1: to put it all together and be like, oh, that

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Speaker 1: was I bet it's because of this. That's the worst.

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Speaker 1: When you can't figure it out, You're like, what do

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Speaker 1: I do? Dude, I have no idea. I've been good

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Speaker 1: to the kids, I fed them, I've done all of

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Speaker 1: that stuff. I just don't know. Well, listen, I think

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Speaker 1: we were really good on the view. It was hard

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Speaker 1: because there was a big delay yes and um and

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Speaker 1: more so than normal zoom. It was like a few

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Speaker 1: a second or two delays. So it's always tricky to

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Speaker 1: be funny when when you're stepping all over each other. Well,

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Speaker 1: I will say this. My mother, who does not listen

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Speaker 1: to our podcast, watched the view. She watched she said

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Speaker 1: we are great together. She was like, I'm gonna tell

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Speaker 1: you something. She was like, you and Zach interview so

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Speaker 1: well together. It's ridiculous. Oh, that's nice. Oh man, listen,

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Speaker 1: we want to cheer you up. If you're frustrated with

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Speaker 1: the universe and you're frustrated like Donald is, we're here

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Speaker 1: to entertain you. We're here to take your mind off things.

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Speaker 1: You might be on a hike, you might be walking

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Speaker 1: your dog, you might be breastfeeding, you might be doing

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Speaker 1: the dishes, you might be tugging one out. We are

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Speaker 1: here to make you laugh. Donald. If you're I'm gonna say,

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Speaker 1: I'm gonna say one, can I just say one thing before? Yes,

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Speaker 1: say one thing? If you're tugging one out while listening

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Speaker 1: to us, Yes, thank you. We would like you to finish.

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Speaker 1: As as Donald counts down about show we made about

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Speaker 1: a bunch of dots and nurses and stories. Never so

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Speaker 1: get around here yet around here. I'm not sure if

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Speaker 1: the good people at I Heeart are going to approve that.

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Speaker 1: But they don't give a shit about that. They're not

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Speaker 1: even listening. They're not even listening. They don't care anymore,

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Speaker 1: you know, Like when we first signed with iHeart, they

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Speaker 1: were like, you know, you know, you guys can just

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Speaker 1: do whatever you want and we'll give you notes and

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Speaker 1: thoughts and take them leave them we haven't heard anything

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Speaker 1: from them. I think we're doing well enough that they

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Speaker 1: just let us do our thing. I love the people

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Speaker 1: over at iHeart. Let I just put it out there.

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Speaker 1: Let's just put it out there now wherever you're listening

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Speaker 1: to your podcast right now. Yeah, I heart has been

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Speaker 1: so awesome to us. Yes, and Will. We got to

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Speaker 1: give shout out to Will Pearson, who's the guy who

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Speaker 1: we first met, and he's really come through with all

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Speaker 1: his He pretty much said, you guys can do whatever

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Speaker 1: you want, and he's he's let us do our thing. Yeah. Well,

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Speaker 1: you know, he didn't promise a lot of at the

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Speaker 1: first meeting we had with him, but he was definitely like,

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Speaker 1: this is a no brainer, guys, And well it is.

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Speaker 1: I mean, look at this comic gold here. Plus we

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Speaker 1: got we met, we met Dan and Joel. Yeah, I

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Speaker 1: know it's serendipitous if you really want to look at it.

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Speaker 1: So I want to thank Joel, I want to thank Dan,

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Speaker 1: I want to thank Will. I want to thank all

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Speaker 1: of you out there listening right now. Thank you so

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Speaker 1: much so far. We're so grateful. We're so grateful for you.

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Speaker 1: Neither one. DIALD and I always talk about how we

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Speaker 1: never thought this would be this much fun. We thought, uh,

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Speaker 1: you know, we thought, Okay, that'll be something to do,

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Speaker 1: that'll be a little fun side project. But we are

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Speaker 1: having so much fun, and we we we know that

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Speaker 1: you are. We see that you're that you're listening, and

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Speaker 1: please tell your friends. We want to now we're now,

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Speaker 1: we're invested. Now we're like, let's fucking go for it.

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Speaker 1: We hope, we hope one day when the world opens up,

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Speaker 1: that we can tour the show. We'd love to. We

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Speaker 1: know that some podcasts come to cities all over the

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Speaker 1: world and do it live. We'll do it live and

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Speaker 1: Donald Live live. Donald and I would love to do that.

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Speaker 1: We'd love to come to your city and we'll show

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Speaker 1: the episode first and then we'll come out and we'll

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Speaker 1: do this exact show with Q and a's and audience participation.

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Speaker 1: We'll bring Dan and Joel. Of course, maybe we'll have

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Speaker 1: a tour bus. Donald. We'll get to finally live that

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Speaker 1: tour bus life we've always dreamed about. I would love

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Speaker 1: to have a tour with Joel and Dan on the bus. Well,

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Speaker 1: they get to come inside from the bus, but no,

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Speaker 1: I want them to. You know how your band always

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Speaker 1: travels in the bus. We'd be a four person band.

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Speaker 1: Oh god person band. I come with a couple of

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Speaker 1: groupies though I got a couple. Now, you're not rolling

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Speaker 1: with your kids and your wife. I can't tour with

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Speaker 1: my wife and kids after all of this, No you can,

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Speaker 1: but they're in a separate bus. If you're gonna stop

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Speaker 1: bringing a family with Joel and Dan and I are

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Speaker 1: going to be partying in the party bus and you

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Speaker 1: and your family can be in the family bus. I'm

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Speaker 1: going to be on the party bus. I want to

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Speaker 1: shout out I'm exciting, just to remind them of Donald

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Speaker 1: mentioned this. But we have coming up Krista Miller. We

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Speaker 1: have Sarah Chalk coming back on the show. We have

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Speaker 1: Scott Foley coming on the show. Yeah, we're hoping to

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Speaker 1: get Neil Flynn. We're still working his dates out with him. Yeah.

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Speaker 1: We have a Shay Serrano who's an amazing writer who

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Speaker 1: wrote a his own self published book about Scrubs and

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Speaker 1: he's an amazing bestseller. And uh, he's the first you

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Speaker 1: will be the first official Scrubs mega fan to be

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Speaker 1: on the show because he's we have mega fans call in.

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Speaker 1: So no, I'm saying as a guest, as a guest,

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Speaker 1: no doubt. And then we're gonna get Brendan Frasier on

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Speaker 1: episode one twenty three, My Hero. And then we're gonna

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Speaker 1: close out season one with Bill Lawrence and Krista Miller

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Speaker 1: on at the same time. Hopefully they'll bicker and it

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Speaker 1: will be hilarious. I just I hope they argue. I'm

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Speaker 1: not gonna argue. You know, they always go on Howard

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Speaker 1: Sterning together and they bicker and tell dirty stories from

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Speaker 1: their marriage, and it will be great Bill and Chris

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Speaker 1: to have dirty stories. Oh yeah, I think there was

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Speaker 1: a story where they had sex see in a bathroom

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Speaker 1: at someone else's wedding. Oh my god, Bill and Christopher

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Speaker 1: freaks like that. Yeah, And I hope they're not just

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Speaker 1: sharing that naughty stuff for Howard Stern. I hope they're

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Speaker 1: gonna They've better not come on here and be two PG.

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Speaker 1: You know, people go on Howard and myself included, and

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Speaker 1: you want to be like, oh, I'm gonna tell my

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Speaker 1: most outrageous tales. Well, I hope they come on and

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Speaker 1: talk about banging in the bathroom at someone's wedding. I

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Speaker 1: can't get over that. Oh, my gosh. Also, for those

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Speaker 1: who are tugging, you're welcome. You should be done tugging

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Speaker 1: by now. Please, the show has started. You were supposed

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Speaker 1: to be done by five six eight. Do you want

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Speaker 1: to get into the show or do you want to

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Speaker 1: talk somebody? I just kind I'm having so much fun

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Speaker 1: talking to you, but we can, we can start the show.

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Speaker 1: It's a it's an odd show. I'm not gonna say

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Speaker 1: it's one of my favorites. Okay, okay, I know that's

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Speaker 1: crazy talk, but it's not. It's not one of the best.

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Speaker 1: There's a couple of cool things in it. The show

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Speaker 1: begins with an epic one er. This is the one

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Speaker 1: that we talked about a couple of times on the podcast. Now,

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Speaker 1: just to reiterate for those of you who who are like,

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Speaker 1: what the fox a wonner? I know some of you

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Speaker 1: know the film jargon, but for those of you who don't,

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Speaker 1: wonder is where the camera never cuts? That is to say,

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Speaker 1: there are no edits. The whole thing's filmed, and the

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Speaker 1: cameras mounted to Charles Pappards and no shafts and no

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Speaker 1: shaft Charles Pappard, all balls and no shaft and Charles

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Speaker 1: pepperd All Balls and No Shaft slid into my DMS

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Speaker 1: by the way, and said that he should come on

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Speaker 1: the podcast. I'd love to have Oh, that would be

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Speaker 1: so awesome. Yeah, I think we should have him one

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Speaker 1: as soon as he wanted to come on for well,

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Speaker 1: we're kind of full, as I just told the audience,

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Speaker 1: we had a full plate. But maybe for a season two. Yeah, absolutely, Man,

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Speaker 1: he should totally be on the show. It would have

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Speaker 1: been smart for us to have him on this episode

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Speaker 1: because there's this epic steady cam wonner that opens the

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Speaker 1: whole show. But he did. First of all, Charles Pappard

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Speaker 1: isn't a very big man, and he's one of in

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Speaker 1: my opinion, he's a great steady cam operator. He's a

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Speaker 1: great camera operator, but he's a great steady cam operator also.

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Speaker 1: And I remember this being very taxing on his body

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Speaker 1: one because I missed the jump shot so many times. Bill,

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Speaker 1: here's an opportunity for you to clown me. How many times?

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Speaker 1: Here that's here we go? How many times did I

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Speaker 1: miss that jump shot? Look, I don't want to exaggerate

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Speaker 1: it at all, but I would have to say that

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Speaker 1: Donald missed that shot. That jump shot at the beginning

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Speaker 1: of that long one er take. I want to say

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Speaker 1: he missed it at least seventy times in a row.

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Speaker 1: But to Donald could play ball. He actually played in

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Speaker 1: my basketball game a bunch. But I do want it

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Speaker 1: now committed to public record. Donald's older brother Dotta is

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Speaker 1: much much much better at basketball than Donald is, and

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Speaker 1: Donald has to live with that. I mean, his older

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Speaker 1: brother can ball. The guy's a rock star on the court.

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Speaker 1: So Joelle is going to put it on our show

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Speaker 1: notes and you can click the link to the video,

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Speaker 1: and I believe it's a it's a behind the scenes

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Speaker 1: of doing this epic warner, and you can see how

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Speaker 1: many times Donald misses the jump shot. Anyway, so we

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Speaker 1: do that, we finally hit it, and there are a

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Speaker 1: couple of times where Charles didn't do something right and

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Speaker 1: we had to go back to the beginning again. But anyway,

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Speaker 1: while watching this episode and watching this infamous warner, Yes,

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Speaker 1: as we get closer to the end, if you notice,

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Speaker 1: our energy just keeps picking up, and if we start

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Speaker 1: getting more and more excited, if you look at really

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Speaker 1: the person to watch is Sarah, because Sarah is going

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Speaker 1: nuts inside, like you can see her, like, yeah, we're

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Speaker 1: gonna do it. We're gonna do it, you know, and

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Speaker 1: you can see you're right. As you can see when

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Speaker 1: you watch the shot, there's so many moving pieces. There's

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Speaker 1: a lot of background. There's there's us, there's Donald hitting

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Speaker 1: the jump shot. Then we get on. Then we go

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Speaker 1: in to hospital. We get on a working elevator. We

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Speaker 1: actually got in the elevator. Do you recall the person

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Speaker 1: that was working the elevator for us? I wrote it

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Speaker 1: down Norm Norm. Yeah. Norm was a sort of an

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Speaker 1: all around utility guy on the scrub set. He would

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Speaker 1: work the air conditioning tubes, move them around and he

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Speaker 1: would and he dressed up because we needed someone to

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Speaker 1: be to actually operate the elevator. So we get in

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Speaker 1: the elevator with Kelso then we come out. We struck

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Speaker 1: down the hallway, we go into the ICU. The camera

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Speaker 1: whip hands to Johnny c still without having cut. It

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Speaker 1: comes back to us and then we come around the

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Speaker 1: corner and we were joined by Carla, and then it

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Speaker 1: whips around again and we see all the new men's students.

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Speaker 1: So that took I think we rehearsed probably a full

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Speaker 1: half day maybe, Yeah, it took a while too. It

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Speaker 1: took a while just to set the shot up. I

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Speaker 1: remember that, and then to get I remember we were

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Speaker 1: supposed to get the shot done before lunch, and we did.

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Speaker 1: And then but like by the skin of our teeth,

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Speaker 1: if I'm correct, I'm not, I'm not exactly sure, but

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Speaker 1: I know that there were so many other than me

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Speaker 1: missing a jump shot. There were so many things that

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Speaker 1: were involved that had to go right for it to work,

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Speaker 1: and sometimes it didn't work. And uh, and what Donald,

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Speaker 1: I agree with you. What you're saying is so by

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Speaker 1: the time we made it to the second floor and

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Speaker 1: we were kind of then the hard part was over.

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Speaker 1: We like did Donald's jumpshot, and we did the choreography

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Speaker 1: of the elevator and then we were struggling all the way.

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Speaker 1: We all three of us were like, oh shit, we're

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Speaker 1: making it. We're gonna make it, and you can see it. Sarah,

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Speaker 1: Sarah is the most excited you could tell. So when

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Speaker 1: I go give me some hungry chicken and you guys

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Speaker 1: are eating, watch her. She's like her. She uses both hands.

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Speaker 1: It was originally supposed to be one hand. She's using

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Speaker 1: both hands. She's pounding my hand. And that's why I

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Speaker 1: said to you, you're not hungry enough. You were getting

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Speaker 1: cocky too. You know, you made it to the end,

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Speaker 1: you started improving. You're like, yeah, that was improv Absolutely,

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Speaker 1: that's cute. Well, I gotta tell you that it was

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Speaker 1: really cool. And um, I wanted to say that if

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Speaker 1: you're looking for there's a lot of famous one ers

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Speaker 1: you can you can you can google it on online

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Speaker 1: and find some in some of your favorite movies. But

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Speaker 1: one of my favorites is and Good Fellas. If you

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Speaker 1: remember that iconic shot that goes down into the restaurant

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Speaker 1: when when he's bringing her on the first date and

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Speaker 1: through the kitchen and up into the restaurant and I

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Speaker 1: and and they're just really fun. Filmmakers and actors love

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Speaker 1: them because it's it's so challenging to pull it off well.

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Speaker 1: And um, I think this was the biggest one we

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Speaker 1: did in all of Scrubs. Yeah. Uh. One of my

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Speaker 1: favorite movies is Swingers, and they talk about you know,

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Speaker 1: slow motion shots and wonders. Uh, and yeah that I

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Speaker 1: think I think Scorsese's Good Fellas Wonner is probably one

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Speaker 1: of the best wonders in the history Yeah, moviemaking. Yeah, Yeah,

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Speaker 1: And it's just uh. I think it introduced me as

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Speaker 1: a young film student to how how cool they could be.

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Speaker 1: And there's an epic one in Orson Wells is some

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Speaker 1: touch of evil that opens the film as well. You know,

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Speaker 1: there's there's dozens of them, but um so this was

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Speaker 1: our homage. The Nutty Professor has one, and not the

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Speaker 1: one with Eddie Murphy, the one with Jerry Lewis where

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Speaker 1: he's before he walks into the club as Buddy Love.

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Speaker 1: You know, he's walking down the street and people are

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Speaker 1: stopping and looking at him like, you know, and you

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Speaker 1: not expect. You don't know what to expect when you

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Speaker 1: see him. You're thinking that the Nutty Professor is you know,

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Speaker 1: it's a Jacqueline Hide story and his mister Hyde is

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Speaker 1: like this grotesque thing. And when he walks into the

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Speaker 1: bar and finally you get to see what he looks like,

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Speaker 1: the reaction from everybody it makes sense, but it's like, wait,

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Speaker 1: hold up, y'all were acting like this was the scariest

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Speaker 1: dude on the planet and really it's just Buddy Love walking.

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Speaker 1: Have you ever seen a nutty professor? Oh my god, listen,

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Speaker 1: let me tell you right now. Jerry Lewis in that movie.

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Speaker 1: I know he said some questionable things on television and

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Speaker 1: stuff like that, but you want to talk about switching

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Speaker 1: it up when he plays the nerd and then he

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Speaker 1: plays Buddy Love. I gotta watch it. He says, some

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Speaker 1: of the monologues in that movie are amazing, Like he says,

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Speaker 1: some of the most amazing, Like he is a true

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Speaker 1: pimp in all sense of the word, in all respect,

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Speaker 1: all respect, all respect to to what's his name, Buddy Love,

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Speaker 1: Buddy Love. If you have to mention by, yeah, I'm

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Speaker 1: gonna check it out. Not to mention the fame. Now,

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Speaker 1: there's been some famous one or movies, including Birdman and

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Speaker 1: what was the one that just came out that everybody

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Speaker 1: loved so much? Nineteen seventeen. But that's CG two, though,

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Speaker 1: isn't it. No? They they hit they they well, they

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Speaker 1: didn't do a one or movie. They they hit a

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Speaker 1: bunch of cuts. But it's but they're still doing like

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Speaker 1: eight minute scenes with five hundred extras and incredible stuff,

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Speaker 1: things exploding. If you are if you are a film

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Speaker 1: geek like i am, go go watch behind the scenes

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Speaker 1: of nineteen seventeen and you'll see just some extraordinary filmmaking. Anyway,

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Speaker 1: So we just wrote that down. Dude, nineteen seventeen. Need

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Speaker 1: to watch Yeah, go watch behind. You've never seen the film,

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Speaker 1: have yet to see the film. Oh, the film's beautiful,

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Speaker 1: but more but I was told I needed to watch it.

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Speaker 1: I was told I needed to see it in a

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Speaker 1: theater because of the scope. Yeah, but now you can't.

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Speaker 1: But I I saw a screener because we got it

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Speaker 1: for Awards season, and I love. I thought it was

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Speaker 1: so beautiful. I went to the theater. I said, I

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Speaker 1: got to see this, and I went and saw it

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Speaker 1: at the Dome. You know here in Hollywood we have

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Speaker 1: a big dome theater. And it was just gorgeous and

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Speaker 1: and and amazing acting uh um by everybody involved, and

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Speaker 1: it's beautiful. Yes, yes, sir um. At one thirty two,

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Speaker 1: we started strutting. I mean we are strutting. Yeah, that's

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Speaker 1: like a George Jefferson strut. It's like, yeah, it's like

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Speaker 1: the straight up where we're moving on up. Yeah, strut.

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Speaker 1: We were very serious. Look, I'm trying to tell you man.

