WEBVTT - BONUS - Thor: Love and Thunder Mailbag + Thor Comics Writer Jason Aaron

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<v Speaker 1>Warning, this bonus episode of x ray Vision candad spoilers

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<v Speaker 1>with Thor, Love and Thunder. Don't listen to it unless

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<v Speaker 1>you have seen that movie. By Hello, my name is

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<v Speaker 1>Jasically Stems and welcome Bax to our Vision the Cricket podcast,

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<v Speaker 1>where we dive deep into your favorite shows, movies, comics

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<v Speaker 1>and pop culture. In this bonus episode, we're gonna answer

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<v Speaker 1>some questions that you sent us about the Thor Loven

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<v Speaker 1>Thunder and then we will clear the lane so that

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<v Speaker 1>comics legend Thor writer Thor God of Thunder writer major

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<v Speaker 1>influence on Thor, Love and Thunder person Jason Aaron can

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<v Speaker 1>be interviewed by us and you can hear him talk

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<v Speaker 1>about just how he created one of the great comic

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<v Speaker 1>arcs of our time. Truly.

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<v Speaker 2>Uh.

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<v Speaker 1>Next up questions. First question from Kate, what's Aersham up

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<v Speaker 1>to Rosie? What's the Rishima?

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<v Speaker 2>Well, this is going back to my favorite topic, of course,

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<v Speaker 2>eternals rishim.

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<v Speaker 1>Of course, the celestial who was kind of pulling the strings.

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<v Speaker 2>Yeah, see in some judgment at the end, he's like,

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<v Speaker 2>come on, I'm just judging you for killing another birthing celestial.

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<v Speaker 2>You know, I like the casual nature of this question, like,

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<v Speaker 2>what's he up to? What's that casual got up to? Well,

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<v Speaker 2>we saw a couple of celestials in thor Love and Thunder,

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<v Speaker 2>which is what I'm sure inspired this question. They were

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<v Speaker 2>peering through Omnipiut and city. We saw a statue of

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<v Speaker 2>Arasham in the Hall of Eternity which got smashed. I

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<v Speaker 2>would assume Arisham is somewhere planning on how to He's

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<v Speaker 2>watching Earth, seeing if Earth is worthy of existing, and

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<v Speaker 2>planning his judgment whatever that may be. And I think,

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<v Speaker 2>like you, Yeah, you brought up something really good in

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<v Speaker 2>the in the our Lost episode author Love and Thunder

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<v Speaker 2>episode about how the celestials could become part of like

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<v Speaker 2>Zeus's god war against the superheroes. So I think there's

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<v Speaker 2>many things that he's cooking up.

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<v Speaker 1>Well, a couple of things I wonder visa v Eirishim

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<v Speaker 1>and Celestials. One, we were introduced to the concept during

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<v Speaker 1>the previous phases of the MCU that the Infinity Stones

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<v Speaker 1>were created basically as a weapon in celestials, So I

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<v Speaker 1>wonder how the celestials feel or have they talked about

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<v Speaker 1>the fact that nothing can hold them in check? Anymore

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<v Speaker 1>like that massive I'm sure will come up with something else,

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<v Speaker 1>but that massive weapon that worked once upon time is

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<v Speaker 1>just like off the table for them, and I wonder

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<v Speaker 1>if they've thought about it. And then two, you know,

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<v Speaker 1>you mentioned your your favorite movie, The Eternals is growing

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<v Speaker 1>on me as well. Actually, but the end of that movie,

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<v Speaker 1>we saw that there is there ended up being a

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<v Speaker 1>huge celestial carcass in the Pacific Ocean, and we expect

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<v Speaker 1>at some point when they put the Avengers back together,

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<v Speaker 1>that that will be the headquarters of the Avengers. But

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<v Speaker 1>I wonder, like, is it a tourist attraction? Like what's

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<v Speaker 1>going with the carcass right now?

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<v Speaker 2>Is anyone has anyone noticed it? Is it something?

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<v Speaker 1>Is it being worshiped? Is it being ignored?

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<v Speaker 2>Has the government tried to move it? I think we

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<v Speaker 2>would all like to know about the cool marblized celestial. Also, like,

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<v Speaker 2>something I really want to know is when the Avengers

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<v Speaker 2>inevitably do move in there, make it the headquarters? How

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<v Speaker 2>arish I'm going to be feeling about that. I feel

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<v Speaker 2>like it's gonna be mad, disrespectful. It was not only

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<v Speaker 2>did you kill this celestial, but now you're just living

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<v Speaker 2>in its body.

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<v Speaker 1>I know. Next question, Spotty Floppy asks can we expect

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<v Speaker 1>Thorn Loki to reunite again? Considering how different their stories are? Well,

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<v Speaker 1>in the comics, Loki has died at times so many

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<v Speaker 1>poet on the board many many times and replaced with

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<v Speaker 1>younger versions of himself or different versions like the versions

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<v Speaker 1>of himself that seem to suggest and set up the

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<v Speaker 1>fact that we can get a Loki, and potentially not

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<v Speaker 1>a Loki played by Tom Hiddleston again in the future,

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<v Speaker 1>like's that's absolutely on the table, that we either get

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<v Speaker 1>a young Loki or a female Loki. That can happen.

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<v Speaker 1>I think that that can definitely happen. What do you think?

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<v Speaker 2>Yeah, I think so too, And I think that this

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<v Speaker 2>is one of the most asked questions because that relationship

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<v Speaker 2>means so much to people in the MCU and in

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<v Speaker 2>the comics, but especially in the MCU. So I definitely think.

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<v Speaker 2>I think we'll get at least one more Hemsworth Hiddleston reunion,

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<v Speaker 2>even if it's just like fleeting like on the Byfrost

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<v Speaker 2>or something. But I also think you're right, like Kid

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<v Speaker 2>Loki in the event in Young Avengers, very likely we

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<v Speaker 2>already met him in the series spoiler a lot, and

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<v Speaker 2>I definitely think Sophia Dimontino's version of Loki is also

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<v Speaker 2>probably going to continue in the MCU too. So yeah,

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<v Speaker 2>at some point, you know, could see Jane Foster Mighty

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<v Speaker 2>Thor and Sophia di Martino Loki. You never know that,

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<v Speaker 2>you know, there's there's some there's some Thor reuniting that

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<v Speaker 2>could happen in different ways.

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<v Speaker 1>That would be extremely exciting. KGP asks what happens next

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<v Speaker 1>with Thor. Gosh, my guess is if they're going secret

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<v Speaker 1>Wars that it's going to be some It's going to

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<v Speaker 1>be a big secret Wars thing, I think.

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<v Speaker 2>So, Like we've been talking about this a lot where

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<v Speaker 2>basically this phase of the MCU, though it hasn't necessarily

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<v Speaker 2>always been clear directly where it's going or what connects it,

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<v Speaker 2>the one thing that it has had is pretty much

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<v Speaker 2>ninety of the shows have all movies. Shanchi introduced Tarlow

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<v Speaker 2>Secret Society, where they have a special way of fighting

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<v Speaker 2>that can harness supernatural stuff. Miss Marvel introduce the Gnaw

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<v Speaker 2>and the clandestine secret world that is on Earth in comics.

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<v Speaker 2>As me and Jason talked about a lot Secret Wars

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<v Speaker 2>includes a thing battle worlds where all these dimensions come

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<v Speaker 2>together on one Earth. It seems like they're establishing something

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<v Speaker 2>like that, And I think Omnipotent City is another example

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<v Speaker 2>of a secret society like Wakanda, like Carmouitage that could

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<v Speaker 2>become a part of this global battle in Secret Wars.

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<v Speaker 2>But you also did mention something that I think a

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<v Speaker 2>lot of people are thinking after the Stinger in Thor

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<v Speaker 2>Love and Thunder, which was War of the Realms as

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<v Speaker 2>a potential.

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<v Speaker 1>So in War of the Realms, well, who would they gosh,

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<v Speaker 1>who would they get to be the bad guy?

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<v Speaker 2>I wonder if they just replace Malaketh unless they want

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<v Speaker 2>to bring him back.

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<v Speaker 1>So in War of the Realms in the comics, which

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<v Speaker 1>is a great great crossover, super fun crossover, in which Malachith,

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<v Speaker 1>you know, King of the Dark Elves, enters into an

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<v Speaker 1>alliance with rocks On Evil the oil Company, the Evil

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<v Speaker 1>Oil Company, to help conquer some of the other realms

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<v Speaker 1>in return for access to rox On to like unimpeded

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<v Speaker 1>mining and resource extraction from various.

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<v Speaker 2>Absolutely shocking no one. It basically destroys every realm that's

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<v Speaker 2>essentially like that's the kind of and then you end

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<v Speaker 2>up in a situation where Midguard or Earth is the

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<v Speaker 2>only realm. I think it would actually be very easy.

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<v Speaker 2>I mean, we did see rocks On in like a

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<v Speaker 2>funny Walmart reimagining like Easter Egg in Loki. But I

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<v Speaker 2>do think it'll be really easy to just have Hercules

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<v Speaker 2>instead of being instead of Malacheth being the puppet master

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<v Speaker 2>of that where he just wants to control every realm.

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<v Speaker 2>He wants people to bow down to him, and he

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<v Speaker 2>will put in an alliance with who never to do so.

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<v Speaker 2>And that would also be a reason why Hercules could

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<v Speaker 2>turn his back on his father and team up with

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<v Speaker 2>the Rose as we know he's more than likely gonna do.

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<v Speaker 2>Here's my pitch, So Kevin listening.

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<v Speaker 1>Are you listening? So? I love the Hercules angle. I

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<v Speaker 1>think Hercules we understand that he's got to break good

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<v Speaker 1>at some point, and what we know about Hercule may

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<v Speaker 1>might change it up. But what we know about Hercules

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<v Speaker 1>from the comics is super super strong, really great guy.

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<v Speaker 1>Not the sharpest, He's a he's a he's a dummy.

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<v Speaker 1>He loves to get drunk, and he does not hold

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<v Speaker 1>his liquor as well as some of the other heavy,

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<v Speaker 1>heavy drinkers in the MCU, notably Thor, notably Logan, no,

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<v Speaker 1>the others, every guys, Guardian, I mean, Hercules just gets

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<v Speaker 1>after it. Now, what if it's this, What if Dario Ager,

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<v Speaker 1>CEO of Rockside, we thought.

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<v Speaker 2>Might maybe be a bad guy in Love and Thunder that.

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<v Speaker 1>We did think that who also in the comics, sold

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<v Speaker 1>his soul in order to become the literal minitula total minutes.

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<v Speaker 1>Now we have the police, Now we have the grease connection.

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<v Speaker 2>Hercules in the minute all You're really getting into some

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<v Speaker 2>good deep stuff there.

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<v Speaker 1>So Ager tricks Hercules. He's like, hey, I'll help you.

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<v Speaker 1>We'll get back at Thor. Let's do this, Let's invade

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<v Speaker 1>the realms and will fuck thora up. When really what

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<v Speaker 1>Agar wants is Hercules to take Thor out so he can,

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<v Speaker 1>as the head of rocks On, can just extract all

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<v Speaker 1>the natural resources from Vanaheim or wherever.

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<v Speaker 2>What if it's that is like literally a perfect pitch,

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<v Speaker 2>and I swear to God, I hope Marvel is listening

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<v Speaker 2>because that is one of the best pitches.

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<v Speaker 3>Also, let's put that X ray vision oracle Timfoil, hat

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<v Speaker 3>is happening? That give me the thing I think that's

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<v Speaker 3>a great version, especially because the space where Thor is

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<v Speaker 3>at right now is a space where he has something

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<v Speaker 3>to live for. He loves his family, he wants to

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<v Speaker 3>protect the universe, he wants to protect the realms, and

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<v Speaker 3>so that gives it even more heart to bring this

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<v Speaker 3>kind of ecological analogous story of this evil corporation.

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<v Speaker 2>I think that would be so good.

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<v Speaker 1>I'll say something else. Man, if I am an actor

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<v Speaker 1>out there, Dariel Aggert theoretically is one of the media's

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<v Speaker 1>roles to get it.

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<v Speaker 2>I think that's why who everyone assumed Christian Bell was

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<v Speaker 2>going to play, because you're like, if you can get

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<v Speaker 2>him to come back, what is it for? And obviously

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<v Speaker 2>it was cool, but.

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<v Speaker 1>Dario is so meaty. There's so much meat. It's like

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<v Speaker 1>if uh, It's like if a character from The Wolf

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<v Speaker 1>of Wall Street was also a super villain who turned

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<v Speaker 1>into a huge like bipedal, super strong bull from It's

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<v Speaker 1>it's like a great it would be a really really

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<v Speaker 1>great role. You know, I could just see whoever this

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<v Speaker 1>character is. You know, they're having a meeting of the

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<v Speaker 1>of the shareholders and they're laying into dary Agger. Why

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<v Speaker 1>are we losing this why are we lose? We just

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<v Speaker 1>a massive oil spill over in the government and then

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<v Speaker 1>he just turns into a minute. But I love people.