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Speaker 1: We were so excited, very excited, so excited. And then

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Speaker 1: on Scrubs Wiki it was pointed out that at one

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Speaker 1: fifty two, you can see my mic cable. Um. Now

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Speaker 1: now now nowadays we would just you know, visual effects

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Speaker 1: are so much easier, you would just paint something like

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Speaker 1: that out. They just go in like like oh, you know,

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Speaker 1: like photoshop but moving video and just paint a little

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Speaker 1: mic cable out. But back in the day, we certainly

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Speaker 1: weren't going to scrap finally making it through because he

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Speaker 1: saw a little mic cable on him. But you see,

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Speaker 1: I gently lift up my shirt a little bit and

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Speaker 1: you can see where the hidden mic cable is on me.

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Speaker 1: So there you go, the little Scrubs wiki guy coming through.

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Speaker 1: Is this the first appearance of the Hungry Chicken at

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Speaker 1: two fifteen? I think this is the only appearance of

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Speaker 1: the Hungry Chicken? No? No, yeah, when did we do

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Speaker 1: it again? I feel like Hungry Chickens has been in

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Speaker 1: other episodes. Hey, Joel, have we set it up with

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Speaker 1: our Scrubs wicky guy to answer questions that we ask him?

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Speaker 1: If he might be down for that. Yes, he's very

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Speaker 1: down to do anything for this show. Um, we're had

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Speaker 1: to have him on as our fan caller, not this

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Speaker 1: week but next week and then yeah we can ask

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Speaker 1: him questions. Well, let's audition him. Now, Hi, what's his name?

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Speaker 1: By the way, Joel, I just call him scrubs Wicky.

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Speaker 1: What's his name? I would have to look so as

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Speaker 1: of right now he scrubs Wicky. Okay, scrubs Wicky. Um,

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Speaker 1: thank you for all your hard work. Is this the

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Speaker 1: only time that the Hungry Chicken ever appears in nine

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Speaker 1: seasons of Scrubs? And if not, when does it appear

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Speaker 1: in other episodes? Yo, Trevor from Scrubs Wicky here. According

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Speaker 1: to our records, the episode My Student is the only

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Speaker 1: appearance of Hungry Chicken. Donald at three fourteen, you say

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Speaker 1: something like, what is this thing we're doing? Baby girl?

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Speaker 1: So do okay? So I know we had a lot

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Speaker 1: of songs, but but this has no I do, but

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Speaker 1: I don't buy vaguely, but before you go into the song,

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Speaker 1: what there's no context for it in the episode at all? No,

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Speaker 1: there isn't. But this was you and I arguing about

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Speaker 1: R and B music, right, and you were like, dude,

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Speaker 1: all it is is dudes and girl. Dude saying baby

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Speaker 1: girl shook a doll and baby baby girl, I love

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Speaker 1: a girl maiming girl, right, and so we when you

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Speaker 1: said that, I remember laughing so hard because the pretty

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Speaker 1: much every song that's R and B keep it one

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Speaker 1: hundred y'all. Baby, Yeah, you're gonna hear the word baby. Definitely,

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Speaker 1: you're definitely hearing baby. You're mostly if it's a male artist,

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Speaker 1: you're most likely hearing girl. Yeah, yeah, definitely. Well, Donald

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Speaker 1: the time, you were listening to a lot of those

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Speaker 1: kind of songs, and I still do. I still do

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Speaker 1: Trey songs. I still listen to all of that stuff.

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Speaker 1: I love them to death. Listen. We had some great

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Speaker 1: guest casts. We had DJ Qualls remember him from well,

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Speaker 1: the most famously Road Trip. Yes he was from road Trip. Yes,

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Speaker 1: that was at the time. That was the most famous

404
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Speaker 1: thing he had done. One of my best friends on

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Speaker 1: the planet, Brecken Meyer, in that movie as well. I

406
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Speaker 1: remember DJ Quaals told me a story when we were

407
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Speaker 1: shooting this episode that he had made a bunch of

408
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Speaker 1: money and he was working a lot and he walked

409
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Speaker 1: and he doesn't do credit cards at all, wanted to

410
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Speaker 1: just pay cash, didn't didn't mess with credit cards, and

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Speaker 1: he walked into a BMW dealership to buy a fancy

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Speaker 1: car and he couldn't you know, a lanky, young kid

413
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Speaker 1: like him. He couldn't get anyone's attention. They just totally

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Speaker 1: ignored him, and he was really it was like totally

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Speaker 1: the pretty woman moment where he was like, you know

416
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Speaker 1: what the commission. Yeah, and he walked across the street

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Speaker 1: to the Mercedes dealership where someone finally gave him attention

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Speaker 1: and he bought him Mercedes with cash. Wow. Wow, he

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Speaker 1: had it like that. He got it like that. Yeah,

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Speaker 1: he had the money like that, and he was like

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Speaker 1: and he just remember he was telling me the story

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Speaker 1: of his pretty woman moment where like no salesman was

423
00:21:42,280 --> 00:21:44,600
Speaker 1: even talking to him, and he was like, fuck these people.

424
00:21:44,640 --> 00:21:46,640
Speaker 1: And he walked across the street and bought him brought

425
00:21:46,680 --> 00:21:50,800
Speaker 1: up from the competitive dealership in cash. M Adrian Winner

426
00:21:51,000 --> 00:21:54,840
Speaker 1: played Sarah's med student. He's the Northwestern grad so we

427
00:21:54,920 --> 00:21:56,760
Speaker 1: know that he's a good actor, and I thought he

428
00:21:56,800 --> 00:21:58,640
Speaker 1: did a great job. He did such a great job.

429
00:21:58,680 --> 00:22:02,080
Speaker 1: I remember I looked at this. I didn't remember. You know,

430
00:22:02,359 --> 00:22:04,919
Speaker 1: it's me so I didn't remember the episode, but I

431
00:22:04,960 --> 00:22:07,880
Speaker 1: thought our guest stars were so good in this episode.

432
00:22:07,960 --> 00:22:10,440
Speaker 1: In particular, I have to say Kelly Williams, who played

433
00:22:10,520 --> 00:22:15,080
Speaker 1: Johnny C's love interest and was in part of your story. Absolutely. Uh,

434
00:22:15,320 --> 00:22:18,720
Speaker 1: she was great. Uh what show was she on at

435
00:22:18,720 --> 00:22:21,600
Speaker 1: the time, Joel, Do you know I was looking up

436
00:22:21,960 --> 00:22:24,000
Speaker 1: she's been on all sorts of stuff since because I

437
00:22:24,040 --> 00:22:25,720
Speaker 1: was kind of curious what she's been up to, and

438
00:22:25,800 --> 00:22:28,880
Speaker 1: I was imd being here, but she's been working non stop. Well,

439
00:22:28,960 --> 00:22:30,800
Speaker 1: yeah she was, but she was on a show I

440
00:22:30,840 --> 00:22:33,880
Speaker 1: think at the time, and we it was you might

441
00:22:33,880 --> 00:22:36,720
Speaker 1: be confusing her with a different guest star, but in

442
00:22:36,800 --> 00:22:39,600
Speaker 1: any event, she was very good and she and Johnny

443
00:22:39,640 --> 00:22:42,480
Speaker 1: were good together. Can we talk about Turk as a

444
00:22:42,480 --> 00:22:48,040
Speaker 1: wing man? Yeah, Turk is the best wing man ever. Yeah,

445
00:22:48,080 --> 00:22:49,840
Speaker 1: you were, you were You really didn't want to do

446
00:22:49,920 --> 00:22:53,080
Speaker 1: it until he was like, you idiot, Um, I'm obsessed

447
00:22:53,160 --> 00:22:58,120
Speaker 1: with your girlfriend. Helped set me up with someone else? Right, well, right,

448
00:22:58,200 --> 00:23:00,639
Speaker 1: that was the thing he I think Turk really enjoyed

449
00:23:00,680 --> 00:23:05,879
Speaker 1: the fact that, uh, doctor Cox, that Perry Cox was

450
00:23:05,920 --> 00:23:08,480
Speaker 1: in love with Carla and couldn't have Carla, you know

451
00:23:08,480 --> 00:23:10,760
Speaker 1: what I mean. I think he loved the fact that

452
00:23:11,119 --> 00:23:14,880
Speaker 1: I have something on you that you will never get.

453
00:23:15,280 --> 00:23:16,919
Speaker 1: And then when he threatened him and says, you know,

454
00:23:16,960 --> 00:23:19,720
Speaker 1: I'll be sitting here waiting, Turk knows I'm gonna fuck

455
00:23:19,800 --> 00:23:22,359
Speaker 1: up eventually, and when I fuck up, this dude's gonna pounce.

456
00:23:22,400 --> 00:23:24,240
Speaker 1: So I don't want this guy in the wings, right,

457
00:23:24,560 --> 00:23:26,919
Speaker 1: you know when you're dating you know when you're dating someone,

458
00:23:27,080 --> 00:23:29,960
Speaker 1: and and this is more back in the day. It's

459
00:23:29,960 --> 00:23:32,800
Speaker 1: not really like a oh dude, I got I got

460
00:23:32,800 --> 00:23:34,800
Speaker 1: a great story for that dude. No, but the dude

461
00:23:34,840 --> 00:23:37,520
Speaker 1: had the friend who's in the wings, like always just

462
00:23:37,600 --> 00:23:40,280
Speaker 1: sitting there, just waiting for you to fuck up. My dude,

463
00:23:40,440 --> 00:23:44,919
Speaker 1: my friend, my friend, my friend. I dated someone and

464
00:23:45,000 --> 00:23:48,040
Speaker 1: when we broke up. I remember her calling me like, dude,

465
00:23:48,040 --> 00:23:52,959
Speaker 1: you'd be surprised at all of these guys that you

466
00:23:53,000 --> 00:23:57,080
Speaker 1: know were so tight with us as a group, like

467
00:23:57,760 --> 00:24:00,720
Speaker 1: you'd hang out with them. She's like, you'd be surprised

468
00:24:00,720 --> 00:24:03,400
Speaker 1: of who's hitting me up? Like I don't want to know, man,

469
00:24:03,440 --> 00:24:06,080
Speaker 1: it's it's you know we're no longer to gather, do you,

470
00:24:06,240 --> 00:24:09,360
Speaker 1: But holy shit? Yeah, but you still got mad about

471
00:24:09,400 --> 00:24:11,560
Speaker 1: that's still sketchy the dudes in the wings, Like, oh,

472
00:24:11,680 --> 00:24:15,280
Speaker 1: y'all broke up. It's like a better off dead. I

473
00:24:15,280 --> 00:24:17,479
Speaker 1: heard you broke up with Beth if I give her

474
00:24:17,520 --> 00:24:22,520
Speaker 1: a call. Yeah, that's a great movie too. That ship

475
00:24:22,680 --> 00:24:25,520
Speaker 1: is great when Barney he's watching The flint Stones and

476
00:24:25,560 --> 00:24:28,679
Speaker 1: Barney's like, hey, Lloyd, I hope you I heard you

477
00:24:28,720 --> 00:24:32,720
Speaker 1: broke up with Beth. Can I ask her out? That

478
00:24:32,880 --> 00:24:36,320
Speaker 1: movie's amazing? Better Off Dead? Check it out? Better Off Dead,

479
00:24:36,400 --> 00:24:39,600
Speaker 1: John Cusack. What about at five to eleven when when

480
00:24:39,960 --> 00:24:42,560
Speaker 1: when Kelly's character says to Todd that he is a

481
00:24:42,640 --> 00:24:46,080
Speaker 1: lap pinky. I've never heard the term lap pinky before.

482
00:24:46,280 --> 00:24:49,600
Speaker 1: What is a lap pinky? A tiny penis? Oh? Right?

483
00:24:49,640 --> 00:24:52,160
Speaker 1: When she calls him that, right with all the much cheese,

484
00:24:52,160 --> 00:24:54,560
Speaker 1: But she uses the word mucheesmo. You said you hadn't

485
00:24:54,600 --> 00:24:56,480
Speaker 1: heard that word before. She uses it in the show.

486
00:24:56,760 --> 00:24:59,600
Speaker 1: I've heard much cheesemo. I said it in something and

487
00:24:59,640 --> 00:25:02,200
Speaker 1: you were like, what wow, Donald with the macheese mo.

488
00:25:02,640 --> 00:25:04,679
Speaker 1: Kelly was on the practice. You were right about that,

489
00:25:04,760 --> 00:25:08,399
Speaker 1: thank you. Yeah, she's a very good actress and I

490
00:25:08,400 --> 00:25:10,959
Speaker 1: thought she did a great job. Lap pinky. I think

491
00:25:11,000 --> 00:25:12,879
Speaker 1: we gotta put that into our our lexicon on it

492
00:25:12,880 --> 00:25:15,080
Speaker 1: because that's a nice term for having a small penis

493
00:25:15,880 --> 00:25:20,040
Speaker 1: a lap pinky? Yeah, I just don't I don't. I

494
00:25:20,040 --> 00:25:23,040
Speaker 1: don't get it. But it's a pinky in your lap,

495
00:25:26,280 --> 00:25:28,640
Speaker 1: Now you get it. I totally get it now. Oh,

496
00:25:28,680 --> 00:25:30,440
Speaker 1: it took you a second. It took me a second.

497
00:25:30,480 --> 00:25:32,439
Speaker 1: I was off a little bit. Yeah, maybe it's the

498
00:25:32,480 --> 00:25:36,240
Speaker 1: Scotch anyway, lap pinky, Yeah, don't come around here without

499
00:25:36,280 --> 00:25:41,600
Speaker 1: lap pinky. I don't we know, we know, we know

500
00:25:41,720 --> 00:25:46,760
Speaker 1: you have a lap baby forearm on that note. We're

501
00:25:46,760 --> 00:25:55,960
Speaker 1: gonna go to break. We'll be right back. All we

502
00:25:56,040 --> 00:25:58,159
Speaker 1: do is talk about wieners on this show. I know,

503
00:25:58,560 --> 00:26:00,159
Speaker 1: I know. I'm getting a lot of notes from my

504
00:26:00,160 --> 00:26:04,920
Speaker 1: girlfriend's mom about about our willis. Oh man, she calls

505
00:26:04,920 --> 00:26:13,160
Speaker 1: it the Eel cast, the eel Dude. You turned into

506
00:26:13,200 --> 00:26:16,159
Speaker 1: the fucking hawlk Yo. You turned into the Hulk. You know.

507
00:26:16,200 --> 00:26:18,960
Speaker 1: I was so happy that Joel wrote in her notes, um,

508
00:26:19,640 --> 00:26:22,560
Speaker 1: was that really you, Zach? When you turn in the Hulk? Joel,

509
00:26:22,800 --> 00:26:25,760
Speaker 1: that is a giant stuntman with a lot of with

510
00:26:25,840 --> 00:26:28,320
Speaker 1: much bigger muscles than I could ever grow. I just

511
00:26:28,400 --> 00:26:30,240
Speaker 1: love the fact that this is before like all of

512
00:26:30,280 --> 00:26:33,840
Speaker 1: the um like your movies have come out and everything,

513
00:26:33,880 --> 00:26:37,480
Speaker 1: like all the marble stuff, and you turned into the

514
00:26:37,560 --> 00:26:40,760
Speaker 1: Hulk like back in the old school day. Yeah, like

515
00:26:40,800 --> 00:26:46,040
Speaker 1: the cheesy, cheesy. That show is amazing. You didn't watch

516
00:26:46,080 --> 00:26:48,560
Speaker 1: that show when you were a kid, everybody watched the Hawk.

517
00:26:48,600 --> 00:26:50,639
Speaker 1: But come on, buddy, it like when you look at

518
00:26:50,640 --> 00:26:53,720
Speaker 1: the Hawk now cantors. But you're not putting it in

519
00:26:53,760 --> 00:26:59,440
Speaker 1: the context, dude, when we were kids, eighteen hunk, Yeah,

520
00:26:59,480 --> 00:27:04,480
Speaker 1: all of those shows. Man, six million dollars Man, remember that. Yeah,

521
00:27:04,520 --> 00:27:06,640
Speaker 1: but when you look at at least the motherfucker jumped

522
00:27:06,680 --> 00:27:08,520
Speaker 1: over shit in the six million dollars Man and could

523
00:27:08,520 --> 00:27:10,800
Speaker 1: see remember that noise, Dan, can you put in that

524
00:27:10,800 --> 00:27:16,920
Speaker 1: that noise of when the six would jump. I love

525
00:27:17,000 --> 00:27:19,440
Speaker 1: that show. I did too. The six million dollars Man.

526
00:27:19,760 --> 00:27:21,600
Speaker 1: We can rebuild him, we can fix him. We can,

527
00:27:21,680 --> 00:27:23,399
Speaker 1: by the way, now nowadays it would be like the

528
00:27:23,440 --> 00:27:26,919
Speaker 1: one billion dollar Man. We have the technology, we can happen. Right.

529
00:27:26,960 --> 00:27:30,520
Speaker 1: Oh man, you only cost six million dollars to fucking

530
00:27:30,680 --> 00:27:33,840
Speaker 1: become become a robot man, to become a freaking sideboard.

531
00:27:34,240 --> 00:27:36,800
Speaker 1: How come no one's remade that we should remake six

532
00:27:36,920 --> 00:27:39,960
Speaker 1: million dollars the six million dollars Man. But as two friends,

533
00:27:40,240 --> 00:27:44,240
Speaker 1: as god, that would be hilarious. Let's do it, the

534
00:27:44,320 --> 00:27:47,560
Speaker 1: bionic Man and the bionic Woman. Oh my god, no,

535
00:27:47,760 --> 00:27:51,159
Speaker 1: we both get special powers. No, no, no one of

536
00:27:51,240 --> 00:27:53,520
Speaker 1: us get special powers. The other one is the freaking

537
00:27:53,600 --> 00:27:55,800
Speaker 1: dude on the computer. A oh, but I know which

538
00:27:55,840 --> 00:27:57,040
Speaker 1: one of us is gonna want to be the dude

539
00:27:57,080 --> 00:27:58,880
Speaker 1: in the computer. I guess you. I'm sure you will

540
00:27:58,920 --> 00:28:00,240
Speaker 1: mind because you go home to your kids a lot.

541
00:28:00,240 --> 00:28:02,639
Speaker 1: You'll work like an hour a day, like what do

542
00:28:02,640 --> 00:28:05,640
Speaker 1: I gotta do you care to be on the set

543
00:28:05,640 --> 00:28:08,160
Speaker 1: at the computer being like I'm enhancing the picture I'm

544
00:28:08,160 --> 00:28:10,639
Speaker 1: moving in. Yeah, he's got a bomb in his left pocket.

545
00:28:10,920 --> 00:28:12,600
Speaker 1: And then you just go home one day work, one

546
00:28:12,640 --> 00:28:15,280
Speaker 1: day work, and then I'm out there fucking sixteen hours

547
00:28:15,280 --> 00:28:18,080
Speaker 1: a day doing fucking leaps over buildings. I love it.