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<v Speaker 2>Who would be your dream Dario Aga casting, if you've

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<v Speaker 2>got your pitch accepted and they were like Jason put

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<v Speaker 2>together the pitch bible, who's.

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<v Speaker 1>The dream you go?

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<v Speaker 2>First?

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<v Speaker 1>I need to think about it.

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<v Speaker 2>Okay, you know what I would go. I'm like, if

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<v Speaker 2>you're going, who would be? I feel like, you know,

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<v Speaker 2>Miles Teller could do like a very intense right.

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<v Speaker 1>It's actually really really good.

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<v Speaker 2>He could bring that that you know, aggression from the

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<v Speaker 2>film that made him and then kind of bring that

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<v Speaker 2>charm from the newest stuff and and I feel like

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<v Speaker 2>I could see him becoming the Minotaur. I feel like

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<v Speaker 2>he's got the the VI.

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<v Speaker 1>I think Kieran Kieran Kolkin like because there's a good

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<v Speaker 1>there's something really cool like about a kind of slightly

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<v Speaker 1>dickish but unastuming physically human person who turns in this

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<v Speaker 1>monstrous manatals.

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<v Speaker 2>Is incredibly smart and also incredibly likely because it hits

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<v Speaker 2>some one of the things I think Marvel does that

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<v Speaker 2>it's so interesting and that really sets it apart and

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<v Speaker 2>also makes fan casting very fun for us. They love

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<v Speaker 2>to cast someone who has already kind of done the

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<v Speaker 2>thing that they want them to do. So they cast

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<v Speaker 2>Kit Harrington, the most famous from Game of Thrones, and

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<v Speaker 2>they cast him as Black Knight. They cast him as

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<v Speaker 2>a medical conspired hero Circe. Jemma Chan had been in

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<v Speaker 2>this really incredible show where she played like a robot

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<v Speaker 2>who was gaining sentience and freedom from the people who

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<v Speaker 2>created her, very similar to the Journey in Eternals.

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<v Speaker 1>They've often done that.

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<v Speaker 2>I mean Fox, the Marvel Side of Fox did it

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<v Speaker 2>too with casting you know, Santsa Stark as Gene Gray

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<v Speaker 2>like that. I feel like Kieran Coulkin, they would if

0:12:35.559 --> 0:12:38.000
<v Speaker 2>they don't. If they could do Dario Aga and they

0:12:38.040 --> 0:12:40.960
<v Speaker 2>don't cast someone from Succession, that would be a miss.

0:12:41.000 --> 0:12:44.240
<v Speaker 2>Like that is Kevin Big you give extra vision a

0:12:44.320 --> 0:12:45.400
<v Speaker 2>call will consult for you.

0:12:45.880 --> 0:12:49.640
<v Speaker 1>War of the Realms, Carlus, it would be great. Kate,

0:12:50.320 --> 0:12:52.280
<v Speaker 1>why didn't Moon Night show up when gods are hissing?

0:12:52.320 --> 0:12:54.360
<v Speaker 1>It's a great question. Well, first of all, he's merely

0:12:54.400 --> 0:12:59.880
<v Speaker 1>an avatars. The real question is why weren't any of

0:12:59.880 --> 0:13:03.480
<v Speaker 1>the Egyptian gods? Maybe they were, I haven't we need

0:13:03.520 --> 0:13:09.199
<v Speaker 1>to do a real like granular scan of the omnipotent

0:13:09.320 --> 0:13:16.319
<v Speaker 1>city Hall scene, so we don't quite know that they

0:13:16.360 --> 0:13:19.720
<v Speaker 1>weren't there, but I it did feel strange.

0:13:19.280 --> 0:13:23.960
<v Speaker 2>That there wasn't a more prominent The gods that they credit.

0:13:24.120 --> 0:13:27.440
<v Speaker 2>They credited were quite vague, and it will be really

0:13:27.480 --> 0:13:29.200
<v Speaker 2>fun when it's on Disney Plus to go through and

0:13:29.240 --> 0:13:32.800
<v Speaker 2>do that granular look. But it did feel as gods

0:13:32.800 --> 0:13:35.160
<v Speaker 2>are becoming this really important part of the MCU. I

0:13:35.360 --> 0:13:40.240
<v Speaker 2>was definitely also surprised that there wasn't necessarily an obvious

0:13:40.679 --> 0:13:43.440
<v Speaker 2>character from the Ianad that we'd met in Moonlight.

0:13:43.559 --> 0:13:45.360
<v Speaker 1>You would have thought we would have seen Kanshu there.

0:13:45.640 --> 0:13:47.319
<v Speaker 1>Now again, maybe that would have been.

0:13:47.160 --> 0:13:51.200
<v Speaker 2>So funny, like in this really outrageous like orgy having place,

0:13:51.280 --> 0:14:01.640
<v Speaker 2>and you just got cranky old f Murray Abram Kanshu.

0:13:57.920 --> 0:13:59.920
<v Speaker 1>Uh and then finally Kochi nineteen eighty four is a

0:14:00.080 --> 0:14:02.040
<v Speaker 1>crime that we didn't get a separate Valkyrie and Jane

0:14:02.080 --> 0:14:04.000
<v Speaker 1>Foster buddy movie. There's still time.

0:14:04.080 --> 0:14:07.360
<v Speaker 2>I know. I'm like I because I want that.

0:14:08.240 --> 0:14:11.000
<v Speaker 1>I am absolutely sure that Jane is coming back in

0:14:11.120 --> 0:14:13.160
<v Speaker 1>some form of fashion more of the realms.

0:14:13.200 --> 0:14:16.480
<v Speaker 2>I also connect with that because that was had a

0:14:16.520 --> 0:14:19.520
<v Speaker 2>storyline about having a Valhalla choosing to come back, and

0:14:19.560 --> 0:14:22.040
<v Speaker 2>then obviously later on becoming a Valkyrie. But this I

0:14:22.080 --> 0:14:26.280
<v Speaker 2>agree with one hundred percent because to me, those I

0:14:27.040 --> 0:14:28.760
<v Speaker 2>really as you know, if you listen to podcasts, I

0:14:28.760 --> 0:14:31.320
<v Speaker 2>love Door, Love and Thunder. But like the moments that

0:14:31.360 --> 0:14:34.040
<v Speaker 2>I think really sung to me that I would have

0:14:34.040 --> 0:14:36.680
<v Speaker 2>loved to see expanded on were those moments with Jane

0:14:37.080 --> 0:14:40.520
<v Speaker 2>and Val, like when King Val goes and finds Jane

0:14:40.520 --> 0:14:44.240
<v Speaker 2>and Jane's broken the sink Alla Wolverine and the much

0:14:44.280 --> 0:14:49.920
<v Speaker 2>beloved movie Wolverine Origins. You know that moment between them

0:14:49.920 --> 0:14:52.920
<v Speaker 2>where they have you know, are you packed? And they

0:14:52.920 --> 0:14:55.320
<v Speaker 2>both have their weapons and they have the little kind

0:14:55.320 --> 0:14:59.640
<v Speaker 2>of the thing playing Mary J. Blige, And I just

0:14:59.640 --> 0:15:01.320
<v Speaker 2>think I would love to see a whole movie of that.

0:15:01.400 --> 0:15:02.840
<v Speaker 2>I think we could still see it if I was

0:15:02.880 --> 0:15:05.320
<v Speaker 2>gonna pitch it. It would be like a cosmic road trip.

0:15:05.800 --> 0:15:09.320
<v Speaker 2>I want the cosmic buddy movie. Maybe they're both Valkyries,

0:15:09.360 --> 0:15:13.320
<v Speaker 2>Maybe they're rounding up other Valkyries. Maybe they're just going

0:15:13.400 --> 0:15:15.240
<v Speaker 2>on a fun trip, doesn't have to be anything to

0:15:15.240 --> 0:15:17.800
<v Speaker 2>do with trauma action, and they're just like gonna buy

0:15:17.840 --> 0:15:19.680
<v Speaker 2>thor a birthday present, and they want to get him

0:15:19.680 --> 0:15:22.720
<v Speaker 2>like the funniest birthday present in the universe, Like give

0:15:22.760 --> 0:15:25.360
<v Speaker 2>me that movie. I would say it's a crime if

0:15:25.400 --> 0:15:28.520
<v Speaker 2>it doesn't happen. But as Jason said, still lots of time.

0:15:29.360 --> 0:15:31.640
<v Speaker 1>I have one more add on for for what we

0:15:31.720 --> 0:15:34.960
<v Speaker 1>see next, what happens next with Thor and I. But

0:15:35.040 --> 0:15:37.240
<v Speaker 1>I would extend this to like all of Marvel.

0:15:37.240 --> 0:15:37.400
<v Speaker 4>Now.

0:15:37.400 --> 0:15:39.800
<v Speaker 1>Of course we're waiting for that kind of like unifying

0:15:39.920 --> 0:15:42.680
<v Speaker 1>force to really kick in, And Kevin Figge announced that

0:15:42.680 --> 0:15:46.960
<v Speaker 1>they had a creative Council meeting of a month back now,

0:15:46.960 --> 0:15:49.240
<v Speaker 1>so I'd assume they're working on that too. But like

0:15:49.360 --> 0:15:52.880
<v Speaker 1>at some point, you know, as we've just seen damage

0:15:52.920 --> 0:15:57.440
<v Speaker 1>control as a kind of like human reactionary force to

0:15:57.800 --> 0:16:03.800
<v Speaker 1>the sudden expansion of the population of enhanced people in

0:16:03.880 --> 0:16:08.960
<v Speaker 1>the MCU, bad guys win, like at some point a

0:16:09.080 --> 0:16:15.040
<v Speaker 1>dark rain kind of situation where you know, the governments

0:16:15.040 --> 0:16:17.720
<v Speaker 1>of the world are like enough with these super powered

0:16:17.760 --> 0:16:21.240
<v Speaker 1>people like either Circovia style, sign the shit or we're

0:16:21.240 --> 0:16:26.040
<v Speaker 1>coming after you, and then we get like siege. Yeah,

0:16:25.920 --> 0:16:30.080
<v Speaker 1>whoever takes control of the military slash government in the

0:16:30.160 --> 0:16:32.920
<v Speaker 1>US or in the world is like Okay, let's get

0:16:33.040 --> 0:16:36.520
<v Speaker 1>as guard out of Earth they can go. They have

0:16:36.720 --> 0:16:40.320
<v Speaker 1>like there's seven other realms, like they don't need to

0:16:40.320 --> 0:16:41.040
<v Speaker 1>be on this one.

0:16:41.200 --> 0:16:43.800
<v Speaker 2>Yeah. And I also think something really smart about that

0:16:43.960 --> 0:16:47.160
<v Speaker 2>is like, look, I know that the way that they

0:16:47.200 --> 0:16:50.160
<v Speaker 2>did it and have been the trend realms. Yeah, the

0:16:50.200 --> 0:16:53.480
<v Speaker 2>trend of the MCU so far has been this notion

0:16:53.560 --> 0:16:55.600
<v Speaker 2>of you open a multiverse, you close it. It's a

0:16:55.680 --> 0:16:59.280
<v Speaker 2>closed loop, right, But let's be real. A version of

0:16:59.320 --> 0:17:03.000
<v Speaker 2>Norman Osborne on the King of Marvel Supervillains has been

0:17:03.040 --> 0:17:06.240
<v Speaker 2>to us six one six knows that who it's Spider

0:17:06.280 --> 0:17:10.280
<v Speaker 2>Man is knows the notion of the six one six.

0:17:10.560 --> 0:17:15.399
<v Speaker 2>I just think we shouldn't count out seeing those kind

0:17:15.480 --> 0:17:19.679
<v Speaker 2>of things Siege, Dark Grain, and maybe even seeing the

0:17:19.800 --> 0:17:22.840
<v Speaker 2>MCU's version of some of those more iconic characters that

0:17:22.840 --> 0:17:25.600
<v Speaker 2>we've already seen in the in the Spider Verse, but

0:17:25.920 --> 0:17:27.480
<v Speaker 2>reimagined in new ways.

0:17:27.760 --> 0:17:30.960
<v Speaker 1>I completely agree that would be so awesome. And you

0:17:31.000 --> 0:17:34.239
<v Speaker 1>know what is awesome. Our interview with Jason Aaron Now

0:17:34.400 --> 0:17:37.560
<v Speaker 1>quick note this was recorded before the release of Thor,

0:17:37.840 --> 0:17:41.520
<v Speaker 1>Love and Thunder about a week before, so we had

0:17:41.520 --> 0:17:44.160
<v Speaker 1>no idea what the movie would contain before we talked

0:17:44.200 --> 0:17:47.000
<v Speaker 1>to him. Please enjoy our interview with Great Jason Aaron.