548
00:28:18,760 --> 00:28:20,679
Speaker 1: I think this is a great idea. I think this

549
00:28:20,720 --> 00:28:22,359
Speaker 1: is a show we should make. All right, Well, if

550
00:28:22,400 --> 00:28:24,880
Speaker 1: you're a producer out there in Hollywood and you want

551
00:28:24,880 --> 00:28:27,080
Speaker 1: to make a six million dollars n TV show a

552
00:28:27,160 --> 00:28:29,120
Speaker 1: dollar and I we're ready. No, not a TV show,

553
00:28:29,119 --> 00:28:31,119
Speaker 1: a movie, the movie. No. I think it should be

554
00:28:31,160 --> 00:28:33,800
Speaker 1: streaming on Netflix, oh my gosh. And it should be

555
00:28:33,840 --> 00:28:37,239
Speaker 1: just be like super silly, like like the powers they

556
00:28:37,280 --> 00:28:41,360
Speaker 1: gave me only work sometimes. Do you remember the greatest

557
00:28:41,400 --> 00:28:43,960
Speaker 1: American hero? My powers are faulty? Yeah? I heard they

558
00:28:44,000 --> 00:28:46,120
Speaker 1: were remaking that. Of course, I don't know what happened

559
00:28:46,160 --> 00:28:47,360
Speaker 1: with it, but I heard they were the greatest theme

560
00:28:47,400 --> 00:28:51,080
Speaker 1: song ever, believe it or not not, I'm walking on there.

561
00:28:51,320 --> 00:28:56,040
Speaker 1: I never thought I could feel so free, flying away

562
00:28:56,280 --> 00:29:02,080
Speaker 1: on a win and a prayer. Who could it be?

563
00:29:02,080 --> 00:29:10,000
Speaker 1: Believe it or not, it's just da dad. Now you're

564
00:29:10,000 --> 00:29:11,320
Speaker 1: trying to say you don't. You're trying to say that

565
00:29:11,320 --> 00:29:13,480
Speaker 1: show doesn't hold up anymore, and that was magic. It

566
00:29:13,560 --> 00:29:16,160
Speaker 1: really does not hold up anymore. If you watch that show,

567
00:29:16,200 --> 00:29:20,200
Speaker 1: you'll be like, oh my gosh, what about eighteen. I mean,

568
00:29:20,520 --> 00:29:22,720
Speaker 1: no one ever got shot. They're all firing a K

569
00:29:22,880 --> 00:29:24,840
Speaker 1: forty sevens at each other and no one ever gets hurt.

570
00:29:25,120 --> 00:29:26,880
Speaker 1: That's one thing we could say about our show. At

571
00:29:26,960 --> 00:29:31,000
Speaker 1: least people died on our show Man when they would

572
00:29:31,000 --> 00:29:41,240
Speaker 1: do the no and then they do the sequence where

573
00:29:41,240 --> 00:29:42,640
Speaker 1: they built shit, and now I'll be like, oh, what

574
00:29:42,680 --> 00:29:49,480
Speaker 1: are they building? Dan? Dan Dan Dan Dan Dan Dan

575
00:29:49,840 --> 00:29:58,800
Speaker 1: Dan Danna Remember be a Baraccas, it wasn't Baracus. Remember

576
00:29:58,840 --> 00:30:01,520
Speaker 1: he couldn't fly. They'd have to do awesome. Yeah, Hannibal

577
00:30:01,760 --> 00:30:05,560
Speaker 1: ain't getting on the plane. You know, it's so funny

578
00:30:05,560 --> 00:30:07,160
Speaker 1: about that. It's so fucked up. They would like, they

579
00:30:07,160 --> 00:30:09,800
Speaker 1: would drug his ass so that he would fly. Yeah,

580
00:30:09,840 --> 00:30:12,440
Speaker 1: and he fell for it every time. Every time they'd

581
00:30:12,440 --> 00:30:16,360
Speaker 1: be like, here sip this, mister t what is in

582
00:30:16,400 --> 00:30:19,640
Speaker 1: this strange concoction? What did you put in my banana? Right?

583
00:30:19,960 --> 00:30:23,280
Speaker 1: I'm gonna eat a banana right now. I hate you, Hannibal,

584
00:30:25,560 --> 00:30:29,160
Speaker 1: Damn you, Hannibal. You you put that secret flying juice

585
00:30:29,160 --> 00:30:37,800
Speaker 1: on my banana. But you turned into the incredible Hulk.

586
00:30:38,840 --> 00:30:41,800
Speaker 1: Oh man, I'm sad to said. You know Marvel, you're

587
00:30:41,800 --> 00:30:43,680
Speaker 1: all those Marvel movies you love. They fucked up our

588
00:30:43,720 --> 00:30:46,080
Speaker 1: childhood classics. Like now everyone looks at the Hulk TV

589
00:30:46,160 --> 00:30:47,640
Speaker 1: show and they said that sucks. I thought it was

590
00:30:47,680 --> 00:30:50,640
Speaker 1: a masterpiece. Okay, you should go back and watch it.

591
00:30:50,840 --> 00:30:55,040
Speaker 1: I know I probably should try. Alma. So you turned

592
00:30:55,040 --> 00:30:57,720
Speaker 1: into the Hulk, and then Alma you're like you say

593
00:30:57,760 --> 00:31:00,280
Speaker 1: to her, you say to her something like he was horrible.

594
00:31:00,320 --> 00:31:02,840
Speaker 1: I I you know, I'm sorry, and she goes, you

595
00:31:02,880 --> 00:31:06,080
Speaker 1: don't got to apologize to me, but you will have

596
00:31:06,120 --> 00:31:11,440
Speaker 1: to apologize to Jesus. Yeah, hilarious. Whenever Aloma did her

597
00:31:11,560 --> 00:31:17,440
Speaker 1: her churchgoing woman preachy stuff, she was so funny, always, always,

598
00:31:17,720 --> 00:31:19,560
Speaker 1: She's one of those people that just could sell the

599
00:31:19,640 --> 00:31:22,200
Speaker 1: shit out of any line that was hilarious. You will

600
00:31:22,200 --> 00:31:25,120
Speaker 1: watch to apologize to Jesus if you watch this episode.

601
00:31:25,240 --> 00:31:27,440
Speaker 1: Every one of her lines is a punchline, you know

602
00:31:27,480 --> 00:31:29,240
Speaker 1: what I mean? Yeah, and they're all she's always and

603
00:31:29,320 --> 00:31:32,160
Speaker 1: they're always drive by. She's always walking by, every one

604
00:31:32,160 --> 00:31:35,280
Speaker 1: of them. Yeah, she crushes it every time. And what

605
00:31:35,320 --> 00:31:38,360
Speaker 1: about we need to get her on the show. Oh

606
00:31:38,400 --> 00:31:40,680
Speaker 1: we should, Well, we'll bid full up with guests. But

607
00:31:40,720 --> 00:31:43,920
Speaker 1: season two Aloma, right here we go. Joel put it

608
00:31:43,960 --> 00:31:47,600
Speaker 1: in the notes, please, um you pull out your booty

609
00:31:47,640 --> 00:31:51,360
Speaker 1: at twelve forty eight. I do. And it's to show

610
00:31:51,960 --> 00:31:54,440
Speaker 1: what what is it to show? It's to show you

611
00:31:54,600 --> 00:31:57,040
Speaker 1: what they love? You know what I'm saying. So what

612
00:31:57,080 --> 00:31:59,560
Speaker 1: you're saying and what Turk and you are both saying,

613
00:31:59,720 --> 00:32:03,760
Speaker 1: is when all else fails, you just do the slow

614
00:32:03,880 --> 00:32:08,560
Speaker 1: sag down and the woman see your juicy shelf butt. Yeah,

615
00:32:08,560 --> 00:32:11,920
Speaker 1: and they're sold. They're sold. I'm gonna tell you something

616
00:32:12,040 --> 00:32:16,560
Speaker 1: right now. Yeah, women aren't the only ones that can

617
00:32:16,640 --> 00:32:20,000
Speaker 1: have a nice booty. Okay, right, yeah, go ahead, that's

618
00:32:20,120 --> 00:32:22,920
Speaker 1: for real, for real. So are you feeling yourself when

619
00:32:22,920 --> 00:32:24,320
Speaker 1: it comes to you, like when you're in the mirror

620
00:32:24,320 --> 00:32:27,120
Speaker 1: and you check yourself out, You're like, look at my ass. No,

621
00:32:27,200 --> 00:32:28,960
Speaker 1: it's a different ass now. It's got a lot of

622
00:32:29,080 --> 00:32:30,640
Speaker 1: it's got a lot of wrinkles and sell you like,

623
00:32:32,600 --> 00:32:35,880
Speaker 1: maybe should do some squats, squat a lot. It doesn't

624
00:32:35,920 --> 00:32:38,160
Speaker 1: look like it did when I was twenty six when

625
00:32:38,200 --> 00:32:40,120
Speaker 1: we made this show list. We could do lunges. You

626
00:32:40,120 --> 00:32:42,840
Speaker 1: could do lunges. I do all of that, Zach. There's

627
00:32:42,880 --> 00:32:45,080
Speaker 1: no reason why a forty six year old man can't

628
00:32:45,080 --> 00:32:47,960
Speaker 1: have a tight ass. I'm gonna explain something to you

629
00:32:48,120 --> 00:32:50,600
Speaker 1: right now. Don't blame it on your age. Joelle's falling

630
00:32:50,640 --> 00:32:53,840
Speaker 1: off her chair, that is that is not an excuse

631
00:32:53,920 --> 00:32:56,360
Speaker 1: for you. Man, You could do lunges. I'm gonna explain

632
00:32:56,400 --> 00:33:00,239
Speaker 1: something to you right now. With age comes sag, and

633
00:33:00,400 --> 00:33:02,280
Speaker 1: you can work out as much as you look at

634
00:33:02,320 --> 00:33:05,000
Speaker 1: Johnny C the other day on Zoom. You don't think

635
00:33:05,040 --> 00:33:06,960
Speaker 1: Johnny C got a little bit of sag in him? No,

636
00:33:07,120 --> 00:33:10,440
Speaker 1: I bet you he's tight as fucking hell. Because Mutton,

637
00:33:10,720 --> 00:33:13,280
Speaker 1: it looks like Mutton. You could bounce a quarter off

638
00:33:13,280 --> 00:33:16,280
Speaker 1: his abs. Uh yeah, Mutton, I think that was firm

639
00:33:16,320 --> 00:33:19,560
Speaker 1: like Mutton. That was Yeah, that was me. I don't

640
00:33:19,560 --> 00:33:21,800
Speaker 1: even know if mutton's firm. It just sounded funny. I

641
00:33:21,840 --> 00:33:24,480
Speaker 1: think mutton is like supposed to be like very tender.

642
00:33:24,720 --> 00:33:27,440
Speaker 1: What is mutton? It's lamb, Yeah, it's lamb. I think

643
00:33:27,440 --> 00:33:30,160
Speaker 1: it's supposed to be very very tender when it's tender,

644
00:33:31,480 --> 00:33:34,960
Speaker 1: but to go it's firm like mutton. It just sounded funny.

645
00:33:35,520 --> 00:33:39,040
Speaker 1: I think I stole it from Princess Brody because when

646
00:33:39,040 --> 00:33:45,760
Speaker 1: the mutton is lean, remember that Billy Crystal, except for

647
00:33:45,800 --> 00:33:48,320
Speaker 1: like a mutton lettuce and tomato sandwich, when the mutton

648
00:33:48,400 --> 00:33:54,920
Speaker 1: is lean. Do you remember meeting Billy Crystal? Uh? Yeah, where?

649
00:33:55,080 --> 00:33:58,560
Speaker 1: And we want a plane where? And we were traveling

650
00:33:58,560 --> 00:34:02,160
Speaker 1: It was me, you can. I don't know where we

651
00:34:02,160 --> 00:34:03,600
Speaker 1: were going, but we were on a plane and we

652
00:34:03,640 --> 00:34:06,760
Speaker 1: sat with Billy Crystal the whole trip. And then we

653
00:34:06,760 --> 00:34:09,319
Speaker 1: saw him at the hotel too. Did we bother him?

654
00:34:09,600 --> 00:34:12,280
Speaker 1: I think it was Hawaiian, know, it had to be Hawaii,

655
00:34:12,360 --> 00:34:14,799
Speaker 1: and we were all He was just as much into

656
00:34:14,920 --> 00:34:17,000
Speaker 1: us as we were into him. He was very much

657
00:34:17,040 --> 00:34:19,439
Speaker 1: into you and you were very much into him. Yeah.

658
00:34:19,480 --> 00:34:22,080
Speaker 1: He was very complimentary of me, and that made me

659
00:34:22,120 --> 00:34:24,719
Speaker 1: feel good because I love him and I grew up

660
00:34:24,880 --> 00:34:28,240
Speaker 1: on him like we all did. And uh yeah, Mutton

661
00:34:28,400 --> 00:34:31,360
Speaker 1: from Princess Brian Mutton from Princess Bride. When the Mutton

662
00:34:31,640 --> 00:34:35,759
Speaker 1: have fun fun stor Castle, You're think it'll work. It

663
00:34:35,840 --> 00:34:42,879
Speaker 1: would take a miracle, right, he said to Blade, which

664
00:34:42,960 --> 00:34:48,200
Speaker 1: we all know is true. Lia that great movie. Speaking

665
00:34:48,239 --> 00:34:53,160
Speaker 1: of crushes, um Robin right in that movie was just

666
00:34:53,360 --> 00:34:56,560
Speaker 1: about the most beautiful woman I'd ever seen. Yes, I

667
00:34:56,719 --> 00:34:58,880
Speaker 1: love that movie. That's one of my favorite. I used

668
00:34:58,880 --> 00:35:01,320
Speaker 1: to watch that movie all the time. I remember introducing

669
00:35:01,360 --> 00:35:04,839
Speaker 1: it to my friends in the neighborhood who didn't see

670
00:35:04,880 --> 00:35:06,560
Speaker 1: the movie and being like, you guys haven't seen The

671
00:35:06,600 --> 00:35:09,400
Speaker 1: Princess Bride. I remember having a movie night at my

672
00:35:09,520 --> 00:35:13,400
Speaker 1: house just so my friends who had never been introduced

673
00:35:13,440 --> 00:35:16,040
Speaker 1: to The Princess Bride could watch The Princess Bride, and

674
00:35:16,160 --> 00:35:20,759
Speaker 1: we watched it on VHS, obviously in my room, and

675
00:35:20,840 --> 00:35:24,160
Speaker 1: I remember getting just such joy out of watching my

676
00:35:24,280 --> 00:35:28,200
Speaker 1: friends laugh so hard at something that was like it was.

677
00:35:28,320 --> 00:35:30,640
Speaker 1: It wasn't something that they would have gone to see normally,

678
00:35:30,760 --> 00:35:32,640
Speaker 1: you know, right? Did you think you did that more

679
00:35:32,680 --> 00:35:34,880
Speaker 1: often because you were dialed into all the theater world,

680
00:35:35,160 --> 00:35:37,000
Speaker 1: were you were. There are other times where you were

681
00:35:37,040 --> 00:35:40,799
Speaker 1: introducing your friend group to movies they might not have seen. Yeah,

682
00:35:40,920 --> 00:35:43,600
Speaker 1: that happened a lot. Actually, you know some of the

683
00:35:43,680 --> 00:35:45,360
Speaker 1: movie you know. I grew up with a bunch of

684
00:35:45,400 --> 00:35:47,880
Speaker 1: people who loved movies, though too so some of the

685
00:35:48,000 --> 00:35:51,800
Speaker 1: movies that I was introduced to, you know, at a

686
00:35:51,920 --> 00:35:54,520
Speaker 1: young age, like a lot of the horror movies and

687
00:35:54,600 --> 00:35:56,600
Speaker 1: stuff like. I had a lot of friends who loved

688
00:35:56,640 --> 00:35:58,839
Speaker 1: horror movies growing up, and I have an appreciation for them.

689
00:35:58,880 --> 00:36:01,440
Speaker 1: I don't watch them, but things like A Nightmare on

690
00:36:01,480 --> 00:36:04,319
Speaker 1: elm Street I would have never seen if it wasn't

691
00:36:04,360 --> 00:36:06,840
Speaker 1: for Jessica Macardo, you know what I mean. Like, and

692
00:36:06,960 --> 00:36:08,799
Speaker 1: you know Jessica, you've met her a couple of times.

693
00:36:09,080 --> 00:36:11,280
Speaker 1: If it wasn't for her, a lot of the horror

694
00:36:11,360 --> 00:36:14,799
Speaker 1: movies that i'd that I watch now when I don't

695
00:36:14,800 --> 00:36:17,040
Speaker 1: watch them, but that I watched as a youth, I

696
00:36:17,080 --> 00:36:18,719
Speaker 1: would have never seen him. And I would have never

697
00:36:18,840 --> 00:36:21,880
Speaker 1: known about that genre like the way I know it now.

698
00:36:23,120 --> 00:36:26,879
Speaker 1: And I was thinking just randomly, my father. Back when

699
00:36:27,040 --> 00:36:30,120
Speaker 1: before the I was introduced to the world of independent cinema,

700
00:36:30,160 --> 00:36:33,120
Speaker 1: I didn't know that there were movies that didn't come

701
00:36:33,160 --> 00:36:36,360
Speaker 1: to every theater. And a movie came out called The

702
00:36:36,440 --> 00:36:41,439
Speaker 1: Gods Must Be Crazy masterpiece and this did not come

703
00:36:41,560 --> 00:36:44,600
Speaker 1: to know South Orange, New Jersey, and my father said,

704
00:36:44,600 --> 00:36:46,880
Speaker 1: we're going to go into New York to see a movie.

705
00:36:47,360 --> 00:36:48,600
Speaker 1: And I was like, why aren't going to New York

706
00:36:48,640 --> 00:36:50,279
Speaker 1: to see a movie? And he said, well, not all

707
00:36:50,400 --> 00:36:51,960
Speaker 1: movies come into our town. And there's a movie that

708
00:36:52,000 --> 00:36:53,759
Speaker 1: everyone's talking about we're gonna go see. So he took

709
00:36:53,760 --> 00:36:56,560
Speaker 1: me a little independent cinema in Manhattan and we saw

710
00:36:56,960 --> 00:36:59,960
Speaker 1: that movie, which I believe was a South African movie

711
00:37:00,480 --> 00:37:03,640
Speaker 1: where the coke bottle fall from falls from the sky. Yeah, yeah,

712
00:37:04,320 --> 00:37:07,000
Speaker 1: and it was one of the funniest, most brilliant movies

713
00:37:07,000 --> 00:37:09,920
Speaker 1: I'd ever seen. And uh, and it was like, it's

714
00:37:09,920 --> 00:37:13,000
Speaker 1: stioroughly good memory of my father introducing me to to

715
00:37:13,560 --> 00:37:17,160
Speaker 1: to an early version of independent cinema. Did you ever

716
00:37:17,200 --> 00:37:19,920
Speaker 1: see a Brother from Another Planet? The Brother from Another Planet?

717
00:37:20,000 --> 00:37:22,319
Speaker 1: Oh No, if you ever get a chance, go see

718
00:37:22,360 --> 00:37:24,279
Speaker 1: that one. That's we're giving we're giving our our our

719
00:37:24,320 --> 00:37:27,800
Speaker 1: listeners quite a good list of movies this uh, this podcast.

720
00:37:27,960 --> 00:37:30,239
Speaker 1: There's some good ones out there, guys, listen. If you

721
00:37:30,320 --> 00:37:32,720
Speaker 1: get a chance go see a Brother from another planet.

722
00:37:32,760 --> 00:37:36,360
Speaker 1: It stars Joe Morton, okay, and he literally is a

723
00:37:36,480 --> 00:37:39,480
Speaker 1: brother from another planet, the brother from another planet, and

724
00:37:39,840 --> 00:37:41,640
Speaker 1: one I remember one scene when I was a kid,

725
00:37:41,960 --> 00:37:45,239
Speaker 1: so before Harlem was gentrified, which it's very much now.

726
00:37:46,080 --> 00:37:47,960
Speaker 1: You know, all the white people used to get off

727
00:37:48,000 --> 00:37:50,600
Speaker 1: at ninety six Street if you were on the train, right,

728
00:37:50,840 --> 00:37:52,680
Speaker 1: no matter what line you were on, if there was

729
00:37:52,719 --> 00:37:55,200
Speaker 1: a ninety six street stop, all the white people would

730
00:37:55,200 --> 00:37:57,120
Speaker 1: get off because after that you were in Harlem. Right.

731
00:37:57,400 --> 00:38:00,200
Speaker 1: So there's this dude like trying to get off rights.

732
00:38:00,200 --> 00:38:02,840
Speaker 1: This dude on the train doing like tricks or something

733
00:38:02,920 --> 00:38:05,760
Speaker 1: like that, doing magic, and the brother from another planet

734
00:38:05,800 --> 00:38:08,279
Speaker 1: he doesn't speak that much, you know, he doesn't speak

735
00:38:08,320 --> 00:38:10,200
Speaker 1: English or anything like that. You know, when people ask

736
00:38:10,280 --> 00:38:12,479
Speaker 1: him where he came from, he just points to the sky.

737
00:38:13,120 --> 00:38:15,359
Speaker 1: And so the dude's trying to do all these tricks

738
00:38:15,400 --> 00:38:18,640
Speaker 1: and the brothers just not feeling it. And then finally

739
00:38:18,680 --> 00:38:21,200
Speaker 1: he goes. You know, you hear the conductors say next

740
00:38:21,239 --> 00:38:23,840
Speaker 1: stop ninety six street, and the white guy says to

741
00:38:23,920 --> 00:38:26,080
Speaker 1: the brother, he goes, you want to see me make

742
00:38:26,080 --> 00:38:30,759
Speaker 1: all the white people disappear, And everyone gets off at

743
00:38:30,840 --> 00:38:33,040
Speaker 1: nineties all the white people get off at ninety six Street,

744
00:38:33,239 --> 00:38:35,360
Speaker 1: And I remember as a kid, I used to I

745
00:38:35,440 --> 00:38:38,880
Speaker 1: remember getting on the train and getting I was very

746
00:38:38,960 --> 00:38:41,960
Speaker 1: young when the movie came out, and at ninety six Street.

747
00:38:42,280 --> 00:38:44,759
Speaker 1: If you were going downtown, all the white people got

748
00:38:44,840 --> 00:38:47,480
Speaker 1: on at ninety six streets. If you were going uptown,

749
00:38:47,800 --> 00:38:50,080
Speaker 1: all the white people got off at ninety six Street.

750
00:38:50,120 --> 00:38:52,680
Speaker 1: I remember this very much as a youth man. Wow,

751
00:38:53,080 --> 00:38:57,520
Speaker 1: so crazy a joke. I gotta see that. You've just

752
00:38:57,600 --> 00:38:59,560
Speaker 1: sold it to me. Donald, I'm watching it. If you

753
00:38:59,600 --> 00:39:02,160
Speaker 1: get it chance, Joe Morton brother from another planet. I

754
00:39:02,320 --> 00:39:04,360
Speaker 1: was laughing at thirteen fifty and there in the fantasy

755
00:39:04,400 --> 00:39:07,920
Speaker 1: where I'm teaching DJ Quals to ride a bike, because

756
00:39:07,960 --> 00:39:12,360
Speaker 1: I was laughing, going, I'm spoofing me at the age

757
00:39:12,400 --> 00:39:16,320
Speaker 1: I am now right right. That character I'm playing is

758
00:39:16,360 --> 00:39:18,440
Speaker 1: probably like a forty five year old dad like you

759
00:39:18,600 --> 00:39:22,719
Speaker 1: got this right, pushing his kid along. It's also it

760
00:39:22,840 --> 00:39:27,719
Speaker 1: also goes back to now you're doctor Cox, and it

761
00:39:27,840 --> 00:39:30,080
Speaker 1: goes to the grainy shot of you teaching the kid

762
00:39:30,120 --> 00:39:32,120
Speaker 1: how to ride a bike, where he's teaching you how

763
00:39:32,160 --> 00:39:34,800
Speaker 1: to throw a baseball. Didn't we do that one? You

764
00:39:34,840 --> 00:39:37,759
Speaker 1: know what I mean? Early on, So it's it's full

765
00:39:37,840 --> 00:39:40,040
Speaker 1: circle we do. Yeah, you know, I'm trying to be cocked.

766
00:39:40,160 --> 00:39:42,880
Speaker 1: I summon my inner doctor Cox in this episode so

767
00:39:43,000 --> 00:39:45,759
Speaker 1: much so that we mirror the pilot where I where

768
00:39:45,840 --> 00:39:48,920
Speaker 1: he fought. DJ's character finally has a moment of success

769
00:39:49,120 --> 00:39:52,000
Speaker 1: and I go, I cheer him on, and then he leaves.

770
00:39:52,040 --> 00:39:54,239
Speaker 1: And then and then Judy says, good ahead, and I

771
00:39:54,320 --> 00:39:57,399
Speaker 1: put my arms up in celebration, just like the pilot, right,

772
00:39:57,480 --> 00:39:58,759
Speaker 1: and then You're like, can you fix that for me

773
00:39:58,840 --> 00:40:01,320
Speaker 1: while I'm gone, Yeah, that's funny. I gave him a

774
00:40:01,360 --> 00:40:05,279
Speaker 1: peptog and then he still fucked it up. He never

775
00:40:05,360 --> 00:40:07,439
Speaker 1: comes back, That's what's crazy. He never came back after

776
00:40:07,560 --> 00:40:10,520
Speaker 1: this episode. None of them do. And other than other

777
00:40:10,640 --> 00:40:14,839
Speaker 1: than the love interest, then Kelly the love interest, none

778
00:40:14,880 --> 00:40:18,320
Speaker 1: of these characters came back. Yeah. I think DJ calls

779
00:40:18,320 --> 00:40:20,440
Speaker 1: at them. At that time. You know, his career was

780
00:40:20,480 --> 00:40:22,600
Speaker 1: on fire and he was just kind of coming by

781
00:40:22,680 --> 00:40:26,960
Speaker 1: to do a quick guest star role. Yeah. Um, then

782
00:40:27,000 --> 00:40:32,160
Speaker 1: you convinced Johnny C to show his ass, right, and um,

783
00:40:32,920 --> 00:40:34,759
Speaker 1: john C has a nice ass. I'm not gonna lie,

784
00:40:34,880 --> 00:40:37,440
Speaker 1: but it just didn't fit the character. So you like

785
00:40:37,640 --> 00:40:40,160
Speaker 1: Johnny seas ass. Though. It's not that I like Johnny

786
00:40:40,200 --> 00:40:42,120
Speaker 1: cs ass. It's just that you know, when you work

787
00:40:42,160 --> 00:40:45,560
Speaker 1: out that much, right, I mean, you could bounce, you could.

788
00:40:46,000 --> 00:40:47,919
Speaker 1: John C used to say that shit, you could bounce

789
00:40:47,960 --> 00:40:50,000
Speaker 1: a quarter off his ass. You know that, you know

790
00:40:50,120 --> 00:40:52,600
Speaker 1: that Johnny sees not the kind of guy who's skips

791
00:40:52,719 --> 00:40:55,600
Speaker 1: leg an ass day. Hell no, you know he doesn't.

792
00:40:55,880 --> 00:40:58,080
Speaker 1: You know far a fact he does, right, he got

793
00:40:58,160 --> 00:41:01,359
Speaker 1: this look. Man. When I started getting serious about working out,

794
00:41:01,400 --> 00:41:04,279
Speaker 1: I remember getting a text or call from Johnny C.

795
00:41:04,480 --> 00:41:07,439
Speaker 1: I was doing the Santa Monica stairs, and I guess

796
00:41:07,520 --> 00:41:13,480
Speaker 1: he drove by because Santa Monica and Malibu are very

797
00:41:13,520 --> 00:41:17,760
Speaker 1: close to each other. And I remember getting the call, Donald,

798
00:41:18,480 --> 00:41:21,279
Speaker 1: have you taken your workout to the next level? Did

799
00:41:21,320 --> 00:41:24,319
Speaker 1: I just drive by the Santa Monica stairs and see

800
00:41:24,440 --> 00:41:27,719
Speaker 1: you going up the Santa Monica stairs. I'm very proud

801
00:41:27,760 --> 00:41:30,400
Speaker 1: of you, Donald, I'm very very proud of you. You

802
00:41:30,480 --> 00:41:33,120
Speaker 1: gotta work the legs. You gotta work the legs. The

803
00:41:33,320 --> 00:41:36,560
Speaker 1: Johnny C told me that he listens to our podcast

804
00:41:36,680 --> 00:41:39,480
Speaker 1: as he's working out Tuesday and Thursday morning. So Johnny,

805
00:41:39,480 --> 00:41:42,560
Speaker 1: if you're listening to this, don't skip those squats. Buddy,

806
00:41:42,680 --> 00:41:46,480
Speaker 1: keep you he doesn't keep as keep that ass firm, Johnny.

807
00:41:46,640 --> 00:41:48,759
Speaker 1: Do a couple more reps. You could bounce a quarter

808
00:41:48,840 --> 00:41:51,200
Speaker 1: off of it. Yeah, can you still bounce a quarter, Johnny?

809
00:41:51,320 --> 00:41:54,799
Speaker 1: Or is it now just a penny solely? A penny

810
00:41:54,840 --> 00:42:01,959
Speaker 1: will bounce? Um? Also clueless. When I saw the pants drop,

811
00:42:02,040 --> 00:42:04,960
Speaker 1: I thought clueless right away? What is it with the

812
00:42:05,040 --> 00:42:08,600
Speaker 1: pants load thing? Okay, so this is where it's a

813
00:42:08,640 --> 00:42:12,279
Speaker 1: cultural thing. So in prison, they don't give you a belt,

814
00:42:12,480 --> 00:42:14,839
Speaker 1: they don't give you shoelaces because they're afraid that people

815
00:42:14,880 --> 00:42:17,640
Speaker 1: will hang themselves in their cells and stuff like that,

816
00:42:18,080 --> 00:42:21,080
Speaker 1: or use it as a weapon. Right, So you have

817
00:42:21,160 --> 00:42:24,200
Speaker 1: a bunch of people in prison walking around with their

818
00:42:24,280 --> 00:42:28,240
Speaker 1: pants sagging and their shoes not necessarily you know, flipping

819
00:42:28,320 --> 00:42:33,280
Speaker 1: flip flopping off their feet. So when we did Clueless,

820
00:42:33,719 --> 00:42:37,160
Speaker 1: this had been become a fashion statement in the inner city.

821
00:42:37,280 --> 00:42:40,160
Speaker 1: So like a lot of youth in the inner city

822
00:42:40,520 --> 00:42:44,319
Speaker 1: were wearing their pants sagging, just copying what they saw

823
00:42:44,440 --> 00:42:46,359
Speaker 1: from the ogs, you know what I mean? Right, right,

824
00:42:46,680 --> 00:42:51,879
Speaker 1: And so this became this became a thing, and did it? Yeah,

825
00:42:51,880 --> 00:42:54,000
Speaker 1: I think the FAD's gone away, right or no, do

826
00:42:54,040 --> 00:42:56,319
Speaker 1: you still still see people doing it. Well, I'm an

827
00:42:56,320 --> 00:42:58,400
Speaker 1: adult now I still see it. I'm an adult now,

828
00:42:58,480 --> 00:43:00,920
Speaker 1: I'm gonna grown man now, so I prefer if you

829
00:43:00,960 --> 00:43:02,840
Speaker 1: would have picked I don't want to see your underwear.

830
00:43:03,440 --> 00:43:05,919
Speaker 1: But when I was a youth, I was like, oh shit,

831
00:43:06,040 --> 00:43:08,600
Speaker 1: this you know this is I did it all the time,

832
00:43:08,680 --> 00:43:11,160
Speaker 1: so I know mine from an adult point of view though,

833
00:43:11,480 --> 00:43:15,520
Speaker 1: it's a pretty ridiculous style. Absolutely, but you have to

834
00:43:15,600 --> 00:43:17,600
Speaker 1: be an adult to be like I don't like that style,

835
00:43:17,719 --> 00:43:19,640
Speaker 1: of course, But I kid, you're like, look at all

836
00:43:19,680 --> 00:43:21,880
Speaker 1: the ogs did it? You know what I mean? There

837
00:43:21,960 --> 00:43:25,480
Speaker 1: was somebody did it, of course, and I'm sure that

838
00:43:25,600 --> 00:43:28,800
Speaker 1: I subscribe to some style that I would think is ridiculous.

839
00:43:28,880 --> 00:43:31,640
Speaker 1: Now very low v nex dude, I've seen you with

840
00:43:31,760 --> 00:43:34,520
Speaker 1: your pants sag and low too, So you can't not

841
00:43:34,800 --> 00:43:37,600
Speaker 1: like your character did in the show. Dude. Well, no,

842
00:43:37,880 --> 00:43:39,480
Speaker 1: not like that, but I've seen it. But I had

843
00:43:39,520 --> 00:43:43,200
Speaker 1: some embarrassingly low V nex did you really? Yeah? I

844
00:43:43,640 --> 00:43:46,759
Speaker 1: went through a low V neck phase. Do you like

845
00:43:46,880 --> 00:43:48,959
Speaker 1: a V neck? Did you? Well? Now you can't because

846
00:43:49,239 --> 00:43:50,880
Speaker 1: there are certain things that I used to do. A

847
00:43:51,000 --> 00:43:54,000
Speaker 1: cargo shorts, I guess are done. My girlfriend said, no way,

848
00:43:54,000 --> 00:43:56,360
Speaker 1: do you fucking can I wear those cargo shorts? You know?

849
00:43:56,400 --> 00:43:58,399
Speaker 1: When I wear cargo shorts when I go to play golf.

850
00:43:58,880 --> 00:44:01,719
Speaker 1: That's it. I think most women, and Joel, if you

851
00:44:01,760 --> 00:44:04,160
Speaker 1: wouldn't mind speaking on behalf of all women in the

852
00:44:04,239 --> 00:44:08,719
Speaker 1: world are pretty. Are pretty over cargo shorts. They're not.

853
00:44:09,040 --> 00:44:14,400
Speaker 1: They're not attractive on anybody. So yo, saggy leg. This

854
00:44:14,640 --> 00:44:17,399
Speaker 1: is when you knew cargo shorts was a rap. When

855
00:44:17,480 --> 00:44:20,920
Speaker 1: Adam Sandler stopped wearing cargo shorts, you knew. Okay, I

856
00:44:21,000 --> 00:44:23,520
Speaker 1: guess cargo shorts is over. Well, it's funny, it was

857
00:44:23,600 --> 00:44:25,480
Speaker 1: for years. It was like, I don't know if the

858
00:44:25,560 --> 00:44:27,800
Speaker 1: Grip and Electric guys are still wearing them, but that

859
00:44:27,880 --> 00:44:30,719
Speaker 1: was the go to uniform, was cargo shorts, right, even

860
00:44:30,800 --> 00:44:33,440
Speaker 1: in freezing weather. Yeah. And I had a bunch of them.

861
00:44:33,640 --> 00:44:37,840
Speaker 1: And I recently tried to pull out a bunch and

862
00:44:38,520 --> 00:44:41,239
Speaker 1: showed Flow and she said, do you have to take

863
00:44:41,280 --> 00:44:44,160
Speaker 1: those off immediately? Yeah? I agree, So they're done. But

864
00:44:44,239 --> 00:44:46,160
Speaker 1: I can't get I can't throw them away. I feel,

865
00:44:47,080 --> 00:44:49,320
Speaker 1: do you have stuff in your closet you cannot wear anymore?

866
00:44:49,320 --> 00:44:51,200
Speaker 1: But you're well, obviously we're looking at your closet, but

867
00:44:51,280 --> 00:44:53,600
Speaker 1: you cannot wear anymore. You're like, I can't wear those anymore,

868
00:44:53,600 --> 00:44:55,240
Speaker 1: but you just can't throw them away. They have nostalgia

869
00:44:55,280 --> 00:44:58,000
Speaker 1: for them. They might come back too. Yeah, and I'll

870
00:44:58,000 --> 00:45:00,000
Speaker 1: be fucking locked and loaded when cargo shorts come back.

871
00:45:00,200 --> 00:45:01,839
Speaker 1: All right, do we need to take a break, Joel

872
00:45:01,920 --> 00:45:04,080
Speaker 1: or what? We're gonna take a break, and when we

873
00:45:04,120 --> 00:45:07,880
Speaker 1: come back, we're gonna have a fan caller. Enjoy these

874
00:45:08,120 --> 00:45:20,960
Speaker 1: beautiful words. Dude can make that I'm good noise. We

875
00:45:21,080 --> 00:45:22,759
Speaker 1: used to donal and I used to make this noise

876
00:45:22,840 --> 00:45:25,440
Speaker 1: whenever Sarah was like it was like late and we

877
00:45:25,520 --> 00:45:29,800
Speaker 1: were all going stir crazy. We'd go and it would crack.

878
00:45:30,239 --> 00:45:32,920
Speaker 1: It would crack her up, and no one could hear it,

879
00:45:32,960 --> 00:45:35,000
Speaker 1: like the director or the producer of Randall. No one

880
00:45:35,040 --> 00:45:36,520
Speaker 1: could hear that we were doing it. And she'd be like,

881
00:45:36,640 --> 00:45:38,560
Speaker 1: stop doing that, and she'd be cracking up. Just back,

882
00:45:38,600 --> 00:45:41,200
Speaker 1: what are you talking about? Like, Sarah, everyone's tired. Do

883
00:45:41,200 --> 00:45:43,160
Speaker 1: you want to go home? Stop fucking up? And then

884
00:45:43,239 --> 00:45:50,919
Speaker 1: she started her line and we go, oh, I missed

885
00:45:50,960 --> 00:45:53,839
Speaker 1: that crazy girl. She's coming. She's coming on when when

886
00:45:53,960 --> 00:45:58,840
Speaker 1: Joel Friday, right, Friday's Krista, Oh yeah, next week we

887
00:45:58,960 --> 00:46:02,480
Speaker 1: got up. We got Sarah Chalk, the legendary Canadian. All right,

888
00:46:02,760 --> 00:46:07,120
Speaker 1: b J Mendelson. Okay, before we get into b J Mendelson,

889
00:46:07,160 --> 00:46:09,279
Speaker 1: I'm just gonna say this out loud. A lot of

890
00:46:09,320 --> 00:46:12,439
Speaker 1: people are getting pissed off at my Oprah shit. Why

891
00:46:13,280 --> 00:46:15,560
Speaker 1: because some people are mad that I'm saying doing the

892
00:46:15,600 --> 00:46:18,520
Speaker 1: Oprah stuff. No fuck that you're reading too many comments, Tode.