0:17:59.760 --> 0:18:03.160
<v Speaker 1>Jason Aaron, thank you so much for joining us. What

0:18:03.240 --> 0:18:05.480
<v Speaker 1>was your what's your comics origin story? How did you

0:18:05.520 --> 0:18:07.400
<v Speaker 1>decide to be a writer, and then how did you

0:18:08.200 --> 0:18:11.679
<v Speaker 1>how did you start first thinking about becoming a comic

0:18:11.680 --> 0:18:12.200
<v Speaker 1>book writer.

0:18:12.640 --> 0:18:15.160
<v Speaker 4>Well, I mean, you know, I think my origin story

0:18:15.200 --> 0:18:18.800
<v Speaker 4>as a comic book reader and involved the spinner rack,

0:18:18.920 --> 0:18:21.200
<v Speaker 4>you know, spinner rack at the local drug store and

0:18:22.600 --> 0:18:25.280
<v Speaker 4>tagging along with my mom every time she should go,

0:18:25.760 --> 0:18:29.119
<v Speaker 4>you know, to the grocery store or wherever, and finding

0:18:29.920 --> 0:18:34.199
<v Speaker 4>new teen Titans and Tory Forst and Blue Devil and

0:18:35.480 --> 0:18:37.639
<v Speaker 4>Long Shot like those are some of the books that

0:18:37.680 --> 0:18:40.080
<v Speaker 4>I'd noticed for the first time that sort of pulled

0:18:40.080 --> 0:18:43.800
<v Speaker 4>me in, and I just I've never stopped reading comics,

0:18:43.880 --> 0:18:47.840
<v Speaker 4>you know. I mean I was fifteen or sixteen before

0:18:47.880 --> 0:18:50.800
<v Speaker 4>I discovered a comic book store because I grew up

0:18:50.800 --> 0:18:53.360
<v Speaker 4>in a small town. But once I did, I've I've

0:18:53.359 --> 0:18:56.040
<v Speaker 4>had a pull list one place or another, you know,

0:18:56.359 --> 0:18:59.720
<v Speaker 4>every year since then. So I've kind of always been

0:18:59.760 --> 0:19:02.880
<v Speaker 4>read and knew pretty quick that I, you know, that's

0:19:02.920 --> 0:19:06.639
<v Speaker 4>what I wanted to do. I love to write, and

0:19:06.840 --> 0:19:08.840
<v Speaker 4>I remember telling my parents when I was a kid

0:19:08.880 --> 0:19:11.439
<v Speaker 4>that you know, yeah, I want to write comics someday.

0:19:12.520 --> 0:19:16.000
<v Speaker 4>Had absolutely no idea how you begin to even attempt

0:19:16.080 --> 0:19:19.600
<v Speaker 4>to do that, especially for kid growing up, and you know,

0:19:19.680 --> 0:19:24.600
<v Speaker 4>it's little town and backwards Alabama. So it took until

0:19:24.640 --> 0:19:26.560
<v Speaker 4>I was I was almost thirty. I was in my

0:19:26.640 --> 0:19:29.800
<v Speaker 4>late twenties, and I won a Marvel Comics talent search contest,

0:19:31.520 --> 0:19:35.080
<v Speaker 4>which was this weird thing that Marvel had never really

0:19:35.160 --> 0:19:37.680
<v Speaker 4>done before in that way they and they haven't done

0:19:37.680 --> 0:19:39.920
<v Speaker 4>it since, so it was this kind of strange one

0:19:39.960 --> 0:19:42.840
<v Speaker 4>time thing. I you know, I sort of lucked into.

0:19:42.960 --> 0:19:45.000
<v Speaker 4>I guess I haven't looked back.

0:19:45.080 --> 0:19:48.399
<v Speaker 2>Yeah. I was going to say, it's actually, like really

0:19:48.520 --> 0:19:51.120
<v Speaker 2>rare to find someone who did any kind of comics

0:19:51.160 --> 0:19:54.320
<v Speaker 2>talent search and then ended up getting a career kind

0:19:54.320 --> 0:19:57.480
<v Speaker 2>of consistently writing comics. And that first story I was

0:19:57.480 --> 0:20:01.360
<v Speaker 2>a Wolverine story, right, yeah, yeah, it was so yeah,

0:20:01.400 --> 0:20:03.560
<v Speaker 2>And what was that like for you to you know,

0:20:03.640 --> 0:20:06.199
<v Speaker 2>grown up on those spinner racks, reading those comics and

0:20:06.240 --> 0:20:09.359
<v Speaker 2>then kind of just writing this short Wolverine story and

0:20:09.400 --> 0:20:11.840
<v Speaker 2>it being published in a comic shop that you could

0:20:11.840 --> 0:20:13.119
<v Speaker 2>get from a comic book store.

0:20:13.320 --> 0:20:16.040
<v Speaker 4>I mean, it was. It was surreal. I think it's

0:20:16.040 --> 0:20:19.359
<v Speaker 4>still surreal. I think that the weirdness has never worn off,

0:20:19.480 --> 0:20:23.000
<v Speaker 4>you know. I mean, like I said, I knew pretty

0:20:23.080 --> 0:20:25.160
<v Speaker 4>much my whole life I wanted to be a writer.

0:20:25.800 --> 0:20:28.159
<v Speaker 4>I kind of pursued that in different ways, you know.

0:20:28.240 --> 0:20:31.640
<v Speaker 4>I thought, well, maybe I'll go into journalism, and I

0:20:31.680 --> 0:20:34.760
<v Speaker 4>took like two semesters of journalism in college and realized

0:20:34.840 --> 0:20:37.640
<v Speaker 4>that wasn't for me. And I was writing a bunch

0:20:37.680 --> 0:20:40.880
<v Speaker 4>of terrible novels that hopefully no one will we'll ever

0:20:40.920 --> 0:20:45.000
<v Speaker 4>get to read, and going, you know, just anything I

0:20:45.000 --> 0:20:47.800
<v Speaker 4>could do to write. You know, it was just consumed

0:20:48.080 --> 0:20:52.320
<v Speaker 4>so much of my time, which was really like the

0:20:52.320 --> 0:20:55.440
<v Speaker 4>most important thing I did, you know, through those even

0:20:55.440 --> 0:20:57.399
<v Speaker 4>though I don't really have anything to show for it

0:20:59.240 --> 0:21:03.280
<v Speaker 4>in terms of like published work, it was still all

0:21:03.320 --> 0:21:05.480
<v Speaker 4>that time I spent writing was kind of getting me

0:21:05.560 --> 0:21:10.040
<v Speaker 4>ready for when the opportunity would arise. And then getting this,

0:21:10.160 --> 0:21:12.320
<v Speaker 4>you know, this weird random talent search popped up. So

0:21:12.320 --> 0:21:15.240
<v Speaker 4>it's like I got lucky, but I'd kind of made

0:21:15.240 --> 0:21:16.840
<v Speaker 4>my own luck. And then I felt like I was

0:21:16.920 --> 0:21:21.240
<v Speaker 4>ready by that point to do something interesting, and thankfully,

0:21:21.840 --> 0:21:24.000
<v Speaker 4>you know, caught the attention. It was editor Mike Martz,

0:21:24.000 --> 0:21:26.879
<v Speaker 4>who was the X Men editor at the time. I

0:21:26.960 --> 0:21:29.399
<v Speaker 4>was working like a crappy job at a video rental

0:21:29.440 --> 0:21:32.760
<v Speaker 4>store back when they still had those, you know, and

0:21:32.800 --> 0:21:35.200
<v Speaker 4>I had I had a message on my answering machine

0:21:35.240 --> 0:21:37.639
<v Speaker 4>this or on my cell phone. This was like months

0:21:37.680 --> 0:21:41.000
<v Speaker 4>after the contest, and several months after i'd you know,

0:21:41.119 --> 0:21:43.399
<v Speaker 4>just dropped this page, this piece of paper in a

0:21:43.440 --> 0:21:46.480
<v Speaker 4>box and there was a message on my phone just hey,

0:21:46.520 --> 0:21:48.440
<v Speaker 4>this is Mike Martins and Marvel give me a call back.

0:21:48.480 --> 0:21:51.480
<v Speaker 4>And literally my first thought was like, man, that's really

0:21:51.560 --> 0:21:53.720
<v Speaker 4>cruel of the guy to call me just to tell

0:21:53.720 --> 0:21:56.040
<v Speaker 4>me I did not win, Like why would he do that?

0:21:58.720 --> 0:22:02.760
<v Speaker 4>What a terrible guy. But it turns out I did win.

0:22:03.040 --> 0:22:09.159
<v Speaker 1>So yeah, how did you remember when I first started writing,

0:22:09.920 --> 0:22:12.280
<v Speaker 1>just the simple things like trying to figure out like

0:22:12.320 --> 0:22:15.480
<v Speaker 1>what a script format looked like, what all this stuff

0:22:15.560 --> 0:22:18.760
<v Speaker 1>is supposed to look like? Was How did you figure

0:22:18.800 --> 0:22:20.120
<v Speaker 1>all that out at the time?

0:22:20.880 --> 0:22:23.200
<v Speaker 4>Yeah, I didn't. I didn't really have any idea of

0:22:23.240 --> 0:22:25.400
<v Speaker 4>that either, And back in those days, I don't think

0:22:25.400 --> 0:22:28.080
<v Speaker 4>you could really find examples.

0:22:27.600 --> 0:22:28.560
<v Speaker 1>All I find out.

0:22:28.640 --> 0:22:31.960
<v Speaker 2>Yeah, yeah, it was just the Watchman, the back matter, Watchman,

0:22:34.160 --> 0:22:37.720
<v Speaker 2>which I everyone's writing one page panel description.

0:22:37.600 --> 0:22:41.560
<v Speaker 4>Which I absolutely did. You're absolutely right, because I had that.

0:22:42.000 --> 0:22:44.960
<v Speaker 4>I've got that that big hardcover edition too, that's got

0:22:44.960 --> 0:22:48.080
<v Speaker 4>that script in there, and I like I had found

0:22:48.119 --> 0:22:50.520
<v Speaker 4>at some point years ago, I found this what was

0:22:51.040 --> 0:22:53.199
<v Speaker 4>the first comic script I ever wrote, back when I

0:22:53.280 --> 0:22:56.600
<v Speaker 4>was in high school, and it is absolutely me trying

0:22:56.600 --> 0:23:00.919
<v Speaker 4>to do this incredibly long, incredibly detailed letter to the

0:23:01.080 --> 0:23:05.359
<v Speaker 4>to the artists, you know, like Alan Moore's scripts were, Yeah,

0:23:05.440 --> 0:23:08.200
<v Speaker 4>and then eventually find out, well, really nobody else writes

0:23:08.240 --> 0:23:11.760
<v Speaker 4>comics scripts quite like that. But that's the thing. There's

0:23:11.800 --> 0:23:14.439
<v Speaker 4>no kind of standard format. I think, if you you know,

0:23:14.520 --> 0:23:18.200
<v Speaker 4>I like collecting scripts from from other artists, who who

0:23:18.600 --> 0:23:21.320
<v Speaker 4>whose stuff I like, and there everybody kind of does

0:23:21.359 --> 0:23:23.520
<v Speaker 4>it differently, you know. I mean, some people use like

0:23:23.600 --> 0:23:29.040
<v Speaker 4>standard screenwriting format at this point, but I've never really

0:23:29.080 --> 0:23:31.000
<v Speaker 4>done that. So yeah, back in the day, I had

0:23:31.040 --> 0:23:34.720
<v Speaker 4>no idea. So that was very much, you know, relying

0:23:34.800 --> 0:23:38.359
<v Speaker 4>on my editors and Mike Martz for that initial Wolverine

0:23:38.400 --> 0:23:41.480
<v Speaker 4>story and then I started doing stuff after that Vertigo

0:23:41.600 --> 0:23:44.639
<v Speaker 4>and Will Dennis was a big help and just showing me,

0:23:45.480 --> 0:23:47.880
<v Speaker 4>you know, here's here's how people who are really good

0:23:47.880 --> 0:23:50.800
<v Speaker 4>at this do it, and being able to try to

0:23:50.840 --> 0:23:52.200
<v Speaker 4>copy that, I guess.

0:23:52.680 --> 0:23:55.040
<v Speaker 2>Yeah, what was I mean, like, what were those notes?

0:23:55.040 --> 0:23:58.840
<v Speaker 2>Like Mike Marts obviously saw your storytelling kind of instincts,

0:23:58.960 --> 0:24:02.639
<v Speaker 2>and Andrew what was his notes like this script is

0:24:02.640 --> 0:24:04.800
<v Speaker 2>a mess? Or was he like this is quite good, because,

0:24:04.840 --> 0:24:06.919
<v Speaker 2>like you said, I've read hundreds of comic book scripts,

0:24:06.960 --> 0:24:09.320
<v Speaker 2>and every single one is different, and some make a

0:24:09.320 --> 0:24:11.280
<v Speaker 2>lot of sense and some make no sense.