893
00:46:18,840 --> 00:46:21,960
Speaker 1: I know. I told you in the beginning of you're

894
00:46:23,560 --> 00:46:26,799
Speaker 1: you're doing two different dives. I engage with a little.

895
00:46:27,280 --> 00:46:29,920
Speaker 1: I engage a little, especially with the nice people, and

896
00:46:30,040 --> 00:46:32,600
Speaker 1: then you just dismount. You're like, you're like getting in

897
00:46:32,680 --> 00:46:34,640
Speaker 1: your head. Oh, your Oprah voice is one of the

898
00:46:34,719 --> 00:46:37,640
Speaker 1: reasons I come to work every day. Well, in that case,

899
00:46:37,920 --> 00:46:45,680
Speaker 1: give it up for BJ Mendelson. Hey, I didn't know

900
00:46:45,800 --> 00:46:48,040
Speaker 1: this was gonna be like a video thing, so I'm

901
00:46:48,040 --> 00:46:53,279
Speaker 1: like wearing my trashy shirt. You look great. We're gonna

902
00:46:53,280 --> 00:46:56,640
Speaker 1: apologize to our listeners that BJ doesn't have the ideal

903
00:46:57,440 --> 00:47:00,640
Speaker 1: the ideal set up because he has a microphone that's

904
00:47:00,640 --> 00:47:02,359
Speaker 1: a little wacky. But we're gonna fix it in post,

905
00:47:02,560 --> 00:47:06,600
Speaker 1: are you Dan? I am? That's why do you play?

906
00:47:06,719 --> 00:47:11,680
Speaker 1: What do you play? Bj? Cod I'm embarrassed to say Fortnite,

907
00:47:13,560 --> 00:47:15,520
Speaker 1: And I could tell you it was my nieces and

908
00:47:15,640 --> 00:47:17,560
Speaker 1: nephew that that got me into it because I let

909
00:47:17,560 --> 00:47:22,720
Speaker 1: me ask you a question. Do you default dance? I do? Okay?

910
00:47:23,080 --> 00:47:28,200
Speaker 1: Do you use Donald Stunt dance? That's the default dance? Okay? Sorry? Now,

911
00:47:28,640 --> 00:47:30,800
Speaker 1: now why are you embarrassed? BJ? I don't really know

912
00:47:30,920 --> 00:47:34,320
Speaker 1: much about gaming these days. Is Fortnite just meant for children? No?

913
00:47:36,480 --> 00:47:38,879
Speaker 1: Then why is he embarrassed about it? Because I made

914
00:47:38,920 --> 00:47:40,880
Speaker 1: a big stink about how much I do not like

915
00:47:41,120 --> 00:47:44,000
Speaker 1: Fortnite because they stole my dance. But I don't give

916
00:47:44,040 --> 00:47:46,600
Speaker 1: a shit. To be honest with you, I'm very very

917
00:47:46,800 --> 00:47:49,920
Speaker 1: very I'm very very happy that they stole my dance.

918
00:47:50,120 --> 00:47:52,239
Speaker 1: I think you were I think you were misquoted when

919
00:47:52,360 --> 00:47:55,040
Speaker 1: you caused a little controversy. You were joke. You were

920
00:47:55,080 --> 00:47:57,520
Speaker 1: sort of joking, and then there were people who were like,

921
00:47:57,760 --> 00:47:59,879
Speaker 1: if they take off that dance because of you? Fuck

922
00:48:00,080 --> 00:48:03,839
Speaker 1: you dude. They were I've never had more twelve year

923
00:48:03,880 --> 00:48:06,600
Speaker 1: old boys mad at me in my life. Yeah, dude,

924
00:48:07,160 --> 00:48:09,920
Speaker 1: well you threatened to take away their dance. I didn't threaten.

925
00:48:10,040 --> 00:48:12,040
Speaker 1: All I did was said. All I did was say

926
00:48:12,120 --> 00:48:14,840
Speaker 1: you know, they jacked it and then out of nowhere

927
00:48:15,200 --> 00:48:17,400
Speaker 1: like it was a bunch of kids like fuck you.

928
00:48:17,560 --> 00:48:20,760
Speaker 1: You has been It's because nobody watches your shit anymore.

929
00:48:20,840 --> 00:48:24,799
Speaker 1: You suck anyway. It's because what you didn't get any

930
00:48:24,840 --> 00:48:28,239
Speaker 1: money making scrubs. You didn't get any money making. You

931
00:48:28,280 --> 00:48:30,720
Speaker 1: get all riled up because you made a joke about

932
00:48:30,719 --> 00:48:33,279
Speaker 1: the Fortnite dance. And I'm fine with that, you know

933
00:48:33,320 --> 00:48:35,839
Speaker 1: what I mean, And and I'm fine with it being

934
00:48:35,880 --> 00:48:38,439
Speaker 1: the default dance. What are the other dances that BJ

935
00:48:38,680 --> 00:48:41,600
Speaker 1: could use? Well, there's the backpack Kids one where it's like,

936
00:48:41,719 --> 00:48:44,120
Speaker 1: oh yeah, backpack kid, and then you need to pay

937
00:48:44,200 --> 00:48:46,200
Speaker 1: more money for that. I don't know. I don't know

938
00:48:46,200 --> 00:48:48,719
Speaker 1: if that's something you want lock or not. I'm still

939
00:48:48,840 --> 00:48:51,960
Speaker 1: new to it. I am still like, as long as

940
00:48:52,000 --> 00:48:53,879
Speaker 1: you do with the Turk dance, it's all good. Yeah.

941
00:48:55,400 --> 00:48:59,160
Speaker 1: Do you find yourself BJ and Fortnite? Do you talk

942
00:48:59,200 --> 00:49:02,080
Speaker 1: to other people? No? I try not to. But that

943
00:49:02,200 --> 00:49:04,360
Speaker 1: was my big thing was I'm kind of just you know,

944
00:49:04,400 --> 00:49:07,600
Speaker 1: I'm an author, so I don't socialize well with others.

945
00:49:08,120 --> 00:49:12,120
Speaker 1: So playing like these online games where people are talking

946
00:49:12,160 --> 00:49:14,600
Speaker 1: shit to you is like a new experiencer especially when

947
00:49:14,600 --> 00:49:17,120
Speaker 1: you're thirty seven and have never played these things in

948
00:49:17,200 --> 00:49:18,640
Speaker 1: your life. So do you and do you choose to

949
00:49:18,719 --> 00:49:22,279
Speaker 1: not engage with angry twelve year olds? I try not to. Okay,

950
00:49:22,360 --> 00:49:24,600
Speaker 1: it's probably good. It's probably good. I think I would

951
00:49:24,600 --> 00:49:26,440
Speaker 1: get upset. And I think personally if I did it,

952
00:49:26,480 --> 00:49:29,560
Speaker 1: if somebody was like, fuck your mother, and I was like, whoa, whoa, whoa,

953
00:49:29,600 --> 00:49:31,480
Speaker 1: I'm just trying to fucking save the world here, everybody

954
00:49:31,480 --> 00:49:33,840
Speaker 1: comment right, exactly the worst thing in the world to

955
00:49:33,960 --> 00:49:38,680
Speaker 1: hear a kid yelling at your trash. P me, pev pamy,

956
00:49:39,400 --> 00:49:43,239
Speaker 1: pav paymy. What does that mean? Pvpe me like, play

957
00:49:43,360 --> 00:49:49,160
Speaker 1: me like versus just okay, player first player BJ. Do

958
00:49:49,200 --> 00:49:51,080
Speaker 1: you play any other games besides Fortnite? Or is this

959
00:49:51,239 --> 00:49:56,080
Speaker 1: year right now? It's wild Fantasy seven? You're a role player?

960
00:49:56,400 --> 00:50:00,120
Speaker 1: Hold on, ye did you play Dungeon and Dragons growing up? I? No,

961
00:50:00,200 --> 00:50:03,719
Speaker 1: I was in Magic the Gathering Kids, same shit, same, yeah,

962
00:50:03,800 --> 00:50:08,560
Speaker 1: it is, It's true, that's cards. Yeah, yeah, that was

963
00:50:08,600 --> 00:50:13,080
Speaker 1: a difference. Got very addicted to the Star Wars role

964
00:50:13,160 --> 00:50:16,000
Speaker 1: playing game. Don what was that one? I remember that? Yeah?

965
00:50:16,120 --> 00:50:17,920
Speaker 1: When I was it was the Star Wars game. I

966
00:50:17,960 --> 00:50:19,600
Speaker 1: don't remember what it was called, but there were a

967
00:50:19,719 --> 00:50:22,719
Speaker 1: bunch of different ones. I even DM it. Oh my god,

968
00:50:23,320 --> 00:50:26,440
Speaker 1: Jedi Fallen Order, Donald, No, no, no, no. Jedi Fallen

969
00:50:26,560 --> 00:50:29,160
Speaker 1: Order is a video game. We used to play it

970
00:50:29,360 --> 00:50:31,480
Speaker 1: like it was Dungeons and Dragon. No. No, no, no no,

971
00:50:31,880 --> 00:50:33,520
Speaker 1: that's not what I mean. Okay, but what I'm talking

972
00:50:33,520 --> 00:50:36,520
Speaker 1: about in our adulthood during the time of Scrubs, you

973
00:50:36,600 --> 00:50:41,960
Speaker 1: were playing a Star Wars Galaxies. Yeah, Star Wars Galaxies

974
00:50:42,000 --> 00:50:45,279
Speaker 1: when that came out, I remember that game. I wish

975
00:50:45,360 --> 00:50:47,840
Speaker 1: they didn't cancel it because look, it started off just

976
00:50:48,040 --> 00:50:50,000
Speaker 1: as a role playing game that you would play on

977
00:50:50,080 --> 00:50:54,080
Speaker 1: different planets, and then they introduced being able to fly

978
00:50:54,280 --> 00:50:57,320
Speaker 1: in ships, right, And I remember at one point I

979
00:50:57,920 --> 00:51:01,080
Speaker 1: got to talk to one of the head developers of

980
00:51:01,160 --> 00:51:03,239
Speaker 1: the game, and I was like, you should make it

981
00:51:03,400 --> 00:51:06,400
Speaker 1: so that you could jump in ships on the ground

982
00:51:06,480 --> 00:51:09,800
Speaker 1: and fly in atmosphere and then from atmosphere take it

983
00:51:09,880 --> 00:51:13,960
Speaker 1: to space. And then the game freaking failed eventually. But

984
00:51:14,640 --> 00:51:16,919
Speaker 1: how can a Star Wars game fail? It just doesn't

985
00:51:16,920 --> 00:51:19,279
Speaker 1: seem like it's possible. You know, you change it enough

986
00:51:19,360 --> 00:51:22,720
Speaker 1: times and then people lose interests. You know. What happens

987
00:51:22,840 --> 00:51:26,440
Speaker 1: is is that it starts off and it's pure, and

988
00:51:26,560 --> 00:51:29,600
Speaker 1: then you start adding things. And once you start adding things,

989
00:51:30,000 --> 00:51:33,200
Speaker 1: you know, people lose interest after a while, you know.

990
00:51:34,920 --> 00:51:41,600
Speaker 1: Perfect example, George Lucas with the original series, with the

991
00:51:41,680 --> 00:51:45,640
Speaker 1: original trilogy, it was, you know, it was shot a

992
00:51:45,760 --> 00:51:48,800
Speaker 1: certain way, and he wasn't happy with it, so he

993
00:51:48,880 --> 00:51:52,080
Speaker 1: started adding things. And the more he added, it seemed

994
00:51:52,120 --> 00:51:53,960
Speaker 1: like the more fans were like, I don't like that.

995
00:51:54,160 --> 00:51:56,520
Speaker 1: I don't like that. You don't need to add now.

996
00:51:56,680 --> 00:51:59,360
Speaker 1: For me, I like the adding. I like that he

997
00:51:59,440 --> 00:52:01,839
Speaker 1: added things because it made it cleaner, and it made

998
00:52:01,880 --> 00:52:04,640
Speaker 1: it faster, and it made it you know, if you

999
00:52:04,719 --> 00:52:08,800
Speaker 1: watch the original and New Hope, it's not as the

1000
00:52:08,920 --> 00:52:13,480
Speaker 1: special effects in it aren't as glorious as they are

1001
00:52:13,640 --> 00:52:17,959
Speaker 1: now when you watch it on Disney. Plus that being said,

1002
00:52:19,000 --> 00:52:21,000
Speaker 1: there are a lot of people that don't like that,

1003
00:52:21,200 --> 00:52:25,239
Speaker 1: do not like him going and retouching. I for one,

1004
00:52:25,360 --> 00:52:28,080
Speaker 1: do like the retouch I think I think there are

1005
00:52:28,120 --> 00:52:31,200
Speaker 1: certain movies that still like. People got mad when they

1006
00:52:31,320 --> 00:52:34,919
Speaker 1: retouched et you know what I mean. I, for one,

1007
00:52:35,719 --> 00:52:38,719
Speaker 1: wasn't that mad at it. I'm gonna be honest. All right, Well,

1008
00:52:38,719 --> 00:52:40,880
Speaker 1: we should probably ask BJ some of his thoughts yea,

1009
00:52:40,960 --> 00:52:43,960
Speaker 1: though this is a rarity. I usually everyone I encounter

1010
00:52:44,160 --> 00:52:47,359
Speaker 1: hates the touch ups to the original trilogy. I don't

1011
00:52:47,400 --> 00:52:49,520
Speaker 1: mind them at all. The only one that I freak

1012
00:52:49,560 --> 00:52:51,800
Speaker 1: out about is the one everyone freaks out about with

1013
00:52:51,920 --> 00:52:55,200
Speaker 1: great those shooting first, right, that's bullshit, come out, yeah right,

1014
00:52:55,239 --> 00:52:56,839
Speaker 1: like that's the old the rest of it. I really

1015
00:52:57,080 --> 00:52:59,160
Speaker 1: I remember getting in line at this theater when they

1016
00:53:00,000 --> 00:53:02,040
Speaker 1: at least because forty, I wasn't old enough pretty riginal

1017
00:53:02,040 --> 00:53:04,719
Speaker 1: Star Wars. So when they see you're pretty close to

1018
00:53:04,800 --> 00:53:07,239
Speaker 1: it though, right, you said you're thirty, I just yeah,

1019
00:53:07,239 --> 00:53:09,520
Speaker 1: I just turned thirty seven, so nine years younger than

1020
00:53:09,600 --> 00:53:12,120
Speaker 1: us or so. Yeah. So my like my first Star

1021
00:53:12,160 --> 00:53:14,800
Speaker 1: Wars is the Phantom Menace, which is I'm ashamed to

1022
00:53:15,200 --> 00:53:17,880
Speaker 1: say that out loud, dude, you shouldn't be, because the

1023
00:53:17,960 --> 00:53:21,560
Speaker 1: Phantom Menaces new energy behind it thanks to Dave Filoni.

1024
00:53:21,840 --> 00:53:24,279
Speaker 1: But okay, true, true, and plus it had the great

1025
00:53:24,320 --> 00:53:28,960
Speaker 1: odd racing and sixty four game right well, which was amazing.

1026
00:53:29,600 --> 00:53:31,840
Speaker 1: But I liked all the touch ups that they because

1027
00:53:31,840 --> 00:53:33,480
Speaker 1: to me, it was like, all right, it looks like

1028
00:53:33,600 --> 00:53:36,120
Speaker 1: everything else because when I remember watching on VHS, I

1029
00:53:36,239 --> 00:53:38,960
Speaker 1: kind of fell asleep, right because it didn't look you know,

1030
00:53:39,040 --> 00:53:41,160
Speaker 1: when I was literally didn't look as crisp as some

1031
00:53:41,200 --> 00:53:42,759
Speaker 1: many other things that I was used to seeing at

1032
00:53:42,800 --> 00:53:46,080
Speaker 1: that age. Right, where do you live, BJ, I'm up

1033
00:53:46,120 --> 00:53:49,000
Speaker 1: in Monroe, New York, which is if anyone knows what

1034
00:53:49,120 --> 00:53:53,120
Speaker 1: Woodberry Commons is, it's a large tourist trap. Okay, said

1035
00:53:53,120 --> 00:53:55,160
Speaker 1: you're a writer, are you? Are you a novelist? Yeah?

1036
00:53:55,280 --> 00:53:58,000
Speaker 1: So I'm the author of a book called Social Media

1037
00:53:58,040 --> 00:54:00,440
Speaker 1: is Bullshit. I wrote it in plenty twelve, so I

1038
00:54:00,520 --> 00:54:02,560
Speaker 1: was a little out of its time. I'm happy to

1039
00:54:02,600 --> 00:54:05,239
Speaker 1: give it away for free. If anyone wants a free copy,

1040
00:54:05,280 --> 00:54:06,759
Speaker 1: all they have to do is just hit me up

1041
00:54:06,800 --> 00:54:09,120
Speaker 1: on Twitter. It's like I said, it's an older book. Ironically,

1042
00:54:09,120 --> 00:54:10,960
Speaker 1: they're gonna have to hit you up on social media. Right.

1043
00:54:11,040 --> 00:54:12,680
Speaker 1: So that was the thing that was the thing that

1044
00:54:13,080 --> 00:54:15,000
Speaker 1: I got a lot when it came out, was it

1045
00:54:15,160 --> 00:54:16,520
Speaker 1: was like, oh, hey, well, you know you've got this

1046
00:54:16,600 --> 00:54:19,560
Speaker 1: big presence on Twitter, but social media is bullshit. And

1047
00:54:19,600 --> 00:54:22,000
Speaker 1: when I said, people, was it not the tools? That's

1048
00:54:22,000 --> 00:54:24,640
Speaker 1: how you use it. And that's the part that where

1049
00:54:24,640 --> 00:54:27,879
Speaker 1: you run intold this bullshit. Yeah, bid dad, I feel

1050
00:54:27,920 --> 00:54:29,560
Speaker 1: like you'd be a guest and we could just talk

1051
00:54:29,600 --> 00:54:31,759
Speaker 1: to for hours about Yeah, as long as you guys

1052
00:54:31,800 --> 00:54:33,480
Speaker 1: don't go down in the Star Wars root every fucking

1053
00:54:33,560 --> 00:54:36,959
Speaker 1: five minutes, because I see I see Joel like nodding again,

1054
00:54:37,080 --> 00:54:39,680
Speaker 1: like she's like as though she's yelling preach when you

1055
00:54:39,719 --> 00:54:42,759
Speaker 1: guys start to talk. So yeah, she's got her hand

1056
00:54:42,800 --> 00:54:45,279
Speaker 1: up in the air, like you preach. I gotta tell you,

1057
00:54:46,000 --> 00:54:49,279
Speaker 1: I gotta tell you for the it's it's scrub. Yes, yes, please.

1058
00:54:49,960 --> 00:54:53,520
Speaker 1: I have never felt so old, and now you know,

1059
00:54:53,680 --> 00:54:55,279
Speaker 1: knowing that you guys older than I am, I can

1060
00:54:55,360 --> 00:54:58,040
Speaker 1: only mention how you could feel. I was pitching this

1061
00:54:58,200 --> 00:55:00,560
Speaker 1: TV show and I can't, you know, can't say too

1062
00:55:00,640 --> 00:55:01,920
Speaker 1: much about it. But what I can't say is that

1063
00:55:01,920 --> 00:55:03,680
Speaker 1: it's about the six million dollars man, because we just

1064
00:55:03,760 --> 00:55:06,160
Speaker 1: pitched it live on this show, So don't steal that,

1065
00:55:06,200 --> 00:55:08,800
Speaker 1: all right again, it totally should be. It totally should be.

1066
00:55:08,880 --> 00:55:11,680
Speaker 1: That's due for a remake, although we've inflation. I think

1067
00:55:11,680 --> 00:55:14,640
Speaker 1: you might have to adjust it slightly. Yeah, said, we

1068
00:55:14,680 --> 00:55:16,600
Speaker 1: said you wouldn't get very far with rebuilding him for

1069
00:55:16,680 --> 00:55:19,399
Speaker 1: six minutes. Maybe his feet, Yeah, you would get the feet,

1070
00:55:19,560 --> 00:55:21,640
Speaker 1: maybe like the decas he would just fall over a lot.

1071
00:55:22,160 --> 00:55:24,800
Speaker 1: Uh so, but this kid, the kid, the kid that

1072
00:55:24,840 --> 00:55:26,600
Speaker 1: would start in the show, is only like twenty and

1073
00:55:26,680 --> 00:55:29,400
Speaker 1: twenty one. And so as I was going through with

1074
00:55:29,520 --> 00:55:31,279
Speaker 1: him and explaining like the look and to feel, I

1075
00:55:31,360 --> 00:55:32,600
Speaker 1: was like, you know, it's it's a lot like Scrub

1076
00:55:32,760 --> 00:55:35,840
Speaker 1: season one and Scrub season eight, where it's a little goofy,

1077
00:55:35,920 --> 00:55:38,120
Speaker 1: but it's also got like a little bit of darkness

1078
00:55:38,200 --> 00:55:41,399
Speaker 1: to it. And he was humoring me. He's like, oh, yeah, yeah,

1079
00:55:41,400 --> 00:55:44,040
Speaker 1: I remember Scrubs. And then uh like got off the

1080
00:55:44,080 --> 00:55:45,640
Speaker 1: phone and the producer calls me right back and he's

1081
00:55:45,680 --> 00:55:48,279
Speaker 1: like he has no idea what the fuck Scrubs it? Like,

1082
00:55:48,760 --> 00:55:53,600
Speaker 1: like what Scrubs was on? He was maybe too And

1083
00:55:53,800 --> 00:55:56,480
Speaker 1: for me, like is this kid a successful actor? He

1084
00:55:56,680 --> 00:56:00,440
Speaker 1: is a successful TikTok star. Oh well yeah, yeah right,

1085
00:56:00,600 --> 00:56:04,560
Speaker 1: Like yeah, so on the way, Donald, TikTok was out

1086
00:56:04,640 --> 00:56:06,400
Speaker 1: when when you were young, you would have been a

1087
00:56:06,440 --> 00:56:08,960
Speaker 1: TikTok star because you all would have been TikTok. No,

1088
00:56:09,239 --> 00:56:12,400
Speaker 1: but I can't dance like you can do those moves, dude, No,

1089
00:56:12,600 --> 00:56:14,400
Speaker 1: but you would have. You would have figured out a

1090
00:56:14,440 --> 00:56:17,040
Speaker 1: way to freaking look man, you did Garden State. You

1091
00:56:17,080 --> 00:56:18,920
Speaker 1: would have figured out a way to make a fucking

1092
00:56:19,000 --> 00:56:22,320
Speaker 1: movie on TikTok that everybody loved, even if it was,

1093
00:56:22,400 --> 00:56:25,520
Speaker 1: like you know, only however long TikTok allows it, you

1094
00:56:25,560 --> 00:56:28,160
Speaker 1: would have figured out a way. You're a very bright boy,

1095
00:56:28,440 --> 00:56:30,319
Speaker 1: Thank you, very bright. Do you do you ever see

1096
00:56:30,360 --> 00:56:32,400
Speaker 1: that video of the girl on TikTok and she's like

1097
00:56:32,520 --> 00:56:35,840
Speaker 1: vent viral. She's sobbing, but she's still doing her TikTok

1098
00:56:35,960 --> 00:56:39,759
Speaker 1: dance for the song and some comedian I forgot, I

1099
00:56:39,760 --> 00:56:42,000
Speaker 1: don't know who it was, but they wrote like maybe

1100
00:56:42,080 --> 00:56:44,200
Speaker 1: maybe wait till you're done with your breakdown, until you

1101
00:56:44,600 --> 00:56:46,520
Speaker 1: to do the dance. But she's trying to make a

1102
00:56:46,600 --> 00:56:49,160
Speaker 1: point that like I'm still gonna dance through this sad

1103
00:56:49,280 --> 00:56:51,880
Speaker 1: moment and she's doing all the choreography but she's bawling.

1104
00:56:52,360 --> 00:56:54,480
Speaker 1: I've never seen this. Have you got a BJ Have

1105
00:56:54,520 --> 00:56:56,360
Speaker 1: you seen that I have? I gotta tell you I

1106
00:56:56,480 --> 00:56:59,759
Speaker 1: tried like hell to avoid TikTok and snapchat, but it's

1107
00:56:59,800 --> 00:57:02,520
Speaker 1: the thess nephews there that age group where that's all

1108
00:57:02,560 --> 00:57:05,840
Speaker 1: there on. Look at my daughter, that's all she watched.

1109
00:57:06,160 --> 00:57:09,120
Speaker 1: My daughter, not my not my not my five year old,

1110
00:57:09,200 --> 00:57:11,640
Speaker 1: but my twenty one year old just walks through the house. Dad,

1111
00:57:11,719 --> 00:57:14,880
Speaker 1: you gotta check this out. And it's nothing but TikTok

1112
00:57:14,960 --> 00:57:17,919
Speaker 1: shit Like it's so much. I would get my daughter

1113
00:57:18,040 --> 00:57:19,640
Speaker 1: up my five year old up here right now. But

1114
00:57:19,800 --> 00:57:22,480
Speaker 1: my twenty one year old daughter has corrupted Kaya has

1115
00:57:22,560 --> 00:57:27,080
Speaker 1: corrupted Wilder so much that Wilder is now doing the

1116
00:57:27,280 --> 00:57:34,520
Speaker 1: Savage challenge. I'm a savage, classy bougie ratchet. Can you

1117
00:57:34,600 --> 00:57:43,800
Speaker 1: get her up here? We got to hear it. Hold up, Wilder,

1118
00:57:44,640 --> 00:57:46,600
Speaker 1: this might be worth it. BJ You're about to get

1119
00:57:46,640 --> 00:57:50,080
Speaker 1: a special. She's warming up because she used to she

1120
00:57:50,160 --> 00:57:52,240
Speaker 1: used to know. She used to not perform on cue.

1121
00:57:52,280 --> 00:57:55,560
Speaker 1: But we're gonna turn her into a We're gonna turn

1122
00:57:55,600 --> 00:57:57,480
Speaker 1: her into a child actress. If it's the death of us,

1123
00:57:57,800 --> 00:58:00,200
Speaker 1: that's that's fantastic. That guy have to tell you. Um

1124
00:58:00,520 --> 00:58:03,120
Speaker 1: so that just real quick. The Garden State soundtrack for

1125
00:58:03,880 --> 00:58:06,080
Speaker 1: my college radio station was all that they would play

1126
00:58:07,040 --> 00:58:08,720
Speaker 1: when it came out, So I just I would I

1127
00:58:08,800 --> 00:58:12,440
Speaker 1: feel obligated to share that with you than welcome to

1128
00:58:12,520 --> 00:58:16,959
Speaker 1: come back? Thank you? Yeah? Yeah, it was Donald jokes

1129
00:58:17,040 --> 00:58:18,600
Speaker 1: that I want to grab me for a mixtape, but

1130
00:58:18,640 --> 00:58:20,760
Speaker 1: it's He's right. It was just the music I was

1131
00:58:20,960 --> 00:58:22,640
Speaker 1: me and my friends were listening to and it felt

1132
00:58:22,680 --> 00:58:25,680
Speaker 1: really appropriate for the UH, for the era that the

1133
00:58:25,720 --> 00:58:28,800
Speaker 1: film was about. And then UH, with the help of

1134
00:58:28,880 --> 00:58:32,560
Speaker 1: my editor Myron Kirsteine, Um, he really gets all the

1135
00:58:32,600 --> 00:58:35,280
Speaker 1: credit for putting them in the right spots. He I made.

1136
00:58:35,320 --> 00:58:38,280
Speaker 1: I just made a giant playlist, and then I'd let

1137
00:58:38,360 --> 00:58:40,480
Speaker 1: him go attack some scenes and then he'd come back

1138
00:58:40,560 --> 00:58:43,360
Speaker 1: and he'd go, Dude, I've just put the Paul Simon

1139
00:58:43,520 --> 00:58:45,200
Speaker 1: song on this moment, and you got to see it.

1140
00:58:45,280 --> 00:58:47,360
Speaker 1: And I would watch it and get goosebumps up and

1141
00:58:47,360 --> 00:58:49,400
Speaker 1: down my arms, like, yeah, we're never gonna be able

1142
00:58:49,400 --> 00:58:52,520
Speaker 1: to get that song. But that's a key ber. Oh,

1143
00:58:54,440 --> 00:59:00,760
Speaker 1: there's Rocko, there's Roco none, hold on, come on, all right,

1144
00:59:01,080 --> 00:59:06,960
Speaker 1: all right Wilder by Wilder performed backup. You don't need

1145
00:59:07,000 --> 00:59:09,040
Speaker 1: the music. He's just doing without the music. Ready, all right,

1146
00:59:09,320 --> 00:59:17,160
Speaker 1: go five, six, seven, eight. I'm savash Cassie Bratcher, sassy,

1147
00:59:18,280 --> 00:59:31,400
Speaker 1: nasty hacking, I'm savash thunderous of clause? Are you kidding me?

1148
00:59:32,160 --> 00:59:36,000
Speaker 1: All right? Okay, so now I got Look, I'm gonna

1149
00:59:36,040 --> 00:59:37,640
Speaker 1: show you who's all in here. Now. I got the

1150
00:59:37,720 --> 00:59:44,919
Speaker 1: whole family in here, just to see everybody's here. I'm

1151
00:59:45,200 --> 00:59:50,240
Speaker 1: bob okay, okay, all right, all right, get him out,

1152
00:59:50,600 --> 00:59:57,000
Speaker 1: pull him out. Back to the bouncy you guys wet

1153
00:59:57,120 --> 00:59:59,480
Speaker 1: this whole room up. Humh. Back to the bouncy castle.

1154
01:00:00,360 --> 01:00:02,640
Speaker 1: They're they're, they're I don't I don't know this song,

1155
01:00:02,800 --> 01:00:05,640
Speaker 1: but it doesn't seem that it's necessarily appropriate for a

1156
01:00:05,640 --> 01:00:08,360
Speaker 1: five year old to sing the lyrics twenty one year

1157
01:00:08,400 --> 01:00:12,960
Speaker 1: old who's who's watching TikTok like twenty four to seven?

1158
01:00:13,040 --> 01:00:15,000
Speaker 1: And so because of that, can you talk me through

1159
01:00:15,040 --> 01:00:20,160
Speaker 1: the lyrics of this this song? It's it's uh Mega Stallion, right,

1160
01:00:20,720 --> 01:00:25,240
Speaker 1: and she now has a remix with her and Beyonce

1161
01:00:25,920 --> 01:00:29,720
Speaker 1: Oka Beyonce as how would say Rest in Peace My father?

1162
01:00:30,680 --> 01:00:40,040
Speaker 1: And uh the chorus is I'm a savage? Uh uh,

1163
01:00:40,440 --> 01:00:47,400
Speaker 1: what is it? I'm a savage classy boogie ratchet? Uh? Now,

1164
01:00:47,480 --> 01:00:50,120
Speaker 1: what does ratchet mean? Ratchet is like when you're like,

1165
01:00:50,680 --> 01:00:54,400
Speaker 1: that's ratchet, yo, You're ratchet? Isn't necessary? Is typing out

1166
01:00:54,440 --> 01:01:01,040
Speaker 1: the lyrics for you? Donald sat moody, nasty, acting stupid?

1167
01:01:01,840 --> 01:01:05,520
Speaker 1: What's happening? What's happening? I don't know how I feel

1168
01:01:05,520 --> 01:01:09,760
Speaker 1: about my little god dollars saying sassy, maddy, nasty, moody,

1169
01:01:09,880 --> 01:01:12,919
Speaker 1: moody moody. Oh sorry, well it's Joelle's TYPEO, not mine.

1170
01:01:13,080 --> 01:01:18,320
Speaker 1: I thought maddy was a new word. No moody, sassy, moody, ratchet,

1171
01:01:19,120 --> 01:01:27,840
Speaker 1: no acting stupid was happening? Savage passie boogie. BJ's like,

1172
01:01:27,920 --> 01:01:31,760
Speaker 1: what did I get into? This is what it is?

1173
01:01:31,840 --> 01:01:35,440
Speaker 1: Like we forgot about question. This is exactly what I'm

1174
01:01:35,480 --> 01:01:37,600
Speaker 1: going through right now. Like, so, we had this song

1175
01:01:38,080 --> 01:01:41,800
Speaker 1: lild Life. Uh Olivia, she's five, he's really inso it

1176
01:01:42,080 --> 01:01:45,160
Speaker 1: and you know, the lyrics are probably not terribly appropriate

1177
01:01:45,240 --> 01:01:47,280
Speaker 1: for a five year old, so we had to like

1178
01:01:47,320 --> 01:01:49,320
Speaker 1: a mending say, know though the song is called low light.

1179
01:01:49,560 --> 01:01:52,960
Speaker 1: So I know this whole thing very well. Like BJ, A,

1180
01:01:54,440 --> 01:01:58,080
Speaker 1: you have any questions, Yeah, So I don't know way

1181
01:01:58,080 --> 01:02:00,440
Speaker 1: to start because just to get people contact guy, it's

1182
01:02:00,480 --> 01:02:02,760
Speaker 1: it's I've got the fan going soefully you guys can't

1183
01:02:02,760 --> 01:02:04,919
Speaker 1: hear it too much. I can't feel the fan, PJ.

1184
01:02:05,040 --> 01:02:08,960
Speaker 1: Can you turn it a little to so it just

1185
01:02:09,480 --> 01:02:12,480
Speaker 1: just for context. So going through, Uh so I used

1186
01:02:12,480 --> 01:02:14,280
Speaker 1: to be married and going through. We got married just

1187
01:02:14,360 --> 01:02:16,760
Speaker 1: as the recession started, so we didn't have a lot

1188
01:02:16,800 --> 01:02:20,280
Speaker 1: of stuff but we did have Scrubs dvdews, so that

1189
01:02:20,480 --> 01:02:22,800
Speaker 1: was pretty much we would watch did you give him

1190
01:02:22,880 --> 01:02:24,640
Speaker 1: or her? When in the breakup? Did you give him

1191
01:02:24,680 --> 01:02:28,400
Speaker 1: or her? Season nine? Uh? I actually liked season nine.

1192
01:02:28,640 --> 01:02:31,480
Speaker 1: I know that Donald has two do you do Okay?

1193
01:02:31,680 --> 01:02:35,920
Speaker 1: I can't say my needs his attention? I think you

1194
01:02:36,000 --> 01:02:38,320
Speaker 1: do it all the time. Okay, great. So I know

1195
01:02:38,440 --> 01:02:40,520
Speaker 1: this has been said elsewhere by other people, like had

1196
01:02:40,600 --> 01:02:44,800
Speaker 1: it had a different title, um, it would have been successful.

1197
01:02:44,800 --> 01:02:47,240
Speaker 1: But I think because it was still called Scrubs, called

1198
01:02:47,280 --> 01:02:50,640
Speaker 1: the Shipman, called Dave Franco, Yeah, it was a little

1199
01:02:50,680 --> 01:02:56,400
Speaker 1: too much Dave Ranco, Donald Phazon as squeech right, But

1200
01:02:56,440 --> 01:03:00,120
Speaker 1: I get it's very solid it. You know, the shows

1201
01:03:00,200 --> 01:03:02,200
Speaker 1: up really well. The season nine holds up. I feel

1202
01:03:02,320 --> 01:03:04,120
Speaker 1: pretty well. Did There is probably a little too much

1203
01:03:04,160 --> 01:03:05,880
Speaker 1: day Franco for me. He was like, to me, it's

1204
01:03:05,880 --> 01:03:12,560
Speaker 1: a more like annoying character, right right, But so to me, like,

1205
01:03:12,760 --> 01:03:14,040
Speaker 1: the big question I feel like is how do you

1206
01:03:14,120 --> 01:03:17,240
Speaker 1: think to show has held up? Because today the episode

1207
01:03:17,280 --> 01:03:18,720
Speaker 1: that we were going to talk about, there's a whole

1208
01:03:18,760 --> 01:03:22,560
Speaker 1: scene funce with doctor Cox and the and the doctor,

1209
01:03:22,720 --> 01:03:24,760
Speaker 1: the young doctor, and I feel like today I don't

1210
01:03:24,800 --> 01:03:27,280
Speaker 1: know if you'd be able to do that story well beyea.

1211
01:03:27,400 --> 01:03:29,600
Speaker 1: You know, there are a lot of things that don't

1212
01:03:29,680 --> 01:03:35,200
Speaker 1: necessarily uh hold up with what's going on today with

1213
01:03:35,360 --> 01:03:37,840
Speaker 1: the show. You know, Cox calling j D a girl's

1214
01:03:37,960 --> 01:03:42,480
Speaker 1: name all the time might be you know, offensive to

1215
01:03:42,560 --> 01:03:45,600
Speaker 1: some Yeah, you could catch offense to that. Zach and

1216
01:03:45,680 --> 01:03:47,520
Speaker 1: I had a conversation about that. We were like, you

1217
01:03:47,600 --> 01:03:51,640
Speaker 1: know what, we know where the show has its moments

1218
01:03:51,800 --> 01:03:57,280
Speaker 1: where we're like, oh boy, but maybe you know, if

1219
01:03:57,360 --> 01:04:01,440
Speaker 1: we're if everybody's true fans the show and was watching

1220
01:04:01,520 --> 01:04:03,680
Speaker 1: it back then and doesn't have a problem didn't have

1221
01:04:03,760 --> 01:04:06,520
Speaker 1: a problem with it back then, I don't necessarily think

1222
01:04:06,560 --> 01:04:10,640
Speaker 1: it behooves us to continue to talk about what you know,

1223
01:04:10,920 --> 01:04:15,080
Speaker 1: the past. You know, it was made at a certain time,

1224
01:04:15,280 --> 01:04:16,760
Speaker 1: you know what I mean. I don't know how to

1225
01:04:17,120 --> 01:04:19,120
Speaker 1: I don't know. But to your point, I don't know

1226
01:04:19,280 --> 01:04:23,080
Speaker 1: that Again, who knows that someone might find offense to

1227
01:04:23,640 --> 01:04:26,880
Speaker 1: doctor Cox flirting with a co worker. I don't know.