0:24:12.080 --> 0:24:14.040
<v Speaker 4>I mean, I think I think he told me I

0:24:14.080 --> 0:24:17.080
<v Speaker 4>won the contest just because my idea was different and

0:24:17.160 --> 0:24:20.200
<v Speaker 4>kind of stood out that mine wasn't set in a bar,

0:24:20.880 --> 0:24:25.679
<v Speaker 4>it didn't have Wolverine in flighting ninas. I was. I

0:24:25.760 --> 0:24:27.560
<v Speaker 4>was trying to do like a weird take on a

0:24:27.600 --> 0:24:31.959
<v Speaker 4>Flannery O'Connor story where Wolverine, you know, encounters this this

0:24:32.040 --> 0:24:34.879
<v Speaker 4>woman on a dirt road winding through the woods and

0:24:34.880 --> 0:24:39.040
<v Speaker 4>they have a conversation about faith, you know, before things

0:24:39.119 --> 0:24:41.720
<v Speaker 4>take a take a turn south. But so I think

0:24:41.720 --> 0:24:43.159
<v Speaker 4>it was just kind of something different.

0:24:43.200 --> 0:24:43.359
<v Speaker 1>It was.

0:24:43.480 --> 0:24:47.240
<v Speaker 4>Mine was a little more character driven. But yeah, in

0:24:47.320 --> 0:24:50.200
<v Speaker 4>terms of actual scripting process, I mean, I think it's

0:24:50.240 --> 0:24:51.960
<v Speaker 4>all kind of a blur. You know, it was just

0:24:53.000 --> 0:24:55.800
<v Speaker 4>I think it's ten pages, eight ten pages something like that.

0:24:55.960 --> 0:24:59.480
<v Speaker 4>So we're talking pretty short story. But I remember Mike

0:24:59.560 --> 0:25:03.120
<v Speaker 4>sending me, you know, examples of different scripts to kind

0:25:03.119 --> 0:25:05.280
<v Speaker 4>of to kind of go off of, just because I

0:25:05.280 --> 0:25:06.159
<v Speaker 4>had no clue.

0:25:06.280 --> 0:25:13.639
<v Speaker 1>Really, you mentioned Vertigo, you would go there and release

0:25:14.119 --> 0:25:19.600
<v Speaker 1>a five issue war comic. The other side one aspired that,

0:25:20.640 --> 0:25:23.440
<v Speaker 1>and what was that process like pitching that idea, getting

0:25:23.440 --> 0:25:24.360
<v Speaker 1>that made Well.

0:25:25.720 --> 0:25:29.240
<v Speaker 4>My cousin was Gus Hasford. He was a Vietnam vett

0:25:29.320 --> 0:25:31.600
<v Speaker 4>and a novelist, and he wrote a book called The

0:25:31.640 --> 0:25:34.960
<v Speaker 4>Short Timers, which is what Stanley Kubrick's Full Metal Jacket

0:25:35.040 --> 0:25:38.600
<v Speaker 4>was largely based on. So Gus was a big influence

0:25:38.640 --> 0:25:42.159
<v Speaker 4>on me, and that he was, you know, my cousin.

0:25:42.240 --> 0:25:44.160
<v Speaker 4>He was from the same neck of the woods. He

0:25:44.240 --> 0:25:46.320
<v Speaker 4>was the first person I ever met who made a

0:25:46.359 --> 0:25:52.080
<v Speaker 4>live in writing. He was very strange, eccentric guy, spent

0:25:52.240 --> 0:25:58.359
<v Speaker 4>time in jail for stealing hundreds of library books, and

0:25:58.400 --> 0:26:03.240
<v Speaker 4>then you know, he'd died too young. He died like

0:26:03.280 --> 0:26:07.320
<v Speaker 4>in the nineties and in like a flophouse motel in Greece.

0:26:08.480 --> 0:26:11.440
<v Speaker 4>So I never really got to talk to him much about,

0:26:11.560 --> 0:26:14.400
<v Speaker 4>you know, writing, once I was kind of old enough

0:26:14.440 --> 0:26:17.199
<v Speaker 4>to have something to say about it. So I just

0:26:17.720 --> 0:26:21.080
<v Speaker 4>spent a lot of time researching his life and through

0:26:21.119 --> 0:26:25.159
<v Speaker 4>that met a lot of his his fellow marine combat

0:26:25.200 --> 0:26:28.760
<v Speaker 4>correspondence from from his era, and got to hang out

0:26:28.760 --> 0:26:30.680
<v Speaker 4>with some of those guys. And so I think all

0:26:30.720 --> 0:26:34.040
<v Speaker 4>of that led me to want to do a Vietnam

0:26:34.240 --> 0:26:37.439
<v Speaker 4>War book and initially pitched it to Marvel as a

0:26:37.520 --> 0:26:42.120
<v Speaker 4>relaunch of the Noom you know that that eighties series,

0:26:43.720 --> 0:26:46.000
<v Speaker 4>and didn't get picked up there, and just kind of

0:26:46.000 --> 0:26:50.399
<v Speaker 4>pitched it around to different people, and Will Dennis at

0:26:50.480 --> 0:26:54.320
<v Speaker 4>Vertigo I focused in on because he edited a lot

0:26:54.400 --> 0:26:57.240
<v Speaker 4>of the books that I really enjoyed reading. And then

0:26:57.440 --> 0:27:00.679
<v Speaker 4>he also had edited the only you know, war comics

0:27:00.720 --> 0:27:03.320
<v Speaker 4>really anybody had done in years, which were those garthiness

0:27:03.359 --> 0:27:06.240
<v Speaker 4>war stories. So yeah, I sent it to him and

0:27:06.240 --> 0:27:09.520
<v Speaker 4>he turned me down like a couple of times, but

0:27:09.600 --> 0:27:12.480
<v Speaker 4>I was I was politely persistent, which I think is

0:27:12.520 --> 0:27:15.919
<v Speaker 4>another important key to break it. Not you know, not

0:27:16.200 --> 0:27:18.600
<v Speaker 4>like being a bother or pain in the butt, but like,

0:27:19.520 --> 0:27:23.480
<v Speaker 4>be persistent, just be polite, be respectful of editors time.

0:27:23.600 --> 0:27:26.480
<v Speaker 4>So I send him the script. I had written the

0:27:26.480 --> 0:27:29.119
<v Speaker 4>first issue script and said, hey, would you, you know,

0:27:29.160 --> 0:27:30.760
<v Speaker 4>take a look at it at least and let me

0:27:30.800 --> 0:27:34.040
<v Speaker 4>know what you think, And he said sure, told me again,

0:27:34.520 --> 0:27:36.480
<v Speaker 4>you know, I still can't use it, but I'll take

0:27:36.480 --> 0:27:38.399
<v Speaker 4>a look at it. And then he read it and

0:27:39.640 --> 0:27:43.040
<v Speaker 4>you know, liked it and got greenlit it at Vertigo.

0:27:43.200 --> 0:27:46.440
<v Speaker 4>So I think I've never worked harder in my life

0:27:46.480 --> 0:27:49.440
<v Speaker 4>on a comic script than that one, the first, because

0:27:49.440 --> 0:27:53.000
<v Speaker 4>that was the first full, you know, then twenty two

0:27:53.040 --> 0:27:56.200
<v Speaker 4>pages script I'd ever written, which I worked on probably

0:27:56.240 --> 0:28:00.240
<v Speaker 4>for months, so I was still probably the I was

0:28:00.359 --> 0:28:03.280
<v Speaker 4>selling book I've ever written. You know, it's the very

0:28:03.280 --> 0:28:06.480
<v Speaker 4>first one, but it was the most important one, I think,

0:28:06.520 --> 0:28:09.240
<v Speaker 4>because you know, it sort of paved the way for

0:28:09.320 --> 0:28:12.080
<v Speaker 4>everything I've done since then. M h.

0:28:13.000 --> 0:28:14.719
<v Speaker 2>And what was it like to go from like this

0:28:14.840 --> 0:28:19.560
<v Speaker 2>kind of personal, heavily researched comic to then like returning

0:28:19.600 --> 0:28:23.119
<v Speaker 2>back to Marvel and going back into that pantheon of

0:28:23.200 --> 0:28:26.240
<v Speaker 2>kind of these huge, iconic, kind of godlike figures.

0:28:26.600 --> 0:28:29.040
<v Speaker 4>I mean, it was great. I mean, in my mind,

0:28:29.080 --> 0:28:33.200
<v Speaker 4>that's kind of always what I've wanted to do. I mean,

0:28:33.240 --> 0:28:37.080
<v Speaker 4>I love superhero comics. I grew up reading Marvel and

0:28:37.160 --> 0:28:41.000
<v Speaker 4>DC superhero comics. I still read a bunch of them.

0:28:41.280 --> 0:28:44.680
<v Speaker 4>It's not like I'm doing that just because you know

0:28:44.760 --> 0:28:46.560
<v Speaker 4>it's a job or that's what you need to do.

0:28:46.680 --> 0:28:50.240
<v Speaker 4>Like I genuinely enjoyed doing that stuff, but at the

0:28:50.320 --> 0:28:53.040
<v Speaker 4>same time, I wouldn't. I never want to do just

0:28:54.160 --> 0:28:57.480
<v Speaker 4>work for higher stuff, just superhero stuff. I'm always attracted

0:28:57.520 --> 0:29:00.880
<v Speaker 4>to other genres. So kind of right from the get

0:29:00.880 --> 0:29:03.959
<v Speaker 4>go in terms of my career, I was doing, you know,

0:29:04.080 --> 0:29:09.520
<v Speaker 4>create her own stuff, balancing with the Marvel and DC stuff.

0:29:11.920 --> 0:29:16.080
<v Speaker 1>What at what point, so do you win this contest

0:29:16.520 --> 0:29:20.080
<v Speaker 1>you're getting stuff made. At what point were you able

0:29:20.160 --> 0:29:24.640
<v Speaker 1>to pursue comics writing as your full time job. Quit

0:29:24.680 --> 0:29:27.600
<v Speaker 1>the job at the video store, put all that stuff away,

0:29:28.120 --> 0:29:30.280
<v Speaker 1>Explain to people I am a comics writer now, and

0:29:30.280 --> 0:29:31.040
<v Speaker 1>then just do that.

0:29:31.800 --> 0:29:37.280
<v Speaker 4>Well, basically, my son just turned seventeen, clearly like two

0:29:37.360 --> 0:29:40.960
<v Speaker 4>weeks ago. He's he's the same age as my comic

0:29:41.000 --> 0:29:45.000
<v Speaker 4>career because I quit my job when he was born,

0:29:45.480 --> 0:29:47.960
<v Speaker 4>and it was right around the time I was working

0:29:48.000 --> 0:29:52.440
<v Speaker 4>on Scalped number one, the beginning of Scalped. Because my

0:29:52.560 --> 0:29:56.240
<v Speaker 4>son's name is Dashel, just like the main character of Scalped.

0:29:56.320 --> 0:30:00.960
<v Speaker 4>So yeah, it's about seven seventeen years now, I guess

0:30:01.040 --> 0:30:02.560
<v Speaker 4>I've been I've been full time.

0:30:04.680 --> 0:30:09.200
<v Speaker 2>Wow, And what is that kind of people talk a

0:30:09.240 --> 0:30:11.720
<v Speaker 2>lot about like, do the thing that you love and

0:30:11.800 --> 0:30:13.560
<v Speaker 2>you will never get tired of it, And then when

0:30:13.600 --> 0:30:15.440
<v Speaker 2>we do the thing we love, we're also like, also,

0:30:15.520 --> 0:30:17.280
<v Speaker 2>you will burn out on the thing that you love.

0:30:17.360 --> 0:30:21.560
<v Speaker 2>What's what's that journey been like for you? Because you've

0:30:21.600 --> 0:30:25.680
<v Speaker 2>been a professional comics writer almost as long as you

0:30:25.720 --> 0:30:28.920
<v Speaker 2>were just a fan, you know, so like, what what

0:30:29.040 --> 0:30:31.520
<v Speaker 2>has that journey been like for you of doing it

0:30:31.560 --> 0:30:34.280
<v Speaker 2>full time and doing creator own books that people have

0:30:34.320 --> 0:30:37.400
<v Speaker 2>loved and always coming back to those superheroes too.

0:30:38.080 --> 0:30:40.880
<v Speaker 4>Yeah, I mean it's you know, it's definitely a journey.

0:30:41.920 --> 0:30:43.760
<v Speaker 4>I think you can look at it in terms of

0:30:43.880 --> 0:30:46.800
<v Speaker 4>different acts to my career, which some of which may

0:30:46.840 --> 0:30:50.920
<v Speaker 4>be obvious from people who've been reading along the way.

0:30:51.000 --> 0:30:53.560
<v Speaker 4>Some of them may be more personal and not as obvious,

0:30:53.720 --> 0:30:57.640
<v Speaker 4>So they're definitely it's definitely been you know, a series

0:30:57.680 --> 0:31:00.640
<v Speaker 4>of changes, even though for the most part I've been

0:31:00.680 --> 0:31:04.600
<v Speaker 4>at Marvel. You know, I think I've been exclusive to

0:31:04.720 --> 0:31:07.200
<v Speaker 4>Marvel since I want to say, two thousand and eight

0:31:07.360 --> 0:31:12.320
<v Speaker 4>or so, so, you know, even within that. I you know,

0:31:12.360 --> 0:31:16.680
<v Speaker 4>it's spent like six years, six seven years writing Wolverine stories.

0:31:16.720 --> 0:31:20.600
<v Speaker 4>I've spent seven years writing thor stories since then I've

0:31:20.640 --> 0:31:24.360
<v Speaker 4>been doing Avengers. So it's still I've changed over the

0:31:24.360 --> 0:31:28.880
<v Speaker 4>course of that. My work's changed, the companies changed a lot,

0:31:29.800 --> 0:31:32.560
<v Speaker 4>and I and you know, things are still changing for me,

0:31:33.880 --> 0:31:36.640
<v Speaker 4>as they are for most everybody after the last couple

0:31:36.680 --> 0:31:39.560
<v Speaker 4>of years, right, so, I think this next year for

0:31:39.600 --> 0:31:42.440
<v Speaker 4>me will be another one of even bigger changes. So

0:31:43.720 --> 0:31:47.080
<v Speaker 4>but I think all that's good. I mean, from granted,

0:31:47.160 --> 0:31:49.600
<v Speaker 4>not all of those changes have been good. Certainly the

0:31:50.800 --> 0:31:53.160
<v Speaker 4>ones we've all been dealing with lately have not been.

0:31:53.240 --> 0:31:56.400
<v Speaker 4>But I think it's good and that it just I

0:31:56.400 --> 0:31:58.680
<v Speaker 4>don't ever want to get stagnant or bored or just

0:31:58.760 --> 0:32:01.880
<v Speaker 4>feel like I'm punching the clock and and doing this

0:32:02.200 --> 0:32:06.560
<v Speaker 4>just to pay my bills. I think as a creator,

0:32:06.600 --> 0:32:08.960
<v Speaker 4>you always want to feel like you're challenging yourself and

0:32:09.000 --> 0:32:12.480
<v Speaker 4>doing something that's different than stuff you've done before. So,

0:32:13.840 --> 0:32:16.440
<v Speaker 4>you know, I'm very happy and fortunate that I feel

0:32:16.480 --> 0:32:19.400
<v Speaker 4>like I've been able to do that. I haven't spent

0:32:19.440 --> 0:32:22.719
<v Speaker 4>my time doing jobs that were forced upon me that

0:32:22.760 --> 0:32:26.440
<v Speaker 4>I that you know, or somebody else's ideas or things

0:32:26.480 --> 0:32:30.680
<v Speaker 4>that I didn't want to do. So it's been a

0:32:31.560 --> 0:32:35.160
<v Speaker 4>it's definitely been a journey, but been a fun one,

0:32:35.160 --> 0:32:36.840
<v Speaker 4>and I think you do have to be conscious of

0:32:36.960 --> 0:32:39.920
<v Speaker 4>not getting burned out. To me, the only thing I

0:32:39.920 --> 0:32:44.280
<v Speaker 4>think is just the grind of doing ongoing books. I

0:32:44.320 --> 0:32:48.240
<v Speaker 4>think I'm you know, maybe interested in kind of jumping

0:32:48.280 --> 0:32:52.200
<v Speaker 4>off that train at some point and doing more stuff,

0:32:52.280 --> 0:32:54.200
<v Speaker 4>kind of like what I'm doing with Punisher right now,

0:32:54.320 --> 0:32:57.520
<v Speaker 4>or it's just sort of you know, set number of issues,

0:32:57.560 --> 0:33:01.040
<v Speaker 4>set artists, just because I think that can get to

0:33:01.080 --> 0:33:03.239
<v Speaker 4>be a bit of a grind when you're having to

0:33:03.280 --> 0:33:06.720
<v Speaker 4>write for, you know, many different artists at the same time.

0:33:08.440 --> 0:33:14.000
<v Speaker 1>Let's you mentioned thor uh, and we'd be remiss if

0:33:14.000 --> 0:33:17.080
<v Speaker 1>we did not talk about your run on thor beginning

0:33:17.160 --> 0:33:20.760
<v Speaker 1>with God of Thunder in twenty twelve. Of course, it's

0:33:20.800 --> 0:33:25.160
<v Speaker 1>being adapted for the upcoming Thor Love and Thunder movie.

0:33:26.720 --> 0:33:31.280
<v Speaker 1>In our opinion, we read a lot of comics, it's,

0:33:31.680 --> 0:33:35.840
<v Speaker 1>you know, simply one of the best runs ever. Yeah,

0:33:35.880 --> 0:33:38.720
<v Speaker 1>we talk about in comics like it's it's some of

0:33:38.760 --> 0:33:39.120
<v Speaker 1>the best.

0:33:39.200 --> 0:33:41.080
<v Speaker 2>You got to have some of the best hotests too,

0:33:41.320 --> 0:33:41.920
<v Speaker 2>and some of the.

0:33:41.840 --> 0:33:45.840
<v Speaker 1>Greatest you know, from east Side Ribbage to rust Ouderman,

0:33:45.960 --> 0:33:49.120
<v Speaker 1>on and on. Did you not, like, at what point

0:33:49.600 --> 0:33:54.240
<v Speaker 1>in the run did you did you ever realize like, oh, wow,

0:33:54.320 --> 0:33:57.440
<v Speaker 1>this is this is really good. We're like, really do

0:33:57.680 --> 0:33:58.840
<v Speaker 1>We're really doing something cool.

0:34:01.520 --> 0:34:03.840
<v Speaker 4>I mean, I don't remember thinking, hey, this is going

0:34:03.880 --> 0:34:06.280
<v Speaker 4>to be really big or I'll you know. I mean,

0:34:06.280 --> 0:34:09.160
<v Speaker 4>I feel like at this point, if I when I die,

0:34:09.640 --> 0:34:11.720
<v Speaker 4>Thor is going to be mentioned in like the first

0:34:11.719 --> 0:34:16.000
<v Speaker 4>paragraph of my obitually right, Like, I feel like I'm

0:34:16.040 --> 0:34:22.319
<v Speaker 4>pretty firmly established as Thor writer forever. But no, I'd

0:34:22.400 --> 0:34:24.839
<v Speaker 4>never stop and think about that along the way. It's

0:34:24.880 --> 0:34:26.560
<v Speaker 4>just sort of the next thing, and it's the thing

0:34:26.600 --> 0:34:31.000
<v Speaker 4>I'm excited to do. And it was a matter of

0:34:31.040 --> 0:34:34.120
<v Speaker 4>good timing and that Thor was not really a character

0:34:34.200 --> 0:34:36.920
<v Speaker 4>I had been long interested in, but that moment in

0:34:36.960 --> 0:34:39.920
<v Speaker 4>time it struck me to whereas, yeah, I think I

0:34:39.960 --> 0:34:42.480
<v Speaker 4>really want to do Thor, and yeah, I got to

0:34:42.520 --> 0:34:46.640
<v Speaker 4>work with an incredible lineup of artists, very very lucky

0:34:46.680 --> 0:34:49.399
<v Speaker 4>over the series of people I got to work with.

0:34:50.680 --> 0:34:53.480
<v Speaker 4>I think for me the biggest thing was I'd been

0:34:53.520 --> 0:34:55.680
<v Speaker 4>at Marvel long enough at that point, you know, I'd

0:34:55.719 --> 0:35:00.000
<v Speaker 4>been writing Wolverine Next stuff for so long. I felt

0:35:00.480 --> 0:35:03.080
<v Speaker 4>kind of comfortable with my position in the company, with

0:35:03.120 --> 0:35:05.880
<v Speaker 4>my relationships with everybody, that I kind of had the

0:35:05.920 --> 0:35:09.800
<v Speaker 4>confidence to sort of say, Okay, I'm taking over Thor

0:35:10.239 --> 0:35:12.799
<v Speaker 4>and I'm going to stay here as long as it

0:35:12.840 --> 0:35:14.759
<v Speaker 4>takes me to kind of see all this through, because

0:35:14.800 --> 0:35:17.560
<v Speaker 4>I knew I was kind of laying tracks like this

0:35:17.600 --> 0:35:19.239
<v Speaker 4>is going to take a while, you know, like this

0:35:19.320 --> 0:35:20.920
<v Speaker 4>is going to take years for me to pay all

0:35:20.960 --> 0:35:23.640
<v Speaker 4>this off. And I kind of just said, like, I'm

0:35:23.640 --> 0:35:27.080
<v Speaker 4>going to stay on here until you know, you guys

0:35:27.160 --> 0:35:29.839
<v Speaker 4>fire me or take me off or I'm done, you know,

0:35:30.160 --> 0:35:32.760
<v Speaker 4>one or the other, and kind of felt again, felt

0:35:32.760 --> 0:35:35.120
<v Speaker 4>confident enough to say, like, I feel like I can

0:35:35.239 --> 0:35:39.120
<v Speaker 4>just do that right, Yeah, And thankfully, you know, I

0:35:39.120 --> 0:35:41.040
<v Speaker 4>didn't get fired along the way, and I got to

0:35:41.120 --> 0:35:43.759
<v Speaker 4>finish the story the way I wanted to.

0:35:45.160 --> 0:35:48.600
<v Speaker 1>Yeah. One of my favorite things about that run from

0:35:48.760 --> 0:35:55.960
<v Speaker 1>Thorda Mighty thorn On is how you know, each different

0:35:56.080 --> 0:36:01.320
<v Speaker 1>arc in the run elevated it and changed what was happening,

0:36:01.440 --> 0:36:07.080
<v Speaker 1>added new emotional layers, added new canonical layers. Even never

0:36:07.120 --> 0:36:10.960
<v Speaker 1>played it safe, was always fantastically creative how much of

0:36:11.000 --> 0:36:13.200
<v Speaker 1>that was you mentioned the track? How much of that

0:36:13.280 --> 0:36:16.959
<v Speaker 1>was laid out at the beginning. Obviously there's a bunch

0:36:17.040 --> 0:36:23.840
<v Speaker 1>of different you know, crossover events that intersected with these stories,

0:36:23.880 --> 0:36:26.160
<v Speaker 1>and a bunch of different things, you know, different directions

0:36:26.160 --> 0:36:29.800
<v Speaker 1>that the company was going on editorially over this run.

0:36:30.760 --> 0:36:32.279
<v Speaker 1>So how much of that were you able to kind

0:36:32.280 --> 0:36:33.400
<v Speaker 1>of lay out at the beginning?

0:36:33.800 --> 0:36:35.840
<v Speaker 4>I mean a lot of it. Like I had a

0:36:35.880 --> 0:36:40.040
<v Speaker 4>big plan for sort of a lot of different stories,

0:36:40.080 --> 0:36:43.080
<v Speaker 4>pretty much all of which I ended up doing. It's

0:36:43.280 --> 0:36:46.960
<v Speaker 4>just as the kind of once I got to the

0:36:46.960 --> 0:36:51.759
<v Speaker 4>the idea of the Jane Foster story, I very much

0:36:51.840 --> 0:36:54.360
<v Speaker 4>changed the order of things. So some of the stories

0:36:54.360 --> 0:36:56.880
<v Speaker 4>that originally were going to be thor Odin Sun stories

0:36:56.960 --> 0:37:02.359
<v Speaker 4>became Jane Foster stories, and things got moved around. So

0:37:02.640 --> 0:37:05.080
<v Speaker 4>I think the Jane part of it definitely shifted things

0:37:05.120 --> 0:37:08.800
<v Speaker 4>around in part because I was so like, I enjoyed

0:37:08.800 --> 0:37:13.040
<v Speaker 4>that story so much, Like I kind of, you know,

0:37:13.120 --> 0:37:16.359
<v Speaker 4>I think I did realize you're talking about in terms

0:37:16.360 --> 0:37:19.920
<v Speaker 4>of realizing like the what we were doing. I realized

0:37:19.960 --> 0:37:23.640
<v Speaker 4>in the midst of that Jane Foster story, I'm really

0:37:23.680 --> 0:37:26.120
<v Speaker 4>really happy and really really proud of this, there's a

0:37:26.120 --> 0:37:31.000
<v Speaker 4>lot of meat on these bones, you know, just emotionally,

0:37:31.120 --> 0:37:33.799
<v Speaker 4>Like I knew this is something not just it's fun

0:37:33.800 --> 0:37:35.719
<v Speaker 4>to watch her go around and punch Odin in the

0:37:35.719 --> 0:37:38.120
<v Speaker 4>face and do all this big stuff like that's cool.