1228
01:04:27,040 --> 01:04:30,160
Speaker 1: I think it was done in a pretty h clearly

1229
01:04:30,440 --> 01:04:32,680
Speaker 1: consensual way. She was flirting right back with him, and

1230
01:04:32,920 --> 01:04:36,600
Speaker 1: well and says Turke even says, you know this is

1231
01:04:36,760 --> 01:04:39,520
Speaker 1: highly inappropriate and you shouldn't be doing this. And you

1232
01:04:39,680 --> 01:04:43,200
Speaker 1: know better than this, doctor Cox, and it's and and

1233
01:04:43,520 --> 01:04:45,680
Speaker 1: to the and to his intern And if you're supposed

1234
01:04:45,720 --> 01:04:49,640
Speaker 1: to say anything to you're supposed to be uh worshiping

1235
01:04:49,840 --> 01:04:53,560
Speaker 1: me and you know the knowledge I have and not

1236
01:04:53,760 --> 01:04:57,600
Speaker 1: shape being love struck with this, you know, senior resident

1237
01:04:57,680 --> 01:04:59,360
Speaker 1: in the house. But for what it's worth, he then

1238
01:04:59,440 --> 01:05:04,120
Speaker 1: doesn't have courage or whatever. And he's still obsessed with Judy,

1239
01:05:04,200 --> 01:05:06,720
Speaker 1: I guess. And he walks off, and that's she that

1240
01:05:06,840 --> 01:05:11,600
Speaker 1: shows up at his door. Remember that. No, yeah, I

1241
01:05:11,680 --> 01:05:14,160
Speaker 1: think he told I think BJ totally gets it. But yeah,

1242
01:05:14,240 --> 01:05:17,800
Speaker 1: I'm saying it to you. She's the she becomes the aggressor.

1243
01:05:18,000 --> 01:05:19,720
Speaker 1: And then he gets up and says something no man

1244
01:05:19,760 --> 01:05:22,360
Speaker 1: would ever say to a woman. He says, uh, I'm

1245
01:05:22,520 --> 01:05:26,120
Speaker 1: using you to get past another person. That was fucking

1246
01:05:26,200 --> 01:05:28,080
Speaker 1: nuts that any human being would say that to someone.

1247
01:05:28,320 --> 01:05:30,720
Speaker 1: But then she's like, I don't care, let's hook up.

1248
01:05:32,280 --> 01:05:35,240
Speaker 1: That's not why I'm here, right. Yeah. My whole deal is,

1249
01:05:35,240 --> 01:05:36,360
Speaker 1: you know, you have to look at things with the

1250
01:05:36,920 --> 01:05:39,840
Speaker 1: time that they were producer, and that doesn't excuse like

1251
01:05:40,200 --> 01:05:42,000
Speaker 1: like it really agreed to stuff. We had a title

1252
01:05:42,400 --> 01:05:45,520
Speaker 1: come out cereal Box is recently called Knox, which deals

1253
01:05:45,520 --> 01:05:48,440
Speaker 1: with all the HP Lovecraft, you know, like the dark

1254
01:05:48,480 --> 01:05:51,760
Speaker 1: and mysterious tentacles and enemies from other dimensions. And so

1255
01:05:52,440 --> 01:05:54,120
Speaker 1: the way I describe it to people, as you know,

1256
01:05:54,160 --> 01:05:57,920
Speaker 1: it's HP Lovecraft about the anti Semitism, like it's taking,

1257
01:05:58,520 --> 01:06:00,240
Speaker 1: it's taking like the best parts of it. And so

1258
01:06:01,280 --> 01:06:03,160
Speaker 1: you know, if you look at his stuff in that context,

1259
01:06:03,200 --> 01:06:07,360
Speaker 1: you can't excuse like the bladed bigotry. That's, well, you're

1260
01:06:07,800 --> 01:06:11,600
Speaker 1: you're you said you're an LGBTQ, yes, activist. So there's

1261
01:06:11,640 --> 01:06:14,640
Speaker 1: plenty of stuff that I imagine some would find defensive.

1262
01:06:14,680 --> 01:06:16,880
Speaker 1: In nine years of this show, the calling of JD

1263
01:06:17,200 --> 01:06:20,480
Speaker 1: this sort of um, it was considered derogatory to be

1264
01:06:20,560 --> 01:06:22,720
Speaker 1: called a girl's name. I mean, how does how does

1265
01:06:22,760 --> 01:06:25,240
Speaker 1: something like that? I thought that held up to me.

1266
01:06:25,440 --> 01:06:28,760
Speaker 1: I thought that, hell, because it's within the character that

1267
01:06:28,920 --> 01:06:31,120
Speaker 1: it works. That makes sense that he It's just the

1268
01:06:31,240 --> 01:06:33,320
Speaker 1: character is dead set. I'm belittle and j D in

1269
01:06:33,480 --> 01:06:35,600
Speaker 1: any way that he can. And you know that, and

1270
01:06:36,000 --> 01:06:39,800
Speaker 1: in his mind and coxed his mind, I was belittling exactly,

1271
01:06:39,920 --> 01:06:43,440
Speaker 1: and wasn't It didn't come off as like malicious in

1272
01:06:43,600 --> 01:06:47,480
Speaker 1: that he meant it as a anti case slur, like

1273
01:06:47,560 --> 01:06:49,520
Speaker 1: he just meant it as this I'm just gonna chip

1274
01:06:49,600 --> 01:06:51,440
Speaker 1: you down. I'm just gonna keep chipping away into So

1275
01:06:51,600 --> 01:06:53,680
Speaker 1: I think it really comes from the character. And as

1276
01:06:53,760 --> 01:06:57,200
Speaker 1: long as the character isn't like a blatantly racist or something,

1277
01:06:57,240 --> 01:06:59,840
Speaker 1: which is the case thought the Coxes, And uh, it's fine.

1278
01:07:00,760 --> 01:07:02,959
Speaker 1: I know that I know that there's there's certainly people

1279
01:07:03,040 --> 01:07:06,480
Speaker 1: that would be offended by it, and I understand that.

1280
01:07:07,480 --> 01:07:09,600
Speaker 1: But to me, if as long as it fits within

1281
01:07:09,600 --> 01:07:12,040
Speaker 1: the nature of the character, you think, it's okay, all right,

1282
01:07:12,520 --> 01:07:14,520
Speaker 1: all right? Do you have another question for the legendary

1283
01:07:14,640 --> 01:07:21,640
Speaker 1: Donald Phazon or Zach Braff Sassy Boogie Ratchett. What's happening, Madi?

1284
01:07:21,960 --> 01:07:24,280
Speaker 1: You sound like you sound like Rocco. So Rocco doesn't

1285
01:07:24,320 --> 01:07:26,000
Speaker 1: like the song at all because he doesn't like the

1286
01:07:26,080 --> 01:07:29,160
Speaker 1: dance or anything like that. Right, so he'll be like,

1287
01:07:29,520 --> 01:07:37,640
Speaker 1: I'm a savage ratchet acid Dukie rockets at a stage

1288
01:07:37,680 --> 01:07:39,360
Speaker 1: where if you just want to savage out of something,

1289
01:07:39,480 --> 01:07:44,240
Speaker 1: say poopy or coca right, anything anything. He sometimes looked, Man,

1290
01:07:44,400 --> 01:07:46,840
Speaker 1: you've you've heard my son. I've taught him some words

1291
01:07:46,920 --> 01:07:49,160
Speaker 1: that I'm I should never have taught. Man, it's like

1292
01:07:49,240 --> 01:07:51,560
Speaker 1: a parrot. You never want to teach a parrot. Curse

1293
01:07:51,640 --> 01:07:54,280
Speaker 1: for I taught him some words, and now I'm like,

1294
01:07:54,440 --> 01:07:56,200
Speaker 1: I should have never done it, And when he goes

1295
01:07:56,240 --> 01:07:58,840
Speaker 1: back to school, I'm so worried. Yeah, well, for now

1296
01:07:58,920 --> 01:08:02,160
Speaker 1: it's your problem, yes, J go ahead. Yeah, So you

1297
01:08:02,240 --> 01:08:05,080
Speaker 1: mentioned in the divorce that did they get season nine?

1298
01:08:05,200 --> 01:08:08,720
Speaker 1: I was actually gonna give them season seven for the

1299
01:08:08,880 --> 01:08:13,240
Speaker 1: writer's strike, and I was just always fascinated by the

1300
01:08:13,320 --> 01:08:16,840
Speaker 1: whole thing with you guys having to stop mid season

1301
01:08:16,920 --> 01:08:19,519
Speaker 1: and just trying to adjust that. I don't remember. Maybe

1302
01:08:19,520 --> 01:08:21,760
Speaker 1: you guys can provide the context of that. So the

1303
01:08:21,880 --> 01:08:24,320
Speaker 1: season shut down and then you had to go back

1304
01:08:24,360 --> 01:08:26,280
Speaker 1: and finish the episodes. Was that sort of the deal

1305
01:08:26,479 --> 01:08:29,720
Speaker 1: on that? I don't really remember. I know that I

1306
01:08:29,800 --> 01:08:31,840
Speaker 1: know that Hollywood was shut down for the writer's strike

1307
01:08:32,040 --> 01:08:36,280
Speaker 1: and we didn't work. Then we went back. Why are

1308
01:08:36,280 --> 01:08:38,320
Speaker 1: you are you saying that you you can notice the

1309
01:08:38,400 --> 01:08:41,280
Speaker 1: difference in the in the quality because of that crazy time. Yeah.

1310
01:08:41,360 --> 01:08:44,080
Speaker 1: I think that if those episodes were done in any

1311
01:08:44,120 --> 01:08:46,760
Speaker 1: other context, they would have been great. But there's something

1312
01:08:46,840 --> 01:08:50,200
Speaker 1: that feels off to them as you're watching them that

1313
01:08:50,280 --> 01:08:52,120
Speaker 1: could just be going in with the context of, oh,

1314
01:08:52,200 --> 01:08:53,800
Speaker 1: this was done when the writers weren't there, or this

1315
01:08:53,920 --> 01:08:55,920
Speaker 1: was sort of just done under nothing would be done

1316
01:08:55,920 --> 01:08:58,960
Speaker 1: without the writers being there. You know, this is a

1317
01:08:59,080 --> 01:09:02,000
Speaker 1: this is a really good bill. Oh great, we can

1318
01:09:02,080 --> 01:09:05,400
Speaker 1: do our Ask Bill, this is a really good bill. Question. So, BJ,

1319
01:09:05,560 --> 01:09:08,320
Speaker 1: why don't you direct it directly to Bill Lawrence, the

1320
01:09:08,360 --> 01:09:12,200
Speaker 1: show's creator. You ask him? It's a good question. Yeah,

1321
01:09:12,280 --> 01:09:15,360
Speaker 1: So Bill, season seven, if you had to do over,

1322
01:09:15,439 --> 01:09:17,960
Speaker 1: would you feel that it would come out differently? And

1323
01:09:18,000 --> 01:09:20,599
Speaker 1: then the way it did being produced in the writer strike.

1324
01:09:21,840 --> 01:09:23,599
Speaker 1: I think that's a good play. That that is good.

1325
01:09:23,680 --> 01:09:26,760
Speaker 1: And then Bill will will Bill answer it? Now? Knowing Bill,

1326
01:09:27,000 --> 01:09:29,880
Speaker 1: knowing Bill, he'll answer the start with a joke. Let's all,

1327
01:09:29,960 --> 01:09:31,760
Speaker 1: let's all see if he does this all open with

1328
01:09:31,800 --> 01:09:34,320
Speaker 1: a joke. Then he'll give a very heartfelt, serious answer,

1329
01:09:34,600 --> 01:09:36,760
Speaker 1: and then he'll end by yelling five six seventy eight.

1330
01:09:38,120 --> 01:09:40,120
Speaker 1: We'll see, we'll see see. I hope I'll live up

1331
01:09:40,120 --> 01:09:41,800
Speaker 1: to that. Do I think season seven would have been

1332
01:09:41,800 --> 01:09:44,479
Speaker 1: different without the right Yeah, because you got to remember,

1333
01:09:45,240 --> 01:09:48,439
Speaker 1: not only did the strike muck everything up um so

1334
01:09:48,600 --> 01:09:51,800
Speaker 1: much so NBC even rejiggered the order of the episodes.

1335
01:09:51,840 --> 01:09:55,400
Speaker 1: I think they aired that Princess Bride homage like it

1336
01:09:55,520 --> 01:09:58,360
Speaker 1: was this show's finale, just in case it was the

1337
01:09:58,400 --> 01:10:00,439
Speaker 1: show's finale when it wasn't supposed to. I mean, we

1338
01:10:00,520 --> 01:10:03,360
Speaker 1: were heading the finale was always going to be that

1339
01:10:03,560 --> 01:10:06,040
Speaker 1: end of season eight episode that was already written in

1340
01:10:06,160 --> 01:10:09,240
Speaker 1: my head, and we just never got to do it

1341
01:10:09,360 --> 01:10:11,160
Speaker 1: that year. It was such a drag. Also, you got

1342
01:10:11,200 --> 01:10:14,120
Speaker 1: to remember, man, during that whole lead up to the strike,

1343
01:10:14,600 --> 01:10:16,720
Speaker 1: it was such a weird writer's room because we're all

1344
01:10:17,400 --> 01:10:19,960
Speaker 1: hustling and worried about losing our jobs and worried about

1345
01:10:20,040 --> 01:10:22,880
Speaker 1: not working and all that stuff. So it was definitely

1346
01:10:22,960 --> 01:10:26,200
Speaker 1: screwed up on one of them on record that I

1347
01:10:26,320 --> 01:10:30,240
Speaker 1: didn't do the number que for the song because it'll

1348
01:10:30,280 --> 01:10:32,160
Speaker 1: get stale if I do it too often. But I'm

1349
01:10:32,240 --> 01:10:35,640
Speaker 1: coming back with a vengeance. See. I remember when the

1350
01:10:35,680 --> 01:10:39,040
Speaker 1: writers strike happened, and I remember the one thing that

1351
01:10:39,120 --> 01:10:42,160
Speaker 1: I remembered the most about the writers strike was thinking,

1352
01:10:43,320 --> 01:10:46,519
Speaker 1: holy cow, we're not going to work for a while,

1353
01:10:47,520 --> 01:10:50,240
Speaker 1: and does this mean this is the end of the show,

1354
01:10:50,800 --> 01:10:53,840
Speaker 1: because you know, at this point, you know, studios were

1355
01:10:54,320 --> 01:10:59,080
Speaker 1: studios weren't necessarily behind writers striking and everything like that.

1356
01:10:59,160 --> 01:11:01,439
Speaker 1: And I worried at that point, does this mean that

1357
01:11:01,640 --> 01:11:04,120
Speaker 1: Scrubs isn't coming back? Are you know? And I remember

1358
01:11:04,160 --> 01:11:08,400
Speaker 1: I remember marching with Bill all the way to Universal Studios.

1359
01:11:08,600 --> 01:11:11,000
Speaker 1: Now we all went and marched on the line with everybody,

1360
01:11:11,400 --> 01:11:14,720
Speaker 1: and and thinking is this something that the studio is

1361
01:11:14,760 --> 01:11:16,240
Speaker 1: going to look back at and be like, well, We're

1362
01:11:16,280 --> 01:11:19,040
Speaker 1: not going to bring back Scrubs because they were a

1363
01:11:19,080 --> 01:11:20,640
Speaker 1: part of the writers strike. We're not going to bring

1364
01:11:20,720 --> 01:11:22,800
Speaker 1: back Brooklyn ninety nine because they were a part of

1365
01:11:22,880 --> 01:11:25,120
Speaker 1: the you know what I mean. Like now, by the way,

1366
01:11:25,640 --> 01:11:28,599
Speaker 1: you know, shows are dropping because of this because of COVID,

1367
01:11:28,720 --> 01:11:31,559
Speaker 1: and and Broadway shows are closing because of COVID because

1368
01:11:31,560 --> 01:11:34,599
Speaker 1: they because they know they can't. Frozen is done because

1369
01:11:34,640 --> 01:11:38,280
Speaker 1: of COVID, Yeah, and others and shows are getting canceled.

1370
01:11:38,560 --> 01:11:41,920
Speaker 1: Emergence a amazing show, Emergence starring Well, I don't know

1371
01:11:41,920 --> 01:11:44,719
Speaker 1: if Emergence got canceled because of COVID or if Emergence

1372
01:11:44,760 --> 01:11:47,719
Speaker 1: got you know, ABC doesn't have to give a reason

1373
01:11:47,800 --> 01:11:50,880
Speaker 1: for why they canceled the show. Have you watched Emergence?

1374
01:11:51,520 --> 01:11:54,400
Speaker 1: I have, Uh I didn't. It didn't take for me.

1375
01:11:54,840 --> 01:11:59,360
Speaker 1: Ah Bj, You're done. No, I'm just joking. I'm just

1376
01:11:59,400 --> 01:12:02,920
Speaker 1: don't hate on Jing. It didn't take for me. I

1377
01:12:03,000 --> 01:12:07,280
Speaker 1: wrote the cast, great, great actors. Yeah, I find I

1378
01:12:07,360 --> 01:12:09,280
Speaker 1: find a lot of TV shows that come out of

1379
01:12:09,280 --> 01:12:12,160
Speaker 1: the broadcast that works that usually the cast is great,

1380
01:12:12,320 --> 01:12:14,760
Speaker 1: but for whatever reason, there's just something that doesn't click

1381
01:12:14,840 --> 01:12:16,360
Speaker 1: for me the way down. Well, I think what happens

1382
01:12:16,479 --> 01:12:21,200
Speaker 1: is that just sort of stereotypically there there's a lot

1383
01:12:21,320 --> 01:12:24,320
Speaker 1: of chefs in the kitchen on broadcast and now more

1384
01:12:24,360 --> 01:12:29,160
Speaker 1: and more, um the the showrunner and directors are given

1385
01:12:29,280 --> 01:12:34,240
Speaker 1: long leashes in on streaming platforms, and there's a voice

1386
01:12:34,320 --> 01:12:36,479
Speaker 1: to be had. They want a voice, was the voice

1387
01:12:36,520 --> 01:12:39,160
Speaker 1: behind the show. That's what they're interested in, especially all

1388
01:12:39,200 --> 01:12:42,320
Speaker 1: these sort of comedies we all love on on on

1389
01:12:42,600 --> 01:12:46,040
Speaker 1: things like you know, perfect example is is Atlanta? For me,

1390
01:12:46,160 --> 01:12:50,280
Speaker 1: it's like so clearly someone's taste and voice and uh

1391
01:12:50,439 --> 01:12:52,840
Speaker 1: and that's hard to find on broadcast talents of course,

1392
01:12:52,960 --> 01:12:55,479
Speaker 1: because there's nine thousand people weighing in. It just becomes

1393
01:12:55,520 --> 01:12:58,559
Speaker 1: a fucking muddy stew So I feel that way about

1394
01:12:58,640 --> 01:13:02,240
Speaker 1: Dave on FXX. Like it or you don't like it?