0:37:38.160 --> 0:37:41.800
<v Speaker 4>But I realize this is a very potential if we

0:37:41.880 --> 0:37:45.320
<v Speaker 4>do it right, to be a very powerful emotional story.

0:37:46.760 --> 0:37:48.440
<v Speaker 4>And I feel like we did that. I feel like

0:37:48.520 --> 0:37:51.239
<v Speaker 4>it was first and foremost because it was for all

0:37:51.320 --> 0:37:54.319
<v Speaker 4>of us involved in making it, you know. I mean

0:37:54.360 --> 0:37:57.520
<v Speaker 4>I cried writing issues, and Russell cried drawing them, and

0:37:57.520 --> 0:38:01.439
<v Speaker 4>our editors cried when the pages came in. We'd all cry.

0:38:01.440 --> 0:38:04.640
<v Speaker 4>And I'll still do signings, you know, where people bring

0:38:04.719 --> 0:38:07.719
<v Speaker 4>up door comics and start crying and everybody's crying. And

0:38:07.760 --> 0:38:11.640
<v Speaker 4>so I've never I've done stories that have affected people,

0:38:11.719 --> 0:38:14.799
<v Speaker 4>and done other stories I'm really proud of, and then

0:38:14.840 --> 0:38:17.319
<v Speaker 4>I think all the parts came together in the right way.

0:38:17.360 --> 0:38:20.719
<v Speaker 4>But that Jane Fosters story in particular, I think is

0:38:21.400 --> 0:38:23.760
<v Speaker 4>a bit of a cut of a cut above especially

0:38:23.760 --> 0:38:27.120
<v Speaker 4>the other Marvel stuff I've done, in terms of the

0:38:27.400 --> 0:38:28.800
<v Speaker 4>impact it's had on people.

0:38:30.160 --> 0:38:33.399
<v Speaker 1>Yeah, not to spoil anything for the listeners who maybe

0:38:33.480 --> 0:38:38.960
<v Speaker 1>haven't gotten that far, but the the exact page where

0:38:39.840 --> 0:38:46.200
<v Speaker 1>I was like, wow, this is emotionally surprising and hitting

0:38:46.239 --> 0:38:50.480
<v Speaker 1>me in ways that I was not ready for. Jane's

0:38:50.480 --> 0:38:55.239
<v Speaker 1>in the hospital and Volstag is there asleep in a

0:38:55.360 --> 0:38:58.720
<v Speaker 1>chair like in like a like a bag of chips

0:38:58.719 --> 0:39:02.960
<v Speaker 1>on his on his lap, and you know, it's a

0:39:03.000 --> 0:39:08.759
<v Speaker 1>really simple scene obviously contrasted with with the kind of

0:39:08.800 --> 0:39:12.640
<v Speaker 1>more godlike adventures that Jane is having, and it's so

0:39:12.800 --> 0:39:18.680
<v Speaker 1>grounded and it's so grounded in the friendship, really surprising

0:39:18.760 --> 0:39:23.000
<v Speaker 1>friendship between Volsag and Jane, and it was it was

0:39:23.040 --> 0:39:25.600
<v Speaker 1>just amazing. It was just an amazing scene. I love

0:39:25.680 --> 0:39:28.520
<v Speaker 1>quiet scenes like that as a longtime comics reader, and

0:39:28.600 --> 0:39:30.359
<v Speaker 1>it was that was a moment where I was like, wow,

0:39:30.440 --> 0:39:32.960
<v Speaker 1>this is really good, this is special.

0:39:33.360 --> 0:39:34.000
<v Speaker 4>Thanks.

0:39:34.239 --> 0:39:37.640
<v Speaker 2>Yeah. I worked in a comic shop actually in London

0:39:37.680 --> 0:39:40.560
<v Speaker 2>when that was coming out, and it was it was

0:39:40.560 --> 0:39:42.440
<v Speaker 2>one of those books where you could just feel it

0:39:42.840 --> 0:39:46.080
<v Speaker 2>like everyone was so excited when it came in and

0:39:46.640 --> 0:39:50.080
<v Speaker 2>when that first issue of My Etho with Jane on

0:39:50.120 --> 0:39:52.960
<v Speaker 2>the cover and everything, it was just like it was

0:39:53.040 --> 0:39:56.319
<v Speaker 2>the book and it definitely had that kind of emotional

0:39:56.880 --> 0:39:59.719
<v Speaker 2>depth that the best stories that make us fall in

0:39:59.760 --> 0:40:01.759
<v Speaker 2>love comics do. Like me and Jason talk a lot

0:40:01.800 --> 0:40:04.400
<v Speaker 2>about the eighties X Men stuff, like the Clamont stuff,

0:40:04.400 --> 0:40:05.880
<v Speaker 2>that was a lot of what kind of made us

0:40:05.880 --> 0:40:06.880
<v Speaker 2>fall in love with comics.

0:40:07.200 --> 0:40:07.879
<v Speaker 1>And I feel like.

0:40:07.840 --> 0:40:10.640
<v Speaker 2>Those quiet moments and that emotion and the kind of

0:40:10.680 --> 0:40:13.839
<v Speaker 2>impact of that story, which is obviously now still being

0:40:13.920 --> 0:40:17.840
<v Speaker 2>felt like years later, it really comes through in that way.

0:40:18.160 --> 0:40:20.880
<v Speaker 2>And so like, this is the tough situation in the

0:40:20.920 --> 0:40:23.640
<v Speaker 2>work for higher business, is it? What's it like for

0:40:23.719 --> 0:40:27.640
<v Speaker 2>you when you then see Natalie Portman get on stage

0:40:27.640 --> 0:40:31.040
<v Speaker 2>with Taikawai Tit and hold up the hammer and you

0:40:31.120 --> 0:40:32.680
<v Speaker 2>know that she's going to be Jane And then what

0:40:32.719 --> 0:40:34.600
<v Speaker 2>does it feel like a year and a half later

0:40:34.640 --> 0:40:38.160
<v Speaker 2>when you're seeing her on screen in this story that

0:40:38.560 --> 0:40:42.400
<v Speaker 2>this film that is obviously so inspired by the story

0:40:42.400 --> 0:40:43.320
<v Speaker 2>that you guys created.

0:40:45.040 --> 0:40:47.480
<v Speaker 4>Yeah, I mean I can say my experience has been

0:40:47.520 --> 0:40:50.479
<v Speaker 4>good and exciting that entire time, from like you said,

0:40:50.520 --> 0:40:53.080
<v Speaker 4>from when I first hear first found out, oh, they're

0:40:53.080 --> 0:40:56.640
<v Speaker 4>going to do Chain's story to oh, you know, Gore

0:40:56.719 --> 0:41:00.319
<v Speaker 4>the god Butcher's going to be in it, and and

0:41:00.400 --> 0:41:03.919
<v Speaker 4>I got to be, you know, more involved in this

0:41:04.440 --> 0:41:08.920
<v Speaker 4>project than kind of anything else before with Marvel Studios.

0:41:08.920 --> 0:41:12.200
<v Speaker 4>So that was nice too to kind of be in

0:41:12.280 --> 0:41:15.640
<v Speaker 4>the loop and and have my opinions sought out. I

0:41:15.920 --> 0:41:20.080
<v Speaker 4>appreciated that. So yeah, it's I can say it's been

0:41:20.080 --> 0:41:22.200
<v Speaker 4>a it's been a fun experience the whole way. It

0:41:22.280 --> 0:41:25.320
<v Speaker 4>still is, you know. I'm I'm still going to Target

0:41:25.320 --> 0:41:27.719
<v Speaker 4>and buying Jane Foster toys as they pop up on

0:41:27.719 --> 0:41:28.520
<v Speaker 4>the shows.

0:41:30.280 --> 0:41:30.720
<v Speaker 2>The Dream.

0:41:31.000 --> 0:41:34.360
<v Speaker 4>Yes, my guest bedroom is full of of you know,

0:41:34.480 --> 0:41:38.440
<v Speaker 4>Jane Foster stuff. So I'm still having fun and I'm

0:41:38.840 --> 0:41:41.840
<v Speaker 4>you know, anxious excited for people to see the finished

0:41:41.920 --> 0:41:45.920
<v Speaker 4>product and to see what what Taika and everybody involved

0:41:45.920 --> 0:41:46.960
<v Speaker 4>has has done with it.

0:41:48.800 --> 0:41:53.640
<v Speaker 1>How does some what's the workflow like with obviously would

0:41:53.719 --> 0:41:57.560
<v Speaker 1>change from team to team, artists to artists, but generally speaking,

0:41:57.760 --> 0:42:00.840
<v Speaker 1>you know, you're doing a book with with Russell or

0:42:00.960 --> 0:42:06.480
<v Speaker 1>Shad or whoever, how do you work out the mix

0:42:06.600 --> 0:42:09.160
<v Speaker 1>of script and art?

0:42:09.960 --> 0:42:12.400
<v Speaker 4>I mean to me, it's usually the same regardless of

0:42:12.440 --> 0:42:15.840
<v Speaker 4>who I'm working with. I mean, I remember very early

0:42:15.880 --> 0:42:18.320
<v Speaker 4>in my career, I think I was doing a Wolverine

0:42:18.360 --> 0:42:21.560
<v Speaker 4>story with Howard Jakin, you know, and I'd been reading

0:42:21.560 --> 0:42:23.480
<v Speaker 4>Howard Jake and comics since I was a kid, and

0:42:23.520 --> 0:42:26.520
<v Speaker 4>I was very intimidated at the idea of working with them.

0:42:26.560 --> 0:42:28.040
<v Speaker 4>So I thought, well, I'm going to pull out all

0:42:28.040 --> 0:42:30.560
<v Speaker 4>my old American Flag comics and reread them and try

0:42:30.560 --> 0:42:34.359
<v Speaker 4>to write a script just for Howard Jakin. And then

0:42:34.400 --> 0:42:36.040
<v Speaker 4>I realized, I don't know how to do that. I

0:42:36.080 --> 0:42:38.839
<v Speaker 4>can't do that like I can't. I just have to

0:42:38.880 --> 0:42:40.719
<v Speaker 4>write the script the way I write it, which is

0:42:40.760 --> 0:42:43.959
<v Speaker 4>generally I'm you know, I'm not writing those like five

0:42:44.040 --> 0:42:47.520
<v Speaker 4>page panel descriptions like in the Alan Moore Watchman script.

0:42:47.560 --> 0:42:50.800
<v Speaker 4>I'm not. In my mind. My job is just to

0:42:50.880 --> 0:42:54.600
<v Speaker 4>kind of give the artist enough of a springboard and

0:42:54.640 --> 0:42:56.360
<v Speaker 4>then get out of the way and let them do

0:42:56.440 --> 0:43:00.480
<v Speaker 4>what they do. So that's generally what I do, regardless

0:43:00.520 --> 0:43:03.960
<v Speaker 4>of who I'm working with. I think the few exceptions

0:43:04.000 --> 0:43:07.320
<v Speaker 4>are there times I've worked with somebody like Chris Pachallo

0:43:08.080 --> 0:43:12.360
<v Speaker 4>where it would develop into more like a some version

0:43:12.400 --> 0:43:16.359
<v Speaker 4>of a Marvel style approach like which was generally just

0:43:16.400 --> 0:43:18.680
<v Speaker 4>because I would I wrote a full script for him

0:43:18.719 --> 0:43:21.560
<v Speaker 4>and he would change it so radically. It didn't make

0:43:21.600 --> 0:43:26.759
<v Speaker 4>sense for me to do that. Yeah, it's like get

0:43:26.800 --> 0:43:28.799
<v Speaker 4>out of the way of let cause you know, I

0:43:28.840 --> 0:43:31.440
<v Speaker 4>would never have the guts to write a sixteen panel

0:43:31.480 --> 0:43:35.560
<v Speaker 4>page for anybody, even Chris Pachalo, but he would, he

0:43:35.600 --> 0:43:38.160
<v Speaker 4>would break him down that way himself. So I thought,

0:43:38.600 --> 0:43:40.640
<v Speaker 4>it's like, well, why don't we just let him do that?

0:43:40.719 --> 0:43:44.239
<v Speaker 4>So I would, and I think I've done that with

0:43:44.280 --> 0:43:46.440
<v Speaker 4>Adam Kubert. Just a couple of guys who want to

0:43:46.480 --> 0:43:49.400
<v Speaker 4>do that. Not all artists, you know, want that responsibility

0:43:49.440 --> 0:43:51.680
<v Speaker 4>of sort of breaking everything down themselves, but some do.

0:43:52.480 --> 0:43:56.960
<v Speaker 4>But beyond that, you know, I just feel like it's

0:43:57.000 --> 0:43:59.719
<v Speaker 4>not my job to tell Russell or as Old or

0:43:59.719 --> 0:44:02.160
<v Speaker 4>any body like how to draw. They know how to

0:44:02.200 --> 0:44:04.719
<v Speaker 4>do that, I don't. I just need to give them

0:44:04.880 --> 0:44:08.920
<v Speaker 4>some cool ideas, give them the emotion that's necessary in

0:44:08.960 --> 0:44:11.200
<v Speaker 4>this in this panel and this beat, and then just

0:44:11.239 --> 0:44:13.719
<v Speaker 4>get out of the way and let them let them

0:44:13.800 --> 0:44:14.920
<v Speaker 4>draw beautiful pictures.

0:44:18.560 --> 0:44:22.000
<v Speaker 2>So you've written like so many incredible characters at this point,

0:44:22.040 --> 0:44:24.920
<v Speaker 2>like your Black Panther, Sea Waconda and Die. That's like

0:44:24.920 --> 0:44:29.160
<v Speaker 2>one of my favorite comics ever. Yeah, it's such a

0:44:29.239 --> 0:44:31.880
<v Speaker 2>rad take on kind of scrolls and the secret invasion stuff.

0:44:32.760 --> 0:44:36.520
<v Speaker 2>Is there is there any characters that you still just

0:44:36.760 --> 0:44:39.319
<v Speaker 2>really really want to write that you have that kind

0:44:39.320 --> 0:44:44.360
<v Speaker 2>of dream. That's the pedestal character that you keep in

0:44:44.360 --> 0:44:44.840
<v Speaker 2>your pocket.

0:44:45.719 --> 0:44:49.520
<v Speaker 4>I mean, you know, I've I've never walked through my

0:44:49.640 --> 0:44:52.480
<v Speaker 4>career with like a long list of you know, how

0:44:52.520 --> 0:44:53.920
<v Speaker 4>I really want to write this guy, I want to

0:44:53.920 --> 0:44:57.759
<v Speaker 4>write that guy. I realized pretty quickly that the more

0:44:57.800 --> 0:45:01.080
<v Speaker 4>important part was kind of the the real life people

0:45:01.120 --> 0:45:04.319
<v Speaker 4>involved in my relationships with the editors and who's going

0:45:04.400 --> 0:45:06.839
<v Speaker 4>to draw it, and really kind of what felt right

0:45:06.880 --> 0:45:09.160
<v Speaker 4>for me at that moment in time, as opposed to,

0:45:09.920 --> 0:45:11.880
<v Speaker 4>you know, a character that I grew up reading and

0:45:11.920 --> 0:45:15.040
<v Speaker 4>loving as a kid. So that's kind of always the

0:45:15.080 --> 0:45:18.839
<v Speaker 4>way I've approached it. That said, there definitely, you know,

0:45:19.040 --> 0:45:22.200
<v Speaker 4>there's a short list of characters that I am such

0:45:22.200 --> 0:45:24.720
<v Speaker 4>a huge fan of that I've never really gotten to

0:45:24.760 --> 0:45:27.359
<v Speaker 4>tell a story with in a big way. I mean,

0:45:27.440 --> 0:45:29.680
<v Speaker 4>you know, Conan the Barbarian was on that list, and

0:45:29.719 --> 0:45:31.919
<v Speaker 4>I got to check that one off the last couple

0:45:31.960 --> 0:45:36.120
<v Speaker 4>of years. So yeah, there are definitely other characters a Marvel,

0:45:36.760 --> 0:45:38.480
<v Speaker 4>you know, a few. I mean, I feel like at

0:45:38.480 --> 0:45:41.279
<v Speaker 4>this point I've kind of gotten to my stories with

0:45:41.480 --> 0:45:44.000
<v Speaker 4>most everybody and some, but there's some I have not

0:45:44.840 --> 0:45:49.160
<v Speaker 4>really written in any significant way, and certainly haven't outside

0:45:49.200 --> 0:45:52.560
<v Speaker 4>of Marvel, haven't really written anybody else, but I you know,

0:45:52.640 --> 0:45:55.200
<v Speaker 4>I would say an oddball when, which will probably never

0:45:55.600 --> 0:46:00.000
<v Speaker 4>happen in my life, is I'm a huge Uncle Scrooge

0:46:00.640 --> 0:46:01.080
<v Speaker 4>I love.

0:46:01.600 --> 0:46:03.600
<v Speaker 2>Oh yeah, that's the good stuff.

0:46:03.680 --> 0:46:07.440
<v Speaker 4>I love. Especially the Don Rosa Uncle Scrooge stories I

0:46:07.480 --> 0:46:11.400
<v Speaker 4>think are really incredible, just great comics, like, regardless of

0:46:11.440 --> 0:46:14.400
<v Speaker 4>the fact that they're about talking ducks, like, they're just

0:46:14.520 --> 0:46:20.480
<v Speaker 4>really really good, beautifully drawn, unbelievable. Absolutely. I recommend there's

0:46:20.480 --> 0:46:23.359
<v Speaker 4>hardcovers out now of all of them from I think

0:46:23.400 --> 0:46:27.480
<v Speaker 4>from fantagraphics, really really well done books. I recommend them all,

0:46:27.520 --> 0:46:30.719
<v Speaker 4>but I think I would the Uncle Scrooge I would

0:46:30.719 --> 0:46:32.960
<v Speaker 4>put on the list probably if I had made a

0:46:32.960 --> 0:46:36.120
<v Speaker 4>list five years ago, been Conan number one, Uncle Scrooge

0:46:36.200 --> 0:46:39.640
<v Speaker 4>number two. So I've marked off one of those. We'll

0:46:39.680 --> 0:46:41.399
<v Speaker 4>see if someday I can get the other one.

0:46:42.400 --> 0:46:42.799
<v Speaker 1>I love that.

0:46:42.880 --> 0:46:45.720
<v Speaker 2>I mean, that's where the beginning of Indiana Jones comes from.

0:46:46.040 --> 0:46:47.960
<v Speaker 4>Absolutely, absolutely, So.

0:46:48.040 --> 0:46:50.040
<v Speaker 2>You know that's some influential stuff.

0:46:51.600 --> 0:46:56.240
<v Speaker 1>Uh, while you're in this sore run, you were releasing

0:46:56.320 --> 0:47:01.359
<v Speaker 1>creator own stuff on image Southern Southern Bastards. Yeah, is

0:47:02.520 --> 0:47:11.640
<v Speaker 1>this wonderful hard boiled southern detective action story that mixes

0:47:11.719 --> 0:47:16.160
<v Speaker 1>like college football at extreme violence. What was it like?

0:47:17.280 --> 0:47:20.040
<v Speaker 1>Where'd that story come from? Because it really feels like

0:47:21.480 --> 0:47:24.200
<v Speaker 1>if anybody knows anything about you, you know, the kind

0:47:24.239 --> 0:47:26.719
<v Speaker 1>of spare bio biographical details that are out there. This

0:47:26.719 --> 0:47:29.319
<v Speaker 1>feels like something that you have been ruminating on for

0:47:29.360 --> 0:47:32.760
<v Speaker 1>a while. It comes from your experience in ways maybe

0:47:32.760 --> 0:47:36.480
<v Speaker 1>that some of your marvel work maybe doesn't.

0:47:37.520 --> 0:47:39.520
<v Speaker 4>Yeah, like I said, I grew up in a small

0:47:39.600 --> 0:47:43.320
<v Speaker 4>town in Alabama, so I grew up with with football.

0:47:43.360 --> 0:47:46.560
<v Speaker 4>I grew up with you know, with religion and football,

0:47:46.600 --> 0:47:49.040
<v Speaker 4>and I think you can see the theme of faith

0:47:49.080 --> 0:47:53.000
<v Speaker 4>and religion spread throughout so much of the stuff I've done,

0:47:53.040 --> 0:47:56.240
<v Speaker 4>going back to that you know, first ten page Wolverine story,

0:47:56.680 --> 0:48:01.080
<v Speaker 4>through all of my thort stuff. So I'd never written

0:48:01.120 --> 0:48:03.920
<v Speaker 4>about football in any significant way until I got to

0:48:03.960 --> 0:48:07.080
<v Speaker 4>Southern Bastards, and it really the first idea was I

0:48:07.120 --> 0:48:09.440
<v Speaker 4>hadn't when I was doing Scalped I had an idea

0:48:09.480 --> 0:48:12.640
<v Speaker 4>for a crime boss who was a high school football

0:48:12.680 --> 0:48:17.040
<v Speaker 4>coach that I winded up never using, and that was

0:48:17.120 --> 0:48:19.360
<v Speaker 4>kind of a great springboard I thought for doing a

0:48:19.840 --> 0:48:23.520
<v Speaker 4>you know, a deep South crime story So it's very

0:48:23.600 --> 0:48:27.040
<v Speaker 4>much about you know, where I grew up, which is

0:48:27.120 --> 0:48:29.520
<v Speaker 4>kind of a as I've talked about, it's a love

0:48:29.640 --> 0:48:33.879
<v Speaker 4>letter slash, you know, letter of rage and anger. It's

0:48:33.960 --> 0:48:35.960
<v Speaker 4>sort of the things you love and that you don't

0:48:36.320 --> 0:48:38.719
<v Speaker 4>like so much about about where you're from. I love

0:48:38.800 --> 0:48:42.319
<v Speaker 4>being from a small town. I love being from the South.

0:48:42.360 --> 0:48:44.720
<v Speaker 4>I still I think I will always think of myself

0:48:44.760 --> 0:48:47.960
<v Speaker 4>as a Southern writer, even though I've lived outside the

0:48:48.000 --> 0:48:55.000
<v Speaker 4>South now for twenty years, twenty two years. So yeah,

0:48:55.040 --> 0:48:58.840
<v Speaker 4>I think it's very much that it's the as Southerners,

0:48:58.880 --> 0:49:01.760
<v Speaker 4>we don't like it when people from outside the South

0:49:01.880 --> 0:49:04.239
<v Speaker 4>talk crap about us. We kind of we only take

0:49:04.280 --> 0:49:08.480
<v Speaker 4>that from fellow Southerners. So it's me, you know, just

0:49:08.520 --> 0:49:11.360
<v Speaker 4>trying to pour all that into into one comic.

0:49:13.800 --> 0:49:16.879
<v Speaker 2>Yeah, And as like, you know, you're such a prolific writer,

0:49:16.960 --> 0:49:19.239
<v Speaker 2>and like you said, you've been writing ongoings, you've been

0:49:19.280 --> 0:49:22.760
<v Speaker 2>writing creative owned, you've been writing samperos. Do you still

0:49:23.120 --> 0:49:26.319
<v Speaker 2>you said you never stopped treating comics. So what's like

0:49:26.360 --> 0:49:29.160
<v Speaker 2>a comic or a story or piece of art that

0:49:29.200 --> 0:49:31.680
<v Speaker 2>you kind of always go back to, no matter how

0:49:31.719 --> 0:49:32.880
<v Speaker 2>far into this journey.