1395
01:13:02,320 --> 01:13:04,360
Speaker 1: I love it? Oh good good? I get a whole

1396
01:13:04,400 --> 01:13:07,519
Speaker 1: ad for Dave on here. It's so good, Davis. I

1397
01:13:07,560 --> 01:13:09,120
Speaker 1: can't get Donald, who would love it more than any

1398
01:13:09,120 --> 01:13:10,920
Speaker 1: of us, to watch it, because he's too busy fucking

1399
01:13:11,080 --> 01:13:14,360
Speaker 1: doing whatever he's doing raising kids. Yo. No, I'm raising kids.

1400
01:13:14,960 --> 01:13:17,040
Speaker 1: They're going to sleep at what time? Seven thirty? And

1401
01:13:17,120 --> 01:13:21,439
Speaker 1: then I want to go to bed, buddy? What time

1402
01:13:21,479 --> 01:13:25,559
Speaker 1: you get to bed? What time it's lights out? Eight thirty? No? Yeah, man,

1403
01:13:26,040 --> 01:13:28,599
Speaker 1: you turn out your lights at eight thirty, eight thirty,

1404
01:13:28,680 --> 01:13:31,240
Speaker 1: nine o'clock. I'm most likely on my way upstairs to

1405
01:13:31,280 --> 01:13:35,280
Speaker 1: go to sleep. Wow, it's crazy, dude. Listen man. As

1406
01:13:35,400 --> 01:13:38,400
Speaker 1: much as as much as I'm a as, I'll tell

1407
01:13:38,439 --> 01:13:40,920
Speaker 1: you right now. I love my children. I love everything

1408
01:13:41,000 --> 01:13:43,800
Speaker 1: about being a dad and and all of that stuff.

1409
01:13:44,000 --> 01:13:47,080
Speaker 1: But I said it before. I miss waking up at

1410
01:13:47,200 --> 01:13:51,679
Speaker 1: noon and not having anything to do other than hang

1411
01:13:51,760 --> 01:13:54,800
Speaker 1: out with my wife. You know what I mean. I

1412
01:13:55,000 --> 01:13:59,360
Speaker 1: missed that shit. Um Every every week Donald makes um

1413
01:13:59,560 --> 01:14:03,560
Speaker 1: having children seem less and less appealing. Now now I

1414
01:14:03,640 --> 01:14:06,360
Speaker 1: don't want to go back to that. I don't want

1415
01:14:06,560 --> 01:14:08,599
Speaker 1: I don't want to. You know, the grass is always greener.

1416
01:14:08,960 --> 01:14:12,320
Speaker 1: I would prefer to wake my son walking in my

1417
01:14:12,439 --> 01:14:15,679
Speaker 1: room at five thirty in the morning every day saying

1418
01:14:16,600 --> 01:14:21,000
Speaker 1: can I have cinnamon toast crunch. I prefer that over

1419
01:14:21,800 --> 01:14:26,080
Speaker 1: being at Orlando Jones's pool till right exactly till four

1420
01:14:26,080 --> 01:14:29,240
Speaker 1: o'clock in the morning. But you know it's it's I

1421
01:14:29,720 --> 01:14:33,720
Speaker 1: do miss that moment in time where it was just

1422
01:14:34,520 --> 01:14:37,559
Speaker 1: I didn't have to worry about a lot of things,

1423
01:14:37,680 --> 01:14:40,960
Speaker 1: you know what I mean, And I worry about everything now. Well,

1424
01:14:41,000 --> 01:14:42,960
Speaker 1: you're in a new chapter of your lifetib this is

1425
01:14:43,120 --> 01:14:47,000
Speaker 1: this is forty six. Yeah, you know, and when I

1426
01:14:47,120 --> 01:14:49,439
Speaker 1: was a young dad, it seemed a lot easier. It

1427
01:14:49,520 --> 01:14:52,479
Speaker 1: seems way more difficult now. Man, I don't know bj

1428
01:14:52,640 --> 01:14:56,640
Speaker 1: you have kids, right, No, I'm child free us he

1429
01:14:56,720 --> 01:14:59,559
Speaker 1: was talking about it. Yea. I love kids. I love

1430
01:14:59,600 --> 01:15:01,320
Speaker 1: my niece is Zepi's more than anything in the world.

1431
01:15:01,360 --> 01:15:05,519
Speaker 1: I think kids are just the best look for me.

1432
01:15:05,920 --> 01:15:07,840
Speaker 1: I decided to deal. I want to be environmentally friendly,

1433
01:15:07,880 --> 01:15:10,519
Speaker 1: and I know it's cookies. It sounds um So I

1434
01:15:10,640 --> 01:15:14,080
Speaker 1: took that, took that like reduce your carbon footprint thing

1435
01:15:14,280 --> 01:15:18,040
Speaker 1: really seriously and just decided, you had kids, I don't

1436
01:15:18,080 --> 01:15:19,479
Speaker 1: know what kind of world they would get into, So

1437
01:15:19,560 --> 01:15:21,840
Speaker 1: I decided not to do it. It's a little too

1438
01:15:21,920 --> 01:15:25,760
Speaker 1: deep and serious. Yeah, go out with one happy question

1439
01:15:25,840 --> 01:15:29,160
Speaker 1: because we're going along wrap it up. Yes, you've been

1440
01:15:29,200 --> 01:15:31,479
Speaker 1: a great guest. I gotta say Donald hasn't been a

1441
01:15:31,520 --> 01:15:34,559
Speaker 1: great guest. BJ. I'm gonna be honest with you. So far,

1442
01:15:34,800 --> 01:15:38,000
Speaker 1: favorite call in every Yeah, I think I'm gonna I'm

1443
01:15:38,000 --> 01:15:40,360
Speaker 1: gonna think for a second. Yeah, I think BJ's definitely

1444
01:15:40,520 --> 01:15:43,840
Speaker 1: top two or three. Two, I'm gonna give the number one. Well,

1445
01:15:43,840 --> 01:15:45,240
Speaker 1: you know what, No, before you give it to him,

1446
01:15:45,320 --> 01:15:47,280
Speaker 1: Before you give it to him, Let's see what the

1447
01:15:47,320 --> 01:15:50,280
Speaker 1: final question is. Yes, No, thank you guys, because I,

1448
01:15:50,640 --> 01:15:53,720
Speaker 1: like I said, I spent uh craps on the time

1449
01:15:53,880 --> 01:15:57,280
Speaker 1: with the X watching you. So it was cool just

1450
01:15:57,360 --> 01:16:00,080
Speaker 1: being able to experience a few mens hanging out. My

1451
01:16:00,120 --> 01:16:03,040
Speaker 1: last question for you is the world where even like

1452
01:16:03,160 --> 01:16:08,040
Speaker 1: the most Mike Chris Coppic show gonna remember gets the movie.

1453
01:16:08,560 --> 01:16:10,839
Speaker 1: You've probably gotten this a lot, but do you envision

1454
01:16:11,280 --> 01:16:13,800
Speaker 1: a scenario where there might be more scrubs? And I

1455
01:16:13,880 --> 01:16:15,880
Speaker 1: know that it's such a fanily question to ask, but

1456
01:16:15,920 --> 01:16:17,760
Speaker 1: I had to ask it. No, it's a great question.

1457
01:16:18,160 --> 01:16:20,640
Speaker 1: I think there's a world. It was we did the

1458
01:16:20,760 --> 01:16:25,719
Speaker 1: view today and whoopee Goldberg said, you know Oscar nomine

1459
01:16:25,760 --> 01:16:30,800
Speaker 1: whoope Goldberg? Well e got oh he got winner, he

1460
01:16:31,000 --> 01:16:34,479
Speaker 1: got winner. Whoopee Goldar. Sorry, I'm sorry she has the

1461
01:16:34,600 --> 01:16:37,240
Speaker 1: four of them together. I didn't know she was an egot. Yeah,

1462
01:16:37,320 --> 01:16:40,240
Speaker 1: she she she that's the reason she's got the Tony,

1463
01:16:40,680 --> 01:16:45,040
Speaker 1: the Emmy, the Graham and the Oscar. What does she

1464
01:16:45,080 --> 01:16:52,320
Speaker 1: have an oscar for? Oh? Ghosts ghost Oh wow, don't

1465
01:16:52,360 --> 01:16:54,000
Speaker 1: get us going on Color Purple. We did a whole

1466
01:16:54,080 --> 01:16:57,479
Speaker 1: we did a whole episode. Listen, we love us. Yeah,

1467
01:16:57,520 --> 01:17:00,240
Speaker 1: don't get don't don't, don't, don't get good Donald doing

1468
01:17:00,439 --> 01:17:03,360
Speaker 1: Oprah's monologue again. Because she was Gideon for me, You're like,

1469
01:17:03,560 --> 01:17:06,720
Speaker 1: I grew up with her next generation. Yes, she was

1470
01:17:06,960 --> 01:17:08,920
Speaker 1: great on that too. Did you ever see her one

1471
01:17:09,000 --> 01:17:11,560
Speaker 1: woman Broadway show that you can see? That's what she

1472
01:17:11,640 --> 01:17:15,640
Speaker 1: won the Tony four. I think it was nineteen eighty five. Um,

1473
01:17:15,960 --> 01:17:19,479
Speaker 1: it was Whoopie Goldberg's one woman Broadway show. And she

1474
01:17:19,600 --> 01:17:22,800
Speaker 1: does all these characters, and I'm telling you find it.

1475
01:17:22,960 --> 01:17:26,160
Speaker 1: It is a fucking masterpiece. It's one of the she is.

1476
01:17:26,400 --> 01:17:29,960
Speaker 1: She is by far like she is, she's better. I'm

1477
01:17:30,000 --> 01:17:32,040
Speaker 1: not me. I don't mean to Disk the View because

1478
01:17:32,040 --> 01:17:33,439
Speaker 1: the View is the View and it's like the most

1479
01:17:33,479 --> 01:17:35,800
Speaker 1: popular daytime show. But I wish that Whoopee was still

1480
01:17:35,920 --> 01:17:39,840
Speaker 1: acting because she's so incredibly talented. She's one of the

1481
01:17:40,000 --> 01:17:43,639
Speaker 1: She's one in my opinion, she's one of the best ever. Anyway,

1482
01:17:43,880 --> 01:17:45,200
Speaker 1: you made me want to go back and watch Star

1483
01:17:45,280 --> 01:17:48,360
Speaker 1: Trek the Next Generation now because I used to watch

1484
01:17:48,439 --> 01:17:52,439
Speaker 1: that show. Great. Watch Donald I did Great. Remember the

1485
01:17:52,479 --> 01:17:55,000
Speaker 1: episode where Pricard is being tortured and he's like, there

1486
01:17:55,840 --> 01:18:00,479
Speaker 1: for lights? Yeah, by the board? Is he being by

1487
01:18:00,520 --> 01:18:05,519
Speaker 1: the board? Yeah? Um. Anyway, she was like, Whoopee was like, look,

1488
01:18:06,800 --> 01:18:08,320
Speaker 1: I'm a huge fan. I was a huge fan of

1489
01:18:08,400 --> 01:18:12,160
Speaker 1: the show. I think y'all should make a Scrubs movie. Yeah.

1490
01:18:13,760 --> 01:18:16,120
Speaker 1: We talk about that, you know, because I point to

1491
01:18:16,280 --> 01:18:20,040
Speaker 1: psych who's now made two successful films, and um, it

1492
01:18:20,080 --> 01:18:21,880
Speaker 1: would be fun. I think it'd be fun for us

1493
01:18:21,880 --> 01:18:23,519
Speaker 1: to do all do something like that. We just have

1494
01:18:23,600 --> 01:18:25,559
Speaker 1: to get Disney to be into it and Bill Lawrence

1495
01:18:25,600 --> 01:18:28,280
Speaker 1: to be into it, and I think it'll happen. They're

1496
01:18:28,320 --> 01:18:31,240
Speaker 1: the fans. The fans seem to really want it to happen.

1497
01:18:31,560 --> 01:18:34,519
Speaker 1: The fans wanted a rewatch show, and they got that

1498
01:18:34,760 --> 01:18:37,400
Speaker 1: so yes, we're giving the people what they want. BJ,

1499
01:18:37,600 --> 01:18:40,680
Speaker 1: You've been an outstanding guest. You're Donald's favorite guest of

1500
01:18:40,720 --> 01:18:45,760
Speaker 1: all time, favorite calling calling guests, favorite calling favorite Collin, BJ.

1501
01:18:45,880 --> 01:18:49,560
Speaker 1: We got to qualify it, and no doubt, Uh no,

1502
01:18:49,880 --> 01:18:51,800
Speaker 1: I think you asked smart questions. You seem like a

1503
01:18:51,880 --> 01:18:56,040
Speaker 1: very intelligent man. You gave thoughtful discourse. What else Donald

1504
01:18:56,360 --> 01:18:58,080
Speaker 1: and he knew about Star Wars? Yeah, you know about

1505
01:18:58,120 --> 01:18:59,880
Speaker 1: Star Wars. That's why Donald likes you. And you had

1506
01:19:00,160 --> 01:19:01,920
Speaker 1: Well waving her hands like she was saying preach in

1507
01:19:01,960 --> 01:19:05,519
Speaker 1: the background. Thanks for coming on, man, have a great day,

1508
01:19:05,560 --> 01:19:11,160
Speaker 1: stay safe, and Donald, I think I successfully cheered you up.

1509
01:19:11,200 --> 01:19:13,880
Speaker 1: You started a little bit sour today, but I think

1510
01:19:13,960 --> 01:19:17,280
Speaker 1: that we really brought you around. You know, I'm going

1511
01:19:17,320 --> 01:19:22,439
Speaker 1: to tell you something, go ahead. It was a great

1512
01:19:22,479 --> 01:19:24,800
Speaker 1: distraction to day. Man. It was a great distraction to

1513
01:19:24,920 --> 01:19:27,400
Speaker 1: sit here and talk with you today. I needed it. Well,

1514
01:19:27,439 --> 01:19:29,760
Speaker 1: that's why we're here for the people. Donald. We we

1515
01:19:29,880 --> 01:19:33,680
Speaker 1: didn't think that this would be a quarantine show, but

1516
01:19:33,800 --> 01:19:37,120
Speaker 1: since it is, we hope that we're helping you stop

1517
01:19:37,240 --> 01:19:40,080
Speaker 1: thinking about nonsense in your life for an hour and

1518
01:19:40,200 --> 01:19:42,679
Speaker 1: a half or so. Yeah, but just on a personal

1519
01:19:42,800 --> 01:19:46,640
Speaker 1: level today. I was very, very very you know, and

1520
01:19:46,720 --> 01:19:49,160
Speaker 1: I'm gonna go back into it after we after we

1521
01:19:49,720 --> 01:19:53,439
Speaker 1: wrapped the episode. But I was very very I don't know,

1522
01:19:53,560 --> 01:19:57,439
Speaker 1: I was I wasn't having a great day and melancholic. Yes,

1523
01:19:57,640 --> 01:20:02,200
Speaker 1: I was very melancholic. I the melancholy was if I

1524
01:20:02,240 --> 01:20:04,840
Speaker 1: could play a song, it would be a Josh Raiden song.

1525
01:20:05,000 --> 01:20:07,519
Speaker 1: Right now, I hear you. Well, listen, now you're gonna

1526
01:20:07,600 --> 01:20:08,880
Speaker 1: now that the episode is over and you've had so

1527
01:20:09,000 --> 01:20:12,439
Speaker 1: much fun, You're I'm gonna go out and play with

1528
01:20:12,520 --> 01:20:14,320
Speaker 1: the kids. He's gonna play with the kids on the water,

1529
01:20:14,520 --> 01:20:17,920
Speaker 1: the water bouncy house. Yeah. And then when you're gonna say,

1530
01:20:18,000 --> 01:20:22,360
Speaker 1: and your daughter's gonna do Sassy Maddy Nasty, She's gonna

1531
01:20:22,360 --> 01:20:24,559
Speaker 1: sing a little Meg the Stallion and I'm gonna sing

1532
01:20:24,720 --> 01:20:29,720
Speaker 1: this is how we do it. This has been a

1533
01:20:30,240 --> 01:20:33,040
Speaker 1: fag doctors, real friends. We hope you had a great

1534
01:20:33,080 --> 01:20:36,479
Speaker 1: experience with us today. Follow Donald on Instagram. He's got

1535
01:20:36,680 --> 01:20:39,160
Speaker 1: envy of my followers and I am an nbs of

1536
01:20:39,240 --> 01:20:42,400
Speaker 1: your followers. Men, Listen, you have one point something MILLI.

1537
01:20:42,680 --> 01:20:45,240
Speaker 1: I can't share them. It's not like monopoly where I

1538
01:20:45,280 --> 01:20:48,160
Speaker 1: can just give you some properties dude, you you talk

1539
01:20:48,320 --> 01:20:50,720
Speaker 1: your followers, listen, just tell all right, come over. If

1540
01:20:50,760 --> 01:20:56,240
Speaker 1: you're follow Donald Underscore aison, that's probably why they can't

1541
01:20:56,240 --> 01:20:58,800
Speaker 1: find you. Got some weird spelling. I was drunk, Okay,

1542
01:20:58,880 --> 01:21:01,519
Speaker 1: The truth behind it is he's drunk the day I

1543
01:21:01,680 --> 01:21:06,880
Speaker 1: created my enter my my inster handle, Yeah my handle,

1544
01:21:07,320 --> 01:21:09,840
Speaker 1: and I thought I was hitting F and I hit

1545
01:21:10,000 --> 01:21:14,320
Speaker 1: underscore Danley. Kids, don't drink and create a handle or

1546
01:21:14,479 --> 01:21:18,280
Speaker 1: aison or drinking create a handle. Who cares. We hope

1547
01:21:18,280 --> 01:21:20,200
Speaker 1: we left you happy. We hope you left you smiling.

1548
01:21:20,280 --> 01:21:22,120
Speaker 1: Thank you to BJ, Thank you to Joel, Thank you

1549
01:21:22,200 --> 01:21:24,880
Speaker 1: to Dan, Thank you to Will. Thank you to Will

1550
01:21:24,960 --> 01:21:28,080
Speaker 1: Pearson at I heeart and tell you what. Email us

1551
01:21:28,080 --> 01:21:31,840
Speaker 1: at scrubs iHeart gmail dot com. Joel will sift through

1552
01:21:31,920 --> 01:21:34,800
Speaker 1: your questions and see if you're as worthy as BJ was.

1553
01:21:35,400 --> 01:21:40,559
Speaker 1: Donald's hit him with the numbers six heaven, Hey, sesbut shore,

1554
01:21:40,840 --> 01:21:48,520
Speaker 1: we made about a bunch of dots and nurses said stories.

1555
01:21:52,240 --> 01:22:01,360
Speaker 1: So data around you here? Are yead around here even