0:49:33.440 --> 0:49:40.160
<v Speaker 4>That's a good question. You know, I think certainly lately,

0:49:40.400 --> 0:49:44.920
<v Speaker 4>you know, after we found out George Prez was sick,

0:49:44.960 --> 0:49:47.160
<v Speaker 4>and then most recently when he passed away, like I

0:49:47.320 --> 0:49:50.480
<v Speaker 4>pulled out a lot of George Prez comics because they

0:49:50.480 --> 0:49:53.680
<v Speaker 4>were he As I've talked about, he was the first

0:49:53.960 --> 0:49:56.959
<v Speaker 4>comic artist whose work I could recognize as a kid,

0:49:57.200 --> 0:50:00.440
<v Speaker 4>be like, oh, that's the Teen Titans guy. What's this

0:50:00.480 --> 0:50:04.640
<v Speaker 4>new book he's doing, Crisis on Infinite Earth. So so

0:50:05.719 --> 0:50:10.319
<v Speaker 4>George Prez to find so much of my initial understanding

0:50:10.360 --> 0:50:13.799
<v Speaker 4>and love of comics. And I think even now and

0:50:13.800 --> 0:50:16.400
<v Speaker 4>probably until the day I die, if I if you,

0:50:16.560 --> 0:50:18.759
<v Speaker 4>if I close my eyes and you say, you know,

0:50:18.800 --> 0:50:22.440
<v Speaker 4>picture a comic book page, it's drawn by George Perez,

0:50:23.920 --> 0:50:27.279
<v Speaker 4>always in forever. So I've been pulling a lot of

0:50:27.280 --> 0:50:30.920
<v Speaker 4>that stuff out. You know, I have a lot of

0:50:30.960 --> 0:50:33.680
<v Speaker 4>comics like my I just moved like a year and

0:50:33.680 --> 0:50:35.600
<v Speaker 4>a half ago, so I just recently had to move

0:50:35.640 --> 0:50:38.680
<v Speaker 4>them all. So it made me appreciate even more how many,

0:50:38.800 --> 0:50:41.279
<v Speaker 4>just how many long boxes I have accumulated. So I

0:50:43.239 --> 0:50:47.400
<v Speaker 4>love digging into I'm pulling out lots of old books,

0:50:47.800 --> 0:50:49.200
<v Speaker 4>you know, Like I said, there was a lot of

0:50:49.239 --> 0:50:52.840
<v Speaker 4>stuff from that mid eighties DC period that I loved

0:50:52.960 --> 0:50:57.399
<v Speaker 4>Atari Forrest's kind of forgotten Jose Luis Garcia Lopez sci

0:50:57.440 --> 0:51:01.520
<v Speaker 4>fi book Blue Devil that same period by DC. It

0:51:01.560 --> 0:51:04.960
<v Speaker 4>was a huge book for me. And I think, I think,

0:51:05.040 --> 0:51:07.600
<v Speaker 4>I look at Blue Devil and Blue Beetle and and

0:51:08.560 --> 0:51:12.040
<v Speaker 4>ex Caliber, the original ex Caliber. Yeah, I love that,

0:51:13.680 --> 0:51:17.719
<v Speaker 4>the Giffn demitaeas Justice League, like all those things that

0:51:17.800 --> 0:51:22.040
<v Speaker 4>were funny and irreverent, but also you know, had real

0:51:22.080 --> 0:51:25.920
<v Speaker 4>emotion and waight and well rounded characters to them. I

0:51:25.960 --> 0:51:30.640
<v Speaker 4>think those books together defined so much of what I

0:51:30.719 --> 0:51:36.760
<v Speaker 4>love about comics.

0:51:34.360 --> 0:51:37.520
<v Speaker 1>As a as a fan and a writer. And now

0:51:37.680 --> 0:51:40.280
<v Speaker 1>well into your career, you've seen, you know, the industry

0:51:41.120 --> 0:51:46.799
<v Speaker 1>change from spinner racks to shops to digital and then

0:51:46.880 --> 0:51:51.160
<v Speaker 1>the uh, you know, the resurgence of of the shops.

0:51:51.719 --> 0:51:55.640
<v Speaker 1>Where do you what's what's your take on the way

0:51:55.680 --> 0:51:58.480
<v Speaker 1>the industry has changed and where do you think it's going.

0:51:59.840 --> 0:52:02.520
<v Speaker 4>I mean, that's such a huge question. I don't know

0:52:02.560 --> 0:52:07.319
<v Speaker 4>that I'm qualified to even answer that. I mean, I

0:52:07.320 --> 0:52:11.200
<v Speaker 4>don't know, you know, I'm still I'm still the same

0:52:11.280 --> 0:52:14.399
<v Speaker 4>kid who would pluck those books off the spinner rack.

0:52:14.560 --> 0:52:19.680
<v Speaker 4>I still love going to the comic store and buying

0:52:19.719 --> 0:52:20.760
<v Speaker 4>books off the shelf.

0:52:23.239 --> 0:52:25.319
<v Speaker 1>The reason I ask is because you know, I think

0:52:25.320 --> 0:52:28.600
<v Speaker 1>there was a lot of anxiety when digital came up.

0:52:28.680 --> 0:52:33.880
<v Speaker 1>Digital media, and you understand it, but then it seems like,

0:52:34.800 --> 0:52:37.520
<v Speaker 1>at least anecdotally to me, in the last couple of years,

0:52:38.960 --> 0:52:42.640
<v Speaker 1>there's been Now people have the choice, and there's a

0:52:42.680 --> 0:52:45.399
<v Speaker 1>lot of people coming into comics now and people are

0:52:45.440 --> 0:52:48.120
<v Speaker 1>seeking out that community of going into the shop and

0:52:48.200 --> 0:52:50.839
<v Speaker 1>talking to the person and getting a poll list and saying, hey,

0:52:50.920 --> 0:52:52.680
<v Speaker 1>what's good, what are you liking, what are you reading?

0:52:53.960 --> 0:52:59.080
<v Speaker 1>And that's something people are willingly doing now and it's

0:52:59.120 --> 0:53:02.360
<v Speaker 1>given me a lot of and I feel great about

0:53:03.320 --> 0:53:06.359
<v Speaker 1>kind of where the community is because of that, which

0:53:06.360 --> 0:53:06.839
<v Speaker 1>is why I ask.

0:53:06.960 --> 0:53:10.680
<v Speaker 4>Absolutely I agree. I mean, I think there was that

0:53:10.800 --> 0:53:13.440
<v Speaker 4>fear of will digital is gonna, you know, ruin the

0:53:13.440 --> 0:53:16.120
<v Speaker 4>brick and mortar stores, and we've seen that's not the case.

0:53:17.000 --> 0:53:21.320
<v Speaker 4>I mean, I have always felt that whatever stuff, whoever

0:53:21.360 --> 0:53:23.960
<v Speaker 4>you are, whatever stuff you're into, whatever you like to read,

0:53:24.000 --> 0:53:27.560
<v Speaker 4>there's a comic out there for you somewhere right like you.

0:53:27.560 --> 0:53:29.319
<v Speaker 4>You just have to be able to find it. You

0:53:29.360 --> 0:53:31.439
<v Speaker 4>need to walk into a good shop where they can

0:53:31.520 --> 0:53:35.160
<v Speaker 4>help direct you to it, or you find it, you know, digitally,

0:53:36.360 --> 0:53:38.840
<v Speaker 4>however you find it, however you get access to it.

0:53:38.920 --> 0:53:42.120
<v Speaker 4>Whatever that book is, I think, you know, we just

0:53:42.160 --> 0:53:45.919
<v Speaker 4>want to welcome people into comics, like please, please come

0:53:45.960 --> 0:53:48.680
<v Speaker 4>find that book. And every time I go to one

0:53:48.719 --> 0:53:51.920
<v Speaker 4>of the great comics stores we have across the country,

0:53:51.920 --> 0:53:56.120
<v Speaker 4>where it's you know, Third Y Comics in Maryland, or

0:53:56.200 --> 0:54:00.359
<v Speaker 4>the Isotope in San Francisco, or Our Heroes are hard

0:54:00.360 --> 0:54:04.640
<v Speaker 4>to find, and Charlotte a comic shop in Orlando, like

0:54:04.680 --> 0:54:07.160
<v Speaker 4>these are the shops I go to that Every time

0:54:07.200 --> 0:54:10.480
<v Speaker 4>I walk in, I see how passionate the people who

0:54:10.520 --> 0:54:13.120
<v Speaker 4>work there are, how beautiful a shop is, how it's

0:54:13.160 --> 0:54:15.879
<v Speaker 4>how easy it is to walk in out of the blue,

0:54:16.040 --> 0:54:18.200
<v Speaker 4>never been in a comic shop before, don't know the

0:54:18.400 --> 0:54:22.760
<v Speaker 4>secret handshake or the lingo, don't know anything, just looking

0:54:22.800 --> 0:54:26.000
<v Speaker 4>for something. And it makes me feel good to know

0:54:26.600 --> 0:54:28.960
<v Speaker 4>those people come in this shop, they're in good hands, right,

0:54:29.000 --> 0:54:31.839
<v Speaker 4>They're going to be directed to find a book they

0:54:31.880 --> 0:54:34.080
<v Speaker 4>will enjoy, and they will hopefully make them a comic

0:54:34.080 --> 0:54:37.120
<v Speaker 4>book reader, just like you know New teen Titans did

0:54:37.120 --> 0:54:41.040
<v Speaker 4>for me all those years ago. So I still love that.

0:54:41.160 --> 0:54:43.759
<v Speaker 4>I love that idea of the good shops, and like

0:54:43.800 --> 0:54:45.920
<v Speaker 4>I said, every time I go to them, i'd leave

0:54:46.840 --> 0:54:50.640
<v Speaker 4>excited to go do new work, you know, excited knowing

0:54:50.719 --> 0:54:52.640
<v Speaker 4>like those are the people on the front lines, those

0:54:52.640 --> 0:54:55.880
<v Speaker 4>are the people putting books in the hands of readers.

0:54:55.920 --> 0:54:58.839
<v Speaker 4>So it just makes me happy to see people who

0:54:58.840 --> 0:55:01.279
<v Speaker 4>are loving that and win such a great job of it.

0:55:02.840 --> 0:55:05.880
<v Speaker 1>Finally, Jason, how are you feeling about the SEC? How

0:55:05.880 --> 0:55:07.799
<v Speaker 1>do you feeling on SEC football this time?

0:55:07.880 --> 0:55:14.440
<v Speaker 4>Well? That's we could do a host separate podcast on that.

0:55:14.680 --> 0:55:16.480
<v Speaker 4>I mean, he got you know, you got Texas and

0:55:16.520 --> 0:55:20.160
<v Speaker 4>Oklahoma about to join, you got, you know, my my

0:55:20.280 --> 0:55:26.240
<v Speaker 4>guy Nick Saban infuriating Jimbo Fisher to the point this firing.

0:55:27.480 --> 0:55:30.279
<v Speaker 4>I will just say, you know the like I get it,

0:55:30.360 --> 0:55:33.440
<v Speaker 4>I get it. I get why everybody else in the

0:55:33.480 --> 0:55:37.640
<v Speaker 4>country hates Alabama despises Nick Saban. I probably would too

0:55:37.760 --> 0:55:40.640
<v Speaker 4>if I wasn't from Alabama, if I wasn't a Crimson typhan.

0:55:41.239 --> 0:55:46.319
<v Speaker 4>But he is my guy, and you don't want that

0:55:46.360 --> 0:55:50.200
<v Speaker 4>guy pissed off. You don't want him. I mean every

0:55:50.239 --> 0:55:52.160
<v Speaker 4>time he sort of looks around at the landscape of

0:55:52.200 --> 0:55:54.480
<v Speaker 4>college football and says, hey, is this how we want

0:55:54.520 --> 0:55:57.520
<v Speaker 4>it to be? And everybody says yes it is. He

0:55:57.600 --> 0:56:00.440
<v Speaker 4>says okay, and then he goes and you is that

0:56:00.560 --> 0:56:03.920
<v Speaker 4>to win football games? And I feel like this season,

0:56:04.040 --> 0:56:06.799
<v Speaker 4>this team he's got could be the best team he's

0:56:06.840 --> 0:56:09.600
<v Speaker 4>ever had, potential to be the best team he's ever had,

0:56:10.040 --> 0:56:13.080
<v Speaker 4>which I think should frighten and terrify the rest of

0:56:13.160 --> 0:56:17.319
<v Speaker 4>college football. That's just what that man continues to be

0:56:17.400 --> 0:56:18.040
<v Speaker 4>capable of.

0:56:20.560 --> 0:56:21.879
<v Speaker 1>Jason Aaron, thank you so much.

0:56:22.320 --> 0:56:23.680
<v Speaker 2>Yeah, thank you so much for coming.

0:56:23.800 --> 0:56:24.879
<v Speaker 4>Thank you all. This was fun.

0:56:27.840 --> 0:56:29.640
<v Speaker 1>Thank you to Jason Aaron for speaking with us, and

0:56:29.680 --> 0:56:32.200
<v Speaker 1>thank you to all of our listeners for the amazing questions.

0:56:32.280 --> 0:56:34.040
<v Speaker 1>Keep them coming. We love hearing from you. If you

0:56:34.040 --> 0:56:36.320
<v Speaker 1>want to hear more bonus content, send us an email

0:56:36.360 --> 0:56:38.600
<v Speaker 1>or drop a review on Apple Podcasting. You want more

0:56:38.600 --> 0:56:40.840
<v Speaker 1>ex Vision, We'll do our best to oblige. X ray

0:56:40.920 --> 0:56:42.880
<v Speaker 1>Vision is a Crooked Media production. The show is produced

0:56:42.920 --> 0:56:44.880
<v Speaker 1>by Chris Lord and Soul Rubin. The show is executive

0:56:44.880 --> 0:56:47.560
<v Speaker 1>produced by myself and Sandy Rhard are editing and sound

0:56:47.560 --> 0:56:51.400
<v Speaker 1>design who's by Vascillis Photopoulos, Dilon Villanueva and Matt de

0:56:51.440 --> 0:56:54.959
<v Speaker 1>Group provide video production support. Alex Rella for handle social media.

0:56:55.000 --> 0:56:58.360
<v Speaker 1>Thank you Brian Vasquez. For the music, see nex Time